WEBVTT - A Fond Memory: Zach Woods Disobeys Bridger

0:00:08.760 --> 0:00:15.760
<v Speaker 1>Well, I invited you here, thought I made myself perfectly clear.

0:00:17.040 --> 0:00:22.160
<v Speaker 1>When you're a guest to my home, you gotta come

0:00:22.200 --> 0:00:28.880
<v Speaker 1>to me empty. And I said, no, guests, your presences

0:00:29.160 --> 0:00:35.600
<v Speaker 1>presents enough. I already had too much stuff, So how

0:00:35.640 --> 0:00:38.240
<v Speaker 1>did you dare to surbey me?

0:00:49.280 --> 0:00:54.400
<v Speaker 2>Welcome to? I said, no gifts. I'm Bridger Wineker. We're

0:00:54.440 --> 0:00:58.040
<v Speaker 2>in the backyard. What is happening? I've been to Trader

0:00:58.120 --> 0:01:01.320
<v Speaker 2>Joees this morning. I went to three grocery restores. I

0:01:01.360 --> 0:01:05.600
<v Speaker 2>gave myself permission to buy the expensive coffee and that

0:01:05.800 --> 0:01:09.440
<v Speaker 2>it fell apart immediately, and I ended up at Trader Joe's.

0:01:09.640 --> 0:01:13.520
<v Speaker 2>There I had an orange slice from the sample lady.

0:01:14.520 --> 0:01:17.840
<v Speaker 2>I went around the aisle once and she was gone.

0:01:17.920 --> 0:01:23.360
<v Speaker 2>The entire stand was gone. She was gone, completely surreal experience. Rip.

0:01:24.560 --> 0:01:29.000
<v Speaker 2>Let's get into the podcast. Oh, I love today's guest.

0:01:29.040 --> 0:01:32.319
<v Speaker 2>He is just so funny. It's Zach woods Zech. Welcome to.

0:01:32.319 --> 0:01:33.640
<v Speaker 2>I said, no gifts, thank you.

0:01:33.640 --> 0:01:36.360
<v Speaker 3>You feel like that woman was dead or I appeared

0:01:36.400 --> 0:01:39.400
<v Speaker 3>that she was just a hallucination conjured by the bad coffee.

0:01:39.480 --> 0:01:43.280
<v Speaker 2>I hope it's a hallucination, but I think she's been erased.

0:01:44.120 --> 0:01:45.320
<v Speaker 2>She's been disappeared.

0:01:45.640 --> 0:01:48.840
<v Speaker 3>Yeah, unmade. But you know, can I just paint a

0:01:48.840 --> 0:01:52.320
<v Speaker 3>picture for your listeners because you can't hear this through

0:01:52.360 --> 0:01:56.600
<v Speaker 3>the microphone. But Bridger is wearing them very understated and

0:01:56.640 --> 0:02:00.240
<v Speaker 3>beautiful outfit that matches his surroundings perfectly. Where they're this

0:02:00.360 --> 0:02:02.880
<v Speaker 3>kind of like I don't I'm not good at describing colors,

0:02:03.240 --> 0:02:06.560
<v Speaker 3>but it's this kind of like warm magenta shirt and

0:02:06.600 --> 0:02:10.320
<v Speaker 3>then this beautiful green jacket, and then there's these I

0:02:10.360 --> 0:02:12.120
<v Speaker 3>don't know, I guess it's not that rewarding to hear

0:02:12.200 --> 0:02:15.880
<v Speaker 3>someone describe colors over the over the internet, but it's

0:02:16.000 --> 0:02:18.120
<v Speaker 3>very beautiful and I want to appreciate that.

0:02:18.440 --> 0:02:22.160
<v Speaker 2>Yeah, I'm in kind of a brown maroon. And then

0:02:22.400 --> 0:02:24.560
<v Speaker 2>kind of I've thought about the color of this stracket

0:02:24.600 --> 0:02:27.320
<v Speaker 2>before and I thought dark turquoise or is it teal?

0:02:27.680 --> 0:02:30.640
<v Speaker 2>And I kind of landed on pacific. I feel like

0:02:30.680 --> 0:02:35.720
<v Speaker 2>it's the color is pacific. Yeah, because teal? What is teal?

0:02:35.760 --> 0:02:39.400
<v Speaker 2>I always think of a Pontiac grand am when I teal,

0:02:39.480 --> 0:02:41.880
<v Speaker 2>it's like a it's more of a turquoise.

0:02:42.200 --> 0:02:44.519
<v Speaker 3>Yeah, Teal sounds like like the color of a car

0:02:44.560 --> 0:02:47.200
<v Speaker 3>that a father is distant from his children in. Yeah,

0:02:47.720 --> 0:02:51.000
<v Speaker 3>do you feel that you dress in colors that reflect

0:02:51.120 --> 0:02:54.720
<v Speaker 3>your mood or that are aspirational, Like will you dress

0:02:54.720 --> 0:02:56.920
<v Speaker 3>in a better mood than you are in? Or do

0:02:57.000 --> 0:02:58.960
<v Speaker 3>you dress in the mood that you are in? Does

0:02:59.000 --> 0:02:59.480
<v Speaker 3>that make sense?

0:03:00.360 --> 0:03:03.600
<v Speaker 2>That does make sense. If my mood is usually at

0:03:03.600 --> 0:03:06.760
<v Speaker 2>a negative four, to get to a zero with an

0:03:06.800 --> 0:03:11.000
<v Speaker 2>outfit would be incredible. So I guess I uh, it's

0:03:11.080 --> 0:03:13.920
<v Speaker 2>just kind of the four things that are clean in

0:03:13.919 --> 0:03:15.680
<v Speaker 2>my closet and that I haven't worn too recently. I'm

0:03:15.680 --> 0:03:18.720
<v Speaker 2>getting tired of all my clothes. Oh interesting, I mean

0:03:19.600 --> 0:03:23.280
<v Speaker 2>this shirt I've probably owned for fourteen years. Wow, let's wrong.

0:03:23.400 --> 0:03:25.880
<v Speaker 3>Take care of it, I would say somewhat. You know

0:03:26.040 --> 0:03:28.400
<v Speaker 3>Esther Peril. They're like, oh, of course, okay, So I

0:03:28.400 --> 0:03:31.040
<v Speaker 3>have mixed feelings. I think she's brilliant, but I also

0:03:31.160 --> 0:03:34.520
<v Speaker 3>think she's too focused on power. But anyway, but this

0:03:34.560 --> 0:03:37.480
<v Speaker 3>is not a referendum an Esther Perrel. Esther Perrel in

0:03:37.520 --> 0:03:42.480
<v Speaker 3>one of these books, talked about how she talked about

0:03:42.480 --> 0:03:47.720
<v Speaker 3>how people who have affairs aren't having affairs because they're

0:03:47.760 --> 0:03:49.520
<v Speaker 3>sick of their partner. It's that they're sick of the

0:03:49.640 --> 0:03:52.960
<v Speaker 3>version of themselves that they are with their partner. Which

0:03:53.000 --> 0:03:56.640
<v Speaker 3>I thought was interesting. And I don't know when you

0:03:56.640 --> 0:03:58.640
<v Speaker 3>were just saying, like, I'm getting sick of my clothes.

0:03:58.840 --> 0:04:01.520
<v Speaker 3>I feel periodically that I'll have the feeling of like

0:04:01.600 --> 0:04:05.800
<v Speaker 3>wanting to be a different person familiar with and I

0:04:05.840 --> 0:04:08.960
<v Speaker 3>will look to accessories to achieve that transformation.

0:04:09.400 --> 0:04:11.480
<v Speaker 2>And what sort of accessories.

0:04:11.120 --> 0:04:16.040
<v Speaker 3>Candles, scented candles. I'm obsessed with SCENTI candles, different incenses,

0:04:18.000 --> 0:04:21.640
<v Speaker 3>a lot of scent stuff, different throws, quilts. It's a

0:04:21.640 --> 0:04:24.240
<v Speaker 3>lot of kind of like old lady paraphernalia that I'll try.

0:04:24.279 --> 0:04:26.680
<v Speaker 3>I guess that's what I'm trying to transition into. But

0:04:26.800 --> 0:04:30.000
<v Speaker 3>it's such a it's such a slam dungk for capitalism.

0:04:30.080 --> 0:04:33.560
<v Speaker 3>I guess that that that the impulse for personal growth

0:04:34.120 --> 0:04:37.480
<v Speaker 3>immediately off ramps to shopify.

0:04:37.680 --> 0:04:42.960
<v Speaker 2>Yes, so what sort of candles are you getting into?

0:04:43.800 --> 0:04:49.560
<v Speaker 3>I will get DS andderga, I will get oh my god,

0:04:49.800 --> 0:04:52.360
<v Speaker 3>there's this one h perfume. I don't know if you're

0:04:52.360 --> 0:04:55.560
<v Speaker 3>supposed to say perfume A or perfumer. I don't know.

0:04:56.000 --> 0:05:00.400
<v Speaker 3>I'm not French, contrary to popular belief, but U yeah,

0:05:00.440 --> 0:05:03.560
<v Speaker 3>so those I like, I got this incense that smells

0:05:03.600 --> 0:05:06.320
<v Speaker 3>like coffee and chocolate because usually you hear incense and

0:05:06.320 --> 0:05:08.240
<v Speaker 3>you think it smells like a predatory yoga and.

0:05:08.720 --> 0:05:12.240
<v Speaker 2>Of course, of course just a strange perfume smell.

0:05:12.720 --> 0:05:16.960
<v Speaker 3>Yes, yeah, like a kind of peturely with a whiff

0:05:17.000 --> 0:05:21.280
<v Speaker 3>of misogyny in there, and and but but this is

0:05:21.800 --> 0:05:24.719
<v Speaker 3>a coffee one that smells like coffee and chocolate.

0:05:24.760 --> 0:05:27.880
<v Speaker 2>And it's purely chocolate and coffee. Yeah, there's no that's

0:05:27.920 --> 0:05:31.039
<v Speaker 2>not confusing for you. For me, that's setting off a

0:05:31.080 --> 0:05:33.359
<v Speaker 2>lot of hunger bells. That's making me think, why am

0:05:33.400 --> 0:05:35.960
<v Speaker 2>I not eating? Like there's nothing in the oven baking.

0:05:37.640 --> 0:05:40.240
<v Speaker 2>I think I would be baffled. But for you, it works.

0:05:40.400 --> 0:05:42.480
<v Speaker 3>You know, someone told me, like I had a when

0:05:42.520 --> 0:05:44.520
<v Speaker 3>I first got my dog. The trainer who we were

0:05:44.520 --> 0:05:46.919
<v Speaker 3>working with, said, don't get one of those laser pointers

0:05:47.240 --> 0:05:48.760
<v Speaker 3>that you point on the ground and they bat at

0:05:48.839 --> 0:05:51.919
<v Speaker 3>because of exactly what you're describing. It's like this insatiable

0:05:52.400 --> 0:05:54.080
<v Speaker 3>you want to get to the laser, but you can

0:05:54.120 --> 0:05:56.920
<v Speaker 3>never get to the laser if you're the dog. And

0:05:56.960 --> 0:05:58.800
<v Speaker 3>that's basically you're saying. It would be like a laser punter.

0:05:58.800 --> 0:06:00.359
<v Speaker 3>It's like I want to get to that smell, but

0:06:00.400 --> 0:06:03.600
<v Speaker 3>there is no there's no end of the tunnel. There's

0:06:03.800 --> 0:06:08.719
<v Speaker 3>just the constant tease. I think I like enticement maybe

0:06:08.800 --> 0:06:09.960
<v Speaker 3>more than contentment.

0:06:10.040 --> 0:06:12.880
<v Speaker 2>Oh interesting. For you it is the journey, and for

0:06:12.960 --> 0:06:15.440
<v Speaker 2>me it's purely the goal. The goal should be the beginning.

0:06:15.440 --> 0:06:17.320
<v Speaker 2>For me, you want to be sated. I just want

0:06:17.320 --> 0:06:23.719
<v Speaker 2>to be teased into a tizz someone. You know what

0:06:23.760 --> 0:06:25.840
<v Speaker 2>I realized recently. This is gonna make me sound again

0:06:25.920 --> 0:06:28.920
<v Speaker 2>like such an old lady. But I think it's jasmine,

0:06:28.960 --> 0:06:31.760
<v Speaker 2>you know, the smell of jazzure. To me, that is

0:06:31.800 --> 0:06:34.360
<v Speaker 2>like the smell of a crush, where it's like when

0:06:34.360 --> 0:06:36.760
<v Speaker 2>you walk past jasmine, you just want to get closer

0:06:36.800 --> 0:06:39.240
<v Speaker 2>and closer. You want to like get into the center

0:06:39.360 --> 0:06:41.279
<v Speaker 2>of the thing, but you can't. Like what are you

0:06:41.240 --> 0:06:42.960
<v Speaker 2>gonna do, like smash your head into.

0:06:42.800 --> 0:06:45.280
<v Speaker 3>The bush, Like it won't work, and anyway, even if

0:06:45.279 --> 0:06:46.880
<v Speaker 3>you did it, you wouldn't get you there. And that

0:06:46.880 --> 0:06:49.200
<v Speaker 3>feeling of like it's like a I don't know anything

0:06:49.240 --> 0:06:51.600
<v Speaker 3>about math, but I remember from like seventh grade asimp

0:06:51.640 --> 0:06:53.479
<v Speaker 3>toads or whatever, where it's like the line is always

0:06:53.520 --> 0:06:56.520
<v Speaker 3>getting closer and closer and closer. I never can right,

0:06:56.800 --> 0:06:59.799
<v Speaker 3>And I think that's like a crush. That's my coffee, inceign.

0:07:00.480 --> 0:07:05.320
<v Speaker 3>That's the smell of jasmine. It's the unreal unrealizable.

0:07:05.160 --> 0:07:08.960
<v Speaker 2>There right, you just need the carrot dangling non stop, yes,

0:07:09.560 --> 0:07:11.760
<v Speaker 2>just never able to quite munch on it.

0:07:11.920 --> 0:07:12.480
<v Speaker 3>Let's hope.

0:07:14.120 --> 0:07:18.400
<v Speaker 2>I need a hope and I need results. I just

0:07:18.480 --> 0:07:21.360
<v Speaker 2>need a result at the moment I begin or I'm

0:07:21.520 --> 0:07:24.120
<v Speaker 2>giving up. We should go into business together. We cover

0:07:24.160 --> 0:07:27.560
<v Speaker 2>each other's fine combination. Right, let's get us on shark tank. Well,

0:07:27.640 --> 0:07:29.800
<v Speaker 2>we both do our own thing. I think would be

0:07:29.880 --> 0:07:30.760
<v Speaker 2>very successful.

0:07:30.800 --> 0:07:31.600
<v Speaker 3>I think we would do.

0:07:32.160 --> 0:07:34.520
<v Speaker 2>Now, do you like a treat? I mean, like, if

0:07:34.560 --> 0:07:37.120
<v Speaker 2>you were to have a chocolate, would you be happy?

0:07:37.280 --> 0:07:38.840
<v Speaker 2>Or is it you're just fine with the smell?

0:07:39.520 --> 0:07:39.680
<v Speaker 1>No?

0:07:39.720 --> 0:07:42.840
<v Speaker 3>I like it very much. And I used to mainline,

0:07:43.200 --> 0:07:45.920
<v Speaker 3>just go straight up garbage. I used to go to

0:07:46.400 --> 0:07:48.720
<v Speaker 3>I lived in a hell's kitchen, and I would go

0:07:48.760 --> 0:07:50.520
<v Speaker 3>to the deli at two in the morning and I

0:07:50.520 --> 0:07:53.120
<v Speaker 3>would get like those tiny little apple pies wrapped in

0:07:53.160 --> 0:07:53.840
<v Speaker 3>wax paper.

0:07:54.240 --> 0:07:56.720
<v Speaker 2>Oh like the uh what are those called?

0:07:57.600 --> 0:07:58.360
<v Speaker 3>Little something?

0:07:58.440 --> 0:08:00.760
<v Speaker 2>Yeah? Like a little friendly or something.

0:08:00.680 --> 0:08:05.480
<v Speaker 3>Yeah, little friendlies, little compulsions. And I would eat those

0:08:05.520 --> 0:08:06.840
<v Speaker 3>and then I would but I would also order a

0:08:06.920 --> 0:08:11.520
<v Speaker 3>cheese sandwich and sometimes like a sleeve of Pebveriage Farm

0:08:11.760 --> 0:08:14.680
<v Speaker 3>cookies and then what was left of the cheese sandwich

0:08:14.720 --> 0:08:16.880
<v Speaker 3>I would put on top the cheese I would put

0:08:16.920 --> 0:08:20.160
<v Speaker 3>on the pie like some sort of like.

0:08:20.400 --> 0:08:23.800
<v Speaker 2>This is very taxi driver, your simple shepherd and taxi

0:08:23.920 --> 0:08:26.480
<v Speaker 2>driver with the cheddar on the apple pie.

0:08:28.080 --> 0:08:30.280
<v Speaker 3>You calling me simple shepherd and taxi driver is the

0:08:30.320 --> 0:08:31.760
<v Speaker 3>nicest thing anyone's ever said to me.

0:08:32.480 --> 0:08:34.559
<v Speaker 2>That's what That's what I want from someone. I want

0:08:34.559 --> 0:08:36.360
<v Speaker 2>someone to tell me that, and I'm not getting it.

0:08:37.000 --> 0:08:40.640
<v Speaker 3>Bridger me and the your simple.

0:08:42.120 --> 0:08:45.720
<v Speaker 2>Results just as for it, and you got the result

0:08:46.480 --> 0:08:50.199
<v Speaker 2>I mean me asking for is more, Travis Bickle in

0:08:50.240 --> 0:08:54.880
<v Speaker 2>the situation, the desperation, the the need, and uh you

0:08:54.920 --> 0:08:58.040
<v Speaker 2>have this cool You're putting the cheese sandwich over the

0:08:58.080 --> 0:09:01.280
<v Speaker 2>top of a disgusting little apple pie. Good for you.

0:09:01.920 --> 0:09:05.240
<v Speaker 3>Do you feel like you have an inner Travis Bickle?

0:09:05.320 --> 0:09:07.920
<v Speaker 3>Do you feel like there's that like, under the right

0:09:08.000 --> 0:09:12.040
<v Speaker 3>social conditions, you could lose your shit, shave yourself into

0:09:12.040 --> 0:09:14.840
<v Speaker 3>a mohawk, start like practicing with guns in the mirror,

0:09:14.920 --> 0:09:17.120
<v Speaker 3>Like do you think there's a version of you that

0:09:17.360 --> 0:09:17.839
<v Speaker 3>I want to.

0:09:17.800 --> 0:09:22.240
<v Speaker 2>Believe that I have that the possibility of me becoming

0:09:22.280 --> 0:09:26.440
<v Speaker 2>a completely dangerous person. Even a sliver of that would

0:09:26.480 --> 0:09:28.920
<v Speaker 2>be so exciting. I think I have an maybe an

0:09:28.960 --> 0:09:31.959
<v Speaker 2>inner king of comedy where I could kidnap and then,

0:09:32.120 --> 0:09:34.560
<v Speaker 2>you know, try to make a hero my own.

0:09:34.960 --> 0:09:35.920
<v Speaker 3>Who would you kidnap?

0:09:36.040 --> 0:09:38.880
<v Speaker 2>Oh, that's a great question. Who let me think?

0:09:39.120 --> 0:09:39.520
<v Speaker 3>It's hard?

0:09:39.600 --> 0:09:42.679
<v Speaker 2>Right? Yeah? And it feels dangerous.

0:09:42.720 --> 0:09:45.480
<v Speaker 3>I know that you're committing to it. It's it's definitely

0:09:45.600 --> 0:09:48.320
<v Speaker 3>undermining the result. In other words, if you if you

0:09:48.679 --> 0:09:51.160
<v Speaker 3>articulate your desire, you're warning them.

0:09:51.160 --> 0:09:54.200
<v Speaker 2>You're absolutely warning them. And then I mean, but then

0:09:54.200 --> 0:09:56.800
<v Speaker 2>it becomes more of a challenge because now I have

0:09:56.880 --> 0:10:00.480
<v Speaker 2>to They've really told their security this is person to

0:10:00.480 --> 0:10:01.160
<v Speaker 2>watch out for.

0:10:02.360 --> 0:10:04.320
<v Speaker 3>Someone told me this thing, and I have no idea

0:10:04.360 --> 0:10:06.480
<v Speaker 3>if it's true, but that like some guy was stalking

0:10:06.520 --> 0:10:11.760
<v Speaker 3>Steven Spielberg because he thought that Steven Spielberg wanted him

0:10:12.400 --> 0:10:15.199
<v Speaker 3>to make love to him, and they like found him

0:10:15.200 --> 0:10:18.000
<v Speaker 3>with like Jurassic Park shit in his car. And I

0:10:18.000 --> 0:10:19.960
<v Speaker 3>don't know if that's true or not, but I remember

0:10:19.960 --> 0:10:24.000
<v Speaker 3>thinking how utterly terrifying that would be so scary to

0:10:24.040 --> 0:10:26.080
<v Speaker 3>not just have his stocker bit to stalker who thinks

0:10:26.559 --> 0:10:31.800
<v Speaker 3>that you're waiting for them eagerly. Just seems like truly harrowing.

0:10:32.040 --> 0:10:35.400
<v Speaker 2>That reminds me of did you ever hear about David

0:10:35.440 --> 0:10:38.760
<v Speaker 2>Letterman's stalker who was saying that she claimed David Letterman

0:10:38.840 --> 0:10:39.600
<v Speaker 2>was stalking her?

0:10:40.160 --> 0:10:41.559
<v Speaker 3>Oh wow, real?

0:10:41.760 --> 0:10:46.840
<v Speaker 2>I mean a great, nice reverse stalking attempt, which nobody

0:10:46.920 --> 0:10:47.640
<v Speaker 2>saw that coming.

0:10:47.840 --> 0:10:49.200
<v Speaker 3>I'm not stalking you. You're stalking me.

0:10:49.600 --> 0:10:52.280
<v Speaker 2>Stop stalking me. Stop taking me to court.

0:10:53.240 --> 0:10:56.760
<v Speaker 3>Yeah, you're obsessed with me. You won't stop calling the

0:10:56.920 --> 0:10:57.920
<v Speaker 3>police on me.

0:11:00.480 --> 0:11:03.120
<v Speaker 2>Interesting, it's a very smart move. It's shrewd.

0:11:03.440 --> 0:11:06.280
<v Speaker 3>It's really I'm trying to think who I would want. Okay,

0:11:06.320 --> 0:11:09.360
<v Speaker 3>let's do it this way. You can kidnap someone. They're

0:11:09.440 --> 0:11:12.040
<v Speaker 3>dead already. I'm not saying you're gonna kill some but

0:11:12.080 --> 0:11:14.120
<v Speaker 3>I'm saying, so you're safe from incriminating.

0:11:14.440 --> 0:11:17.240
<v Speaker 2>Right, So now a grave robber, So who would you

0:11:17.360 --> 0:11:18.600
<v Speaker 2>they're still a grave would you rob?

0:11:18.760 --> 0:11:20.880
<v Speaker 3>They're in exchange for the life of the woman who

0:11:20.920 --> 0:11:23.320
<v Speaker 3>gave you the orange slice, they are re animated and

0:11:23.400 --> 0:11:25.680
<v Speaker 3>give it directly into your possession.

0:11:25.360 --> 0:11:28.400
<v Speaker 2>Right right? Okay, somebody dead who I would want to

0:11:28.480 --> 0:11:29.800
<v Speaker 2>kidnap and keep in my home.

0:11:30.080 --> 0:11:31.679
<v Speaker 3>That's what we're looking Yes, and I'll try to think

0:11:31.679 --> 0:11:32.120
<v Speaker 3>about it too.

0:11:32.200 --> 0:11:37.440
<v Speaker 2>Okay, I'm going to say, do you know who? Oh?

0:11:38.160 --> 0:11:40.319
<v Speaker 2>I mean, the real problem here is I don't know

0:11:40.360 --> 0:11:44.040
<v Speaker 2>any celebrity notes you can describe, just like I'm so

0:11:44.120 --> 0:11:45.440
<v Speaker 2>bad celebrities me too.

0:11:45.600 --> 0:11:46.280
<v Speaker 3>That's a good thing.

0:11:46.400 --> 0:11:48.720
<v Speaker 2>I panic. I mean, there's a full segment of this

0:11:48.760 --> 0:11:50.800
<v Speaker 2>podcast we do sometimes with celebrities. I'm like, I don't

0:11:50.840 --> 0:11:52.080
<v Speaker 2>know who any of these people are.

0:11:53.000 --> 0:11:55.320
<v Speaker 3>It's a mitzvah, It's a mitzvah.

0:11:56.679 --> 0:12:00.280
<v Speaker 2>Who would you take that as? I'm like, who has died?

0:12:01.040 --> 0:12:03.760
<v Speaker 2>Who are some people who have died in the last

0:12:03.880 --> 0:12:04.680
<v Speaker 2>twenty years?

0:12:04.920 --> 0:12:07.160
<v Speaker 3>David Bowie, David Bowie.

0:12:06.840 --> 0:12:09.880
<v Speaker 2>Prince, But these are so obvious. I would, of course,

0:12:09.880 --> 0:12:11.559
<v Speaker 2>I'd love to have David Bowie around the house.

0:12:11.679 --> 0:12:12.600
<v Speaker 3>Of course, who wouldn't.

0:12:12.640 --> 0:12:15.240
<v Speaker 2>I would take Prince at any point. I mean, the

0:12:15.280 --> 0:12:17.240
<v Speaker 2>things you would get into with Prince, I mean, it

0:12:17.240 --> 0:12:19.959
<v Speaker 2>would be it every day would be a sexual adventure.

0:12:21.160 --> 0:12:25.000
<v Speaker 3>This is true heresy. And I'm ashamed of myself, and

0:12:25.080 --> 0:12:32.280
<v Speaker 3>I don't think I'm right. I don't understand Prince. Oh, okay, well,

0:12:32.360 --> 0:12:35.240
<v Speaker 3>I'm not proud of Zach, but it's true.

0:12:35.760 --> 0:12:37.160
<v Speaker 2>How much of Prince have you listened?

0:12:37.200 --> 0:12:41.559
<v Speaker 3>To I not a ton, okay, but partly because when

0:12:41.600 --> 0:12:46.200
<v Speaker 3>I have I have a frightening feeling of incomprehension.

0:12:46.360 --> 0:12:49.280
<v Speaker 2>Well there's I mean, first of all, there is so much.

0:12:49.800 --> 0:12:52.920
<v Speaker 2>I mean, he was producing music from the seventies until

0:12:53.640 --> 0:12:56.880
<v Speaker 2>eight years ago, and once we get into the nineties

0:12:56.920 --> 0:12:59.360
<v Speaker 2>and thousands, it gets a lot spottier. So there's some

0:12:59.600 --> 0:13:02.400
<v Speaker 2>I think it's hard. It's hard to penetrate his catalog.

0:13:03.080 --> 0:13:04.760
<v Speaker 2>But what what sort of music do you listen to?

0:13:04.880 --> 0:13:07.319
<v Speaker 3>I like that song he did about one two Princes

0:13:07.360 --> 0:13:09.840
<v Speaker 3>will destroy You, That's what I said.

0:13:09.920 --> 0:13:10.480
<v Speaker 2>I don't know this.

0:13:10.520 --> 0:13:12.640
<v Speaker 3>It's a sort of biographical. I think, what is that.

0:13:14.720 --> 0:13:14.960
<v Speaker 2>About?

0:13:14.960 --> 0:13:16.839
<v Speaker 3>It's about a rich guy and then there's a poor

0:13:16.880 --> 0:13:18.920
<v Speaker 3>guy and they're both fighting for the love of the

0:13:18.960 --> 0:13:19.520
<v Speaker 3>same woman.

0:13:20.080 --> 0:13:23.840
<v Speaker 2>Wait, what is I have no idea. What talk about one?

0:13:23.920 --> 0:13:26.000
<v Speaker 3>Two Princes will destroy You?

0:13:26.160 --> 0:13:28.520
<v Speaker 2>He's singing the spin Doctors, and I was thinking about

0:13:28.520 --> 0:13:29.720
<v Speaker 2>the spin Doctors this morning.

0:13:29.800 --> 0:13:31.679
<v Speaker 3>But I assume that that was gooes written by Prince.

0:13:32.120 --> 0:13:34.400
<v Speaker 2>Of course, it's about you know, he was kind of

0:13:34.400 --> 0:13:36.839
<v Speaker 2>a ghostwriter. It was that true. Yeah, he wrote a

0:13:36.880 --> 0:13:38.560
<v Speaker 2>lot of songs that he would just give to friends

0:13:39.000 --> 0:13:42.040
<v Speaker 2>under a different like a name like Christopher Smith or something.

0:13:41.840 --> 0:13:43.000
<v Speaker 3>Under the name Paul Simon.

0:13:44.120 --> 0:13:46.280
<v Speaker 2>But he wrote all Graceland.

0:13:47.400 --> 0:13:52.520
<v Speaker 3>Amazing. I uh, I remember hearing that Bruce Springsteen wrote

0:13:52.679 --> 0:13:54.920
<v Speaker 3>Hungry Heart for the Ramones, which I don't know if

0:13:54.920 --> 0:13:55.320
<v Speaker 3>that's true.

0:13:55.320 --> 0:13:57.720
<v Speaker 2>I leave that for one second. I like to tell

0:13:57.840 --> 0:14:00.679
<v Speaker 2>why do you know what you need to do? The

0:14:00.760 --> 0:14:03.640
<v Speaker 2>album that got me into Prince was Dirty Mind. It's

0:14:03.679 --> 0:14:07.560
<v Speaker 2>like it's a little bit more, it's more bare bones,

0:14:07.800 --> 0:14:11.120
<v Speaker 2>sounds a bit fresh. It's to be honest, sounds really fresh.

0:14:11.160 --> 0:14:15.600
<v Speaker 2>It's Prince getting fresh for once in his life. The

0:14:15.600 --> 0:14:18.280
<v Speaker 2>song when You Were Mine is one of the all

0:14:18.280 --> 0:14:20.800
<v Speaker 2>time great songs. Listen to that one. That's the one

0:14:20.800 --> 0:14:22.600
<v Speaker 2>that'll get you into it. It'll break your heart.

0:14:23.800 --> 0:14:26.040
<v Speaker 3>It sounds like he might have taken that from Bruno Mars.

0:14:26.080 --> 0:14:30.239
<v Speaker 3>I should have brought you followers. So if he's plagiarizing

0:14:30.240 --> 0:14:31.920
<v Speaker 3>Bruno Mars, I don't want to support that.

0:14:32.080 --> 0:14:36.520
<v Speaker 2>Well who I mean the significance of Bruno Mars on music.

0:14:36.680 --> 0:14:39.600
<v Speaker 2>I mean, the impact he's had on artists from in

0:14:39.720 --> 0:14:41.320
<v Speaker 2>every genre cannot.

0:14:41.040 --> 0:14:45.200
<v Speaker 3>Be the Miles Davis of music. I've always said that about.

0:14:46.480 --> 0:14:49.440
<v Speaker 2>I've always you know, Bruno Mars from I mean I

0:14:49.440 --> 0:14:53.000
<v Speaker 2>think he's impacted me in other ways too, just in

0:14:53.080 --> 0:14:53.800
<v Speaker 2>daily life.

0:14:54.360 --> 0:14:58.280
<v Speaker 3>Spiritually, he's a very I mean, there are people who

0:14:58.920 --> 0:15:02.480
<v Speaker 3>seem and I'm I'm sure this isn't true, because he's

0:15:02.520 --> 0:15:04.800
<v Speaker 3>a person just like everyone else. There are people who

0:15:04.840 --> 0:15:10.400
<v Speaker 3>seem so like luminously untroubled in their public persona, where

0:15:10.440 --> 0:15:17.640
<v Speaker 3>they just seem healthy, happy together, you know, and and

0:15:17.840 --> 0:15:22.160
<v Speaker 3>they don't wreak of that kind of sociopathic ambition even

0:15:22.200 --> 0:15:26.520
<v Speaker 3>though they've somehow created empires for themselves, right. And I

0:15:26.560 --> 0:15:28.720
<v Speaker 3>guess I think I'm not that familiar with Bruno Mars,

0:15:28.760 --> 0:15:31.200
<v Speaker 3>but in my head he sort of falls into that category.

0:15:31.320 --> 0:15:33.960
<v Speaker 2>I've never heard a Bruno Mars song from beginning to end,

0:15:34.760 --> 0:15:35.680
<v Speaker 2>not once.

0:15:35.960 --> 0:15:37.760
<v Speaker 3>Because you were crying so hard by the middle.

0:15:38.800 --> 0:15:43.200
<v Speaker 2>I'm sobbing him on the floor. Turn off. I can't

0:15:43.240 --> 0:15:46.680
<v Speaker 2>listen to another minute of what I should have brought you,

0:15:46.760 --> 0:15:48.320
<v Speaker 2>I should have bought you, I should have bought you

0:15:48.320 --> 0:15:53.680
<v Speaker 2>flowers or brought brought well. I mean it either way works.

0:15:53.680 --> 0:15:55.479
<v Speaker 2>It's a really annoying one.

0:15:56.720 --> 0:15:59.040
<v Speaker 3>I think that I literally only know that one Bruno

0:15:59.120 --> 0:16:00.320
<v Speaker 3>Mars song at least.

0:16:00.320 --> 0:16:02.320
<v Speaker 2>What's the really annoying one?

0:16:02.560 --> 0:16:03.840
<v Speaker 3>Oh my gosh, A lot.

0:16:05.440 --> 0:16:09.120
<v Speaker 2>Just the way you are. Oh, there's one that's more

0:16:09.120 --> 0:16:11.560
<v Speaker 2>of a vagacy number, kind.

0:16:11.360 --> 0:16:14.880
<v Speaker 3>Of a locked out of heaven ay magic.

0:16:15.000 --> 0:16:16.840
<v Speaker 2>I actually do like, how have we not gotten to

0:16:16.920 --> 0:16:19.520
<v Speaker 2>the one I know? Ooh now?

0:16:19.560 --> 0:16:20.560
<v Speaker 3>And I'm just looking at all these.

0:16:20.480 --> 0:16:24.240
<v Speaker 2>Other uptown funk. Uptown Funk Funk is the one that

0:16:24.280 --> 0:16:27.600
<v Speaker 2>I'm thinking about. An uptown funk, of course, is the

0:16:27.600 --> 0:16:32.000
<v Speaker 2>one that's impacted generations. Not many people bought the single,

0:16:32.120 --> 0:16:34.080
<v Speaker 2>but the ones that did every What they say is

0:16:34.080 --> 0:16:39.440
<v Speaker 2>everyone who bought that single became a band that influential.

0:16:39.600 --> 0:16:45.920
<v Speaker 2>I believe that they said that about Bruno Mars.

0:16:44.880 --> 0:16:48.880
<v Speaker 3>Now, okay, so David Bowie Prince, those are people who

0:16:48.920 --> 0:16:52.840
<v Speaker 3>but like, in terms of deep cuts, reanimated celebrities that

0:16:52.840 --> 0:16:54.040
<v Speaker 3>you would like to possess.

0:16:54.320 --> 0:16:57.760
<v Speaker 2>Re animated celebrities, Okay, I have to think of one

0:16:57.880 --> 0:17:00.960
<v Speaker 2>celebrity there simply must be Actually I can think of.

0:17:01.400 --> 0:17:03.480
<v Speaker 2>I put a celebrity that is alive that I wouldn't

0:17:03.480 --> 0:17:06.560
<v Speaker 2>mind bringing home. Dian Waste.

0:17:06.720 --> 0:17:08.879
<v Speaker 3>Oh wow, what a good choice.

0:17:08.960 --> 0:17:10.800
<v Speaker 2>I would love to have her around the house.

0:17:11.160 --> 0:17:14.000
<v Speaker 3>Yes, because I feel that like she would be a

0:17:14.040 --> 0:17:18.600
<v Speaker 3>good barrier between despair and arrogance. In other words, if

0:17:18.600 --> 0:17:21.200
<v Speaker 3>you got too low, Diane, Weast would intervene. And if

0:17:21.200 --> 0:17:23.879
<v Speaker 3>you got too high, Diane, she would cut you down,

0:17:24.000 --> 0:17:25.720
<v Speaker 3>but not in a way like she would be like

0:17:25.760 --> 0:17:30.000
<v Speaker 3>a trimming she'd trim your tree. She wouldn't lumberjack, you know,

0:17:30.200 --> 0:17:30.680
<v Speaker 3>she wouldn't.

0:17:31.000 --> 0:17:33.080
<v Speaker 2>Yeah, it would feel healthy, and it'd be like, Okay,

0:17:33.080 --> 0:17:35.919
<v Speaker 2>I'm going to I'm going to be the same person,

0:17:35.960 --> 0:17:38.960
<v Speaker 2>but better. Right, she's at an age that you could

0:17:38.960 --> 0:17:41.960
<v Speaker 2>probably you know, help her out. You would feel like

0:17:41.960 --> 0:17:42.880
<v Speaker 2>you were helping each other.

0:17:43.640 --> 0:17:45.720
<v Speaker 3>I once when I first I'm bringing my dog up

0:17:45.760 --> 0:17:48.280
<v Speaker 3>a lot. When I first got my dog, I was

0:17:48.280 --> 0:17:52.840
<v Speaker 3>talking to my therapist about it, about getting him my dog,

0:17:53.240 --> 0:17:55.159
<v Speaker 3>and I said, well, you know, they want us to

0:17:55.200 --> 0:17:57.600
<v Speaker 3>foster him first, but who are we kidding? But I

0:17:57.640 --> 0:17:59.840
<v Speaker 3>don't know, you know, it's like I'm going to keep him.

0:17:59.840 --> 0:18:01.439
<v Speaker 3>There no way I'm going to give him back, but

0:18:01.520 --> 0:18:04.040
<v Speaker 3>they want us to foster. And she looked at me

0:18:04.080 --> 0:18:07.760
<v Speaker 3>in the eyes and she went, everything's a foster. And

0:18:07.840 --> 0:18:11.119
<v Speaker 3>I was like, wow, that's right, Like you don't get

0:18:11.160 --> 0:18:14.680
<v Speaker 3>to keep playing. And I feel like that's like something

0:18:14.680 --> 0:18:16.960
<v Speaker 3>I can easily imagine coming out of Diane West's mouth.

0:18:17.840 --> 0:18:20.399
<v Speaker 2>You know what I meant kind of a whisper.

0:18:20.560 --> 0:18:23.680
<v Speaker 3>Yeah, and everything's a foster. Everything's a foster.

0:18:23.960 --> 0:18:24.920
<v Speaker 2>I love her voice.

0:18:25.000 --> 0:18:28.040
<v Speaker 3>She's beautiful in every way that a person can be beautiful.

0:18:28.359 --> 0:18:32.200
<v Speaker 2>Did we ever get to you with a celebrity?

0:18:34.400 --> 0:18:36.960
<v Speaker 3>Weirdly, the first one that came to my head and

0:18:37.000 --> 0:18:39.280
<v Speaker 3>I wouldn't want to possess her, but I would want

0:18:39.320 --> 0:18:41.199
<v Speaker 3>her company is Olympia Ducacus.

0:18:41.480 --> 0:18:44.399
<v Speaker 2>Oh fantastic, right, excellent, joy.

0:18:44.480 --> 0:18:47.320
<v Speaker 3>Yeah. I just rewatched Moonstruck and I was like, that

0:18:47.520 --> 0:18:53.720
<v Speaker 3>woman is incredible, irresistible. So that's one. I think another

0:18:53.800 --> 0:19:00.000
<v Speaker 3>one would be I'm trying to think, oh fuck, oh fuck,

0:19:00.280 --> 0:19:01.080
<v Speaker 3>oh fuck.

0:19:01.840 --> 0:19:06.040
<v Speaker 2>It's hard. Anytime you're asked to recall information, the brain

0:19:06.080 --> 0:19:09.280
<v Speaker 2>shuts down. I don't know why that is. Jimmy Carter,

0:19:09.480 --> 0:19:12.840
<v Speaker 2>Jimmy Carter, I love Jimmy Carter, Sweet Jimmy.

0:19:12.520 --> 0:19:13.600
<v Speaker 3>Carter, good man.

0:19:15.080 --> 0:19:18.359
<v Speaker 2>Wow. Well, as much as I mean, we're clearly making

0:19:18.440 --> 0:19:21.840
<v Speaker 2>excellent conversation out of just trying to think of a person.

0:19:22.800 --> 0:19:25.560
<v Speaker 2>You and I can't recall a person. I mean, I'm

0:19:26.160 --> 0:19:29.560
<v Speaker 2>me especially, It's just I barely know the two names

0:19:29.560 --> 0:19:31.639
<v Speaker 2>of the people present with me right now. I'm just

0:19:31.800 --> 0:19:35.000
<v Speaker 2>blanking on everything. So we're gonna move on from the

0:19:35.040 --> 0:19:36.960
<v Speaker 2>subject because there's something more important I need to talk

0:19:37.000 --> 0:19:40.399
<v Speaker 2>to you about. Jeez, I look, I was happy to

0:19:40.440 --> 0:19:42.720
<v Speaker 2>have you on the podcast. Yeah, I was excited. I'll

0:19:42.720 --> 0:19:46.600
<v Speaker 2>say I was excited. Zac's wonderful. There's no chance anything

0:19:46.680 --> 0:19:51.040
<v Speaker 2>could possibly go wrong. And so you know, I've been

0:19:51.040 --> 0:19:54.040
<v Speaker 2>doing this podcast for a while. Most episodes go okay.

0:19:54.880 --> 0:19:59.120
<v Speaker 2>So I was a little surprised the podcast is called

0:19:59.119 --> 0:20:02.040
<v Speaker 2>I said, no gifts, right, it's a little I don't

0:20:02.119 --> 0:20:03.399
<v Speaker 2>I don't even know that. I'd say I was a

0:20:03.440 --> 0:20:05.399
<v Speaker 2>little surprised. I would say I was floored. I was

0:20:05.440 --> 0:20:10.760
<v Speaker 2>shocked when you came trotting into my backyard holding this gorgeous,

0:20:11.680 --> 0:20:16.679
<v Speaker 2>shimmering pink bag, which and I don't want to I

0:20:16.680 --> 0:20:20.040
<v Speaker 2>don't want to assume, but I'm going to what it's

0:20:20.040 --> 0:20:20.520
<v Speaker 2>a gift for.

0:20:20.520 --> 0:20:25.560
<v Speaker 3>Me, that's right. Thank you for describing my walk as

0:20:25.560 --> 0:20:28.600
<v Speaker 3>a trot. Very few people understand my sort of a

0:20:28.720 --> 0:20:31.639
<v Speaker 3>questrian elegance and the way that you obviously do. Thank you.

0:20:31.720 --> 0:20:34.440
<v Speaker 3>I think of myself as a dressage horse first and foremost,

0:20:35.000 --> 0:20:40.000
<v Speaker 3>and then secondly, I can't help it. I want to

0:20:40.160 --> 0:20:44.040
<v Speaker 3>ruffle people's hair. I want to just I don't want

0:20:44.080 --> 0:20:47.479
<v Speaker 3>to violate their boundaries, but I want to, you know,

0:20:47.800 --> 0:20:51.960
<v Speaker 3>challenge the status quo. I'm lawless like that viture.

0:20:52.400 --> 0:20:54.840
<v Speaker 2>Okay, yeah, the ruffling the hair. It's kind of an

0:20:54.920 --> 0:20:55.760
<v Speaker 2>uncle ergry.

0:20:56.640 --> 0:20:58.960
<v Speaker 3>Can I tell you I was once on a train

0:21:00.200 --> 0:21:02.679
<v Speaker 3>like this is maybe not this is pretty tangential. I

0:21:02.680 --> 0:21:04.760
<v Speaker 3>was once on a train and a man. This is

0:21:05.240 --> 0:21:08.359
<v Speaker 3>in my younger days. A man came up to me

0:21:08.480 --> 0:21:11.680
<v Speaker 3>and I'm like ninety five percent sure he was flirting,

0:21:11.880 --> 0:21:18.440
<v Speaker 3>and I was so flattered, and I'm straight, but this

0:21:18.480 --> 0:21:21.879
<v Speaker 3>guy was so charming. And at one point I was

0:21:21.880 --> 0:21:25.520
<v Speaker 3>wearing a tie, and when he was getting off the train,

0:21:25.600 --> 0:21:28.960
<v Speaker 3>he did this thing where he reached out and sort

0:21:28.960 --> 0:21:31.919
<v Speaker 3>of tugged on my tie a little bit, oh, not

0:21:32.040 --> 0:21:34.320
<v Speaker 3>a lot, just like it was sort of like half

0:21:34.359 --> 0:21:37.120
<v Speaker 3>straightening it, half giving it, like a little tug right.

0:21:37.160 --> 0:21:40.920
<v Speaker 3>And I remember thinking, if I wasn't straight, I would

0:21:40.920 --> 0:21:43.399
<v Speaker 3>be falling into your arms.

0:21:43.480 --> 0:21:46.720
<v Speaker 2>It was so the most erotic thing a person could

0:21:46.800 --> 0:21:47.480
<v Speaker 2>possibly do.

0:21:47.720 --> 0:21:51.560
<v Speaker 3>It was amazing. It was like carrying assertive. It like

0:21:51.600 --> 0:21:55.399
<v Speaker 3>sort of trans It crossed the boundary of strangers and

0:21:55.440 --> 0:21:58.280
<v Speaker 3>physical distance. But it wasn't scary. I was just like

0:21:58.359 --> 0:21:58.880
<v Speaker 3>you are a.

0:21:59.200 --> 0:22:03.000
<v Speaker 2>Master the amount of yeah, that little bit of caring

0:22:03.040 --> 0:22:06.440
<v Speaker 2>and just wanting you to be better. Yes, yes, also

0:22:06.560 --> 0:22:08.800
<v Speaker 2>like clearly being like, oh this guy looks good, but

0:22:08.840 --> 0:22:09.800
<v Speaker 2>he could look better.

0:22:09.960 --> 0:22:13.639
<v Speaker 3>Yes, And I'm gonna like give it a little I

0:22:13.680 --> 0:22:15.080
<v Speaker 3>don't know I was like that.

0:22:15.200 --> 0:22:17.679
<v Speaker 2>I mean, I'm lightheaded thinking about it. I get it,

0:22:17.800 --> 0:22:19.800
<v Speaker 2>mean too, I wonder how often he's doing that. I mean,

0:22:19.960 --> 0:22:21.520
<v Speaker 2>he's probably imprisoned by now.

0:22:21.640 --> 0:22:23.680
<v Speaker 3>Yeah, he strangled someone with their own tie.

0:22:25.240 --> 0:22:27.600
<v Speaker 2>I think about that a lot, Like being in public.

0:22:27.680 --> 0:22:29.280
<v Speaker 2>I'm like, I wonder if I could just ask a

0:22:29.280 --> 0:22:32.479
<v Speaker 2>stranger because they have no bias, and just be like,

0:22:32.840 --> 0:22:34.440
<v Speaker 2>what do you think of my outfit? You can say

0:22:34.440 --> 0:22:36.800
<v Speaker 2>whatever you want because you're not getting that from one

0:22:36.920 --> 0:22:38.639
<v Speaker 2>else in your life. No one else is going to

0:22:38.720 --> 0:22:40.480
<v Speaker 2>give you the cold truth. But if I walk up

0:22:40.520 --> 0:22:42.640
<v Speaker 2>to somebody in the grocery store and just say rate

0:22:42.760 --> 0:22:45.280
<v Speaker 2>me from A to F, I'm going to get the truth.

0:22:46.359 --> 0:22:49.240
<v Speaker 3>I do tend to think, and this might just be

0:22:49.320 --> 0:22:53.400
<v Speaker 3>my own bias or a sort of projected lonesomeness or something.

0:22:54.160 --> 0:22:58.840
<v Speaker 3>I generally think people want to connect and that the

0:22:59.080 --> 0:23:02.520
<v Speaker 3>barrier to that is safety. It's feeling like this person's

0:23:02.520 --> 0:23:04.760
<v Speaker 3>going to hurt me. They're going to either take advantage

0:23:04.760 --> 0:23:06.359
<v Speaker 3>of me, or they're going to hurt my body, or

0:23:06.400 --> 0:23:08.800
<v Speaker 3>they're going to do something. But if you present as

0:23:08.800 --> 0:23:13.440
<v Speaker 3>someone who is not out to cause harm, I think

0:23:13.520 --> 0:23:16.720
<v Speaker 3>people might really take you up on the opportunity to

0:23:16.760 --> 0:23:17.800
<v Speaker 3>have a frank conversation.

0:23:17.920 --> 0:23:18.800
<v Speaker 2>It's worth trying.

0:23:19.200 --> 0:23:20.040
<v Speaker 3>Maybe try it.

0:23:21.119 --> 0:23:23.800
<v Speaker 2>And people love giving their opinions. Yes, that's right. It's

0:23:23.800 --> 0:23:26.200
<v Speaker 2>like asking. It's a miniature survey and their the stakes

0:23:26.240 --> 0:23:27.960
<v Speaker 2>are so low for them. Yes.

0:23:28.760 --> 0:23:30.560
<v Speaker 3>And I also think if it's like if it's like

0:23:31.320 --> 0:23:35.040
<v Speaker 3>I like your clothes, although they might create an expectation

0:23:35.080 --> 0:23:37.320
<v Speaker 3>of reciprocity in a way that's not really that's true.

0:23:37.600 --> 0:23:38.840
<v Speaker 2>Yeah, And I don't want to, I don't need to.

0:23:39.080 --> 0:23:41.119
<v Speaker 3>Just got to be like, I need your opinion.

0:23:40.880 --> 0:23:42.359
<v Speaker 2>And I'm going to walk away. I'm not going to

0:23:42.400 --> 0:23:43.240
<v Speaker 2>say a thing to you.

0:23:43.400 --> 0:23:43.880
<v Speaker 3>That's right.

0:23:44.400 --> 0:23:46.040
<v Speaker 2>It's going to be a cold interaction. But you are

0:23:46.080 --> 0:23:49.160
<v Speaker 2>going to help me, that's nice. I've thought about that,

0:23:49.320 --> 0:23:52.320
<v Speaker 2>and I think a genuinely good service would be a

0:23:52.359 --> 0:23:53.959
<v Speaker 2>person who comes to your home and tells you if

0:23:53.960 --> 0:23:56.520
<v Speaker 2>it smells or not, Oh that's or get your car,

0:23:56.920 --> 0:23:58.840
<v Speaker 2>because you know, when you live in a house, or

0:23:58.840 --> 0:24:00.520
<v Speaker 2>you're in your car. You're used to these things and

0:24:00.640 --> 0:24:03.800
<v Speaker 2>you don't know if it smells bad. But for somebody

0:24:03.840 --> 0:24:06.560
<v Speaker 2>to come over, I give them fifty dollars and they

0:24:06.560 --> 0:24:11.280
<v Speaker 2>say this place smells horrible, right, or like determines what

0:24:11.320 --> 0:24:13.480
<v Speaker 2>the smell is. What a great service that would be.

0:24:13.840 --> 0:24:16.080
<v Speaker 3>That's a really good idea. I think sometimes if you've

0:24:16.119 --> 0:24:17.920
<v Speaker 3>been away from your house for a few weeks and

0:24:17.960 --> 0:24:20.399
<v Speaker 3>then you come back and you're like, oh, interesting, this

0:24:20.480 --> 0:24:22.960
<v Speaker 3>is the experience of a stranger walking into my house.

0:24:23.200 --> 0:24:24.720
<v Speaker 2>Yeah, and sometimes that can be bad.

0:24:25.680 --> 0:24:29.240
<v Speaker 3>Yeah, it's startling, it is, it's.

0:24:29.160 --> 0:24:33.840
<v Speaker 2>Start familiar, becomes slightly off, but it's like because the

0:24:33.880 --> 0:24:36.080
<v Speaker 2>sense memory is there.

0:24:36.840 --> 0:24:39.200
<v Speaker 3>Right, it's uncanny valley. Have you ever seen one of

0:24:39.240 --> 0:24:41.880
<v Speaker 3>those mirrors that reverses the You know, when you look

0:24:41.920 --> 0:24:43.600
<v Speaker 3>at a mirror, you're seeing the reverse image, but there

0:24:43.600 --> 0:24:46.199
<v Speaker 3>are certain mirrors that then reflect the image back, so

0:24:46.240 --> 0:24:48.040
<v Speaker 3>you're seeing yourself as others see you.

0:24:48.080 --> 0:24:49.680
<v Speaker 2>Have you ever looked at the mirror?

0:24:50.200 --> 0:24:50.640
<v Speaker 3>Yeah?

0:24:50.720 --> 0:24:53.320
<v Speaker 2>How does that How that feels like it's defying physics?

0:24:53.400 --> 0:24:56.040
<v Speaker 3>I think it's a It like reflects the image off

0:24:56.040 --> 0:24:59.120
<v Speaker 3>of several different planes to arrive back at.

0:25:00.000 --> 0:25:04.000
<v Speaker 2>I mean, but when you do see yourself, what is

0:25:04.040 --> 0:25:06.240
<v Speaker 2>that the other flipped around?

0:25:06.400 --> 0:25:10.080
<v Speaker 3>Yeah, terrifying, it's a little I used to talk to

0:25:10.240 --> 0:25:12.000
<v Speaker 3>an X of mine and say, I think the scariest

0:25:12.000 --> 0:25:14.120
<v Speaker 3>thing would be to wake up next to you and

0:25:14.160 --> 0:25:16.239
<v Speaker 3>not find a different person there, but to find you

0:25:16.280 --> 0:25:19.560
<v Speaker 3>but your eyes are slightly further apart, or like your

0:25:19.640 --> 0:25:23.280
<v Speaker 3>nose is like half an inch longer, or like just you,

0:25:23.320 --> 0:25:28.320
<v Speaker 3>but plus some undeniable thing that can't be accounted for.

0:25:28.720 --> 0:25:30.920
<v Speaker 3>That to me just seems like a nightmare.

0:25:31.680 --> 0:25:33.800
<v Speaker 2>Yeah, because there's nothing you can do about it, and

0:25:33.840 --> 0:25:35.720
<v Speaker 2>then you're thinking about it constantly, and you have the

0:25:35.760 --> 0:25:39.920
<v Speaker 2>memory of the old you, and it's an impostor you're

0:25:39.960 --> 0:25:41.159
<v Speaker 2>now living with an impostor.

0:25:41.200 --> 0:25:43.520
<v Speaker 3>I guess. So I think my friend's making a TV

0:25:43.560 --> 0:25:44.600
<v Speaker 3>show about this very thing.

0:25:44.880 --> 0:25:45.600
<v Speaker 2>No, you're kidding.

0:25:45.800 --> 0:25:48.480
<v Speaker 3>No, Yeah, I think he has. But it's a very

0:25:48.520 --> 0:25:50.600
<v Speaker 3>scary thought, very very scary.

0:25:50.680 --> 0:25:52.000
<v Speaker 2>Yeah, because the trust is broken.

0:25:52.880 --> 0:25:54.720
<v Speaker 3>I remember when I was in summer camp as a

0:25:54.720 --> 0:25:57.359
<v Speaker 3>little kid, someone said to me, what if what I

0:25:57.520 --> 0:26:02.359
<v Speaker 3>see when I say green is what you your green

0:26:02.440 --> 0:26:04.879
<v Speaker 3>is my red? But language prevents us from and it

0:26:04.920 --> 0:26:07.840
<v Speaker 3>threw me into a depression. I remember walking around day

0:26:07.840 --> 0:26:11.680
<v Speaker 3>camp at the Lawrenceville School, Like in between swim classes,

0:26:11.720 --> 0:26:13.320
<v Speaker 3>I was like a little character from a Woody Allen

0:26:13.359 --> 0:26:16.480
<v Speaker 3>movie or something, just being like, oh fuck, Like language

0:26:16.920 --> 0:26:21.040
<v Speaker 3>is like we're all siloed in our own language prisons.

0:26:21.160 --> 0:26:23.280
<v Speaker 2>I think the thing that kids go through, because I

0:26:23.280 --> 0:26:26.200
<v Speaker 2>remember going through this being like, oh what if I mean,

0:26:26.240 --> 0:26:30.239
<v Speaker 2>we just cannot express to another person what my reality is?

0:26:30.280 --> 0:26:32.280
<v Speaker 2>What if we think it's the same thing? And then

0:26:32.400 --> 0:26:34.879
<v Speaker 2>I mean that just explodes everything in your world?

0:26:35.160 --> 0:26:36.960
<v Speaker 3>What do you think? This is where I feel like

0:26:37.000 --> 0:26:40.280
<v Speaker 3>the most sure fire away I know, to tunnel under

0:26:40.440 --> 0:26:44.480
<v Speaker 3>all of the barriers. I think is like often the

0:26:44.560 --> 0:26:46.800
<v Speaker 3>night time pretentious, but I really do feel this way

0:26:46.920 --> 0:26:52.359
<v Speaker 3>is like art physical touch, and then like certain kind

0:26:52.400 --> 0:26:56.080
<v Speaker 3>of conversations that aren't necessarily even about what you're saying explicitly,

0:26:56.080 --> 0:26:58.159
<v Speaker 3>but as much as the sort of energetic loop that

0:26:58.240 --> 0:27:00.840
<v Speaker 3>exists between the two of you, Like I feel like

0:27:00.880 --> 0:27:03.720
<v Speaker 3>there's so few ways to be able to like get

0:27:03.800 --> 0:27:07.560
<v Speaker 3>through all the shrubbery to the other person, like for you,

0:27:07.680 --> 0:27:09.040
<v Speaker 3>like for me. So I think a lot of my

0:27:09.080 --> 0:27:12.120
<v Speaker 3>most intimate experiences have been in audiences.

0:27:11.800 --> 0:27:13.880
<v Speaker 2>Or or making an audience memory.

0:27:14.000 --> 0:27:16.600
<v Speaker 3>Yeah because it's yeah, because I feel so close to

0:27:16.640 --> 0:27:19.280
<v Speaker 3>these people I've never even met before, but I feel

0:27:19.320 --> 0:27:24.480
<v Speaker 3>so profoundly understood and understanding of right or or sometimes

0:27:24.480 --> 0:27:26.720
<v Speaker 3>if I make something too then I can feel that

0:27:26.760 --> 0:27:29.440
<v Speaker 3>same thing if I feel like I've adequately expressed some

0:27:29.640 --> 0:27:30.720
<v Speaker 3>inexpressible thing.

0:27:31.160 --> 0:27:33.080
<v Speaker 2>Do you feel like for you, like, where do you

0:27:33.119 --> 0:27:33.560
<v Speaker 2>feel like.

0:27:33.520 --> 0:27:37.200
<v Speaker 3>The kind of where does the Berlin Wall fall down

0:27:37.240 --> 0:27:38.040
<v Speaker 3>in your life?

0:27:38.240 --> 0:27:40.720
<v Speaker 2>Where things where it feels like I'm purely communicating with

0:27:40.760 --> 0:27:41.439
<v Speaker 2>another person.

0:27:42.000 --> 0:27:45.240
<v Speaker 3>Yeah, we're that language barrier even when you're speaking the

0:27:45.280 --> 0:27:48.080
<v Speaker 3>same language dissipates a little bit and you feel like, oh,

0:27:48.119 --> 0:27:50.119
<v Speaker 3>I know this person, this person knows me.

0:27:50.520 --> 0:27:54.000
<v Speaker 2>I think it's when one is when I don't like

0:27:54.119 --> 0:27:57.920
<v Speaker 2>the taste of something and they also don't I basically

0:27:58.000 --> 0:28:03.960
<v Speaker 2>I'm always looking. I'm always looking for people to basically

0:28:04.040 --> 0:28:06.560
<v Speaker 2>when somebody else doesn't like the same thing as me, yes,

0:28:06.680 --> 0:28:09.080
<v Speaker 2>that's when I'm especially when it's I mean, this happens

0:28:09.119 --> 0:28:11.919
<v Speaker 2>a lot recently actually, because there's so much on the internet.

0:28:11.920 --> 0:28:14.560
<v Speaker 2>There's so much hype about everything and everything is the

0:28:14.600 --> 0:28:17.320
<v Speaker 2>second coming of whatever, And then you go and experience

0:28:17.359 --> 0:28:19.800
<v Speaker 2>and you're like, oh am I an alien? I don't

0:28:20.040 --> 0:28:21.920
<v Speaker 2>I did not have and then you meet a friend

0:28:21.960 --> 0:28:24.399
<v Speaker 2>and you quietly talk about it and you have the

0:28:24.440 --> 0:28:27.800
<v Speaker 2>same It's like, oh my god, so okay, I feel you.

0:28:28.000 --> 0:28:31.919
<v Speaker 2>I like you. At least our reality exists, even if

0:28:31.960 --> 0:28:36.800
<v Speaker 2>the huge one doesn't fit for us. It's true.

0:28:36.840 --> 0:28:39.400
<v Speaker 3>It's such a relief because it can feel so isolating

0:28:39.880 --> 0:28:42.280
<v Speaker 3>to be on the outside of a consensus that can

0:28:42.320 --> 0:28:42.840
<v Speaker 3>feel so.

0:28:43.000 --> 0:28:45.280
<v Speaker 2>Weird, full alien, especially.

0:28:44.960 --> 0:28:47.720
<v Speaker 3>Among people who you love and respect and they're all

0:28:47.760 --> 0:28:51.000
<v Speaker 3>in agreement and you're just thinking what is wrong with me?

0:28:51.080 --> 0:28:54.000
<v Speaker 3>I always think it's so interesting what we've collectively decided

0:28:54.120 --> 0:28:57.720
<v Speaker 3>is fun. Like like I was at this near the

0:28:57.800 --> 0:28:59.480
<v Speaker 3>I guess it was like the Staples Center or something,

0:28:59.480 --> 0:28:59.840
<v Speaker 3>and there's like.

0:29:00.000 --> 0:29:01.920
<v Speaker 2>All these loud lights.

0:29:02.080 --> 0:29:06.440
<v Speaker 3>These lights are so crazy and it sounds everywhere, and

0:29:06.480 --> 0:29:08.680
<v Speaker 3>it's like, or you go to Vegas or like or

0:29:08.720 --> 0:29:11.040
<v Speaker 3>someplace like that, and you're like, this is what we've all,

0:29:11.160 --> 0:29:16.479
<v Speaker 3>as like a global economy decided is fun. And to

0:29:16.520 --> 0:29:20.240
<v Speaker 3>me it just feels like hell, it's a complete Yeah.

0:29:19.920 --> 0:29:23.840
<v Speaker 2>Las Vegas, Oh my god. I mean, I can last

0:29:23.960 --> 0:29:26.400
<v Speaker 2>half an hour before my body is just screaming.

0:29:27.680 --> 0:29:29.320
<v Speaker 3>That's just to say you are screaming.

0:29:30.840 --> 0:29:32.480
<v Speaker 2>And I mean I was in New York last week

0:29:32.520 --> 0:29:34.560
<v Speaker 2>and I was I had to walk through Times Square

0:29:34.560 --> 0:29:36.560
<v Speaker 2>a few times, and it's it's the exact same thing

0:29:36.560 --> 0:29:39.440
<v Speaker 2>where it's just like, who is getting anything out of

0:29:39.440 --> 0:29:40.280
<v Speaker 2>this experience?

0:29:40.760 --> 0:29:43.960
<v Speaker 3>It's like, yeah, it's interesting. I guess in my own

0:29:44.000 --> 0:29:48.200
<v Speaker 3>life too, can maybe it's like mistaking numbness for fun,

0:29:48.280 --> 0:29:50.760
<v Speaker 3>Like sometimes I guess in my own life in different ways,

0:29:50.800 --> 0:29:54.920
<v Speaker 3>I will sort of make myself numb and think of

0:29:54.960 --> 0:29:58.920
<v Speaker 3>it as recreational, you know, for shopping or the eating

0:29:59.040 --> 0:30:01.680
<v Speaker 3>the pies or the way whatever. It's like it's highly

0:30:01.800 --> 0:30:05.280
<v Speaker 3>stimulating and that is relieving. And then so I think

0:30:05.560 --> 0:30:07.880
<v Speaker 3>it sort of categorize its fun in my brain. But

0:30:07.920 --> 0:30:10.880
<v Speaker 3>the truth is it's just about kind of comaing myself.

0:30:11.840 --> 0:30:14.440
<v Speaker 2>It's very much like pushing down on the wound. Yeah,

0:30:14.680 --> 0:30:17.479
<v Speaker 2>very just like holding it so the pain feels different.

0:30:17.480 --> 0:30:20.680
<v Speaker 2>At least this is my entire life at this point.

0:30:20.720 --> 0:30:22.480
<v Speaker 2>I mean, I need a lobotomy because I'm like, oh,

0:30:22.560 --> 0:30:24.840
<v Speaker 2>I don't know that I can experience fun anymore. I

0:30:24.840 --> 0:30:28.040
<v Speaker 2>don't know that that's a thing. But the rare time

0:30:28.080 --> 0:30:31.520
<v Speaker 2>that it does happen, I mean, I'm describing depression, but

0:30:33.240 --> 0:30:35.760
<v Speaker 2>when it does happen, what a relief when you're like,

0:30:35.880 --> 0:30:37.720
<v Speaker 2>oh my god, I can laugh at something. Something can

0:30:37.760 --> 0:30:40.600
<v Speaker 2>still make me laugh. Or I saw Godzilla recently. I

0:30:40.680 --> 0:30:42.880
<v Speaker 2>heard that was great, did not expect the movie. I

0:30:42.960 --> 0:30:45.960
<v Speaker 2>was jumping in my seat. I was scared of Godzilla.

0:30:46.120 --> 0:30:49.560
<v Speaker 2>Oh I couldn't believe it. So there are occasionally times

0:30:49.600 --> 0:30:52.000
<v Speaker 2>where I'm like, oh, I'm not completely numb to everything.

0:30:52.560 --> 0:30:55.320
<v Speaker 3>My father worked at a mental hospital when he was

0:30:55.360 --> 0:30:58.440
<v Speaker 3>in his twenties, and he said, this is back when

0:30:58.440 --> 0:31:01.840
<v Speaker 3>there was less oversight. Maybe they're still not oversight, but anyway.

0:31:02.080 --> 0:31:05.520
<v Speaker 3>It was in I think New Hampshire, and he said

0:31:05.600 --> 0:31:07.840
<v Speaker 3>he didn't have a degree at this planet on it

0:31:07.880 --> 0:31:10.360
<v Speaker 3>was just like an orderly and he took the most

0:31:10.400 --> 0:31:15.080
<v Speaker 3>depressive cases, the people who were really struggling, and loaded

0:31:15.120 --> 0:31:17.880
<v Speaker 3>them all into a van and drove to an airport.

0:31:17.960 --> 0:31:19.959
<v Speaker 3>I think it was in Vermont where there was one

0:31:20.000 --> 0:31:23.320
<v Speaker 3>of those landing strips where the planes come like screaming

0:31:23.360 --> 0:31:26.360
<v Speaker 3>down right above, you know what I mean. And he

0:31:26.480 --> 0:31:28.960
<v Speaker 3>parked the van and he had all of them get

0:31:29.000 --> 0:31:31.080
<v Speaker 3>out and lie on top of the van, in on

0:31:31.120 --> 0:31:33.200
<v Speaker 3>the hood, and then they just lay there while these

0:31:33.200 --> 0:31:37.600
<v Speaker 3>planes came like like over top of them. And he

0:31:37.640 --> 0:31:40.120
<v Speaker 3>said by the time they left, these people who were

0:31:40.160 --> 0:31:43.920
<v Speaker 3>like catatonically depressed were like bouncing off the walls. They

0:31:43.960 --> 0:31:45.960
<v Speaker 3>were so like hyped up. It's like they were scared

0:31:46.000 --> 0:31:49.440
<v Speaker 3>of God's ill. It was like they were just like, oh,

0:31:49.480 --> 0:31:51.240
<v Speaker 3>like they felt alive again, of.

0:31:51.200 --> 0:31:52.840
<v Speaker 2>Course, because it didn't feel like all of their nerve

0:31:52.920 --> 0:31:53.880
<v Speaker 2>endings were burnt.

0:31:53.640 --> 0:31:56.320
<v Speaker 3>Off, right right, I think that's right.

0:31:56.640 --> 0:31:59.000
<v Speaker 2>Wow. I mean God blessed putting them all, all of

0:31:59.040 --> 0:32:02.120
<v Speaker 2>these lives in danger. Yeah, yeah, yeah, yeah.

0:32:02.280 --> 0:32:04.440
<v Speaker 3>But I think also, like another thing about that is

0:32:04.480 --> 0:32:06.840
<v Speaker 3>like I have a friend who's an acting teacher who

0:32:06.920 --> 0:32:09.200
<v Speaker 3>like really kind of helped me learn about acting a

0:32:09.240 --> 0:32:12.760
<v Speaker 3>lot named Anya Saffer, who I adore, and she we

0:32:12.760 --> 0:32:14.600
<v Speaker 3>were talking about crying, like in scenes where you have

0:32:14.640 --> 0:32:17.280
<v Speaker 3>to cry or whatever. She was like, something I'd tell

0:32:17.280 --> 0:32:19.440
<v Speaker 3>my students a lot, because she would teach college kids too.

0:32:19.720 --> 0:32:22.160
<v Speaker 3>She said, is that I think if you could remove

0:32:22.200 --> 0:32:25.800
<v Speaker 3>all the social conditioning and repression and whatever else, she's like,

0:32:25.920 --> 0:32:30.600
<v Speaker 3>underneath all of that. I think most people are always

0:32:30.720 --> 0:32:33.800
<v Speaker 3>underneath that, on the verge of laughing or crying. Oh wow,

0:32:33.800 --> 0:32:36.840
<v Speaker 3>You're always sort of like hovering on the precipice of

0:32:36.840 --> 0:32:39.280
<v Speaker 3>one of those things, right, She's like, I don't know

0:32:39.360 --> 0:32:41.239
<v Speaker 3>if that's true or not, but I've found it. I've

0:32:41.240 --> 0:32:42.680
<v Speaker 3>thought about it a lot since then.

0:32:42.880 --> 0:32:46.120
<v Speaker 2>I can't believe that. I mean, we're we can't get

0:32:46.160 --> 0:32:48.080
<v Speaker 2>into it right now because I will start crying. But

0:32:48.200 --> 0:32:50.640
<v Speaker 2>that's about a month ago. I was we're now two

0:32:50.640 --> 0:32:52.040
<v Speaker 2>months ago. I was at a stop lines like, I

0:32:52.040 --> 0:32:54.000
<v Speaker 2>haven't cried in a while. I wonder what that feels like.

0:32:55.000 --> 0:32:59.840
<v Speaker 2>And then my dog died like last week, but it

0:32:59.920 --> 0:33:01.560
<v Speaker 2>was about a month long thing. And we will not

0:33:01.560 --> 0:33:03.960
<v Speaker 2>talk about this because I'll start crying. But oh, I'm

0:33:04.160 --> 0:33:07.360
<v Speaker 2>I'm definitely able to cry. And it's I mean, what

0:33:07.520 --> 0:33:11.840
<v Speaker 2>an experience, what a horrible feeling. It's crazy. But I

0:33:11.880 --> 0:33:15.200
<v Speaker 2>think that that is always there, and I guess it's

0:33:15.200 --> 0:33:15.600
<v Speaker 2>a good thing.

0:33:15.640 --> 0:33:20.400
<v Speaker 3>It's there. Yeah, I mean I think it's first of all,

0:33:20.440 --> 0:33:22.160
<v Speaker 3>I get it if you don't want to talk about

0:33:22.320 --> 0:33:25.080
<v Speaker 3>something so gutting on your characters.

0:33:25.120 --> 0:33:29.080
<v Speaker 2>We can't cry on this podcast. It's simply it's not

0:33:29.160 --> 0:33:30.040
<v Speaker 2>a thing to do.

0:33:30.680 --> 0:33:32.640
<v Speaker 3>But then again, there's no gifts allowed either, and what

0:33:32.760 --> 0:33:34.840
<v Speaker 3>do we have here. I mean, what I was going

0:33:34.920 --> 0:33:37.280
<v Speaker 3>to say about that is just like and we obviously

0:33:37.360 --> 0:33:39.120
<v Speaker 3>your podcast will cut it out if you want. But

0:33:39.160 --> 0:33:43.600
<v Speaker 3>I just think I really hate it when there's sort

0:33:43.640 --> 0:33:46.600
<v Speaker 3>of unanswerably painful things like the loss of a loved

0:33:46.600 --> 0:33:49.040
<v Speaker 3>one like a dog, and people try to shove their

0:33:49.120 --> 0:33:51.680
<v Speaker 3>silver lining down your throat to make them feel better.

0:33:52.000 --> 0:33:52.560
<v Speaker 2>Huh.

0:33:53.640 --> 0:33:55.480
<v Speaker 3>Someone did say something to me that I was like,

0:33:56.840 --> 0:34:00.440
<v Speaker 3>where it's like, the pain you experience is proportion to

0:34:00.520 --> 0:34:03.719
<v Speaker 3>the love that you felt for the creature. Yes, And

0:34:03.760 --> 0:34:05.320
<v Speaker 3>my friend who lost his dog said this thing that

0:34:05.360 --> 0:34:08.520
<v Speaker 3>like made me cry, where he was like, buy the ticket,

0:34:08.640 --> 0:34:12.759
<v Speaker 3>take the ride, And I was like, oh, boy.

0:34:12.320 --> 0:34:14.840
<v Speaker 2>That's that's what it is. I mean, I yeah, I

0:34:14.920 --> 0:34:17.520
<v Speaker 2>mean like I've never really grieved for I mean, I've

0:34:17.520 --> 0:34:20.239
<v Speaker 2>had grandparents die that sort of thing where it felt

0:34:20.280 --> 0:34:22.719
<v Speaker 2>like it was time or almost time, But for this,

0:34:22.920 --> 0:34:24.480
<v Speaker 2>this is the first time as an adult that this

0:34:24.520 --> 0:34:26.840
<v Speaker 2>has happened to me. And I mean it's just the

0:34:26.880 --> 0:34:29.600
<v Speaker 2>most gutting feeling. But I've like I've been kind of

0:34:29.640 --> 0:34:32.680
<v Speaker 2>having realizations about all of this, and what I kind

0:34:32.719 --> 0:34:35.040
<v Speaker 2>of tried to frame it as is just it's the

0:34:35.080 --> 0:34:38.239
<v Speaker 2>compression of all of that joy, the nine years of

0:34:38.320 --> 0:34:41.560
<v Speaker 2>joy I had, is just suddenly being pushed through into

0:34:41.560 --> 0:34:44.040
<v Speaker 2>a small thing that I get to keep, and of

0:34:44.080 --> 0:34:46.600
<v Speaker 2>course that's going to be painful. It's it's just like

0:34:46.800 --> 0:34:49.239
<v Speaker 2>all of that is just getting crushed into a thing

0:34:49.239 --> 0:34:52.640
<v Speaker 2>that I get to keep. But in the process that's

0:34:53.120 --> 0:34:56.400
<v Speaker 2>going to be horrible, and it has been. But what

0:34:56.520 --> 0:34:59.160
<v Speaker 2>a wonderful little gift that Adie gave to me and

0:34:59.200 --> 0:35:04.719
<v Speaker 2>my boyfriend. Yeah, not a fun experience and totally worth it.

0:35:04.760 --> 0:35:07.480
<v Speaker 2>Of course I would do it a million times again

0:35:07.760 --> 0:35:12.520
<v Speaker 2>to have her, But it's not fun.

0:35:13.280 --> 0:35:15.000
<v Speaker 3>I think I've never heard it described that way. It's

0:35:15.000 --> 0:35:18.480
<v Speaker 3>almost like when people take their blankets from the winter

0:35:18.640 --> 0:35:21.440
<v Speaker 3>and shrink them down into the little like this is

0:35:21.480 --> 0:35:23.400
<v Speaker 3>like you said something very beautiful and poetic, and now

0:35:23.400 --> 0:35:25.520
<v Speaker 3>I'm framing it in terms of the container story. But

0:35:25.640 --> 0:35:29.040
<v Speaker 3>I think that that idea of like a resizing of

0:35:29.840 --> 0:35:32.799
<v Speaker 3>It's like the amount of love, the magnitude of love

0:35:32.840 --> 0:35:35.719
<v Speaker 3>doesn't change, but the kind of packaging is shrunk to

0:35:35.800 --> 0:35:37.160
<v Speaker 3>the past or something.

0:35:37.560 --> 0:35:38.440
<v Speaker 2>Right, it's like a.

0:35:38.400 --> 0:35:42.680
<v Speaker 3>Complicated I know what you mean. And I remember talking

0:35:42.680 --> 0:35:45.680
<v Speaker 3>to somebody once who was like studied protracted grief, Like

0:35:45.800 --> 0:35:48.799
<v Speaker 3>whatever the fuck that is? Like he was like, oh no, no, no, no,

0:35:48.920 --> 0:35:52.600
<v Speaker 3>it was this his girlfriend studied like a pathological grief,

0:35:52.640 --> 0:35:54.280
<v Speaker 3>which I guess is grief that extends endlessly.

0:35:54.520 --> 0:35:56.880
<v Speaker 2>Right, it's not all grief, I feel. I mean, it's

0:35:56.880 --> 0:35:59.800
<v Speaker 2>an endless well right, Yeah.

0:35:59.160 --> 0:36:00.920
<v Speaker 3>But I guess one thing he said that I thought

0:36:01.000 --> 0:36:03.279
<v Speaker 3>was interesting that he was quoting her. I didn't meet her,

0:36:03.280 --> 0:36:07.440
<v Speaker 3>but she was that often people who grieve intensely for

0:36:07.520 --> 0:36:12.480
<v Speaker 3>a long time, the grief occupies the vacancy that the

0:36:12.800 --> 0:36:16.080
<v Speaker 3>person or dog or whatever left. So it's like, rather

0:36:16.120 --> 0:36:19.040
<v Speaker 3>than just have this sort of cavity, the act of

0:36:19.080 --> 0:36:21.839
<v Speaker 3>grieving takes up some of the emotional real estate where

0:36:21.880 --> 0:36:25.120
<v Speaker 3>all of that engagement and love and everything used to be.

0:36:25.280 --> 0:36:26.360
<v Speaker 2>That makes perfect sense.

0:36:26.800 --> 0:36:29.560
<v Speaker 3>Yeah, I thought it was like helpful and interesting.

0:36:29.760 --> 0:36:30.080
<v Speaker 2>Wow.

0:36:30.280 --> 0:36:32.400
<v Speaker 3>Anyway, I'm really sorry you're going through it.

0:36:32.640 --> 0:36:36.600
<v Speaker 2>That's okay. Let's talk about these people shrinking blankets. They

0:36:36.600 --> 0:36:38.480
<v Speaker 2>shrink them for a convenience.

0:36:37.960 --> 0:36:40.000
<v Speaker 3>They shrink them down. I mean, you can get it's

0:36:40.040 --> 0:36:41.200
<v Speaker 3>basically vacuum bags.

0:36:41.239 --> 0:36:44.560
<v Speaker 2>It's like they're not like putting them through the wash.

0:36:44.760 --> 0:36:46.600
<v Speaker 3>No, those would be I mean I was like.

0:36:46.560 --> 0:36:48.520
<v Speaker 2>Oh, so they're ruining of the thing they owned so

0:36:48.520 --> 0:36:53.120
<v Speaker 2>they could save space. Okay, good for them.

0:36:53.840 --> 0:36:55.880
<v Speaker 3>It's at the end of every winter you smash all

0:36:55.880 --> 0:36:56.520
<v Speaker 3>your plates.

0:36:58.760 --> 0:37:01.320
<v Speaker 2>I don't have the space. I simply don't have the space.

0:37:01.320 --> 0:37:02.840
<v Speaker 2>We've got to destroy these things.

0:37:02.880 --> 0:37:04.720
<v Speaker 3>Too hot to have these plates.

0:37:06.880 --> 0:37:09.200
<v Speaker 2>Okay, well, this is I mean, the way you've distracted

0:37:09.200 --> 0:37:11.560
<v Speaker 2>from the gift. Sorry, I mean you've throw I mean

0:37:11.600 --> 0:37:14.560
<v Speaker 2>you've taken us through a loop. We're running out of

0:37:14.600 --> 0:37:17.600
<v Speaker 2>time here. We should open the gime gift. Let's get

0:37:17.600 --> 0:37:22.479
<v Speaker 2>into this gift I'm pulling out.

0:37:22.760 --> 0:37:24.000
<v Speaker 3>It requires explanation.

0:37:24.320 --> 0:37:26.759
<v Speaker 2>Okay, So what I'm seeing so far is it's like

0:37:26.800 --> 0:37:29.520
<v Speaker 2>a little book or journal that says children on it.

0:37:30.040 --> 0:37:33.600
<v Speaker 3>Now I understand to the listeners, one grown man giving

0:37:33.640 --> 0:37:36.680
<v Speaker 3>another grown man a book which has just a brown

0:37:36.719 --> 0:37:40.040
<v Speaker 3>cover that says children on it when the conversation started

0:37:40.040 --> 0:37:43.040
<v Speaker 3>with kidnapping does not bode particularly well.

0:37:43.120 --> 0:37:45.080
<v Speaker 2>What is the chitty chitty bang bang characters of the

0:37:45.160 --> 0:37:46.600
<v Speaker 2>child snatcher or something?

0:37:46.880 --> 0:37:49.239
<v Speaker 3>Yeah, I promise to not be that chitty chitty bank

0:37:49.239 --> 0:37:52.319
<v Speaker 3>bank character. That is not the intent or content of

0:37:52.360 --> 0:37:55.120
<v Speaker 3>this gift. But if it's raising alarm bells for you

0:37:55.239 --> 0:37:58.879
<v Speaker 3>on as you're listening, I understand, but don't worry, it'll

0:37:58.880 --> 0:37:59.360
<v Speaker 3>be Okay.

0:37:59.680 --> 0:38:01.280
<v Speaker 2>What is this?

0:38:01.280 --> 0:38:04.160
<v Speaker 3>This is a book of famous historical figures when they

0:38:04.160 --> 0:38:04.840
<v Speaker 3>were little.

0:38:04.680 --> 0:38:06.720
<v Speaker 2>Kids, Oh my god. And it's a mix.

0:38:06.760 --> 0:38:10.200
<v Speaker 3>It's like it'd be like Neil Armstrong and Asama bin

0:38:10.280 --> 0:38:13.239
<v Speaker 3>Laden and the name of the kid is on the

0:38:13.280 --> 0:38:15.160
<v Speaker 3>next page, so you can look and be like, who

0:38:15.200 --> 0:38:17.239
<v Speaker 3>is that. I think that's Winston Churchhill, and then you

0:38:17.239 --> 0:38:19.040
<v Speaker 3>turn the page and you find out if you were

0:38:19.080 --> 0:38:22.280
<v Speaker 3>right or wrong. But you get to see like Oppenheimer

0:38:22.800 --> 0:38:26.200
<v Speaker 3>or like I think Manson's in there. But then also

0:38:26.239 --> 0:38:28.520
<v Speaker 3>like musicians like in Lewis Armstrong.

0:38:28.760 --> 0:38:30.399
<v Speaker 2>Okay, right, you know, so.

0:38:30.360 --> 0:38:32.279
<v Speaker 3>It's like just seeing all these people who had this

0:38:32.400 --> 0:38:36.000
<v Speaker 3>outsize kind of like effect on the world, which as

0:38:36.040 --> 0:38:39.160
<v Speaker 3>you describe Bruno Mars for example, but you know before

0:38:39.200 --> 0:38:41.400
<v Speaker 3>they were any of the things that they would be known.

0:38:41.200 --> 0:38:44.040
<v Speaker 2>For, right, I mean, and before you describe it to me.

0:38:44.080 --> 0:38:46.120
<v Speaker 2>I flipped open the book and it said Mick Jagger

0:38:46.120 --> 0:38:48.040
<v Speaker 2>on the page, and I looked at the not knowing

0:38:48.040 --> 0:38:48.479
<v Speaker 2>how it worked.

0:38:48.480 --> 0:38:51.440
<v Speaker 3>I looked at this photo and it's like kind of

0:38:51.440 --> 0:38:55.520
<v Speaker 3>like it's probably Chekhov or something. It's just like very nine.

0:38:57.760 --> 0:38:58.879
<v Speaker 2>Oh, I don't know who this is.

0:38:59.200 --> 0:39:00.759
<v Speaker 3>Yeah, that's the other thing. It'll make you feel dumb

0:39:00.800 --> 0:39:01.799
<v Speaker 3>because some of the people.

0:39:01.600 --> 0:39:06.000
<v Speaker 2>Use Charles Edouard Jannaire or gree Yeah, I don't know.

0:39:06.200 --> 0:39:09.200
<v Speaker 2>Eighteen eighty seven to nineteen sixty five, my dufus. So

0:39:09.239 --> 0:39:11.600
<v Speaker 2>did you look at the real make Dagger picture. Let's see,

0:39:11.640 --> 0:39:13.799
<v Speaker 2>I should look at it. Let's see here. Okay, there's

0:39:13.800 --> 0:39:18.239
<v Speaker 2>the mixed jack no one love. The teeth are there. Yeah,

0:39:18.320 --> 0:39:20.440
<v Speaker 2>the teeth were ready to go, and so is the

0:39:20.520 --> 0:39:23.200
<v Speaker 2>cunning in his eyes. Oh yeah, he's ready to like

0:39:23.320 --> 0:39:25.799
<v Speaker 2>take over the world. He's ready to play Wembley. Did

0:39:25.800 --> 0:39:28.359
<v Speaker 2>they ever play Wembley? Oh? I hope? So? I mean

0:39:28.400 --> 0:39:29.120
<v Speaker 2>what were they doing?

0:39:29.280 --> 0:39:30.000
<v Speaker 3>What were they doing?

0:39:30.040 --> 0:39:32.160
<v Speaker 2>What could they have possibly been? Okay, well tell me

0:39:32.200 --> 0:39:34.360
<v Speaker 2>why you brought this? This is so beautiful.

0:39:34.760 --> 0:39:36.600
<v Speaker 3>I think it's a beautiful book, and I.

0:39:36.520 --> 0:39:38.640
<v Speaker 2>Think Osama bin Laden.

0:39:38.680 --> 0:39:42.680
<v Speaker 3>Okay, there he is. It's so sad to look at it.

0:39:42.680 --> 0:39:45.720
<v Speaker 3>It'll say which one's him. But there's the bin Laden

0:39:45.800 --> 0:39:48.320
<v Speaker 3>family altogether having a good time. It's so weird.

0:39:48.800 --> 0:39:51.240
<v Speaker 2>Wow. Yeah, just I mean they look like the Partridge

0:39:51.239 --> 0:39:52.000
<v Speaker 2>family or something.

0:39:52.080 --> 0:39:54.920
<v Speaker 3>Yeah, isn't it streme? So western eyed too? It's not

0:39:55.040 --> 0:39:59.200
<v Speaker 3>like but I think I guess I was just trying

0:39:59.239 --> 0:40:01.479
<v Speaker 3>to think since we've never met something that I felt

0:40:01.560 --> 0:40:05.960
<v Speaker 3>like reflected stuff I'm oh shit, if you open the

0:40:05.960 --> 0:40:07.960
<v Speaker 3>front cover, the whole book is black and white. But no, no, no,

0:40:08.040 --> 0:40:09.880
<v Speaker 3>just the Jack of Party. It matches your outfit.

0:40:09.960 --> 0:40:11.759
<v Speaker 2>Oh it kind of does. Look how nice then?

0:40:12.480 --> 0:40:15.040
<v Speaker 3>And the background this is beautiful. But I was going

0:40:15.120 --> 0:40:20.560
<v Speaker 3>to say, I think it reflects my what I hope

0:40:20.680 --> 0:40:25.600
<v Speaker 3>to cold in my head whenever I'm meeting anyone or

0:40:25.680 --> 0:40:28.479
<v Speaker 3>being met by someone, which usually happens at the same time.

0:40:29.800 --> 0:40:35.720
<v Speaker 3>It's just the kind of like delicate, vulnerable thing, especially

0:40:35.719 --> 0:40:37.960
<v Speaker 3>if like a pod, because I don't do that many podcasts,

0:40:37.960 --> 0:40:41.040
<v Speaker 3>partly because I feel shy and partly because I feel

0:40:42.719 --> 0:40:45.200
<v Speaker 3>like I'm not sure which version of myself I'm supposed

0:40:45.239 --> 0:40:45.600
<v Speaker 3>to bring.

0:40:45.800 --> 0:40:48.560
<v Speaker 2>An interesting thing. Who you become on a podcast? Right,

0:40:48.600 --> 0:40:53.839
<v Speaker 2>it's like that you, but just like slightly cocained. It's like,

0:40:53.920 --> 0:40:55.440
<v Speaker 2>this is the person I wish I could be all

0:40:55.480 --> 0:40:57.760
<v Speaker 2>the time that I can think of things to talk about,

0:40:57.760 --> 0:40:59.799
<v Speaker 2>and then in public, I'm like everything I say is

0:40:59.800 --> 0:41:02.520
<v Speaker 2>too words long, and I can barely communicate with people.

0:41:02.600 --> 0:41:04.200
<v Speaker 3>I think the takeaways you just have to start doing

0:41:04.239 --> 0:41:05.839
<v Speaker 3>a little bit of cocaine all the time.

0:41:06.560 --> 0:41:08.560
<v Speaker 2>There's a reason I don't do cocaine. It's because I

0:41:08.640 --> 0:41:10.560
<v Speaker 2>need it and it will ruin me.

0:41:13.800 --> 0:41:16.879
<v Speaker 3>I think, yeah, so it's just trying to something I'm

0:41:17.239 --> 0:41:21.440
<v Speaker 3>trying to do with varying results. Is it's funny like

0:41:21.440 --> 0:41:24.120
<v Speaker 3>when I did press in the past for like TV

0:41:24.160 --> 0:41:26.920
<v Speaker 3>shows that came out. I again talked to my therapist.

0:41:26.960 --> 0:41:28.960
<v Speaker 3>I was like, man, I feel like such a whore.

0:41:29.040 --> 0:41:31.799
<v Speaker 3>I just feel like, no disrespect to sex workers, but

0:41:31.920 --> 0:41:35.560
<v Speaker 3>I felt like a whore, like an old strumpet. And

0:41:35.920 --> 0:41:38.320
<v Speaker 3>just like I go out and I do myself deprecating

0:41:38.360 --> 0:41:42.319
<v Speaker 3>story and I'm just such a putts. But she's and

0:41:42.360 --> 0:41:44.840
<v Speaker 3>I don't know how to not feel like a dirty

0:41:44.880 --> 0:41:48.960
<v Speaker 3>little like I don't know sales boy, right, And she

0:41:49.120 --> 0:41:50.640
<v Speaker 3>said this thing I thought was so great. She was like,

0:41:50.680 --> 0:41:53.520
<v Speaker 3>when you go out onto one of these shows, just

0:41:53.560 --> 0:41:55.640
<v Speaker 3>like sit down and look at the host in the eye,

0:41:55.719 --> 0:41:57.919
<v Speaker 3>which is now we're looking at each other.

0:41:58.040 --> 0:42:00.680
<v Speaker 2>The strongest eye contact two people could possibly have.

0:42:01.560 --> 0:42:03.480
<v Speaker 3>Well, there's no getting away from it, she said, try

0:42:03.520 --> 0:42:06.040
<v Speaker 3>and find something lovable about them, because then you can

0:42:06.080 --> 0:42:10.600
<v Speaker 3>have a moment of human warmth that exists on television

0:42:10.640 --> 0:42:12.160
<v Speaker 3>and it's not going to change the world, but it'll

0:42:12.200 --> 0:42:14.760
<v Speaker 3>be a nice little moment. And I and I think

0:42:15.320 --> 0:42:19.480
<v Speaker 3>not allowing the noise of my own self consciousness or

0:42:19.480 --> 0:42:22.640
<v Speaker 3>the situation to drown out the kind of little kid

0:42:22.719 --> 0:42:25.640
<v Speaker 3>versions of me or other people something I try to do.

0:42:25.800 --> 0:42:27.920
<v Speaker 3>In this case, it's very easy because you guys are

0:42:27.920 --> 0:42:29.839
<v Speaker 3>so lovely and it's a beautiful day and we're having

0:42:29.840 --> 0:42:32.360
<v Speaker 3>this really nice conversation. But then sometimes there'll be in

0:42:32.400 --> 0:42:35.320
<v Speaker 3>a situation where it's it's a real kind of olympic

0:42:35.400 --> 0:42:40.440
<v Speaker 3>feat to not become a shrieky nightmare version of yourself.

0:42:40.520 --> 0:42:42.080
<v Speaker 2>And that's kind of what you're known as, kind of

0:42:42.080 --> 0:42:45.720
<v Speaker 2>a shrieky nightmare. That's what people say about Zach Ones.

0:42:46.200 --> 0:42:51.680
<v Speaker 2>I'm having lunch with less moon vests. You're the last

0:42:51.719 --> 0:42:53.960
<v Speaker 2>person that's having lunch with less moonvess.

0:42:54.000 --> 0:42:56.759
<v Speaker 3>Our table at the pole a lounge is occupied, and

0:42:56.840 --> 0:42:58.239
<v Speaker 3>I'm going to throw a fit.

0:43:02.360 --> 0:43:05.239
<v Speaker 2>H No, I understand that, And I also think, I mean,

0:43:05.480 --> 0:43:08.040
<v Speaker 2>podcasts are a little different because they can be more organic.

0:43:08.120 --> 0:43:09.600
<v Speaker 2>When you go on a late night show or whatever,

0:43:09.640 --> 0:43:12.120
<v Speaker 2>you've got four minutes in front of a weird audience

0:43:12.160 --> 0:43:16.360
<v Speaker 2>that's been standing outside in Times Square of Hollywood Boulevard,

0:43:16.400 --> 0:43:19.480
<v Speaker 2>that you're like, who am I entertaining here? Why are

0:43:19.520 --> 0:43:20.200
<v Speaker 2>any of us.

0:43:20.040 --> 0:43:23.920
<v Speaker 3>Here, right, if you're lucky, they think you're Zach Braff

0:43:24.040 --> 0:43:27.319
<v Speaker 3>and they give you some of his goodwill. But I

0:43:27.800 --> 0:43:29.879
<v Speaker 3>and it's pre interviews too. That's the other thing that's

0:43:29.880 --> 0:43:32.000
<v Speaker 3>so fascinating is like the pre interview thing where you

0:43:32.080 --> 0:43:35.279
<v Speaker 3>sort of vet stories in advance.

0:43:34.840 --> 0:43:38.000
<v Speaker 2>Do the exact thing that's going to happen with the host, right,

0:43:38.080 --> 0:43:42.880
<v Speaker 2>but you're speaking with the producer first. Fascinating things.

0:43:43.160 --> 0:43:46.080
<v Speaker 3>It's an interesting thing. I remember I never read this

0:43:46.120 --> 0:43:48.360
<v Speaker 3>book because I'm too lazy, but there's a George Saunders

0:43:48.400 --> 0:43:51.520
<v Speaker 3>book about writing. My friend Brandon Gardner, who I write

0:43:51.560 --> 0:43:54.759
<v Speaker 3>everything we work on together with, he told me that

0:43:54.760 --> 0:43:59.080
<v Speaker 3>that George Saunders says that if you're outlining, like for

0:43:59.800 --> 0:44:01.719
<v Speaker 3>a writer, yeah, it's almost like if you went on

0:44:01.760 --> 0:44:03.839
<v Speaker 3>a date with index cards with things that you were

0:44:03.840 --> 0:44:05.799
<v Speaker 3>going to say on the date, where it's like it

0:44:05.920 --> 0:44:08.279
<v Speaker 3>cuts you off from the present moment so that you're

0:44:08.320 --> 0:44:11.800
<v Speaker 3>not actually in a flow. You're just like holding fast

0:44:11.800 --> 0:44:15.080
<v Speaker 3>to your little like life social life preserver, right. And

0:44:15.440 --> 0:44:17.520
<v Speaker 3>I think like a pre interview is a little bit

0:44:17.680 --> 0:44:20.000
<v Speaker 3>like that, where it's like, okay, now I say this,

0:44:20.160 --> 0:44:22.160
<v Speaker 3>instead of just being like, what's going to happen?

0:44:22.520 --> 0:44:25.040
<v Speaker 2>Right. I mean it's literally there on cards in front

0:44:25.040 --> 0:44:25.600
<v Speaker 2>of your host.

0:44:25.719 --> 0:44:28.560
<v Speaker 3>Yes, yes, yeah, it's You're right, it actually is on cards.

0:44:28.600 --> 0:44:30.400
<v Speaker 3>It's yeah.

0:44:30.480 --> 0:44:32.880
<v Speaker 2>Yeah. I feel like Loe's late night shows need to

0:44:32.880 --> 0:44:34.520
<v Speaker 2>get away from it. Let's get back to like those

0:44:34.560 --> 0:44:38.920
<v Speaker 2>seventies interviews where it's just beginning to end one conversation

0:44:39.000 --> 0:44:39.560
<v Speaker 2>with a person.

0:44:39.719 --> 0:44:42.640
<v Speaker 3>That's a great idea. Those old Dick Kavic shows incredible,

0:44:42.800 --> 0:44:43.239
<v Speaker 3>so good.

0:44:43.360 --> 0:44:46.239
<v Speaker 2>Yeah, we've got to play a game.

0:44:46.360 --> 0:44:47.080
<v Speaker 3>Let's play a game.

0:44:47.120 --> 0:44:48.760
<v Speaker 2>I would keep you here all day, but yes.

0:44:48.600 --> 0:44:50.040
<v Speaker 3>It's fun. I'm having a nice time. Thank you for

0:44:50.080 --> 0:44:50.520
<v Speaker 3>having me.

0:44:50.480 --> 0:44:53.640
<v Speaker 2>A wonderful time. Thank you for being here. New Year.

0:44:53.760 --> 0:44:56.600
<v Speaker 2>Let's play. Let's start with gift or a curse. I

0:44:56.640 --> 0:44:58.560
<v Speaker 2>need a number between one and ten from you.

0:44:58.680 --> 0:44:58.879
<v Speaker 3>Eight.

0:44:59.000 --> 0:45:01.719
<v Speaker 2>Okay, I have to do some like calculating. While I

0:45:01.800 --> 0:45:04.359
<v Speaker 2>do this, you can recommend, promote, do whatever you want.

0:45:04.440 --> 0:45:05.239
<v Speaker 2>I'll be right back.

0:45:05.560 --> 0:45:08.320
<v Speaker 3>So Brandon and I. Brandon the guy was just talking about,

0:45:09.160 --> 0:45:11.759
<v Speaker 3>made this stop motion show with Mike Judge called In

0:45:11.800 --> 0:45:14.080
<v Speaker 3>the Know, and it takes place in an NPR studio

0:45:14.360 --> 0:45:17.600
<v Speaker 3>and it's made with these crazy, beautiful stop motion puppets

0:45:17.600 --> 0:45:19.560
<v Speaker 3>that were made by the same people who did Guerma

0:45:19.560 --> 0:45:24.400
<v Speaker 3>del Toro's Pinocchio. And what's crazy about stop motion is

0:45:24.440 --> 0:45:28.120
<v Speaker 3>like each character is played by the person who voices them,

0:45:28.160 --> 0:45:32.720
<v Speaker 3>and then like thirty people all make each person come alive,

0:45:32.840 --> 0:45:35.400
<v Speaker 3>so you see little pieces of each of their personalities

0:45:35.400 --> 0:45:38.040
<v Speaker 3>in each of the puppets. And I think something that

0:45:38.160 --> 0:45:41.560
<v Speaker 3>I like about stories is that sometimes they can show

0:45:41.600 --> 0:45:44.680
<v Speaker 3>that people are more than one thing, that they're not

0:45:45.000 --> 0:45:48.279
<v Speaker 3>just one identity or one I'm making this sound so

0:45:48.400 --> 0:45:50.719
<v Speaker 3>heavy and it's like a goofy show about NPR and

0:45:50.760 --> 0:45:52.560
<v Speaker 3>like has a lot of dick jokes and stuff. So

0:45:52.719 --> 0:45:55.040
<v Speaker 3>but anyway, it's a there's all these characters that have

0:45:55.080 --> 0:45:57.279
<v Speaker 3>been done by all these puppeteers who are geniuses, and

0:45:57.360 --> 0:45:59.960
<v Speaker 3>I think it's I think it's a hopefully a warm

0:46:00.280 --> 0:46:02.600
<v Speaker 3>show and funny, and so I hope people watch it.

0:46:02.600 --> 0:46:07.160
<v Speaker 2>It looks delightful, and any animation that's not CGI I'm

0:46:07.200 --> 0:46:10.480
<v Speaker 2>on board with. Yeah, when it feels at least like

0:46:10.560 --> 0:46:14.200
<v Speaker 2>humans were involved for part of the experience, it's always refreshing.

0:46:14.440 --> 0:46:16.960
<v Speaker 3>Yeah, it's not like a screensaver made by an AI,

0:46:17.600 --> 0:46:20.520
<v Speaker 3>right right, Yeah, And it's on January twenty fifth, It's

0:46:20.520 --> 0:46:21.400
<v Speaker 3>going to be on peacock.

0:46:21.480 --> 0:46:25.040
<v Speaker 2>Peacock, been watching the Traders on Peacock, So I've got

0:46:25.040 --> 0:46:28.320
<v Speaker 2>my subscription. Is that what we're calling these things? I

0:46:28.360 --> 0:46:30.439
<v Speaker 2>was going to say prescription, Yeah, but as.

0:46:30.400 --> 0:46:33.640
<v Speaker 3>Far as I gave you a peacock account.

0:46:34.239 --> 0:46:38.680
<v Speaker 2>Beautiful, everyone go watch that. My recommendation this week. I mean,

0:46:38.920 --> 0:46:41.200
<v Speaker 2>we talked about this already, so I might as well say.

0:46:41.239 --> 0:46:43.440
<v Speaker 2>There's a song called On and On by Long Pig

0:46:43.440 --> 0:46:45.880
<v Speaker 2>because it's such a wonderful song, old song. If you

0:46:45.880 --> 0:46:48.239
<v Speaker 2>want to just be devastated, go listen to this song.

0:46:48.480 --> 0:46:51.200
<v Speaker 3>And long Pig I think was that a slang for human? Right?

0:46:51.239 --> 0:46:53.719
<v Speaker 3>They would call it long ping. Someone told me that

0:46:53.719 --> 0:46:56.919
<v Speaker 3>that it was like long pig. I don't know where

0:46:56.920 --> 0:46:58.799
<v Speaker 3>I heard that from, but I remember hearing that this

0:46:58.960 --> 0:47:01.239
<v Speaker 3>they call humans, or maybe was dead humans.

0:47:01.080 --> 0:47:07.760
<v Speaker 2>He called humans? Who else? Who's calling the constable? Okay?

0:47:07.920 --> 0:47:09.520
<v Speaker 2>This is how we play gift a curse. I'm gonna

0:47:09.560 --> 0:47:11.719
<v Speaker 2>name three things. You're gonna tell me if there are

0:47:11.760 --> 0:47:14.520
<v Speaker 2>a gift or a curse and why, and then I'll

0:47:14.520 --> 0:47:17.080
<v Speaker 2>tell you if you're right or wrong? Are correct? Answers?

0:47:17.480 --> 0:47:19.800
<v Speaker 2>All right? Number one? This is from a listener named Parker.

0:47:20.080 --> 0:47:23.040
<v Speaker 2>Gift or a curse people who say goose pimples or

0:47:23.080 --> 0:47:25.640
<v Speaker 2>goose flesh instead of goose bumps.

0:47:25.760 --> 0:47:32.040
<v Speaker 3>Curse why because the morbid fascination with acne has to stop,

0:47:32.520 --> 0:47:35.799
<v Speaker 3>Doctor pimple popper, all this fucking stuff. It's like to me,

0:47:35.880 --> 0:47:41.160
<v Speaker 3>it's like one wrung below snuff films. I would prefer

0:47:41.239 --> 0:47:47.040
<v Speaker 3>you watch old sixteen millimeter of people being killed, thrill killed,

0:47:47.320 --> 0:47:50.840
<v Speaker 3>then watch that shit. It's it's sub human.

0:47:53.560 --> 0:47:56.040
<v Speaker 2>Excellent beginning to the game. Yeah, both of those are

0:47:56.080 --> 0:47:58.839
<v Speaker 2>disgusting ways to describe it. I don't need I don't

0:47:58.880 --> 0:48:01.040
<v Speaker 2>need those images in my head. And yeah, I really

0:48:01.080 --> 0:48:04.080
<v Speaker 2>would rather watch somebody be stabbed to death and watch

0:48:04.160 --> 0:48:08.640
<v Speaker 2>a pimple get exploded. No, thank you, thank you, take it,

0:48:08.680 --> 0:48:11.960
<v Speaker 2>thank you excellently played. Number two. This is from a

0:48:12.000 --> 0:48:15.600
<v Speaker 2>listener named Rebecca. Gift or a curse introducing two of

0:48:15.600 --> 0:48:19.680
<v Speaker 2>your friends from different circles and later discovering they've become

0:48:19.760 --> 0:48:21.920
<v Speaker 2>quite close and hang out often.

0:48:23.800 --> 0:48:26.160
<v Speaker 3>Well, this presupposes that you have more than one friend,

0:48:26.280 --> 0:48:29.120
<v Speaker 3>which puts me out of contention.

0:48:29.080 --> 0:48:30.800
<v Speaker 2>For a huge stretch for you.

0:48:31.040 --> 0:48:35.080
<v Speaker 3>I can't. I think it's a gift. I think it's

0:48:35.120 --> 0:48:38.480
<v Speaker 3>definitely a gift that could feel like a curse depending

0:48:38.520 --> 0:48:40.720
<v Speaker 3>on how fragile you are in any given moment.

0:48:41.160 --> 0:48:41.440
<v Speaker 2>Hmm.

0:48:42.200 --> 0:48:45.879
<v Speaker 3>It's beautiful when people love each other and you want

0:48:45.920 --> 0:48:49.520
<v Speaker 3>people to connect, especially people you adore. But if you're

0:48:49.520 --> 0:48:54.680
<v Speaker 3>feeling like a negligible little scrap or an unlovable goblin person,

0:48:55.280 --> 0:48:59.040
<v Speaker 3>then you might have abandonment anxieties that are activated by

0:48:59.040 --> 0:49:01.759
<v Speaker 3>two people who you know to be beautiful pairing up

0:49:01.800 --> 0:49:02.520
<v Speaker 3>without you.

0:49:02.560 --> 0:49:09.240
<v Speaker 2>So, oh, Zach, wrong, a betrayal? Now you're better friends

0:49:09.280 --> 0:49:12.480
<v Speaker 2>than we are. What's happening to it? I set this

0:49:12.520 --> 0:49:14.160
<v Speaker 2>thing up. I didn't mean to set this thing up.

0:49:14.160 --> 0:49:16.560
<v Speaker 2>And now suddenly you're just doing things in the shadows

0:49:17.160 --> 0:49:21.240
<v Speaker 2>without me sanctioning it. You know, no, no, no, unless

0:49:21.280 --> 0:49:23.359
<v Speaker 2>I say I'm setting you to up as friends, yes,

0:49:23.440 --> 0:49:26.239
<v Speaker 2>that's a different story. But if we're just you know,

0:49:26.400 --> 0:49:28.799
<v Speaker 2>we kind of mushed together and then suddenly you're out

0:49:28.840 --> 0:49:31.120
<v Speaker 2>to dinner with these people and I didn't get invited.

0:49:32.120 --> 0:49:33.560
<v Speaker 3>What's wrong with those perverts?

0:49:33.680 --> 0:49:41.600
<v Speaker 2>Oh? Absolutely sick, disgusting perverted behavior. And although I actually

0:49:41.960 --> 0:49:46.600
<v Speaker 2>did this to a friend, but you know, I like

0:49:46.640 --> 0:49:48.759
<v Speaker 2>my you know, I like to dip my toe in perversion,

0:49:49.160 --> 0:49:51.960
<v Speaker 2>and so I'm okay to do it. But curse, so

0:49:52.000 --> 0:49:54.239
<v Speaker 2>you do lose until we hate to see it.

0:49:54.480 --> 0:49:55.120
<v Speaker 3>I hate to see it.

0:49:55.640 --> 0:49:58.359
<v Speaker 2>Number three. This is from a listener named Mark gif

0:49:58.480 --> 0:50:01.120
<v Speaker 2>you a curse lottery tickets as gifts?

0:50:04.080 --> 0:50:04.440
<v Speaker 3>Curse?

0:50:04.920 --> 0:50:07.040
<v Speaker 2>Why didn't say?

0:50:07.239 --> 0:50:09.440
<v Speaker 3>I think I heard someone say that lottery tickets are

0:50:09.440 --> 0:50:14.560
<v Speaker 3>attacks on hope? And who wants to give your friend

0:50:15.600 --> 0:50:19.280
<v Speaker 3>a tax of any kind, let alone one on hope

0:50:19.280 --> 0:50:23.880
<v Speaker 3>as a gift. It's also like both you're probably statistically,

0:50:23.920 --> 0:50:27.799
<v Speaker 3>you're probably gifting disappointment and at best you're gifting the

0:50:27.920 --> 0:50:31.840
<v Speaker 3>least personal gift card that could possibly exist. At least

0:50:31.880 --> 0:50:34.120
<v Speaker 3>get them like a gift card to outback or something.

0:50:34.320 --> 0:50:37.880
<v Speaker 3>But don't be like, hey, this is probably worth less

0:50:37.960 --> 0:50:41.480
<v Speaker 3>than nothing. But also if it is something, it will

0:50:41.480 --> 0:50:49.680
<v Speaker 3>be totally anonymous, so correct totally curse. Yeah, it's either worthless,

0:50:49.719 --> 0:50:52.200
<v Speaker 3>this is what a lottery ticket is. It's either worthless

0:50:52.520 --> 0:50:55.480
<v Speaker 3>or it's going to ruin my life because that's what

0:50:55.520 --> 0:50:58.400
<v Speaker 3>we know with a lottery. So you either want me

0:50:58.520 --> 0:51:01.640
<v Speaker 3>to win the you know, the mega millions and then

0:51:01.719 --> 0:51:04.480
<v Speaker 3>suddenly my life is falling apart because I don't know

0:51:04.480 --> 0:51:06.920
<v Speaker 3>how to handle that much money, or I've got a

0:51:06.920 --> 0:51:08.520
<v Speaker 3>piece of paper that I just have to throw away,

0:51:08.520 --> 0:51:11.080
<v Speaker 3>and I've got the the little silver dust that I

0:51:11.160 --> 0:51:13.560
<v Speaker 3>had to scratch off with my fingernail. You know, I

0:51:13.640 --> 0:51:16.560
<v Speaker 3>never thought about it that way, because then you're right,

0:51:16.600 --> 0:51:19.040
<v Speaker 3>you win the lottery, and then you're like, probably you

0:51:19.160 --> 0:51:22.719
<v Speaker 3>become the kidnapping target. Oh completely, someone wants.

0:51:22.480 --> 0:51:24.880
<v Speaker 2>You, so many people want you. I mean, you get

0:51:24.920 --> 0:51:27.520
<v Speaker 2>to be probably you could be on a lottery dream

0:51:27.560 --> 0:51:32.080
<v Speaker 2>home on HGTV, which I've consumed a decent amount of. Uh.

0:51:32.800 --> 0:51:34.200
<v Speaker 3>But Joanna Gaines.

0:51:34.360 --> 0:51:37.279
<v Speaker 2>That is not Joanna gains That's a man who I

0:51:37.280 --> 0:51:40.680
<v Speaker 2>don't know his name. Heavily tattooed man that wears a

0:51:40.719 --> 0:51:43.359
<v Speaker 2>lot of kind of flowy coats, and then he.

0:51:43.239 --> 0:51:47.680
<v Speaker 4>Helps people Chriss Angel. It's Angel. Crist Angel has pivoted.

0:51:48.080 --> 0:51:52.040
<v Speaker 4>He is helping people find homes. He he loves real estate.

0:51:53.280 --> 0:51:54.640
<v Speaker 4>Oh my god, that's a great idea.

0:51:54.840 --> 0:51:56.960
<v Speaker 3>Ultimate mind Freak is an affordable mortgag.

0:51:59.320 --> 0:52:01.239
<v Speaker 2>We have got to develop that for Chris. I don't

0:52:01.280 --> 0:52:02.200
<v Speaker 2>know what else he's doing.

0:52:02.480 --> 0:52:04.919
<v Speaker 3>I don't know, man, we probably don't even know the

0:52:04.960 --> 0:52:06.360
<v Speaker 3>necromancy he's up too, and.

0:52:06.480 --> 0:52:09.720
<v Speaker 2>Should help people find homes in the Vegas area, exclusively

0:52:09.920 --> 0:52:10.759
<v Speaker 2>Vegas suburbs.

0:52:10.920 --> 0:52:13.960
<v Speaker 3>I would honestly, for real, watch a show where magicians

0:52:13.960 --> 0:52:14.920
<v Speaker 3>help people find homes.

0:52:14.920 --> 0:52:16.920
<v Speaker 2>Oh my god, are you kidding me? That would be on.

0:52:17.120 --> 0:52:19.399
<v Speaker 2>I would just leave that on like one of those

0:52:19.560 --> 0:52:22.160
<v Speaker 2>fish tank screen savers. I would just be on my

0:52:22.200 --> 0:52:25.080
<v Speaker 2>TV all the time. Well, you got two out of three.

0:52:25.520 --> 0:52:27.640
<v Speaker 2>That's not so bad. It's really not too bad.

0:52:27.960 --> 0:52:28.600
<v Speaker 3>Sixty six.

0:52:28.640 --> 0:52:31.640
<v Speaker 2>This is sixty six, and that's not an F. And

0:52:31.960 --> 0:52:35.400
<v Speaker 2>so you can, you know, go to community college and

0:52:35.400 --> 0:52:37.480
<v Speaker 2>get your grades up, but then maybe transfer to a

0:52:37.480 --> 0:52:39.880
<v Speaker 2>different school. You can do whatever you want with the

0:52:39.920 --> 0:52:42.480
<v Speaker 2>sixty six. There's no one stopping you. No, you don't

0:52:42.520 --> 0:52:48.640
<v Speaker 2>have to go to summer school. I refuse, you, absolutely refuse. Okay,

0:52:48.640 --> 0:52:50.960
<v Speaker 2>this is the final segment of the podcast. It's called

0:52:50.960 --> 0:52:54.120
<v Speaker 2>I said no emails. People write in to I said

0:52:54.120 --> 0:52:58.600
<v Speaker 2>no gifts at gmail dot com and they're desperate for answers.

0:52:59.040 --> 0:53:01.480
<v Speaker 3>I like that. I am confident and prescriptive.

0:53:01.560 --> 0:53:05.520
<v Speaker 2>Yeah, and we're gonna need that today because let me

0:53:05.600 --> 0:53:09.239
<v Speaker 2>read this. It says, hello Bridger and guest, since you

0:53:09.480 --> 0:53:12.640
<v Speaker 2>answer every question perfectly. Oh that's very nice. I was

0:53:12.719 --> 0:53:16.719
<v Speaker 2>hoping you would offer flirt. Someone's flirting. Someone wants to

0:53:16.800 --> 0:53:17.200
<v Speaker 2>kiss me.

0:53:17.800 --> 0:53:20.520
<v Speaker 3>Stop trying to kiss him. Email is not the way

0:53:20.560 --> 0:53:20.799
<v Speaker 3>to do.

0:53:20.920 --> 0:53:25.040
<v Speaker 2>Stop chasing me around. I was hoping you would offer

0:53:25.080 --> 0:53:27.319
<v Speaker 2>your wisdom on the situation I found myself in. I

0:53:27.360 --> 0:53:30.440
<v Speaker 2>cannot think of anyone more qualified to help me with this. Okay,

0:53:30.120 --> 0:53:34.160
<v Speaker 2>the teasing continues. I started at a company just three

0:53:34.160 --> 0:53:36.440
<v Speaker 2>months ago, and last week my husband. Oh and now

0:53:36.440 --> 0:53:38.360
<v Speaker 2>there's a husband involved in the Oh.

0:53:38.400 --> 0:53:40.920
<v Speaker 3>This is I mean, the forbidden. What is more enticing?

0:53:41.080 --> 0:53:42.400
<v Speaker 2>Nothing's more enticing than me.

0:53:42.800 --> 0:53:45.600
<v Speaker 3>There you go, and I got bad news writer. He's

0:53:45.680 --> 0:53:48.040
<v Speaker 3>results oriented. So if you're just trying to live in

0:53:48.080 --> 0:53:52.200
<v Speaker 3>a liminal space of provocation, look at not happening.

0:53:53.560 --> 0:53:55.400
<v Speaker 2>Last week, my husband and I found out we are

0:53:55.440 --> 0:53:58.960
<v Speaker 2>expecting our second child. While we are excited about this,

0:53:59.000 --> 0:54:01.279
<v Speaker 2>it was unplanned and the timing is tricky. As I'm

0:54:01.320 --> 0:54:04.360
<v Speaker 2>still new in my position, I'm struggling on the timing

0:54:04.400 --> 0:54:06.360
<v Speaker 2>and manner in which I share this news with my

0:54:06.440 --> 0:54:07.040
<v Speaker 2>new boss.

0:54:07.239 --> 0:54:07.600
<v Speaker 3>Oh wow.

0:54:07.680 --> 0:54:11.040
<v Speaker 2>I am also dealing with the common symptom of pregnancy illness,

0:54:11.200 --> 0:54:13.080
<v Speaker 2>and I'm concerned I will have to tell him sooner

0:54:13.200 --> 0:54:15.960
<v Speaker 2>rather than later do to how ill I've been Do

0:54:16.040 --> 0:54:19.000
<v Speaker 2>I schedule a meeting, tell him in passing, not tell

0:54:19.080 --> 0:54:21.360
<v Speaker 2>him and just call out sick for weeks after the birth.

0:54:21.640 --> 0:54:25.160
<v Speaker 2>Maybe a gift would be appropriate in this situation. I

0:54:25.360 --> 0:54:29.040
<v Speaker 2>anxiously am awaiting your response, and that's from Hannah. What

0:54:29.120 --> 0:54:31.120
<v Speaker 2>does Hannah do pregnant Hannah?

0:54:31.160 --> 0:54:33.720
<v Speaker 3>Well, I will say I do think more women should

0:54:33.719 --> 0:54:40.000
<v Speaker 3>come to me for advice about prenatal issues, childcare, say

0:54:40.200 --> 0:54:46.440
<v Speaker 3>childless man, you're a pro. I'm definitely the guy who

0:54:46.760 --> 0:54:52.120
<v Speaker 3>who has sage advice. I'm basically a doula. I think

0:54:52.960 --> 0:54:54.719
<v Speaker 3>I think my first piece of advice would be to

0:54:54.719 --> 0:54:58.080
<v Speaker 3>ignore whatever I say next, and my second piece of

0:54:58.440 --> 0:55:03.480
<v Speaker 3>vice take the terrifying. I guess my advice would be

0:55:04.800 --> 0:55:06.520
<v Speaker 3>she wants to know when to tell him and how

0:55:06.560 --> 0:55:07.520
<v Speaker 3>to tell him right when.

0:55:07.440 --> 0:55:11.360
<v Speaker 2>And how, and she's been at the job for three months,

0:55:11.920 --> 0:55:14.879
<v Speaker 2>so she's still kind of new girl in town.

0:55:15.360 --> 0:55:17.759
<v Speaker 3>Intuitively, I feel like it should be someplace quiet where

0:55:17.760 --> 0:55:19.160
<v Speaker 3>it's just the two of them.

0:55:19.160 --> 0:55:21.360
<v Speaker 2>In person, Okay, intimate.

0:55:22.239 --> 0:55:25.880
<v Speaker 3>I'm not saying you have to like, you know, just

0:55:25.880 --> 0:55:28.520
<v Speaker 3>like an office would do, but I think just feeling

0:55:28.600 --> 0:55:31.720
<v Speaker 3>like you can connect. I think trying to like toss

0:55:31.800 --> 0:55:35.120
<v Speaker 3>that off in a casual way. If it were me

0:55:35.200 --> 0:55:37.920
<v Speaker 3>and I had something as like vulnerable in life altering

0:55:37.960 --> 0:55:41.520
<v Speaker 3>as that, and I was like, oh, ps for me,

0:55:41.800 --> 0:55:43.520
<v Speaker 3>it would make me feel a little bit like I'd

0:55:43.520 --> 0:55:46.960
<v Speaker 3>handled myself kind of roughly right, regardless of that other

0:55:47.000 --> 0:55:52.080
<v Speaker 3>person's response. So we can't control what Keith her boss

0:55:52.160 --> 0:55:54.800
<v Speaker 3>name is Keith, right, We can't control what Keith does.

0:55:55.440 --> 0:55:58.200
<v Speaker 3>He might react very poorly, he might be very supportive.

0:55:58.200 --> 0:55:59.560
<v Speaker 3>We don't know him well enough. It's only been a

0:55:59.600 --> 0:56:02.480
<v Speaker 3>few months, but we know that for Hannah's sake, Hannah

0:56:02.520 --> 0:56:05.040
<v Speaker 3>needs to do Hannah, and Hannah needs to approach this

0:56:05.080 --> 0:56:08.040
<v Speaker 3>in a situation that feels like it maximizes mental health

0:56:08.080 --> 0:56:09.600
<v Speaker 3>for Hannah.

0:56:09.000 --> 0:56:10.560
<v Speaker 2>And the baby baby.

0:56:10.560 --> 0:56:12.400
<v Speaker 3>I don't I'm not a fan of that.

0:56:12.280 --> 0:56:13.799
<v Speaker 2>Cares about this baby. It's created a.

0:56:13.760 --> 0:56:17.839
<v Speaker 3>Problem he he she whatever they This baby was not

0:56:17.960 --> 0:56:20.440
<v Speaker 3>planned and is an intruder in.

0:56:20.360 --> 0:56:23.239
<v Speaker 2>The sho showed up three months into the job and

0:56:23.440 --> 0:56:26.719
<v Speaker 2>is now I mean, just causing chaos wherever it goes.

0:56:26.800 --> 0:56:29.560
<v Speaker 3>It's undermining you professionally, and I do mean it.

0:56:29.560 --> 0:56:30.479
<v Speaker 2>It wants the job.

0:56:31.440 --> 0:56:33.520
<v Speaker 3>This baby's trying to snake you. I swear to God.

0:56:33.520 --> 0:56:35.839
<v Speaker 3>Look on monster dot com and if you see a fetus.

0:56:35.520 --> 0:56:40.680
<v Speaker 2>And it's got an incredible profile, it's badgering Keith, look

0:56:40.719 --> 0:56:42.879
<v Speaker 2>at my CV. Is that what that's called?

0:56:43.000 --> 0:56:46.680
<v Speaker 3>Yes, CVV, Yeah, applied for if you hear like an

0:56:46.719 --> 0:56:49.480
<v Speaker 3>email alert from within your womb, just know that that

0:56:49.560 --> 0:56:52.400
<v Speaker 3>baby just got an email. A second interview with Keith.

0:56:53.160 --> 0:56:55.279
<v Speaker 2>Yeah, I think your advice here is good. I think

0:56:55.320 --> 0:56:58.600
<v Speaker 2>you tell Keith Hope that he fires you and then

0:56:58.680 --> 0:56:59.760
<v Speaker 2>sue him into Oblivia.

0:57:00.040 --> 0:57:00.680
<v Speaker 3>That's beautiful.

0:57:00.680 --> 0:57:01.920
<v Speaker 2>Take the company down.

0:57:02.400 --> 0:57:03.880
<v Speaker 3>Yes, and she works for UNISEF.

0:57:03.920 --> 0:57:04.239
<v Speaker 2>That's right.

0:57:04.320 --> 0:57:07.160
<v Speaker 3>Yeah, yes, rip them to pieces handed.

0:57:06.960 --> 0:57:10.560
<v Speaker 2>About time, come on goodbye.

0:57:10.560 --> 0:57:13.880
<v Speaker 3>You take them for all their worth. When they're done,

0:57:14.800 --> 0:57:17.880
<v Speaker 3>they won't have a pot to piss in. Hannah.

0:57:18.000 --> 0:57:21.040
<v Speaker 2>Yeah, I think that's good advice. And I think until

0:57:21.120 --> 0:57:25.240
<v Speaker 2>the big reveal, carry a huge bag of groceries around. Yeah,

0:57:25.720 --> 0:57:28.280
<v Speaker 2>just cover up, make sure nobody knows, and then you

0:57:28.400 --> 0:57:31.240
<v Speaker 2>drop it on the floor. Keith, I'm pregnant. He fires

0:57:31.280 --> 0:57:32.880
<v Speaker 2>you and now you're in court.

0:57:33.200 --> 0:57:35.960
<v Speaker 3>Maybe you preempt it. You go, Keith, I'm pregnant, you pig.

0:57:37.640 --> 0:57:41.520
<v Speaker 2>You freak, you sick freak firing me. I always hated you.

0:57:41.600 --> 0:57:42.240
<v Speaker 2>Oh I'm fired.

0:57:42.280 --> 0:57:44.480
<v Speaker 3>It's almost like the David Letterman thing where it's like

0:57:44.520 --> 0:57:47.800
<v Speaker 3>you're stalking me. It's like so Keith, I hear you're

0:57:47.880 --> 0:57:51.080
<v Speaker 3>firing me for being pregnant. Let it backfoot him.

0:57:51.880 --> 0:57:54.920
<v Speaker 2>Let him sue you first, then counter sue. He'll never

0:57:54.920 --> 0:57:55.560
<v Speaker 2>see it coming.

0:57:55.640 --> 0:57:56.360
<v Speaker 3>He's a fool.

0:57:56.960 --> 0:57:59.240
<v Speaker 2>You will be tied up in court for years. This

0:57:59.360 --> 0:58:01.880
<v Speaker 2>baby will go through high school before you get out

0:58:01.920 --> 0:58:04.760
<v Speaker 2>of this, and everyone will be ruined.

0:58:05.640 --> 0:58:08.840
<v Speaker 3>Yeah, and that is where all of my advice inevitably

0:58:08.960 --> 0:58:11.640
<v Speaker 3>leads to the universal ruin.

0:58:11.960 --> 0:58:15.320
<v Speaker 2>Just kind of a life wasted excellent advice. I think

0:58:15.360 --> 0:58:19.080
<v Speaker 2>Hannah's on her way to I mean, working.

0:58:18.760 --> 0:58:21.840
<v Speaker 3>Girl, working girl. That My most urgent piece of advice

0:58:21.920 --> 0:58:24.640
<v Speaker 3>is stop learning with with me.

0:58:24.840 --> 0:58:26.960
<v Speaker 2>I mean, come on, it's I mean.

0:58:26.800 --> 0:58:30.120
<v Speaker 3>It's tacky, it's ghost it's hideous.

0:58:30.360 --> 0:58:36.440
<v Speaker 2>Yeah, Hannah's ultimately a gross, pregnant fire suing person, and

0:58:36.520 --> 0:58:39.320
<v Speaker 2>I don't want her tor ever right back in again, Hannah,

0:58:39.360 --> 0:58:42.880
<v Speaker 2>get out of my life, Zach. I've had such a

0:58:42.920 --> 0:58:45.760
<v Speaker 2>wonderful time with you, and I've now got this beautiful

0:58:45.760 --> 0:58:48.560
<v Speaker 2>little book that if I were to just lay on

0:58:48.600 --> 0:58:51.040
<v Speaker 2>the table, people might be mildly confused when they just

0:58:51.080 --> 0:58:55.400
<v Speaker 2>see that I have a children, but there will be

0:58:55.440 --> 0:58:57.280
<v Speaker 2>a lot of explaining to do that's right, and that

0:58:57.400 --> 0:58:58.320
<v Speaker 2>creates conversation.

0:58:58.480 --> 0:59:00.760
<v Speaker 3>There you go and you don't even have to do cook.

0:59:00.440 --> 0:59:02.920
<v Speaker 2>Yeah, this would be a nice little thing to do

0:59:03.000 --> 0:59:03.760
<v Speaker 2>cocaine off of.

0:59:03.720 --> 0:59:05.960
<v Speaker 3>Actually you really do. Yeah, I see why you don't

0:59:05.960 --> 0:59:09.760
<v Speaker 3>do cocaine. It's like, really just a thought away every time,

0:59:09.920 --> 0:59:12.480
<v Speaker 3>every week, rain storming ways to get the stuff in

0:59:12.520 --> 0:59:15.920
<v Speaker 3>my nose. Thank you so much for thank you. I

0:59:15.960 --> 0:59:18.040
<v Speaker 3>had a great time. Thanks for having me. Thank you.

0:59:18.960 --> 0:59:22.200
<v Speaker 2>Uh, listener, the podcast is over. You know it's over.

0:59:22.400 --> 0:59:24.800
<v Speaker 2>You're denying it. You're trying to get on with your

0:59:24.960 --> 0:59:28.800
<v Speaker 2>you know you're not trying to. You're delaying your I

0:59:28.880 --> 0:59:31.280
<v Speaker 2>need you to stop listening. I've got to get you

0:59:31.360 --> 0:59:34.720
<v Speaker 2>off the podcast and doing something else. Get out of here.

0:59:35.080 --> 0:59:43.040
<v Speaker 2>I love you, goodbye. I said No Gifts is an

0:59:43.120 --> 0:59:47.400
<v Speaker 2>exactly right production. It's produced by our dear friend Analise Nelson,

0:59:47.600 --> 0:59:50.600
<v Speaker 2>and it's beautifully mixed by Ben Holliday. And we couldn't

0:59:50.640 --> 0:59:54.480
<v Speaker 2>do it without our guest booker Patrick Kottner. The theme song,

0:59:54.720 --> 0:59:58.720
<v Speaker 2>of course, could only come from miracle worker Amy Man.

0:59:59.240 --> 1:00:02.240
<v Speaker 2>You must follow the show on Instagram at I Said

1:00:02.240 --> 1:00:04.640
<v Speaker 2>No Gifts. I don't want to hear any excuses. That's

1:00:04.680 --> 1:00:06.680
<v Speaker 2>where you get to see pictures of all these gorgeous

1:00:06.720 --> 1:00:08.680
<v Speaker 2>gifts I'm getting, And don't you want to see pictures

1:00:08.680 --> 1:00:09.280
<v Speaker 2>of the gifts?

1:00:11.240 --> 1:00:16.920
<v Speaker 1>And I invited you, hear, I thought, I made myself

1:00:17.120 --> 1:00:23.720
<v Speaker 1>perfectly clear. When you're a guest to my home, you

1:00:23.880 --> 1:00:29.880
<v Speaker 1>gotta come to me empty. And I said, no gifts,

1:00:30.000 --> 1:00:37.000
<v Speaker 1>you're our presences. Presence enough. I already had too much stuff,

1:00:37.600 --> 1:00:40.720
<v Speaker 1>So how did you dare to surbey me?