WEBVTT - William Daniels Meets World

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<v Speaker 1>Writer, where you're you're in Kentucky. I'm in Kentucky and

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<v Speaker 1>you're in a very beautiful house and colleges. Yeah, it's gorgeous.

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<v Speaker 1>I have friends who moved during the pandemic, you know,

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<v Speaker 1>like how everybody's sort of made big life decisions. Yeah,

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<v Speaker 1>so some of my some of our closest friends who

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<v Speaker 1>like where our neighbors we used to do a nanny

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<v Speaker 1>share with our our sons are like best friends. Unfortunately,

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<v Speaker 1>they moved all the way to Kentucky UM in the

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<v Speaker 1>middle of the pandemic. So every summer now we've made

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<v Speaker 1>it a point to get out here and visit them.

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<v Speaker 1>So I was visiting Alex in New York UM, and

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<v Speaker 1>then on our way back, we decided we'd stop off

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<v Speaker 1>in Kentucky for a few days. And gosh, it's so

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<v Speaker 1>gorgeous here. It's so green. L A is not a

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<v Speaker 1>green news just back in Connecticut, same thing where you're

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<v Speaker 1>just like, it's crazy, I just forget, like you know

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<v Speaker 1>how much I need that, you know, I mean, I

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<v Speaker 1>grew up around trees in northern California, and like, I

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<v Speaker 1>you know, I obviously I love l A for so

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<v Speaker 1>many reasons, mostly cultural, but like the landscape just doesn't

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<v Speaker 1>have trees, and I just don't even think about it

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<v Speaker 1>until I get someplace like here, and you know, my

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<v Speaker 1>son Indias just like running through the grass and there's

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<v Speaker 1>trees everywhere, and I'm just like obsessed with it. I'm

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<v Speaker 1>kind of like looking around, going, oh, this feeds my

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<v Speaker 1>soul in something like very real way, especially also coming

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<v Speaker 1>from New York City, which, of course are you giving

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<v Speaker 1>Are you giving India very good tick check every night?

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<v Speaker 1>When when he comes in, that's a good call, that's

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<v Speaker 1>a great call. Yeah, that's that's the East Coast thing.

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<v Speaker 1>It's like, all right, check the socks, check everything, let's

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<v Speaker 1>make sure we're good to go here. Another thing we

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<v Speaker 1>do not have to think about here, and you know exactly,

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<v Speaker 1>you just don't have to think about it at all. Well,

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<v Speaker 1>I am really super excited about this episode. First of all,

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<v Speaker 1>we had a wonderful talk and and reunion with Rusty

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<v Speaker 1>last week. How great is here? I mean, he's incredible

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<v Speaker 1>And I thought it was really interesting that last week

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<v Speaker 1>in the episode we watched with Rusty, he made the

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<v Speaker 1>point that Phoene can give different advice than Alan can

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<v Speaker 1>because Phoenie doesn't have kids, and then the next episode

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<v Speaker 1>was basically all about and I thought to Rusty, watch

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<v Speaker 1>more than one watched this episode. No, I'm sure he

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<v Speaker 1>just remembers that. That was like the central tension. You know,

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<v Speaker 1>these first couple of episodes, you can tell they're so

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<v Speaker 1>rusty heavy first of all, which is interesting, but then yeah,

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<v Speaker 1>you can just tell that that, you know, one of

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<v Speaker 1>the central pitches of the show was what would it

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<v Speaker 1>be like if your teacher lived next door? Yes, which

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<v Speaker 1>you know, obviously, because Phoenie became such a legendary character

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<v Speaker 1>became such a huge part of our characters lives, we

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<v Speaker 1>all kind of forgot that that central pitch. For an

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<v Speaker 1>eleven year old boy like Corey, that's huge. And playing

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<v Speaker 1>out that tension for its comedy value and it's educational

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<v Speaker 1>value is super interested in and that's clearly what they

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<v Speaker 1>were doing in the first couple of episodes. I mean,

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<v Speaker 1>it really was Rusty, Bill and Ben for the first

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<v Speaker 1>you know, a few episodes. It really, I mean huge

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<v Speaker 1>and one of the things we should mention. We've but

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<v Speaker 1>we talked about the original pilot where Rusty wasn't in

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<v Speaker 1>and I wasn't need either. We we went back and

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<v Speaker 1>kind of looked. So. While it was called the Untitled

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<v Speaker 1>Ben Savage Project, it was also called eleven. Yeah, was

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<v Speaker 1>the name of the show originally. I never remember that.

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<v Speaker 1>I don't think I ever saw the original pilot. I

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<v Speaker 1>was just there when we filmed. I got a copy

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<v Speaker 1>for it was a horrible title, how do you maintain

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<v Speaker 1>exactly next year? Exactly? So that's what it was. It

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<v Speaker 1>was eleven a k that bet the Untitled Ben Savage Project.

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<v Speaker 1>So I had forgotten that entirely, which was weird to see. Well,

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<v Speaker 1>I don't want to make our guests today wait very long.

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<v Speaker 1>We've been waiting long enough. Welcome to pod Meats World.

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<v Speaker 1>I'm Daniel Fishel, I'm Wilfredell, and I'm right or Strong

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<v Speaker 1>and today we are so incredibly overjoyed to welcome to

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<v Speaker 1>the podcast Bonnie Bartlett and Mr Bill Daniels. Is everybody

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<v Speaker 1>on their best behavior because Mr Feenie's here? Oh, in

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<v Speaker 1>matching colors too? Yeah? Isn't that interesting? That just happened? Really? First,

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<v Speaker 1>then he came up and he said, I gotta wear this. Yeah,

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<v Speaker 1>you guys look fantastic. Is that is this? What is this?

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<v Speaker 1>What happens when you've been married for seventy years? Yes,

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<v Speaker 1>and you know what, June thirty, it'll be seventy one years.

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<v Speaker 1>Oh my gosh, congratulations. Also, if if I'm I'm not mistaken,

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<v Speaker 1>Bonnie was very recently. You just had a birthday yesterday,

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<v Speaker 1>yesterday nine birthday? How happy birthday? And I'm nine now

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<v Speaker 1>I'm ninety three. Unbelievable. Can I ask you, guys, what

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<v Speaker 1>do you think the key to seventy one years of marriages? Billy?

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<v Speaker 1>You know the answer to that well, respect, an honest communication. Yeah,

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<v Speaker 1>I mean that sounds sounds like a really good foundation

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<v Speaker 1>for almost every relationship. You're right, Yes, it doesn't matter

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<v Speaker 1>who the person is. If you have those two things,

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<v Speaker 1>you could probably make it work well. And you have

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<v Speaker 1>to be flexible, I mean you really do. You have

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<v Speaker 1>to be willing to change. Yeah, something's not good. You

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<v Speaker 1>have to be willing to make the changes both of you.

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<v Speaker 1>If one person changes and the other person doesn't, it

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<v Speaker 1>doesn't work. But if both people make changes to uh

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<v Speaker 1>make it better, well, let me ask you. Let me

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<v Speaker 1>ask you about this then, because I'm super fascinated. Do

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<v Speaker 1>you mean, but you guys are both actors? Incredibly successful actors?

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<v Speaker 1>How did that? I mean, would you have had it

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<v Speaker 1>any other way? Uh? You know, in other words, you

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<v Speaker 1>mustn't have known actors who married people outside of the industry.

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<v Speaker 1>Are you know people who were industry couples like you two?

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<v Speaker 1>I mean, how did that? How was that? How did

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<v Speaker 1>that happen? Did you work together first and then fall

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<v Speaker 1>in love? Or did you just happen to meet? And

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<v Speaker 1>I want to hear more about that. We we met

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<v Speaker 1>in a classroom at Northwestern. Oh. I didn't know her. Uh.

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<v Speaker 1>We were auditioning for a play. And there were people

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<v Speaker 1>sitting around, and you know, I've been on Broadway, so

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<v Speaker 1>I was a cocky kid, right these kids, And I thought,

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<v Speaker 1>oh my god, I'm not sure I want to be

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<v Speaker 1>in this bomb. And then I heard somebody in the

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<v Speaker 1>back of the room who was an actress, you could

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<v Speaker 1>tell you. I looked around and there she was. So

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<v Speaker 1>I waited at the door for her, and I said,

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<v Speaker 1>how about a cup of coffee? And she said you're

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<v Speaker 1>too short, And I said, come on, have a cup

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<v Speaker 1>of coffee. She said, okay, coffee. And she's been following

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<v Speaker 1>me around the campus. But known to me it was

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<v Speaker 1>a good actress. I was a big I was a

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<v Speaker 1>big fan or whatever. You got all our fans, you know,

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<v Speaker 1>I was one of him. I fought so you were

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<v Speaker 1>playing a cool Any celebrity, any celebrity that was in

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<v Speaker 1>my site, I would follow, you know. Later on in

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<v Speaker 1>New York, I followed Greta Garbo down Fifth Avenue, couple

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<v Speaker 1>of Roosevelt. I followed her in New York. So anyway,

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<v Speaker 1>I was that kind of person, just a shadow person,

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<v Speaker 1>you know. So it never occurred to me that we

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<v Speaker 1>would meet. It never occurred to me that we would

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<v Speaker 1>become boyfriend girlfriend. Never occurred to me because he was

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<v Speaker 1>out of my room, you know what I mean. He

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<v Speaker 1>was like, he was like special, and he always had

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<v Speaker 1>this little Italian girl with him, so that what who

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<v Speaker 1>are we that that was one of the girls in school.

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<v Speaker 1>You know. It's cool. When I would see him on

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<v Speaker 1>the on the subway or whatever you call out the

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<v Speaker 1>hell he was going down to a play, you know,

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<v Speaker 1>on Chicago. The whole group. He was always with this

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<v Speaker 1>little Italian girl. I'm a big blonde. Oh, I mean,

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<v Speaker 1>I've never thought of me with him that way, but

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<v Speaker 1>I was impressed. And he had a leather jacket. Also,

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<v Speaker 1>I like tradition. That's azing. So anyway, that's and what

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<v Speaker 1>I said, you're too short, what I meant was, oh no, no,

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<v Speaker 1>I'm I'm too big for you. You know, I'm I'm tall.

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<v Speaker 1>Used to these big Swedish boys and the Swedish Swedish, yes,

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<v Speaker 1>because Bullin was very Swedish. I know all that. And

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<v Speaker 1>so I was dumbfounded that he would be interested in me.

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<v Speaker 1>And so after that first cup of coffee, did you

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<v Speaker 1>guys just continue Was that just the beginning of a

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<v Speaker 1>seventy one year relationship? That's correct, we were we were together,

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<v Speaker 1>tied at the hip from then on. Wow. And when

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<v Speaker 1>did you guys first actually worked together in that play?

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<v Speaker 1>You did that play? Oh my god, we did that play.

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<v Speaker 1>It was Buried the Dead, Buried the Dead by I

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<v Speaker 1>had a very dramatic party, killable, you know, very dramatic,

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<v Speaker 1>and and he was the head of the onion. I think,

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<v Speaker 1>oh my gosh, he was ahead of you. Very dark play,

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<v Speaker 1>very dark anti war play. Unbelievable. And so did you

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<v Speaker 1>guys continue to consciously choose to work together or did

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<v Speaker 1>you just kind of happen because people associated with As

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<v Speaker 1>a matter of fact, we were both in positions I

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<v Speaker 1>on the soap opera. But we never interfered with each

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<v Speaker 1>other's We never said, oh I want my husband to

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<v Speaker 1>be on this, Oh I want my wife. You never

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<v Speaker 1>like demanded a contractor. And elsewhere, it just happened, just happened. Wow.

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<v Speaker 1>Elsewhere when it was consciously done was when Michael Jacobs

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<v Speaker 1>asked me to come in on that last year. Yes,

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<v Speaker 1>well yeah, so for everyone listening, and just in case

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<v Speaker 1>you didn't know, obviously, Bill Daniels is Mr Feenie and

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<v Speaker 1>Bonnie came on and joined us, joined us for the

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<v Speaker 1>last season where she played the Dean and Mr Feeney

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<v Speaker 1>and the Dean fell in love and um, it's actually

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<v Speaker 1>one of our fans most favorite things when they realize

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<v Speaker 1>you guys are married in real life, and they go, wait,

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<v Speaker 1>you know, I went to Chicago for a Golden Girl's

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<v Speaker 1>convention because I played a villain on an episode of

0:11:20.080 --> 0:11:23.240
<v Speaker 1>Golden Girls called Barbara Thorndyke, a real anti semi to

0:11:23.440 --> 0:11:28.760
<v Speaker 1>terrible terrible girl terrible, And so I would and I'm finding,

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<v Speaker 1>you know, autographs and enjoy things in this little girls

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<v Speaker 1>about twelve fourteen maybe, And she came up and she

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<v Speaker 1>looked at a picture down here and she looked up

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<v Speaker 1>and she said, your Mrs Feenie, Mrs Baby she sight

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<v Speaker 1>and I've never had that, it was never called Mrs Treedie.

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<v Speaker 1>She connected it, and I thought that was so sweet. Oh, yesterday,

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<v Speaker 1>that is so emotional about this show. Yeah, yeah, everybody does. Yeah,

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<v Speaker 1>and especially for you, Bill. I imagine people must look

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<v Speaker 1>up to you and immediately I feel like you're this

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<v Speaker 1>great authority and vast wealth of knowledge that they can

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<v Speaker 1>tap into. I don't know, I think, so, yeah, you're

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<v Speaker 1>you're you're the teacher for many generations now, I mean

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<v Speaker 1>it's it's it's moving from generation to generation of Mr

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<v Speaker 1>Feenie was my teacher? Right? And then they asked, they asked.

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<v Speaker 1>They say, oh, I want my children to watch, and

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<v Speaker 1>then they have their children watched the show. Yes, I

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<v Speaker 1>love the show. So Bill, how did Boy Meets World

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<v Speaker 1>come to you? Did you have to audition? Was it offered?

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<v Speaker 1>Do you what? What was the situation there was? Michael?

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<v Speaker 1>I asked for a meeting because I turned it down.

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<v Speaker 1>I wanted to know why. I said, Well, that's a

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<v Speaker 1>funny name, and I don't really I don't really want

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<v Speaker 1>to make fun of teachers. I I respect them, and

0:13:10.640 --> 0:13:14.000
<v Speaker 1>they were underpaid and all that, and he said, and

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<v Speaker 1>then he told me what my role was based on,

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<v Speaker 1>which was a mentor of his when he was in

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<v Speaker 1>high school. So a mentor of his. So I realized

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<v Speaker 1>that the part would be treated with respect. Right. He

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<v Speaker 1>rewrote something too, Yeah, the the he rewrote something, and

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<v Speaker 1>the power is that he didn't want it, but he

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<v Speaker 1>made them. He made him do it. And that's what

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<v Speaker 1>sold you. That first episode we got was a lot

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<v Speaker 1>of serious stuff. He gave him a lot of serious stuff.

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<v Speaker 1>But Michael was willing to do that and capable of

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<v Speaker 1>doing that, and he went against the work see to

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<v Speaker 1>do it. Yeah, you know, if I remember correctly, it

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<v Speaker 1>was actually after the table read that we we did

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<v Speaker 1>have a table read, and and then then Bill was

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<v Speaker 1>very upset um and the table read did not go well,

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<v Speaker 1>if I remember, and over in general, and Bill was upset,

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<v Speaker 1>the network was upset, and Michael was sort of stuck

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<v Speaker 1>in between the two impulses and ended up rewriting the

0:14:20.840 --> 0:14:24.640
<v Speaker 1>entire script that night, You're right, yeah, yeah, and then

0:14:24.680 --> 0:14:27.560
<v Speaker 1>and then Bill was happy, and I remember Bill threatening

0:14:27.600 --> 0:14:29.480
<v Speaker 1>to leave, or that's the story I heard at least.

0:14:30.920 --> 0:14:33.600
<v Speaker 1>And it's because he didn't feel like Mr Finie was

0:14:33.640 --> 0:14:38.760
<v Speaker 1>being like was he was being treated with respect that

0:14:38.880 --> 0:14:44.920
<v Speaker 1>it might be Yeah, well that's that's that's very common

0:14:44.920 --> 0:14:47.080
<v Speaker 1>in television, is is the teacher is kind of the

0:14:47.120 --> 0:14:49.880
<v Speaker 1>buffoon and the kids are the kids are pulling one

0:14:49.960 --> 0:14:53.360
<v Speaker 1>over on the teacher every time. And yeah, that that

0:14:53.440 --> 0:14:57.280
<v Speaker 1>was just the television trope that you would always see. Um, yeah,

0:14:57.360 --> 0:15:01.040
<v Speaker 1>and that's that's didn't want to do. Also after Saint Elsewhere,

0:15:01.840 --> 0:15:05.920
<v Speaker 1>uh Uh, everybody wanted, as a matter of fact, both

0:15:05.920 --> 0:15:09.120
<v Speaker 1>of us, they wanted us to do comedy. We Bill

0:15:09.240 --> 0:15:13.360
<v Speaker 1>turned down one comedy after another because he didn't want

0:15:13.360 --> 0:15:15.280
<v Speaker 1>to do it. But that's, you know, that's the natural

0:15:15.320 --> 0:15:17.880
<v Speaker 1>thing to do after a serious thing, then you do

0:15:17.920 --> 0:15:20.280
<v Speaker 1>a comedy. He didn't want to do a comedy, and

0:15:21.160 --> 0:15:24.040
<v Speaker 1>I gosh, I went through a lot of times when

0:15:24.160 --> 0:15:26.240
<v Speaker 1>I would like to have done it, but he said no.

0:15:26.880 --> 0:15:32.120
<v Speaker 1>And so, uh then when this came up, he really

0:15:32.160 --> 0:15:35.080
<v Speaker 1>didn't think it would would work and he didn't really

0:15:35.120 --> 0:15:38.600
<v Speaker 1>think that he wanted to do it. Seven years later

0:15:40.080 --> 0:15:42.360
<v Speaker 1>and he had a great time and he loved it.

0:15:42.680 --> 0:15:47.200
<v Speaker 1>And I think that's due to Michael Jacobs. First of

0:15:47.200 --> 0:15:49.840
<v Speaker 1>all and then all of you guys, he really did

0:15:50.120 --> 0:15:52.960
<v Speaker 1>you know, respect you well. And it also brought him

0:15:53.000 --> 0:15:55.680
<v Speaker 1>to a whole new fandom because I mean, you've got

0:15:55.800 --> 0:15:58.440
<v Speaker 1>university seeing elsewhere is one kind of group of fans,

0:15:58.520 --> 0:16:01.760
<v Speaker 1>and sev seventy six is one kind of group of fans.

0:16:02.120 --> 0:16:04.440
<v Speaker 1>But now to be on a show where the fans

0:16:04.520 --> 0:16:08.520
<v Speaker 1>grow up watching you, it's a completely different vibe when

0:16:08.520 --> 0:16:11.720
<v Speaker 1>you when you've got somebody raised watching you on television,

0:16:11.720 --> 0:16:15.640
<v Speaker 1>it's now so Bill when you when you look back

0:16:15.680 --> 0:16:17.960
<v Speaker 1>on the shows that you do, is there one group

0:16:18.000 --> 0:16:20.880
<v Speaker 1>of fans that that you tend to get recognized for

0:16:21.000 --> 0:16:24.680
<v Speaker 1>something more than than something else? Definitely, not saying else

0:16:24.880 --> 0:16:30.160
<v Speaker 1>or interesting, Um I think Mr Fannie, Yeah, definitely. It's

0:16:30.200 --> 0:16:33.080
<v Speaker 1>the It's the thing that what do you call it,

0:16:33.160 --> 0:16:37.400
<v Speaker 1>popular culture or something became the most iconic right because

0:16:37.400 --> 0:16:40.440
<v Speaker 1>sane elsewe would probably be the most critically acclaimed of

0:16:40.520 --> 0:16:45.320
<v Speaker 1>all the show followed by night Rider. I was night Rider,

0:16:45.400 --> 0:16:50.360
<v Speaker 1>remember in Mayor on the street and a bus came by.

0:16:50.560 --> 0:16:53.560
<v Speaker 1>I'm walking along and a bunch of kids got off

0:16:53.600 --> 0:16:56.600
<v Speaker 1>the bus and they saw me and they said Mr Feeney,

0:16:56.880 --> 0:16:59.520
<v Speaker 1>and they come running and I ran around the blow

0:16:59.640 --> 0:17:04.920
<v Speaker 1>Peter from He said to me, sorry, I'll see you later,

0:17:05.000 --> 0:17:13.800
<v Speaker 1>and they absolutely terrified him and they me in New

0:17:13.880 --> 0:17:18.720
<v Speaker 1>York particularly, Uh when when Bill wrote a book and

0:17:19.040 --> 0:17:22.880
<v Speaker 1>we went to a signing, they were voracious, chased us around,

0:17:23.440 --> 0:17:28.399
<v Speaker 1>jumped on the car, did all kinds of things. Wow. Yeah,

0:17:28.440 --> 0:17:33.440
<v Speaker 1>they were fanatics. I'm calling it hashtags. I don't imagine

0:17:33.480 --> 0:17:39.800
<v Speaker 1>fans of the Zoo Story on Broadway we're jumping on. Bill.

0:17:39.880 --> 0:17:42.879
<v Speaker 1>What are your memories, What are your memories of meeting

0:17:42.920 --> 0:17:46.240
<v Speaker 1>all of us for the first time, and what was

0:17:46.280 --> 0:17:51.560
<v Speaker 1>that like to work with basically twelve year olds. Well,

0:17:52.880 --> 0:17:58.800
<v Speaker 1>you will alway young and having fun and I was

0:17:58.960 --> 0:18:04.320
<v Speaker 1>much more serious. Is so I would hang out in

0:18:04.440 --> 0:18:09.080
<v Speaker 1>my dressing room away from you all as you fooled

0:18:09.119 --> 0:18:15.040
<v Speaker 1>around qua the camera, and then they said Mr Daniels

0:18:15.040 --> 0:18:18.960
<v Speaker 1>were ready for you, and then I go out. You

0:18:18.960 --> 0:18:25.000
<v Speaker 1>guys were having a ball, and I taken it very seriously. Frankly,

0:18:25.640 --> 0:18:30.080
<v Speaker 1>I wish I were one of you. Yes, he would

0:18:30.160 --> 0:18:33.720
<v Speaker 1>like to and one of you guys nevered fun. Did

0:18:33.720 --> 0:18:37.720
<v Speaker 1>you enjoy the live studio audience? Oh yes, I much

0:18:37.800 --> 0:18:44.040
<v Speaker 1>prefer a live audience. Uh, and that's from my work

0:18:44.080 --> 0:18:50.679
<v Speaker 1>on Broadway. Uh. You know when you know, when you

0:18:50.880 --> 0:18:57.240
<v Speaker 1>start on something and they're rustling the papers and programs

0:18:57.280 --> 0:19:03.359
<v Speaker 1>and so forth, and you stugged, and then when you

0:19:03.400 --> 0:19:08.960
<v Speaker 1>can hear a pin drop, you know you were doing okay,

0:19:07.160 --> 0:19:12.600
<v Speaker 1>you quite different. I remember, yeah, you. I remember you

0:19:12.600 --> 0:19:15.000
<v Speaker 1>would sit in your dressing room and you would play

0:19:15.080 --> 0:19:19.719
<v Speaker 1>chess against yourself. And then I asked you one day,

0:19:19.760 --> 0:19:21.440
<v Speaker 1>I said, will you will you teach me how to play?

0:19:21.440 --> 0:19:23.159
<v Speaker 1>And you went sure, and we did that for for

0:19:23.200 --> 0:19:24.840
<v Speaker 1>a couple of weeks. You taught me how to play chess,

0:19:24.840 --> 0:19:26.480
<v Speaker 1>and then I think you kind of went, I want

0:19:26.520 --> 0:19:30.040
<v Speaker 1>to go back and play against myself again. I'm a

0:19:30.880 --> 0:19:33.400
<v Speaker 1>I'm a much better player when I play against myself. Yes,

0:19:33.440 --> 0:19:37.720
<v Speaker 1>that is how I recall it. Now, Bill, we've been

0:19:37.760 --> 0:19:40.360
<v Speaker 1>we've been doing this Rewatch podcast for This is our

0:19:40.640 --> 0:19:46.120
<v Speaker 1>third Rewatch episode, and these first three episodes have been

0:19:46.600 --> 0:19:50.000
<v Speaker 1>so incredible and and there's always been at least one,

0:19:50.119 --> 0:19:55.280
<v Speaker 1>if not to very Mr Feeney and Corey Matthew's scenes.

0:19:56.600 --> 0:19:58.679
<v Speaker 1>This is now the second episode. I'd like to go

0:19:58.720 --> 0:20:02.320
<v Speaker 1>on record saying the second episode where I fully welled up,

0:20:02.359 --> 0:20:04.600
<v Speaker 1>I thought I was going to start having tears fall

0:20:04.680 --> 0:20:06.560
<v Speaker 1>down my face was able to stop them before they

0:20:06.560 --> 0:20:10.560
<v Speaker 1>fell down my cheeks. But you and Ben together are

0:20:11.000 --> 0:20:16.040
<v Speaker 1>absolute magic in especially in these early episodes. What was

0:20:16.160 --> 0:20:21.919
<v Speaker 1>that like working with Ben? Well, it was the same

0:20:21.960 --> 0:20:28.000
<v Speaker 1>as working with you. It really was very pleasant. I

0:20:28.000 --> 0:20:33.359
<v Speaker 1>I stayed away from being judgmental. I took whatever you

0:20:33.480 --> 0:20:37.160
<v Speaker 1>gave me, and I tried to work with it, and

0:20:37.280 --> 0:20:40.600
<v Speaker 1>it worked out very well. I didn't want to be

0:20:40.800 --> 0:20:47.520
<v Speaker 1>somebody who was older and more knowledgeable and making remarks

0:20:48.720 --> 0:20:54.120
<v Speaker 1>criticizing your work was suggesting I did none of that. Yeah,

0:20:54.560 --> 0:20:57.840
<v Speaker 1>you did not. I said that too. I said, don't

0:20:57.920 --> 0:21:00.639
<v Speaker 1>do you help them? He said, no, they're on my

0:21:00.760 --> 0:21:04.120
<v Speaker 1>level there, they're they're the same level. I am, I can't.

0:21:04.160 --> 0:21:07.560
<v Speaker 1>I can't help. And we felt that we felt like

0:21:07.600 --> 0:21:09.719
<v Speaker 1>we felt so respected in a way. I mean we've

0:21:09.720 --> 0:21:12.360
<v Speaker 1>talked about that on on this set. I mean, having

0:21:12.400 --> 0:21:15.119
<v Speaker 1>been on other sets as a kid, it wasn't always

0:21:15.160 --> 0:21:17.120
<v Speaker 1>like In fact, most of the time it was not that.

0:21:17.480 --> 0:21:20.280
<v Speaker 1>So to have that respect from the adults, especially the

0:21:20.280 --> 0:21:23.359
<v Speaker 1>ones as as experienced and seasoned as you, was such

0:21:23.400 --> 0:21:26.679
<v Speaker 1>an amazing feeling and it made us, I don't know,

0:21:26.880 --> 0:21:28.920
<v Speaker 1>it made us all up our game. I think, Well,

0:21:28.960 --> 0:21:31.760
<v Speaker 1>you also Bill. You you so you talk about in

0:21:31.800 --> 0:21:34.600
<v Speaker 1>your book which is um, there I go again, How

0:21:34.600 --> 0:21:37.359
<v Speaker 1>I came to be Mr Feenie, John Adams, Dr Craig

0:21:37.440 --> 0:21:39.720
<v Speaker 1>kit and many others, which is a wonderful book that

0:21:39.760 --> 0:21:42.600
<v Speaker 1>you wrote. You in the beginning you talk about how

0:21:42.800 --> 0:21:46.880
<v Speaker 1>you were a child actor. Did that affect in any way,

0:21:46.880 --> 0:21:50.639
<v Speaker 1>shape or form how you dealt with us? Yes, oh yes,

0:21:51.160 --> 0:21:56.399
<v Speaker 1>I felt my I haven't mother that put my sister

0:21:56.480 --> 0:22:00.280
<v Speaker 1>and I in the business. She was very judgment soul

0:22:01.600 --> 0:22:04.919
<v Speaker 1>as an ambitious and she was She was a classic

0:22:04.960 --> 0:22:09.320
<v Speaker 1>stage mom in that sense totally. Frankly, I really didn't

0:22:10.080 --> 0:22:15.480
<v Speaker 1>have a normal childhood. I was over at NBC with

0:22:15.560 --> 0:22:20.640
<v Speaker 1>the horn and heart of Children's Hour for years and

0:22:21.359 --> 0:22:28.600
<v Speaker 1>I really kind of resented it, you know, until I realized, uh,

0:22:29.560 --> 0:22:34.360
<v Speaker 1>the better aspects of the work, of what it could mean,

0:22:35.440 --> 0:22:40.200
<v Speaker 1>uh to do your job as best you could, and

0:22:40.720 --> 0:22:46.040
<v Speaker 1>that's there's an audience out there. So she was terrible,

0:22:47.760 --> 0:22:50.080
<v Speaker 1>she was, and I think that and I loved her.

0:22:50.280 --> 0:22:52.480
<v Speaker 1>She was a great grandma, but she was a terrible mother.

0:22:53.000 --> 0:22:59.440
<v Speaker 1>But I think that those early scenes with Ben, I

0:22:59.480 --> 0:23:03.280
<v Speaker 1>think that whether he knew it or not, he was

0:23:03.320 --> 0:23:06.720
<v Speaker 1>then do you know what I mean Bill was then

0:23:07.080 --> 0:23:10.800
<v Speaker 1>this sweet kid, that brand new, you know, as far

0:23:10.840 --> 0:23:14.160
<v Speaker 1>as he knew, just starting to act and just using

0:23:14.280 --> 0:23:18.800
<v Speaker 1>his instincts, no training or anything, just instinctively acting and

0:23:18.840 --> 0:23:24.120
<v Speaker 1>the lovely personality. And I think that's connected Bill to him. Yeah,

0:23:24.119 --> 0:23:26.920
<v Speaker 1>then all of you later. But that shows, I mean

0:23:27.800 --> 0:23:32.000
<v Speaker 1>it certainly shows. Yeah, it shows. And so Bonnie, what

0:23:32.160 --> 0:23:36.440
<v Speaker 1>kind of father? And now what kind of grandfather is Bill?

0:23:36.560 --> 0:23:40.359
<v Speaker 1>What has he? We know Bill as as this, you know, um,

0:23:40.400 --> 0:23:43.760
<v Speaker 1>we remember him being so incredibly professional on set with us.

0:23:43.760 --> 0:23:47.399
<v Speaker 1>I remember him taking his lines very seriously, holding the

0:23:47.440 --> 0:23:49.320
<v Speaker 1>script or his cards that he had where he had

0:23:49.320 --> 0:23:51.760
<v Speaker 1>his lines written, and not wanting to mess up, being

0:23:51.880 --> 0:23:55.520
<v Speaker 1>very hard on himself about being very hard, very hard

0:23:55.560 --> 0:24:00.359
<v Speaker 1>on himself. I saw him once to go up one six.

0:24:00.440 --> 0:24:02.240
<v Speaker 1>He went up where they gave him a new lyric

0:24:02.320 --> 0:24:05.399
<v Speaker 1>and he blew it. He came into the dressing and

0:24:05.359 --> 0:24:07.639
<v Speaker 1>went into the bathroom and wouldn't come out. He was

0:24:07.680 --> 0:24:11.040
<v Speaker 1>crying in the bathroom. And this was as a grown man,

0:24:11.280 --> 0:24:14.479
<v Speaker 1>you know, and everybody else was laughing. Yeah, no one,

0:24:14.520 --> 0:24:16.439
<v Speaker 1>It wasn't a big deal to anyone of that. Like

0:24:16.560 --> 0:24:20.520
<v Speaker 1>you guys would you'd laugh and somebody he just he

0:24:20.560 --> 0:24:23.560
<v Speaker 1>would cry because he was still a little boy, and

0:24:24.119 --> 0:24:28.800
<v Speaker 1>his mother saying, can't you get that that's so hard

0:24:28.840 --> 0:24:34.000
<v Speaker 1>to get again? Do it again? And then he sit

0:24:34.040 --> 0:24:36.800
<v Speaker 1>in the backseat of the card and do it correctly

0:24:36.920 --> 0:24:44.359
<v Speaker 1>for her, darting to know what kind of father is he? He?

0:24:44.840 --> 0:24:48.440
<v Speaker 1>You know, I was so worried. Well I was Alice

0:24:48.560 --> 0:24:51.120
<v Speaker 1>actress anyway, but so I didn't want to have children,

0:24:51.680 --> 0:24:54.640
<v Speaker 1>and Bill wanted to have children more than I did.

0:24:54.640 --> 0:24:57.760
<v Speaker 1>But I thought, no, this wouldn't work because very frankly,

0:24:58.080 --> 0:25:02.120
<v Speaker 1>he was an angry guy, and I thought he would

0:25:02.160 --> 0:25:04.399
<v Speaker 1>be tough on kids, you know, I thought you would be.

0:25:05.280 --> 0:25:09.880
<v Speaker 1>I was afraid. And then as it turned out, he

0:25:09.960 --> 0:25:16.040
<v Speaker 1>was a terrific father. And he both the boys, I

0:25:16.480 --> 0:25:19.480
<v Speaker 1>think they were very different, and he adjusted to each

0:25:19.560 --> 0:25:23.520
<v Speaker 1>one h two so that they could be who they

0:25:23.520 --> 0:25:26.120
<v Speaker 1>wanted to be and who they were. He didn't ever

0:25:26.240 --> 0:25:29.520
<v Speaker 1>try to He never tried to make either of our

0:25:29.600 --> 0:25:33.960
<v Speaker 1>voice like him or to do anything that special. Just

0:25:34.119 --> 0:25:38.040
<v Speaker 1>grow up and they're very different, and they they they've

0:25:38.080 --> 0:25:43.480
<v Speaker 1>turned out to be very wonderful men and fathers themselves.

0:25:44.200 --> 0:25:48.040
<v Speaker 1>So he was a very good father. Well, that was

0:25:48.080 --> 0:25:50.199
<v Speaker 1>one of the things that amazed me. Was what I

0:25:50.280 --> 0:25:52.919
<v Speaker 1>like to call the two Bills, and I'm one of

0:25:52.960 --> 0:25:56.119
<v Speaker 1>the few people that got to see that. Where you know,

0:25:56.280 --> 0:25:59.679
<v Speaker 1>on set, Bill, you were the consummate professional. We just

0:26:00.000 --> 0:26:04.119
<v Speaker 1>wanted to earn your approval and have scenes with you.

0:26:04.160 --> 0:26:06.200
<v Speaker 1>We were all going to Michael at different times saying

0:26:06.280 --> 0:26:08.640
<v Speaker 1>we can we please have a scene with Bill Daniels.

0:26:08.680 --> 0:26:10.880
<v Speaker 1>This is all we wanted. And then you both very

0:26:11.000 --> 0:26:14.879
<v Speaker 1>nicely invited me to come up to Santa Barbara because you, Bonnie,

0:26:14.880 --> 0:26:18.520
<v Speaker 1>we were working with a ballet company and I had

0:26:18.560 --> 0:26:20.560
<v Speaker 1>grown up going to the ballet and you said I'd

0:26:20.560 --> 0:26:22.359
<v Speaker 1>like you to come up. And I got to to

0:26:22.560 --> 0:26:24.920
<v Speaker 1>hang out with Bill off the set a little bit,

0:26:25.080 --> 0:26:27.439
<v Speaker 1>and the first thing he did was walk up to

0:26:27.440 --> 0:26:28.840
<v Speaker 1>me with a big smile on his face and throw

0:26:28.880 --> 0:26:30.639
<v Speaker 1>his arms around me. And I looked around, going like,

0:26:30.960 --> 0:26:34.879
<v Speaker 1>what's going on? Who is this guy? But it's because

0:26:34.920 --> 0:26:38.320
<v Speaker 1>we weren't on set. It wasn't a professional atmosphere, and

0:26:38.359 --> 0:26:41.000
<v Speaker 1>so he was on set. This is about work. This

0:26:41.040 --> 0:26:43.400
<v Speaker 1>is what you do. This is your job. You take

0:26:43.400 --> 0:26:46.399
<v Speaker 1>it very seriously. And then offset you can go and

0:26:46.480 --> 0:26:48.480
<v Speaker 1>be the type of happy, go lucky person you want

0:26:48.480 --> 0:26:50.000
<v Speaker 1>to be and That was one of the first times

0:26:50.000 --> 0:26:54.720
<v Speaker 1>where I really realized that. That really struck me as, Oh,

0:26:54.760 --> 0:26:57.360
<v Speaker 1>you're right, you're yes, we're having fun, and yes we're young,

0:26:57.440 --> 0:26:59.199
<v Speaker 1>but this is our job. We've got to take it

0:26:59.280 --> 0:27:01.760
<v Speaker 1>very seriously. And we all as young actors have talked

0:27:01.760 --> 0:27:05.320
<v Speaker 1>about going to our next job after Boy Meets World

0:27:05.960 --> 0:27:09.639
<v Speaker 1>and being on time, knowing our lines, making sure we

0:27:09.680 --> 0:27:12.919
<v Speaker 1>had our marks down, being very professional, and looking at

0:27:12.960 --> 0:27:16.120
<v Speaker 1>the other kids we were working with, going wow, they

0:27:16.160 --> 0:27:18.080
<v Speaker 1>did not have William Daniels on the set with them

0:27:18.080 --> 0:27:20.320
<v Speaker 1>when they were learning how to do because we all

0:27:20.359 --> 0:27:23.800
<v Speaker 1>took away the professionalism. Um. So that's one of the

0:27:23.800 --> 0:27:26.720
<v Speaker 1>things that I think, you know, meant the most to me,

0:27:26.960 --> 0:27:28.880
<v Speaker 1>was just kind of oh, that this is how you're

0:27:28.880 --> 0:27:33.280
<v Speaker 1>a professional. Um. He's very much more professional than I

0:27:33.320 --> 0:27:37.680
<v Speaker 1>am too. I can be. Uh, I don't know. I

0:27:38.320 --> 0:27:41.480
<v Speaker 1>love camera, I love to be on camera, I love

0:27:41.520 --> 0:27:45.360
<v Speaker 1>all that, but I don't prepare the way he does.

0:27:45.440 --> 0:27:48.840
<v Speaker 1>I prepare very differently and I might say a line

0:27:48.880 --> 0:27:51.720
<v Speaker 1>differently than it's written or something like that, and he

0:27:51.800 --> 0:27:57.159
<v Speaker 1>does not believe in that. And uh, he's not what

0:27:57.280 --> 0:28:01.160
<v Speaker 1>can I say, He's never allowed himself to be um

0:28:01.359 --> 0:28:04.560
<v Speaker 1>loose like Ed Bagley something like that. You know. He

0:28:04.880 --> 0:28:07.680
<v Speaker 1>he doesn't allow that. He doesn't allow and he's really

0:28:07.680 --> 0:28:11.040
<v Speaker 1>good at it because he's funny. He has he has

0:28:11.080 --> 0:28:16.240
<v Speaker 1>a natural wit. And that's what improvisation needs, is that wit,

0:28:16.840 --> 0:28:21.400
<v Speaker 1>and that it is very good in uh say elsewhere

0:28:21.480 --> 0:28:25.600
<v Speaker 1>for instance, the wit. It's very important. He's always at that.

0:28:25.760 --> 0:28:30.159
<v Speaker 1>He said, a serious play always needs humor, you know,

0:28:30.280 --> 0:28:33.919
<v Speaker 1>because you've gotta have it. He will always look for

0:28:33.960 --> 0:28:37.840
<v Speaker 1>the funny, the funny bit. And in that play, you

0:28:37.960 --> 0:28:40.200
<v Speaker 1>missed the funny part. He says that to me all

0:28:40.200 --> 0:28:43.680
<v Speaker 1>the time. Thousand Poles in a thousand comes as a

0:28:43.720 --> 0:28:47.160
<v Speaker 1>line of where the guy says, you missed the funny part,

0:28:47.280 --> 0:28:52.040
<v Speaker 1>and he uses all those lines today. Very he's very

0:28:52.080 --> 0:28:55.480
<v Speaker 1>tough on me. I'm set, but I don't mind it,

0:28:55.960 --> 0:28:57.480
<v Speaker 1>do you know what I mean? I just don't know it.

0:28:57.560 --> 0:29:00.240
<v Speaker 1>But he's openly tough on me. Yes, And he can

0:29:00.280 --> 0:29:03.680
<v Speaker 1>be a tough guy, very tough guy. I remember Bill,

0:29:03.800 --> 0:29:06.520
<v Speaker 1>you telling me about opening night of the Zoo Story,

0:29:06.920 --> 0:29:09.840
<v Speaker 1>the Great Edward I'll Be play that you started on Broadway,

0:29:10.160 --> 0:29:13.440
<v Speaker 1>And I remember you telling me that when the first

0:29:13.520 --> 0:29:16.360
<v Speaker 1>line came out, you were you were, I forget the

0:29:16.440 --> 0:29:18.440
<v Speaker 1>character's name, but you're the sort of straight man on

0:29:18.720 --> 0:29:20.920
<v Speaker 1>the bench, and the guy comes up behind you and says,

0:29:20.960 --> 0:29:23.360
<v Speaker 1>I've been to the zoo, and you just looked up,

0:29:23.400 --> 0:29:27.040
<v Speaker 1>and just by your look, the audience broken laughs, And

0:29:27.040 --> 0:29:30.520
<v Speaker 1>I remember every and then I remember and then you said, Edward,

0:29:30.560 --> 0:29:32.840
<v Speaker 1>I'll be freaked out the first night because he was like,

0:29:32.840 --> 0:29:35.000
<v Speaker 1>why are they laughing? This isn't funny. This is supposed

0:29:35.040 --> 0:29:37.480
<v Speaker 1>to be a very serious play. But you guys kept

0:29:37.560 --> 0:29:42.320
<v Speaker 1>finding laughs. And I've always remembered that such a great play.

0:29:42.520 --> 0:29:48.840
<v Speaker 1>Hey didn't he didn't know the right you know, even

0:29:48.840 --> 0:29:51.680
<v Speaker 1>though he wrote it. And I didn't know it either.

0:29:51.880 --> 0:29:54.800
<v Speaker 1>But all I did was look up. But you know,

0:29:54.880 --> 0:29:57.080
<v Speaker 1>because that's a funny line. I've been to the zoo,

0:29:58.120 --> 0:30:04.720
<v Speaker 1>you know. And we learned to accept it because it

0:30:04.840 --> 0:30:09.440
<v Speaker 1>meant that the audience was with you right away. And

0:30:09.600 --> 0:30:12.360
<v Speaker 1>I thought I was just this guy sitting on the bench.

0:30:12.800 --> 0:30:18.080
<v Speaker 1>He had all the lines right. But they realized after

0:30:18.160 --> 0:30:22.280
<v Speaker 1>a while that they saw the play through my eyes

0:30:23.880 --> 0:30:28.040
<v Speaker 1>about him, who was a strange fellow, you know. I

0:30:28.200 --> 0:30:32.520
<v Speaker 1>realized that wasn't just a sit there part. It was

0:30:32.560 --> 0:30:35.760
<v Speaker 1>a very important important part of the play. Yeah, well,

0:30:35.800 --> 0:30:37.680
<v Speaker 1>I mean it's in some ways. I mean also what

0:30:37.760 --> 0:30:40.560
<v Speaker 1>you did with Mr Feeney, you get so many laughs

0:30:40.960 --> 0:30:46.920
<v Speaker 1>without ever having to be very uh animated. You know,

0:30:46.960 --> 0:30:49.040
<v Speaker 1>there's not a whole lot of like he didn't know,

0:30:49.200 --> 0:30:51.400
<v Speaker 1>You're not comical here, You're you're kind of just a

0:30:51.520 --> 0:30:54.520
<v Speaker 1>version of build in both right, just sort of and

0:30:54.600 --> 0:30:57.880
<v Speaker 1>yet you are getting so many laughs constantly, you know,

0:30:57.880 --> 0:30:59.520
<v Speaker 1>and I feel like the rest of us are hamming

0:30:59.600 --> 0:31:02.120
<v Speaker 1>it up for hitting these beats and you never have

0:31:02.200 --> 0:31:04.800
<v Speaker 1>to do a thing. You just kind of But that's

0:31:04.840 --> 0:31:08.520
<v Speaker 1>exactly why Mr Feeney and Eric worked so well together,

0:31:09.120 --> 0:31:12.520
<v Speaker 1>because they were such just opposites when it came to

0:31:12.720 --> 0:31:16.840
<v Speaker 1>everything comedically that it did. Were it just worked. It

0:31:17.000 --> 0:31:22.280
<v Speaker 1>was that the classic straight man, uh joker clown put together,

0:31:22.600 --> 0:31:25.400
<v Speaker 1>and it's that's where you find the comedy. It's it's amazing.

0:31:27.120 --> 0:31:29.200
<v Speaker 1>And well, I was one of the greatest compliments I

0:31:29.280 --> 0:31:32.000
<v Speaker 1>ever got. We were about season six of Boy Mets

0:31:32.040 --> 0:31:33.680
<v Speaker 1>World and Bill, you came up to me and you

0:31:33.720 --> 0:31:36.000
<v Speaker 1>put your arm around me, and it said, it looks

0:31:36.040 --> 0:31:39.240
<v Speaker 1>like you're my new ed Bagley and you and you

0:31:39.280 --> 0:31:41.320
<v Speaker 1>walked away, and it was I remember just thinking, like

0:31:41.440 --> 0:31:43.000
<v Speaker 1>that is the coolest thing. And I'm going to go

0:31:43.040 --> 0:31:47.080
<v Speaker 1>buy a tesla Um and so yeah, very very neat,

0:31:47.200 --> 0:32:00.040
<v Speaker 1>very Bill. You played Mr Braddock in The Grad to

0:32:00.120 --> 0:32:04.320
<v Speaker 1>it an absolutely iconic movie and iconic role. What did

0:32:04.360 --> 0:32:10.760
<v Speaker 1>you learn from Mike Nichols? Oh, well, Mike was a

0:32:11.800 --> 0:32:20.200
<v Speaker 1>performer himself with Elaine Man. He would pick people carefully

0:32:20.560 --> 0:32:28.680
<v Speaker 1>and then he would direct them only minimally. He didn't

0:32:29.400 --> 0:32:34.360
<v Speaker 1>He let you alone unless he saw something that was wrong.

0:32:34.800 --> 0:32:39.880
<v Speaker 1>But uh, he just let you alone. And I don't

0:32:39.960 --> 0:32:48.360
<v Speaker 1>remember any actual direction that he gave me. Interesting, let

0:32:48.400 --> 0:32:50.920
<v Speaker 1>me do it the way I was going to do it.

0:32:50.920 --> 0:32:54.800
<v Speaker 1>It's more about the casting yeast place. And he fired

0:32:54.840 --> 0:32:57.280
<v Speaker 1>people when he felt they were wrong, and he always

0:32:57.280 --> 0:33:00.680
<v Speaker 1>stood was my mistake. I made the mistake. He fired

0:33:01.360 --> 0:33:05.320
<v Speaker 1>a very very famous actor was retired. Now he was

0:33:05.440 --> 0:33:10.760
<v Speaker 1>cast and and and he fired him. Oh gosh, he

0:33:10.920 --> 0:33:14.400
<v Speaker 1>lives in Santa Fe. Uh, he retired. He was a

0:33:14.440 --> 0:33:19.240
<v Speaker 1>great film actor, very big star of He thought that

0:33:19.320 --> 0:33:24.120
<v Speaker 1>was the end of this his life. What Gene Ackman

0:33:24.360 --> 0:33:31.000
<v Speaker 1>Jen Hackman oterally in The Graduate? No way, he got

0:33:31.040 --> 0:33:35.560
<v Speaker 1>fired before they started filming. And uh, he was with Bill.

0:33:35.840 --> 0:33:37.719
<v Speaker 1>He said to me, this is the end of my career,

0:33:38.320 --> 0:33:41.080
<v Speaker 1>and uh, Bill said oh, and of course he went

0:33:41.120 --> 0:33:45.320
<v Speaker 1>on to fame unfortune immediately. But anyway, Mike just said,

0:33:45.360 --> 0:33:49.240
<v Speaker 1>I made a mistake. We got the cast together and

0:33:49.360 --> 0:33:54.560
<v Speaker 1>the apologized about letting Jane go. He said it was

0:33:54.600 --> 0:33:59.920
<v Speaker 1>my mistake. His Yeah, well, this isn't interesting. Something that

0:34:00.040 --> 0:34:03.360
<v Speaker 1>I've often wondered about. It seems like because I I

0:34:03.880 --> 0:34:07.160
<v Speaker 1>remember you telling us that you had no idea what

0:34:07.280 --> 0:34:10.160
<v Speaker 1>the graduate was, that it would become such a big thing,

0:34:10.280 --> 0:34:12.400
<v Speaker 1>and I feel like that's often the case as an actor.

0:34:12.880 --> 0:34:15.600
<v Speaker 1>You never know, you know, you never was there ever

0:34:15.640 --> 0:34:17.640
<v Speaker 1>a time where you were able to look around and say,

0:34:17.640 --> 0:34:20.360
<v Speaker 1>oh I am a part of something really special, or

0:34:20.520 --> 0:34:24.680
<v Speaker 1>you knew exactly how big something was going to be. Yes,

0:34:24.920 --> 0:34:32.520
<v Speaker 1>I think it's a truism that no one knows what's

0:34:32.520 --> 0:34:37.520
<v Speaker 1>gonna work and what isn't until they tried it and

0:34:38.280 --> 0:34:41.680
<v Speaker 1>the graduate was born with them. You know, we didn't

0:34:41.760 --> 0:34:47.040
<v Speaker 1>know this young man, I think Mike him, Yes he did.

0:34:47.160 --> 0:34:51.719
<v Speaker 1>Mike Nichols knew. Yeah, he saw him off Broadway and

0:34:51.880 --> 0:35:02.640
<v Speaker 1>they wanted Redford the Studio one and Robin, but typical

0:35:03.600 --> 0:35:06.000
<v Speaker 1>good hand Mike said, no, I want this guy from

0:35:06.000 --> 0:35:10.759
<v Speaker 1>New York and he was in a position to call

0:35:10.880 --> 0:35:13.839
<v Speaker 1>all the shots at that point because he had been

0:35:13.960 --> 0:35:17.279
<v Speaker 1>very successful and he did. He had already done. He

0:35:17.440 --> 0:35:20.799
<v Speaker 1>was afraid of Virginia Woolf. Yeah, so it was an

0:35:20.800 --> 0:35:25.960
<v Speaker 1>interesting experience. It was very funny. Mike. Oh god, he

0:35:26.000 --> 0:35:31.880
<v Speaker 1>couldn't make anybody laugh at any given time. I remember, Uh,

0:35:31.920 --> 0:35:36.680
<v Speaker 1>they were photographing dustin in the in the pool and

0:35:36.719 --> 0:35:41.480
<v Speaker 1>he was going over it with the cinematographer because they

0:35:41.560 --> 0:35:44.719
<v Speaker 1>had a guy underwater that was going to shoot up

0:35:45.160 --> 0:35:49.439
<v Speaker 1>underwater from one point of view. And I came over

0:35:49.480 --> 0:35:52.200
<v Speaker 1>to see how it was being done. And he's talking

0:35:52.600 --> 0:35:58.160
<v Speaker 1>to his cinematographer and he senses I'm there, and he says,

0:35:58.360 --> 0:36:02.560
<v Speaker 1>what to me? What I said, I just wanted to

0:36:02.560 --> 0:36:05.480
<v Speaker 1>see how how you were going to shoot this. He

0:36:05.560 --> 0:36:09.600
<v Speaker 1>turned to a spot, said why has he attacking me?

0:36:14.600 --> 0:36:16.719
<v Speaker 1>He would he would call it if I asked the phone.

0:36:16.760 --> 0:36:18.560
<v Speaker 1>He said, Bonnie. And then I said, oh, yes, sir,

0:36:18.760 --> 0:36:26.640
<v Speaker 1>He said, did we we we ever married? I remember you?

0:36:26.880 --> 0:36:28.680
<v Speaker 1>He said no, no, No, I never met you. He

0:36:28.680 --> 0:36:31.600
<v Speaker 1>said yes. He said you were very big in my life.

0:36:31.880 --> 0:36:36.480
<v Speaker 1>He said you were Strasburg secretary, and uh, you were

0:36:36.560 --> 0:36:41.480
<v Speaker 1>very important. And I paid thirty dollars of them, and I, oh, no,

0:36:41.560 --> 0:36:44.880
<v Speaker 1>I don't remember. And finally I said, well, if I

0:36:44.880 --> 0:36:46.640
<v Speaker 1>had known you were going to be so famous, I

0:36:46.680 --> 0:36:53.560
<v Speaker 1>would have remembered. I was so embarrassed I did not.

0:36:53.920 --> 0:36:59.120
<v Speaker 1>How do you forget Mike Nichols? I had? So I

0:36:59.160 --> 0:37:01.640
<v Speaker 1>have a question for you, Bill, your your career has

0:37:01.680 --> 0:37:05.280
<v Speaker 1>been so prolific. Is there a role that you really

0:37:05.320 --> 0:37:08.240
<v Speaker 1>wanted that you didn't get ever that you can remember?

0:37:10.680 --> 0:37:13.680
<v Speaker 1>You know what? I can sort of answer that because

0:37:14.800 --> 0:37:19.320
<v Speaker 1>he has been quoting Hamlet all of our married lives,

0:37:19.640 --> 0:37:23.600
<v Speaker 1>and I think that, although he never expressed it even

0:37:23.640 --> 0:37:27.480
<v Speaker 1>to himself, I think he identified with that part very

0:37:27.560 --> 0:37:30.440
<v Speaker 1>much and would like to have played that. He was

0:37:30.560 --> 0:37:33.520
<v Speaker 1>very good in Shakespeare. He was a Macbeth, very good

0:37:33.600 --> 0:37:39.120
<v Speaker 1>Micbel especially in the later part. Uh, that was that

0:37:39.239 --> 0:37:42.719
<v Speaker 1>Northwestern But I know, but you were good, and you

0:37:42.800 --> 0:37:46.920
<v Speaker 1>were very good at older and you must have done

0:37:47.000 --> 0:37:49.759
<v Speaker 1>Lady Macbeth bonny at point right. Yeah, I was good

0:37:49.760 --> 0:37:52.799
<v Speaker 1>on a sleepwalking seem not so good in the first part.

0:37:52.920 --> 0:37:58.560
<v Speaker 1>That's harder, the hard party, the letter, Yeah, tough to

0:37:58.680 --> 0:38:00.880
<v Speaker 1>come on and do that well, and it was I

0:38:00.920 --> 0:38:04.919
<v Speaker 1>would have I would have directed it totally differently than

0:38:04.960 --> 0:38:07.960
<v Speaker 1>they do. I would have now, yeah, and you know something,

0:38:08.640 --> 0:38:11.160
<v Speaker 1>it's maybe it's because it's Shakespeare, but it never is

0:38:11.160 --> 0:38:15.319
<v Speaker 1>out of my head, come back all the time, and

0:38:15.400 --> 0:38:19.759
<v Speaker 1>he does lines from from Shakespeare all the time, you know,

0:38:19.880 --> 0:38:24.160
<v Speaker 1>just quietly sitting there. But I do think a little

0:38:24.200 --> 0:38:27.080
<v Speaker 1>bit a terrific Hamlet it would have been. Bill. Do

0:38:27.120 --> 0:38:29.920
<v Speaker 1>you remember the feeling you had or was there a

0:38:29.920 --> 0:38:32.960
<v Speaker 1>specific moment when you knew that Boy Meets World was

0:38:33.000 --> 0:38:36.600
<v Speaker 1>a hit. When did you know Boy Meets World was

0:38:36.640 --> 0:38:43.239
<v Speaker 1>a hit? Gosh, I don't remember. I'm guessing it was

0:38:43.320 --> 0:38:45.480
<v Speaker 1>before having to run away from all the people in

0:38:45.520 --> 0:38:52.840
<v Speaker 1>New York. It was that it was that New York imperience. Yeah,

0:38:53.239 --> 0:38:55.040
<v Speaker 1>ye see. I think I think none of us really

0:38:55.080 --> 0:38:57.000
<v Speaker 1>quite realized how much of a hit the show was

0:38:57.080 --> 0:39:00.560
<v Speaker 1>until after it was killed. But it wasn't like early huh.

0:39:01.040 --> 0:39:03.399
<v Speaker 1>It wasn't really a hit. It was on, but we

0:39:03.400 --> 0:39:05.920
<v Speaker 1>were never We never got any of the publicity that

0:39:06.000 --> 0:39:11.200
<v Speaker 1>every other show got. We just didn't you or anything. No,

0:39:11.520 --> 0:39:13.680
<v Speaker 1>just kept going. We were like Wings for kids. It

0:39:13.719 --> 0:39:16.480
<v Speaker 1>was a show everyone's like. Wasn't Wings on for a season?

0:39:16.560 --> 0:39:18.560
<v Speaker 1>It's like no, we was on for eight years. It

0:39:18.680 --> 0:39:22.239
<v Speaker 1>was one of those who would ever have imagine how

0:39:22.320 --> 0:39:25.080
<v Speaker 1>this has come back, How they love you all and

0:39:25.080 --> 0:39:27.319
<v Speaker 1>they want to see you all and they wanted you know.

0:39:27.400 --> 0:39:30.320
<v Speaker 1>It's it's kind of amazing. Okay, I have another question

0:39:30.360 --> 0:39:33.680
<v Speaker 1>than Bill. Do you have a Mr. Feenie type in

0:39:33.719 --> 0:39:37.040
<v Speaker 1>your life or an educator that you think back to

0:39:37.200 --> 0:39:39.759
<v Speaker 1>that really like made such a huge impact on you.

0:39:40.640 --> 0:39:44.480
<v Speaker 1>I was in a play on the roadway. Actually I

0:39:44.560 --> 0:39:48.280
<v Speaker 1>was an understudy, but it was a play with four

0:39:49.640 --> 0:39:55.480
<v Speaker 1>sons called Life with Fallow and I was the understudy

0:39:55.640 --> 0:39:59.719
<v Speaker 1>and as the oldest, got to be eighteen and was drafted.

0:40:00.200 --> 0:40:03.960
<v Speaker 1>That all move up and then I found myself at

0:40:03.960 --> 0:40:11.040
<v Speaker 1>the bottom of the list. And but Mr Lindsay came

0:40:11.080 --> 0:40:13.520
<v Speaker 1>back into the play after have him taken a year

0:40:13.680 --> 0:40:17.720
<v Speaker 1>off of it Howard to play Howard Lindsay the play

0:40:17.920 --> 0:40:22.839
<v Speaker 1>Graham for seven years. Wow, was a huge hit. So

0:40:24.680 --> 0:40:28.000
<v Speaker 1>I know that I was going to be drafted. First

0:40:28.040 --> 0:40:30.239
<v Speaker 1>of all, you got to rehearse with him, and that

0:40:30.320 --> 0:40:32.200
<v Speaker 1>was the thing when he came back into the play,

0:40:32.560 --> 0:40:37.600
<v Speaker 1>that's when you got together. Yes, oh yeah, he oh,

0:40:37.760 --> 0:40:42.080
<v Speaker 1>he had a he had a moment with me where

0:40:42.680 --> 0:40:46.680
<v Speaker 1>uh and we're in rehearsal because he came back to

0:40:46.719 --> 0:40:48.960
<v Speaker 1>the play and he had to rehearse to get into it.

0:40:49.000 --> 0:40:53.480
<v Speaker 1>The bill was already in it. Yeah, so uh, he said,

0:40:55.239 --> 0:41:00.960
<v Speaker 1>at this point there'll be a huge laugh bill. He said,

0:41:01.000 --> 0:41:06.239
<v Speaker 1>so just look in my eyes and it will tell

0:41:06.280 --> 0:41:11.319
<v Speaker 1>you when to do your line. I thought, man, that's

0:41:11.360 --> 0:41:17.040
<v Speaker 1>pretty strange, but it happened. He could release you with

0:41:17.160 --> 0:41:21.000
<v Speaker 1>his eyes to say your line. But you had a

0:41:21.040 --> 0:41:24.120
<v Speaker 1>way because it was a huge laugh and you know

0:41:24.239 --> 0:41:27.319
<v Speaker 1>those laughs go up and then level him and just

0:41:27.520 --> 0:41:30.160
<v Speaker 1>start to come down. That's when you come in with

0:41:30.239 --> 0:41:33.080
<v Speaker 1>your line. And that's what he wanted from me. But

0:41:33.200 --> 0:41:39.120
<v Speaker 1>he released me at that moment with his eyes, and

0:41:39.200 --> 0:41:42.879
<v Speaker 1>she was amazing. Man. And then I said. I went

0:41:42.920 --> 0:41:47.320
<v Speaker 1>to him in the dressing room and I said to him, um,

0:41:47.600 --> 0:41:50.080
<v Speaker 1>Mr lindsay, you know I'm gonna be drafted, and when

0:41:50.080 --> 0:41:54.520
<v Speaker 1>I get back, I wanna should I go? I was

0:41:54.560 --> 0:41:58.680
<v Speaker 1>thinking of going to the what was it, the the

0:41:58.719 --> 0:42:05.320
<v Speaker 1>Academy Acting in New York, very famous. Uh. And he said,

0:42:07.760 --> 0:42:11.040
<v Speaker 1>he said, he was at his dressing table. He said

0:42:11.080 --> 0:42:14.440
<v Speaker 1>close the door, and I closed the door and he said,

0:42:14.880 --> 0:42:18.759
<v Speaker 1>don't go there that this. Yeah, he said, I'm on

0:42:18.800 --> 0:42:24.520
<v Speaker 1>the board. Don't go there. He said, what you do

0:42:24.760 --> 0:42:30.279
<v Speaker 1>is you write board of education for colleges that have

0:42:30.440 --> 0:42:38.120
<v Speaker 1>good speech school and drama sections, which I did. I

0:42:38.160 --> 0:42:43.080
<v Speaker 1>wrote the government and I got an board of education.

0:42:43.239 --> 0:42:49.520
<v Speaker 1>I got an answer back and it was Yale uh

0:42:49.880 --> 0:42:56.239
<v Speaker 1>U c l A Northwestern. And so I was out

0:42:56.280 --> 0:43:00.480
<v Speaker 1>with my sister, the one where Walter Kurwest. Yeah, I'm

0:43:00.640 --> 0:43:06.560
<v Speaker 1>Catholic University. So um, I was out with my sisters

0:43:06.600 --> 0:43:09.560
<v Speaker 1>who were in a play with Walter Houston. My little

0:43:09.600 --> 0:43:14.080
<v Speaker 1>sister was I don't know how old she was seven.

0:43:14.880 --> 0:43:20.240
<v Speaker 1>She played. It was called Apple of his Eye. Walter Houston.

0:43:20.520 --> 0:43:27.720
<v Speaker 1>I think he was a great man. And so I

0:43:27.719 --> 0:43:35.839
<v Speaker 1>I went up there and they gave me a thing

0:43:36.160 --> 0:43:44.239
<v Speaker 1>to test test and I had no ucation. That was

0:43:44.280 --> 0:43:48.759
<v Speaker 1>what That's what Howard Lindsey said. You do that and

0:43:48.800 --> 0:43:52.080
<v Speaker 1>you're going to get an education. He said, you you

0:43:52.200 --> 0:43:55.080
<v Speaker 1>need to get an education. And that's why he said,

0:43:55.320 --> 0:43:58.839
<v Speaker 1>go to college, don't go to the American Actors thing.

0:43:58.880 --> 0:44:01.920
<v Speaker 1>And you all right, so in other words, don't just

0:44:02.000 --> 0:44:07.080
<v Speaker 1>worry about your acting, worry about educating yourself. Education exactly.

0:44:07.719 --> 0:44:12.680
<v Speaker 1>And he was the best. Parents never graduated from high school.

0:44:13.640 --> 0:44:15.920
<v Speaker 1>They never even graduate they never went to high school.

0:44:16.000 --> 0:44:20.960
<v Speaker 1>I have a funny story about that. I my sisters

0:44:21.520 --> 0:44:25.759
<v Speaker 1>were in Chicago in a play with Walter Houston, and

0:44:25.840 --> 0:44:28.920
<v Speaker 1>I was out visiting them, and my mother said, I

0:44:28.960 --> 0:44:34.000
<v Speaker 1>think one of those schools up there somewhere is one

0:44:34.080 --> 0:44:40.720
<v Speaker 1>of the schools that you wrote that was recommended. And

0:44:41.280 --> 0:44:46.960
<v Speaker 1>so I went up with our own appointment, and I

0:44:47.000 --> 0:44:53.680
<v Speaker 1>see this beautiful school on the on the the lake. Yeah,

0:44:53.840 --> 0:44:57.960
<v Speaker 1>and the campus and everything, you know, and I didn't

0:44:58.000 --> 0:45:01.200
<v Speaker 1>have much of an education. We were acting as and

0:45:01.400 --> 0:45:05.960
<v Speaker 1>you know we didn't. They were poor, poor Brooklyn, Brooklyn,

0:45:06.040 --> 0:45:11.560
<v Speaker 1>poor Brooklyn, right, And so I went up there and uh,

0:45:12.160 --> 0:45:15.719
<v Speaker 1>I walked around until I found the person who who

0:45:16.120 --> 0:45:21.600
<v Speaker 1>would interview me. And you took the test? They said,

0:45:21.840 --> 0:45:26.720
<v Speaker 1>you were in uniform and you've been on Broadway. I

0:45:26.760 --> 0:45:30.560
<v Speaker 1>took this test and the room was filled with other

0:45:30.600 --> 0:45:33.600
<v Speaker 1>people taking the tests, and I'm looking at it and

0:45:33.640 --> 0:45:42.440
<v Speaker 1>I'm thinking, could be yes, could be well? And pretty

0:45:42.440 --> 0:45:45.840
<v Speaker 1>soon I heard and I look up. It's the teacher

0:45:46.640 --> 0:45:49.040
<v Speaker 1>and he said, are you finished? Well? I wasn't even

0:45:49.080 --> 0:45:55.040
<v Speaker 1>halfway through it. Yeah, I guess so on paper. And

0:45:55.080 --> 0:45:59.080
<v Speaker 1>I got on a train going back down to Chicago,

0:45:59.080 --> 0:46:04.319
<v Speaker 1>and I thought, well, I've blew that, but they accepted me,

0:46:05.080 --> 0:46:07.200
<v Speaker 1>and I think they accepted me because I've been on

0:46:07.320 --> 0:46:12.280
<v Speaker 1>broad Oh yeah. But you know, when he started out,

0:46:12.520 --> 0:46:16.240
<v Speaker 1>when I met Bill, his grades were A, B, C D.

0:46:17.080 --> 0:46:20.360
<v Speaker 1>He had the two speech courses were A and B,

0:46:21.080 --> 0:46:24.120
<v Speaker 1>and then he had the D where political science or

0:46:24.160 --> 0:46:28.000
<v Speaker 1>something which he didn't often take a test or something.

0:46:28.040 --> 0:46:30.840
<v Speaker 1>You know. By the time we ended, he got a

0:46:30.960 --> 0:46:34.360
<v Speaker 1>full scholarship to do for a master's. He was a

0:46:34.440 --> 0:46:38.800
<v Speaker 1>straight A plus plus plus plus because he was a natural,

0:46:38.960 --> 0:46:41.600
<v Speaker 1>but he never I didn't know how to do it,

0:46:41.680 --> 0:46:45.279
<v Speaker 1>and of course I was a professional student, and so

0:46:45.440 --> 0:46:48.760
<v Speaker 1>I just helped him to learn how to be a student,

0:46:49.000 --> 0:46:52.960
<v Speaker 1>and he was top, top up top. Now, Bill, I've

0:46:52.960 --> 0:46:55.920
<v Speaker 1>heard you tell the story before, because you don't have

0:46:55.960 --> 0:46:59.040
<v Speaker 1>a Brooklyn accent at all. You have actually a very

0:46:59.080 --> 0:47:02.919
<v Speaker 1>refined America standard accent, which when I was a kid

0:47:03.040 --> 0:47:07.960
<v Speaker 1>I completely thought was British. I remember asking you, are

0:47:07.960 --> 0:47:10.440
<v Speaker 1>you from London and you just kind of sheepishly went, no,

0:47:10.600 --> 0:47:15.560
<v Speaker 1>it sounds like that. But so you actually you actually

0:47:15.719 --> 0:47:19.320
<v Speaker 1>trained yourself to get your accent from the play that

0:47:19.360 --> 0:47:24.640
<v Speaker 1>you mentioned living with father, right, father, Yes, father, Yeah,

0:47:23.320 --> 0:47:28.759
<v Speaker 1>I kind of picked it up naturally really from the

0:47:28.840 --> 0:47:33.520
<v Speaker 1>other people in the cast, and the Brooklyn accent went

0:47:34.600 --> 0:47:38.960
<v Speaker 1>and it was something like a New England accent, so

0:47:40.160 --> 0:47:44.160
<v Speaker 1>very close to British accent. Uh, And I picked that

0:47:44.280 --> 0:47:52.600
<v Speaker 1>up without realizing it. Uh, when he was It's hard.

0:47:52.760 --> 0:47:55.880
<v Speaker 1>I've never understood it because I know his whole family

0:47:56.640 --> 0:47:59.560
<v Speaker 1>and when he was a little boy, he didn't want

0:47:59.600 --> 0:48:02.319
<v Speaker 1>to be in Brooklyn. He didn't want to go to

0:48:02.480 --> 0:48:10.680
<v Speaker 1>the automat. He was like always, always different. He's totally

0:48:10.719 --> 0:48:15.880
<v Speaker 1>different from his family, and I don't know, you're just

0:48:16.000 --> 0:48:19.000
<v Speaker 1>born that way. I don't know where it comes from.

0:48:19.000 --> 0:48:23.640
<v Speaker 1>But he's totally different from his Everything about him is

0:48:23.760 --> 0:48:27.560
<v Speaker 1>different from his family, except his father was also a

0:48:27.680 --> 0:48:30.640
<v Speaker 1>very angry man, and that the anger he got from

0:48:30.640 --> 0:48:43.520
<v Speaker 1>his dad. What does it mean to you when when

0:48:43.520 --> 0:48:45.680
<v Speaker 1>people come up to you and tell you that they

0:48:45.719 --> 0:48:49.080
<v Speaker 1>themselves have become a teacher because of you and your

0:48:49.200 --> 0:48:53.960
<v Speaker 1>role as Mr Feenie. Oh, well, I thank them and

0:48:54.080 --> 0:48:58.239
<v Speaker 1>I wish them well. Uh, it doesn't happen that often. Oh,

0:48:58.320 --> 0:49:00.400
<v Speaker 1>it happens all the time in the campy os that

0:49:00.480 --> 0:49:04.480
<v Speaker 1>you do. And he's very That makes them very happy,

0:49:04.520 --> 0:49:08.880
<v Speaker 1>because that's real on Bill's part. Education and teachers and

0:49:09.920 --> 0:49:14.520
<v Speaker 1>he just it changed his life and he just loves

0:49:15.200 --> 0:49:18.839
<v Speaker 1>people who become teachers. He does. I mean, Bill, if

0:49:18.920 --> 0:49:22.000
<v Speaker 1>you don't hear it every single day, it is only

0:49:22.040 --> 0:49:24.359
<v Speaker 1>because people end up feeling too shy to tell you,

0:49:24.440 --> 0:49:28.520
<v Speaker 1>because we hear it all the time all the time.

0:49:29.239 --> 0:49:32.440
<v Speaker 1>You have made such an impact for so many different

0:49:32.440 --> 0:49:35.879
<v Speaker 1>reasons over the course of your career, but especially Mr

0:49:35.960 --> 0:49:40.360
<v Speaker 1>Finie has made such an impact on generations of children

0:49:40.520 --> 0:49:43.040
<v Speaker 1>because of the people who were so inspired by you

0:49:43.080 --> 0:49:45.440
<v Speaker 1>that have now gone on to become teachers themselves, and

0:49:45.480 --> 0:49:48.000
<v Speaker 1>they're using you and Mr Finnie as an example of

0:49:48.000 --> 0:49:50.560
<v Speaker 1>what kind of teacher to be. All those all those

0:49:50.680 --> 0:49:53.960
<v Speaker 1>students under those teachers are benefiting from you without even

0:49:54.040 --> 0:50:00.759
<v Speaker 1>knowing it. Well, that's true and in all those parts, Yeah,

0:50:02.080 --> 0:50:06.439
<v Speaker 1>that has come through and I think that's just Bill. Yeah,

0:50:07.280 --> 0:50:12.080
<v Speaker 1>that's just who he is, uh, and and the how

0:50:12.120 --> 0:50:15.759
<v Speaker 1>he registers to people. And I don't know what you

0:50:15.800 --> 0:50:18.839
<v Speaker 1>call that. You call it the ultimate definition of lead

0:50:18.880 --> 0:50:22.280
<v Speaker 1>by example. Yes, is what it seems to be. Because

0:50:22.320 --> 0:50:26.120
<v Speaker 1>again with Bill, he never taught us. It was just

0:50:26.320 --> 0:50:30.120
<v Speaker 1>we learned by being around him. So it was that

0:50:30.320 --> 0:50:32.799
<v Speaker 1>lead by example. This is look at what I can

0:50:32.840 --> 0:50:35.880
<v Speaker 1>emulate if I just try a little harder. Um So,

0:50:35.920 --> 0:50:39.080
<v Speaker 1>I think it was that as an actor, something comes

0:50:39.440 --> 0:50:44.480
<v Speaker 1>through that is I think special. Yeah, absolutely, of course.

0:50:45.239 --> 0:50:47.920
<v Speaker 1>Well they they talk about it or the X factor,

0:50:48.000 --> 0:50:50.080
<v Speaker 1>those are those are words you hear all the time

0:50:50.160 --> 0:50:52.160
<v Speaker 1>that well, how do you describe it? You can't you

0:50:52.320 --> 0:50:54.319
<v Speaker 1>You point at it, and I think that's yeah. I

0:50:54.360 --> 0:50:59.680
<v Speaker 1>think Bill's got it in spades. Yeah. Yeah. What are

0:50:59.680 --> 0:51:03.080
<v Speaker 1>your Marie's of being on boy Meat's World? Well, it

0:51:03.280 --> 0:51:06.440
<v Speaker 1>was so fun and easy. I had never been terribly

0:51:07.120 --> 0:51:15.760
<v Speaker 1>comfortable on uh sitcom's. I I'm better as a dramatic actress,

0:51:15.880 --> 0:51:22.279
<v Speaker 1>very dramatic and um uh so I had been on

0:51:22.320 --> 0:51:26.480
<v Speaker 1>Barney Miller and it was very successful funny shows I

0:51:26.880 --> 0:51:29.520
<v Speaker 1>did okay, and then I did that Golden Girls. I

0:51:29.560 --> 0:51:33.200
<v Speaker 1>didn't think anything of it until much later, and then

0:51:33.680 --> 0:51:39.319
<v Speaker 1>that character became the mean belong with Western you know,

0:51:39.560 --> 0:51:44.879
<v Speaker 1>behind the scenes terrible lady, um which I knew how

0:51:44.880 --> 0:51:51.719
<v Speaker 1>to do. But uh so, when Michael asked me to

0:51:51.760 --> 0:51:54.760
<v Speaker 1>do it, I was kind of flattered. And he never

0:51:54.840 --> 0:51:57.400
<v Speaker 1>asked me to do the only thing he ever asked

0:51:57.400 --> 0:52:00.520
<v Speaker 1>me to do I couldn't do was put my we

0:52:00.560 --> 0:52:05.399
<v Speaker 1>spend half an hour trying to get click fingers. Finally said,

0:52:05.400 --> 0:52:11.839
<v Speaker 1>I give up. I can be funny in a different way,

0:52:11.920 --> 0:52:14.960
<v Speaker 1>but it's not his way. It's it's totally different. But

0:52:15.120 --> 0:52:18.239
<v Speaker 1>I don't have that. I don't have that funny bone. Well,

0:52:18.480 --> 0:52:20.919
<v Speaker 1>but what you both do? You both you both have

0:52:21.000 --> 0:52:23.440
<v Speaker 1>the set. It's just that you have different senses. If

0:52:23.520 --> 0:52:26.840
<v Speaker 1>you mean funny you are an Emmy winner, yes, and

0:52:27.239 --> 0:52:30.280
<v Speaker 1>very funny. You're also very funny. It's just it's it's

0:52:30.440 --> 0:52:34.440
<v Speaker 1>I remember Bill telling me, well, yes, you're sure you are.

0:52:34.440 --> 0:52:37.480
<v Speaker 1>It's just a different it comes out. Bill is very

0:52:37.560 --> 0:52:40.000
<v Speaker 1>quick when it comes to that kind of kind of

0:52:40.040 --> 0:52:42.879
<v Speaker 1>you know. We we will do conventions together and Bill

0:52:42.960 --> 0:52:45.040
<v Speaker 1>might only say two or three things on stage, but

0:52:45.200 --> 0:52:48.760
<v Speaker 1>they bring the house down. I mean, the timing is perfect,

0:52:48.880 --> 0:52:51.759
<v Speaker 1>the line is perfect. Bill. I remember you telling me

0:52:51.840 --> 0:52:55.200
<v Speaker 1>one story about a joke on st elsewhere that you

0:52:55.360 --> 0:52:59.719
<v Speaker 1>thought was hysterical, where you were playing the piano and

0:53:00.040 --> 0:53:04.160
<v Speaker 1>there was a a vase of flowers on the piano.

0:53:05.000 --> 0:53:07.680
<v Speaker 1>Do you remember Do you remember this joke? This was

0:53:08.320 --> 0:53:15.080
<v Speaker 1>Bruce Paltrow's and the Riders jokes. They always tried to

0:53:15.120 --> 0:53:19.240
<v Speaker 1>fool the sensors. Yeah, to put in something very dirty

0:53:19.560 --> 0:53:23.759
<v Speaker 1>and the sensors won't get it. Really is such such

0:53:23.800 --> 0:53:27.440
<v Speaker 1>a great joke too. That was their big thing. And

0:53:27.560 --> 0:53:30.720
<v Speaker 1>what was it? That's true? Two lips on the peatto,

0:53:31.000 --> 0:53:34.640
<v Speaker 1>two lips on the organ, two lips on the organ.

0:53:34.960 --> 0:53:37.520
<v Speaker 1>Bill was sitting there playing and he said, there's nothing

0:53:37.560 --> 0:53:42.200
<v Speaker 1>better than two lips on the organ. He thought it

0:53:42.239 --> 0:53:46.280
<v Speaker 1>was crap, he said, so he would say two lips

0:53:46.320 --> 0:53:48.239
<v Speaker 1>on the organ, and they said no, no, no, two

0:53:48.280 --> 0:53:56.440
<v Speaker 1>lips on the organ. No, no, Kes. It was a

0:53:56.480 --> 0:53:58.640
<v Speaker 1>great joke. I remember you telling me that and just

0:53:58.800 --> 0:54:05.120
<v Speaker 1>losing it for days. Tulips on the organ. Oh my gosh. Wow.

0:54:05.239 --> 0:54:08.479
<v Speaker 1>Well are there any actors you wish you could work

0:54:08.480 --> 0:54:12.279
<v Speaker 1>with again? Bill? I mean no pressure to say, us

0:54:12.360 --> 0:54:15.719
<v Speaker 1>sitting here, you know, just wondering, like, of all the

0:54:15.760 --> 0:54:18.640
<v Speaker 1>amazing actors you've worked with, are there any actors you'd

0:54:18.640 --> 0:54:27.200
<v Speaker 1>love to work with again? They're all dead. We can't anybody. Yeah,

0:54:30.840 --> 0:54:35.960
<v Speaker 1>process of elimination. I remember our show with just Affection.

0:54:37.239 --> 0:54:40.839
<v Speaker 1>I really had a great time on the show and

0:54:40.960 --> 0:54:45.920
<v Speaker 1>with your kids when you were kids, and it turned

0:54:45.920 --> 0:54:49.799
<v Speaker 1>out very well. Is it as it turned out? So

0:54:49.920 --> 0:54:55.880
<v Speaker 1>I remember it very well. We remember it very well too,

0:54:55.960 --> 0:54:59.200
<v Speaker 1>and we are very fortunate as well mentioned that we

0:54:59.239 --> 0:55:01.160
<v Speaker 1>get to do can meventions with you and we get

0:55:01.200 --> 0:55:03.239
<v Speaker 1>to see you regularly. And I know how much that

0:55:03.280 --> 0:55:05.120
<v Speaker 1>means to fans too, that they get to tell you

0:55:05.120 --> 0:55:08.520
<v Speaker 1>how much you mean to them. You are very special

0:55:08.760 --> 0:55:12.759
<v Speaker 1>in so many people's lives, and um, you know, I

0:55:12.880 --> 0:55:17.000
<v Speaker 1>can very easily cry thinking about that last scene that

0:55:17.040 --> 0:55:18.920
<v Speaker 1>we did with you at the end of our show,

0:55:19.160 --> 0:55:24.080
<v Speaker 1>and for all the years we worked together, Um, there

0:55:24.160 --> 0:55:29.640
<v Speaker 1>was something so gosh seeing you and being with you

0:55:29.840 --> 0:55:34.120
<v Speaker 1>in that last scene in the classroom really nailed home

0:55:34.239 --> 0:55:37.000
<v Speaker 1>for me that this was the end of an era.

0:55:37.640 --> 0:55:40.799
<v Speaker 1>And it also was very much the end of my childhood.

0:55:41.000 --> 0:55:43.640
<v Speaker 1>I had been on Boy Meat's World from twelve until

0:55:43.680 --> 0:55:47.840
<v Speaker 1>I was nineteen years old, and knowing the show was

0:55:47.920 --> 0:55:51.759
<v Speaker 1>over and saying goodbye to all of these people and

0:55:51.800 --> 0:55:55.080
<v Speaker 1>saying goodbye to all of these experiences that had really shaped,

0:55:55.320 --> 0:55:59.400
<v Speaker 1>you know, the majority of my life at this point. Um,

0:55:59.640 --> 0:56:01.799
<v Speaker 1>you just you are very special to me and I

0:56:01.880 --> 0:56:04.840
<v Speaker 1>will love you and appreciate you forever. And I'm so

0:56:04.920 --> 0:56:06.600
<v Speaker 1>lucky that I still get to see you and talk

0:56:06.680 --> 0:56:09.120
<v Speaker 1>to you regularly. And I went to your book signing

0:56:09.239 --> 0:56:12.560
<v Speaker 1>I waited in line outside and um, when they found

0:56:12.560 --> 0:56:14.120
<v Speaker 1>out I was outside, Bell was like, what are you

0:56:14.200 --> 0:56:16.000
<v Speaker 1>doing waiting in line? You could have told me you

0:56:16.040 --> 0:56:18.440
<v Speaker 1>were coming. I was like, I wanted I wanted the experience.

0:56:18.440 --> 0:56:20.400
<v Speaker 1>I wanted to do it like everyone else. So just

0:56:20.440 --> 0:56:23.520
<v Speaker 1>thank you for everything. You know. I think your show

0:56:23.600 --> 0:56:28.960
<v Speaker 1>was one of the healthiest shows, the healthiest comedies. I

0:56:29.080 --> 0:56:32.600
<v Speaker 1>think one of the reasons it. And you know, I

0:56:32.719 --> 0:56:36.440
<v Speaker 1>say that we need that and people need that now,

0:56:36.520 --> 0:56:39.840
<v Speaker 1>that kind of healthy thing that was part of that show.

0:56:39.960 --> 0:56:45.120
<v Speaker 1>It really was. Yeah, Yeah, we love you, Bill. I

0:56:45.120 --> 0:56:46.960
<v Speaker 1>don't know what else to say. We love you, Bonnie,

0:56:46.960 --> 0:56:50.279
<v Speaker 1>thank you both. Thank you so much for everything. I

0:56:50.360 --> 0:56:53.640
<v Speaker 1>cherish our memories and conversations. I'm so grateful all the time.

0:56:53.920 --> 0:56:56.000
<v Speaker 1>And here's too many, many more of them, because we

0:56:56.040 --> 0:56:58.560
<v Speaker 1>want to have you back, because we're just scraping the

0:56:58.560 --> 0:57:01.319
<v Speaker 1>surface of Mr Feenie and Bill and Bond. I feel

0:57:01.360 --> 0:57:05.239
<v Speaker 1>like you're afraid to cry. Well, but you're you're out

0:57:05.239 --> 0:57:07.880
<v Speaker 1>of out of all of us, you are the closest

0:57:08.000 --> 0:57:12.040
<v Speaker 1>to Bill and Bond. I don't cry ever, except that

0:57:12.200 --> 0:57:15.200
<v Speaker 1>feed the birds when they sing that in Mary Poppins.

0:57:15.280 --> 0:57:20.680
<v Speaker 1>Everything else is not sad. At all. Now we we

0:57:20.680 --> 0:57:22.640
<v Speaker 1>we've got to know each other very well over the years,

0:57:22.640 --> 0:57:25.280
<v Speaker 1>all of us, and it's, uh, it's it's just amazing

0:57:25.280 --> 0:57:27.320
<v Speaker 1>that we've been able to share all these experiences. So

0:57:27.400 --> 0:57:31.720
<v Speaker 1>thank you for coming, both of you. Thank you. We

0:57:31.760 --> 0:57:34.120
<v Speaker 1>really appreciate it. We love you, guys, We love you.

0:57:34.520 --> 0:57:51.280
<v Speaker 1>Thank you. Wo oh man. They're so wonderful and so

0:57:53.080 --> 0:57:56.240
<v Speaker 1>stories that man has, the life they have lived is

0:57:56.360 --> 0:58:00.640
<v Speaker 1>just amazing. Watching their shorthand communication where Bill we'll start

0:58:00.680 --> 0:58:02.360
<v Speaker 1>to get like he's telling a story and then he'll

0:58:02.360 --> 0:58:04.120
<v Speaker 1>start to get distracted and think what was that? What

0:58:04.200 --> 0:58:05.480
<v Speaker 1>was my point? And he'll just look at her and

0:58:05.520 --> 0:58:07.640
<v Speaker 1>she'll go and then and she gives him like and

0:58:07.680 --> 0:58:10.320
<v Speaker 1>he's like right, and like watching their shorthand together is

0:58:10.400 --> 0:58:13.200
<v Speaker 1>just amazing. It's incredible. You know, it's fine. We we've

0:58:13.240 --> 0:58:16.120
<v Speaker 1>talked a lot about that, you know, just recognizing how

0:58:16.120 --> 0:58:18.520
<v Speaker 1>old everyone like when we were kids, everyone was just

0:58:18.600 --> 0:58:22.240
<v Speaker 1>blanket adults. Like by the time they were on that

0:58:22.320 --> 0:58:26.160
<v Speaker 1>we met them, I mean, the wealth of acting experience

0:58:26.200 --> 0:58:29.680
<v Speaker 1>and like industry experience, Like I just I just can't

0:58:29.680 --> 0:58:31.600
<v Speaker 1>believe I didn't take more advantage of it, you know,

0:58:31.640 --> 0:58:34.120
<v Speaker 1>because I think in at the time. I mean, this

0:58:34.240 --> 0:58:36.400
<v Speaker 1>is just part of being an adolescent. You think you

0:58:36.440 --> 0:58:39.000
<v Speaker 1>know everything, and obviously, like I knew Bill had done

0:58:39.040 --> 0:58:42.479
<v Speaker 1>a lot, but um, you know, I I just wish

0:58:42.480 --> 0:58:44.040
<v Speaker 1>I had a tape recorder. I can go back in

0:58:44.160 --> 0:58:46.280
<v Speaker 1>time and ask him about all those things. Just every

0:58:46.360 --> 0:58:47.640
<v Speaker 1>dormce in a while he would just open up his

0:58:47.640 --> 0:58:50.240
<v Speaker 1>mouth and tell the story like the Zoo story, Broadway

0:58:50.320 --> 0:58:53.840
<v Speaker 1>and or working on the Graduate or any of them

0:58:54.000 --> 0:58:57.480
<v Speaker 1>in every single one of them are their legendary. Uh

0:58:57.800 --> 0:59:00.000
<v Speaker 1>So it's you know, it's it's one of those things

0:59:00.160 --> 0:59:02.919
<v Speaker 1>like you you realize almost too late, always like oh,

0:59:02.960 --> 0:59:05.640
<v Speaker 1>we should have been writing this now. Yeah, well again though,

0:59:05.640 --> 0:59:08.000
<v Speaker 1>when you're a kid, you know your life is gonna

0:59:08.040 --> 0:59:10.960
<v Speaker 1>last forever, and you you know, we were taking every

0:59:11.040 --> 0:59:12.960
<v Speaker 1>day for granted that we were while we were on

0:59:13.000 --> 0:59:15.120
<v Speaker 1>the set of Boy Throw. And you're not thinking about

0:59:15.120 --> 0:59:17.880
<v Speaker 1>your craft when you're thirteen fourteen, I mean not at all,

0:59:18.120 --> 0:59:20.400
<v Speaker 1>And you also think you also have this weird thing

0:59:20.480 --> 0:59:26.600
<v Speaker 1>like I don't know at least I did where Um

0:59:27.160 --> 0:59:29.880
<v Speaker 1>I guess, I guess I just didn't. You just don't

0:59:29.920 --> 0:59:33.520
<v Speaker 1>think of your career beyond the one. The moment you're issure,

0:59:33.960 --> 0:59:36.680
<v Speaker 1>you know, like the idea that like, well, boy, mean's

0:59:36.680 --> 0:59:39.920
<v Speaker 1>world is gonna end and and then you might be

0:59:39.960 --> 0:59:42.760
<v Speaker 1>on in like fifty other TV shows like Bill Daniels.

0:59:42.800 --> 0:59:45.240
<v Speaker 1>That was just impossible to imagine, you know. But like

0:59:45.560 --> 0:59:47.840
<v Speaker 1>at that point they had already they had a full

0:59:48.360 --> 0:59:51.240
<v Speaker 1>the whole life of of acting and being in the business,

0:59:51.480 --> 0:59:54.080
<v Speaker 1>which I just don't think you can recognize as a teenager.

0:59:54.120 --> 0:59:55.920
<v Speaker 1>You just think that, like it's always just gonna be

0:59:56.000 --> 0:59:58.640
<v Speaker 1>like this forever, not realizing that, like, first of all,

0:59:58.640 --> 1:00:01.120
<v Speaker 1>the chances of you being a to continue working are

1:00:01.200 --> 1:00:03.520
<v Speaker 1>so slim because you have to, you know, just get

1:00:03.560 --> 1:00:06.720
<v Speaker 1>the jobs and then just to have the tenacity and

1:00:06.760 --> 1:00:10.720
<v Speaker 1>the willpower to stick it out. It's so hard. It's

1:00:10.760 --> 1:00:12.720
<v Speaker 1>so hard, and to be positive about to have a

1:00:12.720 --> 1:00:15.160
<v Speaker 1>positive attitude. I mean, you know, there's a reason that

1:00:15.240 --> 1:00:18.440
<v Speaker 1>most people stop acting in their twenties, especially when you

1:00:18.680 --> 1:00:21.760
<v Speaker 1>were a child actor forced into the industry, which he was,

1:00:21.800 --> 1:00:23.480
<v Speaker 1>I mean, if you read his book, he was there

1:00:23.800 --> 1:00:25.640
<v Speaker 1>and he talked about it in the interview, but he,

1:00:25.800 --> 1:00:28.959
<v Speaker 1>I mean forced into the industry. And we've talked about

1:00:28.960 --> 1:00:31.520
<v Speaker 1>how easy it is to get that love of entertainment

1:00:31.600 --> 1:00:33.600
<v Speaker 1>or love of acting, just beating out of you at

1:00:33.680 --> 1:00:36.439
<v Speaker 1>at a young age, and for him to then take

1:00:36.720 --> 1:00:39.120
<v Speaker 1>his own career by the reins and go, no, now

1:00:39.160 --> 1:00:41.080
<v Speaker 1>I'm in charge. I'm gonna learn the craft and I'm

1:00:41.080 --> 1:00:44.120
<v Speaker 1>gonna go from there. It's so rare and just amazing

1:00:44.160 --> 1:00:47.880
<v Speaker 1>to have that longevity in this industry and and hit

1:00:48.160 --> 1:00:53.040
<v Speaker 1>every single version of the industry from Broadway to play

1:00:53.160 --> 1:00:56.640
<v Speaker 1>to regular players to Broadway to understudying too. I mean

1:00:56.680 --> 1:01:00.760
<v Speaker 1>he's hit every possible sitcom drop, you name it, he's

1:01:00.800 --> 1:01:03.160
<v Speaker 1>done it. Yeah, I mean voiceover. I mean he was

1:01:03.160 --> 1:01:04.880
<v Speaker 1>a kid, a night Rider he was. We didn't even

1:01:04.880 --> 1:01:07.440
<v Speaker 1>talk about kids. We didn't even get any writer. I mean, well,

1:01:07.440 --> 1:01:09.080
<v Speaker 1>that was a question. That's a question I wanted to

1:01:09.120 --> 1:01:11.920
<v Speaker 1>ask you guys, what was your knowledge of Bill Daniels

1:01:11.960 --> 1:01:13.600
<v Speaker 1>when you met him or what did you know him

1:01:13.640 --> 1:01:15.439
<v Speaker 1>from when you when when you met him on set?

1:01:15.600 --> 1:01:18.760
<v Speaker 1>I had three very important things to me. Kid from

1:01:18.840 --> 1:01:22.600
<v Speaker 1>night Rider was very important to me. Um obviously, UM

1:01:22.960 --> 1:01:26.200
<v Speaker 1>the graduate, just as you know a someone who loved

1:01:26.240 --> 1:01:28.640
<v Speaker 1>film quote unquote, but you know secretly so you already

1:01:28.680 --> 1:01:30.680
<v Speaker 1>need a graduate. So I already absolutely need a graduate.

1:01:30.720 --> 1:01:33.480
<v Speaker 1>But I also knew, Um it's not called death becomes

1:01:33.560 --> 1:01:35.960
<v Speaker 1>or what's it called. There's a the Ferdel family has.

1:01:36.200 --> 1:01:38.000
<v Speaker 1>We were big movie fans, but it was always kind

1:01:38.040 --> 1:01:40.200
<v Speaker 1>of shlocky movies, like wait, I know which one you're

1:01:40.200 --> 1:01:43.080
<v Speaker 1>gonna say, because this was my answer, which yes, yes,

1:01:43.120 --> 1:01:47.040
<v Speaker 1>Oh my gosh, that's how That's what I realized because

1:01:47.040 --> 1:01:49.160
<v Speaker 1>I was sitting here because I I thought of this

1:01:49.240 --> 1:01:51.040
<v Speaker 1>question and I was like, what was the name of

1:01:51.040 --> 1:01:52.760
<v Speaker 1>that movie? Because it was the only thing I really

1:01:52.880 --> 1:01:56.760
<v Speaker 1>knew Bill from. It's a movie with Tom sell He's

1:01:57.320 --> 1:02:02.520
<v Speaker 1>like erotic thriller, Tom Selleck. Paulina Poraskova, who's who's a

1:02:02.640 --> 1:02:06.200
<v Speaker 1>supermodel and she plays Tom Selleck's girl, like the girlfriend.

1:02:06.240 --> 1:02:08.880
<v Speaker 1>And then there's Bill Daniels who's like his his his

1:02:08.960 --> 1:02:15.240
<v Speaker 1>literary agent. He's a novelist's exactly. I mean it. It's

1:02:15.280 --> 1:02:18.000
<v Speaker 1>definitely of that tradition like in the late eighties, early nineties,

1:02:18.000 --> 1:02:20.480
<v Speaker 1>those sort of like tight thrillery. You know, it was

1:02:20.520 --> 1:02:23.720
<v Speaker 1>a comedic thriller. You guys, this this is nuts. I

1:02:23.720 --> 1:02:25.680
<v Speaker 1>didn't know he was in that movie. But that movie

1:02:26.000 --> 1:02:30.760
<v Speaker 1>plays a very integral part in my childhood stories really

1:02:30.880 --> 1:02:34.320
<v Speaker 1>because yes, because my parents had rented it from like

1:02:34.440 --> 1:02:38.240
<v Speaker 1>Blockbuster and it was on the kitchen counter, and my

1:02:38.320 --> 1:02:42.040
<v Speaker 1>brother walked by and said, what's her alibi? And it

1:02:42.160 --> 1:02:44.640
<v Speaker 1>was just one of those moments where like one of

1:02:44.640 --> 1:02:47.600
<v Speaker 1>those family jokes where everything was it's her relieb it's

1:02:47.600 --> 1:02:50.480
<v Speaker 1>her relieving. And we've told that story a million times

1:02:50.520 --> 1:02:52.400
<v Speaker 1>of Oh remember the time christ thott Alm I was

1:02:52.400 --> 1:02:54.240
<v Speaker 1>a leading We should we should have brought this up

1:02:54.280 --> 1:02:57.960
<v Speaker 1>to Bill, because I mean, I was his career, in

1:02:58.120 --> 1:03:01.120
<v Speaker 1>his career, I'm so curious where her alibi falls. It

1:03:01.240 --> 1:03:05.680
<v Speaker 1>must be so low on one important career, miles seriously,

1:03:05.760 --> 1:03:07.840
<v Speaker 1>But for me, that's exactly what I knew him from me.

1:03:08.000 --> 1:03:10.400
<v Speaker 1>And then it wasn't until we're filming our third or

1:03:10.440 --> 1:03:12.600
<v Speaker 1>fourth episode and we were doing a note session with

1:03:12.640 --> 1:03:17.160
<v Speaker 1>Michael Jacobs and Bill leaned forward and said, now, Michael, Michael,

1:03:17.200 --> 1:03:19.600
<v Speaker 1>and I went, I know that voice. And I hadn't.

1:03:19.680 --> 1:03:21.640
<v Speaker 1>I hadn't really grown up with TV, but I did

1:03:21.800 --> 1:03:24.880
<v Speaker 1>know night Writer because of course everybody in school would

1:03:24.880 --> 1:03:27.040
<v Speaker 1>talk about night Rider, and so I knew his voice

1:03:27.120 --> 1:03:29.560
<v Speaker 1>the second I heard. And I remember going to Universal

1:03:29.560 --> 1:03:31.440
<v Speaker 1>Studios as a kid, and you could go talk to

1:03:31.560 --> 1:03:36.960
<v Speaker 1>kid and they had somebody doing an impersonation of those

1:03:36.960 --> 1:03:39.360
<v Speaker 1>are the only two things I knew him from everything

1:03:39.360 --> 1:03:41.320
<v Speaker 1>else I had to learn while working with him because

1:03:41.440 --> 1:03:43.880
<v Speaker 1>he would never talk about stuff either, like you know,

1:03:44.120 --> 1:03:46.280
<v Speaker 1>he would never brag. You would never And that's why

1:03:46.360 --> 1:03:48.720
<v Speaker 1>getting Bonnie on the show was so fun because she

1:03:48.760 --> 1:03:51.760
<v Speaker 1>would come in and in front of him start telling

1:03:51.800 --> 1:03:54.360
<v Speaker 1>Bill Daniel stories. Yeah, and she was kind of like

1:03:54.400 --> 1:03:56.640
<v Speaker 1>pulling the curtain back and and you could tell she

1:03:56.760 --> 1:03:59.200
<v Speaker 1>loved to do that, and you could tell Bill did not,

1:03:59.320 --> 1:04:03.680
<v Speaker 1>like it's an angry man exactly. I thought it was

1:04:04.000 --> 1:04:06.960
<v Speaker 1>a horrible father. She's so honest and I love it.

1:04:09.520 --> 1:04:12.760
<v Speaker 1>One of the first moments I can remember actually connecting

1:04:12.800 --> 1:04:14.640
<v Speaker 1>with not connecting with Bill, but going up and saying,

1:04:14.640 --> 1:04:16.560
<v Speaker 1>I'm going to talk to him, and jes see, I

1:04:16.720 --> 1:04:21.520
<v Speaker 1>quoted him to him from her alibi and you went, oh, yeah,

1:04:21.640 --> 1:04:25.240
<v Speaker 1>like that was it because I I just it was.

1:04:25.000 --> 1:04:26.920
<v Speaker 1>It was like okay, because that was what we did

1:04:26.960 --> 1:04:29.400
<v Speaker 1>in our family. My family, we are huge movie quote people.

1:04:29.440 --> 1:04:31.000
<v Speaker 1>So I was like, I'm gonna go quote it to

1:04:31.120 --> 1:04:33.520
<v Speaker 1>the guy. And it didn't go over that. It's like

1:04:33.920 --> 1:04:37.600
<v Speaker 1>ed balloon. That's so funny. Anyway, that was amazing. I'm

1:04:37.640 --> 1:04:39.600
<v Speaker 1>so glad, I'm so glad they were here. Oh man,

1:04:40.000 --> 1:04:42.240
<v Speaker 1>I could talk to him forever. Alright, So up next

1:04:42.280 --> 1:04:44.880
<v Speaker 1>we are going to talk. Episode number one, oh three,

1:04:45.000 --> 1:04:48.920
<v Speaker 1>Father Knows Less. It is directed by David Trainer. Originally

1:04:48.920 --> 1:04:53.320
<v Speaker 1>aired October and Yeah, thank you for being here with us.

1:04:53.360 --> 1:04:56.200
<v Speaker 1>You can follow us on Instagram at Pod Meets World Show,

1:04:56.480 --> 1:04:58.520
<v Speaker 1>and you can also email us your questions or your

1:04:58.520 --> 1:05:01.480
<v Speaker 1>thoughts at Pod meets World Show at gmail dot com,

1:05:01.560 --> 1:05:07.880
<v Speaker 1>and merch t shirts are available at Pod Meets World

1:05:07.920 --> 1:05:11.160
<v Speaker 1>Show dot com. They're pretty great. I want a shirt.

1:05:11.760 --> 1:05:13.080
<v Speaker 1>I think we can get you one. Can we get

1:05:13.120 --> 1:05:16.000
<v Speaker 1>can we get one? Which? Are you interested in a shirt?

1:05:18.360 --> 1:05:21.040
<v Speaker 1>I guess he's I don't wear my hair on my shirt.

1:05:21.040 --> 1:05:23.000
<v Speaker 1>I don't wear shirts. That's the riders like I don't

1:05:23.040 --> 1:05:27.520
<v Speaker 1>wear shirts. He's too much much shirt much shirts. We

1:05:27.640 --> 1:05:32.400
<v Speaker 1>love you all, pod dismissed. Pod Beats World is an

1:05:32.400 --> 1:05:35.400
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1:05:35.480 --> 1:05:38.760
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1:05:38.960 --> 1:05:42.360
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1:05:42.560 --> 1:05:46.360
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