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Speaker 1: Transmitting Hello, what's happened to friends? Welcome to Friday show Boy.

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Speaker 1: How do we got a good show for you today?

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Speaker 1: Dan and Shay will be in later Friday morning dance parties.

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Speaker 1: We have Morgan in Oklahoma who is on the phone

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Speaker 1: right now. Um, I just had a quick question about

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Speaker 1: my wedding. I am getting married in December. And my dad,

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Speaker 1: my biological dad, real dad, whatever you want to call

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Speaker 1: in husband in and out of my life since I

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Speaker 1: was six years old, like I've seen him maybe a

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Speaker 1: handful of time between then and now, and I just

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Speaker 1: turned twenty four. Well, he just recently came back into

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Speaker 1: my life, and my grandpa is actually walking me down

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Speaker 1: the aisle. But I'm just wondering if I should go

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Speaker 1: ahead and do the father daughter dance with my dad,

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Speaker 1: or if I should have my grandpa, or if I

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Speaker 1: should just get rid of it all together. It's a

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Speaker 1: great question. I think all our options. I can tell

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Speaker 1: you my story, then I can kind of give you

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Speaker 1: my best advice. But I did not have a mother

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Speaker 1: son dance because even though there were motherish figures, my

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Speaker 1: mom isn't alive, so I didn't do that. I also

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Speaker 1: didn't invite my biological father, even though we're not I

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Speaker 1: would say adversaries anymore. We're not close, so I didn't

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Speaker 1: invite him. I didn't invite like his brother, who's my uncle,

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Speaker 1: and you know I there, so I'm not completely out,

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Speaker 1: but I don't have a relationship with him, So he

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Speaker 1: did not come my Well, he was my stepfather for

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Speaker 1: you know, five or six years Arkansas Keith, who he

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Speaker 1: isn't any longer, but he was in the wedding, right.

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Speaker 1: So a point with all of that is, first of all,

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Speaker 1: it's your wedding. You get. You get to mold that

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Speaker 1: clay however you want it. Secondly, you have the answer

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Speaker 1: already your grandfather has acted as your father figure. Because

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Speaker 1: your father daughter dance doesn't have to be your biological dad,

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Speaker 1: but your grandfather is your father figure. You don't know

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Speaker 1: it to your bio dad to put him in that dance. Heck,

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Speaker 1: you don't how it to your grandfather. But I think

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Speaker 1: you would like to do that dance. I think it's special.

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Speaker 1: I don't think there's anything wrong. Actually, I think it's

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Speaker 1: pretty great if you do put in the person who

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Speaker 1: served as that father figure for you, which which is

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Speaker 1: your grandfather. So I would encourage you first of all,

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Speaker 1: to not go by anybody's rules or anybody's template when

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Speaker 1: when having your wedding. And then secondly, whomever has been

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Speaker 1: the greatest father figure to you, I would say, put

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Speaker 1: him in that spot. It sounds to me like at

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Speaker 1: your grandfather, because he wouldn't be walking you down the aisle,

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Speaker 1: if you know, if that weren't the case. So my

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Speaker 1: advice would be danced with your grandpa. Okay, that's what

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Speaker 1: I've been leaning towards. But you know, I'm starting to

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Speaker 1: get close with my dad again, but I don't know

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Speaker 1: where the relationship will be by that wedding. When's the

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Speaker 1: wedding eleven? You could even do this, I'm not saying

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Speaker 1: to do it. You could switch out halfway through the song. Yeah,

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Speaker 1: that's what I was thinking. You cut you gave him,

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Speaker 1: cut in you with your grandpa and have your real

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Speaker 1: dad cut in and give them both like a minute

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Speaker 1: and a half. And honestly, that'd be pretty cool because

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Speaker 1: after doing that dance for like three and a half

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Speaker 1: four minutes, you're like, all right, what do we do now? Yeah,

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Speaker 1: it's awkward, So you think about that. The two options

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Speaker 1: I would give your grandfather. If you're just doing it

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Speaker 1: with one, but if you have a relationship you're wanting

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Speaker 1: to build on with your bio dad, why not let

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Speaker 1: them cut in the second half of the dance. So

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Speaker 1: think about that. You don't have to make a decision

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Speaker 1: right now. But whatever your heart tells you the right answer,

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Speaker 1: because there is no wrong answer. Okay, yeah, and I

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Speaker 1: didn't even think about doing that. That sounds like a

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Speaker 1: really good idea. Actually, well, thank you. And you don't

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Speaker 1: have to make that decision until December tenth, yeah, or

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Speaker 1: the morning of like that's up to you. Just see

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Speaker 1: where the relationship goes, and it could be a good

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Speaker 1: building block. Okay, thank you guys. Sorry Morgan, thank you

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Speaker 1: for calling. You have a great day. Thank you too.

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Speaker 1: Bye bye. It's having a friends Hope you guys have

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Speaker 1: a great weekend. We get to spend today together though,

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Speaker 1: so appreciate you being here. Let's go over and open

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Speaker 1: up the mailbag yet something. Good morning, Bobby Bones. I

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Speaker 1: have a dilemma. I got a positive result on a

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Speaker 1: pregnancy test today and a meeting my boyfriend's parents this weekend. Now,

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Speaker 1: a pregnancy for us is not a complete scandal. We

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Speaker 1: are both in our upper thirties, we have no kids.

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Speaker 1: We clearly know how this works, though, and I know

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Speaker 1: my boyfriend will ultimately be very happy. This just isn't

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Speaker 1: the way we plan this to go. We've been dating

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Speaker 1: for more than a year, we lived together. I just

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Speaker 1: haven't met his parents due to COVID. My question to you,

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Speaker 1: do I wait to tell him next week after I

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Speaker 1: meet the parents so he's not anxious or nervous with

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Speaker 1: the parents, or is it better I tell him right away?

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Speaker 1: Signed wondering in the Midwest bones. I feel weird that

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Speaker 1: we know before he does. So we got two options.

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Speaker 1: Tell him now or tell him later. I want everybody

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Speaker 1: on the same one two three to say okay, just

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Speaker 1: just say now or later? Okay, okay, one, two three, now, Okay,

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Speaker 1: what are you christ So? I don't know me Amy,

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Speaker 1: lunchbox one now now, Maddie, you're the only dissenter with later.

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Speaker 1: I don't know, dude. I just feel like, let's meet

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Speaker 1: the parents, act like everything's cool, and then we can

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Speaker 1: she can tell him she's pregnant, and then they can

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Speaker 1: figure out how they're gonna tell his parents. I feel

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Speaker 1: like it's a heavy backpack for her to wear for

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Speaker 1: a week without him knowing totally. And then if you're

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Speaker 1: that guy and you find out she knew and that

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Speaker 1: she rode into a radio state radio show like that part,

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Speaker 1: I'm saying, if you I want her to tell him,

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Speaker 1: like I'm sure, I'm fine with her asking us our

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Speaker 1: opinion for sure, but like, oh, that would just really

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Speaker 1: be difficult. The woman always knows before the man does.

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Speaker 1: I mean, if there's hours of days or whatever, they

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Speaker 1: take it together. Yeah, yeah, a lot of people take

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Speaker 1: it together, and you can all you got to give

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Speaker 1: him an option that maybe he wants to tell his

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Speaker 1: parents this exciting. I don't know that I would tell

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Speaker 1: the parents. That don't the parents. I don't think I

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Speaker 1: would tell, But but he can. It's up to Yeah,

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Speaker 1: he may not act nervous, it might be fine. I

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Speaker 1: just think he deserves to know. Yeah, in the end,

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Speaker 1: he deserves to know. Oh man, it's just so much.

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Speaker 1: But why does she have to carry that for a

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Speaker 1: week by herself? That stinks for her? And then that's

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Speaker 1: assuming he's going to act weird around his parents about it.

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Speaker 1: He might, he might not, and maybe they decided to

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Speaker 1: tell the parents feel a little early to tell the parents. Yeah,

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Speaker 1: they may wait till what would you wait three months? Yeah,

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Speaker 1: he probably beat that, but still, yes, I say you

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Speaker 1: tell him. I say, you play him this segment and

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Speaker 1: be like, hey, let's listen to the show today and

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Speaker 1: this comes up, and then just stare at him when

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Speaker 1: it's over. That's kind of cool. I'm gonna hit the

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Speaker 1: mailbag jingle and when this jingle hits, you just stare

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Speaker 1: at him. Well yeah, but we say, three of us

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Speaker 1: say tell him. Okay, that's the mailbag we got your

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Speaker 1: That was about right. Amy is curated the most fun

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Speaker 1: facts of the week, five to the number one most

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Speaker 1: fun fact. Let's count them down. Number five. So the

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Speaker 1: student actors and Harry Potter would do their actual schoolwork

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Speaker 1: in the movies to make it seem more real. So

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Speaker 1: there were student actors and they're like, all right, just

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Speaker 1: go ahead and bust out your real homework right now.

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Speaker 1: And this is what you're gonna do, Oregan, did you

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Speaker 1: know that? No, I've never seen Harry Potter, so I

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Speaker 1: don't really like, go, oh, that's cool. I mean the

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Speaker 1: movie always seemed very real, so I guess I could

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Speaker 1: see that that happened, but I just can't imagine through

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Speaker 1: all of their magic they were doing that they were

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Speaker 1: focused on homework. Did you like the Harry Potter series

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Speaker 1: or the Avenger series better? If you had to pick,

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Speaker 1: the Harry Potter series is more nostalgic for me, but

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Speaker 1: the Avengers series are really good. You think that I

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Speaker 1: would pick Avengers? Number four? So amc the movie theaters?

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Speaker 1: They plan to accept bitcoin by the end of this year.

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Speaker 1: I think a lot of places are going to start

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Speaker 1: accepting bitcoin. Are you gonna do you have some? I do?

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Speaker 1: You can use them just for fun? No, I don't

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Speaker 1: think so. I bought it. Hey, I'm here, I'm gonna

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Speaker 1: pay with bitcoin, hoping that it would go up in value,

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Speaker 1: and it has a bit. But I bought that dogecoin too,

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Speaker 1: just on the app. Yeah, and it did not go

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Speaker 1: up in value. It has gone down in value. I

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Speaker 1: think I just have it for fun. But maybe I

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Speaker 1: have a paying bitcoin. But it's just it's like a dollar.

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Speaker 1: The dollar value goes up and down, you know as well? Yeah? Okay,

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Speaker 1: next number three. So George Washington was afraid of being

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Speaker 1: buried alive that he requested that his body be laid

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Speaker 1: out for three days after his death before the burial

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Speaker 1: to ensure that he was in fact dead. Every hour

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Speaker 1: someone would come by be like George, wake up, bow,

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Speaker 1: he wouldn't it still down? Yeah? And then after three

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Speaker 1: days of that they put him down. Yeah. That would

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Speaker 1: be wild to be buried alive. Huh. Yeah, Like you're

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Speaker 1: in there and you're like, oh, you come too, there's

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Speaker 1: no way out. That's like a real fear. Oh yeah,

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Speaker 1: that's not as scary as heights, but that veried alive.

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Speaker 1: That's pretty tough. Number two. So when Kate Winslet discovered

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Speaker 1: that she had to get naked in front of Leonardo

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Speaker 1: DiCaprio to film Titanic for a certain scene, she decided

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Speaker 1: she just wanted to break the ice, and she flashed him.

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Speaker 1: It's an interesting icebreaker. Yeah, I bet he liked that.

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Speaker 1: Can't say I've ever had icebroken like that before. Number one.

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Speaker 1: When Mozart was eight years old, he was tested by

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Speaker 1: the Royal Society to determine whether he was really a

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Speaker 1: child or if he was secretly an adult dwarf a

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Speaker 1: small adult because he was so just amazing, they were

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Speaker 1: convinced of his age. When he was in the middle

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Speaker 1: of playing a piece, he was distracted by a cat

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Speaker 1: running through the room and they're like, Okay, fine, he's

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Speaker 1: a kid. When he demanded Pokemon, they knew that he was. Yeah,

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Speaker 1: I guess he was debt smart. Huh. Yeah, there's a

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Speaker 1: little prodigy. All right. There you go. That's your most

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Speaker 1: fun fact fact. Bob it Bone shot the latest from

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Speaker 1: Nashville and Tullywood Morgan number two, thirty second. Skinny Dan

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Speaker 1: and Jay released their new album Good Things. Here's one

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Speaker 1: of their songs called Steal My Love Nobody Who Steal

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Speaker 1: My Love? Going Never my heartiest shot Forever If I

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Speaker 1: don't want no one my com my mother. Mitchelton Penny

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Speaker 1: announced he's releasing a new EP called Midtown Diaries. It

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Speaker 1: will be out on September tenth. Jamison Rogers announced his

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Speaker 1: debut album is coming out on September seventeenth. It's called

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Speaker 1: Bet You're From a Small Town, and he gave fans

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Speaker 1: a first look at the project with his song one Day,

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Speaker 1: One day, I'm gonna quit drinking knees Colbies one day,

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Speaker 1: Quick Run Road Round one day, I'm gonna give up

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Speaker 1: Morstows and Neale. I'm Morgan number two. That's her, Skinny.

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Speaker 1: It's time for the good news, some good oh man.

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Speaker 1: I got a shout out to this Las Vegas ear nurse,

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Speaker 1: Brooke John's, because she spends her days off at Southern

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Speaker 1: Hills Hospital, where she volunteers to pamper the patients. So

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Speaker 1: when she's on the clock, she's doing her job as

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Speaker 1: a nurse. When she's off the clock, she's back up

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Speaker 1: there brushing hair, braiding hair, making them feel good and

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Speaker 1: just having that human connection while they're being hospitalized, which

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Speaker 1: she probably can't do while she's working, at least not

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Speaker 1: as much, no, because that's obviously not taking time to

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Speaker 1: braid the hair. I don't think they have time for that. Man,

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Speaker 1: that's pretty cool. I know that's what it's all about.

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Speaker 1: Right there. That was tell me something good. Let's go

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Speaker 1: over and talk to Danielle, who is in Virginia. Danielle,

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Speaker 1: good morning, Good morning, what's happening. I have a cool

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Speaker 1: story where TikTok worked. It's magic. Okay. I was at

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Speaker 1: a concert and Jimmy Allen was playing Shallow and a

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Speaker 1: guy asked me to dance. Lets to go get drinks.

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Speaker 1: Couldn't get back in the pits. Some stranger took a video.

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Speaker 1: We put it on TikTok to find him, and we

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Speaker 1: found him and now we're dating. Oh that's pretty cool.

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Speaker 1: What that crazy? Yeah, that's pretty cool. Did it did

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Speaker 1: it go viral on TikTok or was it just it did? Yeah?

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Speaker 1: It went. It went all over TikTok and the concert

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Speaker 1: people posted on their Facebook and on their Instagram and

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Speaker 1: it took like about about a day and finally got

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Speaker 1: a hold of him and we went on a few

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Speaker 1: dates and we've been dating for about him off. Now

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Speaker 1: that's pretty cool. I love that that's how it ended,

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Speaker 1: because it could have gone wanted two ways that it

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Speaker 1: ended wonderfully like this, or two that he like had

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Speaker 1: a girlfriend and then he's like, oh goodness, I don't

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Speaker 1: want this to go viral. I don't oops, but it

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Speaker 1: didn't and I love it. Yeah, So you feel like

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Speaker 1: he could be the one? Could me? It's someone really well,

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Speaker 1: So well, thank you for sharing your story with us.

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Speaker 1: That's pretty awesome. All right, thanks, all right, see you later.

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Speaker 1: On the phone is Maggie in Louisiana. Let's go over

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Speaker 1: and talk to Maggie. Now, Maggie, it's time to play.

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Speaker 1: Never gonna get it. How are you feeling today? Hi?

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Speaker 1: I'm great. How are you, guys? We're doing pretty good.

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Speaker 1: Your chance now to win some crap from the back,

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Speaker 1: or some junk from the trunk, or some prizes of

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Speaker 1: different sizes. We got a lot of good stuff back then.

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Speaker 1: We package it up and send it right to your house.

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Speaker 1: How does that make you feel, Maggie, that sounds awesome?

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Speaker 1: Love here, she Maggie. Everybody. Okay, So we're gonna play

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Speaker 1: never gonna get it? Where the question will be so

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Speaker 1: hard I think you'll never get it. Maggie. You'll have

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Speaker 1: a shot, then you'll pick someone on the show. They'll

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Speaker 1: have a shot, and then if nobody gets it, I

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Speaker 1: will flip this coin and that's your final shot. Okay,

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Speaker 1: let's play it. Here's your question. The average household experiences

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Speaker 1: two hundred and seventeen arguments a year just over this

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Speaker 1: one thing. What is it? The average household experiences two

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Speaker 1: hundred and seventeen arguments a year over this one thing?

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Speaker 1: What is it? That was lunch boxes in? He says

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Speaker 1: it was easy. Eddie came in pretty quick too, got it.

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Speaker 1: Morgan's in. Amy is in between two, but I'm in

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Speaker 1: Ray and everybody's in. Okay, Maggie, you get to answer

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Speaker 1: at first, your first chance to win some crap from

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Speaker 1: the backs and jumped from the trunks and prizes of

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Speaker 1: different sizes. What would you say? The answer is, I'm

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Speaker 1: gonna go with money, Bill, Money. I mean a lot

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Speaker 1: of days, a lot of time. It's been arguing about money.

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Speaker 1: That's why you just keep it separate. You don't have

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Speaker 1: to argue about it. Money is incorrect. Oh did anyone

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Speaker 1: have money? No? Nobody did? Okay, easy, Okay, Maggie, you

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Speaker 1: are still in it. You can pick one of the

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Speaker 1: five people here on the show, Amy, my co host.

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Speaker 1: You can pick Lunchbox, pick Eddie, you can pick Morgan

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Speaker 1: number two. I head of Digital Raymundo sits in the

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Speaker 1: glassroom doing audio. Who would you like to pick? I'm

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Speaker 1: gonna go with Amy. Okay, okay, well let's go with

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Speaker 1: everybody but Amy, Ray? What do you have there? Two

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Speaker 1: hundred and seventeen fights a year? What is it? What

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Speaker 1: to watch? Oh? What show to watch? What movie to watch? Good? Morgan?

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Speaker 1: I have fighting over the remote control? So similar to Ray?

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Speaker 1: I guess similar Eddie. Look what do we do three

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Speaker 1: days a week at three three times a day? It's eat?

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Speaker 1: What's for dinner. I don't want to eat that. That's

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Speaker 1: the argument. Okay, good lunchbox. Well, I mean at first

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Speaker 1: I thought temperature because in here Bobby keeps it a

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Speaker 1: weird temperature. But I also have what to watch on TV?

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Speaker 1: With three televisions? Yeah one eating? Eating was good? Do

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Speaker 1: you have any of theirs? Well? My two that I

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Speaker 1: was debating. I did decide on. One was what to

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Speaker 1: eat or what to watch? Oh yeah, okay, literally what

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Speaker 1: I have written now? But which one did you pick?

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Speaker 1: I went with what to eat? Yeah, well, I'll say

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Speaker 1: what to watch is incorrect? Come on, and what to

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Speaker 1: eat is incorrect? Oh no, really it's laundry. No, hold on,

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Speaker 1: let's think what to do? Two hundred and seventeen arguments

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Speaker 1: a year a lot. That is a lot. That's why

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Speaker 1: the answer is doing the dishes. You need to come

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Speaker 1: up with a plan that much arguing. Hey, Maggie, So

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Speaker 1: it's all down to the coin toss, because I still

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Speaker 1: want to give you a prize, but our legal will

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Speaker 1: not let me give a prize to everybody who loses. Okay,

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Speaker 1: so it is now a coin toss. Do you want

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Speaker 1: heads or do you want tails? Or do you want

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Speaker 1: a toss first to see what it would be. You

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Speaker 1: can have the intro the toss that doesn't count. I'll

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Speaker 1: go with head. Okay, she just want heads right out. Okay,

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Speaker 1: let's see what it is. Here we go head. She wins,

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Speaker 1: tell she loses heads heads Heads It winner, Maggie. Amy's

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Speaker 1: taking all the credit for yours that Maggie. Where do

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Speaker 1: you live part of Louisiana? Louisiana, Well, congratulations to you.

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Speaker 1: We're gonna send you a lot of stuff. Hey, Scooba,

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Speaker 1: did I see you walking with all the stuff? Yes,

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Speaker 1: I have it here. I've got an Ash and McBride album. Oh,

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Speaker 1: a really nice walker Hayes pan, a hat, a T shirt,

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Speaker 1: and a really cool like little turvice coffee cup. Oh yeah,

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Speaker 1: let that all right? Congratulations there see Maggie. How do

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Speaker 1: you feel? I'm feel great. Thank you guys so much.

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Speaker 1: All right, close enough, Eddie, how do you feel? I

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Speaker 1: feel good? Oh it's so good. Oh all right, that's

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Speaker 1: what we were looking for. But you still get your prize.

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Speaker 1: Today is the last day if you want to get

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Speaker 1: in for this free trip we're giving away to Bobby

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Speaker 1: Fest in Wichita, Kansas. It is going to be such

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Speaker 1: a fun show. You're gonna get flight for two, hotel

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Speaker 1: for two. You're both gonna be in the same room, probably,

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Speaker 1: but two people can be in the room. You get

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Speaker 1: tickets for two. It's gonna be awesome. You get to

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Speaker 1: meet Eddie and I. But that is happening September fifth

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Speaker 1: in Wichita, cans And if you're in Wichita, you should

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Speaker 1: come September fourth. We're playing in Austin between Austin and

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Speaker 1: San Antonio and New Brombels. But it's the Raging Idiots

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Speaker 1: Eddie and myself, Russell Dickerson, Maddie and Tay. But go

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Speaker 1: to Bobby Bones dot com and enter today because after

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Speaker 1: today or tomorrow it's over no more. We're just gonna

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Speaker 1: draw one of them randomly. So Bobby Bones dot com,

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Speaker 1: you's Amy's pile of stories. So the top scam occurring

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Speaker 1: right now our home improvement scams. You got to be

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Speaker 1: wary of landscapers who approach you on foot it's your

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Speaker 1: actual home, saying that you know they're doing everyone else's

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Speaker 1: house in the neighborhood, and the slots are filling up.

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Speaker 1: So if you want to go ahead and give me

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Speaker 1: a down payment, then you'll lock in your spot and

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Speaker 1: they'll start working on your house. IP all for that,

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Speaker 1: you would Yeah, I would me too. Yeah, I'm like,

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Speaker 1: oh you do my neighbor's house amazing. But also money

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Speaker 1: up front though to me is the red full. I

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Speaker 1: know me too, but I still fall for that. We

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Speaker 1: used to go and do seawall jobs though, and that's

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Speaker 1: what we would do. We wouldn't take it down payment.

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Speaker 1: We go up and we had a flat bottom boat.

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Speaker 1: We would drive along the lake which was kind of

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Speaker 1: a river but they called it the lake and we

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Speaker 1: look at people's seawalls and if they had cracks, would

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Speaker 1: go up to the door knock on the door. Hey,

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Speaker 1: we're doing sea wall repair. We know she had a

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Speaker 1: crack out there. Do you need us to fix? And

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Speaker 1: fixing was terrible. Sandbay is heavy, but we need people

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Speaker 1: to trust us. So that stinks that this is happening

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Speaker 1: and people stealing money from folks. Yeah, no, it's awful.

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Speaker 1: I mean if someone does approach you, then make sure

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Speaker 1: you say, hey, I just want to go look things

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Speaker 1: up and you Google and make sure they're a legit

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Speaker 1: company and then handle it that way. Okay, okay, So

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Speaker 1: Instagram has launched an anti abuse and hate measures system

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Speaker 1: and pretty much. This new feature which is now available,

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Speaker 1: will automatically hide comments and message requests from users who

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Speaker 1: don't follow you if you don't want to see that stuff.

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Speaker 1: And it's really to keep people from seeing abusive, racist, sexist,

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Speaker 1: and even homophobic posts. Well, if they can figure this out,

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Speaker 1: good for them. They are long ways away, but I

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Speaker 1: think any way to start to curb it is great.

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Speaker 1: So good for them for trying. We'll see how it

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Speaker 1: works out. Yeah, I mean yes, step in the right

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Speaker 1: direction for sure. So Travis Denning revealed his road must

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Speaker 1: haves and one thing that he said he always has

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Speaker 1: with him as a pole, a fishing pole and a

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Speaker 1: little fishing backpack because he likes to find a pond

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Speaker 1: anywhere across America and go fishing when he's out and about.

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Speaker 1: So I was curious too, Like the raging idiots, y'all

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Speaker 1: are about to head out on the road a little bit,

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Speaker 1: So what do you have to have on the road

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Speaker 1: with you? Limes? I have a lot of lines back there,

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Speaker 1: eight lines, I get pillow lime, need like an orange? Really?

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Speaker 1: Oh yeah, that's crazy. Yeah, I have a lot of citrus,

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Speaker 1: but I like limes. By the way that's Travis Dinning.

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Speaker 1: I think a lot of people don't know what Travis

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Speaker 1: Denning is just by hearing his nay. But he has

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Speaker 1: the song. We don't have a bit complicated rider. I

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Speaker 1: have a lot of lines and sparkling water. And Eddie

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Speaker 1: has local craft beer, which I'm not even sure it's local.

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Speaker 1: I think he it may not. Not just believe them.

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Speaker 1: I used to put red sox on there. Well, this

396
00:21:04,040 --> 00:21:07,040
Speaker 1: isn't even like necessarily his writer or something. He travels

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Speaker 1: with it. He can't leave home without anything. You don't

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Speaker 1: take anything that you have to, Like, hey, I can

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Speaker 1: get throughout a guitar and be like, well what do

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Speaker 1: we do now? No, nothing, like we're not a fancy

401
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Speaker 1: like that. Yeah, okay, I maybe that's my pile. That

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Speaker 1: was Amy's pile of stories. It's time for the good news.

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Speaker 1: A woman was a little sad because her sixtieth birthday

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Speaker 1: party didn't go the way she planned. But then her

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Speaker 1: son shows up and he has an envelope and he says, Mom,

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Speaker 1: I got a surprise for you for your sixtieth birthday,

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Speaker 1: and she opens it up. He paid off her mortgage

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Speaker 1: and that would be the biggest surprise that when athletes

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Speaker 1: do that, because that's a lot of times what you

410
00:21:51,200 --> 00:21:53,400
Speaker 1: see on Instagram, like they'll get their first big deal

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Speaker 1: and they'll go and pay off their parents house or

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Speaker 1: buy them a house or buide them a car. That's

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Speaker 1: really cool. Wait, so what was his job to say

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Speaker 1: wise rich. No, he just says on TikTok he goes

415
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Speaker 1: by Coxy. So maybe as TikTok money. I don't know.

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Speaker 1: You guys see the governor, I forget what state it was,

417
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Speaker 1: maybe Maryland, whose name is Michael find it, but let's

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Speaker 1: just say it's Andrew Cox. And he got that letter

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Speaker 1: written to him going hey, your name is ubscene. Yeah,

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Speaker 1: he needs to change his name. Here it is concerned

421
00:22:21,680 --> 00:22:26,240
Speaker 1: citizen calls on Utah's governor Cox to change surname. His

422
00:22:26,359 --> 00:22:29,040
Speaker 1: name is Spencer Cox and they're like, yo, dude, you're

423
00:22:29,240 --> 00:22:31,080
Speaker 1: you're being obscene. And he's like, my name is c

424
00:22:31,200 --> 00:22:35,880
Speaker 1: O X Cox. It's not who would write that letter, right,

425
00:22:36,440 --> 00:22:38,520
Speaker 1: but I mean Cox, that's not I mean there's some

426
00:22:38,880 --> 00:22:43,720
Speaker 1: people with the last name Wiener Anthony Weiner. And he

427
00:22:43,880 --> 00:22:47,160
Speaker 1: was yeah, yeah, well, thank you lunchbox for that story.

428
00:22:48,480 --> 00:22:51,600
Speaker 1: There you go, that's what it's all about that was

429
00:22:51,680 --> 00:22:55,879
Speaker 1: tell me something good, don't forget Over at bobbybones dot

430
00:22:55,920 --> 00:22:57,720
Speaker 1: com you can sign up for a trip, a free

431
00:22:57,760 --> 00:23:02,520
Speaker 1: trip to Bobbyfest September. It's in Witchtock, Kansas. It's a

432
00:23:02,600 --> 00:23:05,399
Speaker 1: big concert all day, tons of artists, Eddie and I,

433
00:23:05,520 --> 00:23:08,600
Speaker 1: the Raging Idiots, Russell Dickerson, Maddie and Tay, so many.

434
00:23:08,960 --> 00:23:10,680
Speaker 1: But go sign up today. It's the last day free

435
00:23:10,720 --> 00:23:13,399
Speaker 1: trip Bobby bones dot com. All right, over to Amy

436
00:23:13,480 --> 00:23:19,920
Speaker 1: with the Morning Corny, The Morning Corny. Why was the

437
00:23:19,960 --> 00:23:23,000
Speaker 1: ghost so tired? Why was the ghost so tired? He

438
00:23:23,080 --> 00:23:32,399
Speaker 1: works the graveyard shift. That was The Morning Corny, The

439
00:23:32,560 --> 00:23:36,399
Speaker 1: Friday Morning Conversation with Dan and Shaye. Congratulations on the

440
00:23:36,440 --> 00:23:39,320
Speaker 1: new record today, Thank you. Man, feels good finally out there.

441
00:23:40,359 --> 00:23:42,359
Speaker 1: Does it feel good or does it feel like a

442
00:23:42,480 --> 00:23:46,680
Speaker 1: relief both? Yeah? After three years, man, it's been it's

443
00:23:46,680 --> 00:23:49,479
Speaker 1: been too long, especially after it has it been three years? Well,

444
00:23:49,560 --> 00:23:51,440
Speaker 1: kind of like there's an asterisk on it after the

445
00:23:51,520 --> 00:23:53,280
Speaker 1: last year and a half that we've all had. Sob

446
00:23:53,400 --> 00:23:55,440
Speaker 1: Edia has been three years since the last album came out.

447
00:23:56,080 --> 00:23:58,960
Speaker 1: I guess because we continue to get music from you,

448
00:23:59,160 --> 00:24:02,640
Speaker 1: one dose at a time. It doesn't feel like three years. Yeah,

449
00:24:03,119 --> 00:24:06,120
Speaker 1: meaning you guys have been putting out songs, but then

450
00:24:06,200 --> 00:24:07,840
Speaker 1: like a couple of those songs, I should probably go

451
00:24:07,880 --> 00:24:10,640
Speaker 1: to bed. Ten thousand hours glad you exist. I guess

452
00:24:10,680 --> 00:24:12,640
Speaker 1: we've been getting those, so it doesn't feel like there's

453
00:24:12,680 --> 00:24:15,720
Speaker 1: just been a whole you know, deficient. Yeah, And I

454
00:24:15,760 --> 00:24:17,920
Speaker 1: feel like that definitely kind of you know, helped people

455
00:24:17,960 --> 00:24:20,479
Speaker 1: over and felt like they were getting something because those

456
00:24:20,520 --> 00:24:22,200
Speaker 1: songs were going up the chart. But it's it's crazy

457
00:24:22,240 --> 00:24:24,359
Speaker 1: to think that ten thousand hours was, you know, the

458
00:24:24,400 --> 00:24:26,440
Speaker 1: first song off this project. I want to play a

459
00:24:26,520 --> 00:24:28,400
Speaker 1: clip and I saw this on you guys social media.

460
00:24:29,080 --> 00:24:31,720
Speaker 1: This is Good Things. This is live from your show

461
00:24:31,800 --> 00:24:34,280
Speaker 1: in Iowa. This is seven days after it came out now,

462
00:24:34,320 --> 00:24:37,240
Speaker 1: which is wild to me because Good Things is not

463
00:24:37,560 --> 00:24:41,159
Speaker 1: a single you know right now yet. Okay, so you

464
00:24:41,280 --> 00:24:43,240
Speaker 1: put it out and it's not like it's getting played

465
00:24:43,280 --> 00:24:45,159
Speaker 1: all over the radio, but you play it at the

466
00:24:45,200 --> 00:25:06,840
Speaker 1: show and this is what happens here you go. It

467
00:25:06,920 --> 00:25:09,480
Speaker 1: sounds like there's there's like one little kid hitting that high.

468
00:25:11,359 --> 00:25:13,840
Speaker 1: We hired a children's choired to like overnup the audio

469
00:25:13,920 --> 00:25:15,720
Speaker 1: and make it sound like people knew the worst song

470
00:25:16,040 --> 00:25:19,280
Speaker 1: that whole show though, new song that's crazy. That's crazy

471
00:25:19,359 --> 00:25:21,560
Speaker 1: to me. And it's again, it's not even one that

472
00:25:21,680 --> 00:25:24,639
Speaker 1: was getting like played on radio stations anywhere and they

473
00:25:24,720 --> 00:25:27,080
Speaker 1: knew it all. But your fans do that. We've got

474
00:25:27,080 --> 00:25:29,280
Speaker 1: amazing fans, man, We're so grateful. Do you ever do

475
00:25:29,359 --> 00:25:30,760
Speaker 1: that though? And they don't and you're like, oh, they're

476
00:25:30,760 --> 00:25:33,040
Speaker 1: gonna know this. It's one of my greatest fears. Like,

477
00:25:33,320 --> 00:25:36,000
Speaker 1: here we go. There's nothing more vulnerable than putting out

478
00:25:36,040 --> 00:25:37,800
Speaker 1: the mic because every when it's a hit, you know,

479
00:25:37,960 --> 00:25:39,679
Speaker 1: it's like if they don't know it and they're there

480
00:25:39,680 --> 00:25:41,040
Speaker 1: at the show, it's like, this is shame on you

481
00:25:41,160 --> 00:25:43,720
Speaker 1: for not knowing this song. But if anything else, it's

482
00:25:43,760 --> 00:25:45,800
Speaker 1: like with like an album track and you you give

483
00:25:45,840 --> 00:25:48,399
Speaker 1: it to them and you just fully commit. It's just

484
00:25:48,560 --> 00:25:50,720
Speaker 1: like and they don't say anything. That's my one of

485
00:25:50,800 --> 00:25:53,080
Speaker 1: my greatest fears. I would say, we're still pretty insecure

486
00:25:53,080 --> 00:25:54,560
Speaker 1: about it. No matter where we go. We could sell

487
00:25:54,600 --> 00:25:57,119
Speaker 1: out twenty thousand tickets and Tequieler's speeches comes on and

488
00:25:57,160 --> 00:26:01,640
Speaker 1: I'm like, should we us the only reason they bought

489
00:26:01,680 --> 00:26:04,080
Speaker 1: a ticket to this show? Or let me play this

490
00:26:04,200 --> 00:26:06,160
Speaker 1: is track one? This the album is called good Things

491
00:26:06,320 --> 00:26:08,720
Speaker 1: out Today Here is good Things from Dan and Shay.

492
00:26:09,080 --> 00:26:14,280
Speaker 1: When you hear the good stop to sing, when you

493
00:26:14,560 --> 00:26:21,879
Speaker 1: think me, I hope you think sure when you have

494
00:26:21,920 --> 00:26:25,080
Speaker 1: to do that? Do you have to get to that point?

495
00:26:25,200 --> 00:26:27,960
Speaker 1: Or can you walk into that? Like you ask me

496
00:26:27,960 --> 00:26:29,680
Speaker 1: if I could do it right now? I'm just saying

497
00:26:29,800 --> 00:26:33,000
Speaker 1: it's early in the morning now, but I'm ray hit

498
00:26:33,040 --> 00:26:40,440
Speaker 1: that again. When you hear some good stop to sing, yeah,

499
00:26:40,600 --> 00:26:42,560
Speaker 1: can you is that? Nat? Is that there when you

500
00:26:42,640 --> 00:26:47,280
Speaker 1: wake up? Sometimes? I mean usually unless like it just

501
00:26:47,400 --> 00:26:49,800
Speaker 1: kind of depends. That's definitely your voice out now. Just

502
00:26:50,119 --> 00:26:51,760
Speaker 1: give me a little You tried it there about or

503
00:26:51,760 --> 00:26:53,800
Speaker 1: they're hear it without the song over. When you hear

504
00:26:54,000 --> 00:26:58,800
Speaker 1: something stop to say, see, that's me not warming up.

505
00:26:58,960 --> 00:27:03,560
Speaker 1: That's how hard it is and that's why people here

506
00:27:03,600 --> 00:27:06,560
Speaker 1: and Dad, you try it, Bobby, now, you Bobby, when

507
00:27:06,680 --> 00:27:12,119
Speaker 1: you kiss up? That's all I felt like I sounded

508
00:27:12,200 --> 00:27:15,640
Speaker 1: right there. That sounded pretty good, dude. The Friday morning conversation.

509
00:27:16,119 --> 00:27:18,840
Speaker 1: It's Dan and Shay so today still my love is

510
00:27:18,880 --> 00:27:21,160
Speaker 1: the song that we're playing. That's the single. Here, play

511
00:27:21,200 --> 00:27:28,639
Speaker 1: me a clip of that, Raimundo. Please nobody steal my no, no,

512
00:27:29,280 --> 00:27:38,639
Speaker 1: no never, my heartiest, I don't want no one my

513
00:27:40,200 --> 00:27:45,480
Speaker 1: money take it off? Ain't nobody. How do you guys

514
00:27:45,520 --> 00:27:47,359
Speaker 1: decide on what's what's the next song to put out

515
00:27:47,400 --> 00:27:49,800
Speaker 1: as a single? Like why still My Love? That's a

516
00:27:49,960 --> 00:27:52,280
Speaker 1: very difficult decision to make because we're proud of all

517
00:27:52,320 --> 00:27:53,680
Speaker 1: the songs on the album. I just feel like that

518
00:27:53,840 --> 00:27:56,080
Speaker 1: was the one that everyone on. I mean, it's tough.

519
00:27:56,119 --> 00:27:58,120
Speaker 1: You don't really have any market data. You haven't played

520
00:27:58,119 --> 00:28:00,360
Speaker 1: it for the fans, and I guess there's just kind

521
00:28:00,359 --> 00:28:01,720
Speaker 1: of our team. That was the one that everybody just

522
00:28:01,800 --> 00:28:04,680
Speaker 1: reacted to unanimously. And we played it for somebody. We

523
00:28:04,720 --> 00:28:06,600
Speaker 1: played it for Espo at Warner you know, he's the

524
00:28:06,880 --> 00:28:08,600
Speaker 1: head of Warner Music Nashville, and we played it for

525
00:28:08,680 --> 00:28:10,160
Speaker 1: him for the first time and he got it. I've

526
00:28:10,200 --> 00:28:13,320
Speaker 1: got a video of it. Oh you got out of

527
00:28:13,359 --> 00:28:14,919
Speaker 1: the chair and started dancing, and we're like, I mean,

528
00:28:14,960 --> 00:28:16,560
Speaker 1: we can't take it back from him. Now, it's got

529
00:28:16,640 --> 00:28:19,239
Speaker 1: to be the single. So yeah, we're excited about that one. Man.

530
00:28:19,280 --> 00:28:21,720
Speaker 1: It's it's fun and it's you know, dropping it late

531
00:28:21,840 --> 00:28:24,399
Speaker 1: mid to late summer here it feels good and getting

532
00:28:24,400 --> 00:28:25,639
Speaker 1: back on the road. It's gonna be a good one

533
00:28:25,640 --> 00:28:28,159
Speaker 1: at the show. I saw an article Dan that for

534
00:28:28,240 --> 00:28:29,840
Speaker 1: two weeks in a row you had you are the

535
00:28:29,920 --> 00:28:32,440
Speaker 1: biggest producer in country music. He loved to see it.

536
00:28:32,560 --> 00:28:35,880
Speaker 1: I'll take it, man, You produced it. You produced every

537
00:28:35,920 --> 00:28:39,160
Speaker 1: track on this album. Yeah. But I think that's something

538
00:28:39,240 --> 00:28:43,000
Speaker 1: that people may not know, is that, like you produced

539
00:28:43,040 --> 00:28:45,479
Speaker 1: the stuff, and you right now you are the biggest

540
00:28:45,480 --> 00:28:48,320
Speaker 1: producer in country music. I haven't slept in a long time.

541
00:28:48,720 --> 00:28:50,440
Speaker 1: You finished the album, then it's like cool. The next

542
00:28:50,520 --> 00:28:52,480
Speaker 1: day you're doing all kinds of you'll shoot a video

543
00:28:52,520 --> 00:28:54,160
Speaker 1: for every song. Do we have treatments? Now? Can you

544
00:28:54,200 --> 00:28:56,240
Speaker 1: write him? All? Right? Here we go. Well, word on

545
00:28:56,320 --> 00:29:00,440
Speaker 1: the street is that you'd never come out of the room. No.

546
00:29:00,840 --> 00:29:02,840
Speaker 1: I mean it's like you wake up and you go

547
00:29:03,760 --> 00:29:07,000
Speaker 1: and then you might briefly come down from the room

548
00:29:07,040 --> 00:29:08,920
Speaker 1: and then you go back into the room. Yeah. This

549
00:29:09,080 --> 00:29:10,800
Speaker 1: is the first I've seen him in a week. My

550
00:29:10,920 --> 00:29:13,040
Speaker 1: wife's forgotten what I look like. The only break was

551
00:29:13,080 --> 00:29:15,720
Speaker 1: to come to the wedding. Yeah, well that was the

552
00:29:15,800 --> 00:29:20,000
Speaker 1: last time. She was great. We got to see Ronnie Donne.

553
00:29:20,000 --> 00:29:25,640
Speaker 1: I mean that's the main Well, obviously that was I mean,

554
00:29:25,800 --> 00:29:28,720
Speaker 1: y'all doing the first dance was so special, like just

555
00:29:28,880 --> 00:29:31,320
Speaker 1: as someone that was there witnessing it, and I know

556
00:29:31,400 --> 00:29:32,720
Speaker 1: that y'all put a lot of work into that's so

557
00:29:32,880 --> 00:29:36,040
Speaker 1: super special. Even recording Bobby and Caitlin what do you

558
00:29:36,080 --> 00:29:43,280
Speaker 1: call it, a say it Danna recorded or recording them

559
00:29:43,360 --> 00:29:45,280
Speaker 1: the track, Like, that's super special. But what was it

560
00:29:45,440 --> 00:29:49,360
Speaker 1: like for y'all, you know, making the decision to do that?

561
00:29:49,720 --> 00:29:51,840
Speaker 1: Was it a no brainer? Was getting the text from

562
00:29:51,880 --> 00:29:54,160
Speaker 1: Bobby awkward and you have to talk about it or

563
00:29:54,160 --> 00:29:56,000
Speaker 1: are you like, oh, yeah, for sure, we're doing it.

564
00:29:56,160 --> 00:29:58,240
Speaker 1: It was it was not even a discussion. We both

565
00:29:58,320 --> 00:30:00,920
Speaker 1: like we're like, obviously it's a john are to be

566
00:30:01,040 --> 00:30:03,240
Speaker 1: able to do that, But it was also just yeah,

567
00:30:03,280 --> 00:30:04,600
Speaker 1: of course we're going to do that, man, Like we

568
00:30:04,640 --> 00:30:06,600
Speaker 1: wouldn't you know, we wouldn't let you down. It was

569
00:30:06,600 --> 00:30:08,719
Speaker 1: awkward for me to have I don't I can imagine

570
00:30:08,760 --> 00:30:11,440
Speaker 1: that though, I felt for you, like because asking that

571
00:30:11,840 --> 00:30:14,240
Speaker 1: it is always just kind of uncomfortable where it's like,

572
00:30:14,640 --> 00:30:16,280
Speaker 1: you know that like we're not gonna say no, but

573
00:30:16,360 --> 00:30:18,720
Speaker 1: it's also like it's just a weird thing to like

574
00:30:19,040 --> 00:30:21,760
Speaker 1: not weird thing to ask somebody your friend, but it's

575
00:30:21,760 --> 00:30:24,320
Speaker 1: a very difficult thing to ask your buddy, I say

576
00:30:24,400 --> 00:30:26,320
Speaker 1: anything because and here's why I think you guys will

577
00:30:26,360 --> 00:30:29,680
Speaker 1: relate in the industry. You don't want to ask your

578
00:30:29,760 --> 00:30:33,840
Speaker 1: friends to do industry things. But I felt like this

579
00:30:34,080 --> 00:30:37,000
Speaker 1: was a personal thing. But you're doing what you do

580
00:30:37,160 --> 00:30:41,000
Speaker 1: for the industry. Like I would say, like, you know,

581
00:30:41,120 --> 00:30:43,480
Speaker 1: dance cold house for dinner that I have no problem

582
00:30:43,600 --> 00:30:46,560
Speaker 1: with going, Hey, you abby come to the house. Ye

583
00:30:47,440 --> 00:30:49,280
Speaker 1: all day every day. But to be like, hey, will

584
00:30:49,320 --> 00:30:51,600
Speaker 1: you guys do what you're really good at at my house?

585
00:30:52,040 --> 00:30:54,920
Speaker 1: Like that felt a lot. But you guys, it didn't

586
00:30:54,960 --> 00:30:56,640
Speaker 1: feel that way to us at all. It was it's

587
00:30:56,680 --> 00:30:59,760
Speaker 1: clearly we're doing this not as an industry thing, but

588
00:31:00,040 --> 00:31:03,280
Speaker 1: you're doing this because you know we're friends. How how

589
00:31:03,360 --> 00:31:05,400
Speaker 1: fun is it to be out singing again in public,

590
00:31:05,480 --> 00:31:09,400
Speaker 1: shay like you're doing shows again. It's hard to describe

591
00:31:09,400 --> 00:31:14,239
Speaker 1: a little bit, but no, it really is. Man. It's

592
00:31:14,280 --> 00:31:17,120
Speaker 1: a It's something that you don't realize how much you

593
00:31:17,240 --> 00:31:20,200
Speaker 1: miss until it's gone. And it's that moment where for

594
00:31:20,280 --> 00:31:21,840
Speaker 1: the first little bit it's like, man, this is awesome.

595
00:31:21,880 --> 00:31:23,280
Speaker 1: I get a little bit of a break of not

596
00:31:23,440 --> 00:31:26,440
Speaker 1: having to stress about, you know, remembering the words that

597
00:31:26,560 --> 00:31:29,280
Speaker 1: you wrote are like being out there and being an entertainer,

598
00:31:29,400 --> 00:31:31,720
Speaker 1: but that's taken away from you. Honestly, for me, it

599
00:31:31,800 --> 00:31:34,520
Speaker 1: was like it took four days to be like, dang this,

600
00:31:34,800 --> 00:31:37,160
Speaker 1: this really sucks to not have to not get to

601
00:31:37,240 --> 00:31:39,360
Speaker 1: be up there on the stage. And after we had

602
00:31:39,400 --> 00:31:41,280
Speaker 1: like those first couple of shows, it was like, man,

603
00:31:41,360 --> 00:31:43,320
Speaker 1: this is this is what I was born to do.

604
00:31:43,400 --> 00:31:45,080
Speaker 1: You know, I'm born to be up here singing. And

605
00:31:45,480 --> 00:31:46,920
Speaker 1: when you don't get to do that for a second,

606
00:31:47,040 --> 00:31:49,520
Speaker 1: you're kind of reminded of how blessed you are to

607
00:31:49,600 --> 00:31:52,000
Speaker 1: be in this situation and get to do that, because

608
00:31:52,040 --> 00:31:54,160
Speaker 1: it's a pretty indescribable feeling to be up there on

609
00:31:54,240 --> 00:31:56,640
Speaker 1: the stage and hear people singing back the words to

610
00:31:56,720 --> 00:31:59,280
Speaker 1: songs that you wrote is just a it's a crazy feeling,

611
00:31:59,480 --> 00:32:01,920
Speaker 1: so feels good. If I were to play one note,

612
00:32:01,920 --> 00:32:03,160
Speaker 1: I'm gonna do this with a few of your songs.

613
00:32:03,200 --> 00:32:06,200
Speaker 1: Can you name the song in one note of our songs? Yeah,

614
00:32:06,200 --> 00:32:07,600
Speaker 1: we like to play name that doing that day game

615
00:32:07,600 --> 00:32:09,080
Speaker 1: at the house, named that tune? All right, here is

616
00:32:09,160 --> 00:32:15,280
Speaker 1: one note? Can you name It's easier, Tequila, That's the

617
00:32:15,360 --> 00:32:17,400
Speaker 1: easiest one. Yeah. I feel like Dan's gonna get all

618
00:32:17,400 --> 00:32:20,200
Speaker 1: these yeah, because Dan's like, yeah, we're trying to We're

619
00:32:20,200 --> 00:32:22,040
Speaker 1: trying to get it quicker. Are we waiting? You can

620
00:32:22,120 --> 00:32:25,040
Speaker 1: just do okay? Yeah, yeah, yeah, Okay, Ray is that tequila.

621
00:32:25,320 --> 00:32:27,160
Speaker 1: It's a race between the two of you. Okay, there

622
00:32:27,200 --> 00:32:29,240
Speaker 1: you go that one million dollars does to get Okay,

623
00:32:29,280 --> 00:32:39,680
Speaker 1: here we go, show you off. Okay, that's good. Why what? Oh,

624
00:32:39,720 --> 00:32:43,600
Speaker 1: we're kidding, we're kidding. You know what? Number two brought up.

625
00:32:43,600 --> 00:32:46,200
Speaker 1: We were doing a segment on yesterday's show, Hold On,

626
00:32:46,360 --> 00:32:48,800
Speaker 1: Hold On Morgan. Number two brought up. We were talking

627
00:32:48,840 --> 00:32:50,960
Speaker 1: about albums that don't have a single bad song on it,

628
00:32:51,040 --> 00:32:54,680
Speaker 1: country country albums, and I'd pick Casey Musgrave, same trailer,

629
00:32:54,760 --> 00:32:57,120
Speaker 1: different part, definitely, because all the way through Amy had

630
00:32:57,120 --> 00:33:00,560
Speaker 1: picked Old Dominion, Hard Endings, Happy Endings. Oregan had to

631
00:33:00,640 --> 00:33:03,120
Speaker 1: tell them, I picked your guys' first album where it

632
00:33:03,160 --> 00:33:06,600
Speaker 1: all began. I mean, I love every single song on

633
00:33:06,800 --> 00:33:08,760
Speaker 1: that album, and you guys just did show you off,

634
00:33:08,840 --> 00:33:11,080
Speaker 1: which is one of my favorites. That's awesome. I'd love

635
00:33:11,160 --> 00:33:13,520
Speaker 1: to hear that, because I feel like there's songs throughout

636
00:33:13,560 --> 00:33:15,920
Speaker 1: your career that you do one hundred million times where

637
00:33:15,920 --> 00:33:18,520
Speaker 1: you're just like, God, I hate that song, but not

638
00:33:18,680 --> 00:33:20,080
Speaker 1: that you're not proud of it. But when you sing

639
00:33:20,200 --> 00:33:22,960
Speaker 1: something every single day, it's just that's just how it is.

640
00:33:23,040 --> 00:33:24,640
Speaker 1: We're proud of every single one of them because they

641
00:33:24,680 --> 00:33:26,200
Speaker 1: put a lot of hard work into that. But you

642
00:33:26,280 --> 00:33:28,280
Speaker 1: just get kind of like you sing something enough and

643
00:33:28,320 --> 00:33:30,400
Speaker 1: you're like, all right, I could maybe never sing that again.

644
00:33:30,480 --> 00:33:32,200
Speaker 1: Show You Off is not necessarily one of those songs,

645
00:33:32,240 --> 00:33:34,400
Speaker 1: but there's definitely been. So that's one y'all don't like

646
00:33:34,680 --> 00:33:40,680
Speaker 1: or what what was that you had a question? I

647
00:33:40,840 --> 00:33:44,600
Speaker 1: just don't know. It's funny because my wife, happy and

648
00:33:44,760 --> 00:33:47,080
Speaker 1: like everybody was like, nothing like You should be the

649
00:33:47,120 --> 00:33:48,520
Speaker 1: first single on the first album. It should be the

650
00:33:48,600 --> 00:33:50,440
Speaker 1: first Well, everybody loved nineteen You and Me. It was

651
00:33:50,480 --> 00:33:51,880
Speaker 1: a thing. It was a big song for us a

652
00:33:51,920 --> 00:33:54,360
Speaker 1: couple of times Platinum did its thing, put us on

653
00:33:54,440 --> 00:33:56,160
Speaker 1: the map. But she was like, nothing like You, that's

654
00:33:56,200 --> 00:33:58,120
Speaker 1: the hit, and we're like, we're gonna go show you

655
00:33:58,240 --> 00:34:00,719
Speaker 1: off next. Didn't work. I mean I think it got

656
00:34:00,760 --> 00:34:02,840
Speaker 1: maybe top twenty five, and sure enough, Nothing Like You

657
00:34:02,960 --> 00:34:04,640
Speaker 1: was the first number one. She was right all along.

658
00:34:04,760 --> 00:34:08,680
Speaker 1: Do you guys those wives way in on what songs?

659
00:34:08,760 --> 00:34:12,040
Speaker 1: Maybe they don't like more than what they do anyway,

660
00:34:12,080 --> 00:34:17,600
Speaker 1: so I can't quite hear you cut out. No, I

661
00:34:17,640 --> 00:34:20,279
Speaker 1: would say, my wife has said songs that she that

662
00:34:20,400 --> 00:34:21,960
Speaker 1: she doesn't like as much, but it's not like I

663
00:34:22,040 --> 00:34:24,479
Speaker 1: hate this song and she's like, I like this one better.

664
00:34:24,600 --> 00:34:27,040
Speaker 1: Probably would be how Hannah deals with it. The new

665
00:34:27,080 --> 00:34:29,640
Speaker 1: records out today, so you guys check out Good Things.

666
00:34:30,080 --> 00:34:32,760
Speaker 1: It is twelve tracks, and I was looking at the songwriter.

667
00:34:32,760 --> 00:34:35,600
Speaker 1: It's always interested me who writes on some of these songs?

668
00:34:35,880 --> 00:34:38,680
Speaker 1: And there was one I saw two actually one had

669
00:34:38,719 --> 00:34:42,880
Speaker 1: Bill Withers um track seven, Lying plays number seven right,

670
00:34:42,920 --> 00:34:50,560
Speaker 1: this is lying I don't in my head, I don't

671
00:34:50,760 --> 00:35:01,080
Speaker 1: love you cry. So Bill Weather's get on this song.

672
00:35:01,600 --> 00:35:03,920
Speaker 1: It's a long story. Well, we were actually we're in

673
00:35:03,920 --> 00:35:05,960
Speaker 1: the middle of nowhere. We're playing like a county fair

674
00:35:06,000 --> 00:35:07,799
Speaker 1: or something a couple of years back, and we had

675
00:35:07,840 --> 00:35:11,080
Speaker 1: our buddies out, Jordan Reynolds and Andy Albert. We're hanging out.

676
00:35:11,719 --> 00:35:13,640
Speaker 1: Jordan plays this little thing on piano. We weren't even

677
00:35:13,680 --> 00:35:16,480
Speaker 1: thinking about it. We kind of just freestyled the chorus

678
00:35:16,520 --> 00:35:18,560
Speaker 1: of that song. We wrote the song, we demoed the song,

679
00:35:18,960 --> 00:35:21,399
Speaker 1: and we're kind of listening back, We're like, man kind

680
00:35:21,440 --> 00:35:23,160
Speaker 1: of like sound the piano sounds, that's the one two

681
00:35:23,200 --> 00:35:25,120
Speaker 1: through four, four through two one. It's like it's the

682
00:35:25,239 --> 00:35:27,239
Speaker 1: lean on Me sort of thing. We weren't thinking about

683
00:35:27,239 --> 00:35:28,880
Speaker 1: it when we wrote it, but you know, it's obviously

684
00:35:29,000 --> 00:35:31,080
Speaker 1: like one of the best songs ever written, one of

685
00:35:31,080 --> 00:35:34,000
Speaker 1: the biggest, like most recognizable, familiar songs, and we're like,

686
00:35:34,080 --> 00:35:35,719
Speaker 1: you know what, the something in the back of our

687
00:35:35,760 --> 00:35:40,000
Speaker 1: minds we were subconsciously maybe inspired by that or motivated

688
00:35:40,040 --> 00:35:41,640
Speaker 1: by that, and that's maybe that's why we connected with

689
00:35:41,680 --> 00:35:44,080
Speaker 1: the song or the piano riff. So we're like, you

690
00:35:44,120 --> 00:35:46,719
Speaker 1: know what, you know, if that inspired us to write

691
00:35:46,719 --> 00:35:48,360
Speaker 1: this song, which the top line of the song, the

692
00:35:48,440 --> 00:35:51,160
Speaker 1: song itself isn't you know melodically on that song, but

693
00:35:51,640 --> 00:35:53,960
Speaker 1: something about the piano chord. So we reached out and

694
00:35:54,000 --> 00:35:55,960
Speaker 1: we gave him publishing on that song. That's pretty cool.

695
00:35:56,400 --> 00:36:00,640
Speaker 1: I Bill Weather lean on me, ain't no sunshine um

696
00:36:01,360 --> 00:36:05,800
Speaker 1: lovely day like great, but he's also dead and so

697
00:36:05,880 --> 00:36:08,600
Speaker 1: when I saw him on this song, but will I

698
00:36:08,719 --> 00:36:12,160
Speaker 1: hear it in that played again? Ray no no here,

699
00:36:12,239 --> 00:36:14,319
Speaker 1: take him off, You're all a good take him off.

700
00:36:14,400 --> 00:36:17,120
Speaker 1: We'll cut you in Bob is gonna go He's gonna

701
00:36:17,120 --> 00:36:19,840
Speaker 1: get his lawyer fight against this. I saw Sean Mendez

702
00:36:20,200 --> 00:36:24,200
Speaker 1: on a song Yeah, body language that you Shay Scott Harris,

703
00:36:24,239 --> 00:36:29,719
Speaker 1: Shan Mendez, and Jordan Reynolds wrote now similar or was

704
00:36:29,800 --> 00:36:31,120
Speaker 1: in a room and this was we were in the

705
00:36:31,200 --> 00:36:37,239
Speaker 1: room together. You met Sean Mendes. That's what we get about. Cool. Yeah,

706
00:36:37,280 --> 00:36:39,439
Speaker 1: I love the things that like us in the Nashville world,

707
00:36:39,480 --> 00:36:41,239
Speaker 1: like geek out of the same, Like we met Sean

708
00:36:41,320 --> 00:36:43,759
Speaker 1: Mendes and we're like, hey, dude, what's going on. Gonna

709
00:36:43,800 --> 00:36:45,640
Speaker 1: touch your hair anyways? Will you? So you wrote this

710
00:36:45,719 --> 00:36:48,200
Speaker 1: with him? We did yeah in Nashville at Jordan's studio

711
00:36:48,239 --> 00:36:50,000
Speaker 1: and it was it was really fun to write that

712
00:36:50,040 --> 00:36:51,719
Speaker 1: one dude, just kind of being there with him. A

713
00:36:51,800 --> 00:36:53,439
Speaker 1: lot of people you kind of wonder in the pop

714
00:36:53,480 --> 00:36:56,200
Speaker 1: world of like, is he truly as talented as I

715
00:36:56,360 --> 00:36:58,239
Speaker 1: want him to be? You know, kind of this this

716
00:36:58,320 --> 00:37:00,239
Speaker 1: pedestal that I put him on, and he was every

717
00:37:00,280 --> 00:37:01,960
Speaker 1: bit is talented and every bit is nice. One of

718
00:37:02,000 --> 00:37:04,200
Speaker 1: the nicest human beings in the world. That was one

719
00:37:04,200 --> 00:37:06,160
Speaker 1: of my favorite sessions. What a guy, I mean, he's

720
00:37:06,160 --> 00:37:09,000
Speaker 1: an incredible person. I mean, he's tremendously successful, sells out

721
00:37:09,000 --> 00:37:13,480
Speaker 1: arenas and stadiums. Most humble, sweetest kid, I mean, insanely talented.

722
00:37:13,719 --> 00:37:17,120
Speaker 1: Was Camilla with him? No, she was knocked. We all

723
00:37:17,160 --> 00:37:20,480
Speaker 1: put our heads down, like the story got worse. They're like,

724
00:37:20,600 --> 00:37:23,160
Speaker 1: oh god, that could have been such a great story.

725
00:37:23,840 --> 00:37:26,040
Speaker 1: Here is a clip of of that song. Here. This

726
00:37:26,360 --> 00:37:35,560
Speaker 1: is body language. Language is kidding away, Yeah, shaking because

727
00:37:35,640 --> 00:37:42,160
Speaker 1: you don't want to say that, you don't. Yeah, you

728
00:37:42,400 --> 00:37:52,320
Speaker 1: by language is giddy. Yeah. Can you imagine slow dancing

729
00:37:52,400 --> 00:37:54,800
Speaker 1: with Sean Mendees to that song? Is that what you

730
00:37:54,840 --> 00:37:57,080
Speaker 1: guys did? Yeah, as you're writing it, that's what the

731
00:37:57,160 --> 00:37:59,080
Speaker 1: song was. We're like, dude, I don't know what to write,

732
00:37:59,120 --> 00:38:01,360
Speaker 1: and like you guys wanted to like, who's the coolest

733
00:38:01,560 --> 00:38:03,120
Speaker 1: famous person? You guys have got to spend time with

734
00:38:03,120 --> 00:38:04,960
Speaker 1: because you it's it's every time I'll look, you're with

735
00:38:05,040 --> 00:38:06,920
Speaker 1: somebody even cooler. I mean, you went to Biber's wedding,

736
00:38:07,320 --> 00:38:09,320
Speaker 1: you got to hang out with Sean Mendez. You and

737
00:38:09,400 --> 00:38:14,200
Speaker 1: Bill Withers are just chilling, you know, but move from

738
00:38:14,239 --> 00:38:16,399
Speaker 1: you guys? Did do you walk away from and go? Well?

739
00:38:16,440 --> 00:38:18,520
Speaker 1: That was a bit surreal because we're just a couple

740
00:38:18,560 --> 00:38:21,400
Speaker 1: of guys in Nashville that have been writing songs. This

741
00:38:21,600 --> 00:38:23,080
Speaker 1: is kind of a different perspective on that, But I

742
00:38:23,120 --> 00:38:25,960
Speaker 1: would say the most interesting scenario is Ed Shearing. We

743
00:38:26,080 --> 00:38:28,120
Speaker 1: all know Ed Shearing. You guys have hung out and

744
00:38:28,760 --> 00:38:30,880
Speaker 1: he is probably the biggest superstar on the planet. He

745
00:38:31,120 --> 00:38:32,880
Speaker 1: there's no one more down on earth or humble than

746
00:38:32,960 --> 00:38:35,319
Speaker 1: that guy. He walks into a session or walks. I mean,

747
00:38:35,400 --> 00:38:36,880
Speaker 1: we were hanging out with him. We were we had

748
00:38:36,920 --> 00:38:39,520
Speaker 1: a show day off. We were in Boston at the

749
00:38:39,560 --> 00:38:43,000
Speaker 1: Garden and he's about to go on thousands of screaming fans,

750
00:38:43,120 --> 00:38:45,680
Speaker 1: multiple nights sold out camp. The fans are camped out

751
00:38:45,840 --> 00:38:48,239
Speaker 1: like eight am for the show. We're hanging he's on

752
00:38:48,280 --> 00:38:50,479
Speaker 1: at eight thirty. It's like eight twenty eight. We're just chilling.

753
00:38:50,719 --> 00:38:53,440
Speaker 1: You're listening to demos backstage. He's into T shirt jeans.

754
00:38:53,480 --> 00:38:55,480
Speaker 1: Were like, yo, man, you want us to like they

755
00:38:55,520 --> 00:38:57,840
Speaker 1: also you can, you know, get in your zone. He's like, no, no,

756
00:38:57,880 --> 00:39:00,040
Speaker 1: it's so good. Let's keep hanging. Eight twenty nine and

757
00:39:00,120 --> 00:39:01,400
Speaker 1: he's like, yo, man, you guys want to meet me

758
00:39:01,440 --> 00:39:02,839
Speaker 1: back here in like an hour and a half. Sure,

759
00:39:03,280 --> 00:39:05,480
Speaker 1: literally walks right from that room to the stage like

760
00:39:05,600 --> 00:39:07,000
Speaker 1: we didn't know, like we didn't know what he was

761
00:39:07,040 --> 00:39:08,640
Speaker 1: going to do, like I gotta I gotta take care

762
00:39:08,640 --> 00:39:12,640
Speaker 1: of something. I'll be back okay. And you know how

763
00:39:12,760 --> 00:39:15,080
Speaker 1: like most people kind of have their their entourage, like

764
00:39:15,120 --> 00:39:17,239
Speaker 1: a lot of these very famous people, like it walks

765
00:39:17,239 --> 00:39:19,000
Speaker 1: around and they walk as a unit where it's like

766
00:39:19,200 --> 00:39:21,479
Speaker 1: it feels like a Transformers machine with all these guys

767
00:39:21,520 --> 00:39:23,839
Speaker 1: around him, and it's like a he walked in there,

768
00:39:23,880 --> 00:39:25,640
Speaker 1: like he might have just come from like oh hey guys,

769
00:39:25,719 --> 00:39:27,840
Speaker 1: Like it was he was the only guy backstage, like

770
00:39:27,880 --> 00:39:29,600
Speaker 1: I saw a note because he didn't have a band.

771
00:39:29,880 --> 00:39:32,080
Speaker 1: It's just him up there, so which you know, he

772
00:39:32,160 --> 00:39:33,640
Speaker 1: was probably stuck that we were there because he's like

773
00:39:33,840 --> 00:39:36,520
Speaker 1: you're the first people to see in months. It was

774
00:39:36,560 --> 00:39:38,239
Speaker 1: so glad he came here, and I was not to

775
00:39:38,360 --> 00:39:40,560
Speaker 1: keep bringing up the wedding. But there's a presence about

776
00:39:40,640 --> 00:39:43,200
Speaker 1: Ronnie Dunne. There is there's just this presence. His voice,

777
00:39:43,239 --> 00:39:45,560
Speaker 1: first of all, is incredible, I mean just unreal. But

778
00:39:45,880 --> 00:39:47,640
Speaker 1: when he walks in the room, there's just some sort

779
00:39:47,680 --> 00:39:49,520
Speaker 1: of presence there. There's like an r around him. Do

780
00:39:49,520 --> 00:39:51,719
Speaker 1: you feel that you're closer with him than we are

781
00:39:51,800 --> 00:39:54,440
Speaker 1: so he Ronnie, that's a good one, right, Like I

782
00:39:54,600 --> 00:39:56,439
Speaker 1: can't believe when I get to spend time with Ronnie

783
00:39:56,480 --> 00:39:58,879
Speaker 1: Dunn because Brooks and Dunne was such a big part

784
00:39:58,920 --> 00:40:02,080
Speaker 1: of my childhood. Yeah, and the fact that and I

785
00:40:02,239 --> 00:40:04,600
Speaker 1: didn't The thing with Ronnie was like, hey, He's like, hey,

786
00:40:04,600 --> 00:40:06,360
Speaker 1: what do you want? It's a gift he asked. He

787
00:40:06,440 --> 00:40:08,040
Speaker 1: was like, I don't know what to get you. And

788
00:40:08,200 --> 00:40:11,200
Speaker 1: I was like, I don't know, why don't just show up?

789
00:40:11,800 --> 00:40:13,880
Speaker 1: And he's like, how about a song? And I was like,

790
00:40:14,120 --> 00:40:16,040
Speaker 1: oh my goodness, were like you didn't even want to

791
00:40:16,080 --> 00:40:18,640
Speaker 1: like ask that like that. I wasn't going to ask that,

792
00:40:19,320 --> 00:40:21,879
Speaker 1: you know, I wasn't. And I was like that sounds

793
00:40:22,000 --> 00:40:24,040
Speaker 1: great because which one? And then I was like, well

794
00:40:24,040 --> 00:40:25,360
Speaker 1: if I ask for Neil on Moon that's not a

795
00:40:25,400 --> 00:40:27,200
Speaker 1: love song, but that's the greatest song in my opinions.

796
00:40:27,440 --> 00:40:29,799
Speaker 1: And I was like Neil, He's like, okay, cool, no problem,

797
00:40:29,840 --> 00:40:32,640
Speaker 1: I see there was. That was one of the coolest

798
00:40:32,680 --> 00:40:34,840
Speaker 1: moments of my life. Dude. What was the best night

799
00:40:34,880 --> 00:40:39,320
Speaker 1: of your life? The wedding Bobby's wedding, Like, oh, yeah, no,

800
00:40:39,440 --> 00:40:41,440
Speaker 1: You're wedding is verse? Oh I didn't say that there

801
00:40:41,480 --> 00:40:43,560
Speaker 1: was actually someone else's word. We're gonna come back in

802
00:40:43,600 --> 00:40:45,520
Speaker 1: a second, Dan and Shay or hear the new album

803
00:40:45,920 --> 00:40:53,160
Speaker 1: Good Things is out today. The Friday Morning Conversation and say,

804
00:40:53,320 --> 00:40:56,200
Speaker 1: you guys don't come off the road, which is a

805
00:40:56,320 --> 00:40:59,800
Speaker 1: bit weird for a Nashville touring the organization, you know,

806
00:40:59,840 --> 00:41:02,520
Speaker 1: your band, your group. I mean you do like rock

807
00:41:02,560 --> 00:41:05,080
Speaker 1: star touring where it's not you're just gone on Friday

808
00:41:05,160 --> 00:41:07,239
Speaker 1: Saturday and come back. You stay out on the road.

809
00:41:07,680 --> 00:41:09,799
Speaker 1: But you guys have always done that pretty much. Yeah,

810
00:41:09,840 --> 00:41:11,520
Speaker 1: I mean we've we've kind of came up doing like

811
00:41:11,920 --> 00:41:13,359
Speaker 1: there was one year I remember we did like two

812
00:41:13,440 --> 00:41:15,920
Speaker 1: hundred and seventy shows or something and I look, I

813
00:41:16,040 --> 00:41:17,439
Speaker 1: saw that on paper, and I was like, you gotta

814
00:41:17,440 --> 00:41:19,960
Speaker 1: be kidding me, dude. We're out of our minds man.

815
00:41:20,320 --> 00:41:22,719
Speaker 1: And that's you know, obviously, the bigger you get, the

816
00:41:22,800 --> 00:41:24,520
Speaker 1: more songs that you have out there, you don't have

817
00:41:24,640 --> 00:41:27,080
Speaker 1: to do two hundred and seventy because that's crazy and

818
00:41:27,120 --> 00:41:29,359
Speaker 1: we wouldn't be able to have families. But it is, man,

819
00:41:29,400 --> 00:41:31,360
Speaker 1: we like to get out there. We have the opportunity

820
00:41:31,400 --> 00:41:35,120
Speaker 1: to go, you know, fingers crossed this year again to

821
00:41:35,200 --> 00:41:36,440
Speaker 1: be able to be out there on the road, and

822
00:41:36,880 --> 00:41:38,399
Speaker 1: that's a huge deal, man. That's kind of the full

823
00:41:38,440 --> 00:41:40,560
Speaker 1: circle moment of what you get to do. It's kind

824
00:41:40,560 --> 00:41:42,759
Speaker 1: of the final step of you write the song, he

825
00:41:42,840 --> 00:41:45,239
Speaker 1: gets on the radio and people hear it and consume it,

826
00:41:45,280 --> 00:41:48,040
Speaker 1: and then you actually get to You can't ever judge

827
00:41:48,080 --> 00:41:51,279
Speaker 1: the response of the passion of a song until you

828
00:41:51,360 --> 00:41:53,160
Speaker 1: get out on the road, which is something we didn't

829
00:41:53,160 --> 00:41:54,680
Speaker 1: have with I should probably go to bed. That song

830
00:41:54,760 --> 00:41:57,439
Speaker 1: went up the charts without us playing a single show,

831
00:41:57,480 --> 00:41:59,239
Speaker 1: which was kind of crazy. And you can always tell

832
00:41:59,520 --> 00:42:01,400
Speaker 1: when the song is climbing up the radio charts when

833
00:42:01,400 --> 00:42:02,920
Speaker 1: you're on the road and they start to kind of

834
00:42:02,960 --> 00:42:05,359
Speaker 1: sing it back louder and louder, but you can't really,

835
00:42:05,640 --> 00:42:07,919
Speaker 1: you know, you can't judge that based on just singing

836
00:42:07,960 --> 00:42:09,719
Speaker 1: it go up the chart. You're just like a hope

837
00:42:09,760 --> 00:42:11,640
Speaker 1: that people like the song and know the song, and

838
00:42:12,040 --> 00:42:14,160
Speaker 1: that's like the final step of being out there and

839
00:42:14,239 --> 00:42:17,040
Speaker 1: being able to experience the fans like passion for a

840
00:42:17,160 --> 00:42:19,320
Speaker 1: particular song. How was that song when you guys played it,

841
00:42:19,360 --> 00:42:22,160
Speaker 1: I'm assuming it killed tribal dude. It's crazy. I couldn't

842
00:42:22,160 --> 00:42:24,839
Speaker 1: absolutely insane. It was like when tequila was at its peak,

843
00:42:24,880 --> 00:42:27,640
Speaker 1: it was insane. We I mean we teed it up

844
00:42:27,719 --> 00:42:29,200
Speaker 1: right at the top of the encore. We come out

845
00:42:29,239 --> 00:42:30,759
Speaker 1: it's a whole thing, but it was I mean, it

846
00:42:30,880 --> 00:42:33,239
Speaker 1: was like it was crazy. Will you ever not do

847
00:42:33,320 --> 00:42:37,000
Speaker 1: an encore? Let's say the crowd sucks. Yeah, we've done

848
00:42:37,040 --> 00:42:39,880
Speaker 1: that before, because you don't owe them an encore, you

849
00:42:39,960 --> 00:42:42,640
Speaker 1: really don't. I saw we usually put tequila in the

850
00:42:42,760 --> 00:42:45,400
Speaker 1: encore because so they're like, they'd be pretty pretty ticked

851
00:42:45,440 --> 00:42:47,960
Speaker 1: off if we didn't do an encore or didn't Is

852
00:42:48,000 --> 00:42:50,400
Speaker 1: that a conversation like, hey, do you under the encore?

853
00:42:50,520 --> 00:42:52,040
Speaker 1: Or is it more of a conversation like, hey, I

854
00:42:52,120 --> 00:42:54,800
Speaker 1: don't feel like doing the encore. The encore is a

855
00:42:54,880 --> 00:42:57,240
Speaker 1: tough thing. It's it's a little goofy to go off stage.

856
00:42:57,280 --> 00:42:59,200
Speaker 1: It's like a little bit you're boosting yourself on too

857
00:42:59,239 --> 00:43:01,040
Speaker 1: much of a pedis to. But it's just part of

858
00:43:01,080 --> 00:43:02,880
Speaker 1: the gig, you know what I mean. I think you

859
00:43:03,000 --> 00:43:04,200
Speaker 1: kind of have to do it. It adds a little

860
00:43:04,200 --> 00:43:06,120
Speaker 1: bit of drama to the show that we go off stage.

861
00:43:07,440 --> 00:43:10,360
Speaker 1: They're chanting and we're back there like, okay, changing our

862
00:43:10,400 --> 00:43:12,239
Speaker 1: sweaty clothes. They know who we are all right, great,

863
00:43:12,280 --> 00:43:14,080
Speaker 1: it's great. What if they don't chant though, that would

864
00:43:14,080 --> 00:43:16,279
Speaker 1: be mine? Well, then you sprint to the bathroom and

865
00:43:16,360 --> 00:43:18,839
Speaker 1: you never come back there again. Do you know? There

866
00:43:18,920 --> 00:43:21,160
Speaker 1: have been a couple of shows where you know, we

867
00:43:21,239 --> 00:43:23,239
Speaker 1: would do our little dopey thing, but they would turn

868
00:43:23,239 --> 00:43:25,399
Speaker 1: the lights on immediately thinking that what you were done?

869
00:43:25,640 --> 00:43:27,879
Speaker 1: We were done. Yeah, and so you don't but I'm

870
00:43:27,880 --> 00:43:29,719
Speaker 1: missing you guys. Run the light guys too. Now at

871
00:43:29,760 --> 00:43:31,399
Speaker 1: this point, it's a whole thing. I mean, it's it's

872
00:43:31,440 --> 00:43:34,719
Speaker 1: definitely like it's pretty clear that like we're not done.

873
00:43:35,080 --> 00:43:37,520
Speaker 1: We haven't played like some of our biggest songs. So

874
00:43:37,640 --> 00:43:39,640
Speaker 1: like unless there's like one guy like, well, I guess

875
00:43:39,680 --> 00:43:42,520
Speaker 1: that's it if he sees like we have some like

876
00:43:42,719 --> 00:43:45,319
Speaker 1: some undertones of like I don't think like we can't

877
00:43:45,360 --> 00:43:47,040
Speaker 1: see to get out here, like some people might want

878
00:43:47,080 --> 00:43:49,360
Speaker 1: to leave, but they're like, I literally can't see anything

879
00:43:49,480 --> 00:43:51,439
Speaker 1: right now. So the key is to finish the first

880
00:43:51,480 --> 00:43:53,239
Speaker 1: part of the set with the song that nobody likes.

881
00:43:53,600 --> 00:43:55,279
Speaker 1: Clearly they're not gonna end with it. I'm not gonna

882
00:43:55,280 --> 00:44:02,759
Speaker 1: say so. Yeah, all right, name this song in one

883
00:44:03,280 --> 00:44:09,040
Speaker 1: note from the ground up. Nice wow, Name this song

884
00:44:09,120 --> 00:44:13,279
Speaker 1: in one note you exists. Oh that was glad you

885
00:44:13,320 --> 00:44:15,799
Speaker 1: because I almost said, can't say no for a seconds.

886
00:44:15,920 --> 00:44:17,759
Speaker 1: All right, you've now been banished from the room. Shay, Well, hey,

887
00:44:17,800 --> 00:44:18,879
Speaker 1: I'll be kind of talked to you in the kitchen

888
00:44:18,920 --> 00:44:21,200
Speaker 1: real quick. Hey, glad you existing me number one this week?

889
00:44:21,440 --> 00:44:24,680
Speaker 1: Let's go Angers Cross? How does that get timed out

890
00:44:24,719 --> 00:44:27,640
Speaker 1: like this? Let's how does it get timed out that

891
00:44:27,719 --> 00:44:30,600
Speaker 1: the week you put out a record song goes number one?

892
00:44:30,800 --> 00:44:33,279
Speaker 1: It's almost it goes? Is that you guys? Kind I mean,

893
00:44:33,360 --> 00:44:34,799
Speaker 1: you try to plan it. You try it the best

894
00:44:34,840 --> 00:44:36,560
Speaker 1: you can. You you kind of forecast the chart, you

895
00:44:36,600 --> 00:44:38,360
Speaker 1: look at it, you see, well, this is probably gonna go.

896
00:44:38,520 --> 00:44:40,520
Speaker 1: You know, Luke Combs will probably get a few in

897
00:44:40,560 --> 00:44:42,279
Speaker 1: there before we get this one all the way out there.

898
00:44:43,640 --> 00:44:47,520
Speaker 1: You know, yeah for sure. But you know, you try

899
00:44:47,560 --> 00:44:48,880
Speaker 1: to plan it the best you can, but you never know.

900
00:44:49,080 --> 00:44:51,000
Speaker 1: But we we're grateful for the support of country radio

901
00:44:51,040 --> 00:44:53,439
Speaker 1: for you guys playing the music and getting there, because

902
00:44:53,440 --> 00:44:55,080
Speaker 1: at any given points, somebody could be like, yeah, I

903
00:44:55,120 --> 00:44:57,160
Speaker 1: don't like glad you exist, I'm pulling it, and then

904
00:44:57,200 --> 00:44:59,640
Speaker 1: it foils the whole plan. But I mean, the timing

905
00:44:59,760 --> 00:45:01,840
Speaker 1: is absolutely perfect. On this, So hats off to you

906
00:45:01,960 --> 00:45:04,279
Speaker 1: guys and to our team for making I mean, it's

907
00:45:04,360 --> 00:45:05,920
Speaker 1: it's tough to line that up because it could have

908
00:45:06,040 --> 00:45:09,200
Speaker 1: very easily been like the week after or either week before,

909
00:45:09,239 --> 00:45:10,960
Speaker 1: because you really don't know if you go earlier or

910
00:45:11,040 --> 00:45:13,520
Speaker 1: you happen to get jumped. There's not really and it's

911
00:45:13,560 --> 00:45:15,640
Speaker 1: not like you're gonna move the album, you know, three

912
00:45:15,719 --> 00:45:18,480
Speaker 1: weeks you know, before the album, like all right, we're

913
00:45:18,480 --> 00:45:21,080
Speaker 1: gonna move it. It's a tough conversation too. Strategically, if

914
00:45:21,120 --> 00:45:23,000
Speaker 1: we're still in Glad You Exist and we're pushing that

915
00:45:23,080 --> 00:45:24,920
Speaker 1: for eight more weeks, then you kind of lose the

916
00:45:25,000 --> 00:45:28,080
Speaker 1: initial hype of a new single, new album, that kind

917
00:45:28,120 --> 00:45:30,680
Speaker 1: of impact moment. So the timing is really good on

918
00:45:30,760 --> 00:45:33,400
Speaker 1: this one controversial opinion that I'm going to say, and

919
00:45:33,400 --> 00:45:34,520
Speaker 1: you guess can tell me if you agree with it

920
00:45:34,640 --> 00:45:37,239
Speaker 1: or not. And it may be not controversial to you

921
00:45:37,400 --> 00:45:42,160
Speaker 1: guys privately, but I'm feeling like at some point you

922
00:45:42,280 --> 00:45:44,439
Speaker 1: have to start to be considered even as a duo

923
00:45:45,000 --> 00:45:48,320
Speaker 1: for Entertainer of the Year. Thank you for saying that.

924
00:45:48,400 --> 00:45:51,880
Speaker 1: Thank you. That is it's just it's hard to deny

925
00:45:52,120 --> 00:45:56,560
Speaker 1: the success that you guys have not just in number ones,

926
00:45:57,160 --> 00:46:00,160
Speaker 1: but also in touring and also in what you do

927
00:46:00,280 --> 00:46:03,239
Speaker 1: on social media, and it's what the entertainer category should be.

928
00:46:03,680 --> 00:46:05,719
Speaker 1: I would say you do that as well, if not

929
00:46:05,880 --> 00:46:09,360
Speaker 1: better than anyone. You know. The only other person I

930
00:46:09,400 --> 00:46:11,520
Speaker 1: would argue should for sure be on there being there

931
00:46:11,560 --> 00:46:13,480
Speaker 1: you mentioned was Luke Combs. I voted for him, right,

932
00:46:13,560 --> 00:46:15,479
Speaker 1: I voted for him. I pulled up a thing, didn't

933
00:46:15,480 --> 00:46:17,160
Speaker 1: see our name on it, and voted for Luke Combs.

934
00:46:17,800 --> 00:46:20,600
Speaker 1: But and it maybe awkward for you to answer this,

935
00:46:20,760 --> 00:46:23,279
Speaker 1: but why do you guys think you're not considered in

936
00:46:23,320 --> 00:46:25,920
Speaker 1: this category that I feel you should be one of

937
00:46:25,960 --> 00:46:28,799
Speaker 1: the top two in this category? I don't. I don't

938
00:46:28,800 --> 00:46:30,680
Speaker 1: know why. I mean, I feel like it's, you know,

939
00:46:30,760 --> 00:46:32,440
Speaker 1: not just like fighting for ourselves. But I do think

940
00:46:32,480 --> 00:46:35,080
Speaker 1: that it should be talked about, not like for our sake,

941
00:46:35,120 --> 00:46:38,200
Speaker 1: but for the coming duos in groups in the in

942
00:46:38,239 --> 00:46:41,800
Speaker 1: the future of you know, of that being a category.

943
00:46:41,800 --> 00:46:43,399
Speaker 1: I don't know that's something that should be talked about.

944
00:46:43,440 --> 00:46:45,800
Speaker 1: Probably do you think it's the duo part. No, I

945
00:46:45,800 --> 00:46:47,759
Speaker 1: don't think it's a duo part. I mean, it's it's tough.

946
00:46:47,800 --> 00:46:50,160
Speaker 1: The award shows are all tough. It's the criteria for

947
00:46:50,239 --> 00:46:53,160
Speaker 1: award shows is we've we've lost a lot of awards

948
00:46:53,239 --> 00:46:55,279
Speaker 1: more than we've won. We've been lucky to win a few,

949
00:46:55,360 --> 00:46:57,160
Speaker 1: and we're grateful for that. We're so grateful. It's a

950
00:46:57,200 --> 00:46:59,120
Speaker 1: it's a huge moment for us, big win for the team.

951
00:46:59,200 --> 00:47:01,600
Speaker 1: But and you can't you can't live and die by

952
00:47:01,640 --> 00:47:03,759
Speaker 1: an award. I think the real win for us, and

953
00:47:03,840 --> 00:47:06,440
Speaker 1: I'm not saying this is being able to come in here,

954
00:47:06,520 --> 00:47:07,960
Speaker 1: talk to you guys, have a song that gets on

955
00:47:08,040 --> 00:47:10,560
Speaker 1: the radio, be able to go out play shows, have

956
00:47:10,680 --> 00:47:13,120
Speaker 1: people show up sing the words back after the song

957
00:47:13,200 --> 00:47:15,400
Speaker 1: has been out for six days or whatever it is,

958
00:47:15,560 --> 00:47:17,480
Speaker 1: or you just do music for a living man. I mean,

959
00:47:17,520 --> 00:47:19,120
Speaker 1: that's what we dreamed of our entire lives. And to

960
00:47:19,160 --> 00:47:21,160
Speaker 1: be able to support our families to do what we

961
00:47:21,239 --> 00:47:23,200
Speaker 1: love every single day. That's that's a huge win. And

962
00:47:23,719 --> 00:47:25,520
Speaker 1: the awards shows are tough. It's like, you know, it's

963
00:47:25,719 --> 00:47:27,760
Speaker 1: there's always going to be somebody who you think deserves

964
00:47:27,800 --> 00:47:30,480
Speaker 1: to win. Even you know, if Luke Combs wins, that

965
00:47:30,640 --> 00:47:33,400
Speaker 1: you still got Garth out there. Who was you know,

966
00:47:33,560 --> 00:47:36,320
Speaker 1: or Chesney or Eric Church or Keith or any of

967
00:47:36,360 --> 00:47:39,239
Speaker 1: these folks out there Blake who were selling arenas or

968
00:47:39,280 --> 00:47:41,640
Speaker 1: stadiums out every single night, and it's like so many

969
00:47:41,680 --> 00:47:43,640
Speaker 1: people deserve to win that, and only one person can win,

970
00:47:43,840 --> 00:47:46,400
Speaker 1: or only five can be nominated, and there's always going

971
00:47:46,480 --> 00:47:48,040
Speaker 1: to be a sixth person doesn't get in there, and

972
00:47:48,400 --> 00:47:50,680
Speaker 1: it's always going to be controversy about that. But yeah,

973
00:47:50,719 --> 00:47:52,439
Speaker 1: I don't know. And the worst thing that can happen

974
00:47:52,480 --> 00:47:54,440
Speaker 1: to you is that the people that think that you

975
00:47:54,520 --> 00:47:56,680
Speaker 1: deserve it think that in their minds. And that's still

976
00:47:56,719 --> 00:47:59,279
Speaker 1: a win that you have people who advocate for you

977
00:47:59,600 --> 00:48:01,800
Speaker 1: for that, which is like like Dan said, that is

978
00:48:02,120 --> 00:48:03,680
Speaker 1: you can't live and die by it, you know, but

979
00:48:03,760 --> 00:48:06,160
Speaker 1: it's we're are very thankful, but it's just, yeah, we're

980
00:48:06,239 --> 00:48:10,200
Speaker 1: thankful that people like you would even say that. I know,

981
00:48:10,200 --> 00:48:13,080
Speaker 1: you guys a cute answer, but here's the thing. You're cute, yes,

982
00:48:13,480 --> 00:48:16,080
Speaker 1: I just I know that I would be disappointed if

983
00:48:16,080 --> 00:48:19,600
Speaker 1: I was crushing everything and not it wasn't coming back

984
00:48:19,719 --> 00:48:22,239
Speaker 1: even partially coming back to me. So I'll say that.

985
00:48:22,239 --> 00:48:23,680
Speaker 1: You guys want to say you can smile and said

986
00:48:23,680 --> 00:48:27,160
Speaker 1: the political answer. It's all good, but but I think

987
00:48:27,200 --> 00:48:29,760
Speaker 1: I think that there's an injustice with a few artists,

988
00:48:29,760 --> 00:48:34,160
Speaker 1: because I think our format holds onto legendary acts longer

989
00:48:34,200 --> 00:48:37,279
Speaker 1: than they should and keep some in current positions. There

990
00:48:37,320 --> 00:48:39,600
Speaker 1: should be like a category of like, hey, you're old

991
00:48:39,640 --> 00:48:41,279
Speaker 1: and still cool. How do we not have that for

992
00:48:42,280 --> 00:48:44,239
Speaker 1: I think it. I think that is very true because

993
00:48:44,320 --> 00:48:45,880
Speaker 1: the reality of it is is that we're going to

994
00:48:45,920 --> 00:48:48,000
Speaker 1: be there one day and I will have the same

995
00:48:48,080 --> 00:48:49,800
Speaker 1: stance then of just like there always has to be

996
00:48:49,960 --> 00:48:53,080
Speaker 1: something fresh that is coming out, and so it's a

997
00:48:53,160 --> 00:48:55,800
Speaker 1: conversation that always has to be ever changing. You know,

998
00:48:55,800 --> 00:48:59,359
Speaker 1: if like these conversations haven't been haven't happened because they're

999
00:48:59,480 --> 00:49:01,279
Speaker 1: you know, they just haven't happened, and I feel like

1000
00:49:01,360 --> 00:49:04,120
Speaker 1: they probably need to. I do want to talk about

1001
00:49:04,520 --> 00:49:06,880
Speaker 1: dancing for a second, because I was an awkward dancer

1002
00:49:07,000 --> 00:49:09,120
Speaker 1: and I did a whole dance show. We've got we've

1003
00:49:09,160 --> 00:49:11,799
Speaker 1: all got that in common. But but I watch both

1004
00:49:11,840 --> 00:49:15,680
Speaker 1: of you dance, and right, none of us are trained dancers,

1005
00:49:15,719 --> 00:49:17,400
Speaker 1: nor do we claim to be. But in the video,

1006
00:49:18,480 --> 00:49:21,160
Speaker 1: I feel like, Dan, you're a bit reluctant in shay

1007
00:49:21,760 --> 00:49:24,520
Speaker 1: you are you love it. I was born for that,

1008
00:49:24,600 --> 00:49:26,160
Speaker 1: That's what I say. I feel like when I watch

1009
00:49:26,200 --> 00:49:28,880
Speaker 1: you like you feel like you are you You're just

1010
00:49:29,000 --> 00:49:31,279
Speaker 1: waiting for your shot to dance. You know, I've been

1011
00:49:31,360 --> 00:49:35,319
Speaker 1: sitting in the wings, dancing at home, spending seventeen hours

1012
00:49:35,400 --> 00:49:38,360
Speaker 1: a day dance in the studio. I'm also in the studio,

1013
00:49:38,520 --> 00:49:40,759
Speaker 1: but of a different kind. But do you like dancing, Shane, No,

1014
00:49:41,000 --> 00:49:45,000
Speaker 1: I've I honestly, my sister danced. Gabby danced a lot

1015
00:49:45,080 --> 00:49:46,920
Speaker 1: like as we were growing up. She like would do

1016
00:49:47,080 --> 00:49:49,600
Speaker 1: choreography and stuff. And I'm not gonna lie, like, there

1017
00:49:49,719 --> 00:49:51,800
Speaker 1: was like some a point there for probably like a

1018
00:49:51,920 --> 00:49:54,279
Speaker 1: good six months where I was like maybe a ten

1019
00:49:54,360 --> 00:49:56,040
Speaker 1: or eleven where I'd sit in front of the beer

1020
00:49:56,040 --> 00:49:58,719
Speaker 1: and just be like and it was horrible, But I

1021
00:49:58,880 --> 00:50:00,759
Speaker 1: felt I always kind of liked to move and dance

1022
00:50:00,800 --> 00:50:03,480
Speaker 1: and do that kind of stuff. So yeah, I don't know.

1023
00:50:03,680 --> 00:50:05,440
Speaker 1: I feel I feel like I'm not great at it,

1024
00:50:05,480 --> 00:50:07,239
Speaker 1: but I feel like I could maybe get better. I

1025
00:50:07,360 --> 00:50:09,480
Speaker 1: feel like I'm training. I can see in your eyes

1026
00:50:09,600 --> 00:50:11,680
Speaker 1: you like to dance. Yeah, you could have put those

1027
00:50:11,719 --> 00:50:13,440
Speaker 1: on me, aren't you. I do like, dude, you are

1028
00:50:13,440 --> 00:50:16,080
Speaker 1: a dancing that's it. If you don't like it, you

1029
00:50:16,120 --> 00:50:19,000
Speaker 1: could get out. But Bobby, after working with professional dances,

1030
00:50:19,040 --> 00:50:20,719
Speaker 1: do you have a new founder appreciation for when you

1031
00:50:20,760 --> 00:50:22,319
Speaker 1: see it on TV or a movie ors. I mean

1032
00:50:22,520 --> 00:50:26,440
Speaker 1: those programs. It's nuts, crazy what I'm saying. I did

1033
00:50:26,560 --> 00:50:28,799
Speaker 1: Dance with the Stars. First day I saw Shanna dance,

1034
00:50:28,840 --> 00:50:30,919
Speaker 1: I was like, oh yeah, because she like one World

1035
00:50:31,040 --> 00:50:32,839
Speaker 1: Championships and I was like, oh, you're like a world

1036
00:50:32,880 --> 00:50:35,400
Speaker 1: class printer, or you're like a baseball player or like insane.

1037
00:50:35,480 --> 00:50:37,279
Speaker 1: We just have not been exposed how hard it is

1038
00:50:37,320 --> 00:50:39,319
Speaker 1: to do that. Yeah, and the mental capacity of it too,

1039
00:50:39,360 --> 00:50:41,359
Speaker 1: to memorize every step. You miss one step and you're

1040
00:50:41,400 --> 00:50:43,560
Speaker 1: tripping on somebody or I did that a lot, especially

1041
00:50:43,600 --> 00:50:46,279
Speaker 1: with a group with a group of people. Whenever you

1042
00:50:46,360 --> 00:50:48,759
Speaker 1: watch those like big dances and they're doing these really

1043
00:50:48,800 --> 00:50:51,680
Speaker 1: intricate things and there's one person that you're like, they're

1044
00:50:51,719 --> 00:50:53,800
Speaker 1: doing a flip. It's like if you're an inch too close,

1045
00:50:54,000 --> 00:50:56,799
Speaker 1: you're getting a foot to the face, and it's pretty

1046
00:50:57,160 --> 00:50:58,480
Speaker 1: one person. If you messed up, you gotta do it

1047
00:50:58,480 --> 00:51:00,160
Speaker 1: all over again. Yeah, I can say this here is

1048
00:51:00,200 --> 00:51:02,000
Speaker 1: you know. We I'm just gonna say, we got a

1049
00:51:02,080 --> 00:51:05,359
Speaker 1: video coming out next week, the Steel My Love music video.

1050
00:51:05,440 --> 00:51:08,319
Speaker 1: It's insane, the craziest video we've ever done. A lot

1051
00:51:08,360 --> 00:51:11,040
Speaker 1: of choreography, dancers, the whole deal. There was a guy

1052
00:51:11,120 --> 00:51:12,800
Speaker 1: doing a flip in the front right. He's got this

1053
00:51:12,960 --> 00:51:15,800
Speaker 1: like briefcase thing. It's a whole dramatic scene. And he

1054
00:51:15,920 --> 00:51:18,160
Speaker 1: does this like flying front flip and you're literally like

1055
00:51:18,280 --> 00:51:21,040
Speaker 1: six inches from this guy. You take one wrong misstep,

1056
00:51:21,080 --> 00:51:23,440
Speaker 1: he's taken out. Well. I did. That was a personal story.

1057
00:51:23,560 --> 00:51:25,640
Speaker 1: I took it like to the chest, full on, and

1058
00:51:25,719 --> 00:51:27,400
Speaker 1: I had to act like it was because there's all

1059
00:51:27,440 --> 00:51:29,760
Speaker 1: these people around, you know, and they're dancing like we're dancers,

1060
00:51:29,800 --> 00:51:32,960
Speaker 1: and I was let me too, and I got like

1061
00:51:33,040 --> 00:51:35,040
Speaker 1: too close and this guy's doing a full on flip

1062
00:51:35,120 --> 00:51:37,120
Speaker 1: and he had done it like six times already, and

1063
00:51:37,200 --> 00:51:38,960
Speaker 1: he flipped and his leg came and it was like

1064
00:51:39,040 --> 00:51:41,000
Speaker 1: a karaate like when you see them flip and you

1065
00:51:41,080 --> 00:51:42,759
Speaker 1: see the people were like whoa and they get kicked

1066
00:51:42,800 --> 00:51:44,960
Speaker 1: in the karate movies. I felt like that because it

1067
00:51:45,080 --> 00:51:46,800
Speaker 1: smacked me right in the chest and he landed it

1068
00:51:47,080 --> 00:51:48,600
Speaker 1: and like acted like nothing would happen, and so I

1069
00:51:48,719 --> 00:51:51,360
Speaker 1: like stand there. I'm like, yeah, you do like the

1070
00:51:51,400 --> 00:51:53,680
Speaker 1: Olympic athlete thing where they stick the landing and they're

1071
00:51:53,680 --> 00:51:56,239
Speaker 1: just like and I done that. I was like, I

1072
00:51:56,360 --> 00:51:58,080
Speaker 1: may die. I thought I was going down to see

1073
00:51:58,080 --> 00:52:00,880
Speaker 1: a whole chest. I mean it was. It was crazy,

1074
00:52:00,960 --> 00:52:02,800
Speaker 1: but I mean, me being a dancer, it's what you

1075
00:52:02,840 --> 00:52:04,920
Speaker 1: gotta deal with in my line of work. The new

1076
00:52:04,960 --> 00:52:07,920
Speaker 1: records out today, Good Things. It's their fourth studio album.

1077
00:52:08,160 --> 00:52:09,960
Speaker 1: I'm glad You Exist will be number one this week.

1078
00:52:10,200 --> 00:52:12,480
Speaker 1: Everything's coming up Dan and Shay for sure right now

1079
00:52:13,040 --> 00:52:14,840
Speaker 1: out on the road. I mean I looked at the

1080
00:52:15,040 --> 00:52:17,520
Speaker 1: tour dates and I mean, it's it's most days you

1081
00:52:17,600 --> 00:52:19,200
Speaker 1: guys are gone. It's a lot, it's it is a

1082
00:52:19,320 --> 00:52:21,960
Speaker 1: last a lot well. As I always say to you guys,

1083
00:52:22,000 --> 00:52:25,800
Speaker 1: and only to you guys, I like you for I

1084
00:52:25,840 --> 00:52:28,640
Speaker 1: don't say that to anybody. Hey, remember what John Stamos

1085
00:52:28,719 --> 00:52:31,480
Speaker 1: commented on you guys unreal? I ran. I was in

1086
00:52:31,560 --> 00:52:32,880
Speaker 1: the studio. I ran, and I was like, are you

1087
00:52:32,960 --> 00:52:34,960
Speaker 1: gonna check this out? Crazy? Me too, I was like,

1088
00:52:35,040 --> 00:52:37,400
Speaker 1: John Stamos is good coming on my Twitter about Dan

1089
00:52:37,440 --> 00:52:39,000
Speaker 1: and Shay singing. It wasn't even about me at all.

1090
00:52:39,320 --> 00:52:40,719
Speaker 1: They were They was like, man, this is giving me

1091
00:52:40,800 --> 00:52:42,400
Speaker 1: goose bumps. And also he knows who we are. This

1092
00:52:42,560 --> 00:52:46,600
Speaker 1: is all right, partner follow them at Dan and Shay

1093
00:52:46,840 --> 00:52:48,640
Speaker 1: go see them on the road. They are fantastic. The

1094
00:52:48,719 --> 00:52:50,480
Speaker 1: new records out today. Thank you guys for coming in.

1095
00:52:50,680 --> 00:52:52,759
Speaker 1: Thank you, We'll see you soon. It's time for the

1096
00:52:52,880 --> 00:53:01,200
Speaker 1: good news. Good A young hockey player in Massachusetts left

1097
00:53:01,280 --> 00:53:03,960
Speaker 1: his seat on the bench to become a lifesaver during

1098
00:53:04,000 --> 00:53:06,520
Speaker 1: a recent game. Tom Parker, or twenty four years old,

1099
00:53:07,040 --> 00:53:09,279
Speaker 1: is actually training to become an EMT, and when a

1100
00:53:09,320 --> 00:53:13,239
Speaker 1: referee collapsed on the ice at Boston Sports Institute, he

1101
00:53:13,280 --> 00:53:15,520
Speaker 1: knew exactly what to do. He rushed to help fift

1102
00:53:15,600 --> 00:53:17,319
Speaker 1: you a referee who had fallen on the ice after

1103
00:53:17,400 --> 00:53:19,680
Speaker 1: he had a medical episode. He skated over to him

1104
00:53:19,880 --> 00:53:21,400
Speaker 1: and by the time he got to the ref the

1105
00:53:21,440 --> 00:53:23,280
Speaker 1: guy was on his back. He was not really breathing,

1106
00:53:23,600 --> 00:53:26,439
Speaker 1: he didn't have a pulse. He was turning blue. So Tom,

1107
00:53:27,239 --> 00:53:29,879
Speaker 1: hockey fan, hockey player who was sitting on the bench

1108
00:53:30,200 --> 00:53:34,520
Speaker 1: but was a trained MT, did it compressions. Somebody rushed

1109
00:53:34,560 --> 00:53:36,800
Speaker 1: over the defibrillator. He was like a guy to know

1110
00:53:36,880 --> 00:53:39,120
Speaker 1: how to use it. Boom stabilized him, got him in

1111
00:53:39,120 --> 00:53:41,640
Speaker 1: the hospital and now he's going to live. Yeah, Like

1112
00:53:42,320 --> 00:53:43,959
Speaker 1: the guy just happened to be training to be an EMT.

1113
00:53:44,440 --> 00:53:46,640
Speaker 1: How lucky is that. Here's a clip. They taught me

1114
00:53:46,880 --> 00:53:48,560
Speaker 1: the skills, they also taught me how to use them

1115
00:53:48,640 --> 00:53:50,839
Speaker 1: under pressure, So I think that was a very very

1116
00:53:50,880 --> 00:53:54,239
Speaker 1: important part there. And when you're giving someone CPR with

1117
00:53:54,400 --> 00:54:00,319
Speaker 1: your chess compressions, you're supposed to do it to what song, uh,

1118
00:54:01,719 --> 00:54:05,080
Speaker 1: staying alive? Staying alive? And we know that mostly from

1119
00:54:05,680 --> 00:54:08,120
Speaker 1: the office. That's right. Hey, that's a great story. That's

1120
00:54:08,120 --> 00:54:11,040
Speaker 1: what it's all about. That was tell me something good.

1121
00:54:12,320 --> 00:54:14,360
Speaker 1: All right, let's go over now and check in with

1122
00:54:14,440 --> 00:54:20,480
Speaker 1: the news Bobby's stories. Doctors at Truman Medical Center in

1123
00:54:20,560 --> 00:54:23,160
Speaker 1: Kansas City are asking for the public's help and I

1124
00:54:23,239 --> 00:54:26,399
Speaker 1: didn'ifying a guy who doesn't know who he is. Wow,

1125
00:54:26,520 --> 00:54:28,880
Speaker 1: that's crazy. Hospital officials say. The man has been a

1126
00:54:28,920 --> 00:54:31,560
Speaker 1: patient there for eight days. He appears to be in

1127
00:54:31,600 --> 00:54:34,200
Speaker 1: his twenties. He has tattoos on the inside of his

1128
00:54:34,280 --> 00:54:38,120
Speaker 1: fingers that say baby wavy. Officials, what were these any

1129
00:54:38,120 --> 00:54:39,960
Speaker 1: of the details about how he ended up in the hospital.

1130
00:54:40,560 --> 00:54:42,480
Speaker 1: And that tattoo is a good hint, Like, if I

1131
00:54:42,600 --> 00:54:45,000
Speaker 1: know someone that has that tattoo, I would call immediate,

1132
00:54:45,120 --> 00:54:47,759
Speaker 1: right unless he's wanted for something. And I don't know

1133
00:54:47,840 --> 00:54:49,800
Speaker 1: that's the case, because that tattoos. But I'm saying, or

1134
00:54:49,840 --> 00:54:52,320
Speaker 1: if it's like a birthmark even and You're like, this

1135
00:54:52,360 --> 00:54:54,640
Speaker 1: guy's got a birthmark that looks like instead of Iowana's

1136
00:54:54,680 --> 00:54:56,680
Speaker 1: neck and I'm like, oh, that's Chuck and Chucks wonder

1137
00:54:56,760 --> 00:54:59,680
Speaker 1: for two I would not. Then you just kind of go,

1138
00:55:00,000 --> 00:55:02,520
Speaker 1: I hope he gets out, you know. But they show

1139
00:55:02,560 --> 00:55:06,080
Speaker 1: a picture him. He kindmost like Ed Shearon and those tattoos.

1140
00:55:06,120 --> 00:55:07,920
Speaker 1: You know how people have on the outside of their knuckles,

1141
00:55:08,239 --> 00:55:11,200
Speaker 1: they'll have like mom or death or something. Yeah. Yeah,

1142
00:55:11,280 --> 00:55:13,719
Speaker 1: it's just on the inside of his fingers and it

1143
00:55:13,760 --> 00:55:17,879
Speaker 1: says baby wavy gosh. I feel like, hopefully someone will

1144
00:55:17,920 --> 00:55:20,800
Speaker 1: identify him quickly. I saw someone on social media have

1145
00:55:20,960 --> 00:55:23,680
Speaker 1: footage of someone stealing from them. They put it up

1146
00:55:23,680 --> 00:55:26,000
Speaker 1: on social media. Boom. It led to the guy getting arrested,

1147
00:55:26,080 --> 00:55:29,000
Speaker 1: Like same day Joel Cross. Yeah, yeah, he was Joe Cross,

1148
00:55:29,360 --> 00:55:31,600
Speaker 1: maybe still as an artist. But a guy went into

1149
00:55:31,640 --> 00:55:33,560
Speaker 1: his apartment while he was in there and stole from him.

1150
00:55:33,560 --> 00:55:35,200
Speaker 1: They had a picture of him. Yeah. T g Osborne

1151
00:55:35,200 --> 00:55:38,640
Speaker 1: posted it. Next thing, boom they arrested him. Wow. So

1152
00:55:39,040 --> 00:55:43,960
Speaker 1: hopefully this guy will get justices, sir. According to the

1153
00:55:44,160 --> 00:55:48,840
Speaker 1: Tisdale RCMP. There's a guy who landed a helicopter and

1154
00:55:48,960 --> 00:55:51,120
Speaker 1: a high traffic parking lot around five pm so we

1155
00:55:51,200 --> 00:55:56,120
Speaker 1: could pick up his cake at Dairy Queen. When it landed,

1156
00:55:56,160 --> 00:55:58,160
Speaker 1: the helicopter blew up dust and to breathe through the area,

1157
00:55:58,200 --> 00:56:02,200
Speaker 1: which included schools, an aquatic center and more. Once police

1158
00:56:02,239 --> 00:56:04,800
Speaker 1: confirmed that the landing was not an emergency and the

1159
00:56:04,840 --> 00:56:07,360
Speaker 1: man was simply walking across the Dairy Queen, they stepped in.

1160
00:56:07,880 --> 00:56:10,319
Speaker 1: Officers determined the pilot, a thirty four year old man

1161
00:56:10,400 --> 00:56:12,680
Speaker 1: from Leroy, was licensed to drive the helicopter, but it

1162
00:56:12,760 --> 00:56:15,879
Speaker 1: was illegal to land where he did. Four days after

1163
00:56:15,920 --> 00:56:17,920
Speaker 1: the incident, the man was charged one count of dangerous

1164
00:56:17,920 --> 00:56:20,600
Speaker 1: operation of an aircraft for a Dairy Queen cake. I

1165
00:56:20,640 --> 00:56:23,719
Speaker 1: will say the dqkke is really good, so good ice

1166
00:56:23,760 --> 00:56:27,560
Speaker 1: cream cake. If I were a judge, i'd sentenced him.

1167
00:56:27,960 --> 00:56:30,080
Speaker 1: But but I give my wink in a nudge like

1168
00:56:30,120 --> 00:56:32,480
Speaker 1: I get a buddy, I get it. And then finally,

1169
00:56:32,520 --> 00:56:34,719
Speaker 1: according to a new study, basing your self worth off

1170
00:56:34,760 --> 00:56:36,480
Speaker 1: of how much money you make can lead to serious

1171
00:56:36,520 --> 00:56:39,880
Speaker 1: internal problems. Researchers found the people who think their successes

1172
00:56:39,920 --> 00:56:43,000
Speaker 1: tied to their salary have an immediate increase in stress

1173
00:56:43,080 --> 00:56:45,719
Speaker 1: and anxiety. So if you choose a career based off

1174
00:56:45,760 --> 00:56:48,120
Speaker 1: of money, it is very unlikely you will ever be happy.

1175
00:56:49,040 --> 00:56:53,640
Speaker 1: Thoughts lunchbox man. I don't know how to I don't

1176
00:56:53,640 --> 00:56:57,040
Speaker 1: know how people say this and like doing a lot

1177
00:56:57,080 --> 00:56:59,239
Speaker 1: of huffing and pumping right now. I'm trying to be

1178
00:56:59,480 --> 00:57:04,319
Speaker 1: I'm trying to stay you know, calm, calm, because would

1179
00:57:04,320 --> 00:57:05,560
Speaker 1: you not be calm? I just asked a question how

1180
00:57:05,600 --> 00:57:09,480
Speaker 1: you felt about the story, but he strongly disagrees with it. Yeah, um,

1181
00:57:11,560 --> 00:57:13,560
Speaker 1: he really has no words. All right, there you have it.

1182
00:57:13,680 --> 00:57:24,000
Speaker 1: That's story, no idea. But well you were almost one

1183
00:57:24,040 --> 00:57:26,520
Speaker 1: of the bonehead stories of the day. Oh yeah, for sure,

1184
00:57:26,680 --> 00:57:29,240
Speaker 1: because I'd handled something very poorly. You know, we have

1185
00:57:29,280 --> 00:57:31,640
Speaker 1: these stories sometimes where you know, somebody's driving down the

1186
00:57:31,680 --> 00:57:32,960
Speaker 1: road and I was like a mouse in the car

1187
00:57:33,120 --> 00:57:35,640
Speaker 1: and they try to catch it on fire. They crash right,

1188
00:57:36,760 --> 00:57:39,880
Speaker 1: and we're like, oh, what a bonehead? Well this happened

1189
00:57:39,880 --> 00:57:42,280
Speaker 1: to you. Yeah, and I know better. But I pulled

1190
00:57:42,320 --> 00:57:44,520
Speaker 1: down my visor and a spider came with it while

1191
00:57:44,520 --> 00:57:47,680
Speaker 1: you were driving. Yes, luckily I was leaving my neighborhood

1192
00:57:48,000 --> 00:57:50,080
Speaker 1: and I'm going down and it's like, right, where I

1193
00:57:50,160 --> 00:57:51,680
Speaker 1: just felt like I had a glare. So I was like,

1194
00:57:51,760 --> 00:57:54,240
Speaker 1: I'm gonna pull down my visor. Down came a spider

1195
00:57:54,640 --> 00:57:58,280
Speaker 1: who did a set down? A spider? No, but it

1196
00:57:58,440 --> 00:58:03,080
Speaker 1: was like, luckily I am. I reacted. I did. What

1197
00:58:03,320 --> 00:58:07,200
Speaker 1: is that I react? Not be whatever I did. I

1198
00:58:07,360 --> 00:58:11,920
Speaker 1: was totally reactionary and irresponsible, and I swerved. But luckily

1199
00:58:12,000 --> 00:58:14,320
Speaker 1: I was in my neighborhood. Nobody else was on the road,

1200
00:58:14,360 --> 00:58:17,000
Speaker 1: and I was probably going I don't know, call it

1201
00:58:17,120 --> 00:58:21,120
Speaker 1: eight miles an hour or less, so everything was under control.

1202
00:58:21,240 --> 00:58:23,320
Speaker 1: But had I turned and been on a main road

1203
00:58:23,360 --> 00:58:25,520
Speaker 1: when I lowered that, who knows what I would have done,

1204
00:58:25,600 --> 00:58:27,880
Speaker 1: and then I would be in the news for why

1205
00:58:28,080 --> 00:58:30,320
Speaker 1: I got in an accident. It's because I reacted to

1206
00:58:30,440 --> 00:58:33,840
Speaker 1: a silly little spider was going down the interstate. Do

1207
00:58:33,880 --> 00:58:36,360
Speaker 1: you think you would have still swerved? Man, I don't know.

1208
00:58:36,560 --> 00:58:39,120
Speaker 1: It's like I had no control. I'm saying I was

1209
00:58:39,200 --> 00:58:42,640
Speaker 1: so reactionary that that's what you know I was. I

1210
00:58:42,880 --> 00:58:46,160
Speaker 1: wasn't thinking. I just reacted, and that's not how you

1211
00:58:46,240 --> 00:58:48,680
Speaker 1: need to be in that situation. I pulled over a

1212
00:58:48,800 --> 00:58:51,520
Speaker 1: god out shook everything. Can't still can't find the spider.

1213
00:58:51,600 --> 00:58:53,480
Speaker 1: I might still be in my car, but now I'm prepared.

1214
00:58:54,280 --> 00:58:55,959
Speaker 1: Now I know. I remember the girl with bed bugs

1215
00:58:56,000 --> 00:58:57,680
Speaker 1: trying to burn them out of her car. Yes, yeah,

1216
00:58:57,760 --> 00:58:59,880
Speaker 1: cut it on fire. That's a bit different, but that's

1217
00:59:00,120 --> 00:59:02,720
Speaker 1: very reaction area too. So I mean I can't now

1218
00:59:02,840 --> 00:59:05,600
Speaker 1: I feel bad for talking, for being confused by her actions. Well,

1219
00:59:05,640 --> 00:59:08,120
Speaker 1: we're glad you're okay, me too. It would have been

1220
00:59:08,240 --> 00:59:11,720
Speaker 1: very embarrassing. What was the last one? No, No, it

1221
00:59:11,880 --> 00:59:14,600
Speaker 1: was Abby or somebody got a thing stuck in her

1222
00:59:14,640 --> 00:59:16,960
Speaker 1: helmet and she react her four wheeler a bug in

1223
00:59:17,000 --> 00:59:20,520
Speaker 1: her helmet? Is that her story? Yeah? Right, wasn't Abby?

1224
00:59:20,760 --> 00:59:23,360
Speaker 1: What happened with you? You're driving your four wheeler? What happened? Yeah?

1225
00:59:23,400 --> 00:59:25,280
Speaker 1: So I was driving really fast on a dirt road

1226
00:59:25,400 --> 00:59:27,440
Speaker 1: and just like a bug like flew in my helmet,

1227
00:59:27,520 --> 00:59:30,360
Speaker 1: and I freaked out. I just I cannot take bugs.

1228
00:59:30,880 --> 00:59:33,320
Speaker 1: Did you swerve? Yeah? So I was kind of going

1229
00:59:33,360 --> 00:59:35,880
Speaker 1: around a curve, so I took my hands off the handlebar.

1230
00:59:36,880 --> 00:59:39,439
Speaker 1: I just kept going straight. Yeah, And so I thought

1231
00:59:39,520 --> 00:59:41,439
Speaker 1: at that point if I tried to readjust I would

1232
00:59:41,480 --> 00:59:43,240
Speaker 1: like flip it. So I just kept going and I

1233
00:59:43,320 --> 00:59:46,120
Speaker 1: ran into a fence and woke up underneath it like

1234
00:59:46,200 --> 00:59:48,320
Speaker 1: it was. I know it was an overreaction. You woke

1235
00:59:48,400 --> 00:59:50,160
Speaker 1: up underneath the four wheeler. Yeah, I think I got

1236
00:59:50,240 --> 00:59:52,000
Speaker 1: knocked out or something for a while because my helmet

1237
00:59:52,080 --> 00:59:53,440
Speaker 1: flew off and I woke up and I was like,

1238
00:59:53,560 --> 00:59:56,960
Speaker 1: what is happening right now? That's crazy? Hey? Abby, are

1239
00:59:56,960 --> 00:59:58,960
Speaker 1: your friends and family excited that you're performing at the

1240
00:59:59,040 --> 01:00:01,920
Speaker 1: Raging Idiots? They're so excited. I think ticket sales like

1241
01:00:02,040 --> 01:00:08,000
Speaker 1: win up a lot. Like my whole family they like

1242
01:00:08,080 --> 01:00:10,240
Speaker 1: all bought tickets. So did you go back and listen

1243
01:00:10,320 --> 01:00:13,600
Speaker 1: to your performance? Oh? Yeah, what'd you think? Cringe? I

1244
01:00:13,760 --> 01:00:16,920
Speaker 1: was cringing. It was just not that great. And then

1245
01:00:16,960 --> 01:00:21,760
Speaker 1: I was reading the comments that people are mean. I

1246
01:00:21,800 --> 01:00:23,360
Speaker 1: should not have done that. A lot of people they

1247
01:00:23,400 --> 01:00:25,720
Speaker 1: were like, um, keep your day job, honey. I was like,

1248
01:00:25,880 --> 01:00:30,240
Speaker 1: well I plan on it, so thank you. Yeah. Abby

1249
01:00:30,320 --> 01:00:33,640
Speaker 1: will be performing at Bobby Fest the Wichitall version, which,

1250
01:00:33,640 --> 01:00:35,200
Speaker 1: by the way, Raised Wife is trying to win a trip.

1251
01:00:35,240 --> 01:00:36,800
Speaker 1: You can still win a trip today, but Raised Wife

1252
01:00:36,880 --> 01:00:39,080
Speaker 1: is trying to win a trip to go. Why is

1253
01:00:39,160 --> 01:00:41,240
Speaker 1: she trying to win it? Well, no, she wants to

1254
01:00:41,280 --> 01:00:42,920
Speaker 1: come out there because I'm gonna be on the stage,

1255
01:00:42,960 --> 01:00:45,160
Speaker 1: so she wants to support me, like being a good wife,

1256
01:00:45,280 --> 01:00:47,800
Speaker 1: and she hasn't changed her last name. So according to

1257
01:00:47,840 --> 01:00:49,920
Speaker 1: the rules, she is allowed to try and win the

1258
01:00:50,000 --> 01:00:55,800
Speaker 1: fly away. So you no, they can't win the flyway. No,

1259
01:00:56,480 --> 01:00:58,640
Speaker 1: the odds of her winning not that likely. But if

1260
01:00:58,760 --> 01:01:00,640
Speaker 1: she is there, that's kind of gonna be awkward though

1261
01:01:00,640 --> 01:01:03,280
Speaker 1: hopefully there's no grudges from listeners on the side stage. Well,

1262
01:01:03,280 --> 01:01:05,280
Speaker 1: there'll be a grudge for me. But on the side stage,

1263
01:01:05,320 --> 01:01:11,840
Speaker 1: Raymundo will be doing karaay yoke. That's singing or hosting.

1264
01:01:12,520 --> 01:01:14,360
Speaker 1: But I think he should try to rock out some

1265
01:01:14,440 --> 01:01:16,920
Speaker 1: kid rocking' oh it's planned. Yeah, I can do that.

1266
01:01:17,360 --> 01:01:21,919
Speaker 1: That's like his song I get it now kara karaoke. Okay, yeah,

1267
01:01:22,280 --> 01:01:24,600
Speaker 1: so you guys get tickets. Come on New Brombos Texas

1268
01:01:24,640 --> 01:01:27,640
Speaker 1: Whitchtock Kansas Raging Idiots dot Com for tickets and you

1269
01:01:27,680 --> 01:01:29,880
Speaker 1: can sign up for that flyaway at Bobby Bones dot com.

1270
01:01:29,960 --> 01:01:31,919
Speaker 1: It's on the front page right now. Today's the last

1271
01:01:32,000 --> 01:01:34,360
Speaker 1: day that you can get in, so appreciate you guys.

1272
01:01:35,760 --> 01:01:39,400
Speaker 1: Shown sorry up to day. This story comes to us

1273
01:01:39,440 --> 01:01:43,080
Speaker 1: from Moscow. A man was a little drunk at the airport,

1274
01:01:43,200 --> 01:01:45,640
Speaker 1: didn't want to wait in security lines. He's like, how's

1275
01:01:45,640 --> 01:01:47,760
Speaker 1: the quickest way to get in the plane? Saw the

1276
01:01:47,840 --> 01:01:50,760
Speaker 1: luggage carousel and oh yeah, he jumped on the conveyor

1277
01:01:50,840 --> 01:01:55,560
Speaker 1: belt and crazy went down it. That's crazy. It sounds fun,

1278
01:01:55,920 --> 01:01:58,720
Speaker 1: it does, it does? It does. That's crazy though. And

1279
01:01:58,800 --> 01:02:00,240
Speaker 1: so when he came shooting out the other they're in

1280
01:02:00,320 --> 01:02:05,040
Speaker 1: by the airplanes police were waiting for him. We all

1281
01:02:05,080 --> 01:02:08,120
Speaker 1: would like to do that, right, Yeah, absolutely, I would

1282
01:02:08,160 --> 01:02:10,960
Speaker 1: just like to stand on it inside the baggage claim

1283
01:02:11,000 --> 01:02:14,000
Speaker 1: area like surface. Yeah, that'd like, that would be fun.

1284
01:02:14,080 --> 01:02:16,280
Speaker 1: But yeah, that it all. It's all like a trash shoot.

1285
01:02:16,320 --> 01:02:18,400
Speaker 1: You kind of like to go down one of those lives. Yeah,

1286
01:02:19,120 --> 01:02:21,160
Speaker 1: there you go. I munch boxed out your bone head.

1287
01:02:21,160 --> 01:02:25,080
Speaker 1: Story of the day. Flashback Friday of the Year is

1288
01:02:25,160 --> 01:02:30,480
Speaker 1: two thousand and ten. Flashback Friday. In twenty ten, I

1289
01:02:30,600 --> 01:02:32,800
Speaker 1: turned thirty years old, and I thought, this is it.

1290
01:02:33,120 --> 01:02:36,360
Speaker 1: This is the end of times. It's any deal. I thought,

1291
01:02:36,400 --> 01:02:40,000
Speaker 1: I'm so old, the stinks, ain't no going back. But

1292
01:02:40,200 --> 01:02:43,120
Speaker 1: dang here, I am now forty one, still getting old,

1293
01:02:43,240 --> 01:02:46,800
Speaker 1: still at my best. Still just the only different systems

1294
01:02:47,040 --> 01:02:49,520
Speaker 1: take a little longer to fix themselves. My body doesn't

1295
01:02:49,560 --> 01:02:51,720
Speaker 1: repair as quickly. I feel like I still got that

1296
01:02:51,800 --> 01:02:54,800
Speaker 1: first step. I still do sprints a couple times a week. Still,

1297
01:02:54,840 --> 01:02:56,640
Speaker 1: I still feel pretty good about that. It's just when

1298
01:02:56,640 --> 01:03:00,120
Speaker 1: I hurt myself, it doesn't bounce back. By two thousands ten,

1299
01:03:00,160 --> 01:03:02,040
Speaker 1: I thought life was over as I knew it. The

1300
01:03:02,120 --> 01:03:04,800
Speaker 1: biggest country song that year at this time was Luke

1301
01:03:04,880 --> 01:03:16,160
Speaker 1: Bryan Rain Is a Good Thing, the biggest pop song

1302
01:03:16,720 --> 01:03:25,880
Speaker 1: Katie Perry Teenage Dream Night, and the biggest news story.

1303
01:03:26,440 --> 01:03:29,360
Speaker 1: Jet Blue flight attendant Stephen Slater quits his job in

1304
01:03:29,480 --> 01:03:33,600
Speaker 1: dramatic style by sliding down his plane's emergency escape shoot

1305
01:03:34,000 --> 01:03:38,080
Speaker 1: while the aircraft is stopped at Kennedy International Airport. He

1306
01:03:38,240 --> 01:03:40,440
Speaker 1: claimed his actions were prompted by the behavior of a

1307
01:03:40,520 --> 01:03:43,480
Speaker 1: rude passenger. He quickly became a media sensation. In a

1308
01:03:43,600 --> 01:03:46,200
Speaker 1: national folky row Here's the story Fox did about the

1309
01:03:46,200 --> 01:03:49,520
Speaker 1: incident back in twenty ten. That's when witnesses says later

1310
01:03:49,720 --> 01:03:53,200
Speaker 1: lost it, telling off the entire plane, cursing at passengers

1311
01:03:53,240 --> 01:03:56,720
Speaker 1: from the intercom. His profanity lace tirade ended with a quote,

1312
01:03:57,120 --> 01:03:59,640
Speaker 1: I've been in this business for twenty eight years. I've

1313
01:03:59,680 --> 01:04:02,880
Speaker 1: had That's it. Slater swung open the plane side door

1314
01:04:02,960 --> 01:04:06,480
Speaker 1: and rode the evacuation shoot down to the Tauna PORTA forty.

1315
01:04:06,520 --> 01:04:09,680
Speaker 1: Police say Slater took off, hopped on the airport's air

1316
01:04:09,760 --> 01:04:12,640
Speaker 1: train shuttle back to the parking lot, and drove home.

1317
01:04:13,320 --> 01:04:16,760
Speaker 1: I mean, can you imagine him being a flight attendant now?

1318
01:04:17,160 --> 01:04:21,360
Speaker 1: Because things are really everybody he comes out with a

1319
01:04:21,400 --> 01:04:24,240
Speaker 1: backpack full of duct tape. You're looking at me. Yeah,

1320
01:04:24,480 --> 01:04:26,080
Speaker 1: I want to know what Slater is doing now too.

1321
01:04:26,080 --> 01:04:29,600
Speaker 1: I was going to say, where are they now on him? Yeah,

1322
01:04:30,160 --> 01:04:35,000
Speaker 1: I'm sure and running is the CEO of jet? Can

1323
01:04:35,040 --> 01:04:39,760
Speaker 1: you get him? Mind? Flashback? Friday weekend plans? Amy, I'm

1324
01:04:39,800 --> 01:04:44,560
Speaker 1: going to a water park. Wish me luck. Thanks, you know,

1325
01:04:44,680 --> 01:04:47,240
Speaker 1: one of those things being apparent. You gotta do things.

1326
01:04:47,400 --> 01:04:51,960
Speaker 1: It's I don't think I would go. I don't know,

1327
01:04:52,360 --> 01:04:54,120
Speaker 1: I know, I don't know. See you wish me luck.

1328
01:04:54,560 --> 01:04:57,800
Speaker 1: It's a thing, but it's going to happen. Well, yeah,

1329
01:04:58,320 --> 01:04:59,800
Speaker 1: don't bring anything back in here. You didn't come in

1330
01:04:59,800 --> 01:05:04,000
Speaker 1: here as safe as possible, for sure. But yeah, so

1331
01:05:04,280 --> 01:05:07,000
Speaker 1: I mean that'll be fun. You. I like water parks.

1332
01:05:07,080 --> 01:05:09,360
Speaker 1: I just right now, just not for me. What do

1333
01:05:09,400 --> 01:05:12,320
Speaker 1: you mean, just because of Yeah, because COVID. I'm just

1334
01:05:12,440 --> 01:05:14,680
Speaker 1: probably not gonna go to water park, but like water parks.

1335
01:05:15,360 --> 01:05:18,240
Speaker 1: We had a place called Wild River Country in Arkansas.

1336
01:05:18,440 --> 01:05:19,800
Speaker 1: We only get to go twice in my whole life

1337
01:05:19,800 --> 01:05:22,080
Speaker 1: as church group took us both times because it's expensive

1338
01:05:22,080 --> 01:05:24,800
Speaker 1: toe a litle rock and then expensive for tickets, but

1339
01:05:24,960 --> 01:05:27,040
Speaker 1: as two of the most fun times I ever had.

1340
01:05:27,480 --> 01:05:29,520
Speaker 1: They had a slide. They had like a big slipping slide,

1341
01:05:29,640 --> 01:05:32,160
Speaker 1: but it went downhill and you got it down in

1342
01:05:32,200 --> 01:05:34,880
Speaker 1: your stomach. Oh, it was awesome. Bones. They have a slide. Now,

1343
01:05:35,000 --> 01:05:37,280
Speaker 1: I'm not not every place, but where you stand and

1344
01:05:37,360 --> 01:05:40,120
Speaker 1: it's very tall and then the bottom of where your

1345
01:05:40,160 --> 01:05:42,520
Speaker 1: feet are just goes, it just opens up. Where is

1346
01:05:42,600 --> 01:05:45,160
Speaker 1: that fall straight? Now? We did at the Smoky Mountains. Oh,

1347
01:05:45,280 --> 01:05:47,880
Speaker 1: son's awful. Now I want to go to water park.

1348
01:05:48,040 --> 01:05:51,120
Speaker 1: I've changed my mind. Well, I mean, my son turned

1349
01:05:51,160 --> 01:05:52,800
Speaker 1: eleven this week. It's what he wants to do, and

1350
01:05:52,920 --> 01:05:56,240
Speaker 1: so it's like, oh, gosh, okay, that's solid for an

1351
01:05:56,280 --> 01:05:58,440
Speaker 1: eleven year old. The water park. Yeah, you know, this

1352
01:05:58,600 --> 01:06:01,360
Speaker 1: is the first time in I don't know, thirteen or

1353
01:06:01,400 --> 01:06:05,400
Speaker 1: fourteen weeks this weekend I have nothing that never happens.

1354
01:06:05,560 --> 01:06:08,000
Speaker 1: I'm pretty excited a buy that I have nothing. I'm

1355
01:06:08,080 --> 01:06:10,160
Speaker 1: going to do stuff. We're gonna go to a brunch

1356
01:06:10,200 --> 01:06:12,320
Speaker 1: on Sunday. We already planned that. We barely plant brunch

1357
01:06:12,360 --> 01:06:13,640
Speaker 1: most days, Like we have two hours. We can do this.

1358
01:06:13,720 --> 01:06:16,480
Speaker 1: We're gonna go to a brunch on Sunday. I can

1359
01:06:16,560 --> 01:06:18,440
Speaker 1: play a little golf on Saturday. I haven't mean to

1360
01:06:18,480 --> 01:06:20,640
Speaker 1: talk to you about that. Wait, what do you mean

1361
01:06:20,640 --> 01:06:23,360
Speaker 1: you have to cancel? I might. You can't cancel, I know,

1362
01:06:23,520 --> 01:06:26,720
Speaker 1: but I might. Okay, Well then I'm gonna doing nothing.

1363
01:06:26,720 --> 01:06:28,560
Speaker 1: I'm gonna find work today. It goes back to you

1364
01:06:28,720 --> 01:06:30,680
Speaker 1: working all weekend. All right, you guys have a good weekend.

1365
01:06:30,720 --> 01:06:34,400
Speaker 1: We will see you Monday. By everybody, Bobby Bone Show