1 00:00:00,080 --> 00:00:01,280 Speaker 1: First of all, you don't know me. 2 00:00:02,279 --> 00:00:05,640 Speaker 2: We all about that high school drama, Girl Drama, Girl, 3 00:00:05,720 --> 00:00:06,440 Speaker 2: all about them. 4 00:00:06,400 --> 00:00:09,520 Speaker 1: High school queens. We'll take you for a ride. And 5 00:00:09,600 --> 00:00:12,640 Speaker 1: our comic girl shared for the right teams. 6 00:00:12,480 --> 00:00:16,480 Speaker 3: Drama, Queens, Jay Up Girl Fashion, but you'll tough. 7 00:00:16,280 --> 00:00:18,880 Speaker 2: Girl, You could sit with us. Girl Drama, Queens Drama, 8 00:00:18,960 --> 00:00:22,360 Speaker 2: Queise Drama, Queens Drama, Drahna, Queens Drama. 9 00:00:22,120 --> 00:00:29,880 Speaker 1: Queens Friends Loves Willington Crewe. We are back with Jana Kramer. 10 00:00:31,080 --> 00:00:35,720 Speaker 1: We basically did the Thursday therapy wind down version in 11 00:00:35,840 --> 00:00:38,519 Speaker 1: our Q and A. You all sent in amazing questions 12 00:00:38,520 --> 00:00:41,120 Speaker 1: for her, and sorry, we just really talked about life 13 00:00:41,159 --> 00:00:43,880 Speaker 1: and I'm not sorry because I'm sure you're deeply inspired. 14 00:00:43,920 --> 00:00:48,360 Speaker 1: But today we are back to talk about the actual 15 00:00:48,440 --> 00:00:53,479 Speaker 1: episode and Jana is here for seven oh six. Let's 16 00:00:54,080 --> 00:00:57,440 Speaker 1: dig in, Janna, will you read this snow up. 17 00:00:57,880 --> 00:01:01,000 Speaker 3: So, Hailey considers taking matters into her own hands as 18 00:01:01,120 --> 00:01:06,160 Speaker 3: Nathan's scandal threatens his endorsement deals. Julian gives Alex another chance, 19 00:01:06,200 --> 00:01:10,120 Speaker 3: and Brooke reconnects with Chase. Millicent questions whether she has 20 00:01:10,160 --> 00:01:12,400 Speaker 3: what it takes to be a model, while clay Let's 21 00:01:12,480 --> 00:01:13,880 Speaker 3: Quinn in on a big secret. 22 00:01:14,240 --> 00:01:16,119 Speaker 2: Director Janis Cook, writer Mike Daniels. 23 00:01:16,480 --> 00:01:19,840 Speaker 1: We love it. In this episode is called Deep Ocean 24 00:01:19,959 --> 00:01:23,039 Speaker 1: Vast Sea, which tracks honestly because there is a lot 25 00:01:23,080 --> 00:01:25,119 Speaker 1: of each time happening here. 26 00:01:25,319 --> 00:01:28,440 Speaker 3: Yeah, it was really beautiful. It made me miss Wrightsville right. 27 00:01:28,959 --> 00:01:29,279 Speaker 2: Yes. 28 00:01:29,680 --> 00:01:32,640 Speaker 1: I was saying on one of our previous episodes, how 29 00:01:32,720 --> 00:01:37,600 Speaker 1: much fun I've been having watching the Brook Alex Millie dynamic. 30 00:01:37,720 --> 00:01:40,039 Speaker 1: And I'm like, I want this. I want a movie. 31 00:01:40,160 --> 00:01:42,800 Speaker 1: I want us to have a show like I want 32 00:01:42,880 --> 00:01:44,640 Speaker 1: this buddy comedy. Do it? 33 00:01:45,080 --> 00:01:48,080 Speaker 2: Don't you think? Uh, don't twist my arm? 34 00:01:48,440 --> 00:01:51,800 Speaker 1: Okay, great? Can you tell the fans before we jump 35 00:01:51,840 --> 00:01:56,600 Speaker 1: into the episode, how how did season seven come about 36 00:01:56,640 --> 00:02:00,600 Speaker 1: for you? Like, where did the casting call come from? 37 00:02:00,640 --> 00:02:03,680 Speaker 1: Give us a little bit of background on your audition process. 38 00:02:03,680 --> 00:02:05,360 Speaker 1: You told us a little bit in our Q and A, 39 00:02:05,720 --> 00:02:06,400 Speaker 1: but I want to know. 40 00:02:06,400 --> 00:02:07,240 Speaker 2: More, Okay. 41 00:02:07,280 --> 00:02:11,280 Speaker 3: So yeah, I auditioned for Chantelle's character Quinn, and then 42 00:02:11,600 --> 00:02:14,840 Speaker 3: when I was I got the callback for Quinn. And 43 00:02:14,919 --> 00:02:18,239 Speaker 3: when I was in the callback, the producers and creator said, hey, 44 00:02:18,280 --> 00:02:21,160 Speaker 3: I think you're more fit for this character named Alex. 45 00:02:21,320 --> 00:02:24,560 Speaker 3: She's just a guest star recurring role, which you know, 46 00:02:24,560 --> 00:02:25,959 Speaker 3: I was like, oh man, I really wanted to be 47 00:02:25,960 --> 00:02:28,560 Speaker 3: a series regular. I was pumped about that. But at 48 00:02:28,600 --> 00:02:30,480 Speaker 3: the same time, you know, they don't see me for 49 00:02:30,520 --> 00:02:33,799 Speaker 3: this character, so let's let's try. Let's just give it 50 00:02:33,840 --> 00:02:36,840 Speaker 3: a shot. Even though again I didn't feel super connected 51 00:02:36,880 --> 00:02:40,200 Speaker 3: to Alex at the time. I was like, I got 52 00:02:40,320 --> 00:02:42,040 Speaker 3: one shot, and I got to go back in there 53 00:02:42,040 --> 00:02:46,080 Speaker 3: and you know, do the audition, and so went in 54 00:02:46,120 --> 00:02:50,280 Speaker 3: there and you know those rooms I miss I missed 55 00:02:50,320 --> 00:02:53,360 Speaker 3: going in the room. I'm not great as an auditioner 56 00:02:53,680 --> 00:02:55,959 Speaker 3: over tape. I just I love to be able to 57 00:02:56,040 --> 00:02:58,400 Speaker 3: kind of like chat with the producers and like be 58 00:02:58,480 --> 00:03:01,959 Speaker 3: in the room and like, yeah, be able to change 59 00:03:01,960 --> 00:03:04,320 Speaker 3: things up. Like I remember the feedback you know that 60 00:03:04,360 --> 00:03:06,720 Speaker 3: I was getting from some of the producers. They were like, 61 00:03:06,720 --> 00:03:08,640 Speaker 3: all right, why don't you do it this way, which 62 00:03:08,720 --> 00:03:10,680 Speaker 3: again I wouldn't not never have had the chance to do. 63 00:03:10,800 --> 00:03:13,239 Speaker 3: Now when we do like these self tapes, that just 64 00:03:13,280 --> 00:03:17,080 Speaker 3: seems so to me. But I really just got to 65 00:03:17,080 --> 00:03:18,639 Speaker 3: like play in the room and I had fun and 66 00:03:19,240 --> 00:03:24,400 Speaker 3: through auditioning for her. It was the next day, I 67 00:03:24,520 --> 00:03:26,519 Speaker 3: think it was that I got the call from my 68 00:03:26,600 --> 00:03:31,200 Speaker 3: agent saying, Okay, you know you got you got the part, 69 00:03:31,360 --> 00:03:34,080 Speaker 3: and there's a potential that you'll become a series regular, 70 00:03:34,120 --> 00:03:36,960 Speaker 3: so just kind of you know, do your thing player cards, 71 00:03:37,040 --> 00:03:40,480 Speaker 3: right and and yeah, and you're off to Wilmington. And 72 00:03:40,520 --> 00:03:42,240 Speaker 3: it was just kind of like my head was spinning. 73 00:03:42,800 --> 00:03:44,120 Speaker 3: And then it was like, all right, I'm going to 74 00:03:44,160 --> 00:03:48,680 Speaker 3: start watching episodes, and you know, it was just I 75 00:03:48,720 --> 00:03:50,720 Speaker 3: was like, I just need to go balls to the 76 00:03:50,760 --> 00:03:51,600 Speaker 3: wall with this character. 77 00:03:52,120 --> 00:03:55,440 Speaker 1: Yeah, well, and my god, you did. I mean we 78 00:03:55,440 --> 00:03:59,160 Speaker 1: were all gagged at the first scene, like when Alex 79 00:03:59,280 --> 00:04:01,600 Speaker 1: arrives and it comes to the throng of people at 80 00:04:01,600 --> 00:04:03,400 Speaker 1: the airport and Millie comes to pick her up and 81 00:04:03,440 --> 00:04:05,920 Speaker 1: has done all of her research and you slam the 82 00:04:05,920 --> 00:04:07,560 Speaker 1: door of the limo and you're like, I could eat 83 00:04:07,560 --> 00:04:10,680 Speaker 1: the butt off of skunk right now. We like spit 84 00:04:10,760 --> 00:04:14,760 Speaker 1: takes all around. You just are the most fun person 85 00:04:14,800 --> 00:04:18,320 Speaker 1: to watch. And the way you were able to kind 86 00:04:18,360 --> 00:04:22,200 Speaker 1: of flip this idea that someone could perform in public 87 00:04:22,240 --> 00:04:26,120 Speaker 1: and then be like completely wild in private. It's it's 88 00:04:26,160 --> 00:04:30,440 Speaker 1: like the most enjoyable thing. But unlike you know, a 89 00:04:30,560 --> 00:04:34,680 Speaker 1: Dan Scott or even versions of like Rachel, it's it's 90 00:04:34,720 --> 00:04:37,680 Speaker 1: not a character like I'm not looking at Alex as 91 00:04:37,720 --> 00:04:40,599 Speaker 1: a villain. I love her and I love that she 92 00:04:40,720 --> 00:04:41,599 Speaker 1: drives me crazy. 93 00:04:41,760 --> 00:04:44,039 Speaker 3: Well that's what's so fun is like now looking back 94 00:04:44,200 --> 00:04:46,480 Speaker 3: when I was watching the episodes, is like the dynamic 95 00:04:46,520 --> 00:04:48,479 Speaker 3: between you and I, Like, I'm just like I really 96 00:04:48,560 --> 00:04:50,440 Speaker 3: wasn't meaning to hurt you. I was like, oh my god, no, Look, 97 00:04:50,440 --> 00:04:53,240 Speaker 3: we just have a working relationship like he's got. It's 98 00:04:53,279 --> 00:04:56,000 Speaker 3: like she just really doesn't think anything she does is wrong. 99 00:04:56,600 --> 00:04:58,440 Speaker 3: And that's what was like so funny about it too, 100 00:04:58,520 --> 00:05:01,400 Speaker 3: you know, because I'm like she just sees nothing that 101 00:05:01,440 --> 00:05:03,599 Speaker 3: she's doing is wrong, Like she's just like genuinely like, 102 00:05:03,600 --> 00:05:05,240 Speaker 3: oh no, he doesn't want me, like I got totally 103 00:05:05,240 --> 00:05:07,120 Speaker 3: strip naked and like he wants nothing to do with me, 104 00:05:07,200 --> 00:05:08,480 Speaker 3: like he loves you. 105 00:05:08,200 --> 00:05:10,880 Speaker 1: You know, like a guy has never done that before. 106 00:05:11,160 --> 00:05:14,120 Speaker 3: Like normally like they would. So I'm just like, Wow, 107 00:05:14,640 --> 00:05:16,680 Speaker 3: she's just really in her own world. 108 00:05:17,400 --> 00:05:21,719 Speaker 1: It's well, it's such a boldness. It's like, would I 109 00:05:21,800 --> 00:05:23,240 Speaker 1: want to behave in that manner? 110 00:05:23,680 --> 00:05:23,760 Speaker 2: No? 111 00:05:24,720 --> 00:05:29,440 Speaker 1: Do I respect the boldness of someone who can with 112 00:05:29,680 --> 00:05:34,480 Speaker 1: no shame? Like yeah, actually yeah, I'm wildly impressed by 113 00:05:34,480 --> 00:05:35,800 Speaker 1: that level of self confidence. 114 00:05:36,160 --> 00:05:38,200 Speaker 3: Yeah, And that's where I was like, I remember talking 115 00:05:38,240 --> 00:05:40,640 Speaker 3: to the creator. I was like, all right, can I 116 00:05:40,680 --> 00:05:42,839 Speaker 3: can I just give her like an I have. I 117 00:05:42,880 --> 00:05:44,880 Speaker 3: have to find the heart with her. And so that's 118 00:05:45,040 --> 00:05:48,160 Speaker 3: you know, later episodes when I that's when I really 119 00:05:48,200 --> 00:05:49,839 Speaker 3: connected with her. I was like, you know when she 120 00:05:49,960 --> 00:05:51,800 Speaker 3: was said that one seeing like I hate myself when 121 00:05:51,839 --> 00:05:53,320 Speaker 3: I'm alone, And I always go back to that because 122 00:05:53,320 --> 00:05:55,960 Speaker 3: that was the moment where her and I like connected 123 00:05:56,240 --> 00:05:59,000 Speaker 3: and I like really became a thread through her because 124 00:05:59,000 --> 00:06:01,240 Speaker 3: that's how I've always felt. So it was like a 125 00:06:01,400 --> 00:06:02,960 Speaker 3: very and then I was like, Okay, now I can 126 00:06:03,000 --> 00:06:05,360 Speaker 3: embody a little bit more of my personality into her, 127 00:06:05,520 --> 00:06:08,440 Speaker 3: and while still like having her be the core. 128 00:06:09,200 --> 00:06:11,840 Speaker 1: I love that. That was very much the journey I 129 00:06:11,839 --> 00:06:14,920 Speaker 1: had with Brooke, like I couldn't relate to her at all, 130 00:06:15,480 --> 00:06:19,559 Speaker 1: and then there were things that I really was able 131 00:06:19,600 --> 00:06:23,880 Speaker 1: to see how her particularities in mind could merge. It 132 00:06:24,000 --> 00:06:27,880 Speaker 1: was in season four when we did that scene that 133 00:06:27,920 --> 00:06:30,480 Speaker 1: people always put up, like at the conventions, with the 134 00:06:30,520 --> 00:06:33,680 Speaker 1: projection of like not enough, not pretty enough, not smart enough, 135 00:06:33,760 --> 00:06:37,440 Speaker 1: Like that phrase for Alex was true for you, and 136 00:06:37,480 --> 00:06:40,400 Speaker 1: that feeling of not enoughness had always been so true 137 00:06:40,440 --> 00:06:43,279 Speaker 1: for me, Like why does nothing ever seem to matter. 138 00:06:43,360 --> 00:06:46,400 Speaker 1: You're just gonna say this or do this or run 139 00:06:46,440 --> 00:06:49,920 Speaker 1: with that or like what about the person in here? 140 00:06:50,680 --> 00:06:53,520 Speaker 1: And I like that we got to sort of parallel 141 00:06:53,560 --> 00:06:55,880 Speaker 1: half these women in that way. That's very cool to me. 142 00:06:56,279 --> 00:06:56,520 Speaker 2: Same. 143 00:06:57,080 --> 00:06:59,520 Speaker 1: Do you remember your first day on set or is 144 00:06:59,560 --> 00:07:00,200 Speaker 1: it a black. 145 00:07:00,960 --> 00:07:06,280 Speaker 3: I do remember it. It was it wasn't with you. 146 00:07:06,360 --> 00:07:11,720 Speaker 3: I remember the first day was the the movie time 147 00:07:11,800 --> 00:07:14,600 Speaker 3: period piece where they put her up in the whole 148 00:07:14,640 --> 00:07:17,160 Speaker 3: thing like that was that was my first day. And 149 00:07:17,200 --> 00:07:19,800 Speaker 3: that was so fun because I've always wanted to be 150 00:07:19,840 --> 00:07:20,679 Speaker 3: in a period piece. 151 00:07:21,120 --> 00:07:22,600 Speaker 1: Me too, and I've never gotten to do it. 152 00:07:22,680 --> 00:07:24,960 Speaker 3: Same it's my dream, like I want to be Pride 153 00:07:24,960 --> 00:07:27,040 Speaker 3: and Prejudice mister Darcy, like the whole thing. 154 00:07:27,160 --> 00:07:29,320 Speaker 2: Like it's just it's my dream. 155 00:07:29,480 --> 00:07:31,720 Speaker 3: And so that was like, oh, like I kind of 156 00:07:31,760 --> 00:07:33,320 Speaker 3: got to do it for like two seconds on One 157 00:07:33,320 --> 00:07:35,680 Speaker 3: Tree Hill. So that was my first day. And then 158 00:07:35,720 --> 00:07:39,160 Speaker 3: I remember the second day was the airport stuff. And 159 00:07:39,200 --> 00:07:43,120 Speaker 3: then again like I think it was hard coming into 160 00:07:43,400 --> 00:07:45,800 Speaker 3: a show where it had been filmed so many seasons. 161 00:07:45,880 --> 00:07:49,800 Speaker 3: I feel like you know you, like obviously I was 162 00:07:50,440 --> 00:07:52,440 Speaker 3: most nervous to do my scenes because they were all 163 00:07:52,480 --> 00:07:54,400 Speaker 3: with you and like, you know, being who you were, 164 00:07:54,440 --> 00:07:58,480 Speaker 3: and it's just but you were of the cast, just 165 00:07:58,920 --> 00:08:01,760 Speaker 3: very lovely and whilelcoming and that does not you know, 166 00:08:01,840 --> 00:08:05,280 Speaker 3: that does not go overlooked, especially going on to shows 167 00:08:05,320 --> 00:08:08,480 Speaker 3: after that realizing you know, not many do that, So 168 00:08:09,280 --> 00:08:10,200 Speaker 3: that was appreciated. 169 00:08:10,760 --> 00:08:13,280 Speaker 1: You sweet Angel. I mean, I just adored you immediately, 170 00:08:13,920 --> 00:08:18,200 Speaker 1: like and I love I love that. I think we 171 00:08:18,240 --> 00:08:20,880 Speaker 1: talked about this in the last episode, like when you 172 00:08:20,960 --> 00:08:24,680 Speaker 1: really click with people, your friendship becomes timeless. And I've 173 00:08:24,680 --> 00:08:28,880 Speaker 1: always really thought that about you, And like, I don't know, 174 00:08:28,920 --> 00:08:31,880 Speaker 1: the journey that we got to go on as characters 175 00:08:32,000 --> 00:08:35,480 Speaker 1: was so fun, but it paled in comparison to like 176 00:08:35,960 --> 00:08:39,200 Speaker 1: our days driving on the beach in your drop top jeep. 177 00:08:39,480 --> 00:08:41,640 Speaker 2: We drove to Raleigh to go get the jeep you 178 00:08:41,720 --> 00:08:43,559 Speaker 2: mean Austin and like, do. 179 00:08:43,559 --> 00:08:46,280 Speaker 1: You remember when the new sound system got installed under 180 00:08:46,360 --> 00:08:48,600 Speaker 1: the in the bar that we lived over, and like, 181 00:08:48,640 --> 00:08:50,840 Speaker 1: oh my god, one night it was like two am 182 00:08:50,960 --> 00:08:53,640 Speaker 1: you guys for everyone at home. Jana and I lived 183 00:08:53,640 --> 00:08:57,000 Speaker 1: in this apartment together over a bar, and they've put 184 00:08:57,520 --> 00:09:01,199 Speaker 1: yes and they put new speakers in and literally one 185 00:09:01,320 --> 00:09:03,400 Speaker 1: night it was like I woke up thinking it was 186 00:09:03,440 --> 00:09:06,560 Speaker 1: an earthquake because I grew up in California, Like frames 187 00:09:06,600 --> 00:09:10,280 Speaker 1: were vibrating off the walls, like it was so crazy, 188 00:09:10,320 --> 00:09:13,040 Speaker 1: and we were just like, this is probably not like 189 00:09:13,120 --> 00:09:16,080 Speaker 1: what people think of like quote unquote TV stars, but 190 00:09:16,160 --> 00:09:18,280 Speaker 1: we had this insanely cheap apartment. 191 00:09:17,840 --> 00:09:18,640 Speaker 2: And we loved it. 192 00:09:19,080 --> 00:09:20,880 Speaker 1: Yeah, and then everything went. 193 00:09:20,760 --> 00:09:25,600 Speaker 3: To yeah that was wild, but also you know, it 194 00:09:25,720 --> 00:09:29,040 Speaker 3: was just it was I actually wrote about this in 195 00:09:29,080 --> 00:09:32,200 Speaker 3: my book too, because being on that show, I mean, 196 00:09:32,240 --> 00:09:34,040 Speaker 3: I never I didn't come from money. I came from 197 00:09:34,040 --> 00:09:36,319 Speaker 3: a single mom, and you know, always negative in the 198 00:09:36,320 --> 00:09:38,960 Speaker 3: bank account. And anytime I'd like, you know, i'd be 199 00:09:39,040 --> 00:09:41,520 Speaker 3: waitressing in Los Angeles and then I would book something 200 00:09:41,559 --> 00:09:43,200 Speaker 3: have to obviously quit my job, but it was like 201 00:09:43,240 --> 00:09:44,719 Speaker 3: then right then I'd go back to negative in the 202 00:09:44,760 --> 00:09:46,440 Speaker 3: account again. And so when I got One Tree Hill, 203 00:09:46,840 --> 00:09:49,040 Speaker 3: I talked about this in the next chapter where it 204 00:09:49,080 --> 00:09:52,000 Speaker 3: was like it was my We went shopping to that 205 00:09:52,040 --> 00:09:54,320 Speaker 3: really cute store we'd always go to. I can't remember 206 00:09:54,360 --> 00:09:55,960 Speaker 3: this Oliver was it Oliver? 207 00:09:56,280 --> 00:09:56,600 Speaker 2: Okay? 208 00:09:57,000 --> 00:09:59,920 Speaker 3: And you I saw this it was like this ring. 209 00:10:00,120 --> 00:10:02,240 Speaker 3: It was like this bird with like a cage over it, 210 00:10:02,280 --> 00:10:04,319 Speaker 3: and you're like you should get it, like it's so great, 211 00:10:04,840 --> 00:10:07,800 Speaker 3: and I just started getting you know, decent checks, you 212 00:10:07,800 --> 00:10:10,080 Speaker 3: know that I've never seen in my lifetime. And so 213 00:10:10,920 --> 00:10:13,560 Speaker 3: I was just like, oh, with Sophia, it's three hundred dollars, 214 00:10:13,559 --> 00:10:15,640 Speaker 3: and she's like, girl, you're a serious regular. 215 00:10:15,360 --> 00:10:16,959 Speaker 2: Now, like you know, we need to get it. 216 00:10:17,640 --> 00:10:20,960 Speaker 3: And I was just like okay, But I remember just 217 00:10:20,960 --> 00:10:23,880 Speaker 3: being so sick about three hundred dollars bring that I 218 00:10:23,880 --> 00:10:27,000 Speaker 3: got myself, But like you definitely opened me up to like, oh, 219 00:10:27,040 --> 00:10:29,080 Speaker 3: you know, the you were you know, you kind of 220 00:10:29,400 --> 00:10:32,360 Speaker 3: help me babystep into two things in like that world, 221 00:10:32,400 --> 00:10:34,120 Speaker 3: and it was just you know, but also you were 222 00:10:34,120 --> 00:10:37,160 Speaker 3: so generous too with everything. And you know, my favorite 223 00:10:37,160 --> 00:10:39,360 Speaker 3: part was because I still was I'm always a poor 224 00:10:39,400 --> 00:10:42,079 Speaker 3: girl at heart, Like even today, I'm just like I 225 00:10:42,480 --> 00:10:44,400 Speaker 3: never know what it's going to not have any So 226 00:10:44,960 --> 00:10:47,400 Speaker 3: but we would be in your in your room and 227 00:10:47,440 --> 00:10:49,280 Speaker 3: I'd be like, what don't you want to wear again? 228 00:10:49,320 --> 00:10:50,320 Speaker 3: So I can take it. 229 00:10:50,840 --> 00:10:54,200 Speaker 2: If you would just give me. You're like, you're you're scraps. 230 00:11:06,720 --> 00:11:08,560 Speaker 1: I remember that day when you were looking at that 231 00:11:08,640 --> 00:11:12,280 Speaker 1: and thinking like, I don't know, I'm a very sentimental, 232 00:11:12,440 --> 00:11:17,400 Speaker 1: ceremonial person and if there's something to celebrate like, you know, 233 00:11:17,520 --> 00:11:19,760 Speaker 1: don't be insane obviously and put yourself at risk. But 234 00:11:19,800 --> 00:11:22,480 Speaker 1: I think you deserve to celebrate it. And I just 235 00:11:22,520 --> 00:11:25,720 Speaker 1: remember being like, babe, like you are a fucking serious 236 00:11:25,760 --> 00:11:28,680 Speaker 1: regular now, like get yourself something that you will. It 237 00:11:28,679 --> 00:11:30,880 Speaker 1: doesn't matter if in ten years you don't want to 238 00:11:30,880 --> 00:11:33,280 Speaker 1: wear it anymore, Like you'll keep it forever and you'll 239 00:11:33,280 --> 00:11:36,160 Speaker 1: remember that. And I think there's an energy in it, 240 00:11:36,679 --> 00:11:38,920 Speaker 1: like when people ask me why I have a hard 241 00:11:38,920 --> 00:11:42,160 Speaker 1: time getting rid of mementos and things, because for me, 242 00:11:42,280 --> 00:11:44,360 Speaker 1: it's like I want to hold onto that good energy. 243 00:11:44,400 --> 00:11:48,360 Speaker 1: I want to hold onto that good memory. And I 244 00:11:48,360 --> 00:11:51,040 Speaker 1: don't know, I yeah, I do remember that day, and 245 00:11:51,080 --> 00:11:53,840 Speaker 1: I remember just being so excited for you because it's 246 00:11:53,880 --> 00:11:56,760 Speaker 1: like you deserve to be proud of yourself. 247 00:11:58,840 --> 00:12:01,880 Speaker 3: That's a therapy thing we all always talk about, right right. 248 00:12:02,080 --> 00:12:04,760 Speaker 1: That's I know my therapist will always be like the 249 00:12:04,800 --> 00:12:07,720 Speaker 1: word no one deserves, deserve is not and I'm like, listen, 250 00:12:07,800 --> 00:12:10,040 Speaker 1: I've reframed deserve and I like it. We deserve this, 251 00:12:10,800 --> 00:12:13,560 Speaker 1: Like I remember talking to the girls about that when 252 00:12:13,600 --> 00:12:15,800 Speaker 1: we started this podcast. It was like, we deserve to 253 00:12:15,800 --> 00:12:18,880 Speaker 1: figure out why we made a magic thing, like and 254 00:12:18,960 --> 00:12:21,520 Speaker 1: we deserve to own it. We made it like our 255 00:12:21,559 --> 00:12:23,920 Speaker 1: boss was obviously part of it, but like he doesn't 256 00:12:23,920 --> 00:12:26,280 Speaker 1: own this. We own this. We made this goddamn it. 257 00:12:26,320 --> 00:12:28,240 Speaker 3: Well, and again you get to change the script. 258 00:12:28,360 --> 00:12:29,600 Speaker 2: So yeah, it feels good. 259 00:12:29,960 --> 00:12:32,600 Speaker 1: Yeah, Well, and what a cool reference for the episode 260 00:12:32,640 --> 00:12:35,400 Speaker 1: because that's essentially what Nathan and Haley are trying to 261 00:12:35,400 --> 00:12:38,280 Speaker 1: do this whole time. And it's not lost on me 262 00:12:38,360 --> 00:12:43,720 Speaker 1: that everyone's figuring out, you know, what stories to share 263 00:12:43,920 --> 00:12:46,679 Speaker 1: and who they're going to be and if they can 264 00:12:46,760 --> 00:12:52,040 Speaker 1: really pass a test, like Alex finding more of herself 265 00:12:52,360 --> 00:12:55,080 Speaker 1: and being respected for her ideas and her intellect with 266 00:12:55,200 --> 00:12:59,400 Speaker 1: Julian Nathan having to look at Haley and say, if 267 00:12:59,440 --> 00:13:01,920 Speaker 1: you know me, if you actually have faith in me, 268 00:13:02,040 --> 00:13:03,640 Speaker 1: if you know the man I am. You know, I 269 00:13:03,679 --> 00:13:04,280 Speaker 1: didn't do this. 270 00:13:04,840 --> 00:13:08,600 Speaker 3: That chilled me by the way, given like that right, 271 00:13:08,679 --> 00:13:10,600 Speaker 3: And when I read that script, it didn't it meant 272 00:13:10,679 --> 00:13:13,160 Speaker 3: nothing to me, it did. I didn't feel anything, but like, 273 00:13:13,679 --> 00:13:16,079 Speaker 3: given everything that I've gone through with trust stuff, I'm 274 00:13:16,120 --> 00:13:18,400 Speaker 3: like that scene was so powerful to me now that 275 00:13:18,480 --> 00:13:21,520 Speaker 3: I was just like I was in it because I'm like, yeah, 276 00:13:21,559 --> 00:13:23,120 Speaker 3: if this is like if Alan said that to me, 277 00:13:23,160 --> 00:13:26,080 Speaker 3: I'd be like, no, I trust you wholeheartedly. I couldn't 278 00:13:26,080 --> 00:13:29,240 Speaker 3: have trusted maybe someone in my past, but like, yeah, 279 00:13:29,280 --> 00:13:31,200 Speaker 3: for him to say that, it's like and what a 280 00:13:31,240 --> 00:13:33,920 Speaker 3: disappointment also for him that he has to It's like 281 00:13:33,960 --> 00:13:37,320 Speaker 3: I felt I felt for Joy's character because you know, 282 00:13:37,320 --> 00:13:41,000 Speaker 3: obviously it's like, well, you know this is this is happening, 283 00:13:41,040 --> 00:13:42,839 Speaker 3: and like this girl is saying that you know this 284 00:13:42,920 --> 00:13:45,560 Speaker 3: was her son and you know his son whatever, so 285 00:13:45,640 --> 00:13:48,320 Speaker 3: like that is that's a slap in the face, and 286 00:13:48,360 --> 00:13:51,640 Speaker 3: it's hard not to trust the woman right or what 287 00:13:51,720 --> 00:13:54,280 Speaker 3: she's saying. But also like for Nathan, I'm like I 288 00:13:54,320 --> 00:13:56,680 Speaker 3: really felt for him too, because it's like what a 289 00:13:56,720 --> 00:13:58,640 Speaker 3: slap in the face to not be trusted by your wife, 290 00:13:58,640 --> 00:13:59,560 Speaker 3: Like who do you think I am? 291 00:13:59,679 --> 00:13:59,960 Speaker 2: And who? 292 00:14:00,320 --> 00:14:02,400 Speaker 3: Like, I'm not my father, I'm not gonna like I 293 00:14:02,400 --> 00:14:04,160 Speaker 3: wouldn't have abandoned a child, So not only do you 294 00:14:04,200 --> 00:14:05,840 Speaker 3: think I've abandoned you, but I've abandoned a child. 295 00:14:05,880 --> 00:14:10,400 Speaker 2: And I was like, oh, oh, it's heavy. Yeah, like 296 00:14:10,840 --> 00:14:11,520 Speaker 2: what it was? 297 00:14:11,679 --> 00:14:14,040 Speaker 1: I thought that was that certainly I think is my 298 00:14:14,200 --> 00:14:16,800 Speaker 1: honorable mention for the whole episode. It was such a 299 00:14:16,840 --> 00:14:20,440 Speaker 1: powerful scene and I gotta be honest, like I wrote down, wait, 300 00:14:20,480 --> 00:14:21,040 Speaker 1: where is it? 301 00:14:21,120 --> 00:14:22,040 Speaker 2: Wait before you say that? 302 00:14:22,040 --> 00:14:23,920 Speaker 3: Though, I just have to say the only thing because now, 303 00:14:23,960 --> 00:14:25,920 Speaker 3: like in therapy, because I've been through this, I just 304 00:14:26,000 --> 00:14:29,280 Speaker 3: wish Nathan would have said, like something to the effect of, like, 305 00:14:30,600 --> 00:14:32,920 Speaker 3: but and I am sorry that this is affecting you 306 00:14:32,960 --> 00:14:34,600 Speaker 3: and this is hurting you, and that this has come 307 00:14:34,680 --> 00:14:36,800 Speaker 3: up and what's brought up for you? Like he never 308 00:14:36,880 --> 00:14:40,600 Speaker 3: actually he never had empathy in my eyes for her, 309 00:14:40,880 --> 00:14:42,560 Speaker 3: and I only I'm saying, this is a forty year 310 00:14:42,560 --> 00:14:44,800 Speaker 3: old who's gone through that, but like, but there should 311 00:14:44,800 --> 00:14:47,720 Speaker 3: be empathy that this is even something that has come up, 312 00:14:47,760 --> 00:14:49,840 Speaker 3: Like I didn't really see any like remorse on that 313 00:14:49,880 --> 00:14:50,840 Speaker 3: side for her feelings. 314 00:14:51,200 --> 00:14:53,320 Speaker 1: Well what drove me crazy? And I wrote down, I go, 315 00:14:53,440 --> 00:14:56,520 Speaker 1: how dare he walks away? In all caps in my 316 00:14:56,600 --> 00:14:59,080 Speaker 1: notes when she says her number is all over your 317 00:14:59,080 --> 00:15:03,080 Speaker 1: cel phone bill, I was like, excuse me, you're gonna 318 00:15:03,120 --> 00:15:07,000 Speaker 1: walk away. You're caught. But what I thought was interesting 319 00:15:07,440 --> 00:15:09,800 Speaker 1: because I was like, this feels really gas lighting. He's 320 00:15:09,800 --> 00:15:12,160 Speaker 1: saying he only lied about his wife trusting him, Like, no, 321 00:15:12,280 --> 00:15:15,640 Speaker 1: he's lied about something. And what would have been I 322 00:15:16,000 --> 00:15:19,720 Speaker 1: did catter, Well, what would have been so much better 323 00:15:19,800 --> 00:15:21,880 Speaker 1: would have been like, did you really look at it? 324 00:15:21,960 --> 00:15:24,040 Speaker 1: Imagine if he'd walked into the office and been like, 325 00:15:24,120 --> 00:15:26,680 Speaker 1: these are all incoming calls, Haley, and then you could 326 00:15:26,720 --> 00:15:30,440 Speaker 1: have been like, oh, now I get it. Instead he 327 00:15:30,600 --> 00:15:32,440 Speaker 1: was like, I can't believe you don't trust me, and 328 00:15:32,480 --> 00:15:33,840 Speaker 1: it's like, well. 329 00:15:33,720 --> 00:15:36,600 Speaker 2: Clearly, this is why. Will show me that I can. 330 00:15:37,560 --> 00:15:39,880 Speaker 1: Right to your point, I thought they really redeemed it, 331 00:15:39,920 --> 00:15:44,120 Speaker 1: and I did love that it spoke to this larger thing, 332 00:15:44,280 --> 00:15:48,440 Speaker 1: right of like, well you will believe what is often reported. 333 00:15:48,640 --> 00:15:50,480 Speaker 1: You start to believe what's in the world around you. 334 00:15:50,480 --> 00:15:53,520 Speaker 1: We see it now with social media and these algorithms, 335 00:15:53,600 --> 00:15:56,680 Speaker 1: and like you know, he's like, this is being said 336 00:15:56,680 --> 00:15:58,280 Speaker 1: about me and it isn't true. And I thought you 337 00:15:58,320 --> 00:16:02,280 Speaker 1: would know, but I hate did I noted here. I 338 00:16:02,320 --> 00:16:05,560 Speaker 1: was like, Okay, it comes back around, and I really 339 00:16:05,640 --> 00:16:08,520 Speaker 1: like where they end up. But it's so clear to 340 00:16:08,560 --> 00:16:12,880 Speaker 1: me that like a dishonest man had his hand on 341 00:16:12,920 --> 00:16:17,600 Speaker 1: that scene, because I actually think a guy like Nathan 342 00:16:17,640 --> 00:16:19,480 Speaker 1: would have been like, come look at it with me 343 00:16:19,640 --> 00:16:22,280 Speaker 1: and realize these are incoming calls. Do you know how 344 00:16:22,320 --> 00:16:24,560 Speaker 1: many people call me? Do you know how often this 345 00:16:24,680 --> 00:16:27,280 Speaker 1: happens to me? And you could go, oh, there's more 346 00:16:27,320 --> 00:16:28,320 Speaker 1: to the story. 347 00:16:28,000 --> 00:16:30,440 Speaker 3: Okay, right, Like and he did say, like I'm a 348 00:16:30,480 --> 00:16:33,560 Speaker 3: professional athlete, people get my number. But that's still a 349 00:16:33,720 --> 00:16:37,120 Speaker 3: very gaslighting comment as opposed to like leaning in to 350 00:16:37,120 --> 00:16:37,680 Speaker 3: have the comment. 351 00:16:38,240 --> 00:16:41,360 Speaker 1: So yeah, yeah, well, and I think it speaks to 352 00:16:41,400 --> 00:16:43,560 Speaker 1: that larger issue, right of what we were talking about 353 00:16:43,600 --> 00:16:47,280 Speaker 1: in the other episode, like when the pileon happens, sometimes 354 00:16:47,320 --> 00:16:52,080 Speaker 1: you just snap, and like Haley hit this woman. She snapped. 355 00:16:52,240 --> 00:16:54,760 Speaker 1: She's clearly having a hard time. She's putting on a 356 00:16:54,800 --> 00:16:58,160 Speaker 1: brave face, but how is this not supposed to rattle her? 357 00:16:58,840 --> 00:17:02,160 Speaker 1: And I wish that the front half of the scene 358 00:17:02,320 --> 00:17:05,040 Speaker 1: had felt more like the second half when he was 359 00:17:05,160 --> 00:17:08,159 Speaker 1: really clear about if you don't trust me, this is 360 00:17:08,160 --> 00:17:10,880 Speaker 1: a bigger issue. I was like, ooh, we now we're 361 00:17:10,880 --> 00:17:12,439 Speaker 1: getting into the good stuff and this is what I 362 00:17:12,480 --> 00:17:13,080 Speaker 1: want more. 363 00:17:13,000 --> 00:17:14,560 Speaker 3: And I love you and I'm sorry that this has 364 00:17:14,560 --> 00:17:16,960 Speaker 3: come up for you. This is like making a hearsay. 365 00:17:17,040 --> 00:17:18,080 Speaker 3: That's all I want is lean in. 366 00:17:18,200 --> 00:17:20,679 Speaker 1: Just I just want people to lean in understand that 367 00:17:20,760 --> 00:17:25,320 Speaker 1: for her, this is really really difficult. Right, And then 368 00:17:25,440 --> 00:17:29,320 Speaker 1: you have the flip side of this amazing comedy with 369 00:17:29,520 --> 00:17:33,640 Speaker 1: you when Milly wakes up in your bed and you're 370 00:17:33,680 --> 00:17:36,480 Speaker 1: working and you've texted Melvin Love. 371 00:17:37,280 --> 00:17:38,520 Speaker 3: That was one of my those one of my favorite 372 00:17:38,560 --> 00:17:41,159 Speaker 3: scenes because I'm like, eh, Melvin, like, I just like 373 00:17:41,600 --> 00:17:42,960 Speaker 3: rock out with your rack. 374 00:17:44,200 --> 00:17:48,239 Speaker 1: And the way Lisa almost says it and gasps. You 375 00:17:48,320 --> 00:17:52,120 Speaker 1: two are so funny together. You're both such amazing comedians. 376 00:17:53,359 --> 00:17:55,760 Speaker 1: I like I said, I just want I want more 377 00:17:55,760 --> 00:17:57,640 Speaker 1: and more and more and more and more of it. 378 00:17:58,359 --> 00:18:01,320 Speaker 3: Listen, girl, you have way more pull than I ever 379 00:18:01,400 --> 00:18:04,800 Speaker 3: have pulled. So anytime you want to brooke an Alex show, and. 380 00:18:04,960 --> 00:18:08,199 Speaker 1: Honestly, I'm a stove down. It's actually been so interesting 381 00:18:08,240 --> 00:18:11,919 Speaker 1: because this is the first year of my life that 382 00:18:11,960 --> 00:18:16,320 Speaker 1: I haven't been contracted to a show, and so like 383 00:18:16,760 --> 00:18:18,720 Speaker 1: I've been able to travel a little more, I've been 384 00:18:18,760 --> 00:18:21,800 Speaker 1: able to do more of this, like more podcasting and 385 00:18:23,200 --> 00:18:25,439 Speaker 1: this sort of work. I've you know, I went and 386 00:18:25,480 --> 00:18:26,959 Speaker 1: I made a movie I love. I'm about to make 387 00:18:26,960 --> 00:18:30,720 Speaker 1: another movie. But when you were talking before about missing 388 00:18:30,760 --> 00:18:33,440 Speaker 1: that on set camaraderie, I'm like, yeah, I miss that. 389 00:18:34,240 --> 00:18:36,760 Speaker 1: Like I talked to my girlfriend Sky that I did 390 00:18:36,800 --> 00:18:38,680 Speaker 1: Good Sam with about the same thing. 391 00:18:39,480 --> 00:18:41,159 Speaker 3: Which by the way, was a great show and it 392 00:18:41,440 --> 00:18:43,240 Speaker 3: deserves really more airtime. 393 00:18:43,440 --> 00:18:46,199 Speaker 1: Well, it was given a terrible time slot and everything 394 00:18:46,240 --> 00:18:48,840 Speaker 1: about when it was put on was terrible. But I 395 00:18:48,880 --> 00:18:50,719 Speaker 1: got my friendship with her out of the deal and 396 00:18:50,760 --> 00:18:52,399 Speaker 1: she met her now husband out of it. Like we 397 00:18:52,760 --> 00:18:56,760 Speaker 1: just had the most wonderful set. But like because we 398 00:18:56,840 --> 00:19:00,119 Speaker 1: had signed onto that show in early twenty twenty, and 399 00:19:00,119 --> 00:19:02,240 Speaker 1: then it was a three year process to even get 400 00:19:02,240 --> 00:19:04,840 Speaker 1: through the first season with the pandemic, Like it was 401 00:19:04,880 --> 00:19:09,879 Speaker 1: this long journey. And yeah, I don't know. I this 402 00:19:10,000 --> 00:19:12,000 Speaker 1: is my first year not on a TV set and 403 00:19:12,040 --> 00:19:15,080 Speaker 1: I miss it too. So I'm ready for the Brook 404 00:19:15,280 --> 00:19:17,520 Speaker 1: and Alex and Millie show again. 405 00:19:17,760 --> 00:19:21,520 Speaker 3: I am here. Let's do it. We can we know 406 00:19:21,560 --> 00:19:22,320 Speaker 3: the right peeps. 407 00:19:22,600 --> 00:19:28,120 Speaker 1: Okay, great? Can I ask if you noticed something about 408 00:19:28,160 --> 00:19:31,640 Speaker 1: this episode which I am unwell. 409 00:19:31,240 --> 00:19:32,840 Speaker 2: About which piece? 410 00:19:33,560 --> 00:19:38,880 Speaker 1: Okay, the contrasts of and like the wonder of watching 411 00:19:38,920 --> 00:19:42,480 Speaker 1: the Clay and Quinn relationship start. And Hillary pointed out 412 00:19:42,480 --> 00:19:46,120 Speaker 1: the smartest thing when we were bringing Rob in that 413 00:19:46,200 --> 00:19:50,320 Speaker 1: like Clay, Rob and Hillary are the same, and like 414 00:19:50,440 --> 00:19:54,600 Speaker 1: Clay was essentially brought in to be peyton ish and 415 00:19:54,600 --> 00:19:59,280 Speaker 1: and you get Quinn coming in, she's the like broody, 416 00:19:59,359 --> 00:20:04,280 Speaker 1: beautiful art like Lucas and so much of their energy 417 00:20:04,359 --> 00:20:07,680 Speaker 1: is so great. And then suddenly in this episode, Chantella 418 00:20:07,800 --> 00:20:10,359 Speaker 1: is like out on the beach with her camera. She 419 00:20:10,359 --> 00:20:13,120 Speaker 1: looks like a hot mermaid. Her hair is kind of rich. 420 00:20:13,240 --> 00:20:16,359 Speaker 1: She's like in full aerial mode in her bathing suit, 421 00:20:16,440 --> 00:20:21,520 Speaker 1: like appropriate for the beach. Right, and Clay is walking 422 00:20:21,560 --> 00:20:26,480 Speaker 1: the beach in a suit, sand's jacket and swayed loafers 423 00:20:27,000 --> 00:20:30,240 Speaker 1: and they have multiple scenes together and she's in a 424 00:20:30,320 --> 00:20:34,000 Speaker 1: bathing suit and he keeps his loafers on in the 425 00:20:34,119 --> 00:20:37,000 Speaker 1: sand even when they're sitting down. 426 00:20:37,400 --> 00:20:40,520 Speaker 3: I did not notice that that's an eye, that that's 427 00:20:40,520 --> 00:20:41,200 Speaker 3: a good director. 428 00:20:41,240 --> 00:20:43,240 Speaker 2: I right there did not notice that. 429 00:20:43,520 --> 00:20:46,199 Speaker 1: I'm not okay. I was like, why why is he 430 00:20:46,240 --> 00:20:48,800 Speaker 1: wearing this outfit? Why is he wearing his shoes? Why 431 00:20:48,800 --> 00:20:50,240 Speaker 1: does he never take his shoes off? 432 00:20:50,560 --> 00:20:53,520 Speaker 3: I feel like that's something that I now, Like when 433 00:20:53,560 --> 00:20:55,679 Speaker 3: I was shooting the last movie with Austin, I'm like, 434 00:20:56,000 --> 00:20:57,879 Speaker 3: I would never wear this to therapy. I'm not wearing 435 00:20:57,880 --> 00:20:59,560 Speaker 3: this short little sun dress at therap Like we have 436 00:20:59,600 --> 00:21:01,560 Speaker 3: to change the wardrobe for this. So there's many times 437 00:21:01,600 --> 00:21:03,840 Speaker 3: now that like I've taken because it's like but like 438 00:21:04,040 --> 00:21:05,680 Speaker 3: back in the day, I would have never I would 439 00:21:05,680 --> 00:21:06,400 Speaker 3: have never thought that. 440 00:21:07,359 --> 00:21:11,159 Speaker 1: Like y'all I was. I was just like, what is 441 00:21:11,280 --> 00:21:15,320 Speaker 1: going on? And they're having their chemistry's building and they're 442 00:21:15,359 --> 00:21:18,320 Speaker 1: having these sweet conversations and he's just got his suede 443 00:21:18,400 --> 00:21:18,840 Speaker 1: loafers on. 444 00:21:18,960 --> 00:21:25,600 Speaker 2: In the end, I'm not like, I'm not good, that's amazing. 445 00:21:25,920 --> 00:21:30,639 Speaker 1: But I really enjoy I really enjoy their dynamic. And 446 00:21:30,760 --> 00:21:34,240 Speaker 1: I liked finally getting to see because we've seen in 447 00:21:34,280 --> 00:21:37,399 Speaker 1: the episodes building up to this, you see the reveal 448 00:21:37,480 --> 00:21:40,000 Speaker 1: that they're not actually sleeping together, that they're just leaning 449 00:21:40,080 --> 00:21:44,200 Speaker 1: on each other. You know, Clay has something building, and 450 00:21:44,359 --> 00:21:47,800 Speaker 1: now you know the blonde no spoilers has showed up 451 00:21:48,359 --> 00:21:52,359 Speaker 1: and there's something going on here. We know about Quinn 452 00:21:52,400 --> 00:21:54,520 Speaker 1: and David, obviously, we don't know about Clay and this 453 00:21:54,640 --> 00:21:56,680 Speaker 1: woman yet, but we know he's got a pain point, 454 00:21:57,440 --> 00:22:01,960 Speaker 1: and you've seen them build this friendship and talk about 455 00:22:01,960 --> 00:22:05,840 Speaker 1: the fact that they're not screwing around, right And then 456 00:22:05,880 --> 00:22:08,960 Speaker 1: when Quinn goes at Nathan and calls him on it 457 00:22:09,040 --> 00:22:11,560 Speaker 1: in this episode, I was like, guess girl, he has 458 00:22:11,600 --> 00:22:12,960 Speaker 1: absolutely no right to judge you. 459 00:22:13,080 --> 00:22:15,600 Speaker 3: I love this, yes, one thousand, and I love how 460 00:22:16,000 --> 00:22:19,000 Speaker 3: Nathan then came and apologized and said that what he 461 00:22:19,040 --> 00:22:21,520 Speaker 3: said too to Quinn. But also like I love watching 462 00:22:22,840 --> 00:22:25,359 Speaker 3: Rob and Chantelle's scenes together because I also, you know, 463 00:22:25,440 --> 00:22:27,840 Speaker 3: they were such good friends off camera too, and so 464 00:22:27,960 --> 00:22:31,120 Speaker 3: it was just like their well, how how their storyline 465 00:22:31,160 --> 00:22:34,399 Speaker 3: progresses is I've just I always loved I don't know, 466 00:22:34,560 --> 00:22:36,800 Speaker 3: just like there's like there's truth into it, and it's 467 00:22:37,040 --> 00:22:41,360 Speaker 3: I think it's just a beautiful relationship on an off screen. Yeah. 468 00:22:41,480 --> 00:22:47,200 Speaker 1: It's nice all these years past doing it to have 469 00:22:47,440 --> 00:22:49,439 Speaker 1: the ability to watch it and go, oh, I can 470 00:22:49,600 --> 00:22:52,120 Speaker 1: see the seeds of that, like, yeah, I can see 471 00:22:52,280 --> 00:22:55,240 Speaker 1: you me and Lisa having so much fun together because 472 00:22:55,280 --> 00:22:58,840 Speaker 1: we did. Yeah, I can see the easy friendship budding 473 00:22:59,000 --> 00:23:01,960 Speaker 1: between Rob and Chante well because it did. Yeah, And 474 00:23:02,119 --> 00:23:05,840 Speaker 1: it's it's special when those things translate because they add 475 00:23:06,400 --> 00:23:08,880 Speaker 1: just like a layer of something that's bigger than what's 476 00:23:08,920 --> 00:23:09,480 Speaker 1: on the page. 477 00:23:09,840 --> 00:23:11,680 Speaker 3: Yeah, and they're both you know, great actors too. But 478 00:23:11,720 --> 00:23:13,640 Speaker 3: there's what I like about both of them is there's 479 00:23:13,720 --> 00:23:16,200 Speaker 3: that mystery, like you kind of said, and there's a 480 00:23:17,680 --> 00:23:19,840 Speaker 3: that's that's what's intriguing to go, wait, well, who's the 481 00:23:19,880 --> 00:23:21,359 Speaker 3: blond again? And so I'm like, all right, So I'm 482 00:23:21,480 --> 00:23:23,399 Speaker 3: you know that kind again is like that I know 483 00:23:23,680 --> 00:23:26,000 Speaker 3: now because it's a refreshment memory obviously, but like that 484 00:23:26,240 --> 00:23:29,240 Speaker 3: there's both of them bring a kind of a beautiful 485 00:23:29,280 --> 00:23:31,240 Speaker 3: mystery thread through the through the story. 486 00:23:31,760 --> 00:23:36,320 Speaker 1: Yeah. Yeah, And I just enjoy all of the scenes. 487 00:23:36,440 --> 00:23:38,080 Speaker 1: You know, I know we talked about it earlier, but 488 00:23:38,520 --> 00:23:40,200 Speaker 1: I really want to focus on it for a bit. 489 00:23:41,400 --> 00:23:44,600 Speaker 1: You and Austin are so good together. And even you 490 00:23:44,840 --> 00:23:47,040 Speaker 1: freaking out in the house walking around behind him when 491 00:23:47,040 --> 00:23:48,720 Speaker 1: he's reading the script and you're like, it's supposed to 492 00:23:48,720 --> 00:23:51,040 Speaker 1: be funny, you're not laughing, and he never looks up 493 00:23:51,040 --> 00:23:52,680 Speaker 1: and goes, maybe I'm laughing on the inside. 494 00:23:52,960 --> 00:23:53,160 Speaker 3: Yeah. 495 00:23:53,680 --> 00:23:57,800 Speaker 1: I just love I love the dynamic. I love the relationship. 496 00:23:57,880 --> 00:23:59,320 Speaker 1: It's a date, it's work, it's a date. It's a 497 00:23:59,359 --> 00:23:59,920 Speaker 1: working date. 498 00:24:00,160 --> 00:24:01,479 Speaker 2: Date ish date ish. 499 00:24:01,960 --> 00:24:03,720 Speaker 1: Yeah, it's so good. 500 00:24:04,800 --> 00:24:06,720 Speaker 3: But also I think that was the friendship too, Like 501 00:24:06,760 --> 00:24:08,960 Speaker 3: we were all roommates and it was roomies, and like 502 00:24:09,040 --> 00:24:10,600 Speaker 3: that's why I think, like Austin and I worked so 503 00:24:10,680 --> 00:24:12,639 Speaker 3: well together this past you know, spring summer, it was 504 00:24:12,680 --> 00:24:16,000 Speaker 3: because it's like there's that that friendship, that connection there 505 00:24:16,119 --> 00:24:18,399 Speaker 3: that's just like and even so even on set when 506 00:24:18,440 --> 00:24:19,600 Speaker 3: I was with them a couple of months ago. I'm like, 507 00:24:19,680 --> 00:24:21,200 Speaker 3: was that okay? Like like I don't know, Like it's 508 00:24:21,240 --> 00:24:22,920 Speaker 3: just like, you know, be able to like work play 509 00:24:23,000 --> 00:24:25,000 Speaker 3: off of each other. It's just it was it was fun. 510 00:24:25,080 --> 00:24:27,520 Speaker 3: It was like he's one of my all time favorite 511 00:24:27,520 --> 00:24:31,720 Speaker 3: scene partners. So and through that, like Alex Julian, it's 512 00:24:31,800 --> 00:24:35,000 Speaker 3: like he let me have some fun and also he 513 00:24:35,119 --> 00:24:37,359 Speaker 3: helped me along the way too, and a lot of scenes, 514 00:24:37,640 --> 00:24:39,440 Speaker 3: you know, moving forward in the episodes. 515 00:24:40,040 --> 00:24:42,160 Speaker 1: Yeah, oh I love that so much? 516 00:24:42,720 --> 00:24:42,879 Speaker 3: Is it? 517 00:24:43,680 --> 00:24:48,040 Speaker 1: Do you have sense memory when you watch certain scenes? 518 00:24:48,200 --> 00:24:51,199 Speaker 1: Like sometimes when we pan across the river, I'm like, oh, 519 00:24:51,240 --> 00:24:53,720 Speaker 1: my god, I can smell Wilmington when I watch this, 520 00:24:54,359 --> 00:24:56,680 Speaker 1: or oh I remember being in that set because we 521 00:24:57,240 --> 00:24:59,000 Speaker 1: broke in the middle of that scene and I remember 522 00:24:59,040 --> 00:25:01,200 Speaker 1: getting in so much trouble. We can stop laughing. Like 523 00:25:01,760 --> 00:25:05,280 Speaker 1: are there things watching these episodes that come up for 524 00:25:05,359 --> 00:25:05,800 Speaker 1: you like that? 525 00:25:06,359 --> 00:25:06,560 Speaker 2: Yeah. 526 00:25:06,720 --> 00:25:10,359 Speaker 3: The where we shot my hotel room scenes was in 527 00:25:10,720 --> 00:25:13,520 Speaker 3: the was in the what's that called the My gosh, 528 00:25:14,000 --> 00:25:15,280 Speaker 3: it was on one of the stages, right, it was 529 00:25:15,400 --> 00:25:17,760 Speaker 3: theeat on the stage. It built it, so they built 530 00:25:17,800 --> 00:25:19,760 Speaker 3: it on the stage and you know, our trailers just 531 00:25:19,800 --> 00:25:22,520 Speaker 3: were outside there and you know, it just brought back 532 00:25:22,720 --> 00:25:25,399 Speaker 3: all the memories of I mean from catering to the 533 00:25:25,480 --> 00:25:27,320 Speaker 3: offices were right there and then but to us like 534 00:25:27,480 --> 00:25:30,480 Speaker 3: hanging out you know on our chairs outside just outside 535 00:25:30,520 --> 00:25:32,800 Speaker 3: that door was just the open stage, you know, like 536 00:25:32,880 --> 00:25:36,399 Speaker 3: there wasn't much else there and so you know, just 537 00:25:36,520 --> 00:25:39,240 Speaker 3: the times that were had when they yelled cut checked 538 00:25:39,240 --> 00:25:41,760 Speaker 3: the gate at the time, So like that was that 539 00:25:41,880 --> 00:25:45,320 Speaker 3: those memories were were awesome and just you know, yeah, 540 00:25:45,359 --> 00:25:48,119 Speaker 3: I mean there was so many times too where we 541 00:25:48,200 --> 00:25:50,879 Speaker 3: would just have to cut because we're laughing, you know, 542 00:25:51,000 --> 00:25:55,240 Speaker 3: and like that's just the joy of the fun had 543 00:25:55,320 --> 00:25:58,000 Speaker 3: on set. Was was that? But I think, yeah, my 544 00:25:58,080 --> 00:26:02,240 Speaker 3: favorite memories was was working on my in my stage 545 00:26:02,359 --> 00:26:02,919 Speaker 3: with the hotel. 546 00:26:03,520 --> 00:26:20,359 Speaker 1: Yeah, it's interesting too to begin to see the dynamic shift. 547 00:26:21,440 --> 00:26:24,880 Speaker 1: The buddy comedy of Alex and Millie is so fun. 548 00:26:25,520 --> 00:26:26,560 Speaker 2: She's great. 549 00:26:26,720 --> 00:26:30,680 Speaker 3: I didn't like I knew Lisa was a great actress obviously, 550 00:26:31,320 --> 00:26:33,320 Speaker 3: but like like kind of like you had said, I 551 00:26:33,960 --> 00:26:36,560 Speaker 3: was listening to a previous episode and you were saying, 552 00:26:36,600 --> 00:26:38,119 Speaker 3: you know it's or no, maybe it was Rob like 553 00:26:38,280 --> 00:26:40,240 Speaker 3: you know, you like acting with you don't get to 554 00:26:40,359 --> 00:26:42,480 Speaker 3: like watch, or maybe it was on your voice note, 555 00:26:42,560 --> 00:26:45,280 Speaker 3: but you don't. You don't get to like actually watch 556 00:26:45,320 --> 00:26:47,080 Speaker 3: and so now watching it, I'm like, Lisa is so 557 00:26:47,520 --> 00:26:49,680 Speaker 3: like she had me cracking up, Like I'm like, she's 558 00:26:49,800 --> 00:26:50,880 Speaker 3: so funny. 559 00:26:50,920 --> 00:26:53,880 Speaker 1: She's incredible, Like I would have loved to see Lisa 560 00:26:54,000 --> 00:26:55,679 Speaker 1: on SNL one thousand. 561 00:26:55,800 --> 00:26:57,560 Speaker 2: Well, she's like, what is she doing? Still? Like I 562 00:26:57,600 --> 00:26:59,280 Speaker 2: haven't I've lost touch with her. So I'm like, is 563 00:26:59,320 --> 00:27:00,359 Speaker 2: she still acting like. 564 00:27:00,880 --> 00:27:04,520 Speaker 1: We we we all keep trying to find her. Really 565 00:27:04,560 --> 00:27:07,400 Speaker 1: I don't, Yeah, I don't know. I like I tried 566 00:27:07,400 --> 00:27:08,840 Speaker 1: to hunt down Brendan. 567 00:27:09,280 --> 00:27:11,600 Speaker 3: Like she's not at a conventions, Like I like don't 568 00:27:11,640 --> 00:27:13,160 Speaker 3: know where. I don't know where she's at. 569 00:27:13,520 --> 00:27:17,480 Speaker 1: None of us miss her. Girl smoke signals we're coming 570 00:27:17,600 --> 00:27:20,320 Speaker 1: for you. Oh my god, could you imagine you and 571 00:27:20,600 --> 00:27:22,399 Speaker 1: you and me like tweel dumb and tweetledd at the 572 00:27:22,400 --> 00:27:23,240 Speaker 1: front door, like, hey. 573 00:27:23,200 --> 00:27:26,320 Speaker 2: Girl, around you finding Lisa. There's our show? Oh my god. 574 00:27:26,359 --> 00:27:30,439 Speaker 1: Honestly I'm so ready for it. But like there's something 575 00:27:30,560 --> 00:27:33,639 Speaker 1: so precious. You guys are so funny and so sweet 576 00:27:34,359 --> 00:27:40,440 Speaker 1: and and because as you said, Alex doesn't there's not 577 00:27:40,640 --> 00:27:43,240 Speaker 1: like a mean bone in her body. She thinks everything 578 00:27:43,359 --> 00:27:48,200 Speaker 1: she's doing and saying is okay. The the cringe I felt, 579 00:27:48,280 --> 00:27:51,880 Speaker 1: I mean, especially the time period. My god, calling Lisa 580 00:27:51,960 --> 00:27:56,400 Speaker 1: Goldstein plus size is like, oh, I'm like, no wonder 581 00:27:56,480 --> 00:27:59,240 Speaker 1: we all had such insane like body confidence issues. Also 582 00:27:59,440 --> 00:28:02,320 Speaker 1: like more power to him? Is anyone on earth hotter 583 00:28:02,400 --> 00:28:03,160 Speaker 1: than Ashley Graham? 584 00:28:03,359 --> 00:28:03,399 Speaker 3: No? 585 00:28:04,000 --> 00:28:08,760 Speaker 1: But right the the time was so hard on women 586 00:28:09,480 --> 00:28:15,560 Speaker 1: and so toxic for us, and yet this toxicity was 587 00:28:15,680 --> 00:28:21,080 Speaker 1: coming through Alex as this like incredibly sweet person. Who 588 00:28:21,200 --> 00:28:23,639 Speaker 1: didn't you didn't say it in a mean way. You 589 00:28:23,720 --> 00:28:25,920 Speaker 1: didn't mean it in a mean way. But you start 590 00:28:26,000 --> 00:28:29,320 Speaker 1: to see how depending on the way someone feels, someone 591 00:28:29,359 --> 00:28:33,720 Speaker 1: else's words affect them. And the beginning of this storyline like, 592 00:28:34,760 --> 00:28:35,159 Speaker 1: I don't know. 593 00:28:35,280 --> 00:28:36,120 Speaker 2: It just it's hard. 594 00:28:36,240 --> 00:28:39,280 Speaker 3: It's a hard one to watch, yeah, because you know, 595 00:28:39,960 --> 00:28:43,000 Speaker 3: well we know how it ends up with, you know, 596 00:28:43,120 --> 00:28:45,360 Speaker 3: with her and and how like you know the road 597 00:28:45,400 --> 00:28:47,840 Speaker 3: that she takes and that self doubt, Like she didn't 598 00:28:48,480 --> 00:28:50,760 Speaker 3: think that she had any body issues until I said 599 00:28:50,760 --> 00:28:54,320 Speaker 3: something different to her. So then now she's believing, you know, 600 00:28:54,840 --> 00:28:58,000 Speaker 3: that's that now becomes her her truth when it's not 601 00:28:58,160 --> 00:29:00,680 Speaker 3: her truth, it's the world telling her something as he 602 00:29:01,240 --> 00:29:01,800 Speaker 3: and that's sad. 603 00:29:02,200 --> 00:29:03,120 Speaker 1: It's so sad. 604 00:29:03,600 --> 00:29:05,560 Speaker 3: And that's where I'm always like, even like as a 605 00:29:05,680 --> 00:29:07,760 Speaker 3: parent too, I'm like, the world is going to tell 606 00:29:07,760 --> 00:29:09,800 Speaker 3: you so many mistruths, which is why I'm constant like 607 00:29:10,120 --> 00:29:11,840 Speaker 3: you are good enough, you are brave, you are strong, 608 00:29:11,920 --> 00:29:13,920 Speaker 3: you're beautiful. It's like, because everyone else is going to 609 00:29:13,960 --> 00:29:16,040 Speaker 3: tell you everything that's not true, so let me be 610 00:29:16,120 --> 00:29:17,600 Speaker 3: the one to tell us. I'm like, oh, that that 611 00:29:17,960 --> 00:29:20,480 Speaker 3: like hurt watching is like an adult. 612 00:29:20,920 --> 00:29:22,680 Speaker 1: No, it hurt me too. And it's like, it's what 613 00:29:22,800 --> 00:29:25,080 Speaker 1: you were saying earlier that Alan always says, right, what's 614 00:29:25,160 --> 00:29:27,800 Speaker 1: in our four walls? Like for you to be able 615 00:29:27,880 --> 00:29:30,200 Speaker 1: to teach your kids that what's in your four walls 616 00:29:30,320 --> 00:29:34,080 Speaker 1: is what's true, Yeah, it's so important because the world's 617 00:29:34,080 --> 00:29:36,160 Speaker 1: going to be terrible to them. I mean what we 618 00:29:36,280 --> 00:29:39,520 Speaker 1: did to Millie. By the way, Ash and Sammy watched 619 00:29:39,560 --> 00:29:43,040 Speaker 1: with me yesterday and ash goes diet pills. Why And 620 00:29:43,120 --> 00:29:45,280 Speaker 1: I said, well, because when you went in the other room, 621 00:29:45,320 --> 00:29:46,960 Speaker 1: you missed the point, like they were saying. 622 00:29:46,760 --> 00:29:48,040 Speaker 2: Wait, so Ashley knows who I am. 623 00:29:48,600 --> 00:29:51,760 Speaker 1: She sure does, and she and I go, you know 624 00:29:51,920 --> 00:29:54,240 Speaker 1: essentially what they're saying, and like, obviously it's ridiculous. But 625 00:29:54,360 --> 00:29:56,680 Speaker 1: like this character is telling this character like, oh, I'm 626 00:29:56,720 --> 00:29:58,280 Speaker 1: the model and you're the plus size model, and she 627 00:29:58,400 --> 00:30:01,920 Speaker 1: goes no, like screamed at the top of our lungs, 628 00:30:01,960 --> 00:30:03,680 Speaker 1: and I was like, well, welcome to tree Hill. This 629 00:30:03,760 --> 00:30:08,040 Speaker 1: is why everyone had a complex. You're welcome. Oh yeah, yeh. 630 00:30:08,440 --> 00:30:13,240 Speaker 1: But I appreciate that that this thing that is so hard, 631 00:30:13,640 --> 00:30:16,960 Speaker 1: like that makes us all cringe, is not delivered with 632 00:30:17,160 --> 00:30:21,520 Speaker 1: malice on your part, Like it was such a good 633 00:30:21,800 --> 00:30:28,560 Speaker 1: choice for you to continue that stream of consciousness that 634 00:30:28,800 --> 00:30:32,520 Speaker 1: they had no mal intent, because you begin to see 635 00:30:33,720 --> 00:30:36,800 Speaker 1: the way people are affected rather than necessarily the way 636 00:30:36,880 --> 00:30:42,000 Speaker 1: people are like bullied. And I like that it wasn't bullying, 637 00:30:42,320 --> 00:30:46,360 Speaker 1: that it was that it was personal fear exactly. 638 00:30:46,640 --> 00:30:50,040 Speaker 3: Yeah, and like inside too, like I'm taking these dive 639 00:30:50,080 --> 00:30:54,720 Speaker 3: pills because I'm told that I need to be skinny, right, yeah, Well, and. 640 00:30:54,760 --> 00:30:57,960 Speaker 1: You see how this toxic system just is hurting everybody. 641 00:30:58,440 --> 00:30:59,040 Speaker 2: And I like that. 642 00:30:59,120 --> 00:31:01,280 Speaker 1: We also got the behind the scenes with her in 643 00:31:01,360 --> 00:31:04,800 Speaker 1: that beautiful scene with mouth where she just starts to cry. 644 00:31:05,400 --> 00:31:06,680 Speaker 2: Yeah, and I wrote it down. 645 00:31:06,800 --> 00:31:08,800 Speaker 1: I said, the fact that Millie's crying about her body 646 00:31:08,880 --> 00:31:10,560 Speaker 1: is so fucking sad. To me, they did this to 647 00:31:10,640 --> 00:31:13,720 Speaker 1: all of us, like that's in my notes, but that 648 00:31:14,000 --> 00:31:16,040 Speaker 1: thing when she says it made me feel special. 649 00:31:16,520 --> 00:31:18,480 Speaker 3: Well, but also though I would just want to say 650 00:31:18,520 --> 00:31:20,960 Speaker 3: this too, is like they did that to us. But 651 00:31:21,080 --> 00:31:23,600 Speaker 3: also even in this show, like I remember one of 652 00:31:23,680 --> 00:31:25,400 Speaker 3: the scenes moving forward where I have to be in 653 00:31:25,480 --> 00:31:30,200 Speaker 3: like lingerie, it was I didn't have like the flattest stomach, 654 00:31:30,520 --> 00:31:33,280 Speaker 3: and so there was some words said that made me 655 00:31:33,400 --> 00:31:35,880 Speaker 3: feel like, oh, we need a higher wasted because this 656 00:31:36,000 --> 00:31:38,040 Speaker 3: isn't going to look good on camera. And so then 657 00:31:38,120 --> 00:31:41,160 Speaker 3: my head goes, oh because I have a stomach. Yeah 658 00:31:41,160 --> 00:31:45,080 Speaker 3: I know, like I know, and so you know we're 659 00:31:45,080 --> 00:31:47,720 Speaker 3: also told in our workplaces too. 660 00:31:48,520 --> 00:31:51,040 Speaker 1: Yeah, well yeah, that's the thing is it's relentless and 661 00:31:51,120 --> 00:31:54,040 Speaker 1: no matter what you are, you're not the right thing. Yeah, like, 662 00:31:54,280 --> 00:31:57,440 Speaker 1: oh you're you're pale, you should be tan, you're tan? 663 00:31:57,720 --> 00:32:00,600 Speaker 1: Why why are you getting sun damage? You're like whatever 664 00:32:00,680 --> 00:32:01,760 Speaker 1: it is, it's terrible. 665 00:32:02,120 --> 00:32:04,320 Speaker 3: Do we remember my sun damage? By the way, we 666 00:32:04,400 --> 00:32:07,040 Speaker 3: can't know this is a way later episode, but do 667 00:32:07,120 --> 00:32:12,400 Speaker 3: you remember Puerto Rican? So we my member, I got 668 00:32:12,480 --> 00:32:15,480 Speaker 3: burn in my entire Oh you're sun burn? Yeah remember 669 00:32:15,520 --> 00:32:18,760 Speaker 3: the sunburn? And like it peeled off of my face. 670 00:32:19,000 --> 00:32:19,880 Speaker 1: Oh my god. 671 00:32:20,320 --> 00:32:23,760 Speaker 2: Yeah, terrible. That was the worst. 672 00:32:24,760 --> 00:32:26,920 Speaker 1: Yeah, I just think that, like the way we were 673 00:32:26,960 --> 00:32:29,160 Speaker 1: treated on camera and off was so crazy. But the 674 00:32:29,240 --> 00:32:32,320 Speaker 1: thing that I thought was so beautiful that I felt 675 00:32:32,400 --> 00:32:34,520 Speaker 1: like they gave to Millie but was so true for 676 00:32:34,640 --> 00:32:36,960 Speaker 1: the rest of us, was like I have felt competent 677 00:32:37,080 --> 00:32:40,760 Speaker 1: and smart and capable and reliable, but never special. And 678 00:32:40,880 --> 00:32:45,600 Speaker 1: I feel like women feeling special in that era, the 679 00:32:45,640 --> 00:32:48,920 Speaker 1: people in power always perceived as dangerous, and I love 680 00:32:49,040 --> 00:32:53,400 Speaker 1: that now, whether it's the way body positivity has changed, 681 00:32:53,560 --> 00:32:56,200 Speaker 1: or like even you know, you see Simone and Jordan 682 00:32:56,320 --> 00:33:00,000 Speaker 1: like bowing down out to the Brazilian gymnast, like yeah, 683 00:33:00,160 --> 00:33:04,640 Speaker 1: all the girlies, we're all here together in a new way, 684 00:33:04,800 --> 00:33:06,800 Speaker 1: and I'm I don't know, I love it and I 685 00:33:06,920 --> 00:33:09,400 Speaker 1: love I love that we get to sort of be 686 00:33:09,560 --> 00:33:13,200 Speaker 1: here in that era for each other, too, agreed. And 687 00:33:13,320 --> 00:33:15,800 Speaker 1: that mouth was there for Milly in that moment and 688 00:33:15,880 --> 00:33:18,240 Speaker 1: put her little shoe on like a Cinderella. 689 00:33:17,840 --> 00:33:20,520 Speaker 3: Moment right well, And that mouth was not only there 690 00:33:20,560 --> 00:33:22,400 Speaker 3: for a Millie, but that were how he showed up 691 00:33:22,400 --> 00:33:25,960 Speaker 3: for Nathan too, because he it's really easy to be 692 00:33:26,080 --> 00:33:29,120 Speaker 3: able to jump on the wagon of what media is 693 00:33:29,200 --> 00:33:32,360 Speaker 3: talking about and you know that being his friend, and 694 00:33:32,560 --> 00:33:35,360 Speaker 3: so it's easy in these day and age to be like, yeah, 695 00:33:35,400 --> 00:33:38,440 Speaker 3: well sources say or you know, because we're close to 696 00:33:38,640 --> 00:33:41,760 Speaker 3: certain people that you know, we know or whatever. But 697 00:33:41,920 --> 00:33:45,520 Speaker 3: in this situation, where can sports like can this show 698 00:33:45,640 --> 00:33:47,600 Speaker 3: just be about sports? And does why does it have 699 00:33:47,720 --> 00:33:51,680 Speaker 3: to be like just you know, talking about things that 700 00:33:51,720 --> 00:33:55,360 Speaker 3: we have no idea or having an opinion about something 701 00:33:55,440 --> 00:33:57,480 Speaker 3: we don't know, you know, And when. 702 00:33:57,360 --> 00:33:59,960 Speaker 1: You see the way that running with a lie will 703 00:34:00,080 --> 00:34:03,080 Speaker 1: legitimize it, like you saw it with the boxer from Algeria, 704 00:34:03,480 --> 00:34:07,600 Speaker 1: that poor woman, like everybody just ran with this nonsense 705 00:34:07,640 --> 00:34:11,640 Speaker 1: about her during the Olympics. And it was really interesting 706 00:34:11,719 --> 00:34:15,000 Speaker 1: watching this episode this week because it felt so timely 707 00:34:15,520 --> 00:34:17,600 Speaker 1: to have mouth say we're not going to do that. 708 00:34:18,280 --> 00:34:22,120 Speaker 1: We're not going to legitimize a falsehood by reporting on 709 00:34:22,280 --> 00:34:25,960 Speaker 1: it for clicks, for ratings. Come on, and you kind 710 00:34:26,000 --> 00:34:28,520 Speaker 1: of wish, kind of wish the media I would do 711 00:34:28,560 --> 00:34:29,640 Speaker 1: a little more of that, don't you. 712 00:34:30,320 --> 00:34:33,080 Speaker 2: Yeah, I mean I'm always like just what is the truth. 713 00:34:33,120 --> 00:34:34,480 Speaker 3: That's why I'm like, because I've even come to you 714 00:34:34,560 --> 00:34:36,279 Speaker 3: on certain things and be like, this is what I'm 715 00:34:36,520 --> 00:34:39,000 Speaker 3: this is what I hear and what I've been, you know, told, 716 00:34:39,480 --> 00:34:41,239 Speaker 3: what is like? I just want to know what the 717 00:34:41,320 --> 00:34:43,919 Speaker 3: actual facts are, Like, what are the facts like? Yeah, 718 00:34:44,120 --> 00:34:47,160 Speaker 3: from like but there's a fact from there's facts from 719 00:34:47,160 --> 00:34:48,600 Speaker 3: two different sides. I just want to know the the 720 00:34:48,760 --> 00:34:49,239 Speaker 3: one fact. 721 00:34:49,640 --> 00:34:52,399 Speaker 1: Yeah, what's the actual fact, not the alternative fact? 722 00:34:52,600 --> 00:34:52,759 Speaker 3: Yeah? 723 00:34:52,920 --> 00:34:54,759 Speaker 2: Like what is just actually the fact? 724 00:34:54,800 --> 00:34:56,680 Speaker 3: And that's where I'm like, That's where I feel like 725 00:34:56,719 --> 00:34:58,359 Speaker 3: it's hard to live in this day and age because 726 00:34:58,360 --> 00:35:02,040 Speaker 3: there are facts from both from so many places, and 727 00:35:02,120 --> 00:35:03,359 Speaker 3: I just would like to know the one. 728 00:35:04,520 --> 00:35:08,439 Speaker 1: Yeah. Well, and then it gets really juicy, right because Dan, 729 00:35:09,480 --> 00:35:13,000 Speaker 1: you start to realize what's his angle here, you know, 730 00:35:13,320 --> 00:35:15,640 Speaker 1: and the fact that Rachel has to come in to 731 00:35:15,960 --> 00:35:21,080 Speaker 1: try to convince Renee. It's so well done because I remember, 732 00:35:21,840 --> 00:35:24,480 Speaker 1: again not trying to spoil it for any first time viewers, 733 00:35:24,520 --> 00:35:28,279 Speaker 1: but I remember where this goes, and they were so 734 00:35:28,640 --> 00:35:32,239 Speaker 1: good at weaving these possibilities. Dan saying, you know, I 735 00:35:32,360 --> 00:35:34,520 Speaker 1: want him to be better than I was. I don't 736 00:35:34,560 --> 00:35:36,840 Speaker 1: want it to take him sixteen years to claim his 737 00:35:37,560 --> 00:35:41,279 Speaker 1: other child. I did exactly this, He's my son. And 738 00:35:41,360 --> 00:35:43,560 Speaker 1: then Rachel's sitting down and being like give me a break, 739 00:35:43,680 --> 00:35:46,160 Speaker 1: Nathan blow him off, and he's here to bury him 740 00:35:46,160 --> 00:35:48,440 Speaker 1: and help you, and you're just like, what is happening? 741 00:35:48,600 --> 00:35:52,000 Speaker 2: Who's telling the truth? I mean, this is why I 742 00:35:52,040 --> 00:35:52,960 Speaker 2: get why the show works. 743 00:35:53,000 --> 00:35:55,080 Speaker 3: It's juicy, and I'm like, I want to go back 744 00:35:55,239 --> 00:35:57,320 Speaker 3: now now that I've watched a few and like, Okay, 745 00:35:57,320 --> 00:35:58,120 Speaker 3: what happens again? 746 00:35:58,320 --> 00:36:01,400 Speaker 1: Like okay, well, good keep watching and then you can 747 00:36:01,560 --> 00:36:06,799 Speaker 1: bop in here and hang with us more and more. Selfishly, 748 00:36:06,840 --> 00:36:09,240 Speaker 1: I'm so glad that I got you all to myself 749 00:36:09,360 --> 00:36:13,600 Speaker 1: this week, and I know Robin so bummed to not 750 00:36:13,840 --> 00:36:15,920 Speaker 1: be here, so you'll have to come back and get 751 00:36:15,960 --> 00:36:16,279 Speaker 1: to hang. 752 00:36:16,719 --> 00:36:17,520 Speaker 2: Yeah, I would love to. 753 00:36:17,920 --> 00:36:21,200 Speaker 3: You would love to when when you guys want me back, 754 00:36:21,360 --> 00:36:24,320 Speaker 3: it's always fun to rewatch it and drag Alan to 755 00:36:24,360 --> 00:36:24,920 Speaker 3: watch it with me. 756 00:36:25,280 --> 00:36:28,479 Speaker 1: I can't wait. I do have We got this question, 757 00:36:28,719 --> 00:36:32,759 Speaker 1: perhaps more than any other question when we told the 758 00:36:33,320 --> 00:36:35,920 Speaker 1: fans that you were coming. Everyone wants to know what 759 00:36:36,040 --> 00:36:37,839 Speaker 1: you think Alex du Pray is up to now. 760 00:36:38,320 --> 00:36:40,440 Speaker 3: Oh my goodness, I love that question, and that is 761 00:36:40,480 --> 00:36:44,799 Speaker 3: why I want to do a show. I think she's 762 00:36:44,920 --> 00:36:46,719 Speaker 3: still trying to find her way, but like in the 763 00:36:46,800 --> 00:36:49,279 Speaker 3: best way possible, like I don't think she's lost, but 764 00:36:49,360 --> 00:36:51,919 Speaker 3: I think she's just kind of like on her eat 765 00:36:51,960 --> 00:36:55,160 Speaker 3: Prey Love right now, figuring it out. And I know 766 00:36:55,320 --> 00:36:57,759 Speaker 3: that she's going to have like the happy but I 767 00:36:57,840 --> 00:37:01,000 Speaker 3: think she's still like she's kind of still figuring it out. 768 00:37:01,080 --> 00:37:02,319 Speaker 3: I don't think she's a mom yet. 769 00:37:02,840 --> 00:37:06,840 Speaker 1: Okay, do you think is Alex like like Jana in 770 00:37:06,960 --> 00:37:09,000 Speaker 1: real life? Is she a multi hyphen it? Is she 771 00:37:09,120 --> 00:37:10,800 Speaker 1: also making music? 772 00:37:11,120 --> 00:37:13,919 Speaker 3: Is she? Yes, she's doing all the things. She's doing music, 773 00:37:14,000 --> 00:37:17,520 Speaker 3: she's doing movies, she's going through men, she's you know, 774 00:37:17,680 --> 00:37:20,480 Speaker 3: she's she's doing she's doing it all. I love it. 775 00:37:21,040 --> 00:37:23,600 Speaker 3: But she's gonna slow down soon. But first she has 776 00:37:23,680 --> 00:37:25,239 Speaker 3: to have a show about all the things. 777 00:37:25,440 --> 00:37:27,680 Speaker 1: Well, yeah, we need to see her have some wild times. 778 00:37:27,719 --> 00:37:29,399 Speaker 1: I think, yeah, that feels fun. 779 00:37:29,920 --> 00:37:32,399 Speaker 2: But she she's not into like she's not in the gutter. 780 00:37:32,480 --> 00:37:32,759 Speaker 2: She's not. 781 00:37:33,239 --> 00:37:37,400 Speaker 3: She's still sober. She's still doing uh Lime, like you know, 782 00:37:37,560 --> 00:37:41,080 Speaker 3: the lime shots with water you know, and just you know, 783 00:37:41,320 --> 00:37:44,520 Speaker 3: she's still trying trying to tie cherry ties like you 784 00:37:44,560 --> 00:37:46,239 Speaker 3: know what I mean, Like that's her thing. Yeah, she's 785 00:37:46,280 --> 00:37:46,840 Speaker 3: still lively. 786 00:37:47,320 --> 00:37:49,919 Speaker 1: Yeah, she's still fun, but she's she's responsible. 787 00:37:50,280 --> 00:37:55,200 Speaker 2: Yeah, Ish Ish state Ish ha Ish always ansh with her. 788 00:37:56,800 --> 00:37:59,560 Speaker 1: What an absolute delight you are. Thank you so much 789 00:37:59,600 --> 00:38:02,120 Speaker 1: for coming friends. We will see you next week for 790 00:38:02,200 --> 00:38:03,800 Speaker 1: season seven, Episode seven. 791 00:38:04,520 --> 00:38:07,120 Speaker 3: I and Love and you all right, girl, you're the best. 792 00:38:07,160 --> 00:38:07,759 Speaker 3: Thank you so much. 793 00:38:07,760 --> 00:38:09,800 Speaker 2: I appreciate you. Thank you, I appreciate you. 794 00:38:10,239 --> 00:38:10,759 Speaker 1: Talk to you soon. 795 00:38:11,000 --> 00:38:12,760 Speaker 2: Bye, Hey, thanks for listening. 796 00:38:12,920 --> 00:38:15,120 Speaker 1: Don't forget to leave us a review. You can also 797 00:38:15,239 --> 00:38:18,320 Speaker 1: follow us on Instagram at Drama Queen's ot. 798 00:38:18,360 --> 00:38:22,719 Speaker 2: H or email us at Drama Queens at iHeartRadio dot com. 799 00:38:23,280 --> 00:38:27,840 Speaker 2: See you next time. We all about that high school drama. 800 00:38:27,960 --> 00:38:31,640 Speaker 1: Girl Drama Girl, all about them high school Queens. We'll 801 00:38:31,680 --> 00:38:34,720 Speaker 1: take you for a ride at our comic Girl sharing 802 00:38:34,760 --> 00:38:38,359 Speaker 1: for the right teams. Drama Queens, my girl up Girl 803 00:38:38,480 --> 00:38:40,759 Speaker 1: Fashion with your tough girl, you could sit with us 804 00:38:40,840 --> 00:38:44,920 Speaker 1: Girl Drama Queens, Drama Queens, Drama Queens, Drama Drama Queens 805 00:38:45,000 --> 00:38:45,880 Speaker 1: Drama Queens