1
00:00:11,840 --> 00:00:16,960
Speaker 1: And this Drink Chaps motherfucking podcast. He's a legendary Queen's rappers.

2
00:00:17,040 --> 00:00:19,880
Speaker 1: He's Segre your boy in o R. He's a Miami

3
00:00:20,000 --> 00:00:24,200
Speaker 1: hippoper pioneers d J e FN. Together they drinking up

4
00:00:24,200 --> 00:00:27,680
Speaker 1: with some of the biggest players in the most professional

5
00:00:27,920 --> 00:00:31,800
Speaker 1: unprofessional podcast and yet number one source for drunk back

6
00:00:33,200 --> 00:00:37,400
Speaker 1: very is New Year's E's time for drink Champs trick

7
00:00:37,520 --> 00:00:46,040
Speaker 1: up for they would it good? Be? Hopeully is with

8
00:00:46,159 --> 00:00:48,280
Speaker 1: a seriously point in all, what up is d J

9
00:00:48,479 --> 00:00:55,680
Speaker 1: e F and this drink Champa Right now we have

10
00:00:55,760 --> 00:01:00,320
Speaker 1: a legend in front of us, I mean monkey foot

11
00:01:00,400 --> 00:01:04,400
Speaker 1: through the game, part of one of the craziest legendary

12
00:01:04,440 --> 00:01:08,080
Speaker 1: groups of one of my favorite time. I remember I

13
00:01:08,160 --> 00:01:11,160
Speaker 1: remember hearing tear the club up, and boy, I was

14
00:01:11,200 --> 00:01:14,039
Speaker 1: really trying to tear the club up that time. And

15
00:01:14,120 --> 00:01:16,959
Speaker 1: I mean they got so from Oscar wah. He's the

16
00:01:16,959 --> 00:01:18,960
Speaker 1: first person I've ever met to got Oscar. I don't

17
00:01:19,040 --> 00:01:21,600
Speaker 1: I don't know anybody else i'thing to being. I mean honest,

18
00:01:21,640 --> 00:01:23,400
Speaker 1: I don't know what you It's you and that's it,

19
00:01:23,600 --> 00:01:27,080
Speaker 1: you know what I mean? And um legendary group been

20
00:01:27,120 --> 00:01:29,200
Speaker 1: out here doing it out here on the solo ship

21
00:01:29,360 --> 00:01:32,880
Speaker 1: right now, motherfucking one of the ellists of all times.

22
00:01:32,920 --> 00:01:34,399
Speaker 1: If you don't know what we took, let me talking

23
00:01:34,400 --> 00:01:43,000
Speaker 1: about DJ mother Paul. I. First, I was waiting on

24
00:01:45,560 --> 00:01:48,760
Speaker 1: the DJ party. Your name, so obviously he was a

25
00:01:48,880 --> 00:01:51,440
Speaker 1: DJ and you, But why did you drop the DJ

26
00:01:51,480 --> 00:01:54,480
Speaker 1: when you became a rapper? Man? I just had this conversation.

27
00:01:54,520 --> 00:01:56,960
Speaker 1: This is just such a funny one. So first off,

28
00:01:57,000 --> 00:02:00,560
Speaker 1: I never wanted to be a DJ. That I do

29
00:02:00,640 --> 00:02:02,560
Speaker 1: not want to be a DJ. How I became a

30
00:02:02,680 --> 00:02:06,400
Speaker 1: DJ is to learn how to use the drummer shine

31
00:02:06,480 --> 00:02:10,280
Speaker 1: with keyboard and turntables and all my equipment to learn

32
00:02:10,280 --> 00:02:13,240
Speaker 1: how to use it. I was just practice and just

33
00:02:13,320 --> 00:02:15,880
Speaker 1: to get some extra bugs. I started making mix tapes

34
00:02:16,960 --> 00:02:20,640
Speaker 1: this befo. Yeah, it was like five six years Chris.

35
00:02:21,280 --> 00:02:23,520
Speaker 1: I'm like, I'm gonna do just like I'm gonna do

36
00:02:23,560 --> 00:02:27,000
Speaker 1: maybe like one one mix tape selling for two dollars

37
00:02:27,040 --> 00:02:29,760
Speaker 1: at school, you know, trying to do something, and then

38
00:02:29,800 --> 00:02:32,280
Speaker 1: they liked the motherfucker didn't ask me for a second one.

39
00:02:32,800 --> 00:02:35,680
Speaker 1: I was like one, then a third one, and all

40
00:02:35,760 --> 00:02:38,800
Speaker 1: those is just other people's music. When I did the

41
00:02:38,840 --> 00:02:42,519
Speaker 1: fourth one, I slowly eased in our songs like a

42
00:02:42,600 --> 00:02:45,560
Speaker 1: Lord and from a song here, other things from from

43
00:02:45,600 --> 00:02:48,080
Speaker 1: members I was producing, and I just used them in

44
00:02:48,160 --> 00:02:51,120
Speaker 1: between the hit songs like some n w A or

45
00:02:51,120 --> 00:02:54,440
Speaker 1: samry Be or whatever. And by the time I got

46
00:02:54,440 --> 00:02:57,400
Speaker 1: the voting family all that, they became all just our songs,

47
00:02:57,760 --> 00:03:02,320
Speaker 1: which people like them. And that's what happened. DJ Farster

48
00:03:02,360 --> 00:03:04,480
Speaker 1: the name back to your question, though, was Farster the name?

49
00:03:04,760 --> 00:03:07,240
Speaker 1: I had a cool name, at least I thought it

50
00:03:07,320 --> 00:03:10,360
Speaker 1: was cool. It was really really kind of stupid. And

51
00:03:10,400 --> 00:03:12,840
Speaker 1: the nigger I can't tell you, I never tell would

52
00:03:12,840 --> 00:03:15,840
Speaker 1: get your hind him and cool. But this dude who

53
00:03:15,840 --> 00:03:17,799
Speaker 1: I was DJ and for that I went to high

54
00:03:17,800 --> 00:03:20,400
Speaker 1: school with this nigga never got my name right, so

55
00:03:20,520 --> 00:03:23,320
Speaker 1: he'll be like, yeah, oh, he'd be all over the mike. Yeah,

56
00:03:23,400 --> 00:03:26,360
Speaker 1: my DJ, shout to my DJ, DJ Paul me back there, like,

57
00:03:26,400 --> 00:03:31,880
Speaker 1: my name is not DJO, my name is so so,

58
00:03:31,880 --> 00:03:36,040
Speaker 1: so so so so song, so so stupid name, and

59
00:03:36,320 --> 00:03:41,040
Speaker 1: I got have eventually got away from that name. But uh,

60
00:03:41,160 --> 00:03:43,480
Speaker 1: that name state and our crew and it's now a

61
00:03:43,560 --> 00:03:48,840
Speaker 1: symbol of us. Oh so it's still with us in spirit. Okay, Okay,

62
00:03:49,000 --> 00:03:51,400
Speaker 1: now you know, you know speaking of that, you know,

63
00:03:54,000 --> 00:03:56,960
Speaker 1: what what what? What? What? What? What? What? How did

64
00:03:56,960 --> 00:03:59,240
Speaker 1: you guys first even formed three six? Like how did

65
00:03:59,280 --> 00:04:03,120
Speaker 1: that um? Or even before that? Let's describe Memphis before that,

66
00:04:03,200 --> 00:04:06,240
Speaker 1: like for people that didn't know like I at that time. Yeah, man,

67
00:04:06,280 --> 00:04:09,480
Speaker 1: Memphis was it was crazy. We was doing you know,

68
00:04:09,520 --> 00:04:12,840
Speaker 1: the gangster walk dance was real popular and it was

69
00:04:12,880 --> 00:04:16,159
Speaker 1: just sucking man. That's the clothes was like, it was

70
00:04:16,200 --> 00:04:20,000
Speaker 1: crazy man. You know, the dancing was just the main

71
00:04:20,080 --> 00:04:23,120
Speaker 1: thing in the clubs. And Memphis was your first international hit,

72
00:04:23,200 --> 00:04:27,000
Speaker 1: Taylor Club that was our first yet big. Yeah, first

73
00:04:27,600 --> 00:04:32,239
Speaker 1: you were already buzzing heavy. The one you talked about

74
00:04:32,440 --> 00:04:36,440
Speaker 1: Club of ninety seven that came out through Relativity Records, That, yeah,

75
00:04:36,520 --> 00:04:40,479
Speaker 1: we had, I started in eight and nine. Fat Joe

76
00:04:40,520 --> 00:04:44,360
Speaker 1: told me he knew you for your whole career. Yeah,

77
00:04:44,360 --> 00:04:48,359
Speaker 1: I know, I got you long, long, long time. So yeah,

78
00:04:48,600 --> 00:04:51,560
Speaker 1: we was. We was three Sts Mafia since like ninety

79
00:04:51,640 --> 00:04:56,520
Speaker 1: two or something like that. Ninety three and then ninety five.

80
00:04:56,600 --> 00:04:59,279
Speaker 1: We brought out an underground album ninety six and then

81
00:04:59,400 --> 00:05:04,200
Speaker 1: ninety seven the ones that blew up. Now what're they're

82
00:05:04,200 --> 00:05:07,680
Speaker 1: really trying to help up? Was trying to club We

83
00:05:07,760 --> 00:05:09,599
Speaker 1: just have to put in our country that we weren't

84
00:05:09,600 --> 00:05:13,920
Speaker 1: performing that song. Yeah, because they know that, they really

85
00:05:13,960 --> 00:05:17,119
Speaker 1: tell the club and then we would just do it last.

86
00:05:17,240 --> 00:05:19,280
Speaker 1: We get all our money up front, talking into it,

87
00:05:19,360 --> 00:05:21,240
Speaker 1: get our money up front, do it last and chell

88
00:05:21,320 --> 00:05:24,320
Speaker 1: that mom apart. Man. One time we was at Memphis, Man,

89
00:05:24,320 --> 00:05:27,280
Speaker 1: they knocked the glass out the fucking door three Club

90
00:05:27,360 --> 00:05:30,400
Speaker 1: three any bail that was knocking the glass out the

91
00:05:30,480 --> 00:05:34,080
Speaker 1: fucking window? And I'm sorry, when did you think it's

92
00:05:34,120 --> 00:05:38,520
Speaker 1: coming from? Like, I don't I've never seen this one before.

93
00:05:39,560 --> 00:05:41,560
Speaker 1: You know, you don't have to cross down, just open

94
00:05:41,600 --> 00:05:44,880
Speaker 1: the joint like it was like I just not to

95
00:05:44,880 --> 00:05:46,679
Speaker 1: say it like that, look like they was building the wall.

96
00:05:46,760 --> 00:05:48,960
Speaker 1: But dude, like what are they? What are they doing?

97
00:05:50,120 --> 00:05:54,200
Speaker 1: Please be careful with us a little hot so ill

98
00:05:54,279 --> 00:06:01,799
Speaker 1: right m hm gain stabu? What was the original member?

99
00:06:01,960 --> 00:06:04,520
Speaker 1: Wasn't that doing they play a fly or something like that? Now?

100
00:06:04,640 --> 00:06:06,440
Speaker 1: He was He was a guy that was in our crew.

101
00:06:06,520 --> 00:06:09,200
Speaker 1: But the all the original members of the group was

102
00:06:09,720 --> 00:06:16,000
Speaker 1: me Juicy Lord of Muscusta Nigga gang Cruntry, Black Cruntry

103
00:06:16,000 --> 00:06:19,680
Speaker 1: Black Project Pack was just like affiliated affiliate that's real

104
00:06:19,720 --> 00:06:24,159
Speaker 1: brother with Project Package juicy Real Bro's big brother. Damn.

105
00:06:24,240 --> 00:06:26,200
Speaker 1: How do you know that? You know, you know that's

106
00:06:26,240 --> 00:06:28,880
Speaker 1: how we kind of connected, right is how Yeah, yeah,

107
00:06:28,960 --> 00:06:32,040
Speaker 1: I'm going to do that song. Yeah, yeah, they wanted me.

108
00:06:32,920 --> 00:06:34,400
Speaker 1: I know it was crazy because it was it was

109
00:06:34,480 --> 00:06:37,400
Speaker 1: mutie with respect because um, I think, yeah, we started

110
00:06:37,400 --> 00:06:39,640
Speaker 1: me and wanted me on Project Patrick. I was a

111
00:06:39,680 --> 00:06:41,919
Speaker 1: fan and I was like, yo, I was so happy.

112
00:06:41,920 --> 00:06:44,599
Speaker 1: I was like what I was with y'all thinking. I

113
00:06:44,640 --> 00:06:46,919
Speaker 1: was like, y'all need to tell a club watching it?

114
00:06:47,360 --> 00:06:50,159
Speaker 1: And you know that's the crazy, that's amount of respect

115
00:06:50,480 --> 00:06:53,039
Speaker 1: was And we didn't charge each other. I did it

116
00:06:53,080 --> 00:06:54,520
Speaker 1: for free and you did it. Yeah. I did it

117
00:06:54,520 --> 00:06:57,040
Speaker 1: back for free for me And that's really sit for ya.

118
00:06:57,120 --> 00:07:03,200
Speaker 1: Motherfucker really ship right to that word, man. But it's

119
00:07:03,200 --> 00:07:05,719
Speaker 1: funny you didn't have the show back then, because man,

120
00:07:05,960 --> 00:07:09,120
Speaker 1: I tell everybody, I've never seen nobody drink as much.

121
00:07:15,360 --> 00:07:17,520
Speaker 1: And I think before he came to that steption too,

122
00:07:17,520 --> 00:07:21,360
Speaker 1: when we had right probably the Yeah your drinks, so

123
00:07:21,560 --> 00:07:24,480
Speaker 1: y'all had so much. I was like many things in

124
00:07:24,560 --> 00:07:32,560
Speaker 1: New York drink then I drinks like dirty cases. Y'all

125
00:07:32,600 --> 00:07:34,600
Speaker 1: know how many y'all was in New York though, or

126
00:07:34,640 --> 00:07:38,280
Speaker 1: did you did you not even know that? Because it

127
00:07:38,360 --> 00:07:40,240
Speaker 1: was like people would call I had like this little

128
00:07:40,320 --> 00:07:42,600
Speaker 1: number that I played like there was the office number,

129
00:07:42,960 --> 00:07:45,400
Speaker 1: but it really was my bedroom at my mama's house.

130
00:07:46,160 --> 00:07:49,559
Speaker 1: And people from New York with caller and talk about

131
00:07:49,600 --> 00:07:52,760
Speaker 1: us all the time, just funny sh it. Like one

132
00:07:52,880 --> 00:07:55,080
Speaker 1: dude was so fun he said, d J paulse a

133
00:07:55,200 --> 00:07:58,200
Speaker 1: fagging J James a home on you need to suck,

134
00:07:58,320 --> 00:08:00,560
Speaker 1: yo yo be you need to suck. And I was like,

135
00:08:01,520 --> 00:08:04,080
Speaker 1: but I was excited though, I told you just like

136
00:08:04,160 --> 00:08:10,480
Speaker 1: listening to somebody from New York, you said, he said,

137
00:08:10,520 --> 00:08:15,920
Speaker 1: your little man, because because at that time, like getting

138
00:08:15,960 --> 00:08:18,480
Speaker 1: your music on getting hurt in New York, how was that?

139
00:08:18,520 --> 00:08:21,760
Speaker 1: Like is it possible? You know, I don't like to

140
00:08:21,840 --> 00:08:24,520
Speaker 1: do a song for punk Master flags or song, but

141
00:08:25,840 --> 00:08:28,920
Speaker 1: right anyway, ship, it was hard. It just ain't to

142
00:08:28,920 --> 00:08:31,840
Speaker 1: building relationships because the one thing I found out, like

143
00:08:31,840 --> 00:08:33,880
Speaker 1: if you got a relationship with in New York, that

144
00:08:34,040 --> 00:08:37,000
Speaker 1: take care of you forever, forever. I still got a

145
00:08:37,040 --> 00:08:39,160
Speaker 1: lot of long time friends in New York that ain't

146
00:08:39,160 --> 00:08:41,400
Speaker 1: even in the industry, just reading as I met up there.

147
00:08:41,440 --> 00:08:45,640
Speaker 1: We're still cool, but but like, um, we had to

148
00:08:45,679 --> 00:08:48,440
Speaker 1: build a connection because like a friendship wasn't gonna get it.

149
00:08:48,440 --> 00:08:51,080
Speaker 1: You remember in those days, like now everything sound the same,

150
00:08:51,880 --> 00:08:54,240
Speaker 1: you know, which it sucks in a way, but then

151
00:08:54,280 --> 00:08:56,160
Speaker 1: in a way it done because everybody gets a chance

152
00:08:56,200 --> 00:08:59,400
Speaker 1: to get on the radio worldwide, nation wide at least.

153
00:08:59,440 --> 00:09:02,480
Speaker 1: But back in man his days when we first started

154
00:09:02,559 --> 00:09:05,280
Speaker 1: now and then getting New York only played New York, South,

155
00:09:05,320 --> 00:09:08,720
Speaker 1: only played South, West Coast only played West Coast, and

156
00:09:08,840 --> 00:09:10,680
Speaker 1: I don't know what they did on Midwest, and I

157
00:09:10,679 --> 00:09:13,080
Speaker 1: guess they played like mad West guys, which is a

158
00:09:13,080 --> 00:09:17,880
Speaker 1: lot of cargo had seem guys. So that's how it was.

159
00:09:18,559 --> 00:09:21,600
Speaker 1: But we finally broke got our relationships out there, and

160
00:09:21,600 --> 00:09:24,440
Speaker 1: when they saw us perform, you know and one like

161
00:09:24,480 --> 00:09:26,160
Speaker 1: everybody else that a lot of everybody else. When they

162
00:09:26,200 --> 00:09:28,319
Speaker 1: saw us performing, they saw high, crump and wild. It

163
00:09:28,640 --> 00:09:31,640
Speaker 1: was then they accepted us New York like, damn, this

164
00:09:31,760 --> 00:09:34,480
Speaker 1: nig is crazy like us. Now, let gonna bounce around,

165
00:09:34,600 --> 00:09:38,600
Speaker 1: bounce around a little bit, because um, like I believe

166
00:09:38,720 --> 00:09:42,319
Speaker 1: like sipping on sissor, right, did you see do you

167
00:09:42,360 --> 00:09:44,600
Speaker 1: think that that culture will be as big as it

168
00:09:44,640 --> 00:09:48,480
Speaker 1: is now? No? Of course not like like it's everywhere. Yeah,

169
00:09:48,520 --> 00:09:50,320
Speaker 1: I thought it was just going to be something else

170
00:09:50,800 --> 00:09:59,120
Speaker 1: because Texas, Texas was doing it, doing it, but we

171
00:09:59,160 --> 00:10:02,320
Speaker 1: didn't know that right Like in the nineties, I did

172
00:10:02,320 --> 00:10:06,360
Speaker 1: a troll with eight Ball in j G in Japan

173
00:10:06,720 --> 00:10:11,240
Speaker 1: and they had that ship back then. Yeah, yeah, it

174
00:10:11,400 --> 00:10:13,120
Speaker 1: was doing it in Memphis back in the second Once

175
00:10:13,160 --> 00:10:15,000
Speaker 1: we stopped doing it, and my brother was like, we've

176
00:10:15,040 --> 00:10:18,079
Speaker 1: been doing this is the seventies when they could have

177
00:10:18,120 --> 00:10:26,319
Speaker 1: wrote a song about this coming. Well, yeah, Texas is

178
00:10:26,480 --> 00:10:28,559
Speaker 1: obviously what we heard of it from, and they got

179
00:10:28,600 --> 00:10:32,320
Speaker 1: Papa I was a huge DJ screw fan. Yeah, so

180
00:10:32,720 --> 00:10:35,400
Speaker 1: that's that's how we heard of it, and and that's

181
00:10:35,440 --> 00:10:38,200
Speaker 1: what made us stop making songs. Birthday just passed away

182
00:10:38,240 --> 00:10:45,559
Speaker 1: to man, let's take something my brothers, how was it

183
00:10:46,000 --> 00:10:48,480
Speaker 1: goot to say that? Like, how did you link up

184
00:10:48,480 --> 00:10:51,120
Speaker 1: with all the UK? Man? We've been on YouTube? Came

185
00:10:51,200 --> 00:10:54,360
Speaker 1: for a long long time, and you know we didn't

186
00:10:54,400 --> 00:10:59,880
Speaker 1: just seming on Sister, which was our first uh plat

187
00:11:00,000 --> 00:11:04,280
Speaker 1: of album. So um, the one went to the club,

188
00:11:04,400 --> 00:11:07,880
Speaker 1: they went gold, and then the one was No Sissor

189
00:11:08,000 --> 00:11:10,840
Speaker 1: went platinum, which and it went on to say like

190
00:11:10,880 --> 00:11:14,560
Speaker 1: in six million or whatever. But but the there was

191
00:11:14,600 --> 00:11:17,040
Speaker 1: a risky one for us because we was coming off

192
00:11:17,040 --> 00:11:19,440
Speaker 1: and tell the club. So as soon as we teach

193
00:11:19,559 --> 00:11:23,080
Speaker 1: the world how to get chrome and fight and do cocaine,

194
00:11:23,480 --> 00:11:29,960
Speaker 1: we turned around and talking about sipping cisser. And I

195
00:11:30,000 --> 00:11:32,439
Speaker 1: think if it wasn't the fact that they found out

196
00:11:32,440 --> 00:11:34,960
Speaker 1: that it was a drug, I think it probably won't

197
00:11:34,960 --> 00:11:38,480
Speaker 1: the words. I think that's what's so because they were

198
00:11:38,520 --> 00:11:42,000
Speaker 1: so intrigued, they were curious, and they was like, holy ship,

199
00:11:42,480 --> 00:11:45,280
Speaker 1: just a drug because they didn't know what the word says.

200
00:11:45,320 --> 00:11:47,080
Speaker 1: I mean, they thought it's all it was some funny ship.

201
00:11:47,480 --> 00:11:50,000
Speaker 1: And then it was the coach are part of it

202
00:11:50,040 --> 00:11:53,000
Speaker 1: as well, like the not then not back then. Yeah,

203
00:11:53,040 --> 00:11:54,720
Speaker 1: we would do the clubs, but it wasn't nothing like

204
00:11:54,720 --> 00:12:00,480
Speaker 1: we didn't take bottles and was that yeah okay, and

205
00:12:00,600 --> 00:12:03,000
Speaker 1: we had We didn't know that at all. Let me

206
00:12:03,000 --> 00:12:04,800
Speaker 1: make some notices for you. I didn't know. I didn't

207
00:12:04,800 --> 00:12:10,240
Speaker 1: know what that baby botts, you know, you know what

208
00:12:10,960 --> 00:12:13,200
Speaker 1: the crazy parties. I never knew what it was. So

209
00:12:13,520 --> 00:12:17,280
Speaker 1: at least part of my hip hop history it's been

210
00:12:17,320 --> 00:12:19,840
Speaker 1: fulfilled now I found out what was in the baby bottles.

211
00:12:19,840 --> 00:12:21,959
Speaker 1: Got damage, You go and you have to take it.

212
00:12:22,040 --> 00:12:24,839
Speaker 1: To war shows and everything everywhere everywhere. I still got

213
00:12:24,840 --> 00:12:26,920
Speaker 1: some of the mothers in my house. But yeah, we

214
00:12:27,200 --> 00:12:30,000
Speaker 1: got started phone cups. But it wasn't want nothing cold

215
00:12:30,040 --> 00:12:33,080
Speaker 1: to do. We just did it. We want like taking

216
00:12:33,160 --> 00:12:36,360
Speaker 1: polaroids in the motherfucker fundamery, well all over the house.

217
00:12:37,840 --> 00:12:40,760
Speaker 1: Now now you know, I'm told your bouncing around now,

218
00:12:41,480 --> 00:12:44,000
Speaker 1: hustle and flox. Right, how did they approach you guys?

219
00:12:44,080 --> 00:12:46,760
Speaker 1: They say that they want you to to to write

220
00:12:46,760 --> 00:12:48,600
Speaker 1: a song. Yeah, and they gave us a script. But

221
00:12:50,120 --> 00:12:52,880
Speaker 1: we we've been knowing John Singleton for a long time.

222
00:12:53,640 --> 00:12:59,480
Speaker 1: John John was a fan of Eyes of the Underground

223
00:12:59,480 --> 00:13:02,760
Speaker 1: movies that we used to do like three My Choices

224
00:13:02,920 --> 00:13:07,680
Speaker 1: Choses one to all that ship. And John Singleton told

225
00:13:07,679 --> 00:13:10,120
Speaker 1: me back in like two thousand and one, he was like, man,

226
00:13:10,160 --> 00:13:11,880
Speaker 1: one day I want to come to Memphis and I

227
00:13:11,880 --> 00:13:15,040
Speaker 1: want to do one of those straight hood movies. Like

228
00:13:15,040 --> 00:13:16,920
Speaker 1: like what y'all are we doing? I'm like, man, you

229
00:13:16,960 --> 00:13:19,080
Speaker 1: should do it. It was like two thousand and one

230
00:13:19,200 --> 00:13:22,160
Speaker 1: or whatever. And then you know the guy Craig Brewers

231
00:13:22,200 --> 00:13:25,640
Speaker 1: a fan of AUS because he's from Memphis, and you know,

232
00:13:25,720 --> 00:13:28,160
Speaker 1: it was the perfect combination. It was Craig it was

233
00:13:28,200 --> 00:13:31,880
Speaker 1: from Memphis, thank you. I think it was crazy. That's

234
00:13:31,920 --> 00:13:35,160
Speaker 1: from Memphis. And it was John Singleton, who was already

235
00:13:35,160 --> 00:13:38,599
Speaker 1: a friend and a fan of us. It was perfect,

236
00:13:38,720 --> 00:13:41,360
Speaker 1: good time. Now they're telling you you wish you're gonna

237
00:13:41,360 --> 00:13:44,640
Speaker 1: write this fort Terris Sour and this character or you

238
00:13:44,760 --> 00:13:47,320
Speaker 1: just you just wrote the song. Yeah, that told us

239
00:13:47,360 --> 00:13:50,360
Speaker 1: it was gonna be for Terence Harward. Yeah, so it's

240
00:13:50,400 --> 00:13:55,520
Speaker 1: hard out here. You know, Taragi really suth that words. Yeah,

241
00:13:56,520 --> 00:13:58,600
Speaker 1: she really something that I realized. That's her bo and

242
00:13:58,640 --> 00:14:01,440
Speaker 1: that's that's that that's the first empire. None that I

243
00:14:01,480 --> 00:14:08,240
Speaker 1: think about it, I think that's where they that's where

244
00:14:08,240 --> 00:14:12,120
Speaker 1: the show came a holy ship. But she can sing

245
00:14:12,160 --> 00:14:15,560
Speaker 1: it really, but my nagg listen. So you go to

246
00:14:15,640 --> 00:14:19,240
Speaker 1: the Oscars, do they tell you prior to that you're

247
00:14:19,240 --> 00:14:21,640
Speaker 1: about to win? Or so? All right? So that I

248
00:14:21,680 --> 00:14:24,320
Speaker 1: just needed to notice thing they don't tell you at all. Okay,

249
00:14:24,320 --> 00:14:26,920
Speaker 1: So y'all sitting down. I didn't think we was gonna win.

250
00:14:27,120 --> 00:14:30,440
Speaker 1: We're standing up. It was just performed and we were

251
00:14:30,520 --> 00:14:35,840
Speaker 1: standing that song. Okay, so we did without vocals? Oh

252
00:14:35,920 --> 00:14:40,200
Speaker 1: you did it with so okay, now y'all standing up

253
00:14:40,880 --> 00:14:44,960
Speaker 1: and they say this category and take it from there,

254
00:14:45,840 --> 00:14:48,520
Speaker 1: and so just they tried to fool us, like I

255
00:14:48,560 --> 00:14:50,880
Speaker 1: knew we was gonna win at this point. I know

256
00:14:50,920 --> 00:14:53,440
Speaker 1: it's gonna win at first, but that we got to performing.

257
00:14:54,120 --> 00:14:58,840
Speaker 1: The girl was backstage. They have like this layered little

258
00:14:58,920 --> 00:15:01,560
Speaker 1: case that they can put three wheels on it, and

259
00:15:01,560 --> 00:15:03,240
Speaker 1: he got all the she was at the bottom of

260
00:15:03,280 --> 00:15:05,120
Speaker 1: few in the middle and they put the ones at

261
00:15:05,160 --> 00:15:08,080
Speaker 1: the top of who finn the win, Let's stay on

262
00:15:08,160 --> 00:15:10,320
Speaker 1: the top, and they let us stay to the top.

263
00:15:10,280 --> 00:15:11,560
Speaker 1: I don't know, we're we're supposed to go out and

264
00:15:11,600 --> 00:15:14,080
Speaker 1: we got the performing. I was like, this ship over us.

265
00:15:14,080 --> 00:15:16,160
Speaker 1: I'm gonna go get drunk now because I didn't drink

266
00:15:16,160 --> 00:15:18,640
Speaker 1: before because I had to wrap live and I was

267
00:15:18,640 --> 00:15:20,000
Speaker 1: like I ain't gonna funk up in front of all

268
00:15:20,000 --> 00:15:23,600
Speaker 1: of these folks over so I took a shout of vodka.

269
00:15:23,760 --> 00:15:27,240
Speaker 1: I didn't get drunk. And once we was done performing,

270
00:15:27,960 --> 00:15:30,640
Speaker 1: we spread it out to the dressing room and they're like, guys, guys,

271
00:15:30,680 --> 00:15:33,000
Speaker 1: come back now, like we're gonna go get drunk, man,

272
00:15:33,160 --> 00:15:35,400
Speaker 1: And she was like, you gotta be up here because

273
00:15:35,400 --> 00:15:37,640
Speaker 1: you might win. I'm like, we ain't gonna win, man,

274
00:15:37,720 --> 00:15:40,120
Speaker 1: Come on man like, sir, you gotta come back up here,

275
00:15:40,720 --> 00:15:43,040
Speaker 1: so fu So we go back up there. When we're

276
00:15:43,080 --> 00:15:45,920
Speaker 1: standing behind the curtain, and I saw the girl put

277
00:15:45,920 --> 00:15:47,640
Speaker 1: three oscars on the top, and I told you so,

278
00:15:47,680 --> 00:15:50,000
Speaker 1: I said, look, we're gonna win. He wouldn't even looks

279
00:15:50,040 --> 00:15:52,800
Speaker 1: like how you know? I said, I'm over here though,

280
00:15:53,040 --> 00:15:54,960
Speaker 1: He's like, how you know? And I was like, cause

281
00:15:54,960 --> 00:15:56,880
Speaker 1: she's just three of them. Motherfucker's on the top and

282
00:15:56,960 --> 00:15:59,640
Speaker 1: we're the only son. They got three writers without a

283
00:15:59,680 --> 00:16:02,680
Speaker 1: part of was one and burn York was too. You say,

284
00:16:02,800 --> 00:16:05,640
Speaker 1: Dolly Parton, Yeah, she was your sample to us all

285
00:16:06,120 --> 00:16:07,920
Speaker 1: she was up for. She was up for the wall.

286
00:16:08,280 --> 00:16:09,960
Speaker 1: I was about to ask you that, like you remember

287
00:16:10,000 --> 00:16:13,320
Speaker 1: who you was against burn Yord Crash and you beat

288
00:16:13,320 --> 00:16:15,640
Speaker 1: Dolly Parton. That's what you're saying. Oh my god, hold

289
00:16:15,680 --> 00:16:23,040
Speaker 1: on listen to make more so when the girls saw

290
00:16:23,360 --> 00:16:25,720
Speaker 1: us looking at it, she took one and put it

291
00:16:25,720 --> 00:16:28,800
Speaker 1: on the bottom. She got into it. Yeah, so I

292
00:16:28,960 --> 00:16:30,960
Speaker 1: was saying, And then I told Jesse guy said we

293
00:16:31,040 --> 00:16:33,080
Speaker 1: ain't gonna win. He wouldn't look again. He like, hey,

294
00:16:33,120 --> 00:16:35,200
Speaker 1: you know that, I said, because she just on the

295
00:16:35,240 --> 00:16:38,520
Speaker 1: two on the top neck. That's like I think Burn

296
00:16:38,640 --> 00:16:41,600
Speaker 1: York gonna win. And then when they came out, they

297
00:16:41,640 --> 00:16:44,720
Speaker 1: pushed Carto to the side of Quily team came ya,

298
00:16:46,400 --> 00:16:48,080
Speaker 1: that was such a problem. That was a hip hop

299
00:16:49,280 --> 00:16:53,480
Speaker 1: le just say something and said, y'all was ignorant with

300
00:16:53,480 --> 00:16:56,160
Speaker 1: about it too, y'all. Y'all, y'all kept it hip hot.

301
00:16:56,600 --> 00:16:58,720
Speaker 1: You didn't go on in and be like, hey, I

302
00:16:58,760 --> 00:17:03,640
Speaker 1: want to thank the opera. Yeah, yeahscribe described how was you?

303
00:17:03,960 --> 00:17:07,560
Speaker 1: His name? And motherfucker's I didn't even know. I said

304
00:17:07,600 --> 00:17:10,439
Speaker 1: the shot to George Clooney just because I like this

305
00:17:10,480 --> 00:17:17,879
Speaker 1: ted time. What's this sounded pretty weak, but it's a

306
00:17:17,920 --> 00:17:20,720
Speaker 1: story about I didn't personally see this tattoo was really

307
00:17:20,720 --> 00:17:22,280
Speaker 1: the only person to have none. And I wouldn't know

308
00:17:22,280 --> 00:17:25,600
Speaker 1: that because I haven't seen it without close. But I

309
00:17:25,760 --> 00:17:28,719
Speaker 1: was a big I was a big fan of dusted

310
00:17:28,760 --> 00:17:33,240
Speaker 1: Don movie. I movie, yeah that's the ship and shot

311
00:17:33,240 --> 00:17:39,840
Speaker 1: it out joined school through comment you those you gotta

312
00:17:39,840 --> 00:17:43,159
Speaker 1: be for I'm playing around, playing around. So so what

313
00:17:43,200 --> 00:17:47,680
Speaker 1: happened was to give it blood, tell your blood name?

314
00:17:50,200 --> 00:17:54,000
Speaker 1: So what happened was what happened was I was a

315
00:17:54,040 --> 00:17:55,880
Speaker 1: big fan of this movie. I was sitting up one

316
00:17:55,960 --> 00:18:04,919
Speaker 1: night doing coke, and we were watching Duster don all

317
00:18:04,920 --> 00:18:14,440
Speaker 1: the time happens. It happened, and I was like, funk,

318
00:18:14,520 --> 00:18:16,639
Speaker 1: I want some tattoos. But it's like it's like the

319
00:18:16,680 --> 00:18:18,879
Speaker 1: East coast. Well at Memphis it rains a lot too,

320
00:18:19,200 --> 00:18:22,200
Speaker 1: So I'm like, I want some tattoos. So I didn't

321
00:18:22,200 --> 00:18:24,199
Speaker 1: have no tattoos. I want something to be up my

322
00:18:24,280 --> 00:18:25,600
Speaker 1: neck so you can see it when I got my

323
00:18:25,640 --> 00:18:27,440
Speaker 1: cold my jacket on. Its something to come out of

324
00:18:27,440 --> 00:18:29,720
Speaker 1: my sleeve, which is does so you see it as well,

325
00:18:29,760 --> 00:18:33,679
Speaker 1: because that's how he was on the movie. So we

326
00:18:33,720 --> 00:18:35,400
Speaker 1: would take a nigg out eight ball and he would

327
00:18:35,400 --> 00:18:38,159
Speaker 1: give us three tattoos for eight ball. I read on

328
00:18:38,200 --> 00:18:40,160
Speaker 1: the page seventy for it. I didn't even fail hunting.

329
00:18:40,840 --> 00:18:45,520
Speaker 1: So anyway, we got to tattoo. We got these tattoos,

330
00:18:45,800 --> 00:18:49,840
Speaker 1: and and then when I saw him at the War show,

331
00:18:49,880 --> 00:18:51,800
Speaker 1: I was like, dude, I gotta tell you this funny story.

332
00:18:52,000 --> 00:18:54,280
Speaker 1: I left out the eight ball Parker, but I told

333
00:18:54,320 --> 00:18:56,800
Speaker 1: George Cutter the rest of the story about the tattoos,

334
00:18:57,080 --> 00:18:59,880
Speaker 1: and he went crazy and we talked for the loan

335
00:19:00,040 --> 00:19:02,440
Speaker 1: is and we actually kind of became friends for about

336
00:19:02,440 --> 00:19:12,240
Speaker 1: thirty two minutes and different exact time. Ye, so, and

337
00:19:12,240 --> 00:19:14,119
Speaker 1: that wasn't so the next day I was so, I

338
00:19:14,119 --> 00:19:15,920
Speaker 1: even he was in the front row. This was the

339
00:19:16,000 --> 00:19:18,120
Speaker 1: David before I had I won. He's in the front

340
00:19:18,200 --> 00:19:21,040
Speaker 1: road and I was like, like, I thought we were

341
00:19:21,080 --> 00:19:26,760
Speaker 1: really great. Shout out to George Cloonin shout out happened.

342
00:19:26,840 --> 00:19:30,080
Speaker 1: So so after that, you guys get this bell show.

343
00:19:30,160 --> 00:19:34,040
Speaker 1: What was the Hollyhood's right out? So when reality show

344
00:19:34,240 --> 00:19:38,760
Speaker 1: wasn't cool to do? Yes, yes, yes, So I believe

345
00:19:38,880 --> 00:19:41,880
Speaker 1: it was a Sugarfoot sugar she was on the show.

346
00:19:41,960 --> 00:19:44,359
Speaker 1: That was all the fact that Big Trees that was

347
00:19:44,359 --> 00:19:49,879
Speaker 1: his girlfriend. When Sugarfoot act, I don't know, I don't know.

348
00:19:50,080 --> 00:19:52,879
Speaker 1: I watched you. I knew she was funny. That was

349
00:19:55,000 --> 00:19:58,800
Speaker 1: home boyd you his name is Big Trees. And then

350
00:19:58,840 --> 00:20:02,440
Speaker 1: there was computer you don't want to coboy hat So

351
00:20:02,960 --> 00:20:07,600
Speaker 1: y'all like yeah, like I want to say, I'm I'm

352
00:20:07,600 --> 00:20:10,040
Speaker 1: gonna say, y'all like it was like the first black

353
00:20:10,240 --> 00:20:14,760
Speaker 1: rock stars, especially South Yeah, like where you you were,

354
00:20:14,840 --> 00:20:18,359
Speaker 1: so it was hood, but the white people fun with

355
00:20:18,400 --> 00:20:22,719
Speaker 1: you because name was Triple Sakes at first. That's when

356
00:20:23,440 --> 00:20:26,239
Speaker 1: liking us and you did a lot of cocaine too,

357
00:20:26,320 --> 00:20:31,320
Speaker 1: like you said, just makes a noise. That was the

358
00:20:31,400 --> 00:20:34,840
Speaker 1: first people to talk about cocaine. Oh wow. PEMC used

359
00:20:34,840 --> 00:20:36,960
Speaker 1: to always talk about that. He was like, man, a

360
00:20:37,040 --> 00:20:39,359
Speaker 1: lot of people be doing that ship, but y'all the

361
00:20:39,480 --> 00:20:42,960
Speaker 1: only niggas that talk about it. That's what PEMPC told

362
00:20:43,000 --> 00:20:45,480
Speaker 1: me all this house one day in that last And

363
00:20:45,640 --> 00:20:47,840
Speaker 1: that's why they liked us, because when we talked about cocaine.

364
00:20:47,920 --> 00:20:51,800
Speaker 1: Someone you remember what Pempsie called the stations and he said,

365
00:20:52,920 --> 00:20:55,080
Speaker 1: what did you think about that? Because when we talk

366
00:20:55,119 --> 00:20:58,119
Speaker 1: about the time zones, I thought it was pretty dangerous

367
00:20:58,119 --> 00:21:05,639
Speaker 1: because he lived in Atlanta at the time. It's like

368
00:21:06,240 --> 00:21:11,680
Speaker 1: basically like, uh they Crunk came from his monthia. He

369
00:21:11,800 --> 00:21:13,800
Speaker 1: was just defending us. But you know it was it

370
00:21:13,920 --> 00:21:16,200
Speaker 1: was at the beginning of crunk when everybody was like,

371
00:21:16,359 --> 00:21:20,119
Speaker 1: holy ship, that's Memphis sound and Atlanta was killing it.

372
00:21:20,640 --> 00:21:22,480
Speaker 1: And I got Atlanta. They credit. They took it to

373
00:21:22,560 --> 00:21:25,960
Speaker 1: a level, a level that members probably couldn't took it.

374
00:21:26,160 --> 00:21:30,640
Speaker 1: You know. Now now it was now Memphis, you got

375
00:21:30,800 --> 00:21:34,880
Speaker 1: the you got young Dolf, you got Yo Gotti, money

376
00:21:34,960 --> 00:21:39,959
Speaker 1: bags and money bags yo black y'all blacks a lot

377
00:21:40,040 --> 00:21:43,120
Speaker 1: of us now and then the old Jesus besides sweet

378
00:21:43,160 --> 00:21:47,760
Speaker 1: six month fiars. So it has that helped the city

379
00:21:47,800 --> 00:21:50,920
Speaker 1: because yeah, okay, yeah, they keep it, they keep it.

380
00:21:51,280 --> 00:21:53,600
Speaker 1: They bring the young attention to it because they sound

381
00:21:53,680 --> 00:21:58,080
Speaker 1: it's different from that sounds different, even though money bag

382
00:21:58,160 --> 00:22:02,320
Speaker 1: y'all just redid the Project Pass song with making the status.

383
00:22:03,720 --> 00:22:07,199
Speaker 1: Yeah so but for the most far, you know, they

384
00:22:07,320 --> 00:22:10,159
Speaker 1: sound it's young. It wasn't like three six sounds. So

385
00:22:10,240 --> 00:22:12,800
Speaker 1: it brought the young people looking at Memphis too. But

386
00:22:12,880 --> 00:22:15,480
Speaker 1: you think I was accurate with that scription of like

387
00:22:15,800 --> 00:22:18,040
Speaker 1: you know, like rock star. Yeah, yeah, what they did

388
00:22:18,080 --> 00:22:21,240
Speaker 1: cause rock star, Yeah totally, Yeah, I'm not totally Like

389
00:22:22,040 --> 00:22:25,119
Speaker 1: our biggest fan base was Hispanic and white wow. It

390
00:22:25,280 --> 00:22:28,159
Speaker 1: wasn't even black wow, because we didn't wrap about a

391
00:22:28,200 --> 00:22:30,960
Speaker 1: lot of trap stuff like the Jesus and stuff back then.

392
00:22:31,720 --> 00:22:34,080
Speaker 1: You know, we had Project Path for that. We let

393
00:22:34,200 --> 00:22:36,840
Speaker 1: him do that, and the state more rock. We had

394
00:22:36,960 --> 00:22:41,120
Speaker 1: rock instrumentals don't have fucking albums. And so so when

395
00:22:41,200 --> 00:22:43,000
Speaker 1: when when when did the when did you feel like

396
00:22:43,840 --> 00:22:49,760
Speaker 1: the group? Like you know again about pause among career,

397
00:22:50,200 --> 00:22:53,200
Speaker 1: So when did you feel like you know what the

398
00:22:53,320 --> 00:22:55,399
Speaker 1: group is? This? This group would no longer be the

399
00:22:55,480 --> 00:22:57,840
Speaker 1: same even if you guys bring it back together, Like

400
00:22:58,080 --> 00:22:59,320
Speaker 1: when did you feel like you know, you know what

401
00:22:59,320 --> 00:23:02,239
Speaker 1: I'm trying to say. We were trying to saying, Oh,

402
00:23:02,720 --> 00:23:06,080
Speaker 1: I don't know, man, because we lasted longer than any

403
00:23:06,440 --> 00:23:09,400
Speaker 1: a lot of other groups to be had a good run. Yeah,

404
00:23:09,600 --> 00:23:12,440
Speaker 1: we probably when you look at how much music we

405
00:23:12,600 --> 00:23:16,240
Speaker 1: put out versus other groups from that time, we we

406
00:23:16,440 --> 00:23:19,560
Speaker 1: actually put out way way way more like the average

407
00:23:19,640 --> 00:23:23,120
Speaker 1: group from our day's probably head out seven eight albums

408
00:23:23,240 --> 00:23:26,920
Speaker 1: or something like that. If that, man, we got out. Man,

409
00:23:26,960 --> 00:23:29,440
Speaker 1: I think somebody said we got over a hundred albums out,

410
00:23:30,800 --> 00:23:38,119
Speaker 1: not just three of your own. You own that collectively together?

411
00:23:38,400 --> 00:23:41,120
Speaker 1: Oh wow, let's dope. Yeah. Still I clear like four

412
00:23:41,240 --> 00:23:44,639
Speaker 1: samples a week. Let's she's going crazy. I've been doing

413
00:23:44,680 --> 00:23:49,680
Speaker 1: that for like three years. You were doing most of

414
00:23:49,720 --> 00:23:51,639
Speaker 1: the production for all of them. I'm about to say that, man,

415
00:23:51,760 --> 00:23:55,080
Speaker 1: just so you did all our own production. So so

416
00:23:55,359 --> 00:23:58,480
Speaker 1: to to be pretty blunt, like what was the discoplarity

417
00:23:58,600 --> 00:24:02,040
Speaker 1: between you and see like we didn't have it? Described it?

418
00:24:02,280 --> 00:24:04,760
Speaker 1: Because like why did it was just like it was

419
00:24:04,840 --> 00:24:08,200
Speaker 1: just like doing nothing and it was just like whatnot

420
00:24:08,280 --> 00:24:10,600
Speaker 1: a group and just it wasn't it wasn't a time

421
00:24:10,680 --> 00:24:13,800
Speaker 1: no more because it was like three might people stopped

422
00:24:13,840 --> 00:24:16,760
Speaker 1: doing music and like two thousand and nine the sound

423
00:24:16,920 --> 00:24:19,560
Speaker 1: was totally changed, and like two thousand and ten and

424
00:24:19,640 --> 00:24:22,600
Speaker 1: all that, and then once I think two thousand and

425
00:24:22,640 --> 00:24:26,560
Speaker 1: eleven struck. I think it was just the youngsters. I

426
00:24:26,640 --> 00:24:29,159
Speaker 1: think they just took it over at that point and

427
00:24:29,240 --> 00:24:30,879
Speaker 1: the style was just so different. So we were just

428
00:24:31,000 --> 00:24:34,920
Speaker 1: doing solo stuff and that was it, and we we

429
00:24:35,160 --> 00:24:38,760
Speaker 1: son and another thing. Sony fired everybody right before we

430
00:24:38,880 --> 00:24:42,359
Speaker 1: even brought out our last albums and someone was all

431
00:24:42,440 --> 00:24:44,680
Speaker 1: over the place. So that was wasn't really nothing to do.

432
00:24:45,240 --> 00:24:47,640
Speaker 1: And then how about how about against the book? Because um,

433
00:24:48,880 --> 00:24:50,679
Speaker 1: like we I don't I don't even know what happened there.

434
00:24:50,720 --> 00:24:53,240
Speaker 1: I just noted that she was a part of the

435
00:24:53,320 --> 00:24:59,000
Speaker 1: group and then just wasn't. Yeah, man, I don't even

436
00:24:59,080 --> 00:25:05,399
Speaker 1: remember what happened. Out to be honest, she was officially

437
00:25:05,400 --> 00:25:07,280
Speaker 1: a part of the group from the beginning. Yeah, definite

438
00:25:07,320 --> 00:25:08,760
Speaker 1: the beginning. She's still a part of the group now,

439
00:25:08,840 --> 00:25:10,800
Speaker 1: you know, we're back together. We're trying to bring on

440
00:25:11,560 --> 00:25:14,240
Speaker 1: yeah yeah, yeah, she'd come on as motherfucker. Yeah she

441
00:25:14,400 --> 00:25:21,200
Speaker 1: probably watching it right now. Yeah, So, um, well, yeah,

442
00:25:21,280 --> 00:25:23,359
Speaker 1: that was it, and we just started doing solo stuff

443
00:25:23,440 --> 00:25:24,920
Speaker 1: and you know that was it. We never were just

444
00:25:25,840 --> 00:25:28,159
Speaker 1: we never got back in the studio to do another animal,

445
00:25:28,240 --> 00:25:30,440
Speaker 1: but we get we did get the money up front

446
00:25:30,520 --> 00:25:34,720
Speaker 1: from it, which is pretty cool. Sounds pretty cool to leave.

447
00:25:37,720 --> 00:25:45,960
Speaker 1: So so you you said Relativity was the label, okay,

448
00:25:46,200 --> 00:25:49,480
Speaker 1: and then we went to Columbia just stay Oh dinner

449
00:25:49,520 --> 00:25:51,960
Speaker 1: with the Columbia that's why. And yeah and yeah you

450
00:25:52,040 --> 00:25:54,840
Speaker 1: just said it's only fired. Who was y'all with? I

451
00:25:55,040 --> 00:25:57,960
Speaker 1: was with Penalty Records, And then we went to the

452
00:25:58,080 --> 00:26:01,680
Speaker 1: Time Boy and then I it up at Depth Jam later, Yeah,

453
00:26:01,760 --> 00:26:05,960
Speaker 1: depth on. So yeah, obviously I had up. So did

454
00:26:05,960 --> 00:26:08,679
Speaker 1: those three labels? Which one? Did you feel that treaty

455
00:26:08,720 --> 00:26:15,680
Speaker 1: all the butt Loud was the best come and that

456
00:26:15,840 --> 00:26:18,680
Speaker 1: Steve Rifkin got me a flat screen TV for Christmas

457
00:26:18,760 --> 00:26:22,920
Speaker 1: when they wasn't even out yet. Yeah, a long time ago, man,

458
00:26:22,920 --> 00:26:25,920
Speaker 1: And esterday was eight thousand dollars apiece. That's kind of

459
00:26:25,960 --> 00:26:27,879
Speaker 1: hall And this was back in line. This was like

460
00:26:28,240 --> 00:26:30,960
Speaker 1: it was a ninety nine, a long time ago. And

461
00:26:31,000 --> 00:26:33,040
Speaker 1: the funker said on the head it came to a

462
00:26:33,080 --> 00:26:35,320
Speaker 1: piece of paper that said you couldn't keep it plugged

463
00:26:35,400 --> 00:26:38,160
Speaker 1: up for over twenty eight days because it was plasma

464
00:26:38,240 --> 00:26:40,960
Speaker 1: back then, even in the plastic, and it would suck

465
00:26:41,040 --> 00:26:42,919
Speaker 1: up if it stay plugged up too long. So when

466
00:26:42,920 --> 00:26:45,120
Speaker 1: I went on to I had to remember the unplugged

467
00:26:45,200 --> 00:26:49,040
Speaker 1: or something. But yeah, no, Steve was the best. I

468
00:26:49,080 --> 00:26:52,400
Speaker 1: still talked to Stay. Yeah, yeah, y'are doing the reunion.

469
00:26:52,760 --> 00:26:57,680
Speaker 1: Yeah we already did some show that. It's crazy Steve. Steve,

470
00:26:58,160 --> 00:27:01,200
Speaker 1: you know he's doing the unions do that. That's just

471
00:27:01,320 --> 00:27:04,640
Speaker 1: a one off, okay, but y'all on that six Yeah,

472
00:27:04,800 --> 00:27:08,840
Speaker 1: that's hard. Y'all was mad when y'all wasn't doing together. Man.

473
00:27:08,880 --> 00:27:11,720
Speaker 1: I was mad because I was like, you're doing ship

474
00:27:11,840 --> 00:27:13,879
Speaker 1: sol so it's not like you're not you know what

475
00:27:13,920 --> 00:27:16,119
Speaker 1: I mean, It's not like you're not doing music. It

476
00:27:16,200 --> 00:27:19,719
Speaker 1: was just right. I was like, how was your How

477
00:27:19,800 --> 00:27:22,560
Speaker 1: is the real real fans? Like? What was they mad?

478
00:27:22,800 --> 00:27:27,399
Speaker 1: Matter they bad? Y'all man, man, because it did. But

479
00:27:27,480 --> 00:27:29,040
Speaker 1: that's how was the Niggers. I was like, look, dude,

480
00:27:29,040 --> 00:27:31,480
Speaker 1: we gave you out like twenty years of music. Here

481
00:27:31,560 --> 00:27:36,399
Speaker 1: go back listen something that ships. It's just to be

482
00:27:36,480 --> 00:27:39,800
Speaker 1: clear because I remember, like I think Juicy Juicy got

483
00:27:39,920 --> 00:27:42,399
Speaker 1: married and they didn't see you after as a thing.

484
00:27:42,720 --> 00:27:45,080
Speaker 1: That's when like all these I don't think he had up.

485
00:27:45,080 --> 00:27:47,320
Speaker 1: He didn't. He didn't have a public with it. Oh yeah,

486
00:27:47,359 --> 00:27:48,920
Speaker 1: but that's that's what that's what they're saying, you know

487
00:27:48,960 --> 00:27:50,720
Speaker 1: what I mean, Like, I think it's no, I don't

488
00:27:50,760 --> 00:27:52,240
Speaker 1: think it hid for the way. I think they got

489
00:27:52,680 --> 00:27:56,359
Speaker 1: married private. Okay, okay, because that's what they you know,

490
00:27:56,560 --> 00:27:58,240
Speaker 1: the gossip sites. You know what I'm saying. Yeah, No,

491
00:27:58,320 --> 00:28:02,320
Speaker 1: it ain't no pictures online of her that I've heard. Yeah. Yeah,

492
00:28:02,960 --> 00:28:05,640
Speaker 1: always said that if I was that, they probably said

493
00:28:05,640 --> 00:28:10,760
Speaker 1: I wasn't. Now he's saying really high, So I don't

494
00:28:10,800 --> 00:28:13,439
Speaker 1: think he was really knew what he was doing. Oh

495
00:28:13,560 --> 00:28:20,240
Speaker 1: ship spec to noise for that as well. So the

496
00:28:20,320 --> 00:28:23,720
Speaker 1: group never officially broke up. That that didn't happen. I

497
00:28:23,840 --> 00:28:27,040
Speaker 1: just it wasn't three six. It was sexy what was

498
00:28:27,080 --> 00:28:30,639
Speaker 1: it called um Demafia sais the Mafia six. So that

499
00:28:30,880 --> 00:28:34,040
Speaker 1: was what was. That was me Rest in Peace, Lord

500
00:28:34,080 --> 00:28:36,879
Speaker 1: elm rest of my brother Rest in Peace Coop. That

501
00:28:37,000 --> 00:28:39,880
Speaker 1: was all the members except for Jupsy. Okay. It was

502
00:28:39,920 --> 00:28:42,600
Speaker 1: just a side project I did for Lord Effinmas you know.

503
00:28:42,800 --> 00:28:45,240
Speaker 1: So it was gonna be banking the Damian Lord that

504
00:28:45,360 --> 00:28:47,880
Speaker 1: much used to do the DJ Paula Lord Delmus tapes.

505
00:28:48,160 --> 00:28:51,440
Speaker 1: That was before three six Mafia, so those got real popular.

506
00:28:52,720 --> 00:28:54,960
Speaker 1: Twenty one Savage just clear the sample for me. That

507
00:28:55,040 --> 00:28:58,280
Speaker 1: song he got out called to Date was a good

508
00:28:58,520 --> 00:29:01,480
Speaker 1: day and that song that that's my that's my brother

509
00:29:02,040 --> 00:29:04,120
Speaker 1: and me sampled in the background of that whole song.

510
00:29:04,960 --> 00:29:07,480
Speaker 1: So we was gonna get back together before that seven,

511
00:29:07,920 --> 00:29:10,040
Speaker 1: but we was gonna get back together and do some stuff,

512
00:29:10,560 --> 00:29:12,400
Speaker 1: and he wanted to do it with the whole group.

513
00:29:13,080 --> 00:29:15,400
Speaker 1: And I'm like, Ricky, that wasn't really now. I'm like, Ricky,

514
00:29:15,440 --> 00:29:17,120
Speaker 1: you sure you want to do this with all these

515
00:29:17,480 --> 00:29:20,400
Speaker 1: crazy motherfucker's. You remember crazy we was, and we were

516
00:29:20,480 --> 00:29:23,640
Speaker 1: that crazy and not twinnies. You're gonna say how crazy

517
00:29:23,640 --> 00:29:26,040
Speaker 1: we might be an agent we might make you know

518
00:29:26,080 --> 00:29:30,720
Speaker 1: what I'm saying. So he said he wanted to do it.

519
00:29:31,160 --> 00:29:34,240
Speaker 1: So we put together one called up everybody, got everybody

520
00:29:34,680 --> 00:29:37,440
Speaker 1: together and we did the group with all of us,

521
00:29:37,920 --> 00:29:41,680
Speaker 1: and then he died a month later. Ship yeah, and

522
00:29:41,840 --> 00:29:45,680
Speaker 1: left me with the niggers. God bless. Now that was

523
00:29:45,720 --> 00:29:47,280
Speaker 1: a good thing though, and that's what he wanted to

524
00:29:47,320 --> 00:29:50,120
Speaker 1: see happening. It was his last It was the last

525
00:29:50,280 --> 00:29:52,320
Speaker 1: last wish and he saw it happening. They were like,

526
00:29:52,520 --> 00:29:56,000
Speaker 1: I picked them out, so you bounced around a couple

527
00:29:56,040 --> 00:29:58,600
Speaker 1: of labels afterwards, like the sides that was it was

528
00:29:58,680 --> 00:30:01,120
Speaker 1: always my labor. But I did like group, probably like

529
00:30:01,280 --> 00:30:03,240
Speaker 1: it was with yellow Wolf right for a second yellow

530
00:30:03,240 --> 00:30:05,680
Speaker 1: Wolf and then I see that was that? That must

531
00:30:05,720 --> 00:30:07,520
Speaker 1: have been crazy. Yeah, that was people saying, this is

532
00:30:07,560 --> 00:30:12,440
Speaker 1: my best album. They love that album because you did

533
00:30:12,520 --> 00:30:14,640
Speaker 1: the Gallery. I'm sure a bunch of I've been doing

534
00:30:14,680 --> 00:30:16,680
Speaker 1: the Gallasis. I've been the two of them two thousand

535
00:30:16,720 --> 00:30:23,280
Speaker 1: and two. They juggas that's dope. No, this is real dope.

536
00:30:23,280 --> 00:30:27,160
Speaker 1: But it's super wild. It's wild juggoos out of the mind.

537
00:30:28,400 --> 00:30:34,440
Speaker 1: They're loyal fans. I love. So I just made that

538
00:30:34,560 --> 00:30:39,400
Speaker 1: album just extra evil, extra dark. It's just dark as fun. Yeah,

539
00:30:39,400 --> 00:30:42,160
Speaker 1: and they loved that. Motherfucker. Why why do you think?

540
00:30:42,280 --> 00:30:43,960
Speaker 1: Why do you even make Why do you make music

541
00:30:44,080 --> 00:30:47,520
Speaker 1: like that? Darkness? This is what I grew up. I

542
00:30:47,640 --> 00:30:51,280
Speaker 1: grew up trying to do match the two between each other,

543
00:30:51,280 --> 00:30:54,440
Speaker 1: and but what nothing inspired that specifically. I was a

544
00:30:54,520 --> 00:30:57,080
Speaker 1: fan of horror movies and serial killers. I used to

545
00:30:57,080 --> 00:30:58,840
Speaker 1: read serial Killer Bucks when I made he was a

546
00:30:58,920 --> 00:31:02,080
Speaker 1: fan of serial Killers. Yeah, I'm still a fan of

547
00:31:02,160 --> 00:31:05,360
Speaker 1: Hari Killers. I got all serial Killers pictures black and

548
00:31:05,400 --> 00:31:08,680
Speaker 1: white frame in my theater room in my house, like

549
00:31:08,960 --> 00:31:11,200
Speaker 1: like a Jeffrey Dahmer's type. Dude, I got Donard up there.

550
00:31:15,360 --> 00:31:17,680
Speaker 1: The name about first group was called the serial Killer.

551
00:31:17,760 --> 00:31:21,680
Speaker 1: I mean Trevor stage Man and Lord. That was was

552
00:31:21,720 --> 00:31:29,360
Speaker 1: the serial Killers. Yeah, damn, yeah, it's you should make

553
00:31:29,360 --> 00:31:31,880
Speaker 1: a horror movie. I want to make it. Yeah, be

554
00:31:31,960 --> 00:31:34,120
Speaker 1: like the hip hop Rob Zombie and Ship. I should

555
00:31:34,160 --> 00:31:38,200
Speaker 1: be like I don't love Rob something. Yeah. I don't

556
00:31:38,200 --> 00:31:41,240
Speaker 1: think people ever talk about horror movies on this goddamn show.

557
00:31:41,800 --> 00:31:45,800
Speaker 1: It was always the first. Okay, what's your favorite part

558
00:31:45,840 --> 00:31:52,440
Speaker 1: of the game. Um, I was sitting man traveling, getting

559
00:31:52,480 --> 00:31:54,800
Speaker 1: a chance to get paid and to see the world

560
00:31:54,920 --> 00:31:57,880
Speaker 1: you can't be Yeah, and doing something that you know

561
00:31:58,040 --> 00:32:00,960
Speaker 1: that you would there was. What's why it makes it

562
00:32:01,040 --> 00:32:03,360
Speaker 1: so fun for me? It's because I didn't do it

563
00:32:03,440 --> 00:32:05,960
Speaker 1: for the money, you know. I just was a fan

564
00:32:06,040 --> 00:32:09,760
Speaker 1: of music because my family is is musicians. My uncle's

565
00:32:09,800 --> 00:32:13,640
Speaker 1: got a popular gospel group called the Bogod Brothers, So

566
00:32:13,840 --> 00:32:17,560
Speaker 1: it was music being played every Sunday after the church.

567
00:32:17,680 --> 00:32:21,840
Speaker 1: We had church at the house. At the house and

568
00:32:22,080 --> 00:32:24,040
Speaker 1: my organ that my daddy got me. I learned how

569
00:32:24,080 --> 00:32:26,600
Speaker 1: to make bets on the play music O man calling

570
00:32:26,760 --> 00:32:31,240
Speaker 1: Ted that motherfucker good Todd, little microphone, everything in the

571
00:32:31,320 --> 00:32:35,600
Speaker 1: living room, everybody from the church. What's the most craziest

572
00:32:35,600 --> 00:32:40,080
Speaker 1: place you grow your hospar too? Just a bunch of restaurants.

573
00:32:40,280 --> 00:32:41,920
Speaker 1: I never took it to a strip club that I

574
00:32:42,080 --> 00:32:46,080
Speaker 1: remember that, but I'm sure at some point that probably.

575
00:32:47,280 --> 00:32:50,200
Speaker 1: But now I just restaurants. I wouldn't got a little

576
00:32:50,200 --> 00:32:52,040
Speaker 1: bit tongue bag and I would just bring it out

577
00:32:52,160 --> 00:32:55,800
Speaker 1: when everybody was looking book right there in front, just

578
00:32:55,920 --> 00:32:59,120
Speaker 1: the funk up just because I looked like a crazy

579
00:32:59,200 --> 00:33:01,200
Speaker 1: nag and walked in at firms until I put up

580
00:33:01,600 --> 00:33:05,400
Speaker 1: out And do people did you ever asked somebody if

581
00:33:05,440 --> 00:33:07,240
Speaker 1: you had it out and somebody thought it was a

582
00:33:07,320 --> 00:33:12,080
Speaker 1: faith Everyone knew that as the real I was black.

583
00:33:12,160 --> 00:33:13,880
Speaker 1: Even if it won the real Oscar, it was at

584
00:33:14,000 --> 00:33:18,480
Speaker 1: least real goal. So it was the word something. So

585
00:33:19,200 --> 00:33:22,040
Speaker 1: so what happens after you went to Oscar? Like um

586
00:33:22,600 --> 00:33:25,640
Speaker 1: like show prices one about the accent, but they said

587
00:33:25,640 --> 00:33:28,320
Speaker 1: it's the Oscar Jenks too right where they're Granby Jenks

588
00:33:28,400 --> 00:33:32,800
Speaker 1: is Oscar? James's herd something Oscar? What is that their

589
00:33:32,880 --> 00:33:36,240
Speaker 1: career goes in reverse? Write something like that they said

590
00:33:36,240 --> 00:33:39,120
Speaker 1: about some people. Yeah, I said about something they didn't

591
00:33:39,160 --> 00:33:43,240
Speaker 1: have with Jamie Foxxe though that nigger man were killing

592
00:33:43,360 --> 00:33:46,640
Speaker 1: them and he the only league that killed all genres

593
00:33:47,000 --> 00:33:52,040
Speaker 1: comedy singing and one on water and every one of them.

594
00:33:54,400 --> 00:34:00,360
Speaker 1: Jo over here too. Yeah, I should get Jennie Foss. Yeah,

595
00:34:00,720 --> 00:34:08,680
Speaker 1: so the show prices go off? Then does the audience

596
00:34:08,800 --> 00:34:11,000
Speaker 1: change it all? You had? The audience changed And I'm

597
00:34:11,000 --> 00:34:13,920
Speaker 1: gonna tell you a weird story about that. Took before

598
00:34:13,960 --> 00:34:16,000
Speaker 1: We Want the Oscar. The year before We Want the Oscar,

599
00:34:16,080 --> 00:34:18,279
Speaker 1: we brought out of our biggest three six album, the

600
00:34:18,360 --> 00:34:21,200
Speaker 1: Most Known Unknowns, and his He's Stay Fly on It

601
00:34:21,920 --> 00:34:25,319
Speaker 1: Pop Colla side to side it was. It was full

602
00:34:25,360 --> 00:34:28,960
Speaker 1: of his And I named that album Most Known Unknowns

603
00:34:29,080 --> 00:34:31,879
Speaker 1: because I was like, damn, like we're rich and we're

604
00:34:31,960 --> 00:34:35,160
Speaker 1: making money, but don't nobody really know who we are.

605
00:34:35,320 --> 00:34:38,400
Speaker 1: We're still like underground in Memphis, Like I name it

606
00:34:38,480 --> 00:34:41,080
Speaker 1: the Most Own Unknowns. And then you know, eight months

607
00:34:41,120 --> 00:34:44,080
Speaker 1: after that, were nominated for an Oscar Ship, and that's

608
00:34:44,120 --> 00:34:46,840
Speaker 1: when real watching what you wished for Ship. Wait, so

609
00:34:46,960 --> 00:34:49,560
Speaker 1: then again, I'm sorry. I named the album most Known

610
00:34:49,680 --> 00:34:54,080
Speaker 1: Unknowns because I felt that we wasn't known enough. We

611
00:34:54,280 --> 00:34:56,120
Speaker 1: was rich, but we weren't really known. It's kind of

612
00:34:56,160 --> 00:34:59,160
Speaker 1: being that negger that get paid four hundred thousand to

613
00:34:59,200 --> 00:35:02,359
Speaker 1: sit on the court black and never play. You still

614
00:35:02,400 --> 00:35:05,000
Speaker 1: got money, but the bitches don't look at him first

615
00:35:05,000 --> 00:35:08,000
Speaker 1: when they walking up. So that's how I had that.

616
00:35:08,200 --> 00:35:11,200
Speaker 1: The bitches don't look at me first, feel and then

617
00:35:11,320 --> 00:35:13,520
Speaker 1: want nothing about bitches. But this sounded cool to count

618
00:35:13,960 --> 00:35:18,560
Speaker 1: I can put that together. So what I'm saying is

619
00:35:18,600 --> 00:35:20,960
Speaker 1: eight months after day, we nominated for the biggest award

620
00:35:21,040 --> 00:35:24,040
Speaker 1: in the world, the Oscar, and win it, and win

621
00:35:24,160 --> 00:35:26,399
Speaker 1: it and beat Dolly Parton by the way, and beat

622
00:35:26,440 --> 00:35:28,439
Speaker 1: Dolly Partner. See that's what I'm saying. You gotta watch

623
00:35:28,520 --> 00:35:31,120
Speaker 1: what you wish because you can really talk ship into exist.

624
00:35:32,120 --> 00:35:34,040
Speaker 1: And I talked to the mother into exist as I

625
00:35:34,160 --> 00:35:38,240
Speaker 1: really did. You know? Now all the rappers got Oscar

626
00:35:39,280 --> 00:35:43,839
Speaker 1: the common common yeah for for acting, no no doing

627
00:35:43,880 --> 00:35:48,759
Speaker 1: for the song for Legend the Summers Jordan, Yeah, I

628
00:35:48,800 --> 00:35:51,400
Speaker 1: don't know that yet. They that's not only the rappers

629
00:35:51,520 --> 00:35:56,200
Speaker 1: and eminem and it was the first. Yeah really, I

630
00:35:56,239 --> 00:35:58,160
Speaker 1: didn't know that. Here's the first rapper I ever get

631
00:35:58,239 --> 00:36:02,480
Speaker 1: one and then were like to win, not nominated, but win, right,

632
00:36:02,640 --> 00:36:04,680
Speaker 1: Yeah he won't. But I'm saying, not the first rapper

633
00:36:04,719 --> 00:36:07,480
Speaker 1: to be nominated. That had to be before that. I

634
00:36:07,520 --> 00:36:11,879
Speaker 1: don't think you so really, because that's when it because

635
00:36:11,880 --> 00:36:14,480
Speaker 1: they didn't have a music category before. Yeah they did.

636
00:36:14,680 --> 00:36:17,120
Speaker 1: They always had this. Yeah for me, I don't watch

637
00:36:17,239 --> 00:36:20,000
Speaker 1: the film. I don't know. Yeah, I was handing for me,

638
00:36:20,360 --> 00:36:22,960
Speaker 1: but it was usually imposed. Yeah, it was composed. It

639
00:36:23,120 --> 00:36:27,560
Speaker 1: was like not like now like mother's talking. I was pimping. Yeah,

640
00:36:28,840 --> 00:36:34,440
Speaker 1: that seems the kid man when you want up Oscar

641
00:36:34,840 --> 00:36:39,040
Speaker 1: talking about being a goddamn it's crazy because it was

642
00:36:39,440 --> 00:36:44,120
Speaker 1: hard out there for a p right the movie You

643
00:36:44,239 --> 00:36:49,040
Speaker 1: want a motherfucking Oscar by Holy he should make some

644
00:36:49,120 --> 00:36:55,799
Speaker 1: noise for that. I'm trying to think. I do no comment,

645
00:36:55,840 --> 00:37:00,839
Speaker 1: I say, because I've never really eminem in passing. So yeah,

646
00:37:02,080 --> 00:37:05,440
Speaker 1: you know nigger was an Oscar and Juicy and j

647
00:37:06,360 --> 00:37:08,879
Speaker 1: yeah and uh yeah we're on three. There was another

648
00:37:09,000 --> 00:37:12,399
Speaker 1: dude tonight that was with us too. Okay, but yeah,

649
00:37:12,440 --> 00:37:14,279
Speaker 1: y'all three of us got one. It was cool. And

650
00:37:14,360 --> 00:37:16,160
Speaker 1: then the Oscar the only award that they get you

651
00:37:16,280 --> 00:37:18,400
Speaker 1: right down on the spot. So you took it to

652
00:37:18,480 --> 00:37:21,560
Speaker 1: the club with me. After that, you gotta get it

653
00:37:21,640 --> 00:37:24,960
Speaker 1: engraved though, They're right, that's sitting a little little plaque

654
00:37:25,000 --> 00:37:27,200
Speaker 1: for it, a little plaque that your school. And because

655
00:37:27,239 --> 00:37:30,320
Speaker 1: you want to grant me to well, I did do

656
00:37:30,680 --> 00:37:33,640
Speaker 1: stuff I wrote and produced off but not myself, but

657
00:37:33,760 --> 00:37:37,759
Speaker 1: not thirty six. Have you have tested remakes? You have

658
00:37:37,840 --> 00:37:40,719
Speaker 1: a ghost broke for people? Yeah, a lot of a

659
00:37:40,920 --> 00:37:46,040
Speaker 1: young kids. Yeah, I said my arts. Yeah, I've been

660
00:37:46,080 --> 00:37:48,480
Speaker 1: doing a d M for a long time. What's going

661
00:37:48,600 --> 00:37:50,960
Speaker 1: on here? We were just talking about We were just

662
00:37:51,000 --> 00:37:53,120
Speaker 1: talking about that because my boy there was and um,

663
00:37:54,440 --> 00:37:56,000
Speaker 1: my boy, I forgot don't even heard one right there?

664
00:37:56,080 --> 00:37:58,400
Speaker 1: My boy that was in um who I was just

665
00:37:58,560 --> 00:38:01,759
Speaker 1: with from that he was in the video. I did

666
00:38:01,840 --> 00:38:04,600
Speaker 1: a d M E d M wrap song back and

667
00:38:04,760 --> 00:38:07,680
Speaker 1: like two thousand and eight with d J T s

668
00:38:07,719 --> 00:38:11,160
Speaker 1: Stuf before we blew up. Its huge, huge, Yeah, I

669
00:38:11,200 --> 00:38:15,279
Speaker 1: get two out of the show. So before all that,

670
00:38:15,480 --> 00:38:17,440
Speaker 1: I put him on a song because I knew d

671
00:38:17,640 --> 00:38:21,160
Speaker 1: M was coming. I just was too early because when

672
00:38:21,200 --> 00:38:23,080
Speaker 1: we brought out the song, even though the song, but

673
00:38:23,160 --> 00:38:26,200
Speaker 1: how did you know? Like what what that conclusion? At

674
00:38:26,280 --> 00:38:28,840
Speaker 1: this point in my life, I love DJ, you know.

675
00:38:28,920 --> 00:38:31,439
Speaker 1: Once I started DJ and in clubs in the early

676
00:38:31,600 --> 00:38:33,840
Speaker 1: ninet is, I love DJ and after that, so I

677
00:38:33,960 --> 00:38:35,640
Speaker 1: kept up with what was going on in music. I

678
00:38:35,760 --> 00:38:38,200
Speaker 1: was making dumb step beats back in two thousand and seven,

679
00:38:38,800 --> 00:38:41,479
Speaker 1: even before everybody anybody heard scrill It and dumb stuff

680
00:38:41,560 --> 00:38:43,160
Speaker 1: was coming out of London and all that was big

681
00:38:43,239 --> 00:38:46,120
Speaker 1: of us. I had some Niggers records from London and

682
00:38:46,239 --> 00:38:48,040
Speaker 1: I was like, this ship is going to come over here.

683
00:38:48,120 --> 00:38:49,800
Speaker 1: This ship is hard and I liked it because it

684
00:38:49,880 --> 00:38:53,200
Speaker 1: was slow beats with a lot of banks. But nobody

685
00:38:53,200 --> 00:38:56,320
Speaker 1: ansers liked it. But I was making dumb step beats anyway.

686
00:38:56,320 --> 00:38:59,200
Speaker 1: I saw some of them get the funk out of here.

687
00:38:59,440 --> 00:39:02,160
Speaker 1: You know of this, I didn't know that he was

688
00:39:02,280 --> 00:39:05,560
Speaker 1: dealing with other dj ts. Three six, so called Feeling

689
00:39:06,400 --> 00:39:09,560
Speaker 1: it came out and when gold in other countries, we

690
00:39:09,800 --> 00:39:11,320
Speaker 1: never you know, when you get the plaques with the

691
00:39:11,400 --> 00:39:14,200
Speaker 1: other countries flags on the bottom, that was my first

692
00:39:14,280 --> 00:39:18,600
Speaker 1: time getting one of them with him. And but this

693
00:39:18,719 --> 00:39:21,880
Speaker 1: is what I happened with the song. Um the radio

694
00:39:22,040 --> 00:39:24,239
Speaker 1: was like, we don't know what where to play to us, Like,

695
00:39:24,440 --> 00:39:27,920
Speaker 1: it's not urban, it's not riff make, it's not pop,

696
00:39:28,040 --> 00:39:31,319
Speaker 1: and it still before he's big, right, so far it's big.

697
00:39:31,760 --> 00:39:34,960
Speaker 1: So we got a et M music mixed with rapp

698
00:39:35,080 --> 00:39:37,920
Speaker 1: trump beats and kind of house drum beach where a

699
00:39:37,920 --> 00:39:41,000
Speaker 1: couple of niggas rapping on it and Sean Kaston singing,

700
00:39:41,160 --> 00:39:43,680
Speaker 1: singing the hook. So it had like a little ray gay,

701
00:39:43,760 --> 00:39:45,520
Speaker 1: a little little It was just it was all over

702
00:39:45,600 --> 00:39:47,759
Speaker 1: the place and they didn't know where to play it

703
00:39:47,760 --> 00:39:49,440
Speaker 1: and they couldn't find the box to put it in.

704
00:39:49,600 --> 00:39:51,080
Speaker 1: But when you can't find the box and put it

705
00:39:51,120 --> 00:39:54,520
Speaker 1: and FoST create the box, I had already pretty much

706
00:39:54,560 --> 00:39:57,400
Speaker 1: created the box. They just you know whatever, she's like

707
00:39:57,800 --> 00:40:01,400
Speaker 1: performing more or making the music more, making bees at

708
00:40:01,440 --> 00:40:05,800
Speaker 1: home in my draws. Oh yeah, I can do that

709
00:40:05,880 --> 00:40:08,959
Speaker 1: ship all day, just stay home. Yeah yeah, we gotta

710
00:40:08,960 --> 00:40:11,360
Speaker 1: get on the airplane. You got all with these motherfucker's

711
00:40:11,360 --> 00:40:13,560
Speaker 1: and you just scared. You put too many clothes in

712
00:40:13,600 --> 00:40:18,840
Speaker 1: the bag, over fifty pounds. Ship all at home. Do

713
00:40:19,239 --> 00:40:24,560
Speaker 1: you like streaming boom? You like streaming the streaming era? Little? No,

714
00:40:24,840 --> 00:40:27,239
Speaker 1: hell not the money. I like doing it, but I

715
00:40:27,480 --> 00:40:32,080
Speaker 1: like the money they paid men. You come from sixteen.

716
00:40:33,120 --> 00:40:36,040
Speaker 1: That's what I maintaining that because it's like they're giving

717
00:40:36,080 --> 00:40:39,640
Speaker 1: away music now. Quincin Johns. I was over his house,

718
00:40:39,719 --> 00:40:42,440
Speaker 1: his friend of man, and he told me that, come on, man,

719
00:40:42,480 --> 00:40:47,959
Speaker 1: you can't don't hear that went up and he told

720
00:40:48,000 --> 00:40:50,200
Speaker 1: me that's thirteen years ago. He said, soon we're gonna

721
00:40:50,200 --> 00:40:52,400
Speaker 1: have to give away music. And I didn't even believe me.

722
00:40:52,560 --> 00:40:53,960
Speaker 1: Kind of went in one air and at the other

723
00:40:54,040 --> 00:40:56,040
Speaker 1: time I actually had to do it. And I'm gonna

724
00:40:56,040 --> 00:40:57,480
Speaker 1: tell you what made me think about it. I was

725
00:40:57,560 --> 00:41:01,359
Speaker 1: doing the show in Canada. It was a few years ago,

726
00:41:02,520 --> 00:41:04,759
Speaker 1: and uh, when I was getting on, while I was

727
00:41:04,800 --> 00:41:06,680
Speaker 1: going through, you know, Canada is a bit to get in.

728
00:41:07,320 --> 00:41:09,240
Speaker 1: That's how this fun. When I was going through customers

729
00:41:09,480 --> 00:41:12,719
Speaker 1: for criminals, let's be click. No, but anybody, nigger, if

730
00:41:12,800 --> 00:41:15,760
Speaker 1: you got a do you you can't even go to Canada.

731
00:41:16,760 --> 00:41:19,640
Speaker 1: It's gotten hard. If you have a criminal record. Normal

732
00:41:19,719 --> 00:41:22,920
Speaker 1: people go to Canada. Get everybody hell going through that.

733
00:41:23,160 --> 00:41:25,000
Speaker 1: If you got a fact, that's what I'm saying, a criminal,

734
00:41:25,280 --> 00:41:29,839
Speaker 1: that's a criminal. Yeah, you can't go to your felt

735
00:41:29,880 --> 00:41:32,160
Speaker 1: telling you don't even have to be a bad do

736
00:41:32,280 --> 00:41:34,960
Speaker 1: you be honest? Do you and you can't get in

737
00:41:35,040 --> 00:41:39,120
Speaker 1: there a lot of money that agent that day. It

738
00:41:39,239 --> 00:41:42,200
Speaker 1: depends I've been through what criminal it depending on the

739
00:41:42,320 --> 00:41:44,680
Speaker 1: agent that day. Like some people was just it depends

740
00:41:44,760 --> 00:41:46,600
Speaker 1: where you're going through and having a bad day, and

741
00:41:46,640 --> 00:41:49,120
Speaker 1: they'll just be like, you know, but I got do

742
00:41:49,280 --> 00:41:53,440
Speaker 1: to day. I went to UM recently, not recently, about

743
00:41:53,719 --> 00:41:57,880
Speaker 1: four or five years ago, All Star Joint years ago

744
00:41:58,080 --> 00:42:00,560
Speaker 1: and NBA All Star do you you know what I mean?

745
00:42:00,680 --> 00:42:03,279
Speaker 1: So continue the story. I'm sorry now you got so.

746
00:42:03,960 --> 00:42:07,720
Speaker 1: I had uh, we had our you know, our turn tables,

747
00:42:08,840 --> 00:42:12,120
Speaker 1: and we had a big old box of CDs to

748
00:42:12,239 --> 00:42:15,799
Speaker 1: do from Canada. He was like, what are you doing

749
00:42:15,840 --> 00:42:17,320
Speaker 1: with d CDs? You know they're trying to get some

750
00:42:17,360 --> 00:42:19,480
Speaker 1: money about it. You listen that. I'm like, I'm here

751
00:42:19,520 --> 00:42:22,160
Speaker 1: to visit and I'm sorry, I'm ding my friend's wedding

752
00:42:22,239 --> 00:42:24,960
Speaker 1: for free. He said, what's you doing with d c ds?

753
00:42:25,040 --> 00:42:26,520
Speaker 1: And I said, I'm gonna give them out. I took

754
00:42:26,560 --> 00:42:29,839
Speaker 1: people at the party. He's like, you're gonna give away

755
00:42:29,960 --> 00:42:32,080
Speaker 1: free c d s And I was like, he was like,

756
00:42:32,239 --> 00:42:35,040
Speaker 1: who does that? I was like mother. Everybody in the

757
00:42:35,120 --> 00:42:40,480
Speaker 1: world right now you don't heard of that pim and

758
00:42:40,640 --> 00:42:43,200
Speaker 1: you can go down to eat your heart out, tell

759
00:42:43,320 --> 00:42:45,880
Speaker 1: us a free musing every second. But he did not

760
00:42:46,120 --> 00:42:47,600
Speaker 1: believe me when I told him I was in the

761
00:42:47,640 --> 00:42:51,600
Speaker 1: past our promoc there. Now, don't boy fresh, how should

762
00:42:51,600 --> 00:42:57,040
Speaker 1: I come up with that? I don't remember. I don't remember.

763
00:42:57,080 --> 00:43:02,680
Speaker 1: That was the hardest that ever man, that because you

764
00:43:03,520 --> 00:43:05,080
Speaker 1: got it was right out of the oscar, and it

765
00:43:05,200 --> 00:43:07,560
Speaker 1: was when we moved to l A. So it was

766
00:43:07,800 --> 00:43:11,799
Speaker 1: hard for us to come up with songs. Just a right, yeah,

767
00:43:12,160 --> 00:43:13,640
Speaker 1: it was how for us to come up with songs

768
00:43:13,680 --> 00:43:17,040
Speaker 1: because it was so pretty there, at least the parts.

769
00:43:18,000 --> 00:43:19,719
Speaker 1: But even though the thing about that l A Dog,

770
00:43:19,920 --> 00:43:25,320
Speaker 1: even the parts that's like the lower lower scale, like

771
00:43:25,440 --> 00:43:27,920
Speaker 1: the poor neighborhoods whatever, which is still expencive to me,

772
00:43:28,080 --> 00:43:30,880
Speaker 1: still got the palm trees. It still looks nice. It

773
00:43:30,960 --> 00:43:32,760
Speaker 1: looks like you can't go there, you can't come around

774
00:43:32,920 --> 00:43:34,719
Speaker 1: like the jungle. We got the palm trees and they

775
00:43:34,800 --> 00:43:37,360
Speaker 1: got junk palm trees. And when we're from like Nigga,

776
00:43:37,480 --> 00:43:41,160
Speaker 1: ain't no palm trees and ship smiging and rainy and

777
00:43:41,400 --> 00:43:46,200
Speaker 1: dark there ain't no sunny days. But you know out there,

778
00:43:46,280 --> 00:43:48,879
Speaker 1: it's it's even the neighborhoods that you know, you can't

779
00:43:48,880 --> 00:43:52,040
Speaker 1: take your ads over the round, but they look they

780
00:43:52,080 --> 00:43:53,839
Speaker 1: look nice in the house and still be like five

781
00:43:53,960 --> 00:43:56,960
Speaker 1: hundred thousand dollars and ship and well, I'm from five

782
00:43:57,040 --> 00:43:59,120
Speaker 1: hundred thousand miles. I think you got the best house

783
00:43:59,160 --> 00:44:06,120
Speaker 1: in the neighborhood. Mm hmmm. So so who's cooped up

784
00:44:06,160 --> 00:44:09,200
Speaker 1: school close to na Yeah, it passed away a few

785
00:44:09,280 --> 00:44:12,640
Speaker 1: years ago, a little more than that until that was fifteen,

786
00:44:13,440 --> 00:44:15,640
Speaker 1: and he was an original member. He was original. He

787
00:44:15,719 --> 00:44:18,239
Speaker 1: was original member. I've been knowing cool, but I took

788
00:44:18,239 --> 00:44:20,839
Speaker 1: a cool out of Foston home when we was keeping

789
00:44:21,960 --> 00:44:23,239
Speaker 1: I've been dealing with he was a little with a

790
00:44:23,239 --> 00:44:26,960
Speaker 1: little infamous too, right. That was my brother, all right, y'all.

791
00:44:27,040 --> 00:44:30,800
Speaker 1: Just I've been dealing with like definitely every and we

792
00:44:30,920 --> 00:44:33,200
Speaker 1: had two members, two original members that I've passed the

793
00:44:33,320 --> 00:44:36,400
Speaker 1: same age. It was forty. Oh yeah, we was the

794
00:44:36,440 --> 00:44:39,839
Speaker 1: same age. It's crazy. It was right after we did

795
00:44:39,920 --> 00:44:42,200
Speaker 1: that at the tape I told you about the Mafia

796
00:44:42,280 --> 00:44:49,400
Speaker 1: six ah, God bless man. That was I was just

797
00:44:50,000 --> 00:44:55,040
Speaker 1: funny gun. But you guys get this reality show. You

798
00:44:55,120 --> 00:44:58,680
Speaker 1: guys just got to Oscar What what what? What is

799
00:44:58,719 --> 00:45:01,160
Speaker 1: the ZAC moment where you guys it's like it's like,

800
00:45:01,600 --> 00:45:04,719
Speaker 1: you know what, I'm gonna start doing my solo thing

801
00:45:05,400 --> 00:45:08,600
Speaker 1: and I'm gonna start focused on me or was this

802
00:45:08,719 --> 00:45:12,000
Speaker 1: something you guys discott, Yeah, we discussed. So basically, Sonny

803
00:45:12,040 --> 00:45:14,360
Speaker 1: didn't know what they wanted to do far as the album.

804
00:45:15,080 --> 00:45:17,279
Speaker 1: They liked the E d M route because at this

805
00:45:17,400 --> 00:45:20,520
Speaker 1: point Sonna was ran back some guys from Great Britain

806
00:45:21,640 --> 00:45:23,959
Speaker 1: and I can't remember his name. He was a cool

807
00:45:24,080 --> 00:45:27,960
Speaker 1: too man. He discovered a c d C goes back

808
00:45:28,040 --> 00:45:31,239
Speaker 1: and he was from like Great Britain, and so they

809
00:45:31,360 --> 00:45:33,680
Speaker 1: was they was going a C d C. He discovered

810
00:45:33,719 --> 00:45:37,719
Speaker 1: a CDC back in at that o G So we

811
00:45:37,960 --> 00:45:41,600
Speaker 1: was they was kind of stuck between us sticking to

812
00:45:41,719 --> 00:45:44,759
Speaker 1: our original sound, which was going away at that time,

813
00:45:45,640 --> 00:45:48,040
Speaker 1: or doing E d M, which I liked the E

814
00:45:48,080 --> 00:45:49,320
Speaker 1: d M. I thought there was a good route to go.

815
00:45:49,440 --> 00:45:51,320
Speaker 1: We did that one song, but you know we didn't.

816
00:45:51,560 --> 00:45:53,360
Speaker 1: They didn't have no way to promote it because like

817
00:45:53,440 --> 00:45:57,400
Speaker 1: I said, when no RAO say, y'all did, OK, So

818
00:45:57,560 --> 00:45:59,719
Speaker 1: they didn't had no way to play it. So now

819
00:45:59,800 --> 00:46:02,799
Speaker 1: we're just kind of was stuck in limbo. I told

820
00:46:02,840 --> 00:46:04,879
Speaker 1: you just how like, look, you know, we can put

821
00:46:04,920 --> 00:46:07,440
Speaker 1: you out and put out these motherfucking independency these you know,

822
00:46:07,760 --> 00:46:10,719
Speaker 1: and just keep doing that. And that's what we did.

823
00:46:11,320 --> 00:46:13,120
Speaker 1: Because the label and you know what they're doing, then

824
00:46:13,160 --> 00:46:16,839
Speaker 1: they should end up firing people and the one from there.

825
00:46:17,040 --> 00:46:20,560
Speaker 1: You like independent over the label one, or you prefer

826
00:46:21,040 --> 00:46:26,080
Speaker 1: the major label. I like I like independent because I

827
00:46:26,200 --> 00:46:29,480
Speaker 1: like independent because you don't have to get um. Nobody

828
00:46:29,600 --> 00:46:33,400
Speaker 1: said so over what you what you're putting out? What

829
00:46:33,520 --> 00:46:37,200
Speaker 1: you're putting out because you know the major's man. Sometimes

830
00:46:37,239 --> 00:46:39,800
Speaker 1: you sit up there. Thank god, we didn't really have

831
00:46:39,960 --> 00:46:43,960
Speaker 1: this problem because Avenues was so crazy and as much

832
00:46:44,000 --> 00:46:46,160
Speaker 1: as they probably didn't like it, the ship work so

833
00:46:46,239 --> 00:46:48,560
Speaker 1: they would listen to what I would tell them. But

834
00:46:49,600 --> 00:46:51,839
Speaker 1: you know a lot of times you had those situations

835
00:46:51,920 --> 00:46:54,920
Speaker 1: where you'll be you're the major label, You'll be sitting

836
00:46:54,920 --> 00:46:58,040
Speaker 1: their songs, and every turn that ship down, you know,

837
00:46:58,120 --> 00:47:00,480
Speaker 1: they probably gave you, you know, two d out knowledge

838
00:47:00,520 --> 00:47:02,239
Speaker 1: of Withe up front, and you know you're going to

839
00:47:02,280 --> 00:47:05,279
Speaker 1: the studio and spending money and making a song this,

840
00:47:05,400 --> 00:47:07,080
Speaker 1: and they eat the way the little budget you know,

841
00:47:07,239 --> 00:47:08,600
Speaker 1: and the little you know, you're trying to go home

842
00:47:08,680 --> 00:47:10,400
Speaker 1: with some of the budget and ain't trying to spend

843
00:47:10,440 --> 00:47:14,440
Speaker 1: the whole thing in the studio. And they turned down

844
00:47:14,560 --> 00:47:16,680
Speaker 1: songs like no, this ain't good enough, this ain't good enough.

845
00:47:17,080 --> 00:47:19,160
Speaker 1: We didn't have that problem, thank god. If I turned

846
00:47:19,239 --> 00:47:21,600
Speaker 1: down the song talking about hit a line of coke.

847
00:47:21,680 --> 00:47:24,200
Speaker 1: I attended there, But like, all right, Paul said it

848
00:47:24,280 --> 00:47:26,960
Speaker 1: to work, put it out. Then just put that ship out.

849
00:47:27,760 --> 00:47:29,920
Speaker 1: But I've seen other fucker's. Man, I know people out

850
00:47:29,960 --> 00:47:32,680
Speaker 1: there right now, like fucking way, no labels to put

851
00:47:32,760 --> 00:47:36,600
Speaker 1: that ship out, because they just work when they feel

852
00:47:36,640 --> 00:47:40,480
Speaker 1: like working. What's the dumbest thing you ever bought? The

853
00:47:40,560 --> 00:47:45,160
Speaker 1: dumbest thing? I have a ball. Oh, I bought a

854
00:47:45,239 --> 00:47:49,560
Speaker 1: lot of dumb stuff. I'll tell you, I tell you

855
00:47:51,080 --> 00:47:53,799
Speaker 1: tell your story. Just just was more than one thing.

856
00:47:54,920 --> 00:47:58,440
Speaker 1: But my accountants told me in two thousand and sixteen

857
00:47:58,560 --> 00:48:01,759
Speaker 1: and seventeen, just these two years, I never asked no

858
00:48:01,880 --> 00:48:04,600
Speaker 1: other year. I probably would would kill myself about there.

859
00:48:05,360 --> 00:48:09,279
Speaker 1: But then two thousands, seventeen, sixteen and seventeen I spent

860
00:48:09,360 --> 00:48:14,480
Speaker 1: four hundred and eighty thousand dollars on alcohol Drink Championship

861
00:48:14,920 --> 00:48:17,080
Speaker 1: and they didn't even know about the cash to my

862
00:48:17,280 --> 00:48:20,320
Speaker 1: private driver that was taking me places. That was like

863
00:48:20,400 --> 00:48:24,560
Speaker 1: another fifty We had a studio on Ranch or Kuka Mango,

864
00:48:24,600 --> 00:48:27,040
Speaker 1: which is like fifty minutes from I didn't know what

865
00:48:28,080 --> 00:48:33,600
Speaker 1: was a real place. I I did not know that

866
00:48:34,760 --> 00:48:37,960
Speaker 1: they didn't even include my private driver that was taking

867
00:48:38,000 --> 00:48:40,400
Speaker 1: me back and forth to that and all that. So

868
00:48:40,760 --> 00:48:43,360
Speaker 1: I spent over five hundred thousands in alcohol. It's just

869
00:48:43,560 --> 00:48:47,480
Speaker 1: two years now. I started rapping, going to be thirty

870
00:48:47,600 --> 00:48:50,719
Speaker 1: years ago, so we can just imagine the rest of

871
00:48:50,760 --> 00:48:54,200
Speaker 1: those years looked like what made you stop drinking? And

872
00:48:54,560 --> 00:48:59,600
Speaker 1: that was one of them. How much you spent that

873
00:48:59,760 --> 00:49:02,200
Speaker 1: was not just thinking about how much I've probably spent

874
00:49:02,320 --> 00:49:06,400
Speaker 1: before that. It's like the Poster years. Jesus Christ. We

875
00:49:06,520 --> 00:49:08,120
Speaker 1: had twenty four hour security to go that we just

876
00:49:08,200 --> 00:49:11,000
Speaker 1: sent the costco in different places. The look is all

877
00:49:11,000 --> 00:49:14,879
Speaker 1: the time. But yeah, that was one thing that made

878
00:49:14,920 --> 00:49:18,120
Speaker 1: me stop drinking debt right there. I just wanted to

879
00:49:18,160 --> 00:49:20,759
Speaker 1: be as as healthy as possible to two deaths when

880
00:49:20,800 --> 00:49:25,239
Speaker 1: the group was which was just two. So the best

881
00:49:25,280 --> 00:49:27,640
Speaker 1: of between that and I stopped eating meat. I ain't

882
00:49:27,719 --> 00:49:33,120
Speaker 1: just sea food Pesketerian. Yeah, So you know everybody said

883
00:49:33,200 --> 00:49:35,719
Speaker 1: made me look younger and slam down, like people had

884
00:49:35,800 --> 00:49:37,360
Speaker 1: to double take when they look at me. They'd be

885
00:49:37,400 --> 00:49:39,320
Speaker 1: google at me on the phone, like looking at me

886
00:49:39,440 --> 00:49:41,399
Speaker 1: like damn this the same dude, this need to look

887
00:49:41,560 --> 00:49:44,600
Speaker 1: two hundred pounds on it. So yeah, just to be

888
00:49:44,760 --> 00:49:48,640
Speaker 1: healthier and stopped making bad decisions because I would the

889
00:49:49,000 --> 00:49:54,560
Speaker 1: four hundred thousand dollars on the on the on the alcohol,

890
00:49:55,160 --> 00:49:56,719
Speaker 1: even though there was a lot, I didn't really I

891
00:49:56,760 --> 00:49:59,120
Speaker 1: didn't really trip out that I should have bought a

892
00:49:59,160 --> 00:50:02,160
Speaker 1: little small war flex and loan Beach or something. Well

893
00:50:02,239 --> 00:50:06,719
Speaker 1: with that money distillery. That's all my story, but that

894
00:50:06,960 --> 00:50:09,560
Speaker 1: wasn't what what what really really got to me. What

895
00:50:09,800 --> 00:50:12,960
Speaker 1: really got to me is the time I wasted doing that,

896
00:50:13,920 --> 00:50:16,040
Speaker 1: like so much other ship I could have been doing.

897
00:50:16,520 --> 00:50:17,840
Speaker 1: Like now, when I get up in the morning, I

898
00:50:17,880 --> 00:50:20,120
Speaker 1: wake up early, but you don't wine had me waking

899
00:50:20,200 --> 00:50:22,759
Speaker 1: up late. You don't do lean, no more or nothing.

900
00:50:22,800 --> 00:50:25,839
Speaker 1: I left Land alone too, Well, what made you kicked

901
00:50:25,880 --> 00:50:30,200
Speaker 1: the lean thing? When? Because I was drinking too much ship,

902
00:50:31,040 --> 00:50:33,919
Speaker 1: I had to decide between it and the liquor because

903
00:50:34,200 --> 00:50:36,520
Speaker 1: most people who drink lean don't really drink looking. But

904
00:50:36,560 --> 00:50:38,399
Speaker 1: I heard you had one of the other one because

905
00:50:38,440 --> 00:50:41,239
Speaker 1: it's a lot for your lover. That's way too much

906
00:50:41,239 --> 00:50:43,839
Speaker 1: for you. That's way too much the lane alone, Donna

907
00:50:43,840 --> 00:50:49,520
Speaker 1: suck it up. So and your food people don't realize yeah, phulochemical. Yeah,

908
00:50:49,600 --> 00:50:52,960
Speaker 1: so I chose the alcohol over it. So you chose

909
00:50:53,000 --> 00:50:55,440
Speaker 1: the alcohol over the lean. Yeah, and didn't you realize

910
00:50:55,440 --> 00:50:58,000
Speaker 1: how much you have spending? But I didn't. Then it's

911
00:50:58,000 --> 00:50:59,640
Speaker 1: something happened. I thought it was like you had a

912
00:50:59,680 --> 00:51:03,200
Speaker 1: little whole scale or something like that. The only health

913
00:51:03,239 --> 00:51:08,759
Speaker 1: scare I hand was I had a diverticulitis once. What

914
00:51:08,960 --> 00:51:11,520
Speaker 1: is that? Exactly? What is that? I don't remember. It

915
00:51:11,640 --> 00:51:17,719
Speaker 1: sounds like some rich ship, though I don't remember whaticulate

916
00:51:17,840 --> 00:51:22,320
Speaker 1: people that I think it was. It was sound like

917
00:51:22,400 --> 00:51:26,200
Speaker 1: some only rich people gettator like this. Yeah, I think

918
00:51:26,280 --> 00:51:29,000
Speaker 1: it's but it was from eating bad or something. I

919
00:51:29,040 --> 00:51:31,560
Speaker 1: can't remember what the what was it. I think it

920
00:51:31,640 --> 00:51:35,279
Speaker 1: was from your colon or something. I think, Wow, I

921
00:51:35,360 --> 00:51:37,520
Speaker 1: can't remember. But that was just two weeks of the

922
00:51:37,600 --> 00:51:40,200
Speaker 1: antiviolics and get rid of that ship. But I hate

923
00:51:40,239 --> 00:51:42,640
Speaker 1: doing that because they they said you can't drink with

924
00:51:42,719 --> 00:51:45,560
Speaker 1: the ani and it's not good to take anybody out

925
00:51:45,680 --> 00:51:47,759
Speaker 1: to start with, because in your body get used to it. Yeah,

926
00:51:48,239 --> 00:51:51,040
Speaker 1: and not not to like be like a but what

927
00:51:51,320 --> 00:51:52,920
Speaker 1: you don't never miss it? How long have you been

928
00:51:53,200 --> 00:51:57,920
Speaker 1: like a year? Eight months? Now? I don't miss it.

929
00:51:58,040 --> 00:52:00,560
Speaker 1: You don't miss it at all. No, he was, because,

930
00:52:00,600 --> 00:52:02,759
Speaker 1: like I said, man, i'd be on time now, I said,

931
00:52:03,080 --> 00:52:05,200
Speaker 1: I sent my time or everything I do. I wake

932
00:52:05,320 --> 00:52:11,680
Speaker 1: up if I'm doing us. Yeah, I want I meet

933
00:52:11,719 --> 00:52:18,719
Speaker 1: you here. I should be sitting that easily. So yeah,

934
00:52:18,800 --> 00:52:24,640
Speaker 1: I was. I was. What was we talking about when

935
00:52:24,680 --> 00:52:29,680
Speaker 1: you miss you said, you don't. I don't miss it

936
00:52:29,760 --> 00:52:32,839
Speaker 1: because I think about it. Like I said, I think

937
00:52:32,840 --> 00:52:35,280
Speaker 1: about all the ship at the time, wasted. I wasted

938
00:52:35,360 --> 00:52:38,960
Speaker 1: all that the relationships because that was the one of

939
00:52:39,000 --> 00:52:42,799
Speaker 1: the funked up punts about alcoholist. And there's nothing wrong

940
00:52:42,800 --> 00:52:45,080
Speaker 1: with alcohol. So don't anybody think that it just was

941
00:52:45,160 --> 00:52:47,520
Speaker 1: too much for me because I don't have a job

942
00:52:47,640 --> 00:52:49,800
Speaker 1: to go to my studios at my house, I just

943
00:52:49,920 --> 00:52:52,760
Speaker 1: go to the next room and go to work. Behind

944
00:52:52,880 --> 00:52:55,680
Speaker 1: going on show. I was drinking every day since I

945
00:52:55,800 --> 00:52:59,000
Speaker 1: was twelve years old. It's a different story for me. Obviously,

946
00:52:59,040 --> 00:53:01,120
Speaker 1: I wasn't drinking every day then, But when I got

947
00:53:01,239 --> 00:53:03,680
Speaker 1: my mom and house, I think it was, and I

948
00:53:03,800 --> 00:53:10,200
Speaker 1: got out earlier. So out side of the time wasted

949
00:53:10,280 --> 00:53:12,320
Speaker 1: and not being on time for shipping this and that,

950
00:53:12,520 --> 00:53:16,359
Speaker 1: I just I don't miss it because I don't ever

951
00:53:16,440 --> 00:53:18,399
Speaker 1: want to go back into that spot where I was here,

952
00:53:18,440 --> 00:53:21,400
Speaker 1: Like I like it again, It wasn't the person that

953
00:53:21,600 --> 00:53:25,520
Speaker 1: the person that you was under like alcohol under league?

954
00:53:26,160 --> 00:53:28,279
Speaker 1: Is that what it is? I was the same person,

955
00:53:29,280 --> 00:53:32,520
Speaker 1: that same person, but I just didn't I wasn't focused

956
00:53:32,600 --> 00:53:35,279
Speaker 1: as much. I wasn't focused as much as I would like.

957
00:53:35,440 --> 00:53:37,719
Speaker 1: Now every second of the day, I'm gonna be doing

958
00:53:37,760 --> 00:53:40,200
Speaker 1: some work even though I'm not here on vacation. My

959
00:53:40,280 --> 00:53:44,320
Speaker 1: girl like this is like fifty fifty vacation her because

960
00:53:44,360 --> 00:53:46,360
Speaker 1: if she goes there there, I'm going to shoot the

961
00:53:46,480 --> 00:53:49,480
Speaker 1: video away. I'm south Man and something. I was out

962
00:53:49,520 --> 00:53:52,239
Speaker 1: there to four in the morning, so I might go

963
00:53:52,360 --> 00:53:54,759
Speaker 1: shoot the video at twelve one o'clock at night and

964
00:53:54,880 --> 00:53:58,200
Speaker 1: on on vacation. You still you still love the game

965
00:53:58,320 --> 00:54:00,960
Speaker 1: like this, I'm my big is fan. Yes I do.

966
00:54:02,200 --> 00:54:03,880
Speaker 1: I set up and make music for me for the

967
00:54:03,960 --> 00:54:06,600
Speaker 1: rest of my life. And when I die, you put

968
00:54:06,640 --> 00:54:17,000
Speaker 1: a drumming shin in that motherfucker back that because it

969
00:54:17,080 --> 00:54:20,520
Speaker 1: becomes it redundant, it becomes repetitive at a certain point,

970
00:54:20,760 --> 00:54:23,919
Speaker 1: and you've never got to that. You never liket. Yeah,

971
00:54:24,160 --> 00:54:26,520
Speaker 1: you never got sick of it. Yeah, I got sick

972
00:54:26,600 --> 00:54:29,799
Speaker 1: of it when the money changed. Yeah, when they went

973
00:54:29,840 --> 00:54:31,799
Speaker 1: to the stream. I like, now it's too much. That's

974
00:54:31,840 --> 00:54:37,120
Speaker 1: straight screwing us. Now. Before that, that niggative was bootlegging

975
00:54:37,360 --> 00:54:44,560
Speaker 1: of ship. Back in the day, the big company naps

976
00:54:44,600 --> 00:54:49,360
Speaker 1: there was a problem. Well now now Napster, you go

977
00:54:49,480 --> 00:54:51,920
Speaker 1: to Napster. I mean they were the future. Yeah, they

978
00:54:51,960 --> 00:54:56,279
Speaker 1: were the future. Yeah, we went ahead of time. Yeah yeah,

979
00:54:56,719 --> 00:55:00,200
Speaker 1: but yeah, like that was sucked up. You never like

980
00:55:00,280 --> 00:55:02,520
Speaker 1: writer's block or just got turned off to doing like

981
00:55:03,120 --> 00:55:07,880
Speaker 1: creativity wasn't there. Hell no, I never no, no, no,

982
00:55:08,200 --> 00:55:10,719
Speaker 1: I ain't never thought. I ain't never heard that. But

983
00:55:11,040 --> 00:55:13,440
Speaker 1: I'm sure you have nice when you have some writer's blocked.

984
00:55:13,920 --> 00:55:16,160
Speaker 1: But I taught myself how to face that. I just

985
00:55:16,239 --> 00:55:18,480
Speaker 1: go to bed. You go to bed. I'm just wake

986
00:55:18,520 --> 00:55:20,359
Speaker 1: up about out there listening. Don't still everything and trying

987
00:55:20,400 --> 00:55:22,560
Speaker 1: to force that ship because it's gonna be right, bill

988
00:55:22,640 --> 00:55:25,000
Speaker 1: a skeleton and then't go to bed. And when you

989
00:55:25,040 --> 00:55:26,879
Speaker 1: come back next day, your idea. It's gonna be fresh

990
00:55:26,920 --> 00:55:29,000
Speaker 1: and it's gonna be way better even if you delete

991
00:55:29,040 --> 00:55:31,359
Speaker 1: that motherfuck you ever raised something about in the state

992
00:55:31,640 --> 00:55:35,239
Speaker 1: and went back and did it better? Oh? Not quite

993
00:55:35,320 --> 00:55:41,120
Speaker 1: like that? Yeah, when it happens. Yeah, legendary studio session.

994
00:55:41,160 --> 00:55:47,279
Speaker 1: You ever been a part of um? I have to

995
00:55:47,760 --> 00:55:50,719
Speaker 1: I have to think man, so man, then so many.

996
00:55:50,800 --> 00:55:52,680
Speaker 1: I like all the stuff we did with Ludicrous. We

997
00:55:52,760 --> 00:55:55,120
Speaker 1: did a lot of good stuff. A little bit time

998
00:55:55,200 --> 00:55:57,160
Speaker 1: people asked me, I kind of always said that was

999
00:55:57,280 --> 00:56:00,040
Speaker 1: one of my favorites. That's out of you. I I

1000
00:56:01,400 --> 00:56:02,880
Speaker 1: feel like you got I feel like you've got a

1001
00:56:02,920 --> 00:56:07,560
Speaker 1: print story. Yeah, not in the studio at his house.

1002
00:56:07,719 --> 00:56:11,319
Speaker 1: You gotta tell us we're infamous for print. Prince. Yeah,

1003
00:56:11,360 --> 00:56:13,080
Speaker 1: we're trying to Prince throw a big party at his

1004
00:56:13,200 --> 00:56:18,320
Speaker 1: house after the Oscars every year, okay, And John Singleton

1005
00:56:18,480 --> 00:56:20,600
Speaker 1: was like, I know a Prince. We can go over here,

1006
00:56:20,680 --> 00:56:22,360
Speaker 1: we can I can get us in the party. And

1007
00:56:22,520 --> 00:56:23,960
Speaker 1: I'm like, man, we gotta go out of the wait

1008
00:56:24,000 --> 00:56:26,400
Speaker 1: wait wait oh he told you it's Prince and it

1009
00:56:26,520 --> 00:56:29,239
Speaker 1: wasn't like he sprung like you just party. John was like,

1010
00:56:29,239 --> 00:56:32,560
Speaker 1: I can get us in a Prince part. So I

1011
00:56:32,680 --> 00:56:35,840
Speaker 1: was like, pod, yeah, let's go. So we all we

1012
00:56:35,960 --> 00:56:39,120
Speaker 1: went to Prince house. John got out and he was

1013
00:56:39,160 --> 00:56:42,120
Speaker 1: talking to the security guard bodyguards at the house at

1014
00:56:42,160 --> 00:56:45,399
Speaker 1: the gate, and the dude was like looking at the car.

1015
00:56:46,600 --> 00:56:48,480
Speaker 1: He was like looking at the car and listen then

1016
00:56:48,480 --> 00:56:50,160
Speaker 1: and I was like this ain't looking right. And I

1017
00:56:50,280 --> 00:56:51,880
Speaker 1: was like it looking like this thing. Ain't let us in.

1018
00:56:51,960 --> 00:56:55,600
Speaker 1: This motherfucker. Oh the guy, the security guard guy, John

1019
00:56:55,760 --> 00:56:57,960
Speaker 1: came back and got the kind He's like, let's go,

1020
00:56:58,160 --> 00:57:01,839
Speaker 1: like they tripping everyone, let us in. I was like, what, Like, man,

1021
00:57:01,880 --> 00:57:04,640
Speaker 1: you're gonna telling how many times I bought purple rain

1022
00:57:05,600 --> 00:57:08,319
Speaker 1: let me got dawn party and he didn't let us

1023
00:57:08,360 --> 00:57:14,160
Speaker 1: head and ship. I didn't think this story. I thought

1024
00:57:14,200 --> 00:57:16,600
Speaker 1: she was going to YouTube. I ain't got no person

1025
00:57:16,720 --> 00:57:19,280
Speaker 1: up once with. I wanted to naket status or nothing like.

1026
00:57:20,360 --> 00:57:23,200
Speaker 1: So Prince basically didn't let you in the party. Even

1027
00:57:23,320 --> 00:57:27,520
Speaker 1: that's game stuff. That's like, man, the first one. I

1028
00:57:27,560 --> 00:57:29,600
Speaker 1: don't care. They got an hostin town sticking up there

1029
00:57:29,640 --> 00:57:32,520
Speaker 1: and didn't get up as him I would do. I

1030
00:57:32,600 --> 00:57:35,440
Speaker 1: got even as scary es. I got this motherfucker he

1031
00:57:35,560 --> 00:57:38,600
Speaker 1: kept times of bees in. Now, yeah, y'all wasn't known

1032
00:57:38,640 --> 00:57:40,880
Speaker 1: as a wild cool That's why he didn't want to

1033
00:57:40,920 --> 00:57:44,320
Speaker 1: see it. I don't to let us in. That's that's rare.

1034
00:57:45,280 --> 00:57:47,520
Speaker 1: Did that ever, like you know, being known as like

1035
00:57:47,640 --> 00:57:51,600
Speaker 1: the the like the out of control cool wild boys?

1036
00:57:51,760 --> 00:57:53,880
Speaker 1: Did the wild Boys? Or rather, for lack of a

1037
00:57:53,920 --> 00:57:57,480
Speaker 1: better world? Did that ever like affect you? And like no,

1038
00:57:57,640 --> 00:58:00,640
Speaker 1: I love it because it was crunk means he was rounding.

1039
00:58:01,360 --> 00:58:03,720
Speaker 1: I loved it and it made it. It made it

1040
00:58:03,840 --> 00:58:05,560
Speaker 1: more rock. I was trying to have it as rockets

1041
00:58:05,560 --> 00:58:09,840
Speaker 1: I could have it. It made it more rock, which

1042
00:58:09,920 --> 00:58:13,560
Speaker 1: is great. And what y'all actually banned from the clubs

1043
00:58:14,320 --> 00:58:18,560
Speaker 1: just doing that song, just just at the club. Yeah,

1044
00:58:19,360 --> 00:58:21,680
Speaker 1: I got banned from some bars personally in l A.

1045
00:58:21,800 --> 00:58:25,120
Speaker 1: But that's somebody. What did you think of Juice World

1046
00:58:25,200 --> 00:58:27,960
Speaker 1: when that was terrible? Man? I liked you this world.

1047
00:58:28,920 --> 00:58:30,840
Speaker 1: I liked him. He was really tough because he was

1048
00:58:30,920 --> 00:58:33,040
Speaker 1: one of the ones that was different. You know a

1049
00:58:33,120 --> 00:58:35,720
Speaker 1: lot of things sound the same, that he was different.

1050
00:58:36,320 --> 00:58:39,680
Speaker 1: I like you, bro, wasn't it juicy that that just

1051
00:58:39,760 --> 00:58:42,080
Speaker 1: said that put that tweet out talking about if ever

1052
00:58:42,640 --> 00:58:47,720
Speaker 1: inspired you? Yeah? Yeah, yeah, what you think about that?

1053
00:58:48,800 --> 00:58:50,960
Speaker 1: I mean, I mean he felt the need to do it,

1054
00:58:51,040 --> 00:58:56,000
Speaker 1: so it was good. Do you feel the same somewhat similar,

1055
00:58:56,640 --> 00:58:58,760
Speaker 1: because yeah, I mean I do, because I actually have

1056
00:58:59,000 --> 00:59:01,840
Speaker 1: conversations with my fans all the time about help ship,

1057
00:59:03,000 --> 00:59:06,080
Speaker 1: and a lot of times I tell them about you know,

1058
00:59:06,120 --> 00:59:08,280
Speaker 1: I even made a song that came out last year

1059
00:59:08,360 --> 00:59:11,800
Speaker 1: called Playing with the Dope. I produced it and wrote

1060
00:59:11,840 --> 00:59:13,800
Speaker 1: it for my little nephews. It wont my song. I

1061
00:59:13,880 --> 00:59:16,160
Speaker 1: was just doing the hook and produced it. But I

1062
00:59:16,280 --> 00:59:19,240
Speaker 1: was just talking about how, you know, so many fake

1063
00:59:19,360 --> 00:59:24,000
Speaker 1: drugs going around and the like when we was doing it.

1064
00:59:24,080 --> 00:59:28,920
Speaker 1: So like when we was talking about doing drugs, everybody

1065
00:59:29,000 --> 00:59:34,720
Speaker 1: didn't have drugs and everybody couldn't make drugs, Like we

1066
00:59:34,800 --> 00:59:37,680
Speaker 1: didn't know how to make drugs like make up. Hell,

1067
00:59:37,920 --> 00:59:39,280
Speaker 1: we could be like me, I don't even know where

1068
00:59:39,280 --> 00:59:41,760
Speaker 1: to get the plastic part from. Then, Like if you

1069
00:59:41,800 --> 00:59:43,280
Speaker 1: show them how to get that part of least, I

1070
00:59:43,320 --> 00:59:44,800
Speaker 1: might could come up with some ship to put in it.

1071
00:59:45,040 --> 00:59:49,800
Speaker 1: But you say they're making drugs, synthetic drugs cheaper ship us,

1072
00:59:50,400 --> 00:59:54,800
Speaker 1: Like I'm kind of ship this fake everything flock er. Yeah,

1073
00:59:54,840 --> 00:59:57,760
Speaker 1: I mean that's but but also probably I think that's

1074
00:59:57,800 --> 00:59:59,800
Speaker 1: just some my ami ship. No, no, no, that's everywhere.

1075
01:00:00,840 --> 01:00:03,800
Speaker 1: Let's take everything taking flock in nowhere else and it's

1076
01:00:03,800 --> 01:00:06,520
Speaker 1: not called flock up somewhere, called something else. But but

1077
01:00:06,600 --> 01:00:09,160
Speaker 1: I think it's I think another difference between then and

1078
01:00:09,280 --> 01:00:12,400
Speaker 1: now is at social media age every book they want

1079
01:00:12,440 --> 01:00:14,720
Speaker 1: to show themselves doing it too. But before they didn't

1080
01:00:14,720 --> 01:00:16,440
Speaker 1: have to show it, didn't care you have to see him.

1081
01:00:16,440 --> 01:00:19,840
Speaker 1: They could just enjoy the music. Yeah, because they like. Yeah,

1082
01:00:19,920 --> 01:00:22,560
Speaker 1: like when you're watching the movie, you see niggas ship

1083
01:00:22,600 --> 01:00:24,600
Speaker 1: and this and that, but you know they acted, so

1084
01:00:24,680 --> 01:00:26,520
Speaker 1: you don't really pay no attention. If you see Robert

1085
01:00:26,560 --> 01:00:28,600
Speaker 1: de Narrow still a car, you're a Robber Narrow fan.

1086
01:00:28,640 --> 01:00:31,600
Speaker 1: You ain't still car. I ain't gonna that's that's a

1087
01:00:31,680 --> 01:00:37,080
Speaker 1: bad example. I believe everything robbing in. Then be honest

1088
01:00:37,160 --> 01:00:39,400
Speaker 1: with you because I ain't gonna like him. And Denzel.

1089
01:00:39,440 --> 01:00:43,040
Speaker 1: I just think they did everything. Like listen, I'll always

1090
01:00:43,120 --> 01:00:44,800
Speaker 1: look at the pilot and I just look at them

1091
01:00:44,840 --> 01:00:47,680
Speaker 1: because they got that Denzel face. I listened to look

1092
01:00:47,720 --> 01:00:50,560
Speaker 1: at my own pilot. Look, I seen Denzel, you know,

1093
01:00:50,680 --> 01:00:57,360
Speaker 1: stiff coping foo a plane, damnits you see that movie. Yeah,

1094
01:00:57,440 --> 01:01:01,280
Speaker 1: he's a I should affected me. I've been looking at

1095
01:01:01,320 --> 01:01:05,400
Speaker 1: the pilots like that because of that ship like for

1096
01:01:05,600 --> 01:01:07,480
Speaker 1: real me and you're gonna be don't get through this.

1097
01:01:08,000 --> 01:01:11,880
Speaker 1: You know it was that Hardy Who're your favorite actor?

1098
01:01:13,680 --> 01:01:16,880
Speaker 1: George Cleary. I'm about to say that Saint George. I

1099
01:01:16,920 --> 01:01:23,000
Speaker 1: want to say he's loyally drugs clue because that thirty

1100
01:01:23,080 --> 01:01:26,480
Speaker 1: two minutes a game. Yea, Now I'm jugging. I'm drugging

1101
01:01:26,520 --> 01:01:29,080
Speaker 1: now on what I like about George Cooney is um,

1102
01:01:29,680 --> 01:01:32,560
Speaker 1: I like actors like him, and I'm saying I don't

1103
01:01:32,560 --> 01:01:35,640
Speaker 1: want George Cloney. Really it's Robert de Naro, Rob Dennaro,

1104
01:01:35,840 --> 01:01:38,640
Speaker 1: so the Irish man. Now I gotta see that. Hold on,

1105
01:01:38,800 --> 01:01:40,760
Speaker 1: you can't say you like rober de Niro and you

1106
01:01:41,000 --> 01:01:45,400
Speaker 1: see this a series? Right? But is the three hour

1107
01:01:45,600 --> 01:01:49,000
Speaker 1: movie watch? Because I don't do serious at all? You

1108
01:01:49,440 --> 01:01:52,040
Speaker 1: know you got what I don't like. You don't look

1109
01:01:52,520 --> 01:01:54,600
Speaker 1: like I told you man when I stopped. I don't

1110
01:01:54,600 --> 01:01:57,320
Speaker 1: know a lot of things about fan wasted a serious

1111
01:01:59,120 --> 01:02:01,920
Speaker 1: It's true. I'm it was I can drinking about he say,

1112
01:02:03,320 --> 01:02:06,320
Speaker 1: you feel like you're wasting time. I don't be honest,

1113
01:02:06,480 --> 01:02:10,400
Speaker 1: not gonna miss flakes for series before my new like

1114
01:02:10,760 --> 01:02:14,840
Speaker 1: like yeah, I don't want to you watch. I wished

1115
01:02:14,880 --> 01:02:17,280
Speaker 1: me all the way through, yes, all the ways reading

1116
01:02:18,520 --> 01:02:20,520
Speaker 1: to take him three times to do and he did

1117
01:02:20,600 --> 01:02:23,840
Speaker 1: an hour each time, pretty much somewhat like that. But

1118
01:02:24,160 --> 01:02:28,440
Speaker 1: I took two days. But that's a great movie. Me like,

1119
01:02:28,480 --> 01:02:31,000
Speaker 1: it's worth me watching white. She's like, I gotta watch him.

1120
01:02:31,520 --> 01:02:35,680
Speaker 1: But but and I was getting I'm trying to ship.

1121
01:02:35,920 --> 01:02:39,240
Speaker 1: They can make Robert look eight. I didn't like that.

1122
01:02:39,400 --> 01:02:42,840
Speaker 1: I didn't like that. I respected that. That's the thing.

1123
01:02:42,920 --> 01:02:47,439
Speaker 1: I couldn't fuck that ship looked look the old old Yeah,

1124
01:02:47,520 --> 01:02:49,480
Speaker 1: a little weird. That looked a little bit. That was

1125
01:02:49,680 --> 01:02:52,600
Speaker 1: ill to me. I was and Robert there so good,

1126
01:02:53,520 --> 01:02:55,760
Speaker 1: you know, killed it too past she past, she did

1127
01:02:55,840 --> 01:02:58,760
Speaker 1: it that she killed it and um when they had

1128
01:02:58,920 --> 01:03:05,400
Speaker 1: what's his name is, uh Scarfie's home, but he played home.

1129
01:03:05,480 --> 01:03:07,920
Speaker 1: He played hot fun, he played Jimmy hot. That's when

1130
01:03:07,960 --> 01:03:11,680
Speaker 1: the movie picked up, man. Yeah, yeah, you got you

1131
01:03:11,760 --> 01:03:19,560
Speaker 1: got sun face. Yeah, when he got so I can't

1132
01:03:19,560 --> 01:03:22,440
Speaker 1: gonna leave you, so Robin. That's that's robbing narrow and

1133
01:03:22,600 --> 01:03:25,040
Speaker 1: uh George plunting. And the reason why I like both

1134
01:03:25,040 --> 01:03:27,480
Speaker 1: of them because both of them can play gangster and

1135
01:03:27,600 --> 01:03:31,440
Speaker 1: they can turn around do funny roles. Yeah, who's somebody

1136
01:03:31,520 --> 01:03:32,960
Speaker 1: you met that was a fan of you that you

1137
01:03:33,120 --> 01:03:35,600
Speaker 1: was like, what the funk out there? Don't say George Clooney. No,

1138
01:03:35,680 --> 01:03:41,240
Speaker 1: I'm not like they can start to leave the features

1139
01:03:41,400 --> 01:03:46,200
Speaker 1: of George. I knew what the fuck it was. It

1140
01:03:46,320 --> 01:03:52,880
Speaker 1: was my guy that played American psycho Jason Christian Fisher. Bah. Yeah.

1141
01:03:53,160 --> 01:03:56,080
Speaker 1: I saw Christian Bale and the Asians one of the movies.

1142
01:03:56,160 --> 01:03:59,840
Speaker 1: And because Batman he's a little ship. Yeah, and he's

1143
01:03:59,880 --> 01:04:04,280
Speaker 1: a hey a shaft. That's the that's other dude from Shaft. No, No,

1144
01:04:05,640 --> 01:04:08,280
Speaker 1: the first, not the Shaft of Samuel Jackson, the first one.

1145
01:04:08,760 --> 01:04:11,240
Speaker 1: I remember the white guy that went up telling the Jerry,

1146
01:04:11,280 --> 01:04:14,960
Speaker 1: I'm bugging y'all looking at me. I can tell I

1147
01:04:15,000 --> 01:04:21,360
Speaker 1: would let go just see his face, and he was

1148
01:04:21,600 --> 01:04:25,720
Speaker 1: he was American psyche, young American psycho. I'm gonna be honest,

1149
01:04:26,560 --> 01:04:31,240
Speaker 1: I don't. I'm very very means you into the harshest.

1150
01:04:31,320 --> 01:04:33,880
Speaker 1: I can see why you like that way. Sure. I

1151
01:04:34,080 --> 01:04:37,800
Speaker 1: was at a Chinese restaurant, okay, I like the way

1152
01:04:37,880 --> 01:04:40,200
Speaker 1: this is going and Beverly Hills and he was in

1153
01:04:40,360 --> 01:04:44,160
Speaker 1: there with his wife eating. Not Mr Childs, No, not

1154
01:04:44,240 --> 01:04:48,360
Speaker 1: mis alright, cool not childs. I saw you that last night. Girl. Yeah.

1155
01:04:50,000 --> 01:04:53,960
Speaker 1: I wasn't there. No, I saw he was. Okay, let's go.

1156
01:04:54,320 --> 01:04:57,800
Speaker 1: So he walked over to me. I wanted to walk

1157
01:04:57,840 --> 01:04:59,240
Speaker 1: over to him, but I don't really do that. I

1158
01:04:59,280 --> 01:05:03,200
Speaker 1: don't go up to letters. And he walked on to

1159
01:05:03,320 --> 01:05:06,440
Speaker 1: me and he was like and he was like, I

1160
01:05:06,560 --> 01:05:08,640
Speaker 1: love you guys man. Keep doing your thing like that

1161
01:05:08,760 --> 01:05:13,760
Speaker 1: basically like just quick like that. Wow, okay, I never sick. Yeah,

1162
01:05:15,440 --> 01:05:17,960
Speaker 1: And I was like, Wow, this dude knew me that

1163
01:05:18,240 --> 01:05:20,640
Speaker 1: he knew my name. Some of my best friends don't

1164
01:05:20,640 --> 01:05:24,720
Speaker 1: even know my name. But you're humble guy man. Yeah.

1165
01:05:24,960 --> 01:05:28,320
Speaker 1: I try to economy, but you do know who fuck

1166
01:05:28,400 --> 01:05:33,640
Speaker 1: you are. I just want you're your biggest fans. Yeah. Yeah,

1167
01:05:33,680 --> 01:05:35,200
Speaker 1: but I don't pay attention to there. I'm still to

1168
01:05:35,240 --> 01:05:37,400
Speaker 1: do the p outside by the tree man. You gotta

1169
01:05:37,400 --> 01:05:41,240
Speaker 1: stop this. We gonna use hand sanitizic. You listen to this.

1170
01:05:41,320 --> 01:05:43,400
Speaker 1: If you're gonna stop, get a campaign to get this

1171
01:05:43,480 --> 01:05:46,120
Speaker 1: to stop immediately. Yeah, you will go. You know certain

1172
01:05:46,160 --> 01:05:49,919
Speaker 1: places you'll be on the predator the list. Yeah. Yeah,

1173
01:05:50,480 --> 01:05:53,040
Speaker 1: you pull out, you pull out, yata meet somewhere in

1174
01:05:53,080 --> 01:05:55,480
Speaker 1: the room. You'll be in the twenty more hour. Yes,

1175
01:05:55,560 --> 01:05:58,280
Speaker 1: I pissed outside of the school's on. Yeah, you don't

1176
01:05:58,280 --> 01:06:00,160
Speaker 1: want to do that, bro, We're gonna get you. This

1177
01:06:00,200 --> 01:06:05,240
Speaker 1: is the top of media. So so, but you ever

1178
01:06:05,320 --> 01:06:08,280
Speaker 1: realized how famous you are? Know? No? Because you still

1179
01:06:08,360 --> 01:06:11,200
Speaker 1: go I mean I know it, but there ain't just

1180
01:06:11,320 --> 01:06:13,200
Speaker 1: nothing like I don't act like it like it don't.

1181
01:06:13,240 --> 01:06:15,840
Speaker 1: You don't phase me at all? Like you don't phase man,

1182
01:06:15,880 --> 01:06:17,600
Speaker 1: I don't like I couldn't. I want to know how

1183
01:06:17,680 --> 01:06:20,000
Speaker 1: to live like a celebrity. I still live the same way.

1184
01:06:21,440 --> 01:06:24,120
Speaker 1: You know comes off to me like that Andre three thousands,

1185
01:06:24,400 --> 01:06:27,440
Speaker 1: that's a truth, man, Like he'd really be out by himself,

1186
01:06:27,600 --> 01:06:29,720
Speaker 1: likes not a game, Like he's not doing this for

1187
01:06:29,880 --> 01:06:36,480
Speaker 1: Instagram pictures. Real like I've seen dude like your Andre,

1188
01:06:36,800 --> 01:06:39,360
Speaker 1: you should be something like He's like no, I'm like

1189
01:06:39,600 --> 01:06:41,960
Speaker 1: like and it's just like so unique, like you know

1190
01:06:41,960 --> 01:06:44,720
Speaker 1: what I mean, Like that's what I saw that. I

1191
01:06:44,760 --> 01:06:47,120
Speaker 1: shouldn't have said that, right, I'm gonna take that post.

1192
01:06:47,920 --> 01:06:50,080
Speaker 1: But you know he liked that, he liked that he

1193
01:06:50,200 --> 01:06:51,920
Speaker 1: like different to and I'm just like that. I just

1194
01:06:52,760 --> 01:06:54,960
Speaker 1: I you coming like to me, like I just want

1195
01:06:54,960 --> 01:06:57,840
Speaker 1: I'm reading off of you like this, like you you

1196
01:06:58,000 --> 01:06:59,760
Speaker 1: you one of those dudes that will come outside, but

1197
01:06:59,840 --> 01:07:03,919
Speaker 1: it's always go outside about myself. I go walking by myself, yeah,

1198
01:07:04,200 --> 01:07:05,880
Speaker 1: all over the flash. It was a do Instagram the

1199
01:07:05,920 --> 01:07:07,760
Speaker 1: other day. So I just saw you walking down song

1200
01:07:07,880 --> 01:07:11,200
Speaker 1: Song So Street and blah blah blah and like shut up,

1201
01:07:11,280 --> 01:07:17,120
Speaker 1: Nigga deadly you can't like but yeah, no, I don't

1202
01:07:17,120 --> 01:07:19,280
Speaker 1: every want about myself. Man, my girl said, just me

1203
01:07:19,480 --> 01:07:22,120
Speaker 1: or just being my old lady ship. I don't walk around.

1204
01:07:22,520 --> 01:07:24,280
Speaker 1: I don't I walk around security. You know, if it's

1205
01:07:24,320 --> 01:07:28,000
Speaker 1: a workship, I ain't just college security to go to

1206
01:07:28,080 --> 01:07:34,920
Speaker 1: the grocery store all some ship like that. Going back

1207
01:07:35,000 --> 01:07:38,240
Speaker 1: to to when you started in Memphis, what other there

1208
01:07:38,280 --> 01:07:40,040
Speaker 1: had to be besides the eight bon mg G with

1209
01:07:40,120 --> 01:07:44,040
Speaker 1: the other o g z all looked up to DJs, wrappers,

1210
01:07:44,080 --> 01:07:48,080
Speaker 1: anybody DJ, Yeah, DJ, Spanish Fly, My brothers up, Spanish Flight.

1211
01:07:48,120 --> 01:07:51,439
Speaker 1: We had the same birthday. Spanish Fly, sun rested peace,

1212
01:07:52,320 --> 01:07:56,400
Speaker 1: nig Spanish Fly, Nigga seller Spanish Fly, Nigga selling Spanish

1213
01:07:56,680 --> 01:07:58,920
Speaker 1: And you know that's how that's how you know, we

1214
01:07:59,080 --> 01:08:05,240
Speaker 1: old school. That is what I want to go back

1215
01:08:05,280 --> 01:08:08,520
Speaker 1: that ship just like this bad just because you talked

1216
01:08:08,520 --> 01:08:11,640
Speaker 1: about it, because when Jim Jones and them has deserved

1217
01:08:12,200 --> 01:08:13,840
Speaker 1: did you ever feel a certain way? Let's keep it

1218
01:08:13,880 --> 01:08:17,200
Speaker 1: read how they hate us, We're in a video. I

1219
01:08:17,240 --> 01:08:19,960
Speaker 1: didn't know that I hated us. Yeah, I'm in the video.

1220
01:08:20,000 --> 01:08:22,920
Speaker 1: We're felling down here Mabbie down the street from Black

1221
01:08:22,960 --> 01:08:25,720
Speaker 1: Mafia when they was living down here to my b

1222
01:08:27,000 --> 01:08:29,400
Speaker 1: makes screaming. Then we feel in the video just makes

1223
01:08:29,800 --> 01:08:36,280
Speaker 1: you calling black Mafia straight. I was sucked up. Yeah,

1224
01:08:36,439 --> 01:08:39,720
Speaker 1: so yeah that Jim paid us for that. I've been

1225
01:08:39,760 --> 01:08:41,400
Speaker 1: cool with Jim for a long time. I was hanging

1226
01:08:41,400 --> 01:08:43,280
Speaker 1: out with Jim one day in the club and they

1227
01:08:43,360 --> 01:08:46,400
Speaker 1: got into a fight, like right there in front and

1228
01:08:46,560 --> 01:08:54,200
Speaker 1: Jim serious. But I love Jim. Now, yo, Gotti, what's

1229
01:08:54,240 --> 01:08:57,360
Speaker 1: the relationship? Were cool? Now? Man got it was for

1230
01:08:57,439 --> 01:09:00,720
Speaker 1: the longest we was rivals for no read. There wasn't

1231
01:09:00,720 --> 01:09:02,479
Speaker 1: even want that with me and him. It was someone

1232
01:09:02,880 --> 01:09:05,240
Speaker 1: him and one of his friends, a guy he was

1233
01:09:05,280 --> 01:09:08,760
Speaker 1: signed to, a Risty. But now men got it cool?

1234
01:09:08,800 --> 01:09:11,640
Speaker 1: And I did his birthday bade three years ago. Were not?

1235
01:09:11,800 --> 01:09:14,120
Speaker 1: Then he walked out on stage. You think him a

1236
01:09:14,240 --> 01:09:17,400
Speaker 1: young dolf forever getting together because he's for the whole city,

1237
01:09:17,520 --> 01:09:20,760
Speaker 1: like I think your whole city shoots squash and make

1238
01:09:20,800 --> 01:09:24,080
Speaker 1: it like a whole compilation. So the whole it's me.

1239
01:09:24,240 --> 01:09:26,960
Speaker 1: I'm outside of looking now. Everybody think that. Everybody think

1240
01:09:27,000 --> 01:09:29,680
Speaker 1: I'm outside looking at I don't. I don't know, like

1241
01:09:29,880 --> 01:09:33,800
Speaker 1: I said, man, I said it, man, they just we

1242
01:09:34,280 --> 01:09:36,200
Speaker 1: I don't know. For some reason, we don't like we

1243
01:09:36,439 --> 01:09:38,599
Speaker 1: love each other. Like I can see even when men

1244
01:09:38,760 --> 01:09:41,560
Speaker 1: got it was into it. I could see him or

1245
01:09:41,640 --> 01:09:43,680
Speaker 1: his boys out of town. We see each other, we'd

1246
01:09:43,720 --> 01:09:46,600
Speaker 1: be cool. We'll be cool, like that's how Memphis people is,

1247
01:09:47,000 --> 01:09:49,400
Speaker 1: That's how membership. We'd be cool everywhere we go. Everywhere

1248
01:09:49,400 --> 01:09:51,599
Speaker 1: I go, I meet out here was at tomorrow when

1249
01:09:51,640 --> 01:09:53,599
Speaker 1: my boat was at the Moorrow. We ran into late

1250
01:09:53,640 --> 01:09:56,320
Speaker 1: from Memphis. She took cass. But like when we've been

1251
01:09:56,439 --> 01:09:59,719
Speaker 1: our old city, like you know, Nigga's beefing now saying,

1252
01:09:59,760 --> 01:10:02,880
Speaker 1: I'm askin a lot of cities probably like that. Nigga's beefing.

1253
01:10:02,920 --> 01:10:05,360
Speaker 1: They don't city, but they're outside the city. Niggas had it.

1254
01:10:05,560 --> 01:10:08,080
Speaker 1: We have each other back, you know, So I don't know.

1255
01:10:08,960 --> 01:10:10,960
Speaker 1: It might take the man because because what did it

1256
01:10:11,040 --> 01:10:14,320
Speaker 1: take for you and got you to fix it? Well

1257
01:10:14,400 --> 01:10:17,320
Speaker 1: we got over okay, so you know what I'm saying.

1258
01:10:17,360 --> 01:10:19,559
Speaker 1: You got the older nigga like you know that I'm

1259
01:10:19,600 --> 01:10:22,160
Speaker 1: closer almost. I'm cool with a lot of its boys

1260
01:10:22,520 --> 01:10:25,560
Speaker 1: like boys you know I'm cool with So you know,

1261
01:10:25,960 --> 01:10:29,040
Speaker 1: just time and I guess one with the new kids

1262
01:10:29,240 --> 01:10:31,960
Speaker 1: who don't who don't work with each other, I guess

1263
01:10:32,000 --> 01:10:35,080
Speaker 1: what time they were Okay, but for now they've probably

1264
01:10:35,120 --> 01:10:37,760
Speaker 1: still kind of doing what they were watching us to do.

1265
01:10:39,240 --> 01:10:42,040
Speaker 1: But people will be paying at this to your city

1266
01:10:42,120 --> 01:10:46,679
Speaker 1: like that, Yeah, eventually because it's historic though too. Yeah,

1267
01:10:47,920 --> 01:10:59,599
Speaker 1: all music Elvis from that al Green Wait, we got class. Yeah,

1268
01:10:59,800 --> 01:11:03,479
Speaker 1: it's memphisis state history. A lot of the ship that

1269
01:11:03,680 --> 01:11:07,280
Speaker 1: New York was sampler was from Memphis, all the sacks

1270
01:11:07,320 --> 01:11:12,720
Speaker 1: and all that the miss I can't stand the right. Yeah,

1271
01:11:13,080 --> 01:11:16,360
Speaker 1: that's from Memphis. All this ship. Let's make some noise

1272
01:11:16,439 --> 01:11:23,880
Speaker 1: for Memphis. Is there is there a track that you

1273
01:11:24,080 --> 01:11:27,320
Speaker 1: wish or that you still could probably do, Like what's

1274
01:11:27,360 --> 01:11:29,760
Speaker 1: your dream features on the track to people you want

1275
01:11:29,760 --> 01:11:33,840
Speaker 1: to bring together on the track that you produce? Oh man,

1276
01:11:33,880 --> 01:11:37,040
Speaker 1: I would set in Andrea three thousand for sure. I

1277
01:11:37,040 --> 01:11:41,439
Speaker 1: don't want Andrea. I want to see low. I want snooze,

1278
01:11:42,080 --> 01:11:45,800
Speaker 1: same track on same track, same track, man, I would

1279
01:11:45,840 --> 01:11:51,080
Speaker 1: probably dup scar Face on there, and uh probably it's

1280
01:11:51,120 --> 01:11:53,640
Speaker 1: like a Southern All Stars right there. It would be

1281
01:11:53,640 --> 01:11:56,960
Speaker 1: all over the places, that self destruction type of ship. Yeah,

1282
01:11:59,479 --> 01:12:02,000
Speaker 1: I don't want how of the those and then end

1283
01:12:02,080 --> 01:12:04,880
Speaker 1: up had uh the gang well in the same game. Yeah,

1284
01:12:05,240 --> 01:12:08,880
Speaker 1: all the same game. Yeah, that was the whole that

1285
01:12:09,040 --> 01:12:10,960
Speaker 1: was we all the world. But that's a whole nothing

1286
01:12:13,000 --> 01:12:16,000
Speaker 1: but self destruction was the picacle. You got a Michael

1287
01:12:16,080 --> 01:12:20,479
Speaker 1: Jackson story. No, no, I never was in the studio

1288
01:12:20,720 --> 01:12:24,599
Speaker 1: and hey, now a little monkey walked by. I recorded

1289
01:12:24,640 --> 01:12:28,040
Speaker 1: in that studio though it's on Beverly Boulevard, Beverly Dry

1290
01:12:28,320 --> 01:12:30,160
Speaker 1: What was the name of that studio. I don't remember that.

1291
01:12:30,400 --> 01:12:32,240
Speaker 1: It's all a wood on that side where the monkey

1292
01:12:32,360 --> 01:12:34,800
Speaker 1: was gott Yeah, it's the window monkey used to be

1293
01:12:34,920 --> 01:12:37,679
Speaker 1: in and the boot. It's a special little window cut

1294
01:12:37,720 --> 01:12:40,320
Speaker 1: for the monket so he could see him. That ship

1295
01:12:40,439 --> 01:12:42,240
Speaker 1: was crazy. That's a freaky a little bit of a

1296
01:12:42,240 --> 01:12:44,600
Speaker 1: little room with jack for the monkey right now, and

1297
01:12:44,680 --> 01:12:48,320
Speaker 1: that it was music ship have recorded. That's he recorded that.

1298
01:12:49,280 --> 01:12:51,679
Speaker 1: But the ceilings was high. There was like the mirket

1299
01:12:51,760 --> 01:12:54,760
Speaker 1: was like way up there when it was it was

1300
01:12:54,840 --> 01:12:58,040
Speaker 1: a big gas studio made for like operas and ship

1301
01:12:58,760 --> 01:13:02,679
Speaker 1: the market way up that look ever recorded Electric Lady

1302
01:13:02,760 --> 01:13:07,479
Speaker 1: in New York. H Jimmy Hendrick studio, you've recorded in

1303
01:13:07,560 --> 01:13:10,880
Speaker 1: that I told you about the cat like like they

1304
01:13:11,439 --> 01:13:15,400
Speaker 1: swear to guard. This is Jimmy, says reincordinated him. Yes,

1305
01:13:15,520 --> 01:13:20,040
Speaker 1: it's him. Totally believe it. Listen, listen, listen to I've

1306
01:13:20,080 --> 01:13:22,880
Speaker 1: alerted the cats like I can smell a cat from

1307
01:13:23,000 --> 01:13:24,720
Speaker 1: far away and be like, oh, she is a cat.

1308
01:13:24,920 --> 01:13:27,160
Speaker 1: I can't go there right this is the only cat

1309
01:13:27,320 --> 01:13:29,720
Speaker 1: that can come around me. And I'm be like, does

1310
01:13:29,760 --> 01:13:33,479
Speaker 1: this Jimmy Hendrix him him, I know I got a

1311
01:13:33,520 --> 01:13:38,280
Speaker 1: little freaky. I'll tell him, like when you go to

1312
01:13:38,400 --> 01:13:41,280
Speaker 1: the studio, when you go to the big studio lodge

1313
01:13:41,360 --> 01:13:47,040
Speaker 1: like Paramount and foxxing all this ship, it's fucking little

1314
01:13:47,120 --> 01:13:52,040
Speaker 1: cats walking around. The cats walking around, there's been walking

1315
01:13:52,080 --> 01:13:55,599
Speaker 1: around and there. They'll tell you forever the same cat,

1316
01:13:55,640 --> 01:13:57,679
Speaker 1: I said, these cats and some of these probably these women,

1317
01:13:58,160 --> 01:14:01,960
Speaker 1: some of these actors, but always around the office ship

1318
01:14:02,080 --> 01:14:04,799
Speaker 1: like that, he said, like women like like like women

1319
01:14:04,960 --> 01:14:09,280
Speaker 1: like actresses are actors. Oh, I think it's our producers

1320
01:14:09,360 --> 01:14:11,599
Speaker 1: or whatever the funk. I think it was somebody. That's

1321
01:14:11,800 --> 01:14:14,800
Speaker 1: how I feel. Catching some creepy ship. You don't got

1322
01:14:15,640 --> 01:14:19,160
Speaker 1: I ain't got no cat. Some creepy ship too, creepy, Yeah,

1323
01:14:19,479 --> 01:14:24,000
Speaker 1: creepy ship, I got dog, got dogs? Okay, Yeah, I'm

1324
01:14:25,600 --> 01:14:29,360
Speaker 1: just let me predect you. Yeah, you're gonna lose this

1325
01:14:32,640 --> 01:14:45,360
Speaker 1: all right, just because he said that dope been pitching

1326
01:14:46,000 --> 01:14:52,479
Speaker 1: no nowhere there. They still make those the last time

1327
01:14:52,520 --> 01:14:56,920
Speaker 1: you said picture, that's why, that's why I was. That's

1328
01:14:56,920 --> 01:14:58,680
Speaker 1: what I was coming without. And they traded those in

1329
01:14:58,760 --> 01:15:01,600
Speaker 1: a long time about he got just continue, so we

1330
01:15:01,720 --> 01:15:05,040
Speaker 1: can just continue them and the police don't even the

1331
01:15:05,120 --> 01:15:10,640
Speaker 1: motherfucker's no one. The police was a great hand. So

1332
01:15:11,000 --> 01:15:13,880
Speaker 1: your German ship was gool. Now I got a pug

1333
01:15:14,000 --> 01:15:21,920
Speaker 1: and a maltiste. I also need to see you face,

1334
01:15:22,479 --> 01:15:25,040
Speaker 1: black doll. I need to see what exactly what these

1335
01:15:25,280 --> 01:15:28,519
Speaker 1: things look like a hug and the more it sounds rich,

1336
01:15:28,600 --> 01:15:32,200
Speaker 1: I must just show that out there and five thousand

1337
01:15:32,280 --> 01:15:36,240
Speaker 1: dollars a dollar and you sell the or phrase, are

1338
01:15:36,280 --> 01:15:42,920
Speaker 1: they are? They fucking? No? It was two boys. The

1339
01:15:43,040 --> 01:15:47,559
Speaker 1: boy he can't even reach which one is that it's

1340
01:15:47,600 --> 01:15:53,360
Speaker 1: the park. Let's let's see how the park up like

1341
01:15:53,439 --> 01:15:58,400
Speaker 1: a bullog they holed up. Okay, I knew, I knew

1342
01:15:58,439 --> 01:15:59,960
Speaker 1: that that was the park. Now give me the more

1343
01:16:00,080 --> 01:16:04,920
Speaker 1: teeth or whatever the man, yes, yeah, yeah, give it

1344
01:16:05,040 --> 01:16:10,639
Speaker 1: you really you don't take it maltese misrlite somethings can't.

1345
01:16:10,720 --> 01:16:13,680
Speaker 1: But now some more cheese. You take it back to

1346
01:16:13,760 --> 01:16:19,240
Speaker 1: the you're gonna sucking up in the type in like

1347
01:16:19,880 --> 01:16:25,040
Speaker 1: you know his typeing gotta act, remember say yeah, he says,

1348
01:16:25,080 --> 01:16:27,960
Speaker 1: there's no footage is we're like what? Okay? All right,

1349
01:16:28,280 --> 01:16:36,560
Speaker 1: you you're rich rich. I just really wanted something, just

1350
01:16:36,680 --> 01:16:38,880
Speaker 1: to make a noise. Just let me know where that

1351
01:16:39,000 --> 01:16:42,320
Speaker 1: motherfucker take my dog. Don't even make noise. No more.

1352
01:16:42,439 --> 01:16:44,560
Speaker 1: I don't know. I don't know what's wrong with it.

1353
01:16:44,680 --> 01:16:46,280
Speaker 1: Right now, you should get one of the little fuckers

1354
01:16:46,280 --> 01:16:51,160
Speaker 1: they bark that. Yeah, don't do nothing but bar okay,

1355
01:16:52,200 --> 01:16:55,640
Speaker 1: what kind of dog we got back? A yucky I

1356
01:16:55,760 --> 01:17:01,400
Speaker 1: had a yard? No he does, I don't know, no, no, no,

1357
01:17:01,520 --> 01:17:05,920
Speaker 1: that's does it look like a little walk looking at yeah,

1358
01:17:06,360 --> 01:17:10,639
Speaker 1: oh yeah, little yeah you wants Yeah that little hand

1359
01:17:10,840 --> 01:17:15,880
Speaker 1: tail used to turn off. Okay, that was different. That's

1360
01:17:15,920 --> 01:17:19,240
Speaker 1: tail turned up a little weird or just it was

1361
01:17:19,360 --> 01:17:21,160
Speaker 1: just when you was it was hot. This is back

1362
01:17:21,200 --> 01:17:24,880
Speaker 1: in those days. Oh no, no, not that one. Now.

1363
01:17:24,920 --> 01:17:27,080
Speaker 1: I never had that one. I had the little skinny

1364
01:17:27,120 --> 01:17:28,920
Speaker 1: I had. I got something like the little skinny one.

1365
01:17:29,040 --> 01:17:31,400
Speaker 1: That's something like that's that's that's that's that's what you got.

1366
01:17:31,439 --> 01:17:34,439
Speaker 1: That cross. That's your girl. Dollar, that's your white dog.

1367
01:17:34,560 --> 01:17:36,640
Speaker 1: Name't your dog? Im my dog too, man, I say me,

1368
01:17:36,680 --> 01:17:41,760
Speaker 1: I said Dollar white people little that's my white right there.

1369
01:17:41,840 --> 01:17:51,120
Speaker 1: But it's my dog. You picked that dog day? Yeah,

1370
01:17:53,680 --> 01:17:57,720
Speaker 1: Clay Colaying like that's a little man like and you

1371
01:17:57,760 --> 01:18:00,320
Speaker 1: know what, let me just say something because you have

1372
01:18:00,400 --> 01:18:02,360
Speaker 1: a bad day. They know, they know you have a

1373
01:18:02,400 --> 01:18:04,720
Speaker 1: bad day. It just come up there and it's and

1374
01:18:04,800 --> 01:18:07,760
Speaker 1: it's crazy because I didn't even you should not sunk

1375
01:18:07,800 --> 01:18:09,960
Speaker 1: with him. Yeah, I just not work with him. But

1376
01:18:10,080 --> 01:18:12,040
Speaker 1: then I just had a bad day and he just

1377
01:18:12,120 --> 01:18:14,080
Speaker 1: came up on me one day, was like just out

1378
01:18:14,160 --> 01:18:15,920
Speaker 1: of my lap, and I was like, you know what,

1379
01:18:16,080 --> 01:18:20,639
Speaker 1: I needed that, honey. And then they take my wife,

1380
01:18:20,800 --> 01:18:23,599
Speaker 1: my mom's sons trying to say I heard his leg

1381
01:18:23,760 --> 01:18:26,840
Speaker 1: right now. I don't believe them at all. You heard

1382
01:18:26,880 --> 01:18:30,800
Speaker 1: that because they say I must do him too, but

1383
01:18:30,880 --> 01:18:32,720
Speaker 1: I see my wife, so she throws him down like that.

1384
01:18:33,200 --> 01:18:34,800
Speaker 1: So I trying to be swift like her. But I

1385
01:18:34,840 --> 01:18:38,640
Speaker 1: don't think it was me. They're trying to blame it

1386
01:18:38,720 --> 01:18:41,080
Speaker 1: on me. I don't like you didn't tell I don't

1387
01:18:41,120 --> 01:18:42,600
Speaker 1: like that. I don't like that I don't remember. But

1388
01:18:44,040 --> 01:18:46,479
Speaker 1: well it's good. So we've established that we are not

1389
01:18:46,720 --> 01:18:49,360
Speaker 1: cat people. Who was cat people? Here? Is anybody a

1390
01:18:49,439 --> 01:18:59,080
Speaker 1: cat person? Yeah? You know what's crazy thing? You know what?

1391
01:18:59,400 --> 01:19:02,479
Speaker 1: Sunny comes to me that he still got bes back

1392
01:19:02,479 --> 01:19:05,080
Speaker 1: in the day's goops that bes in ause he comes

1393
01:19:05,120 --> 01:19:07,799
Speaker 1: off like he got beat in his beads. Beads remember

1394
01:19:08,680 --> 01:19:12,840
Speaker 1: that age. It was hard telling them, you mean something

1395
01:19:12,960 --> 01:19:18,400
Speaker 1: my house, right? Was the beads? What? What was the

1396
01:19:18,439 --> 01:19:20,120
Speaker 1: beats for? At the end of it was that a

1397
01:19:20,200 --> 01:19:22,400
Speaker 1: little bit of primacy. You fuck your head, but you

1398
01:19:22,479 --> 01:19:27,639
Speaker 1: can walk colors Like every balth at some point had

1399
01:19:27,720 --> 01:19:30,080
Speaker 1: beats in because it was cheaper than fun. The dope

1400
01:19:30,120 --> 01:19:35,960
Speaker 1: on them. That the cuban when the dough the just

1401
01:19:36,400 --> 01:19:38,519
Speaker 1: that was like the arrow, it was like everything. You know.

1402
01:19:38,720 --> 01:19:41,720
Speaker 1: The beach was like a fake dog. That's a fake Yeah,

1403
01:19:41,720 --> 01:19:44,559
Speaker 1: that's the harder. I didn't know that learned something new.

1404
01:19:44,640 --> 01:19:48,760
Speaker 1: Everything mixing was gonna be if you were still ever

1405
01:19:48,880 --> 01:19:50,800
Speaker 1: know you know what I'm talking about? Man, did they

1406
01:19:50,920 --> 01:19:52,800
Speaker 1: did they do that in the other keeping the side?

1407
01:19:52,840 --> 01:19:55,439
Speaker 1: But that was just a black thing. I'm trying to

1408
01:19:55,479 --> 01:19:58,800
Speaker 1: figure this out out. They didn't. They didn't. I don't

1409
01:19:58,800 --> 01:20:00,080
Speaker 1: think you know white people did to be What do

1410
01:20:00,240 --> 01:20:03,400
Speaker 1: you mean the probably started that ship. Jay probably made

1411
01:20:03,439 --> 01:20:12,000
Speaker 1: the motherfuck they made him. But not like no corporate wife. No, no,

1412
01:20:13,280 --> 01:20:15,880
Speaker 1: you signed a new artist now, not right now. I

1413
01:20:16,000 --> 01:20:18,880
Speaker 1: got two new artists that I signed, and uh, I

1414
01:20:19,000 --> 01:20:22,920
Speaker 1: gotta get them off the ground first six. Yes, my

1415
01:20:23,000 --> 01:20:25,960
Speaker 1: name is Lord of my Son, Lord of my Son

1416
01:20:26,240 --> 01:20:28,880
Speaker 1: sound and look just like him. And he didn't start

1417
01:20:29,000 --> 01:20:34,120
Speaker 1: rapping to Lord Infamous passed away spooky. He's always called

1418
01:20:34,120 --> 01:20:36,840
Speaker 1: herself the mystical one. Now I'm starting to believe it. Wow.

1419
01:20:37,479 --> 01:20:42,200
Speaker 1: But yeah, it's some little Infamous and my other nephew

1420
01:20:42,240 --> 01:20:44,439
Speaker 1: Local done it. I'm putting them out right now, so

1421
01:20:44,680 --> 01:20:46,519
Speaker 1: you know, once I get them where, well, I feel

1422
01:20:46,560 --> 01:20:50,040
Speaker 1: like good did not signed somebody. But how about Young Buck?

1423
01:20:50,360 --> 01:20:52,960
Speaker 1: We need speak about him? Yeah, but I just talked

1424
01:20:53,000 --> 01:20:55,080
Speaker 1: to Young Buck, me and Young Buck. I don't I

1425
01:20:55,200 --> 01:21:00,080
Speaker 1: was joking around on my Instagram every day, and as

1426
01:21:00,080 --> 01:21:03,320
Speaker 1: I produced something young Bucks first alfter g only and

1427
01:21:03,400 --> 01:21:05,280
Speaker 1: I got the plaque on my wall and I took

1428
01:21:05,320 --> 01:21:08,080
Speaker 1: a I was videotaping myself in front the plaque and

1429
01:21:08,080 --> 01:21:10,280
Speaker 1: I was like fifty, you know, coming to check, coming

1430
01:21:10,320 --> 01:21:12,640
Speaker 1: to check, I get Buck Bank and still getting right

1431
01:21:12,720 --> 01:21:15,200
Speaker 1: and right, blah blah blah. You know, when we actually

1432
01:21:15,240 --> 01:21:17,280
Speaker 1: talked about the post, I didn't talk to fishing or nothing,

1433
01:21:17,280 --> 01:21:19,559
Speaker 1: but I think his lawyer talked to fifty since lawyer

1434
01:21:19,640 --> 01:21:21,679
Speaker 1: or whatever, and I guess I don't know how true

1435
01:21:21,720 --> 01:21:24,719
Speaker 1: this that's what they said. But well we talked about

1436
01:21:25,640 --> 01:21:30,000
Speaker 1: doing a project together men, Bub. But then they said that,

1437
01:21:30,200 --> 01:21:33,080
Speaker 1: you know it's not time. I guess right now between

1438
01:21:33,160 --> 01:21:40,880
Speaker 1: whatever they got gone out all right? And ah did

1439
01:21:40,920 --> 01:21:43,760
Speaker 1: you can't him in fifty whatever be thebot what they

1440
01:21:43,840 --> 01:21:46,680
Speaker 1: at now? No, I didn't think that. I didn't see

1441
01:21:46,720 --> 01:21:49,639
Speaker 1: they come because they was so hard when she only

1442
01:21:49,760 --> 01:21:54,040
Speaker 1: came out. No, I didn't even know. I didn't And

1443
01:21:54,240 --> 01:21:56,840
Speaker 1: Bub was with me before all that. It was again

1444
01:21:56,880 --> 01:21:59,800
Speaker 1: what droven out to be believe you believe, but was

1445
01:22:00,040 --> 01:22:05,080
Speaker 1: inside inside the win the smoke players at the out

1446
01:22:05,120 --> 01:22:08,160
Speaker 1: and the head seven on Scissor on it, young Buggers.

1447
01:22:08,200 --> 01:22:12,839
Speaker 1: Inside that album artwork right here off of Collins Avenue

1448
01:22:13,040 --> 01:22:15,240
Speaker 1: with me and the whole three Sis Mafia. We took,

1449
01:22:15,400 --> 01:22:17,600
Speaker 1: We took a picture, was down in famine sipping on

1450
01:22:17,680 --> 01:22:20,760
Speaker 1: siss a video and Buck. I took Buck down there

1451
01:22:20,840 --> 01:22:23,360
Speaker 1: with me. Buck Buck living in with me in my

1452
01:22:23,439 --> 01:22:26,200
Speaker 1: house for a little while. Yeah, so I took him

1453
01:22:26,240 --> 01:22:29,599
Speaker 1: down there with me, and uh he inside the album

1454
01:22:29,640 --> 01:22:31,960
Speaker 1: cover right now. He owned that album on the last

1455
01:22:32,080 --> 01:22:35,400
Speaker 1: on that album. So when Buck sign would fit out

1456
01:22:35,479 --> 01:22:38,479
Speaker 1: like this is perfect. You know, they look good together,

1457
01:22:39,560 --> 01:22:43,000
Speaker 1: you know, and yeah, I would have never side that. Come.

1458
01:22:44,200 --> 01:22:49,000
Speaker 1: What's your favorite era hip hop? The nineties? What wepecific

1459
01:22:49,120 --> 01:22:55,240
Speaker 1: though mid nineties Okay, talking period you're talking about like

1460
01:22:55,280 --> 01:22:57,920
Speaker 1: when you guys were on loud records that period. Yeah,

1461
01:22:58,600 --> 01:23:01,120
Speaker 1: he said, it's like now four to nineties. You're saying

1462
01:23:01,200 --> 01:23:06,040
Speaker 1: for me personally to listen to. Yeah, your first man

1463
01:23:06,200 --> 01:23:09,360
Speaker 1: night is all day what Yeah, start from what year?

1464
01:23:10,120 --> 01:23:15,479
Speaker 1: Ten year? Ten years? Man? What you're doing nineties, nineties,

1465
01:23:15,640 --> 01:23:18,320
Speaker 1: ten years on the whole nineties for the ten years

1466
01:23:18,400 --> 01:23:23,280
Speaker 1: that's nine two, Okay. I can see that. You say

1467
01:23:23,320 --> 01:23:26,600
Speaker 1: specifically the mid nineties for like eight I liked it,

1468
01:23:26,760 --> 01:23:31,599
Speaker 1: like ninety ninety three on to maybe at ninety nine

1469
01:23:31,760 --> 01:23:35,960
Speaker 1: nine and everything, you like, what was coming from all

1470
01:23:35,960 --> 01:23:40,439
Speaker 1: the different regions? Rap? I there, Yeah, I want to

1471
01:23:40,479 --> 01:23:42,120
Speaker 1: listen to the country. I don't know what the hell

1472
01:23:42,160 --> 01:23:45,880
Speaker 1: they was doing up, but fis rap. Yeah, it was

1473
01:23:45,920 --> 01:23:49,439
Speaker 1: so good? Was that? Then? What what about you early nineties?

1474
01:23:49,520 --> 01:23:52,400
Speaker 1: I'm pretty much the early nineties. Yeah, I'm pretty much

1475
01:23:52,400 --> 01:23:55,559
Speaker 1: the early narneties. I flip flopped though, you know I can't.

1476
01:23:55,640 --> 01:23:58,879
Speaker 1: I can't tell you. I'll say this this answer tomorrow.

1477
01:23:59,120 --> 01:24:01,479
Speaker 1: I love and this too because I love the eighties.

1478
01:24:01,680 --> 01:24:05,080
Speaker 1: The eighties is good. If I had to be stuck

1479
01:24:05,760 --> 01:24:09,720
Speaker 1: stuck with when when when the time, it would be

1480
01:24:10,000 --> 01:24:14,320
Speaker 1: the men to late eighties? Right like me, I always always,

1481
01:24:14,439 --> 01:24:17,040
Speaker 1: I always me. This is just me. I always stopped

1482
01:24:17,320 --> 01:24:20,920
Speaker 1: start from illmatic, that's my favorite. Like you know, and

1483
01:24:21,000 --> 01:24:22,960
Speaker 1: I know a lot of people will crucify me for

1484
01:24:23,040 --> 01:24:24,639
Speaker 1: saying this, and a lot of people and I've said

1485
01:24:24,640 --> 01:24:28,960
Speaker 1: this before, but to me, just for me personally, that's

1486
01:24:29,000 --> 01:24:33,040
Speaker 1: what I would start from from from and then and

1487
01:24:33,120 --> 01:24:35,920
Speaker 1: then go back and obviously studied all the way. But

1488
01:24:36,640 --> 01:24:38,479
Speaker 1: I changed my life, you know what I'm saying, Like

1489
01:24:38,520 --> 01:24:40,560
Speaker 1: I can't speak for everyone else. You know, you know

1490
01:24:40,640 --> 01:24:44,439
Speaker 1: what Albam changed my life? That A C is good fellas. Yes,

1491
01:24:44,840 --> 01:24:47,320
Speaker 1: you're gonna trick it back on what changed? What changed

1492
01:24:47,360 --> 01:24:50,120
Speaker 1: my ladies? I was dying. I don't want to say that.

1493
01:24:50,160 --> 01:24:56,280
Speaker 1: I'm so sorry. I was said, yeah, you know what?

1494
01:24:56,920 --> 01:25:00,519
Speaker 1: What then for me was the first album changing Jass

1495
01:25:00,520 --> 01:25:03,120
Speaker 1: and Jeff and Fresh Frisson, keep the funk out of here.

1496
01:25:03,560 --> 01:25:08,599
Speaker 1: This is the first one. Was holding the house, the house. Yeah,

1497
01:25:09,960 --> 01:25:14,120
Speaker 1: they fucking Touch of Jazz instrumental gotta be one of

1498
01:25:14,160 --> 01:25:18,720
Speaker 1: the best beasts of all times, of all times. Can

1499
01:25:18,800 --> 01:25:21,559
Speaker 1: you imagine how long it took him? That may probably

1500
01:25:21,640 --> 01:25:25,519
Speaker 1: mixed twenty records in that motherfucking twenty different samples on

1501
01:25:25,680 --> 01:25:27,760
Speaker 1: top of each other in the fucking beat for like

1502
01:25:27,960 --> 01:25:30,639
Speaker 1: six minutes. How long did it take him to find

1503
01:25:30,920 --> 01:25:35,519
Speaker 1: and mark these spots? I'm just sucking vinyl. I gotta

1504
01:25:35,600 --> 01:25:39,360
Speaker 1: hear this ship. That's the hardest ship ever. Touch of

1505
01:25:39,479 --> 01:25:42,599
Speaker 1: Jazz man, that's right, that changed my life. Him scratching

1506
01:25:42,720 --> 01:25:45,439
Speaker 1: jazz over hard beats. And this is the whole album.

1507
01:25:45,600 --> 01:25:47,240
Speaker 1: This is one song. That's when some of the whole

1508
01:25:47,240 --> 01:25:50,320
Speaker 1: album was hard though, And that's what that's like it

1509
01:25:50,400 --> 01:25:52,560
Speaker 1: was like no, it was like eighty six. How did you?

1510
01:25:53,680 --> 01:25:56,240
Speaker 1: How did you have to get music? It is? It was?

1511
01:25:56,400 --> 01:25:59,479
Speaker 1: It was still in the record store radio on the right. Yeah,

1512
01:26:00,040 --> 01:26:02,919
Speaker 1: so so that you had hip hop stations and remembers

1513
01:26:02,960 --> 01:26:05,560
Speaker 1: back then Big Ones. Yeah, big one. We're stilling that

1514
01:26:05,600 --> 01:26:09,160
Speaker 1: the same one down there, damn there, but yeah, Big Ones.

1515
01:26:09,640 --> 01:26:11,320
Speaker 1: I didn't know that. That was one of my first

1516
01:26:11,439 --> 01:26:15,880
Speaker 1: jobs I used to do, take clean edits out of

1517
01:26:16,439 --> 01:26:18,519
Speaker 1: dirty song. I didn't get paid for nothing, but it

1518
01:26:18,600 --> 01:26:20,160
Speaker 1: was just a way for me saying that's me on

1519
01:26:20,240 --> 01:26:23,280
Speaker 1: the radio. So I would take, like Scarface the song

1520
01:26:23,400 --> 01:26:25,720
Speaker 1: start ready from the getto boy, and I would go

1521
01:26:25,840 --> 01:26:29,040
Speaker 1: in and reverse, hand reverse all of the cuss words,

1522
01:26:29,680 --> 01:26:33,400
Speaker 1: hand reverse, would like that, take the actual record and

1523
01:26:33,560 --> 01:26:36,000
Speaker 1: just punch it in on my four track, pull it

1524
01:26:36,080 --> 01:26:39,840
Speaker 1: back and make clean versions for the rail station. I'm

1525
01:26:39,840 --> 01:26:42,080
Speaker 1: just telling you, stand man bad, Come about of that?

1526
01:26:43,360 --> 01:26:46,439
Speaker 1: You freaking me the funk out like some talking I

1527
01:26:46,479 --> 01:26:50,760
Speaker 1: want to Jason Mask, no not please? So you man

1528
01:26:51,280 --> 01:26:55,160
Speaker 1: made clean for the radio. How did you? How did

1529
01:26:55,200 --> 01:26:57,120
Speaker 1: you get that? How did you get that job? How

1530
01:26:57,200 --> 01:26:59,080
Speaker 1: did you even know you could do that? Because I

1531
01:26:59,479 --> 01:27:00,760
Speaker 1: was just trying to get on the radio. And I

1532
01:27:00,880 --> 01:27:03,960
Speaker 1: just came up with that as an excuse, and I

1533
01:27:04,120 --> 01:27:07,000
Speaker 1: just told it to stay in bailed as a big

1534
01:27:07,120 --> 01:27:10,840
Speaker 1: DJ in that city. And uh, he was like, yeah,

1535
01:27:10,880 --> 01:27:12,479
Speaker 1: you can do that for me, and he let me

1536
01:27:12,520 --> 01:27:14,240
Speaker 1: start doing and I would sit up all night and

1537
01:27:14,240 --> 01:27:17,200
Speaker 1: wait for him to play that that that it won't

1538
01:27:17,200 --> 01:27:19,200
Speaker 1: even be my song, it's just me sitting up there

1539
01:27:19,240 --> 01:27:21,120
Speaker 1: from the record back when he comes. That's a big job.

1540
01:27:21,200 --> 01:27:23,280
Speaker 1: You help a lot of those artists get the record

1541
01:27:23,320 --> 01:27:27,240
Speaker 1: on the video, Yeah, scar face, for sure. Anything big job.

1542
01:27:28,479 --> 01:27:31,280
Speaker 1: So that's why that's why I used to do. So

1543
01:27:31,840 --> 01:27:34,839
Speaker 1: what's what's what's what's the what's the opportunity or record

1544
01:27:35,280 --> 01:27:37,519
Speaker 1: that someone asked me to get on or be a

1545
01:27:37,600 --> 01:27:39,639
Speaker 1: part of it? You ain't never did it, and there's

1546
01:27:39,640 --> 01:27:45,080
Speaker 1: something you regret. I did everything that uh that somebody

1547
01:27:45,120 --> 01:27:46,800
Speaker 1: asked me to get on, even if I didn't like it,

1548
01:27:46,920 --> 01:27:50,240
Speaker 1: I did. Yeah, I'm gonna do that anyway, because like

1549
01:27:50,800 --> 01:27:53,040
Speaker 1: I know how it how it was back when um,

1550
01:27:54,080 --> 01:27:56,240
Speaker 1: when you know, we would we would try to clear

1551
01:27:56,360 --> 01:27:59,160
Speaker 1: some standwards from an old group or something someone was said. No,

1552
01:28:00,240 --> 01:28:03,559
Speaker 1: someone will be like, hell, I don want my ship sample. Um.

1553
01:28:04,520 --> 01:28:06,240
Speaker 1: When I would find those ones. You know how this

1554
01:28:06,400 --> 01:28:08,320
Speaker 1: you'll still you make this reckon they got this hard

1555
01:28:08,400 --> 01:28:11,560
Speaker 1: as sample and then you're like, fuck, like I want to.

1556
01:28:11,600 --> 01:28:14,240
Speaker 1: I don't want to people to sample me. I don't

1557
01:28:14,280 --> 01:28:16,000
Speaker 1: like a lot a lot of the times. Yeah. So

1558
01:28:17,040 --> 01:28:19,640
Speaker 1: when you you had those older groups that just like

1559
01:28:19,800 --> 01:28:22,559
Speaker 1: it's a respect thing too, that they don't care how

1560
01:28:22,640 --> 01:28:25,120
Speaker 1: much money you got, you know, they'd be like they

1561
01:28:25,200 --> 01:28:27,640
Speaker 1: turned you down, and you're like fun. So now when

1562
01:28:27,720 --> 01:28:29,960
Speaker 1: somebody wants to sample me, you know, I just always

1563
01:28:30,080 --> 01:28:32,760
Speaker 1: clear because you know, I don't know it mighty sound

1564
01:28:32,800 --> 01:28:34,720
Speaker 1: like trash and me, but somewhere else that ship could

1565
01:28:34,760 --> 01:28:37,680
Speaker 1: be the hot the hottest thing on but you never

1566
01:28:37,760 --> 01:28:41,040
Speaker 1: passed on no record, like no, no, come on, you

1567
01:28:41,120 --> 01:28:44,120
Speaker 1: know a little ship, a little ship like for money,

1568
01:28:44,200 --> 01:28:46,400
Speaker 1: you know, a feature or something. Not no, not a

1569
01:28:46,520 --> 01:28:51,240
Speaker 1: real artist. I'm good. I think you're still sampling now

1570
01:28:51,320 --> 01:28:56,760
Speaker 1: when when you produce, I said with myself, you can't. Yeah.

1571
01:28:57,120 --> 01:28:59,360
Speaker 1: I just had the number one album out Tripper Red,

1572
01:29:00,760 --> 01:29:05,559
Speaker 1: Tripper Red album out right Now. I produced a single

1573
01:29:05,600 --> 01:29:08,479
Speaker 1: on it before the album Camera It's called death Artist.

1574
01:29:08,720 --> 01:29:12,600
Speaker 1: I reproduced that. It's called Death's Tripper. Red featured in

1575
01:29:12,640 --> 01:29:17,800
Speaker 1: the Baby to Sad with myself on it. How do

1576
01:29:17,880 --> 01:29:20,439
Speaker 1: you manage to do that? Like, how do you manage

1577
01:29:21,080 --> 01:29:23,800
Speaker 1: you know, because obviously ogs you know what I'm saying,

1578
01:29:24,200 --> 01:29:27,000
Speaker 1: But and most of the younger artists don't really look

1579
01:29:27,640 --> 01:29:33,080
Speaker 1: at everybody has ods. But you've been able to maintain

1580
01:29:33,280 --> 01:29:35,920
Speaker 1: that respect of the young generation to where they come

1581
01:29:35,960 --> 01:29:39,000
Speaker 1: and see you for music as well. So how do

1582
01:29:39,080 --> 01:29:41,880
Speaker 1: you how do you how did you develop that? It

1583
01:29:42,040 --> 01:29:45,840
Speaker 1: came from them finding out world. A lot of the

1584
01:29:45,960 --> 01:29:49,800
Speaker 1: samples was coming from like like one of the most

1585
01:29:49,920 --> 01:29:55,760
Speaker 1: popular most used samples probably from you know, and from

1586
01:29:56,040 --> 01:29:59,960
Speaker 1: a record in the last maybe five years or whatever

1587
01:30:00,000 --> 01:30:03,879
Speaker 1: of st yeah whole sample, yeah, who yeah, that's my sample,

1588
01:30:04,560 --> 01:30:07,680
Speaker 1: And that's in any song you can name there. So

1589
01:30:07,960 --> 01:30:10,760
Speaker 1: that that's been all over the place. So that's a

1590
01:30:10,880 --> 01:30:14,400
Speaker 1: three six month sample. So I didn't even bother, you know,

1591
01:30:14,520 --> 01:30:16,840
Speaker 1: suing people that ship that sample. It was just it

1592
01:30:16,920 --> 01:30:18,840
Speaker 1: was so fucking face, you know. Obviously I had to

1593
01:30:19,200 --> 01:30:21,920
Speaker 1: get some money about certain ones. I didn't go out

1594
01:30:21,920 --> 01:30:27,400
Speaker 1: there everybody, and that's when they started recognizing who we was.

1595
01:30:27,720 --> 01:30:31,759
Speaker 1: Just hearing all those old samples that people will redoing

1596
01:30:31,880 --> 01:30:36,840
Speaker 1: whatever a South the Hip Crew and different folks like that.

1597
01:30:37,000 --> 01:30:40,519
Speaker 1: The youngsters, and that made the other youngsters listen to us,

1598
01:30:41,400 --> 01:30:43,920
Speaker 1: go back and listen to them my old songs and ship,

1599
01:30:44,680 --> 01:30:47,160
Speaker 1: and then they just started reaching out to me for production.

1600
01:30:47,280 --> 01:30:51,120
Speaker 1: Drake was the first one. Yeah, Drake hit me up

1601
01:30:51,280 --> 01:30:52,920
Speaker 1: to do it be for him just because I moved

1602
01:30:52,960 --> 01:30:56,920
Speaker 1: in the same neighborhood as his mom. I mean, his mom.

1603
01:30:57,479 --> 01:31:00,519
Speaker 1: I knew Drake, you know, just because he from Memphis too.

1604
01:31:00,600 --> 01:31:03,639
Speaker 1: For the for the most part Canada. No, it's mama

1605
01:31:03,840 --> 01:31:08,960
Speaker 1: little in California. Yeah, but that was some rich ship though.

1606
01:31:10,520 --> 01:31:12,760
Speaker 1: Met his mama. His mama was like he hit me

1607
01:31:12,840 --> 01:31:19,080
Speaker 1: on d N one night, his mama play I'm com Clay. Yeah. Yeah,

1608
01:31:19,080 --> 01:31:20,760
Speaker 1: And he was like, man, my mom told me that

1609
01:31:21,040 --> 01:31:24,439
Speaker 1: she ran into you, that you moved it there, did Drake?

1610
01:31:24,520 --> 01:31:27,040
Speaker 1: Moms know who you were. I didn't tell her, but

1611
01:31:27,160 --> 01:31:31,400
Speaker 1: somebody has another neighbor did. And then he was like, yeah,

1612
01:31:31,479 --> 01:31:33,800
Speaker 1: that's my mom said she ran into you. She said

1613
01:31:33,800 --> 01:31:36,280
Speaker 1: he was nice and and uh blah blah blah, like yes,

1614
01:31:36,360 --> 01:31:38,280
Speaker 1: she was cool. Listen that. He was like when anyway,

1615
01:31:38,320 --> 01:31:40,400
Speaker 1: I'm finishing up my av two weeks you got some

1616
01:31:40,520 --> 01:31:42,840
Speaker 1: bees and and I was like, yeah, I've seen you something, right,

1617
01:31:42,840 --> 01:31:45,400
Speaker 1: now and I tasted to him and he used it

1618
01:31:45,479 --> 01:31:49,439
Speaker 1: right out to text. They didn't even go mix it right.

1619
01:31:49,520 --> 01:31:51,479
Speaker 1: I taket with my name tag all the way through

1620
01:31:51,520 --> 01:31:53,640
Speaker 1: it and I hit him. I was worried about that too.

1621
01:31:53,680 --> 01:31:56,080
Speaker 1: I tasted, like, Drake, you're gonna use I said, just

1622
01:31:56,200 --> 01:31:57,960
Speaker 1: make sure you keep that name tag in the front.

1623
01:31:58,400 --> 01:32:00,240
Speaker 1: If you can't, He's like, I got you. It went

1624
01:32:00,280 --> 01:32:05,320
Speaker 1: through the whole song. The whole song. It was him

1625
01:32:05,400 --> 01:32:11,840
Speaker 1: and jay Z. Um uh talk up that Wait what

1626
01:32:14,720 --> 01:32:17,040
Speaker 1: they see how it's the floor scenes. He was saying,

1627
01:32:17,080 --> 01:32:25,240
Speaker 1: oh yeah, yeah, I'm jay Z. Just what it was

1628
01:32:25,280 --> 01:32:28,599
Speaker 1: that they went on, hold up, holding up into here here,

1629
01:32:29,200 --> 01:32:32,680
Speaker 1: I need to hear, I need to here, damn hot

1630
01:32:32,680 --> 01:32:34,280
Speaker 1: have to tag in the whole joy that's crazy. So

1631
01:32:34,400 --> 01:32:38,439
Speaker 1: you wait a minute. This is just fucking me up

1632
01:32:38,560 --> 01:32:53,720
Speaker 1: right now. I'm gonna pull us up fun Okay, come on,

1633
01:32:53,920 --> 01:33:05,240
Speaker 1: I can't think I got buy out against cold Nick.

1634
01:33:05,360 --> 01:33:11,280
Speaker 1: Hold on, come on, hold on. That's my ship could

1635
01:33:11,320 --> 01:33:12,960
Speaker 1: have been a ship. So that was just what we

1636
01:33:13,080 --> 01:33:18,160
Speaker 1: wanting this story one my time. All right. So so

1637
01:33:18,320 --> 01:33:26,120
Speaker 1: you mean it's you mean drama dude? Yeah, and he

1638
01:33:26,240 --> 01:33:28,240
Speaker 1: just hits you off the blue. You had never produced

1639
01:33:28,280 --> 01:33:31,800
Speaker 1: fam before. No, I don't know. I wish. So we

1640
01:33:32,000 --> 01:33:34,360
Speaker 1: hung out a bunch because she's daddy from Memphis. Of

1641
01:33:34,479 --> 01:33:38,000
Speaker 1: course we never Yeah, we never even talked every record,

1642
01:33:38,040 --> 01:33:40,880
Speaker 1: he says, Dad's We never even talked about music, and

1643
01:33:40,960 --> 01:33:44,439
Speaker 1: we're just hanging out and he hit me. But you know,

1644
01:33:44,520 --> 01:33:46,439
Speaker 1: it's one of those things, you know, not to sight

1645
01:33:46,520 --> 01:33:48,600
Speaker 1: out of mind. You know what's the crazy? Ship is

1646
01:33:48,840 --> 01:33:51,960
Speaker 1: the reason w I'm trying to establish this is Drake

1647
01:33:52,080 --> 01:33:55,040
Speaker 1: is actually a great person. And I think he's a

1648
01:33:55,080 --> 01:33:59,160
Speaker 1: great person, Like I don't know person, he's a he's

1649
01:33:59,160 --> 01:34:02,679
Speaker 1: a great person. So you so you don't introduce yourself

1650
01:34:02,760 --> 01:34:09,439
Speaker 1: as as as as each other now he said, he's

1651
01:34:09,439 --> 01:34:13,080
Speaker 1: the neighbors till so then he said, so now all

1652
01:34:13,160 --> 01:34:15,719
Speaker 1: you want to produces that when you ask for a beat,

1653
01:34:15,960 --> 01:34:19,400
Speaker 1: you're sitting nine hundred beats beats or you sent him one.

1654
01:34:19,520 --> 01:34:21,720
Speaker 1: So he texted to him, I text, I tasted one.

1655
01:34:21,800 --> 01:34:23,839
Speaker 1: It was gonna be the single for my new album.

1656
01:34:24,400 --> 01:34:26,439
Speaker 1: That beat. Yeah, that's gonna be a single for my

1657
01:34:26,560 --> 01:34:29,160
Speaker 1: new albums. You told him to lay a first, you know,

1658
01:34:29,680 --> 01:34:31,200
Speaker 1: I just like Ship. He can do more for this

1659
01:34:31,360 --> 01:34:33,880
Speaker 1: motherfucking beat than me, you know, I knew the bet

1660
01:34:33,960 --> 01:34:38,400
Speaker 1: was a hip beat, so I tasted to him and

1661
01:34:39,280 --> 01:34:41,599
Speaker 1: and he took it. He tasted right back, and he said,

1662
01:34:41,600 --> 01:34:44,240
Speaker 1: I'm using us and I was like, oh, fucking perfect.

1663
01:34:45,000 --> 01:34:47,160
Speaker 1: And then I hadn't heard from him for like two weeks,

1664
01:34:47,439 --> 01:34:50,240
Speaker 1: just exactly, so that's and that's when I hit him back.

1665
01:34:50,240 --> 01:34:52,960
Speaker 1: And I was like, hey, what you're saying gonna use

1666
01:34:53,000 --> 01:34:54,960
Speaker 1: that beating? Like if you do like that, you keep

1667
01:34:55,040 --> 01:34:57,360
Speaker 1: that tag enough for a brother, if you don't mind, please,

1668
01:34:58,520 --> 01:35:00,960
Speaker 1: And he was like, yeah, I'm we use it. And

1669
01:35:01,000 --> 01:35:03,160
Speaker 1: you think to look, I've been really up now he said, yeah,

1670
01:35:03,240 --> 01:35:05,439
Speaker 1: men use it and uh he said, I got you

1671
01:35:05,560 --> 01:35:08,240
Speaker 1: on the tag and he said, and uh, I'm putting

1672
01:35:08,320 --> 01:35:10,439
Speaker 1: jay Z on it. And I was like, I was like,

1673
01:35:10,439 --> 01:35:23,200
Speaker 1: all right, coach, hello, what did the hell? Yeah, that's it. Yeah,

1674
01:35:23,200 --> 01:35:26,160
Speaker 1: and I'm from jay Z, Like holy shit, I couldn't

1675
01:35:26,160 --> 01:35:28,960
Speaker 1: even believe it. And that's not the last time you

1676
01:35:29,040 --> 01:35:31,840
Speaker 1: produce more, right, that's the last time for the last time.

1677
01:35:32,200 --> 01:35:35,320
Speaker 1: But those resids you checks gotta be crazy. Yeah, that's

1678
01:35:35,360 --> 01:35:39,760
Speaker 1: pretty cool, pretty cool. Now that is when you like streaming. Yeah,

1679
01:35:40,160 --> 01:35:42,560
Speaker 1: I'm asking, he said, what is that the part of

1680
01:35:42,600 --> 01:35:46,639
Speaker 1: streaming you do, like really because he sold that's still

1681
01:35:46,800 --> 01:35:52,320
Speaker 1: I'm still so good albums on the five and the

1682
01:35:52,400 --> 01:35:54,360
Speaker 1: punishing is crazy on it too, I'm sure, and we

1683
01:35:54,400 --> 01:35:56,760
Speaker 1: would have sold five me and physical compition of that

1684
01:35:56,880 --> 01:35:59,840
Speaker 1: album CDs. I think we've been doing this just from

1685
01:36:00,520 --> 01:36:04,200
Speaker 1: Helicopter in my yacht that I read it today. But

1686
01:36:05,760 --> 01:36:10,960
Speaker 1: the two is a streams downloaders. I think it's just

1687
01:36:11,080 --> 01:36:15,280
Speaker 1: a download, so just downloads or whatever. But you know whatever,

1688
01:36:15,320 --> 01:36:19,240
Speaker 1: they count your days and that's the first time Jay

1689
01:36:19,320 --> 01:36:23,200
Speaker 1: has rhymed on your ledge on your tracks. Hell yeah,

1690
01:36:24,640 --> 01:36:26,360
Speaker 1: I never think Jay J would wrapped over one of

1691
01:36:26,439 --> 01:36:30,200
Speaker 1: my beach How did you feel when you when you

1692
01:36:30,560 --> 01:36:34,160
Speaker 1: find when you got that my house having fun because

1693
01:36:34,160 --> 01:36:36,760
Speaker 1: you're seeing the text for him is one day and

1694
01:36:36,840 --> 01:36:40,639
Speaker 1: then even like Jay delivering that and did it actually

1695
01:36:40,720 --> 01:36:44,800
Speaker 1: cover it out like and I mean, damn, you don't

1696
01:36:44,840 --> 01:36:48,560
Speaker 1: want to ask us, so he was like fucking it

1697
01:36:48,920 --> 01:36:51,800
Speaker 1: feel like like did you or was that a big deal?

1698
01:36:52,080 --> 01:36:54,000
Speaker 1: Now it was a big deal. That's a big deal

1699
01:36:54,040 --> 01:36:56,599
Speaker 1: because I got an honest sign to me, shout out

1700
01:36:56,640 --> 01:36:58,439
Speaker 1: t y, I got an artest sign to me that

1701
01:36:58,520 --> 01:37:01,680
Speaker 1: I did to be with, So you like it was

1702
01:37:01,760 --> 01:37:04,280
Speaker 1: a big thing because I was like, you know, I

1703
01:37:04,439 --> 01:37:07,880
Speaker 1: fucking prove it to my year old that we know

1704
01:37:08,000 --> 01:37:10,000
Speaker 1: we're gonna get some money, We're gonna do some ship.

1705
01:37:10,680 --> 01:37:12,720
Speaker 1: You know for long who was just doing underground ship,

1706
01:37:13,360 --> 01:37:16,400
Speaker 1: you know, and just go from underground doing underground ship

1707
01:37:16,560 --> 01:37:19,760
Speaker 1: to getting that call and getting that placement. You know,

1708
01:37:19,840 --> 01:37:22,439
Speaker 1: I had placements and other ship you know, don't get

1709
01:37:22,479 --> 01:37:24,760
Speaker 1: me wrong, but tons of tons of ships, like I said,

1710
01:37:24,800 --> 01:37:27,880
Speaker 1: from in the nineties with ludicrous and all kind of people.

1711
01:37:27,920 --> 01:37:31,679
Speaker 1: But but you know, this being gonna be thirty years

1712
01:37:31,720 --> 01:37:34,280
Speaker 1: in the game for me to think, after like almost

1713
01:37:34,320 --> 01:37:37,040
Speaker 1: thirty years, you're gonna get the two big intruders in

1714
01:37:37,120 --> 01:37:39,960
Speaker 1: the world and the world on the beach just because

1715
01:37:39,960 --> 01:37:42,080
Speaker 1: you moved in this neighborhood. Because you try to move

1716
01:37:42,160 --> 01:37:44,559
Speaker 1: in another neighborhood and that deal didn't go through something

1717
01:37:45,320 --> 01:37:47,040
Speaker 1: it was on some bush. It didn't want me over down.

1718
01:37:47,800 --> 01:37:50,800
Speaker 1: So I was forced to go to where I went to,

1719
01:37:50,920 --> 01:37:53,080
Speaker 1: even though it was flyer, but I had to pay

1720
01:37:53,160 --> 01:37:56,640
Speaker 1: more money, and it turned out being worth it. The

1721
01:37:56,760 --> 01:37:59,439
Speaker 1: more money I had to pay and the bullshit it

1722
01:37:59,560 --> 01:38:02,639
Speaker 1: turned out been working because within being there a couple

1723
01:38:02,640 --> 01:38:12,560
Speaker 1: of months, I got that good called God damn. So

1724
01:38:12,760 --> 01:38:16,000
Speaker 1: now you know what the high hatus of the three six.

1725
01:38:16,560 --> 01:38:18,920
Speaker 1: We did see it, y'all. Now stay, have you been

1726
01:38:18,960 --> 01:38:23,000
Speaker 1: in the studio together collectivity? No sense, No, we ain't studio.

1727
01:38:23,040 --> 01:38:26,160
Speaker 1: We're just doing show. Where would y'all have to record

1728
01:38:26,280 --> 01:38:28,760
Speaker 1: this album. I'm gonna be honest, they gotta put your

1729
01:38:28,880 --> 01:38:32,920
Speaker 1: thinkings on mars, like, because I don't want I want

1730
01:38:32,920 --> 01:38:34,759
Speaker 1: you to be focused. I want you to be together.

1731
01:38:35,680 --> 01:38:38,160
Speaker 1: Reginally recorded three six. Yall had to be in the

1732
01:38:38,240 --> 01:38:41,080
Speaker 1: same room together, right, Yeah, because you know this digital

1733
01:38:41,160 --> 01:38:45,120
Speaker 1: age ship where you still we had we had work

1734
01:38:45,160 --> 01:38:48,280
Speaker 1: hours when we went to still still open up at

1735
01:38:48,280 --> 01:38:54,280
Speaker 1: seven o'clock at night too when we were treated. Yeah,

1736
01:38:54,479 --> 01:38:58,400
Speaker 1: because because the time nine studio cool whenever the time,

1737
01:38:59,400 --> 01:39:06,080
Speaker 1: don't you go ahead? But the himnotaze. My studio was

1738
01:39:06,160 --> 01:39:10,680
Speaker 1: in um office building they head lawyers in it. It

1739
01:39:10,800 --> 01:39:12,519
Speaker 1: was right across the street from the jail. You got

1740
01:39:12,600 --> 01:39:14,240
Speaker 1: to record after they closed the shop and then were

1741
01:39:14,320 --> 01:39:17,680
Speaker 1: called after their clothes. So seven o'clock was what time

1742
01:39:17,720 --> 01:39:20,439
Speaker 1: studio started, and then when we went on to when

1743
01:39:20,520 --> 01:39:25,000
Speaker 1: we finished. Yeah, I need you at together in the studio.

1744
01:39:25,760 --> 01:39:29,040
Speaker 1: That is that plan is you're all together all were

1745
01:39:29,080 --> 01:39:30,800
Speaker 1: you really talked about it. We're just trying to get

1746
01:39:30,880 --> 01:39:33,320
Speaker 1: the shows. You now, we get the shows done, and

1747
01:39:33,520 --> 01:39:34,960
Speaker 1: you know, get all that. You said you did the

1748
01:39:34,960 --> 01:39:37,000
Speaker 1: show already. We did a couple of shows already, and

1749
01:39:37,040 --> 01:39:39,040
Speaker 1: now we got a bunch of coming up for twenties.

1750
01:39:39,400 --> 01:39:42,280
Speaker 1: How far How crazy the fans go? They got crazy.

1751
01:39:42,920 --> 01:39:45,560
Speaker 1: It's great and it's all in y'all. I've seen some

1752
01:39:45,640 --> 01:39:50,400
Speaker 1: footage of it on. It's just crazy. Yeah, everybody, because

1753
01:39:50,400 --> 01:39:53,080
Speaker 1: it's like when bout get back together, like everyone is

1754
01:39:53,320 --> 01:39:57,120
Speaker 1: expecting to miss one person. We needed to have all

1755
01:39:57,200 --> 01:40:02,200
Speaker 1: y'all together, Project Pack two, project fans, goddamn little Chad

1756
01:40:02,720 --> 01:40:05,760
Speaker 1: as everybody, everybody that's alive. It's on. You need a

1757
01:40:05,880 --> 01:40:10,559
Speaker 1: real documentary. Yeah one day we haven't talking about that. Yeah, yeah,

1758
01:40:10,560 --> 01:40:12,840
Speaker 1: we're talking about that. You see new addition ship that

1759
01:40:12,920 --> 01:40:16,360
Speaker 1: should be that ship, but you ain't see a lot

1760
01:40:16,400 --> 01:40:18,080
Speaker 1: of ship. Man. I told you, I don't get still.

1761
01:40:19,760 --> 01:40:23,360
Speaker 1: I saw the tell Abundance series. Jo watch that ship.

1762
01:40:24,080 --> 01:40:27,840
Speaker 1: I watched that to keep watching another serials. No, but

1763
01:40:28,120 --> 01:40:30,639
Speaker 1: but come on his body Brown anything with Bobby Brown,

1764
01:40:30,680 --> 01:40:33,760
Speaker 1: he's supposed to be funk about it. Round I personally, yeah,

1765
01:40:33,760 --> 01:40:36,400
Speaker 1: I mean took about a round. I ever had to

1766
01:40:36,439 --> 01:40:39,680
Speaker 1: drink with Bobby. I had a drink at the same

1767
01:40:39,760 --> 01:40:42,400
Speaker 1: bar with him. But we want talking to ship. You

1768
01:40:42,439 --> 01:40:45,479
Speaker 1: gotta come. I want to, man, I want to. You

1769
01:40:45,479 --> 01:40:48,200
Speaker 1: don't drink. I might make an exception for Bobby, though

1770
01:40:48,360 --> 01:40:50,000
Speaker 1: I ain't got a lot work. You gotta make one

1771
01:40:50,560 --> 01:40:53,920
Speaker 1: have a drink and do a live with Bobby one

1772
01:40:54,000 --> 01:40:59,200
Speaker 1: too many? Okay, what if I do have a drink

1773
01:40:59,280 --> 01:41:09,360
Speaker 1: with Bobby? Know it's my I think about it the

1774
01:41:09,400 --> 01:41:11,240
Speaker 1: other day, right, well, not the other day. I thought

1775
01:41:11,240 --> 01:41:16,800
Speaker 1: about it about twenty minutes ago. It's long. The other

1776
01:41:16,960 --> 01:41:21,559
Speaker 1: day is my My wife's from Jersey and she sees

1777
01:41:22,080 --> 01:41:26,519
Speaker 1: green La Teeth and Creela Titha as uh a joy

1778
01:41:27,560 --> 01:41:29,599
Speaker 1: and my wife's just no, she's say she doesn't smoke.

1779
01:41:30,040 --> 01:41:31,880
Speaker 1: But I was like, all right, cool, like she's from Jersey.

1780
01:41:31,880 --> 01:41:35,439
Speaker 1: I'm sure that the Queen La Tipa so like at me, like,

1781
01:41:36,760 --> 01:41:40,439
Speaker 1: what's my man named Rick James? Like Rick James came

1782
01:41:40,479 --> 01:41:43,479
Speaker 1: out died and Rick James came around a minute, Yo,

1783
01:41:43,520 --> 01:41:46,840
Speaker 1: this is a Jeffrey norry. I might just take a hit, man.

1784
01:41:47,280 --> 01:41:50,000
Speaker 1: I might just be like, fucking man, listen where and

1785
01:41:50,400 --> 01:41:52,760
Speaker 1: what aston was in it? Because I know what I

1786
01:41:52,800 --> 01:41:58,280
Speaker 1: don't know gonna be anything. Just what I'm trying to say.

1787
01:41:59,040 --> 01:42:03,320
Speaker 1: He could be like nicking cranking. It's about to get

1788
01:42:03,360 --> 01:42:07,559
Speaker 1: cranky like the certain nigs that I don't think. I'm

1789
01:42:07,560 --> 01:42:11,320
Speaker 1: a tell knowe too. Is anybody that you would like,

1790
01:42:11,360 --> 01:42:15,600
Speaker 1: I ain't doing crack of No, but like crack to

1791
01:42:15,680 --> 01:42:17,360
Speaker 1: something you want to look up to something look like

1792
01:42:17,439 --> 01:42:18,640
Speaker 1: a lot of people, I just ain't gonna do that.

1793
01:42:18,880 --> 01:42:22,000
Speaker 1: And they're like, come on, ship is not shock tank?

1794
01:42:25,040 --> 01:42:26,479
Speaker 1: Seem like like the person I look up to, like

1795
01:42:26,600 --> 01:42:28,880
Speaker 1: Chuck d public enemy. You would do crank with Chuck.

1796
01:42:29,120 --> 01:42:30,800
Speaker 1: He's not gonna do crack. Thin't got what if he

1797
01:42:31,080 --> 01:42:35,719
Speaker 1: was doing crack. That's how it is, right, I'm specially

1798
01:42:36,040 --> 01:42:38,240
Speaker 1: the only thing I made No I know that even

1799
01:42:38,280 --> 01:42:39,760
Speaker 1: I'm gonna say, I say, maybe I do a lot

1800
01:42:39,840 --> 01:42:46,680
Speaker 1: with somebody, maybe not who anyway you live man, Yea,

1801
01:42:47,320 --> 01:42:49,680
Speaker 1: Now I'm thinking that Chuck ain't doing a lot doing

1802
01:42:50,600 --> 01:42:52,960
Speaker 1: But that's what I'm saying. That's how important it is

1803
01:42:53,040 --> 01:42:55,760
Speaker 1: that you need to need you need to because the

1804
01:42:55,880 --> 01:43:00,200
Speaker 1: gund Hello, granddad, you gotta do it. I love good

1805
01:43:00,280 --> 01:43:02,600
Speaker 1: dare you? But what what was somebody like I'll do

1806
01:43:02,720 --> 01:43:15,280
Speaker 1: something that no loo. Now, okay, I thought, so have Denzel.

1807
01:43:18,360 --> 01:43:23,240
Speaker 1: I don't know. I don't know about line this, don't

1808
01:43:23,280 --> 01:43:27,519
Speaker 1: want I don't know what a free base. Come on, y'all, damn,

1809
01:43:32,520 --> 01:43:35,599
Speaker 1: I'm not my raw, not my rab. You out there

1810
01:43:36,560 --> 01:43:40,600
Speaker 1: whoa Because my rabor before my error, when I was

1811
01:43:40,680 --> 01:43:43,400
Speaker 1: coming up with straight up crack hats, they were straight

1812
01:43:43,479 --> 01:43:47,879
Speaker 1: up crack and that was something totally different. Moms were zombing,

1813
01:43:47,960 --> 01:43:50,880
Speaker 1: basing out, you know what I'm saying. But and then

1814
01:43:50,920 --> 01:43:53,320
Speaker 1: in my era, like the coke was for big like

1815
01:43:53,800 --> 01:43:56,800
Speaker 1: rich people, Scott bas yeah, yeah, yeah, which this is

1816
01:43:56,840 --> 01:43:58,720
Speaker 1: what this is what we was raised them thinking it

1817
01:43:58,960 --> 01:44:01,160
Speaker 1: was all right. We thought it was because it was

1818
01:44:01,280 --> 01:44:06,080
Speaker 1: standing back. And then there was originally uh drugs and

1819
01:44:06,560 --> 01:44:09,000
Speaker 1: we didn't even think y'all get get drugs in Memphis

1820
01:44:09,200 --> 01:44:11,400
Speaker 1: like you know we was. It was fucked up. It

1821
01:44:11,520 --> 01:44:13,519
Speaker 1: was like that I got drugs on that we had

1822
01:44:14,320 --> 01:44:21,640
Speaker 1: that yeah, got bad. We didn't up that step down

1823
01:44:21,640 --> 01:44:24,160
Speaker 1: about three times. We didn't know. I didn't know that

1824
01:44:24,280 --> 01:44:26,840
Speaker 1: in my Miami until I actually came here for real.

1825
01:44:26,960 --> 01:44:29,400
Speaker 1: I didn't know, like I thought, just New York though

1826
01:44:29,439 --> 01:44:31,280
Speaker 1: there was it, though there was in all the all

1827
01:44:31,720 --> 01:44:35,200
Speaker 1: prices got more expensive from the heard of cricking. That

1828
01:44:35,320 --> 01:44:37,360
Speaker 1: was a whole deal to try to cut the ship off.

1829
01:44:37,840 --> 01:44:44,920
Speaker 1: Who cracking? Crocking? Oh? Talking about Miami rights? Okay, I

1830
01:44:45,000 --> 01:44:47,439
Speaker 1: have you bucking out? What do you think? Like this

1831
01:44:47,960 --> 01:44:51,680
Speaker 1: a man here? Now he's an actor. Look so, but

1832
01:44:51,800 --> 01:44:53,680
Speaker 1: he did a really great job making us think he

1833
01:44:53,800 --> 01:45:01,920
Speaker 1: was fighting crime in the eighties. So what's your favorite movie? Start? Okay,

1834
01:45:01,960 --> 01:45:04,920
Speaker 1: I can see that, he goes, I can see that's

1835
01:45:04,920 --> 01:45:10,160
Speaker 1: your favorite comedy? Something about Marry easy as you're too

1836
01:45:10,280 --> 01:45:14,880
Speaker 1: kind of I'm see really? Who? Who? Who? What's the

1837
01:45:14,960 --> 01:45:18,599
Speaker 1: favorite scene is something about Mary? My favorite saying something

1838
01:45:18,640 --> 01:45:22,120
Speaker 1: about Mary is uh when the dude packing up to

1839
01:45:22,280 --> 01:45:26,000
Speaker 1: leave his job to detective and she was like, oh,

1840
01:45:26,120 --> 01:45:30,160
Speaker 1: where are you moving? Uh treat now? Yeah he said,

1841
01:45:31,120 --> 01:45:33,040
Speaker 1: he said, I'm moving up as I think he said

1842
01:45:33,080 --> 01:45:35,759
Speaker 1: San Francisco And he was like, I'm working for Rice Arown.

1843
01:45:36,520 --> 01:45:40,360
Speaker 1: She was like Rice Arown. Isn't this the seces? He says,

1844
01:45:40,560 --> 01:45:44,600
Speaker 1: but that changing things up now, I'm gonna tell you,

1845
01:45:44,680 --> 01:45:46,640
Speaker 1: I was shocked. This is what I thought you was

1846
01:45:46,680 --> 01:45:49,519
Speaker 1: gonna say. The favorite scene was after the dude Buddy

1847
01:45:49,560 --> 01:45:53,720
Speaker 1: Whacket come and he couldn't find where it was. That

1848
01:45:53,920 --> 01:45:55,680
Speaker 1: is actually the best scene in the movie because she

1849
01:45:55,800 --> 01:46:00,439
Speaker 1: grabbed she grabbed his in I don't like this, say,

1850
01:46:01,040 --> 01:46:04,559
Speaker 1: you're like to see that the best scene the cinematic history,

1851
01:46:05,479 --> 01:46:13,200
Speaker 1: Like God is up there there wrong with the greatest

1852
01:46:13,320 --> 01:46:16,120
Speaker 1: movies the whole time. That scene right there when he

1853
01:46:16,240 --> 01:46:20,760
Speaker 1: simp his dick up, And that's the greatest because that's

1854
01:46:20,760 --> 01:46:23,439
Speaker 1: when that's when comedy took a turn. That's when the

1855
01:46:24,400 --> 01:46:27,400
Speaker 1: troud the Farelli brothers, Farelly brothers, how they how they

1856
01:46:27,479 --> 01:46:31,320
Speaker 1: pronouncer the Farella brothers. That's when they changed comedy forever

1857
01:46:31,920 --> 01:46:35,479
Speaker 1: they took. It looked like a real dick was wrapped up.

1858
01:46:35,479 --> 01:46:37,800
Speaker 1: They do a quick flash shot over day stuck in

1859
01:46:37,880 --> 01:46:41,080
Speaker 1: between the zipper and but really behind the scenes, it

1860
01:46:41,200 --> 01:46:43,680
Speaker 1: was just a board of wood and they cut some

1861
01:46:43,840 --> 01:46:46,679
Speaker 1: pants and put them on there and made the zipper

1862
01:46:46,720 --> 01:46:49,120
Speaker 1: around like a deal though or something, and did the

1863
01:46:49,200 --> 01:46:52,160
Speaker 1: flash shot. But they took that step of making that

1864
01:46:52,920 --> 01:46:57,280
Speaker 1: discrossed the disgusting piece of prod to flash too. And

1865
01:46:57,360 --> 01:46:59,320
Speaker 1: that's what they're doing a lot of movies they made.

1866
01:46:59,760 --> 01:47:01,760
Speaker 1: They on the way light test seen when they come

1867
01:47:02,400 --> 01:47:04,600
Speaker 1: way to create I'll tell you something pure, But you

1868
01:47:04,680 --> 01:47:11,600
Speaker 1: didn't peep. Neither is in Scarface. When they're cutting the

1869
01:47:11,720 --> 01:47:14,640
Speaker 1: dune up, you never to see him actually cutting him.

1870
01:47:15,120 --> 01:47:18,559
Speaker 1: It's Scarface. He didn't They don't never show you show

1871
01:47:18,600 --> 01:47:21,280
Speaker 1: you that they're cutting him it, remember it scar Face

1872
01:47:21,360 --> 01:47:23,439
Speaker 1: like this go like this. So the crazy ship is.

1873
01:47:23,680 --> 01:47:25,920
Speaker 1: I watched the twenty feet Anniversary, but we had to

1874
01:47:25,960 --> 01:47:28,680
Speaker 1: do it for death alboms on Death Game and ran

1875
01:47:28,760 --> 01:47:32,000
Speaker 1: the Parma. I says that he goes, yo, look a

1876
01:47:32,040 --> 01:47:35,640
Speaker 1: little at him. Well we all did because they was

1877
01:47:35,720 --> 01:47:39,280
Speaker 1: like kind of like um um. We had to make

1878
01:47:39,320 --> 01:47:41,479
Speaker 1: the music for because we made a soundtrack for him.

1879
01:47:41,680 --> 01:47:43,439
Speaker 1: So he came and that's when I found out that

1880
01:47:43,479 --> 01:47:46,000
Speaker 1: scar Face was actually based off seven different people. Was

1881
01:47:46,040 --> 01:47:48,800
Speaker 1: not one character. It's the whole colblem cocaine. It was

1882
01:47:48,880 --> 01:47:53,800
Speaker 1: the whole colocage. Instead of making it a crew, one person,

1883
01:47:53,960 --> 01:47:56,240
Speaker 1: he made it one person. Yeah. So I was like,

1884
01:47:56,360 --> 01:48:01,200
Speaker 1: oh yeah, I was run away. I was like, it's

1885
01:48:01,200 --> 01:48:05,920
Speaker 1: lit the cocaine cal one. Dude, Well, what's different. It's

1886
01:48:05,960 --> 01:48:10,080
Speaker 1: actually a book called I think Hotel Scarface. Would they

1887
01:48:10,080 --> 01:48:12,720
Speaker 1: actually tell you the eight different characters and one of

1888
01:48:12,800 --> 01:48:16,200
Speaker 1: them I actually no, No, it's the guy that owns

1889
01:48:16,240 --> 01:48:18,080
Speaker 1: free Fees one of the guys that own a free

1890
01:48:18,160 --> 01:48:22,360
Speaker 1: piece is amazing character. Like you meet him, you're like, hell,

1891
01:48:22,960 --> 01:48:26,880
Speaker 1: and it's it's amazing. He always a restaurant, so he

1892
01:48:27,000 --> 01:48:29,559
Speaker 1: was arrestaurant. You let me know and you go there,

1893
01:48:29,640 --> 01:48:30,880
Speaker 1: you just want to eat there? Like you know what

1894
01:48:30,920 --> 01:48:33,400
Speaker 1: I'm saying. Because he's against that, he did not tell neither.

1895
01:48:33,479 --> 01:48:39,479
Speaker 1: Let's make some loys for that. So how about what

1896
01:48:40,120 --> 01:48:42,599
Speaker 1: was Elvis? Like you have like funking with Bruce Way

1897
01:48:42,680 --> 01:48:45,439
Speaker 1: shoes or something like that, like my mom used to listening.

1898
01:48:46,000 --> 01:48:49,120
Speaker 1: We got a chance to remake Elvis song? Wait a minute,

1899
01:48:49,160 --> 01:48:53,200
Speaker 1: Wait a minute? What? Yeah? ABC? I did a special

1900
01:48:53,320 --> 01:48:56,960
Speaker 1: on Elvis probably like ten years ago. ABC, the news

1901
01:48:57,040 --> 01:48:59,040
Speaker 1: channel we're talking about, right, not the news that the

1902
01:48:59,120 --> 01:49:03,800
Speaker 1: network network that where that the player. They did a

1903
01:49:03,880 --> 01:49:08,160
Speaker 1: special on Elvis and they got us to redo an

1904
01:49:08,200 --> 01:49:11,160
Speaker 1: Elvis song. I didn't. It was on the TV show.

1905
01:49:11,160 --> 01:49:13,840
Speaker 1: You can look at up. It's on YouTube. And how

1906
01:49:14,080 --> 01:49:17,040
Speaker 1: they asked me there was like what they didn't think

1907
01:49:17,040 --> 01:49:19,080
Speaker 1: I really knew what Elvi son. It was like, um,

1908
01:49:19,960 --> 01:49:22,240
Speaker 1: is it a certain ever song that you heard that

1909
01:49:22,320 --> 01:49:23,800
Speaker 1: you want to redo? And I was like, yeah, I

1910
01:49:23,840 --> 01:49:26,599
Speaker 1: want to redo in the ghetto and he's like, oh wow,

1911
01:49:26,760 --> 01:49:28,640
Speaker 1: get short. I sucked him up with that. But my

1912
01:49:28,760 --> 01:49:31,160
Speaker 1: MoMA used to listening and to Ghetto on forty five

1913
01:49:31,400 --> 01:49:35,040
Speaker 1: every day. Yeah, so I knew that song. She loved

1914
01:49:35,120 --> 01:49:37,439
Speaker 1: that song. And that song was gangster as fun too.

1915
01:49:37,680 --> 01:49:40,680
Speaker 1: And look what you're talking about so specially mafia and

1916
01:49:40,720 --> 01:49:42,840
Speaker 1: the ghetto. And that's what that's what we chose to do.

1917
01:49:43,080 --> 01:49:45,840
Speaker 1: And and that's the boom, right Like Elvis like came

1918
01:49:45,880 --> 01:49:48,679
Speaker 1: to the black neighborhoods and like you got the style

1919
01:49:48,800 --> 01:49:53,120
Speaker 1: and swag, which which is? Which is? It's true? It's true.

1920
01:49:53,240 --> 01:49:56,800
Speaker 1: He had a right you know, he was moving like

1921
01:49:56,920 --> 01:49:58,840
Speaker 1: black folks this and then white was when you said,

1922
01:49:58,840 --> 01:50:00,719
Speaker 1: and that's what blew him up. They're like just nakee

1923
01:50:00,800 --> 01:50:03,519
Speaker 1: girn Brands sucked up here right now. And he's like

1924
01:50:04,240 --> 01:50:06,920
Speaker 1: his favorite sALS is a peanut butter. Some some ship

1925
01:50:07,040 --> 01:50:09,080
Speaker 1: like that. It's like, you know, he hung around some

1926
01:50:09,200 --> 01:50:11,839
Speaker 1: black people. It was a peanut butter and like whatever,

1927
01:50:11,920 --> 01:50:16,200
Speaker 1: it was peanut butter and what but some some stupen

1928
01:50:16,439 --> 01:50:18,600
Speaker 1: like mage this thing a hang about black people. You

1929
01:50:18,640 --> 01:50:22,439
Speaker 1: know what I'm saying. When poor people, period, we do pause,

1930
01:50:22,560 --> 01:50:25,559
Speaker 1: we do wonders with bananas and dons. I just realized

1931
01:50:26,000 --> 01:50:29,200
Speaker 1: pause I bought, of course, I didn't realize just how

1932
01:50:29,320 --> 01:50:32,160
Speaker 1: many things you can make for my plant team plantings

1933
01:50:32,200 --> 01:50:34,760
Speaker 1: like you got to me, boy, I just think about that.

1934
01:50:34,800 --> 01:50:36,799
Speaker 1: I'm so sorry. I know this is going somewhere. Grounds

1935
01:50:36,800 --> 01:50:43,080
Speaker 1: you get, you get stones like the other day, my

1936
01:50:43,200 --> 01:50:50,600
Speaker 1: phone phone go. Un Like when you were moho, my

1937
01:50:50,640 --> 01:50:57,280
Speaker 1: phone go. You know have my phone go? I name yeah,

1938
01:50:57,320 --> 01:51:01,599
Speaker 1: when you wore you creative and ship which serves sandwiches,

1939
01:51:01,680 --> 01:51:04,559
Speaker 1: you have a though, wait a minute, sirch sounds ship.

1940
01:51:04,600 --> 01:51:08,840
Speaker 1: I eat one of them right now, serves sandwich. It

1941
01:51:09,080 --> 01:51:12,920
Speaker 1: was just a dry piece of white bread, ragular white

1942
01:51:12,960 --> 01:51:16,439
Speaker 1: bread with the syrup prode on it, A bunch of

1943
01:51:16,479 --> 01:51:18,439
Speaker 1: serve to pod on the top of us, and you're

1944
01:51:18,439 --> 01:51:20,840
Speaker 1: getting on my on certain and then you put another

1945
01:51:20,920 --> 01:51:22,640
Speaker 1: piece of bread on top of eat it like that

1946
01:51:22,840 --> 01:51:25,560
Speaker 1: fire I thought you said, SERTs like like like a

1947
01:51:25,640 --> 01:51:31,439
Speaker 1: hunting barn. Let's fire. Okay, I'm trying to figure out

1948
01:51:31,439 --> 01:51:33,560
Speaker 1: what part of your life was. This was just on

1949
01:51:33,640 --> 01:51:36,960
Speaker 1: a couple of hours. It's like said didn't come off.

1950
01:51:37,360 --> 01:51:40,200
Speaker 1: I ain't want to let you know, but now I was.

1951
01:51:40,320 --> 01:51:41,840
Speaker 1: I wasn't even know those all the time, like when

1952
01:51:41,880 --> 01:51:43,920
Speaker 1: I was a kid, but when I got older, if

1953
01:51:43,960 --> 01:51:47,160
Speaker 1: I asked some serve in the house, my son, so

1954
01:51:50,360 --> 01:51:55,280
Speaker 1: I gotta to and that. What's your favorite food that

1955
01:51:55,560 --> 01:51:59,320
Speaker 1: you just say you're a foodie? Asian food, Asian Asian?

1956
01:51:59,560 --> 01:52:03,840
Speaker 1: All that it rice rice like any specific agents little man,

1957
01:52:03,960 --> 01:52:08,720
Speaker 1: shrimp lottle man is like or or like typehood or

1958
01:52:09,120 --> 01:52:14,240
Speaker 1: drunk and noodles tie drunk drunk shrump drunking noodles. That's

1959
01:52:14,280 --> 01:52:17,400
Speaker 1: my that's my go to right the head we bick

1960
01:52:17,479 --> 01:52:19,160
Speaker 1: up to drunk and dragging. My man Angel was in

1961
01:52:19,200 --> 01:52:21,639
Speaker 1: the building, you know, saying big up to both sucking

1962
01:52:21,760 --> 01:52:24,720
Speaker 1: chef ta in the building saying let us know how

1963
01:52:24,840 --> 01:52:28,560
Speaker 1: some motherfucking mac we are in the building that we

1964
01:52:28,640 --> 01:52:30,639
Speaker 1: got to check around opening up to I can't wait

1965
01:52:31,160 --> 01:52:34,559
Speaker 1: in Memphis in Beverly Hills. What kind of food my back?

1966
01:52:35,400 --> 01:52:44,640
Speaker 1: I forgot? Man? Yeah, so okay, what kind of restaurant this?

1967
01:52:45,040 --> 01:52:48,519
Speaker 1: I can't say? Is it? We? I feel like it's

1968
01:52:48,560 --> 01:52:52,479
Speaker 1: gonna be weed and fuge. No, no't I wish, no,

1969
01:52:53,120 --> 01:52:55,599
Speaker 1: I wish. I need to get into that. I didn't

1970
01:52:55,640 --> 01:52:57,439
Speaker 1: into it yet. I needed the nation that with that,

1971
01:52:57,640 --> 01:53:02,080
Speaker 1: But now I ain't no weeding. It's a real r strone. Okay, no,

1972
01:53:02,200 --> 01:53:04,640
Speaker 1: because you know, like this place is that's exclusive. You

1973
01:53:04,680 --> 01:53:08,559
Speaker 1: can smoke, but think about Noalls farms especially and Cali.

1974
01:53:08,840 --> 01:53:10,519
Speaker 1: I know I saw the ship on the news when

1975
01:53:10,560 --> 01:53:12,240
Speaker 1: I'm posting and nicking out of town. I know what

1976
01:53:12,360 --> 01:53:15,200
Speaker 1: the punk was going on restaurant with pack the news one.

1977
01:53:15,280 --> 01:53:18,440
Speaker 1: That news lady got I on TV. Just by the contact.

1978
01:53:18,920 --> 01:53:26,040
Speaker 1: You're like a reportant life. That's how they got to

1979
01:53:26,120 --> 01:53:30,519
Speaker 1: the end of a special mount of asshole. I like

1980
01:53:30,680 --> 01:53:34,240
Speaker 1: this ladd drone to f to fucking Hollywood to go

1981
01:53:34,400 --> 01:53:38,200
Speaker 1: to the store running that she is so fun. And

1982
01:53:38,320 --> 01:53:42,200
Speaker 1: you you you like living in California? Yeah, I love it.

1983
01:53:42,360 --> 01:53:46,080
Speaker 1: The weather is great and for your creative process. How

1984
01:53:46,120 --> 01:53:57,360
Speaker 1: about that it's a train I'm how so so the

1985
01:53:57,479 --> 01:54:01,320
Speaker 1: Chevy eight How I didn't hold let me go to

1986
01:54:01,360 --> 01:54:03,120
Speaker 1: the back. Let take a quick break. Yeah, let's take

1987
01:54:03,280 --> 01:54:05,640
Speaker 1: a pee break for me too. And the back was

1988
01:54:05,720 --> 01:54:08,720
Speaker 1: this way. Yeah, that's what I means. You're speaking out

1989
01:54:08,720 --> 01:54:11,560
Speaker 1: of it just looking like they was coming out of

1990
01:54:11,560 --> 01:54:20,120
Speaker 1: the wall. Yeah, by the way that you responsored by

1991
01:54:20,160 --> 01:54:22,760
Speaker 1: smoke Champs. You know what I'm saying. And Big Big

1992
01:54:22,840 --> 01:54:25,760
Speaker 1: the up, you know what I'm saying. Also, big up

1993
01:54:25,760 --> 01:54:28,640
Speaker 1: to my Sorcy people to just provided me other day

1994
01:54:28,680 --> 01:54:31,519
Speaker 1: I was out, they helped me out. Yeah, I mean,

1995
01:54:31,640 --> 01:54:34,480
Speaker 1: but pick up the smoke camps me in California's god

1996
01:54:34,560 --> 01:54:37,800
Speaker 1: damn it. So um, you pretty much coming everything even

1997
01:54:37,800 --> 01:54:41,120
Speaker 1: if there anything you want. Um, I was like the

1998
01:54:41,200 --> 01:54:42,880
Speaker 1: night now you're waiting to take on the card years

1999
01:54:43,280 --> 01:54:48,080
Speaker 1: but yeah, take them out man, so I can. We're

2000
01:54:48,080 --> 01:54:51,440
Speaker 1: a little clearer because we usually takes shots and we

2001
01:54:51,600 --> 01:54:54,080
Speaker 1: usually and you know what, we maybe a hand out

2002
01:54:54,080 --> 01:54:56,320
Speaker 1: there the den drink. We had a couple of people

2003
01:54:57,840 --> 01:55:02,040
Speaker 1: nine you her first time Fat Joe was on. He

2004
01:55:02,080 --> 01:55:07,040
Speaker 1: didn't really drink. Joe Button Joe Joe and we're cool.

2005
01:55:07,120 --> 01:55:12,320
Speaker 1: Were cool. He didn't want us to smoking. He didn't

2006
01:55:12,320 --> 01:55:14,600
Speaker 1: want he didn't want to smoke because of the kids.

2007
01:55:15,040 --> 01:55:17,840
Speaker 1: So um, yeah, it's cool, like we we get. But

2008
01:55:17,960 --> 01:55:19,680
Speaker 1: I just want you to know our show was about,

2009
01:55:20,200 --> 01:55:22,640
Speaker 1: you know, giving people their flowers now, you know what

2010
01:55:22,680 --> 01:55:25,240
Speaker 1: I'm saying, giving the people their props now and all

2011
01:55:25,320 --> 01:55:29,400
Speaker 1: coaches just so like redundant when it comes to you know,

2012
01:55:29,560 --> 01:55:32,560
Speaker 1: after they passed away. Oh it was great. I want

2013
01:55:32,600 --> 01:55:35,080
Speaker 1: to tell you that to your face, man, you know what,

2014
01:55:35,520 --> 01:55:38,440
Speaker 1: you guys changed the world. The guys came from your

2015
01:55:38,480 --> 01:55:40,560
Speaker 1: city of your guys did what the hell you had

2016
01:55:40,600 --> 01:55:43,760
Speaker 1: to do, and your motherfucking made hip hop look great. Man.

2017
01:55:44,000 --> 01:55:45,760
Speaker 1: You know what I'm saying. You can continue to do that,

2018
01:55:45,880 --> 01:55:48,000
Speaker 1: and I I for wont respect you in this game.

2019
01:55:48,320 --> 01:55:50,400
Speaker 1: After you have ten years, people want to say, oh,

2020
01:55:50,520 --> 01:55:52,680
Speaker 1: you washed up and it's over for you. That we

2021
01:55:52,760 --> 01:55:54,880
Speaker 1: gotta change that. We gotta start saying that. You know,

2022
01:55:55,000 --> 01:55:58,040
Speaker 1: the more that we're the more that we're in the game,

2023
01:55:58,080 --> 01:56:01,960
Speaker 1: we gotta first off, stay relevant, and then two we

2024
01:56:02,080 --> 01:56:04,120
Speaker 1: gotta start giving the game to these younger people. You

2025
01:56:04,160 --> 01:56:05,600
Speaker 1: know what I'm saying, so they can start, So they

2026
01:56:05,640 --> 01:56:08,240
Speaker 1: can start, you know, so so the og to start

2027
01:56:08,280 --> 01:56:10,360
Speaker 1: being ot s again. You know what I'm saying. And

2028
01:56:10,440 --> 01:56:12,120
Speaker 1: I want to tell you to your face, I respect

2029
01:56:12,120 --> 01:56:14,120
Speaker 1: You're want to get your flowers while you're alive. You

2030
01:56:14,160 --> 01:56:16,320
Speaker 1: know what I'm saying. You're great. You You have done

2031
01:56:16,880 --> 01:56:19,560
Speaker 1: tremendous things in this coach that tremendous things in this game,

2032
01:56:19,600 --> 01:56:21,840
Speaker 1: and you can continue to do things in this coaches.

2033
01:56:21,880 --> 01:56:23,600
Speaker 1: You're saying Ship today that I didn't even know he

2034
01:56:23,760 --> 01:56:25,920
Speaker 1: was doing it or even a part of and I

2035
01:56:26,040 --> 01:56:27,960
Speaker 1: just want to tell you I'm proud of you and

2036
01:56:28,080 --> 01:56:30,080
Speaker 1: I want you to continue to do your motherfucker things.

2037
01:56:33,600 --> 01:56:40,480
Speaker 1: You can take the chicks at baby right. Thanks for

2038
01:56:40,560 --> 01:56:43,080
Speaker 1: joining us for another episode of Drink Champs, hosted by

2039
01:56:43,160 --> 01:56:45,640
Speaker 1: yours truly, d J e F and n O r E.

2040
01:56:46,120 --> 01:56:48,160
Speaker 1: Please make sure to follow us on all our socials.

2041
01:56:48,440 --> 01:56:52,200
Speaker 1: Let's add Drink Champs across all platforms at the Real Noriega,

2042
01:56:52,320 --> 01:56:55,880
Speaker 1: I g at Noriega on Twitter, mine is at Who's

2043
01:56:55,880 --> 01:56:59,280
Speaker 1: Crazy on I g at d j e FN on Twitter,

2044
01:56:59,640 --> 01:57:02,200
Speaker 1: and most supportingly, stay up to date with the latest releases,

2045
01:57:02,600 --> 01:57:05,800
Speaker 1: news and merch by going to drink Champs dot com

2046
01:57:14,200 --> 01:57:14,240
Speaker 1: m