WEBVTT - Space Roar

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. Julie,

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<v Speaker 1>let's let's take a minute here to listen to the

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<v Speaker 1>music of the spheres. It's lovely, right. We forget that planets,

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<v Speaker 1>stars and queens, oars are all giving off radio signals,

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<v Speaker 1>and if you have the right equipment you can actually

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<v Speaker 1>use drop on space and hear all these sort of

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<v Speaker 1>bubble squeaks. Yeah, we're talking about the sonification of this

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<v Speaker 1>radio wave information. And this kind of stuff has made

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<v Speaker 1>the rounds on the Internet time and time again. Before

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<v Speaker 1>the Internet, it was even available on vinyl. And it's

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<v Speaker 1>it is. It's haunting, it's beautiful. It's like the sound

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<v Speaker 1>of space whales um, you know, singing in the cosmos.

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<v Speaker 1>But just imagine, just imagine that you go to eavesdrop

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<v Speaker 1>on space one day. Can you hear something that is

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<v Speaker 1>ferociously loud? Yeah, something that sounds a little like this. Okay,

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<v Speaker 1>maybe not exactly that. Yeah. That that I want to

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<v Speaker 1>be clear is is not an actual sonification of anything

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<v Speaker 1>from our universe. That is a creation by our our

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<v Speaker 1>sound designer and producer, Noel Brown, and we wanted to

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<v Speaker 1>include that clip because we're not exactly sure what this

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<v Speaker 1>space war which actually exists sounds like. Yeah, so all

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<v Speaker 1>we know it's six times louder than anything else out there,

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<v Speaker 1>and it is a mystery. It is this haunting, perhaps

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<v Speaker 1>even disturbing on an intellectual level. Uh, noise, just discordia

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<v Speaker 1>emanating from the universe, and uh we throw our best

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<v Speaker 1>theories at it, and nothing so far has really stuck. Uh,

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<v Speaker 1>you can't help but let your imagination run wild, of course,

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<v Speaker 1>like I instantly, I instantly they turn to Lovecraft's HP

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<v Speaker 1>Lovecrafts Demon sultan as is Off, which was quote that

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<v Speaker 1>amorphous blight of nethermost confusion, which blasphemes and bubbles at

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<v Speaker 1>the center of all infinity, who gnaws hungrily, admits the muffled,

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<v Speaker 1>maddening beat of vile drums anothermost confusion. Yeah, we're gonna

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<v Speaker 1>have to use that. Um. Yeah, And this is not

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<v Speaker 1>the first time that we've had this kind of nice,

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<v Speaker 1>deep mystery to chew on, right, like we have had

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<v Speaker 1>sounds emanating from the depths of the ocean, from the

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<v Speaker 1>depths of space. Now, um, that make us wonder what

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<v Speaker 1>exactly is going on. And so that's what we're going

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<v Speaker 1>to try to do today, plumb the depths of this

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<v Speaker 1>sound and figure out what it is and where it's

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<v Speaker 1>coming from. Indeed, we're gonna examine this universe wide phenomenon

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<v Speaker 1>of the space roar. Now, let me just clarify a

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<v Speaker 1>couple of things to start off. When we're talking about

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<v Speaker 1>listening to the space roar or any of these these

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<v Speaker 1>cosmic sounds, the soonification of the data. You know, we're

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<v Speaker 1>not talking about actual sound traveling through space. Sound travels

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<v Speaker 1>and waves just like light, just like heat, But unlike

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<v Speaker 1>light and heat, sound travels by making molecules vibrate. So

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<v Speaker 1>for sound to actually travel, say from a ringing bell

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<v Speaker 1>to your ear, there has to be a molecule filled

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<v Speaker 1>medium for it to travel through. Here on Earth, air

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<v Speaker 1>molecules provide the pathway, but in space, particularly deep space,

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<v Speaker 1>there are just no molecules to vibrate, that's right. So

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<v Speaker 1>what we are relying on when we talk about eavesdropping

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<v Speaker 1>in space, we're relying on radio waves and in n

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<v Speaker 1>American physicist Karl Jansky first detected radio static from our

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<v Speaker 1>very own milky way galaxy and similar emission from other

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<v Speaker 1>galaxies creates this kind of background hits of radio noise.

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<v Speaker 1>So when we talk about radio waves, where we're talking

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<v Speaker 1>about well, they are one of what we call electromagnetic waves.

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<v Speaker 1>So electromagnetic waves include light, radio, X ray, gamma ray,

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<v Speaker 1>and infrared and ultra for violet. And the thing that

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<v Speaker 1>differentiates them is their wavelength. So a wavelength of say light,

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<v Speaker 1>stretched out over a long, long, long and long distance

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<v Speaker 1>ratchets down its energy and then it shifts it into

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<v Speaker 1>a radio wave. So in other words, radio waves are

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<v Speaker 1>just another form of light. And this means that light

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<v Speaker 1>from a distant galaxy can't perceive by sight, but it

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<v Speaker 1>can be heard by radio telescopes. Hence all those bubbles

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<v Speaker 1>and squeaks we can hear when a radio telescope homes

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<v Speaker 1>in on say Uranus or Jupiter. So that brings us

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<v Speaker 1>to ARCADE. ARCADE being a two thousand and six NASA

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<v Speaker 1>experiment developed by the Goddard Space Flight Center. ARCADE stands

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<v Speaker 1>for Absolute Radiometer for Cosmology, astrophysics, and Diffuse emission, and

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<v Speaker 1>essentially it's uh it was. It was a high altitude

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<v Speaker 1>balloon payload designed to study the early universe by measuring

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<v Speaker 1>the frequency spectrum of the ca es make microwave background

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<v Speaker 1>or c m D and searching for signals from the

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<v Speaker 1>first stars to form after the Big Bang. See heat

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<v Speaker 1>from the Big Bang still permeates the universe today, and

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<v Speaker 1>scientists can observe it as this faint glow of deep

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<v Speaker 1>space microwaves. This is the cosmic microwave background, and it

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<v Speaker 1>contains what some scientists dub quote a fossil record of

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<v Speaker 1>every of every early universe. I like that idea, that

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<v Speaker 1>fossil record. I really like the fossil record analogy too. Yeah,

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<v Speaker 1>and the instrumentation aboard this device is pretty crazy. The

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<v Speaker 1>official Arcade website makes the following comparison. Imagine warming your

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<v Speaker 1>hands by the light of the stars in the night sky,

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<v Speaker 1>you know, standing out on a cold day, raising your

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<v Speaker 1>palms up and warming yourself by that those distant pinpricks

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<v Speaker 1>of light. Impossible right now. Imagine trying to detect the

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<v Speaker 1>heat from stars we can't even see, like you mentioned earlier,

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<v Speaker 1>than the light from those stars just turning nothing but

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<v Speaker 1>radio waves after a while. That's why NASA's Gotta Space

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<v Speaker 1>Flight Center designed Arcade to measure temperature differences as small

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<v Speaker 1>as one one thousandth of a degree in the background

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<v Speaker 1>only three degrees above absolute zero, while also avoiding confusing

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<v Speaker 1>data from everything else in the universe. So the entire

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<v Speaker 1>instrument inside this ballooned uh lifted package was cooled with

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<v Speaker 1>liquid helium to to a to a temperature of two

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<v Speaker 1>point seven degrees above absolute zero. So they made it

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<v Speaker 1>as cold, if not a little colder than the CMB,

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<v Speaker 1>so there's no confusion for its seven cryogenic radiometers. So

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<v Speaker 1>July two thousand six successfully launched this sucker from Columbia

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<v Speaker 1>Scientific Balloon Facility in Palestine, Texas. It ascended to an

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<v Speaker 1>altitude of one thousand feet or thirty seven kilometers, and

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<v Speaker 1>after four hours of observation, parachuted back to Earth. Oh

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<v Speaker 1>and what did Dr Alan Cogert, a research scientist at

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<v Speaker 1>Nassas Cattard Space Flight Center and head of the Arcade project, Fine, Well,

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<v Speaker 1>he found something was absolutely astounding, and honestly, he was

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<v Speaker 1>just hoping to find confirmation of the cosmic microwave background

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<v Speaker 1>and gather a few nude radio emission points. But says quote,

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<v Speaker 1>the universe really threw us a curve instead of the

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<v Speaker 1>faint signal we hope to find there was this booming

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<v Speaker 1>noise six times ladder than anyone had predicted. He says,

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<v Speaker 1>the energy alone that could generate this level of signal

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<v Speaker 1>is incomprehensible. And Uh, I've seen accounts of it. It's

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<v Speaker 1>been described as a static like noise coming from all directions.

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<v Speaker 1>And the discovery is based on noise measurements and the

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<v Speaker 1>microwave frequency bands at three, eight thirty and ninety giga

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<v Speaker 1>hurts which peaked NASIS detectors at three and eight giga hurts.

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<v Speaker 1>So they were observing about seven percent of the sky

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<v Speaker 1>when they had this booming sound come to them. Yeah,

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<v Speaker 1>and so we have a big fat mystery on our

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<v Speaker 1>hands here. Um. It's uh, it's important to to drive

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<v Speaker 1>home that this is not like a one time signals.

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<v Speaker 1>This isn't like the Wow signal or the bloop uh

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<v Speaker 1>that came from the ocean that we've discussed in the

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<v Speaker 1>vast UH. This is a universe wide phenomenon that is ongoing.

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<v Speaker 1>But Arcade was the first instrument to meant to that

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<v Speaker 1>was actually able to measure the radio sky with enough

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<v Speaker 1>precision to detect this mysterious signal. Uh. And ironically, the

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<v Speaker 1>roar hides the signal uh or seems to hide the

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<v Speaker 1>signal from the earliest stars, thus interfering with the very

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<v Speaker 1>mission we originally sent Arcade up for to begin with.

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<v Speaker 1>All right, so let's take a quick break and we

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<v Speaker 1>come back. We're not going to provide an answer to

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<v Speaker 1>this mystery. We're not gonna solve them, but we're gonna

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<v Speaker 1>We're gonna talk about some of the ideas that have

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<v Speaker 1>been thrown out there, most of which are have been

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<v Speaker 1>shot down as well. But I think the theories, even

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<v Speaker 1>the ones that ultimately don't hold up, helped to illuminate

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<v Speaker 1>what might be happening and just the sphere of possible answers.

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<v Speaker 1>All Right, we'll back. Have you ever seen those maps

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<v Speaker 1>that say you are here, shows you in the middle

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<v Speaker 1>of the Milky Way. Oh no, I was just thinking

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<v Speaker 1>about the zoo. But the zoo, Yeah, you're here at

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<v Speaker 1>the zoo. Yeah, I get lost enough there without even

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<v Speaker 1>taking into account I see the map, right, But you

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<v Speaker 1>maybe have seen those illustrations before which say, hey, by

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<v Speaker 1>the way, the Solar system is located within the Milky

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<v Speaker 1>Way galaxy, so it makes sense that one of the

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<v Speaker 1>first places we would look to to try to solve

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<v Speaker 1>the mystery of the roar is of course the Milky Way,

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<v Speaker 1>because it produces something called synchrotron radiation, which is electromagnetic

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<v Speaker 1>energy emitted by charged particles. We're talking about electrons and

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<v Speaker 1>ions that are moving at speeds close to that of

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<v Speaker 1>light when their paths are altered as by magnetic fields.

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<v Speaker 1>It is so called because particles moving at such speeds

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<v Speaker 1>in a variety of particle accelerator that is known as

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<v Speaker 1>synchrotron produce electromagnetic radiation of this sort. Now, okay, great,

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<v Speaker 1>it's creating electromagnetic radiation. We can pick up on that

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<v Speaker 1>as we know. Um that being said, it doesn't look

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<v Speaker 1>like our galaxy is the culprit because, according to dal

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<v Speaker 1>Dale Fixen, a University of Maryland research scientists and a

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<v Speaker 1>member of the Arcade team, infrared radiation goes hand in

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<v Speaker 1>hand with syncrotron radiation, and the already measured amount of

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<v Speaker 1>the Milky Ways infrared radiation radiation is not on the

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<v Speaker 1>same order of magnitude required to create that kind of roar.

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<v Speaker 1>So already we can look at the Milky Way and saying, no,

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<v Speaker 1>you are not it. You're not the culprit alright, so

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<v Speaker 1>we we slashed that one off the list. Um, you know.

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<v Speaker 1>Dale Fixen also looked into the idea that the roar

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<v Speaker 1>could be emanating from the very first stars that Arcade

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<v Speaker 1>was actually looking for. Right, these first stars, thought to

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<v Speaker 1>have formed about thirteen billion years ago, didn't have any dust.

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<v Speaker 1>That's because the first dust in our universe was formed

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<v Speaker 1>within these very stars. So in theory, possibly these stars

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<v Speaker 1>could have created a lot of synchrotron radiation without that

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<v Speaker 1>correspondingly high amount of infrared radiation, which we would have

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<v Speaker 1>theoretically already detected. So there's one possible loophole. But it's

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<v Speaker 1>not an answer. Dubious about it, well, I mean, I'm

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<v Speaker 1>I'm dubious about I trust Fixing on this. If he

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<v Speaker 1>says that it's not a slam dunk, then I'm gonna

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<v Speaker 1>have to take his word for it. Wise, all right,

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<v Speaker 1>what about other far flung galaxies, well, clusters of galaxies

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<v Speaker 1>formed by gravitational murder of smaller clusters and subclusters. And

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<v Speaker 1>we know from radio telescope observations that sometimes there's the

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<v Speaker 1>presence of large regions of diffuse steep spectrum synchrotron emission

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<v Speaker 1>and galaxies that emit more light at radio wavelengths than

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<v Speaker 1>a visible wavelengths. These are known as radio allowed galaxy.

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<v Speaker 1>So there is this idea that there could be these

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<v Speaker 1>radio allowed galaxies out there that could have created the

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<v Speaker 1>space roar. However, cog art are a man at arcade

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<v Speaker 1>says quote typical radio galaxies can't account for the noise,

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<v Speaker 1>as you would need the entire universe filled of them

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<v Speaker 1>to produce signal strengths this high six times higher than

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<v Speaker 1>the combined emission of all known radio sources in the universe. Or,

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<v Speaker 1>more specifically, as fix In puts it, you'd have to

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<v Speaker 1>pack them into the universe like sardines. There wouldn't be

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<v Speaker 1>any space left between one galaxy universe. Not again, not

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<v Speaker 1>an answer. Alright, Well, here's another theory, and this one

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<v Speaker 1>I do want to preface is is out there, and

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<v Speaker 1>it takes us a little more into the fringes of

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<v Speaker 1>what we know and into some of the uh, the

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<v Speaker 1>more complex and uh mind melting, mind melting theories regarding

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<v Speaker 1>our universe, in our place in the universe. American physicist

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<v Speaker 1>David brown Um has a take on space war that

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<v Speaker 1>plays into cellular automaton and in theory, Okay, cellular automaton

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<v Speaker 1>is a whole area that we could we could easily

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<v Speaker 1>spend a whole podcast on, So I'm gonna try and

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<v Speaker 1>keep it short here, but uh, this basically, this model

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<v Speaker 1>involves the use of colored or shaded cells on a

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<v Speaker 1>grid that evolved through a number of discrete time steps

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<v Speaker 1>according to a set of rules based on the states

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<v Speaker 1>of neighboring cells. So you may have seen footage of this.

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<v Speaker 1>It plays into the game of life um experiment where

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<v Speaker 1>it looks sort of like I guess they were digimon

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<v Speaker 1>the sort of little primitive computerized things where you canna

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<v Speaker 1>have like a little digitized pet. Kind of looks like that,

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<v Speaker 1>except more abstract little dancing pixels. Uh. And essentially it's

0:13:51.440 --> 0:13:55.680
<v Speaker 1>a model of complexity. Uh. It allows uh scientists to

0:13:55.720 --> 0:14:00.200
<v Speaker 1>observe complexity evolving, so that cellular automaton serves is a

0:14:00.280 --> 0:14:04.040
<v Speaker 1>general model of complexity, a level of complexity that ultimately

0:14:04.720 --> 0:14:07.440
<v Speaker 1>theoretically is on par with our entire universe. And you

0:14:07.440 --> 0:14:11.520
<v Speaker 1>could argue that the complexity that we see in reality

0:14:11.840 --> 0:14:16.760
<v Speaker 1>could essentially begin as a little program of dancing squares

0:14:16.880 --> 0:14:19.840
<v Speaker 1>on a computer screen. Okay, if you're still with me,

0:14:20.720 --> 0:14:22.640
<v Speaker 1>all right? If if you're still with me, that's that's

0:14:22.680 --> 0:14:24.840
<v Speaker 1>the first slab on the sandwich. We are in a

0:14:24.840 --> 0:14:28.240
<v Speaker 1>computer simulation. That's where it often leads to, is this

0:14:28.320 --> 0:14:30.640
<v Speaker 1>idea that you can think of in a way, you

0:14:30.680 --> 0:14:32.840
<v Speaker 1>can think of reality as a as a computer simulation

0:14:32.880 --> 0:14:36.960
<v Speaker 1>based on automaton. But the next layer on the sandwich

0:14:37.600 --> 0:14:41.040
<v Speaker 1>is in theory, a branch of string theory that presents

0:14:41.040 --> 0:14:43.480
<v Speaker 1>a model for the basic structure of the universe and

0:14:43.600 --> 0:14:48.200
<v Speaker 1>allows for the existence of additional universes. So Brown argues

0:14:48.240 --> 0:14:51.840
<v Speaker 1>that in theory describes the sailor automaton, and it real

0:14:52.000 --> 0:14:57.280
<v Speaker 1>photons are constantly leaving our universe to enter an alternate one.

0:14:57.960 --> 0:15:00.360
<v Speaker 1>Uh and this would mean that over time, the scentage

0:15:00.360 --> 0:15:04.120
<v Speaker 1>of real matter in our universe has decreased and the

0:15:04.160 --> 0:15:07.880
<v Speaker 1>percentage of virtual matter or dark matter has increased. So

0:15:07.960 --> 0:15:10.600
<v Speaker 1>this would mean there would have been more matter in

0:15:10.600 --> 0:15:14.880
<v Speaker 1>the early universe, meaning much more radio noise. And that

0:15:15.080 --> 0:15:18.000
<v Speaker 1>is what Arcade is detecting when it gazes through space

0:15:18.320 --> 0:15:23.240
<v Speaker 1>and time to those early stars. Okay, we are in

0:15:23.320 --> 0:15:26.840
<v Speaker 1>a computer simulation, right, a leaky one, a leaky one.

0:15:27.680 --> 0:15:31.960
<v Speaker 1>And as a result, uh, well, I should say. An

0:15:31.960 --> 0:15:34.720
<v Speaker 1>indirect result of that is the space roar, which is

0:15:34.880 --> 0:15:43.960
<v Speaker 1>really just uh maybe photons exchanging energy between other universes. Yeah, close, yeah,

0:15:44.000 --> 0:15:48.600
<v Speaker 1>pretty much. Yeah, we're in the matrix and and there's

0:15:48.640 --> 0:15:51.720
<v Speaker 1>this big crashing sound in the in the in the distance,

0:15:51.720 --> 0:15:56.400
<v Speaker 1>and that's pixels and programs being flushed out. Meanwhile, there's

0:15:56.440 --> 0:15:59.920
<v Speaker 1>a there's dark matter flowing back in. It's all very drama,

0:16:00.400 --> 0:16:02.720
<v Speaker 1>it is. It's very dramatic. And again it's it's an

0:16:02.720 --> 0:16:05.480
<v Speaker 1>out there theory and it and it does not again

0:16:05.560 --> 0:16:08.880
<v Speaker 1>solve our mystery. We're still left with this mystery of

0:16:08.920 --> 0:16:13.040
<v Speaker 1>the space roar, and we may always be right. It

0:16:13.160 --> 0:16:14.800
<v Speaker 1>may just be that we don't have the instruments that

0:16:14.840 --> 0:16:18.280
<v Speaker 1>are sensitive enough to pick up on whatever it is. Yeah,

0:16:18.320 --> 0:16:22.040
<v Speaker 1>I mean it's it's kind of it's kind of the

0:16:22.200 --> 0:16:25.240
<v Speaker 1>great Unknown, maybe, you know, giving us the finger a

0:16:25.240 --> 0:16:28.520
<v Speaker 1>little bit, saying you think, yeah, say, you don't have

0:16:28.560 --> 0:16:30.400
<v Speaker 1>it all, you don't have all the answers, and here

0:16:30.440 --> 0:16:32.760
<v Speaker 1>I'm just gonna make a big loud raspberry noise at

0:16:32.800 --> 0:16:35.720
<v Speaker 1>you and and leave you with that. Try and figure

0:16:35.760 --> 0:16:38.640
<v Speaker 1>this out. Humans. So it's like a cosmic fart joke.

0:16:39.280 --> 0:16:43.760
<v Speaker 1>Maybe maybe the biggest fart joke in the universe. You know,

0:16:43.880 --> 0:16:48.360
<v Speaker 1>I like the scatological chips. All right, Well, let's put

0:16:48.360 --> 0:16:51.240
<v Speaker 1>the space war aside and let's call over the robot

0:16:51.320 --> 0:16:56.760
<v Speaker 1>and do a couple of listener mail. All right, This

0:16:56.800 --> 0:16:59.800
<v Speaker 1>one comes to us from Alex. Alex writes in and says,

0:16:59.840 --> 0:17:02.560
<v Speaker 1>how my name is Alex. As part of my job,

0:17:02.600 --> 0:17:04.560
<v Speaker 1>I tend to do a lot of driving, so podcasts

0:17:04.560 --> 0:17:07.760
<v Speaker 1>like yours really keep me saying for that, I thank you, essentially.

0:17:07.840 --> 0:17:10.960
<v Speaker 1>I just finished listening to your Mean World Syndrome episode

0:17:10.960 --> 0:17:13.159
<v Speaker 1>and I thought I would add to it. Recently, a

0:17:13.200 --> 0:17:16.639
<v Speaker 1>game called blood Born was released. You can probably guess

0:17:16.680 --> 0:17:19.359
<v Speaker 1>from the promo art, and he included this is a nice, dark,

0:17:19.680 --> 0:17:22.800
<v Speaker 1>dreary image of some dude with horns on his helmet

0:17:22.840 --> 0:17:27.159
<v Speaker 1>and weapons and a dreary sort of dark fantasy, grim

0:17:27.280 --> 0:17:31.359
<v Speaker 1>dark fantasy setting. Yeah uh, he says you probably a

0:17:31.440 --> 0:17:33.800
<v Speaker 1>guest from the promo art. It's not a pleasant, feel

0:17:33.840 --> 0:17:36.760
<v Speaker 1>good game. Without giving any spoilers, the world the player

0:17:36.840 --> 0:17:40.480
<v Speaker 1>is presented with is hopeless, desolate and oppressing. It's a

0:17:40.560 --> 0:17:42.720
<v Speaker 1>very good game. However, I found that after I played

0:17:42.760 --> 0:17:46.000
<v Speaker 1>for long periods, I became very forlorn and quiet. I

0:17:46.080 --> 0:17:50.080
<v Speaker 1>found myself feeling apathetic and even resentful towards the upcoming

0:17:50.119 --> 0:17:53.679
<v Speaker 1>general election. I live in the UK. I've actually stopped playing,

0:17:53.680 --> 0:17:56.280
<v Speaker 1>despite how good the game is, as a direct result

0:17:56.359 --> 0:17:59.520
<v Speaker 1>of feeling so crappy straight after playing. Listening to your

0:17:59.520 --> 0:18:02.359
<v Speaker 1>podcast just after noticing this was a great little coincidence

0:18:02.520 --> 0:18:04.800
<v Speaker 1>and one I thought i'd share. Keep doing what you

0:18:04.840 --> 0:18:07.280
<v Speaker 1>guys are doing. I look forward to every single episode.

0:18:07.320 --> 0:18:09.280
<v Speaker 1>You don't have to read this out. I just wanted

0:18:09.280 --> 0:18:11.439
<v Speaker 1>to give you guys what I thought was a fresh

0:18:11.440 --> 0:18:15.440
<v Speaker 1>perspective and example. Cool X, thanks for writing in about that.

0:18:16.560 --> 0:18:18.800
<v Speaker 1>We also got some feed We got a lot of

0:18:18.800 --> 0:18:22.879
<v Speaker 1>feedback from our episode of the Gordian Knot of Race.

0:18:23.119 --> 0:18:25.199
<v Speaker 1>We expected to get a lot of feedback. We got

0:18:25.320 --> 0:18:29.359
<v Speaker 1>confirmation of unconscious bias from listeners. We got some people

0:18:29.400 --> 0:18:32.960
<v Speaker 1>saying that unconscious bias doesn't exist, and we're not too

0:18:32.960 --> 0:18:34.959
<v Speaker 1>happy that we covered it. I think we had at

0:18:35.000 --> 0:18:38.960
<v Speaker 1>least one person say that they don't see race. We did,

0:18:39.160 --> 0:18:41.360
<v Speaker 1>and uh so we thought we would share this one

0:18:41.400 --> 0:18:44.640
<v Speaker 1>from Melissa. She says, and this came through Facebook. Says,

0:18:44.760 --> 0:18:46.879
<v Speaker 1>I just finished listening to your podcast and the Gordian

0:18:46.920 --> 0:18:49.080
<v Speaker 1>not of race. This is a topic that has always

0:18:49.119 --> 0:18:53.560
<v Speaker 1>fascinated me, how something so seemingly inconsequential as how you

0:18:53.720 --> 0:18:57.600
<v Speaker 1>look could and does affect all areas of life. I

0:18:57.640 --> 0:18:59.520
<v Speaker 1>thought you did a very good job of talking about

0:18:59.560 --> 0:19:02.280
<v Speaker 1>unconscio a racial bias and how things woven into our

0:19:02.280 --> 0:19:04.800
<v Speaker 1>culture can affect how we feel about a person, even

0:19:04.800 --> 0:19:07.879
<v Speaker 1>if we don't know it. I took the test linked

0:19:07.960 --> 0:19:10.240
<v Speaker 1>on the landing page for the podcast, and I thought

0:19:11.000 --> 0:19:13.840
<v Speaker 1>the results were very interesting and much different than what

0:19:14.000 --> 0:19:17.320
<v Speaker 1>I was expecting. For some background, I live in a

0:19:17.440 --> 0:19:20.359
<v Speaker 1>very heavily wide area. There are very few minorities of

0:19:20.400 --> 0:19:23.640
<v Speaker 1>any race in my childhood as well as today. Best

0:19:23.680 --> 0:19:26.480
<v Speaker 1>friend is mixed, black father, white mother. I love my

0:19:26.520 --> 0:19:29.639
<v Speaker 1>friend dearly and I have very few early memories without

0:19:29.640 --> 0:19:33.159
<v Speaker 1>her in them. We met at about age four or five,

0:19:33.600 --> 0:19:35.960
<v Speaker 1>and as a result, I have very few memories that

0:19:36.040 --> 0:19:39.200
<v Speaker 1>do not include her family. I expected that I would

0:19:39.240 --> 0:19:43.040
<v Speaker 1>have a slight preference for white faces. She's talking about

0:19:43.119 --> 0:19:46.359
<v Speaker 1>the I A T, which is the implicit association test

0:19:46.560 --> 0:19:50.439
<v Speaker 1>that she took. UH slight preference for white faces simply

0:19:50.560 --> 0:19:54.600
<v Speaker 1>due to culture, cultural factors and what a white area

0:19:54.720 --> 0:19:56.919
<v Speaker 1>I live in and grew up in. However, when the

0:19:56.920 --> 0:19:59.320
<v Speaker 1>results came back, that came back as your data suggests

0:19:59.400 --> 0:20:04.120
<v Speaker 1>little to automatic preference between African American and European American.

0:20:04.560 --> 0:20:07.240
<v Speaker 1>This greatly surprised me and got me thinking. Could my

0:20:07.440 --> 0:20:11.040
<v Speaker 1>lack of unconscious prejudice have something to do with my

0:20:11.080 --> 0:20:13.639
<v Speaker 1>best friend of so many years and her family? Could

0:20:13.640 --> 0:20:16.399
<v Speaker 1>it be a reflection of how, having been exposed to

0:20:16.400 --> 0:20:19.159
<v Speaker 1>them at such a young age, and caring so deeply

0:20:19.200 --> 0:20:21.560
<v Speaker 1>for them, I developed the necessary empathy to get such

0:20:21.560 --> 0:20:25.280
<v Speaker 1>a score. Could this mean that if more schools had

0:20:25.440 --> 0:20:29.440
<v Speaker 1>a more even mix, or neighborhoods were not so prominently

0:20:29.560 --> 0:20:33.280
<v Speaker 1>one race over the other, unconscious race preferences could go

0:20:33.359 --> 0:20:37.640
<v Speaker 1>away as well. All rather abstract questions with no easy answers.

0:20:37.640 --> 0:20:39.800
<v Speaker 1>I was just curious if you found any information about

0:20:39.800 --> 0:20:41.840
<v Speaker 1>this in your research. Keep up the great work. You

0:20:41.920 --> 0:20:46.200
<v Speaker 1>are always a fun listen, Melissa. So thank you, Melissa

0:20:46.240 --> 0:20:50.919
<v Speaker 1>that that's a excellent firsthand account of not only the

0:20:51.000 --> 0:20:52.760
<v Speaker 1>results that you got on your test, but what your

0:20:52.800 --> 0:20:57.200
<v Speaker 1>own experience m has been. Indeed, and if if anyone

0:20:57.200 --> 0:20:59.120
<v Speaker 1>else wants to take the I A T you can

0:20:59.119 --> 0:21:02.119
<v Speaker 1>either of course find it search or I've also we

0:21:02.119 --> 0:21:04.479
<v Speaker 1>also included a link to it on the landing page

0:21:04.520 --> 0:21:08.159
<v Speaker 1>for the Gordian Knot of Race episode. Now, I'm not

0:21:08.280 --> 0:21:11.960
<v Speaker 1>surprised that you know, at such a young age, with

0:21:12.000 --> 0:21:14.200
<v Speaker 1>her experience with her friend who is a mixed race,

0:21:14.280 --> 0:21:17.000
<v Speaker 1>that she would have those results, because I'm thinking back

0:21:17.040 --> 0:21:20.480
<v Speaker 1>to the episode when we were talking about kids. I

0:21:20.560 --> 0:21:26.840
<v Speaker 1>believe as young as seven begin to express unconscious bias um,

0:21:27.080 --> 0:21:29.320
<v Speaker 1>so you can see how the positive side of that

0:21:29.359 --> 0:21:31.480
<v Speaker 1>could be reflected, and that that's why I thought it

0:21:31.520 --> 0:21:33.040
<v Speaker 1>was so great that she shared that with us, because

0:21:33.040 --> 0:21:35.080
<v Speaker 1>it is the positive side. Indeed, it's good to hear

0:21:35.080 --> 0:21:38.920
<v Speaker 1>about the positive side of that point. Sody, you have it,

0:21:38.960 --> 0:21:42.040
<v Speaker 1>We'll send the robot back to its chamber once more,

0:21:42.160 --> 0:21:44.240
<v Speaker 1>and hey uh. In the meantime, you would like to

0:21:44.320 --> 0:21:47.280
<v Speaker 1>check out more episodes of the podcast, If you want

0:21:47.280 --> 0:21:50.040
<v Speaker 1>to check out blog pose, videos, links on to social

0:21:50.080 --> 0:21:52.760
<v Speaker 1>media accounts, whatever, you can find it all at stuff

0:21:52.800 --> 0:21:54.960
<v Speaker 1>to Blow your Mind at dot com. And if you

0:21:55.000 --> 0:21:57.040
<v Speaker 1>have some thoughts you'd like to share with us, please

0:21:57.080 --> 0:21:59.600
<v Speaker 1>send them our way. You can do that by emailing

0:21:59.720 --> 0:22:06.600
<v Speaker 1>us at below the Mind at how stuff works dot com.

0:22:06.640 --> 0:22:09.160
<v Speaker 1>For more on this and thousands of other topics, visit

0:22:09.240 --> 0:22:16.280
<v Speaker 1>how stuff works dot com.