1 00:00:07,560 --> 00:00:11,639 Speaker 1: Welcome to episode two of the Official Yellowstone Podcast. I'm 2 00:00:11,640 --> 00:00:14,960 Speaker 1: Bobby Bones. We're gonna talk with Teeter, who's a real 3 00:00:15,000 --> 00:00:18,959 Speaker 1: life person. The actor that plays Teeter is Jen Landon. 4 00:00:20,040 --> 00:00:22,560 Speaker 1: So here's some Teeter for you. And Teeter was brought 5 00:00:22,560 --> 00:00:26,880 Speaker 1: in a little later in the series. And Teeter was 6 00:00:27,000 --> 00:00:29,760 Speaker 1: quite aggressive because she had a big THEG accent. Either 7 00:00:29,800 --> 00:00:31,800 Speaker 1: you thought, Wow, she's funny, or it's too much, or 8 00:00:31,960 --> 00:00:33,800 Speaker 1: I think she did a great job of playing this character. 9 00:00:34,280 --> 00:00:37,320 Speaker 1: And so here's Teeter. Teeter introduced to Rip and Lloyd 10 00:00:37,320 --> 00:00:40,240 Speaker 1: on season three, episode two, Here you go. What's your name? 11 00:00:40,680 --> 00:00:42,880 Speaker 2: Fire? 12 00:00:42,960 --> 00:00:43,199 Speaker 3: Is that. 13 00:00:45,320 --> 00:00:46,160 Speaker 2: Tate Harp? 14 00:00:48,280 --> 00:00:50,840 Speaker 1: Since she said Teeter, your name Peter? 15 00:00:51,360 --> 00:00:54,360 Speaker 2: Do I look like motherfucker? Name is Peter? You skunk 16 00:00:54,360 --> 00:00:55,440 Speaker 2: hard motherfucker? 17 00:00:56,840 --> 00:01:01,040 Speaker 1: That's funny. That's funny. Teeter was funny. I I don't 18 00:01:01,040 --> 00:01:03,160 Speaker 1: want to spoil anything, but I feel like at this 19 00:01:03,240 --> 00:01:06,319 Speaker 1: point you've probably seen through season three if I'm just guessing. 20 00:01:06,880 --> 00:01:09,720 Speaker 1: And so there was a romance with Teeter. And here's 21 00:01:09,760 --> 00:01:12,680 Speaker 1: a clip. It's Teeter fixing a fence with Colby before 22 00:01:12,720 --> 00:01:16,839 Speaker 1: they ever became a couple. And this is Colby struggling 23 00:01:16,920 --> 00:01:17,840 Speaker 1: to understand Teeter. 24 00:01:19,000 --> 00:01:21,880 Speaker 2: You don't wonder why they're lizards in the mounds. Been 25 00:01:22,000 --> 00:01:22,759 Speaker 2: N's nice. 26 00:01:23,319 --> 00:01:28,640 Speaker 1: Uh oh, but I do wonder what the fuck you 27 00:01:28,840 --> 00:01:35,280 Speaker 1: just said. But I always wonder that. So Teeter's coming 28 00:01:35,360 --> 00:01:37,520 Speaker 1: up in just a second. I was asked the other day, like, 29 00:01:37,560 --> 00:01:39,360 Speaker 1: when did I know Yellowstone was a massive show? And 30 00:01:39,480 --> 00:01:41,560 Speaker 1: sometimes I watch those that aren't even massive, but this 31 00:01:42,280 --> 00:01:45,600 Speaker 1: show to me. I went to Montana. I was doing 32 00:01:46,040 --> 00:01:48,360 Speaker 1: my series called Breaking Bobby Bones, and part of it 33 00:01:48,520 --> 00:01:50,880 Speaker 1: was we had to spend I think three days in 34 00:01:50,960 --> 00:01:56,960 Speaker 1: Montana and we were not actually moving the sheep. We 35 00:01:56,960 --> 00:02:01,120 Speaker 1: were the sheep herder. He was protecting the sheep. But 36 00:02:01,240 --> 00:02:03,520 Speaker 1: we were there to help protect the sheep from bears 37 00:02:04,000 --> 00:02:06,640 Speaker 1: and wolves. And on the show, that's what it was 38 00:02:06,800 --> 00:02:10,840 Speaker 1: because at night, if there are any stragglers, if any 39 00:02:10,840 --> 00:02:13,120 Speaker 1: part of the sheep are vulnerable, the wolves or the 40 00:02:13,120 --> 00:02:14,840 Speaker 1: bears will eat the sheep. And so we're out there 41 00:02:14,919 --> 00:02:17,720 Speaker 1: and I got a rifle and I'm up all night. 42 00:02:18,720 --> 00:02:21,079 Speaker 1: And I remember in the day we would drive back 43 00:02:21,120 --> 00:02:25,120 Speaker 1: into town and I just started watching Yellowstone as like 44 00:02:25,120 --> 00:02:28,440 Speaker 1: a devout Yellowstone watcher, and I would just ask everybody, Hey, 45 00:02:28,480 --> 00:02:30,800 Speaker 1: how I choose Yellowstone? How? And you could tell it 46 00:02:30,800 --> 00:02:33,720 Speaker 1: started to be this big show because as nice as 47 00:02:33,800 --> 00:02:35,560 Speaker 1: they were, they were kind of getting annoyed with every 48 00:02:35,560 --> 00:02:38,160 Speaker 1: single person coming from out of town. They would come 49 00:02:38,200 --> 00:02:40,120 Speaker 1: intown and ask about it. That's how you knew how 50 00:02:40,120 --> 00:02:42,959 Speaker 1: big Yellowstone was getting, because everybody that lived in Montana 51 00:02:43,080 --> 00:02:44,760 Speaker 1: was being asked about it by everybody that didn't live 52 00:02:44,800 --> 00:02:47,240 Speaker 1: in Montana. But it was pretty cool to see the 53 00:02:47,240 --> 00:02:48,919 Speaker 1: show do that, and most of them were like, yeah, 54 00:02:48,960 --> 00:02:51,440 Speaker 1: it's pretty accurate. But some of the show they shot 55 00:02:51,480 --> 00:02:53,200 Speaker 1: in Utah, they shot in tectives, they shot all over 56 00:02:53,200 --> 00:02:58,560 Speaker 1: the place. Just the ranch is supposedly in Montana. We 57 00:02:58,600 --> 00:03:01,200 Speaker 1: have Teeter, who, by the way, real name Jen Landon. 58 00:03:01,919 --> 00:03:04,120 Speaker 1: Jen was very generous. We talked about Yellowstone, but also 59 00:03:04,320 --> 00:03:07,000 Speaker 1: about her acting career a whole lot more. Here she is. 60 00:03:07,520 --> 00:03:24,720 Speaker 1: This is Teeter aka Jen Landon. When did Yellowstone start 61 00:03:24,760 --> 00:03:29,320 Speaker 1: to exist for you professionally? Where someone said there's this role, 62 00:03:29,680 --> 00:03:32,040 Speaker 1: When did that happen? And how long until you actually 63 00:03:32,120 --> 00:03:32,680 Speaker 1: were cast? 64 00:03:33,280 --> 00:03:37,480 Speaker 3: I started working professionally while I was still in college. 65 00:03:38,480 --> 00:03:41,960 Speaker 3: I booked my first audition, which was a very good 66 00:03:42,000 --> 00:03:44,360 Speaker 3: thing and a horrible thing to happen to you. So 67 00:03:44,480 --> 00:03:51,040 Speaker 3: that was in two thousand five. Yellowstone was two thousand 68 00:03:51,000 --> 00:03:56,680 Speaker 3: and nineteen, so I auditioned for the part. John Papsidara 69 00:03:56,840 --> 00:04:00,280 Speaker 3: was casting. I love John Papsidara. He's brought me in 70 00:04:00,320 --> 00:04:02,520 Speaker 3: three times and I booked two of those times. Not 71 00:04:02,640 --> 00:04:05,760 Speaker 3: because I'm that good, but because he's that good of 72 00:04:05,800 --> 00:04:09,520 Speaker 3: a casting director. He just kind of gets a sense 73 00:04:09,560 --> 00:04:12,440 Speaker 3: of an essence, and even though I'm really different from Teeter, 74 00:04:13,200 --> 00:04:15,880 Speaker 3: I think that he's like, oh, this she should play 75 00:04:15,920 --> 00:04:21,839 Speaker 3: angry women, tired angry women. So I read for it. 76 00:04:22,240 --> 00:04:25,599 Speaker 3: I thought I bombed the audition. It was one of 77 00:04:25,680 --> 00:04:28,880 Speaker 3: like the stereotypical stories where you leave the audition and 78 00:04:28,920 --> 00:04:31,080 Speaker 3: you're like, Okay, I'm quitting, I'm hanging up my hat. 79 00:04:31,920 --> 00:04:37,159 Speaker 3: And we got really positive feedback from it, and that 80 00:04:37,839 --> 00:04:39,760 Speaker 3: I was pinned that they wanted to know about my 81 00:04:39,800 --> 00:04:43,560 Speaker 3: horse experience. I think I was sitting on the top 82 00:04:43,600 --> 00:04:44,200 Speaker 3: of the stack. 83 00:04:44,480 --> 00:04:46,720 Speaker 2: And then a. 84 00:04:46,680 --> 00:04:49,720 Speaker 3: Few months later we get a call that that role 85 00:04:49,760 --> 00:04:52,479 Speaker 3: has gone away, like not away from me, that role 86 00:04:52,520 --> 00:04:56,600 Speaker 3: has just ceased to exist. And I think it was 87 00:04:56,640 --> 00:05:00,200 Speaker 3: about nine months later. I mean, I wasn't even thinking 88 00:05:00,240 --> 00:05:03,040 Speaker 3: about the show anymore because the part was gone as 89 00:05:03,040 --> 00:05:06,120 Speaker 3: far as I knew, and my team knew, and I 90 00:05:06,120 --> 00:05:08,120 Speaker 3: got a call from my team telling me that I 91 00:05:08,240 --> 00:05:12,320 Speaker 3: booked Peter and we were all like laughing because we 92 00:05:12,440 --> 00:05:17,760 Speaker 3: just couldn't figure out how this came about. Taylor called 93 00:05:17,760 --> 00:05:20,480 Speaker 3: me that day because he's awesome and he's so hands 94 00:05:20,480 --> 00:05:23,440 Speaker 3: on to talk to me about it, and hooked me 95 00:05:23,560 --> 00:05:27,680 Speaker 3: up with his reining horse trainer, which is a certain 96 00:05:27,800 --> 00:05:31,400 Speaker 3: kind it's a certain kind of horse event raining is 97 00:05:31,440 --> 00:05:35,680 Speaker 3: its own cool thing. And I rode out in California 98 00:05:36,040 --> 00:05:40,560 Speaker 3: with the sky Tom Faran, who is awesome, and I 99 00:05:40,600 --> 00:05:43,440 Speaker 3: think it was probably a month maybe a month later 100 00:05:43,520 --> 00:05:46,520 Speaker 3: that I headed out to Utah where we were still 101 00:05:46,520 --> 00:05:48,800 Speaker 3: shooting the bulk of the show until we moved it 102 00:05:49,000 --> 00:05:49,760 Speaker 3: to Montana. 103 00:05:49,920 --> 00:05:52,600 Speaker 1: Entirely what's the dynamic? Because that was a new kid 104 00:05:52,600 --> 00:05:54,080 Speaker 1: in school a bunch we moved around along as a kid. 105 00:05:54,120 --> 00:05:55,560 Speaker 1: I know what it's like to hop in and you 106 00:05:55,600 --> 00:05:57,520 Speaker 1: hope everybody's nice, but you don't really know what's the 107 00:05:57,600 --> 00:05:59,960 Speaker 1: dynamic being the new kid on a successful show. 108 00:06:01,080 --> 00:06:05,599 Speaker 3: I mean, I'm a terrified person. I have tremendous anxiety 109 00:06:05,640 --> 00:06:09,520 Speaker 3: that is actually not helpful, so going into any show, 110 00:06:09,640 --> 00:06:14,000 Speaker 3: for me, I'm mostly just wrestling with my own fight 111 00:06:14,080 --> 00:06:18,360 Speaker 3: or flight regardless of anything else. I was living in 112 00:06:18,440 --> 00:06:22,160 Speaker 3: Los Angeles, so like Yellowstone had popped, but like it 113 00:06:22,279 --> 00:06:28,599 Speaker 3: hadn't quite popped there, but Taylor Sheridan had certainly popped 114 00:06:28,640 --> 00:06:32,200 Speaker 3: for me with his movies, So there was an extra 115 00:06:32,240 --> 00:06:34,880 Speaker 3: set of nerves with that. I had worked for Jason 116 00:06:34,960 --> 00:06:38,760 Speaker 3: Rightman probably a year before, and I had a pretty 117 00:06:39,160 --> 00:06:41,640 Speaker 3: a similar set of nerves going into that because these 118 00:06:41,680 --> 00:06:45,479 Speaker 3: were like artists that I had tremendous respect for. I 119 00:06:45,640 --> 00:06:49,799 Speaker 3: have found that I've been really lucky. I've never walked 120 00:06:49,880 --> 00:06:54,160 Speaker 3: onto a mean set. Our show is unique, though, because 121 00:06:54,279 --> 00:06:59,320 Speaker 3: there's such presence of actual cowboys, not just with the 122 00:06:59,360 --> 00:07:02,719 Speaker 3: Wranglers but with a lot of the actors in the show, 123 00:07:03,360 --> 00:07:09,240 Speaker 3: and cowboys live really close to the earth, they don't 124 00:07:09,400 --> 00:07:13,720 Speaker 3: seem to have the customary neuroticism that actors have. So 125 00:07:13,840 --> 00:07:17,840 Speaker 3: the whole group just had this sort of earthy vibe 126 00:07:18,000 --> 00:07:22,240 Speaker 3: that felt very unique and it was awesome. They are 127 00:07:22,360 --> 00:07:23,000 Speaker 3: like a family. 128 00:07:23,280 --> 00:07:26,440 Speaker 1: I grew up in Arkansas, and your characters from Arkansas. 129 00:07:26,040 --> 00:07:30,640 Speaker 3: I'm sorry, not that you're from Arkansas, that Teeters from Arkansas? 130 00:07:31,240 --> 00:07:37,440 Speaker 1: So where did you get the character? Like what was 131 00:07:37,480 --> 00:07:38,480 Speaker 1: Teeter based off of? 132 00:07:39,160 --> 00:07:42,600 Speaker 3: So I always felt like it was entirely on the page. 133 00:07:43,160 --> 00:07:47,200 Speaker 3: Apparently that's not true, based on like the interpretations that 134 00:07:47,240 --> 00:07:48,760 Speaker 3: came into the audition room. 135 00:07:49,160 --> 00:07:49,680 Speaker 2: The role. 136 00:07:50,240 --> 00:07:55,840 Speaker 3: The dialogue was written phonetically, not in like proper proper phonetics, but. 137 00:07:57,800 --> 00:07:58,720 Speaker 2: It looked a bit like. 138 00:07:58,720 --> 00:08:02,920 Speaker 3: Gibberish, so that was there for me. It was laid 139 00:08:02,920 --> 00:08:08,360 Speaker 3: out how she should sound. Teeter's place of origin was 140 00:08:08,440 --> 00:08:11,440 Speaker 3: sort of vague. She was a composite, I believe of 141 00:08:11,520 --> 00:08:16,880 Speaker 3: two people that Taylor knew, and she was maybe originally 142 00:08:16,920 --> 00:08:22,280 Speaker 3: from Texas. But the way that I kind of hooked 143 00:08:23,000 --> 00:08:26,040 Speaker 3: into it the best I could, and I felt like 144 00:08:26,080 --> 00:08:30,040 Speaker 3: it certainly grounded over the seasons. I feel like in 145 00:08:30,080 --> 00:08:33,040 Speaker 3: the last season it was the closest I got to 146 00:08:33,880 --> 00:08:35,480 Speaker 3: feeling like I landed her where I. 147 00:08:35,920 --> 00:08:36,600 Speaker 2: Would want her. 148 00:08:37,160 --> 00:08:40,400 Speaker 3: I based her a bit on my great grandma, who 149 00:08:41,280 --> 00:08:45,000 Speaker 3: is from Utah but speaks like nobody else in Utah. 150 00:08:45,920 --> 00:08:47,120 Speaker 2: She is from it. 151 00:08:47,320 --> 00:08:52,360 Speaker 3: She's like lived underground and like a ground mudhouse until 152 00:08:52,400 --> 00:08:56,960 Speaker 3: she was fourteen, and so I always figured that Teeter 153 00:08:57,080 --> 00:08:59,880 Speaker 3: just spoke the way her family spoke. Taylor and I 154 00:09:00,040 --> 00:09:02,280 Speaker 3: talked about how she's probably raised on a sheep farm 155 00:09:02,320 --> 00:09:06,120 Speaker 3: with a bunch of older brothers. I feel like her 156 00:09:06,280 --> 00:09:10,760 Speaker 3: family had their own dialect that had been passed down 157 00:09:10,880 --> 00:09:14,320 Speaker 3: for generations that if you ever saw like a scene 158 00:09:14,360 --> 00:09:17,680 Speaker 3: with all of them at a dinner table, no audience 159 00:09:17,720 --> 00:09:19,760 Speaker 3: would be able to understand any of them, but they'd 160 00:09:19,760 --> 00:09:23,480 Speaker 3: all understand each other perfectly, you know, almost like there 161 00:09:23,520 --> 00:09:27,200 Speaker 3: was a speech impediment built in to their regional dialect. 162 00:09:27,640 --> 00:09:29,400 Speaker 1: I had to go to a lot of speech pathology 163 00:09:29,440 --> 00:09:31,439 Speaker 1: to be able to do any sort of national anything. 164 00:09:31,480 --> 00:09:33,920 Speaker 1: So when I say, I mean that's how there was 165 00:09:33,960 --> 00:09:35,880 Speaker 1: a lot of teeter in like where I grew up 166 00:09:35,880 --> 00:09:38,040 Speaker 1: in a small town in Arkansas. And so when I said, 167 00:09:38,160 --> 00:09:40,640 Speaker 1: you know really, oh yeah, yeah, heart, I mean very thick. 168 00:09:40,960 --> 00:09:43,840 Speaker 1: The eyes, eyes, eyes, right, that's the first thing that 169 00:09:43,920 --> 00:09:46,360 Speaker 1: I had to lose to be able to, you know, 170 00:09:46,400 --> 00:09:48,800 Speaker 1: because a tour on our show's a national show, and 171 00:09:48,840 --> 00:09:51,640 Speaker 1: so the eyes and the I in G's were the 172 00:09:51,679 --> 00:09:55,319 Speaker 1: most difficult parts. From someone who grew up in Arkansas 173 00:09:55,360 --> 00:09:57,480 Speaker 1: and was a bit of a hillbilly, it was things 174 00:09:57,480 --> 00:09:59,400 Speaker 1: that you don't go fishing when you're talking and you're 175 00:09:59,400 --> 00:10:02,400 Speaker 1: speaking proper, you're fishing. Very difficult for me to break up. 176 00:10:02,440 --> 00:10:04,960 Speaker 1: And then again, it's not like it's not time. That's 177 00:10:04,960 --> 00:10:08,400 Speaker 1: what I would say until I would go to speech pathologies. 178 00:10:08,440 --> 00:10:10,760 Speaker 1: Then it was night time. But there's a lot of 179 00:10:10,760 --> 00:10:13,040 Speaker 1: teeter that I would go like, you know that, as 180 00:10:13,120 --> 00:10:16,640 Speaker 1: much as people laugh, that's very much Central Arkansas as 181 00:10:16,640 --> 00:10:17,360 Speaker 1: to where I was from. 182 00:10:17,840 --> 00:10:21,360 Speaker 3: You know this probably I'm sure like as an actor, 183 00:10:21,640 --> 00:10:25,880 Speaker 3: you don't get paid very much for most of your career, 184 00:10:26,080 --> 00:10:30,559 Speaker 3: Like I'm mostly a lunchbox actor, recurring guest star. You 185 00:10:32,559 --> 00:10:37,320 Speaker 3: get paid, okay, but you have to book a lot, right. 186 00:10:37,920 --> 00:10:44,480 Speaker 3: So it wasn't until pretty late in shooting that I 187 00:10:44,520 --> 00:10:47,280 Speaker 3: was like, Okay, I can let me take a big 188 00:10:47,360 --> 00:10:51,240 Speaker 3: chunk of money and hire a dialect coach. Which was 189 00:10:51,280 --> 00:10:54,200 Speaker 3: a big deal for me to be able to afford 190 00:10:54,240 --> 00:10:56,200 Speaker 3: to do that and carve the time to do that. 191 00:10:56,400 --> 00:11:01,079 Speaker 3: So I did work really going to the last season 192 00:11:01,640 --> 00:11:06,120 Speaker 3: more specifically on like kind of really trying to ground 193 00:11:06,640 --> 00:11:09,520 Speaker 3: ground that accent for me. And it's really fun. I'm 194 00:11:09,559 --> 00:11:13,360 Speaker 3: a nerd, so I love anything, you know, I like 195 00:11:13,400 --> 00:11:14,040 Speaker 3: a handout. 196 00:11:14,840 --> 00:11:17,240 Speaker 1: I was watching a show last night, random show and 197 00:11:17,800 --> 00:11:21,320 Speaker 1: it was like the night Manager or something, and I 198 00:11:21,440 --> 00:11:23,880 Speaker 1: do this thing, and I wonder if like really successful 199 00:11:23,960 --> 00:11:26,200 Speaker 1: actors do this. Why I'm asking you. If I see 200 00:11:26,200 --> 00:11:27,840 Speaker 1: somebody and I know I've seen them in something else, 201 00:11:28,080 --> 00:11:30,839 Speaker 1: I'll like Google and like go IMDb and like find 202 00:11:30,880 --> 00:11:33,320 Speaker 1: all the shows they've done until I can place what 203 00:11:33,440 --> 00:11:36,080 Speaker 1: I know them from. As a as a successful actor, 204 00:11:36,080 --> 00:11:36,959 Speaker 1: do you do the same thing? 205 00:11:37,120 --> 00:11:39,320 Speaker 3: Ooh, you mean, like when I see somebody and like 206 00:11:39,480 --> 00:11:41,679 Speaker 3: I recognize them, do I go on a deep dive. 207 00:11:41,840 --> 00:11:43,959 Speaker 1: Well, it's like I saw this guy and he was 208 00:11:44,000 --> 00:11:45,840 Speaker 1: playing like a CIAgent, but I knew I'd seen him 209 00:11:45,840 --> 00:11:48,440 Speaker 1: from a different show, but I just couldn't place the show. 210 00:11:48,840 --> 00:11:51,680 Speaker 1: So finally I realized it was called Manhunt on Apple. 211 00:11:52,000 --> 00:11:54,520 Speaker 1: But I wonder if like you see an actor as 212 00:11:54,520 --> 00:11:56,200 Speaker 1: well and go I know them from something, Let me 213 00:11:56,200 --> 00:11:58,400 Speaker 1: see if I can place what. Maybe it's family Ties 214 00:11:58,440 --> 00:11:59,439 Speaker 1: from the eighties or something. 215 00:11:59,679 --> 00:12:00,880 Speaker 2: Yeah, I totally do that. 216 00:12:01,040 --> 00:12:03,760 Speaker 3: I feel like most of the people I know who 217 00:12:03,760 --> 00:12:07,240 Speaker 3: are like actors or writers, there's like the phone and 218 00:12:07,320 --> 00:12:09,760 Speaker 3: the computer is nearby to do exactly that. 219 00:12:12,240 --> 00:12:13,439 Speaker 2: I do that all the time. 220 00:12:13,600 --> 00:12:16,160 Speaker 3: I actually do that as well with like my task 221 00:12:16,280 --> 00:12:19,720 Speaker 3: Rabbit hires, because in Los Angeles, I feel like seventy 222 00:12:19,760 --> 00:12:23,800 Speaker 3: five percent of them actor and like I just had 223 00:12:23,800 --> 00:12:28,439 Speaker 3: an experienced the other day I'm like, Hey, that's your 224 00:12:28,520 --> 00:12:29,160 Speaker 3: last name. 225 00:12:29,400 --> 00:12:30,800 Speaker 2: I'm like, I feel like I know you. 226 00:12:31,880 --> 00:12:35,280 Speaker 3: Turns out I did, but yeah, I totally do that. 227 00:12:35,320 --> 00:12:37,240 Speaker 3: Are you talking about The Night Agent. 228 00:12:37,640 --> 00:12:39,800 Speaker 1: It's a show and the thing is that it's from 229 00:12:39,800 --> 00:12:43,240 Speaker 1: twenty sixteen, and I think it's called The Night Manager 230 00:12:43,280 --> 00:12:45,480 Speaker 1: because he managed a hotel. My wife was the one 231 00:12:45,480 --> 00:12:47,400 Speaker 1: that we were on it. But I just kept looking 232 00:12:47,440 --> 00:12:49,559 Speaker 1: at this dude and going, I know him. And then 233 00:12:49,559 --> 00:12:51,720 Speaker 1: I wonder too, if you're watching a show because again, 234 00:12:52,080 --> 00:12:54,080 Speaker 1: you have done so much at such a high level. 235 00:12:54,320 --> 00:12:56,560 Speaker 1: Like it's hard for me to watch stand up comedy 236 00:12:56,600 --> 00:12:58,840 Speaker 1: and just enjoy it because I do it a bit 237 00:12:58,880 --> 00:13:02,040 Speaker 1: and I'm breaking down how I personally am inferior to 238 00:13:02,080 --> 00:13:05,720 Speaker 1: the greats. Can you watch a show without comparing or 239 00:13:05,760 --> 00:13:09,720 Speaker 1: going wow, I'm so inside, I'm just watching all their talents. 240 00:13:09,160 --> 00:13:09,959 Speaker 2: Really great question. 241 00:13:10,200 --> 00:13:14,240 Speaker 3: So it's mostly not as fun as it is for 242 00:13:14,520 --> 00:13:17,480 Speaker 3: you know, the viewer, like the average viewer. But there 243 00:13:17,559 --> 00:13:21,280 Speaker 3: are shows that are just so good and I get 244 00:13:21,480 --> 00:13:24,120 Speaker 3: so wrapped up in them that I can do that. 245 00:13:24,760 --> 00:13:29,240 Speaker 3: I just rewatched Severance Season one, the best. I rewatched 246 00:13:29,240 --> 00:13:32,800 Speaker 3: it twice this week, and I could watch it a 247 00:13:32,840 --> 00:13:59,160 Speaker 3: third time. I'm absolutely obsessed with that show. I just 248 00:13:59,240 --> 00:14:02,440 Speaker 3: realized poor Bobby had to interview the cast of one 249 00:14:02,520 --> 00:14:04,160 Speaker 3: hundred people from Yellowstone. 250 00:14:04,559 --> 00:14:07,040 Speaker 2: No, I bet you are, like, I'm over it. 251 00:14:07,480 --> 00:14:11,800 Speaker 1: Not true, I have. Actually, let's just be completely honest here. 252 00:14:11,960 --> 00:14:14,840 Speaker 1: So I watched all of it, right, and I was. 253 00:14:14,880 --> 00:14:17,559 Speaker 1: I was a Yellowstone fan and when it although, I 254 00:14:17,600 --> 00:14:21,040 Speaker 1: got into it about season two because most shows now 255 00:14:21,120 --> 00:14:23,840 Speaker 1: are recommended to me by friends, like that's marketing now, right, 256 00:14:23,960 --> 00:14:27,520 Speaker 1: It's all word of mouth. So Yellowstone popped in my 257 00:14:28,000 --> 00:14:30,360 Speaker 1: little world about season two, so I started to watch 258 00:14:30,440 --> 00:14:34,480 Speaker 1: it all. I've only asked to talk to like three people, 259 00:14:34,560 --> 00:14:38,160 Speaker 1: and you're one of them. So inaccurate that I've talked 260 00:14:38,200 --> 00:14:39,360 Speaker 1: to one hundred Yellowstone people. 261 00:14:39,680 --> 00:14:43,240 Speaker 2: What, Bobby, this means so much. 262 00:14:43,480 --> 00:14:46,680 Speaker 3: I'm twenty three on the call sheet and I'm really flattered. 263 00:14:48,280 --> 00:14:51,080 Speaker 1: Iky before we get together, I have so many questions 264 00:14:51,120 --> 00:14:53,280 Speaker 1: all about your career, if you don't mind indulging me. 265 00:14:53,600 --> 00:14:59,720 Speaker 1: And for example, when you talk about theater and television, yeah, 266 00:15:00,040 --> 00:15:02,520 Speaker 1: my version of that would be a theater if I'm 267 00:15:02,560 --> 00:15:07,160 Speaker 1: telling jokes versus like doing a podcast. But to project 268 00:15:07,440 --> 00:15:13,440 Speaker 1: is so different, like to communicate or show an emotion 269 00:15:13,680 --> 00:15:16,600 Speaker 1: the same exact emotion has to be projected so different 270 00:15:16,640 --> 00:15:20,240 Speaker 1: based on where you are. Was that an adjustment for you? 271 00:15:20,320 --> 00:15:22,600 Speaker 1: And how did you learn to go back and forth 272 00:15:22,640 --> 00:15:23,120 Speaker 1: so easily? 273 00:15:24,480 --> 00:15:27,640 Speaker 3: I didn't learn it easily, and I think it's something 274 00:15:27,680 --> 00:15:31,800 Speaker 3: I still struggle with. The vocal projection and I'm sure 275 00:15:31,800 --> 00:15:34,320 Speaker 3: you would agree is like the easiest part. The hardest 276 00:15:34,360 --> 00:15:39,680 Speaker 3: part is that sort of conveying. Not that you're ever 277 00:15:39,800 --> 00:15:43,240 Speaker 3: like conveying emotion, right, you're just having it, But like 278 00:15:43,360 --> 00:15:49,440 Speaker 3: with theater, you are telling this entire experience with your body, 279 00:15:50,080 --> 00:15:52,280 Speaker 3: you know, usually somewhat in profile. 280 00:15:54,120 --> 00:15:55,520 Speaker 2: So I feel like. 281 00:15:56,960 --> 00:16:02,800 Speaker 3: Kind of honing like gearing that more towards camera is 282 00:16:02,920 --> 00:16:08,680 Speaker 3: like it's a constant reminder. And I do sometimes notice 283 00:16:08,840 --> 00:16:12,000 Speaker 3: that I tend to play better in a medium shot. 284 00:16:14,160 --> 00:16:18,400 Speaker 2: And I think the director on the day is like, no, no, no, 285 00:16:18,520 --> 00:16:19,560 Speaker 2: that we're not going to get that. 286 00:16:19,520 --> 00:16:24,920 Speaker 3: Close to her. But it is a sort of trusting 287 00:16:26,400 --> 00:16:29,640 Speaker 3: that you're just going to have the thoughts and the 288 00:16:29,760 --> 00:16:35,480 Speaker 3: experience and the camera the camera's going to grab it, 289 00:16:35,720 --> 00:16:38,440 Speaker 3: and that's that's when it's at its best. 290 00:16:39,400 --> 00:16:42,720 Speaker 1: When yeah, I was just touring and again the micro 291 00:16:42,800 --> 00:16:45,480 Speaker 1: expressions of my face, I didn't worry about from the stage, 292 00:16:45,480 --> 00:16:47,400 Speaker 1: because who's going to see them from like the third 293 00:16:47,440 --> 00:16:49,440 Speaker 1: row back. But then when we shot it as a special, 294 00:16:49,840 --> 00:16:51,440 Speaker 1: I noticed that I really didn't put a lot of 295 00:16:51,480 --> 00:16:54,760 Speaker 1: effort into the micro so then I would have to go, oh, 296 00:16:54,880 --> 00:16:57,880 Speaker 1: I need to really like lift my eyebrows, like do 297 00:16:57,920 --> 00:17:00,760 Speaker 1: it human emotions that I wouldn't normally do if I 298 00:17:00,800 --> 00:17:03,000 Speaker 1: were just in a stage because the people aren't that close. 299 00:17:04,640 --> 00:17:05,800 Speaker 2: Oh that's interesting. 300 00:17:06,520 --> 00:17:08,439 Speaker 3: Yeah, I mean I kind of want to see that 301 00:17:08,520 --> 00:17:12,439 Speaker 3: because I feel like my like usually the comedy that 302 00:17:12,520 --> 00:17:16,560 Speaker 3: I like very much, a lot of them have no 303 00:17:16,760 --> 00:17:19,960 Speaker 3: expression at all to the point of like psychopathy. 304 00:17:21,160 --> 00:17:23,720 Speaker 2: And it's yeah, I know there's. 305 00:17:23,520 --> 00:17:26,359 Speaker 3: A lot of psychopaths in our industry, any performer. 306 00:17:28,359 --> 00:17:31,640 Speaker 2: Yeah, it is a different it is a different thing. 307 00:17:31,920 --> 00:17:33,679 Speaker 2: And then, you know, after. 308 00:17:35,280 --> 00:17:39,600 Speaker 3: My first job in TV and film coming from theater 309 00:17:40,000 --> 00:17:45,240 Speaker 3: was soap opera, which you know that actually kind of 310 00:17:45,280 --> 00:17:46,359 Speaker 3: plays the same. 311 00:17:47,880 --> 00:17:48,160 Speaker 2: Soap. 312 00:17:48,240 --> 00:17:52,120 Speaker 3: It's about as big as how you're doing it on stage. 313 00:17:52,160 --> 00:17:57,520 Speaker 3: And then maybe then some so that was like a 314 00:17:57,560 --> 00:18:00,479 Speaker 3: transition point and I did that for three years straight. 315 00:18:00,560 --> 00:18:01,920 Speaker 2: So my first. 316 00:18:02,040 --> 00:18:06,359 Speaker 3: Job, you know, for people who don't know, a soap 317 00:18:06,359 --> 00:18:09,280 Speaker 3: opera is shot in some ways like a sitcom. You've 318 00:18:09,320 --> 00:18:15,120 Speaker 3: got three cameras, right, and you're doing it in one take. 319 00:18:15,200 --> 00:18:17,480 Speaker 3: If you have to do another take, that means you 320 00:18:17,560 --> 00:18:23,240 Speaker 3: were so bad And they're shooting the edit as they go, 321 00:18:23,520 --> 00:18:26,240 Speaker 3: which is really wild. So it is very much like 322 00:18:26,320 --> 00:18:32,879 Speaker 3: live performance. So even now, it's like maybe not now, 323 00:18:32,960 --> 00:18:36,399 Speaker 3: but just this reminder or of Okay, we're in the 324 00:18:36,440 --> 00:18:39,760 Speaker 3: wide here? What story am I telling in the wide? 325 00:18:41,320 --> 00:18:44,320 Speaker 3: Can I tell a slightly different story in the medium? 326 00:18:44,400 --> 00:18:47,639 Speaker 2: And then in the close up? What am I doing 327 00:18:47,680 --> 00:18:47,919 Speaker 2: with that? 328 00:18:48,240 --> 00:18:51,920 Speaker 3: You know, your body is pointless at that point, right, 329 00:18:52,119 --> 00:18:55,200 Speaker 3: except to serve what's in your face. 330 00:18:55,800 --> 00:18:57,879 Speaker 1: Which is why I'm so curious about your perspective on 331 00:18:57,920 --> 00:18:59,320 Speaker 1: a lot of this with your career, because you've done 332 00:18:59,440 --> 00:19:02,719 Speaker 1: what would seem to someone be the same. You're acting, 333 00:19:02,760 --> 00:19:05,800 Speaker 1: you're acting, but you're acting in all these different stage 334 00:19:06,080 --> 00:19:08,160 Speaker 1: and like you said, shooting soap opera and then shooting 335 00:19:08,440 --> 00:19:12,320 Speaker 1: a show with no studio, maybe it's not multi camera, like, 336 00:19:12,359 --> 00:19:15,919 Speaker 1: it's all different. Like to you, it almost couldn't be 337 00:19:16,000 --> 00:19:18,879 Speaker 1: more different. Even when it comes to like memorization, how 338 00:19:18,920 --> 00:19:21,119 Speaker 1: are you with memorizing lines? Because I'm sure with a 339 00:19:21,119 --> 00:19:22,800 Speaker 1: soap opera you had to shoot a lot and quick. 340 00:19:22,880 --> 00:19:27,240 Speaker 3: Right, Yeah, we shot about eighty pages a day. Oh 341 00:19:27,280 --> 00:19:30,600 Speaker 3: my gosh, yeah, which is insane, Like when I think 342 00:19:30,680 --> 00:19:33,119 Speaker 3: back on it, I don't know how we did it. 343 00:19:33,200 --> 00:19:37,080 Speaker 3: And then my character was written really heavily for and 344 00:19:37,359 --> 00:19:40,440 Speaker 3: there were stretches. You know, you're shooting like forty nine 345 00:19:40,480 --> 00:19:45,360 Speaker 3: weeks a year and you're averaging maybe thirty five pages 346 00:19:45,400 --> 00:19:45,760 Speaker 3: a day. 347 00:19:46,560 --> 00:19:50,040 Speaker 2: And there were a couple weeks where there was. 348 00:19:50,000 --> 00:19:55,119 Speaker 3: One day that I shot sixty pages and I was 349 00:19:55,520 --> 00:19:59,679 Speaker 3: that was just my page load. And I had like 350 00:19:59,720 --> 00:20:02,480 Speaker 3: really made it in soaps because I got a doppelganger. 351 00:20:02,920 --> 00:20:06,120 Speaker 3: That's like that's like a sign, like you've really landed. 352 00:20:06,920 --> 00:20:12,480 Speaker 3: So I'm basically doing whole scenes with myself and that's 353 00:20:12,760 --> 00:20:15,200 Speaker 3: just a muscle that develops. 354 00:20:15,240 --> 00:20:16,280 Speaker 2: I don't have that muscle. 355 00:20:16,320 --> 00:20:16,560 Speaker 3: Now. 356 00:20:16,640 --> 00:20:18,760 Speaker 2: I would say that I'm probably. 357 00:20:19,720 --> 00:20:23,840 Speaker 3: Quick at learning lines, but my process is really slow 358 00:20:24,160 --> 00:20:28,439 Speaker 3: and I and I totally have OCD. So if you 359 00:20:28,600 --> 00:20:31,439 Speaker 3: give me one day or you give me a month 360 00:20:31,520 --> 00:20:35,000 Speaker 3: with a scene, I'm going to fill up that time 361 00:20:36,600 --> 00:20:40,040 Speaker 3: like in a way that doesn't benefit the work at all. 362 00:20:41,119 --> 00:20:42,200 Speaker 3: It's like a tick. 363 00:20:43,920 --> 00:20:49,320 Speaker 2: And I've really I use an app called rehearsal Pro. 364 00:20:49,680 --> 00:20:52,480 Speaker 3: It's not the fanciest app even though it has the 365 00:20:52,480 --> 00:20:59,200 Speaker 3: word pro in it. And I record my lines as 366 00:21:00,280 --> 00:21:04,639 Speaker 3: as I can, and I read the entire scene my lines. 367 00:21:04,680 --> 00:21:08,320 Speaker 3: Any other characters line stage direction, that's take one. Take 368 00:21:08,359 --> 00:21:15,440 Speaker 3: two is everyone else's lines, but mine, and I kind 369 00:21:15,440 --> 00:21:18,800 Speaker 3: of live and take one for a while to learn them, 370 00:21:19,160 --> 00:21:21,840 Speaker 3: and then I run it in take two. And that 371 00:21:21,920 --> 00:21:25,199 Speaker 3: way I can walk, I can pretend to clean the house. 372 00:21:25,359 --> 00:21:29,280 Speaker 3: I'm bad at cleaning, as you know, whatever it. 373 00:21:29,240 --> 00:21:31,919 Speaker 1: Is, Well, you've you've been in just those three areas. 374 00:21:31,920 --> 00:21:33,600 Speaker 1: We mentioned a lot of people and have friends that 375 00:21:33,920 --> 00:21:39,200 Speaker 1: are Broadway performers and they you know, that's their their specialty, 376 00:21:39,440 --> 00:21:43,439 Speaker 1: and they don't really try to do television or they 377 00:21:43,440 --> 00:21:46,280 Speaker 1: don't try to do because they've been labeled as a 378 00:21:46,320 --> 00:21:51,560 Speaker 1: Broadway artist, creator, whatever you want to call it. Yeah, 379 00:21:51,680 --> 00:21:56,040 Speaker 1: for you to do all is that bravery? Is that? 380 00:21:57,280 --> 00:21:57,800 Speaker 1: What is that? 381 00:21:59,119 --> 00:21:59,440 Speaker 2: I mean? 382 00:21:59,800 --> 00:22:02,760 Speaker 3: I want to I want to say I've never done Broadway, 383 00:22:03,640 --> 00:22:04,760 Speaker 3: but you and I say. 384 00:22:04,640 --> 00:22:07,560 Speaker 1: Theater at yeah, theater, the yeah, you know. 385 00:22:07,880 --> 00:22:10,520 Speaker 3: The older I somebody said to me the other day, 386 00:22:10,520 --> 00:22:15,119 Speaker 3: he's about to go. He's a you, he's you know 387 00:22:15,200 --> 00:22:18,240 Speaker 3: this guy. He's done tons of TV and film and 388 00:22:18,480 --> 00:22:20,479 Speaker 3: started out in theater and he's going back to go 389 00:22:20,560 --> 00:22:22,920 Speaker 3: do a really awesome Broadway play and he's like, don't 390 00:22:22,960 --> 00:22:25,560 Speaker 3: you want to go do a play? And I was like, 391 00:22:25,640 --> 00:22:30,159 Speaker 3: I know, I should want to, but there's like it, 392 00:22:30,359 --> 00:22:34,040 Speaker 3: that kind of muscle in me has gone a little soft. 393 00:22:34,320 --> 00:22:36,120 Speaker 3: And I think the part of it that has gone 394 00:22:36,160 --> 00:22:38,840 Speaker 3: the most soft is my desire to leave the house 395 00:22:38,880 --> 00:22:40,400 Speaker 3: after the sun has gone down. 396 00:22:40,960 --> 00:22:44,800 Speaker 2: Like I I get introverted at. 397 00:22:44,720 --> 00:22:47,440 Speaker 3: Night, you know, like I I want to be home 398 00:22:47,680 --> 00:22:52,240 Speaker 3: with some weird show and like maybe an alcoholic beverage 399 00:22:52,320 --> 00:22:54,359 Speaker 3: or not, depending on where I'm at in my life. 400 00:22:54,359 --> 00:22:58,239 Speaker 3: With that substance, it just seems hard to do an 401 00:22:58,240 --> 00:22:59,080 Speaker 3: eight o'clock show. 402 00:23:20,400 --> 00:23:22,520 Speaker 1: I have three final questions for you. It's something you 403 00:23:22,520 --> 00:23:25,800 Speaker 1: had mentioned earlier that I wanted to go back into it. 404 00:23:25,800 --> 00:23:27,879 Speaker 1: Bit you mentioned your casting director, Whood. It pushed in 405 00:23:27,880 --> 00:23:31,360 Speaker 1: a couple different things. A long time ago, I did 406 00:23:31,359 --> 00:23:34,880 Speaker 1: a pilot for ABC and it was like a mid 407 00:23:35,280 --> 00:23:38,160 Speaker 1: one of the producers but wasn't the highest producer, and 408 00:23:38,440 --> 00:23:41,080 Speaker 1: I made the pilot. We shot, the pilot did not 409 00:23:41,080 --> 00:23:42,800 Speaker 1: get picked up. It was a daytime talk shows, me 410 00:23:42,840 --> 00:23:45,440 Speaker 1: and Deon Sanders, and we were very pumped about it. 411 00:23:45,440 --> 00:23:47,520 Speaker 1: It didn't fail, but they decided not to put the 412 00:23:47,520 --> 00:23:50,680 Speaker 1: money in it. That's showbiz, baby, right. But that same 413 00:23:50,880 --> 00:23:56,159 Speaker 1: producer then elevated through the years and was then producing 414 00:23:56,280 --> 00:23:59,080 Speaker 1: her own things. And I get randomly get a call going, hey, 415 00:23:59,080 --> 00:24:00,400 Speaker 1: we want you to go to South America a host 416 00:24:00,440 --> 00:24:02,160 Speaker 1: of show. And it was that same producer who had 417 00:24:02,240 --> 00:24:04,240 Speaker 1: put me on a pilot back when they weren't the 418 00:24:04,240 --> 00:24:08,879 Speaker 1: main producer. So when you said that, it made me think, 419 00:24:09,119 --> 00:24:10,800 Speaker 1: are there people that you've come up with, like that 420 00:24:10,880 --> 00:24:12,879 Speaker 1: casting director that knew you early and as they have 421 00:24:12,960 --> 00:24:16,080 Speaker 1: also climbed in their career, will go, you know, it's 422 00:24:16,119 --> 00:24:18,719 Speaker 1: perfect for this my girl Jin, who I've known for 423 00:24:18,840 --> 00:24:19,479 Speaker 1: ten years. 424 00:24:21,480 --> 00:24:27,359 Speaker 3: You know, yes, I think it's not happened in such 425 00:24:27,359 --> 00:24:30,199 Speaker 3: a clear and obvious way like it did for you, 426 00:24:30,280 --> 00:24:32,080 Speaker 3: where it was like, Okay, here's one job and it 427 00:24:32,119 --> 00:24:37,680 Speaker 3: goes into another. But so so much of like being 428 00:24:37,720 --> 00:24:41,800 Speaker 3: on the audition circuit is just sort of you can 429 00:24:41,840 --> 00:24:43,640 Speaker 3: win the room. It doesn't mean you're going to get 430 00:24:43,640 --> 00:24:47,119 Speaker 3: the job, because it's you can't control that it, you know, 431 00:24:48,040 --> 00:24:52,800 Speaker 3: but you can win the room, and it's certainly. 432 00:24:53,760 --> 00:24:54,280 Speaker 2: Opened. 433 00:24:55,520 --> 00:24:59,320 Speaker 3: You know, a lot of my auditions are from casting 434 00:24:59,359 --> 00:25:03,240 Speaker 3: directors out to bring me in because they think I 435 00:25:03,280 --> 00:25:05,400 Speaker 3: have a shot at that based on my previous work 436 00:25:05,440 --> 00:25:06,480 Speaker 3: in those rooms. 437 00:25:07,200 --> 00:25:10,399 Speaker 1: Your life with horses leading up to the show was 438 00:25:10,480 --> 00:25:13,679 Speaker 1: obviously vital to be able just to hop in. Was 439 00:25:13,880 --> 00:25:17,440 Speaker 1: everyone super cool with horses whenever they got put on 440 00:25:17,480 --> 00:25:18,680 Speaker 1: the show or did you have to kind of work 441 00:25:18,680 --> 00:25:19,360 Speaker 1: with them a little too? 442 00:25:22,040 --> 00:25:23,720 Speaker 2: You mean with the other actors? 443 00:25:23,760 --> 00:25:26,200 Speaker 1: Yeah, Like, is everybody comfortable or is there a different level? 444 00:25:27,600 --> 00:25:30,359 Speaker 2: I was by far the worst, and I joined late. 445 00:25:30,520 --> 00:25:33,399 Speaker 3: You know, a lot of these people started training going 446 00:25:33,400 --> 00:25:38,880 Speaker 3: into season one. I started going into season three, and 447 00:25:39,480 --> 00:25:42,680 Speaker 3: my character starts to two episodes in, so I missed 448 00:25:42,720 --> 00:25:44,960 Speaker 3: out on this like cowboy camps thing that we have 449 00:25:45,119 --> 00:25:47,640 Speaker 3: where you kind of you know, it's like cowboy boot camp. 450 00:25:47,680 --> 00:25:48,120 Speaker 3: For a week. 451 00:25:49,040 --> 00:25:52,600 Speaker 2: I was so bad, and I didn't know that. 452 00:25:52,680 --> 00:25:55,080 Speaker 3: I didn't know how bad I was until I got 453 00:25:55,080 --> 00:25:56,800 Speaker 3: good enough to know how bad I was. 454 00:25:58,800 --> 00:26:02,119 Speaker 2: But I became obset with it and I worked my 455 00:26:02,680 --> 00:26:03,359 Speaker 2: tail off. 456 00:26:04,960 --> 00:26:07,080 Speaker 3: It's one of the things I'm most proud about in 457 00:26:07,119 --> 00:26:14,560 Speaker 3: my life is how I worked to get not just 458 00:26:14,640 --> 00:26:18,240 Speaker 3: better at riding, but you know and any other most 459 00:26:18,280 --> 00:26:21,119 Speaker 3: other TV shows, like they barely let you do a stunt, 460 00:26:21,200 --> 00:26:23,439 Speaker 3: even if it's like tripping and fall like one time 461 00:26:23,480 --> 00:26:25,160 Speaker 3: I had to get a stunt double for a show 462 00:26:25,880 --> 00:26:28,119 Speaker 3: because I had to trip and fall into a table 463 00:26:28,200 --> 00:26:31,520 Speaker 3: and I'm like, I can do it, guys, you know. 464 00:26:32,520 --> 00:26:37,920 Speaker 3: And with this we're basically shooting a doc. I mean, 465 00:26:38,000 --> 00:26:41,439 Speaker 3: anything that you see us doing, with the exception of 466 00:26:41,480 --> 00:26:46,119 Speaker 3: a few pieces, we're actually doing it. When we're branding cattle, 467 00:26:46,119 --> 00:26:48,960 Speaker 3: we're branding cattle, which means we're roping them and we're 468 00:26:49,680 --> 00:26:51,679 Speaker 3: flanking them, which is when you get the cows on 469 00:26:51,720 --> 00:26:54,920 Speaker 3: the ground and you. 470 00:26:54,800 --> 00:26:55,879 Speaker 2: Know, it gets hairy. 471 00:26:58,320 --> 00:27:03,359 Speaker 3: But it's also so much fricking fun fun. 472 00:27:03,400 --> 00:27:06,200 Speaker 1: My assumption was with horses your whole life. I just 473 00:27:06,240 --> 00:27:08,680 Speaker 1: assumed by watching you that you had been a horse 474 00:27:08,760 --> 00:27:09,840 Speaker 1: rider forever. 475 00:27:11,240 --> 00:27:15,400 Speaker 3: If you go back and watch my first scene, which 476 00:27:15,440 --> 00:27:19,080 Speaker 3: you shouldn't, but if you did, you would be like, 477 00:27:19,119 --> 00:27:25,000 Speaker 3: oh this this girl can't ride a stick horse, and 478 00:27:25,200 --> 00:27:27,800 Speaker 3: the stunt our stunt wrangler would tell you as much. 479 00:27:28,480 --> 00:27:32,040 Speaker 1: Okay, last question, what was the most fulfilling part of 480 00:27:33,280 --> 00:27:38,639 Speaker 1: being a part of this show? Like personally, that's. 481 00:27:38,520 --> 00:27:43,040 Speaker 2: A okay, that's a good one. Man. 482 00:27:43,119 --> 00:27:47,119 Speaker 3: There were so there are so there are quite a 483 00:27:47,160 --> 00:27:50,040 Speaker 3: few things I would say one of them is definitely 484 00:27:50,480 --> 00:27:56,399 Speaker 3: being with these cowboys, being around these horses, being in Montana. 485 00:27:56,760 --> 00:27:59,560 Speaker 3: It all sort of gets lumped into this sort of 486 00:28:00,400 --> 00:28:08,640 Speaker 3: really soulful, earthy experience that you don't really get. I've 487 00:28:08,640 --> 00:28:11,639 Speaker 3: not had that anywhere else except, you know, maybe on 488 00:28:11,680 --> 00:28:12,560 Speaker 3: my road trips. 489 00:28:14,000 --> 00:28:16,200 Speaker 2: That was a part of it. And another part. 490 00:28:16,000 --> 00:28:20,919 Speaker 3: Of it is, you know, being an actor again, a 491 00:28:20,960 --> 00:28:25,159 Speaker 3: lunchbox actor who moves around a lot, and I like that, 492 00:28:25,359 --> 00:28:27,960 Speaker 3: but you know, you're kind of on your own on 493 00:28:28,080 --> 00:28:29,960 Speaker 3: the road, just sort of coming in and. 494 00:28:29,880 --> 00:28:32,040 Speaker 2: Out of places, and. 495 00:28:33,520 --> 00:28:35,840 Speaker 3: Especially with Taylor at the head, he's like such a 496 00:28:35,840 --> 00:28:36,600 Speaker 3: personal guy. 497 00:28:37,640 --> 00:28:38,000 Speaker 2: It was. 498 00:28:38,160 --> 00:28:42,040 Speaker 3: It gave me a sense of family in a really 499 00:28:42,480 --> 00:28:47,640 Speaker 3: really different way. And I feel like all of those 500 00:28:47,680 --> 00:28:50,360 Speaker 3: guys in that bunk house with me were like my brothers. 501 00:28:51,200 --> 00:28:54,840 Speaker 3: And I think if I talked to you forty years 502 00:28:54,840 --> 00:28:58,680 Speaker 3: from now, if I'm still alive, I would have the same. 503 00:28:58,480 --> 00:29:00,800 Speaker 2: Feeling and I would still have relatedtionships with them. 504 00:29:01,520 --> 00:29:03,840 Speaker 1: Well, thank you so much for the time and like 505 00:29:04,040 --> 00:29:06,680 Speaker 1: going like deep deep deep diving some of this stuff. 506 00:29:06,720 --> 00:29:08,800 Speaker 1: So I really appreciate it. I'm a big fan, and 507 00:29:09,160 --> 00:29:11,520 Speaker 1: I love John the show, and we uh yeah, we 508 00:29:11,560 --> 00:29:13,640 Speaker 1: really appreciate you. Guys can follow Jen at the Jen 509 00:29:13,800 --> 00:29:17,560 Speaker 1: Landon and we'll look forward to seeing you in another 510 00:29:17,600 --> 00:29:19,360 Speaker 1: show going that's freaking Teeter, like I do all the 511 00:29:19,400 --> 00:29:21,960 Speaker 1: other shows. When I find see I'm like, oh that's Teeter. 512 00:29:22,280 --> 00:29:24,080 Speaker 1: Look and then we'll look you up and it'll be 513 00:29:24,160 --> 00:29:25,240 Speaker 1: Jen Landon. That'll be awesome. 514 00:29:25,280 --> 00:29:32,920 Speaker 2: Thank you, Jen, Uh, it'll be great. Thanks Bobby. 515 00:29:34,560 --> 00:29:38,280 Speaker 1: The Yellowstone Official podcast hosted by Me, Bobby Bones and 516 00:29:38,320 --> 00:29:42,080 Speaker 1: brought to you by iHeartMedia Podcasts and MTV Entertainment Studios. 517 00:29:42,360 --> 00:29:46,240 Speaker 1: Big shout out to executive producers Jason Reid, Lindsey Hoffman, 518 00:29:46,560 --> 00:29:49,720 Speaker 1: Carl katl and Kevin O'Connell. Also our senior manager of 519 00:29:49,720 --> 00:29:52,920 Speaker 1: podcast Marketing, Ali Canner Grab for keeping the word out, 520 00:29:53,200 --> 00:29:55,560 Speaker 1: and of course a big thanks to Will Pearson, president 521 00:29:55,600 --> 00:29:58,640 Speaker 1: of iHeartMedia podcast for him supporting this show. We've also 522 00:29:58,680 --> 00:30:02,000 Speaker 1: got special thanks going out to Whitney xavier A Free, 523 00:30:02,040 --> 00:30:05,640 Speaker 1: Barbara Parida, Emily Curry, and Joe Flattery. You guys make 524 00:30:05,680 --> 00:30:08,880 Speaker 1: this happen. This podcast has produced in association with One 525 00:30:08,880 --> 00:30:12,080 Speaker 1: on One Studios over There executive producer Scott Stone and 526 00:30:12,120 --> 00:30:15,440 Speaker 1: Director of Podcast Development and Production Danielle Waxman We also 527 00:30:15,440 --> 00:30:18,080 Speaker 1: got to give a big nod to Michelle Newman, David Glasser, 528 00:30:18,080 --> 00:30:20,400 Speaker 1: and David Hudkin for their support. Thank you, guys for 529 00:30:20,440 --> 00:30:21,880 Speaker 1: tuning in, See you next week.