1 00:00:00,360 --> 00:00:03,440 Speaker 1: Well, look at you be, all dressed up for today's show. Well, 2 00:00:03,520 --> 00:00:06,400 Speaker 1: pardon me, Elliott, but where are my rose pedals and 3 00:00:06,480 --> 00:00:10,080 Speaker 1: where is my root beer float? I sent specific instructions 4 00:00:10,080 --> 00:00:11,760 Speaker 1: on what was to be waiting for me when I 5 00:00:11,840 --> 00:00:15,200 Speaker 1: got here, and I am disappointed. You're fired. Why are 6 00:00:15,200 --> 00:00:17,880 Speaker 1: you behaving like this? Be well, I wanted to behave 7 00:00:17,920 --> 00:00:21,560 Speaker 1: like one of our historical figures. Mozart was writing music 8 00:00:21,600 --> 00:00:24,040 Speaker 1: by the time he was five, so that ship is sailed. 9 00:00:24,200 --> 00:00:27,200 Speaker 1: So I'm being like our other figure, Maria tall chief, 10 00:00:27,280 --> 00:00:31,040 Speaker 1: by being a Prima Donna and acting very extra B 11 00:00:31,400 --> 00:00:33,720 Speaker 1: Maria wasn't a Prima Donna, which is like a diva, 12 00:00:33,760 --> 00:00:36,519 Speaker 1: she was a Prima Ballerina, which is the most important 13 00:00:36,520 --> 00:00:39,200 Speaker 1: member of a ballet company. Maria and Mozart were both 14 00:00:39,240 --> 00:00:43,840 Speaker 1: hard working artists, not demanding meanie's. Okay, point taken. I'll 15 00:00:43,840 --> 00:00:46,000 Speaker 1: stop acting like a jerk as long as I get 16 00:00:46,000 --> 00:00:48,199 Speaker 1: to keep wearing my two TU. How will that be 17 00:00:48,240 --> 00:00:50,760 Speaker 1: different from any other show we do, because you're also 18 00:00:50,880 --> 00:00:54,040 Speaker 1: wearing a two Tu? To Touche Eric, please play the 19 00:00:54,040 --> 00:01:04,440 Speaker 1: theme song food. You know about the greats from this store. 20 00:01:04,560 --> 00:01:07,640 Speaker 1: The game is on. To get some energy and buckle 21 00:01:07,840 --> 00:01:12,760 Speaker 1: up your brain, because it's time to play the wost podcast, 22 00:01:12,920 --> 00:01:18,480 Speaker 1: because it's time to play books. Who Live from tongue 23 00:01:18,520 --> 00:01:21,840 Speaker 1: the land, or so called, so call Los Angeles. Welcome 24 00:01:21,880 --> 00:01:24,920 Speaker 1: to who was, the history quiz show that gives contestants 25 00:01:24,959 --> 00:01:29,120 Speaker 1: the chance to win mega prizes and podcast glory. I'm 26 00:01:29,160 --> 00:01:32,400 Speaker 1: your announcer, B and, in honor of all the classical 27 00:01:32,480 --> 00:01:36,680 Speaker 1: music in today's episode, I'm gonna be sharp. And here's 28 00:01:36,720 --> 00:01:40,040 Speaker 1: your host, the man who inspired the Oxford Comma. It's 29 00:01:40,080 --> 00:01:43,720 Speaker 1: Elliott Kaylin. Thank you, be and welcome everyone to the 30 00:01:43,760 --> 00:01:46,399 Speaker 1: WHO was podcast. This show is like jeopardy, only with 31 00:01:46,480 --> 00:01:50,480 Speaker 1: surprise guests, silly games and better gift banks. Our contestants 32 00:01:50,480 --> 00:01:53,279 Speaker 1: were sent who was books about two great figures from history. 33 00:01:53,520 --> 00:01:55,560 Speaker 1: Now they're here to show off their knowledge in the 34 00:01:55,560 --> 00:02:02,120 Speaker 1: hope sub winning fantastic prizes, prizes. Today we're staying classical 35 00:02:02,200 --> 00:02:05,920 Speaker 1: when we discussed Prima Ballerina Maria tall chief and wonder 36 00:02:06,000 --> 00:02:10,360 Speaker 1: kid composer Wolfgang Amadeus Mozart. But before we learn all 37 00:02:10,360 --> 00:02:14,600 Speaker 1: about them, let's learn all about our contestants today. Alright. 38 00:02:14,800 --> 00:02:18,840 Speaker 1: First up we have Grayson. Grayson, please introduce yourself. Hi, 39 00:02:19,040 --> 00:02:21,920 Speaker 1: my name is Grayson one thing you should know about 40 00:02:21,960 --> 00:02:25,920 Speaker 1: me is that I can nave all the U S 41 00:02:25,960 --> 00:02:29,720 Speaker 1: presidents oral flies and say flies while I was five. 42 00:02:30,080 --> 00:02:34,640 Speaker 1: Oh Wow. So Elliott has a lot of opinions about presidents. Um, 43 00:02:34,960 --> 00:02:37,440 Speaker 1: but I'm going to ask you, Grayson, who is your 44 00:02:37,440 --> 00:02:43,360 Speaker 1: favorite president? My favorite presents probably Abraham Lincoln. Great President. Yeah, 45 00:02:43,400 --> 00:02:45,679 Speaker 1: that's the best one. There's no there's no better ones 46 00:02:45,720 --> 00:02:48,160 Speaker 1: than that. All right, and we also have on the 47 00:02:48,200 --> 00:02:52,680 Speaker 1: show today Owen Owen, please introduce yourself. Hi, my name 48 00:02:52,760 --> 00:02:56,200 Speaker 1: is Owen and Um, I love to play piano, just 49 00:02:56,360 --> 00:03:00,720 Speaker 1: like Mozart. Oh my goodness. What's your favorite kind of 50 00:03:00,960 --> 00:03:05,920 Speaker 1: music to play on the piano? Um, the classical, classical. Okay. 51 00:03:05,960 --> 00:03:09,880 Speaker 1: And do you have a favorite composer within that? I don't. 52 00:03:10,280 --> 00:03:15,079 Speaker 1: You like them all. What a classical answer? m M. 53 00:03:15,240 --> 00:03:18,680 Speaker 1: probably like a probably billy, Joel. I'M gonna guess it's 54 00:03:18,720 --> 00:03:23,240 Speaker 1: call your favorite classical composer on the piano. No, no, shaking, okay, 55 00:03:23,280 --> 00:03:25,800 Speaker 1: I don't shaking heads. No, okay, I understand. Well, so 56 00:03:25,880 --> 00:03:28,000 Speaker 1: there's a lot. There's a lot that our contestants have 57 00:03:28,200 --> 00:03:31,440 Speaker 1: in common with our subjects today. That's amazing. Thank you 58 00:03:31,480 --> 00:03:33,080 Speaker 1: both so much for being here I can't wait for 59 00:03:33,080 --> 00:03:35,880 Speaker 1: this game and thank you to Eric, our musician, for 60 00:03:35,960 --> 00:03:39,080 Speaker 1: providing that lovely live meet the contestants music. So that's 61 00:03:39,120 --> 00:03:42,200 Speaker 1: who is. Now let's find out who was. Maria TAL 62 00:03:42,280 --> 00:03:51,120 Speaker 1: chief with four fast facts. Maria Tul chief lived from to. 63 00:03:52,920 --> 00:03:56,680 Speaker 1: Maria was America's first Prima Ballerina. Maria's father was part 64 00:03:56,680 --> 00:03:58,760 Speaker 1: of the O sage nation and she grew up on 65 00:03:58,800 --> 00:04:02,600 Speaker 1: the o sage reservation in Oklahoma. A statue of her 66 00:04:02,680 --> 00:04:05,720 Speaker 1: and four other native American ballerinas, known as five moons, 67 00:04:05,880 --> 00:04:15,480 Speaker 1: stands on Ancestral Muskogee land in Oklahoma prospects. Alright, so, 68 00:04:15,600 --> 00:04:18,200 Speaker 1: graceon and Owen, we've talked a little bit about music, 69 00:04:18,520 --> 00:04:21,880 Speaker 1: because Owen U is a piano player as well. Um, 70 00:04:21,920 --> 00:04:23,640 Speaker 1: but I want to ask you what do you think 71 00:04:23,680 --> 00:04:27,120 Speaker 1: about when you think about the ballet? Like, what is 72 00:04:27,120 --> 00:04:29,240 Speaker 1: the first thing that comes to your mind when I 73 00:04:29,320 --> 00:04:31,599 Speaker 1: say the Word Ballet? Owen, what do you think about? 74 00:04:32,080 --> 00:04:37,200 Speaker 1: I think about performance, acting, all the stage stuff. I 75 00:04:37,320 --> 00:04:41,320 Speaker 1: just ballerina just comes to me like a huge performance 76 00:04:41,880 --> 00:04:45,159 Speaker 1: with like a bunch of dancers dancing like two twos. 77 00:04:46,000 --> 00:04:50,200 Speaker 1: Have you ever seen a ballet? No, okay, and what 78 00:04:50,240 --> 00:04:52,920 Speaker 1: about you? Grayson, have you ever seen a ballet before? 79 00:04:53,160 --> 00:04:56,240 Speaker 1: I have. I saw the first half of the cracker. 80 00:04:56,800 --> 00:05:00,960 Speaker 1: Oh okay, now, why only the first half? Because the 81 00:05:00,960 --> 00:05:04,440 Speaker 1: place I was showing it was on only shows. It's 82 00:05:04,440 --> 00:05:07,520 Speaker 1: a tradition. They only show the up two when the 83 00:05:08,200 --> 00:05:14,480 Speaker 1: store of Clara shrinking and walking through the world trying 84 00:05:14,480 --> 00:05:19,280 Speaker 1: all the fun creatures there. I didn't mean the prints. 85 00:05:20,160 --> 00:05:22,000 Speaker 1: I see. And do they show you all the dances 86 00:05:22,120 --> 00:05:24,520 Speaker 1: from the different countries that represent different candies? Because a 87 00:05:24,560 --> 00:05:26,400 Speaker 1: lot of the second half of the nutcracker is just 88 00:05:26,440 --> 00:05:29,320 Speaker 1: one dance after another. There's no story, it's just candy dances. Yeah, 89 00:05:29,320 --> 00:05:32,600 Speaker 1: there's just there's a bunch of there was a lot 90 00:05:32,640 --> 00:05:37,640 Speaker 1: of the scene before that was candies. So it sounds 91 00:05:37,680 --> 00:05:39,280 Speaker 1: like it sounds like they played a fair amount of 92 00:05:39,320 --> 00:05:42,920 Speaker 1: the nutcracker. They danced it. I my family growing up. 93 00:05:42,920 --> 00:05:44,920 Speaker 1: We went to see the nutcracker at the New York 94 00:05:44,960 --> 00:05:47,600 Speaker 1: City ballet every year at holiday time and I grew 95 00:05:47,680 --> 00:05:50,880 Speaker 1: up really loving the ballet and I was always amazed 96 00:05:50,960 --> 00:05:54,520 Speaker 1: at how the ballet dancers seems so graceful and when 97 00:05:54,520 --> 00:05:56,560 Speaker 1: I tried it at home I would fall down a 98 00:05:56,560 --> 00:05:58,760 Speaker 1: lot and make a lot of noise and they just 99 00:05:58,800 --> 00:06:01,480 Speaker 1: seemed to not do that, so I always wondered how 100 00:06:01,480 --> 00:06:04,080 Speaker 1: they did it. Yeah, but Elliott Um falling down a 101 00:06:04,080 --> 00:06:06,040 Speaker 1: lot and making a lot of noise. That's like modern 102 00:06:06,160 --> 00:06:09,560 Speaker 1: dance and that's the kind of thing. Yeah, so there 103 00:06:09,680 --> 00:06:11,360 Speaker 1: is a place. There is a place for all kinds 104 00:06:11,360 --> 00:06:14,280 Speaker 1: of dancers. Oh, that's fantastic. Well, finally I can live 105 00:06:14,320 --> 00:06:16,000 Speaker 1: my dream of being a dancer falls down a lot, 106 00:06:16,040 --> 00:06:18,480 Speaker 1: makes a lot of noise. That's the most inspiring episode 107 00:06:18,480 --> 00:06:20,800 Speaker 1: of who was podcast? Yet I love it. Don't come 108 00:06:20,839 --> 00:06:24,440 Speaker 1: for me, modern dancers. I know you're listening. Thank you 109 00:06:24,520 --> 00:06:27,680 Speaker 1: for those, for those candid ballet opinions. I think it's 110 00:06:27,680 --> 00:06:29,560 Speaker 1: time to move on to our first game. It's a 111 00:06:29,560 --> 00:06:31,800 Speaker 1: ballet themed game. Because this is Maria Tal chief. It's 112 00:06:31,839 --> 00:06:43,000 Speaker 1: called Swan fake. In this game, you will each have 113 00:06:43,120 --> 00:06:45,680 Speaker 1: thirty seconds to get through as many true or false 114 00:06:45,720 --> 00:06:48,760 Speaker 1: statements about Maria Tal chief as possible. If the statement 115 00:06:48,800 --> 00:06:52,400 Speaker 1: B says about Maria's life is true, say firebird, after 116 00:06:52,480 --> 00:06:55,560 Speaker 1: Maria's starmaking role in the ballet of the firebird. If 117 00:06:55,600 --> 00:06:59,320 Speaker 1: it's fake, say Swan fake. Maria also danced in Swanley. 118 00:06:59,720 --> 00:07:02,440 Speaker 1: If you don't know the answer, say pass which is 119 00:07:02,440 --> 00:07:04,120 Speaker 1: a dance move, and then we'll move on. So if 120 00:07:04,120 --> 00:07:07,760 Speaker 1: it's true, say firebird. If it's fake, say Swan, fake, 121 00:07:07,839 --> 00:07:09,000 Speaker 1: and if you don't know and you just want to 122 00:07:09,000 --> 00:07:12,680 Speaker 1: go the next one, say pass a. h okay, Elliott 123 00:07:13,240 --> 00:07:16,320 Speaker 1: is going to time and producer Jane will keep score, 124 00:07:16,680 --> 00:07:19,680 Speaker 1: and each answer you get correct is worth one point, 125 00:07:19,920 --> 00:07:23,640 Speaker 1: because this is our first game. Okay, Grayson, Europe first. 126 00:07:23,680 --> 00:07:28,520 Speaker 1: Are you ready? Okay, alright, Elliott, get that time. Are 127 00:07:28,560 --> 00:07:31,640 Speaker 1: Ready and let us know when to go. Okay, getting 128 00:07:31,640 --> 00:07:35,200 Speaker 1: the time already, and on your mark, get set dance. 129 00:07:35,880 --> 00:07:38,440 Speaker 1: Maria was named Princess of two worlds by the O 130 00:07:38,600 --> 00:07:41,880 Speaker 1: s age nation. Sure, Maria was named woman of the 131 00:07:42,000 --> 00:07:49,160 Speaker 1: Year in N Swan. Fake Maria was the choreographer Balanchine's goose. Swan. Fake. 132 00:07:49,520 --> 00:07:53,200 Speaker 1: Maria famously at once asked dance legend Fredis stare. So 133 00:07:53,320 --> 00:07:57,040 Speaker 1: you think you can dance? And that's thirty seconds. Nice job. 134 00:07:57,120 --> 00:07:59,640 Speaker 1: You got through a lot of statements there. Okay, Owen, 135 00:07:59,840 --> 00:08:02,840 Speaker 1: now it's your turn. I'm going to reset the timer. Okay, 136 00:08:02,880 --> 00:08:05,480 Speaker 1: and remember, Owen, it's now it's your turn. On Your Mark, 137 00:08:05,640 --> 00:08:10,240 Speaker 1: get set dance. Maria had a younger sister, Marjorie, who 138 00:08:10,280 --> 00:08:15,320 Speaker 1: was also a dancer. Firebird Maria's father suffered from alcoholism. 139 00:08:15,520 --> 00:08:20,760 Speaker 1: firebird Maria was also a talented musician. Fire Maria was 140 00:08:20,800 --> 00:08:24,200 Speaker 1: the inspiration for the dream ballet in the musical Oklahoma. 141 00:08:24,680 --> 00:08:27,600 Speaker 1: Sat Fake Maria was a dancer in one of Judy 142 00:08:27,640 --> 00:08:33,320 Speaker 1: Garland's movies. Um, firebird Maria was instrumental in establishing the 143 00:08:33,320 --> 00:08:37,920 Speaker 1: New York City Ballet. And that's thirty seconds a right. 144 00:08:38,840 --> 00:08:42,000 Speaker 1: Both of you were blazing through those answers, and that's 145 00:08:42,000 --> 00:08:51,559 Speaker 1: the end of Swan fake. Thank you both so much 146 00:08:51,600 --> 00:08:54,520 Speaker 1: for playing an incredible round. We'll have producer Jayne itally 147 00:08:54,600 --> 00:08:57,920 Speaker 1: up the scores right after this short break. Erica, please 148 00:08:57,920 --> 00:09:12,960 Speaker 1: play us some firebird music that birds on fire. Welcome 149 00:09:13,000 --> 00:09:15,800 Speaker 1: back to the WHO was podcast, where today we're finding 150 00:09:15,840 --> 00:09:19,199 Speaker 1: out who was Maria Tal Cheese and who was Mozart. 151 00:09:19,400 --> 00:09:23,000 Speaker 1: And now back to your host, Elliott Kalin. Thank you, 152 00:09:23,080 --> 00:09:25,439 Speaker 1: be we just got through an exciting game between Grayson 153 00:09:25,480 --> 00:09:28,400 Speaker 1: and Owen. Now let's dance over to producer Jane to 154 00:09:28,440 --> 00:09:31,200 Speaker 1: find out the scores. Jane, Please, what are the scores? 155 00:09:32,080 --> 00:09:36,000 Speaker 1: Oh boy, Grayson got two points and then Owen sped 156 00:09:36,040 --> 00:09:40,400 Speaker 1: ahead with five. Fantastic playing on both of you and 157 00:09:40,520 --> 00:09:43,320 Speaker 1: noticed that I didn't make a musical pun off of 158 00:09:43,320 --> 00:09:45,640 Speaker 1: the word scores. I think I deserved some credit for that. 159 00:09:45,720 --> 00:09:48,319 Speaker 1: Thank you, Elliot, for not doing that. And let's keep 160 00:09:48,320 --> 00:09:50,800 Speaker 1: the show going as we find out who was Mozart 161 00:09:50,840 --> 00:09:57,080 Speaker 1: with four fast facts. Facts. Mozart was born in seventeen 162 00:09:57,080 --> 00:10:02,320 Speaker 1: fifty six and died in in Austria. Mozart started composing 163 00:10:02,400 --> 00:10:05,000 Speaker 1: music at the age of five. He wrote over six 164 00:10:05,080 --> 00:10:07,920 Speaker 1: hundred pieces of music. Mozart had a musical mind and 165 00:10:07,960 --> 00:10:11,280 Speaker 1: could retain pieces of music even after hearing them only once. 166 00:10:15,720 --> 00:10:20,480 Speaker 1: I know we were saying earlier. So, Grayson, you have memorized, Um, 167 00:10:20,520 --> 00:10:22,839 Speaker 1: all of the presidents of the US, and it sounds 168 00:10:22,840 --> 00:10:24,680 Speaker 1: like you and Mozart sort of have that in common, 169 00:10:24,720 --> 00:10:29,280 Speaker 1: like having this like great um sort of memory. Um. 170 00:10:29,320 --> 00:10:32,040 Speaker 1: But what comes to your mind when we say like 171 00:10:32,160 --> 00:10:35,800 Speaker 1: Mozart or classical music? What do you what? What do 172 00:10:35,840 --> 00:10:37,920 Speaker 1: you think of when we say that? Grayson, I think 173 00:10:37,920 --> 00:10:42,080 Speaker 1: of this songs, Rondo, Turkey Piano Chart in twenty one. 174 00:10:43,400 --> 00:10:45,320 Speaker 1: I don't know that. And what's the what's the what's 175 00:10:45,320 --> 00:10:47,160 Speaker 1: the is there a particular classical song that you like, 176 00:10:47,240 --> 00:10:49,440 Speaker 1: even not just to play but to listen to? No, 177 00:10:49,840 --> 00:10:53,400 Speaker 1: I don't really like to classical music. So what kind 178 00:10:53,440 --> 00:10:54,520 Speaker 1: of music do you like to listen to? You like 179 00:10:54,600 --> 00:10:57,400 Speaker 1: to play classical but you like to listen to other music. Yeah, 180 00:10:57,440 --> 00:11:01,400 Speaker 1: I kind of like country pop, like sort of stop. 181 00:11:01,440 --> 00:11:05,000 Speaker 1: All right, who, who are your top artists? What about 182 00:11:05,360 --> 00:11:07,640 Speaker 1: the most country pop person I've ever heard of, which 183 00:11:07,679 --> 00:11:11,520 Speaker 1: is a Taylor Swift? Are you a swift? Eh? Yes, okay, Great. 184 00:11:11,920 --> 00:11:14,280 Speaker 1: I wanted to mention there's two classical songs. There's one 185 00:11:14,280 --> 00:11:15,920 Speaker 1: classic Song I listened to whenever I need to get 186 00:11:15,920 --> 00:11:18,000 Speaker 1: really energized, and there's one classical song I listened to 187 00:11:18,000 --> 00:11:20,200 Speaker 1: when I need to calm down. And the classical song 188 00:11:20,240 --> 00:11:21,760 Speaker 1: I like, I listened to when I need to energize, 189 00:11:22,080 --> 00:11:24,040 Speaker 1: is the twelve overture. You know it. It's one that 190 00:11:24,080 --> 00:11:32,080 Speaker 1: goes that boom, that boom boom. There's real cannons in 191 00:11:32,080 --> 00:11:35,160 Speaker 1: the song. It's bonkers. And then the song I need 192 00:11:35,200 --> 00:11:36,840 Speaker 1: to listen to when I calm down is I listened 193 00:11:36,840 --> 00:11:40,040 Speaker 1: to Venus by Gustav Holst, from the planet's symphony, and 194 00:11:40,080 --> 00:11:42,200 Speaker 1: it's a very calm song and I like to listen 195 00:11:42,200 --> 00:11:43,719 Speaker 1: to it at the end of the day when it's 196 00:11:43,720 --> 00:11:45,760 Speaker 1: time for me to go to bed. and Venus is 197 00:11:45,800 --> 00:11:50,520 Speaker 1: the gause of love, and soothe thinks exactly. So the 198 00:11:50,559 --> 00:11:58,240 Speaker 1: songs makes sense. Jupiter is like big, it's like bump, bump, bump, bump, bump, bump, bump, bump, bomb, bump, bump, bomb, 199 00:11:58,840 --> 00:12:02,040 Speaker 1: and Neptune, I don't know how that was. So I 200 00:12:02,040 --> 00:12:07,320 Speaker 1: think the Nepton one is like under the sea. All right, 201 00:12:07,360 --> 00:12:09,920 Speaker 1: we got keep moving because they're getting into copyright issues. 202 00:12:09,960 --> 00:12:13,240 Speaker 1: Now let's get to know more about Wolfgang Amadeus Mozart. 203 00:12:13,280 --> 00:12:22,400 Speaker 1: In this next game it's called Hashtag history, Hashtag, Hashtag, history, Hashtag, Hashtag. 204 00:12:26,200 --> 00:12:28,840 Speaker 1: In this game we will read to a Hashtag Mozart 205 00:12:29,000 --> 00:12:31,319 Speaker 1: would have used during his life if there were social 206 00:12:31,360 --> 00:12:33,959 Speaker 1: media at the time, and you will tell us what's 207 00:12:33,960 --> 00:12:36,080 Speaker 1: that Hashtag all about? What's that tweet all about? And 208 00:12:36,080 --> 00:12:39,040 Speaker 1: because this is our second game, each question is worth 209 00:12:39,120 --> 00:12:42,480 Speaker 1: two points. So, Owen, this first question is for you. 210 00:12:42,480 --> 00:12:45,160 Speaker 1: You've heard of wordle but growing up, my family and 211 00:12:45,200 --> 00:12:49,880 Speaker 1: I called my sister by this nickname. Hashtag, sister, sister, Hashtag. 212 00:12:49,960 --> 00:12:54,000 Speaker 1: It's all relative. What was Mozart's sister's nickname? Was it 213 00:12:54,080 --> 00:12:59,920 Speaker 1: a Naneral or be strue soul. I'm so sorry. The 214 00:13:00,000 --> 00:13:03,560 Speaker 1: anser was a Nanaal Maria, Anna, Mozart's older sister, was 215 00:13:03,600 --> 00:13:07,040 Speaker 1: also a musician. It's okay, there's lots more points opportunities 216 00:13:07,080 --> 00:13:09,520 Speaker 1: coming up. She performed with Mozart when they were very young. 217 00:13:09,600 --> 00:13:12,720 Speaker 1: She helped him notate his earliest symphonies and she composed 218 00:13:12,720 --> 00:13:15,280 Speaker 1: her own music. But NANARAL was expected to get married 219 00:13:15,320 --> 00:13:17,480 Speaker 1: and raised children, not pursue a career of her own. 220 00:13:17,559 --> 00:13:21,800 Speaker 1: Eighteenth Century, the better eighteenth century. Next question is for Grayson. 221 00:13:21,920 --> 00:13:25,240 Speaker 1: Take it away. Be met someone today. She's the queen 222 00:13:25,480 --> 00:13:29,839 Speaker 1: of my heart. Hashtag woman crushed Wednesday. Hashtag. Let them 223 00:13:29,880 --> 00:13:33,280 Speaker 1: eat wedding cake, Maria, they did. Let me, let me 224 00:13:33,320 --> 00:13:36,080 Speaker 1: do the options. Yes, it was about raising you got it. 225 00:13:36,160 --> 00:13:38,480 Speaker 1: The six year old Mozart was performing for the Queen 226 00:13:38,480 --> 00:13:41,560 Speaker 1: of Hungary. A six year old Marie Antoinette helped him 227 00:13:41,559 --> 00:13:43,920 Speaker 1: after he fell and he proclaimed he would marry her. 228 00:13:44,000 --> 00:13:46,480 Speaker 1: This was hilarious to everyone there because at six she 229 00:13:46,559 --> 00:13:48,520 Speaker 1: was already engaged to the future King of France, lose 230 00:13:48,559 --> 00:13:50,640 Speaker 1: the sixteenth, and destined to be the next queen of France. 231 00:13:50,880 --> 00:13:53,720 Speaker 1: You know, typical six year old stuff. Come on, eighteenth 232 00:13:53,760 --> 00:13:57,480 Speaker 1: century next question. Let's go back to Owen. Records haven't 233 00:13:57,520 --> 00:14:00,480 Speaker 1: been invented yet, but my father insists I go after 234 00:14:00,559 --> 00:14:05,760 Speaker 1: those royalties. Hashtag will never be royals. Hashtag yes, Queen. 235 00:14:05,920 --> 00:14:08,600 Speaker 1: Is this about a Mozart trying to be employed as 236 00:14:08,600 --> 00:14:10,800 Speaker 1: a concert master in the court of a King or Prince? 237 00:14:11,120 --> 00:14:14,400 Speaker 1: or Be Mozart spending too much money on wigs and clothing? 238 00:14:15,640 --> 00:14:18,280 Speaker 1: That's right. The answer is a an artist like Mozart 239 00:14:18,320 --> 00:14:20,000 Speaker 1: to make a living at that time he needed the 240 00:14:20,040 --> 00:14:23,760 Speaker 1: help of wealthy patrons and the aristocracy. His father harked 241 00:14:23,760 --> 00:14:26,120 Speaker 1: on the importance of this in his many letters to Mozart. 242 00:14:26,320 --> 00:14:28,520 Speaker 1: It also brings up the idea of class distinction in 243 00:14:28,560 --> 00:14:31,480 Speaker 1: the white male exclusivity associated with classical music. It's a 244 00:14:31,480 --> 00:14:33,160 Speaker 1: topic we'd love one of our listeners to do a 245 00:14:33,240 --> 00:14:35,600 Speaker 1: ten part podcast about. I would love to listen to it. 246 00:14:35,720 --> 00:14:38,120 Speaker 1: Please put it out there. And this last question is 247 00:14:38,240 --> 00:14:41,880 Speaker 1: for Grayson. You're invited to the wedding. A lot of 248 00:14:41,920 --> 00:14:46,480 Speaker 1: wedding singers, but no bocae Toss Hashtag wedding craft shirts. 249 00:14:46,640 --> 00:14:51,680 Speaker 1: HASHTAG romantic overtures. Is this tweet referring to a Mozart's 250 00:14:51,680 --> 00:14:54,960 Speaker 1: marriage to his wife Costanza or be his hit opera, 251 00:14:55,080 --> 00:14:58,720 Speaker 1: the marriage of Figaro. There is a Figaro. That's right, 252 00:14:58,760 --> 00:15:01,120 Speaker 1: it's the marriage of figure it's a huge success for 253 00:15:01,200 --> 00:15:03,920 Speaker 1: Mozart helped him establish his name as a musician. He 254 00:15:03,960 --> 00:15:06,720 Speaker 1: went on to write three other beloved operas before his 255 00:15:06,800 --> 00:15:09,320 Speaker 1: death at just thirty five. You know, the opening of 256 00:15:09,360 --> 00:15:19,280 Speaker 1: Marrija Figro is very famous. It goes like this. Oh 257 00:15:19,320 --> 00:15:23,680 Speaker 1: my goodness, Bravo, Bravo, Elliott, you're a tenor. Wow, yeah, 258 00:15:23,720 --> 00:15:26,040 Speaker 1: but that performance was more of a twelve, if I'm 259 00:15:26,040 --> 00:15:29,640 Speaker 1: being honest. Okay, I like. I like the magic flu. 260 00:15:29,800 --> 00:15:34,760 Speaker 1: Al Baldo's essay. The magic flu was also a beautiful opera. 261 00:15:34,880 --> 00:15:37,680 Speaker 1: Amazing job to both of our contestants. You did great 262 00:15:37,720 --> 00:15:46,880 Speaker 1: at Hashtag history, history, and now let's go to producer 263 00:15:46,960 --> 00:15:49,600 Speaker 1: chain with the musical scores. That's it, I did it. 264 00:15:49,640 --> 00:15:54,160 Speaker 1: I made a musical score joke. I couldn't resist. I'm sorry. Wow. Well, 265 00:15:54,480 --> 00:15:58,640 Speaker 1: Owen has seven, but Grayson is sliding right up behind 266 00:15:58,720 --> 00:16:03,080 Speaker 1: the six points. This game is so close. Thank you, Jane. 267 00:16:03,240 --> 00:16:05,280 Speaker 1: And now, before we move on to our final game, 268 00:16:05,360 --> 00:16:08,520 Speaker 1: we have a very special guest. It's America's own Prima 269 00:16:08,560 --> 00:16:12,320 Speaker 1: Bell Rena, herself Maria Tulchief. Hello, I'm thank you for 270 00:16:12,400 --> 00:16:16,200 Speaker 1: having me. Of course, Maria joined us via the WHO 271 00:16:16,320 --> 00:16:19,320 Speaker 1: was that? That's right, I took the liberty of choreographing 272 00:16:19,360 --> 00:16:22,360 Speaker 1: a dance to the jingle. May I perform it? That 273 00:16:22,480 --> 00:16:27,600 Speaker 1: would be incredible. A five, six, seven, twelve. Who was 274 00:16:28,520 --> 00:16:38,600 Speaker 1: wandering in the first Oh wow, that was beautiful. Elliott, 275 00:16:39,400 --> 00:16:43,080 Speaker 1: are you crying a little bit? I have that effect 276 00:16:43,080 --> 00:16:46,320 Speaker 1: on people. I heard the former leader of the USSR, 277 00:16:46,520 --> 00:16:49,120 Speaker 1: Chrius Cheff, wept when he watched me perform in the 278 00:16:49,200 --> 00:16:51,960 Speaker 1: Soviet Union in the nineteen fifties. We have no way 279 00:16:52,000 --> 00:16:56,760 Speaker 1: to verify, but that tracks. Maria, love brings you here today. 280 00:16:56,960 --> 00:16:59,880 Speaker 1: You all have so much fun playing games on this podcast. 281 00:17:00,200 --> 00:17:02,680 Speaker 1: I brought a game of my own to share. It's 282 00:17:02,720 --> 00:17:15,200 Speaker 1: called rounds of applause. Sounds Fun. Yes, B was supposed 283 00:17:15,200 --> 00:17:18,600 Speaker 1: to tell you about it so you could prepare. Wait beat. 284 00:17:18,680 --> 00:17:22,840 Speaker 1: What cool, Elliott. It'll be fun. I love dancing and 285 00:17:23,160 --> 00:17:25,600 Speaker 1: I love the applause that tame with it. I became 286 00:17:25,680 --> 00:17:28,800 Speaker 1: something of an applause expert and can recognize where applause 287 00:17:28,880 --> 00:17:31,520 Speaker 1: is from when I hear it. So in this game, 288 00:17:32,040 --> 00:17:34,920 Speaker 1: B will play applause and Elliott and I will try 289 00:17:34,920 --> 00:17:38,840 Speaker 1: to name what it's from. Nobody, nobody doesn't not want 290 00:17:38,880 --> 00:17:42,680 Speaker 1: to hear this game. Let's go. Maria's up first. Here 291 00:17:43,040 --> 00:17:49,240 Speaker 1: is your round of applause. That's a golf clack. I 292 00:17:49,280 --> 00:17:52,560 Speaker 1: think it's from the seventy masters, where Jack Nicklaus won 293 00:17:52,760 --> 00:17:57,720 Speaker 1: his thirteenth major title. Correct, Elliott. This next round is 294 00:17:57,800 --> 00:18:03,960 Speaker 1: for you. This feels unfair. Uh, is that from like 295 00:18:04,480 --> 00:18:10,400 Speaker 1: the musical wicked? Wrong, I'm going to steal. That's when 296 00:18:10,400 --> 00:18:12,800 Speaker 1: I danced the sugar pump ferry from the nutcracker at 297 00:18:12,800 --> 00:18:16,400 Speaker 1: the Bullshoy theater in nineteen sixty. I was the first 298 00:18:16,440 --> 00:18:19,200 Speaker 1: American to dance at the Bullshoy, which is Russia's most 299 00:18:19,200 --> 00:18:24,040 Speaker 1: prestigious theater. Correct, Maria to this next round of applause 300 00:18:24,480 --> 00:18:30,280 Speaker 1: is for you. That's from Elliott's high school play. You 301 00:18:30,280 --> 00:18:32,960 Speaker 1: can detect just a hint of resentment from the audience 302 00:18:33,000 --> 00:18:34,879 Speaker 1: for having to pretend he did a good job as 303 00:18:34,960 --> 00:18:38,800 Speaker 1: Danny Zuko in Greece. I did do a good job, Maria, 304 00:18:39,080 --> 00:18:42,359 Speaker 1: is correct. My Mom said I did a good job. Okay, 305 00:18:42,760 --> 00:18:50,480 Speaker 1: last round of applause is for Elliott. Uh. Is it 306 00:18:50,640 --> 00:18:56,960 Speaker 1: from the musical wicked? Nope, Maria, for this deal. Dancers 307 00:18:56,960 --> 00:18:59,919 Speaker 1: will often perform short scenes from ballets at dance shows. 308 00:19:00,600 --> 00:19:03,520 Speaker 1: That applause was from when I danced pizzicato from the 309 00:19:03,560 --> 00:19:09,920 Speaker 1: ballet is Sylvia at Jacob's pill dance theater. Correct. Wow. 310 00:19:10,280 --> 00:19:17,920 Speaker 1: That's the end of round of applause and now to 311 00:19:18,040 --> 00:19:22,280 Speaker 1: producer Jane with the scores. What Jane? You knew about 312 00:19:22,320 --> 00:19:26,000 Speaker 1: this too. That's right, Elliott in the biggest victory we've 313 00:19:26,040 --> 00:19:30,040 Speaker 1: ever seen on who was. It's Maria with four points, 314 00:19:30,480 --> 00:19:36,119 Speaker 1: Elliott with zero. Oh my, that was marvelous. Thank you 315 00:19:36,200 --> 00:19:43,000 Speaker 1: for having me and things again. who was up? Well, 316 00:19:43,080 --> 00:19:45,320 Speaker 1: I'M gonna go try and recover from that defeat and 317 00:19:45,400 --> 00:19:48,800 Speaker 1: we'll be back with the final game after this short break. Eric, 318 00:19:48,880 --> 00:19:51,480 Speaker 1: can you please play us some surprise me with a game. 319 00:19:51,520 --> 00:19:59,879 Speaker 1: I wasn't ready for music. Jum Sally, who was asked 320 00:20:00,080 --> 00:20:03,960 Speaker 1: same one. Marie Curie. You may remember me from winning 321 00:20:04,040 --> 00:20:07,840 Speaker 1: multiple Nobel Prizes, or perhaps from my episode of the 322 00:20:07,880 --> 00:20:11,600 Speaker 1: WHO worst podcast where I played myself. I wanted to 323 00:20:11,640 --> 00:20:14,280 Speaker 1: take a moment to read one of my favorite reviews 324 00:20:14,400 --> 00:20:18,600 Speaker 1: about the WHO was podcast. This is from Shaken Bay 325 00:20:18,720 --> 00:20:22,760 Speaker 1: and it reads loved this. Me and my little sister 326 00:20:23,119 --> 00:20:27,400 Speaker 1: love this show more, please. Our faith is Arie Toman. 327 00:20:28,240 --> 00:20:30,280 Speaker 1: If you want to hear your review right on the air, 328 00:20:30,680 --> 00:20:34,320 Speaker 1: make sure to subscribe, like and review to the worst 329 00:20:34,359 --> 00:20:37,280 Speaker 1: podcast in the I heart radio up or wherever you 330 00:20:37,359 --> 00:20:45,760 Speaker 1: get your podcasts. REVOIR, or should I stay Abbia? We're 331 00:20:45,880 --> 00:20:48,840 Speaker 1: back on the WHO was podcast. When we last left, 332 00:20:49,400 --> 00:20:53,119 Speaker 1: Brason had six points and Owen had seven points. And 333 00:20:53,200 --> 00:20:57,600 Speaker 1: now back to your host, Elliott Daylen. Thank you me. 334 00:20:57,920 --> 00:21:00,400 Speaker 1: It's a close game. Let's see what happened in this, 335 00:21:00,520 --> 00:21:14,640 Speaker 1: our last game. It's called converge of greatness. What beautiful music. 336 00:21:14,680 --> 00:21:16,560 Speaker 1: I think Mozart wrote that. No, was Eric. In this 337 00:21:16,640 --> 00:21:19,119 Speaker 1: multiple choice game we'll explore how the lives of Maria 338 00:21:19,200 --> 00:21:23,840 Speaker 1: Tal chief and Mozart connect, overlap or converge. And because 339 00:21:23,840 --> 00:21:27,600 Speaker 1: we're in the third round, each question is worth three points. Ready, 340 00:21:27,760 --> 00:21:31,280 Speaker 1: the first question goes to Grayson B. Take it away. 341 00:21:31,800 --> 00:21:36,240 Speaker 1: Both Maria Tal Chief and Mozart had important relationships with artists. 342 00:21:36,680 --> 00:21:40,800 Speaker 1: Maria and the choreographer George Balanchine were life and artistic 343 00:21:40,840 --> 00:21:44,560 Speaker 1: partners and created the New York City Ballet. Mozart was 344 00:21:44,640 --> 00:21:50,080 Speaker 1: friendly with this classical composer. Was it a Johann Sebastian Bach? B, 345 00:21:50,600 --> 00:21:56,119 Speaker 1: Joseph Hyden or C A DUA LIPA? That's right, the 346 00:21:56,160 --> 00:21:58,919 Speaker 1: answer is be. The composer Joseph Hayden was a mentor 347 00:21:58,960 --> 00:22:02,000 Speaker 1: and friend to young most art, and Mozart dedicated six 348 00:22:02,119 --> 00:22:05,200 Speaker 1: quartets to him. You know, my favorite hide and Quartet 349 00:22:05,359 --> 00:22:10,080 Speaker 1: is the hide and go seek. Yes, we did it, 350 00:22:10,160 --> 00:22:12,040 Speaker 1: we did it. We made a hide and joke. Okay. 351 00:22:12,240 --> 00:22:15,920 Speaker 1: The next question is for Owen. Mozart and Maria both 352 00:22:15,920 --> 00:22:18,480 Speaker 1: had close calls with their health at different points in 353 00:22:18,560 --> 00:22:22,359 Speaker 1: their lives. While Mozart was able to recover from smallpox, 354 00:22:22,520 --> 00:22:26,560 Speaker 1: Maria almost missed her big debut due to this illness. 355 00:22:27,240 --> 00:22:32,440 Speaker 1: Is it a infected tonsils, b Shin splints or see 356 00:22:32,640 --> 00:22:37,240 Speaker 1: dance fever? Hey, that's right, the answer is A. Maria 357 00:22:37,320 --> 00:22:39,840 Speaker 1: almost missed her debut in the firebird because she was 358 00:22:40,040 --> 00:22:42,840 Speaker 1: very sick. She had to have her tonsils removed and 359 00:22:42,880 --> 00:22:45,479 Speaker 1: had only two days rest before she took the stage 360 00:22:45,480 --> 00:22:49,159 Speaker 1: and brought down the house with her incredible tonsilness performance. 361 00:22:49,400 --> 00:22:54,600 Speaker 1: Next question Grayson. Maria's relationship with her father was complicated. 362 00:22:55,000 --> 00:22:58,040 Speaker 1: She says she idolized him in many ways, but his 363 00:22:58,119 --> 00:23:02,280 Speaker 1: alcoholism made him unreliable. Bol Mozart also had a difficult 364 00:23:02,320 --> 00:23:06,480 Speaker 1: relationship with his father Leopold, and much of their correspondence 365 00:23:06,560 --> 00:23:11,919 Speaker 1: focuses around this issue. A Leopold's wish that Mozart give 366 00:23:12,040 --> 00:23:16,639 Speaker 1: up music and get a real job, B leobold begging 367 00:23:16,680 --> 00:23:20,600 Speaker 1: Mozart to put him in an opera or see. Leopold 368 00:23:20,640 --> 00:23:24,320 Speaker 1: was upset with Mozart over the way he spent money. 369 00:23:24,880 --> 00:23:29,159 Speaker 1: It's I guess in it's money. That's right. The answer 370 00:23:29,200 --> 00:23:31,960 Speaker 1: is seeing. Leopold was very supportive of Mozart having a 371 00:23:32,040 --> 00:23:34,400 Speaker 1: career in music and taught him how to play instruments, 372 00:23:34,440 --> 00:23:38,560 Speaker 1: but he was him quote, not mad, but disappointed, unquote, 373 00:23:38,560 --> 00:23:41,640 Speaker 1: at the choices Mozart made with his money. Maybe Mozart 374 00:23:41,640 --> 00:23:43,119 Speaker 1: should have listen to his dad a little bit. At 375 00:23:43,119 --> 00:23:45,440 Speaker 1: the time of his death, he was very deep in debt. 376 00:23:45,680 --> 00:23:47,639 Speaker 1: And now it's time for the last question. This is 377 00:23:47,680 --> 00:23:52,160 Speaker 1: for Owen. Mozart wrote the fantasy like opera the magic flute, 378 00:23:52,280 --> 00:23:54,800 Speaker 1: where the hero of the story is given a magic 379 00:23:54,840 --> 00:23:57,840 Speaker 1: flute to help him on his quest. In the firebird 380 00:23:58,160 --> 00:24:00,600 Speaker 1: Maria danced the part of a fire a bird who 381 00:24:00,600 --> 00:24:02,760 Speaker 1: tells a young man she will help him if he 382 00:24:02,840 --> 00:24:07,080 Speaker 1: calls her using this magical object. Is it a a 383 00:24:07,200 --> 00:24:12,280 Speaker 1: messenger bird, be a super sick muscle car or see 384 00:24:12,560 --> 00:24:17,119 Speaker 1: a magic feather? Um, let's see the magic feather. The 385 00:24:17,200 --> 00:24:19,840 Speaker 1: answer yes, it's see a magic feather. The story of 386 00:24:19,840 --> 00:24:22,159 Speaker 1: the firebird is based on a Russian folk tale, but, 387 00:24:22,240 --> 00:24:25,000 Speaker 1: unlike many other operas at the time, the magic flute 388 00:24:25,040 --> 00:24:27,119 Speaker 1: was not based on a pretty existing story, but a 389 00:24:27,119 --> 00:24:30,840 Speaker 1: collaboration between Mozart and an Austrian theatrical troupe, a lot 390 00:24:30,840 --> 00:24:33,280 Speaker 1: of cooks in dust kitchen, which may explain why the 391 00:24:33,320 --> 00:24:36,840 Speaker 1: story of magic flute is charmingly bonkers. And speaking of Bonkers, 392 00:24:36,880 --> 00:24:48,680 Speaker 1: can you believe that was the final game? Like all 393 00:24:48,760 --> 00:24:51,840 Speaker 1: great ballets and symphonies, our show must at last come 394 00:24:51,880 --> 00:24:54,600 Speaker 1: to an end, to a standing ovation. Oh thank you, everybody. 395 00:24:54,600 --> 00:24:56,000 Speaker 1: Sit down. Sit Down, you don't need to do well, 396 00:24:56,080 --> 00:24:58,119 Speaker 1: maybe a little bit. Okay, let's find sit down. But first, 397 00:24:58,160 --> 00:25:01,119 Speaker 1: while producer Jane Tally's our all scores, I'd love to 398 00:25:01,119 --> 00:25:04,520 Speaker 1: hear from our contestants. Uh Owen Grayson, is there something 399 00:25:04,600 --> 00:25:07,280 Speaker 1: that you found out about Maria Tal chief or Mozart 400 00:25:07,280 --> 00:25:10,000 Speaker 1: that really surprised you? Um, something that stuck out to 401 00:25:10,040 --> 00:25:14,640 Speaker 1: me about Murray Tal chief was her loved ones just 402 00:25:14,720 --> 00:25:19,120 Speaker 1: kept dying and then like ten years later, after her 403 00:25:19,920 --> 00:25:23,960 Speaker 1: divorced husband died, then she died herself. Yeah, it's it's 404 00:25:24,000 --> 00:25:27,240 Speaker 1: sad how often people can achieve great things and yet 405 00:25:27,280 --> 00:25:30,240 Speaker 1: have such tragedy in their personal lives and they have 406 00:25:30,320 --> 00:25:33,040 Speaker 1: to push through it, I guess, and you know you can't. 407 00:25:33,080 --> 00:25:35,120 Speaker 1: You can't dance out of sadness, although I guess it's 408 00:25:35,160 --> 00:25:37,400 Speaker 1: ballet you kind of can. I mean a lot. Yeah, 409 00:25:37,440 --> 00:25:41,360 Speaker 1: a lot of ballets are about tragic subjects. Uh, maybe 410 00:25:41,640 --> 00:25:43,879 Speaker 1: you know she brought that into her work. Yeah, I 411 00:25:43,920 --> 00:25:46,400 Speaker 1: hate to spoilers for everyone listening. He hasn't Seen Swan Lake. 412 00:25:46,400 --> 00:25:49,160 Speaker 1: Things do not work out great for the Swan what. 413 00:25:49,760 --> 00:25:51,360 Speaker 1: I'm sorry, Jane, I didn't want you to find out 414 00:25:51,400 --> 00:25:54,119 Speaker 1: this way. Grayson, was there anything that stuck out to 415 00:25:54,160 --> 00:25:56,480 Speaker 1: you particularly about Mozart, or Ria Tal Chief, something that 416 00:25:56,480 --> 00:26:01,880 Speaker 1: you'd like to talk about? Well, I was, Willie, interested 417 00:26:02,000 --> 00:26:06,040 Speaker 1: that the fact that, uh, for the anniversary of Navave 418 00:26:06,119 --> 00:26:09,639 Speaker 1: and they played the modes are for four Um for 419 00:26:11,280 --> 00:26:15,879 Speaker 1: twy four hours. Yeah, it's amazing how Mozart wrote that Song, 420 00:26:16,280 --> 00:26:18,719 Speaker 1: you know, hundreds of years ago, but it's still it's 421 00:26:18,720 --> 00:26:21,040 Speaker 1: still so powerful that it still affects people and it 422 00:26:21,080 --> 00:26:24,320 Speaker 1: can still speak to us when things happen in modern times. 423 00:26:24,320 --> 00:26:26,000 Speaker 1: I guess that's the power of great art, is that 424 00:26:26,240 --> 00:26:27,760 Speaker 1: even if it's written in one time, it kind of 425 00:26:27,760 --> 00:26:31,600 Speaker 1: lives on forever and it still makes people laugh or cry, 426 00:26:31,920 --> 00:26:35,200 Speaker 1: or cry from laughter or dance or maybe sit down 427 00:26:35,200 --> 00:26:38,840 Speaker 1: and say that's interesting. Lots of different reactions, I guess. Yeah, 428 00:26:38,880 --> 00:26:42,000 Speaker 1: in a word, timeless. Yes, timeless. That's a great one 429 00:26:42,000 --> 00:26:43,560 Speaker 1: word way to say what I was saying. With lots 430 00:26:43,600 --> 00:26:46,200 Speaker 1: of words be you've shown me up again. Well, thank 431 00:26:46,240 --> 00:26:47,959 Speaker 1: you both so much for sharing your thoughts with us. 432 00:26:47,960 --> 00:26:51,159 Speaker 1: Those are great. And now it's time for the big moment. Jane, 433 00:26:51,280 --> 00:26:56,720 Speaker 1: Please announced our winner. Well, it was a squeaker, isn't that? 434 00:26:56,840 --> 00:27:04,360 Speaker 1: Isn't that what a Mozart's lesser known symphonies? Squeaker, the squeaker. Yes, squeaker. 435 00:27:04,520 --> 00:27:09,359 Speaker 1: Cohen had thirteen points and Grayson right behind them with twelve. Ohen, 436 00:27:09,640 --> 00:27:14,600 Speaker 1: you've won. What a close game. You've both played amazingly well. Congratulations, Oh, 437 00:27:14,600 --> 00:27:16,240 Speaker 1: and on your victory, and this one you have ten 438 00:27:16,280 --> 00:27:18,320 Speaker 1: seconds for shout out. Still for it. Who would you 439 00:27:18,359 --> 00:27:21,119 Speaker 1: like to thank today? Um, I would like to thank 440 00:27:21,320 --> 00:27:25,040 Speaker 1: my parents, for setting you up with this whole podcast. 441 00:27:25,200 --> 00:27:27,439 Speaker 1: I didn't think of doing it, but they pushed me 442 00:27:27,560 --> 00:27:30,800 Speaker 1: to do it, so I'd like to thank them. That's 443 00:27:30,960 --> 00:27:33,200 Speaker 1: very nice. Thank you, parents for pushing your children. Our 444 00:27:33,240 --> 00:27:35,879 Speaker 1: winner and their library of choice will be receiving a 445 00:27:35,920 --> 00:27:38,040 Speaker 1: selection of who was books, and I'm going to give 446 00:27:38,080 --> 00:27:41,000 Speaker 1: a shout out to intern Zach, to Jane, to Eric 447 00:27:41,200 --> 00:27:43,280 Speaker 1: and be and a big thank you to both of 448 00:27:43,280 --> 00:27:46,160 Speaker 1: our contestants, who played an amazing game. Thank you at home. 449 00:27:46,240 --> 00:27:48,439 Speaker 1: So much for listening. Next week join us as we 450 00:27:48,480 --> 00:27:51,560 Speaker 1: find out about two more amazing people from history. Until then, 451 00:27:51,600 --> 00:27:56,400 Speaker 1: this is Elliott Amadeus Klin saying we are history. Thank you. Goodbye, everybody. 452 00:27:56,520 --> 00:28:01,159 Speaker 1: Great playing contestants. Yeah, got a question for any of 453 00:28:01,160 --> 00:28:04,080 Speaker 1: our famous figures? Send us a voice memo at the 454 00:28:04,160 --> 00:28:07,240 Speaker 1: WHO was podcast at GMAIL DOT com. It might just 455 00:28:07,400 --> 00:28:10,200 Speaker 1: end up on the show. The WHO was podcast is 456 00:28:10,240 --> 00:28:13,400 Speaker 1: produced by radio point, I heart media and Penguin workshop 457 00:28:13,560 --> 00:28:15,760 Speaker 1: and is based on the best selling who h q 458 00:28:16,000 --> 00:28:19,800 Speaker 1: series published by Penguin, hosted by Elliott Caylin, with Co 459 00:28:19,960 --> 00:28:24,040 Speaker 1: host Megan O'Neill as B also starring Jane Baker as 460 00:28:24,119 --> 00:28:28,840 Speaker 1: Jane Eric Shackney as Eric and Monique Morrow, as Maria Talchi. 461 00:28:29,359 --> 00:28:33,719 Speaker 1: Executive Producers are Richard Gorson, Alex Boch, Elliott Calin, Megan O'Neil, 462 00:28:33,920 --> 00:28:38,120 Speaker 1: Daniel Powell and Houston Snyder. Executive Producer for penguin workshop 463 00:28:38,240 --> 00:28:42,720 Speaker 1: is Francesco Sadda. Executive producer for Iheart media is Lindsay Hoffman. 464 00:28:43,120 --> 00:28:45,720 Speaker 1: This episode was written by Megan O'Neil, Ellie Kylin and 465 00:28:45,760 --> 00:28:50,160 Speaker 1: Devin Coleman, produced by Bernie Kaminsky and Taylor Kowalski. Talent 466 00:28:50,200 --> 00:28:53,960 Speaker 1: producer is Jane Baker. Theme song and music composed and 467 00:28:54,120 --> 00:28:58,280 Speaker 1: performed by Eric Shackney, edited and mixed by Breematan and 468 00:28:58,400 --> 00:29:02,960 Speaker 1: Kate Moldenhauer. Did by Joanna Samuel's. Special thanks to Zach Timpson, 469 00:29:03,080 --> 00:29:07,000 Speaker 1: Charlotte Danda, Daniel Goodman and Michael Lewis. Howard who was 470 00:29:07,080 --> 00:29:10,960 Speaker 1: podcast was recorded at the I heart studios in Los Angeles, California. 471 00:29:11,360 --> 00:29:15,120 Speaker 1: Sound services provided by a great city posts the WHO 472 00:29:15,760 --> 00:29:19,880 Speaker 1: podcast because it's standard playbooks.