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Speaker 1: I think I'm looking at a big ass roach and

2
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Speaker 1: then that shiit go and its wings start going.

3
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Speaker 2: You might have saw its like a hissing circadia or something.

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Speaker 3: So what I thought, that's what the cheese and the tortillas?

5
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Speaker 2: Wait?

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Speaker 1: What are the things?

7
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Speaker 2: Because my dad don't.

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Speaker 1: I ignored him, as I try to do when he

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Speaker 1: says things like that, he thought that.

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Speaker 3: Was what cheese and the tortillas? Like, isn't that the

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Speaker 3: same thing?

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Speaker 1: Bamn, And it's so mad that blockhead shut down.

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Speaker 3: I'm so mad. I come home.

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Speaker 2: Let me show you some cloths like Humpty Tompty does

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Speaker 2: make you on a.

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Speaker 1: Puss to go show me the hey man, what's up?

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Speaker 1: I'm home?

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Speaker 4: Yeah, took the whole house, almost didn't make it, and

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Speaker 4: today got stuck in Atlanta for a few hours because

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Speaker 4: the pilots decided that they've had enough of this malarkey.

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Speaker 1: Yeah, it wasn't sure if I said that on Patreon

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Speaker 1: or did we say it on the episode when I

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Speaker 1: snitched on the Delta pilots when I got the little intel?

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Speaker 1: Is I on someone else's podcast? I feel like I

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Speaker 1: said that publicly somewhere. Maybe it was in a session.

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Speaker 1: Probably all I know is they're lying to you. They're

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Speaker 1: not understaffed. These pilots are on strike right now and

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Speaker 1: they're purposely going over their hours. So your flight gets canceled.

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Speaker 1: So good fucking luck traveling.

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Speaker 2: Yeah, it's a ship show out there in Atlanta.

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Speaker 4: Beautiful city, Love Atlanta. Had a good time down there,

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Speaker 4: went down there. I hung out with the guys.

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Speaker 2: Shot shot it.

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Speaker 1: I bet you did hang out with the guys in Atlanta.

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Speaker 3: Shot.

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Speaker 2: See.

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Speaker 4: We could get canceled if I really want to run

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Speaker 4: with this joke, we would get canceled.

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Speaker 2: But I'm not going to do that. No, thanks, it's

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Speaker 2: h is it the first? It's the first?

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Speaker 3: Right?

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Speaker 2: Yeah? Oh the prime month is over? Oh so it's

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Speaker 2: prime month. You can still accept the flower from guy's.

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Speaker 1: I mean that's the only month you could accept flowers?

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Speaker 2: Yeah from Manhappy Pride month for thank you.

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Speaker 5: I went to a prime event and I had a

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Speaker 5: beautiful time.

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Speaker 1: Did you did see he was getting a little active

49
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Speaker 1: over at the problem man.

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Speaker 4: My Gates side came out of the marriage. Had the

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Speaker 4: sickest Instagram post I've seen in a long time.

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Speaker 1: I'm laughing that she said her a game, that's your side.

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Speaker 2: It's not a side. That's just who you are.

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Speaker 5: Can I just say that I really really really missed

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Speaker 5: you guys.

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Speaker 2: Come on tell me more.

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Speaker 5: I really did. I really did. Like I was, I

58
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Speaker 5: was losing it. I was losing my mind without y'all here,

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Speaker 5: especially Eden. I didn't realize how much I rely on

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Speaker 5: editing to like do my job for me and like

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Speaker 5: listen to my stories and listen to my bullshit and

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Speaker 5: then for y'all to tell me like I was tripping

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Speaker 5: and stuff like that, Like I really missed you, guys.

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Speaker 1: Eden was the positive beam of light in uh in Mexico.

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Speaker 2: He was the translator.

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Speaker 5: He was the brightest one.

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Speaker 2: He was translator.

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Speaker 1: He was he was the most Spanish one. Yeah, but no,

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Speaker 1: he was a positive beam of light. When all the

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Speaker 1: dogs started barking, y'all room for some reason was soundproof.

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Speaker 1: Mine caught every last seventy five dogs wild dogs that

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Speaker 1: was in Mexico, Yeah, and would not stop barking.

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Speaker 4: Can you hear that Editing This episode is being noised

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Speaker 4: by Monogram All.

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Speaker 1: Right, so this has been all over the place. We

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Speaker 1: were kicked out of our studio basically shit all over

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Speaker 1: the floor, even though she didn't. So we're now in

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Speaker 1: my house kicked out, and we'll probably be here for

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Speaker 1: the remainder of the month.

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Speaker 2: Actually we might beat me here for the remainder of

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Speaker 2: the year.

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Speaker 1: I'm with that, Are you to never leave my Are

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Speaker 1: you fucking crazy?

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Speaker 2: He's definitely with that, because I would be with that

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Speaker 2: to never never leave.

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Speaker 1: My house to record right here. I would love that.

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Speaker 2: I would Yeah, if it was my house, I would

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Speaker 2: love it to.

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Speaker 1: And bleep this edding, but leave it in. But just

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Speaker 1: put a.

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Speaker 2: Bleep right right right, you know what I'm saying. Wait

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Speaker 2: till that news In case you didn't know that.

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Speaker 1: That news, please just mad edits already. Anyways, we're gonna lose.

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Speaker 4: Uh.

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Speaker 1: Demeris to her, wanting to be a thought for July

96
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Speaker 1: fourth weekend. She has a train to catch, but I

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Speaker 1: do want to talk about this givy on album with

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Speaker 1: her before. So this is gonna be all over the place.

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Speaker 4: Sorry, So y'all talk about the giving on album. I'm

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Speaker 4: gonna roll up and then I'm going to join you

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Speaker 4: at the end of the give you on conversation. Of

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Speaker 4: course I did, Are you kidding me? I sound like

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Speaker 4: give in the shower?

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Speaker 1: Your voice not that, so does Chris Brown on the

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Speaker 1: intro of his album.

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Speaker 2: All right, now you gotta go back to La be

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Speaker 2: careful what you said about.

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Speaker 1: Christ it's sick any fruit town. No, I'm not dissing

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Speaker 1: Chris Brown. I think I'm dissing give you On because

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Speaker 1: he became give you On very fucking easily on that

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Speaker 1: intro that made me look all right, and you y'all

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Speaker 1: know I'm a huge Giveon fan. Between the BT Award

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Speaker 1: live performance and then Chris Brown on that intro, I

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Speaker 1: used to think Giveon had like the most unique voice ever.

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Speaker 1: I'm familiar with pro tools. I didn't know you could

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Speaker 1: just throw on the give on filter.

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Speaker 4: Do you remember do you remember the guy that's just

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Speaker 4: seeing chocolate rain on YouTube?

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Speaker 2: Of course? Yeah, that's give me on.

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Speaker 1: What that's not give you on?

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Speaker 4: Taste Sunday, Oh Tay Sunday. Yes, that's give you on.

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Speaker 4: That is not give give you honest.

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Speaker 1: The chocolates are not even remotely club. I'm aware of

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Speaker 1: the Yeah, I know.

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Speaker 2: Chocolate ring, give you on the chocolate ring?

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Speaker 4: What a little more, you know, a little more pr

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Speaker 4: work like, yeah, yeah, they polished him a little bit,

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Speaker 4: but he's he's tays un Day, right.

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Speaker 1: I didn't think they were singing about different heartbreaks.

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Speaker 2: They were. They absolutely they, they definitely were.

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Speaker 1: Give me maybe that joke when over y'all head, I

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Speaker 1: don't know, give.

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Speaker 5: Me on said I'm done because I always get hurt.

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Speaker 2: Won't be here for long, Yo, she's falling for that.

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Speaker 2: Look what she's falling for. You're still falling for.

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Speaker 4: When a dude say that type ship, give me on

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Speaker 4: that whole fucking album lining his ass.

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Speaker 5: Listen, listen. Okay, he said, won't be here for long. Baby.

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Speaker 5: You can hate me if you want, but now I

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Speaker 5: gotta put myself first. We can kiss, we can touch

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Speaker 5: and do it often, but if you're here looking for love,

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Speaker 5: that's when you lost me.

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Speaker 1: All Right, I'm trying to figure out.

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Speaker 4: I've been saying that for years, and they've been calling

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Speaker 4: me a piece of ship. Of course, I've been saying

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Speaker 4: that for years.

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Speaker 1: Anytime you're a piece of ship and you have to

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Speaker 1: put yourself like, I'm.

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Speaker 4: A piece of sh it because I don't see myself

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Speaker 4: falling in love. That's not what I'm here for. Oh,

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Speaker 4: yourself is self centered? Give you says, He's like, oh

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Speaker 4: my god, he's so special.

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Speaker 5: Piece.

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Speaker 2: I like pieces of ship, though, give me on a

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Speaker 2: piece of ship.

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Speaker 5: Give definitely you.

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Speaker 1: Like Malonie, So yeah, pieces and I think it ends

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Speaker 1: a piece of sh it too. He's he's way better

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Speaker 1: at hiding it.

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Speaker 5: He's shiny.

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Speaker 3: He's like solid, shiny, shiny.

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Speaker 5: Yeah, like they ate their fiber. He's like a nice

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Speaker 5: piece of watery ship.

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Speaker 1: He's a not water He's a Hawaiian act.

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Speaker 2: Huh oh, so.

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Speaker 1: Yes, give you on gives a shiny I don't tell you.

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Speaker 4: He's very shiny, good hair, good. Just he's very log

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Speaker 4: that's that.

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Speaker 2: You can't just put that on Bruno.

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Speaker 3: He just does.

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Speaker 2: We know. He looks like the Connect. He looks like

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Speaker 2: Lulu from Paying for We know.

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Speaker 1: But I don't think it's a debate. I think we

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Speaker 1: all know.

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Speaker 2: I think he may have told us.

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Speaker 4: Yeah, there's a couple of albums absolutely like okay, so

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Speaker 4: y'all told he would smoke the weekend because.

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Speaker 2: And I'm going to roll up and then I'm going

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Speaker 2: to join Rory for the give You On break.

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Speaker 1: I don't I don't know where I want to approach

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Speaker 1: this give You On breakdown as a thirty two year

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Speaker 1: old man, because a lot of ship I still live

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Speaker 1: by the man Code. I still live by the Man

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Speaker 1: Cold and the game. We always suck it up, but

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Speaker 1: the game is to be sold, not to be told.

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Speaker 1: Whatever the fuck Slim Thug told us.

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Speaker 2: So slim Thug Shout met him at the BT Awards.

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Speaker 2: Great guy.

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Speaker 1: I don't know how to approach this. How old is?

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Speaker 1: How old is a give you On? And where's give

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Speaker 1: you On from? I need that information real quick.

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Speaker 2: I believe give me on from California?

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Speaker 1: Okay? Uh yes, oh wait, he's getting this off at

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Speaker 1: twenty seven.

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Speaker 2: He at least thirty.

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Speaker 1: Yeah, in the stray age, Give you On? Give you

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Speaker 1: All might be my age?

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Speaker 2: You guys at least thirty, I'm sure shamelae.

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Speaker 1: Yes, Oh so he's from San Diego, Stop Rancho Cucamonga.

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Speaker 2: He didn't go to.

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Speaker 1: This is gonna sound like giveyon hey, all right, give youon?

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Speaker 1: Went about this the best way he should have. I

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Speaker 1: just don't know how long we can get these bars

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Speaker 1: off anymore. It's becoming too redundant. He got caught by

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Speaker 1: by Justine number one. You can't get this album off

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Speaker 1: with the Brooklyn chick.

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Speaker 2: Mm hmm.

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Speaker 1: That's why I asked where he was from, because if

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Speaker 1: I try to get these bars off to any chick

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Speaker 1: from East Flatbooks. I'm getting smacked in my face, I know,

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Speaker 1: and I got smacked on Linden. How long can we

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Speaker 1: get off? I had this conversation with my therapist recently,

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Speaker 1: at what point are we gonna stop with this therapy bullshit?

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Speaker 1: Which is a funny thing to say to your therapist,

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Speaker 1: And I was when I was listening to the give

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Speaker 1: On album. That's all I kept thinking, not a personal

217
00:09:01,800 --> 00:09:03,360
Speaker 1: shot to give you on. He's probably still working through

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Speaker 1: his shit. He got caught cheating. He did every right move.

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Speaker 1: Bring in God, bring in your mother, your grandmother, to

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Speaker 1: say they're proud of you, and say you were never

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Speaker 1: loved as a child, so you can't love her. And

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Speaker 1: now it's time to let me go because I'm a

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Speaker 1: piece of shit. To try to grab some sympathy from

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Speaker 1: the girl to make her think, oh god, he's such

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Speaker 1: a tortured soul, maybe I should get him back fire.

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Speaker 1: That's the type of R and B I want give

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Speaker 1: you On. I fucking love your album. It's incredible. But

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Speaker 1: I had to talk to my therapist and say, when

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Speaker 1: are we gonna cut this therapy bullshit? At what point

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Speaker 1: is not being from a loving household an excuse anymore.

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Speaker 1: At what fucking point is this therapy shit that we

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Speaker 1: keep talking not an excuse? I mean it's it's because

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Speaker 1: my shitty behavior is still affecting people. It doesn't matter

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Speaker 1: where it's rooted, it's still a affecting people. So if

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Speaker 1: I come in and be like, hey, okay, I was

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Speaker 1: never loved. My household never taught me how to love.

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Speaker 1: I was abused all things that could be effect you

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Speaker 1: think the victims of that in relationships with me are like,

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Speaker 1: oh it's okay now. No, but and the whole Giveon album,

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Speaker 1: because I've seen now with music take the same approach

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Speaker 1: that the trendy mental health shit is that we talk

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Speaker 1: about all the time. And I know it's gonna start

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Speaker 1: sound like it'shitting on Giveyon, and it's not. Because I

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Speaker 1: really liked that album and he did everything he was

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Speaker 1: supposed to do, even that his mom come on the

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Speaker 1: intro and say, baby, you've made mistakes. I said, Oh,

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Speaker 1: give Meon is ill? What can Justine say now?

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Speaker 2: But give kill?

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Speaker 3: That though?

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Speaker 1: No, that, No, the album is incredible. Giveon has not missed,

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Speaker 1: and we we're gonna have to have like a real

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Speaker 1: conversation about him in the R and B spectrum. Yeah,

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Speaker 1: for real, like he is, he's different. But it did

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Speaker 1: spark my mind is that at what point do we

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Speaker 1: have to cut the bullshit on a lot of this

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Speaker 1: therapy stuff. It's becoming a crutch. As someone that is

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Speaker 1: very pro therapy and very pro mental health, a lot

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Speaker 1: of us are using that shit as a fucking excuse,

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Speaker 1: even if it's even if it's the truth, let's say

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Speaker 1: it's the truth, all right, cool. I'm aware now that

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Speaker 1: I'm a piece of shit, So I'm just gonna keep

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Speaker 1: being a piece of shit because my mother never loved me.

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Speaker 5: We're talking from thirty two, he's twenty seven. Just turny,

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Speaker 5: you gotta.

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Speaker 2: Cut this out.

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Speaker 4: I ain't gonna let you keep getting off for twenty seven.

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Speaker 4: We're not gonna keep doing that. That nigga forty one

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Speaker 4: years old? Man, give me all my age here year

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Speaker 4: old at him. A matter of fact, for sure, I

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Speaker 4: know when a nigga yielded at me.

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Speaker 2: I can see it.

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Speaker 1: And let's not make it gender specific. There's plenty of

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Speaker 1: women that I know have had awful upbringings, awful relationships

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Speaker 1: in their early twenties, and are not bad people, but

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Speaker 1: when it comes to being a partner, are pieces of shit.

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Speaker 1: And I can fully understand where it comes from, where

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Speaker 1: it's rooted from, But at what point where do we

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Speaker 1: draw the line that h that behavior can't really continue.

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Speaker 2: I mean, it's it's it's it's like this.

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Speaker 4: It's not an excuse because yes, you've been through things

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Speaker 4: you weren't loved, you've been through trauma and the household

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Speaker 4: growing up. Yes, we understand that, but it's your duty

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Speaker 4: as an adult to identify those things that affect your

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Speaker 4: adulthood and correct it and you know, and move forward.

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Speaker 2: So I respect giveon for.

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Speaker 4: If that is what happened, which I'm assuming, I don't

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Speaker 4: think his mom and grandma would would lie on his

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Speaker 4: album for him.

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Speaker 1: Well, no, they didn't say he was abused. The actually

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Speaker 1: said he was a really good person and he is

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Speaker 1: not his mistakes.

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Speaker 2: Okay, so they understand that he has They understand that.

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Speaker 1: They are very priv Yeah, Justin can't get mad when

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Speaker 1: grandma is like, no, no, you can't. You are amazing, Yes.

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Speaker 5: Yes I can. It's dramad at you and your mother

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Speaker 5: because your mother out there like you know, you're not

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Speaker 5: a perfect this person is this and that was his

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Speaker 5: dad and life. You should have made sure his dad

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Speaker 5: was in his fucking life so I didn't have to

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Speaker 5: deal with all this bullshits.

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Speaker 1: Well we don't know his mother's trauma. That then added

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Speaker 1: in with I.

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Speaker 5: Should have deal with what the fuck you needed to do,

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Speaker 5: so I don't got to.

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Speaker 1: Deal with Why is Givon's mother's name Patrise? And I

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Speaker 1: actually believe that it probably is because she named him

307
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Speaker 1: giveon and you can sing like that. Her name is

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Speaker 1: probably Patrised.

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Speaker 4: Her name is not Patrise, that is that is the

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Speaker 4: name of one of Damaris's exes moms. She is still oh,

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Speaker 4: she is still healing from that relationship. I'm not healing

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Speaker 4: from and ready to put hands on Patrise.

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Speaker 2: But yeah no, but but give you on?

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Speaker 4: You know, Uh, he's one of those He's one of

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Speaker 4: those artists I think that you know, is now evolving

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Speaker 4: into he's trying to reach that next level of his career.

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Speaker 4: We know he's talented, we know he can sing. He

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Speaker 4: obviously put out great albums. I think now he's about

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Speaker 4: to give us more personal. This album was personal, That's

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Speaker 4: what I'm saying. So I think he's entering that phase.

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Speaker 4: But as far as you're saying, how long we're gonna

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Speaker 4: be be able to use that as an excuse, I mean,

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Speaker 4: some excuses don't expire, and I think that, no, the

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Speaker 4: of me growing up in trauma doesn't expire.

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Speaker 5: I think Rory speaking from a very privileged place because

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Speaker 5: he's been healing for so long.

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Speaker 1: No no, no, no, no, no no, no no long.

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Speaker 5: So I think you're like, well, I'm like forty five

329
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Speaker 5: percent healed now, so y'all like, catch the master.

330
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Speaker 1: No, no, no, I'm I'm zero percent heals. Fluster is funny.

331
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Speaker 1: I'm I'm a zero percent.

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Speaker 5: Damn. They can't catch my. They ain't catch my. I

333
00:14:32,000 --> 00:14:33,720
Speaker 5: gotta go, but explain yourself.

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Speaker 2: Get out, give y'all, no, get on your flight. Demarus

335
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Speaker 2: is leaving us.

336
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Speaker 1: Go see, go see Patrice and her son.

337
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Speaker 2: Demarus has to leave. Now let me leaving that.

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Speaker 1: I'll have to spit this wine.

339
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Speaker 2: Ups is leaving.

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Speaker 5: I'm going to help my mother.

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Speaker 2: Yes, no, listen, prayers and you have to take it there.

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Speaker 1: Sorry now if you like, no sense and I.

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Speaker 2: Love and I'll get well, assume I'm a love for.

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Speaker 5: Sure, no problem. I love you, guys. I'll be back

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Speaker 5: next episode, all right.

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Speaker 2: Peace.

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Speaker 1: To Demarus's point, no, I'm not speaking from uh tell.

348
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Speaker 2: Them we so late? Did we tell them that already?

349
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Speaker 1: Well, we'll get to because I want to get into

350
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Speaker 1: your entire land experience. We wanted to get right to

351
00:15:14,800 --> 00:15:17,080
Speaker 1: the give you on ship because Tamaris wanted to talk

352
00:15:17,120 --> 00:15:25,920
Speaker 1: about a woman. Now he's got the hips, no surgery needed, Yeah,

353
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Speaker 1: he said, wow like that.

354
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Speaker 2: I don't know.

355
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Speaker 1: I have no idea, uh but to close this conversation

356
00:15:32,680 --> 00:15:34,480
Speaker 1: that I think could be four hours if we wanted

357
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Speaker 1: it to.

358
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Speaker 3: Be, they could.

359
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Speaker 1: I'm not speaking from that place. I'm speaking from someone

360
00:15:38,880 --> 00:15:40,640
Speaker 1: that has been in therapy for so long, not in

361
00:15:40,680 --> 00:15:44,040
Speaker 1: a heel place, from a different perspective place of we

362
00:15:44,160 --> 00:15:47,720
Speaker 1: keep doing these deep dives into every last bit of

363
00:15:47,720 --> 00:15:51,280
Speaker 1: my psyche, and let's say, give you on psyche. After

364
00:15:51,320 --> 00:15:54,160
Speaker 1: being caught cheating and Demarus fed on the Demarus food

365
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Speaker 1: on the steps.

366
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Speaker 2: Now Demarus broke her leg.

367
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Speaker 3: Now it's OK.

368
00:16:01,960 --> 00:16:04,960
Speaker 1: I was talking with my therapist. I'm like, wait, we're

369
00:16:04,960 --> 00:16:07,600
Speaker 1: doing all this complex thinking. All we talk about is

370
00:16:07,640 --> 00:16:11,720
Speaker 1: me fucking other bitches. So like sometimes when you strip

371
00:16:11,720 --> 00:16:14,440
Speaker 1: it down, yes, of course, there's a reason for everything.

372
00:16:14,440 --> 00:16:16,480
Speaker 1: There's a root for everything, why it happens, why your

373
00:16:16,520 --> 00:16:20,320
Speaker 1: behavior is that way, whether it's insecurity, whether it's a

374
00:16:20,400 --> 00:16:23,000
Speaker 1: void that needs to be filled, whether it's validation you

375
00:16:23,040 --> 00:16:24,560
Speaker 1: need that you never got as a kid. I could

376
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Speaker 1: break down every last therapy thing you could think of, right,

377
00:16:27,440 --> 00:16:30,680
Speaker 1: but sometimes you have to not look at this shit

378
00:16:30,840 --> 00:16:33,720
Speaker 1: from a twenty twenty two perspective and look at it

379
00:16:33,760 --> 00:16:36,680
Speaker 1: from a nineteen forty two perspective when people had to

380
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Speaker 1: fucking survive.

381
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Speaker 3: That's true.

382
00:16:38,680 --> 00:16:40,920
Speaker 1: At the end of the day, we talk about fucking bitches.

383
00:16:41,960 --> 00:16:43,520
Speaker 2: Yeah, I mean, I mean we still have to.

384
00:16:43,920 --> 00:16:46,880
Speaker 1: Like granted it's a rooted thing, but sometimes we put

385
00:16:46,920 --> 00:16:48,240
Speaker 1: too much sauce on.

386
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Speaker 2: He probably just.

387
00:16:49,240 --> 00:16:50,800
Speaker 1: Wanted to fuck that bitch. I'm not about give you on.

388
00:16:50,920 --> 00:16:54,480
Speaker 3: But just in general, Look, it's not that serious.

389
00:16:54,360 --> 00:16:57,320
Speaker 1: And I think we are as someone again that is

390
00:16:57,400 --> 00:17:01,640
Speaker 1: fully with therapy all that shit. Just sometimes we gotta

391
00:17:01,680 --> 00:17:02,320
Speaker 1: cut the bullshit.

392
00:17:03,040 --> 00:17:07,359
Speaker 4: Yeah, I mean, we know that people use that therapy. Uh,

393
00:17:08,119 --> 00:17:11,080
Speaker 4: that's like the breaking case of emergency. But you go

394
00:17:11,160 --> 00:17:13,679
Speaker 4: to mental health and childhood trauma and not growing up

395
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Speaker 4: in the house of love, not knowing how to love.

396
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Speaker 2: It's a lot of things that.

397
00:17:18,200 --> 00:17:20,200
Speaker 1: I have all that. Yeah, sometimes I wanted to fuck

398
00:17:20,240 --> 00:17:24,360
Speaker 1: about Absolutely, it's a lot of I promise you. Sometimes

399
00:17:24,359 --> 00:17:25,960
Speaker 1: it had nothing to do with my child.

400
00:17:25,920 --> 00:17:28,719
Speaker 4: Absolutely, Most times it had nothing to do with my childhood. Like,

401
00:17:29,080 --> 00:17:31,720
Speaker 4: there's things that you just learned, even if it wasn't

402
00:17:31,760 --> 00:17:34,200
Speaker 4: in your household, Like growing up, you just learned certain things,

403
00:17:34,240 --> 00:17:36,920
Speaker 4: and you pick up certain things from you know, being

404
00:17:36,960 --> 00:17:40,600
Speaker 4: outside and being in different households, friends, households or whatever.

405
00:17:40,760 --> 00:17:42,960
Speaker 4: So I mean, we all know, and then it always

406
00:17:43,000 --> 00:17:45,399
Speaker 4: comes back to we all are able unless you have

407
00:17:45,560 --> 00:17:49,280
Speaker 4: a mental you know block. We all know right from wrong.

408
00:17:50,320 --> 00:17:53,080
Speaker 4: That's just a human You know. When you're doing something

409
00:17:53,080 --> 00:17:55,760
Speaker 4: that's wrong, you know that. Like there's not like no

410
00:17:55,920 --> 00:17:58,200
Speaker 4: man has ever cheated and didn't know he was doing

411
00:17:58,240 --> 00:17:58,760
Speaker 4: something wrong.

412
00:17:59,040 --> 00:17:59,840
Speaker 2: That's just stupid.

413
00:18:00,640 --> 00:18:02,879
Speaker 4: You know that you're cheating. You know your girlfriend or

414
00:18:02,920 --> 00:18:05,280
Speaker 4: your wife would not like this, This would hurt her,

415
00:18:05,600 --> 00:18:06,120
Speaker 4: This is wrong.

416
00:18:06,160 --> 00:18:07,520
Speaker 2: You shouldn't be doing this. You know that.

417
00:18:07,720 --> 00:18:11,560
Speaker 1: And sometimes things are Yo, I got really famous, really fast,

418
00:18:11,760 --> 00:18:15,199
Speaker 1: and a bunch of women now have access to me

419
00:18:15,320 --> 00:18:17,040
Speaker 1: and love me and will want to fuck me no

420
00:18:17,080 --> 00:18:21,800
Speaker 1: matter what. Yeah, Like, sometimes sometimes things aren't as deeply

421
00:18:21,920 --> 00:18:23,360
Speaker 1: rooted as we make them.

422
00:18:23,400 --> 00:18:26,720
Speaker 4: See it's not and even and I'll go step further,

423
00:18:26,800 --> 00:18:29,960
Speaker 4: even if you don't have like say you didn't you

424
00:18:29,960 --> 00:18:33,200
Speaker 4: grew up in a single parent house, which most people

425
00:18:33,240 --> 00:18:37,479
Speaker 4: in my community and in my culture have. Unfortunately, like

426
00:18:37,960 --> 00:18:41,720
Speaker 4: you still pick up on things even though you didn't

427
00:18:41,760 --> 00:18:44,760
Speaker 4: have them as a kid and you didn't see them like,

428
00:18:44,800 --> 00:18:46,600
Speaker 4: you still just picked up on it, like, Okay, this

429
00:18:46,760 --> 00:18:48,639
Speaker 4: is what a man is supposed to do, even though

430
00:18:48,680 --> 00:18:51,120
Speaker 4: I didn't have a man present in my household growing

431
00:18:51,160 --> 00:18:53,760
Speaker 4: up like most guys, just like, oh, but you know

432
00:18:53,800 --> 00:18:55,200
Speaker 4: that the man is supposed to do this because you

433
00:18:55,640 --> 00:18:57,520
Speaker 4: meet these figures somewhere else in life, whether it's a

434
00:18:57,600 --> 00:18:59,040
Speaker 4: high school teacher, coach.

435
00:19:00,080 --> 00:19:01,320
Speaker 2: You know, you just understand.

436
00:19:01,400 --> 00:19:03,680
Speaker 4: You see how uncles, Yeah, you see how men are

437
00:19:03,680 --> 00:19:05,879
Speaker 4: supposed to move and handle. So yeah, so you just

438
00:19:05,960 --> 00:19:10,440
Speaker 4: know right from wrong. But that's not to say that

439
00:19:11,000 --> 00:19:14,000
Speaker 4: it hasn't affected you. And now you don't really understand

440
00:19:14,040 --> 00:19:16,560
Speaker 4: because you didn't have a lot of examples as far

441
00:19:16,640 --> 00:19:19,639
Speaker 4: as love and relationships growing up, that you do things

442
00:19:19,680 --> 00:19:21,840
Speaker 4: in relationships sometimes just like that was wrong.

443
00:19:22,320 --> 00:19:25,040
Speaker 2: You gotta learn them the cuff. Relationships. You learn them

444
00:19:25,080 --> 00:19:26,040
Speaker 2: the cuff a lot of the times.

445
00:19:26,040 --> 00:19:28,800
Speaker 4: But you still know, cheating is cheating, and cheating is

446
00:19:28,800 --> 00:19:32,640
Speaker 4: wrong that you can't you can't attach that to mental health.

447
00:19:32,680 --> 00:19:34,159
Speaker 2: No, I'm sorry, and.

448
00:19:35,040 --> 00:19:39,440
Speaker 1: Even if you can, let's use givion. Unfortunately, just because

449
00:19:39,480 --> 00:19:43,879
Speaker 1: his album came out, it was very personal. He probably

450
00:19:43,960 --> 00:19:47,040
Speaker 1: met Justine and said, y'all really love this woman and

451
00:19:47,080 --> 00:19:49,800
Speaker 1: want to be with her. But I also just got

452
00:19:49,840 --> 00:19:54,960
Speaker 1: famous and I sing R and B and I have

453
00:19:55,040 --> 00:19:57,800
Speaker 1: these pitches in my DM. And by the way, I

454
00:19:58,600 --> 00:20:00,879
Speaker 1: would be totally fine with every last woman saying that

455
00:20:00,960 --> 00:20:04,000
Speaker 1: sucker shit, that's corny, like what type of Like come on,

456
00:20:04,080 --> 00:20:05,240
Speaker 1: what type of man are you? Like?

457
00:20:05,359 --> 00:20:05,439
Speaker 3: You?

458
00:20:05,560 --> 00:20:07,800
Speaker 1: Just these group? I would that's all valid.

459
00:20:08,720 --> 00:20:09,760
Speaker 2: You know what buck is too.

460
00:20:09,920 --> 00:20:13,960
Speaker 1: It's also the truth in regards to ninety nine percent

461
00:20:14,000 --> 00:20:17,160
Speaker 1: of US men at a young age that get that

462
00:20:17,200 --> 00:20:21,200
Speaker 1: type of access to shit. It does not make it okay.

463
00:20:21,240 --> 00:20:24,360
Speaker 1: But give youon. Can't get on that album and be like, yo,

464
00:20:24,400 --> 00:20:29,479
Speaker 1: I'd love you. But hey, these even said on the album,

465
00:20:29,800 --> 00:20:32,119
Speaker 1: which I thought was a really honest bar that I

466
00:20:32,119 --> 00:20:35,120
Speaker 1: don't think women want to hear. He said, all these

467
00:20:35,119 --> 00:20:38,359
Speaker 1: shicks was totally comfortable to being number two, and I

468
00:20:38,400 --> 00:20:41,920
Speaker 1: told them how much I loved you. Yeah, they knew

469
00:20:41,920 --> 00:20:44,320
Speaker 1: how much they was comfortable being number two, and that's

470
00:20:44,359 --> 00:20:48,240
Speaker 1: a hard bar for a woman brain to understand. Well,

471
00:20:48,320 --> 00:20:50,280
Speaker 1: let me not even make a gender specific because I'm

472
00:20:50,280 --> 00:20:53,760
Speaker 1: there's plenty of women doing the same thing. Yeah, for

473
00:20:54,280 --> 00:20:57,680
Speaker 1: some people that don't understand that perspective, that sounds like

474
00:20:57,720 --> 00:20:59,560
Speaker 1: the most insane shit in the world. But to other

475
00:20:59,600 --> 00:21:04,560
Speaker 1: people that that sounds like, yeah, that's the world. There's

476
00:21:04,640 --> 00:21:06,720
Speaker 1: plenty of people. Let's not even say women. There's plenty

477
00:21:06,760 --> 00:21:09,919
Speaker 1: of men that are cool being number two. Yeah, they

478
00:21:10,000 --> 00:21:12,320
Speaker 1: was fine being number two and I said how much

479
00:21:12,320 --> 00:21:15,560
Speaker 1: I loved you, which sounds insane when your partner here

480
00:21:15,600 --> 00:21:16,000
Speaker 1: is that it does.

481
00:21:17,119 --> 00:21:19,240
Speaker 2: But it's listen, we know.

482
00:21:21,040 --> 00:21:23,800
Speaker 4: The relationships that we see these days are very either

483
00:21:23,880 --> 00:21:29,679
Speaker 4: short lived, very transactional for sure, or it's like an

484
00:21:29,760 --> 00:21:35,480
Speaker 4: agreement that was reached, like listen, I love you, You're you're.

485
00:21:35,280 --> 00:21:39,160
Speaker 2: The one for me. But but I'm hot, like I'm

486
00:21:39,240 --> 00:21:40,520
Speaker 2: lit out here, which.

487
00:21:40,520 --> 00:21:43,040
Speaker 1: Could be deemed as corny, and I get it, but

488
00:21:43,080 --> 00:21:44,399
Speaker 1: like it's still realistic.

489
00:21:44,680 --> 00:21:45,680
Speaker 2: You're like, I ain't gonna listen.

490
00:21:45,720 --> 00:21:48,520
Speaker 4: I'm not gonna give nobody else a baby, you know

491
00:21:48,560 --> 00:21:50,760
Speaker 4: what I'm saying, Like these.

492
00:21:50,560 --> 00:21:54,600
Speaker 1: Are unspoken but I gotta get I'm hot, I'm hot.

493
00:21:55,119 --> 00:21:56,080
Speaker 2: Let me get this off.

494
00:21:56,160 --> 00:21:58,840
Speaker 4: Let me But I promise you, I'm not gonna give

495
00:21:58,920 --> 00:22:02,040
Speaker 4: a woman a family. I'm not gonna give her, you know,

496
00:22:02,080 --> 00:22:04,080
Speaker 4: a house at home. I'm not gonna do that. You

497
00:22:04,080 --> 00:22:07,320
Speaker 4: you get that. But I gotta have fun. I gotta shake.

498
00:22:07,400 --> 00:22:09,760
Speaker 4: I gotta shake my ass man like I mean it

499
00:22:09,880 --> 00:22:12,440
Speaker 4: come down to that at twenty listen at twenty seven,

500
00:22:12,480 --> 00:22:13,600
Speaker 4: you're an R and B star.

501
00:22:13,760 --> 00:22:16,280
Speaker 1: Okay, I've seen Giveon in concert twice. He didn't shake

502
00:22:16,280 --> 00:22:16,840
Speaker 1: his ass once.

503
00:22:17,280 --> 00:22:18,560
Speaker 2: Well, no, not shake my ass like that.

504
00:22:19,000 --> 00:22:21,040
Speaker 4: I meaning like, I gotta, I gotta, I gotta. I

505
00:22:21,040 --> 00:22:23,440
Speaker 4: gotta be around some ladies like you know what I'm saying.

506
00:22:23,480 --> 00:22:26,919
Speaker 4: It's like, yo, listen, I love you, but you know, like, damn,

507
00:22:26,960 --> 00:22:30,199
Speaker 4: I'm twenty seven, I'm lit, I'm I'm you know, the

508
00:22:30,280 --> 00:22:33,199
Speaker 4: ladies think I'm handsome, you know, like I got money,

509
00:22:33,680 --> 00:22:35,399
Speaker 4: I'm in good health. You know what I'm saying, like,

510
00:22:35,760 --> 00:22:37,720
Speaker 4: come on, let me give my let me get my

511
00:22:37,760 --> 00:22:40,120
Speaker 4: shit off for a couple of years. But I promise

512
00:22:40,160 --> 00:22:43,120
Speaker 4: you when it's time to be like all right, it's

513
00:22:43,200 --> 00:22:43,880
Speaker 4: family time.

514
00:22:44,760 --> 00:22:46,359
Speaker 2: You the one that's gonna have you. We're gonna have

515
00:22:46,359 --> 00:22:46,840
Speaker 2: a family.

516
00:22:47,200 --> 00:22:50,840
Speaker 1: I just wonder if after Giveyon asked his grandmother and

517
00:22:50,840 --> 00:22:52,879
Speaker 1: mother to be on the album and do interludes and

518
00:22:52,920 --> 00:22:55,920
Speaker 1: all that shit when they heard like the final mix.

519
00:22:57,400 --> 00:22:59,280
Speaker 4: Rama, I definitely say, yo, turn my vocals up like

520
00:22:59,320 --> 00:23:02,280
Speaker 4: I'm too, like, oh, I'm.

521
00:23:01,240 --> 00:23:03,080
Speaker 1: Talking about when they heard the content of.

522
00:23:04,040 --> 00:23:05,679
Speaker 2: Or you know he was putting it there on that

523
00:23:05,840 --> 00:23:07,560
Speaker 2: So you said you.

524
00:23:07,520 --> 00:23:10,000
Speaker 1: Wasn't in a loving household? Why am on this fucking

525
00:23:10,040 --> 00:23:10,440
Speaker 1: it loud?

526
00:23:11,960 --> 00:23:14,160
Speaker 2: You know who I know had that conversation with Ea Son.

527
00:23:14,640 --> 00:23:19,800
Speaker 4: Oh, Mama Combs when Puff said he had fourteen roaches

528
00:23:19,840 --> 00:23:22,399
Speaker 4: on his face. Oh my god, Mama Combs letting the

529
00:23:22,440 --> 00:23:25,639
Speaker 4: puff ass that night when she heard that. I know,

530
00:23:25,760 --> 00:23:28,400
Speaker 4: Mama Combs called Puff like I know good and god

531
00:23:28,480 --> 00:23:30,800
Speaker 4: damn well, you ain't get out here to tell these

532
00:23:30,800 --> 00:23:34,320
Speaker 4: people you had fourteen roaches on your face.

533
00:23:36,600 --> 00:23:39,720
Speaker 2: If I ever said somewhere I knew you, I moved

534
00:23:39,800 --> 00:23:41,160
Speaker 2: you to Mount Vernon.

535
00:23:43,880 --> 00:23:45,840
Speaker 1: And not not the side of Mount Vernon that's closer

536
00:23:45,840 --> 00:23:48,119
Speaker 1: to the Bronx. No, no, no, no, you was on the

537
00:23:48,160 --> 00:23:48,920
Speaker 1: west side.

538
00:23:49,000 --> 00:23:52,200
Speaker 4: Yeah yeah, yeah, yeah for sure, Like yo, that so

539
00:23:52,200 --> 00:23:54,960
Speaker 4: so when you say that, like, because that's something that

540
00:23:55,000 --> 00:23:57,639
Speaker 4: we do and we like our parents ain't gonna never

541
00:23:57,680 --> 00:23:58,480
Speaker 4: hear what we're really doing.

542
00:23:58,640 --> 00:24:01,520
Speaker 1: That's why podcast because my mother listens to it all

543
00:24:01,520 --> 00:24:03,520
Speaker 1: the time. If I pretended to get it out the mud,

544
00:24:03,760 --> 00:24:06,120
Speaker 1: Oh yeah, my mom would be on Facebook, bro, which's

545
00:24:06,160 --> 00:24:09,800
Speaker 1: the wildest post bro I have. He had a meal

546
00:24:10,040 --> 00:24:10,680
Speaker 1: every night.

547
00:24:10,880 --> 00:24:11,280
Speaker 2: Fam.

548
00:24:11,320 --> 00:24:13,080
Speaker 4: I could never That's why I'm saying I can never

549
00:24:13,200 --> 00:24:15,359
Speaker 4: say that. I can never say that my struggle was

550
00:24:15,400 --> 00:24:17,120
Speaker 4: so crazy. It's like no, man.

551
00:24:17,280 --> 00:24:19,560
Speaker 1: First of all, we all struggle in some regards, but

552
00:24:20,080 --> 00:24:21,320
Speaker 1: in comparison to other people.

553
00:24:21,400 --> 00:24:21,960
Speaker 2: Know, I did not.

554
00:24:23,400 --> 00:24:25,680
Speaker 4: I thought listen, I thought crying because I didn't get

555
00:24:25,720 --> 00:24:29,440
Speaker 4: that you know, million dollar Man action figure as a kid.

556
00:24:29,520 --> 00:24:31,679
Speaker 4: I thought that was the most heartbreaking shit ever. I

557
00:24:31,680 --> 00:24:33,399
Speaker 4: didn't think my mom loved me when I opened that

558
00:24:33,440 --> 00:24:35,080
Speaker 4: box and didn't see ted Dbyasi.

559
00:24:35,200 --> 00:24:36,120
Speaker 2: But what did you see?

560
00:24:36,119 --> 00:24:39,360
Speaker 4: And said, I think she got me like the generic

561
00:24:39,400 --> 00:24:42,800
Speaker 4: Hulk Hogan and macho Man. But it's like I like

562
00:24:42,880 --> 00:24:45,040
Speaker 4: ted DIBIASKI like I got to get a million dollar Man.

563
00:24:45,359 --> 00:24:48,399
Speaker 1: But I just know I got my first my first

564
00:24:48,400 --> 00:24:55,240
Speaker 1: apartment by myself. I was twenty okay, and I let

565
00:24:55,359 --> 00:24:59,560
Speaker 1: this was on a nasty block on Bergen Avenue nasty,

566
00:24:59,640 --> 00:25:02,480
Speaker 1: and I I left mad Duck sauce, soy sauce, everything

567
00:25:02,480 --> 00:25:05,600
Speaker 1: in that drawer that you just shouldn't leave, batteries, everything, right,

568
00:25:06,200 --> 00:25:09,360
Speaker 1: it's always I cut the lights on. There wasn't even

569
00:25:09,400 --> 00:25:14,000
Speaker 1: fourteen roaches. There was like four or five, and they

570
00:25:14,040 --> 00:25:17,679
Speaker 1: scurried and they wasn't on your face. Like fourteen roaches

571
00:25:17,720 --> 00:25:19,840
Speaker 1: on your face. It's fucking hysterical.

572
00:25:20,119 --> 00:25:23,640
Speaker 4: And and congratulations to Puff on winning lifetime achievement.

573
00:25:23,359 --> 00:25:25,879
Speaker 1: And getting fourteen roaches off your face. That is a

574
00:25:25,960 --> 00:25:30,000
Speaker 1: lifetime life gave him the first All about the Benjamins

575
00:25:30,040 --> 00:25:31,800
Speaker 1: is great, but it's fourteen.

576
00:25:32,440 --> 00:25:35,480
Speaker 4: Yeah, Like like so I know Mama Combs she heard that,

577
00:25:35,560 --> 00:25:39,320
Speaker 4: and I know I know Mama Comb's cursed Puff out.

578
00:25:39,520 --> 00:25:42,439
Speaker 2: I know she did. Like niggas you crazy for you

579
00:25:42,480 --> 00:25:44,440
Speaker 2: told the people you have fourteen roaches on your face.

580
00:25:44,560 --> 00:25:47,040
Speaker 1: Yeah, but that's gotta be the rapper ship. You gotta

581
00:25:47,080 --> 00:25:48,000
Speaker 1: get it out the you gotta.

582
00:25:48,640 --> 00:25:51,679
Speaker 3: But you don't exaggerated a little bit, like who made it.

583
00:25:51,680 --> 00:25:53,120
Speaker 2: It's okay to not come from struggle.

584
00:25:53,200 --> 00:25:56,159
Speaker 1: I know that, right, of course. It's okay. Yeah, no,

585
00:25:56,200 --> 00:25:57,359
Speaker 1: that's that's that's the goal.

586
00:25:57,680 --> 00:25:59,160
Speaker 2: Yeah, but we gotta stop acting like for.

587
00:25:59,119 --> 00:26:01,040
Speaker 4: Our kids not to come to the Yeah, but a

588
00:26:01,080 --> 00:26:02,720
Speaker 4: lot of us didn't come from like I can't. I

589
00:26:02,760 --> 00:26:05,400
Speaker 4: didn't struggle, bro, my mom might have struggled. I didn't

590
00:26:05,400 --> 00:26:07,119
Speaker 4: feel that shit. I never felt slighted.

591
00:26:07,200 --> 00:26:10,000
Speaker 1: Like I said a definition of struggle because I'm sure, uh,

592
00:26:11,200 --> 00:26:13,200
Speaker 1: you define that as not missing a meal or always

593
00:26:13,200 --> 00:26:15,360
Speaker 1: having closed the same way I do. But I think

594
00:26:15,400 --> 00:26:18,840
Speaker 1: some environments, other people would be like, Okay, you grew

595
00:26:18,920 --> 00:26:20,720
Speaker 1: up in an environment that might have been a bit

596
00:26:20,920 --> 00:26:23,199
Speaker 1: crazier than most, so that it was struggle.

597
00:26:23,240 --> 00:26:23,720
Speaker 2: It was more.

598
00:26:23,720 --> 00:26:25,480
Speaker 1: It was more you had to look over your shoulder

599
00:26:25,480 --> 00:26:25,840
Speaker 1: a bit more.

600
00:26:25,840 --> 00:26:28,440
Speaker 2: It was Yeah, absolutely, for sure. It was more.

601
00:26:28,480 --> 00:26:30,679
Speaker 4: It was more danger, it was more hurdles, it was

602
00:26:30,680 --> 00:26:33,920
Speaker 4: more obstacles, It was more temptations to get around, for sure.

603
00:26:35,480 --> 00:26:38,560
Speaker 4: But because of what I had in home and in

604
00:26:38,640 --> 00:26:42,240
Speaker 4: the house, I knew how to maneuver through those things.

605
00:26:42,240 --> 00:26:45,000
Speaker 4: In those situations, I knew not to follow nobody, you

606
00:26:45,000 --> 00:26:46,840
Speaker 4: know what I'm saying. And that's the that's the see, that's.

607
00:26:46,720 --> 00:26:47,440
Speaker 2: The biggest part.

608
00:26:47,800 --> 00:26:49,600
Speaker 4: A lot of a lot of these dudes just follows

609
00:26:49,600 --> 00:26:50,760
Speaker 4: a lot of these people, you know, that grow up

610
00:26:50,760 --> 00:26:53,040
Speaker 4: in situations that they easily led astraight.

611
00:26:53,119 --> 00:26:55,000
Speaker 1: Oh yes, why you have kids from nice homes that

612
00:26:55,480 --> 00:26:57,040
Speaker 1: become gang members and you're.

613
00:26:56,840 --> 00:27:00,080
Speaker 4: Like, well why exactly exactly right? So you know you

614
00:27:00,200 --> 00:27:01,840
Speaker 4: come from struggle, but it's all about what you're.

615
00:27:01,800 --> 00:27:02,760
Speaker 2: Learning in the home, man.

616
00:27:02,800 --> 00:27:05,359
Speaker 4: So it's yeah, the environment can be fucked up, but

617
00:27:05,359 --> 00:27:07,760
Speaker 4: as long as what's in the core and what's being

618
00:27:07,800 --> 00:27:10,879
Speaker 4: instilled is solid and genuine.

619
00:27:10,400 --> 00:27:12,040
Speaker 2: And and and and.

620
00:27:12,040 --> 00:27:14,440
Speaker 4: Love and respect, you're gonna be a right. You know

621
00:27:14,480 --> 00:27:16,480
Speaker 4: what I'm saying, You're gonna be right. I mean a

622
00:27:16,520 --> 00:27:18,439
Speaker 4: puffic didn't have fourteen roads on his face. I just

623
00:27:18,440 --> 00:27:19,840
Speaker 4: want to say, what about five verches?

624
00:27:20,000 --> 00:27:21,119
Speaker 3: No? Five?

625
00:27:21,480 --> 00:27:21,640
Speaker 2: Bro?

626
00:27:21,760 --> 00:27:24,560
Speaker 4: You if a fly, if a fly flies by your eary,

627
00:27:24,720 --> 00:27:25,360
Speaker 4: you can be dead.

628
00:27:25,560 --> 00:27:26,040
Speaker 2: I don't care.

629
00:27:26,280 --> 00:27:29,160
Speaker 4: You can be tired as fuck if a fly buzzes

630
00:27:29,200 --> 00:27:30,920
Speaker 4: by your in the middle of the night, you slapping,

631
00:27:31,200 --> 00:27:33,360
Speaker 4: you slapping the water off the night, standing trying to.

632
00:27:33,440 --> 00:27:35,400
Speaker 1: But you guys, you guys are asking the wrong questions.

633
00:27:36,000 --> 00:27:37,879
Speaker 1: What kind of how did he count?

634
00:27:42,640 --> 00:27:43,880
Speaker 2: How you know what's fourteen?

635
00:27:46,400 --> 00:27:47,800
Speaker 1: You're just asking the wrong questions.

636
00:27:48,640 --> 00:27:53,280
Speaker 2: That we left, we left Puffy. Can we find that tweet? Edit?

637
00:27:53,400 --> 00:27:55,080
Speaker 2: I want to see how it was got.

638
00:27:55,320 --> 00:27:55,880
Speaker 3: It was a video.

639
00:27:55,880 --> 00:27:57,080
Speaker 1: It was a video. You know he said it with

640
00:27:57,760 --> 00:28:00,440
Speaker 1: Puff has that voice. It wasn't you know when Puff

641
00:28:00,480 --> 00:28:01,320
Speaker 1: gives our beech.

642
00:28:01,440 --> 00:28:03,760
Speaker 6: Though this is from Complex dot com In a recent interview,

643
00:28:03,840 --> 00:28:05,760
Speaker 6: it was a video with Vanity Fair. Did he gave

644
00:28:05,840 --> 00:28:08,760
Speaker 6: more a story about waking up one day with not

645
00:28:08,800 --> 00:28:10,399
Speaker 6: thirteen fifteen roaches?

646
00:28:10,800 --> 00:28:13,040
Speaker 1: I had fourteen? My bad Puff, I showed died you

647
00:28:13,040 --> 00:28:13,400
Speaker 1: want roach?

648
00:28:13,480 --> 00:28:14,920
Speaker 2: Yeah, we ain't count the little baby roach.

649
00:28:16,280 --> 00:28:17,280
Speaker 1: The baby ones are quicker.

650
00:28:17,400 --> 00:28:18,280
Speaker 2: Yeah.

651
00:28:18,480 --> 00:28:21,679
Speaker 3: One fifty people recalled. People were like, how did you

652
00:28:21,720 --> 00:28:22,920
Speaker 3: know it was fifteen.

653
00:28:24,480 --> 00:28:26,320
Speaker 2: Somebody? But now it's just the way.

654
00:28:26,800 --> 00:28:29,480
Speaker 1: It's the way Puff like give shit off that you

655
00:28:29,600 --> 00:28:32,439
Speaker 1: just believe them. His speeches make you want to believe.

656
00:28:32,560 --> 00:28:34,639
Speaker 1: I believe the fifteen roaches when he said it. And

657
00:28:34,680 --> 00:28:37,280
Speaker 1: then the day passed and I was like, wait, hold

658
00:28:37,359 --> 00:28:38,120
Speaker 1: on it.

659
00:28:38,520 --> 00:28:40,680
Speaker 4: You let it sit because you you do understand like

660
00:28:40,880 --> 00:28:43,920
Speaker 4: what he was saying, like it was rough. You know,

661
00:28:44,160 --> 00:28:46,920
Speaker 4: turn the lights on the kitchen roaches. Gota I might

662
00:28:46,920 --> 00:28:49,680
Speaker 4: see a mouse or something, you know how it is.

663
00:28:49,840 --> 00:28:52,240
Speaker 1: I saw I saw roaches growing up, but it took

664
00:28:52,320 --> 00:28:55,760
Speaker 1: me actually ironically going to college to see my first

665
00:28:56,560 --> 00:28:59,120
Speaker 1: face to face water bug. No, no, no, no roaches. I

666
00:28:59,120 --> 00:29:02,560
Speaker 1: saw roaches growing up. That water bug. My freshman year.

667
00:29:02,960 --> 00:29:06,160
Speaker 1: It was in like you know, it wasn't an expensive college.

668
00:29:06,200 --> 00:29:09,560
Speaker 1: The community bathrooms where everyone showers.

669
00:29:10,480 --> 00:29:12,520
Speaker 2: Literally everyone. Nobody even went to the school shower.

670
00:29:12,600 --> 00:29:15,840
Speaker 1: Yeah no, no, no homeless people on Kennedy Boulevard ever, if

671
00:29:15,880 --> 00:29:20,080
Speaker 1: you could get in, you could shower. Yeah yeah, And

672
00:29:20,200 --> 00:29:23,880
Speaker 1: mind you, I'm in that fucking shower like the second day,

673
00:29:24,520 --> 00:29:26,480
Speaker 1: and I think, I think I'm looking at a big

674
00:29:26,520 --> 00:29:29,400
Speaker 1: ass roach. I think I'm watching a roach just climb

675
00:29:29,520 --> 00:29:32,520
Speaker 1: up this nasty ass shower curtain. And then that ship

676
00:29:32,640 --> 00:29:36,760
Speaker 1: go and its wings start going, and that shit flew

677
00:29:36,840 --> 00:29:38,760
Speaker 1: my face. I think I ran out into that hallway,

678
00:29:38,800 --> 00:29:40,360
Speaker 1: but ass naked with soap still on me.

679
00:29:42,600 --> 00:29:44,800
Speaker 2: For a water bug, at least there were fifteen.

680
00:29:44,880 --> 00:29:46,680
Speaker 1: It was a It was a sassy water bug.

681
00:29:46,760 --> 00:29:48,360
Speaker 2: It got really angry, it was aggressive.

682
00:29:48,400 --> 00:29:50,280
Speaker 1: It was I mean, I was terrified.

683
00:29:50,320 --> 00:29:51,720
Speaker 2: No, that might not have been a water bug. You

684
00:29:51,800 --> 00:29:54,680
Speaker 2: might have saw its like a hissing Cicadia or something.

685
00:29:55,040 --> 00:29:57,239
Speaker 1: So what was in Jersey City?

686
00:29:57,440 --> 00:29:59,200
Speaker 2: Have Cicadia? Would they go Cicadia?

687
00:29:59,200 --> 00:30:00,400
Speaker 1: I think there every seven years.

688
00:30:00,440 --> 00:30:02,000
Speaker 3: I thought, that's what the cheese and the tortillas.

689
00:30:02,120 --> 00:30:04,239
Speaker 1: Wait, what are the things because my dad don't here.

690
00:30:06,120 --> 00:30:08,080
Speaker 1: I ignored him, as I try to do when he

691
00:30:08,120 --> 00:30:09,720
Speaker 1: says things like that, he thought that.

692
00:30:09,800 --> 00:30:13,040
Speaker 3: Was what cheese and the tortillas, Like, isn't that the

693
00:30:13,040 --> 00:30:13,400
Speaker 3: same thing?

694
00:30:13,480 --> 00:30:19,040
Speaker 2: Bam, that's Tuesday. A right, it's Thursday. We understand you

695
00:30:19,040 --> 00:30:20,680
Speaker 2: get excited about taco Tuesdays.

696
00:30:20,760 --> 00:30:22,600
Speaker 1: And it's so mad that Blockhead shut down.

697
00:30:23,560 --> 00:30:24,400
Speaker 3: I'm so mad.

698
00:30:31,080 --> 00:30:35,480
Speaker 2: What's what's the Blockheads? Was like, b Lockheads is like

699
00:30:35,520 --> 00:30:36,440
Speaker 2: the Mexican.

700
00:30:36,160 --> 00:30:42,400
Speaker 6: Bbq's one hundred per Bbq's is the Mexican BBQ as yo,

701
00:30:42,680 --> 00:30:44,160
Speaker 6: it's only Mexicans.

702
00:30:43,680 --> 00:30:46,880
Speaker 1: And BBQ son oh yo?

703
00:30:47,120 --> 00:30:47,760
Speaker 2: Editing is mad that.

704
00:30:47,840 --> 00:30:49,200
Speaker 3: We'll sleeping on the bulldogs?

705
00:30:49,480 --> 00:30:51,200
Speaker 1: What was the spot in Harlem? At you Jay and

706
00:30:51,240 --> 00:30:55,320
Speaker 1: Wan spent hundred thousand dollars in Made in Mexico, Made

707
00:30:55,320 --> 00:30:57,040
Speaker 1: in Mexico, is made in Mexico.

708
00:30:57,080 --> 00:30:57,480
Speaker 2: Still open.

709
00:30:57,560 --> 00:30:59,320
Speaker 1: We always do this local ship on this podcast. But

710
00:30:59,320 --> 00:31:01,280
Speaker 1: I don't mind. I mean, and it's made in Mexico.

711
00:31:01,360 --> 00:31:02,440
Speaker 3: Still open the Harlem I think.

712
00:31:02,320 --> 00:31:04,680
Speaker 2: So, yeah, yeah, I think it's not. It's uptown, so

713
00:31:04,840 --> 00:31:06,360
Speaker 2: it's it's on Dykeman.

714
00:31:06,880 --> 00:31:10,120
Speaker 1: Yeah, there's one in Harlem. No it's not actually no, Yeah,

715
00:31:10,720 --> 00:31:12,200
Speaker 1: the first one was in Harlem, made.

716
00:31:12,120 --> 00:31:14,600
Speaker 3: In Mexico in Harlem, where on the second half.

717
00:31:14,760 --> 00:31:15,480
Speaker 1: You're not about to.

718
00:31:17,120 --> 00:31:18,560
Speaker 2: That don't count second half?

719
00:31:18,600 --> 00:31:21,160
Speaker 3: And what second? No, bro, this second even one eleventh?

720
00:31:22,520 --> 00:31:23,040
Speaker 3: What are we doing?

721
00:31:23,080 --> 00:31:28,880
Speaker 1: All of eleven ninety crazy and man were not? Is

722
00:31:28,880 --> 00:31:32,280
Speaker 1: Hodgi's in Harlem? Absolutely so why can't make him one

723
00:31:32,320 --> 00:31:32,800
Speaker 1: block away?

724
00:31:33,040 --> 00:31:33,400
Speaker 2: It is?

725
00:31:34,080 --> 00:31:36,160
Speaker 4: But I'm just like, uh, that's I didn't even know

726
00:31:36,200 --> 00:31:38,440
Speaker 4: that made in Mexico. Don't count though, that's the first one.

727
00:31:38,600 --> 00:31:40,760
Speaker 4: I've never been to that one, yeah, because I mean, you.

728
00:31:40,760 --> 00:31:43,720
Speaker 3: Know, because you haven't been there, it doesn't account you.

729
00:31:43,640 --> 00:31:48,280
Speaker 4: Want to get as the one. The one is uptown dykeman,

730
00:31:48,400 --> 00:31:49,040
Speaker 4: that's the one to go.

731
00:31:50,040 --> 00:31:53,120
Speaker 1: Yeah, I was went to the one at Harlem. You know,

732
00:31:53,160 --> 00:31:54,320
Speaker 1: I'm scared of Dominicans.

733
00:31:54,840 --> 00:31:56,920
Speaker 2: How do we even get how do we even get

734
00:31:56,920 --> 00:31:57,200
Speaker 2: to this?

735
00:31:58,240 --> 00:32:00,480
Speaker 1: We were talking about Cicada or whatever.

736
00:32:00,480 --> 00:32:03,040
Speaker 2: They're Oh, yeah, Cicadas, Cicadia.

737
00:32:02,680 --> 00:32:04,600
Speaker 1: Whatever year was, they should be coming back.

738
00:32:05,720 --> 00:32:07,280
Speaker 4: You know, what do you mean, like like with a

739
00:32:07,280 --> 00:32:09,760
Speaker 4: new album they hatch every year, like a new album.

740
00:32:09,520 --> 00:32:13,680
Speaker 1: At their detox is a Cicadia.

741
00:32:13,760 --> 00:32:15,600
Speaker 2: Y'all got me saying the wrong word and I'm sounding

742
00:32:15,680 --> 00:32:16,320
Speaker 2: fucking stupid.

743
00:32:16,320 --> 00:32:16,440
Speaker 5: Bro.

744
00:32:16,960 --> 00:32:17,680
Speaker 3: No, you're not.

745
00:32:17,720 --> 00:32:19,000
Speaker 1: I fucked the bitch names the gata.

746
00:32:20,880 --> 00:32:22,440
Speaker 2: You see how he had to do that off there

747
00:32:22,480 --> 00:32:25,640
Speaker 2: on your platform. You show that lady wanted you to

748
00:32:25,680 --> 00:32:26,040
Speaker 2: do that.

749
00:32:26,120 --> 00:32:28,080
Speaker 1: Fucked every seventeen years now, you're right.

750
00:32:28,080 --> 00:32:29,360
Speaker 3: Cicadas, Yeah, cicadas.

751
00:32:29,360 --> 00:32:30,080
Speaker 2: That said cicadia.

752
00:32:30,200 --> 00:32:31,080
Speaker 3: No, no, no, cicadas.

753
00:32:31,280 --> 00:32:33,040
Speaker 1: These are the ones that hatch every seventeen years, right,

754
00:32:33,640 --> 00:32:35,040
Speaker 1: I don't know that much about cicadas.

755
00:32:35,040 --> 00:32:36,000
Speaker 3: Oh yeh yeah, seventeen years.

756
00:32:36,040 --> 00:32:38,560
Speaker 1: Yeah, okay, So this is my other terrifying their one

757
00:32:38,560 --> 00:32:41,120
Speaker 1: of that bug experience. I don't know how. I don't

758
00:32:41,120 --> 00:32:43,840
Speaker 1: know how this all right. So there's been two traumatizing

759
00:32:43,880 --> 00:32:45,080
Speaker 1: bug experiences in my life.

760
00:32:45,240 --> 00:32:45,560
Speaker 2: M hm.

761
00:32:46,280 --> 00:32:50,480
Speaker 1: One was freshman year with that water bug. M This

762
00:32:50,520 --> 00:32:53,160
Speaker 1: one was two thousand and three, four I don't know.

763
00:32:54,160 --> 00:32:57,680
Speaker 1: My dad was had just moved to Baltimore, so I

764
00:32:57,720 --> 00:32:59,760
Speaker 1: went to go visit him, and it was the year

765
00:32:59,760 --> 00:33:04,120
Speaker 1: they oh my god, and they're like they're like native

766
00:33:04,200 --> 00:33:08,120
Speaker 1: to Maryland, these things, and they hatch and they like swarm,

767
00:33:08,680 --> 00:33:11,360
Speaker 1: so you know, summertime. I'm used to bugs. At least,

768
00:33:11,360 --> 00:33:14,400
Speaker 1: I don't think bugs are crazy. I did not know

769
00:33:14,600 --> 00:33:19,800
Speaker 1: that I was going to be covered like you know,

770
00:33:19,880 --> 00:33:21,440
Speaker 1: like the people that go in the bee hives and

771
00:33:21,480 --> 00:33:23,680
Speaker 1: shit or they cover thing the moment I get off

772
00:33:23,680 --> 00:33:26,360
Speaker 1: the bus at whatever Baltimore terminal, that shit is I

773
00:33:26,440 --> 00:33:30,400
Speaker 1: am covered withas I wanted to get right back on

774
00:33:30,440 --> 00:33:32,800
Speaker 1: Peter Pan and click my heels and go right back.

775
00:33:33,360 --> 00:33:35,959
Speaker 1: I know, I'm mixing like I want to go back

776
00:33:35,960 --> 00:33:36,440
Speaker 1: to Kansas.

777
00:33:36,520 --> 00:33:37,680
Speaker 3: Yeah, yeah, I was fun.

778
00:33:37,760 --> 00:33:40,680
Speaker 1: Those things are the size of this red cup.

779
00:33:41,080 --> 00:33:41,640
Speaker 2: Yeah.

780
00:33:41,680 --> 00:33:44,560
Speaker 1: And they're like friends though they're like gangang they know

781
00:33:44,600 --> 00:33:47,000
Speaker 1: each other. No, they're a whole Rico trial. They all

782
00:33:47,040 --> 00:33:50,000
Speaker 1: move together, they do everything together, they murder people together.

783
00:33:50,520 --> 00:33:52,800
Speaker 1: Those things are fucking terrifying. And it was just that

784
00:33:52,920 --> 00:33:54,640
Speaker 1: one summer, and it's got to be I don't know,

785
00:33:54,640 --> 00:33:57,720
Speaker 1: it's two thousand and three. Let's see in two thousand

786
00:33:57,760 --> 00:34:00,080
Speaker 1: and four, so seventeen years.

787
00:34:00,400 --> 00:34:04,240
Speaker 3: So the next time. Oh no, we have to wait

788
00:34:04,360 --> 00:34:05,200
Speaker 3: till twenty thirty eight.

789
00:34:05,800 --> 00:34:07,959
Speaker 1: No, then we missed one. Oh then we missed a leap.

790
00:34:08,040 --> 00:34:10,520
Speaker 3: Yer, are they coming back in twenty twenty one?

791
00:34:10,600 --> 00:34:12,360
Speaker 1: They must nineteen or so.

792
00:34:12,360 --> 00:34:14,319
Speaker 3: They were set to return in May twenty twenty one.

793
00:34:14,640 --> 00:34:17,920
Speaker 1: Yeah, yeah, no, I don't don't fucking my Zakida knowledge.

794
00:34:18,000 --> 00:34:21,160
Speaker 4: Yeah, you're right, you say all that to say and

795
00:34:21,200 --> 00:34:22,759
Speaker 4: grasp the puff and give you on.

796
00:34:22,760 --> 00:34:26,560
Speaker 1: And give you on. Do we think Justine texted him?

797
00:34:27,160 --> 00:34:29,200
Speaker 2: Oh, I mean she's she's moved on.

798
00:34:29,480 --> 00:34:31,600
Speaker 1: She's Brooklyn Chick. Bro. She ain't buy none of that

799
00:34:31,719 --> 00:34:34,560
Speaker 1: because I've tried to get that same game up. I

800
00:34:34,719 --> 00:34:36,640
Speaker 1: I wouldn't have stopped giving on because the album sounds

801
00:34:36,640 --> 00:34:38,120
Speaker 1: so great. But if I was in that studio, I

802
00:34:38,120 --> 00:34:39,320
Speaker 1: would have been like, all right, if this is a

803
00:34:39,360 --> 00:34:43,719
Speaker 1: way to get her back, I'm two versed in Brooklyn women.

804
00:34:43,760 --> 00:34:46,600
Speaker 1: You're not. She's gonna laugh at this. She's actually gonna

805
00:34:46,600 --> 00:34:48,320
Speaker 1: go in her group chat and say, look at this clown.

806
00:34:48,400 --> 00:34:51,040
Speaker 3: She was like, I heard your little album.

807
00:34:51,280 --> 00:34:53,080
Speaker 1: No she had Brooklyn Chick. She gonna pretend she never

808
00:34:53,120 --> 00:34:55,600
Speaker 1: heard it and then giggle when the name is brought up,

809
00:34:55,800 --> 00:34:57,319
Speaker 1: like fuck with him?

810
00:34:57,520 --> 00:34:59,000
Speaker 3: Him? Yeah, y'all.

811
00:34:59,080 --> 00:35:01,759
Speaker 2: Still they definitely try to get that off, like you

812
00:35:01,840 --> 00:35:02,799
Speaker 2: still y'all still on that.

813
00:35:04,560 --> 00:35:07,279
Speaker 1: But I felt like, I feel like Justine like she's

814
00:35:07,520 --> 00:35:10,319
Speaker 1: a music conoisseur. I think she appreciated some of it,

815
00:35:10,320 --> 00:35:11,560
Speaker 1: though I'm sure she given a listen.

816
00:35:12,600 --> 00:35:13,399
Speaker 2: I don't think she did.

817
00:35:13,719 --> 00:35:16,319
Speaker 4: I think the relationship in any kind of bad, didn't

818
00:35:16,360 --> 00:35:18,000
Speaker 4: it It wasn't like on a shower note.

819
00:35:18,280 --> 00:35:20,360
Speaker 1: Yes, no, that's what the whole album is about. He

820
00:35:20,400 --> 00:35:23,640
Speaker 1: got caught. He got caught cheating in the worst way.

821
00:35:23,880 --> 00:35:26,120
Speaker 1: She had the eye cloud. She was watching real time

822
00:35:26,120 --> 00:35:28,279
Speaker 1: text me while she was texting him.

823
00:35:28,640 --> 00:35:29,560
Speaker 3: I forgot about that.

824
00:35:29,520 --> 00:35:32,360
Speaker 1: And he's like, I'm chilling at the crib And meanwhile

825
00:35:32,360 --> 00:35:34,520
Speaker 1: he texted Shorty like, Yo, she is not here coming.

826
00:35:34,520 --> 00:35:35,400
Speaker 3: Oh my god.

827
00:35:35,800 --> 00:35:38,560
Speaker 2: We gotta so then we gotta think Justine's guy in

828
00:35:38,600 --> 00:35:38,920
Speaker 2: some way.

829
00:35:39,160 --> 00:35:41,400
Speaker 1: We're always getting us. We were getting a sad give

830
00:35:41,440 --> 00:35:43,160
Speaker 1: you on album regardless.

831
00:35:43,239 --> 00:35:45,000
Speaker 4: Nah, But I think that this makes it a little

832
00:35:45,040 --> 00:35:49,360
Speaker 4: more Uh, it gives it a little more like emotion,

833
00:35:49,880 --> 00:35:51,400
Speaker 4: you know what I mean, because we know that it's

834
00:35:51,920 --> 00:35:56,520
Speaker 4: it's something that we really saw, like unfold. So it's like, Okay,

835
00:35:56,560 --> 00:35:59,239
Speaker 4: this is what happened, and he's sorry about it.

836
00:35:59,360 --> 00:36:01,319
Speaker 2: And I did like them as a couple.

837
00:36:01,360 --> 00:36:03,160
Speaker 1: I thought that they I didn't even know they were

838
00:36:03,239 --> 00:36:04,520
Speaker 1: dating until that happened.

839
00:36:04,840 --> 00:36:09,320
Speaker 4: Yeah, I didn't know how you you just know you're

840
00:36:09,320 --> 00:36:10,200
Speaker 4: supposed to know that.

841
00:36:10,560 --> 00:36:12,960
Speaker 1: What which is weird because I love Gibon and I

842
00:36:13,000 --> 00:36:17,040
Speaker 1: love Justine's sky. I had no fucking idea. Oh it

843
00:36:17,080 --> 00:36:18,960
Speaker 1: was coming out of the pandemic.

844
00:36:19,040 --> 00:36:19,399
Speaker 2: I wasn't.

845
00:36:19,440 --> 00:36:21,080
Speaker 1: I was worried about my own relationship.

846
00:36:21,120 --> 00:36:22,320
Speaker 4: For you know, one day we won't have a we

847
00:36:22,360 --> 00:36:27,400
Speaker 4: got to have a real conversation about the pandemic dayton or.

848
00:36:28,000 --> 00:36:29,040
Speaker 1: Or the pandemic endings.

849
00:36:29,040 --> 00:36:30,440
Speaker 3: I definitely had a pandemic relationship.

850
00:36:30,480 --> 00:36:34,040
Speaker 4: Yeah yeah, yo, bro, we could get we could get

851
00:36:34,040 --> 00:36:36,080
Speaker 4: back to that. The pandemic dating was legendary.

852
00:36:36,120 --> 00:36:37,760
Speaker 1: Well I think I said on was it on Horrible

853
00:36:37,840 --> 00:36:40,600
Speaker 1: or on our podcast? I don't not that I would

854
00:36:40,640 --> 00:36:42,160
Speaker 1: ask a check her body count, but I don't count

855
00:36:42,160 --> 00:36:43,480
Speaker 1: her bodies during the pandemic.

856
00:36:43,600 --> 00:36:45,640
Speaker 2: Horrible, I don't say that.

857
00:36:45,800 --> 00:36:46,439
Speaker 1: No you can't.

858
00:36:46,760 --> 00:36:48,000
Speaker 2: That means some chicks don't count me.

859
00:36:48,719 --> 00:36:50,680
Speaker 1: Yeah, no, you're not counting crazy, you're not counting.

860
00:36:51,880 --> 00:36:51,920
Speaker 2: No.

861
00:36:52,000 --> 00:36:54,760
Speaker 1: It works for us too though, our bodies in quarantine.

862
00:36:55,239 --> 00:36:55,880
Speaker 2: I'm counting them.

863
00:36:56,520 --> 00:36:58,920
Speaker 1: I had you probably the dude that got the notes

864
00:36:58,960 --> 00:37:01,000
Speaker 1: with all the bodies. I'm of those car walls.

865
00:37:01,120 --> 00:37:04,080
Speaker 2: No, no, no, no, no, never that the pandemic. I'm

866
00:37:04,080 --> 00:37:04,680
Speaker 2: counting them.

867
00:37:04,840 --> 00:37:10,040
Speaker 1: I've actually reconsidered lifetime friendships because I found out some

868
00:37:10,080 --> 00:37:13,640
Speaker 1: of my friends had a note with their bodies in it.

869
00:37:14,120 --> 00:37:17,759
Speaker 4: That's all lot, No, no, who's doing nobody's doing that.

870
00:37:17,960 --> 00:37:18,520
Speaker 3: People do that.

871
00:37:18,560 --> 00:37:21,680
Speaker 6: Women do that, A lot women doing that.

872
00:37:21,920 --> 00:37:22,720
Speaker 3: The dudes is weird.

873
00:37:23,920 --> 00:37:25,719
Speaker 1: I know two men that I had known for a

874
00:37:25,760 --> 00:37:28,480
Speaker 1: lifetime that had that, and I was like, what are you?

875
00:37:29,239 --> 00:37:32,280
Speaker 2: Was it like one thu? I could talk insecure?

876
00:37:32,320 --> 00:37:32,560
Speaker 1: Are you?

877
00:37:32,640 --> 00:37:32,759
Speaker 2: No?

878
00:37:32,760 --> 00:37:32,840
Speaker 6: No?

879
00:37:32,760 --> 00:37:34,799
Speaker 4: No about to say I could tie a man doing that,

880
00:37:34,920 --> 00:37:36,759
Speaker 4: like having a list of every woman he slept with.

881
00:37:37,200 --> 00:37:39,640
Speaker 4: I could tie that into this nigga might be a

882
00:37:39,680 --> 00:37:40,319
Speaker 4: serial killer.

883
00:37:41,000 --> 00:37:44,520
Speaker 1: Really No, I think this man is extremely insecure and

884
00:37:44,640 --> 00:37:47,279
Speaker 1: just so much validation within himself of.

885
00:37:47,280 --> 00:37:50,359
Speaker 4: Like a number of a lot of serial killers and

886
00:37:50,360 --> 00:37:53,959
Speaker 4: secure and lack a lot of fucking confidence within themselves.

887
00:37:54,320 --> 00:37:55,279
Speaker 2: That's what I'm trying to tell you.

888
00:37:55,320 --> 00:37:57,480
Speaker 4: Like, if you're keeping a list of the names of

889
00:37:57,520 --> 00:37:59,960
Speaker 4: the women you slept with, what is is this your

890
00:38:00,160 --> 00:38:01,720
Speaker 4: fucking kill.

891
00:38:01,680 --> 00:38:05,640
Speaker 1: She and and then just kill What is this? And no?

892
00:38:05,680 --> 00:38:06,000
Speaker 2: I no?

893
00:38:06,080 --> 00:38:09,120
Speaker 1: I asked. I had the whole conversation and they hit

894
00:38:09,120 --> 00:38:11,360
Speaker 1: me because you know, men, we don't really talk, so

895
00:38:11,400 --> 00:38:14,600
Speaker 1: it's like, oh, memories word, just memories. I was like,

896
00:38:14,600 --> 00:38:18,560
Speaker 1: you got first names there, like memories. I could see,

897
00:38:18,560 --> 00:38:21,359
Speaker 1: all right, if you have consensual videos with a girl

898
00:38:21,400 --> 00:38:23,280
Speaker 1: and you want to keep all that in the folder. Cool,

899
00:38:24,360 --> 00:38:25,000
Speaker 1: I ain't gonna be.

900
00:38:24,920 --> 00:38:27,120
Speaker 3: Mad at you. Wait, how is that better than the list?

901
00:38:27,719 --> 00:38:28,560
Speaker 1: You just gotta lit?

902
00:38:28,760 --> 00:38:29,120
Speaker 2: All right?

903
00:38:29,200 --> 00:38:32,000
Speaker 1: If me and a woman that I'm sleeping with consentually

904
00:38:32,040 --> 00:38:35,080
Speaker 1: want to make videos, and that's just something maybe I

905
00:38:35,120 --> 00:38:39,200
Speaker 1: want to watch someday. Okay, I can understand that more

906
00:38:39,280 --> 00:38:41,880
Speaker 1: than just having a list of first names. But this

907
00:38:41,960 --> 00:38:43,920
Speaker 1: is after women that you just fucked. Like, that's just

908
00:38:43,920 --> 00:38:44,400
Speaker 1: weird to me.

909
00:38:44,480 --> 00:38:46,200
Speaker 3: Like, after you guys are done, you still have the videos.

910
00:38:47,239 --> 00:38:50,439
Speaker 1: I still I still have videos of women that I've

911
00:38:50,440 --> 00:38:53,000
Speaker 1: slept with them talking to Like, after you're done with

912
00:38:53,040 --> 00:38:55,120
Speaker 1: all consensual videos that I'm sure.

913
00:38:55,560 --> 00:38:58,640
Speaker 2: After we're done dating? Yeah, does Michael George still have

914
00:38:58,719 --> 00:38:59,360
Speaker 2: highlight tapes?

915
00:39:01,640 --> 00:39:02,920
Speaker 4: You're fucking right, I got.

916
00:39:06,760 --> 00:39:09,200
Speaker 2: What you asked for me. Are you kidding me?

917
00:39:09,200 --> 00:39:10,360
Speaker 3: Because we're doing it in comparison?

918
00:39:10,960 --> 00:39:13,480
Speaker 1: You know, it's funny couples have videos of him sucking them.

919
00:39:13,960 --> 00:39:16,799
Speaker 1: He doesn't know it, he knows it, he knows it.

920
00:39:17,680 --> 00:39:19,760
Speaker 1: He has it too young cuckole.

921
00:39:19,960 --> 00:39:23,080
Speaker 4: Yeah, nasty cup insad of a cup, son of a

922
00:39:23,120 --> 00:39:24,120
Speaker 4: cut is funny.

923
00:39:24,719 --> 00:39:26,480
Speaker 1: But that would make way more sense to me than

924
00:39:26,480 --> 00:39:29,320
Speaker 1: a list. What is the list for the lists?

925
00:39:29,520 --> 00:39:30,920
Speaker 3: That is true? What is the list for listens?

926
00:39:31,040 --> 00:39:32,160
Speaker 1: Well, and when you look.

927
00:39:32,000 --> 00:39:34,480
Speaker 2: At it, yeah, listens with videos.

928
00:39:34,520 --> 00:39:37,360
Speaker 4: I can understand, Like, you know you don't want to

929
00:39:37,360 --> 00:39:40,200
Speaker 4: watch porn, so you like, I want to watch like

930
00:39:40,239 --> 00:39:42,200
Speaker 4: my sex tape, Yeah, which I've done before, my sex

931
00:39:42,280 --> 00:39:44,640
Speaker 4: video with a girl like that I probably miss And

932
00:39:44,680 --> 00:39:45,719
Speaker 4: then in the middle of it, I was like, damn,

933
00:39:45,719 --> 00:39:49,200
Speaker 4: I should watch some porn. This is trash.

934
00:39:48,880 --> 00:39:51,040
Speaker 2: Oh damn, we have some really great sex.

935
00:39:51,400 --> 00:39:54,040
Speaker 1: Well you ill. I'm not you ate on the internet.

936
00:39:54,080 --> 00:39:57,560
Speaker 2: I'm not on the internet. You don't throw on the.

937
00:39:57,880 --> 00:40:00,920
Speaker 4: Like it was on the streets in the internet. Yo,

938
00:40:01,080 --> 00:40:03,400
Speaker 4: ry be thinking sleep trying to get his shit off.

939
00:40:03,680 --> 00:40:05,480
Speaker 2: On the internet. Nah, not on the internet.

940
00:40:05,560 --> 00:40:08,000
Speaker 1: I don't know out there.

941
00:40:08,480 --> 00:40:12,080
Speaker 2: I don't know, go right there up the block, they know?

942
00:40:12,719 --> 00:40:13,239
Speaker 2: Not all right.

943
00:40:13,280 --> 00:40:16,640
Speaker 1: There was in that one group chat that our mutual

944
00:40:16,680 --> 00:40:20,160
Speaker 1: Houston female friends, she had said they spoke highy of

945
00:40:20,200 --> 00:40:20,600
Speaker 1: you in there.

946
00:40:20,800 --> 00:40:21,439
Speaker 2: Oh my god.

947
00:40:21,520 --> 00:40:23,279
Speaker 1: But that was still I was on Wi Fi when

948
00:40:23,320 --> 00:40:24,520
Speaker 1: she texted to me, so I felt like that was

949
00:40:24,520 --> 00:40:27,160
Speaker 1: still the Internet.

950
00:40:27,280 --> 00:40:29,160
Speaker 2: I still felt like I was on the l That's

951
00:40:29,200 --> 00:40:30,359
Speaker 2: the net. That's the net, for sure.

952
00:40:30,400 --> 00:40:31,080
Speaker 3: That's the net.

953
00:40:31,360 --> 00:40:34,719
Speaker 1: Yo, A man. Did we ever discuss that what what

954
00:40:34,800 --> 00:40:36,840
Speaker 1: was that website called because we're talking about quarantine and

955
00:40:36,840 --> 00:40:42,200
Speaker 1: all that bullshit, the dick rating website during clubhouse whatever

956
00:40:42,239 --> 00:40:45,120
Speaker 1: that whole quarantine ship was, they had a whole YELP review.

957
00:40:45,160 --> 00:40:47,360
Speaker 1: It was dick yelp or some ship dick ye and

958
00:40:47,400 --> 00:40:50,080
Speaker 1: shout out to Shorty that made it. She's cool and

959
00:40:50,080 --> 00:40:53,279
Speaker 1: it's import interesting. But if a man ever tried to

960
00:40:53,320 --> 00:40:55,640
Speaker 1: do that ship, bro, they'd be in prison.

961
00:40:55,640 --> 00:40:57,840
Speaker 3: They killed him in prison?

962
00:40:58,320 --> 00:41:02,319
Speaker 4: Yeah, probably they, Saal Tatum, didn't they? Oh they got

963
00:41:02,400 --> 00:41:03,720
Speaker 4: kels out of here, didn't they?

964
00:41:03,960 --> 00:41:08,160
Speaker 1: But on on the on the review, Shorty ranked Mall

965
00:41:08,719 --> 00:41:10,600
Speaker 1: on the eight out of ten Yelp scale. Mall was

966
00:41:10,600 --> 00:41:10,879
Speaker 1: an eight.

967
00:41:11,080 --> 00:41:11,560
Speaker 3: That's great.

968
00:41:12,239 --> 00:41:13,280
Speaker 1: I thought that was a great review.

969
00:41:13,960 --> 00:41:15,040
Speaker 3: Would you not want an eight?

970
00:41:15,360 --> 00:41:18,200
Speaker 1: Don't tell ed? Come on, man, he shouldn't know.

971
00:41:18,680 --> 00:41:22,320
Speaker 4: Come on you heard he responded to like, Oh, that's great,

972
00:41:22,400 --> 00:41:22,879
Speaker 4: that's cool.

973
00:41:22,960 --> 00:41:24,600
Speaker 2: I mean whatever, relaxed.

974
00:41:26,160 --> 00:41:27,920
Speaker 1: Would you go to the restaurant was eight out of ten?

975
00:41:28,080 --> 00:41:29,319
Speaker 1: Or you need the ten out of ten?

976
00:41:31,520 --> 00:41:32,879
Speaker 3: What are you asking me here?

977
00:41:33,040 --> 00:41:37,320
Speaker 1: Food restaurants? Yeah? What are you talking about?

978
00:41:37,320 --> 00:41:39,000
Speaker 2: He had.

979
00:41:42,040 --> 00:41:46,040
Speaker 4: Them them cook knights, them cook knights kicking his ass

980
00:41:46,040 --> 00:41:47,360
Speaker 4: in his memory.

981
00:41:48,320 --> 00:41:50,600
Speaker 2: They was touching me like night terrors.

982
00:41:51,920 --> 00:41:53,319
Speaker 1: But if you think about it, though it's three of them,

983
00:41:53,320 --> 00:41:55,960
Speaker 1: he only has to be thirty three point three three percent.

984
00:41:56,440 --> 00:41:56,879
Speaker 2: That's true.

985
00:41:56,920 --> 00:42:04,880
Speaker 1: You don't have to be he's good. You don't have

986
00:42:04,880 --> 00:42:05,280
Speaker 1: to deliver.

987
00:42:05,400 --> 00:42:07,360
Speaker 4: Oh my god, ed and you've been getting it on.

988
00:42:07,440 --> 00:42:09,520
Speaker 4: You've been flying under the raidar only performing at thirty

989
00:42:09,520 --> 00:42:11,960
Speaker 4: three percent. That's smart. Hey, that's smart, bro. I like

990
00:42:12,000 --> 00:42:14,000
Speaker 4: that all right, I see what you're doing below average.

991
00:42:14,040 --> 00:42:16,760
Speaker 1: That listen. In all my latter three somethings, I've always

992
00:42:16,760 --> 00:42:18,000
Speaker 1: been like, yo, I just want to see y'all go

993
00:42:18,080 --> 00:42:18,400
Speaker 1: at it.

994
00:42:19,880 --> 00:42:22,280
Speaker 2: I try to get that all the move y'all.

995
00:42:22,480 --> 00:42:24,279
Speaker 1: Y'all make each other come and then I'll come in.

996
00:42:29,719 --> 00:42:31,880
Speaker 4: We say all that to say, Stevie Wonder has still

997
00:42:31,960 --> 00:42:37,440
Speaker 4: not received a BET Lifetime Achievement Award, and again congrats

998
00:42:37,480 --> 00:42:39,160
Speaker 4: to Puff absolutely deserved it.

999
00:42:39,080 --> 00:42:41,520
Speaker 2: It was a beautiful tribute shout out to Sean coming out.

1000
00:42:41,520 --> 00:42:42,320
Speaker 2: That was powerful.

1001
00:42:42,680 --> 00:42:44,799
Speaker 4: It was where Sean is at in his life now

1002
00:42:45,120 --> 00:42:47,520
Speaker 4: and when Puff being you know, receiving a Lifetime Achievement

1003
00:42:47,560 --> 00:42:50,680
Speaker 4: award and obviously the history there with those two brothers

1004
00:42:50,760 --> 00:42:54,399
Speaker 4: like that was a dope, dope moment to for bet

1005
00:42:54,560 --> 00:42:54,960
Speaker 4: to Bell to.

1006
00:42:54,880 --> 00:42:55,520
Speaker 2: Put that together.

1007
00:42:55,920 --> 00:42:57,680
Speaker 4: When I saw Sean at the Rock Nation show, kind

1008
00:42:57,719 --> 00:42:59,600
Speaker 4: of felt like I said, oh, he might be performing

1009
00:43:00,640 --> 00:43:02,759
Speaker 4: to Sunday. I kind of felt like once I saw

1010
00:43:02,840 --> 00:43:06,359
Speaker 4: him he was in town, I say, yo, Seane, I

1011
00:43:06,360 --> 00:43:08,560
Speaker 4: saw him, he was there, saw yeah, I saw him.

1012
00:43:10,560 --> 00:43:12,400
Speaker 4: That's when I saw him. I kind of felt like, Yo,

1013
00:43:12,520 --> 00:43:14,880
Speaker 4: this might be for the Puff tribute, Like that'd be

1014
00:43:14,880 --> 00:43:16,520
Speaker 4: dope if they had Sean come on. But then I

1015
00:43:16,520 --> 00:43:18,560
Speaker 4: started thinking like, but damn, Sean can't say some of

1016
00:43:18,560 --> 00:43:21,600
Speaker 4: them lyrics from back then, and then didn't think that he.

1017
00:43:21,560 --> 00:43:24,520
Speaker 1: Would write yeah, and reading new bars, you.

1018
00:43:24,520 --> 00:43:25,000
Speaker 2: Know what I'm saying.

1019
00:43:25,040 --> 00:43:27,240
Speaker 4: So it was all of that was like, damn, that's dope,

1020
00:43:27,320 --> 00:43:30,480
Speaker 4: Like he actually wrote new bars from the perspective of

1021
00:43:30,480 --> 00:43:32,920
Speaker 4: the man he is today still mixed in with the

1022
00:43:33,360 --> 00:43:35,600
Speaker 4: some of the lyrics from back That was just a dope.

1023
00:43:35,600 --> 00:43:37,800
Speaker 4: I thought that was really really special for BT to

1024
00:43:37,840 --> 00:43:38,360
Speaker 4: put that together.

1025
00:43:38,360 --> 00:43:41,960
Speaker 1: Shout out to Sean and they just put a from that.

1026
00:43:42,040 --> 00:43:44,920
Speaker 1: They put uh the that Bad Boy documentary that was

1027
00:43:44,920 --> 00:43:47,799
Speaker 1: on Apple now it's on Netflix from a few years ago,

1028
00:43:48,160 --> 00:43:51,480
Speaker 1: which is a great doc by the way, and Puff

1029
00:43:51,520 --> 00:43:54,480
Speaker 1: had that great line that that Bad Boy is like

1030
00:43:54,640 --> 00:43:57,920
Speaker 1: the recruiters for pastors, Like everyone that comes to Bad

1031
00:43:57,920 --> 00:43:59,920
Speaker 1: Boy either either finds God or the looney bin.

1032
00:44:00,239 --> 00:44:00,560
Speaker 3: Something.

1033
00:44:00,840 --> 00:44:02,200
Speaker 1: Puff was hysterical. That was ship.

1034
00:44:02,160 --> 00:44:03,960
Speaker 2: It was. It was sad to see Mace wasn't there.

1035
00:44:04,600 --> 00:44:06,960
Speaker 1: It was, and I mean I figured that just because

1036
00:44:07,360 --> 00:44:07,719
Speaker 1: he just.

1037
00:44:08,680 --> 00:44:10,560
Speaker 4: Yeah, we know, we know the history. We know, you know,

1038
00:44:10,640 --> 00:44:12,960
Speaker 4: we don't have to get into that. That's that's really personal.

1039
00:44:13,040 --> 00:44:16,440
Speaker 4: And you know, hopefully they can resolve that one day

1040
00:44:16,480 --> 00:44:20,040
Speaker 4: because it's it's it's tough to watch, you know, the

1041
00:44:20,120 --> 00:44:23,520
Speaker 4: Bad Boy legacy. Uh and you know everything that Puff

1042
00:44:23,560 --> 00:44:28,200
Speaker 4: was able to orchestrate and put together and Sean not

1043
00:44:28,239 --> 00:44:30,120
Speaker 4: be I mean not Sean Mace not be a part

1044
00:44:30,120 --> 00:44:32,239
Speaker 4: of it. Because for a lot of years Mace he

1045
00:44:32,400 --> 00:44:38,320
Speaker 4: kept the engine. He was the engine. Mace wrote a lot,

1046
00:44:38,520 --> 00:44:41,600
Speaker 4: you know, he had hit records, he he he. He

1047
00:44:42,000 --> 00:44:45,480
Speaker 4: really gave Bad Boy that he helped give Bad Boy

1048
00:44:45,520 --> 00:44:47,840
Speaker 4: that glow that Puff wanted, the Sean, the glitter, the

1049
00:44:47,960 --> 00:44:50,239
Speaker 4: shiny suits that that that was a lot of that

1050
00:44:50,360 --> 00:44:54,560
Speaker 4: was Mace holding that that flag. So it's it's, you know,

1051
00:44:54,600 --> 00:44:57,399
Speaker 4: it's just fucked up to see now as all grown men,

1052
00:44:57,880 --> 00:45:01,080
Speaker 4: they some of them can't still sit down nuts.

1053
00:45:01,160 --> 00:45:05,560
Speaker 1: It's it's unfortunate, but in a weird way, this could

1054
00:45:05,560 --> 00:45:07,839
Speaker 1: be just a call back to uh when we talk

1055
00:45:07,880 --> 00:45:11,160
Speaker 1: about the giveon therapy bag of we can find all

1056
00:45:11,160 --> 00:45:15,560
Speaker 1: the roots of everything, and nah, that's bad Boy's legacy.

1057
00:45:16,920 --> 00:45:20,280
Speaker 1: It should be represented the way it is. You understand,

1058
00:45:20,320 --> 00:45:24,520
Speaker 1: and and and the bad Boy legacy is let's let's

1059
00:45:24,560 --> 00:45:26,520
Speaker 1: put let's put on a shiny suit and make it

1060
00:45:26,520 --> 00:45:29,400
Speaker 1: look better than it really is. The shiny suit is

1061
00:45:29,400 --> 00:45:31,880
Speaker 1: the metaphor a bad Boy. And again people are gonna

1062
00:45:32,160 --> 00:45:33,840
Speaker 1: take ship and make it sound like I'm hating it.

1063
00:45:33,880 --> 00:45:36,160
Speaker 1: I'm not, because bad Boy is the greatest fucking label ever.

1064
00:45:38,000 --> 00:45:40,880
Speaker 1: The shiny suit is the metaphor for bad Boy the

1065
00:45:41,000 --> 00:45:43,719
Speaker 1: entire not blaming nobody. This isn't a it was.

1066
00:45:43,920 --> 00:45:45,400
Speaker 2: It looked good on everything.

1067
00:45:45,960 --> 00:45:48,759
Speaker 1: We could dress up and turn everything down from down

1068
00:45:48,800 --> 00:45:51,640
Speaker 1: to big faith. And of course it is. And that's

1069
00:45:51,640 --> 00:45:54,439
Speaker 1: why I think it's kind of ill that we are

1070
00:45:54,480 --> 00:45:57,400
Speaker 1: seeing it for really what it is. Because I've rewatched

1071
00:45:57,680 --> 00:45:59,680
Speaker 1: the ship on Netflix that was on Apple the Bad

1072
00:45:59,680 --> 00:46:04,800
Speaker 1: Boys it and Mason Puff was great right at that time,

1073
00:46:04,880 --> 00:46:07,279
Speaker 1: and they had been terrible before and they was out

1074
00:46:07,280 --> 00:46:11,759
Speaker 1: by Puff's pool saying yo, passes the past. Puff was like, Yo,

1075
00:46:12,680 --> 00:46:14,919
Speaker 1: it's not even some little bro shit. You your own

1076
00:46:15,040 --> 00:46:16,640
Speaker 1: grown man. Now I can learn from you. It was

1077
00:46:16,640 --> 00:46:19,600
Speaker 1: such a beautiful conversation. Then they was on the phone

1078
00:46:19,600 --> 00:46:21,359
Speaker 1: with Craig Max trying to get him to come. He's like, yo,

1079
00:46:21,360 --> 00:46:23,200
Speaker 1: I'm trying to just find God, like the Saint really

1080
00:46:23,239 --> 00:46:27,760
Speaker 1: for me. And now Mace and Puff are not cool.

1081
00:46:28,080 --> 00:46:30,239
Speaker 1: Mace just put out what a month ago a diss

1082
00:46:30,239 --> 00:46:34,600
Speaker 1: record at Puff. This shit is and at that time

1083
00:46:34,680 --> 00:46:37,239
Speaker 1: Seane was had been deported. I think Sean was out

1084
00:46:37,239 --> 00:46:41,520
Speaker 1: of jail. It's real. All tributes can't be some less

1085
00:46:41,600 --> 00:46:43,840
Speaker 1: dress it up and the legacy should be, oh, we

1086
00:46:43,880 --> 00:46:45,760
Speaker 1: should do it just for the legacy. No, the legacy

1087
00:46:45,840 --> 00:46:47,440
Speaker 1: is that we never all got along at all.

1088
00:46:47,840 --> 00:46:48,680
Speaker 2: That's a fact.

1089
00:46:48,680 --> 00:46:51,640
Speaker 1: We all made it an incredible label together. All of

1090
00:46:51,719 --> 00:46:54,280
Speaker 1: us are legends and our own right. This is label.

1091
00:46:54,960 --> 00:46:57,040
Speaker 1: It's very unfortunate, but it's the truth.

1092
00:46:57,080 --> 00:46:59,000
Speaker 4: It's the truth, and that's why you got to respect it.

1093
00:46:59,000 --> 00:47:01,120
Speaker 4: It's the truth, and it's really shoes and real problems.

1094
00:47:01,480 --> 00:47:03,719
Speaker 4: So you understand why it couldn't happen. But it's just

1095
00:47:03,800 --> 00:47:05,120
Speaker 4: unfortunate that it didn't.

1096
00:47:05,400 --> 00:47:07,680
Speaker 2: But yes, what at the end of the day, that's okay.

1097
00:47:07,760 --> 00:47:10,759
Speaker 4: But you know what I mean, it's hard. It's hard

1098
00:47:10,760 --> 00:47:13,840
Speaker 4: to talk bad Boy and the legacy and all that

1099
00:47:13,880 --> 00:47:17,279
Speaker 4: and not not like it's just.

1100
00:47:17,239 --> 00:47:19,520
Speaker 2: Tough from that era I grew up. I know what

1101
00:47:19,560 --> 00:47:20,880
Speaker 2: the house special that was like.

1102
00:47:20,920 --> 00:47:23,399
Speaker 1: Okay, but here here's something I think you could relate to.

1103
00:47:25,400 --> 00:47:27,680
Speaker 2: Complete that.

1104
00:47:28,719 --> 00:47:30,680
Speaker 1: What I think the beauty in that of keeping that

1105
00:47:30,760 --> 00:47:33,759
Speaker 1: real is. Yes, it would have been ill for all

1106
00:47:33,760 --> 00:47:37,960
Speaker 1: of us to watch Puff get honored as he should

1107
00:47:38,040 --> 00:47:42,359
Speaker 1: be and the tribute be all bad Boy, but that's

1108
00:47:42,400 --> 00:47:45,440
Speaker 1: not more important than me and how I feel in

1109
00:47:45,600 --> 00:47:48,040
Speaker 1: my standards to what's going on. So I'm a back out.

1110
00:47:49,360 --> 00:47:50,040
Speaker 2: Yeah, I get it.

1111
00:47:50,360 --> 00:47:55,000
Speaker 1: So I prefer that than Mace going fuck it. I'll

1112
00:47:55,040 --> 00:47:57,120
Speaker 1: do it for the look for bad Boy to look

1113
00:47:57,160 --> 00:48:01,600
Speaker 1: this way, because it definitely that thirty years down the line,

1114
00:48:01,600 --> 00:48:04,360
Speaker 1: it looks like we're all friends now. Fuck that she

1115
00:48:04,480 --> 00:48:07,720
Speaker 1: was real, definitely wuldn't want that. It's just it sucks

1116
00:48:07,719 --> 00:48:10,879
Speaker 1: to see it. But I prefer I prefer the real ship.

1117
00:48:11,160 --> 00:48:11,480
Speaker 2: We got.

1118
00:48:11,880 --> 00:48:14,120
Speaker 1: We don't have to put the shining on. It ain't shiny.

1119
00:48:14,239 --> 00:48:15,319
Speaker 2: We got we got the real.

1120
00:48:15,600 --> 00:48:18,000
Speaker 4: It's real issues Again, that's the real personal you know,

1121
00:48:18,080 --> 00:48:19,719
Speaker 4: things and situations.

1122
00:48:19,719 --> 00:48:20,680
Speaker 2: So it's like, you know.

1123
00:48:20,840 --> 00:48:23,520
Speaker 1: I even liked when I rewatched The Bad Boys shit

1124
00:48:23,719 --> 00:48:26,480
Speaker 1: Kim and the Faith thing. I appreciated Kim's honesty in it,

1125
00:48:26,600 --> 00:48:29,520
Speaker 1: like it's no beef but nah sits like I'm not

1126
00:48:29,719 --> 00:48:34,480
Speaker 1: cool with it. It's like, and that's cool, which is fine.

1127
00:48:36,280 --> 00:48:38,680
Speaker 2: You ain't gotta be cool, but it was.

1128
00:48:38,719 --> 00:48:42,000
Speaker 1: It was good to see Sean out there. Sean gave

1129
00:48:42,040 --> 00:48:46,400
Speaker 1: me a sign that I didn't uh follow, which was

1130
00:48:48,280 --> 00:48:51,680
Speaker 1: remember when the fujis U did their show whatever peer

1131
00:48:51,719 --> 00:48:54,799
Speaker 1: that was in the summertime. It was the same night

1132
00:48:54,800 --> 00:48:58,680
Speaker 1: as a Conway show with websit all yes with a

1133
00:48:58,719 --> 00:49:03,760
Speaker 1: young lady, and I was I was calmly bugging out,

1134
00:49:04,239 --> 00:49:06,080
Speaker 1: wasn't making a face or any noises, but in my

1135
00:49:06,120 --> 00:49:08,319
Speaker 1: mind I was like, yeah, that's fucking Sean. And this

1136
00:49:08,440 --> 00:49:12,719
Speaker 1: was shot when Sean had just gotten his uh, I'm

1137
00:49:12,719 --> 00:49:16,680
Speaker 1: gonna say, diplomatic pass to get back in the States.

1138
00:49:16,680 --> 00:49:17,359
Speaker 1: I don't know what it's called.

1139
00:49:17,560 --> 00:49:18,759
Speaker 3: No, no think yeah, I think that's correct.

1140
00:49:18,800 --> 00:49:19,440
Speaker 1: I'm a Democrat.

1141
00:49:19,440 --> 00:49:19,839
Speaker 3: I don't know.

1142
00:49:23,160 --> 00:49:27,120
Speaker 1: And he was there. I was like, yo, Shine is

1143
00:49:27,160 --> 00:49:29,960
Speaker 1: in fucking New York City right now, and she was

1144
00:49:30,000 --> 00:49:32,440
Speaker 1: like who is that? And why is that weird?

1145
00:49:32,719 --> 00:49:33,080
Speaker 2: Wow?

1146
00:49:34,080 --> 00:49:36,840
Speaker 4: See that's how old I am. If somebody says that

1147
00:49:36,880 --> 00:49:38,319
Speaker 4: I'm going home, I looked at him.

1148
00:49:38,320 --> 00:49:40,320
Speaker 2: I'm like, what did you? Y'all have hatched like that.

1149
00:49:41,480 --> 00:49:42,960
Speaker 2: The new generation is hatched.

1150
00:49:43,560 --> 00:49:45,520
Speaker 1: Here's the thing though, if we was at like if

1151
00:49:45,520 --> 00:49:47,960
Speaker 1: we were at the Little Baby concert, she would have

1152
00:49:47,960 --> 00:49:51,040
Speaker 1: every right to say that we were at the Fujis

1153
00:49:51,719 --> 00:49:53,720
Speaker 1: Reuniting concert.

1154
00:49:54,080 --> 00:49:55,640
Speaker 4: Yeah, so if you're there, you should you know, you

1155
00:49:55,640 --> 00:49:58,399
Speaker 4: should you should at least know somewhat of that era.

1156
00:49:58,800 --> 00:50:01,520
Speaker 1: And I'm like, yoh, like this, I'm telling you Sean

1157
00:50:01,719 --> 00:50:05,120
Speaker 1: was from us to Eddon. I'm like, yo, that's yo.

1158
00:50:05,239 --> 00:50:08,120
Speaker 1: Shan is in New York. That's fucking crazy. It's like,

1159
00:50:08,280 --> 00:50:09,799
Speaker 1: who is that?

1160
00:50:09,600 --> 00:50:09,960
Speaker 2: That was?

1161
00:50:10,000 --> 00:50:12,000
Speaker 1: Like that Shane's rappers? Like, why is it weird that

1162
00:50:12,040 --> 00:50:12,439
Speaker 1: he's here?

1163
00:50:14,280 --> 00:50:15,200
Speaker 2: I'm gonna go home now.

1164
00:50:15,440 --> 00:50:18,440
Speaker 1: He smoked, he smoked somebody in a club and got departed.

1165
00:50:18,600 --> 00:50:21,600
Speaker 4: I'm going home now, Like that's what I'm doing. I

1166
00:50:21,640 --> 00:50:23,279
Speaker 4: can't hang out with people that don't know who Like

1167
00:50:23,320 --> 00:50:26,560
Speaker 4: if you don't know sn like, it's.

1168
00:50:26,360 --> 00:50:28,040
Speaker 2: A whole lot, that's a whole, that's a whole, that's

1169
00:50:28,080 --> 00:50:28,759
Speaker 2: a whole.

1170
00:50:28,560 --> 00:50:31,040
Speaker 4: Like you know, another story and another lesson that you

1171
00:50:31,120 --> 00:50:34,000
Speaker 4: just got to do on your own. But again, salutor

1172
00:50:34,040 --> 00:50:36,640
Speaker 4: Sean for uh, you know, being a part of that

1173
00:50:36,680 --> 00:50:39,280
Speaker 4: tribute that was that was dope, that was really really powerful.

1174
00:50:39,480 --> 00:50:43,680
Speaker 4: And again congrats to puff Man on an amazing career. Uh,

1175
00:50:43,920 --> 00:50:48,120
Speaker 4: you know, just legend in every sense of the word,

1176
00:50:49,280 --> 00:50:53,880
Speaker 4: Mount rushmore of hip hop without questioning, you know, just

1177
00:50:54,000 --> 00:50:57,640
Speaker 4: everything Puff is. Puff has done so much for a culture,

1178
00:51:00,280 --> 00:51:03,520
Speaker 4: and it's good to still see him be praised.

1179
00:51:03,160 --> 00:51:05,560
Speaker 2: So highly in the culture because Puff is the goal. Yeah,

1180
00:51:05,600 --> 00:51:06,759
Speaker 2: like I'm Puffs the fucking goal.

1181
00:51:06,880 --> 00:51:10,480
Speaker 4: I'm old enough to have seen it gone from you know,

1182
00:51:11,360 --> 00:51:17,440
Speaker 4: the unfortunate situation at City College to where Puff is today,

1183
00:51:18,120 --> 00:51:18,719
Speaker 4: you know what I mean.

1184
00:51:18,760 --> 00:51:21,120
Speaker 2: So I watched it.

1185
00:51:21,239 --> 00:51:23,720
Speaker 4: You know, was able and fortunate enough to be around

1186
00:51:23,760 --> 00:51:29,080
Speaker 4: some of the most iconic moments, being at show's backstage,

1187
00:51:29,239 --> 00:51:31,480
Speaker 4: being privy to a lot of you.

1188
00:51:31,440 --> 00:51:32,200
Speaker 2: Know, dope shit.

1189
00:51:32,360 --> 00:51:36,560
Speaker 4: So Puff is definitely somebody that is deserving of it,

1190
00:51:37,080 --> 00:51:40,759
Speaker 4: of all praises, you know, he's just he's just an

1191
00:51:40,800 --> 00:51:46,120
Speaker 4: example of believing in yourself, believing in your team, knocking

1192
00:51:46,160 --> 00:51:51,000
Speaker 4: doors down, not taking no a's an answer, not being deterred,

1193
00:51:51,920 --> 00:51:54,879
Speaker 4: like just the epitome of a hustler in every sense

1194
00:51:54,880 --> 00:51:57,080
Speaker 4: of the word. Man, it's just dope to see him

1195
00:51:57,520 --> 00:51:58,960
Speaker 4: be celebrated by the culture.

1196
00:51:59,200 --> 00:52:03,000
Speaker 1: And you know while he's this young too, yeah, like he.

1197
00:52:03,000 --> 00:52:05,040
Speaker 4: Did so much and you know she's still He's still Puff.

1198
00:52:05,120 --> 00:52:06,400
Speaker 4: Puff is not an old.

1199
00:52:06,160 --> 00:52:08,840
Speaker 1: Man, and it's not done by any So it's like,

1200
00:52:09,600 --> 00:52:12,759
Speaker 1: you know, like ship like and I know we was

1201
00:52:12,840 --> 00:52:15,800
Speaker 1: joking about like the the roaches and getting out the

1202
00:52:15,880 --> 00:52:17,600
Speaker 1: mud and but.

1203
00:52:17,560 --> 00:52:18,240
Speaker 2: That's part of the culture.

1204
00:52:18,280 --> 00:52:19,160
Speaker 3: No, no, but jokes.

1205
00:52:19,160 --> 00:52:20,320
Speaker 2: Don't get it. Don't get it to you.

1206
00:52:20,480 --> 00:52:23,439
Speaker 1: But I'm saying Puff like, yeah, we was joking that way.

1207
00:52:25,160 --> 00:52:28,120
Speaker 1: If you get into Puff's whole career outside of just

1208
00:52:28,120 --> 00:52:31,080
Speaker 1: the city college shit like and outside of the obvious

1209
00:52:31,120 --> 00:52:35,279
Speaker 1: were big and shine and the amount of setbacks that

1210
00:52:35,320 --> 00:52:37,879
Speaker 1: Puff has had, the amount of times you would look

1211
00:52:38,120 --> 00:52:39,840
Speaker 1: at what would have happened to Puff and say his

1212
00:52:39,880 --> 00:52:45,040
Speaker 1: career is over. I could I could count to twenty

1213
00:52:45,280 --> 00:52:48,360
Speaker 1: maybe on the amount of times we saw events and

1214
00:52:48,480 --> 00:52:52,200
Speaker 1: series that happened where anyone would go, hey, that guy's

1215
00:52:52,200 --> 00:52:55,080
Speaker 1: career is completely over. And instead of it being over,

1216
00:52:55,239 --> 00:52:59,360
Speaker 1: he completely innovative, not only came back, did something innovator

1217
00:53:00,280 --> 00:53:02,319
Speaker 1: and to another level, Like.

1218
00:53:02,320 --> 00:53:05,760
Speaker 4: He completely just showed us that. Yo, there's literally nothing

1219
00:53:05,800 --> 00:53:12,240
Speaker 4: we can't do. We could conquer film TV, reality TV,

1220
00:53:12,480 --> 00:53:16,640
Speaker 4: fashion like you know, it's just like lifestyle, Like we

1221
00:53:16,680 --> 00:53:19,879
Speaker 4: could just be cool. Like Puff is the epitome of

1222
00:53:20,840 --> 00:53:23,200
Speaker 4: just just cool selling cool, bottling.

1223
00:53:23,360 --> 00:53:26,279
Speaker 2: Puff bottled up cool and sold that shit around the world. Bro,

1224
00:53:26,760 --> 00:53:27,560
Speaker 2: That's what Puff did.

1225
00:53:27,600 --> 00:53:31,400
Speaker 4: He bottled up cool and he sold that shit around

1226
00:53:31,440 --> 00:53:34,000
Speaker 4: the world, around the globe. My nigga, like, niggas gotta

1227
00:53:34,040 --> 00:53:35,080
Speaker 4: respect Puff for that.

1228
00:53:35,520 --> 00:53:38,279
Speaker 1: And I don't think there's anyone in hip hop ever

1229
00:53:38,360 --> 00:53:45,400
Speaker 1: that has balanced grimy and uh, I guess like that bougie,

1230
00:53:46,560 --> 00:53:50,000
Speaker 1: high level, high brow shit better than any one period.

1231
00:53:50,400 --> 00:53:52,600
Speaker 1: Like the fact, if you even look at Just Bad

1232
00:53:52,640 --> 00:53:55,520
Speaker 1: Boy as a fucking label, has there ever been a

1233
00:53:55,600 --> 00:54:02,000
Speaker 1: label like that that has balanced real R and B

1234
00:54:02,239 --> 00:54:06,239
Speaker 1: pop R and B, grimy ass hip hop pop hip hop?

1235
00:54:06,320 --> 00:54:09,440
Speaker 1: Like it's the most complete label that's ever existed. Based

1236
00:54:09,480 --> 00:54:13,399
Speaker 1: off Puff's ear and Puffs correction like he's Puffs gold Man, Like.

1237
00:54:13,440 --> 00:54:16,120
Speaker 4: Yeah, he's He's the epitome of literally just a hustler

1238
00:54:16,160 --> 00:54:19,000
Speaker 4: and came up through every ranks of the entertainment business

1239
00:54:19,000 --> 00:54:22,160
Speaker 4: in the industry and literally worked his way to the top,

1240
00:54:22,960 --> 00:54:25,400
Speaker 4: and you know, it just made it made it a

1241
00:54:25,480 --> 00:54:28,399
Speaker 4: dream of reality for people. Man, Like it just showed us, like, yo,

1242
00:54:28,480 --> 00:54:30,960
Speaker 4: we could we could really do this, you know what

1243
00:54:30,960 --> 00:54:33,360
Speaker 4: I'm saying, at a very high classy level, and have

1244
00:54:33,560 --> 00:54:36,080
Speaker 4: fun and look good doing it and we can.

1245
00:54:36,080 --> 00:54:37,319
Speaker 2: Grow old gracefully.

1246
00:54:37,680 --> 00:54:39,400
Speaker 4: Like we ain't got to be in bad health, We

1247
00:54:39,400 --> 00:54:41,480
Speaker 4: ain't got to be out here fucked up, broke, and

1248
00:54:42,280 --> 00:54:44,600
Speaker 4: like he just changed so many stereotypes, you know what

1249
00:54:44,600 --> 00:54:46,880
Speaker 4: I'm saying, Like like you literally saw it from like

1250
00:54:47,400 --> 00:54:51,600
Speaker 4: a young team to the man he is today, Like

1251
00:54:51,719 --> 00:54:54,520
Speaker 4: literally seen it. So you know that's it's just it's

1252
00:54:54,560 --> 00:54:57,520
Speaker 4: just been it's just been dope to watch him over

1253
00:54:57,560 --> 00:55:00,960
Speaker 4: the BT Awards a weekend every he shown so much

1254
00:55:01,000 --> 00:55:03,680
Speaker 4: love and gratitude and you know, dis appreciation for Puff

1255
00:55:03,719 --> 00:55:06,120
Speaker 4: because he's definitely deserving of that. So shout out to

1256
00:55:06,440 --> 00:55:10,799
Speaker 4: Puff again. BT twenty twenty two Lifetime Achievement Award winner.

1257
00:55:11,440 --> 00:55:14,920
Speaker 1: And and you were I believe the second Lifetime Achievement

1258
00:55:14,960 --> 00:55:16,319
Speaker 1: Award in the press room.

1259
00:55:18,719 --> 00:55:23,399
Speaker 2: What what do you what?

1260
00:55:23,480 --> 00:55:23,680
Speaker 3: Man?

1261
00:55:23,680 --> 00:55:24,239
Speaker 2: What did I do?

1262
00:55:24,360 --> 00:55:26,279
Speaker 1: He was achieving lifetimes in there was her?

1263
00:55:27,360 --> 00:55:27,600
Speaker 2: Yeah?

1264
00:55:27,719 --> 00:55:31,680
Speaker 1: How so, how so should we break down our our

1265
00:55:31,719 --> 00:55:32,759
Speaker 1: press room.

1266
00:55:33,040 --> 00:55:36,200
Speaker 3: Yeah, world, Yeah, it the media, the media room.

1267
00:55:36,280 --> 00:55:39,680
Speaker 2: Media. Yeah, because we we didn't even talk about that yet, right, No, No,

1268
00:55:40,040 --> 00:55:41,200
Speaker 2: oh man, that's what ship.

1269
00:55:41,239 --> 00:55:42,600
Speaker 1: We haven't even come. We haven't even gotten a Chris

1270
00:55:42,640 --> 00:55:43,200
Speaker 1: Brown's album.

1271
00:55:43,440 --> 00:55:48,839
Speaker 2: Yeah. Wow. That was an experience, man. That was That

1272
00:55:48,880 --> 00:55:51,440
Speaker 2: was That was very That was different, man, that was

1273
00:55:51,480 --> 00:55:53,560
Speaker 2: but it was cool. I had my ap. I was

1274
00:55:53,560 --> 00:55:55,399
Speaker 2: a little apprehensive going into it, like.

1275
00:55:55,840 --> 00:55:57,719
Speaker 4: Because you know, we don't really like to to just

1276
00:55:57,760 --> 00:56:00,720
Speaker 4: sit down and talk to any and everybody and things

1277
00:56:00,760 --> 00:56:02,640
Speaker 4: like that, Like you know, we have. Most of the

1278
00:56:02,680 --> 00:56:04,840
Speaker 4: times when we sit and talk with people, it's probably

1279
00:56:04,880 --> 00:56:09,800
Speaker 4: because some sort of like real personal feeling and vibe

1280
00:56:09,840 --> 00:56:13,880
Speaker 4: was already like established, and then we figure out something

1281
00:56:13,920 --> 00:56:15,759
Speaker 4: down the line. What we could do is not too

1282
00:56:16,360 --> 00:56:18,799
Speaker 4: too planned to produced and just sit down and really

1283
00:56:18,840 --> 00:56:22,359
Speaker 4: kick it. Give the persons time to maybe get some

1284
00:56:22,400 --> 00:56:25,719
Speaker 4: more things done, watch them, even help them get some

1285
00:56:25,800 --> 00:56:29,240
Speaker 4: things done in their career, do things together behind the scenes,

1286
00:56:29,239 --> 00:56:31,839
Speaker 4: and then we sit down and kick it about our

1287
00:56:31,880 --> 00:56:36,040
Speaker 4: real life experiences. So for us to do the BT Awards,

1288
00:56:36,800 --> 00:56:39,279
Speaker 4: the media hub, they didn't want to call it the

1289
00:56:39,320 --> 00:56:41,399
Speaker 4: radio room no more, because it was podcasters there as well.

1290
00:56:41,480 --> 00:56:45,000
Speaker 2: So the media hub. First of all, thank you to.

1291
00:56:45,000 --> 00:56:49,040
Speaker 4: BT for the experience, thank you for the invitation, thank

1292
00:56:49,040 --> 00:56:49,960
Speaker 4: you for everybody.

1293
00:56:50,040 --> 00:56:53,320
Speaker 1: Very well ran. My issue is not with BT. I

1294
00:56:53,320 --> 00:56:54,680
Speaker 1: think BT did an amazing.

1295
00:56:54,640 --> 00:56:56,680
Speaker 4: You get a great, great job, So thank you for that.

1296
00:56:56,760 --> 00:56:58,480
Speaker 4: Thank you for giving us that opportunity.

1297
00:56:59,680 --> 00:57:02,520
Speaker 1: When we're talking, we're in Mexico, and I'll tie it

1298
00:57:02,560 --> 00:57:05,040
Speaker 1: and I promise we're talking about in Mexico with our

1299
00:57:05,120 --> 00:57:08,279
Speaker 1: unnamed guest of how him and I are more free spirits, Like,

1300
00:57:08,320 --> 00:57:10,440
Speaker 1: fuck it, let's try some ship and see what happens.

1301
00:57:11,200 --> 00:57:16,560
Speaker 1: That's how I felt about doing that BEAT thing as

1302
00:57:16,560 --> 00:57:18,240
Speaker 1: far as because I kind of had an idea of

1303
00:57:18,280 --> 00:57:19,000
Speaker 1: what it might be.

1304
00:57:19,320 --> 00:57:23,800
Speaker 4: That Mexico trip helped me prepare for that. I want

1305
00:57:23,800 --> 00:57:25,840
Speaker 4: to hear why in a weird way, it is.

1306
00:57:27,320 --> 00:57:28,760
Speaker 1: I kind of had an idea of what it would be,

1307
00:57:28,800 --> 00:57:31,160
Speaker 1: and and that idea was something that I probably wouldn't

1308
00:57:31,160 --> 00:57:35,240
Speaker 1: have liked. And while again this we're going to keep

1309
00:57:35,320 --> 00:57:37,240
Speaker 1: everything honest here, BET paid very well.

1310
00:57:38,440 --> 00:57:40,480
Speaker 2: Yeah, so let's let's make that so.

1311
00:57:40,520 --> 00:57:43,040
Speaker 1: Yeah, I know everyone to do nothing for a check. Yeah,

1312
00:57:43,040 --> 00:57:46,120
Speaker 1: sometimes you ship for a check and it's okay and it's

1313
00:57:46,160 --> 00:57:48,000
Speaker 1: totally fun. Welcome to fucking America.

1314
00:57:48,520 --> 00:57:51,160
Speaker 4: But you get a great experience out of it, and

1315
00:57:51,240 --> 00:57:52,640
Speaker 4: you learn things about yourself as well.

1316
00:57:52,640 --> 00:57:54,600
Speaker 1: But that's not why it's not about that's not why

1317
00:57:54,640 --> 00:57:56,520
Speaker 1: I did it. Did it help? For sure?

1318
00:57:57,200 --> 00:58:01,800
Speaker 4: I believe that's the the juice mall ordered vegan juice.

1319
00:58:02,440 --> 00:58:03,280
Speaker 3: I just pine.

1320
00:58:05,040 --> 00:58:08,040
Speaker 1: There's not animal products in pineapple. What if an animal bites

1321
00:58:08,040 --> 00:58:10,080
Speaker 1: the pineapple and then they put it in a juice.

1322
00:58:10,160 --> 00:58:12,600
Speaker 4: Or maybe lick the pineapple, and now the pineapple has

1323
00:58:12,600 --> 00:58:16,080
Speaker 4: COVID because you can indeed catch COVID from animals, which,

1324
00:58:16,080 --> 00:58:16,960
Speaker 4: by the way, did you?

1325
00:58:17,120 --> 00:58:20,160
Speaker 1: And we're gonna keep all this. I was on the

1326
00:58:20,160 --> 00:58:23,280
Speaker 1: phone with Sherry Uh today for a conference.

1327
00:58:22,920 --> 00:58:25,000
Speaker 2: Called Sherry Brian Love You, Love You.

1328
00:58:25,040 --> 00:58:29,000
Speaker 1: Sheret, and she was like, Roy, did you get a Yeah,

1329
00:58:29,000 --> 00:58:30,400
Speaker 1: it's the two keys.

1330
00:58:33,480 --> 00:58:34,680
Speaker 2: I think he hit one key twice.

1331
00:58:34,920 --> 00:58:37,040
Speaker 1: I think you might just have to go get that bro.

1332
00:58:38,200 --> 00:58:39,320
Speaker 2: He just re rocked the brick.

1333
00:58:46,680 --> 00:58:48,400
Speaker 1: I don't think people are gonna know how funny that is.

1334
00:58:49,640 --> 00:58:50,720
Speaker 1: That's fucking hysterical.

1335
00:58:53,360 --> 00:59:00,480
Speaker 2: Oh man, Oh shit, wait, you let him in my house, yo,

1336
00:59:00,640 --> 00:59:03,680
Speaker 2: Just say and tell him to go bro the.

1337
00:59:05,160 --> 00:59:05,680
Speaker 1: Staircase.

1338
00:59:05,880 --> 00:59:07,840
Speaker 4: Bring him up here, hey, bring him up here. We

1339
00:59:07,920 --> 00:59:14,000
Speaker 4: gotta extra Mike, bring him up here. Why can't this

1340
00:59:14,040 --> 00:59:16,680
Speaker 4: interview the the uber eats that's like three delivery.

1341
00:59:16,760 --> 00:59:18,520
Speaker 1: He has to be on this floor. What are you doing?

1342
00:59:19,240 --> 00:59:21,120
Speaker 2: We never Why do we send editing to do ship?

1343
00:59:21,520 --> 00:59:24,640
Speaker 2: This is crazy? We're about to get shot here, about

1344
00:59:24,680 --> 00:59:25,520
Speaker 2: to run down on us?

1345
00:59:25,560 --> 00:59:27,480
Speaker 1: And how far the front door is? How can I

1346
00:59:27,520 --> 00:59:29,959
Speaker 1: hear him?

1347
00:59:30,120 --> 00:59:30,240
Speaker 3: Oh?

1348
00:59:30,280 --> 00:59:34,120
Speaker 1: Now you're going through the order fam Eden, Lock the door,

1349
00:59:36,440 --> 00:59:37,320
Speaker 1: Lock the door.

1350
00:59:37,400 --> 00:59:38,080
Speaker 2: I am black.

1351
00:59:38,160 --> 00:59:48,240
Speaker 7: We locked all doors where I'm from.

1352
00:59:48,480 --> 00:59:48,840
Speaker 2: Okay.

1353
00:59:50,040 --> 00:59:55,400
Speaker 4: So yeah, so that experience that that that BT Awards

1354
00:59:55,440 --> 01:00:00,640
Speaker 4: Media Hub weekend was a really really dope experience. Again,

1355
01:00:00,680 --> 01:00:02,480
Speaker 4: it was something that I think we were both kind

1356
01:00:02,480 --> 01:00:04,720
Speaker 4: of apprehensive and doing because we don't sit down and

1357
01:00:04,800 --> 01:00:06,840
Speaker 4: kicking with a lot of people like that, or when

1358
01:00:06,880 --> 01:00:10,440
Speaker 4: weever we do, it's already a personal attachment there.

1359
01:00:10,520 --> 01:00:12,320
Speaker 2: So that was it was a good experience. Though we

1360
01:00:12,320 --> 01:00:13,320
Speaker 2: went into it didn't know what to.

1361
01:00:13,320 --> 01:00:17,680
Speaker 4: Expect, but once you got there, it was like, oh, okay,

1362
01:00:17,720 --> 01:00:18,280
Speaker 4: this is.

1363
01:00:18,520 --> 01:00:23,680
Speaker 1: And again any of my uh apprehensiveness of the entire

1364
01:00:23,720 --> 01:00:24,360
Speaker 1: thing had nothing to do.

1365
01:00:24,360 --> 01:00:25,280
Speaker 2: With Bet put in the fridge.

1366
01:00:25,480 --> 01:00:26,200
Speaker 1: It was great.

1367
01:00:26,960 --> 01:00:27,320
Speaker 2: Thank you?

1368
01:00:28,080 --> 01:00:30,080
Speaker 1: Did you give my spare key to Eden while you're

1369
01:00:30,080 --> 01:00:38,400
Speaker 1: at it, okay, I just it just wasn't us. And

1370
01:00:38,440 --> 01:00:40,200
Speaker 1: that's what I kept thinking about, like we don't do

1371
01:00:40,360 --> 01:00:44,360
Speaker 1: the can barely hear the guests quick hit type of shit.

1372
01:00:45,080 --> 01:00:47,080
Speaker 1: But and again it really wasn't a check thing. I

1373
01:00:47,160 --> 01:00:48,320
Speaker 1: was like, well, let me see if we could do this.

1374
01:00:49,200 --> 01:00:51,560
Speaker 1: And I enjoyed it, but I will say it's not

1375
01:00:51,600 --> 01:00:51,800
Speaker 1: for me.

1376
01:00:52,960 --> 01:00:54,320
Speaker 2: Yeah, I mean it's I'm.

1377
01:00:54,200 --> 01:00:57,800
Speaker 1: Glad we did it, It's just not for me. I

1378
01:00:57,880 --> 01:01:00,920
Speaker 1: know me. Well, you're so old, I'm getting I'm just

1379
01:01:01,000 --> 01:01:01,720
Speaker 1: not well.

1380
01:01:01,800 --> 01:01:04,120
Speaker 4: You you you you you you tell people that you're

1381
01:01:04,160 --> 01:01:05,200
Speaker 4: you're socially awkward.

1382
01:01:05,200 --> 01:01:06,919
Speaker 2: You don't do well in those settings. You don't really

1383
01:01:06,960 --> 01:01:07,680
Speaker 2: like just sitting.

1384
01:01:07,680 --> 01:01:09,400
Speaker 1: In a private setting with any one of those guests,

1385
01:01:09,400 --> 01:01:09,840
Speaker 1: I would have.

1386
01:01:09,800 --> 01:01:11,640
Speaker 2: Find That's what I'm saying. I'm talking about the socially like.

1387
01:01:12,240 --> 01:01:14,640
Speaker 1: I don't even know, like you you just talk to somebody,

1388
01:01:14,680 --> 01:01:16,760
Speaker 1: I don't even know what mood the person that you

1389
01:01:16,800 --> 01:01:18,280
Speaker 1: talked to before put you in.

1390
01:01:18,600 --> 01:01:21,320
Speaker 4: Everybody just circulating the room and kind of just like

1391
01:01:21,360 --> 01:01:23,960
Speaker 4: a press day type of things, all the athletes go

1392
01:01:24,000 --> 01:01:26,240
Speaker 4: to different outlets reporters and talk to them and this,

1393
01:01:26,240 --> 01:01:28,160
Speaker 4: that and the third. Like so by the time you

1394
01:01:28,200 --> 01:01:30,360
Speaker 4: get to us you maybe somebody the other person just

1395
01:01:30,360 --> 01:01:33,200
Speaker 4: pissed you off with the questions they actually and now

1396
01:01:33,240 --> 01:01:35,520
Speaker 4: we receive that energy. We don't even know what's going on.

1397
01:01:36,000 --> 01:01:37,840
Speaker 4: I get what you're saying, but you know, it was

1398
01:01:37,880 --> 01:01:41,200
Speaker 4: interesting to be in that room because a lot of people,

1399
01:01:41,240 --> 01:01:43,560
Speaker 4: for them that I had no idea even we're paying

1400
01:01:43,560 --> 01:01:44,800
Speaker 4: attention to us.

1401
01:01:45,160 --> 01:01:46,200
Speaker 2: For sure what we were doing.

1402
01:01:46,280 --> 01:01:49,680
Speaker 4: It was great in regard, like I didn't expect them

1403
01:01:49,720 --> 01:01:52,280
Speaker 4: to approach us and show as much love and support

1404
01:01:52,360 --> 01:01:55,520
Speaker 4: and respect that they did, Like to me, that's worth

1405
01:01:55,800 --> 01:01:57,800
Speaker 4: and I wanted to entire weekend. I was like, holy shit,

1406
01:01:57,960 --> 01:02:00,000
Speaker 4: like I I love you. You know what I'm saying,

1407
01:02:00,160 --> 01:02:02,320
Speaker 4: Like that's all I can say to some people like damn,

1408
01:02:02,320 --> 01:02:03,560
Speaker 4: Like that's respect, that's love.

1409
01:02:04,000 --> 01:02:07,959
Speaker 1: And I also was nervous with like artists I didn't

1410
01:02:08,000 --> 01:02:10,760
Speaker 1: know much about, which that is one of the things

1411
01:02:10,800 --> 01:02:12,200
Speaker 1: I like to do. I want to talk to artists

1412
01:02:12,200 --> 01:02:14,280
Speaker 1: I don't know much about and like really get to

1413
01:02:14,280 --> 01:02:16,480
Speaker 1: know them, like that's my shit. But you can't do

1414
01:02:16,520 --> 01:02:19,280
Speaker 1: it in that environment. So now when someone comes over

1415
01:02:19,280 --> 01:02:21,640
Speaker 1: and it's like, hey, we have so and so, like, no,

1416
01:02:21,640 --> 01:02:23,200
Speaker 1: I don't want to look like an asshole and be

1417
01:02:23,320 --> 01:02:26,640
Speaker 1: like fuck no. But I'm also like I don't know

1418
01:02:26,760 --> 01:02:28,880
Speaker 1: much about them, and now we're about to sit down

1419
01:02:28,880 --> 01:02:32,080
Speaker 1: for two minutes, and I can't be like, yo, so

1420
01:02:32,160 --> 01:02:34,760
Speaker 1: who are like tell me about yourself? Right, cause that

1421
01:02:34,800 --> 01:02:36,920
Speaker 1: can come across offensive, especially to a artists, like you're

1422
01:02:36,920 --> 01:02:38,520
Speaker 1: in a press room and don't know anything about me?

1423
01:02:38,600 --> 01:02:38,960
Speaker 2: Mm hmm.

1424
01:02:39,240 --> 01:02:42,200
Speaker 1: That's why I was, well, I will say so crazy

1425
01:02:42,640 --> 01:02:44,280
Speaker 1: yelling at Benner like, yo, can you give me a

1426
01:02:44,280 --> 01:02:45,800
Speaker 1: list of everyone that's going to be there? Because I

1427
01:02:45,800 --> 01:02:47,960
Speaker 1: do not want to be that asshole that doesn't know

1428
01:02:48,080 --> 01:02:49,880
Speaker 1: even if I don't listen to the music, I want

1429
01:02:49,880 --> 01:02:50,880
Speaker 1: to know something about them.

1430
01:02:50,880 --> 01:02:52,680
Speaker 4: But I tell you the funny thing about that Rory.

1431
01:02:52,720 --> 01:02:56,160
Speaker 4: When we sat down with og and had I told

1432
01:02:56,200 --> 01:02:58,320
Speaker 4: her when she was coming, I say, I said, I'm

1433
01:02:58,320 --> 01:03:01,600
Speaker 4: gonna be completely honest with you. I don't know who

1434
01:03:01,640 --> 01:03:04,160
Speaker 4: you are. I don't know nothing about what you do.

1435
01:03:04,680 --> 01:03:07,680
Speaker 4: But I think that's dope, because this is gonna be

1436
01:03:07,720 --> 01:03:12,240
Speaker 4: probably the most authentic conversation you're gonna have today in

1437
01:03:12,280 --> 01:03:12,680
Speaker 4: this room.

1438
01:03:12,840 --> 01:03:18,640
Speaker 1: But that she is a different spirit absolutely, o g

1439
01:03:19,080 --> 01:03:21,400
Speaker 1: That was one that was probably we talked to Neo.

1440
01:03:21,480 --> 01:03:23,760
Speaker 1: We talked to legends that I love. That was my

1441
01:03:23,840 --> 01:03:27,400
Speaker 1: favorite conversation conversation was with her, Yes, absolutely, because she

1442
01:03:27,560 --> 01:03:29,520
Speaker 1: had that type of spirit. And on top of that

1443
01:03:30,520 --> 01:03:33,040
Speaker 1: is with no id, so there's a connection there already

1444
01:03:33,120 --> 01:03:35,680
Speaker 1: and the type of Oh I went and listened to

1445
01:03:35,760 --> 01:03:38,720
Speaker 1: her music. Oh yeah, her her performance was she smoked

1446
01:03:38,720 --> 01:03:40,440
Speaker 1: that ship. I went and listened to music. I love

1447
01:03:40,440 --> 01:03:40,880
Speaker 1: her music.

1448
01:03:40,920 --> 01:03:42,680
Speaker 2: Super talented, but you don't.

1449
01:03:42,680 --> 01:03:46,240
Speaker 1: That was very rare. She was just a good human

1450
01:03:46,280 --> 01:03:49,160
Speaker 1: being and also a talented human being and made the

1451
01:03:49,200 --> 01:03:51,040
Speaker 1: type of music and fucked with the type of people

1452
01:03:51,080 --> 01:03:53,920
Speaker 1: that you and I could have a conversation ever about.

1453
01:03:54,120 --> 01:03:56,480
Speaker 1: We talked about cocaine eighties. We went into a bunch

1454
01:03:56,480 --> 01:04:01,200
Speaker 1: of shit that's not happening with everybody, Like it's a

1455
01:04:01,200 --> 01:04:03,360
Speaker 1: lot of people that were dragged there by their publicists

1456
01:04:03,440 --> 01:04:06,800
Speaker 1: and we're just like, uh yeah, shout out to BT.

1457
01:04:07,320 --> 01:04:09,120
Speaker 2: Yeah you can tell and I'm just tell you can

1458
01:04:09,160 --> 01:04:09,920
Speaker 2: feel you can feel it.

1459
01:04:09,920 --> 01:04:11,520
Speaker 1: And on top of that, I could barely hear you

1460
01:04:11,560 --> 01:04:16,520
Speaker 1: to begin with, like it just it was an interesting

1461
01:04:16,560 --> 01:04:20,400
Speaker 1: experience and and everything that was bad about it had

1462
01:04:20,400 --> 01:04:23,080
Speaker 1: everything to do with me and not the environment or

1463
01:04:23,080 --> 01:04:25,880
Speaker 1: the people. All internal ship and then to do with BT,

1464
01:04:27,000 --> 01:04:29,520
Speaker 1: nothing to do with the guests. It's just something that

1465
01:04:31,360 --> 01:04:33,200
Speaker 1: I don't know if I'm built for that type of ship.

1466
01:04:33,600 --> 01:04:35,520
Speaker 3: You guys are definitely built for that type of shit.

1467
01:04:35,840 --> 01:04:38,040
Speaker 1: No, Like, personally, I could do it. I could do

1468
01:04:38,080 --> 01:04:40,520
Speaker 1: that ship in my sleep if I focused and like

1469
01:04:40,560 --> 01:04:41,000
Speaker 1: wanted to do.

1470
01:04:41,080 --> 01:04:43,120
Speaker 2: But it's very it's very for somebody like Rory. Is

1471
01:04:43,200 --> 01:04:43,760
Speaker 2: very draining.

1472
01:04:43,840 --> 01:04:47,440
Speaker 3: Oh hell yeah, it was draining for Oh yes, yeah.

1473
01:04:47,240 --> 01:04:49,240
Speaker 2: It is draining. And people don't. I don't.

1474
01:04:49,320 --> 01:04:51,720
Speaker 4: I think that's one thing that when people want to

1475
01:04:51,720 --> 01:04:53,400
Speaker 4: get into podcast and I don't, I don't think they

1476
01:04:53,440 --> 01:04:57,240
Speaker 4: factor in is that it is very draining. People think

1477
01:04:57,280 --> 01:04:59,400
Speaker 4: it's just sitting down talking. It's like you, No, it's

1478
01:04:59,520 --> 01:05:02,960
Speaker 4: just it's gonna drain you. It's because you if you

1479
01:05:03,000 --> 01:05:05,920
Speaker 4: feel anything, if you're emotional, if you're you know, you

1480
01:05:05,920 --> 01:05:09,600
Speaker 4: you can kind of like just tap into certain things

1481
01:05:09,600 --> 01:05:11,800
Speaker 4: and topics and you know, conversations and it takes you

1482
01:05:11,840 --> 01:05:14,320
Speaker 4: to somewhere in your life. Personally, that shit is draining.

1483
01:05:14,920 --> 01:05:16,840
Speaker 4: Hell yeah, you know what I'm saying. That shit is

1484
01:05:16,840 --> 01:05:19,280
Speaker 4: really draining. So sitting down talking to people like that

1485
01:05:19,280 --> 01:05:22,320
Speaker 4: that one you may not know. And again, like you said, Rory,

1486
01:05:22,360 --> 01:05:25,080
Speaker 4: that's running around this whole gauntlet of interviews of the day.

1487
01:05:25,160 --> 01:05:27,520
Speaker 4: Somebody pissed them off. Now we receive that energy. We

1488
01:05:27,560 --> 01:05:29,160
Speaker 4: don't know that, we don't know what's going on, but

1489
01:05:29,200 --> 01:05:30,200
Speaker 4: we're just in the room with them.

1490
01:05:30,200 --> 01:05:30,360
Speaker 2: Now.

1491
01:05:30,480 --> 01:05:32,440
Speaker 4: Yeah, so now we gotta kind of it's kind of

1492
01:05:32,480 --> 01:05:34,720
Speaker 4: like throwing the ping pong ball.

1493
01:05:34,600 --> 01:05:36,160
Speaker 2: Of like, all right, how are you feeling? What's your

1494
01:05:36,240 --> 01:05:36,640
Speaker 2: energy like?

1495
01:05:36,720 --> 01:05:39,560
Speaker 1: And even with guests that we had that I didn't

1496
01:05:39,560 --> 01:05:43,640
Speaker 1: particularly care for the conversation off their energy. Then we

1497
01:05:43,680 --> 01:05:46,440
Speaker 1: have someone that we actually like, and my energy is

1498
01:05:46,440 --> 01:05:49,400
Speaker 1: off now yeah, Like now I'm like, why did I

1499
01:05:49,400 --> 01:05:51,600
Speaker 1: even just like it's a it's a it's I'm sitting

1500
01:05:51,600 --> 01:05:53,479
Speaker 1: there like an idiot with a mic talking to somebody

1501
01:05:53,480 --> 01:05:54,320
Speaker 1: that don't care to do.

1502
01:05:54,360 --> 01:05:58,400
Speaker 4: It's an interesting it's an interesting exchange though for sure,

1503
01:05:58,440 --> 01:06:01,320
Speaker 4: Like it's definitely the view and sit down in that

1504
01:06:01,440 --> 01:06:03,320
Speaker 4: environment and just talking to people. It was definitely an

1505
01:06:03,320 --> 01:06:04,720
Speaker 4: interesting way of doing things.

1506
01:06:04,960 --> 01:06:07,400
Speaker 2: So it was new for us. It was different, but

1507
01:06:07,440 --> 01:06:08,400
Speaker 2: it was it wasn't.

1508
01:06:08,360 --> 01:06:10,960
Speaker 3: I mean, yeah, did fourteen interviews one day.

1509
01:06:11,280 --> 01:06:13,920
Speaker 1: Yeah, it's just a weird. It's a weird way that

1510
01:06:14,280 --> 01:06:16,520
Speaker 1: the industry. I'm not even saying music industry just because

1511
01:06:16,520 --> 01:06:18,680
Speaker 1: they do this with movies, with everything entertainment with these

1512
01:06:18,680 --> 01:06:23,520
Speaker 1: press room of just how people view press, of like

1513
01:06:23,560 --> 01:06:26,840
Speaker 1: how people view how consumers will be connected to something,

1514
01:06:27,560 --> 01:06:29,680
Speaker 1: because I think we had some good conversations in the

1515
01:06:29,680 --> 01:06:33,680
Speaker 1: short amount of time that we had, right, but not

1516
01:06:33,800 --> 01:06:37,240
Speaker 1: something that I feel like a consumer would connect. Like

1517
01:06:37,800 --> 01:06:40,400
Speaker 1: and granted we weren't doing press for the BT Awards

1518
01:06:40,440 --> 01:06:42,040
Speaker 1: because obviously they passed and we're going to put this

1519
01:06:42,080 --> 01:06:45,040
Speaker 1: content out afterwards. But the way they do that for

1520
01:06:45,120 --> 01:06:48,360
Speaker 1: like promos with movies and shit, it's so quick. How

1521
01:06:48,440 --> 01:06:53,720
Speaker 1: could a consumer even connect. It's just weird how the

1522
01:06:53,760 --> 01:06:58,360
Speaker 1: pr impressed people that are experts in this are so

1523
01:06:58,720 --> 01:07:00,760
Speaker 1: far removed from the human experience.

1524
01:07:01,360 --> 01:07:05,800
Speaker 4: Yeah, they detached a lot of like real shit from

1525
01:07:05,840 --> 01:07:07,960
Speaker 4: the situation. It's like you have to factor in the

1526
01:07:08,000 --> 01:07:11,360
Speaker 4: fact that this is not just an actor or an athlete.

1527
01:07:11,400 --> 01:07:15,160
Speaker 4: This is a human who has real emotions and feelings

1528
01:07:15,160 --> 01:07:18,080
Speaker 4: and can be experiencing anything, and then you're sending them

1529
01:07:18,120 --> 01:07:23,320
Speaker 4: in a room like this to promote yeah, a product.

1530
01:07:22,520 --> 01:07:27,280
Speaker 1: Which I think is even kind of how outside of podcasting,

1531
01:07:27,320 --> 01:07:29,120
Speaker 1: like even like first take and like let's go into

1532
01:07:29,120 --> 01:07:31,480
Speaker 1: the sports world where it's like just long form content

1533
01:07:31,840 --> 01:07:35,520
Speaker 1: type of things. Even when they didn't have guests on,

1534
01:07:35,560 --> 01:07:38,800
Speaker 1: they're still doing long form content that people can really

1535
01:07:38,840 --> 01:07:43,000
Speaker 1: connect to and understand and get like engulfed in engage,

1536
01:07:43,600 --> 01:07:45,520
Speaker 1: like this is just like oh, I'm in this. And

1537
01:07:45,560 --> 01:07:47,960
Speaker 1: even when First Take would have guests on, it would

1538
01:07:48,000 --> 01:07:51,960
Speaker 1: be long form conversations and I feel like these pre

1539
01:07:52,240 --> 01:07:55,520
Speaker 1: like it's just stone age shit, Like that's a like

1540
01:07:55,560 --> 01:07:59,400
Speaker 1: when et would come in between the news and it

1541
01:07:59,560 --> 01:08:02,040
Speaker 1: just be like hits, like oh, this person's dating this person,

1542
01:08:02,040 --> 01:08:03,920
Speaker 1: Like cool, That's that's what it is. But it's not

1543
01:08:03,960 --> 01:08:07,240
Speaker 1: you're not really it's not connecting connecting to it. And

1544
01:08:07,280 --> 01:08:10,400
Speaker 1: when you're selling an actual product or entertainment, movie, song,

1545
01:08:10,440 --> 01:08:11,440
Speaker 1: whatever the fuck you're doing.

1546
01:08:11,560 --> 01:08:13,240
Speaker 2: That's just people got to connect to it.

1547
01:08:13,200 --> 01:08:14,400
Speaker 1: It's not the way to do it.

1548
01:08:14,560 --> 01:08:17,559
Speaker 2: Like yeah, but I but again, you know.

1549
01:08:17,640 --> 01:08:20,840
Speaker 1: What, they added podcasts And this isn't a slight to BT, no, no,

1550
01:08:21,080 --> 01:08:23,240
Speaker 1: because I thought they did a fucking amazing.

1551
01:08:22,840 --> 01:08:25,080
Speaker 2: It was amazing that that room.

1552
01:08:25,000 --> 01:08:29,320
Speaker 1: Was Terrence smoke, whole pre show shouts, Terrence J he

1553
01:08:29,680 --> 01:08:33,040
Speaker 1: killed all that ship. I'm just I viewed it differently

1554
01:08:33,200 --> 01:08:36,120
Speaker 1: when they even when Eden kept saying like, oh, look

1555
01:08:36,160 --> 01:08:38,920
Speaker 1: at all the radio ships in the middle of the room,

1556
01:08:39,160 --> 01:08:41,719
Speaker 1: and like the podcasts are the outside where the bigger

1557
01:08:41,840 --> 01:08:44,760
Speaker 1: couches with the booths. Yeah, the better places to be

1558
01:08:44,760 --> 01:08:48,400
Speaker 1: because obviously content has shifted in longer form ship that's

1559
01:08:48,400 --> 01:08:51,519
Speaker 1: what people care about. I think that was the good

1560
01:08:51,560 --> 01:08:55,000
Speaker 1: first step. I think there needs to be some type

1561
01:08:55,040 --> 01:08:57,880
Speaker 1: of media press room that is actually dedicated to how

1562
01:08:58,040 --> 01:09:02,360
Speaker 1: podcasts like True Engage operated when it comes to these

1563
01:09:02,360 --> 01:09:05,880
Speaker 1: award shows, movies, anything that does a press room. Yeah, like,

1564
01:09:05,960 --> 01:09:09,240
Speaker 1: maybe it's just three people that you put Like when

1565
01:09:09,240 --> 01:09:12,360
Speaker 1: we interviewed Taraji, that shit has just been a full

1566
01:09:12,400 --> 01:09:15,120
Speaker 1: episode into it. Maybe just get us there just just

1567
01:09:15,160 --> 01:09:18,080
Speaker 1: to interview Taraji and then we out, yeah, and then

1568
01:09:18,160 --> 01:09:20,880
Speaker 1: let all the radio quick hit shit do everything else.

1569
01:09:22,240 --> 01:09:24,040
Speaker 2: Taraji was dope too, because.

1570
01:09:23,920 --> 01:09:26,600
Speaker 1: We found ourselves with every conversation with the people that

1571
01:09:26,600 --> 01:09:28,680
Speaker 1: we actually really fucked with, Hey, we got to sit

1572
01:09:28,720 --> 01:09:29,479
Speaker 1: down and do a real one.

1573
01:09:29,600 --> 01:09:30,560
Speaker 2: Yeah.

1574
01:09:30,640 --> 01:09:32,080
Speaker 6: Yeah, I was gonna just tell you guys, you guys

1575
01:09:32,080 --> 01:09:33,680
Speaker 6: are dope for that, because at the end of the day,

1576
01:09:33,720 --> 01:09:35,880
Speaker 6: I know you guys really want to get engaged with

1577
01:09:35,920 --> 01:09:37,760
Speaker 6: these people that you guys. I'm pretty sure that I

1578
01:09:37,760 --> 01:09:39,439
Speaker 6: can only imagine how many of them you wanted them to.

1579
01:09:40,160 --> 01:09:43,240
Speaker 4: The Neo episode would be my dream Listen, I just

1580
01:09:43,280 --> 01:09:44,960
Speaker 4: you know what it is. I just I always said

1581
01:09:45,040 --> 01:09:47,800
Speaker 4: I don't ever want to feel like I'm interviewing somebody. Yeah,

1582
01:09:48,000 --> 01:09:51,040
Speaker 4: and that interview is like interrogation, Like and who wants

1583
01:09:51,080 --> 01:09:52,080
Speaker 4: to be an interrogation room?

1584
01:09:52,080 --> 01:09:52,599
Speaker 2: You know what I'm saying.

1585
01:09:52,680 --> 01:09:53,000
Speaker 3: I don't.

1586
01:09:53,640 --> 01:09:55,280
Speaker 4: I don't like that feeling like I want to just

1587
01:09:55,360 --> 01:09:58,439
Speaker 4: let's just let's connect on a real level, you know

1588
01:09:58,439 --> 01:10:00,360
Speaker 4: what I'm saying, and find out out like, oh shit,

1589
01:10:00,439 --> 01:10:02,600
Speaker 4: you went too that type of shit too, Okay, so

1590
01:10:02,680 --> 01:10:04,960
Speaker 4: maybe we could and you know what I mean, And

1591
01:10:05,000 --> 01:10:08,280
Speaker 4: because from that it's gonna birth like a whole real

1592
01:10:08,360 --> 01:10:10,720
Speaker 4: conversation because we're in a real moment and in a

1593
01:10:10,760 --> 01:10:13,040
Speaker 4: real connection, you know what I'm saying. Being in there

1594
01:10:13,160 --> 01:10:15,600
Speaker 4: again no slight to BT and what they did with

1595
01:10:15,640 --> 01:10:17,680
Speaker 4: the media on that media hub, that was amazing. That

1596
01:10:17,760 --> 01:10:20,720
Speaker 4: was some the culture oppressed like that changed, Like that

1597
01:10:20,840 --> 01:10:23,519
Speaker 4: changed a lot for me. But I'm just saying like,

1598
01:10:23,760 --> 01:10:26,679
Speaker 4: in order to elevate it and to make a real connection,

1599
01:10:26,800 --> 01:10:30,920
Speaker 4: I think with the fan base, I think that should

1600
01:10:30,960 --> 01:10:33,880
Speaker 4: be something we're again three four are going to be

1601
01:10:34,680 --> 01:10:39,800
Speaker 4: given like thirty minutes with this podcast or fifteen minutes

1602
01:10:39,840 --> 01:10:42,439
Speaker 4: with this podcast, Like you know what I'm saying something

1603
01:10:42,520 --> 01:10:44,519
Speaker 4: like that, and it has to be something where we

1604
01:10:44,560 --> 01:10:46,880
Speaker 4: agree to it beforehand, so that we kind of already

1605
01:10:46,920 --> 01:10:48,320
Speaker 4: on the same type of beau.

1606
01:10:48,400 --> 01:10:50,920
Speaker 1: Because it felt to what you just said, it felt

1607
01:10:50,960 --> 01:10:53,200
Speaker 1: like interviews, and that's why I didn't like it. We

1608
01:10:53,200 --> 01:10:57,080
Speaker 1: were rushed for a lot of every every public I.

1609
01:10:57,080 --> 01:10:58,800
Speaker 2: Speed dated Taji.

1610
01:10:59,360 --> 01:11:00,000
Speaker 1: That was a great converse.

1611
01:11:00,760 --> 01:11:06,480
Speaker 4: Speed dated Taraji, speed dated uh, Slim Thug speed dated everybody.

1612
01:11:06,520 --> 01:11:08,080
Speaker 2: Bro was like, Yo, where how you doing?

1613
01:11:08,240 --> 01:11:08,439
Speaker 5: We been?

1614
01:11:08,680 --> 01:11:10,200
Speaker 2: I'm saying you got going on building.

1615
01:11:12,439 --> 01:11:16,360
Speaker 1: And even I felt like Slim was probably the conversation

1616
01:11:16,439 --> 01:11:18,920
Speaker 1: because Slim and I started talking about spots to eat

1617
01:11:19,120 --> 01:11:22,519
Speaker 1: and Houston and certain camp and all that camp. That's

1618
01:11:22,600 --> 01:11:23,960
Speaker 1: the type of ship I was trying to get into.

1619
01:11:24,320 --> 01:11:27,800
Speaker 1: I don't care who Slim Thug wants to see if

1620
01:11:27,840 --> 01:11:30,880
Speaker 1: the bat was, but like it was forced for us

1621
01:11:30,880 --> 01:11:32,680
Speaker 1: to be in that environment that you have to just

1622
01:11:32,800 --> 01:11:38,600
Speaker 1: ask those quick hit interview BT questions and yeah, it

1623
01:11:38,760 --> 01:11:41,240
Speaker 1: just needs to be because you know their pr prep

1624
01:11:41,280 --> 01:11:43,800
Speaker 1: them because you also have to think that too. They're

1625
01:11:43,840 --> 01:11:46,240
Speaker 1: going in there thinking I'm going to be asked the

1626
01:11:46,320 --> 01:11:48,960
Speaker 1: same a bunch of quick it's just gonna be a

1627
01:11:48,960 --> 01:11:51,080
Speaker 1: different outlet from a different part of the country, and

1628
01:11:51,320 --> 01:11:54,760
Speaker 1: they're gonna say, hey, who produced your album? And are

1629
01:11:54,760 --> 01:11:55,800
Speaker 1: you excited.

1630
01:11:57,439 --> 01:11:58,559
Speaker 2: Right now?

1631
01:11:58,600 --> 01:12:01,599
Speaker 4: That I know what it feels like, I know exactly

1632
01:12:01,640 --> 01:12:03,000
Speaker 4: how we could do that again.

1633
01:12:03,080 --> 01:12:05,599
Speaker 2: Oh yeah, and totally create a whole different experience.

1634
01:12:05,640 --> 01:12:07,880
Speaker 1: Oh I would come. We would just find a specific

1635
01:12:07,880 --> 01:12:10,080
Speaker 1: weird subject and just ask a bunch of questions that

1636
01:12:10,080 --> 01:12:11,400
Speaker 1: had nothing to do like that.

1637
01:12:11,680 --> 01:12:14,920
Speaker 4: I know exactly, even aesthetically, like the things we could

1638
01:12:14,920 --> 01:12:16,720
Speaker 4: play with now you know what I'm saying, Like where

1639
01:12:16,800 --> 01:12:20,120
Speaker 4: to be like other ship, Like I could just and

1640
01:12:20,200 --> 01:12:22,439
Speaker 4: I'm like, okay, I'll see what this is now. First

1641
01:12:22,479 --> 01:12:25,040
Speaker 4: time being invited to the party, you don't really know

1642
01:12:25,080 --> 01:12:26,040
Speaker 4: how to get it down there.

1643
01:12:26,120 --> 01:12:28,559
Speaker 2: You're reading the room like that was like for.

1644
01:12:28,600 --> 01:12:30,519
Speaker 4: Me, it was like going to a party and finding

1645
01:12:30,520 --> 01:12:31,800
Speaker 4: out you could smoke in here.

1646
01:12:31,800 --> 01:12:33,160
Speaker 2: But I left all the week at the hotel.

1647
01:12:33,400 --> 01:12:36,120
Speaker 4: Yeah, I'm like, wait what like we had all of it,

1648
01:12:36,320 --> 01:12:38,439
Speaker 4: you know, Like that's what it was like for me.

1649
01:12:38,640 --> 01:12:40,559
Speaker 4: Like I got invited to the party, I said, now

1650
01:12:40,600 --> 01:12:44,320
Speaker 4: I'm not gonna bring the packets. Yeah, you can't smoke

1651
01:12:44,360 --> 01:12:46,120
Speaker 4: in it. And I'm not gonna be that guy. And

1652
01:12:46,160 --> 01:12:49,920
Speaker 4: then you come in here and not saying she did,

1653
01:12:49,960 --> 01:12:51,479
Speaker 4: but somebody like to Rog you be like, yo, nobody

1654
01:12:51,479 --> 01:12:54,080
Speaker 4: ain't got no wi you like, oh my could have

1655
01:12:54,120 --> 01:12:57,080
Speaker 4: connected man to Roger, could have connected off the weed

1656
01:12:57,320 --> 01:12:58,960
Speaker 4: like you kidding, Like that's what it was like.

1657
01:12:59,040 --> 01:13:01,479
Speaker 2: It was like, Okay, I see what the setup is.

1658
01:13:01,600 --> 01:13:02,479
Speaker 2: I see what they're doing.

1659
01:13:03,320 --> 01:13:05,040
Speaker 4: I just know how Rory and myself could make us

1660
01:13:05,040 --> 01:13:08,479
Speaker 4: a total different experience for everybody that comes and sits

1661
01:13:08,479 --> 01:13:10,720
Speaker 4: and talks with us. So now, but again, thank you

1662
01:13:10,760 --> 01:13:13,160
Speaker 4: to BT. That was super dope. Thank you for putting

1663
01:13:13,200 --> 01:13:13,679
Speaker 4: that together.

1664
01:13:15,120 --> 01:13:15,960
Speaker 2: The mudget was real.

1665
01:13:16,080 --> 01:13:17,840
Speaker 3: Mam would not drink the designy.

1666
01:13:18,360 --> 01:13:20,679
Speaker 1: Daddy would not, but he did drink the tap water

1667
01:13:20,680 --> 01:13:22,120
Speaker 1: from the bathroom. He just didn't realize.

1668
01:13:22,360 --> 01:13:24,559
Speaker 3: I don't know why he thought it was like I said.

1669
01:13:24,360 --> 01:13:26,480
Speaker 2: It was tapwater. I said it was that good California

1670
01:13:26,479 --> 01:13:26,880
Speaker 2: tab water.

1671
01:13:27,000 --> 01:13:27,200
Speaker 3: Yeah.

1672
01:13:27,240 --> 01:13:32,880
Speaker 4: I could taste the stable, I could taste the Lakers

1673
01:13:32,920 --> 01:13:33,840
Speaker 4: jerseys for sure.

1674
01:13:34,880 --> 01:13:36,400
Speaker 1: That is the New York City water thing. Is that

1675
01:13:36,520 --> 01:13:39,080
Speaker 1: just something that we make up to make ourselves feel better.

1676
01:13:39,160 --> 01:13:40,639
Speaker 2: New York has some of the best tap water.

1677
01:13:40,840 --> 01:13:42,080
Speaker 1: I know, I know we say that all the time.

1678
01:13:42,120 --> 01:13:43,760
Speaker 1: But actually a fabulous I believe it.

1679
01:13:43,800 --> 01:13:44,400
Speaker 2: Yeah, that's a fact.

1680
01:13:44,640 --> 01:13:45,920
Speaker 1: But how do we know? Of course I have.

1681
01:13:45,960 --> 01:13:47,200
Speaker 3: Jersey tap water is crazy.

1682
01:13:47,240 --> 01:13:49,640
Speaker 1: It's no Jersey tap water tastes drastically.

1683
01:13:50,000 --> 01:13:51,960
Speaker 2: It tastes like Donnie Brosco.

1684
01:13:53,520 --> 01:13:54,920
Speaker 1: The undercover copy.

1685
01:13:57,360 --> 01:14:00,240
Speaker 2: Know the movie, the entire movies would it takes.

1686
01:14:01,040 --> 01:14:05,639
Speaker 1: But the movie took place in New York. The top

1687
01:14:05,680 --> 01:14:07,719
Speaker 1: of it looks like Johnny Depp said, child?

1688
01:14:10,240 --> 01:14:10,680
Speaker 2: But is that?

1689
01:14:10,840 --> 01:14:11,479
Speaker 1: Is that a fact?

1690
01:14:11,520 --> 01:14:11,720
Speaker 2: Though?

1691
01:14:11,760 --> 01:14:13,880
Speaker 1: Because I've said that my whole life. Is that really true?

1692
01:14:13,880 --> 01:14:14,799
Speaker 2: Though? No, it's true.

1693
01:14:15,040 --> 01:14:17,559
Speaker 1: Okay, Yeah, I wasn't sure if we just made that up.

1694
01:14:17,600 --> 01:14:18,840
Speaker 1: I mean to flex the way.

1695
01:14:19,000 --> 01:14:22,479
Speaker 2: No, no, you can. You can search that. And it's

1696
01:14:22,520 --> 01:14:24,599
Speaker 2: not just because of this the city of New York.

1697
01:14:24,680 --> 01:14:26,519
Speaker 2: It's the State of New York.

1698
01:14:26,560 --> 01:14:28,840
Speaker 1: Oh, I thought it was just the city to the

1699
01:14:28,880 --> 01:14:32,519
Speaker 1: State of New York apparently has a naturally soft mineral palette.

1700
01:14:33,080 --> 01:14:35,640
Speaker 4: Yeah, you niggas got a hard palace. That's why I

1701
01:14:35,640 --> 01:14:36,560
Speaker 4: don't respect.

1702
01:14:38,720 --> 01:14:42,679
Speaker 1: Oh. Speaking of water, and call back to the shot

1703
01:14:42,720 --> 01:14:45,559
Speaker 1: the girl that I went to the Fujis concert with Seine,

1704
01:14:46,160 --> 01:14:48,479
Speaker 1: she got her get back on me. It made me

1705
01:14:48,479 --> 01:14:54,320
Speaker 1: look stupid, I argued her down to say that the

1706
01:14:54,400 --> 01:14:58,200
Speaker 1: Hudson was salt water, and she was like, it's it's not.

1707
01:14:58,920 --> 01:15:01,559
Speaker 1: And I said, you're fuck bugging, not that I've jumped

1708
01:15:01,600 --> 01:15:06,200
Speaker 1: in there, but that's salt fucking water Bay Bay, And

1709
01:15:06,240 --> 01:15:09,080
Speaker 1: she said, no, it's a mix. The Hudson River has

1710
01:15:09,160 --> 01:15:12,160
Speaker 1: fresh water from the top and salt water from the ocean.

1711
01:15:13,000 --> 01:15:17,000
Speaker 1: And I'm like, all right, if you're gonna fresh water

1712
01:15:17,080 --> 01:15:20,000
Speaker 1: in the Hudson, you're bugging. And then we googled it,

1713
01:15:20,040 --> 01:15:23,360
Speaker 1: and boy, was she fucking right. That's it's a tough

1714
01:15:23,439 --> 01:15:26,160
Speaker 1: hit when you just argue something down here totally wrong

1715
01:15:26,200 --> 01:15:29,640
Speaker 1: and then someone googles it. Yeah, I even think I

1716
01:15:29,720 --> 01:15:32,320
Speaker 1: even think I hit her with They're like, yo, you're stupid.

1717
01:15:32,360 --> 01:15:34,799
Speaker 1: I'm one hundred percent right, Like I got really arrogant

1718
01:15:35,760 --> 01:15:36,679
Speaker 1: with like, yo.

1719
01:15:36,520 --> 01:15:37,360
Speaker 2: Being arroganting?

1720
01:15:37,400 --> 01:15:37,679
Speaker 1: Wrong?

1721
01:15:37,800 --> 01:15:39,040
Speaker 2: Is some of the funny is wrong?

1722
01:15:39,080 --> 01:15:41,720
Speaker 1: And strong say it's better all the time not being

1723
01:15:41,720 --> 01:15:45,080
Speaker 1: fucking wrong, and strong, Yeah, look it up.

1724
01:15:45,960 --> 01:15:48,759
Speaker 6: The Hudson River looked clean and the teeming with fish,

1725
01:15:48,920 --> 01:15:51,000
Speaker 6: but the fish in the river on the bottom, which

1726
01:15:51,000 --> 01:15:54,560
Speaker 6: is depending for food and shelter, are contaminated by PCBs.

1727
01:15:54,760 --> 01:15:56,720
Speaker 1: Oh no, fresh water, I don't mean it's clean, but

1728
01:15:56,760 --> 01:15:58,680
Speaker 1: it's got freshwater, and saltwater.

1729
01:15:58,280 --> 01:16:01,000
Speaker 6: Can cause cause other serious health problems. The river is

1730
01:16:01,040 --> 01:16:04,080
Speaker 6: not what are PCBs.

1731
01:16:03,600 --> 01:16:04,920
Speaker 1: It's an STD from the Bronx.

1732
01:16:06,160 --> 01:16:10,840
Speaker 4: PCBs is that wait what? Yeah, I feel like the

1733
01:16:10,840 --> 01:16:12,640
Speaker 4: Bronx just got shipped on and I have to save it.

1734
01:16:12,720 --> 01:16:18,400
Speaker 6: Polly chlorinated by Fennels.

1735
01:16:17,160 --> 01:16:22,000
Speaker 4: That oh niggas is dropping down, bodies is hitting the

1736
01:16:22,000 --> 01:16:24,320
Speaker 4: floor every week uptown from the FED. I'm telling you

1737
01:16:24,360 --> 01:16:26,960
Speaker 4: that I can guarantee you that I can't tell you

1738
01:16:27,000 --> 01:16:30,000
Speaker 4: how I know these things, but I know I.

1739
01:16:29,920 --> 01:16:32,120
Speaker 1: Want to argue that Chris Brown album, but Demarus left

1740
01:16:32,120 --> 01:16:34,440
Speaker 1: and she's my only ally in my Chris Brown conversations.

1741
01:16:34,560 --> 01:16:37,759
Speaker 1: Let's argue, Uh, this is the first Chris Brown album

1742
01:16:37,840 --> 01:16:40,120
Speaker 1: that I've liked in a very very very very very

1743
01:16:40,200 --> 01:16:43,680
Speaker 1: very very And I love Chris Brown. I think all

1744
01:16:43,720 --> 01:16:46,719
Speaker 1: his albums have great records. And I think Chris Brown

1745
01:16:46,760 --> 01:16:49,000
Speaker 1: is a fucking icon. And you guys are gonna call

1746
01:16:49,040 --> 01:16:54,960
Speaker 1: me Dick Ryder. I'm scared say some people people Chris Brown. Yeah,

1747
01:16:55,200 --> 01:16:57,479
Speaker 1: I think his Achilles heel has been Chris Brown doesn't

1748
01:16:57,479 --> 01:16:59,720
Speaker 1: make good albums, and I think that's what separates him

1749
01:16:59,760 --> 01:17:02,840
Speaker 1: from the icons. That he doesn't have like, let's not

1750
01:17:02,880 --> 01:17:05,680
Speaker 1: even just say that one that one album that we

1751
01:17:05,720 --> 01:17:07,720
Speaker 1: could all go to. I just feel like his desography

1752
01:17:07,800 --> 01:17:10,519
Speaker 1: has missed a lot as far as albums are created.

1753
01:17:11,479 --> 01:17:13,639
Speaker 1: And I'm not saying this one is that either. But

1754
01:17:13,680 --> 01:17:15,960
Speaker 1: this this album I do like a lot. And it's

1755
01:17:16,000 --> 01:17:20,240
Speaker 1: the first Chris Brown album that yeah that like. I

1756
01:17:20,760 --> 01:17:22,320
Speaker 1: I could just let this ship run and I'm.

1757
01:17:22,160 --> 01:17:24,720
Speaker 4: Cool this is This album is incredible. He smoked the

1758
01:17:24,720 --> 01:17:27,000
Speaker 4: shit the record with him and whiz Kid. I think

1759
01:17:27,080 --> 01:17:28,800
Speaker 4: maybe our song of the year so far.

1760
01:17:29,800 --> 01:17:32,000
Speaker 1: I wouldn't go that far. I like the approach they

1761
01:17:32,000 --> 01:17:37,280
Speaker 1: took because I was expecting extremely fucking stereotypical afrobeat whiz

1762
01:17:37,360 --> 01:17:39,960
Speaker 1: Kid record when I saw it on the track list,

1763
01:17:40,000 --> 01:17:42,880
Speaker 1: and it's it's afrobeats, but it's not the it's not

1764
01:17:43,000 --> 01:17:45,840
Speaker 1: what you Yeah, it's not just straight to it. That

1765
01:17:46,000 --> 01:17:47,960
Speaker 1: is one of the better records on there. Yeah, but

1766
01:17:48,000 --> 01:17:51,439
Speaker 1: I don't know song it that's a lot.

1767
01:17:51,600 --> 01:17:53,400
Speaker 2: Is it not nominated as of right now?

1768
01:17:53,760 --> 01:17:55,599
Speaker 1: It could be up there. I gotta hear it outside.

1769
01:17:55,680 --> 01:17:57,840
Speaker 1: Let me hear it outside. You know what, that's I

1770
01:17:57,840 --> 01:17:59,360
Speaker 1: have to go to summer club in Long Island said,

1771
01:17:59,360 --> 01:18:02,559
Speaker 1: you know what, you know what that You've seen him

1772
01:18:02,600 --> 01:18:04,960
Speaker 1: on ig, haven't you. They're all at Summer Club.

1773
01:18:05,600 --> 01:18:06,320
Speaker 2: I don't want to beat there.

1774
01:18:06,320 --> 01:18:06,920
Speaker 1: I got the plug.

1775
01:18:07,000 --> 01:18:07,519
Speaker 2: No, I'm cool.

1776
01:18:07,600 --> 01:18:08,760
Speaker 3: You got the plug for Summer Club.

1777
01:18:08,800 --> 01:18:10,759
Speaker 1: Oh yeah, No, we get a whole table for free,

1778
01:18:11,080 --> 01:18:11,880
Speaker 1: the whole table.

1779
01:18:11,960 --> 01:18:13,160
Speaker 2: I don't want to see that. The whole table.

1780
01:18:13,640 --> 01:18:15,840
Speaker 1: The whole table, I said, the whole table, the whole

1781
01:18:15,840 --> 01:18:18,200
Speaker 1: table with No, it's a whole table, the whole table

1782
01:18:18,560 --> 01:18:20,799
Speaker 1: with hosts. The whole table will be full of posts.

1783
01:18:20,840 --> 01:18:25,080
Speaker 2: This this album was definitely but I agree with you.

1784
01:18:25,200 --> 01:18:27,200
Speaker 2: It's one of Chris Brown's best albums.

1785
01:18:27,320 --> 01:18:30,880
Speaker 1: I think it is, which again, I just it's tough

1786
01:18:31,120 --> 01:18:31,559
Speaker 1: to say.

1787
01:18:31,880 --> 01:18:32,000
Speaker 5: Uh.

1788
01:18:32,280 --> 01:18:35,599
Speaker 4: My only problem with Chris and I super I love

1789
01:18:35,680 --> 01:18:37,519
Speaker 4: Chris Brown. I'm on record saying he's one of the

1790
01:18:37,520 --> 01:18:40,200
Speaker 4: most talented artists we've ever had.

1791
01:18:41,400 --> 01:18:45,320
Speaker 2: But I just think the albums be too long. I

1792
01:18:45,360 --> 01:18:47,719
Speaker 2: mean hour and twenty minutes, yea.

1793
01:18:48,439 --> 01:18:51,800
Speaker 1: Four tracks. If Chris wanted to do the album ship

1794
01:18:52,000 --> 01:18:54,840
Speaker 1: like the bad Thriller type shit, because when he keeps

1795
01:18:54,880 --> 01:18:56,400
Speaker 1: doing this Michael Jackson ship the past month.

1796
01:18:57,520 --> 01:18:58,519
Speaker 2: Wait what Michael Jackson?

1797
01:18:58,560 --> 01:18:59,639
Speaker 3: Yeah what Michael Jacksons shit.

1798
01:19:01,160 --> 01:19:03,000
Speaker 1: He even addressed it on his press round and people

1799
01:19:03,080 --> 01:19:05,080
Speaker 1: keep comparing him to Michael Jackson.

1800
01:19:05,320 --> 01:19:07,760
Speaker 3: Oh that, yes, yeah.

1801
01:19:07,560 --> 01:19:11,519
Speaker 4: I mean maybe talent talent, I'm on, I've said it before.

1802
01:19:11,960 --> 01:19:14,240
Speaker 4: I think that as far as talent, just being able

1803
01:19:14,240 --> 01:19:18,000
Speaker 4: to dance and he's up there singing, he's on that.

1804
01:19:18,080 --> 01:19:19,080
Speaker 2: He's that god level.

1805
01:19:19,240 --> 01:19:24,000
Speaker 1: As far as talent, of course crazy. Sure, he can draw, skateboard,

1806
01:19:24,000 --> 01:19:28,360
Speaker 1: he can do like he's he's a gymnast, could get

1807
01:19:28,400 --> 01:19:32,160
Speaker 1: a gold medal at the Olympics. Yea, Chris needs, I think,

1808
01:19:32,160 --> 01:19:37,680
Speaker 1: to lock in with like not a producer, not a

1809
01:19:37,720 --> 01:19:40,559
Speaker 1: beat maker, Like he needs to sit with like a

1810
01:19:40,600 --> 01:19:45,160
Speaker 1: fucking ranger, one of those weirdo musical fucking geniuses, and

1811
01:19:45,200 --> 01:19:47,000
Speaker 1: be like, Yo, we're gonna make twelve records and you

1812
01:19:47,000 --> 01:19:48,920
Speaker 1: need to shut the fuck up and we're gonna focus

1813
01:19:48,920 --> 01:19:51,400
Speaker 1: on all twelve of these. Yeah, that's what he needs

1814
01:19:51,400 --> 01:19:53,559
Speaker 1: to get in that album, right, because he's just his

1815
01:19:53,720 --> 01:19:54,839
Speaker 1: talent is his achilles.

1816
01:19:54,880 --> 01:19:57,200
Speaker 2: He like, he's still so talent, he could do this

1817
01:19:57,240 --> 01:19:58,599
Speaker 2: ship so fucking easy.

1818
01:19:58,840 --> 01:20:02,040
Speaker 1: And he is talent at finding other people that are talented.

1819
01:20:02,240 --> 01:20:05,560
Speaker 1: So he finds writers that are incredible, He finds producers

1820
01:20:05,680 --> 01:20:07,920
Speaker 1: like quick Yo, send me a pack. Chris will have

1821
01:20:07,960 --> 01:20:10,919
Speaker 1: the ear to find the right one. He's too talented,

1822
01:20:10,960 --> 01:20:12,640
Speaker 1: and I know, I know the internet is going to

1823
01:20:12,680 --> 01:20:15,280
Speaker 1: get that sounds crazy. I know he's just that's his problem.

1824
01:20:15,280 --> 01:20:16,840
Speaker 1: But I know what I'm saying, and I know what

1825
01:20:16,880 --> 01:20:17,160
Speaker 1: I mean.

1826
01:20:17,479 --> 01:20:20,360
Speaker 2: You know you're saying. It just needs to be.

1827
01:20:20,360 --> 01:20:22,439
Speaker 1: His output needs to be brought back like you're doing

1828
01:20:22,439 --> 01:20:24,320
Speaker 1: way too much. I know it all sounds amazing, but

1829
01:20:24,360 --> 01:20:26,240
Speaker 1: that doesn't mean the world needs to hear it. Maybe

1830
01:20:26,280 --> 01:20:28,040
Speaker 1: you need to lock in and find a new approach

1831
01:20:28,080 --> 01:20:30,559
Speaker 1: because you're too good at this that's in this phone

1832
01:20:30,640 --> 01:20:33,400
Speaker 1: right now. Yeah, you need just to sit the fuck

1833
01:20:33,479 --> 01:20:36,240
Speaker 1: down and focus on ten records and just those ten

1834
01:20:36,320 --> 01:20:40,639
Speaker 1: records he's on but cocaine, you know, sometimes right now,

1835
01:20:41,320 --> 01:20:44,560
Speaker 1: thirty four, maybe Chris.

1836
01:20:44,200 --> 01:20:46,840
Speaker 3: Brown is like two years older than me, solid thirty

1837
01:20:46,840 --> 01:20:50,880
Speaker 3: three years old. Thirty three, yes, yeah, this this he

1838
01:20:50,960 --> 01:20:51,759
Speaker 3: just turned thirty three.

1839
01:20:52,000 --> 01:20:53,160
Speaker 2: He's at that He's.

1840
01:20:53,000 --> 01:20:56,160
Speaker 4: At that age right now where it's like you could,

1841
01:20:56,160 --> 01:20:59,840
Speaker 4: really you could, he could break through a whole new level.

1842
01:21:00,040 --> 01:21:04,479
Speaker 4: I'm like, like, if Chris Brown became like if he

1843
01:21:04,560 --> 01:21:08,360
Speaker 4: disappeared on social media and we didn't see him and

1844
01:21:08,400 --> 01:21:10,280
Speaker 4: we only see him when he wanted us to see him,

1845
01:21:10,320 --> 01:21:11,840
Speaker 4: like as far as like music and shit like that,

1846
01:21:11,880 --> 01:21:15,800
Speaker 4: Like if he went into that realm, he might be

1847
01:21:15,800 --> 01:21:17,000
Speaker 4: able to really pull that off.

1848
01:21:17,920 --> 01:21:19,519
Speaker 3: Does that mean he would have to pull out of

1849
01:21:19,560 --> 01:21:20,439
Speaker 3: features and everything.

1850
01:21:21,160 --> 01:21:23,479
Speaker 4: Yeah, he almost got to become It's like he gotta,

1851
01:21:23,560 --> 01:21:25,599
Speaker 4: he gotta. He got to create his own, his own

1852
01:21:25,600 --> 01:21:26,519
Speaker 4: world and live in it.

1853
01:21:26,760 --> 01:21:28,439
Speaker 1: I kind of feel like he did that though to

1854
01:21:28,520 --> 01:21:31,200
Speaker 1: some degree before this album. This was the first time

1855
01:21:31,240 --> 01:21:32,640
Speaker 1: I felt like Chris kind of disappeared.

1856
01:21:34,680 --> 01:21:36,120
Speaker 3: Uh what fat did I hear?

1857
01:21:36,280 --> 01:21:37,800
Speaker 2: He has in.

1858
01:21:37,800 --> 01:21:40,759
Speaker 1: The way Chris's output was before, as far as features,

1859
01:21:40,800 --> 01:21:43,360
Speaker 1: even just being seen outside.

1860
01:21:42,800 --> 01:21:46,760
Speaker 4: Like, yo, because he's I'm telling you bro. First of all, again,

1861
01:21:46,800 --> 01:21:48,960
Speaker 4: I don't this album is incredible. This is a great

1862
01:21:48,960 --> 01:21:52,880
Speaker 4: fucking a great album. A lot of good fucking music

1863
01:21:52,920 --> 01:21:56,960
Speaker 4: on here. But I just think that, Yo, like Rory saying,

1864
01:21:57,040 --> 01:22:00,600
Speaker 4: Chris is so talented, he he gonna have to do

1865
01:22:00,640 --> 01:22:01,200
Speaker 4: something else.

1866
01:22:01,560 --> 01:22:03,439
Speaker 1: Yeah, he has to find a new approach because he.

1867
01:22:03,400 --> 01:22:04,639
Speaker 2: Got it approach it's too good.

1868
01:22:04,760 --> 01:22:07,639
Speaker 4: He gotta become, he gotta become like he almost gotta

1869
01:22:07,680 --> 01:22:10,559
Speaker 4: get like weird. And I hate to say that because

1870
01:22:10,560 --> 01:22:12,160
Speaker 4: I wanted to sound like a like a like a

1871
01:22:12,200 --> 01:22:15,080
Speaker 4: bad thing, but like a good weird where it's like, Yo,

1872
01:22:15,120 --> 01:22:16,840
Speaker 4: what the fuck do this dude be doing?

1873
01:22:16,960 --> 01:22:18,120
Speaker 2: Like we haven't seen that.

1874
01:22:18,479 --> 01:22:21,519
Speaker 1: The same time we were talking about with the press

1875
01:22:21,680 --> 01:22:24,960
Speaker 1: shit a consumer being connected to it. What was the

1876
01:22:25,040 --> 01:22:26,479
Speaker 1: name of that Chris Brown album that he put out

1877
01:22:26,520 --> 01:22:27,760
Speaker 1: sixty four fucking records on?

1878
01:22:28,000 --> 01:22:30,599
Speaker 3: Oh my god, I was just looking at this.

1879
01:22:30,680 --> 01:22:33,760
Speaker 1: I listened to that once, and there's not a bad

1880
01:22:33,840 --> 01:22:37,799
Speaker 1: song in all sixty four. I didn't connect. I connected

1881
01:22:37,840 --> 01:22:39,640
Speaker 1: to maybe ten of them. And I think that's my

1882
01:22:39,720 --> 01:22:44,200
Speaker 1: problem with Chris. Chris can make sixty four amazing fucking records,

1883
01:22:44,240 --> 01:22:47,639
Speaker 1: but because he's so talented, it's so easy that there's

1884
01:22:47,640 --> 01:22:48,679
Speaker 1: no connection to it.

1885
01:22:48,680 --> 01:22:49,400
Speaker 2: It's too easy.

1886
01:22:49,720 --> 01:22:52,080
Speaker 1: And at least on this one he got what twenty

1887
01:22:52,439 --> 01:22:53,639
Speaker 1: two records or something?

1888
01:22:53,680 --> 01:22:54,400
Speaker 2: Twenty four?

1889
01:22:54,680 --> 01:22:57,519
Speaker 1: Yeah, And that's what I'm saying. This might Benson's X

1890
01:22:57,560 --> 01:23:01,960
Speaker 1: that I've like fucked with the Chris Brown album, not

1891
01:23:02,040 --> 01:23:05,640
Speaker 1: just certain records or his talent or his performance or

1892
01:23:05,640 --> 01:23:09,400
Speaker 1: anything like that. He I think needs to just relax

1893
01:23:10,760 --> 01:23:15,519
Speaker 1: and focus on putting together a project for his legacy.

1894
01:23:15,520 --> 01:23:17,200
Speaker 1: And who the fuck am I like? If Chris Brown

1895
01:23:17,200 --> 01:23:19,320
Speaker 1: wants to just put out sixty four records.

1896
01:23:19,200 --> 01:23:20,920
Speaker 4: I'm gonna go I'm gonna go another way with it.

1897
01:23:21,520 --> 01:23:28,040
Speaker 4: He might need to fall in love. Well, I'm gonna

1898
01:23:28,040 --> 01:23:28,960
Speaker 4: go a whole another way with it.

1899
01:23:29,760 --> 01:23:35,439
Speaker 1: Have you listened to the song K but I give

1900
01:23:35,479 --> 01:23:37,599
Speaker 1: you on put a little K sauce on his album too?

1901
01:23:37,680 --> 01:23:38,679
Speaker 2: He definitely did.

1902
01:23:38,960 --> 01:23:40,320
Speaker 1: He blamed Justine a little bit.

1903
01:23:40,360 --> 01:23:41,160
Speaker 3: He definitely did.

1904
01:23:41,680 --> 01:23:42,400
Speaker 2: He definitely did.

1905
01:23:42,560 --> 01:23:44,120
Speaker 1: K is the sickest R and B record of all

1906
01:23:44,160 --> 01:23:45,519
Speaker 1: time and I was still on record with that.

1907
01:23:45,479 --> 01:23:46,320
Speaker 2: Yeah, know what I mean?

1908
01:23:46,400 --> 01:23:49,120
Speaker 4: Like he I think, I think, I think he may

1909
01:23:49,160 --> 01:23:53,840
Speaker 4: need to be like happily in love again and I

1910
01:23:54,200 --> 01:23:56,120
Speaker 4: and again. I don't I'm the last guy to know

1911
01:23:56,120 --> 01:23:58,439
Speaker 4: what niggas is happening in love, So he very well maybe,

1912
01:23:59,400 --> 01:24:03,120
Speaker 4: but he may need that because I remember what the

1913
01:24:03,600 --> 01:24:06,360
Speaker 4: energy and the aura of Chris Brown was when him

1914
01:24:06,400 --> 01:24:09,960
Speaker 4: and Rihanna were together, Like when he would look seem

1915
01:24:10,040 --> 01:24:13,599
Speaker 4: to be genuinely happy and having fun and and love

1916
01:24:13,760 --> 01:24:17,200
Speaker 4: and like, I know, I remember what that energy was.

1917
01:24:17,360 --> 01:24:19,519
Speaker 1: I was also in love at nineteen too. It wasn't real.

1918
01:24:20,240 --> 01:24:22,080
Speaker 4: Yeah, but that's what I'm saying. He has to find

1919
01:24:22,120 --> 01:24:23,640
Speaker 4: He has to find that though. I think he has

1920
01:24:23,680 --> 01:24:26,439
Speaker 4: to find that and then he has to become He

1921
01:24:26,520 --> 01:24:30,200
Speaker 4: may be too accessible. I feel like I feel like

1922
01:24:30,240 --> 01:24:34,280
Speaker 4: niggas got too Like he's such a superstar he might

1923
01:24:34,320 --> 01:24:36,000
Speaker 4: have to tell niggas you'll listen, don't call my phone

1924
01:24:36,040 --> 01:24:37,880
Speaker 4: no more. Like he got to get to that where

1925
01:24:37,920 --> 01:24:41,000
Speaker 4: it was like damn, Like Chris just completely detached. I mean,

1926
01:24:41,000 --> 01:24:43,439
Speaker 4: you keep your core and your family and you know.

1927
01:24:43,920 --> 01:24:45,600
Speaker 4: But like it's a lot of niggas that I know

1928
01:24:45,680 --> 01:24:48,280
Speaker 4: got Chris Brown number. That nigga's too talented. A lot

1929
01:24:48,280 --> 01:24:50,760
Speaker 4: of niggas shouldn't have Chris Brown number. Like when you

1930
01:24:50,800 --> 01:24:53,639
Speaker 4: got that much talent, certain people should not have access

1931
01:24:53,640 --> 01:24:53,800
Speaker 4: to you.

1932
01:24:53,840 --> 01:24:54,680
Speaker 2: I'm sorry, yo.

1933
01:24:54,880 --> 01:24:57,160
Speaker 1: Ray J and Tiger are both legends in their own right.

1934
01:24:57,200 --> 01:24:59,400
Speaker 1: I'm not this, I'm not shitting on them all. But

1935
01:24:59,600 --> 01:25:03,200
Speaker 1: the guy work comparing to Michael Jackson has a mixtape

1936
01:25:03,240 --> 01:25:04,559
Speaker 1: with ray J and Tiger.

1937
01:25:06,479 --> 01:25:08,800
Speaker 4: But why you keep saying comparing, Like I don't think

1938
01:25:08,800 --> 01:25:09,559
Speaker 4: people comparing.

1939
01:25:09,680 --> 01:25:11,120
Speaker 1: Yes, no, that's exactly.

1940
01:25:11,320 --> 01:25:12,479
Speaker 2: I don't think they're listening in the music.

1941
01:25:12,520 --> 01:25:15,000
Speaker 1: I think Chris Christ needs to make a decision. The talent, Chris,

1942
01:25:15,280 --> 01:25:16,600
Speaker 1: he needs to make a decision. You want to be

1943
01:25:16,600 --> 01:25:19,040
Speaker 1: Michael or you want to be Bobby Brown. And and

1944
01:25:19,040 --> 01:25:23,000
Speaker 1: and here's the thing Bobby listen to.

1945
01:25:23,280 --> 01:25:25,320
Speaker 2: He got a lot, Bobby got a lot of He

1946
01:25:25,400 --> 01:25:26,599
Speaker 2: got a lot of Top ten.

1947
01:25:27,120 --> 01:25:30,439
Speaker 1: Let's hear me out. I like, Bobby Brown is a

1948
01:25:30,479 --> 01:25:34,000
Speaker 1: fucking goat. He changed everything, a fucking icon. I'm not slight,

1949
01:25:34,760 --> 01:25:35,800
Speaker 1: You're you're missing.

1950
01:25:35,479 --> 01:25:40,440
Speaker 4: Bobby walk So, Chris, I'm a whole Bobby Now my prerogative,

1951
01:25:40,479 --> 01:25:41,479
Speaker 4: TINDERRONI I got that.

1952
01:25:41,479 --> 01:25:41,840
Speaker 2: I had to.

1953
01:25:42,160 --> 01:25:46,080
Speaker 1: Bobby Brown is a fucking legends. I'm just saying, how

1954
01:25:46,160 --> 01:25:49,519
Speaker 1: you how you perceive that is your own personal business,

1955
01:25:49,560 --> 01:25:52,479
Speaker 1: because I didn't mean that in the slight. I'm saying,

1956
01:25:52,760 --> 01:25:54,320
Speaker 1: do you want to be Bobby.

1957
01:25:54,000 --> 01:25:55,639
Speaker 2: Brown who had a lot of success?

1958
01:25:55,880 --> 01:25:59,160
Speaker 1: Do you want change? Changed the game? Did everything? Bobby

1959
01:25:59,240 --> 01:26:02,400
Speaker 1: is a fucking icon, But you focused on a lot

1960
01:26:02,439 --> 01:26:06,960
Speaker 1: of bullshit when it came to your legacy and and

1961
01:26:07,000 --> 01:26:09,360
Speaker 1: you became very accessible and you ruined a lot of

1962
01:26:09,360 --> 01:26:14,599
Speaker 1: your legacy. Or do you want to be Michael and

1963
01:26:14,640 --> 01:26:17,160
Speaker 1: focus on this album shit? And granted we can all

1964
01:26:17,160 --> 01:26:19,200
Speaker 1: say Michael did had a bunch of shit that fucked

1965
01:26:19,240 --> 01:26:20,439
Speaker 1: up his legacy too.

1966
01:26:20,960 --> 01:26:22,400
Speaker 2: He got some things on his colleague.

1967
01:26:22,800 --> 01:26:24,719
Speaker 4: He definitely I'm gonna say, is the feeds never found

1968
01:26:24,720 --> 01:26:27,559
Speaker 4: nothing but do with that what you will, But when

1969
01:26:27,560 --> 01:26:29,000
Speaker 4: it ain't find that ain't nothing.

1970
01:26:29,280 --> 01:26:32,679
Speaker 1: But when it comes down to music wise, Michael's legacy

1971
01:26:32,840 --> 01:26:39,839
Speaker 1: is untouchable. Bobby did some Bobby things in his musical legacy,

1972
01:26:40,960 --> 01:26:43,799
Speaker 1: whereas Bobby could have been Michael, but Bobby was Bobby,

1973
01:26:43,840 --> 01:26:45,720
Speaker 1: which was fine. That's why he's a legend as well.

1974
01:26:45,760 --> 01:26:48,559
Speaker 1: And Chris could be that as two. But do you

1975
01:26:48,600 --> 01:26:52,960
Speaker 1: want to be this icon that is of Michael at

1976
01:26:52,960 --> 01:26:54,920
Speaker 1: this stature or do you want to be the Bobby

1977
01:26:54,920 --> 01:26:57,760
Speaker 1: stature icon. And I'm not saying either. I'm better than

1978
01:26:58,800 --> 01:27:00,240
Speaker 1: I'm not saying better.

1979
01:27:00,240 --> 01:27:00,960
Speaker 2: I'm going another way.

1980
01:27:01,000 --> 01:27:03,559
Speaker 1: I'm gonna listen, I probably take Bobby over Michael when

1981
01:27:03,600 --> 01:27:04,639
Speaker 1: it comes to my personal preference.

1982
01:27:04,680 --> 01:27:06,800
Speaker 4: Listen, I'm gonna go I'm gonna go another way. Maybe

1983
01:27:06,800 --> 01:27:09,479
Speaker 4: he just gonna be Chris. I was going say, that's

1984
01:27:09,479 --> 01:27:09,920
Speaker 4: his story.

1985
01:27:09,960 --> 01:27:10,960
Speaker 3: That has to be not for.

1986
01:27:10,920 --> 01:27:13,679
Speaker 4: Sure, Like you can't chase the ghost to Michael Jackson

1987
01:27:13,720 --> 01:27:16,280
Speaker 4: because I'm here to tell you niggas ain't gonna catch it.

1988
01:27:16,360 --> 01:27:17,360
Speaker 3: That'll be a sad journey.

1989
01:27:17,520 --> 01:27:20,439
Speaker 4: Yeah, you're not gonna catch it, So I know what

1990
01:27:20,439 --> 01:27:25,840
Speaker 4: You're sad. His talent level, he has that god level

1991
01:27:25,920 --> 01:27:28,679
Speaker 4: talent Chris Brown has god level talent.

1992
01:27:28,760 --> 01:27:30,920
Speaker 1: What what do we what do we know music wise?

1993
01:27:30,960 --> 01:27:33,000
Speaker 1: What do we know Bobby for? And what do we

1994
01:27:33,040 --> 01:27:35,880
Speaker 1: know Michael for? Music wise? In their desography?

1995
01:27:37,120 --> 01:27:38,320
Speaker 2: What do you mean? What do we know them for?

1996
01:27:38,439 --> 01:27:39,960
Speaker 1: I'm trying to I'm trying to walk y'all down the point.

1997
01:27:39,960 --> 01:27:44,559
Speaker 1: I'm really trying to make you named a bunch of

1998
01:27:44,600 --> 01:27:48,360
Speaker 1: Bobby singles that are fucking amazing. Bobby has good albums too,

1999
01:27:48,760 --> 01:27:51,919
Speaker 1: They're good. Bobby has iconic singles.

2000
01:27:52,400 --> 01:27:52,840
Speaker 2: Mm hmm.

2001
01:27:53,920 --> 01:27:58,479
Speaker 1: His desography is good in the scope of icons. His

2002
01:27:58,600 --> 01:28:05,879
Speaker 1: singles are iconic in the scope of icons. Michael singles

2003
01:28:05,920 --> 01:28:11,719
Speaker 1: are iconic and his albums are iconic. His performances are iconic,

2004
01:28:11,840 --> 01:28:14,720
Speaker 1: his tours are iconic, his legacy is iconic. When it

2005
01:28:14,760 --> 01:28:18,439
Speaker 1: comes to music. Now, I think Bobby and Michael are

2006
01:28:18,479 --> 01:28:21,040
Speaker 1: of the same ilk. When it comes to talent, I

2007
01:28:21,080 --> 01:28:23,200
Speaker 1: don't think Bobby Brown is less talented than Michael Jackson.

2008
01:28:23,200 --> 01:28:25,200
Speaker 1: I don't think Michael Jackson more talented than Bobby Brown.

2009
01:28:25,520 --> 01:28:27,040
Speaker 1: And I'm throwing Chris Brown in there too.

2010
01:28:27,160 --> 01:28:29,960
Speaker 4: Nah, hold on, I'm gonna walk you back on that one. Brother,

2011
01:28:30,439 --> 01:28:32,759
Speaker 4: Mike got more talent than Bobby, and I love Bobby,

2012
01:28:33,280 --> 01:28:33,599
Speaker 4: but we.

2013
01:28:33,520 --> 01:28:34,200
Speaker 2: Ain't gonna do that.

2014
01:28:34,240 --> 01:28:36,000
Speaker 4: We ain't gonna say Mike don't have more talent than

2015
01:28:36,000 --> 01:28:38,920
Speaker 4: Bobby Brown musical talent. I'm not too much as a man.

2016
01:28:38,960 --> 01:28:40,840
Speaker 4: I'm not speaking to the man, the man that need

2017
01:28:40,880 --> 01:28:43,479
Speaker 4: these guys are. I'm just talking about if.

2018
01:28:43,360 --> 01:28:45,880
Speaker 1: You think I think Bobby can fight better, right.

2019
01:28:45,800 --> 01:28:46,559
Speaker 2: I'm rolling with you.

2020
01:28:46,680 --> 01:28:48,880
Speaker 4: I'm rolling with if I get it to it some

2021
01:28:48,920 --> 01:28:51,080
Speaker 4: nigga outside. I want Bobby over my shoulder for sure.

2022
01:28:51,840 --> 01:28:52,400
Speaker 2: Yeah, for sure.

2023
01:28:52,439 --> 01:28:55,920
Speaker 1: You don't think, Hey, hey guys.

2024
01:28:54,880 --> 01:28:57,639
Speaker 4: Mike, it's time to throw hands, I want Bobby. I'm

2025
01:28:57,680 --> 01:28:59,960
Speaker 4: just saying, if you tell me Bobby Brown is performing

2026
01:29:00,040 --> 01:29:03,240
Speaker 4: over here tonight and Michael Jackson's over here.

2027
01:29:05,600 --> 01:29:06,120
Speaker 1: I see.

2028
01:29:06,240 --> 01:29:07,040
Speaker 2: That's all I'm saying.

2029
01:29:07,240 --> 01:29:11,040
Speaker 1: You prove my point more what their output was. Yes,

2030
01:29:11,160 --> 01:29:15,200
Speaker 1: we know Michael Jackson to be more talented than Bobby Brown.

2031
01:29:15,920 --> 01:29:20,240
Speaker 1: If Bobby fucking focused and had a different probably upbringing

2032
01:29:20,280 --> 01:29:23,320
Speaker 1: and environment that he was in, I don't know that

2033
01:29:23,360 --> 01:29:25,920
Speaker 1: Bobby Brown wouldn't be just as talented as Michael fucking Jackson.

2034
01:29:26,120 --> 01:29:27,640
Speaker 1: And I feel the same way about Chris Brown. I

2035
01:29:27,720 --> 01:29:31,080
Speaker 1: think he's he's dimming his light with so much ship.

2036
01:29:31,240 --> 01:29:33,519
Speaker 4: Yeah, but you're missing an important part of talent though,

2037
01:29:33,560 --> 01:29:35,040
Speaker 4: Rory too. Part of discipline.

2038
01:29:35,360 --> 01:29:38,800
Speaker 1: Yeah, you got So let's go back to my original question.

2039
01:29:38,880 --> 01:29:40,400
Speaker 1: You want to be Bobby Brown and Michael Jackson.

2040
01:29:40,920 --> 01:29:43,800
Speaker 2: Yeah, stay disciplined, part of back Yeah, stay disciplined. I

2041
01:29:43,800 --> 01:29:45,920
Speaker 2: agree with you. I agree with you. He's had he's

2042
01:29:45,960 --> 01:29:47,479
Speaker 2: had some he's had some moments like that.

2043
01:29:48,160 --> 01:29:49,240
Speaker 1: Well, am I to judge them?

2044
01:29:49,439 --> 01:29:49,880
Speaker 2: That's what I say.

2045
01:29:50,160 --> 01:29:54,000
Speaker 4: Chris Brown has had human moments. He's had He's made mistakes.

2046
01:29:54,000 --> 01:29:56,080
Speaker 1: He's if I was that age with that much money

2047
01:29:56,080 --> 01:29:59,680
Speaker 1: and access, I'm.

2048
01:29:58,160 --> 01:30:00,639
Speaker 4: Saying he made human human mistakes and things that I'm

2049
01:30:00,640 --> 01:30:04,280
Speaker 4: sure he's probably you know, ship, he might not. He

2050
01:30:04,360 --> 01:30:06,760
Speaker 4: might not have had a good night sleep since some

2051
01:30:06,800 --> 01:30:07,559
Speaker 4: of that ship we don't know.

2052
01:30:07,680 --> 01:30:09,160
Speaker 1: I mean, have you ever tried to sleep on coke?

2053
01:30:09,640 --> 01:30:13,599
Speaker 4: Well, I'm not gonna say that, but I'm saying, like,

2054
01:30:13,920 --> 01:30:18,320
Speaker 4: you know, you gotta. I just my thing is we

2055
01:30:18,360 --> 01:30:21,760
Speaker 4: gotta look at each artist for what they do, appreciate it. Yeah,

2056
01:30:21,760 --> 01:30:24,479
Speaker 4: we can say damn, stay focused, disciplined, that's part of talent.

2057
01:30:25,520 --> 01:30:28,920
Speaker 4: But at the same time, it's like, yeah, but sometimes

2058
01:30:28,960 --> 01:30:32,200
Speaker 4: part of their stories is they gotta go through fucked

2059
01:30:32,240 --> 01:30:33,960
Speaker 4: up ship and that's just gonna be part of the legs.

2060
01:30:34,000 --> 01:30:36,080
Speaker 2: Like you said, with the whole puff bad bullshit, a

2061
01:30:36,120 --> 01:30:36,439
Speaker 2: lot of.

2062
01:30:36,400 --> 01:30:40,880
Speaker 4: It is not always pretty, it's not always be shiny.

2063
01:30:39,840 --> 01:30:41,960
Speaker 1: Always about their personal lives. That's why I said, Michael

2064
01:30:42,000 --> 01:30:45,040
Speaker 1: obviously has stayed with his personal life. Just musically.

2065
01:30:46,160 --> 01:30:47,400
Speaker 2: Oh yeah, musically, that's all.

2066
01:30:47,439 --> 01:30:47,800
Speaker 1: That's all.

2067
01:30:47,920 --> 01:30:49,200
Speaker 2: That's what I'm saying. I think I think he just

2068
01:30:49,240 --> 01:30:50,360
Speaker 2: needs to tap into that.

2069
01:30:50,400 --> 01:30:52,839
Speaker 1: Because we love, we love, And there's good Bobby albums

2070
01:30:52,960 --> 01:30:57,519
Speaker 1: for sure, there's iconic Bobby singles. There's good CRISP, good

2071
01:30:57,600 --> 01:31:01,200
Speaker 1: Chris Brown albums for iconic Chris Brown on singles. Sure,

2072
01:31:01,280 --> 01:31:05,760
Speaker 1: there's iconic Michael Jackson singles, iconic Michael Jackson albums. You

2073
01:31:05,760 --> 01:31:08,200
Speaker 1: want to Bobby and Michael. And I think Chris has

2074
01:31:08,280 --> 01:31:10,960
Speaker 1: the talent, ability and discipline. Even though I would know

2075
01:31:10,960 --> 01:31:15,360
Speaker 1: the man to do that, I just don't think he's

2076
01:31:15,479 --> 01:31:18,360
Speaker 1: And again, it's a different era. I've said on this

2077
01:31:18,400 --> 01:31:20,720
Speaker 1: podcast one thousand times my favorite Drake line is I

2078
01:31:20,760 --> 01:31:22,679
Speaker 1: wonder how they survive in this era and talk about

2079
01:31:22,720 --> 01:31:26,519
Speaker 1: these old heads. Chris Brown doing mixtapes was part of

2080
01:31:26,560 --> 01:31:29,120
Speaker 1: the time. He should have done that. That's that's what

2081
01:31:29,280 --> 01:31:31,280
Speaker 1: was going on. That's what Michael Jackson probably would have

2082
01:31:31,320 --> 01:31:34,920
Speaker 1: done if he was in this era. But yeah, I

2083
01:31:35,280 --> 01:31:39,559
Speaker 1: think Chris with his talent level, owes us a classic

2084
01:31:39,560 --> 01:31:41,439
Speaker 1: album because I think he could really do that. Ship

2085
01:31:41,520 --> 01:31:41,920
Speaker 1: that's all.

2086
01:31:42,520 --> 01:31:45,120
Speaker 4: Who's some of the producers you would like to see

2087
01:31:45,200 --> 01:31:45,600
Speaker 4: him like you?

2088
01:31:45,960 --> 01:31:49,760
Speaker 1: It wouldn't it wouldn't be plural. He needs one he

2089
01:31:49,800 --> 01:31:54,000
Speaker 1: needs he needs he needs an executive producer. No, I don't.

2090
01:31:54,040 --> 01:31:57,200
Speaker 1: I'm not saying like lock in with a beat maker

2091
01:31:57,240 --> 01:32:01,080
Speaker 1: and due album. No, he needs one executive that is

2092
01:32:01,120 --> 01:32:04,320
Speaker 1: going to formulate that entire thing with him because I know,

2093
01:32:04,560 --> 01:32:06,040
Speaker 1: come on, Chris is a musical motherfucker.

2094
01:32:06,120 --> 01:32:06,840
Speaker 2: JD.

2095
01:32:08,920 --> 01:32:14,120
Speaker 1: No, it's too obvious. It's been done. JD is too

2096
01:32:14,120 --> 01:32:15,120
Speaker 1: obvious for Chris.

2097
01:32:15,840 --> 01:32:16,680
Speaker 2: But why do you say that?

2098
01:32:17,040 --> 01:32:21,439
Speaker 1: Because it would be amazing, But it would be something

2099
01:32:22,360 --> 01:32:26,760
Speaker 1: that we've had with Usher. I think Chris would It

2100
01:32:26,760 --> 01:32:31,080
Speaker 1: would be too much pressure to go to confessions like

2101
01:32:31,160 --> 01:32:33,000
Speaker 1: That's why I love that, That's that's why I loved

2102
01:32:33,120 --> 01:32:34,960
Speaker 1: and we talked with JD. I love That's why I

2103
01:32:35,000 --> 01:32:37,559
Speaker 1: love JD so much That JD fucks with younger artists

2104
01:32:38,080 --> 01:32:40,479
Speaker 1: because once you start putting JD with the legacy acts

2105
01:32:40,560 --> 01:32:43,400
Speaker 1: that were out and Chris at this point, damn near

2106
01:32:43,479 --> 01:32:47,120
Speaker 1: is a legacy act if you want to go by streaming. Uh, determination,

2107
01:32:48,560 --> 01:32:50,920
Speaker 1: Chris was around at that that time, or was at

2108
01:32:51,000 --> 01:32:52,000
Speaker 1: least growing up at that time.

2109
01:32:52,160 --> 01:32:52,240
Speaker 3: Na.

2110
01:32:52,920 --> 01:32:54,840
Speaker 1: That's why I like JD's fucking with division and all

2111
01:32:54,840 --> 01:32:58,200
Speaker 1: these younger people do that ship with the young artist Chris. No,

2112
01:32:58,680 --> 01:33:01,360
Speaker 1: he's somebody different. It get too close to what we

2113
01:33:01,400 --> 01:33:06,519
Speaker 1: love from Usher, It'd be too much pressure. And then

2114
01:33:06,560 --> 01:33:08,639
Speaker 1: if they went all the way left, it just be weird.

2115
01:33:09,520 --> 01:33:11,960
Speaker 1: It's like, why is j D and Chris Brown giving

2116
01:33:11,960 --> 01:33:15,280
Speaker 1: me an d M album?

2117
01:33:15,760 --> 01:33:17,680
Speaker 2: Nah, we're not gonna say that.

2118
01:33:17,760 --> 01:33:17,960
Speaker 1: JD.

2119
01:33:18,479 --> 01:33:20,479
Speaker 2: Hes gonna give Chris Brown an DM Now, we're.

2120
01:33:20,320 --> 01:33:22,840
Speaker 3: Not dances in.

2121
01:33:23,680 --> 01:33:25,559
Speaker 2: Ship Chris gave us. I feel like Chris gave us

2122
01:33:25,560 --> 01:33:27,040
Speaker 2: a dance album already though, I.

2123
01:33:27,080 --> 01:33:28,880
Speaker 3: Mean, yeah, what was it.

2124
01:33:28,880 --> 01:33:31,160
Speaker 1: He's done a couple well, at least has a lot

2125
01:33:31,160 --> 01:33:31,479
Speaker 1: of tracks.

2126
01:33:31,560 --> 01:33:37,040
Speaker 4: Yeah, but yeah, this uh, this breezy album though, to

2127
01:33:37,120 --> 01:33:40,040
Speaker 4: me is definitely one of his h his best albums.

2128
01:33:41,360 --> 01:33:42,760
Speaker 1: No, I love the album. I know that was a

2129
01:33:42,760 --> 01:33:43,439
Speaker 1: weird conversation.

2130
01:33:43,520 --> 01:33:45,719
Speaker 2: Best albums for sure for sure.

2131
01:33:45,920 --> 01:33:48,080
Speaker 4: And he's talented man, So it was I was I

2132
01:33:48,120 --> 01:33:51,639
Speaker 4: was I don't even think did we know that Christmas?

2133
01:33:52,840 --> 01:33:54,720
Speaker 1: I think he gave like a weak notice.

2134
01:33:55,040 --> 01:33:58,599
Speaker 4: Yeah, that's that's that's almost like a surprise album at

2135
01:33:58,600 --> 01:33:58,880
Speaker 4: this point.

2136
01:33:59,400 --> 01:34:05,320
Speaker 1: Notice I meant, I means well again, he's a part

2137
01:34:05,320 --> 01:34:08,240
Speaker 1: of that crew that doesn't need to market anything.

2138
01:34:08,240 --> 01:34:10,519
Speaker 4: When they drop, it's gonna sell, you know what I mean.

2139
01:34:10,560 --> 01:34:15,920
Speaker 4: It's him, Rihanna, Drake, Beyonce, you know, Adele, Like now

2140
01:34:15,960 --> 01:34:18,719
Speaker 4: you're getting into that. Those are those type of artists,

2141
01:34:18,720 --> 01:34:20,400
Speaker 4: so he could he can definitely announce it out my

2142
01:34:20,439 --> 01:34:21,880
Speaker 4: week out and it's gonna do what it's gonna do.

2143
01:34:21,960 --> 01:34:26,040
Speaker 1: What I mean, respectfully, I really enjoyed the promotional photo

2144
01:34:26,080 --> 01:34:29,679
Speaker 1: that Beyonce put out on our Instagram, respectfully, just from

2145
01:34:29,680 --> 01:34:30,360
Speaker 1: the artistics.

2146
01:34:30,400 --> 01:34:31,280
Speaker 3: Then I saw you like it.

2147
01:34:31,320 --> 01:34:34,879
Speaker 1: I'm really into like horses and stuff.

2148
01:34:35,320 --> 01:34:39,200
Speaker 4: Speaking of I still haven't seen it picture.

2149
01:34:39,840 --> 01:34:45,040
Speaker 1: You haven't seen your auntie. That'd be your system. I forget.

2150
01:34:46,479 --> 01:34:50,160
Speaker 1: I don't know how I forget. How young? Yeah, it's

2151
01:34:50,200 --> 01:34:53,759
Speaker 1: so confusing, but I mean Bigs and Jays, that's your older.

2152
01:34:53,680 --> 01:34:55,920
Speaker 3: Nah, I don't think. How do you guys feel about

2153
01:34:55,920 --> 01:34:56,599
Speaker 3: the new law?

2154
01:34:57,040 --> 01:34:59,840
Speaker 2: No, definitely not new Loupe.

2155
01:35:00,040 --> 01:35:00,760
Speaker 3: How do you feel about it?

2156
01:35:00,760 --> 01:35:02,120
Speaker 1: I didn't even know Loop It put that album out

2157
01:35:02,120 --> 01:35:04,639
Speaker 1: and not don't disrespectfully. I'm gonna listen to that tonight.

2158
01:35:05,000 --> 01:35:09,160
Speaker 4: Drill Music and Zion Loope this is this is a

2159
01:35:09,200 --> 01:35:12,639
Speaker 4: really good album, man, I was I didn't know it was.

2160
01:35:12,760 --> 01:35:14,640
Speaker 2: It wasn't expecting it. I didn't know it was.

2161
01:35:15,280 --> 01:35:20,040
Speaker 4: It was coming out real, real short, quick forty minutes, tense,

2162
01:35:20,200 --> 01:35:20,879
Speaker 4: tense tracks.

2163
01:35:22,520 --> 01:35:25,120
Speaker 2: He rapping, loop on it rapping.

2164
01:35:25,920 --> 01:35:29,000
Speaker 1: Is this feature? Uh narra that's not the one that

2165
01:35:29,120 --> 01:35:31,679
Speaker 1: uh that was on hip Hop Save my Life right.

2166
01:35:32,400 --> 01:35:33,600
Speaker 2: I'm not sure.

2167
01:35:36,840 --> 01:35:40,360
Speaker 1: Brick came into the music boring conversations. We was talking

2168
01:35:40,360 --> 01:35:42,440
Speaker 1: about hose and fucking and relationships.

2169
01:35:42,880 --> 01:35:45,799
Speaker 2: It was great, Yeah, that would be in music nerds.

2170
01:35:45,800 --> 01:35:49,360
Speaker 3: Just okay, yeah, great.

2171
01:35:51,720 --> 01:35:54,080
Speaker 1: Oh no, that's Nikki, She's fire.

2172
01:35:54,760 --> 01:35:59,160
Speaker 2: That's racist for just the N word. Somehow I'm trying

2173
01:35:59,160 --> 01:36:00,639
Speaker 2: that I'm racist.

2174
01:36:01,000 --> 01:36:02,720
Speaker 3: It's okay, oh yeah.

2175
01:36:02,800 --> 01:36:05,519
Speaker 4: Drill Music and Zion it was just it's good to

2176
01:36:05,560 --> 01:36:09,680
Speaker 4: hear Loope still rapping high level. I don't think that's

2177
01:36:09,680 --> 01:36:11,240
Speaker 4: ever going to change with Loope. Man, He's just a

2178
01:36:11,240 --> 01:36:13,840
Speaker 4: fucking one of the aliens.

2179
01:36:14,040 --> 01:36:16,759
Speaker 1: I do want to get into this Brent Fires single,

2180
01:36:16,840 --> 01:36:21,720
Speaker 1: but I didn't hear it, but I want to wait

2181
01:36:21,720 --> 01:36:22,400
Speaker 1: till the album.

2182
01:36:22,479 --> 01:36:26,680
Speaker 4: Okay, what you about to because I know yeh want

2183
01:36:26,680 --> 01:36:29,040
Speaker 4: to say you're about to do. You're about to say

2184
01:36:29,040 --> 01:36:32,840
Speaker 4: some patreon ship and start talking about Brent.

2185
01:36:33,000 --> 01:36:35,719
Speaker 1: Like what, man, I've been defending what I've been defending

2186
01:36:35,720 --> 01:36:38,320
Speaker 1: Brent for a very long time, that he is not toxic.

2187
01:36:38,400 --> 01:36:40,920
Speaker 1: He's honest, and it's the people that are not honest

2188
01:36:41,560 --> 01:36:45,400
Speaker 1: that are toxic. And after price of fame, he might be.

2189
01:36:46,360 --> 01:36:46,960
Speaker 2: It might be him.

2190
01:36:47,000 --> 01:36:49,880
Speaker 1: Welcome, welcome to the It might he might be the problem.

2191
01:36:50,000 --> 01:36:53,960
Speaker 3: Yeah, you just realized that. But that's fine.

2192
01:36:54,479 --> 01:36:57,320
Speaker 1: I like the second half of the record. Uh, and again,

2193
01:36:57,600 --> 01:36:59,760
Speaker 1: let's be honest here. The first half I was like,

2194
01:36:59,760 --> 01:37:01,360
Speaker 1: all right, right, I've gotten this Brent a lot. That

2195
01:37:01,520 --> 01:37:05,839
Speaker 1: second half of the record is fucking fire. Probably him

2196
01:37:06,240 --> 01:37:09,519
Speaker 1: his internal crew sounder that everybody over.

2197
01:37:09,400 --> 01:37:16,000
Speaker 4: There here, Man, I gotta check it out.

2198
01:37:17,160 --> 01:37:21,320
Speaker 1: He's way cooler than us because he lights his his

2199
01:37:21,400 --> 01:37:22,360
Speaker 1: weed with the matches.

2200
01:37:22,800 --> 01:37:25,280
Speaker 2: I like, we like Sammy Davis used to light a cigarette.

2201
01:37:26,160 --> 01:37:28,280
Speaker 1: We had no choice because they really just had.

2202
01:37:29,840 --> 01:37:32,120
Speaker 2: At that time, they didn't have lights.

2203
01:37:32,840 --> 01:37:35,200
Speaker 1: Yeah, but they had like those gas lighters that you know,

2204
01:37:35,360 --> 01:37:36,840
Speaker 1: they were hard to find even though I feel like

2205
01:37:36,840 --> 01:37:39,720
Speaker 1: Sammy Davis probably could have gotten one of those. Probably

2206
01:37:40,640 --> 01:37:42,280
Speaker 1: Ma's kind of more of a hipster than me.

2207
01:37:42,280 --> 01:37:46,200
Speaker 3: Right, Oh no, yeah, you have Supreme that's true.

2208
01:37:46,240 --> 01:37:48,120
Speaker 1: Yeah, no, yeah, we did it on Patreon and we're

2209
01:37:48,120 --> 01:37:49,599
Speaker 1: gonna give now that they got.

2210
01:37:49,600 --> 01:37:54,920
Speaker 6: Patred stepped in your Laneretty big Stepper.

2211
01:37:55,200 --> 01:37:58,040
Speaker 4: No, I don't have big I don't own any Supreme sneakers,

2212
01:37:58,720 --> 01:38:02,600
Speaker 4: but what you own like every Supreme. But well, you

2213
01:38:02,600 --> 01:38:04,320
Speaker 4: stepped in my new bounce lane, so I did.

2214
01:38:04,920 --> 01:38:07,280
Speaker 1: I had to reply. They was waiting for a response.

2215
01:38:07,320 --> 01:38:09,000
Speaker 1: I got the Supreme shocks.

2216
01:38:09,040 --> 01:38:11,160
Speaker 2: Oh dare I have pictures of me in high school

2217
01:38:11,280 --> 01:38:11,799
Speaker 2: new balances?

2218
01:38:12,120 --> 01:38:13,120
Speaker 1: Yeah, but that wasn't by choice.

2219
01:38:13,200 --> 01:38:13,840
Speaker 2: Yeah, what you mean?

2220
01:38:13,880 --> 01:38:15,880
Speaker 4: It was about choice. I went and brought them. I

2221
01:38:15,920 --> 01:38:19,000
Speaker 4: went to Doctor James and purchased on myself. It was

2222
01:38:19,040 --> 01:38:19,920
Speaker 4: definitely by choice.

2223
01:38:20,320 --> 01:38:22,519
Speaker 1: Now balance that Doctor James when you was in high school?

2224
01:38:22,520 --> 01:38:23,120
Speaker 2: Are you crazy?

2225
01:38:23,360 --> 01:38:23,599
Speaker 3: Yeah?

2226
01:38:23,800 --> 01:38:26,479
Speaker 2: What we were talking about, bro, Come on, man, I was.

2227
01:38:26,479 --> 01:38:30,080
Speaker 1: Out this shot in the seventies, in the seventies, and

2228
01:38:30,240 --> 01:38:31,120
Speaker 1: so Doctor j.

2229
01:38:31,439 --> 01:38:34,760
Speaker 2: In high school in the seventies is fucking crazy. They

2230
01:38:34,760 --> 01:38:39,400
Speaker 2: didn't have Doctor j was still playing basketball. Wait. Doctor

2231
01:38:39,479 --> 01:38:42,719
Speaker 2: j was named after the store. That's hilarious. Oh man,

2232
01:38:46,439 --> 01:38:49,640
Speaker 2: no he's not. No hole, no, no, no.

2233
01:38:49,560 --> 01:38:51,800
Speaker 1: You have a whole mic. No, Bret, you would be

2234
01:38:51,800 --> 01:38:55,360
Speaker 1: the greatest podcast guest ever. They just don't know. Why.

2235
01:38:55,880 --> 01:38:56,760
Speaker 1: How do you think he is.

2236
01:39:02,439 --> 01:39:03,679
Speaker 2: Forty?

2237
01:39:04,120 --> 01:39:06,559
Speaker 1: I was pretty swat on them. Could you bout me

2238
01:39:06,600 --> 01:39:07,000
Speaker 1: forty one?

2239
01:39:07,600 --> 01:39:07,840
Speaker 2: Yeah?

2240
01:39:08,080 --> 01:39:09,920
Speaker 3: Yeah, this is here?

2241
01:39:11,520 --> 01:39:19,360
Speaker 1: Yeah yeah, I mean what what? Mm hmm like what

2242
01:39:19,439 --> 01:39:20,280
Speaker 1: was the Great Depression?

2243
01:39:20,360 --> 01:39:23,719
Speaker 2: Like? Uh, you know, Rory, it was Uh, it was tough.

2244
01:39:24,439 --> 01:39:26,679
Speaker 2: There was a lot of uh.

2245
01:39:26,520 --> 01:39:28,680
Speaker 1: We didn't their cars.

2246
01:39:28,360 --> 01:39:33,360
Speaker 4: Were still we were still powering well for carousels.

2247
01:39:32,439 --> 01:39:35,479
Speaker 1: Caro carosen. It was really hard to get all that

2248
01:39:35,560 --> 01:39:36,640
Speaker 1: time carousels.

2249
01:39:36,840 --> 01:39:39,200
Speaker 4: That's how we used to get the carousels going. We know,

2250
01:39:39,360 --> 01:39:41,760
Speaker 4: the only ride we had was a carousel, and that's

2251
01:39:41,760 --> 01:39:43,639
Speaker 4: how we used to power it up with the kerosene.

2252
01:39:43,640 --> 01:39:45,880
Speaker 1: I know understand. My grandfather told me uphill both ways.

2253
01:39:45,920 --> 01:39:48,919
Speaker 2: Oh yeah, exactly, both both ways, both ways? Exactly.

2254
01:39:49,120 --> 01:39:52,080
Speaker 3: Yes, you know, I'm glad you didn't go on the Titanic.

2255
01:39:52,479 --> 01:39:55,800
Speaker 2: Yeah, no, I was busy that night. It was very cold,

2256
01:39:55,960 --> 01:39:56,479
Speaker 2: very frigid.

2257
01:39:56,520 --> 01:40:01,639
Speaker 4: I just couldn't talk about a shitty boat party. I've

2258
01:40:01,640 --> 01:40:06,040
Speaker 4: never and this is why people don't people don't boat

2259
01:40:06,080 --> 01:40:07,680
Speaker 4: party like follow the Titanic.

2260
01:40:07,800 --> 01:40:10,280
Speaker 2: I never if if you haven't. This is for anybody

2261
01:40:10,320 --> 01:40:10,880
Speaker 2: that's listening.

2262
01:40:11,040 --> 01:40:14,040
Speaker 4: If you're having a boat party, save yourself the time

2263
01:40:14,080 --> 01:40:14,720
Speaker 4: of inviting me.

2264
01:40:14,800 --> 01:40:16,000
Speaker 2: I'm not coming.

2265
01:40:17,280 --> 01:40:19,799
Speaker 4: I'm not getting on a boat to party with people

2266
01:40:19,920 --> 01:40:21,800
Speaker 4: because when I want to get off, guess what, I

2267
01:40:21,840 --> 01:40:23,360
Speaker 4: have to stay on this boat and we're stuck in

2268
01:40:23,360 --> 01:40:24,080
Speaker 4: the middle of the water.

2269
01:40:24,640 --> 01:40:27,479
Speaker 1: Hudson with water and freshwater call back.

2270
01:40:27,520 --> 01:40:29,400
Speaker 2: Yes, I don't want to. I don't want to do that.

2271
01:40:29,439 --> 01:40:31,400
Speaker 4: I'm not going to a boat party. I hate boat parties.

2272
01:40:31,880 --> 01:40:36,439
Speaker 4: I hate all white parties. Yat is a boat with

2273
01:40:36,720 --> 01:40:40,160
Speaker 4: leather fucking tanning beds. You can't trick me in a

2274
01:40:40,200 --> 01:40:43,880
Speaker 4: better fruit platter. One of my favorite there's a better spread.

2275
01:40:44,200 --> 01:40:48,120
Speaker 1: One of my favorite anti social palooza stories ever, is

2276
01:40:48,160 --> 01:40:49,200
Speaker 1: we did Coney Island.

2277
01:40:49,439 --> 01:40:49,759
Speaker 3: I should.

2278
01:40:49,800 --> 01:40:52,160
Speaker 1: It might have been around fourth of July, and for

2279
01:40:52,840 --> 01:40:54,920
Speaker 1: some reason we had this great idea to do a

2280
01:40:54,960 --> 01:40:59,439
Speaker 1: boat party sponsorship afterwards and grab a bag and mind

2281
01:40:59,479 --> 01:41:02,160
Speaker 1: you was that ended at two a m. And like

2282
01:41:02,200 --> 01:41:03,960
Speaker 1: the boat left at like three am. It was one

2283
01:41:04,000 --> 01:41:08,360
Speaker 1: of those that like three to six am ships. We

2284
01:41:08,479 --> 01:41:12,639
Speaker 1: barely got off the dock and this was right around

2285
01:41:12,760 --> 01:41:18,559
Speaker 1: uh when father stretched my arms came out, yeah my

2286
01:41:18,600 --> 01:41:19,719
Speaker 1: head something like you were singing.

2287
01:41:20,720 --> 01:41:21,000
Speaker 3: Sample.

2288
01:41:21,000 --> 01:41:23,559
Speaker 1: I did the table. It's a Jewish sample. So yeah,

2289
01:41:23,880 --> 01:41:27,479
Speaker 1: thank you for my cords being so perfect. Smell the hollow,

2290
01:41:28,400 --> 01:41:36,240
Speaker 1: the hollow, that's not the dradles. I think you I

2291
01:41:36,240 --> 01:41:37,280
Speaker 1: think you'll.

2292
01:41:37,840 --> 01:41:39,080
Speaker 3: I think he's spinning.

2293
01:41:41,640 --> 01:41:45,679
Speaker 4: Hollow bred holo bread yea.

2294
01:41:46,560 --> 01:41:47,559
Speaker 2: And you look like you can be.

2295
01:41:48,160 --> 01:41:54,400
Speaker 1: I've never I've never Jewish, so I've never been a temple.

2296
01:41:54,520 --> 01:41:55,640
Speaker 2: I don't like that. I don't like me do that.

2297
01:41:55,680 --> 01:41:57,960
Speaker 2: You think I'll just be saying I'm just he.

2298
01:41:59,479 --> 01:42:01,960
Speaker 1: You know how they always do, like those Jewish parody raps.

2299
01:42:02,320 --> 01:42:05,240
Speaker 1: How come no one's ever done hollow back young.

2300
01:42:05,160 --> 01:42:09,880
Speaker 2: And we may be able to find that. I think

2301
01:42:09,920 --> 01:42:10,240
Speaker 2: I saw it.

2302
01:42:10,240 --> 01:42:11,320
Speaker 3: I'm pretty sure that I.

2303
01:42:11,280 --> 01:42:14,400
Speaker 4: Think I saw I think I saw that video.

2304
01:42:14,479 --> 01:42:18,840
Speaker 1: And I want to know how the remix? Why do

2305
01:42:19,000 --> 01:42:22,320
Speaker 1: all why did all Jewish people remix all rap songs?

2306
01:42:22,960 --> 01:42:24,639
Speaker 1: But with that said, they.

2307
01:42:24,720 --> 01:42:28,440
Speaker 4: Uh, they own them.

2308
01:42:28,800 --> 01:42:29,160
Speaker 3: They do.

2309
01:42:29,520 --> 01:42:31,360
Speaker 1: It's just Leor, it's no one else.

2310
01:42:35,080 --> 01:42:37,360
Speaker 2: Holy ship, oh man.

2311
01:42:37,680 --> 01:42:39,639
Speaker 1: And I think Leor does own hollow Back.

2312
01:42:41,880 --> 01:42:44,000
Speaker 2: Yeah, we could definitely tie that back to Leo. For sure.

2313
01:42:44,720 --> 01:42:46,880
Speaker 1: We were on the boat and that song played, and

2314
01:42:46,920 --> 01:42:49,240
Speaker 1: then they started beating the ceiling in and the whole

2315
01:42:49,280 --> 01:42:52,040
Speaker 1: ceiling collapsed. Like it it looked very nine to eleven

2316
01:42:52,160 --> 01:42:54,000
Speaker 1: like coming out of the building is there was so

2317
01:42:54,080 --> 01:42:58,240
Speaker 1: much powder. And the boat turned around right away, and

2318
01:42:58,320 --> 01:43:01,240
Speaker 1: they canceled the party and still got our deposit and

2319
01:43:01,280 --> 01:43:03,960
Speaker 1: everything back. And what what of the greatest nights ever?

2320
01:43:04,560 --> 01:43:05,200
Speaker 3: That sounds great.

2321
01:43:05,400 --> 01:43:06,960
Speaker 1: Oh, the boat turned around. I didn't have to be

2322
01:43:06,960 --> 01:43:08,600
Speaker 1: on a boat for three hours, right, get off. I

2323
01:43:08,600 --> 01:43:10,559
Speaker 1: got right back in a cab and went home.

2324
01:43:10,920 --> 01:43:11,479
Speaker 3: That sounds great.

2325
01:43:11,520 --> 01:43:14,519
Speaker 1: With the money, with the money, the ceiling collapsed.

2326
01:43:14,280 --> 01:43:15,519
Speaker 3: Yeah, what did he do about that?

2327
01:43:15,800 --> 01:43:19,799
Speaker 1: I have no idea for this day. That to Peer sixteen.

2328
01:43:20,000 --> 01:43:21,639
Speaker 4: Before we go any further, I do want to say

2329
01:43:22,080 --> 01:43:24,280
Speaker 4: prayers and health and healing to little TJ.

2330
01:43:25,000 --> 01:43:28,240
Speaker 2: Yes, you know we're praying for you man. You know,

2331
01:43:28,280 --> 01:43:32,200
Speaker 2: it's an unfortunate situation for you know, young man like

2332
01:43:32,240 --> 01:43:33,320
Speaker 2: TJ Low TJ.

2333
01:43:33,160 --> 01:43:36,400
Speaker 4: To have to go through. But hopefully he heals and

2334
01:43:36,560 --> 01:43:39,320
Speaker 4: you know, gets better. Reading a lot of rumors and

2335
01:43:39,520 --> 01:43:41,200
Speaker 4: ship online that I don't even want to give too

2336
01:43:41,240 --> 01:43:44,439
Speaker 4: much energy to, I'd rather just say prayers to Low TJ.

2337
01:43:44,520 --> 01:43:50,479
Speaker 4: Prayers his family as well as prayers to Shaka, you

2338
01:43:50,520 --> 01:43:55,320
Speaker 4: know again hearing things around him. You know, let's just

2339
01:43:55,360 --> 01:43:58,200
Speaker 4: hope that, you know, he continues to heal and get better.

2340
01:43:58,800 --> 01:43:59,000
Speaker 3: Two.

2341
01:43:59,080 --> 01:44:03,200
Speaker 4: Very unfortunate, that yous, But just a reminder that life

2342
01:44:03,240 --> 01:44:06,280
Speaker 4: is fragile, you know. Yeah, everything could be good today

2343
01:44:06,320 --> 01:44:09,759
Speaker 4: and then unfortunate things happen and your life has changed

2344
01:44:09,800 --> 01:44:13,200
Speaker 4: forever in a matter of you know, just you know,

2345
01:44:13,320 --> 01:44:16,639
Speaker 4: a few minutes. So prayers to the uh Press, little

2346
01:44:16,680 --> 01:44:19,280
Speaker 4: t J and his family, and prayers to Shaka and

2347
01:44:19,320 --> 01:44:20,120
Speaker 4: his family as well.

2348
01:44:22,400 --> 01:44:24,120
Speaker 2: But yeah, other than that, man, I don't know. I

2349
01:44:24,120 --> 01:44:28,280
Speaker 2: guess we could. We could always reconvene at a later date, gentlemen,

2350
01:44:28,520 --> 01:44:30,439
Speaker 2: that is true. I don't think we have.

2351
01:44:30,400 --> 01:44:31,680
Speaker 3: The house, you guys, don't just end.

2352
01:44:32,720 --> 01:44:33,639
Speaker 2: I'm just happy to be back.

2353
01:44:33,640 --> 01:44:35,120
Speaker 4: I had we had a long we had a long

2354
01:44:35,200 --> 01:44:38,800
Speaker 4: last two weeks for ya along at home. Yeah, we've

2355
01:44:38,800 --> 01:44:42,880
Speaker 4: been to LA in Mexico City, La, back to LA

2356
01:44:43,040 --> 01:44:47,240
Speaker 4: and Philly, New York and Philly before that, and it's

2357
01:44:47,240 --> 01:44:47,680
Speaker 4: been a lot.

2358
01:44:47,720 --> 01:44:49,960
Speaker 3: It's been a lot, so we had a lot of

2359
01:44:50,040 --> 01:44:50,679
Speaker 3: us time here.

2360
01:44:51,080 --> 01:44:52,559
Speaker 2: Yeah, yeah, I'll say that.

2361
01:44:52,560 --> 01:44:54,320
Speaker 4: To say this, I don't want to see you diggers

2362
01:44:54,320 --> 01:44:55,560
Speaker 4: for at least.

2363
01:44:56,760 --> 01:44:57,240
Speaker 2: The other week.

2364
01:44:59,120 --> 01:45:00,320
Speaker 1: Are we invited to big wedding?

2365
01:45:00,520 --> 01:45:04,800
Speaker 3: Yeah? Wait am iamed No, absolutely, I just want to

2366
01:45:04,800 --> 01:45:05,120
Speaker 3: make sure.

2367
01:45:06,520 --> 01:45:09,720
Speaker 2: Yeah, I just want to. You know, we had a run.

2368
01:45:09,840 --> 01:45:11,080
Speaker 2: June was very eventful.

2369
01:45:11,160 --> 01:45:15,479
Speaker 1: June was very Oh damn, we're not as plus one

2370
01:45:15,479 --> 01:45:16,479
Speaker 1: and two big.

2371
01:45:17,840 --> 01:45:18,519
Speaker 2: Yeah, you would be.

2372
01:45:19,000 --> 01:45:20,960
Speaker 3: You would need to.

2373
01:45:20,280 --> 01:45:27,200
Speaker 1: Strong two seat belts at least at one and a half.

2374
01:45:27,240 --> 01:45:28,200
Speaker 3: Yeah, one and a half. Yeah.

2375
01:45:28,840 --> 01:45:32,600
Speaker 2: Uh but yeah, it was. June was fun, had a

2376
01:45:32,600 --> 01:45:32,960
Speaker 2: lot of fun.

2377
01:45:33,120 --> 01:45:35,160
Speaker 1: It wasn't it was it was you don't think it

2378
01:45:35,160 --> 01:45:35,760
Speaker 1: was fun at all.

2379
01:45:35,920 --> 01:45:38,280
Speaker 2: I had fun. Oh I'll tell you why. I'm going

2380
01:45:38,320 --> 01:45:44,200
Speaker 2: back to the Mexico City preparing me for uh oh

2381
01:45:44,240 --> 01:45:45,559
Speaker 2: yeah awards.

2382
01:45:45,640 --> 01:45:45,840
Speaker 3: Yeah.

2383
01:45:46,400 --> 01:45:50,479
Speaker 4: Because in Mexico City, as we know, we know, h

2384
01:45:51,160 --> 01:45:54,120
Speaker 4: I felt some things happened. Some things happened in Mexico

2385
01:45:54,160 --> 01:45:59,000
Speaker 4: City as far as like just perspective and outlook on

2386
01:45:59,120 --> 01:46:05,720
Speaker 4: things and just you know, some reassuring things happen. And

2387
01:46:06,920 --> 01:46:12,360
Speaker 4: I think that that allowed me to feel like sometimes

2388
01:46:12,439 --> 01:46:14,040
Speaker 4: you gotta do shit that.

2389
01:46:15,800 --> 01:46:17,559
Speaker 2: Might not be in your comfort zone.

2390
01:46:19,320 --> 01:46:21,200
Speaker 4: Because you know what I mean, it's like it's gonna

2391
01:46:21,680 --> 01:46:24,559
Speaker 4: affect some change, and it's gonna cause things like Okay,

2392
01:46:24,640 --> 01:46:25,120
Speaker 4: like damn.

2393
01:46:25,120 --> 01:46:26,680
Speaker 2: Like, like I.

2394
01:46:26,600 --> 01:46:28,720
Speaker 4: Said, we never did the media of a BT. We

2395
01:46:28,720 --> 01:46:30,599
Speaker 4: don't know that some of those people in those rooms

2396
01:46:30,600 --> 01:46:33,439
Speaker 4: feel that way that they feel about us. Yeah, for

2397
01:46:33,479 --> 01:46:37,360
Speaker 4: whatever reason, maybe they can't reach us, or you know,

2398
01:46:37,640 --> 01:46:40,080
Speaker 4: it just wasn't It was just better that it happened

2399
01:46:40,120 --> 01:46:42,240
Speaker 4: like that in the same room organic, as opposed to

2400
01:46:42,240 --> 01:46:46,800
Speaker 4: a DM sure or an email from somebody saying, you know,

2401
01:46:46,920 --> 01:46:49,840
Speaker 4: this person things highly if y'all loves what y'all are doing,

2402
01:46:50,120 --> 01:46:52,880
Speaker 4: definitely wants to do some things in the future, you

2403
01:46:52,880 --> 01:46:54,840
Speaker 4: know what I mean, in the room with them, it

2404
01:46:54,880 --> 01:46:58,840
Speaker 4: allows for that real connection to happen. So yeah, Mexico City,

2405
01:46:58,840 --> 01:47:01,519
Speaker 4: I think that that just opened. Like Yo, sometimes you

2406
01:47:01,560 --> 01:47:03,000
Speaker 4: got to just be like, man, I don't even Let's

2407
01:47:03,040 --> 01:47:05,160
Speaker 4: just go no matter what it is.

2408
01:47:05,200 --> 01:47:06,080
Speaker 2: Let's let's just go.

2409
01:47:06,200 --> 01:47:08,280
Speaker 4: Like we may not want to, but in life, you

2410
01:47:08,280 --> 01:47:09,680
Speaker 4: ain't going want to do shit. You ain't going to

2411
01:47:09,720 --> 01:47:13,400
Speaker 4: always do a lot of shit, but sometimes you do it,

2412
01:47:13,520 --> 01:47:16,559
Speaker 4: and you know, you make a connection with somebody that

2413
01:47:16,600 --> 01:47:19,480
Speaker 4: turns out to be a lifelong friend or even a

2414
01:47:19,520 --> 01:47:22,519
Speaker 4: lifelong partner, you know what I'm saying. And it's like,

2415
01:47:22,560 --> 01:47:24,600
Speaker 4: but had you never you know, stepped out of the

2416
01:47:24,640 --> 01:47:29,320
Speaker 4: way of your feelings and emotions and ego, you allow

2417
01:47:29,400 --> 01:47:31,240
Speaker 4: for that space for some real shit to enter and

2418
01:47:31,240 --> 01:47:33,080
Speaker 4: be like, oh damn, like I never even knew this

2419
01:47:33,120 --> 01:47:35,719
Speaker 4: person fuck with us like that, you know what I'm saying.

2420
01:47:35,760 --> 01:47:37,280
Speaker 2: Like for Peter walk up to us the way he

2421
01:47:37,320 --> 01:47:41,559
Speaker 2: did to me, that was like, oh shit, yeah, I wouldn't.

2422
01:47:41,720 --> 01:47:45,680
Speaker 2: I never even knew you knew what the fuck I was. Yeah,

2423
01:47:45,880 --> 01:47:47,400
Speaker 2: you know what I'm saying. So it just allowed for

2424
01:47:47,439 --> 01:47:49,040
Speaker 2: those type of conversations.

2425
01:47:49,120 --> 01:47:51,360
Speaker 1: And but that that's where my even though I'm not

2426
01:47:52,120 --> 01:47:55,240
Speaker 1: come across as the fuck it guy of like let's

2427
01:47:55,240 --> 01:47:59,000
Speaker 1: do whatever, I am very much that person. Yeah, and

2428
01:47:59,160 --> 01:48:04,280
Speaker 1: a lot of my successes have come from a controlled

2429
01:48:05,120 --> 01:48:05,479
Speaker 1: fuck it.

2430
01:48:06,000 --> 01:48:06,240
Speaker 2: Yeah.

2431
01:48:06,920 --> 01:48:07,120
Speaker 3: Yeah.

2432
01:48:07,160 --> 01:48:12,160
Speaker 1: Sometimes you got a controlled and uh absorbed talent in

2433
01:48:12,680 --> 01:48:14,320
Speaker 1: knowing how to move in the fucking world.

2434
01:48:14,520 --> 01:48:16,760
Speaker 2: Yeah. Yeah, you need that.

2435
01:48:16,840 --> 01:48:18,360
Speaker 4: You need to be able to say fuck it, you

2436
01:48:18,400 --> 01:48:19,880
Speaker 4: know what I mean, and just sometimes just go with

2437
01:48:19,920 --> 01:48:20,679
Speaker 4: things and do things.

2438
01:48:22,000 --> 01:48:24,439
Speaker 1: How we even ended up in Mexico City and that

2439
01:48:24,479 --> 01:48:26,240
Speaker 1: relationship came from a fucking moment.

2440
01:48:26,479 --> 01:48:31,360
Speaker 2: Yeah. Sometimes you gotta have that energy like you know what,

2441
01:48:31,640 --> 01:48:32,360
Speaker 2: let's just do it.

2442
01:48:32,479 --> 01:48:34,880
Speaker 4: Yeah, let's just go to see what happens, and you

2443
01:48:34,920 --> 01:48:36,840
Speaker 4: know it turned out to be some really really dope ship.

2444
01:48:36,960 --> 01:48:39,080
Speaker 3: So you always went to jail together.

2445
01:48:40,680 --> 01:48:43,080
Speaker 2: Well, I didn't feel like we were I'm gonna be honest.

2446
01:48:43,080 --> 01:48:44,880
Speaker 4: I don't think I felt way more comfortable there than

2447
01:48:44,920 --> 01:48:47,080
Speaker 4: I have ever felt in any city in America.

2448
01:48:49,120 --> 01:48:52,600
Speaker 1: I mean I would have snitched and I would have

2449
01:48:52,600 --> 01:48:55,719
Speaker 1: been on lad like I didn't even understand what we're doing.

2450
01:48:55,840 --> 01:48:57,879
Speaker 3: I would have like even telling.

2451
01:48:59,880 --> 01:49:03,200
Speaker 2: I told I told him he's Mexican. He's acting like Cannelo.

2452
01:49:03,479 --> 01:49:07,760
Speaker 4: Yeah, Canelo, Calomano, Carnelo Armanolo.

2453
01:49:08,760 --> 01:49:12,120
Speaker 2: They would have known exactly the shadow Box a little bit,

2454
01:49:12,800 --> 01:49:16,200
Speaker 2: so they definitely would have been okay, we get it.

2455
01:49:15,720 --> 01:49:20,000
Speaker 1: Yeah, in shadow Box. Not like Carnelo, No, nothing like that.

2456
01:49:20,680 --> 01:49:21,240
Speaker 1: Definitely not.

2457
01:49:21,400 --> 01:49:24,000
Speaker 2: But yeah, June was fun, June was eventful. June was busy.

2458
01:49:24,080 --> 01:49:27,240
Speaker 2: June was productive. We made it through, it was it busy,

2459
01:49:27,880 --> 01:49:30,520
Speaker 2: made it back home safe. Everybody's good.

2460
01:49:31,640 --> 01:49:32,800
Speaker 1: Are we yeah?

2461
01:49:33,200 --> 01:49:35,000
Speaker 3: Ground safe? Yeah? Yeah?

2462
01:49:35,080 --> 01:49:36,320
Speaker 1: Oh no, I'm just saying are we good?

2463
01:49:36,640 --> 01:49:37,759
Speaker 3: I think? Are you good?

2464
01:49:38,040 --> 01:49:38,280
Speaker 2: Well?

2465
01:49:38,439 --> 01:49:39,760
Speaker 3: Are you? Are you trying to tell us.

2466
01:49:39,680 --> 01:49:42,280
Speaker 1: Something I told you guys already? I told you in Mexico? Well, no,

2467
01:49:42,360 --> 01:49:44,120
Speaker 1: I told you in l a I told you in Mexico.

2468
01:49:44,640 --> 01:49:47,320
Speaker 3: Oh yeah, oh no, I know. Yeah, but that's good.

2469
01:49:47,479 --> 01:49:48,720
Speaker 2: You're gonna be fine, You're great.

2470
01:49:49,040 --> 01:49:53,280
Speaker 4: Yeah. So yeah, man, cheers to I was gonna tell

2471
01:49:53,280 --> 01:49:57,160
Speaker 4: you in person an eventful June. Cheers to an eventful June,

2472
01:49:57,400 --> 01:50:01,320
Speaker 4: productive June, or busy June. And let's keep the momentum

2473
01:50:01,320 --> 01:50:05,800
Speaker 4: going and have a productive July and fun July and

2474
01:50:06,040 --> 01:50:09,960
Speaker 4: me some more dope, cool people and connecting. And we

2475
01:50:10,040 --> 01:50:12,120
Speaker 4: got some some a lot of dope shit on the

2476
01:50:12,120 --> 01:50:12,800
Speaker 4: way too as well.

2477
01:50:13,160 --> 01:50:16,040
Speaker 1: And hopefully my dining room table will be in July.

2478
01:50:16,280 --> 01:50:17,720
Speaker 1: I ordered it from October.

2479
01:50:18,000 --> 01:50:21,200
Speaker 3: It's now of the pan July of the pandemic.

2480
01:50:21,479 --> 01:50:22,599
Speaker 2: He ordered it in the pandemic.

2481
01:50:22,640 --> 01:50:23,599
Speaker 1: It's July of.

2482
01:50:25,280 --> 01:50:25,639
Speaker 3: Table.

2483
01:50:26,000 --> 01:50:29,479
Speaker 1: Absolutely, and Demeris had the nerve to say, oh I

2484
01:50:29,479 --> 01:50:31,000
Speaker 1: love this show. Where to come from? It was like, oh,

2485
01:50:31,040 --> 01:50:33,880
Speaker 1: you were the one that ordered it or delivered it,

2486
01:50:34,040 --> 01:50:35,880
Speaker 1: And she said, oh, I were talking about your table.

2487
01:50:36,120 --> 01:50:37,920
Speaker 1: I was like, oh, that's in France.

2488
01:50:37,920 --> 01:50:41,400
Speaker 2: You never you never get Now he'll get it. He'll

2489
01:50:41,400 --> 01:50:41,720
Speaker 2: get it.

2490
01:50:42,360 --> 01:50:46,280
Speaker 4: So yeah, man, but we'll reconvene at another day. It's

2491
01:50:46,280 --> 01:50:48,360
Speaker 4: fucking tired. I had a long day. It's fucking midnight.

2492
01:50:49,280 --> 01:50:52,000
Speaker 4: I had the longest day ever trying to get back

2493
01:50:52,000 --> 01:50:56,639
Speaker 4: from Atlanta. A fresh fresh pot silence was canceling walking

2494
01:50:56,680 --> 01:50:59,639
Speaker 4: out on Delta today, and it was crazy in Atlanta.

2495
01:50:59,680 --> 01:51:01,800
Speaker 4: So all right, So yeah, so we're we convene. We'll

2496
01:51:01,800 --> 01:51:06,639
Speaker 4: get back together in a few days. Uh, let's relax

2497
01:51:06,720 --> 01:51:09,400
Speaker 4: for a couple of days, shower in our own showers,

2498
01:51:09,640 --> 01:51:12,320
Speaker 4: sleep in our own beds, beat men in our own towns.

2499
01:51:12,360 --> 01:51:15,479
Speaker 2: Boys, until the next time we have to stumble in

2500
01:51:15,520 --> 01:51:16,759
Speaker 2: Onca Gringo.

2501
01:51:18,040 --> 01:51:20,559
Speaker 1: You know, there was no water pressure in Mexico, and

2502
01:51:20,600 --> 01:51:22,599
Speaker 1: then I went to the mandre On and my shower

2503
01:51:22,640 --> 01:51:25,680
Speaker 1: broke in my room flew. Yeah, I couldn't get a

2504
01:51:25,680 --> 01:51:26,479
Speaker 1: shower for three weeks.

2505
01:51:26,600 --> 01:51:28,439
Speaker 2: That's part of it. That's all part of the journey.

2506
01:51:28,479 --> 01:51:28,639
Speaker 1: Man.

2507
01:51:28,680 --> 01:51:31,439
Speaker 2: Sometimes you got to go through the ship. You gotta

2508
01:51:31,439 --> 01:51:31,760
Speaker 2: go through the.

2509
01:51:32,439 --> 01:51:33,960
Speaker 1: I was in l A at bt Wick and with

2510
01:51:34,080 --> 01:51:35,240
Speaker 1: no shower for weeks.

2511
01:51:36,640 --> 01:51:37,759
Speaker 2: I gotta smell like the culture.

2512
01:51:39,439 --> 01:51:40,960
Speaker 1: I feel like the culture smelled way better.

2513
01:51:41,000 --> 01:51:46,760
Speaker 4: You gotta you gotta smell like the culture. Absolutely, we're

2514
01:51:46,800 --> 01:51:50,960
Speaker 4: back home for a few days. So yeah, let's uh,

2515
01:51:51,120 --> 01:51:54,200
Speaker 4: let's unwireless, relax, let's have fun and do ship that

2516
01:51:54,200 --> 01:51:55,280
Speaker 4: we want to do in our own homes for a

2517
01:51:55,320 --> 01:51:57,040
Speaker 4: few days and we'll get back to the people.

2518
01:51:58,520 --> 01:51:58,840
Speaker 3: Cool.

2519
01:52:00,000 --> 01:52:01,280
Speaker 2: I'm not nigga, he's just ginger.

2520
01:52:02,000 --> 01:52:04,759
Speaker 1: Y'all be safe, No Willian Nound