1 00:00:00,320 --> 00:00:03,000 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 2 00:00:03,240 --> 00:00:10,000 Speaker 1: It's ready. Are you welcome to stump Mom Never told you? 3 00:00:10,200 --> 00:00:17,439 Speaker 1: From House top Works dot com. Hello, and welcome to 4 00:00:17,440 --> 00:00:20,040 Speaker 1: the podcast. This is Molly and I'm Kristen Christ and 5 00:00:20,079 --> 00:00:23,919 Speaker 1: this is part two of our Female Superheroes podcast. Indeed 6 00:00:23,960 --> 00:00:26,560 Speaker 1: it is. And um, I thought i'd cheer with you. 7 00:00:26,600 --> 00:00:29,200 Speaker 1: One of my most embarrassing moments. Oh, thank god, Yes, small, 8 00:00:29,280 --> 00:00:33,479 Speaker 1: it's embarrassing moments. I've been waiting for so long, you know, 9 00:00:33,560 --> 00:00:36,879 Speaker 1: And I don't get embarrassed that often, but this was 10 00:00:36,880 --> 00:00:39,159 Speaker 1: probably the worst time I've ever fell embarrassed. And maybe 11 00:00:39,159 --> 00:00:41,040 Speaker 1: it'll be nothing to you guys, but I was pretty embarrassed. 12 00:00:41,400 --> 00:00:45,160 Speaker 1: So I'm five, and I think Nickelodeon used to run 13 00:00:45,640 --> 00:00:48,480 Speaker 1: reruns of the old wonder Woman show with Linda Carter 14 00:00:49,320 --> 00:00:51,800 Speaker 1: from the seventies, and so one time when I was 15 00:00:51,840 --> 00:00:54,200 Speaker 1: out on the playground, I was kind of pretending to 16 00:00:54,240 --> 00:00:55,720 Speaker 1: be a wonder Woman in my head, like I wasn't 17 00:00:55,720 --> 00:00:58,640 Speaker 1: playing superheroes with anyone else, you know, I don't remember 18 00:00:58,640 --> 00:00:59,640 Speaker 1: what I was doing, but all of a sudden, I 19 00:00:59,640 --> 00:01:01,800 Speaker 1: was like, Okay, it's time to turn to Wonder Woman, 20 00:01:02,280 --> 00:01:04,120 Speaker 1: and uh in the show, she would do that by 21 00:01:04,120 --> 00:01:08,280 Speaker 1: spinning around really fast. So I went under this like 22 00:01:08,560 --> 00:01:11,680 Speaker 1: enclosed slide area where I thought I had some privacy, 23 00:01:11,800 --> 00:01:14,600 Speaker 1: and I started my spin and I was spinning. I mean, 24 00:01:14,640 --> 00:01:17,040 Speaker 1: in my head, I was I was converting into to 25 00:01:17,160 --> 00:01:22,360 Speaker 1: a powerful, powerful superhero when two boys walked in while 26 00:01:22,400 --> 00:01:27,280 Speaker 1: in the middle of my spinning, and it just I mean, 27 00:01:27,640 --> 00:01:29,399 Speaker 1: if girls spend all the time. I don't know why 28 00:01:29,400 --> 00:01:30,880 Speaker 1: I was so embarrassed, but I felt like they could 29 00:01:30,920 --> 00:01:32,840 Speaker 1: see into my soul and know that I was trying 30 00:01:32,880 --> 00:01:35,640 Speaker 1: to turn into Wonder Woman and that they were just 31 00:01:35,720 --> 00:01:38,360 Speaker 1: mocking me in their heads. No words were exchanged because 32 00:01:38,360 --> 00:01:40,680 Speaker 1: I ran out very quickly. Oh they didn't even they 33 00:01:40,680 --> 00:01:42,679 Speaker 1: didn't even directly make fun of you. I don't think 34 00:01:42,680 --> 00:01:44,080 Speaker 1: they haven't got the chance, because as soon as I 35 00:01:44,120 --> 00:01:46,280 Speaker 1: saw them, I was like, ah, so they might not 36 00:01:46,360 --> 00:01:49,720 Speaker 1: have even noticed you spinning. There was there was some 37 00:01:49,840 --> 00:01:52,280 Speaker 1: noticing of spinning, because I who knows how long I 38 00:01:52,320 --> 00:01:55,400 Speaker 1: spun with them standing there. Yeah, that's true. It is 39 00:01:55,400 --> 00:01:58,080 Speaker 1: easy to get swept away. But the fact that I 40 00:01:58,120 --> 00:02:01,160 Speaker 1: was just spinning around and circled by myself under slide 41 00:02:01,280 --> 00:02:03,920 Speaker 1: and and got caught in the act really embarrassed me 42 00:02:03,960 --> 00:02:06,680 Speaker 1: for a long time. I think I stopped playing superheroes 43 00:02:06,680 --> 00:02:09,040 Speaker 1: after that. Well, Molly, I think that now is time 44 00:02:09,120 --> 00:02:14,200 Speaker 1: to heal those emotional scarves by you know, really talking 45 00:02:14,200 --> 00:02:18,520 Speaker 1: about Wonder Woman and all of the positive things that 46 00:02:18,600 --> 00:02:21,120 Speaker 1: she does represent. Because you know what, Molly, even though 47 00:02:21,160 --> 00:02:23,480 Speaker 1: you didn't turn to Wonder Woman that day, you know, 48 00:02:23,560 --> 00:02:27,799 Speaker 1: maybe maybe there still a chance. Yes, which is why 49 00:02:27,840 --> 00:02:31,040 Speaker 1: I want, I want you to do something. I'm kids, Yes, 50 00:02:31,120 --> 00:02:33,000 Speaker 1: I'm I'm going to just spin myself around the chair 51 00:02:33,040 --> 00:02:35,480 Speaker 1: and my voice will come around the microphone every every 52 00:02:35,560 --> 00:02:38,720 Speaker 1: few words. Um, but yes. The second half of our 53 00:02:38,720 --> 00:02:42,440 Speaker 1: Female Superhero podcast deals with the female superheroes themselves. In 54 00:02:42,480 --> 00:02:45,120 Speaker 1: part one, we kind of talked about how women in 55 00:02:45,240 --> 00:02:50,079 Speaker 1: superhero comics don't usually farewell. No, they tendn't die. Yeah, 56 00:02:50,080 --> 00:02:53,920 Speaker 1: they often meet untimely deaths, and a lot of times 57 00:02:54,080 --> 00:02:56,880 Speaker 1: when there's a lot of violence involved, it's a lot 58 00:02:56,960 --> 00:03:01,240 Speaker 1: of very sexualized violence becauseies women are are generally not 59 00:03:01,280 --> 00:03:04,679 Speaker 1: wearing many clothes to begin with, and they have very 60 00:03:04,800 --> 00:03:11,200 Speaker 1: pin uppy types of figures. So all in all, not 61 00:03:11,200 --> 00:03:14,640 Speaker 1: not that great of a life for comic book superheroes. 62 00:03:14,680 --> 00:03:17,720 Speaker 1: But at the same time, there are some standout names 63 00:03:17,720 --> 00:03:20,040 Speaker 1: that we really didn't talk about in the last episode 64 00:03:20,200 --> 00:03:22,720 Speaker 1: that we need to shine a light on, most notably 65 00:03:23,360 --> 00:03:27,760 Speaker 1: wonder Woman, because Wonder Woman was really the face of 66 00:03:27,960 --> 00:03:31,360 Speaker 1: second way feminism when she debuted on the cover of 67 00:03:31,400 --> 00:03:35,240 Speaker 1: the very first edition of Miss magazine. Um and we 68 00:03:35,280 --> 00:03:40,120 Speaker 1: think of her as really embodying you know, uh, strength 69 00:03:40,360 --> 00:03:43,920 Speaker 1: and power. And there's this long awaited wonder Woman movie 70 00:03:44,560 --> 00:03:46,800 Speaker 1: that that everyone's hoping for. But I think that it's 71 00:03:46,840 --> 00:03:50,120 Speaker 1: interesting because in when when something like a female superhero 72 00:03:50,160 --> 00:03:53,680 Speaker 1: dies and expectedly all these female comic book readers coming 73 00:03:53,680 --> 00:03:56,200 Speaker 1: out of the woodwork and say, I finally had someone 74 00:03:56,200 --> 00:03:58,200 Speaker 1: to relate to in this comic and then you killed her. 75 00:03:58,680 --> 00:04:01,680 Speaker 1: And I think it'd be interesting to see what longstanding 76 00:04:01,720 --> 00:04:04,520 Speaker 1: female heroes we have in comics, And of course wonder 77 00:04:04,560 --> 00:04:06,720 Speaker 1: Woman is the most notable. Yeah, I mean, wonder Woman's 78 00:04:06,760 --> 00:04:11,080 Speaker 1: really kind of it, and she was created specifically to 79 00:04:11,200 --> 00:04:15,200 Speaker 1: appeal to girls and to serve as a positive role model. 80 00:04:15,240 --> 00:04:17,400 Speaker 1: Because in the last episode we made the point that 81 00:04:18,000 --> 00:04:22,279 Speaker 1: since comic book readership is largely male, it does make 82 00:04:22,320 --> 00:04:24,760 Speaker 1: sense that a lot of the superheroes are these male 83 00:04:24,839 --> 00:04:28,359 Speaker 1: figures that they can idealize. But a psychologist named William 84 00:04:28,400 --> 00:04:33,840 Speaker 1: Marson said, you know what, little girls needed a hero too, right, 85 00:04:33,960 --> 00:04:37,279 Speaker 1: So he created her in nine and Morrison is quite 86 00:04:37,279 --> 00:04:40,640 Speaker 1: a character he is. He called himself a feminist, but 87 00:04:41,200 --> 00:04:43,760 Speaker 1: it's not a definition of feminism that I tend to 88 00:04:43,800 --> 00:04:46,200 Speaker 1: agree with, because it's all about how women are not 89 00:04:46,279 --> 00:04:49,960 Speaker 1: just equal but superior to men, and um, we're all 90 00:04:49,960 --> 00:04:54,320 Speaker 1: about advocating gender equality, I think with our forms of feminism, Christen, 91 00:04:54,400 --> 00:04:56,760 Speaker 1: but he's like, no, I'm going to teach the world 92 00:04:56,880 --> 00:04:59,039 Speaker 1: that eventually our country is going to turn back into 93 00:04:59,040 --> 00:05:02,560 Speaker 1: a matriarchy or women have all the power and men 94 00:05:02,680 --> 00:05:07,960 Speaker 1: do their bidding right. And this whole power dynamic comes 95 00:05:08,000 --> 00:05:11,960 Speaker 1: through a lot in early Wonder Woman comics, and I 96 00:05:12,000 --> 00:05:15,599 Speaker 1: didn't really think about it at all until, um, until 97 00:05:15,640 --> 00:05:19,599 Speaker 1: I started reading about how Marston in his personal life 98 00:05:19,720 --> 00:05:26,000 Speaker 1: was very, very intrigued by uh, submission, domination types of 99 00:05:26,240 --> 00:05:30,520 Speaker 1: sexual activities. He was actually in a polyamorous relationship and 100 00:05:30,640 --> 00:05:35,359 Speaker 1: had um to two wives, and within the context of 101 00:05:35,400 --> 00:05:41,599 Speaker 1: that relationship, he was also very interested in sexual bondage, 102 00:05:41,600 --> 00:05:45,720 Speaker 1: and so he instill a lot of that imagery into 103 00:05:46,040 --> 00:05:48,840 Speaker 1: the Wonder Woman comics, and so what do you know. 104 00:05:49,560 --> 00:05:53,960 Speaker 1: Wonder Woman has a truth lasso that she ties men 105 00:05:54,080 --> 00:05:58,320 Speaker 1: up with. Wonder Woman herself often gets tied up. Uh 106 00:05:58,440 --> 00:06:01,040 Speaker 1: you guys, can you know take it to mayor Well, 107 00:06:01,040 --> 00:06:03,320 Speaker 1: you know it's interesting in that laughs makes men tell 108 00:06:03,320 --> 00:06:05,960 Speaker 1: the truth. And everyone was like, oh, man, what a 109 00:06:05,960 --> 00:06:08,240 Speaker 1: great weapon for a woman to be able to get 110 00:06:08,240 --> 00:06:11,400 Speaker 1: a man to tell the truth. Interesting factoid about Old Marson, 111 00:06:11,520 --> 00:06:15,960 Speaker 1: He invented the modern day lie detector test, So I 112 00:06:15,960 --> 00:06:18,960 Speaker 1: mean he is very interested in truth and ways of 113 00:06:19,000 --> 00:06:21,760 Speaker 1: tying you up to get to the truth. So right 114 00:06:21,800 --> 00:06:27,039 Speaker 1: around when Wonder Woman is invented, there's also the rise 115 00:06:27,160 --> 00:06:31,440 Speaker 1: of other types of super heroines that are collectively known 116 00:06:31,600 --> 00:06:35,279 Speaker 1: as the Debutantes. For instance, we have the Phantom Lady, 117 00:06:35,360 --> 00:06:37,840 Speaker 1: who came on the scene in the late forties, and 118 00:06:37,960 --> 00:06:41,680 Speaker 1: she's sort of like a female Batman. She's wealthy, but 119 00:06:41,760 --> 00:06:44,200 Speaker 1: she doesn't have that much to do, so she fights 120 00:06:44,279 --> 00:06:47,359 Speaker 1: crime and her spare time. Uh. And you also have 121 00:06:47,560 --> 00:06:52,440 Speaker 1: other characters like Missmask or the Red Tornado or the 122 00:06:52,680 --> 00:06:55,600 Speaker 1: Spider Widow. Spider Wodo was kind of interesting because she 123 00:06:56,120 --> 00:06:59,320 Speaker 1: didn't really even like fighting crime. She was just wealthy 124 00:06:59,480 --> 00:07:03,240 Speaker 1: and bore and only did it if she really had to. 125 00:07:03,680 --> 00:07:06,560 Speaker 1: It was kind of forced upon her to fight crime. 126 00:07:06,800 --> 00:07:09,760 Speaker 1: So and the information about these early superheroes comes from 127 00:07:09,760 --> 00:07:13,600 Speaker 1: Mike Madrid who wrote a book called The Supergirl's Fashion, Feminism, Fantasy, 128 00:07:13,680 --> 00:07:16,240 Speaker 1: and the History of the Comic Book Heroines, and he 129 00:07:16,320 --> 00:07:20,960 Speaker 1: said that these early comic book heroines, he he equated 130 00:07:21,000 --> 00:07:23,880 Speaker 1: them to Paris Hilton. He said, essentially in their daily 131 00:07:23,960 --> 00:07:26,400 Speaker 1: lives and you know, they are rich, They've got lots 132 00:07:26,400 --> 00:07:28,240 Speaker 1: of money. He said that they would kind of be 133 00:07:28,520 --> 00:07:31,880 Speaker 1: painted as really shallow and ditzy, and you would never 134 00:07:31,960 --> 00:07:34,680 Speaker 1: guess that they were the ones who fought crime. But 135 00:07:34,760 --> 00:07:36,560 Speaker 1: he said that he kind of fought that they were 136 00:07:36,600 --> 00:07:40,560 Speaker 1: early feminists in a gender equality sense because, uh, when 137 00:07:40,560 --> 00:07:42,600 Speaker 1: they put on their costmo around their mask, that was 138 00:07:42,640 --> 00:07:44,880 Speaker 1: when they got to be truly free and truly equal 139 00:07:44,920 --> 00:07:47,080 Speaker 1: to the crime fighting men. And it was in their 140 00:07:47,160 --> 00:07:50,320 Speaker 1: daily lives that they had a lot of obstacles against them, 141 00:07:50,320 --> 00:07:53,040 Speaker 1: not you know, when they were facing bad guys. And 142 00:07:53,040 --> 00:07:54,640 Speaker 1: he said that, you know, it was fun because they're 143 00:07:54,640 --> 00:07:57,760 Speaker 1: really brainy and witty and funny and um, then it 144 00:07:57,840 --> 00:07:59,440 Speaker 1: was when they had to go back into their normal 145 00:07:59,640 --> 00:08:03,280 Speaker 1: lives they were sort of the uninteresting stay at home 146 00:08:03,800 --> 00:08:08,720 Speaker 1: boring types, right, And originally Wonder Woman wasn't even drawn 147 00:08:08,920 --> 00:08:12,400 Speaker 1: as a sexy character. Sure she wore the hot pants 148 00:08:12,440 --> 00:08:17,000 Speaker 1: and tube top basically, but she she was no She 149 00:08:17,080 --> 00:08:20,239 Speaker 1: was no Shena, Queen of the Jungle or a Phantom Lady. 150 00:08:20,360 --> 00:08:23,680 Speaker 1: You know, we were other other super heroines associated with 151 00:08:23,760 --> 00:08:27,320 Speaker 1: these good girl characters that we talked about in the 152 00:08:27,400 --> 00:08:29,760 Speaker 1: last podcast, and that was because she was meant to 153 00:08:30,320 --> 00:08:33,720 Speaker 1: appeal to girls. But then after World War Two there's 154 00:08:33,800 --> 00:08:37,080 Speaker 1: kind of this decline with the role of females in 155 00:08:37,480 --> 00:08:41,880 Speaker 1: comic books, and since Wonder Woman was meant to appeal 156 00:08:41,960 --> 00:08:45,319 Speaker 1: to girls, she wasn't drawn like other good girl characters 157 00:08:45,400 --> 00:08:48,760 Speaker 1: we talked about in the last episode, like Shena, Queen 158 00:08:48,760 --> 00:08:52,480 Speaker 1: of the Jungle or Phantom Lady, who were very voluptuous. 159 00:08:52,520 --> 00:08:54,600 Speaker 1: Even though a Wonder Woman did wear hot pants and 160 00:08:54,640 --> 00:08:59,679 Speaker 1: a tube top, she was intentionally drawn as not as overtly. 161 00:08:59,760 --> 00:09:02,800 Speaker 1: See now, let's talk a little bit about Wonder Woman's 162 00:09:02,840 --> 00:09:05,720 Speaker 1: origins because this is part of what changes over the years. 163 00:09:05,840 --> 00:09:08,640 Speaker 1: And while she was drun for little girls, we did 164 00:09:08,720 --> 00:09:10,240 Speaker 1: read one article the notes that even though she was 165 00:09:10,320 --> 00:09:12,640 Speaker 1: drunk for little girls, about nine of one woman's total 166 00:09:12,679 --> 00:09:16,079 Speaker 1: readership has always been male, so I think that might 167 00:09:16,080 --> 00:09:17,760 Speaker 1: play a factor. And when she gets watered down, but 168 00:09:17,800 --> 00:09:20,280 Speaker 1: we'll we'll decide for ourselves. This time goes on. She 169 00:09:20,320 --> 00:09:23,000 Speaker 1: first appears in ninety one, and she was an Amazon 170 00:09:23,080 --> 00:09:26,760 Speaker 1: princess from the immortal race of female warriors from Greek mythology. 171 00:09:27,480 --> 00:09:30,160 Speaker 1: She lived on an island where men could never set foot. 172 00:09:30,760 --> 00:09:33,680 Speaker 1: And the whole reason she comes to our country is 173 00:09:33,720 --> 00:09:36,640 Speaker 1: because some man lands nearby. So she's going to take 174 00:09:36,720 --> 00:09:39,480 Speaker 1: him back to America. And while she's there, she's gonna 175 00:09:39,520 --> 00:09:43,960 Speaker 1: teach some some lessons about female empowerment. Uh, since she 176 00:09:44,040 --> 00:09:46,400 Speaker 1: did have this, you know, enlightened upbringing with no men. 177 00:09:46,960 --> 00:09:49,120 Speaker 1: So the early episodes with One Woman are all about 178 00:09:49,160 --> 00:09:54,000 Speaker 1: the Amazonian history, the unique super superpowers, and um, there's 179 00:09:54,000 --> 00:09:56,080 Speaker 1: a lot of like we mentioned before, the bondage and 180 00:09:56,120 --> 00:09:59,319 Speaker 1: there's a lot of um as one one psychologist put it, 181 00:09:59,400 --> 00:10:02,520 Speaker 1: lesbian under tones. And that's when we started getting hild 182 00:10:02,559 --> 00:10:05,640 Speaker 1: because this psychologist comes along and writes an article called 183 00:10:06,000 --> 00:10:10,080 Speaker 1: Seduction of the Innocent. Yeah, with this paper, he was 184 00:10:10,320 --> 00:10:14,000 Speaker 1: basically saying that Wonder Woman was a terrible influence on 185 00:10:14,320 --> 00:10:18,200 Speaker 1: children and that she needed to be toned down, and 186 00:10:18,280 --> 00:10:22,680 Speaker 1: Wonder Woman a k a. Diana Prince was toned down. 187 00:10:22,800 --> 00:10:26,360 Speaker 1: She was lassoed, if you will. By the Comics Code 188 00:10:26,840 --> 00:10:29,760 Speaker 1: of nineteen fifty five. It said, hey, you know what, 189 00:10:29,840 --> 00:10:33,880 Speaker 1: all of this, this bondage imagery, all of these somewhat 190 00:10:33,880 --> 00:10:37,040 Speaker 1: would they perceived to be lesbian undertones. Gotta go, Gotta go, 191 00:10:37,080 --> 00:10:39,040 Speaker 1: because not only are the girls getting the wrong message, 192 00:10:39,120 --> 00:10:41,839 Speaker 1: the psychologist Frederick Wortham thought that the boys were getting 193 00:10:41,840 --> 00:10:44,400 Speaker 1: the wrong message too. He said that boys found Wonder 194 00:10:44,400 --> 00:10:48,280 Speaker 1: Woman terrifying, and we can't have a terrifying female figure 195 00:10:48,400 --> 00:10:51,360 Speaker 1: on the loose. She's just too strong. She's just too strong. 196 00:10:51,400 --> 00:10:54,520 Speaker 1: She'll lasso us and and take away all our powers. 197 00:10:55,120 --> 00:10:57,360 Speaker 1: So from then on we see women. They have to 198 00:10:57,480 --> 00:11:00,920 Speaker 1: draw more realistically according to the Comics Code. But all 199 00:11:00,920 --> 00:11:04,040 Speaker 1: the you know, aside from Wonder Woman, who does get 200 00:11:04,160 --> 00:11:07,760 Speaker 1: significantly watered down, they don't really introduce any more new 201 00:11:08,000 --> 00:11:12,120 Speaker 1: strong characters. They've got Catwoman, but she's sort of, you know, 202 00:11:12,440 --> 00:11:15,480 Speaker 1: more of a bad person who just Batman kind of 203 00:11:15,520 --> 00:11:18,800 Speaker 1: likes her, but she's kind of wishy washy. And Supergirl, 204 00:11:18,840 --> 00:11:20,920 Speaker 1: who's a female version of Superman, but she was more 205 00:11:20,920 --> 00:11:25,559 Speaker 1: of his assistant and helper than equal um. Alasta Girl 206 00:11:25,760 --> 00:11:28,560 Speaker 1: gets a lot of credit because she was the strongest 207 00:11:28,600 --> 00:11:31,400 Speaker 1: member of the Doom Patrol, but you know, they're always 208 00:11:31,440 --> 00:11:34,959 Speaker 1: part of these teams, and sometimes when a female hero 209 00:11:35,040 --> 00:11:37,080 Speaker 1: was put on a team, she's the weakest member of 210 00:11:37,120 --> 00:11:40,040 Speaker 1: the team. But Alasta Girl was not, though she was 211 00:11:40,080 --> 00:11:44,520 Speaker 1: one of the standout characters because she often saved the day. 212 00:11:44,600 --> 00:11:49,120 Speaker 1: She could turn into this giant elastic giant, giant elastic giant. 213 00:11:49,720 --> 00:11:53,920 Speaker 1: Yeah and uh, and she could hulk smash all of 214 00:11:53,920 --> 00:11:56,160 Speaker 1: this stuff. It's pretty She was pretty cool and she 215 00:11:56,240 --> 00:12:00,959 Speaker 1: has a pretty cool outfit. I gotta say, are now 216 00:12:01,000 --> 00:12:03,760 Speaker 1: in the seventies when we've got second way feminism. Some 217 00:12:03,840 --> 00:12:07,520 Speaker 1: of the writers try to incorporate these ideas into their 218 00:12:07,679 --> 00:12:09,880 Speaker 1: their female heroes, but it really just kind of makes 219 00:12:09,960 --> 00:12:12,920 Speaker 1: the female hero stock characters who run around saying this 220 00:12:13,000 --> 00:12:16,920 Speaker 1: is really blatant, like female power, things that are kind 221 00:12:16,960 --> 00:12:19,240 Speaker 1: of insulting. I think when you look back on them 222 00:12:19,280 --> 00:12:22,840 Speaker 1: in hindsight, they make them very uninteresting characters because they're 223 00:12:22,880 --> 00:12:26,600 Speaker 1: never finding crime. There's always saying platitudes about about equality, 224 00:12:26,760 --> 00:12:29,120 Speaker 1: and I think that one good example of that would 225 00:12:29,160 --> 00:12:35,160 Speaker 1: have been Power Girl, who was created in response to 226 00:12:35,679 --> 00:12:37,600 Speaker 1: second way of feminism in a way, she was meant 227 00:12:37,640 --> 00:12:42,720 Speaker 1: to embody um those negative stereotypes of feminists at the 228 00:12:42,760 --> 00:12:46,160 Speaker 1: time as militant, strident, and angry. So she just didn't 229 00:12:46,200 --> 00:12:50,160 Speaker 1: really sit too well with fans. And then uh Matt Madrid, 230 00:12:50,200 --> 00:12:52,800 Speaker 1: who you know, who wrote the book he referenced Um 231 00:12:52,840 --> 00:12:56,440 Speaker 1: points out Black Widow as a great example though, of 232 00:12:56,600 --> 00:12:59,000 Speaker 1: that kind of empowered woman in the seventies. She was 233 00:12:59,280 --> 00:13:01,320 Speaker 1: a jet set or, she was rich, she was a 234 00:13:01,320 --> 00:13:04,920 Speaker 1: crime fighter. She wasn't anyone's girlfriend, but she did have 235 00:13:05,040 --> 00:13:08,400 Speaker 1: relations was some men. She loved him and left him. 236 00:13:09,679 --> 00:13:12,200 Speaker 1: Now at the same time, like you said, nineteen seventy two, 237 00:13:12,200 --> 00:13:14,320 Speaker 1: we've got one woman on the first cover of Miss 238 00:13:14,320 --> 00:13:17,520 Speaker 1: magazine and a lot of bears. Give Choya sign him 239 00:13:17,520 --> 00:13:20,480 Speaker 1: this credit for bringing back Wonder Woman to her full powers, 240 00:13:20,520 --> 00:13:23,400 Speaker 1: because in all the makeover she underwent, she kind of 241 00:13:23,400 --> 00:13:26,559 Speaker 1: became more like a female James Bond. She was maud. 242 00:13:27,120 --> 00:13:30,400 Speaker 1: So she gets recreated in the second wave of feminism, 243 00:13:30,440 --> 00:13:33,080 Speaker 1: but a lot of her story is significantly watered down. 244 00:13:33,160 --> 00:13:36,520 Speaker 1: She's not usually from the Amazon Island anymore, her weapons 245 00:13:36,559 --> 00:13:38,839 Speaker 1: don't necessarily mean what they meant, and I mean the 246 00:13:38,960 --> 00:13:41,080 Speaker 1: last I just became something to catch men with, not 247 00:13:41,120 --> 00:13:43,160 Speaker 1: necessarily a way to make them tell the truth. And 248 00:13:43,200 --> 00:13:46,000 Speaker 1: so I think it's interesting how Wonder Woman kind of 249 00:13:46,000 --> 00:13:48,160 Speaker 1: got coopted, but a lot of the most out there 250 00:13:48,200 --> 00:13:52,000 Speaker 1: aspects of her story don't come with her in this recreation. 251 00:13:52,559 --> 00:13:56,240 Speaker 1: So in thinking about the evolution of Wonder Woman and 252 00:13:56,320 --> 00:13:59,800 Speaker 1: how she started out and all of the makeovers that 253 00:13:59,880 --> 00:14:02,480 Speaker 1: she god, I mean, she she just recently got a 254 00:14:02,520 --> 00:14:07,199 Speaker 1: new outfit that is a little more um modest. She's 255 00:14:07,240 --> 00:14:10,920 Speaker 1: wearing pants now she wearing pants, um. So I guess 256 00:14:10,920 --> 00:14:13,199 Speaker 1: it just brings up the question of since Wonder Woman 257 00:14:13,320 --> 00:14:16,920 Speaker 1: is the most prominent female superhero, the most long lasting, 258 00:14:16,920 --> 00:14:20,040 Speaker 1: I mean, we have more recent um female superheroes that 259 00:14:20,080 --> 00:14:22,480 Speaker 1: have come up, such as the Bad Girls of the 260 00:14:22,560 --> 00:14:25,840 Speaker 1: nineties that we talked about in the first, um, the 261 00:14:25,880 --> 00:14:29,000 Speaker 1: preceding episode, and then we also have comics such as 262 00:14:29,040 --> 00:14:33,400 Speaker 1: Birds of Prey that feature all female cats. But wonder 263 00:14:33,400 --> 00:14:37,680 Speaker 1: Woman to me really embodies, uh, you know, the history 264 00:14:38,120 --> 00:14:42,040 Speaker 1: of women's superheroes, and it really brings up the question of, well, 265 00:14:42,080 --> 00:14:45,800 Speaker 1: what do we want from a female superhero and should 266 00:14:45,880 --> 00:14:50,960 Speaker 1: we even be concerned about how women are portrayed in comics? 267 00:14:51,000 --> 00:14:55,240 Speaker 1: I mean, if these are just fantasy outlets directly marketed 268 00:14:55,280 --> 00:14:57,840 Speaker 1: to little boys, you know, should we as women be 269 00:14:57,880 --> 00:15:01,200 Speaker 1: that concerned about it? Like what to see from a superhero? 270 00:15:01,240 --> 00:15:04,080 Speaker 1: And even though this isn't specifically comic book oriented, there 271 00:15:04,120 --> 00:15:06,840 Speaker 1: was a really interesting article about the Powerpuff Girls and 272 00:15:06,880 --> 00:15:09,000 Speaker 1: the success that they were having in terms of being 273 00:15:09,000 --> 00:15:12,160 Speaker 1: popular with both genders, these little girls who fight crime. 274 00:15:12,280 --> 00:15:15,240 Speaker 1: But but the writer Heather have have r Levski makes 275 00:15:15,240 --> 00:15:18,280 Speaker 1: the point that can we only accept a strong female, 276 00:15:18,640 --> 00:15:23,000 Speaker 1: you know, superhero when she's five and really cute? And 277 00:15:23,080 --> 00:15:25,840 Speaker 1: another article made the point that but when from Sex 278 00:15:25,880 --> 00:15:29,120 Speaker 1: in the City, are more are our superhero outlets because 279 00:15:29,640 --> 00:15:31,680 Speaker 1: they live in kind of a fantasy world. I mean, 280 00:15:31,760 --> 00:15:34,880 Speaker 1: there's no way Carrie could afford that apartment, and their 281 00:15:35,000 --> 00:15:37,320 Speaker 1: issues of fighting crime or more issues of you know, 282 00:15:37,400 --> 00:15:40,160 Speaker 1: Canni woman still be sexy when she's over forty, you 283 00:15:40,200 --> 00:15:43,240 Speaker 1: know Canni women find husband, and all these writers are 284 00:15:43,280 --> 00:15:46,400 Speaker 1: making the point that maybe we don't need a superhero 285 00:15:46,400 --> 00:15:50,640 Speaker 1: that fights crime. Maybe are maybe our obstacles are different 286 00:15:50,640 --> 00:15:52,280 Speaker 1: than that. And I think one thing we have to 287 00:15:52,320 --> 00:15:56,800 Speaker 1: acknowledged to and we're comparing male and female superheroes, is that, yes, 288 00:15:56,880 --> 00:16:00,360 Speaker 1: a lot of the females who end up in mix 289 00:16:00,960 --> 00:16:04,760 Speaker 1: are hyper sexual lives. They have enormous breasts and tiny 290 00:16:04,760 --> 00:16:08,480 Speaker 1: waists and legs for days. At the same time, a 291 00:16:08,520 --> 00:16:12,760 Speaker 1: lot of the male superheroes are these hyper masculine figures 292 00:16:12,760 --> 00:16:17,520 Speaker 1: who have rippling muscles and you know, just overt kind 293 00:16:17,520 --> 00:16:23,120 Speaker 1: of sexual appeal to women. So are those portrayals of 294 00:16:23,160 --> 00:16:28,440 Speaker 1: male superheroes as kind of deluded as the female superheroes 295 00:16:28,480 --> 00:16:31,000 Speaker 1: they're fighting with? But if we're gonna have the most 296 00:16:31,040 --> 00:16:34,600 Speaker 1: deluded version of a female superhero who can make you 297 00:16:34,640 --> 00:16:37,440 Speaker 1: feel excited to pick up a comic with her adventures 298 00:16:37,440 --> 00:16:39,560 Speaker 1: in it, Like, just off the top of your head, Christen, 299 00:16:39,560 --> 00:16:43,160 Speaker 1: what would she be like? Well, sause for me would 300 00:16:43,160 --> 00:16:45,200 Speaker 1: be you, it would be it would be me. I 301 00:16:45,240 --> 00:16:49,400 Speaker 1: was gonna say that too. Um. And you know, there 302 00:16:49,440 --> 00:16:53,080 Speaker 1: was some evidence that girls are age and younger like 303 00:16:53,240 --> 00:16:56,120 Speaker 1: real life superheroes better. Um, there's this new series of 304 00:16:56,160 --> 00:16:58,080 Speaker 1: comic books that features them in like Hillary Clinton and 305 00:16:58,120 --> 00:17:01,840 Speaker 1: Sarah Palin, women who you know in our real lives 306 00:17:02,000 --> 00:17:05,240 Speaker 1: are out there making a difference. Do we look as 307 00:17:05,320 --> 00:17:09,119 Speaker 1: women towards real life superheroes or is there someone in 308 00:17:09,160 --> 00:17:12,560 Speaker 1: that fantasy world who could fit our mold. Well, I 309 00:17:12,600 --> 00:17:14,880 Speaker 1: think that's the question that we will have to turn 310 00:17:14,920 --> 00:17:16,920 Speaker 1: over to our listeners because you know what, Molly, I'll 311 00:17:16,960 --> 00:17:19,320 Speaker 1: be honest with you, I don't know the answer exactly. 312 00:17:19,359 --> 00:17:20,800 Speaker 1: I don't either, So that's why we want to hear 313 00:17:20,800 --> 00:17:24,120 Speaker 1: from you on what the perfect female superhero would look like, 314 00:17:24,200 --> 00:17:27,120 Speaker 1: whether we still need superheroes, whether it's just a difference 315 00:17:27,160 --> 00:17:30,080 Speaker 1: of boys like superheroes and girls like something else. And 316 00:17:30,200 --> 00:17:35,600 Speaker 1: we should also ask for examples of great female characters 317 00:17:35,640 --> 00:17:37,160 Speaker 1: in comics, because I know that we talked a lot 318 00:17:37,160 --> 00:17:40,040 Speaker 1: about Wonder Woman and throughout some other names, but there 319 00:17:40,080 --> 00:17:44,160 Speaker 1: are scores of women in comics that we didn't bring up. 320 00:17:44,320 --> 00:17:46,879 Speaker 1: So we were pretty focused on superheroes. But we know 321 00:17:47,000 --> 00:17:48,840 Speaker 1: actually that we have listeners out there who do their 322 00:17:48,880 --> 00:17:50,840 Speaker 1: own comics. We'd love to hear from all of you 323 00:17:50,840 --> 00:17:54,240 Speaker 1: guys and broaden this comics conversation up with your help, 324 00:17:54,520 --> 00:17:57,240 Speaker 1: So right to us it's mom stuff at how stuff 325 00:17:57,280 --> 00:18:00,600 Speaker 1: works dot com, and share it with other listeners on Facebook. 326 00:18:00,760 --> 00:18:07,119 Speaker 1: But in the meantime, let's read an email. I have 327 00:18:07,240 --> 00:18:09,720 Speaker 1: one here from our listener Alexa, who writes, I'm fourteen 328 00:18:09,760 --> 00:18:11,439 Speaker 1: years old and this year for Halloween, I am as 329 00:18:11,520 --> 00:18:14,040 Speaker 1: Velma from the Scooby Doo cartoons, but I was looking 330 00:18:14,080 --> 00:18:16,480 Speaker 1: for the perfect Velma clothing items. My own mother even 331 00:18:16,560 --> 00:18:19,240 Speaker 1: suggested a fairly low cut armed shirt so that I 332 00:18:19,240 --> 00:18:21,440 Speaker 1: could be sexy Velma. I had to point out for 333 00:18:21,480 --> 00:18:23,399 Speaker 1: her that Velma doesn't care about looking sexy and that 334 00:18:23,480 --> 00:18:25,520 Speaker 1: she was always my favorite on the show because she 335 00:18:25,600 --> 00:18:28,919 Speaker 1: is comfortable with herself, including her flaws. And it's smart 336 00:18:29,000 --> 00:18:31,440 Speaker 1: because after all, that's how she always solved the mystery. 337 00:18:31,800 --> 00:18:34,399 Speaker 1: And Alexa did send us the most adorable photo of 338 00:18:34,440 --> 00:18:37,919 Speaker 1: herself as Velma. It was pretty pretty great costume, it 339 00:18:38,080 --> 00:18:40,639 Speaker 1: was really great. Um So again, if you'd like to 340 00:18:40,840 --> 00:18:43,359 Speaker 1: email us, send us photos of you dressed up like 341 00:18:43,400 --> 00:18:46,840 Speaker 1: your favorite superhero. I'd love to see that. 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