1 00:00:05,000 --> 00:00:07,760 Speaker 1: It is Monday, the twenty fifth of July twenty twenty two, 2 00:00:07,800 --> 00:00:11,080 Speaker 1: and it is time for episode twenty six of Morning 3 00:00:11,119 --> 00:00:14,960 Speaker 1: Combat Extra Credit. This is the podcast within the podcast. 4 00:00:15,080 --> 00:00:16,599 Speaker 1: This is where we get to the stuff that we 5 00:00:16,640 --> 00:00:19,560 Speaker 1: normally don't have time for on regular MK. I am 6 00:00:19,640 --> 00:00:21,840 Speaker 1: one half of your Morning Combat host. My name is 7 00:00:21,920 --> 00:00:25,040 Speaker 1: Luke Thomas. I appreciate you tuning in thumbs up on 8 00:00:25,079 --> 00:00:27,640 Speaker 1: the video. If you're watching, hit subscribe, if you're watching 9 00:00:27,640 --> 00:00:30,440 Speaker 1: on YouTube, and if you're listening on your favorite podcast platform, 10 00:00:30,680 --> 00:00:33,280 Speaker 1: please give that a nice review wherever that may be 11 00:00:33,520 --> 00:00:35,920 Speaker 1: all right on today's program, we know how this goes. 12 00:00:36,120 --> 00:00:38,840 Speaker 1: About thirty minutes or less is how we make this work. 13 00:00:39,040 --> 00:00:41,400 Speaker 1: We're gonna look at my five sort of most interesting 14 00:00:41,440 --> 00:00:44,120 Speaker 1: fights for me from the weekend. We're gonna do it 15 00:00:44,159 --> 00:00:46,680 Speaker 1: from three different events. We'll have a couple of honorable 16 00:00:46,720 --> 00:00:48,680 Speaker 1: mentions at the end. So the three events will be 17 00:00:48,760 --> 00:00:51,680 Speaker 1: UFC London. Of course this took place Saturday. We'll talk 18 00:00:51,680 --> 00:00:53,880 Speaker 1: about Billtour two eighty three a little bit which was 19 00:00:53,880 --> 00:00:57,200 Speaker 1: on Friday night, and then we'll talk about one Championship 20 00:00:57,320 --> 00:00:59,640 Speaker 1: or one one fifty nine. There's one bot from there, 21 00:00:59,680 --> 00:01:01,680 Speaker 1: we'll talk about on there. Now here is a list 22 00:01:01,760 --> 00:01:03,920 Speaker 1: of bouts that we're going to get to. You can 23 00:01:03,960 --> 00:01:06,640 Speaker 1: see here on the screen. It'll be Alexander Gustafson versus 24 00:01:06,720 --> 00:01:09,479 Speaker 1: Nikida Krillov, which of course was from UFC London. Molly 25 00:01:09,520 --> 00:01:12,679 Speaker 1: McCann versus Hannah Goldie, also from UFC London, and then 26 00:01:12,720 --> 00:01:17,280 Speaker 1: Paul Craig versus vulcan Uzdemir, finally from UFC London. I'm 27 00:01:17,280 --> 00:01:19,240 Speaker 1: sure I'm gonna mispronounce his name, but this is the 28 00:01:19,240 --> 00:01:21,800 Speaker 1: way they say it on the broadcast. Rainier de Ritter 29 00:01:22,120 --> 00:01:25,600 Speaker 1: taking on Vitally big Dash at one one fifty nine, 30 00:01:25,959 --> 00:01:30,520 Speaker 1: and then Roman Ferraldo versus Luis Iniguez at Bellator two 31 00:01:30,600 --> 00:01:32,840 Speaker 1: eighty three. A couple of honorable mentions that we'll talk 32 00:01:32,880 --> 00:01:37,240 Speaker 1: about at the end as well. Okay, very very quickly, 33 00:01:37,280 --> 00:01:40,240 Speaker 1: let's get things going, no time like the present. We 34 00:01:40,360 --> 00:01:45,320 Speaker 1: start with Alexander Gustisen taking on Nikita Krillov. Daniel Cormier, 35 00:01:45,360 --> 00:01:47,720 Speaker 1: who was a previous foe of gust of Sen, said this, 36 00:01:48,120 --> 00:01:51,880 Speaker 1: I think most people probably would agree. I certainly agree 37 00:01:51,880 --> 00:01:53,320 Speaker 1: with Dan of Cormier when he said this, that it's 38 00:01:53,320 --> 00:01:55,760 Speaker 1: time for gust of Sen to retire. He loses. The 39 00:01:55,800 --> 00:01:59,520 Speaker 1: official time of this was early. It was let's see 40 00:01:59,560 --> 00:02:04,200 Speaker 1: he laws at one seven of round number one. This 41 00:02:04,360 --> 00:02:07,040 Speaker 1: was pretty quick. What did you see in this fight? 42 00:02:07,120 --> 00:02:12,519 Speaker 1: A few different things. What ended up happening was Krilov 43 00:02:12,560 --> 00:02:15,440 Speaker 1: would throw a right body kick, which then Gustafson with 44 00:02:15,760 --> 00:02:18,680 Speaker 1: his left would overhook catch. But then he kind of 45 00:02:18,680 --> 00:02:21,360 Speaker 1: got stuck there. So the first time he actually gets clipped, 46 00:02:21,639 --> 00:02:23,800 Speaker 1: it's with a right hand, so he grabs it with 47 00:02:23,880 --> 00:02:27,320 Speaker 1: his left hand. Gustafson does, but then he gets I mean, 48 00:02:27,360 --> 00:02:30,160 Speaker 1: just imagine right if my left hand is overhooking here, 49 00:02:30,520 --> 00:02:32,680 Speaker 1: I have nothing to protect my face on this side. 50 00:02:32,840 --> 00:02:34,760 Speaker 1: So he gets hit with a right hand, and then 51 00:02:34,800 --> 00:02:37,880 Speaker 1: what you've noticed what he did was they eventually disengage. 52 00:02:38,639 --> 00:02:41,880 Speaker 1: Krilov kind of fades back to his right, Gustafson gives 53 00:02:42,000 --> 00:02:44,760 Speaker 1: chase and then walks into an overhand right and gets dropped. Man. 54 00:02:44,840 --> 00:02:48,160 Speaker 1: Krilov was all over him from the word go. So 55 00:02:48,240 --> 00:02:51,560 Speaker 1: he lands that right from the caught kick, he fades back, 56 00:02:51,720 --> 00:02:54,960 Speaker 1: pulls Gustafson into a trap, lands the overhand, drops him, 57 00:02:55,200 --> 00:02:56,959 Speaker 1: tries to rough him up against the fence. I give 58 00:02:57,280 --> 00:03:00,360 Speaker 1: Gustufson a little bit of credit, certainly, for fighting through that. 59 00:03:00,680 --> 00:03:03,560 Speaker 1: He eventually gets to his feet. He kind of controls 60 00:03:03,560 --> 00:03:05,920 Speaker 1: the clinch a little bit, creates separation, but he could 61 00:03:05,960 --> 00:03:08,120 Speaker 1: never really kind of get right. He was still little 62 00:03:08,160 --> 00:03:12,320 Speaker 1: bit wobbly at that time. By the way, he's eaten 63 00:03:12,480 --> 00:03:14,799 Speaker 1: huge knees in the clinch during this moment as well. 64 00:03:14,800 --> 00:03:19,360 Speaker 1: Like Krilov was landing offense in basically every scenario and 65 00:03:19,400 --> 00:03:22,120 Speaker 1: in virtually every exchange, some of it harder than others. 66 00:03:22,120 --> 00:03:24,520 Speaker 1: And by the way, Gustafson landing a right hook of 67 00:03:24,520 --> 00:03:26,919 Speaker 1: his own in some of those exchanges, which would pop 68 00:03:27,000 --> 00:03:30,480 Speaker 1: Krilov's head back, but to not much avail. So how 69 00:03:30,480 --> 00:03:34,960 Speaker 1: did the final finishing off sequence happened? That same body kick? 70 00:03:35,280 --> 00:03:39,200 Speaker 1: Gustafson catches with the same left arm, but he got 71 00:03:39,280 --> 00:03:41,120 Speaker 1: hit there last time, so he doesn't want to do that. 72 00:03:41,120 --> 00:03:42,880 Speaker 1: So what does he do? He takes his other hand 73 00:03:43,320 --> 00:03:46,720 Speaker 1: and frames across to the far side shoulder. But the 74 00:03:46,800 --> 00:03:49,520 Speaker 1: problem there is my left hand, if I'm Gustafson is 75 00:03:49,520 --> 00:03:52,600 Speaker 1: occupied with the kick, my right hand is occupied with 76 00:03:52,640 --> 00:03:54,960 Speaker 1: the far side shoulder. Okay, I've eliminated threats on that 77 00:03:55,040 --> 00:03:57,880 Speaker 1: right side. But now Krilov has a free left hand, 78 00:03:58,200 --> 00:04:01,240 Speaker 1: So Krilov just sneaks it in in the middle and 79 00:04:01,320 --> 00:04:04,120 Speaker 1: cracks him underneath. He falls, and then he finishes them 80 00:04:04,120 --> 00:04:06,120 Speaker 1: off with a series of punches from there. It was 81 00:04:06,160 --> 00:04:09,800 Speaker 1: a nice job from Kiloff to just relentless attack, relentless 82 00:04:09,800 --> 00:04:13,360 Speaker 1: attack at different ranges, relentless attack constantly threw the course 83 00:04:13,360 --> 00:04:15,200 Speaker 1: of the bout. I mean, I don't know if he 84 00:04:15,240 --> 00:04:18,120 Speaker 1: had some kind of idea that Gustuson would fold early 85 00:04:18,160 --> 00:04:20,320 Speaker 1: and this was the right approach, but either way, it 86 00:04:20,400 --> 00:04:24,719 Speaker 1: was the perfect approach for this kind of scenario. Listen, 87 00:04:24,760 --> 00:04:27,520 Speaker 1: these conversations are difficult about a fighter like Gustafson, and 88 00:04:27,520 --> 00:04:31,200 Speaker 1: I feel incredibly frustrated for him because obviously he did 89 00:04:31,240 --> 00:04:33,520 Speaker 1: not want to accomplish or excuse me, he did not 90 00:04:33,720 --> 00:04:36,559 Speaker 1: accomplish what he wanted to in his career. He wanted 91 00:04:36,600 --> 00:04:38,560 Speaker 1: to be the champion. He gave John Jones in that 92 00:04:38,600 --> 00:04:41,320 Speaker 1: first bout that they had everything he could handle. He 93 00:04:41,360 --> 00:04:43,760 Speaker 1: gave Daniel Cormier pretty much the same thing, one of 94 00:04:43,800 --> 00:04:47,080 Speaker 1: the two toughest spouts those guys ever had and came 95 00:04:47,160 --> 00:04:49,800 Speaker 1: up wanting. And then he has wins over Glover, he 96 00:04:49,839 --> 00:04:52,560 Speaker 1: has wins over Yan, and those two guys ended up 97 00:04:52,560 --> 00:04:55,839 Speaker 1: becoming champions. Honestly, if you take Gustafson's time in the 98 00:04:55,839 --> 00:04:58,680 Speaker 1: sport and you just fest forward it a few more 99 00:04:58,760 --> 00:05:00,680 Speaker 1: years where he doesn't run into those buzz saws. And 100 00:05:00,720 --> 00:05:02,800 Speaker 1: of course Anthony Johnson had something to say about that too, 101 00:05:02,839 --> 00:05:06,039 Speaker 1: but if you just kind of don't if he didn't 102 00:05:06,040 --> 00:05:08,200 Speaker 1: start when he started, and he started a little bit later, 103 00:05:09,040 --> 00:05:12,440 Speaker 1: he probably would be champion. Honestly, he probably would be. 104 00:05:12,560 --> 00:05:15,440 Speaker 1: But the reality is it didn't happen for him. And 105 00:05:15,480 --> 00:05:17,760 Speaker 1: I get the sense that he doesn't want to end 106 00:05:17,800 --> 00:05:21,240 Speaker 1: in this way. He doesn't want to end looking and feebled. 107 00:05:21,320 --> 00:05:23,640 Speaker 1: He doesn't want to end having not given himself something 108 00:05:23,680 --> 00:05:25,680 Speaker 1: to be proud of him that last shreat stretch. And 109 00:05:25,680 --> 00:05:26,960 Speaker 1: I don't know if he thinks the title is even 110 00:05:27,000 --> 00:05:29,080 Speaker 1: possible anymore. I don't know what he thinks obviously, but 111 00:05:30,400 --> 00:05:32,080 Speaker 1: it probably is time to hang it up. I mean, 112 00:05:32,120 --> 00:05:34,240 Speaker 1: there's a few different signs. We talked about this on 113 00:05:34,279 --> 00:05:36,760 Speaker 1: regular MK about when a fighter is done, and one 114 00:05:36,760 --> 00:05:39,320 Speaker 1: of them is they don't really throw back. That's not 115 00:05:39,680 --> 00:05:42,919 Speaker 1: so much what he was doing. But another one is 116 00:05:42,960 --> 00:05:45,760 Speaker 1: they just lose the capacity to absorb damage. And I 117 00:05:45,800 --> 00:05:47,799 Speaker 1: do think you're seeing that Listen. I'm not saying Krilov 118 00:05:47,839 --> 00:05:50,640 Speaker 1: is some kind of soft hitter. I don't in any 119 00:05:50,640 --> 00:05:54,440 Speaker 1: way think that's the reality. But those punches, I think 120 00:05:54,480 --> 00:05:56,560 Speaker 1: gust of sinn it's pretty fair to say, at least 121 00:05:56,560 --> 00:05:58,960 Speaker 1: it seems that way he would have been able to 122 00:05:59,000 --> 00:06:03,800 Speaker 1: take them previously, before you know, the career wound to 123 00:06:03,839 --> 00:06:05,800 Speaker 1: this point that he's at now, coming off of a 124 00:06:05,839 --> 00:06:08,520 Speaker 1: two year layoff. I appreciate that he tried to be 125 00:06:08,560 --> 00:06:11,520 Speaker 1: honest with you, Like the Verdomed thing seemed kind of 126 00:06:11,600 --> 00:06:14,560 Speaker 1: doomed from the get go, and it didn't go very well. 127 00:06:14,680 --> 00:06:18,000 Speaker 1: This went even worse. For the most part. This this 128 00:06:18,160 --> 00:06:21,760 Speaker 1: was bad. And so it's when you've arrived at the 129 00:06:21,800 --> 00:06:24,840 Speaker 1: position where you can't take damage anymore like you used 130 00:06:24,880 --> 00:06:28,000 Speaker 1: to a lot of times. At MMA, what we say is, okay, 131 00:06:28,040 --> 00:06:30,560 Speaker 1: well what else could he accomplish? And we applaud him 132 00:06:30,560 --> 00:06:32,840 Speaker 1: getting back out there. Certainly I appreciate the effort that 133 00:06:32,880 --> 00:06:36,240 Speaker 1: he is putting in there, but we it's not in 134 00:06:36,240 --> 00:06:40,839 Speaker 1: his interest to praise his effort anymore. Right, there becomes 135 00:06:40,880 --> 00:06:43,159 Speaker 1: a point where the damage has accumulated enough where it 136 00:06:43,200 --> 00:06:44,919 Speaker 1: is affecting their health. And if you are at the 137 00:06:44,960 --> 00:06:47,680 Speaker 1: stage where the chin is where his chin is, then 138 00:06:47,800 --> 00:06:51,039 Speaker 1: I think the humane and moral and appropriate thing to 139 00:06:51,080 --> 00:06:53,880 Speaker 1: do is Yes, if you want to praise what he 140 00:06:54,000 --> 00:06:56,080 Speaker 1: is trying, I give him all the credit in the 141 00:06:56,080 --> 00:06:58,520 Speaker 1: world for really kind of trying to muscle his way 142 00:06:58,560 --> 00:07:01,039 Speaker 1: back out there. But the truth is it's bad for 143 00:07:01,120 --> 00:07:03,560 Speaker 1: him now. It's very, very bad for him now. His 144 00:07:03,640 --> 00:07:07,200 Speaker 1: health is already perilous. If you're at this stage, asking 145 00:07:07,279 --> 00:07:13,720 Speaker 1: him to continue at this point is simply, in my judgment, unethical. 146 00:07:14,040 --> 00:07:16,320 Speaker 1: I really don't think it's the right call for him, 147 00:07:16,600 --> 00:07:18,880 Speaker 1: or his family or his future. He has a long 148 00:07:18,960 --> 00:07:22,200 Speaker 1: life after this. What will be the quality of life 149 00:07:22,200 --> 00:07:24,800 Speaker 1: that he has if he keeps going right? Even if 150 00:07:24,840 --> 00:07:26,360 Speaker 1: you want to say he could get more wins, which 151 00:07:26,400 --> 00:07:28,840 Speaker 1: is probably true, he could probably get some more wins 152 00:07:29,120 --> 00:07:32,080 Speaker 1: somewhere along the line. How much would you have to 153 00:07:32,080 --> 00:07:35,559 Speaker 1: sacrifice in training in terms of his overall long term health, 154 00:07:35,840 --> 00:07:38,680 Speaker 1: How doable is it? How financially rewarding is it. All 155 00:07:38,720 --> 00:07:41,880 Speaker 1: of these things bring into question that in the totality 156 00:07:41,920 --> 00:07:43,960 Speaker 1: of the picture, it doesn't really make sense. And I 157 00:07:44,000 --> 00:07:45,560 Speaker 1: know this is the standard argument. Oh, no one can 158 00:07:45,600 --> 00:07:47,760 Speaker 1: tell anyone else when they should retire. That's true. We 159 00:07:48,280 --> 00:07:50,400 Speaker 1: cannot make those decisions for him. Only he can make 160 00:07:50,480 --> 00:07:55,560 Speaker 1: those decisions or potentially athletic emissions or whatever. But while 161 00:07:55,560 --> 00:07:58,640 Speaker 1: there are certain cases that are a little bit borderline 162 00:07:59,280 --> 00:08:01,920 Speaker 1: about whether some one should continue, this one, to me 163 00:08:02,000 --> 00:08:05,280 Speaker 1: does not appear borderline. This one appears to me very 164 00:08:05,440 --> 00:08:08,560 Speaker 1: very clear that whatever he used to be, which is 165 00:08:08,560 --> 00:08:11,920 Speaker 1: to me a top tier elite two hundred and five pounder, 166 00:08:12,840 --> 00:08:15,600 Speaker 1: those days have since passed. And I think the appropriate 167 00:08:15,960 --> 00:08:19,880 Speaker 1: decision in terms of what is achievable, what is financially rewarding, 168 00:08:20,360 --> 00:08:22,600 Speaker 1: what about quality of lifelong term? When you factor all 169 00:08:22,600 --> 00:08:24,480 Speaker 1: these things together, I think it's probably time he move 170 00:08:24,520 --> 00:08:26,760 Speaker 1: onto something else. Easy for me to say, I understand 171 00:08:26,760 --> 00:08:29,720 Speaker 1: that very very difficult to accept these kinds of things, 172 00:08:29,720 --> 00:08:31,160 Speaker 1: which is why I think he's holding on as long 173 00:08:31,200 --> 00:08:35,800 Speaker 1: as he did. But the game is not fair. It 174 00:08:35,840 --> 00:08:38,440 Speaker 1: doesn't always reward I saw someone tweeting me being like, oh, well, 175 00:08:38,440 --> 00:08:41,360 Speaker 1: the best guy always wins. Okay, for the most part, 176 00:08:41,400 --> 00:08:44,319 Speaker 1: that's what we hope is true, but it's not really true. 177 00:08:44,320 --> 00:08:47,280 Speaker 1: And also, like the era in which you compete will 178 00:08:47,280 --> 00:08:52,160 Speaker 1: dictate what kind of rewards you achieve and what kind 179 00:08:52,200 --> 00:08:55,000 Speaker 1: of heights are available to you. He competed in an 180 00:08:55,000 --> 00:08:57,160 Speaker 1: era where the two guys in front of him, and 181 00:08:57,280 --> 00:08:59,360 Speaker 1: Anthony Johnson was obviously it went over him as well, 182 00:08:59,360 --> 00:09:02,040 Speaker 1: but wasn't necessarily a limiting factor in terms of potentially 183 00:09:02,080 --> 00:09:04,480 Speaker 1: getting a title in that way. But you know, the 184 00:09:04,480 --> 00:09:06,320 Speaker 1: greatest to ever do it, maybe in all of MMA, 185 00:09:06,480 --> 00:09:08,839 Speaker 1: was in his weight class, and then the second best 186 00:09:08,840 --> 00:09:11,720 Speaker 1: in that weight class maybe ever was right behind him 187 00:09:11,840 --> 00:09:13,840 Speaker 1: in terms of John Jones, right in front of Gustafson. 188 00:09:13,920 --> 00:09:16,360 Speaker 1: So this was a very very difficult era for him 189 00:09:16,720 --> 00:09:19,160 Speaker 1: to be competing. And I am I take no pleasure 190 00:09:19,160 --> 00:09:21,480 Speaker 1: in saying this, but it really it does seem to 191 00:09:21,559 --> 00:09:24,160 Speaker 1: be It does seem to be time. Also on this 192 00:09:24,240 --> 00:09:28,160 Speaker 1: card a women's flyweight contest Molly McCann defeating Hannah Goldie. 193 00:09:28,480 --> 00:09:30,920 Speaker 1: This contest ended at three point fifty two of the 194 00:09:30,960 --> 00:09:34,480 Speaker 1: first round. Molly McCann I think joins only Hickardo Hamosh 195 00:09:34,920 --> 00:09:38,000 Speaker 1: as the only person to have I think back to 196 00:09:38,120 --> 00:09:41,840 Speaker 1: back wins set up at least from a spinning back elbow. 197 00:09:43,559 --> 00:09:46,120 Speaker 1: This was actually a pretty good job from Molly McCann. 198 00:09:46,160 --> 00:09:48,040 Speaker 1: She used a lot of level changes and a little 199 00:09:48,040 --> 00:09:50,199 Speaker 1: bit of delayed timing where she would go low to 200 00:09:50,240 --> 00:09:52,120 Speaker 1: the body over the top, then wait for the hook, 201 00:09:52,200 --> 00:09:53,400 Speaker 1: get out of the way of it, and then throw 202 00:09:53,440 --> 00:09:55,839 Speaker 1: the hook herself over the top. That was pretty nice 203 00:09:55,840 --> 00:09:58,480 Speaker 1: for Hannah Goldie. Excuse me from Molly McCann as well. 204 00:09:59,520 --> 00:10:02,240 Speaker 1: Goldie got a takedown one time where she was able 205 00:10:02,240 --> 00:10:04,760 Speaker 1: to clench and then spin McCann, but McCann kind of 206 00:10:04,800 --> 00:10:06,440 Speaker 1: fell into the fence of the fence saved her there 207 00:10:06,440 --> 00:10:09,160 Speaker 1: a little bit. But you know, if you're a Hannah Goldie, 208 00:10:09,160 --> 00:10:11,640 Speaker 1: once you rotate off the fence, that's the time to 209 00:10:11,720 --> 00:10:14,439 Speaker 1: secure it. Obviously, it didn't work, so she tried to 210 00:10:14,520 --> 00:10:17,360 Speaker 1: keep rotating, but then this de fence ended up doing 211 00:10:17,440 --> 00:10:21,200 Speaker 1: McCann a little bit of favors. McCann landed a nice 212 00:10:21,240 --> 00:10:23,079 Speaker 1: right after a single leg pick up from Goldie. So 213 00:10:23,120 --> 00:10:24,880 Speaker 1: we go back to the Gustus and fight Gustus and 214 00:10:24,880 --> 00:10:27,200 Speaker 1: catches the kick. It's a little bit different in this case. 215 00:10:27,360 --> 00:10:29,120 Speaker 1: Goldie reached for a leg but ended up in the 216 00:10:29,120 --> 00:10:32,320 Speaker 1: same spot. Once you get that spot, it's incumbent. And 217 00:10:32,320 --> 00:10:34,040 Speaker 1: this goes back to the Gustus in fight as well. 218 00:10:34,320 --> 00:10:37,640 Speaker 1: You got to off balance them immediately, right because part 219 00:10:37,640 --> 00:10:39,520 Speaker 1: of the reason why the shots in the Krilla off 220 00:10:39,520 --> 00:10:41,000 Speaker 1: fight landed as hard as they did. Is because he 221 00:10:41,000 --> 00:10:43,400 Speaker 1: had his weight under him. He could drive off one 222 00:10:43,440 --> 00:10:45,960 Speaker 1: leg and power through. That's not perfect, but it's enough. 223 00:10:46,240 --> 00:10:48,600 Speaker 1: But if you're just you know, if you're getting run backwards, 224 00:10:48,679 --> 00:10:51,280 Speaker 1: you're getting pulled, or you're getting turned with that single 225 00:10:51,320 --> 00:10:52,960 Speaker 1: leg and they're having to balance off of it. Yes, 226 00:10:53,480 --> 00:10:55,840 Speaker 1: a punch will land, but it won't necessarily be that hard. 227 00:10:55,880 --> 00:10:58,320 Speaker 1: You can't just stand there. You got to move with it. 228 00:10:58,360 --> 00:10:59,760 Speaker 1: She did, and she gets hit with a nice shot, 229 00:10:59,840 --> 00:11:03,079 Speaker 1: so that was pretty good. In fact, Goldie got dropped, 230 00:11:04,080 --> 00:11:07,520 Speaker 1: it seemed like by that same kind of punch. So 231 00:11:08,520 --> 00:11:11,000 Speaker 1: the best part about it, though, is what really to 232 00:11:11,040 --> 00:11:13,520 Speaker 1: me was kind of interesting is how McCann set up 233 00:11:13,559 --> 00:11:16,240 Speaker 1: the spinning back elbow. There was a I think she 234 00:11:16,320 --> 00:11:18,200 Speaker 1: landed a punch and it may or may not have landed, 235 00:11:18,240 --> 00:11:21,600 Speaker 1: but the real key was she pushed Goldie back into 236 00:11:21,600 --> 00:11:24,360 Speaker 1: the fence. So Goldie gets pushed into the fence and 237 00:11:24,400 --> 00:11:26,720 Speaker 1: she gets pushed. I mean, if I pushed you with 238 00:11:26,800 --> 00:11:30,480 Speaker 1: one hand, it will potentially we'll just drive that shoulder 239 00:11:30,480 --> 00:11:32,600 Speaker 1: back or that hit back, or make you drive that footback. 240 00:11:32,640 --> 00:11:35,280 Speaker 1: But if I do too, to catch your balance, especially 241 00:11:35,280 --> 00:11:37,720 Speaker 1: if it's along the fence line. She actually ends up 242 00:11:37,720 --> 00:11:41,559 Speaker 1: going square and then McCann just steps across and then 243 00:11:41,600 --> 00:11:43,400 Speaker 1: fires the elbow and that was all she wrote, and 244 00:11:43,440 --> 00:11:45,520 Speaker 1: she gets hit with them. There's a couple more punches afterwards. 245 00:11:45,600 --> 00:11:47,280 Speaker 1: It was a nice job from Molly McCann. This is 246 00:11:47,280 --> 00:11:48,680 Speaker 1: a really nice job. I know a lot of people 247 00:11:48,720 --> 00:11:51,480 Speaker 1: are like, oh, well, you know, is she beating top contenders? No, 248 00:11:51,520 --> 00:11:53,480 Speaker 1: not necessarily, that's not the stage of the career that 249 00:11:53,520 --> 00:11:58,280 Speaker 1: she's in. But if you're fighting someone this overmatched again, 250 00:11:58,320 --> 00:11:59,920 Speaker 1: I go back to it, what are you supposed to do. 251 00:12:00,000 --> 00:12:02,360 Speaker 1: You're supposed to dispatch with them. That's what she did. 252 00:12:02,400 --> 00:12:04,160 Speaker 1: She dispatched them. It was a couple of right hands. 253 00:12:04,160 --> 00:12:07,040 Speaker 1: Maybe I think Goldie landed along the way. One of 254 00:12:07,040 --> 00:12:08,439 Speaker 1: the things that Stow out to me about Goldie it 255 00:12:08,480 --> 00:12:10,280 Speaker 1: is the same kind of problem that Sean Shirk had 256 00:12:10,840 --> 00:12:12,839 Speaker 1: a little bit, although Shirt was a little bit more 257 00:12:12,920 --> 00:12:15,840 Speaker 1: nimble with it. And if memory serves, Goldie is obviously 258 00:12:15,840 --> 00:12:18,920 Speaker 1: well muscled and very strong, and she does obviously have 259 00:12:18,960 --> 00:12:21,760 Speaker 1: some ability. I just noticed that there was a little 260 00:12:21,760 --> 00:12:24,120 Speaker 1: bit of stiffness in the upper body. I don't know 261 00:12:24,160 --> 00:12:26,920 Speaker 1: if it's directly related to the musculature. That's something for 262 00:12:27,600 --> 00:12:29,840 Speaker 1: someone who knows the body mechanics and and how all 263 00:12:29,840 --> 00:12:31,800 Speaker 1: of that works a little bit better than me. But 264 00:12:32,760 --> 00:12:35,480 Speaker 1: just whatever the reason may be, there was a little 265 00:12:35,520 --> 00:12:39,239 Speaker 1: bit more of natural fluidity of movement from macann Goldie, 266 00:12:39,320 --> 00:12:41,360 Speaker 1: you know, just she's strong as an ox and I 267 00:12:41,400 --> 00:12:45,040 Speaker 1: think there are ways to maximize that body type in mma, 268 00:12:45,160 --> 00:12:47,240 Speaker 1: which is a little bit more wrestling and clinch centric 269 00:12:47,720 --> 00:12:49,960 Speaker 1: that she wasn't able to bring to bear here. But 270 00:12:50,040 --> 00:12:52,920 Speaker 1: also just the stiffness. It wasn't that her hand speed 271 00:12:52,960 --> 00:12:55,280 Speaker 1: was slow, but people don't realize that when the jab goes, 272 00:12:55,400 --> 00:12:58,520 Speaker 1: the rear shoulder moves back, the front shoulder moves forward, 273 00:12:58,800 --> 00:13:01,440 Speaker 1: you're in the hips hop turn as well. It just 274 00:13:01,480 --> 00:13:04,760 Speaker 1: feels like there is. She's obviously in great shape, she's 275 00:13:04,800 --> 00:13:08,080 Speaker 1: obviously quite strong, she's obviously quite physical, but there's just 276 00:13:08,120 --> 00:13:12,200 Speaker 1: a little bit of rotational stiffness that I think impacts 277 00:13:12,200 --> 00:13:14,120 Speaker 1: some of her ability to get the fluidity of movement 278 00:13:14,120 --> 00:13:17,000 Speaker 1: that she needs both offensively and defensively. It's a nice 279 00:13:17,000 --> 00:13:19,720 Speaker 1: one for Mally mccanner, it really is. Which takes us 280 00:13:19,720 --> 00:13:23,800 Speaker 1: now to Paul Craig versus vulcan Uzdemir, which which by 281 00:13:23,800 --> 00:13:26,360 Speaker 1: the way went to a decision and the judges had 282 00:13:26,400 --> 00:13:28,920 Speaker 1: at thirty twenty seven across the board for Vulcan Uzdemir. 283 00:13:28,960 --> 00:13:31,920 Speaker 1: Paul Craig did the Paul Craig thing right. He did 284 00:13:31,920 --> 00:13:33,640 Speaker 1: his best with this where he was trying to get 285 00:13:33,679 --> 00:13:36,600 Speaker 1: overhooks and pull guard and trying to get butterfly guard 286 00:13:36,600 --> 00:13:41,079 Speaker 1: and then sweep underneath and move to a leg entanglements 287 00:13:41,080 --> 00:13:43,680 Speaker 1: and ankle entanglements to get anything. And for the most part, 288 00:13:43,760 --> 00:13:47,000 Speaker 1: for the most part, Uzdimir did what he was supposed 289 00:13:47,040 --> 00:13:48,760 Speaker 1: to do. He didn't get into too much trouble on 290 00:13:48,800 --> 00:13:51,839 Speaker 1: the ground. He broke contact when he needed to. He 291 00:13:51,960 --> 00:13:53,600 Speaker 1: played it. You know, he didn't put his hands on 292 00:13:53,640 --> 00:13:54,880 Speaker 1: the mat when he was in guard. He kind of 293 00:13:54,920 --> 00:13:57,720 Speaker 1: kept him in the center. He didn't get too big 294 00:13:57,760 --> 00:14:00,480 Speaker 1: and wide with his movements for a ground und pounds. 295 00:14:00,480 --> 00:14:02,040 Speaker 1: You guys notice that, right, because if you take a 296 00:14:02,080 --> 00:14:04,240 Speaker 1: big wide swing, they can usually shoot the legs in 297 00:14:04,280 --> 00:14:07,280 Speaker 1: between if they have a very nimble guard. So Uzdamir 298 00:14:07,320 --> 00:14:09,120 Speaker 1: I thought, for the most part, did what he had 299 00:14:09,160 --> 00:14:10,840 Speaker 1: to do. He gets to win. He did look a 300 00:14:10,840 --> 00:14:15,040 Speaker 1: little sluggish to me in the second round, but in 301 00:14:15,080 --> 00:14:17,120 Speaker 1: the end won the second round. And then won the 302 00:14:17,160 --> 00:14:19,080 Speaker 1: third round. Craig just didn't have enough answers. I will 303 00:14:19,080 --> 00:14:20,560 Speaker 1: tell you what's kind of interesting. I didn't really put 304 00:14:20,880 --> 00:14:23,040 Speaker 1: I didn't really notice it in this way before, but 305 00:14:23,120 --> 00:14:26,240 Speaker 1: I kind of noticed it this time. Paul Craig looked 306 00:14:26,280 --> 00:14:30,560 Speaker 1: to me like he was trying to do the Charles 307 00:14:30,560 --> 00:14:33,840 Speaker 1: Olivera thing but didn't quite have all of the Charles 308 00:14:33,880 --> 00:14:36,760 Speaker 1: Olivera pieces to get it done. In other words, there 309 00:14:36,760 --> 00:14:39,840 Speaker 1: are times where Olivera will obviously pull guard sometimes or 310 00:14:39,880 --> 00:14:41,640 Speaker 1: just flop to his back or whatever if he needs 311 00:14:41,680 --> 00:14:44,480 Speaker 1: to to invite that kind of game, and sometimes it 312 00:14:44,480 --> 00:14:46,320 Speaker 1: works and sometimes it doesn't. He can move to the 313 00:14:46,360 --> 00:14:49,320 Speaker 1: back from there. That's another part, like Paul Craig just 314 00:14:49,400 --> 00:14:52,120 Speaker 1: kind of stays with guard rather than like fully trying 315 00:14:52,160 --> 00:14:55,840 Speaker 1: to attack the back in all kinds of ways that 316 00:14:55,840 --> 00:14:59,040 Speaker 1: that Olivera does. Also, Olivera uses more wrestling and then 317 00:14:59,160 --> 00:15:02,080 Speaker 1: back exposure in ways that Paul Craig doesn't. So this 318 00:15:02,120 --> 00:15:03,440 Speaker 1: is what I mean. That's like a little bit of 319 00:15:03,440 --> 00:15:05,240 Speaker 1: the Charles Olivera thing, but I mean it more in 320 00:15:05,280 --> 00:15:07,480 Speaker 1: this way where okay, it doesn't go well for you 321 00:15:07,520 --> 00:15:11,440 Speaker 1: from guard, referee creates separation, stands everybody up and then 322 00:15:11,720 --> 00:15:13,280 Speaker 1: if you're Paul Craig, you're supposed to go for it. 323 00:15:13,280 --> 00:15:15,920 Speaker 1: And what would Charles Olivera do. He would probably march 324 00:15:15,960 --> 00:15:17,840 Speaker 1: the person down. He might clinch with him a little bit. 325 00:15:17,840 --> 00:15:20,960 Speaker 1: He's obviously got phenomenal boxing. But Charles, like if you 326 00:15:21,000 --> 00:15:23,440 Speaker 1: go back to, for example, the Justin Gaetgchee fight, he 327 00:15:23,480 --> 00:15:26,120 Speaker 1: puts a pace on you, right, he puts a pace 328 00:15:26,160 --> 00:15:28,520 Speaker 1: on you. And there were times when Gus excuse me, 329 00:15:28,560 --> 00:15:31,360 Speaker 1: when Uzdamir was tired, where I thought, man if Craig 330 00:15:31,440 --> 00:15:33,240 Speaker 1: just really kind of stepped on the gas here. It's 331 00:15:33,360 --> 00:15:36,360 Speaker 1: really stuck behind the jab And you know, obviously asking 332 00:15:36,400 --> 00:15:40,320 Speaker 1: someone to do the Charles Olivera thing is not so easy. 333 00:15:40,480 --> 00:15:42,440 Speaker 1: I'm not saying that because he can't do it. This 334 00:15:42,520 --> 00:15:44,320 Speaker 1: is all the end of the world. It's a very 335 00:15:44,440 --> 00:15:46,960 Speaker 1: very big ask to be, oh, maybe the best lightweight 336 00:15:47,000 --> 00:15:49,080 Speaker 1: on earth in terms of that style. I ob'us say 337 00:15:49,120 --> 00:15:51,840 Speaker 1: this is a light heavyweight contest. But I do sort 338 00:15:51,840 --> 00:15:54,560 Speaker 1: of wonder like what makes Charles Olivera's game work. It 339 00:15:54,600 --> 00:15:57,640 Speaker 1: works for very particular reasons, and in part it's because 340 00:15:58,360 --> 00:16:01,560 Speaker 1: he can flop to his back when it's necessary. He 341 00:16:01,640 --> 00:16:03,800 Speaker 1: can pull guard when necessary. He can work that guard 342 00:16:03,880 --> 00:16:08,240 Speaker 1: game when necessary, but when that doesn't work right, he's 343 00:16:08,280 --> 00:16:12,320 Speaker 1: back up to pushing a pace, driving, forward, clinching, sticking 344 00:16:12,320 --> 00:16:15,360 Speaker 1: behind the jab, exchanging on the feet right and then 345 00:16:15,640 --> 00:16:19,480 Speaker 1: double legging, level changing. There's just a little bit more 346 00:16:19,680 --> 00:16:24,200 Speaker 1: of what is necessary to complement a very effective guard 347 00:16:24,280 --> 00:16:27,800 Speaker 1: game in the totality of modern mma. I think that's 348 00:16:27,840 --> 00:16:29,600 Speaker 1: sort of what occurred to me. It's like there were times, like, 349 00:16:29,600 --> 00:16:32,200 Speaker 1: for example, Craig would get up and then somewhat forced 350 00:16:32,240 --> 00:16:34,840 Speaker 1: the action on the feet, but it was never sustained 351 00:16:35,040 --> 00:16:39,000 Speaker 1: enough in this bout in that way to make that 352 00:16:39,080 --> 00:16:40,800 Speaker 1: all work for him. In the end, he didn't get 353 00:16:40,800 --> 00:16:43,080 Speaker 1: any of the rounds on any of the judges' scorecards. 354 00:16:43,320 --> 00:16:46,160 Speaker 1: So there was pieces of you can kind of see 355 00:16:46,200 --> 00:16:49,520 Speaker 1: why the Charles Olivera game works. Charles Olivera probably has 356 00:16:49,520 --> 00:16:53,480 Speaker 1: a better guard, although for light heavyweight, Paul Craig's guard 357 00:16:53,560 --> 00:16:57,160 Speaker 1: is more than good enough, obviously, But it's all those 358 00:16:57,200 --> 00:16:59,600 Speaker 1: other pieces. It's a little bit of extra wrestling. It's 359 00:16:59,640 --> 00:17:03,960 Speaker 1: that exposure. It's the back taking, it's the clinching, it's 360 00:17:04,000 --> 00:17:07,000 Speaker 1: the jab, it's the forward pressure, it's the pace. All 361 00:17:07,080 --> 00:17:10,080 Speaker 1: of that works together so that when the other people 362 00:17:10,119 --> 00:17:12,199 Speaker 1: wants to retreat to the ground when they want to fight, 363 00:17:12,680 --> 00:17:15,640 Speaker 1: or he can find an opportunity to leverage it. It's 364 00:17:15,720 --> 00:17:17,960 Speaker 1: just this is what I mean, it's just attacking in 365 00:17:18,080 --> 00:17:21,800 Speaker 1: all scenarios. My favorite kinds of fighters in general, not always, 366 00:17:22,160 --> 00:17:25,639 Speaker 1: but in general are the ones that attack in all scenarios. Right, 367 00:17:26,240 --> 00:17:31,360 Speaker 1: They've got an offensive, legitimate attack truly, no matter where 368 00:17:31,359 --> 00:17:33,240 Speaker 1: the fight goes, if they're pressing up against the fence, 369 00:17:33,240 --> 00:17:35,400 Speaker 1: if they're getting pressed up against the fence, if they're 370 00:17:35,440 --> 00:17:37,520 Speaker 1: on top, if they're on their back, if they're on 371 00:17:37,560 --> 00:17:40,160 Speaker 1: someone else's back, if they're at kickboxing range, if they're 372 00:17:40,160 --> 00:17:42,639 Speaker 1: at boxing range. And olivera gets hit, his game is 373 00:17:42,640 --> 00:17:46,080 Speaker 1: not perfect either, but it is fair to say having 374 00:17:46,119 --> 00:17:50,000 Speaker 1: a good guard and leveraging it in unusual ways can 375 00:17:50,040 --> 00:17:52,480 Speaker 1: be quite beneficial. Paul Craig has done that too for 376 00:17:52,520 --> 00:17:56,760 Speaker 1: the most part, pretty decent effect this bout notwithstanding. But 377 00:17:57,040 --> 00:18:00,479 Speaker 1: when that fails, the other pieces of the game have 378 00:18:00,600 --> 00:18:03,840 Speaker 1: to be there to get the win because overly relying 379 00:18:03,880 --> 00:18:06,280 Speaker 1: on the guard as good as I mean, dude, is 380 00:18:06,280 --> 00:18:08,320 Speaker 1: anyone gonna say Paul Craig doesn't have a good guard 381 00:18:08,520 --> 00:18:11,200 Speaker 1: he's got a phenomenal guard, a phenomenal guard, and he's 382 00:18:11,240 --> 00:18:14,520 Speaker 1: got other good parts of his game too, But relying 383 00:18:14,560 --> 00:18:18,400 Speaker 1: on the guard in that way, without those complimentary pieces 384 00:18:18,920 --> 00:18:21,440 Speaker 1: and the pace that accompanies them, it's going to be 385 00:18:21,480 --> 00:18:23,919 Speaker 1: difficult to beat some of the better guys. Uzdamir was 386 00:18:24,000 --> 00:18:26,760 Speaker 1: tired in the second and third rounds. I do wonder 387 00:18:26,840 --> 00:18:28,920 Speaker 1: if some of those other pieces weren't in place. Again, 388 00:18:29,040 --> 00:18:31,879 Speaker 1: easy for me to say, but if those other pieces 389 00:18:31,920 --> 00:18:34,000 Speaker 1: weren't in place, how much more doable a win was. 390 00:18:34,280 --> 00:18:36,240 Speaker 1: It's funny the scores were thirty twenty seven, and I 391 00:18:36,280 --> 00:18:38,600 Speaker 1: think that those were the right scores. But I do 392 00:18:38,680 --> 00:18:41,399 Speaker 1: wonder how winnable this fight was. If some of the 393 00:18:41,520 --> 00:18:44,720 Speaker 1: other portions of the game that bring everything together in 394 00:18:44,760 --> 00:18:47,160 Speaker 1: the way that Charles Olivera brings them together, how much 395 00:18:47,200 --> 00:18:48,879 Speaker 1: better that would have done him. I don't mean to 396 00:18:48,880 --> 00:18:50,720 Speaker 1: say again, oh you have to go be Charles Olavera. 397 00:18:51,160 --> 00:18:53,960 Speaker 1: I just mean to say, we talk about what makes 398 00:18:54,000 --> 00:19:00,000 Speaker 1: Charles Olivera good. He recognized that just a good guard, 399 00:19:00,240 --> 00:19:02,000 Speaker 1: as good as that can be, as valuable as that 400 00:19:02,000 --> 00:19:03,520 Speaker 1: can be, you got to have a lot of other 401 00:19:03,560 --> 00:19:07,560 Speaker 1: pieces to really beat elite guys. Consistently, and I think 402 00:19:07,600 --> 00:19:09,440 Speaker 1: that you can see some of that difference. This was 403 00:19:09,480 --> 00:19:12,960 Speaker 1: like a little bit of Charles olivera light to me, right, 404 00:19:13,119 --> 00:19:14,879 Speaker 1: that's what That's sort of what I come down to 405 00:19:14,920 --> 00:19:16,760 Speaker 1: on this one. All right, So let's talk about this 406 00:19:16,920 --> 00:19:20,120 Speaker 1: very very quickly. How about this dude out of one nine, 407 00:19:20,200 --> 00:19:22,120 Speaker 1: so he's their existing I believe he's the double champ. 408 00:19:22,119 --> 00:19:24,520 Speaker 1: He's their middleweight and their light heavyweight champ. Now this 409 00:19:24,560 --> 00:19:28,000 Speaker 1: about took place at two oh five, but that's their 410 00:19:28,040 --> 00:19:31,760 Speaker 1: middleweight contest, right, because they of their weight issues, they 411 00:19:31,840 --> 00:19:34,280 Speaker 1: moved everyone up away class, right, so it was two five. 412 00:19:34,320 --> 00:19:39,320 Speaker 1: But what they call middleweight Rainier de ritter is how 413 00:19:39,320 --> 00:19:41,200 Speaker 1: they say it. If I'm saying it wrong, Dutch people, 414 00:19:41,240 --> 00:19:43,080 Speaker 1: please don't kill me. I don't in any way know 415 00:19:43,080 --> 00:19:45,800 Speaker 1: how to probably pronounce Dutch names, so I'm doing my best. 416 00:19:46,000 --> 00:19:48,879 Speaker 1: He took on Vitality Big Dash at one one fifty nine. 417 00:19:48,920 --> 00:19:51,320 Speaker 1: This was the main event, dude. This guy is phenomenal 418 00:19:51,560 --> 00:19:54,000 Speaker 1: Fataliti Big Dash and by by the way, the fight 419 00:19:54,240 --> 00:19:57,800 Speaker 1: ended at let's see three twenty nine of round number one. 420 00:19:57,840 --> 00:20:00,560 Speaker 1: It was a five round contest. Big Dash looked like 421 00:20:00,600 --> 00:20:05,280 Speaker 1: he had a decent guillotine attempted there pretty tight for 422 00:20:05,320 --> 00:20:06,800 Speaker 1: a while, but it looks like he was trying to 423 00:20:06,880 --> 00:20:08,560 Speaker 1: muscle it a little bit too much. So there was 424 00:20:08,600 --> 00:20:12,600 Speaker 1: one final push he went on it and you see 425 00:20:13,000 --> 00:20:15,080 Speaker 1: de Ritter's face turn purple. But then he kind of 426 00:20:15,080 --> 00:20:18,000 Speaker 1: relented on it because I think that was a maximum squeeze. 427 00:20:18,040 --> 00:20:19,639 Speaker 1: It didn't result in the tap, and he was like, well, 428 00:20:19,680 --> 00:20:21,959 Speaker 1: I gotta release it a little bit. And then Derittter 429 00:20:22,000 --> 00:20:24,320 Speaker 1: had was hand fighting. He pops his head out and 430 00:20:24,320 --> 00:20:26,000 Speaker 1: then he goes to guard from there, or he goes 431 00:20:26,040 --> 00:20:28,520 Speaker 1: he was on top from there. Now the way the 432 00:20:28,520 --> 00:20:32,399 Speaker 1: fight ended actually ended up ending was pretty interesting. De 433 00:20:32,520 --> 00:20:36,600 Speaker 1: Ritter was on top in half guard. Right not long 434 00:20:36,640 --> 00:20:41,399 Speaker 1: after the failed guillotine, he attempts a kimora, and I 435 00:20:41,440 --> 00:20:44,240 Speaker 1: think he baited the back take because he actually opened 436 00:20:44,320 --> 00:20:47,480 Speaker 1: up spots like I'm gonna sort of show underneath his arm, 437 00:20:47,600 --> 00:20:50,040 Speaker 1: underneath the side of his arm, just like this that 438 00:20:50,080 --> 00:20:53,480 Speaker 1: I'm showing on camera. If you're listening on podcast, just 439 00:20:53,560 --> 00:20:55,719 Speaker 1: imagine your arm is sort of chicken wing. Then you're 440 00:20:55,760 --> 00:20:57,919 Speaker 1: out to the side. It's all the space underneath. He 441 00:20:57,960 --> 00:21:00,280 Speaker 1: actually kind of opened that and you see Derrittter. You 442 00:21:00,359 --> 00:21:03,320 Speaker 1: see Big Dash almost sit up through it at that point, 443 00:21:03,359 --> 00:21:06,280 Speaker 1: whether he baited it or not. De Ritter then attempts 444 00:21:06,320 --> 00:21:09,119 Speaker 1: to take the back. That fails because Big Dash is 445 00:21:09,160 --> 00:21:11,560 Speaker 1: scrambling through. So then he tries on the arm that 446 00:21:11,560 --> 00:21:14,600 Speaker 1: he had the kumor on to flip over around and 447 00:21:14,640 --> 00:21:17,520 Speaker 1: then get an armbar on it. That fails as well, 448 00:21:18,000 --> 00:21:20,959 Speaker 1: And then what ends up happening is not long after it, 449 00:21:21,000 --> 00:21:25,119 Speaker 1: they kind of go to a Essentially, Deritter is working 450 00:21:25,119 --> 00:21:30,960 Speaker 1: from his back and locks up an inverted triangle, so 451 00:21:31,000 --> 00:21:34,920 Speaker 1: he's almost like he's basically almost like perpendicular ish too 452 00:21:35,119 --> 00:21:37,159 Speaker 1: big Dash in that way to close the show. And 453 00:21:37,200 --> 00:21:38,880 Speaker 1: the reason why he like the inverted triangle. The reason 454 00:21:38,920 --> 00:21:40,840 Speaker 1: why I like the inverted triangle so much is one, 455 00:21:40,840 --> 00:21:43,160 Speaker 1: it's just a clever setup from that scenario. By the way, 456 00:21:43,200 --> 00:21:45,639 Speaker 1: watch how his hand fighting goes from the wrist to 457 00:21:45,680 --> 00:21:48,320 Speaker 1: the back of the arm on Big Dash to pull 458 00:21:48,400 --> 00:21:50,720 Speaker 1: him into it. But the better point is if you 459 00:21:50,760 --> 00:21:53,720 Speaker 1: go and look at the way in which Big Dash 460 00:21:53,840 --> 00:21:57,800 Speaker 1: finally got caught. He's turning this way, which brought the 461 00:21:57,840 --> 00:22:01,440 Speaker 1: hamstrings and the calf on both sides of the carottid 462 00:22:01,520 --> 00:22:03,600 Speaker 1: arteries to close it. So rather than it. What's a 463 00:22:03,600 --> 00:22:06,040 Speaker 1: typical triangle, It's going to be the arm across like 464 00:22:06,119 --> 00:22:08,520 Speaker 1: this and then the other person's kind of hamstrings on 465 00:22:08,560 --> 00:22:11,920 Speaker 1: the other side. This was hamstrings in calf like directly 466 00:22:12,040 --> 00:22:14,240 Speaker 1: on it. And the reason why I like that one 467 00:22:14,520 --> 00:22:19,159 Speaker 1: is you just sort of think about it naturally. Rather than 468 00:22:19,200 --> 00:22:20,919 Speaker 1: the calf being on the back of the neck and 469 00:22:20,960 --> 00:22:23,720 Speaker 1: forcing it down, you're using your hamstrings and your calf 470 00:22:23,760 --> 00:22:26,359 Speaker 1: on either side of the throat to close. You just 471 00:22:26,440 --> 00:22:30,359 Speaker 1: have a much more muscular compression. You your hamstrings if 472 00:22:30,400 --> 00:22:32,400 Speaker 1: you're in good shape or should be very strong, very 473 00:22:32,480 --> 00:22:35,520 Speaker 1: strong pulling motion. So it ends up happening is you 474 00:22:35,560 --> 00:22:37,560 Speaker 1: actually bring that rather than the calf to the back 475 00:22:37,600 --> 00:22:40,160 Speaker 1: of the neck, everything kind of switches around and now 476 00:22:40,200 --> 00:22:42,119 Speaker 1: the hamstrings are on one side and the calf is 477 00:22:42,160 --> 00:22:44,600 Speaker 1: on the other. That's a hell of a squeeze, dude. 478 00:22:44,600 --> 00:22:47,400 Speaker 1: Big Dash didn't last much longer from there at all. 479 00:22:47,480 --> 00:22:50,280 Speaker 1: He went out I think maybe five seconds or less later. 480 00:22:50,920 --> 00:22:54,680 Speaker 1: Phenomenal win from this guy who's undefeated. He's their double champ. 481 00:22:54,960 --> 00:22:57,000 Speaker 1: Reneered to Ritter Again, if I'm saying that wrong, please 482 00:22:57,040 --> 00:22:59,640 Speaker 1: don't kill me. Reneer to Ritter, this guy is an 483 00:22:59,640 --> 00:23:02,360 Speaker 1: abs salute beast. Folks are asking is he ready for 484 00:23:02,400 --> 00:23:04,840 Speaker 1: the big shows, the UFCS and something like that, Yes, 485 00:23:05,280 --> 00:23:06,919 Speaker 1: more than ready, more than ready. I don't know what 486 00:23:07,040 --> 00:23:08,760 Speaker 1: weight class he would want to go to. I'm guessing 487 00:23:08,760 --> 00:23:10,360 Speaker 1: two o five would be the best one for him, 488 00:23:10,480 --> 00:23:13,439 Speaker 1: or the American two o five, so light heavyweight, not 489 00:23:13,720 --> 00:23:16,600 Speaker 1: the one middleweight which is two o five. But you 490 00:23:16,680 --> 00:23:20,600 Speaker 1: get the idea great, great, great guard game from this 491 00:23:20,640 --> 00:23:25,320 Speaker 1: guy and again attacking all the time, attacking from our 492 00:23:25,440 --> 00:23:29,320 Speaker 1: on unorthodox positions, learning how to wrestle so to speak, 493 00:23:29,640 --> 00:23:33,840 Speaker 1: and be limber and affective with movement with his legs right. 494 00:23:33,960 --> 00:23:36,760 Speaker 1: A lot of big guys they have good ground games 495 00:23:36,840 --> 00:23:39,360 Speaker 1: on top, they can pass, they can do head norm triangles, 496 00:23:39,400 --> 00:23:41,600 Speaker 1: they can do camoras. Here's a guy who can do 497 00:23:41,600 --> 00:23:43,919 Speaker 1: it off of his back, from his legs. Paul Craig esk. 498 00:23:44,000 --> 00:23:46,359 Speaker 1: But this is a more target of opportunity rather than 499 00:23:46,359 --> 00:23:50,240 Speaker 1: sort of pulling someone into it in that way. Phenomenal job, 500 00:23:50,480 --> 00:23:53,119 Speaker 1: phenomenal job by this guy. He is must watch if 501 00:23:53,119 --> 00:23:55,960 Speaker 1: you are not watching one championship and you're not watching 502 00:23:56,040 --> 00:23:58,280 Speaker 1: Vernier de Ritter. Again, I'm sure I'm saying that like 503 00:23:58,320 --> 00:24:02,240 Speaker 1: in the most awful way imaginable. If you're not watching him, 504 00:24:02,560 --> 00:24:05,760 Speaker 1: you're missing out on one of the very best prospects. 505 00:24:05,920 --> 00:24:07,640 Speaker 1: You know, obviously he's a double champ. But I mean 506 00:24:07,640 --> 00:24:10,520 Speaker 1: when I say prospect is against the very best, you 507 00:24:10,560 --> 00:24:12,760 Speaker 1: know what I'm assuming will be the very best light 508 00:24:12,800 --> 00:24:16,280 Speaker 1: heavyweights in the world, You're you're doing yourself a disservice. 509 00:24:16,560 --> 00:24:19,760 Speaker 1: This guy is a beast, a total beast. And for 510 00:24:19,880 --> 00:24:25,399 Speaker 1: our fifth and final fight here on extra credit, we 511 00:24:25,440 --> 00:24:28,520 Speaker 1: talk about this fight. How about I gotta tell you, man, 512 00:24:28,560 --> 00:24:32,040 Speaker 1: this guy is just he's just can't miss. How about 513 00:24:32,119 --> 00:24:36,919 Speaker 1: Roman Ferraldo defeating Luis Innigez first round at three forty 514 00:24:36,920 --> 00:24:39,560 Speaker 1: two with a straight left. This guy was looking for 515 00:24:39,600 --> 00:24:43,120 Speaker 1: the right left hand constantly, but he sets it up 516 00:24:43,160 --> 00:24:47,679 Speaker 1: in the most clever, clever of ways. First of all, 517 00:24:47,720 --> 00:24:49,760 Speaker 1: one thing he does defensively is when he shells up 518 00:24:49,800 --> 00:24:52,040 Speaker 1: like this, he doesn't take a million steps back. He 519 00:24:52,119 --> 00:24:54,520 Speaker 1: shuffles one or two steps back. For young fighters out 520 00:24:54,520 --> 00:24:57,040 Speaker 1: there paying attention, I see a lot of people, even 521 00:24:57,040 --> 00:24:59,040 Speaker 1: at the UFC level, they'll put their hands in front 522 00:24:59,040 --> 00:25:00,840 Speaker 1: of their face to block, which fine, depending on the 523 00:25:00,880 --> 00:25:02,840 Speaker 1: right circumstance. I mean, there's all different ways to defend 524 00:25:02,880 --> 00:25:05,639 Speaker 1: this is a for the most part a perfectly appropriate 525 00:25:05,680 --> 00:25:08,600 Speaker 1: one in the right cases, and he only shuffles a 526 00:25:08,600 --> 00:25:10,960 Speaker 1: few steps back are very little, like just a small 527 00:25:10,960 --> 00:25:13,840 Speaker 1: amount of distance, so he doesn't have to constantly fight 528 00:25:13,920 --> 00:25:17,479 Speaker 1: his way in the inside by taking these giant leaps 529 00:25:17,520 --> 00:25:19,760 Speaker 1: backwards right, just a little bit there, and then he's 530 00:25:19,840 --> 00:25:21,920 Speaker 1: right back on you. Very very very smart the way 531 00:25:21,920 --> 00:25:23,960 Speaker 1: he does that, very very technical. By the way, the 532 00:25:23,960 --> 00:25:26,439 Speaker 1: guys eight and zero totally undefeated. This is what this 533 00:25:26,480 --> 00:25:28,720 Speaker 1: is a welterway about a one seventy. But the way 534 00:25:28,760 --> 00:25:31,919 Speaker 1: he set it up was so nice. He has he 535 00:25:32,000 --> 00:25:34,240 Speaker 1: pulls guys into traps all the time. The left hand 536 00:25:34,240 --> 00:25:36,480 Speaker 1: was landing constantly. But this is how we closed the show. 537 00:25:37,000 --> 00:25:40,480 Speaker 1: He's in Orthodox and he's circling a little bit to 538 00:25:40,600 --> 00:25:44,760 Speaker 1: his left right or inigaz his opponent is circling to 539 00:25:44,840 --> 00:25:48,040 Speaker 1: his right. What he does is he goes even from 540 00:25:48,040 --> 00:25:52,040 Speaker 1: an in an Orthodox stance, he goes right cross, or 541 00:25:52,080 --> 00:25:54,199 Speaker 1: actually say right straight in this gay right cross in 542 00:25:54,200 --> 00:25:57,040 Speaker 1: this way right, So he goes with the right. Then 543 00:25:57,640 --> 00:26:01,159 Speaker 1: he switches stances, so he takes up big step out 544 00:26:01,840 --> 00:26:03,560 Speaker 1: and then that lines up the left. Now why does 545 00:26:03,600 --> 00:26:05,359 Speaker 1: that work? Well, let's think about this. If I'm this 546 00:26:05,480 --> 00:26:08,920 Speaker 1: way and I'm circling to my left, it might mean 547 00:26:08,920 --> 00:26:10,560 Speaker 1: I'm lining up the left hand. But it's not gonna 548 00:26:10,640 --> 00:26:12,680 Speaker 1: quite work right because you're gonna be able to move 549 00:26:12,720 --> 00:26:13,800 Speaker 1: just a little bit out of the way of it 550 00:26:13,840 --> 00:26:16,560 Speaker 1: even if I land something. But if I can land 551 00:26:16,680 --> 00:26:22,600 Speaker 1: a lead right hand with that outside stance change, now 552 00:26:22,680 --> 00:26:25,160 Speaker 1: I have lead outside foot position. You gotta pay attention 553 00:26:25,200 --> 00:26:26,879 Speaker 1: to what happens with Inegas when he gets hit with 554 00:26:26,920 --> 00:26:29,960 Speaker 1: the right hand. Partly, it's just a way for farraldo 555 00:26:30,080 --> 00:26:31,920 Speaker 1: to cheat the distance and then get that step in 556 00:26:31,960 --> 00:26:34,320 Speaker 1: there that he needs. That's partly it. The other part 557 00:26:34,400 --> 00:26:37,399 Speaker 1: is Indigaz is moving a little bit, not like constant 558 00:26:37,400 --> 00:26:39,840 Speaker 1: like Jack Hermanson lateral movement, but a fair amount of 559 00:26:39,880 --> 00:26:42,359 Speaker 1: lateral movement. And so what it does is when he 560 00:26:42,400 --> 00:26:44,080 Speaker 1: takes that when he throws the right hand and then 561 00:26:44,119 --> 00:26:49,640 Speaker 1: takes that step, Anigaz gets shuff gets gets pushed slightly backward, 562 00:26:49,760 --> 00:26:51,639 Speaker 1: but not a huge amount, just a little bit, just 563 00:26:51,680 --> 00:26:54,000 Speaker 1: a little bit. But the point being there is one 564 00:26:54,119 --> 00:26:56,080 Speaker 1: for all those cheating in the distance. Two with that 565 00:26:56,160 --> 00:26:58,439 Speaker 1: switch step, he's taking the outside the lead foot position. 566 00:26:59,040 --> 00:27:01,800 Speaker 1: And more to the point, point it stops that movement 567 00:27:02,040 --> 00:27:04,760 Speaker 1: from anigos. So now he goes just a little bit back, 568 00:27:05,040 --> 00:27:09,440 Speaker 1: which lines up the left hand perfectly. Right. It's lead 569 00:27:09,520 --> 00:27:13,520 Speaker 1: right switch step. He has gone. He has been frozen 570 00:27:13,560 --> 00:27:16,280 Speaker 1: in space and so now the left comes right down 571 00:27:16,280 --> 00:27:20,440 Speaker 1: the pike. Dude, it is that dude is a beast 572 00:27:20,640 --> 00:27:25,439 Speaker 1: of a striker. Very very very very good by Roman 573 00:27:25,480 --> 00:27:28,520 Speaker 1: Ferraldo love watching this guy compete if you're not paying 574 00:27:28,520 --> 00:27:33,520 Speaker 1: attention to him. He's a born highlight reel phenomenal striker, 575 00:27:33,600 --> 00:27:36,120 Speaker 1: sets traps all the different ways he can do them, 576 00:27:36,440 --> 00:27:40,760 Speaker 1: and this one was clever. Orthodox lead right switch stance 577 00:27:41,119 --> 00:27:43,880 Speaker 1: left hand freezes him in space before he can land. 578 00:27:43,920 --> 00:27:46,080 Speaker 1: The left helps him cheat the distance help them. And 579 00:27:46,119 --> 00:27:47,800 Speaker 1: by the way, obviously what also lines up the left 580 00:27:47,840 --> 00:27:50,399 Speaker 1: is taking that outside foot position. That ali step that 581 00:27:50,440 --> 00:27:53,080 Speaker 1: they talk about right takes that outside foot position, lines 582 00:27:53,160 --> 00:27:56,359 Speaker 1: up the left hand perfectly. Dude, that is a guy 583 00:27:56,800 --> 00:27:59,439 Speaker 1: you want to be paying attention to. Roman Ferraaldo at 584 00:27:59,480 --> 00:28:02,119 Speaker 1: a belt or three All right, last but not least 585 00:28:03,080 --> 00:28:07,040 Speaker 1: honorable mention. Very quickly, Muhammed Makay have taken on Charles Johnson. 586 00:28:07,359 --> 00:28:09,600 Speaker 1: Makai have got the job done. He landed five of 587 00:28:09,640 --> 00:28:12,840 Speaker 1: ten takedowns in just the third round and only one 588 00:28:12,880 --> 00:28:15,560 Speaker 1: significant strike. For as good as the guy looked in 589 00:28:15,600 --> 00:28:19,119 Speaker 1: his previous bout, which was his UFC debut, and he 590 00:28:19,200 --> 00:28:21,840 Speaker 1: got the job done here, it still is a showcase 591 00:28:21,880 --> 00:28:24,399 Speaker 1: in how much further he has to go where there 592 00:28:24,440 --> 00:28:26,119 Speaker 1: just wasn't a whole lot of ground and pound in 593 00:28:26,160 --> 00:28:29,240 Speaker 1: this contest. Frankly, either way, I believe I have the 594 00:28:29,359 --> 00:28:32,760 Speaker 1: numbers here. I want to pull them up very quickly. Yeah. 595 00:28:32,920 --> 00:28:35,800 Speaker 1: So here's the significant strikes that Makai have landed. Six 596 00:28:35,880 --> 00:28:39,560 Speaker 1: in round one, five in round two, one in round three, 597 00:28:39,600 --> 00:28:41,560 Speaker 1: and now his opponent didn't do much better Charles Johnson 598 00:28:41,600 --> 00:28:44,560 Speaker 1: one significant strike in round one, five in round two, 599 00:28:44,640 --> 00:28:46,840 Speaker 1: six in round two, so they kind of switched. But 600 00:28:47,280 --> 00:28:49,760 Speaker 1: Makai have four of eleven takedowns in round one, three 601 00:28:49,760 --> 00:28:53,080 Speaker 1: of five takedowns in round two, five of ten takedowns 602 00:28:53,360 --> 00:28:55,920 Speaker 1: in round three. The takedowns and the control basically saved 603 00:28:56,000 --> 00:28:59,280 Speaker 1: him here. He accumulated, excuse me, in round one, over 604 00:28:59,320 --> 00:29:01,360 Speaker 1: four minutes of control time, three and a half minutes 605 00:29:01,360 --> 00:29:03,880 Speaker 1: in round two, and nearly four minutes again in round three. 606 00:29:03,960 --> 00:29:07,320 Speaker 1: That was the sort of story there, but it also 607 00:29:07,440 --> 00:29:11,000 Speaker 1: kind of shows there's a little bit more development, particularly 608 00:29:11,000 --> 00:29:12,760 Speaker 1: in the striking, and then the blending of it all 609 00:29:13,000 --> 00:29:15,240 Speaker 1: to really bring him along. It's a good win, it's 610 00:29:15,240 --> 00:29:17,400 Speaker 1: a solid win. But people have been talking about, like, oh, 611 00:29:17,400 --> 00:29:19,800 Speaker 1: how fast is he going to go up the ranks? Again? 612 00:29:20,240 --> 00:29:24,640 Speaker 1: Everybody slow the role. He obviously is quite talented. But 613 00:29:24,800 --> 00:29:27,440 Speaker 1: let's take our time with guys even when they show 614 00:29:27,480 --> 00:29:30,360 Speaker 1: a lot of promise, because at this stage there's a 615 00:29:30,440 --> 00:29:32,520 Speaker 1: lot of different pieces of their game that look good, 616 00:29:32,840 --> 00:29:34,800 Speaker 1: but then they need to be more fully developed, more 617 00:29:34,840 --> 00:29:38,280 Speaker 1: fully tested to really get a sense of exactly how 618 00:29:38,760 --> 00:29:41,120 Speaker 1: far along they are. And then, last but not least, 619 00:29:41,120 --> 00:29:43,440 Speaker 1: I'm sure I'm gonna mispronounce one of these names. But 620 00:29:43,600 --> 00:29:46,720 Speaker 1: back to Bellatore two eighty three. Akmann Mega Metov taken 621 00:29:46,760 --> 00:29:49,520 Speaker 1: on Kevin Bohm. I think I say it Boom, it's 622 00:29:49,640 --> 00:29:52,840 Speaker 1: b e Hm. I'm not sure I pronounce it. Small 623 00:29:52,840 --> 00:29:54,360 Speaker 1: story here, this guy has a lot of submissions on 624 00:29:54,360 --> 00:29:56,800 Speaker 1: his record, particularly by rear naked choke. He's defending a 625 00:29:56,840 --> 00:30:00,200 Speaker 1: takedown like a single leg attempt from Kevin, I'll say, 626 00:30:01,000 --> 00:30:05,280 Speaker 1: and gets perpendicular on him and then from that locks 627 00:30:05,400 --> 00:30:07,920 Speaker 1: up a rear naked choked grip on the throat and 628 00:30:08,040 --> 00:30:11,160 Speaker 1: is able then through a rolling process, but basically from 629 00:30:11,240 --> 00:30:16,240 Speaker 1: like he ends up being in like side turtle. Kevin 630 00:30:16,280 --> 00:30:20,120 Speaker 1: bowm is he's inside turtle acamed Mega medalf stuffing the takedown, 631 00:30:20,160 --> 00:30:22,240 Speaker 1: still gets the take, still gets the arm and across 632 00:30:22,280 --> 00:30:25,320 Speaker 1: the throat traps the far leg rolls through similar ish, 633 00:30:25,560 --> 00:30:28,800 Speaker 1: similar ish to what Patty did with Jordan Levitt, and 634 00:30:28,840 --> 00:30:31,760 Speaker 1: then got the rear naked choke. Dude, it was nasty, nasty, 635 00:30:31,840 --> 00:30:34,280 Speaker 1: nasty stuff. That dude looked like he was in great shape. 636 00:30:34,680 --> 00:30:37,560 Speaker 1: You can tell he has all do all these guys 637 00:30:37,600 --> 00:30:39,320 Speaker 1: like waiting to find the back and then they get 638 00:30:39,320 --> 00:30:41,200 Speaker 1: the back and in their hand fighting for rear naked 639 00:30:41,280 --> 00:30:43,760 Speaker 1: choke entries. Dude, it's it's it's hard to do that. 640 00:30:43,800 --> 00:30:46,640 Speaker 1: It's and especially if they have two hands free. Right, 641 00:30:46,680 --> 00:30:47,959 Speaker 1: we talk about this all the time. We go back 642 00:30:48,000 --> 00:30:51,840 Speaker 1: to the Kevin Lee and Ali Quinta fight on Fox. 643 00:30:51,840 --> 00:30:53,479 Speaker 1: I think it was the second of their two fights, right, 644 00:30:53,480 --> 00:30:56,480 Speaker 1: I think that's right. Uh, where he Kevin Lee was 645 00:30:56,480 --> 00:30:58,360 Speaker 1: able to capture the back for long stretches of the time, 646 00:30:58,360 --> 00:31:00,239 Speaker 1: but al I Quinta head both hands and he has 647 00:31:00,320 --> 00:31:03,600 Speaker 1: good submission defense from the back Kevin couldn't really make it, 648 00:31:03,760 --> 00:31:07,800 Speaker 1: couldn't make it work, and so you know, it's good 649 00:31:07,840 --> 00:31:09,520 Speaker 1: to have the control, but it's hard to get the 650 00:31:09,520 --> 00:31:12,920 Speaker 1: submission once you're there. You're starting to see a lot 651 00:31:12,920 --> 00:31:16,479 Speaker 1: of people in MMA set up entries both to the 652 00:31:16,520 --> 00:31:20,000 Speaker 1: back and the choke from what I would call unconventional 653 00:31:20,120 --> 00:31:25,080 Speaker 1: positions that enable them to more fully secure the choke 654 00:31:25,120 --> 00:31:27,520 Speaker 1: in ways that the old school style of jiu jitsu, 655 00:31:27,520 --> 00:31:29,520 Speaker 1: which is passed take the back, you know, put the 656 00:31:29,520 --> 00:31:32,480 Speaker 1: hooks in body triangle, and then fight for it. That's 657 00:31:32,520 --> 00:31:34,720 Speaker 1: a hard way of doing things. That's very labor intensive. 658 00:31:34,800 --> 00:31:37,640 Speaker 1: This is much better failed on a takedown, failed on 659 00:31:37,680 --> 00:31:40,240 Speaker 1: a series of like you know, struggling single leg attempts, 660 00:31:40,360 --> 00:31:43,479 Speaker 1: gets cross sided with him, locks up the choke, sinks 661 00:31:43,480 --> 00:31:46,720 Speaker 1: the near side, hook in on the arm, rolls them through, 662 00:31:46,760 --> 00:31:48,800 Speaker 1: and then finishes them off. I like that kind of 663 00:31:48,800 --> 00:31:53,520 Speaker 1: stuff a little bit better. Inventive, clever, slick, fast, surprising. 664 00:31:53,520 --> 00:31:55,960 Speaker 1: If it's surprising you as a viewer, I would imagine 665 00:31:56,000 --> 00:31:58,880 Speaker 1: it's surprising the opponent as well. So those are the 666 00:31:58,880 --> 00:32:00,800 Speaker 1: ones that I liked. What were the one that you 667 00:32:01,000 --> 00:32:03,320 Speaker 1: liked from the weekend? Please let me know. Leave a 668 00:32:03,360 --> 00:32:06,400 Speaker 1: comment below. I appreciate you guys watching. My name is 669 00:32:06,480 --> 00:32:09,160 Speaker 1: Luke Thomas. I am one half of the Morning Combat Duo. 670 00:32:09,760 --> 00:32:11,920 Speaker 1: And that's it for me today. So I will be 671 00:32:11,960 --> 00:32:14,160 Speaker 1: back with you next week to talk about UFC two 672 00:32:14,200 --> 00:32:18,600 Speaker 1: seventy sevens leftovers and such, all that good stuff. Until then, 673 00:32:18,840 --> 00:32:30,160 Speaker 1: thumbs up on the video, hit subscribe, enjoy the fights.