1 00:00:00,320 --> 00:00:02,960 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,000 --> 00:00:05,280 Speaker 1: am your host Movie Mike. There is so much going 3 00:00:05,320 --> 00:00:08,400 Speaker 1: on on this episode. If you're here for the first time, Ah, 4 00:00:08,480 --> 00:00:10,680 Speaker 1: you picked a good one because we are bursting out 5 00:00:10,720 --> 00:00:13,880 Speaker 1: the themes. We have so much movie content coming out 6 00:00:13,880 --> 00:00:16,560 Speaker 1: of our butts. On this week's episode. Have an interview 7 00:00:16,560 --> 00:00:18,680 Speaker 1: coming up with Luke Helmsworth. Yes, he is a brother 8 00:00:18,720 --> 00:00:21,120 Speaker 1: of Chris and Liam Hemsworth. He is in a new 9 00:00:21,160 --> 00:00:23,520 Speaker 1: movie called Gunner. We'll talk to him about how he 10 00:00:23,560 --> 00:00:25,560 Speaker 1: got into shape for that movie. He shares a really 11 00:00:25,560 --> 00:00:27,680 Speaker 1: fun story about how he used to write and direct 12 00:00:27,760 --> 00:00:29,960 Speaker 1: scenes with him and his brothers when they were growing up. 13 00:00:30,120 --> 00:00:33,320 Speaker 1: We'll also talk to the director Demitri All about making 14 00:00:33,320 --> 00:00:36,519 Speaker 1: that movie working with Morgan Freeman. But before that, we'll 15 00:00:36,520 --> 00:00:40,040 Speaker 1: talk about everything Disney announced at the d twenty three event. 16 00:00:40,159 --> 00:00:42,600 Speaker 1: All the new movies coming to Disney will play Dinger 17 00:00:42,680 --> 00:00:45,319 Speaker 1: Dong movies I'm excited about, in movies I could care 18 00:00:45,400 --> 00:00:47,960 Speaker 1: less about when it comes to Disney. In the movie 19 00:00:48,000 --> 00:00:52,040 Speaker 1: review Alien Romulus trying to revive the Alien franchise, I'll 20 00:00:52,120 --> 00:00:54,120 Speaker 1: let you know how they did with that. And in 21 00:00:54,200 --> 00:00:56,240 Speaker 1: the trailer Park, we'll take a look at the Saturday 22 00:00:56,320 --> 00:00:59,319 Speaker 1: Night Live movie called Well Saturday Night Again. If you're 23 00:00:59,320 --> 00:01:01,320 Speaker 1: here for the first time, you picked a good one. 24 00:01:01,480 --> 00:01:05,080 Speaker 1: Welcome back to the movie crew, and now let's talk movies. 25 00:01:05,440 --> 00:01:08,679 Speaker 2: In a world where everyone and their mother has a podcast, 26 00:01:09,120 --> 00:01:13,039 Speaker 2: one man stands to infiltrate the ears of listeners like 27 00:01:13,120 --> 00:01:17,080 Speaker 2: never before in a movie podcast. A man with so 28 00:01:17,200 --> 00:01:20,080 Speaker 2: much movie knowledge, he's basically like a. 29 00:01:20,120 --> 00:01:22,640 Speaker 3: Walking IMTB with glasses. 30 00:01:23,040 --> 00:01:24,880 Speaker 1: From the Nashville Podcast. 31 00:01:24,440 --> 00:01:28,400 Speaker 2: Network, this is Movie Mike's movie podcast. 32 00:01:29,040 --> 00:01:31,800 Speaker 1: Before we get into our interview with Luke Hemsworth and 33 00:01:31,840 --> 00:01:34,440 Speaker 1: the director of Gunner, I want to talk about everything 34 00:01:34,520 --> 00:01:37,600 Speaker 1: that went down recently at the d twenty three event. 35 00:01:37,720 --> 00:01:41,040 Speaker 1: If you're not familiar with it. Essentially, it's like Comic 36 00:01:41,080 --> 00:01:44,200 Speaker 1: Con but for Disney, where they get up on stages 37 00:01:44,200 --> 00:01:46,320 Speaker 1: and talk about all the movies they have coming out 38 00:01:46,360 --> 00:01:48,760 Speaker 1: in the next year to try to get us hype. 39 00:01:48,800 --> 00:01:52,320 Speaker 1: But when getting into everything they announced, there's not a 40 00:01:52,400 --> 00:01:55,520 Speaker 1: whole lot of originality here, and that kind of worries me, 41 00:01:55,880 --> 00:01:58,320 Speaker 1: just because I feel like Disney was always pushing the 42 00:01:58,560 --> 00:02:02,360 Speaker 1: envelope giving us news stories, and now they are really 43 00:02:02,560 --> 00:02:05,840 Speaker 1: really hesitant about what they put out In theaters because 44 00:02:05,840 --> 00:02:08,720 Speaker 1: they want to put out billion dollar movies like Inside 45 00:02:08,720 --> 00:02:13,440 Speaker 1: Out too, and what just keeps working are their known properties. 46 00:02:14,040 --> 00:02:16,800 Speaker 1: So with all these movies getting announced, it just seems like, Okay, 47 00:02:16,840 --> 00:02:19,440 Speaker 1: this is all great. Me in my thirties get to 48 00:02:19,440 --> 00:02:22,360 Speaker 1: relive my childhood a little bit. But they have given 49 00:02:22,440 --> 00:02:25,400 Speaker 1: us some original movies in the last few years, and 50 00:02:25,440 --> 00:02:29,440 Speaker 1: they just haven't been as supported and as successful as 51 00:02:29,440 --> 00:02:31,680 Speaker 1: some of these other ones. So what we're gonna do 52 00:02:31,960 --> 00:02:34,760 Speaker 1: is ding or dong. If it's a ding, that means 53 00:02:34,800 --> 00:02:38,160 Speaker 1: I'm excited for this movie. If it's a dong, I 54 00:02:38,200 --> 00:02:41,360 Speaker 1: am kind of checking myself out, don't really care about it. 55 00:02:41,400 --> 00:02:44,360 Speaker 1: I'm probably still gonna see it because it's Disney, but 56 00:02:44,440 --> 00:02:51,040 Speaker 1: I will not be happy about it. But let's kick 57 00:02:51,080 --> 00:02:53,760 Speaker 1: off the list now with Mufassa The Lion King, which 58 00:02:53,800 --> 00:02:55,919 Speaker 1: they showed a new trailer of. This movie is coming 59 00:02:55,919 --> 00:02:58,840 Speaker 1: out later this year on December twentieth. It is both 60 00:02:58,880 --> 00:03:02,400 Speaker 1: a prequel and a cell overall, I'm gonna give this 61 00:03:02,440 --> 00:03:08,400 Speaker 1: movie a dong. I'm just not that excited for it 62 00:03:08,440 --> 00:03:11,679 Speaker 1: as much as I was anticipating the twenty nineteen live 63 00:03:11,720 --> 00:03:14,720 Speaker 1: action movie, And really that was only because nineteen ninety 64 00:03:14,760 --> 00:03:17,600 Speaker 1: four is Lion King is the best Disney movie of 65 00:03:17,639 --> 00:03:20,519 Speaker 1: all time. It's not my favorite, but pound for pound 66 00:03:20,760 --> 00:03:23,440 Speaker 1: is the best Disney movie of all time. And really, 67 00:03:23,440 --> 00:03:26,079 Speaker 1: with the twenty nineteen version, they just took that movie 68 00:03:26,480 --> 00:03:30,200 Speaker 1: and gave it some updated computer generated graphics. It's not 69 00:03:30,240 --> 00:03:33,040 Speaker 1: really live action, which is really what frustrates me the 70 00:03:33,080 --> 00:03:37,520 Speaker 1: most about the Lion King reboot. So at D twenty 71 00:03:37,520 --> 00:03:39,240 Speaker 1: three they did share a little bit more about the 72 00:03:39,240 --> 00:03:43,600 Speaker 1: story gonna be about Mufasa, who is a orphan lion cub, 73 00:03:43,680 --> 00:03:46,600 Speaker 1: and how he befriends a young prince Scar and gets 74 00:03:46,600 --> 00:03:49,520 Speaker 1: adopted by his family. So I guess that kind of 75 00:03:49,560 --> 00:03:53,520 Speaker 1: answers the question of why they are brothers but nothing alike, 76 00:03:53,560 --> 00:03:56,560 Speaker 1: which I don't know if lions are supposed to look alike, 77 00:03:56,640 --> 00:03:59,760 Speaker 1: but anyway, it answers that question. Not really high for 78 00:03:59,800 --> 00:04:02,440 Speaker 1: this movie. I don't even think it's going to do 79 00:04:02,640 --> 00:04:05,840 Speaker 1: as well as the twenty nineteen movie, which was a 80 00:04:05,880 --> 00:04:08,839 Speaker 1: billion dollar movie. It just kind of seems like they're 81 00:04:08,880 --> 00:04:11,320 Speaker 1: really scraping the barrel to get more out of the 82 00:04:11,360 --> 00:04:13,360 Speaker 1: Lion King franchise. It's kind of like when you have 83 00:04:13,400 --> 00:04:16,160 Speaker 1: a tube of toothpaste that you should probably throw away, 84 00:04:16,440 --> 00:04:19,480 Speaker 1: but you're still so determined to get another couple brushings 85 00:04:19,800 --> 00:04:22,000 Speaker 1: out of that last little thing you squeeze out of 86 00:04:22,000 --> 00:04:24,599 Speaker 1: the tube. That is how I feel about Mufasa the 87 00:04:24,640 --> 00:04:27,640 Speaker 1: Lion King. So that one gets a dong. Snow White. 88 00:04:27,680 --> 00:04:30,440 Speaker 1: They showed the new trailer with Rachel Zeggler, who is 89 00:04:30,480 --> 00:04:34,040 Speaker 1: gonna be the new snow White. Galgado is the evil Queen. 90 00:04:34,600 --> 00:04:37,080 Speaker 1: It gave us the first taste of Rachel singing whistle 91 00:04:37,080 --> 00:04:40,440 Speaker 1: why You Work, which is a classic song. Crazy that 92 00:04:40,440 --> 00:04:42,919 Speaker 1: the original movie came out back in nineteen thirty seven, 93 00:04:43,120 --> 00:04:46,200 Speaker 1: the first ever Disney animated movie, back when they would 94 00:04:46,240 --> 00:04:50,360 Speaker 1: hand draw every single frame. This movie is coming out 95 00:04:50,560 --> 00:04:55,240 Speaker 1: next year, March twenty twenty five. I'm just slightly more 96 00:04:55,279 --> 00:04:59,520 Speaker 1: excited for this one than I am Mufasa the Lion King. 97 00:05:00,360 --> 00:05:03,440 Speaker 1: But man, there's just something about even the nineteen thirty 98 00:05:03,480 --> 00:05:06,800 Speaker 1: seven version that is special because it has that warmth, 99 00:05:07,320 --> 00:05:11,359 Speaker 1: It has that vibrant feeling of real animation, and this 100 00:05:11,440 --> 00:05:14,200 Speaker 1: is gonna make me sound so old. I just find 101 00:05:14,240 --> 00:05:17,200 Speaker 1: that to be so much more magical, and I feel 102 00:05:17,200 --> 00:05:20,919 Speaker 1: like this remake is going to be really lifeless. It 103 00:05:21,040 --> 00:05:24,680 Speaker 1: sounds like the filmmaking process has already been chaotic, almost 104 00:05:24,760 --> 00:05:27,520 Speaker 1: like Rachel Zegler doesn't even want to be in this movie, 105 00:05:27,960 --> 00:05:31,760 Speaker 1: So I find that entire aspect interesting, But overall, I'm 106 00:05:31,800 --> 00:05:38,560 Speaker 1: still giving this one a dog. They also showed another 107 00:05:38,640 --> 00:05:40,920 Speaker 1: trailer for ma Wana two, which is coming out this 108 00:05:41,000 --> 00:05:44,760 Speaker 1: year on November twenty seventh. Mowana was kind of a 109 00:05:44,800 --> 00:05:46,599 Speaker 1: sleeper hit for me. When I went to go see 110 00:05:46,600 --> 00:05:48,680 Speaker 1: it in theaters, I didn't really care for it that much. 111 00:05:49,279 --> 00:05:51,359 Speaker 1: Watched it again when they went to streaming, I was like, Okay, 112 00:05:51,400 --> 00:05:53,840 Speaker 1: I kind of get it, and now it is one 113 00:05:53,839 --> 00:05:57,120 Speaker 1: of my favorite Disney movies of the twenty tens, and 114 00:05:57,240 --> 00:06:01,039 Speaker 1: really the last great movie that the rock and I 115 00:06:01,080 --> 00:06:03,720 Speaker 1: think if they can capture that same energy as the 116 00:06:03,760 --> 00:06:07,400 Speaker 1: first one, bring us some great new songs, I think 117 00:06:07,440 --> 00:06:09,520 Speaker 1: this one is gonna be a hit for them. I 118 00:06:09,560 --> 00:06:13,080 Speaker 1: don't think it's gonna be as successful as what inside 119 00:06:13,080 --> 00:06:16,000 Speaker 1: Out two was to Inside Out one, but I think 120 00:06:16,080 --> 00:06:18,280 Speaker 1: this one could really rival it, because when you look 121 00:06:18,320 --> 00:06:22,120 Speaker 1: at what makes movies really great and a hit among families, 122 00:06:22,160 --> 00:06:25,560 Speaker 1: it's that soundtrack. Inside Out two doesn't really have that. 123 00:06:25,560 --> 00:06:28,359 Speaker 1: That one just hits you more in the fields. But 124 00:06:28,440 --> 00:06:30,640 Speaker 1: I think if this one has a really good soundtrack 125 00:06:30,680 --> 00:06:32,960 Speaker 1: that can get people excited about it. It's gonna do 126 00:06:33,040 --> 00:06:38,120 Speaker 1: well this one. I give a ding. They also finally 127 00:06:38,200 --> 00:06:41,520 Speaker 1: announced the title to the sequel to Freaky Friday. It 128 00:06:41,600 --> 00:06:46,280 Speaker 1: is called Sub Creative Freaky or Friday. Lindsay Loewen Coming Back, 129 00:06:46,400 --> 00:06:49,479 Speaker 1: Jamie Lee Curtis Coming Back. The movie is set to 130 00:06:49,480 --> 00:06:53,480 Speaker 1: come out in twenty twenty five. I am all for 131 00:06:53,960 --> 00:06:58,160 Speaker 1: the Lindsay Lohan revival. She's put out some pretty good 132 00:06:58,200 --> 00:07:02,000 Speaker 1: movies on her comeback. It was such a movie icon 133 00:07:02,120 --> 00:07:05,880 Speaker 1: from nineteen ninety eight. The parent Trap really solidified her 134 00:07:05,880 --> 00:07:08,839 Speaker 1: career in the mid to early two thousands with movies 135 00:07:08,880 --> 00:07:11,960 Speaker 1: like Life Size, Get a Clue, Freaky Friday, Confessions of 136 00:07:11,960 --> 00:07:15,880 Speaker 1: a Teenage Drama, Queen Herbie fully Loaded in two thousand 137 00:07:15,920 --> 00:07:18,000 Speaker 1: and five, and then someone say that she fell off 138 00:07:18,040 --> 00:07:20,240 Speaker 1: a little bit after there. Her personal life probably got 139 00:07:20,280 --> 00:07:22,840 Speaker 1: a little bit chaotic. But now she is back and 140 00:07:23,040 --> 00:07:28,000 Speaker 1: I am all for the Freaky Friday sequel. Now, when 141 00:07:28,080 --> 00:07:31,800 Speaker 1: it comes to live action sequels from Disney that take 142 00:07:31,840 --> 00:07:35,000 Speaker 1: place about twenty years after the original, I do have 143 00:07:35,040 --> 00:07:39,360 Speaker 1: some hesitancy, especially with Freaky Friday, which is a perfect 144 00:07:39,400 --> 00:07:43,040 Speaker 1: movie and a reflection of two thousand and three. Whenever 145 00:07:43,080 --> 00:07:45,680 Speaker 1: you have such a hit that is a hit because 146 00:07:45,720 --> 00:07:48,640 Speaker 1: it is a product of that time, it is hard 147 00:07:48,680 --> 00:07:52,000 Speaker 1: to do a sequel too. I'm talking about movies like 148 00:07:52,040 --> 00:07:55,640 Speaker 1: hocus Pocus, when that original is a classic. Watch it 149 00:07:55,680 --> 00:07:58,680 Speaker 1: every single Halloween. When they did that sequel, it just 150 00:07:58,760 --> 00:08:01,520 Speaker 1: really didn't hit the same because it did all the 151 00:08:01,600 --> 00:08:04,440 Speaker 1: exact same things from the first movie, and it just 152 00:08:04,440 --> 00:08:08,960 Speaker 1: felt so dated. I worry that that is a similar 153 00:08:09,000 --> 00:08:12,160 Speaker 1: issue they are going to have with the Freaky Friday sequel. 154 00:08:12,240 --> 00:08:14,920 Speaker 1: I feel if the budget isn't right and they're really 155 00:08:14,960 --> 00:08:18,400 Speaker 1: cutting quarters just to crank something out to get people excited, 156 00:08:18,440 --> 00:08:22,040 Speaker 1: like hey, they're back together. I'm also really hesitant now 157 00:08:22,040 --> 00:08:24,800 Speaker 1: about anything Jamie Lee Curtis is in. I feel like 158 00:08:24,880 --> 00:08:27,400 Speaker 1: she is in a phase of her career where she's 159 00:08:27,480 --> 00:08:29,640 Speaker 1: doing things for the paycheck, which is fine. She's had 160 00:08:29,680 --> 00:08:33,040 Speaker 1: such a long career made some really great movies. I 161 00:08:33,080 --> 00:08:36,040 Speaker 1: am forever in debt to her because of the Halloween franchise. 162 00:08:36,080 --> 00:08:39,280 Speaker 1: Even though she oddly hates any type of horror movie, 163 00:08:39,360 --> 00:08:41,719 Speaker 1: she talks to trap on them all the time in interviews, 164 00:08:41,960 --> 00:08:45,280 Speaker 1: and she just had a really bad bomb with Borderlands, 165 00:08:45,360 --> 00:08:49,640 Speaker 1: so hopefully, hopefully this kills her streak of putting out 166 00:08:49,760 --> 00:08:53,959 Speaker 1: some lower quality movies. So overall, I am all in 167 00:08:54,040 --> 00:08:57,400 Speaker 1: for this movie before they show me otherwise, I give 168 00:08:57,440 --> 00:09:01,280 Speaker 1: it a ding. I'm moving on now to the new 169 00:09:01,320 --> 00:09:05,080 Speaker 1: Tron sequel, Tron Ares. It's coming out starring Jared Leto 170 00:09:05,520 --> 00:09:10,120 Speaker 1: Evan Peters Greatily. The score will be by nine inch Nails. 171 00:09:10,160 --> 00:09:13,880 Speaker 1: The movie is coming out on October tenth, twenty twenty five. 172 00:09:14,400 --> 00:09:17,160 Speaker 1: I never really got into Tron. The first movie came 173 00:09:17,200 --> 00:09:20,360 Speaker 1: out back in nineteen eighty two, and I feel that 174 00:09:20,440 --> 00:09:23,280 Speaker 1: it lands in that category of sci fi movies that 175 00:09:23,360 --> 00:09:26,600 Speaker 1: were just a little ahead of their time, movies like 176 00:09:26,640 --> 00:09:31,319 Speaker 1: Tron and Dune, where the source material was there, they 177 00:09:31,400 --> 00:09:34,840 Speaker 1: just didn't really have the technology available to them in 178 00:09:34,880 --> 00:09:39,240 Speaker 1: the eighties to really make those movies work unless you 179 00:09:39,280 --> 00:09:41,120 Speaker 1: were a kid in the eighties, which you really didn't 180 00:09:41,160 --> 00:09:44,040 Speaker 1: care about that. But whenever I was exposed to Tron, 181 00:09:44,679 --> 00:09:47,320 Speaker 1: I was a kid in the nineties, probably like late 182 00:09:47,400 --> 00:09:49,840 Speaker 1: nineties when I first saw Tron, and it just felt 183 00:09:49,920 --> 00:09:52,200 Speaker 1: so dated to me. That was always the issue I 184 00:09:52,280 --> 00:09:55,520 Speaker 1: had with eighties movies is they just look so old 185 00:09:55,600 --> 00:09:59,040 Speaker 1: to me, which is wild to think, because when I 186 00:09:59,080 --> 00:10:01,920 Speaker 1: started watching movie that I really remember was probably the 187 00:10:02,000 --> 00:10:05,520 Speaker 1: late nineties, and anything in the eighties just seemed like 188 00:10:05,559 --> 00:10:08,439 Speaker 1: it was made so long ago. But if you do 189 00:10:08,520 --> 00:10:13,080 Speaker 1: that comparison now in twenty twenty four, you'd be talking 190 00:10:13,120 --> 00:10:16,440 Speaker 1: about movies from the twenty tens, movies like Hangover too 191 00:10:16,679 --> 00:10:19,240 Speaker 1: that people would be like, Oh, that movie looks so old. 192 00:10:19,559 --> 00:10:21,920 Speaker 1: I feel like it's just because technology has gotten so 193 00:10:22,040 --> 00:10:24,280 Speaker 1: much better, or maybe I just don't want to believe 194 00:10:24,320 --> 00:10:27,120 Speaker 1: that I'm getting older that I don't see those time 195 00:10:27,240 --> 00:10:30,440 Speaker 1: jumps to be as harsh when it comes to a 196 00:10:30,520 --> 00:10:32,520 Speaker 1: movie that comes out in twenty twenty four and how 197 00:10:32,600 --> 00:10:35,240 Speaker 1: much older it looks compared to something that came out 198 00:10:35,240 --> 00:10:38,120 Speaker 1: in twenty ten. I also believe on a movie by 199 00:10:38,200 --> 00:10:42,120 Speaker 1: movie basis, sometimes some of that cgi from like two 200 00:10:42,200 --> 00:10:44,920 Speaker 1: thousand and eight to twenty ten looks better than stuff 201 00:10:44,960 --> 00:10:47,520 Speaker 1: coming out in twenty twenty four. But I think for 202 00:10:47,600 --> 00:10:51,520 Speaker 1: that reason, never really got into Tron. Tron Legacy came 203 00:10:51,559 --> 00:10:54,600 Speaker 1: out in twenty ten, and still I just don't fully 204 00:10:54,720 --> 00:10:57,360 Speaker 1: understand the concept to it. It doesn't really speak to me. 205 00:10:58,000 --> 00:11:01,160 Speaker 1: So for this one with Jared Leto, who recently saw 206 00:11:01,240 --> 00:11:04,640 Speaker 1: him on a bird scooter in Nashville. Just seems like 207 00:11:04,679 --> 00:11:09,319 Speaker 1: a really peculiar dude and somebody who has had a 208 00:11:09,320 --> 00:11:12,800 Speaker 1: pretty interesting film career from Fight Club to Dallas Buyers Club. 209 00:11:13,640 --> 00:11:15,839 Speaker 1: But I just don't really see him as an actor 210 00:11:15,960 --> 00:11:18,880 Speaker 1: as famous as he is. I also don't really see 211 00:11:18,920 --> 00:11:21,319 Speaker 1: him as a musician. I just see him as Jared Leto, 212 00:11:21,440 --> 00:11:24,400 Speaker 1: the guy who is famous for kind of being weird, 213 00:11:24,480 --> 00:11:27,240 Speaker 1: has been in a lot of movies. His best role 214 00:11:27,280 --> 00:11:30,199 Speaker 1: ever is probably Morvious. I wanted to track him down 215 00:11:30,200 --> 00:11:32,240 Speaker 1: while I saw him on that bird scooter and say, hey, 216 00:11:32,520 --> 00:11:35,240 Speaker 1: when is Morbus two coming out? Man, it's Morgan time. 217 00:11:35,800 --> 00:11:38,720 Speaker 1: So for Tron the sequel with Jared Leto, I gotta 218 00:11:38,760 --> 00:11:46,240 Speaker 1: give this one a dong. They also showed some footage 219 00:11:46,240 --> 00:11:49,600 Speaker 1: from The Mandalorian and Grogu, which will be directed by 220 00:11:49,679 --> 00:11:53,079 Speaker 1: Jon Favreau, who is one of my favorite directors. I 221 00:11:53,120 --> 00:11:56,120 Speaker 1: don't really think he gets the credit that he deserves 222 00:11:56,240 --> 00:11:58,800 Speaker 1: for how much he did in the MCU, with Iron Man, 223 00:11:59,320 --> 00:12:02,760 Speaker 1: everything he's done with The Mandalorian. He has so many 224 00:12:02,800 --> 00:12:05,240 Speaker 1: great movies, But I feel like when you talk to 225 00:12:05,360 --> 00:12:09,439 Speaker 1: the typical film enthusiasts, they want to talk about Tarantino. 226 00:12:09,840 --> 00:12:16,280 Speaker 1: David Fincher, Christopher Nolan, Martin Scorsese, nobody really gives Jon 227 00:12:16,360 --> 00:12:20,960 Speaker 1: Favreau the praise that he deserves for creating movies with 228 00:12:21,160 --> 00:12:26,920 Speaker 1: huge worlds, being able to blend action and heart and 229 00:12:27,080 --> 00:12:30,000 Speaker 1: just do it in a seamless way. So for that 230 00:12:30,240 --> 00:12:33,760 Speaker 1: reason and the fact that The Mandalorian is my favorite 231 00:12:33,760 --> 00:12:36,520 Speaker 1: Star Wars show, I kind of got into the Alkalite. 232 00:12:37,080 --> 00:12:39,080 Speaker 1: I enjoyed that one enough to follow it all the 233 00:12:39,120 --> 00:12:41,840 Speaker 1: way through, and not only is it the best Star 234 00:12:41,880 --> 00:12:44,680 Speaker 1: Wars show, I feel out of everything they've put out, 235 00:12:44,720 --> 00:12:47,120 Speaker 1: including the movies. Even though I love all the movies 236 00:12:47,160 --> 00:12:49,839 Speaker 1: with Daisy Ridley, I still feel like it is the 237 00:12:49,840 --> 00:12:52,200 Speaker 1: best product to come out of Star Wars in a 238 00:12:52,320 --> 00:12:55,880 Speaker 1: very long time. Mandalorian is top tier for me, So 239 00:12:55,960 --> 00:13:00,360 Speaker 1: I can't wait to see how that translates into a movie. Fully, 240 00:13:00,520 --> 00:13:03,199 Speaker 1: it will be better than the last season of The Mandalorian, 241 00:13:03,600 --> 00:13:06,199 Speaker 1: which is pretty okay. It just started to feel a 242 00:13:06,240 --> 00:13:09,560 Speaker 1: little bit more to me like a Saturday morning TV 243 00:13:09,640 --> 00:13:12,480 Speaker 1: show where it was kind of hokey, had more of 244 00:13:12,520 --> 00:13:15,400 Speaker 1: a vibe that was appealing to kids, which again, that 245 00:13:15,520 --> 00:13:18,319 Speaker 1: is kind of what Star Wars is doing in this 246 00:13:18,440 --> 00:13:21,400 Speaker 1: era right now. They're trying to build new fans. They 247 00:13:21,400 --> 00:13:24,520 Speaker 1: don't really care about the old krusty dude still trying 248 00:13:24,559 --> 00:13:27,360 Speaker 1: to relive the days of the Empire strikes back. They 249 00:13:27,360 --> 00:13:30,440 Speaker 1: are in the process of making new fans to continue 250 00:13:30,480 --> 00:13:35,319 Speaker 1: the legacy, to continue being a billion dollars media franchise. 251 00:13:35,480 --> 00:13:39,680 Speaker 1: So this is what I'm excited for. Even though it 252 00:13:39,760 --> 00:13:43,080 Speaker 1: is in the Star Wars franchise, I feel out of 253 00:13:43,120 --> 00:13:47,000 Speaker 1: everything we've been talking about so far. Technically not a sequel, 254 00:13:47,120 --> 00:13:50,360 Speaker 1: technically not a reboot. So we'll take that. We'll take that. 255 00:13:50,600 --> 00:13:54,480 Speaker 1: I give it a ding. All right, Moving on down 256 00:13:54,559 --> 00:13:58,200 Speaker 1: the list, they announced Frozen three, which will be coming 257 00:13:58,240 --> 00:14:02,680 Speaker 1: out This is Wild November twenty fourth, twenty twenty seven, 258 00:14:02,760 --> 00:14:06,080 Speaker 1: three years from now Thanksgiving twenty twenty seven. This is 259 00:14:06,120 --> 00:14:08,200 Speaker 1: kind of like when you go to the doctor for 260 00:14:08,240 --> 00:14:11,480 Speaker 1: a checkup and then they tell you you need to 261 00:14:11,480 --> 00:14:13,880 Speaker 1: make another appointment, but it's for a year out, and 262 00:14:13,920 --> 00:14:16,080 Speaker 1: it's like, all right, a year from now, what worked 263 00:14:16,120 --> 00:14:18,840 Speaker 1: for you, morning or afternoon? I don't know. I'm just 264 00:14:18,840 --> 00:14:22,520 Speaker 1: gonna guess let's go in afternoon. Because I'm here now. 265 00:14:22,800 --> 00:14:24,960 Speaker 1: I have no idea where I'm going to be in 266 00:14:25,000 --> 00:14:27,840 Speaker 1: a year, much less three years, and I think this 267 00:14:28,000 --> 00:14:29,760 Speaker 1: was just kind of a clickbait thing of hey, we 268 00:14:29,840 --> 00:14:33,040 Speaker 1: got Frozen three coming out, which, in my opinion, Frozen 269 00:14:33,080 --> 00:14:35,840 Speaker 1: two was much better than Frozen one. I feel like 270 00:14:35,880 --> 00:14:39,040 Speaker 1: it had the better soundtrack, it had the better story. 271 00:14:39,160 --> 00:14:43,240 Speaker 1: So is it possible for a Disney franchise to get 272 00:14:43,280 --> 00:14:47,520 Speaker 1: better and better from one to two to three. It's 273 00:14:47,560 --> 00:14:50,600 Speaker 1: never really happened. I'd say the closest it came to 274 00:14:50,800 --> 00:14:54,640 Speaker 1: happening was probably Toy Story. Some would argue that Toy 275 00:14:54,680 --> 00:14:57,880 Speaker 1: Story two is better than one. I don't think so, 276 00:14:57,880 --> 00:15:00,240 Speaker 1: So I think in that case I could make an 277 00:15:00,320 --> 00:15:04,200 Speaker 1: argument for that, but I still go one, three, two, 278 00:15:04,920 --> 00:15:07,760 Speaker 1: and then I refuse to acknowledge four, and they're coming 279 00:15:07,800 --> 00:15:10,000 Speaker 1: out with five, and I'm not happy about that. So 280 00:15:10,560 --> 00:15:15,360 Speaker 1: Frozen has the ability to have a A plus one, 281 00:15:15,760 --> 00:15:18,680 Speaker 1: two and three, and now I'm buying into it. I 282 00:15:18,720 --> 00:15:22,520 Speaker 1: give it a ding. We'll move through a few more 283 00:15:22,520 --> 00:15:27,040 Speaker 1: of these. Zutopia two, they announced that Kishu Kwan, you 284 00:15:27,080 --> 00:15:30,640 Speaker 1: may remember from the Goonies, Indiana Jones back in the day, 285 00:15:30,680 --> 00:15:34,200 Speaker 1: had a big revival with everything everywhere all at once. 286 00:15:34,360 --> 00:15:37,520 Speaker 1: Gave one of the best Oscar speeches in the history 287 00:15:37,560 --> 00:15:41,000 Speaker 1: of the Academy Awards. He will be joining Zootopia two 288 00:15:41,440 --> 00:15:45,720 Speaker 1: as the creepy, highly venomous viper Gary. I just love 289 00:15:45,760 --> 00:15:48,800 Speaker 1: when he gets a role because he's so excited about it. 290 00:15:48,960 --> 00:15:52,040 Speaker 1: I just think he is so appreciative of his career 291 00:15:52,160 --> 00:15:55,640 Speaker 1: having a revival right now. Just for his sake alone, 292 00:15:55,680 --> 00:16:00,360 Speaker 1: I give this movie a ding. They did it. It's 293 00:16:00,400 --> 00:16:04,880 Speaker 1: the Incredibles three with Brad Bird developing it. It took 294 00:16:05,000 --> 00:16:07,960 Speaker 1: so long to get an Incredibles two, which was one 295 00:16:08,000 --> 00:16:10,600 Speaker 1: of the movies that fans were actually dying to see. 296 00:16:10,600 --> 00:16:13,360 Speaker 1: A sequel to that movie still feels new to me, 297 00:16:13,480 --> 00:16:16,280 Speaker 1: but it came out in twenty eighteen, six years ago, 298 00:16:16,800 --> 00:16:19,280 Speaker 1: so I guess it's time for a sequel to that one. 299 00:16:19,600 --> 00:16:22,880 Speaker 1: I'm not really super hype on another Incredibles movie, so 300 00:16:22,960 --> 00:16:25,560 Speaker 1: for that reason, right now, I'm gonna give it a dong. 301 00:16:29,680 --> 00:16:33,240 Speaker 1: Mentioned it earlier, but they talked about and revealed Toy 302 00:16:33,280 --> 00:16:37,520 Speaker 1: Story five. It's going to take on technology with iPads 303 00:16:37,600 --> 00:16:41,720 Speaker 1: and smartphones. You have a bunch of buzz light years malfunctioning. 304 00:16:42,080 --> 00:16:45,280 Speaker 1: It seems to me like they are getting away from 305 00:16:45,360 --> 00:16:49,920 Speaker 1: the Andy plotline altogether, which one of my favorite fan 306 00:16:50,040 --> 00:16:52,880 Speaker 1: theories on the Internet. Internet does a lot of bad things, 307 00:16:52,880 --> 00:16:54,960 Speaker 1: A lot of all things are said on the Internet. 308 00:16:55,200 --> 00:16:57,320 Speaker 1: But every now and then you have some fan fiction 309 00:16:57,440 --> 00:16:59,800 Speaker 1: that comes out and you're like, man, they should really 310 00:16:59,840 --> 00:17:02,440 Speaker 1: make that movie. And they pitched this more for Toy 311 00:17:02,480 --> 00:17:06,760 Speaker 1: Story four, for it to be like Andy reconnecting with 312 00:17:06,880 --> 00:17:10,440 Speaker 1: this toys, getting a back, having a really emotional ending. 313 00:17:10,840 --> 00:17:13,040 Speaker 1: I don't think we're ever getting a story like that. 314 00:17:13,359 --> 00:17:16,040 Speaker 1: I don't think Andy's ever gonna come back have one 315 00:17:16,160 --> 00:17:19,600 Speaker 1: last time to play with this toys. I think it 316 00:17:19,720 --> 00:17:21,679 Speaker 1: makes sense in a Disney movie, but when you think 317 00:17:21,680 --> 00:17:23,840 Speaker 1: about that in real life, could be a little bit 318 00:17:23,880 --> 00:17:27,000 Speaker 1: weird to interpret. Although I would love to see something 319 00:17:27,040 --> 00:17:29,119 Speaker 1: like that, it seems like we're never going to get it, 320 00:17:29,160 --> 00:17:31,920 Speaker 1: and now they are just kind of continuing fun stories 321 00:17:32,320 --> 00:17:34,960 Speaker 1: with the toys that really have nothing to do with 322 00:17:35,119 --> 00:17:38,359 Speaker 1: Toy Story one through three. For that reason, and as 323 00:17:38,440 --> 00:17:40,479 Speaker 1: much as I love the first one, as much as 324 00:17:40,560 --> 00:17:44,000 Speaker 1: I love one, two, three, I feel like this is 325 00:17:44,080 --> 00:17:47,800 Speaker 1: a franchise that should be laid to rest and not 326 00:17:48,160 --> 00:17:50,560 Speaker 1: be made into any more sequels. I think, if anything, 327 00:17:50,880 --> 00:17:54,080 Speaker 1: they should just make the spin offs make some prequels. 328 00:17:54,480 --> 00:17:56,919 Speaker 1: But I guess they tried with buzz Lightyer, and people 329 00:17:57,040 --> 00:18:01,560 Speaker 1: hated it and revolted, probably too unfairly, were so heavily 330 00:18:01,600 --> 00:18:04,800 Speaker 1: critical about light Year. I really enjoyed light Year, but 331 00:18:04,880 --> 00:18:11,439 Speaker 1: for Toy thirty five, I'm giving it a dong A 332 00:18:11,480 --> 00:18:14,919 Speaker 1: couple more to talk about Avatar Fire and Ash. It 333 00:18:15,040 --> 00:18:18,960 Speaker 1: is the third movie in the Avatar franchise. I want 334 00:18:18,960 --> 00:18:21,960 Speaker 1: to hate on Avatar movies so bad because it just 335 00:18:22,040 --> 00:18:25,840 Speaker 1: feels like, how are these movies so successful? And I 336 00:18:25,880 --> 00:18:27,840 Speaker 1: didn't get Avatar when it came out back in two 337 00:18:27,880 --> 00:18:30,240 Speaker 1: thousand and nine, and it wasn't until later I gave 338 00:18:30,280 --> 00:18:34,320 Speaker 1: it a second chance that I really understood the vision 339 00:18:34,440 --> 00:18:37,080 Speaker 1: of James Cameron. So now I love that movie. And 340 00:18:37,080 --> 00:18:38,680 Speaker 1: when I went to go see Way of the Water, 341 00:18:39,280 --> 00:18:43,359 Speaker 1: it blew me away to think how engaging that movie is. 342 00:18:43,600 --> 00:18:47,520 Speaker 1: Has a really good story, strong, strong action, and really 343 00:18:47,720 --> 00:18:51,800 Speaker 1: submerges you in the world of Pandora unlike any other movie. 344 00:18:52,040 --> 00:18:54,240 Speaker 1: And for a story to be able to keep my 345 00:18:54,320 --> 00:18:58,080 Speaker 1: attention for three plus hours, it is really hard to do. 346 00:18:58,400 --> 00:19:00,560 Speaker 1: So on a normal day I would probably say, ha, 347 00:19:01,200 --> 00:19:04,800 Speaker 1: so many Avatar movies, but James Cameron hasn't made a 348 00:19:04,920 --> 00:19:08,479 Speaker 1: bad one yet. They continue to make a lot of money. 349 00:19:09,000 --> 00:19:11,840 Speaker 1: I'm all in on the Avatar franchise. I'm still gonna 350 00:19:12,119 --> 00:19:14,080 Speaker 1: get that feeling in my stomach when I see the 351 00:19:14,160 --> 00:19:16,880 Speaker 1: runtime of this movie and think, oh no, I'm not 352 00:19:16,920 --> 00:19:19,160 Speaker 1: gonna be able to pee for three and a half hours. 353 00:19:19,400 --> 00:19:21,560 Speaker 1: But I will go see it and I will love it. 354 00:19:21,600 --> 00:19:26,480 Speaker 1: So I'm giving this movie a ding. And finally, the 355 00:19:26,560 --> 00:19:29,600 Speaker 1: clip that everybody sent me on social media, thank you 356 00:19:29,640 --> 00:19:32,080 Speaker 1: all for thinking to me when you saw this get 357 00:19:32,119 --> 00:19:37,359 Speaker 1: announced Lee Lowens. Stitch, the live action adaptation is coming 358 00:19:37,400 --> 00:19:41,440 Speaker 1: out next summer twenty twenty five. They showed the teaser 359 00:19:41,720 --> 00:19:46,119 Speaker 1: of Stitch tearing through the poster, and I have to say, 360 00:19:46,720 --> 00:19:50,639 Speaker 1: Stitch looks so much better than I was anticipating. I 361 00:19:50,640 --> 00:19:54,280 Speaker 1: thought he was gonna look like this weird, uncute creature. 362 00:19:54,359 --> 00:19:59,240 Speaker 1: Because you take what is an unusually cute alien that 363 00:19:59,440 --> 00:20:02,920 Speaker 1: just works, you know, strictly animated, and take everything I've 364 00:20:02,920 --> 00:20:06,240 Speaker 1: been saying about the live action remakes through this episode 365 00:20:06,240 --> 00:20:08,679 Speaker 1: and throw it out the window. Because Leelo and Stitch 366 00:20:08,720 --> 00:20:11,439 Speaker 1: is my favorite Disney movie of all time. Mentioned earlier 367 00:20:11,480 --> 00:20:14,520 Speaker 1: that I believe The Lion King is the best Disney 368 00:20:14,520 --> 00:20:17,200 Speaker 1: movie of all time, and I can recognize a difference 369 00:20:17,600 --> 00:20:20,920 Speaker 1: between the best and my favorite. I don't think Leelo 370 00:20:21,040 --> 00:20:23,520 Speaker 1: and Stitch when it comes to all the aspects of it, 371 00:20:23,560 --> 00:20:28,480 Speaker 1: surrounding stories, surrounding animation style, surrounding the soundtrack, But when 372 00:20:28,520 --> 00:20:31,680 Speaker 1: it comes to it being my favorite, it just always 373 00:20:31,800 --> 00:20:35,200 Speaker 1: has been always identified with the story. I love Stitch. 374 00:20:35,200 --> 00:20:38,360 Speaker 1: He is my favorite Disney character. So this or any 375 00:20:38,400 --> 00:20:40,919 Speaker 1: other movie, like I was talking about earlier with snow 376 00:20:40,920 --> 00:20:44,600 Speaker 1: White or The Lion King, I wouldn't be excited about 377 00:20:44,600 --> 00:20:48,600 Speaker 1: a live action remake. But after seeing Stitch and thinking 378 00:20:48,600 --> 00:20:50,600 Speaker 1: he looks much more cuter than I thought he was 379 00:20:50,640 --> 00:20:53,399 Speaker 1: going to look, I think they may actually be able 380 00:20:53,520 --> 00:20:55,560 Speaker 1: to pull this off. Got to give it a ding. 381 00:20:57,080 --> 00:20:59,560 Speaker 1: And that is the recap of the d twenty three 382 00:20:59,600 --> 00:21:02,040 Speaker 1: event and all the movies coming out in the next 383 00:21:02,119 --> 00:21:05,000 Speaker 1: few years. And now let's get into our interviews talking 384 00:21:05,000 --> 00:21:07,560 Speaker 1: about the movie Gunner, which is about a colonel named 385 00:21:07,600 --> 00:21:10,040 Speaker 1: Lee Gunner who takes his two sons on a camping 386 00:21:10,080 --> 00:21:13,240 Speaker 1: trip trying to reconnect with them, takes their uncle out, 387 00:21:13,280 --> 00:21:17,480 Speaker 1: and then they discover some bad drug dealers and uncover 388 00:21:17,560 --> 00:21:21,920 Speaker 1: this entire massive drug operation and Gunner spends the rest 389 00:21:21,960 --> 00:21:24,440 Speaker 1: of the film trying to get his Sons back by 390 00:21:24,480 --> 00:21:27,560 Speaker 1: any means possible. If you are a fan of old 391 00:21:27,600 --> 00:21:30,760 Speaker 1: school action movies, then this might be right up your alley. 392 00:21:30,800 --> 00:21:33,520 Speaker 1: It stars Luke Hemsworth, who you may know from Westworld. 393 00:21:33,560 --> 00:21:35,679 Speaker 1: He also had a great cameo in Thor, Love and 394 00:21:35,720 --> 00:21:39,040 Speaker 1: Thunder as actor Thor and is the brother of both 395 00:21:39,119 --> 00:21:42,400 Speaker 1: Chris and Liam Hemsworth. We'll get into that, but first 396 00:21:42,560 --> 00:21:45,800 Speaker 1: let's talk with the movies director Dmitri Logo Status, who 397 00:21:45,800 --> 00:21:50,720 Speaker 1: did Kickboxer Retaliation ju Jitsu. Will talk filmmaking, we'll talk 398 00:21:50,760 --> 00:21:54,080 Speaker 1: action movies right now. Let's talk to Dmitri. I just 399 00:21:54,160 --> 00:21:56,119 Speaker 1: watched Gunner, and I have to say it made me 400 00:21:56,160 --> 00:21:59,640 Speaker 1: feel nostalgic in a really weird way. Now, my dad 401 00:21:59,720 --> 00:22:03,520 Speaker 1: is somebuddy who doesn't watch movies at all. He works, 402 00:22:04,040 --> 00:22:06,560 Speaker 1: he comes home, he mows the lawn, he drinks the beer. 403 00:22:06,560 --> 00:22:09,200 Speaker 1: Those are all his activities. But the kind of movies 404 00:22:09,240 --> 00:22:12,160 Speaker 1: that we would bond over are movies like Gunner, where 405 00:22:12,160 --> 00:22:14,160 Speaker 1: you don't have to think a whole lot. You gotta 406 00:22:14,200 --> 00:22:16,320 Speaker 1: shoot him up action and those are the movies I 407 00:22:16,359 --> 00:22:18,840 Speaker 1: remember in that genre that we would bond over. The 408 00:22:18,880 --> 00:22:20,680 Speaker 1: only thing he would sit down and watch is something 409 00:22:20,760 --> 00:22:23,399 Speaker 1: like that. What were those movies for you growing up 410 00:22:23,400 --> 00:22:24,560 Speaker 1: that maybe inspired Gunner? 411 00:22:24,760 --> 00:22:27,760 Speaker 4: First of all, with Gunner, you know, you have you know, 412 00:22:27,800 --> 00:22:31,200 Speaker 4: it's a Gary Scott Thompson's screenplay, and so Gary Scott 413 00:22:31,240 --> 00:22:34,040 Speaker 4: wrote the Fast and Furious, the first two Fast and Furious, 414 00:22:34,600 --> 00:22:38,440 Speaker 4: and so he really develops wonderful characters, and I think 415 00:22:38,480 --> 00:22:41,160 Speaker 4: you have to have that character. You have to have 416 00:22:41,240 --> 00:22:47,000 Speaker 4: that that heart where the character actually cares about his 417 00:22:47,040 --> 00:22:50,280 Speaker 4: family and his children. And remember, the thing that inspires 418 00:22:50,320 --> 00:22:52,600 Speaker 4: him to move through all this action is that he 419 00:22:52,720 --> 00:22:55,600 Speaker 4: needs to retrieve his children. They've been kidnapped. And so 420 00:22:55,720 --> 00:22:57,960 Speaker 4: I think you have to start there. So for me, 421 00:22:58,280 --> 00:23:00,800 Speaker 4: you know, growing up, I mean I watched Clint Eastwood. 422 00:23:01,520 --> 00:23:04,479 Speaker 4: I watched all of his stuff with Dirty Harry and 423 00:23:04,520 --> 00:23:08,440 Speaker 4: there was always a morality to that. I watched Burt Reynolds, 424 00:23:08,520 --> 00:23:12,560 Speaker 4: who was extremely entertaining. You know. Sharky's Machine was one 425 00:23:12,600 --> 00:23:16,280 Speaker 4: of my favorite films of all time. So, you know, 426 00:23:16,400 --> 00:23:19,719 Speaker 4: I really aspire to bring those characters to the screen 427 00:23:20,440 --> 00:23:23,639 Speaker 4: where you know, they're not based on a comic book, 428 00:23:23,680 --> 00:23:27,160 Speaker 4: they're not based on a ton of visual effects. They're 429 00:23:27,200 --> 00:23:29,920 Speaker 4: based on heart. And I think the character has got 430 00:23:29,920 --> 00:23:33,240 Speaker 4: to be driven by that so, and I think you know, 431 00:23:33,480 --> 00:23:37,920 Speaker 4: your father and yourself and everybody else wants to aspire 432 00:23:38,040 --> 00:23:41,359 Speaker 4: to be that person when it comes to family and 433 00:23:41,400 --> 00:23:44,679 Speaker 4: protecting your family. You want to be able to do 434 00:23:44,800 --> 00:23:47,040 Speaker 4: whatever you need to do to do that, and sometimes 435 00:23:47,080 --> 00:23:49,560 Speaker 4: that involves punching somebody in the face. 436 00:23:49,720 --> 00:23:51,960 Speaker 1: Yeah, you brought us something there that I want to 437 00:23:52,000 --> 00:23:53,720 Speaker 1: talk to you about. And if you could see from 438 00:23:53,760 --> 00:23:56,359 Speaker 1: the background here, I'm obviously a huge fan of comic books, 439 00:23:56,520 --> 00:23:59,159 Speaker 1: huge fan of comics by the way, Yeah, and I 440 00:23:59,200 --> 00:24:01,680 Speaker 1: feel like I love them so much. But I also 441 00:24:01,760 --> 00:24:04,560 Speaker 1: realize the effect they've had on the movie industry is 442 00:24:04,600 --> 00:24:07,000 Speaker 1: now a lot of people will go watch a movie 443 00:24:07,040 --> 00:24:09,400 Speaker 1: and they expect to see something that's one hundred million 444 00:24:09,440 --> 00:24:12,160 Speaker 1: dollars two hundred and fifty million dollars to make. For you, 445 00:24:12,400 --> 00:24:14,639 Speaker 1: how do you approach that making a movie with a 446 00:24:14,680 --> 00:24:17,560 Speaker 1: smaller budget, knowing that you know audiences are kind of 447 00:24:17,640 --> 00:24:19,960 Speaker 1: used to seeing something on the level of the MCU. 448 00:24:20,240 --> 00:24:22,359 Speaker 4: Well, so what I try to do is, again, I 449 00:24:22,400 --> 00:24:24,400 Speaker 4: try to look at the page. I try to look 450 00:24:24,400 --> 00:24:26,760 Speaker 4: at the story. I try to get into the character, 451 00:24:26,920 --> 00:24:29,679 Speaker 4: and I think we start there. If I can create 452 00:24:29,720 --> 00:24:32,000 Speaker 4: a character that you like and care about as an 453 00:24:32,040 --> 00:24:36,280 Speaker 4: independent filmmaker. I think number one, I win, okay, and 454 00:24:36,359 --> 00:24:39,520 Speaker 4: if I can win your attention in your heart, that's 455 00:24:39,560 --> 00:24:44,200 Speaker 4: a second win. So anything that our leading character does 456 00:24:44,280 --> 00:24:46,840 Speaker 4: when it comes to retrieving his family at that point, 457 00:24:47,200 --> 00:24:50,159 Speaker 4: you're going to accept. And I think you know the 458 00:24:50,240 --> 00:24:55,720 Speaker 4: expectations now. Hopefully you'll be sitting there as a young man, 459 00:24:55,760 --> 00:24:59,200 Speaker 4: older man, woman, et cetera, thinking to yourself, Wow, if 460 00:24:59,240 --> 00:25:00,840 Speaker 4: that happened to me, I guess I'd have to do 461 00:25:00,880 --> 00:25:02,600 Speaker 4: the same thing. I guess I'd have to do whatever 462 00:25:02,640 --> 00:25:05,240 Speaker 4: it takes. You know, I can't be waiting on everybody 463 00:25:05,240 --> 00:25:06,800 Speaker 4: else to try to figure out how to bring my 464 00:25:06,880 --> 00:25:09,399 Speaker 4: kids back to me. So that's what I try to do. 465 00:25:09,440 --> 00:25:13,160 Speaker 4: I try to stay focused on the heart of the story. 466 00:25:13,320 --> 00:25:15,080 Speaker 1: There were so many just scenes that I just had 467 00:25:15,119 --> 00:25:17,159 Speaker 1: really a lot of fun watching. I think from the 468 00:25:17,160 --> 00:25:19,840 Speaker 1: opening scene the first bar fight was just like, like, 469 00:25:19,880 --> 00:25:22,399 Speaker 1: that's what I came here to see for you. What 470 00:25:22,560 --> 00:25:24,800 Speaker 1: was the scene that was like, Okay, that is exactly 471 00:25:24,840 --> 00:25:27,040 Speaker 1: how I invisted it. It came out perfect. I'm so 472 00:25:27,160 --> 00:25:28,000 Speaker 1: proud of that moment. 473 00:25:28,200 --> 00:25:31,600 Speaker 4: Well, I mean, I'm glad you picked the first bar fight. 474 00:25:31,640 --> 00:25:34,040 Speaker 4: I thought that was a really good one. I'm not 475 00:25:34,080 --> 00:25:36,320 Speaker 4: going to talk about the end because I'd like people 476 00:25:36,400 --> 00:25:39,119 Speaker 4: to watch it, but I will tell you there's a 477 00:25:39,160 --> 00:25:41,880 Speaker 4: really wonderful sequence that takes place around the fort when 478 00:25:41,880 --> 00:25:44,240 Speaker 4: you see the gun going slow motion and stuff like that. 479 00:25:44,600 --> 00:25:47,360 Speaker 4: And that's a very complicated sequence that we pulled off 480 00:25:47,400 --> 00:25:50,840 Speaker 4: with twenty some odd stunt people. So we had to 481 00:25:50,880 --> 00:25:54,320 Speaker 4: really rehearse that and get that down, and when we 482 00:25:54,400 --> 00:25:57,280 Speaker 4: pulled it off, I was amazed and very happy. 483 00:25:57,440 --> 00:25:59,159 Speaker 1: The other one that looked a little bit complex that 484 00:25:59,200 --> 00:26:02,560 Speaker 1: probably nailed down was the first encounter, which well, again 485 00:26:02,640 --> 00:26:05,879 Speaker 1: won't spoil anything here, but it involves a lot of blades, 486 00:26:06,480 --> 00:26:10,160 Speaker 1: Like how does that? How is that whole scene orchestrated of? Like, okay, 487 00:26:10,359 --> 00:26:11,400 Speaker 1: this is going to be crazy. 488 00:26:11,720 --> 00:26:15,520 Speaker 4: Yeah, Well again, you know, I rehearsed these things with 489 00:26:15,600 --> 00:26:19,520 Speaker 4: my stunt team months in advance. So they're in Thailand, 490 00:26:19,760 --> 00:26:23,560 Speaker 4: and this is a mutai based martial art, and so 491 00:26:23,600 --> 00:26:26,400 Speaker 4: it's all mutai and it's very showy. As you can tell, 492 00:26:26,400 --> 00:26:30,720 Speaker 4: it's very cinematic, and so I work that out way 493 00:26:30,760 --> 00:26:33,240 Speaker 4: in advance, and then we have a lot of safety 494 00:26:33,280 --> 00:26:35,960 Speaker 4: involved because of the fact that we work out the dance, 495 00:26:36,600 --> 00:26:38,919 Speaker 4: so you have to be very careful not to hurt anybody, 496 00:26:39,000 --> 00:26:42,040 Speaker 4: and I think again, it shows and we pulled it 497 00:26:42,080 --> 00:26:42,720 Speaker 4: off very well. 498 00:26:43,359 --> 00:26:46,520 Speaker 1: I can only imagine how cool it is to work 499 00:26:46,560 --> 00:26:50,560 Speaker 1: with somebody as iconic as Morgan Freeman, not just his 500 00:26:50,800 --> 00:26:54,040 Speaker 1: presence visually, but just hearing his voice. I imagine it's like, 501 00:26:54,080 --> 00:26:57,000 Speaker 1: oh my gosh, it's Morgan Freeman and you being there 502 00:26:57,160 --> 00:26:59,960 Speaker 1: having them in your movie. How did that come about 503 00:27:00,080 --> 00:27:01,119 Speaker 1: of getting Morgan Freeman? 504 00:27:01,640 --> 00:27:05,080 Speaker 4: Well, I mean, first of all, I wanted a really 505 00:27:05,200 --> 00:27:09,000 Speaker 4: likable bad guy, and he can't do better than God. 506 00:27:10,000 --> 00:27:12,520 Speaker 4: So Morgan Freeman was terrific at that. 507 00:27:13,840 --> 00:27:14,200 Speaker 3: It was. 508 00:27:15,720 --> 00:27:20,280 Speaker 4: My pleasure to work with Morgan. He's a professional, he 509 00:27:20,400 --> 00:27:24,200 Speaker 4: takes it seriously, he really believes in the art of acting, 510 00:27:24,800 --> 00:27:26,600 Speaker 4: and he's a lot of fun on set. He likes 511 00:27:26,640 --> 00:27:30,159 Speaker 4: to joke around and have a good time. So I 512 00:27:30,400 --> 00:27:34,760 Speaker 4: was very, very pleasantly surprised and lucky to be able 513 00:27:34,800 --> 00:27:36,359 Speaker 4: to get him for Gunner. 514 00:27:36,920 --> 00:27:40,920 Speaker 1: I just imagine he has like still a crazy work schedule, 515 00:27:41,560 --> 00:27:45,040 Speaker 1: super in demand. How many days do you get Morgan Freeman? 516 00:27:45,440 --> 00:27:48,840 Speaker 4: Well, normally in this particular character, you know you've got 517 00:27:48,880 --> 00:27:51,639 Speaker 4: to be able to shoot him out in less than 518 00:27:51,680 --> 00:27:54,760 Speaker 4: a couple of weeks because he's throughout the film, and 519 00:27:54,840 --> 00:27:58,720 Speaker 4: so we usually schedule a film around him so that 520 00:27:58,800 --> 00:28:01,119 Speaker 4: we can get him out and make sure that we 521 00:28:01,160 --> 00:28:01,960 Speaker 4: don't get him hurt. 522 00:28:02,240 --> 00:28:05,320 Speaker 1: Going back to talking about some movies that I bonded 523 00:28:05,359 --> 00:28:09,800 Speaker 1: with with my dad early on, movies like Predator, blood Sport, Kickboxer, 524 00:28:09,840 --> 00:28:12,600 Speaker 1: which you know you worked on some sequels there for you. 525 00:28:12,680 --> 00:28:15,320 Speaker 1: If you had to put together a Mount Rushmore of 526 00:28:15,359 --> 00:28:17,320 Speaker 1: those type of action movies, what would be on your 527 00:28:17,320 --> 00:28:18,719 Speaker 1: Mount Rushmore? Your four movies? 528 00:28:18,960 --> 00:28:21,720 Speaker 4: My god, brother, I mean, I don't know, you just 529 00:28:21,840 --> 00:28:25,000 Speaker 4: mentioned a lot of them, but you know the theme 530 00:28:25,160 --> 00:28:27,600 Speaker 4: that you have in all of those pictures is again 531 00:28:28,160 --> 00:28:33,280 Speaker 4: they're underdogs and they have to take on a challenge 532 00:28:33,320 --> 00:28:37,560 Speaker 4: that is climbing Mount Rushmore, as you said, And so 533 00:28:38,120 --> 00:28:42,520 Speaker 4: every single one of those characters is terrific from I 534 00:28:42,600 --> 00:28:44,680 Speaker 4: think I mentioned it before, going all the way back 535 00:28:44,720 --> 00:28:50,040 Speaker 4: to the Dirty Harry characters, the Clint Eastwood characters in 536 00:28:50,120 --> 00:28:55,480 Speaker 4: the Westerns that he did, the Sergio Leone characters that 537 00:28:55,600 --> 00:29:00,840 Speaker 4: Sergio created. God, I was thinking about an other wonderful film, 538 00:29:00,880 --> 00:29:07,480 Speaker 4: The Red Sun that was that was with Alan DeLong. Okay, 539 00:29:08,280 --> 00:29:11,960 Speaker 4: so you know, all these characters are just the characters 540 00:29:12,040 --> 00:29:12,720 Speaker 4: I grew up with. 541 00:29:13,480 --> 00:29:16,520 Speaker 1: For everybody watching and listening, what do you hope they 542 00:29:16,520 --> 00:29:17,920 Speaker 1: take away after watching Gunner? 543 00:29:18,320 --> 00:29:21,520 Speaker 4: I hope you have I hope you take the morality away, 544 00:29:22,440 --> 00:29:26,680 Speaker 4: and I hope you it instills in you the values 545 00:29:26,760 --> 00:29:31,240 Speaker 4: that it comes to be a father. I hope you 546 00:29:31,280 --> 00:29:34,760 Speaker 4: have fun, and I hope I get you to relax 547 00:29:35,440 --> 00:29:38,200 Speaker 4: for about an hour and a half and just lose 548 00:29:38,240 --> 00:29:41,920 Speaker 4: yourself in cinema, which is the goal entirely. 549 00:29:42,000 --> 00:29:44,400 Speaker 1: Well, I really appreciate the time. Hope everybody checks it out. 550 00:29:44,400 --> 00:29:45,040 Speaker 1: Thanks for talking. 551 00:29:45,200 --> 00:29:46,440 Speaker 4: Thank you. I appreciate it too. 552 00:29:47,040 --> 00:29:50,000 Speaker 1: Now let's get into our interview with Luke Hemsworth, who 553 00:29:50,000 --> 00:29:52,560 Speaker 1: will next be seen in a series called Darkwolf. It 554 00:29:52,600 --> 00:29:55,680 Speaker 1: is an Amazon spin off from The Terminal List. He 555 00:29:55,760 --> 00:29:59,480 Speaker 1: played Ashley Stubbs in Westworld if you watch that on HBO. 556 00:30:00,000 --> 00:30:02,400 Speaker 1: He's also been on TV shows like Young Rock, Got 557 00:30:02,400 --> 00:30:05,360 Speaker 1: to Start in Australia and even played his brother Chris 558 00:30:05,400 --> 00:30:08,800 Speaker 1: Hemsworth in thor Love and Thunder. Let's talk to Luke Hamsworth. 559 00:30:09,440 --> 00:30:10,600 Speaker 3: Can do it man, what's happening. 560 00:30:10,680 --> 00:30:12,640 Speaker 1: I'm doing great. I just watched Gunner and I had 561 00:30:12,640 --> 00:30:15,239 Speaker 1: to say I loved your performance in this movie, and 562 00:30:15,480 --> 00:30:18,680 Speaker 1: after just seeing all the physical things you went through, 563 00:30:18,720 --> 00:30:20,560 Speaker 1: I have to imagine it is tough to get in 564 00:30:20,640 --> 00:30:23,120 Speaker 1: shape for a movie like this. What is the first 565 00:30:23,160 --> 00:30:25,600 Speaker 1: step you take of? Like, Okay, got a movie coming up, 566 00:30:25,680 --> 00:30:26,560 Speaker 1: how do I get ready? 567 00:30:27,560 --> 00:30:30,280 Speaker 3: I was lucky I'd come up. Well, so it's lucky, 568 00:30:30,280 --> 00:30:33,040 Speaker 3: and I'm lucky I'd come off another film, a military film. 569 00:30:33,120 --> 00:30:37,400 Speaker 3: So the military stuff was in the bank that was 570 00:30:37,400 --> 00:30:40,440 Speaker 3: ready to go. We did Worcom with commandos, lots of 571 00:30:40,840 --> 00:30:44,640 Speaker 3: lots of gun trying and lots of you know, Adam 572 00:30:44,720 --> 00:30:48,360 Speaker 3: being cools, so lots of close quarters combat stuff well, 573 00:30:48,520 --> 00:30:50,360 Speaker 3: you know, like the really fun stuff that you want 574 00:30:50,400 --> 00:30:55,800 Speaker 3: to do as an actor. And then finished. And I 575 00:30:55,840 --> 00:30:58,280 Speaker 3: was on holiday and Freji and I was playing basketball 576 00:30:58,320 --> 00:31:02,560 Speaker 3: in this this this little basketball court and I rolled 577 00:31:02,600 --> 00:31:04,960 Speaker 3: my ankle off the edge of the slab and broke 578 00:31:05,040 --> 00:31:09,880 Speaker 3: my ankle my tibia and quiet surgery. And we're about 579 00:31:10,040 --> 00:31:12,920 Speaker 3: six weeks, six weeks away from shooting at that storage, 580 00:31:14,280 --> 00:31:17,200 Speaker 3: and so I went to I went to a great 581 00:31:17,200 --> 00:31:21,920 Speaker 3: surgeon who does a lot of the rugby players here, 582 00:31:22,000 --> 00:31:24,240 Speaker 3: and she's like, now we have we have guys who 583 00:31:24,240 --> 00:31:26,560 Speaker 3: are you know, two hundred and fifty pounds that we 584 00:31:26,640 --> 00:31:29,880 Speaker 3: got running in six weeks, we'll be fine. And I 585 00:31:30,760 --> 00:31:34,960 Speaker 3: was dubious, but I just then it just became about rehabit. 586 00:31:35,040 --> 00:31:40,280 Speaker 3: It became about it became about doing low impacts. Uff 587 00:31:40,360 --> 00:31:43,160 Speaker 3: did a lot of the bike, you know, not a 588 00:31:43,160 --> 00:31:49,000 Speaker 3: lot of running. Surprisingly, I've just lost my light. Sorry, 589 00:31:47,680 --> 00:31:53,520 Speaker 3: I got there, you know, A credit to her as 590 00:31:53,520 --> 00:31:58,400 Speaker 3: a as a as a surgeon. And I think having 591 00:31:58,440 --> 00:32:00,080 Speaker 3: the date locked in my mind, I was like, I 592 00:32:00,480 --> 00:32:02,160 Speaker 3: have to do everything in my power to my child. 593 00:32:02,160 --> 00:32:04,360 Speaker 3: I'm able to move promptly, and by the time we 594 00:32:04,400 --> 00:32:07,000 Speaker 3: got to shooting, I was I was pretty good. And 595 00:32:07,040 --> 00:32:12,560 Speaker 3: there's still complains going on and carefully curated movements and 596 00:32:12,720 --> 00:32:15,280 Speaker 3: running in the right places and jumping in the right places. 597 00:32:15,280 --> 00:32:17,640 Speaker 3: But I did everything, you know, that's all me. There's 598 00:32:17,760 --> 00:32:20,840 Speaker 3: there's no there's no stunt double there. So I'm pretty 599 00:32:20,880 --> 00:32:23,520 Speaker 3: I'm pretty stoked to be able to get to that point. 600 00:32:24,480 --> 00:32:26,240 Speaker 3: But it's a it's an ongoing thing, you know. It 601 00:32:26,360 --> 00:32:29,400 Speaker 3: never you just never stopped. You always have to have 602 00:32:29,520 --> 00:32:31,360 Speaker 3: to keep working on it. 603 00:32:31,720 --> 00:32:33,400 Speaker 1: The movie hooked me in from the very beginning, that 604 00:32:33,560 --> 00:32:35,880 Speaker 1: very first fight scene, and I have to imagine that 605 00:32:35,960 --> 00:32:37,800 Speaker 1: was probably a lot of fun to shoot for you, 606 00:32:37,920 --> 00:32:40,080 Speaker 1: what was the most just fun action sequence out of 607 00:32:40,080 --> 00:32:40,440 Speaker 1: the movie. 608 00:32:40,560 --> 00:32:42,440 Speaker 3: Yeah, that was a fun one. That's a good one. 609 00:32:43,280 --> 00:32:46,400 Speaker 3: I love the scene there's there's one in the steel works, 610 00:32:46,400 --> 00:32:50,280 Speaker 3: which I thought was was the most fun. I sort 611 00:32:50,320 --> 00:32:54,680 Speaker 3: of get my ass kicked down the hallway trying to 612 00:32:54,680 --> 00:32:59,200 Speaker 3: trying to kick some asses back and it's pretty pretty 613 00:32:59,240 --> 00:33:02,640 Speaker 3: evenly matched for most of that. That was the great 614 00:33:02,680 --> 00:33:05,200 Speaker 3: that I really love that. Just a really cool environment 615 00:33:05,640 --> 00:33:10,280 Speaker 3: all the you know, these massive rusting pots everywhere, and 616 00:33:10,800 --> 00:33:15,040 Speaker 3: you know, the things are on fire and sparking, and 617 00:33:15,640 --> 00:33:17,920 Speaker 3: that was that was that kind of TERMINI at the 618 00:33:17,960 --> 00:33:19,760 Speaker 3: moment for me, like, yeah, I. 619 00:33:22,200 --> 00:33:25,640 Speaker 1: Gotta imagine as an actor, doing an American accent is 620 00:33:25,720 --> 00:33:29,680 Speaker 1: probably hard. What word would you say in the English language? 621 00:33:30,040 --> 00:33:32,680 Speaker 1: An American accent is like the hardest to get down 622 00:33:32,680 --> 00:33:34,040 Speaker 1: where it's like, oh, that kind of gives it away 623 00:33:34,040 --> 00:33:36,080 Speaker 1: then I'm Australian. There's a few. 624 00:33:36,320 --> 00:33:38,920 Speaker 3: There's a few. Yeah, and very early on in your 625 00:33:38,960 --> 00:33:42,920 Speaker 3: career that people who are quite uh you know, quite 626 00:33:43,000 --> 00:33:45,520 Speaker 3: liberally telling you that when your accent is bad and 627 00:33:45,600 --> 00:33:46,200 Speaker 3: what where. 628 00:33:46,040 --> 00:33:46,800 Speaker 1: Is it pumping out? 629 00:33:47,040 --> 00:33:49,720 Speaker 3: One of them for me is is is we said 630 00:33:49,840 --> 00:33:52,560 Speaker 3: being in Australia. Where have you been? B w N, 631 00:33:52,640 --> 00:33:54,760 Speaker 3: where's the American side been? Where you've been? That's a 632 00:33:54,800 --> 00:33:57,800 Speaker 3: dead giveaways is when you're doing your accent and then 633 00:33:58,160 --> 00:34:02,600 Speaker 3: those kinds of words in But I actually I got uh, 634 00:34:03,080 --> 00:34:05,040 Speaker 3: I got lot let go of a job very early. 635 00:34:05,080 --> 00:34:08,000 Speaker 3: And it starts because my accident wasn't good enough, and 636 00:34:08,080 --> 00:34:09,920 Speaker 3: so I spent I spent a lot of time and 637 00:34:09,920 --> 00:34:13,080 Speaker 3: effort amerking sure that it's it's as good as good 638 00:34:13,080 --> 00:34:16,600 Speaker 3: as they can be, hopefully, hopefully I put all those 639 00:34:16,600 --> 00:34:19,719 Speaker 3: things to bread. It's it's kind of been graying now 640 00:34:19,719 --> 00:34:22,000 Speaker 3: and people who live here in Astralia like, why does your 641 00:34:22,000 --> 00:34:25,160 Speaker 3: accident sound weird? Because there's just americanisms that I've a 642 00:34:25,760 --> 00:34:27,000 Speaker 3: part of the way that I speak now. 643 00:34:27,080 --> 00:34:29,120 Speaker 1: I was talking to Dmitri about the movie and how 644 00:34:29,160 --> 00:34:31,400 Speaker 1: it was kind of nostalgic for me of reminding me 645 00:34:31,440 --> 00:34:33,200 Speaker 1: of movies that I used to watch with my dad, 646 00:34:33,640 --> 00:34:36,120 Speaker 1: because not really in the movies at all, but if 647 00:34:36,120 --> 00:34:38,040 Speaker 1: you put on an action movie where it's people beating 648 00:34:38,080 --> 00:34:40,719 Speaker 1: each other up, he's all in on it. And for you, 649 00:34:41,400 --> 00:34:43,719 Speaker 1: who are those action stars that maybe you watch as 650 00:34:43,719 --> 00:34:45,680 Speaker 1: a kid of like, oh, someday I want to be 651 00:34:45,719 --> 00:34:47,160 Speaker 1: an actor like them in a movie. 652 00:34:47,239 --> 00:34:50,160 Speaker 3: Yeah, I mean I love I love Van dam I 653 00:34:50,239 --> 00:34:53,600 Speaker 3: love yeah, everything that he did. You know, I remember 654 00:34:53,600 --> 00:34:56,880 Speaker 3: watching Kickboxing and quoting every word from blood Sport, and 655 00:34:57,000 --> 00:34:58,799 Speaker 3: I think I think I still do with a couple 656 00:34:58,840 --> 00:35:02,000 Speaker 3: of my buddies that we used to watch You're with Saloon, Uh, 657 00:35:02,360 --> 00:35:05,800 Speaker 3: you know Schwarzenegger. I think, you know, I think Terminator 658 00:35:05,880 --> 00:35:08,520 Speaker 3: two and Terminatory Terminator one and two or two of 659 00:35:08,520 --> 00:35:13,680 Speaker 3: the gross movies ever Aliens. Yeah, I I those those 660 00:35:13,760 --> 00:35:18,319 Speaker 3: action films of that that era were so fundamental. I 661 00:35:18,360 --> 00:35:21,839 Speaker 3: think in my career that were that were a big 662 00:35:21,880 --> 00:35:24,040 Speaker 3: part of me wanting to you wanted to just play 663 00:35:24,160 --> 00:35:27,160 Speaker 3: as a human bringing too. You know, you're you're out 664 00:35:27,200 --> 00:35:31,400 Speaker 3: there emulating these these men who are who are man 665 00:35:31,440 --> 00:35:35,680 Speaker 3: who are getting the job done? Yeah, and doing it 666 00:35:35,719 --> 00:35:39,640 Speaker 3: with wonderful one liners out the side of their mouth. Yeah. 667 00:35:40,080 --> 00:35:40,839 Speaker 1: Bruce Lee too. 668 00:35:40,960 --> 00:35:43,280 Speaker 3: I really loved Bruce Lee. 669 00:35:43,320 --> 00:35:45,560 Speaker 1: Growing up, I wanted to be a rock star and 670 00:35:45,640 --> 00:35:47,640 Speaker 1: my brother and I started a punk band when I 671 00:35:47,640 --> 00:35:50,240 Speaker 1: was like thirteen years old. I played guitar, he played drums, 672 00:35:50,719 --> 00:35:52,560 Speaker 1: and that was like always a passion of mine and 673 00:35:52,600 --> 00:35:53,920 Speaker 1: it was because you know it with me and my 674 00:35:53,960 --> 00:35:57,399 Speaker 1: brother doing something. You and your brothers are all actors. 675 00:35:57,800 --> 00:35:59,840 Speaker 1: Was that like a thing like you all wanted to 676 00:35:59,840 --> 00:36:03,120 Speaker 1: be actors? Or did somebody get the acting bug first? 677 00:36:03,160 --> 00:36:04,640 Speaker 1: How did that all just unfold? 678 00:36:04,840 --> 00:36:07,640 Speaker 3: I think we just all loved playing. And you know, 679 00:36:07,760 --> 00:36:10,160 Speaker 3: like you said you formed the punk band, I mean 680 00:36:10,200 --> 00:36:13,560 Speaker 3: we we would just we would role play. We would 681 00:36:14,000 --> 00:36:18,040 Speaker 3: make wooden swords and wooden guns. And my mom would 682 00:36:18,120 --> 00:36:21,719 Speaker 3: hide the TV to literally carry the TV downstairs and 683 00:36:21,760 --> 00:36:24,680 Speaker 3: put it in the in the wardrobe and we would 684 00:36:24,680 --> 00:36:28,000 Speaker 3: have no TV and so we were forced to forced to, 685 00:36:28,360 --> 00:36:34,160 Speaker 3: you know, write our own strips. And we had slug 686 00:36:34,200 --> 00:36:37,160 Speaker 3: guns and all sorts of stuff. And would you I 687 00:36:37,160 --> 00:36:39,839 Speaker 3: would dress my brothers up and you know, tell them 688 00:36:39,840 --> 00:36:42,279 Speaker 3: to run because it will hurt more the closer you are, 689 00:36:42,760 --> 00:36:44,839 Speaker 3: you know, Like I think, I think that's a big 690 00:36:44,880 --> 00:36:48,160 Speaker 3: part of it. I think a big part of it 691 00:36:48,200 --> 00:36:50,239 Speaker 3: is neither none of us who are any good at 692 00:36:50,239 --> 00:36:53,840 Speaker 3: anything else. But I went to university, you know, I 693 00:36:54,239 --> 00:36:57,279 Speaker 3: went and studied that. Maybe I started it, but I 694 00:36:57,320 --> 00:37:01,240 Speaker 3: think three years of the contemporary arts, imagined in drama, 695 00:37:01,320 --> 00:37:03,960 Speaker 3: and then went on too, you know, austraying shop operas 696 00:37:04,040 --> 00:37:08,240 Speaker 3: and straining film and television from there and then finally 697 00:37:08,280 --> 00:37:11,080 Speaker 3: to the US. But yeah, I don't know. 698 00:37:11,120 --> 00:37:11,480 Speaker 2: What it is. 699 00:37:11,680 --> 00:37:13,600 Speaker 3: I don't know their answer to that other than that, 700 00:37:13,840 --> 00:37:15,719 Speaker 3: other than we all like to just we look to 701 00:37:15,800 --> 00:37:18,560 Speaker 3: have fun. But you know, I also think I also 702 00:37:18,640 --> 00:37:22,200 Speaker 3: think it's excuse my language, you know, acting is acting 703 00:37:22,360 --> 00:37:26,120 Speaker 3: is very, very difficult, and I think that's an attractive 704 00:37:26,160 --> 00:37:28,560 Speaker 3: part for all of us as well, is that it 705 00:37:28,719 --> 00:37:31,239 Speaker 3: mixes both the ability to have a good time with 706 00:37:31,360 --> 00:37:38,399 Speaker 3: something that's incredibly precise and an inventive and very hard 707 00:37:38,480 --> 00:37:39,799 Speaker 3: to do it, how to do well. 708 00:37:39,920 --> 00:37:41,959 Speaker 1: So somewhere out there there's a script that you wrote 709 00:37:42,000 --> 00:37:43,879 Speaker 1: with all your brothers. Did you guys ever film any 710 00:37:43,920 --> 00:37:45,759 Speaker 1: of that? Is there like a video, like a like 711 00:37:45,840 --> 00:37:48,480 Speaker 1: a Tesk movie out there? One day? 712 00:37:48,719 --> 00:37:52,000 Speaker 3: I hopes one day, one day that's the dream. There'll 713 00:37:52,040 --> 00:37:53,520 Speaker 3: be no action in it will just be three of us. 714 00:37:56,680 --> 00:37:59,239 Speaker 1: Thanks for talking with me, Cheers, Mane, Thanks very much. 715 00:38:02,960 --> 00:38:06,120 Speaker 1: Let's get into it now. A spoiler free movie review 716 00:38:06,280 --> 00:38:10,640 Speaker 1: of Alien Romulus. I had pretty low expectations going into 717 00:38:10,680 --> 00:38:14,800 Speaker 1: this movie. As a whole. I wouldn't call myself a 718 00:38:14,880 --> 00:38:19,080 Speaker 1: fan of the Alien franchise. There are some hardcore, dedicated 719 00:38:19,160 --> 00:38:22,680 Speaker 1: fans of Alien, and I think for me is because 720 00:38:22,800 --> 00:38:26,960 Speaker 1: it's always described to me as a horror franchise, and 721 00:38:27,040 --> 00:38:31,360 Speaker 1: I love Space, I love Aliens, I love space exploration movies, 722 00:38:32,080 --> 00:38:35,399 Speaker 1: but I never really saw Alien as a horror icon. 723 00:38:35,560 --> 00:38:38,719 Speaker 1: In my opinion, there are some great moments from the 724 00:38:38,760 --> 00:38:41,920 Speaker 1: original movie that I feel transcend that genre, but I 725 00:38:42,080 --> 00:38:44,440 Speaker 1: just don't really go into these movies thinking, oh, I'm 726 00:38:44,480 --> 00:38:46,400 Speaker 1: gonna go in and be really scared, And I think 727 00:38:46,440 --> 00:38:48,239 Speaker 1: that has to do with how I was introduced to 728 00:38:48,280 --> 00:38:51,840 Speaker 1: the horror genre movies like Halloween Night, maren elm Street, 729 00:38:51,920 --> 00:38:55,080 Speaker 1: Friday the Thirteenth. I didn't really look at Alien the 730 00:38:55,120 --> 00:38:57,680 Speaker 1: same way I looked at those movies. I just wanted 731 00:38:57,680 --> 00:39:00,680 Speaker 1: to see how this movie stood on its own. Because 732 00:39:00,719 --> 00:39:04,360 Speaker 1: it's supposed to be rebooting the franchise. The only thing 733 00:39:04,440 --> 00:39:07,520 Speaker 1: you really need to know is where this movie takes place. 734 00:39:07,600 --> 00:39:11,200 Speaker 1: So Alien came out in nineteen seventy nine, that sequel 735 00:39:11,280 --> 00:39:15,920 Speaker 1: came out called Aliens in nineteen eighty six. Alien Romulus 736 00:39:16,080 --> 00:39:19,880 Speaker 1: takes place twenty years after the original Alien and in 737 00:39:20,000 --> 00:39:24,960 Speaker 1: between Aliens from nineteen eighty six, so it is both 738 00:39:25,040 --> 00:39:29,120 Speaker 1: a sequel and a prequel to the sequel to Aliens. 739 00:39:29,160 --> 00:39:30,719 Speaker 1: So even if you had to watch them all, maybe 740 00:39:30,719 --> 00:39:33,800 Speaker 1: you would get confused on that timeline. So it is 741 00:39:34,000 --> 00:39:36,840 Speaker 1: a more direct sequel to the original one from nineteen 742 00:39:36,920 --> 00:39:41,000 Speaker 1: seventy nine than it is just an extension of the franchise. 743 00:39:41,120 --> 00:39:44,520 Speaker 1: So they do a pretty good job at letting you 744 00:39:44,680 --> 00:39:46,279 Speaker 1: know that. At the beginning of the movie, they say 745 00:39:46,320 --> 00:39:49,279 Speaker 1: it takes place twenty years after, and they show you 746 00:39:49,440 --> 00:39:52,040 Speaker 1: some of the imagery that became so iconic from the 747 00:39:52,120 --> 00:39:55,560 Speaker 1: original Alien movie. But what Alien Romulus is about. You 748 00:39:55,640 --> 00:39:59,000 Speaker 1: have Kaylee Spaney's character, who is working on this planet 749 00:39:59,160 --> 00:40:01,920 Speaker 1: where he has to earn a certain amount of credits 750 00:40:02,000 --> 00:40:04,320 Speaker 1: to be able to be reassigned to a different planet. 751 00:40:04,719 --> 00:40:07,920 Speaker 1: She has an android brother, so he looks human, but 752 00:40:08,040 --> 00:40:10,200 Speaker 1: he is not. He has all these electronics in him. 753 00:40:10,239 --> 00:40:11,960 Speaker 1: He has this little slot in the back of his 754 00:40:12,080 --> 00:40:15,160 Speaker 1: ear that contains all of his coating. But you'll learn 755 00:40:15,239 --> 00:40:18,200 Speaker 1: more exactly why she calls him her brother. And they 756 00:40:18,239 --> 00:40:20,080 Speaker 1: are trying to get to this new planet where you 757 00:40:20,160 --> 00:40:22,040 Speaker 1: can see the sun. You're supposed to have a better 758 00:40:22,160 --> 00:40:25,800 Speaker 1: life there, but it looks like because this company that 759 00:40:25,840 --> 00:40:28,239 Speaker 1: they are working for is so horrendous, they are not 760 00:40:28,360 --> 00:40:30,120 Speaker 1: going to be able to leave so they meet this 761 00:40:30,239 --> 00:40:32,760 Speaker 1: other group of people who have this idea. They've discovered 762 00:40:32,800 --> 00:40:35,680 Speaker 1: this space station that is just roaming and aboard. That 763 00:40:35,840 --> 00:40:38,799 Speaker 1: space station has five pods on it, and those five 764 00:40:38,920 --> 00:40:42,440 Speaker 1: pods they can use to put themselves into hypersleep. It 765 00:40:42,520 --> 00:40:44,520 Speaker 1: takes I believe, eight years to get to this planet 766 00:40:44,560 --> 00:40:46,680 Speaker 1: they're trying to get to. They get in those pods, 767 00:40:46,760 --> 00:40:49,080 Speaker 1: they go to sleep, and they wake up on a 768 00:40:49,200 --> 00:40:52,359 Speaker 1: better planet. Sounds easy as that. They need her brother 769 00:40:52,480 --> 00:40:54,560 Speaker 1: because he is an android. He will be able to 770 00:40:54,600 --> 00:40:56,400 Speaker 1: get on the ship and get clearance to where they 771 00:40:56,480 --> 00:40:59,319 Speaker 1: need to go. So they decide to go with them 772 00:40:59,440 --> 00:41:02,200 Speaker 1: on this to this space station. But what are they 773 00:41:02,320 --> 00:41:04,960 Speaker 1: encounter on that space station? Or what are all these 774 00:41:05,040 --> 00:41:08,520 Speaker 1: movies about aliens who want to kill you? You have 775 00:41:08,760 --> 00:41:11,120 Speaker 1: the face huggers returning. Those are those aliens that get 776 00:41:11,200 --> 00:41:13,640 Speaker 1: on your face, They sit on your face and then 777 00:41:13,880 --> 00:41:16,440 Speaker 1: invade your body, which is just a great visual. They 778 00:41:16,520 --> 00:41:18,880 Speaker 1: use that a lot in the marketing. That's really all 779 00:41:18,960 --> 00:41:20,640 Speaker 1: they needed to show in the poster, which I love 780 00:41:20,680 --> 00:41:23,160 Speaker 1: the poster of just that black and red poster with 781 00:41:23,239 --> 00:41:26,120 Speaker 1: the face hugger over the character's face. That's what you 782 00:41:26,160 --> 00:41:28,120 Speaker 1: need to know about alien you also have the iconic 783 00:41:28,200 --> 00:41:30,560 Speaker 1: big alien that has like the little mouth that comes out. 784 00:41:30,840 --> 00:41:33,200 Speaker 1: But this movie is not directed by the original director 785 00:41:33,280 --> 00:41:36,319 Speaker 1: Ridley Scott. It is directed by Fede Alvarez. Will also 786 00:41:36,400 --> 00:41:39,200 Speaker 1: did movies like Don't Breathe and the reboot to Evil Dead, 787 00:41:39,400 --> 00:41:41,399 Speaker 1: and I have to say he did a fantastic job 788 00:41:41,480 --> 00:41:43,560 Speaker 1: with this movie. Again, I went into it with pretty 789 00:41:43,600 --> 00:41:47,080 Speaker 1: low expectations and I was surprised that how quickly this 790 00:41:47,239 --> 00:41:49,560 Speaker 1: movie moved along. What I was telling you about earlier 791 00:41:49,719 --> 00:41:51,960 Speaker 1: is probably the first twenty minutes of the movie, and 792 00:41:52,040 --> 00:41:54,680 Speaker 1: then you get right into the story, goes right into 793 00:41:54,760 --> 00:41:57,840 Speaker 1: them discovering the aliens on the ship and all of 794 00:41:57,960 --> 00:42:00,560 Speaker 1: the chaos that ensues. And with a movie that is 795 00:42:00,680 --> 00:42:02,560 Speaker 1: right under two hours, I think I clocked at at 796 00:42:02,560 --> 00:42:05,440 Speaker 1: about an hour and fifty one minutes. I thought that 797 00:42:05,600 --> 00:42:08,719 Speaker 1: was crucial to it. And the visuals themselves just look 798 00:42:08,880 --> 00:42:11,560 Speaker 1: so much better than I was expecting. I love the 799 00:42:11,680 --> 00:42:14,120 Speaker 1: rings around the planet that they were inching closer to 800 00:42:14,960 --> 00:42:17,360 Speaker 1: all the scenes on the ship just really made me 801 00:42:17,480 --> 00:42:21,000 Speaker 1: feel like the production value was there. The other unexpected 802 00:42:21,040 --> 00:42:24,000 Speaker 1: thing that really made me kind of feed into the 803 00:42:24,160 --> 00:42:26,480 Speaker 1: vibe of this movie was the score just kind of 804 00:42:26,600 --> 00:42:29,520 Speaker 1: chugging there underneath it all. It almost made it feel 805 00:42:29,680 --> 00:42:32,640 Speaker 1: magical at times, like I was watching a Harry Potter movie. 806 00:42:32,680 --> 00:42:35,680 Speaker 1: Maybe Harry Potter would in two where I was thinking, 807 00:42:35,880 --> 00:42:38,399 Speaker 1: this is supposed to be a horror movie, but it's 808 00:42:38,480 --> 00:42:41,120 Speaker 1: kind of giving me that Christmas movie vibe where it 809 00:42:41,239 --> 00:42:43,560 Speaker 1: just has like this warm feeling to it. But then 810 00:42:43,600 --> 00:42:45,759 Speaker 1: you throw an alien on screen and you're like, oh wait, 811 00:42:46,080 --> 00:42:48,040 Speaker 1: it's just made to make those moments feel a little 812 00:42:48,080 --> 00:42:50,719 Speaker 1: bit more tense, almost like it softens the blow a 813 00:42:50,760 --> 00:42:52,560 Speaker 1: little bit. But again, I love it when a movie 814 00:42:52,600 --> 00:42:54,600 Speaker 1: has a good score because that tells me there's been 815 00:42:54,680 --> 00:42:58,680 Speaker 1: attention to detail. It didn't really feel to me, which 816 00:42:58,760 --> 00:43:01,759 Speaker 1: is often the problem I have with movies inside of 817 00:43:01,840 --> 00:43:05,600 Speaker 1: big franchises that they're just using that alien name to 818 00:43:05,760 --> 00:43:09,320 Speaker 1: sell a generic movie. Not the case here. I really 819 00:43:09,480 --> 00:43:13,400 Speaker 1: feel like they are trying to reboot this franchise in 820 00:43:13,520 --> 00:43:16,520 Speaker 1: a really important way. There were a lot of things 821 00:43:16,719 --> 00:43:20,680 Speaker 1: that were odes to the original. It followed a lot 822 00:43:20,760 --> 00:43:23,160 Speaker 1: of the beats of the original movie, but then it 823 00:43:23,280 --> 00:43:25,800 Speaker 1: added its own flare to it, and they have to 824 00:43:25,920 --> 00:43:28,360 Speaker 1: do that in order to make a seventh film in 825 00:43:28,440 --> 00:43:31,960 Speaker 1: this franchise. I did love David Johnson's character. He plays 826 00:43:32,040 --> 00:43:35,040 Speaker 1: the Ai brother. I feel like he really did his 827 00:43:35,200 --> 00:43:38,120 Speaker 1: homework on the franchise, but also did a really good 828 00:43:38,200 --> 00:43:40,799 Speaker 1: job at kind of switching gears in in a way, 829 00:43:40,960 --> 00:43:44,359 Speaker 1: playing two different characters and change personalities and then become 830 00:43:44,400 --> 00:43:46,480 Speaker 1: a lead figure in the film. Thought he did a 831 00:43:46,560 --> 00:43:49,680 Speaker 1: really good job at that. But hands down, Kaylee Spainey 832 00:43:49,920 --> 00:43:52,200 Speaker 1: was my favorite. You might remember her if you watch 833 00:43:52,280 --> 00:43:55,240 Speaker 1: Civil War or if you saw Priscilla. She was Priscilla 834 00:43:55,320 --> 00:43:58,480 Speaker 1: in that movie, and after watching her in Alien Rombulus, 835 00:43:58,800 --> 00:44:01,520 Speaker 1: it showed me that she has what it takes to 836 00:44:01,760 --> 00:44:04,960 Speaker 1: be a great lead. She has an aura about her 837 00:44:05,080 --> 00:44:08,600 Speaker 1: that draws you into her character really helped invest me 838 00:44:08,719 --> 00:44:11,319 Speaker 1: in the story. I really bought her as an action lead, 839 00:44:11,560 --> 00:44:14,640 Speaker 1: and she made the character her own. Even though it 840 00:44:14,800 --> 00:44:18,440 Speaker 1: is similar to Sigourney Weaver's character in the original film, 841 00:44:18,640 --> 00:44:20,640 Speaker 1: she definitely could have played it the exact same way, 842 00:44:20,719 --> 00:44:23,239 Speaker 1: but instead gave us a different look. So it is 843 00:44:23,360 --> 00:44:25,239 Speaker 1: really making me think that she is going to be 844 00:44:25,320 --> 00:44:28,160 Speaker 1: around in Hollywood as a lead for a long time. 845 00:44:28,360 --> 00:44:30,719 Speaker 1: And even though I enjoyed it, I still don't really 846 00:44:30,840 --> 00:44:34,120 Speaker 1: consider it to be a horror movie at no point 847 00:44:35,000 --> 00:44:38,080 Speaker 1: was I scared in any way. And I'm not trying 848 00:44:38,120 --> 00:44:41,040 Speaker 1: to say this as like nothing scares me. I'm all good, 849 00:44:41,440 --> 00:44:45,080 Speaker 1: I'm tough. No, I wanted to be scared. My favorite 850 00:44:45,560 --> 00:44:49,080 Speaker 1: experience at a movie sitting in the middle row during 851 00:44:49,160 --> 00:44:52,239 Speaker 1: a horror movie and allowing myself to take in all 852 00:44:52,400 --> 00:44:55,120 Speaker 1: of the senses, the sites, the smells, well hopefully not 853 00:44:55,200 --> 00:44:59,000 Speaker 1: the smells, but the sound, and allow myself open myself 854 00:44:59,120 --> 00:45:01,920 Speaker 1: up to being scared. But I didn't really think that 855 00:45:02,000 --> 00:45:05,000 Speaker 1: this movie tried to scare the viewer. I don't really 856 00:45:05,040 --> 00:45:09,480 Speaker 1: think that is the intention of the Alien franchise. I 857 00:45:09,600 --> 00:45:11,840 Speaker 1: think it kind of has to have that label on 858 00:45:11,960 --> 00:45:14,399 Speaker 1: it because it's not quite just what you go into 859 00:45:14,520 --> 00:45:17,279 Speaker 1: expecting from a space movie. It doesn't quite fall in 860 00:45:17,400 --> 00:45:19,879 Speaker 1: that genre. But really, to me, it doesn't really fall 861 00:45:19,960 --> 00:45:23,759 Speaker 1: in the horror genre either, because yes, it's creepy to 862 00:45:23,880 --> 00:45:27,040 Speaker 1: have these killer aliens, and yes there's blood and guts 863 00:45:27,040 --> 00:45:29,279 Speaker 1: and acid and all of that, but it doesn't really 864 00:45:29,360 --> 00:45:32,200 Speaker 1: have that same tension that I look for in a 865 00:45:32,320 --> 00:45:35,440 Speaker 1: horror movie. They don't really rely on jump scares, which 866 00:45:35,520 --> 00:45:37,440 Speaker 1: is great. I often feel like jump scares are just 867 00:45:37,520 --> 00:45:40,480 Speaker 1: kind of cheap and put in there to really dupe 868 00:45:40,520 --> 00:45:43,080 Speaker 1: the viewer into thinking that it's a scary movie. So 869 00:45:43,280 --> 00:45:46,200 Speaker 1: I'm glad that they don't rely on those same cliche 870 00:45:46,440 --> 00:45:49,600 Speaker 1: things that would make it just another horror movie. But 871 00:45:49,760 --> 00:45:52,680 Speaker 1: people love putting things into a genre, love being able 872 00:45:52,760 --> 00:45:55,080 Speaker 1: to categorize something, so it kind of falls into that 873 00:45:55,239 --> 00:45:58,680 Speaker 1: horror sci fi genre. I just think it is a fun, 874 00:45:58,960 --> 00:46:02,720 Speaker 1: exciting summer movie to close out the summer blockbuster season 875 00:46:03,080 --> 00:46:05,560 Speaker 1: for Alien Romulus. I give it a four out of 876 00:46:05,680 --> 00:46:12,680 Speaker 1: five Space Stations. It's time to head down to Movie 877 00:46:12,800 --> 00:46:19,320 Speaker 1: Mike Trailer Hall. The year was nineteen seventy five. This 878 00:46:19,600 --> 00:46:23,959 Speaker 1: crew has ninety minutes to get their crap together talking 879 00:46:23,960 --> 00:46:26,960 Speaker 1: about Saturday Night Live. The movie is called Saturday Night. 880 00:46:27,040 --> 00:46:30,520 Speaker 1: It is about the creation of the show, but more 881 00:46:30,560 --> 00:46:35,840 Speaker 1: specifically the ninety minutes leading up to its very first episode, 882 00:46:35,880 --> 00:46:39,960 Speaker 1: first time going on the air live hour and a 883 00:46:40,000 --> 00:46:43,879 Speaker 1: half show at the time revolutionary to take a bunch 884 00:46:43,920 --> 00:46:48,040 Speaker 1: of twenty year olds were relatively unknown, put them online 885 00:46:48,160 --> 00:46:53,480 Speaker 1: TV in a non traditional format sketch show. Is it 886 00:46:53,600 --> 00:46:56,360 Speaker 1: gonna work? A couple of reasons I like this movie. 887 00:46:56,680 --> 00:46:59,520 Speaker 1: One kind of feels like a student film. After watching 888 00:46:59,560 --> 00:47:03,520 Speaker 1: this trailer, the overall quality is very raw and just 889 00:47:03,680 --> 00:47:06,160 Speaker 1: kind of chaotic. But I think that is the vibe 890 00:47:06,280 --> 00:47:08,440 Speaker 1: they are trying to give off in this trailer in 891 00:47:08,520 --> 00:47:12,480 Speaker 1: this story the chaotic nature of live television. Second thing 892 00:47:12,640 --> 00:47:15,520 Speaker 1: is ninety minutes Oh I Love Me in ninety minute comedy. 893 00:47:15,719 --> 00:47:17,320 Speaker 1: And this doesn't seem like it's going to be a 894 00:47:17,400 --> 00:47:21,480 Speaker 1: full on ha comedy, biographical bit of dark humor. They're 895 00:47:21,520 --> 00:47:24,040 Speaker 1: describing it a little bit as a thriller comedy, which 896 00:47:24,080 --> 00:47:26,880 Speaker 1: I think is interesting, and I think that's probably attributing 897 00:47:26,960 --> 00:47:30,279 Speaker 1: more to the chaotic nature of the live show. But 898 00:47:30,400 --> 00:47:32,520 Speaker 1: I think that is going to work really well. So 899 00:47:33,120 --> 00:47:35,160 Speaker 1: I don't think it's supposed to look polished. It's supposed 900 00:47:35,160 --> 00:47:37,239 Speaker 1: to feel like it's all over the place because it's 901 00:47:37,280 --> 00:47:41,600 Speaker 1: supposed to induce that anxiety that working in live TV has. 902 00:47:42,160 --> 00:47:44,839 Speaker 1: I work in live radio. I know the feeling. Once 903 00:47:44,880 --> 00:47:47,960 Speaker 1: you're live, there is no messing up, there are no retakes. 904 00:47:48,440 --> 00:47:50,920 Speaker 1: You hit that live on the air boom you are in. 905 00:47:51,040 --> 00:47:54,120 Speaker 1: It probably more chaotic back in the seventies on television, 906 00:47:54,680 --> 00:47:57,440 Speaker 1: but this movie is taking place at eleven thirty pm 907 00:47:57,880 --> 00:48:02,000 Speaker 1: October eleventh, nineteen seventy five. Looks like it's gonna be 908 00:48:02,040 --> 00:48:04,920 Speaker 1: centered around Lorne Michaels, who is the creator of Saturday 909 00:48:05,000 --> 00:48:08,480 Speaker 1: Night Live, very first season, very first cast. You're talking 910 00:48:08,560 --> 00:48:13,479 Speaker 1: Dan Aykroyd, Belushi, Andy Kaufman, all of the great people 911 00:48:13,600 --> 00:48:15,680 Speaker 1: have been saying Saturday Night Live hasn't been good since 912 00:48:15,680 --> 00:48:18,600 Speaker 1: the seventies. I think it's had several different iterations that 913 00:48:18,800 --> 00:48:21,360 Speaker 1: I have enjoyed. So before I get into more what 914 00:48:21,520 --> 00:48:24,680 Speaker 1: I think about this movie, the really impressive cast, the 915 00:48:24,800 --> 00:48:27,319 Speaker 1: director that I have a lot of trust in, here's 916 00:48:27,400 --> 00:48:29,680 Speaker 1: just a little bit of the Saturday Night trailer. Look, 917 00:48:29,719 --> 00:48:31,919 Speaker 1: my name is Lorne, Michael's on the Crucier Saturday Night. 918 00:48:32,000 --> 00:48:35,400 Speaker 2: The whole night, Yeah, the whole night, Chevy Chase, skilled 919 00:48:35,480 --> 00:48:39,480 Speaker 2: a Rader, Dan, I God, how the fuck do you 920 00:48:39,600 --> 00:48:40,120 Speaker 2: pronounce this? 921 00:48:40,760 --> 00:48:44,720 Speaker 3: Dack? Really, NBC is lucky to have something as relevant 922 00:48:44,719 --> 00:48:46,000 Speaker 3: as a show one they don't even. 923 00:48:45,920 --> 00:48:47,920 Speaker 1: Want sad logicals think that's why they're paying. 924 00:48:47,880 --> 00:48:48,480 Speaker 3: Us all to be here. 925 00:48:48,520 --> 00:48:50,680 Speaker 1: I mean more than ninety minutes of live television. 926 00:48:50,680 --> 00:48:52,439 Speaker 2: Michael, who's twenty year olds who've never. 927 00:48:52,440 --> 00:48:55,360 Speaker 3: Made any we ever stopped in Longerwise, they said, yes. 928 00:48:57,160 --> 00:48:59,440 Speaker 1: They want you to fail, and you can kind of 929 00:48:59,480 --> 00:49:03,480 Speaker 1: hear it in that trailer that ticking that as the 930 00:49:03,840 --> 00:49:06,320 Speaker 1: speed of their voice gets more and more rapid, that 931 00:49:06,560 --> 00:49:09,640 Speaker 1: is the chaotic nature of live television. This movie is 932 00:49:09,719 --> 00:49:12,320 Speaker 1: gonna cover the humor, the chaos, and the magic of 933 00:49:12,360 --> 00:49:15,440 Speaker 1: the revolution that almost wasn't. I think it's interesting to 934 00:49:15,480 --> 00:49:18,040 Speaker 1: make a movie about Saturday Night Live at this point 935 00:49:18,120 --> 00:49:21,600 Speaker 1: in time because Lorne Michaels is still alive, a lot 936 00:49:21,600 --> 00:49:24,759 Speaker 1: of these cast members are still alive. But I really 937 00:49:24,920 --> 00:49:28,120 Speaker 1: only know about the creation of the story by hearsay, 938 00:49:28,239 --> 00:49:31,279 Speaker 1: by legends, and now we're gonna fully get to see 939 00:49:31,320 --> 00:49:34,080 Speaker 1: it in a movie. And it looks crazy, It looks chaotic. 940 00:49:34,200 --> 00:49:36,040 Speaker 1: You have Jim Henson in there, which I didn't even 941 00:49:36,120 --> 00:49:39,279 Speaker 1: know was associated with Saturday Night Live. But in that 942 00:49:39,360 --> 00:49:42,040 Speaker 1: trailer he talks about some of the cast members tying 943 00:49:42,160 --> 00:49:46,560 Speaker 1: up Big Bird by his neck, So I assume Jim 944 00:49:46,600 --> 00:49:49,200 Speaker 1: Henson was working in the same building in New York 945 00:49:49,280 --> 00:49:52,120 Speaker 1: as Saturday Night Live. That sounds fun. Some of the 946 00:49:52,200 --> 00:49:56,520 Speaker 1: cast here, it's pretty impressive. You have Gabriel LaBelle as 947 00:49:56,600 --> 00:49:59,359 Speaker 1: the lead role of Lorden Michaels. I primarily know him 948 00:49:59,400 --> 00:50:01,920 Speaker 1: from The Fable, where he played a young Steven Spielberg. 949 00:50:02,360 --> 00:50:05,240 Speaker 1: Rachel Sennett who I know from bottom. She is hilarious. 950 00:50:05,320 --> 00:50:08,520 Speaker 1: She is playing Rosie Schuster. Corey Michael Smith will play 951 00:50:08,600 --> 00:50:12,759 Speaker 1: Chevy Chase. Dylan O'Brien as dan Aykroyd. I never looked 952 00:50:12,760 --> 00:50:15,480 Speaker 1: at Dylan O'Brien and thought you look like dan Ackroid, 953 00:50:15,840 --> 00:50:18,520 Speaker 1: But seeing him in this trailer with the seventies wardrobe, 954 00:50:18,880 --> 00:50:23,560 Speaker 1: the singular mustache, he does look and bear a striking 955 00:50:23,640 --> 00:50:27,600 Speaker 1: resemblance to dan Aykroyd, even has his mannerisms down. I 956 00:50:27,760 --> 00:50:31,080 Speaker 1: really associate Dylan O'Brien with one of my favorite movies 957 00:50:31,120 --> 00:50:33,800 Speaker 1: of twenty twenty, back when only a handful of movies 958 00:50:33,880 --> 00:50:35,799 Speaker 1: came out. But he was in a movie called Love 959 00:50:35,840 --> 00:50:38,920 Speaker 1: and Monsters, And anytime I see a poster or a 960 00:50:39,040 --> 00:50:42,560 Speaker 1: trailer or something about that movie, it instantly takes me 961 00:50:42,719 --> 00:50:45,520 Speaker 1: back to twenty twenty. It was a good movie. I 962 00:50:45,560 --> 00:50:48,000 Speaker 1: feel didn't really get a lot of attention because it 963 00:50:48,120 --> 00:50:50,840 Speaker 1: came out at a time where we're only streaming movies 964 00:50:50,880 --> 00:50:54,560 Speaker 1: at home. But I remember, in a weird year, with 965 00:50:54,800 --> 00:50:57,320 Speaker 1: so much uncertainty on my end and a lot of 966 00:50:57,320 --> 00:50:59,560 Speaker 1: people's in a lot of sadness, that movie brought me 967 00:50:59,600 --> 00:51:02,680 Speaker 1: a lot of There will always be a special place 968 00:51:03,400 --> 00:51:06,480 Speaker 1: in my internal movie Show for Love and Monsters, and 969 00:51:06,560 --> 00:51:09,200 Speaker 1: I thought Dylan O'Brien was really great in that, and 970 00:51:09,320 --> 00:51:12,560 Speaker 1: I'm hoping him as dan Aykroyd delivers in this. You 971 00:51:12,640 --> 00:51:16,520 Speaker 1: have Matt Wood as John Belushi, Nicholas Braun as Andy Kaufman, 972 00:51:16,640 --> 00:51:19,320 Speaker 1: and Jim Henson. Which one of my favorite things about 973 00:51:19,400 --> 00:51:23,480 Speaker 1: the first ever episode of Saturday Night Live is Andy Kaufman, 974 00:51:23,880 --> 00:51:26,399 Speaker 1: which I've seen in other iterations of his story, whether 975 00:51:26,480 --> 00:51:29,960 Speaker 1: it be the Netflix documentary Man on the Moon, but 976 00:51:30,120 --> 00:51:33,120 Speaker 1: he did his famous Mighty Mouse sketch on the first 977 00:51:33,160 --> 00:51:36,440 Speaker 1: episode of SNL wherever he's up there playing the record 978 00:51:36,560 --> 00:51:38,880 Speaker 1: and all he does is said the line here I 979 00:51:39,000 --> 00:51:42,040 Speaker 1: come to save the day, Love Andy Kaufman. But I 980 00:51:42,080 --> 00:51:46,040 Speaker 1: don't think they're gonna get to the actual episode in 981 00:51:46,200 --> 00:51:49,240 Speaker 1: this movie. It seems to be the ninety minutes leading 982 00:51:49,320 --> 00:51:51,160 Speaker 1: up to it. I imagine it gets more and more 983 00:51:51,280 --> 00:51:54,800 Speaker 1: chaotic as it goes along. You see people fighting, you 984 00:51:54,920 --> 00:51:58,160 Speaker 1: see people throwing things, you see people writing on cameras. 985 00:51:58,560 --> 00:52:01,719 Speaker 1: So I have to imagine the very last scene of 986 00:52:01,800 --> 00:52:04,720 Speaker 1: this movie is going to be right when it hits 987 00:52:05,120 --> 00:52:07,759 Speaker 1: Live on the air, and then the movie is gonna 988 00:52:07,800 --> 00:52:09,960 Speaker 1: hit the credits, because it doesn't seem like that is 989 00:52:10,120 --> 00:52:12,560 Speaker 1: going to be the story. It seems the story is 990 00:52:13,080 --> 00:52:16,200 Speaker 1: the reason Louren Michaels was put in this situation was 991 00:52:16,360 --> 00:52:19,799 Speaker 1: to fail. And also it's directed and co written by 992 00:52:19,920 --> 00:52:23,280 Speaker 1: Jason Rightman, who is the dad of Ivan Rightman Rip, 993 00:52:23,520 --> 00:52:27,560 Speaker 1: but he is responsible for Ghostbusters one, Two, Twins, Kindergarten, 994 00:52:27,640 --> 00:52:32,080 Speaker 1: Cop Meatballs, so Ivan's's dad Jason is directing this movie. 995 00:52:32,160 --> 00:52:35,400 Speaker 1: I love a nepo baby again. Don't really have a 996 00:52:35,520 --> 00:52:38,800 Speaker 1: problem with nepotism when it comes to Hollywood, because I 997 00:52:38,920 --> 00:52:41,480 Speaker 1: think about it. If somebody accused me of being a 998 00:52:41,520 --> 00:52:44,080 Speaker 1: nepo baby, saying my dad's a truck driver. If I 999 00:52:44,120 --> 00:52:46,319 Speaker 1: went on to be a truck driver, nobody would be like, ah, 1000 00:52:46,440 --> 00:52:50,160 Speaker 1: you nepo baby taking over the family business. That's just 1001 00:52:50,280 --> 00:52:53,959 Speaker 1: what happens. You're around it as a kid, obviously gonna 1002 00:52:53,960 --> 00:52:56,320 Speaker 1: be drawn to it. So I don't really have a 1003 00:52:56,440 --> 00:52:58,600 Speaker 1: problem with nepo babies as long as they own up 1004 00:52:58,640 --> 00:53:01,239 Speaker 1: to it when they get real deaf and are like no, 1005 00:53:02,000 --> 00:53:04,360 Speaker 1: like no, just own up to it. It'd be the 1006 00:53:04,400 --> 00:53:06,000 Speaker 1: same way I would own up to it. If my 1007 00:53:06,080 --> 00:53:07,840 Speaker 1: dad had his own trucking business, an I were to 1008 00:53:07,880 --> 00:53:10,440 Speaker 1: take over it, of course other people would have been 1009 00:53:10,480 --> 00:53:12,239 Speaker 1: there a while would be like, of course the bus 1010 00:53:12,400 --> 00:53:14,480 Speaker 1: the son is getting the job. But I have no 1011 00:53:14,640 --> 00:53:17,640 Speaker 1: problem with it with Jason Rightman, the son who was 1012 00:53:17,719 --> 00:53:21,800 Speaker 1: directing this movie. He also did Ghostbusters Afterlife, one of 1013 00:53:22,239 --> 00:53:24,920 Speaker 1: a couple of my favorite movies from the two thousands, 1014 00:53:25,040 --> 00:53:27,680 Speaker 1: Up in the Air and Juno, so I feel like 1015 00:53:27,880 --> 00:53:30,520 Speaker 1: we are in the right director's hands for this movie 1016 00:53:30,840 --> 00:53:33,640 Speaker 1: to get it right. Also, rounding out the cast, you 1017 00:53:33,680 --> 00:53:37,040 Speaker 1: have Matthew Reese as George Carlin, who was the first 1018 00:53:37,160 --> 00:53:40,440 Speaker 1: host of Saturday Night Live. Willem Dafoe is playing an 1019 00:53:40,600 --> 00:53:45,680 Speaker 1: NBC head executive. You also have JK. Simmons as Milton Burrell. 1020 00:53:46,000 --> 00:53:48,600 Speaker 1: A lot of people think that Saturday Night Live isn't 1021 00:53:48,640 --> 00:53:51,359 Speaker 1: funny anymore. I still make it a point to watch 1022 00:53:51,520 --> 00:53:55,360 Speaker 1: every single week when it is in season. My favorite 1023 00:53:55,400 --> 00:53:58,080 Speaker 1: episode in the last year has to be when Ryan 1024 00:53:58,160 --> 00:54:01,040 Speaker 1: Gosling hosted the Beavis and butt Head sketch is still 1025 00:54:01,200 --> 00:54:03,640 Speaker 1: one of my favorite and I can't even remember my 1026 00:54:03,719 --> 00:54:06,840 Speaker 1: last favorite sketch of Saturday Night Live. For me, I 1027 00:54:07,000 --> 00:54:11,000 Speaker 1: think my favorite era for the show was the twenty tens, 1028 00:54:11,440 --> 00:54:14,480 Speaker 1: and I don't think they had one specific star during 1029 00:54:14,600 --> 00:54:17,240 Speaker 1: that time that I would say that was the Asen 1030 00:54:17,320 --> 00:54:19,680 Speaker 1: Hole that was the best SNL cast member at that time. 1031 00:54:19,760 --> 00:54:22,360 Speaker 1: Maybe a Kristen Wig, but I think it was a 1032 00:54:22,440 --> 00:54:25,880 Speaker 1: collection of that entire cast. It's almost like what happens 1033 00:54:25,960 --> 00:54:29,160 Speaker 1: in the movie Moneyball. They lose their star player and 1034 00:54:29,280 --> 00:54:33,160 Speaker 1: they have to build a winning team by strategically putting 1035 00:54:33,200 --> 00:54:36,200 Speaker 1: together all these players who don't cost a whole lot, 1036 00:54:36,480 --> 00:54:39,000 Speaker 1: but by finding players who do maybe a couple things, 1037 00:54:39,080 --> 00:54:42,160 Speaker 1: well maybe only one thing, will they can all add 1038 00:54:42,280 --> 00:54:45,320 Speaker 1: up to replace that superstar that you were missing. That 1039 00:54:45,480 --> 00:54:47,760 Speaker 1: is how I felt about the twenty tens. They didn't 1040 00:54:47,800 --> 00:54:50,040 Speaker 1: have that one person who was just killing all the 1041 00:54:50,160 --> 00:54:53,440 Speaker 1: time who was the one star, but all together with 1042 00:54:53,600 --> 00:54:57,120 Speaker 1: Bill Hayt or Jason Sidekis even Jenny Slayton there who 1043 00:54:57,160 --> 00:55:01,520 Speaker 1: I loved, Andy Samberg, Fred Armison, Bob moynihan, Jay Farrell, 1044 00:55:01,719 --> 00:55:05,000 Speaker 1: Seth Myers, Tarren kill him. I'll even throw Amy Poehler 1045 00:55:05,080 --> 00:55:08,680 Speaker 1: in there. That entire era. A Saturday Night Live was 1046 00:55:08,800 --> 00:55:11,239 Speaker 1: my favorite because I kind of got in on the 1047 00:55:11,360 --> 00:55:14,239 Speaker 1: tail end of everybody from the nineties. And while those 1048 00:55:14,280 --> 00:55:17,200 Speaker 1: cast members do make my top five SNL cast members 1049 00:55:17,280 --> 00:55:21,000 Speaker 1: of all time. It was more through watching clips. I remember, 1050 00:55:21,239 --> 00:55:24,759 Speaker 1: I love getting the SNL DVDs that was the best 1051 00:55:24,840 --> 00:55:26,640 Speaker 1: of certain cast members. That is how I took in 1052 00:55:26,760 --> 00:55:29,080 Speaker 1: a lot of their work and also a lot of 1053 00:55:29,280 --> 00:55:31,400 Speaker 1: the cast members from the two thousand. So if I 1054 00:55:31,520 --> 00:55:35,000 Speaker 1: had a top five SNL cast members of all time, 1055 00:55:35,360 --> 00:55:38,800 Speaker 1: at number five, I would put Keenan Thompson, primarily because 1056 00:55:38,840 --> 00:55:39,560 Speaker 1: he's been there. 1057 00:55:39,440 --> 00:55:39,920 Speaker 2: For so long. 1058 00:55:40,080 --> 00:55:43,359 Speaker 1: Keenan Thompson will not go away from SNL. He has 1059 00:55:43,400 --> 00:55:46,200 Speaker 1: been there for twenty seasons from two thousand and three 1060 00:55:46,280 --> 00:55:49,120 Speaker 1: to twenty twenty four. I just think the volume of 1061 00:55:49,239 --> 00:55:52,399 Speaker 1: work that he has put in. I look at all 1062 00:55:52,480 --> 00:55:55,080 Speaker 1: the famous sketches in the last twenty years and he 1063 00:55:55,200 --> 00:55:57,279 Speaker 1: is probably in one of them. I also love what 1064 00:55:57,480 --> 00:55:59,719 Speaker 1: Up with That? Or whenever they do family Feud, and 1065 00:55:59,760 --> 00:56:03,640 Speaker 1: he'd Steve Harvey. Keenan Thompson has been just in show 1066 00:56:03,719 --> 00:56:06,239 Speaker 1: business since he was a kid from Heavyweights, all that 1067 00:56:06,480 --> 00:56:10,160 Speaker 1: Keenan and Kel, so I would put him at number five. 1068 00:56:10,360 --> 00:56:12,560 Speaker 1: At number four, I would put Tina Fay, who was 1069 00:56:12,600 --> 00:56:15,640 Speaker 1: there for nine seasons from nineteen ninety seven to two 1070 00:56:15,719 --> 00:56:18,080 Speaker 1: thousand and six. I put her in my top five 1071 00:56:18,160 --> 00:56:20,760 Speaker 1: because I think she was the best at Weekend Update, 1072 00:56:20,760 --> 00:56:22,040 Speaker 1: and there are a lot of great people who did 1073 00:56:22,120 --> 00:56:26,000 Speaker 1: Weekend Update. Chevy Chase, obviously, Norm McDonald I would put 1074 00:56:26,040 --> 00:56:28,520 Speaker 1: on the list, even though I don't really feel like 1075 00:56:28,719 --> 00:56:32,880 Speaker 1: people fully appreciated what he did on Weekend Update. Even now, 1076 00:56:33,000 --> 00:56:36,640 Speaker 1: Colin Jost and Michael Chay are my favorite thing consistently 1077 00:56:36,719 --> 00:56:39,520 Speaker 1: about Saturday Night Live, but I still think Tina Fey 1078 00:56:39,640 --> 00:56:41,840 Speaker 1: and Amy Poehler were the best to do it, So 1079 00:56:41,920 --> 00:56:44,040 Speaker 1: she's at number four. At number three, I would put 1080 00:56:44,080 --> 00:56:47,160 Speaker 1: Will Ferrell. I think he is in the most iconic 1081 00:56:47,280 --> 00:56:50,839 Speaker 1: sketches of the two thousands and as somebody who used 1082 00:56:50,880 --> 00:56:55,040 Speaker 1: that fame to translate into a stellar movie career. But 1083 00:56:55,160 --> 00:56:57,520 Speaker 1: he went way beyond SNL. But I would put Will 1084 00:56:57,560 --> 00:57:01,080 Speaker 1: Ferrell at number three. From nineteen nine to two thousand 1085 00:57:01,120 --> 00:57:04,280 Speaker 1: and two. At number two, was only there five seasons, 1086 00:57:04,320 --> 00:57:08,040 Speaker 1: but was so impressionable. Adam Sandler, he was there from 1087 00:57:08,120 --> 00:57:11,400 Speaker 1: nineteen ninety one to nineteen ninety five. I think what 1088 00:57:11,520 --> 00:57:14,160 Speaker 1: I remember more than all of his characters from SNL 1089 00:57:14,680 --> 00:57:17,960 Speaker 1: were the songs, my favorite being lunch Lady Land Adam 1090 00:57:18,000 --> 00:57:21,120 Speaker 1: Sandler with the guitar on SNL. It's great at number 1091 00:57:21,200 --> 00:57:25,080 Speaker 1: one for five seasons from nineteen ninety to nineteen ninety five. 1092 00:57:25,560 --> 00:57:28,440 Speaker 1: Though one and only Chris Farley, he was never in 1093 00:57:28,520 --> 00:57:31,520 Speaker 1: a bad sketch. Down by the River his hands down 1094 00:57:31,680 --> 00:57:34,880 Speaker 1: the greatest sketch to ever air on Saturday Night Live. 1095 00:57:35,960 --> 00:57:38,720 Speaker 1: Second place to that would probably be whenever he did 1096 00:57:38,760 --> 00:57:42,040 Speaker 1: the Columbian Coffee Crystals where he flipped out. Also his 1097 00:57:42,240 --> 00:57:46,480 Speaker 1: Chippendale Sketch. I love whenever he would interview famous celebrities. 1098 00:57:46,520 --> 00:57:49,760 Speaker 1: It'd be really awkward talking to Paul McCartney. Hey, you 1099 00:57:49,800 --> 00:57:51,960 Speaker 1: remember when you were in the Beatles? You remember that? 1100 00:57:52,440 --> 00:57:55,280 Speaker 1: That was awesome. They are making a movie about his life, 1101 00:57:55,320 --> 00:57:59,360 Speaker 1: starring Paul Walter Housa, directed by Josh Gadd, who you 1102 00:57:59,520 --> 00:58:02,640 Speaker 1: may know well, I guess primarily from the Book of Mormon. 1103 00:58:02,800 --> 00:58:05,280 Speaker 1: I also remember him from The Rocker, which was a 1104 00:58:05,360 --> 00:58:08,160 Speaker 1: movie about a rock band that he did with Rain Wilson. 1105 00:58:08,440 --> 00:58:10,240 Speaker 1: But I guess what most people would probably know him 1106 00:58:10,280 --> 00:58:12,880 Speaker 1: for is Frozen. Not me. I remember him from The Rocker, 1107 00:58:13,280 --> 00:58:15,920 Speaker 1: So yeah, I hope that movie's good. I hope Saturday 1108 00:58:16,040 --> 00:58:18,760 Speaker 1: Night is good. It is coming out on October eleventh, 1109 00:58:19,120 --> 00:58:20,080 Speaker 1: Live from New York. 1110 00:58:20,280 --> 00:58:23,800 Speaker 2: It's Saturday Night at that for was this week's edition 1111 00:58:24,000 --> 00:58:26,240 Speaker 2: of movie Li Framer. 1112 00:58:25,920 --> 00:58:28,360 Speaker 1: Par and that is going to do it for another 1113 00:58:28,440 --> 00:58:31,120 Speaker 1: episode here of the podcast, but before I go, I 1114 00:58:31,200 --> 00:58:33,720 Speaker 1: got to give my listeners shout out of the week. 1115 00:58:34,120 --> 00:58:37,120 Speaker 1: This week we are going over to the YouTube channel 1116 00:58:37,400 --> 00:58:40,400 Speaker 1: if you don't know, I post my full spoiler free 1117 00:58:40,520 --> 00:58:42,320 Speaker 1: reviews over there, so if you don't want to just 1118 00:58:42,440 --> 00:58:44,840 Speaker 1: listen to it, you can go watch it. I tried 1119 00:58:44,880 --> 00:58:47,840 Speaker 1: adding a whole new angle, which I think looks pretty slick, 1120 00:58:47,960 --> 00:58:49,840 Speaker 1: but again, it's just me doing the editing over here, 1121 00:58:49,880 --> 00:58:51,240 Speaker 1: so it takes me a little bit longer, so I 1122 00:58:51,280 --> 00:58:53,560 Speaker 1: would appreciate it if you go check out that word. 1123 00:58:53,800 --> 00:58:56,560 Speaker 1: But this week's listener shout out goes to Nick Castillo, 1124 00:58:56,640 --> 00:58:59,800 Speaker 1: who commented on my review of m Night Shyamalan's Trap 1125 00:58:59,880 --> 00:59:02,960 Speaker 1: and said, not that it helps the overall logic of 1126 00:59:03,040 --> 00:59:05,840 Speaker 1: the movie, but there is a brief line when Cooper's 1127 00:59:05,880 --> 00:59:08,800 Speaker 1: daughter says she's so glad that Lady Raven added a 1128 00:59:08,960 --> 00:59:11,840 Speaker 1: third show when the Night Show sold out. Love the 1129 00:59:11,920 --> 00:59:15,080 Speaker 1: podcast listen every single week. I have to say I 1130 00:59:15,200 --> 00:59:18,840 Speaker 1: think I missed that line, but hearing that being described 1131 00:59:18,920 --> 00:59:22,480 Speaker 1: sounds so forced in there. I feel like that line 1132 00:59:22,640 --> 00:59:24,320 Speaker 1: was put in to cover for the reason that it 1133 00:59:24,440 --> 00:59:27,160 Speaker 1: was taking place during the day. Oh, it's really great 1134 00:59:27,160 --> 00:59:29,760 Speaker 1: that she added a third show during the day. That 1135 00:59:29,960 --> 00:59:32,919 Speaker 1: makes it easier to make this motion picture. I feel 1136 00:59:32,920 --> 00:59:34,400 Speaker 1: like that was a bit of a cop out, but 1137 00:59:34,520 --> 00:59:37,080 Speaker 1: thanks Nick for catching that and for commenting and watching 1138 00:59:37,200 --> 00:59:39,720 Speaker 1: over on YouTube, and for that you are this week's 1139 00:59:39,760 --> 00:59:42,479 Speaker 1: listener shout out of the week. Thank you movie crew, 1140 00:59:42,920 --> 00:59:45,600 Speaker 1: And until next time, go out and watch good movies 1141 00:59:45,680 --> 00:59:47,760 Speaker 1: and I will talk to you later.