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Speaker 1: You had the good budd so the food was hitting.

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Speaker 1: They have smoked duck for breakfast dead Paris look, Paris looks.

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Speaker 1: I'm gonna tell you I don't want fail. I'll tell

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Speaker 1: you all the time, murder what I'll tell you, I

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Speaker 1: don't want to.

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Speaker 2: Feel like fifty.

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Speaker 3: Yo, how many like smoked duck they got you unanimous

8
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Speaker 3: with that on it and how many times like that's

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Speaker 3: just like a repeat man like McDonald's time.

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Speaker 2: It's just not it's not that in Morocco.

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Speaker 3: He's a one person famous for smoked duck. Like that's revenue.

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Speaker 2: Biggs, Tyme.

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Speaker 1: Frock, Yes, the motherfucking real rapport with turbulance.

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Speaker 2: Tony's the boy live Jet Lenny.

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Speaker 3: You are Boston King right now, Man, Cambridge's finest man.

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Speaker 3: See him be Blanco Man, Mellie.

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Speaker 1: You know the vibe man, Man, yeh, you know, I

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Speaker 1: appreciate you man coming through.

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Speaker 3: Man, I appreciate you.

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Speaker 1: You got the biggest coach sne from one of the

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Speaker 1: best rappers on the planet.

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Speaker 2: Yeah, Jada kiss and that like gave you the ultimate

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Speaker 2: respect you could spit. Also, you one of.

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Speaker 4: The best s brothers.

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Speaker 1: You know, when you get a coach sine from a

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Speaker 1: like Kiss, I felt like the whole streets loved you

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Speaker 1: after that, like from Boston and New York, Connecticut, talk

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Speaker 1: about that.

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Speaker 2: How did you meet Kiss? And how did all that happen?

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Speaker 4: Man?

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Speaker 3: I met Kiss? Uh Soul. My manager at the time

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Speaker 3: was a guy named Seth Free. He started and one

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Speaker 3: mixtapes and ship like that, and he saw a vision

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Speaker 3: in me. And he had family like his wife's Kate Ridy,

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Speaker 3: and so he knew about the area and mass in

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Speaker 3: Boston like that, and he brought me out to New

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Speaker 3: York and I was trying to get a feature for

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Speaker 3: a song. I had a song called The Plug at

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Speaker 3: the time, and he was going through his rollerdextra rappers.

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Speaker 3: He went from Ray Kwan to a few different rappers

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Speaker 3: and then he's like, you know what I know, I

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Speaker 3: know Jada Kiss. I'm like, yeah, no, no, fuck it, Jada.

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Speaker 3: So we in the Bronx at the time, and he's like,

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Speaker 3: let me call him, let me just see how it go.

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Speaker 3: He's just calling through his phone and connects. He called Kiss,

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Speaker 3: pick up, Yo, Free what's up. He's like, uh, Freeze

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Speaker 3: like Yo, I'm in the Bronx right now. And Kiss

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Speaker 3: like Yo, I'm in the Bronx. I just picked up

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Speaker 3: my man, Kate Rosewood, and I got to drop him

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Speaker 3: to the halfway house. This is the day kiss right

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Speaker 3: hand man got out, so he had he had to

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Speaker 3: take him to the halfway house in the Bronx. So

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Speaker 3: it just happened like through God that when Kiss is

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Speaker 3: calling him, were in the same neighborhood in the Bronx.

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Speaker 3: So they pulled up ten minutes later, met me, heard

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Speaker 3: my ship, and it was kind of on from there.

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Speaker 3: And then you know, I was just rocking with him,

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Speaker 3: like a regular relationship with Ice. Picked Jay who passed on.

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Speaker 3: I picked j found out like I could sing and

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Speaker 3: do a little more and rap. And then he really

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Speaker 3: brought it to the table like nah, Kiss, you need

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Speaker 3: to take him, take him serious and ship and you know,

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Speaker 3: I just grinded after that with that stamp. That's all

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Speaker 3: I needed was the stamp just to move around.

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Speaker 5: So I'd be wondering you as you signed the kiss

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Speaker 5: or It's just like it was more of a stamp

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Speaker 5: a homie throwing.

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Speaker 4: Was it actual business done? Yeah?

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Speaker 3: No, it was an actual business. Okay, sure, actual actual

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Speaker 3: We broke Brad multiple times.

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Speaker 4: Sure, that's dope, that's stupid.

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Speaker 2: It's all coming out of Boston.

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Speaker 1: Because we was talking earlier about was it made men

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Speaker 1: and Benzino back in the days. That was more like

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Speaker 1: the biggest thing we knew from Boston at that time.

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Speaker 1: And it's like right now, you you just like, yeah.

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Speaker 3: Well I came in and on some Massachusetts shit. So

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Speaker 3: I'm boring in Boston, but I'm raising Cambridge is right

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Speaker 3: across the bridge, you.

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Speaker 4: Know what I mean.

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Speaker 3: And so when I came in, that was kind of

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Speaker 3: my philosophy, like, Yo, we gotta utilize the whole Massachusetts

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Speaker 3: as a whole. We gotta use Lauren when I'm pulling up,

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Speaker 3: I'm pulling up with it. The Minigans from Lawrence, we

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Speaker 3: come over, motherfuckers from you know, Matti pen were coming

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Speaker 3: with people from Brocking just utilizing the whole mass type shit.

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Speaker 3: So I feel like that's one of the things that

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Speaker 3: propelled me out there too, you know what I mean.

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Speaker 2: Talk about this new EP you got out right now.

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Speaker 3: Man, man, Rhythm and pain, R and P. You know,

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Speaker 3: I'd be singing and shit, So I just wanted to

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Speaker 3: be on my time P shit.

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Speaker 4: So you're singing on this whole project, right here.

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Speaker 3: Yeah, alto all melodic, man, because I've been having records

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Speaker 3: where it's like I rap and then I sing, and

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Speaker 3: I got singing records that was doing millions. But I

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Speaker 3: think because my freestyles that went so viral, people just

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Speaker 3: kept putting me in that box like you just a rapper.

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Speaker 3: But I'm like, no, I'm all around artists. And my

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Speaker 3: streaming shit is doing just as good as it would

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Speaker 3: have been if I dropped the rap album. Right now,

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Speaker 3: off the melodics is so very ecstatic, and you know,

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Speaker 3: I feel amazing about that.

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Speaker 1: Shit definitely because people know you for the bars of course,

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Speaker 1: and then like I said, you get.

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Speaker 3: Yeah the bars with staying to like coming through New

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Speaker 3: York and having the even having that coach sign from kids,

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Speaker 3: I felt extra pressure like I got to show nice

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Speaker 3: like but now.

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Speaker 4: I got you on the project and we got a video.

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Speaker 3: That was amazing to man, and I don't know how

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Speaker 3: none of my music gets into mass state prisons, but

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Speaker 3: that was one of the murdered Ship hit the tablet fast,

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Speaker 3: and that's one of the joints he got, the real

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Speaker 3: plug he.

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Speaker 2: Got, I got GHUYSI.

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Speaker 3: I'm on Empire Publishing to need Ship in the joint

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Speaker 3: like you have for murders, because it was like in

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Speaker 3: a week, man, that's what the ones to.

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Speaker 2: Man, you get a lot of bags.

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Speaker 3: Well I'm I'm on I'm on the publishing side, but yeah,

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Speaker 3: fu with Ghzi. That's my man. Yeah, Gouts, he's sturdy.

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Speaker 4: That's the fact man.

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Speaker 3: That was let to be on your project though, Bro,

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Speaker 3: I definitely came up watching both of y'all.

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Speaker 4: I appreciate it.

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Speaker 3: Yeah, you you wanted the ones that like you got

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Speaker 3: the shock fact to all your shit, even you with

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Speaker 3: the punchlines with the G Unit mixtapes, you was always

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Speaker 3: looking for you always have not punchlines, but like haymakers

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Speaker 3: and ship you know what I mean. You come up

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Speaker 3: with them ships and that kind of inffluence my rap

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Speaker 3: style in the sense of like, all right, I'm gonna

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Speaker 3: say a couple of ships and then I'm gonna give

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Speaker 3: you a haymaker something that's shocking. You can't just be

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Speaker 3: giving them, you know. You got haymakers in.

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Speaker 2: The mixtape days.

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Speaker 1: Like I tell every New York artist, you got New York,

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Speaker 1: you got some spots of steak, you got C. T.

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Speaker 1: Shouter CT always pushed G Unit and then you got Boston.

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Speaker 1: I always love Boston. You got the beautiful Kate Verdion

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Speaker 1: women out there shouting them.

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Speaker 2: Know what you know about that, but shelter my Africans

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Speaker 2: out there. It's just Boston.

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Speaker 1: Just feel like I don't know when we came there,

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Speaker 1: it was just always love. Remember we had to it

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Speaker 1: was one mixtape. I think we had the celt we

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Speaker 1: used to do the show we came out.

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Speaker 2: With Shipped on.

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Speaker 4: It was just great.

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Speaker 2: Find that picture, classic, classic, you got.

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Speaker 3: Somebody find that picture, man, that picture.

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Speaker 1: Because up there's no different than New York. It's a

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Speaker 1: big city. You know, y'all love youall.

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Speaker 3: Teams, you know, Yeah, no, it's different though it's different

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Speaker 3: in the sense like we probably like sports come first

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Speaker 3: in Massachusetts in general, like when you're a kid, they're

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Speaker 3: gonna they're gonna be telling you in fourth grade and

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Speaker 3: ship like, you know, the restaurants.

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Speaker 2: Like it's really big sports.

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Speaker 3: We really come from sports culture. Like if you're in

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Speaker 3: mass like, you have to be you kind of weird

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Speaker 3: if you're not into sports culture and mass like that's all.

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Speaker 3: That's what our ship is based on. Where I feel

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Speaker 3: like New York is kind of based on sports but

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Speaker 3: I feel entertainment override sports a little bit. I know,

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Speaker 3: the Knicks is the biggest ship in the world, and

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Speaker 3: the Yankees and ship, but y'all got so much bigger

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Speaker 3: artists that came from here, you know what I mean,

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Speaker 3: all the way from Hoh the fifty to Frank Sinatra right.

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Speaker 2: He from here, right Frank Sinatra DMX.

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Speaker 3: Now of course you know the lineage is crazy.

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Speaker 5: Yeah, they don't stop the Listen how you be feeling

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Speaker 5: when your freestyles go viable like the act? You feel

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Speaker 5: like I'm getting my respect, man, because you know, it

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Speaker 5: be hard everybody to be feeling like, oh, he can't

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Speaker 5: talk that shit or you know the complexity. They'd be

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Speaker 5: like he why he ain't talking that shit like that.

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Speaker 5: But then when you see the streets doing brace you

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Speaker 5: that shit be feeling, man.

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Speaker 3: Man, that that shit felt good, like you know, I

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Speaker 3: really I think New York is one of the last

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Speaker 3: places where you still got to lead with scale. People

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Speaker 3: still respect bars from the from the from the ogs

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Speaker 3: to even the young drill rappers. You'd be surprised that

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Speaker 3: k flocks generation like they still give it up like

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Speaker 3: bars like I still meet little young drill rappers and dudes,

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Speaker 3: kids that's really in the street and they're in tune

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Speaker 3: with bars. I still meet an eighteen year old to

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Speaker 3: break down ball and it's probably one of the only

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Speaker 3: places that's really like that. So I love New York

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Speaker 3: for that, just the mecca of this shit. So it

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Speaker 3: felt real good to get the validation here because I

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Speaker 3: remember being there for five years and nobody knew me,

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Speaker 3: and then one day that shit just started changing and

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Speaker 3: I was like, oh, they recognized me in New York.

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Speaker 3: New York love is different.

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Speaker 2: To think about this though. When you get that coach

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Speaker 2: sign from kids, it's almost like a slim dunk.

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Speaker 1: Because it's like, you gotta you gotta say you spit

201
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Speaker 1: some ship to make they still got to go out

202
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Speaker 1: and earn it. No, no, I'm not saying no, I'm

203
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Speaker 1: not saying that. I'm saying, when he spits, if he

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Speaker 1: could impress Jada kiss niggas know he's fit for for

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Speaker 1: what he's doing, got you you know what I'm saying?

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Speaker 3: Yeah, hell yeah, but you still it's still big big

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Speaker 3: feet to how you say, big shoes to step in

208
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Speaker 3: and ship like that. So yeah, you know, you gotta

209
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Speaker 3: put that ship all on the line. But it worked

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Speaker 3: out with the bars and ship and that's what guy.

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Speaker 3: I didn't because I didn't get any industry real colsons

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Speaker 3: besides kiss. It was just kiss and then just putting

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Speaker 3: it out like labels were like, I don't see it.

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Speaker 3: All the labels that I don't see it none of that.

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Speaker 3: By the time they saw it was because my data

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Speaker 3: line was going up, you know what I mean, like

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Speaker 3: my streaming like undeniable numbers realistically and statistically, like because.

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Speaker 2: You don't have Fly by Night fins. That's one thing

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Speaker 2: I got. Yeah, you got people that you have a

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Speaker 2: core fan base. What's the kid Russell? Like, what's the

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Speaker 2: kid Rustled with the long hill? I think his name

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Speaker 2: russ shut Us Like, I don't know.

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Speaker 1: Sometimes I think it's better for artist to have like

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Speaker 1: like g Unit, we had a core fan base.

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Speaker 2: Like people, yeah, the whole twenty But you know what

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Speaker 2: I'm saying.

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Speaker 1: When I look at your career because it's early, Like

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Speaker 1: you know, I look at your career, I'm like, he

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Speaker 1: got a core fan base of people that really love

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Speaker 1: balls and love what he do. That's why I know you.

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Speaker 1: What's your favorite part of Europe? I know you hit Europe.

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Speaker 1: I know they love you out there because they love balls.

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Speaker 3: I'm gonna say London because I get a lot of

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Speaker 3: love in London, Like yeah, London is like one of

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Speaker 3: my main markets. Like when I look at the streaming

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Speaker 3: data and ship like that, like heavy in London.

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Speaker 5: So you ain't worried about being that you so respected

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Speaker 5: for balls right now, right, you ain't worried aboudy on

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Speaker 5: this new project going with the.

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Speaker 4: Whole singing shit.

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Speaker 5: You don't think people going like you're gonna throw some

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Speaker 5: of your fans off a little bit.

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Speaker 3: I was bro but I just had to do what

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Speaker 3: was in my heart, you know what I mean. I

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Speaker 3: had to I had to go with my passion like

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Speaker 3: I'm gonna go with I gotta go with my move

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Speaker 3: and what I feel is God's move because I feel

248
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Speaker 3: like music is spiritual. Like you ever put a beat

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Speaker 3: on in the words just come to your mind.

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Speaker 2: It's just you and that beat about that in fact,

251
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Speaker 2: but it's the beat.

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Speaker 3: But God's just giving you the instrumental and He's given you, yo,

253
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Speaker 3: my son, this is your talent right here. Go get crazy.

254
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Speaker 3: So if God's given me, when I'm in when I'm

255
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Speaker 3: doing them, singing songs. I'm doing them sitting like in

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Speaker 3: a minute, two minutes, just it's like unconscious, like a

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Speaker 3: stream of consciousness. So I know, like this is what

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Speaker 3: I'm supposed to be doing through God like, and that's

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Speaker 3: how I feel. I can't go against that to try

260
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Speaker 3: to push the ship. That might sell a little more,

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Speaker 3: you know, but I'm gonna still come back with hits

262
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Speaker 3: and rappit hits and ship like that. But yeah, I'm

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Speaker 3: in this eraror right now trying to show people them

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Speaker 3: all around artists.

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Speaker 4: You know.

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Speaker 2: So what gives you the drive though?

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Speaker 1: Like for you, you got the balls and ship like

268
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Speaker 1: when you started, Like what motivated I know you're g

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Speaker 1: in it back in the days because you're still young.

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Speaker 1: I know, Like what motivated you when you started getting

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Speaker 1: in the booth.

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Speaker 3: Like young I started, I started really battle rapping and shit,

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Speaker 3: like just around the neighborhood. I'd be like the kid.

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Speaker 3: It was like, you know, I was a kid you

275
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Speaker 3: could take to a different neighborhood and just be like, Yo,

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Speaker 3: this little white boy can rap, go ahead, rap right.

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Speaker 3: Motherfuckers did that to me nine million times to like

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Speaker 3: to now when that should probably happened, like five years ago,

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Speaker 3: somebody just told me, oh you rap rapper, and nah,

280
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Speaker 3: it ain't that no more? Like yeah, that was when

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Speaker 3: I was thirteen, fourteen, fifteen, all the way probably up

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Speaker 3: to like eighteen type shit. But I just always had

283
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Speaker 3: to drive bro. I felt like this was my purpose.

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Speaker 3: Before I made any money from this shit, I was like,

285
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Speaker 3: this is my purpose, what I'm here for, Like this

286
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Speaker 3: is my gift. Even though I got lost and doing

287
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Speaker 3: other shit for a while, I always knew like rap

288
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Speaker 3: was my shit. I practiced rapping in the elevator, like

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Speaker 3: to elevator music.

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Speaker 4: You know what I mean.

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Speaker 3: You ever hear a boring ass beat like you get

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Speaker 3: in the elevator? They playing with me, I'll see how

293
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Speaker 3: I could catch the elevator beat, like I see any

294
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Speaker 3: beat that come on TV.

295
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Speaker 4: The phone.

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Speaker 3: You ever called the Giant, It's like they give you

297
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Speaker 3: the phone music while you're on hold and ship. I'm

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Speaker 3: rapping to this ship like I'm trying to catch any

299
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Speaker 3: type of beat that's out there. So sometime I think

300
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Speaker 3: in raps man, like sometime like a.

301
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Speaker 1: Bank, you go to the studio and do ten records

302
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Speaker 1: like I might do two, You're gonna do ten?

303
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Speaker 2: You like that. I know you like yeah, but I don't.

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Speaker 3: I won't record for like a while though, Like I

305
00:13:24,000 --> 00:13:27,679
Speaker 3: might record every you know, two three weeks and then

306
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Speaker 3: lock in like I'm not in the studio every night

307
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Speaker 3: because I gotta live a little. I gotta you know,

308
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Speaker 3: I gotta live like the podcast.

309
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Speaker 2: I thought she was in the studio every day.

310
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Speaker 3: No, I just went I lock and I lock it tough,

311
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Speaker 3: I lock and I lock that tough Man.

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Speaker 2: Sixteen talk about that.

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Speaker 3: That was that was crazy because that was all you

314
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Speaker 3: went crazy on that one. Yeah, I knew, I knew

315
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Speaker 3: I had the plug to get in there, and I

316
00:13:51,960 --> 00:13:55,080
Speaker 3: would just wait every day for wait every day and

317
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Speaker 3: hope that they'd have a slot for me because I

318
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Speaker 3: couldn't get know everybody in there at the major label.

319
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Speaker 3: Uh pr agent me. I'm just in that ship and

320
00:14:05,840 --> 00:14:08,480
Speaker 3: they're just telling me, yo, if somebody don't show up,

321
00:14:08,600 --> 00:14:09,880
Speaker 3: you could be a replacement.

322
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Speaker 4: Man.

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Speaker 3: I was there for it, and I took the opportunity,

324
00:14:13,000 --> 00:14:15,240
Speaker 3: and I took the opportunity. The guy who helped me

325
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Speaker 3: was named Yomi. He's at Apple Music right now. And

326
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Speaker 3: that just been one of my solid connects. That's been

327
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Speaker 3: one of my real solid connects, and I never had

328
00:14:22,960 --> 00:14:24,640
Speaker 3: a lot of connects in the industry. But I didn't

329
00:14:24,680 --> 00:14:26,320
Speaker 3: need a lot, you know. I just needed the people

330
00:14:26,320 --> 00:14:28,960
Speaker 3: that I needed for real but not That was some validation,

331
00:14:29,080 --> 00:14:32,240
Speaker 3: but it still took four years after that to really

332
00:14:32,280 --> 00:14:35,960
Speaker 3: start getting my ship cranking. The pandemic was when everything

333
00:14:36,040 --> 00:14:37,880
Speaker 3: started to be like, all right, I can make money

334
00:14:37,920 --> 00:14:38,360
Speaker 3: off this ship.

335
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Speaker 5: I noticed you're with the ladies a lot. I know

336
00:14:40,960 --> 00:14:43,160
Speaker 5: you with the twins. Make sure you get a picture

337
00:14:43,200 --> 00:14:45,800
Speaker 5: to him with the twins, the twins. That was the twins, tins,

338
00:14:46,640 --> 00:14:48,440
Speaker 5: which ones, That's how many twins it was you was

339
00:14:48,520 --> 00:14:50,960
Speaker 5: with It was the twins.

340
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Speaker 2: Double those twins.

341
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Speaker 3: I've been with the Double Dose.

342
00:14:54,360 --> 00:14:55,600
Speaker 2: He always have the girls in the video.

343
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Speaker 5: I always got the girls in the video out of

344
00:14:57,600 --> 00:15:00,880
Speaker 5: the Double Dose after them A lot of women. You

345
00:15:00,920 --> 00:15:02,560
Speaker 5: hang out with the women a lot. Was that like

346
00:15:02,600 --> 00:15:03,720
Speaker 5: a strategy of yours?

347
00:15:03,840 --> 00:15:06,000
Speaker 3: Like the I just think, you know, bro, I came

348
00:15:06,000 --> 00:15:08,920
Speaker 3: from standing on a on the same street for fucking

349
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Speaker 3: ten years just surrounding our dudes man forever, like, so

350
00:15:12,840 --> 00:15:14,920
Speaker 3: we gotta switch up the energy. I'm in this shit.

351
00:15:15,160 --> 00:15:17,840
Speaker 3: If they want to be around, we gotta balance it out,

352
00:15:17,880 --> 00:15:19,920
Speaker 3: Like we could go out rather us go out right

353
00:15:19,960 --> 00:15:22,200
Speaker 3: now and it be twenty girls and shit, and we

354
00:15:22,320 --> 00:15:25,560
Speaker 3: just gotta add one person that can destroy anyone. Shit

355
00:15:25,720 --> 00:15:29,240
Speaker 3: like that. Like, but man, we gotta balance out the energy,

356
00:15:30,000 --> 00:15:33,320
Speaker 3: keep that feminine energy around. Like, if it's all dudes

357
00:15:33,360 --> 00:15:36,600
Speaker 3: in the club, the club's gonna get shot up. It's

358
00:15:36,440 --> 00:15:39,400
Speaker 3: it's gonna go on like you had the females there.

359
00:15:39,480 --> 00:15:41,920
Speaker 3: Shit is cool, you know. So yeah, I'll just be

360
00:15:41,960 --> 00:15:43,320
Speaker 3: trying to enjoy life, man.

361
00:15:43,680 --> 00:15:46,040
Speaker 5: And I take it that's the motivation for the new project.

362
00:15:46,040 --> 00:15:48,320
Speaker 5: You just see you singing to the ladies like fuck

363
00:15:48,360 --> 00:15:49,280
Speaker 5: that I'm talking to y'all.

364
00:15:49,520 --> 00:15:53,280
Speaker 3: Yeah, yeah, yeah, Because I feel like sometimes even when

365
00:15:53,280 --> 00:15:57,080
Speaker 3: you're rapping, I'm gonna rap about your mind goes to

366
00:15:57,120 --> 00:16:00,640
Speaker 3: the most extreme shit you've been through. Now, Actually, whatever

367
00:16:00,680 --> 00:16:03,000
Speaker 3: is the extreme shit? I feel like that's what you're

368
00:16:03,040 --> 00:16:04,880
Speaker 3: not going to just rap about going to the corner

369
00:16:04,880 --> 00:16:07,520
Speaker 3: store and getting a sandwich, Like you're gonna rap about

370
00:16:07,600 --> 00:16:10,640
Speaker 3: the time when you was banging out with police or

371
00:16:10,640 --> 00:16:13,160
Speaker 3: whatever the fuck was going on. Whatever was the extreme

372
00:16:13,160 --> 00:16:15,880
Speaker 3: city in life, that's what's gonna hit your mind first.

373
00:16:16,040 --> 00:16:18,600
Speaker 3: But I'm like, I'm gonna just go through some extreme

374
00:16:18,760 --> 00:16:21,840
Speaker 3: love and heartbreak with some vibes and that's gonna be

375
00:16:21,840 --> 00:16:24,640
Speaker 3: the extreme ship instead of rapping about street shit, I'm

376
00:16:24,680 --> 00:16:27,240
Speaker 3: gonna swap it out and I'm gonna start, you know,

377
00:16:27,440 --> 00:16:29,640
Speaker 3: falling in love with some vibes and getting my heart

378
00:16:29,680 --> 00:16:31,360
Speaker 3: broke a little bit, and that's gonna give me music.

379
00:16:31,400 --> 00:16:33,840
Speaker 3: And it did you know allegedly.

380
00:16:34,280 --> 00:16:38,320
Speaker 5: Allegedly he said you ain't break my heart. I'm just like,

381
00:16:38,640 --> 00:16:40,080
Speaker 5: don't think you broke my heart.

382
00:16:40,080 --> 00:16:43,760
Speaker 3: Never think that, but ever think that I used you

383
00:16:43,880 --> 00:16:44,640
Speaker 3: for the material?

384
00:16:45,720 --> 00:16:46,120
Speaker 2: Definitely.

385
00:16:46,160 --> 00:16:49,200
Speaker 1: I mean you're getting out your shell. You know, everybody

386
00:16:49,240 --> 00:16:51,480
Speaker 1: know you for balls, so now you're doing them a lot.

387
00:16:51,600 --> 00:16:51,800
Speaker 2: Shit.

388
00:16:51,960 --> 00:16:54,560
Speaker 3: Yeah, for sure. I feel like that's just staying the

389
00:16:54,600 --> 00:16:56,720
Speaker 3: touch of time too. You know, rap beats changed already

390
00:16:56,800 --> 00:16:59,760
Speaker 3: like six months and ship like, what's what's the new

391
00:16:59,760 --> 00:17:02,880
Speaker 3: ship it? That's that singing ship man. You could go

392
00:17:02,920 --> 00:17:04,600
Speaker 3: straight over a guitar and get busy.

393
00:17:04,880 --> 00:17:06,880
Speaker 1: I know you're getting a big bag shelter and probably,

394
00:17:07,000 --> 00:17:12,520
Speaker 1: you know, partly probably send me a bag too. But

395
00:17:13,840 --> 00:17:18,520
Speaker 1: independent versus major label, like what made you go to

396
00:17:18,600 --> 00:17:19,399
Speaker 1: independent route?

397
00:17:19,400 --> 00:17:20,280
Speaker 2: Like what made you want to?

398
00:17:20,680 --> 00:17:22,800
Speaker 3: I didn't want to. I would have signed to death

399
00:17:22,840 --> 00:17:25,320
Speaker 3: Cham for twenty thousand dollars and they could have had

400
00:17:25,359 --> 00:17:31,439
Speaker 3: my contract and perpetuity. Yeah, like you know, they just

401
00:17:31,520 --> 00:17:33,920
Speaker 3: they just didn't see it because at the time, Bro, I.

402
00:17:33,880 --> 00:17:35,399
Speaker 1: Always laugh at murder and I have to cut you

403
00:17:35,440 --> 00:17:37,160
Speaker 1: off about this ten thousand dollars.

404
00:17:36,960 --> 00:17:40,800
Speaker 2: Deal, see my man, But he said, you know real.

405
00:17:41,200 --> 00:17:43,600
Speaker 5: Look exactly, and I tell him when I signed for

406
00:17:43,600 --> 00:17:45,359
Speaker 5: ten thousand dollars on top of that, Mills, I was

407
00:17:45,400 --> 00:17:47,639
Speaker 5: on the run for shooting somebody. Shout out to my

408
00:17:47,760 --> 00:17:50,160
Speaker 5: god D from rough Riders and he saw me at

409
00:17:50,160 --> 00:17:53,000
Speaker 5: the time. He respected my situation. He was like, where'd

410
00:17:53,000 --> 00:17:54,320
Speaker 5: you on the run for shooting somebody?

411
00:17:54,359 --> 00:17:56,119
Speaker 4: And he still gave.

412
00:17:55,920 --> 00:17:58,200
Speaker 5: Me the deal in the bag of bag of hims,

413
00:17:58,280 --> 00:18:01,800
Speaker 5: right and the bag of guns on top after D.

414
00:18:02,000 --> 00:18:04,360
Speaker 4: That's my brother, Millman.

415
00:18:04,359 --> 00:18:06,800
Speaker 2: A lot of twenty death jam.

416
00:18:06,760 --> 00:18:11,400
Speaker 3: For PEG for twenty man at a certain point, because

417
00:18:11,440 --> 00:18:13,080
Speaker 3: I had been out in New York. This is out

418
00:18:13,080 --> 00:18:15,440
Speaker 3: of the sight for I'm trying to I just want

419
00:18:15,480 --> 00:18:17,800
Speaker 3: to say I did something with my life, bro, and

420
00:18:17,840 --> 00:18:21,800
Speaker 3: nobody's showing interest. I'm just like, man, whatever, just to

421
00:18:21,800 --> 00:18:23,439
Speaker 3: say I have a deal. I just wanted to go

422
00:18:23,520 --> 00:18:25,800
Speaker 3: back home and pop it, like yeah, I'm fucking sign

423
00:18:25,920 --> 00:18:28,440
Speaker 3: the death jam like out of a gangst out of

424
00:18:28,480 --> 00:18:31,879
Speaker 3: did it for twenty thousand dollars maybe ten bro, they

425
00:18:31,920 --> 00:18:33,240
Speaker 3: could have walked me down, like.

426
00:18:34,359 --> 00:18:36,400
Speaker 1: You know, you're hip hop because for every rapper at

427
00:18:36,400 --> 00:18:38,200
Speaker 1: a time, it was a time where everybody wanted to

428
00:18:38,200 --> 00:18:39,240
Speaker 1: be on death jam record.

429
00:18:39,560 --> 00:18:41,240
Speaker 3: So so I say that to say like, I went

430
00:18:41,320 --> 00:18:46,240
Speaker 3: independent by default, and I ended up getting obviously way

431
00:18:46,359 --> 00:18:49,040
Speaker 3: bigger numbers than that and still owning the music. And

432
00:18:49,080 --> 00:18:51,320
Speaker 3: by the time I dropped the tape, I started catching motion.

433
00:18:51,400 --> 00:18:54,359
Speaker 3: In twenty twenty one, I dropped the tape and then

434
00:18:54,400 --> 00:18:56,320
Speaker 3: I got a check after the tape. They had gave

435
00:18:56,359 --> 00:18:58,159
Speaker 3: me twenty five mands for the tape, which was a

436
00:18:58,200 --> 00:19:00,520
Speaker 3: lot at the time. That was my biggest deal. Then

437
00:19:00,560 --> 00:19:03,040
Speaker 3: I got like a forty fifty thousand dollars check after

438
00:19:03,080 --> 00:19:05,520
Speaker 3: I was like, what's this for another album? And they're like, no,

439
00:19:05,680 --> 00:19:08,280
Speaker 3: this is like your ship recoup the twenty and now

440
00:19:08,280 --> 00:19:11,040
Speaker 3: you have made fifty bands or whatever it was he

441
00:19:11,160 --> 00:19:13,680
Speaker 3: was like, and I was like, Oh, that's independence.

442
00:19:13,800 --> 00:19:16,639
Speaker 2: I get it all right, and they're like, what's this

443
00:19:16,720 --> 00:19:18,440
Speaker 2: for I made this?

444
00:19:18,520 --> 00:19:21,199
Speaker 3: Oh yeah, And then I started just you know, dropping

445
00:19:21,200 --> 00:19:22,960
Speaker 3: like that. So I never had the machine to like

446
00:19:23,040 --> 00:19:25,960
Speaker 3: make me super famous and ship. But I had the

447
00:19:26,040 --> 00:19:29,679
Speaker 3: will power in the Internet to make myself get a

448
00:19:29,680 --> 00:19:32,639
Speaker 3: little niche fan base to the point where I could.

449
00:19:33,040 --> 00:19:35,520
Speaker 3: I could eat off this ship, but I still want to,

450
00:19:35,560 --> 00:19:37,159
Speaker 3: you know, I still want to swing for the fences

451
00:19:37,160 --> 00:19:39,280
Speaker 3: and ship I would take. I would take the right

452
00:19:39,640 --> 00:19:42,560
Speaker 3: major deal if it was right. But the independence ship

453
00:19:42,600 --> 00:19:45,320
Speaker 3: is what God wanted me to do for sure.

454
00:19:45,840 --> 00:19:46,359
Speaker 2: More money.

455
00:19:46,400 --> 00:19:48,439
Speaker 5: You know what record I felt like really put like

456
00:19:48,560 --> 00:19:51,159
Speaker 5: people like in your world for real. I feel like

457
00:19:51,200 --> 00:19:54,040
Speaker 5: the record you did with LBL and Free Leaf War.

458
00:19:54,720 --> 00:19:56,480
Speaker 5: I feel like once that record came out, I feel

459
00:19:56,520 --> 00:19:56,880
Speaker 5: like it was.

460
00:19:56,800 --> 00:19:59,480
Speaker 3: Like Ristakers, I'm not gonna I'm not gonna lie. I'

461
00:19:59,520 --> 00:20:02,879
Speaker 3: gonna keep it. I'm gonna keep it. I'm gonna keep

462
00:20:02,880 --> 00:20:05,200
Speaker 3: it a buck like Risk Takers is the hardest record

463
00:20:05,240 --> 00:20:08,720
Speaker 3: to come out the East Coast and last ten something years,

464
00:20:08,760 --> 00:20:12,520
Speaker 3: Like just as a posse cut, there's no hook on it.

465
00:20:12,520 --> 00:20:14,840
Speaker 3: It's four and a half minutes and the ship is

466
00:20:14,920 --> 00:20:17,960
Speaker 3: twenty million streams away from gold when no money put

467
00:20:18,000 --> 00:20:21,120
Speaker 3: into that, just we dig the ship, shot the ship

468
00:20:21,200 --> 00:20:25,240
Speaker 3: in treacherous ass areas and uploaded the video, and that

469
00:20:25,280 --> 00:20:28,480
Speaker 3: motherfucker's going and it's streaming and it's that and Leaf

470
00:20:28,560 --> 00:20:30,199
Speaker 3: ain't never been here to push it with us. He

471
00:20:30,440 --> 00:20:34,479
Speaker 3: took the whole time, free Leaf war, free Leaf wood Man.

472
00:20:34,520 --> 00:20:36,480
Speaker 3: He's the best rapper in the world under thirty.

473
00:20:36,920 --> 00:20:41,159
Speaker 1: Let me tell you if you from the streets and

474
00:20:41,240 --> 00:20:44,920
Speaker 1: you got that whole body, karate bars, Uncle Murder, gonna

475
00:20:44,920 --> 00:20:48,040
Speaker 1: put you on first. He put me on about albi Ale. Look,

476
00:20:48,520 --> 00:20:51,000
Speaker 1: he put me on about Alby Ale when he was

477
00:20:51,320 --> 00:20:54,000
Speaker 1: like still locked up type shit like niggas in jail,

478
00:20:54,200 --> 00:20:55,720
Speaker 1: No niggas in jail about his ship.

479
00:20:55,760 --> 00:21:00,600
Speaker 2: He goes, he's gone jails. He was out of your tell.

480
00:21:00,880 --> 00:21:04,080
Speaker 1: He's definitely one of my favorite new rappers out of Jersey.

481
00:21:04,200 --> 00:21:06,200
Speaker 2: Feel I feel like he's we New York.

482
00:21:06,240 --> 00:21:08,360
Speaker 1: We want him to is fact, you know what I mean,

483
00:21:08,520 --> 00:21:11,440
Speaker 1: straight gangster everybody know he yeah, yeah, yeah.

484
00:21:11,280 --> 00:21:14,320
Speaker 3: I got tape coming with Alby. We've been tape coming

485
00:21:14,320 --> 00:21:17,840
Speaker 3: with him and hopefully some of hopefully Leaf get home

486
00:21:17,880 --> 00:21:20,640
Speaker 3: and time to give us a versus because.

487
00:21:20,560 --> 00:21:24,520
Speaker 2: That's what we want. And Leaf put me on. Gotta

488
00:21:24,520 --> 00:21:26,240
Speaker 2: get Leaf to Leaf forward.

489
00:21:26,359 --> 00:21:29,320
Speaker 1: Now I know Philly rappers because niggas from mass and

490
00:21:29,359 --> 00:21:30,160
Speaker 1: Boston spit.

491
00:21:30,720 --> 00:21:32,240
Speaker 2: Niggas from Philly cand spit New York.

492
00:21:32,280 --> 00:21:34,840
Speaker 1: You just know he put me on the leaf Forward bro,

493
00:21:35,000 --> 00:21:37,520
Speaker 1: and you know we be in Miami bumping that ship.

494
00:21:38,119 --> 00:21:41,080
Speaker 3: We'd be overseas leaf Ward saying we don't talk to twelve.

495
00:21:41,080 --> 00:21:45,600
Speaker 3: We don't even speak at many nights, and he's saying,

496
00:21:45,720 --> 00:21:46,320
Speaker 3: so calm.

497
00:21:46,480 --> 00:21:50,640
Speaker 1: My ship is mistakers, mab music, mall music. Know that's

498
00:21:50,640 --> 00:21:53,480
Speaker 1: my sh Like. I feel like if Meek Mills would

499
00:21:53,480 --> 00:21:56,479
Speaker 1: have signed certain niggas, our dream chases would have been

500
00:21:56,560 --> 00:21:57,480
Speaker 1: out of here for me.

501
00:21:58,119 --> 00:22:00,080
Speaker 3: When you think about it, it's so much talent and

502
00:22:00,080 --> 00:22:03,680
Speaker 3: Philly and Philly. The talent is out the roof. I'm

503
00:22:03,720 --> 00:22:04,520
Speaker 3: not gonna lie like.

504
00:22:04,520 --> 00:22:06,680
Speaker 4: I feel like I came together with you, him and LB.

505
00:22:07,680 --> 00:22:09,800
Speaker 3: You know I originally had that ship. I named that

506
00:22:09,840 --> 00:22:11,800
Speaker 3: ship my realist Friend because at the end, I said

507
00:22:12,359 --> 00:22:16,160
Speaker 3: my mother about yeah, man, That's what's what I told

508
00:22:16,160 --> 00:22:18,000
Speaker 3: my mother every time she found that gun, I said,

509
00:22:18,000 --> 00:22:19,919
Speaker 3: I don't see my homie eyes rolling back right in

510
00:22:19,960 --> 00:22:21,680
Speaker 3: front of me. It's what I told my mother every

511
00:22:21,680 --> 00:22:23,199
Speaker 3: time she found that gun on me to told her

512
00:22:23,240 --> 00:22:25,280
Speaker 3: this my realist friend when everybody go to run on me.

513
00:22:25,600 --> 00:22:28,600
Speaker 3: So the song was my realist friend, and I had

514
00:22:28,680 --> 00:22:33,600
Speaker 3: down Q and Alby. Those were the people I wanted, Yeah,

515
00:22:33,600 --> 00:22:37,080
Speaker 3: because Alby had just came home. Then I put somehow

516
00:22:37,080 --> 00:22:38,560
Speaker 3: I got in touch with leaf Ward.

517
00:22:39,160 --> 00:22:39,760
Speaker 2: It just worked.

518
00:22:39,800 --> 00:22:42,680
Speaker 3: I'm like, all I need my homie. Nip Too was

519
00:22:42,680 --> 00:22:44,800
Speaker 3: telling me like, yo, leif got the streets and that.

520
00:22:44,920 --> 00:22:46,800
Speaker 2: Chogo, we can't wait till he gets home.

521
00:22:47,240 --> 00:22:49,240
Speaker 3: It was harder to track him down, like you know,

522
00:22:49,320 --> 00:22:51,320
Speaker 3: for the video and ship, but he knew he's seen

523
00:22:51,400 --> 00:22:53,320
Speaker 3: the play and the visually I pulled up in Philly.

524
00:22:53,320 --> 00:22:54,639
Speaker 3: He really didn't know I was coming there. I'm like,

525
00:22:54,760 --> 00:22:56,600
Speaker 3: I'm coming there tomorrow. We're just gonna shoot the video.

526
00:22:56,680 --> 00:22:56,840
Speaker 2: Bro.

527
00:22:56,960 --> 00:22:59,439
Speaker 3: Come on, Bro, I got Alby's part done. Let's do it.

528
00:22:59,440 --> 00:22:59,560
Speaker 4: Bro.

529
00:22:59,640 --> 00:23:01,640
Speaker 3: The song gonna do twenty million. That was our goal

530
00:23:01,680 --> 00:23:04,600
Speaker 3: at the time. He's like, all right, I get out

531
00:23:04,640 --> 00:23:06,400
Speaker 3: to Philly. It's like, damn, you're really here. Bro.

532
00:23:07,000 --> 00:23:07,480
Speaker 4: Look at that.

533
00:23:07,520 --> 00:23:09,600
Speaker 3: It's like, all right, let me let me throw some

534
00:23:09,640 --> 00:23:12,880
Speaker 3: ship on and we went to some we was we

535
00:23:12,920 --> 00:23:16,520
Speaker 3: was in some sort of war zone our Philian Yeah that.

536
00:23:16,640 --> 00:23:19,040
Speaker 2: It came out Star Wars shooting.

537
00:23:19,119 --> 00:23:20,080
Speaker 3: Yeah, pull up.

538
00:23:20,359 --> 00:23:23,760
Speaker 5: He pulled that man Brooklyn pulled shot the video.

539
00:23:23,840 --> 00:23:27,399
Speaker 3: Hey, Haiti, bro, Haiti, Bro, you went to I went

540
00:23:27,480 --> 00:23:31,439
Speaker 3: to Haiti. Bro this nigga. I ain't never even been

541
00:23:31,480 --> 00:23:36,679
Speaker 3: to Haiti. I was treacherous, treacherous I was. I was

542
00:23:36,720 --> 00:23:39,280
Speaker 3: in Haiti, and I was in Haiti in twenty eighteen,

543
00:23:39,359 --> 00:23:43,320
Speaker 3: twenty nineteen, and that's when they snatching bodies. But I'm

544
00:23:43,320 --> 00:23:45,760
Speaker 3: not knowing because I'm so locked in with the those

545
00:23:45,800 --> 00:23:47,679
Speaker 3: I grew up with all those. And my Man's like, yo,

546
00:23:47,800 --> 00:23:51,960
Speaker 3: come to Haiti. And I made the decision. Within twenty

547
00:23:52,000 --> 00:23:54,480
Speaker 3: four hours. I bought the ticket. By the time I'm

548
00:23:54,480 --> 00:23:57,560
Speaker 3: telling people like my moms and different people, They're like,

549
00:23:57,760 --> 00:23:59,320
Speaker 3: you sure, but I'm so fried.

550
00:23:59,320 --> 00:24:01,680
Speaker 2: I already booked.

551
00:24:01,280 --> 00:24:03,879
Speaker 3: And for me, I'm in the I'm in the I'm

552
00:24:03,920 --> 00:24:06,680
Speaker 3: in the airport, I'm at the gate. Now I see

553
00:24:06,800 --> 00:24:09,359
Speaker 3: now it's it's people walking around. Now there's no more

554
00:24:09,400 --> 00:24:11,720
Speaker 3: white people. It's over for that. I get on the plane,

555
00:24:12,680 --> 00:24:16,639
Speaker 3: it's definitely over fall, no more white people. I'm like,

556
00:24:16,680 --> 00:24:18,720
Speaker 3: all right, we're going to Haiti for real. And I

557
00:24:18,760 --> 00:24:20,760
Speaker 3: should have knew something because the camera man who was

558
00:24:20,800 --> 00:24:22,639
Speaker 3: coming out there is my man's cameraman. But he was

559
00:24:22,680 --> 00:24:25,560
Speaker 3: on my flight and before we bought at the plane,

560
00:24:25,560 --> 00:24:27,240
Speaker 3: he was like, yo, I don't know about this bro,

561
00:24:27,680 --> 00:24:30,040
Speaker 3: and I'm like, wi me, I'm not I haven't read

562
00:24:30,040 --> 00:24:33,879
Speaker 3: the news lately, so yo I told him, I'm like,

563
00:24:33,920 --> 00:24:36,280
Speaker 3: what you mean, what you mean you don't know about

564
00:24:36,280 --> 00:24:38,800
Speaker 3: this bro? Like we're sturdy and he goes. My aunt

565
00:24:38,920 --> 00:24:41,600
Speaker 3: is telling me like really, don't go there, like and

566
00:24:41,600 --> 00:24:44,679
Speaker 3: I'm like, bro, you straight, bro, come on, bro, we

567
00:24:44,800 --> 00:24:47,200
Speaker 3: get out there, we land and put a prince man.

568
00:24:47,240 --> 00:24:50,280
Speaker 3: That's the most aggressive airport. I'm gonna tell you good

569
00:24:50,280 --> 00:24:52,360
Speaker 3: ship about Haiti too, Like I ain't just gonna say,

570
00:24:52,359 --> 00:24:55,120
Speaker 3: you know what I mean, but you get your beautiful

571
00:24:55,240 --> 00:24:59,280
Speaker 3: incredible ship. We get out there and the airport is

572
00:24:59,359 --> 00:25:01,960
Speaker 3: just superggressive, like if you got suitcases.

573
00:25:02,040 --> 00:25:05,119
Speaker 4: Motherfuckers like this out of the way, like you know

574
00:25:05,160 --> 00:25:05,520
Speaker 4: what I mean.

575
00:25:05,600 --> 00:25:07,920
Speaker 3: It's just you gotta be sturdy, you know in New York,

576
00:25:07,960 --> 00:25:10,480
Speaker 3: how you gotta walk fast and ship like Haiti's really

577
00:25:10,600 --> 00:25:13,640
Speaker 3: like that. And then when we got out, Man, when

578
00:25:13,680 --> 00:25:16,840
Speaker 3: you get out, it's the motherfuckers. The motherfucker's on the

579
00:25:16,920 --> 00:25:19,680
Speaker 3: chain link fence looking at you like food type shit.

580
00:25:22,520 --> 00:25:24,560
Speaker 3: We got oh we wasn't no, no, we had we

581
00:25:24,680 --> 00:25:26,720
Speaker 3: had the army, like we got all the the parties

582
00:25:26,800 --> 00:25:29,280
Speaker 3: from our city. And then we got real zolds with us.

583
00:25:29,320 --> 00:25:31,880
Speaker 3: We got sticks, but it's still like they don't really

584
00:25:32,000 --> 00:25:35,600
Speaker 3: care that much. So we get in ship, were driving

585
00:25:35,800 --> 00:25:37,760
Speaker 3: and it's just every man for themselves. It's like this

586
00:25:38,080 --> 00:25:40,960
Speaker 3: big ass street but there's no real lanes to it,

587
00:25:41,040 --> 00:25:44,440
Speaker 3: but everybody's just doing their thing. Again through six people

588
00:25:44,520 --> 00:25:46,280
Speaker 3: on the mopad shit going on. But then we got

589
00:25:46,359 --> 00:25:49,560
Speaker 3: to the we got to the we got to the

590
00:25:50,520 --> 00:25:52,200
Speaker 3: we got to the hotel. Though, we get to the

591
00:25:52,280 --> 00:25:56,520
Speaker 3: hotel Kawbe and once you passed the doors to Kawebe,

592
00:25:57,520 --> 00:25:59,960
Speaker 3: they got the sticks out there. But once you're in there,

593
00:26:00,119 --> 00:26:02,400
Speaker 3: that shit is paradise. And then I started seeing wild

594
00:26:02,400 --> 00:26:04,440
Speaker 3: white people in there too, from like other countries and

595
00:26:04,480 --> 00:26:07,600
Speaker 3: ship and I was like, oh no, Haiti's like it's

596
00:26:07,680 --> 00:26:11,119
Speaker 3: not like how they said it is. Yeah, you got

597
00:26:11,240 --> 00:26:12,600
Speaker 3: to make it to that spot. And we went to

598
00:26:12,680 --> 00:26:14,720
Speaker 3: the club and some of the relationship of my life

599
00:26:14,760 --> 00:26:18,439
Speaker 3: happened to me at the club. But yeah, like we started,

600
00:26:18,880 --> 00:26:22,080
Speaker 3: we had it. But it's serious though. Haiti's one of

601
00:26:22,119 --> 00:26:22,680
Speaker 3: them places.

602
00:26:23,280 --> 00:26:26,040
Speaker 1: We were supposed to go to Haiti Me fifty holds

603
00:26:26,080 --> 00:26:28,160
Speaker 1: you in the banks. Everybody was supposed to go to Haiti.

604
00:26:28,760 --> 00:26:32,560
Speaker 1: And this is when I think the earthquake happened and

605
00:26:32,640 --> 00:26:34,480
Speaker 1: we were supposed to go with the White Cliff shout

606
00:26:34,560 --> 00:26:36,800
Speaker 1: the why cliff, you know what I mean? And Wycliffe

607
00:26:36,800 --> 00:26:40,280
Speaker 1: got shot in the hand. Trip kept canceled after that.

608
00:26:40,440 --> 00:26:43,040
Speaker 3: Nigga, yeah, you know what.

609
00:26:44,480 --> 00:26:46,080
Speaker 2: I'm trying to explain it because he's like, I've never

610
00:26:46,119 --> 00:26:46,960
Speaker 2: I want to go to Haiti.

611
00:26:47,040 --> 00:26:49,560
Speaker 4: My mom's just take a trip breaking on your own.

612
00:26:49,760 --> 00:26:50,639
Speaker 2: Nigga's not like that.

613
00:26:50,760 --> 00:26:50,879
Speaker 4: Bro.

614
00:26:51,080 --> 00:26:53,200
Speaker 3: You could get your body snatched though, But I ain't

615
00:26:53,240 --> 00:26:54,680
Speaker 3: gonna lie. But they don't listen.

616
00:26:54,960 --> 00:26:55,760
Speaker 2: I'm down with fifty.

617
00:26:57,640 --> 00:27:02,320
Speaker 1: Yeah, fifty gonna pay that random might think about that

618
00:27:03,080 --> 00:27:05,760
Speaker 1: she ain't worth that two million. I don't have time

619
00:27:05,840 --> 00:27:09,320
Speaker 1: to negotiate with my with me kidding this guy, I

620
00:27:09,400 --> 00:27:11,280
Speaker 1: know you ain't putting up no big coins out.

621
00:27:13,240 --> 00:27:13,920
Speaker 3: You ain't got nothing.

622
00:27:14,480 --> 00:27:15,720
Speaker 4: I have a big coin for you.

623
00:27:15,800 --> 00:27:17,879
Speaker 2: But I put him a big squall a barbecue.

624
00:27:18,000 --> 00:27:21,320
Speaker 3: Ain't got nothing up, yeah, barbecue dollar. You know what's

625
00:27:21,359 --> 00:27:24,280
Speaker 3: so crazy? I fuck with this rap out there named

626
00:27:24,359 --> 00:27:26,800
Speaker 3: kater G. I bumped into him. He shot out the

627
00:27:26,840 --> 00:27:30,000
Speaker 3: kter G man doing your ship out there? And I

628
00:27:30,119 --> 00:27:33,120
Speaker 3: locked in with him. They real serious people, but my men,

629
00:27:33,280 --> 00:27:35,159
Speaker 3: you know, my manager Haitian. He on the phone with

630
00:27:35,480 --> 00:27:38,960
Speaker 3: kter G and Ship and he's saying something to him

631
00:27:39,040 --> 00:27:42,240
Speaker 3: like when you come into Haiti, my man is just like, yeah,

632
00:27:42,240 --> 00:27:45,080
Speaker 3: you know, it's kind of crazy with barbecue. Kate G's like, no,

633
00:27:45,240 --> 00:27:47,680
Speaker 3: that's my gang. You're straight, bro, you know what I'm saying.

634
00:27:47,720 --> 00:27:49,120
Speaker 3: So barbecue fuck.

635
00:27:48,960 --> 00:27:49,639
Speaker 4: With the people too.

636
00:27:49,760 --> 00:27:52,399
Speaker 2: It's like with the people, shout out the barbecue.

637
00:27:52,520 --> 00:27:54,040
Speaker 4: Man, you got to go to Haiti.

638
00:27:54,119 --> 00:27:56,200
Speaker 2: Yeah, you know, it's not like we ain't smoked duck

639
00:27:56,240 --> 00:27:56,560
Speaker 2: out there.

640
00:27:57,560 --> 00:27:59,600
Speaker 3: No no, no, no, no no, but they got they

641
00:27:59,680 --> 00:28:01,320
Speaker 3: got the best food. I ain't gonna lie. You just

642
00:28:01,359 --> 00:28:03,440
Speaker 3: gotta make it to that motherfucking resort. You make it

643
00:28:03,480 --> 00:28:05,760
Speaker 3: to the resort. It's amazing. And I'm sure there's a

644
00:28:05,800 --> 00:28:09,159
Speaker 3: lot of beaches and people are super nice and it

645
00:28:09,320 --> 00:28:11,160
Speaker 3: was amazing. But yeah, we went through some real ship

646
00:28:11,280 --> 00:28:13,120
Speaker 3: just going to the club and Haiti. Like we went

647
00:28:13,160 --> 00:28:16,280
Speaker 3: to the club and there's dudes who hang out outside

648
00:28:16,320 --> 00:28:20,400
Speaker 3: of the club. They're like young, probably like eighteen, maybe

649
00:28:20,440 --> 00:28:24,720
Speaker 3: like fourteen to twenty four, like, but they pressed us

650
00:28:24,800 --> 00:28:27,879
Speaker 3: but with like love outside of the club. But it

651
00:28:28,000 --> 00:28:30,320
Speaker 3: was but it was love. Check it out though, no,

652
00:28:30,440 --> 00:28:31,959
Speaker 3: check it out. Check it out. Listen, I'm gonna tell

653
00:28:31,960 --> 00:28:34,240
Speaker 3: you some real shit. So we get we get to

654
00:28:34,320 --> 00:28:37,320
Speaker 3: the club. I walk in and give me that I

655
00:28:37,440 --> 00:28:40,280
Speaker 3: got real love Fahaitians like more than probably any other

656
00:28:40,920 --> 00:28:43,239
Speaker 3: nationality because I grew up with them.

657
00:28:43,640 --> 00:28:46,720
Speaker 2: Blown. It is fucking real with me, right and so

658
00:28:47,840 --> 00:28:57,480
Speaker 2: and so, I don't want to say. I don't want

659
00:28:57,480 --> 00:28:58,000
Speaker 2: to side.

660
00:28:58,120 --> 00:29:02,000
Speaker 3: Man, you know what's going on. So we walk into

661
00:29:02,040 --> 00:29:03,920
Speaker 3: the club. As we walking in, there was meet me

662
00:29:04,040 --> 00:29:06,040
Speaker 3: your millies. They had to drop on me. They're like

663
00:29:06,120 --> 00:29:06,600
Speaker 3: your millies?

664
00:29:06,640 --> 00:29:06,959
Speaker 2: What's up?

665
00:29:07,000 --> 00:29:07,080
Speaker 4: Bro?

666
00:29:07,200 --> 00:29:07,720
Speaker 2: Like I fuck with you?

667
00:29:07,800 --> 00:29:08,920
Speaker 3: I'm like, yeah, fuck with you too.

668
00:29:10,000 --> 00:29:10,920
Speaker 2: I go in to the club.

669
00:29:11,480 --> 00:29:14,600
Speaker 3: Man, they blowing fire in the club like bad bitches. No,

670
00:29:14,840 --> 00:29:17,760
Speaker 3: no bad bitches though, like bad bitch is dancing, blowing

671
00:29:17,880 --> 00:29:20,280
Speaker 3: fire in the club, all type of crazy shit. The

672
00:29:20,320 --> 00:29:23,520
Speaker 3: club is lit. Some DJ named Tony Mix, Tony Max,

673
00:29:23,560 --> 00:29:26,680
Speaker 3: Tony Mix, one of them. He was like DJ Drama

674
00:29:26,760 --> 00:29:29,280
Speaker 3: out there some shit like he was out this world.

675
00:29:29,680 --> 00:29:30,640
Speaker 3: The club's so crazy.

676
00:29:30,760 --> 00:29:31,400
Speaker 2: We walk out.

677
00:29:31,520 --> 00:29:35,880
Speaker 3: The same kids who met us out there. Now he

678
00:29:36,000 --> 00:29:38,680
Speaker 3: come and dap me again and he's talking. But how

679
00:29:38,720 --> 00:29:41,720
Speaker 3: they talk, it's just real serious and aggressive. Anyways, So

680
00:29:41,840 --> 00:29:45,160
Speaker 3: one of my men who I'm with he's like one

681
00:29:45,320 --> 00:29:47,120
Speaker 3: because we had a lot of people deported from our

682
00:29:47,200 --> 00:29:50,280
Speaker 3: city to there. So one of my men's grab him

683
00:29:50,320 --> 00:29:55,240
Speaker 3: on his wrists. Once that happened, he looked at the

684
00:29:55,400 --> 00:29:58,320
Speaker 3: dude grabbing his wrists and shit just started going sideways.

685
00:29:58,360 --> 00:30:00,120
Speaker 3: So they're like, come on, males. They start rushing me,

686
00:30:00,200 --> 00:30:02,560
Speaker 3: like into the car type ship shaking.

687
00:30:03,400 --> 00:30:05,520
Speaker 2: See this is how I talk about the trip to Haiti.

688
00:30:06,160 --> 00:30:09,400
Speaker 3: Kind of right, kind of mind. Let me set the stage.

689
00:30:09,640 --> 00:30:12,560
Speaker 3: Let me set the stage. Let me set the stage.

690
00:30:12,640 --> 00:30:12,800
Speaker 4: Though.

691
00:30:13,080 --> 00:30:15,640
Speaker 3: We're out there. When we pulled up to the club,

692
00:30:15,680 --> 00:30:20,400
Speaker 3: we was in twenty s u vs. Sticks. Every car

693
00:30:20,520 --> 00:30:23,800
Speaker 3: got a stick in it. I'm feeling real sturdy. We

694
00:30:24,040 --> 00:30:28,680
Speaker 3: parked in a in a little gravel parking area space

695
00:30:29,600 --> 00:30:31,480
Speaker 3: at the time, there's no gate in front of it.

696
00:30:31,800 --> 00:30:34,520
Speaker 3: So when we come out and we walk out and

697
00:30:34,640 --> 00:30:36,960
Speaker 3: now they meet us for the second time, I'm showing

698
00:30:37,040 --> 00:30:39,080
Speaker 3: him love. I'm telling people, no, I'm chopping with all

699
00:30:39,120 --> 00:30:39,360
Speaker 3: of them.

700
00:30:39,400 --> 00:30:39,640
Speaker 1: Right now.

701
00:30:41,480 --> 00:30:44,400
Speaker 3: My man grabs him, shit goes left. Everyone's like, come on,

702
00:30:44,520 --> 00:30:46,440
Speaker 3: come on. We start pushing to the parking lot. So

703
00:30:46,520 --> 00:30:49,200
Speaker 3: we go into the parking lot. But now the parking

704
00:30:49,240 --> 00:30:50,640
Speaker 3: lot I was in with no gate Now this shit

705
00:30:50,680 --> 00:30:54,240
Speaker 3: got a whole steel gate. So now we're just in

706
00:30:54,360 --> 00:30:56,040
Speaker 3: there and there was like this back door to get

707
00:30:56,080 --> 00:30:56,400
Speaker 3: into the.

708
00:30:57,880 --> 00:30:58,160
Speaker 2: Sticks.

709
00:30:58,520 --> 00:31:00,600
Speaker 3: So we got sticks. We got stick in the car.

710
00:31:01,200 --> 00:31:04,360
Speaker 3: But the problem is we only got we had we

711
00:31:04,520 --> 00:31:07,200
Speaker 3: had we had twenty cars though, but each one went

712
00:31:07,280 --> 00:31:09,479
Speaker 3: to a different place, so we only got we only

713
00:31:09,560 --> 00:31:12,520
Speaker 3: got three cars. Now right now, all of the kids

714
00:31:14,320 --> 00:31:18,520
Speaker 3: listen different now listen, now listen all of it, all,

715
00:31:18,720 --> 00:31:22,800
Speaker 3: all of the kids. That was kind of pressing us out.

716
00:31:22,800 --> 00:31:24,280
Speaker 3: I don't want to say pressing because I feel like

717
00:31:24,320 --> 00:31:25,200
Speaker 3: they were showing love.

718
00:31:26,080 --> 00:31:28,320
Speaker 2: I don't know, it's not my you know, it's crazy.

719
00:31:28,560 --> 00:31:32,080
Speaker 2: They just even go to Haiti like just but it's love.

720
00:31:32,120 --> 00:31:32,280
Speaker 4: Though.

721
00:31:32,320 --> 00:31:35,000
Speaker 3: I move with gods, so it's good. Like but we

722
00:31:35,160 --> 00:31:37,719
Speaker 3: walk into the getting in the parking lot, we get

723
00:31:37,760 --> 00:31:39,720
Speaker 3: in the truck. I'm not I'm still not thinking nothing

724
00:31:39,720 --> 00:31:41,760
Speaker 3: because I have seen so many people yelling at each

725
00:31:41,760 --> 00:31:44,320
Speaker 3: other and creole and ship. I'm just like, this is

726
00:31:44,440 --> 00:31:47,680
Speaker 3: some regular ship. I'm really looking at Instagram. Now I

727
00:31:47,840 --> 00:31:52,040
Speaker 3: kind of look up. Man, it's people surrounding our truck

728
00:31:52,280 --> 00:31:54,960
Speaker 3: like for real, and now they banging on the windows

729
00:31:55,000 --> 00:31:58,640
Speaker 3: and ship like this. So I'm still I'm still thinking

730
00:31:58,680 --> 00:32:01,080
Speaker 3: it's regular. I mean worse than I mean way worse

731
00:32:01,120 --> 00:32:04,040
Speaker 3: than belly though you don't knocking on the car those

732
00:32:04,120 --> 00:32:07,960
Speaker 3: little kids. Yeah, like this, I said, So I asked

733
00:32:08,000 --> 00:32:10,680
Speaker 3: my man, my man is real, calm, shout out to Blaze,

734
00:32:11,840 --> 00:32:15,200
Speaker 3: shout out to Blade. No, hey, hey, will Robs Hey,

735
00:32:15,240 --> 00:32:19,160
Speaker 3: he's gone got some ship coming. But my man Blazes

736
00:32:19,200 --> 00:32:22,320
Speaker 3: in the car is a very calm individual. And when

737
00:32:22,360 --> 00:32:25,560
Speaker 3: he looked up and he said, what's going on, man,

738
00:32:25,640 --> 00:32:28,160
Speaker 3: I said, oh ship, that's when everything just shot it

739
00:32:28,200 --> 00:32:30,840
Speaker 3: For me. I'm like, oh, we're in a bad predicament.

740
00:32:30,400 --> 00:32:31,280
Speaker 2: Right now for real.

741
00:32:32,000 --> 00:32:34,720
Speaker 3: And now our driver, our driver. He's the one I

742
00:32:34,800 --> 00:32:37,040
Speaker 3: thought was square. He's my Man's older brother. My Man

743
00:32:37,160 --> 00:32:40,680
Speaker 3: Mango swerves older brother. I thought he was square the

744
00:32:40,720 --> 00:32:47,360
Speaker 3: whole trip they had me and Haiti. Yeah, lie, if

745
00:32:47,440 --> 00:32:50,480
Speaker 3: it was man, if I can't have people in Haiti,

746
00:32:50,600 --> 00:32:54,080
Speaker 3: they can't have me though. But so my Man Mango

747
00:32:54,160 --> 00:32:56,800
Speaker 3: Swerves brother, I always thought he was real, just squad

748
00:32:56,880 --> 00:33:00,400
Speaker 3: hasting guy. But he's showing teeth like a like the

749
00:33:00,440 --> 00:33:02,840
Speaker 3: wolves is dead and he's barking back at him like

750
00:33:03,000 --> 00:33:05,280
Speaker 3: I'm telling you all, bro, but they're not scared of

751
00:33:05,320 --> 00:33:09,120
Speaker 3: the guns. Bro, and and they and they relate it

752
00:33:09,840 --> 00:33:13,600
Speaker 3: and them, and I tell him, I'm like, Yo, what

753
00:33:13,680 --> 00:33:14,560
Speaker 3: are they saying to us?

754
00:33:14,600 --> 00:33:14,719
Speaker 4: Bro?

755
00:33:14,880 --> 00:33:16,440
Speaker 3: Just give me the basics of what they're saying.

756
00:33:16,440 --> 00:33:16,560
Speaker 4: Bro.

757
00:33:16,640 --> 00:33:19,680
Speaker 3: And he's like, Yo, they want six thousand dollars American

758
00:33:19,840 --> 00:33:23,800
Speaker 3: for us to leave this parking lot. So I'm like,

759
00:33:24,920 --> 00:33:27,040
Speaker 3: I'm like, damn, this kind of crazy. But I still

760
00:33:27,120 --> 00:33:29,080
Speaker 3: I'll be having so much favor in God. Like I'm like,

761
00:33:31,040 --> 00:33:33,600
Speaker 3: you see why I'm starting. But my yo, my my

762
00:33:33,760 --> 00:33:36,160
Speaker 3: driver is still showing like aggression, Like Jude is still

763
00:33:36,160 --> 00:33:38,720
Speaker 3: showing aggression to them. It's just a lot of aggression types.

764
00:33:38,720 --> 00:33:40,680
Speaker 4: They wanted to six thousand because the way your man

765
00:33:40,800 --> 00:33:42,640
Speaker 4: grabbed no Bro, it was.

766
00:33:42,800 --> 00:33:46,320
Speaker 3: Just an extortion all kind of fucker O ship. This

767
00:33:46,440 --> 00:33:50,120
Speaker 3: is our watch belly, y'all, y'all rappers from America.

768
00:33:50,320 --> 00:33:53,720
Speaker 2: Kick up this, kick up this breech six thousand American.

769
00:33:54,440 --> 00:33:55,600
Speaker 2: Like a nigga kidnapped.

770
00:33:55,680 --> 00:33:55,760
Speaker 4: Yo.

771
00:33:55,880 --> 00:33:56,880
Speaker 2: Imagine we go out.

772
00:33:56,800 --> 00:34:00,800
Speaker 1: There, you got your jewelry or your jewelry, give us

773
00:34:01,040 --> 00:34:06,000
Speaker 1: a million, two million dollars. Niggas are stuck like Chuck Boyce.

774
00:34:06,320 --> 00:34:09,719
Speaker 4: So that what happened. So so we in there.

775
00:34:11,960 --> 00:34:15,160
Speaker 3: Shit just keep going on. And then somebody with like

776
00:34:15,239 --> 00:34:18,200
Speaker 3: a fake sort of swat vest, like you don't know

777
00:34:18,239 --> 00:34:20,279
Speaker 3: if the police is the police or they cook it,

778
00:34:20,400 --> 00:34:22,399
Speaker 3: whatever it is. Somebody with some sort of swat vest

779
00:34:22,440 --> 00:34:24,360
Speaker 3: come in and he's like, hey, everybody, get out the

780
00:34:24,840 --> 00:34:28,359
Speaker 3: this shit now. In that time, one of the people

781
00:34:28,400 --> 00:34:30,720
Speaker 3: we was with in the car behind us run popped

782
00:34:30,760 --> 00:34:33,879
Speaker 3: the gate, opened the gate. As soon as we open

783
00:34:33,920 --> 00:34:36,880
Speaker 3: the gate, my driver just floored that shit. We almost

784
00:34:36,920 --> 00:34:39,440
Speaker 3: hit some kids getting out of there, and he did

785
00:34:39,520 --> 00:34:43,920
Speaker 3: about seven. He did about seventy and these is backstreets.

786
00:34:43,960 --> 00:34:46,120
Speaker 3: He's doing like seven. You know, that's fast on like

787
00:34:46,239 --> 00:34:48,960
Speaker 3: little backstreets that ain't lit. He did seventy. Back to

788
00:34:49,000 --> 00:34:51,520
Speaker 3: the hotel, call Web. Once I passed that gun line

789
00:34:51,560 --> 00:34:54,279
Speaker 3: with the security, I sat there. I'm like, oh, I

790
00:34:54,360 --> 00:34:57,200
Speaker 3: ain't safe here, Like this is crazy.

791
00:34:59,160 --> 00:34:59,640
Speaker 4: Yeah.

792
00:35:00,040 --> 00:35:01,840
Speaker 2: The next day nobody.

793
00:35:03,360 --> 00:35:06,680
Speaker 3: Now the next day. Now, the next day they tell me, yeah,

794
00:35:06,800 --> 00:35:10,240
Speaker 3: people's getting their body snatched out here, like so people,

795
00:35:10,400 --> 00:35:12,000
Speaker 3: And I'm like, what you mean, like they're getting their

796
00:35:12,120 --> 00:35:15,880
Speaker 3: body snatched like people? Is uh, they're getting kidnapped out here,

797
00:35:15,920 --> 00:35:18,879
Speaker 3: And I'm like kidnapped. This is some ship, Like I'm thinking,

798
00:35:18,960 --> 00:35:21,320
Speaker 3: like just treacherous shit. But I'm not thinking kidnapped. So

799
00:35:21,440 --> 00:35:23,440
Speaker 3: the next day, like I kind of play close to

800
00:35:23,520 --> 00:35:27,480
Speaker 3: the hotel. Still we still we still had to go

801
00:35:27,640 --> 00:35:30,080
Speaker 3: out though. But now I'm just sturdy, like I'm standing

802
00:35:30,200 --> 00:35:32,480
Speaker 3: against cars and make because event could drop by and

803
00:35:32,520 --> 00:35:34,920
Speaker 3: they could just take your body. I'm like one sixty

804
00:35:35,040 --> 00:35:37,600
Speaker 3: five or some ship, you know what I mean. Like man,

805
00:35:37,880 --> 00:35:39,920
Speaker 3: but uh, long story show up. By the time I

806
00:35:39,960 --> 00:35:43,640
Speaker 3: got to the airport, I felt real blessed. But I'm

807
00:35:43,680 --> 00:35:45,480
Speaker 3: glad I went out there, and I say that that's

808
00:35:45,560 --> 00:35:48,360
Speaker 3: that's a yeah, that's a that's a dramatic story. To

809
00:35:48,480 --> 00:35:51,560
Speaker 3: go nigga, that's a dramatic story. But there was a

810
00:35:51,640 --> 00:35:54,279
Speaker 3: lot of love out there. Amazing food, was a lot

811
00:35:54,360 --> 00:35:57,320
Speaker 3: of love. It's just you gotta move super sturdy and

812
00:35:57,400 --> 00:35:59,719
Speaker 3: when they do fix it up because you know, American

813
00:35:59,800 --> 00:36:03,239
Speaker 3: all them been robbing these motherfuckers for everything they've been

814
00:36:03,320 --> 00:36:07,080
Speaker 3: keeping Haiti down because Haiti independently freed itself in eighteen

815
00:36:07,160 --> 00:36:09,640
Speaker 3: o four. And then like why is there no eighteen

816
00:36:09,680 --> 00:36:14,560
Speaker 3: o four movie though? With Tucson Preach, Saint Lauren and

817
00:36:14,600 --> 00:36:18,160
Speaker 3: all of that. Tucson man, like you, yeah, this should

818
00:36:18,160 --> 00:36:20,000
Speaker 3: be an eighteen o four just like this the ship

819
00:36:20,040 --> 00:36:23,080
Speaker 3: with Russell Crowe Gladiator. Why why we can't see them

820
00:36:23,200 --> 00:36:28,440
Speaker 3: killing nineteen million French people? That's too crazy. But that's

821
00:36:28,480 --> 00:36:31,359
Speaker 3: why they try to hold Haiti down. But once, once

822
00:36:31,440 --> 00:36:34,040
Speaker 3: the fucker he gets over with, Haiti's gonna rise back

823
00:36:34,080 --> 00:36:39,760
Speaker 3: because there's no more beautiful beaches, beautiful women, beautiful amazing food.

824
00:36:40,239 --> 00:36:42,719
Speaker 2: It's all set up for the wind. It's all set

825
00:36:42,800 --> 00:36:43,319
Speaker 2: up for the wind.

826
00:36:43,400 --> 00:36:45,560
Speaker 5: It's the matter you telling me something. You've never been

827
00:36:45,600 --> 00:36:47,719
Speaker 5: there yet. Brother, I'm not let my man tell me

828
00:36:47,800 --> 00:36:48,879
Speaker 5: that been there. You know what I'm saying.

829
00:36:49,520 --> 00:36:52,759
Speaker 2: Tell what he got out of there is beautiful. He

830
00:36:52,920 --> 00:37:01,440
Speaker 2: got out of the six If we went do fifty,

831
00:37:01,480 --> 00:37:02,719
Speaker 2: what you think is gonna happen with us?

832
00:37:03,000 --> 00:37:04,120
Speaker 4: When fifty we're.

833
00:37:03,960 --> 00:37:05,320
Speaker 2: Gonna have fucking thousands.

834
00:37:07,680 --> 00:37:13,160
Speaker 1: We went fifty fifty good me and you go there, dude,

835
00:37:13,160 --> 00:37:18,359
Speaker 1: that's fifty in the kidnapped them. Now we went barbecue,

836
00:37:18,360 --> 00:37:19,239
Speaker 1: getting barbecue.

837
00:37:20,160 --> 00:37:21,799
Speaker 4: Yeah, I can't fuck with this day.

838
00:37:22,160 --> 00:37:28,520
Speaker 3: Barbecue you meaning barbecue, love you, We love you.

839
00:37:28,719 --> 00:37:31,000
Speaker 2: Mann. Niggas are crazy.

840
00:37:31,040 --> 00:37:33,400
Speaker 1: They're not trying to Hey, I ain't gonna lie you

841
00:37:33,480 --> 00:37:35,920
Speaker 1: tell that niggas six thousand the parkas.

842
00:37:35,600 --> 00:37:37,320
Speaker 3: Bro I'm gonna keep it a buck. I call that

843
00:37:37,440 --> 00:37:39,759
Speaker 3: Haitian power, bro. I really believe like Haitian's got a

844
00:37:39,800 --> 00:37:43,320
Speaker 3: different type of power. You gotta understand. They overthrew the

845
00:37:43,480 --> 00:37:48,279
Speaker 3: French army with like extracting poison from blower fishes and

846
00:37:48,719 --> 00:37:52,440
Speaker 3: thinking and just having more heart and will power. Like

847
00:37:53,040 --> 00:37:55,160
Speaker 3: I'm trying to tell you, bro something, and that's why.

848
00:37:55,520 --> 00:37:57,560
Speaker 3: And when I pushed into the game that they.

849
00:37:57,560 --> 00:37:59,600
Speaker 2: Was used to the army US.

850
00:38:00,400 --> 00:38:01,960
Speaker 1: When they hit him, they hit him at like a

851
00:38:02,080 --> 00:38:04,839
Speaker 1: certain kind of season where they knew they was gonna

852
00:38:04,840 --> 00:38:07,839
Speaker 1: be fucked up in Haiti. Like Haitians both my parents

853
00:38:08,040 --> 00:38:10,960
Speaker 1: made I never met like every Haitian I met. Its

854
00:38:10,960 --> 00:38:14,040
Speaker 1: crazy like our parents is like we was trained like

855
00:38:14,160 --> 00:38:16,800
Speaker 1: military as little don't go in the figuretta, you go

856
00:38:16,880 --> 00:38:22,320
Speaker 1: to somebody else. Take h's off, you know what I mean. Curfew, curfew,

857
00:38:23,000 --> 00:38:23,359
Speaker 1: my mom.

858
00:38:23,880 --> 00:38:29,439
Speaker 3: Yeah, I pushed into the when I came into the game.

859
00:38:29,560 --> 00:38:30,080
Speaker 4: We grew up.

860
00:38:30,640 --> 00:38:32,960
Speaker 3: That's who the fuck I pushed in with because I

861
00:38:33,080 --> 00:38:35,560
Speaker 3: grew up with all of th olds. So I'm pushing

862
00:38:35,600 --> 00:38:38,440
Speaker 3: in with Dominicans and Haitians for real, Like, and that's

863
00:38:38,480 --> 00:38:40,120
Speaker 3: what made my sh different. You know, It's never been

864
00:38:40,160 --> 00:38:42,160
Speaker 3: a white boy in the history a rap to move around.

865
00:38:45,520 --> 00:38:46,680
Speaker 3: I got Haitian power.

866
00:38:46,560 --> 00:38:48,600
Speaker 1: To ship back in the days when niggas were getting

867
00:38:48,600 --> 00:38:50,839
Speaker 1: like gum bees and like parts and all that ship.

868
00:38:51,440 --> 00:38:54,480
Speaker 1: No no, no, like you know, like you can get

869
00:38:54,480 --> 00:38:57,239
Speaker 1: a hook though half loon, you can get this ship.

870
00:38:57,760 --> 00:39:02,040
Speaker 2: We couldn't have no fun friends over no friends. Don't say.

871
00:39:04,760 --> 00:39:08,279
Speaker 1: Everything was strict because Haitians they'll give you tough love.

872
00:39:08,840 --> 00:39:12,040
Speaker 2: So my mom's way of love was not I love you.

873
00:39:12,200 --> 00:39:16,520
Speaker 2: I'm going to what that's it. Nigga used to joke

874
00:39:16,560 --> 00:39:19,200
Speaker 2: on me. Beans and rice every day, chicken yo, beans

875
00:39:19,239 --> 00:39:20,000
Speaker 2: and rice every day.

876
00:39:20,480 --> 00:39:22,960
Speaker 1: You know what I'm saying. But nigga, we had a

877
00:39:23,040 --> 00:39:26,200
Speaker 1: strict lifestyle. We got in trouble. It was all hell

878
00:39:26,280 --> 00:39:26,759
Speaker 1: break loose.

879
00:39:26,920 --> 00:39:30,239
Speaker 2: It's a drug deal. Every Haitian parent wants you to

880
00:39:30,280 --> 00:39:34,919
Speaker 2: be a doctor, nigga, doctor lawyer. Niggas was drunk, y'all.

881
00:39:34,960 --> 00:39:37,960
Speaker 4: Niggas is street nigga, y'all. Niggas ain't no doctors, man, y'all.

882
00:39:38,040 --> 00:39:39,840
Speaker 2: Niggas don't look like no parents.

883
00:39:39,880 --> 00:39:41,920
Speaker 3: You know, I ain't gonna lie my man. We don't

884
00:39:41,960 --> 00:39:44,480
Speaker 3: look like we're from the We're from the same street.

885
00:39:44,520 --> 00:39:46,640
Speaker 3: And I love I love his mom's to death. She

886
00:39:46,840 --> 00:39:48,759
Speaker 3: was so strict when I was, I was scared of her.

887
00:39:48,840 --> 00:39:52,360
Speaker 3: I'm like, man, I want no problems God.

888
00:39:52,560 --> 00:39:55,800
Speaker 2: And everybody crib got raided. It's sat out. My mama

889
00:39:55,920 --> 00:40:03,359
Speaker 2: love sat because I couldn't have company, niggas. Everyone crib

890
00:40:03,440 --> 00:40:06,160
Speaker 2: got raided. My man around the corner. Crib got raided.

891
00:40:06,239 --> 00:40:09,360
Speaker 2: You know his crib never get nigga. My mom's no company,

892
00:40:09,640 --> 00:40:15,359
Speaker 2: no comany of my punch. They know what I'm saying.

893
00:40:16,000 --> 00:40:17,960
Speaker 2: The word.

894
00:40:18,719 --> 00:40:21,000
Speaker 3: I learned all the curse if I if I was smart,

895
00:40:21,000 --> 00:40:22,879
Speaker 3: I would have learned like the real I learned all

896
00:40:22,920 --> 00:40:24,960
Speaker 3: the curse words and ship, so I know. I tell

897
00:40:25,040 --> 00:40:28,480
Speaker 3: the motherfucker like, man, you know what I mean? Jeu

898
00:40:28,600 --> 00:40:32,279
Speaker 3: my cock, motherfucking suit said lamb. Where I know all?

899
00:40:32,440 --> 00:40:33,960
Speaker 3: I know all the worst ship to say.

900
00:40:34,080 --> 00:40:35,120
Speaker 4: Yeah, he no more fail than you.

901
00:40:35,280 --> 00:40:37,080
Speaker 2: Somebody he might do he do?

902
00:40:37,280 --> 00:40:39,399
Speaker 4: Yeah he do he do. I wouldn't hear you say

903
00:40:39,440 --> 00:40:40,080
Speaker 4: something right now?

904
00:40:40,440 --> 00:40:44,880
Speaker 2: Cock ship cock ship you piece of ship? What he

905
00:40:45,000 --> 00:40:46,640
Speaker 2: just said, call your pieces?

906
00:40:46,920 --> 00:40:47,520
Speaker 4: And he called me.

907
00:40:48,800 --> 00:40:50,759
Speaker 3: I know the curses because my mom just to curse

908
00:40:50,880 --> 00:40:53,120
Speaker 3: me out the curse.

909
00:40:55,280 --> 00:40:59,360
Speaker 1: Before rang with the Zoe's. I told you our parents

910
00:40:59,440 --> 00:41:01,040
Speaker 1: never told us, I love you. They go to work

911
00:41:01,480 --> 00:41:05,200
Speaker 1: and that ship. Niggas not parents, Haitian parents are gonna

912
00:41:05,200 --> 00:41:07,520
Speaker 1: tell you they love. It's just like Jamaicans like that

913
00:41:08,040 --> 00:41:11,919
Speaker 1: Haitians and we from queens. So that's all I came

914
00:41:12,040 --> 00:41:17,160
Speaker 1: up with is around Jamaicans Haitians Guyannese. Well that was

915
00:41:17,280 --> 00:41:20,520
Speaker 1: my like every I knew niggas that tough Guyanese niggas,

916
00:41:20,560 --> 00:41:23,200
Speaker 1: tough trining niggas, don't Haitian niggas. You know what I'm saying.

917
00:41:23,239 --> 00:41:26,080
Speaker 1: Tough Jamaican niggas. Niggas pull out them old school knobs

918
00:41:26,280 --> 00:41:27,360
Speaker 1: that flip around.

919
00:41:27,120 --> 00:41:29,640
Speaker 2: And ship like back in the day, butterfly like some

920
00:41:29,760 --> 00:41:32,480
Speaker 2: ship that with a little hend on it. Niggas all

921
00:41:32,560 --> 00:41:34,200
Speaker 2: drop wild.

922
00:41:36,680 --> 00:41:36,839
Speaker 4: Man.

923
00:41:36,960 --> 00:41:40,960
Speaker 2: You know that Jamaicans had the weed spots, don't luck.

924
00:41:41,440 --> 00:41:42,439
Speaker 4: But want some more drinks.

925
00:41:42,480 --> 00:41:45,000
Speaker 5: So this so this, so this project you got dropping

926
00:41:45,200 --> 00:41:46,600
Speaker 5: who you got on it with some of the feet all.

927
00:41:46,640 --> 00:41:48,280
Speaker 5: Do you got any features on this project?

928
00:41:48,760 --> 00:41:48,920
Speaker 4: Yeah?

929
00:41:48,960 --> 00:41:52,840
Speaker 3: I got my mayor, Richie Rose. I got him on

930
00:41:53,200 --> 00:41:55,080
Speaker 3: a big song on and and then I got a Honcho,

931
00:41:56,480 --> 00:41:58,680
Speaker 3: you know Honcho super stamps.

932
00:41:58,320 --> 00:41:58,920
Speaker 2: With the girls.

933
00:41:59,280 --> 00:42:01,640
Speaker 3: That's helping my record go up with the with the

934
00:42:02,320 --> 00:42:03,640
Speaker 3: you know bad bench community.

935
00:42:04,200 --> 00:42:11,440
Speaker 4: Okay, okay, we need you to show Yeah, we need

936
00:42:11,480 --> 00:42:14,640
Speaker 4: you to pull up over here. Man is lit.

937
00:42:14,800 --> 00:42:17,840
Speaker 2: Man, if we're working, consistency is the key. And you

938
00:42:17,920 --> 00:42:19,560
Speaker 2: know we got people like you on the show. Man.

939
00:42:20,160 --> 00:42:22,200
Speaker 3: Yeah, I gotta go to Morocco with you though, man,

940
00:42:23,200 --> 00:42:23,719
Speaker 3: smoke duck.

941
00:42:23,800 --> 00:42:25,640
Speaker 2: Yeah, what's your favorite spot overseas?

942
00:42:27,040 --> 00:42:30,000
Speaker 3: I see the ship you be saying is real extravagant.

943
00:42:30,000 --> 00:42:33,160
Speaker 3: I don't think I reached that level. Like I'm trying.

944
00:42:33,280 --> 00:42:37,880
Speaker 3: I'm trying to think like London, Paris is cool, Paris

945
00:42:37,920 --> 00:42:39,080
Speaker 3: a little boogie.

946
00:42:38,719 --> 00:42:43,120
Speaker 2: And ship and see the Mona Lisa, you know ship

947
00:42:43,200 --> 00:42:43,360
Speaker 2: like that?

948
00:42:43,920 --> 00:42:46,319
Speaker 3: No, I would, but I don't know who I got.

949
00:42:46,520 --> 00:42:48,719
Speaker 3: I gotta get the plug for thats the loop.

950
00:42:48,800 --> 00:42:51,480
Speaker 2: No, you can just go to the loop security.

951
00:42:52,680 --> 00:42:55,400
Speaker 3: I'm gonna go to loot one day. But I like

952
00:42:55,520 --> 00:42:57,840
Speaker 3: like self. I like like d R and SHIP. I

953
00:42:58,000 --> 00:43:00,800
Speaker 3: like to go to d R and go to Lakapi.

954
00:43:00,920 --> 00:43:03,200
Speaker 4: THI, man, we know what's going on in d but

955
00:43:03,239 --> 00:43:03,600
Speaker 4: I go there.

956
00:43:03,600 --> 00:43:06,440
Speaker 3: I'm going to DR a different way. Man, I'm tapping

957
00:43:06,520 --> 00:43:09,279
Speaker 3: in like you know, we got many d R and mass.

958
00:43:09,320 --> 00:43:10,200
Speaker 3: You ever heard of Lawrence?

959
00:43:10,760 --> 00:43:10,800
Speaker 4: No?

960
00:43:11,600 --> 00:43:13,759
Speaker 2: You heard a Lawrence in DR?

961
00:43:14,400 --> 00:43:14,440
Speaker 4: No?

962
00:43:15,120 --> 00:43:18,319
Speaker 3: It's many dr in Massachusetts, but it's the town. It's

963
00:43:18,640 --> 00:43:21,960
Speaker 3: all Dominicans type ship like it's a city in mass

964
00:43:22,360 --> 00:43:23,120
Speaker 3: all Dominicans.

965
00:43:23,160 --> 00:43:23,319
Speaker 4: Though.

966
00:43:23,560 --> 00:43:26,920
Speaker 3: So, how y'all got the Washington Heights Okay, dykeman and

967
00:43:26,920 --> 00:43:30,359
Speaker 3: ship like that? We got that in a major, major, major, major,

968
00:43:30,480 --> 00:43:33,719
Speaker 3: major way. So when I go to La Copi chald

969
00:43:34,640 --> 00:43:37,680
Speaker 3: they already know me because you know, we just tapped

970
00:43:37,680 --> 00:43:40,359
Speaker 3: in from so many people coming back and forth from

971
00:43:40,400 --> 00:43:40,920
Speaker 3: Boston and.

972
00:43:40,880 --> 00:43:44,280
Speaker 2: Shit, so so you be knowing the Spanish music too, niggas.

973
00:43:44,600 --> 00:43:47,000
Speaker 3: I love a little bit. I got to spend the

974
00:43:47,080 --> 00:43:49,759
Speaker 3: song with TV guns and ship, but yeah, you know,

975
00:43:50,320 --> 00:43:53,080
Speaker 3: I fucked with some of the dimbo and ship like that.

976
00:43:53,239 --> 00:43:55,920
Speaker 2: How the Cape Verdians get to Boston always wanted.

977
00:43:55,800 --> 00:43:58,640
Speaker 3: That, I don't know. I don't know. I think like

978
00:43:58,760 --> 00:44:01,240
Speaker 3: nine percent of them. They got black sand beaches.

979
00:44:01,280 --> 00:44:03,200
Speaker 2: I heard Kate Verdie.

980
00:44:03,360 --> 00:44:06,920
Speaker 3: Yeah, black sand beaches. They got Katrooper. You know what

981
00:44:07,040 --> 00:44:11,479
Speaker 3: Katrooper is? What's that's that's like their famous dish and ship.

982
00:44:11,520 --> 00:44:12,359
Speaker 3: I don't want to get it wrong.

983
00:44:13,719 --> 00:44:15,759
Speaker 2: He got cap Verdian girlfriends, you know about all that?

984
00:44:16,760 --> 00:44:19,440
Speaker 3: Definitely, I definitely had Kate Verdie and girlfriends for sure.

985
00:44:19,520 --> 00:44:21,680
Speaker 1: Because y'all know, y'all used to the Kate Verdian women

986
00:44:21,719 --> 00:44:23,000
Speaker 1: out there. That's one thing y'all got.

987
00:44:23,880 --> 00:44:24,319
Speaker 4: It's just a.

988
00:44:24,400 --> 00:44:25,200
Speaker 2: Mixture, you know a lot.

989
00:44:25,239 --> 00:44:27,560
Speaker 3: They're like a national treasure. When I move around with

990
00:44:27,680 --> 00:44:30,359
Speaker 3: everybody telling me rappers, basketball player, y'all got Kate Verdi

991
00:44:30,440 --> 00:44:30,759
Speaker 3: and women.

992
00:44:31,360 --> 00:44:33,520
Speaker 1: No, because Kate Verdi. I always knew Boston for that,

993
00:44:33,719 --> 00:44:36,120
Speaker 1: Like you you, they have beautiful women. We used to

994
00:44:36,120 --> 00:44:37,960
Speaker 1: go on the Mix state tours and they'd be like,

995
00:44:38,080 --> 00:44:40,840
Speaker 1: oh see, we're from kate Verdier and I'm like, I'm like,

996
00:44:40,880 --> 00:44:43,600
Speaker 1: with's Cape Verdier And they be like Africa, so you

997
00:44:43,680 --> 00:44:46,719
Speaker 1: know seev right, So you'd be like, damn, chicks is bad.

998
00:44:46,920 --> 00:44:50,400
Speaker 1: So I always wondered, like why everybody in Boston is

999
00:44:50,480 --> 00:44:52,160
Speaker 1: Kate Verdian because we don't have We don't have too

1000
00:44:52,239 --> 00:44:53,359
Speaker 1: much Kate Verdians in New York.

1001
00:44:53,440 --> 00:44:56,120
Speaker 3: I think we got nations. We got we got ninety

1002
00:44:56,280 --> 00:44:58,960
Speaker 3: ninety percent of the population. If I'm not, if I'm not,

1003
00:44:59,080 --> 00:45:01,879
Speaker 3: you know one of them, shiit eighty ninety. It came

1004
00:45:01,960 --> 00:45:05,040
Speaker 3: to Massachusetts and Rhode Island, like Providence and all that.

1005
00:45:05,719 --> 00:45:07,799
Speaker 2: Like I never met a girl from New York from

1006
00:45:08,080 --> 00:45:10,640
Speaker 2: from Cape Verdie me neither.

1007
00:45:11,520 --> 00:45:13,120
Speaker 5: So you said you got a project with a yeah

1008
00:45:13,120 --> 00:45:14,800
Speaker 5: when you when you're gonna when y'all dropping. I know

1009
00:45:14,840 --> 00:45:17,360
Speaker 5: the street's gonna be looking forward to that summertime we

1010
00:45:17,520 --> 00:45:18,000
Speaker 5: don't put.

1011
00:45:17,920 --> 00:45:19,600
Speaker 3: That yeah, yeah, yeah, we're gonna try to get it.

1012
00:45:19,640 --> 00:45:21,400
Speaker 3: He got he got me boring off, he got me

1013
00:45:21,480 --> 00:45:24,399
Speaker 3: boring off. So okay, I'm gonna do that and I'm

1014
00:45:24,440 --> 00:45:26,879
Speaker 3: gonna drop again. Continue to drop, man, that's the name

1015
00:45:26,960 --> 00:45:29,520
Speaker 3: of the game with this ship for me, like this volume, man,

1016
00:45:29,600 --> 00:45:32,360
Speaker 3: I gotta just drop, drop, drop, And one of the

1017
00:45:32,400 --> 00:45:34,759
Speaker 3: ships that it hurts you as an artist is feeling like, damn,

1018
00:45:34,800 --> 00:45:36,279
Speaker 3: this is a song that should blow up. You're gonna

1019
00:45:36,320 --> 00:45:38,280
Speaker 3: drop about ten of them and be like, then what happened?

1020
00:45:38,320 --> 00:45:40,480
Speaker 3: Nothing happened with it? That was my baby, you know

1021
00:45:40,520 --> 00:45:43,040
Speaker 3: what I mean. But you gotta just keep going. And

1022
00:45:43,239 --> 00:45:46,320
Speaker 3: I look at my mind like a factory in Columbia,

1023
00:45:46,960 --> 00:45:49,120
Speaker 3: peruvial where they make the cocaine and ship like I

1024
00:45:49,200 --> 00:45:51,239
Speaker 3: got an unlimited amount of this ship in my mind.

1025
00:45:51,360 --> 00:45:54,799
Speaker 3: So I usually, like, you know, in that manner.

1026
00:45:55,760 --> 00:45:57,960
Speaker 5: You feel like that, I know, you feel like a

1027
00:45:58,040 --> 00:46:02,360
Speaker 5: record posted dude like Bigger, like he's supposed to do

1028
00:46:02,480 --> 00:46:03,040
Speaker 5: more numbers.

1029
00:46:03,640 --> 00:46:06,080
Speaker 3: Yeah, I sick a fuck you up. That's a fucking

1030
00:46:06,200 --> 00:46:08,840
Speaker 3: confidence up for real. But I feel like it's just

1031
00:46:08,920 --> 00:46:10,719
Speaker 3: the key to just keep dropping and look at it

1032
00:46:10,800 --> 00:46:12,359
Speaker 3: like I can make a million of these, like that's

1033
00:46:12,400 --> 00:46:13,840
Speaker 3: not my best, So you can never look at it

1034
00:46:13,920 --> 00:46:15,600
Speaker 3: like fall in love with the record. Yeah, you don't

1035
00:46:15,640 --> 00:46:16,800
Speaker 3: fall in love with the record like that.

1036
00:46:16,920 --> 00:46:17,239
Speaker 4: I think.

1037
00:46:17,440 --> 00:46:19,320
Speaker 2: I think artists don't know what the hit is.

1038
00:46:20,160 --> 00:46:20,560
Speaker 3: You don't.

1039
00:46:20,760 --> 00:46:22,840
Speaker 2: You just it's just gonna come to you naturally.

1040
00:46:22,880 --> 00:46:24,560
Speaker 3: It just comes, and the people going to tell you

1041
00:46:24,640 --> 00:46:25,440
Speaker 3: what's to hit too.

1042
00:46:25,520 --> 00:46:27,359
Speaker 2: To you never know what the h is in your mind.

1043
00:46:27,640 --> 00:46:30,120
Speaker 2: It could be your favorite exactly.

1044
00:46:30,400 --> 00:46:32,600
Speaker 3: I had to try to learn to separate myself from

1045
00:46:32,680 --> 00:46:36,080
Speaker 3: that because one of my distro deals was a way

1046
00:46:36,120 --> 00:46:38,960
Speaker 3: bigger deal and we blew like seventy five thousand on

1047
00:46:39,120 --> 00:46:42,160
Speaker 3: this record that I like, in my mind, I was like,

1048
00:46:42,280 --> 00:46:44,600
Speaker 3: this shit record and that record is not even in

1049
00:46:44,680 --> 00:46:49,120
Speaker 3: my top one hundred stream songs and I blew seventy

1050
00:46:49,239 --> 00:46:52,160
Speaker 3: five thousand on it, So that was your face. Yeah,

1051
00:46:52,200 --> 00:46:56,240
Speaker 3: Then the record that I put nothing on a million

1052
00:46:56,320 --> 00:46:58,799
Speaker 3: times better than that, So it's like, yeah, you can't

1053
00:46:58,800 --> 00:47:00,759
Speaker 3: really fall in love with the records an artist with.

1054
00:47:00,920 --> 00:47:02,600
Speaker 5: That tort you though right there, Like, damn, I put

1055
00:47:02,600 --> 00:47:04,560
Speaker 5: all this money behind this record. It ain't do too

1056
00:47:04,640 --> 00:47:07,160
Speaker 5: much but record that I just ain't really even have

1057
00:47:07,239 --> 00:47:07,960
Speaker 5: to put that much.

1058
00:47:09,800 --> 00:47:12,160
Speaker 3: Yeah, that's that's why I'm looking now for like the

1059
00:47:12,360 --> 00:47:15,359
Speaker 3: organic reactions, like what goes like organically, That's the only

1060
00:47:15,400 --> 00:47:17,120
Speaker 3: way I'm gonna spend money. I gotta put this ship

1061
00:47:17,160 --> 00:47:20,319
Speaker 3: out now, see what what's people fucking with? And then

1062
00:47:20,400 --> 00:47:21,440
Speaker 3: put put it back on.

1063
00:47:21,480 --> 00:47:23,320
Speaker 4: I mean, this went okay, this one is grabbing the

1064
00:47:23,320 --> 00:47:23,960
Speaker 4: people attention.

1065
00:47:24,440 --> 00:47:26,360
Speaker 3: Yeah, like even re SACas we put it out. But

1066
00:47:26,480 --> 00:47:28,399
Speaker 3: at the same time I was putting out man other ship,

1067
00:47:29,200 --> 00:47:30,680
Speaker 3: that was the one that went. If I knew, like

1068
00:47:30,760 --> 00:47:32,279
Speaker 3: I knew, now how to you know what I mean,

1069
00:47:32,400 --> 00:47:34,040
Speaker 3: really try to put a bag on it? Because it

1070
00:47:34,160 --> 00:47:34,840
Speaker 3: just went natural.

1071
00:47:34,880 --> 00:47:36,920
Speaker 2: I think you never know what's gonna be the record though,

1072
00:47:37,360 --> 00:47:39,000
Speaker 2: you don't. You just don't know.

1073
00:47:40,400 --> 00:47:43,040
Speaker 4: This guy helped fifty pick many man. Fifty ain't even

1074
00:47:43,400 --> 00:47:44,520
Speaker 4: like he hated that record.

1075
00:47:44,680 --> 00:47:48,239
Speaker 2: Impossible tool Now you're serious to.

1076
00:47:49,719 --> 00:47:53,040
Speaker 4: Slow damn Well, I'm like it was too slow.

1077
00:47:53,239 --> 00:47:55,680
Speaker 1: I mean the record was done already, so but he

1078
00:47:55,960 --> 00:47:57,640
Speaker 1: just didn't like the record like that, and I'm like,

1079
00:47:57,760 --> 00:47:59,560
Speaker 1: you're fucking and that that record?

1080
00:47:59,680 --> 00:48:01,520
Speaker 3: Is it? Yeah, that's one of these means.

1081
00:48:01,640 --> 00:48:04,800
Speaker 1: You know, that's why a lot of people sleep on fifty.

1082
00:48:04,880 --> 00:48:06,960
Speaker 1: But I'm like, if we go back Ge and the mixtape,

1083
00:48:07,360 --> 00:48:08,440
Speaker 1: we'll kill everybody.

1084
00:48:09,160 --> 00:48:11,839
Speaker 3: You know, man to talk all that shit, like nah,

1085
00:48:11,880 --> 00:48:13,800
Speaker 3: one hundred percent, one hundred percent.

1086
00:48:14,200 --> 00:48:16,200
Speaker 2: Shot of getting shot talking that ship.

1087
00:48:16,239 --> 00:48:19,320
Speaker 3: Now that tvds in the CDs, I used to be

1088
00:48:19,440 --> 00:48:20,160
Speaker 3: so inspired.

1089
00:48:20,840 --> 00:48:23,320
Speaker 1: Always nobody's ever holding you down if you got the

1090
00:48:23,360 --> 00:48:27,120
Speaker 1: pistol too, Like, if we all three got the pistol,

1091
00:48:27,560 --> 00:48:28,600
Speaker 1: who's holding who down?

1092
00:48:29,480 --> 00:48:31,160
Speaker 2: If I ain't got the pistol? Yeah, you holding me

1093
00:48:31,239 --> 00:48:32,200
Speaker 2: down because I ain't got it?

1094
00:48:33,320 --> 00:48:34,880
Speaker 3: Give it you just around you are?

1095
00:48:34,920 --> 00:48:38,480
Speaker 1: Actually everybody got the pistol. Ain't nobody holding fifty down?

1096
00:48:39,560 --> 00:48:42,279
Speaker 1: So niggas like I was holding him down? How are

1097
00:48:42,280 --> 00:48:43,920
Speaker 1: you holding somebody down that got the pistol too.

1098
00:48:43,960 --> 00:48:45,400
Speaker 3: I'm gonna keep it a buck, that's the thing. And

1099
00:48:45,520 --> 00:48:47,360
Speaker 3: rap though. I feel like dudes get around and then

1100
00:48:47,400 --> 00:48:49,320
Speaker 3: they be feeling like they might hang around you for

1101
00:48:49,440 --> 00:48:52,279
Speaker 3: three or whatever it is, three months, three years and

1102
00:48:52,400 --> 00:48:55,080
Speaker 3: feel in their mind like I was protecting you, bro,

1103
00:48:55,719 --> 00:48:59,879
Speaker 3: if you never did nothing actively to protect me though,

1104
00:49:00,120 --> 00:49:02,759
Speaker 3: like you like, nothing happened. What the fuck was you

1105
00:49:02,880 --> 00:49:06,640
Speaker 3: optical security? You don't like you know what I mean?

1106
00:49:06,719 --> 00:49:09,120
Speaker 3: You you stood there and looked tough, Bro, I could

1107
00:49:09,320 --> 00:49:12,799
Speaker 3: contract not the average guy outside is looking tough right now,

1108
00:49:13,120 --> 00:49:14,600
Speaker 3: and I could have brought him with me for that,

1109
00:49:14,800 --> 00:49:16,920
Speaker 3: Like you ain't protect me or push the line for

1110
00:49:17,000 --> 00:49:19,440
Speaker 3: this ship. And that's why I had to Really, That's

1111
00:49:19,440 --> 00:49:21,880
Speaker 3: why I be with all girls too now man, because

1112
00:49:21,920 --> 00:49:23,760
Speaker 3: they're not going to be like Millis. I was protecting

1113
00:49:23,800 --> 00:49:27,400
Speaker 3: you know what I mean? It was me feeling and

1114
00:49:27,520 --> 00:49:29,800
Speaker 3: titled because they came around and yeah, I was in

1115
00:49:29,920 --> 00:49:31,440
Speaker 3: them spots and we m up. But I go out

1116
00:49:31,560 --> 00:49:34,840
Speaker 3: every night and day and risk my life. So what

1117
00:49:34,960 --> 00:49:37,239
Speaker 3: happened all the other times I made it through was

1118
00:49:37,280 --> 00:49:38,440
Speaker 3: you protecting me in spirit?

1119
00:49:38,520 --> 00:49:41,719
Speaker 2: Then you hate me on the whim. I know you

1120
00:49:41,840 --> 00:49:42,520
Speaker 2: go everywhere you do.

1121
00:49:43,520 --> 00:49:47,719
Speaker 4: So how so dealing with there we in social media? Ever? Now?

1122
00:49:48,280 --> 00:49:51,080
Speaker 5: How you deal with the hate that the negative comments?

1123
00:49:51,440 --> 00:49:53,239
Speaker 5: Like we were just talking earlier niggas.

1124
00:49:53,160 --> 00:49:56,040
Speaker 2: Nigga Billion Red he told on his brother, how.

1125
00:49:56,040 --> 00:49:57,040
Speaker 4: You deal with that? Ship?

1126
00:49:57,560 --> 00:49:57,719
Speaker 5: Man?

1127
00:49:58,080 --> 00:50:00,239
Speaker 3: That was the first time I have seen some proper again,

1128
00:50:00,440 --> 00:50:02,840
Speaker 3: I said, Oh, I got proper ganda pages about me.

1129
00:50:02,880 --> 00:50:03,560
Speaker 4: I'm doing good.

1130
00:50:03,600 --> 00:50:06,080
Speaker 3: I'm successful, you know what I mean. But I think

1131
00:50:06,880 --> 00:50:08,640
Speaker 3: now when I when I make a post, if I

1132
00:50:08,680 --> 00:50:10,440
Speaker 3: don't see no hate under the post, I'm like, oh,

1133
00:50:10,480 --> 00:50:12,200
Speaker 3: this post ain't about to do nothing. If it's just

1134
00:50:12,440 --> 00:50:15,400
Speaker 3: if it's just all fire emojis, I'm like, chalk this

1135
00:50:15,520 --> 00:50:17,680
Speaker 3: one up. It's not gonna do nothing. You need that

1136
00:50:17,800 --> 00:50:20,640
Speaker 3: hate because the hate drives the algorithm type shit. So

1137
00:50:21,480 --> 00:50:22,840
Speaker 3: you want to keep a balance, though you don't just

1138
00:50:22,880 --> 00:50:24,799
Speaker 3: want to just do some of motherfuckers just jump out

1139
00:50:24,800 --> 00:50:26,000
Speaker 3: there to look at it like.

1140
00:50:26,040 --> 00:50:29,879
Speaker 1: This, guys, right, instead of the hater is the people

1141
00:50:29,880 --> 00:50:32,400
Speaker 1: will hate on me and you, and instead of them

1142
00:50:32,480 --> 00:50:35,600
Speaker 1: being the street taking lives or selling drugs, they can

1143
00:50:35,640 --> 00:50:37,960
Speaker 1: hate on us and make ten fifteen grand in a month.

1144
00:50:38,360 --> 00:50:41,680
Speaker 2: We not mad at you, Yeah, everybody. That's how you

1145
00:50:41,719 --> 00:50:42,400
Speaker 2: got to look at it.

1146
00:50:42,520 --> 00:50:45,520
Speaker 1: A person is making money off your likeness because once

1147
00:50:45,600 --> 00:50:48,840
Speaker 1: you sign that line, you are public property.

1148
00:50:50,160 --> 00:50:53,080
Speaker 2: Yeah, sign that deal, Yo'm uncle.

1149
00:50:52,960 --> 00:50:55,320
Speaker 3: Murder as soon as soon as you put out a song.

1150
00:50:55,320 --> 00:50:57,359
Speaker 2: Property And Nigga could say what he want to say

1151
00:50:57,600 --> 00:50:58,800
Speaker 2: or make up any story.

1152
00:50:58,920 --> 00:51:00,799
Speaker 3: But that's why I say that, That's why certain people

1153
00:51:00,840 --> 00:51:02,959
Speaker 3: be scared of success and they won't pop out because

1154
00:51:02,960 --> 00:51:05,239
Speaker 3: they scared to deal with you know, shit like that.

1155
00:51:05,440 --> 00:51:09,520
Speaker 3: But you can't have one without the other. This is life. Yeah. Yeah,

1156
00:51:09,680 --> 00:51:12,759
Speaker 3: people terrify to post a picture sometimes, you know what

1157
00:51:12,800 --> 00:51:16,120
Speaker 3: I mean. So it's like, shit, man, I'm putting myself

1158
00:51:16,160 --> 00:51:18,920
Speaker 3: out there, like, of course, everybody's not supposed to like

1159
00:51:19,000 --> 00:51:21,279
Speaker 3: this shit. I wouldn't expect you to like this shit

1160
00:51:21,320 --> 00:51:23,520
Speaker 3: if you haven't lived my life or walked in my

1161
00:51:23,640 --> 00:51:27,680
Speaker 3: shoes or been through none of my experiences. Like what

1162
00:51:27,960 --> 00:51:30,920
Speaker 3: have you been through that qualifies you to like me? Anyway?

1163
00:51:31,000 --> 00:51:32,839
Speaker 3: That's how I feel, you know, as far as when

1164
00:51:32,880 --> 00:51:35,160
Speaker 3: it comes to the music, like you're not supposed to

1165
00:51:35,239 --> 00:51:37,640
Speaker 3: get it, it's not for you. For the people who

1166
00:51:37,680 --> 00:51:40,000
Speaker 3: don't get it, you know, That's why it's different type

1167
00:51:40,000 --> 00:51:41,080
Speaker 3: of motherfuckers in the world.

1168
00:51:42,080 --> 00:51:44,560
Speaker 1: I think balls are always going to be relevant with

1169
00:51:44,600 --> 00:51:46,600
Speaker 1: guys like you J Cole, you know what I'm saying.

1170
00:51:46,640 --> 00:51:49,680
Speaker 2: The list goes on and on. Thinks like, I think.

1171
00:51:49,640 --> 00:51:52,759
Speaker 1: Balls is gonna always be relevant because niggas want to

1172
00:51:52,800 --> 00:51:57,200
Speaker 1: hit balls niggas. Sometimes it's like microwave music. Sometimes niggas

1173
00:51:57,600 --> 00:51:59,040
Speaker 1: is out of it because you gotta think all the

1174
00:51:59,120 --> 00:52:03,680
Speaker 1: classic music. It's really old head niggas right now. Niggas

1175
00:52:03,719 --> 00:52:06,520
Speaker 1: that's touring fifty could do Live Nation one hundred and

1176
00:52:06,640 --> 00:52:10,000
Speaker 1: three dates. J could do Yankee Stadium, he could do

1177
00:52:10,239 --> 00:52:13,960
Speaker 1: dates on all the old niggas could still tour. Eminem

1178
00:52:14,040 --> 00:52:17,360
Speaker 1: could pop out right now and get ten millions.

1179
00:52:17,000 --> 00:52:20,040
Speaker 3: Just to chill, yo, what's up with the free Ao shirts?

1180
00:52:20,640 --> 00:52:21,919
Speaker 2: I get him back popping mess.

1181
00:52:24,200 --> 00:52:26,040
Speaker 3: You know why that's so hard to because that that

1182
00:52:26,239 --> 00:52:28,839
Speaker 3: that wasn't that was like Eminem such a rabbit. I said,

1183
00:52:28,880 --> 00:52:31,799
Speaker 3: damn there a double entantra because it was free Ao.

1184
00:52:32,200 --> 00:52:33,920
Speaker 3: But then the also just be taking his life.

1185
00:52:35,840 --> 00:52:37,200
Speaker 4: Believe Yeah, you know what I'm saying.

1186
00:52:37,280 --> 00:52:40,319
Speaker 3: Free Ao in free Yo, and we got free Yo.

1187
00:52:40,640 --> 00:52:42,319
Speaker 3: Because we're pumping this ship out right now.

1188
00:52:42,400 --> 00:52:43,200
Speaker 4: Nobody listen.

1189
00:52:43,320 --> 00:52:46,880
Speaker 1: And that's why nobody could ever say something bad about Eminem,

1190
00:52:47,000 --> 00:52:49,359
Speaker 1: not only because of that, because I feel like he's

1191
00:52:49,400 --> 00:52:51,279
Speaker 1: one of the best in seeds of all time.

1192
00:52:51,360 --> 00:52:54,279
Speaker 3: Of course that's my goal, and I feel like genuine and.

1193
00:52:54,320 --> 00:52:56,879
Speaker 2: Signing with Eminem and Doctor Dre was the best.

1194
00:52:57,239 --> 00:52:59,640
Speaker 3: Bro. Y'all, don't under you don't understand how that shit fell.

1195
00:52:59,680 --> 00:53:02,279
Speaker 3: As a kid watching that ship and M's like and

1196
00:53:02,560 --> 00:53:05,800
Speaker 3: was the only relatable, like super relatable rapper to me

1197
00:53:05,880 --> 00:53:08,239
Speaker 3: because I'm like, he says shit like you can't miss me,

1198
00:53:08,320 --> 00:53:12,319
Speaker 3: I'm blind, blue, I'm blind, I'm blind here and blue

1199
00:53:12,360 --> 00:53:14,799
Speaker 3: eyes on my noses pointy. He was saying, I'm like, oh,

1200
00:53:14,840 --> 00:53:16,560
Speaker 3: that's me right there, like you know what I'm saying,

1201
00:53:16,680 --> 00:53:20,160
Speaker 3: like like, and he was talking that ship for and

1202
00:53:20,239 --> 00:53:22,200
Speaker 3: he was showing the crazy side of white people and

1203
00:53:22,280 --> 00:53:24,719
Speaker 3: I was jacking it, and you know, he was such

1204
00:53:24,719 --> 00:53:27,239
Speaker 3: a lyricist. And then I'm listening to fifty. I'm so

1205
00:53:27,400 --> 00:53:29,799
Speaker 3: in tune with the mixtapte, but I'm in tune power

1206
00:53:29,800 --> 00:53:31,479
Speaker 3: of a dollar. I'm in tune with all that shit.

1207
00:53:31,880 --> 00:53:34,720
Speaker 3: So when them shit's merged. You know, this was before

1208
00:53:34,880 --> 00:53:37,920
Speaker 3: social media. You could do a post like how Yo

1209
00:53:37,960 --> 00:53:40,400
Speaker 3: got he signed his artist with wild money on the thing.

1210
00:53:40,560 --> 00:53:42,520
Speaker 3: There wasn't nothing to really confirm it. It was a

1211
00:53:42,640 --> 00:53:45,160
Speaker 3: real rumor. And then I heard that I don't think

1212
00:53:45,239 --> 00:53:47,880
Speaker 3: I won't hit you because I'm popular, I gotta do

1213
00:53:48,160 --> 00:53:51,560
Speaker 3: And I said, oh, he's really It sounds like it's stamped.

1214
00:53:51,600 --> 00:53:53,480
Speaker 3: And then it was like levels to know and that

1215
00:53:53,520 --> 00:53:55,719
Speaker 3: shit was really stamped. And once it was stamped, I

1216
00:53:55,840 --> 00:53:57,880
Speaker 3: was like, damn, this is like my favorite rapper and

1217
00:53:58,000 --> 00:54:01,359
Speaker 3: my favorite rapper going crazy easy. And I never seen

1218
00:54:01,400 --> 00:54:04,799
Speaker 3: no ship like that in hip hop except maybe y'all

1219
00:54:04,920 --> 00:54:09,120
Speaker 3: Knowthern're gonna lie because em is a juggernaut bro Am

1220
00:54:09,239 --> 00:54:11,759
Speaker 3: like am like the Celtics with Bill Russell when they

1221
00:54:11,800 --> 00:54:13,319
Speaker 3: won eleven in a row.

1222
00:54:13,760 --> 00:54:20,840
Speaker 1: Let me tell you ill, it's experienced in life. The

1223
00:54:20,920 --> 00:54:23,279
Speaker 1: tours I've been on, like because I'm the book will

1224
00:54:23,320 --> 00:54:24,920
Speaker 1: come soon, y'all, It's gonna be amazing.

1225
00:54:25,160 --> 00:54:28,560
Speaker 2: Look my life like being on Anger.

1226
00:54:28,200 --> 00:54:32,279
Speaker 1: Management Tour with m and his proms crazy fifty in

1227
00:54:32,320 --> 00:54:37,200
Speaker 1: his proms crazy not arena stadiums, crazy Lions Stadium, this

1228
00:54:37,360 --> 00:54:42,160
Speaker 1: stadium like Detroit Stadium. Like that was a movie twenty tour. Bunches.

1229
00:54:42,239 --> 00:54:43,920
Speaker 3: Wait, so when y'all did that? Get rid of that?

1230
00:54:44,040 --> 00:54:45,759
Speaker 2: Tryan was out, get rich.

1231
00:54:46,520 --> 00:54:47,319
Speaker 3: This ship was full.

1232
00:54:47,680 --> 00:54:48,520
Speaker 2: This ship was full.

1233
00:54:48,600 --> 00:54:51,600
Speaker 3: Flight that mom, I've been patiently waiting for it. That

1234
00:54:51,719 --> 00:54:52,520
Speaker 3: was out at the time.

1235
00:54:52,600 --> 00:54:54,799
Speaker 2: Everything was that it was a movie.

1236
00:54:54,960 --> 00:54:58,640
Speaker 1: Inger Management Tour was crazy with eminem bro Man tour.

1237
00:54:58,760 --> 00:55:04,160
Speaker 1: Buses went in everywhere. It was no it was stadiums sick.

1238
00:55:04,239 --> 00:55:07,200
Speaker 1: I remember fucking was it? Did half fall through it?

1239
00:55:07,239 --> 00:55:09,080
Speaker 2: I remember you know, because you know the state this

1240
00:55:09,320 --> 00:55:11,000
Speaker 2: was stadiums Arenas is crazy.

1241
00:55:11,080 --> 00:55:14,760
Speaker 1: The stage was so big. I think, I think Havoc.

1242
00:55:14,840 --> 00:55:17,400
Speaker 1: They was performing in Detroit Stadium, and I say it

1243
00:55:17,480 --> 00:55:19,000
Speaker 1: was crazy. You know how I got the drop box?

1244
00:55:19,440 --> 00:55:21,840
Speaker 1: That nigga, motherfucking Havoc just fell through that. See my

1245
00:55:21,920 --> 00:55:25,000
Speaker 1: life flying through the paper box. Nigga fell through that, Yo,

1246
00:55:25,040 --> 00:55:25,719
Speaker 1: Where that nigga go?

1247
00:55:26,840 --> 00:55:27,560
Speaker 2: Where the nigga go?

1248
00:55:27,800 --> 00:55:30,680
Speaker 1: He fell in the ship, the box, the drop box.

1249
00:55:30,800 --> 00:55:32,440
Speaker 1: You know they be telling you to watch that. That

1250
00:55:32,640 --> 00:55:35,160
Speaker 1: tour right there was the illess tour in my life.

1251
00:55:35,239 --> 00:55:36,760
Speaker 3: To be on tour my lifetime.

1252
00:55:37,880 --> 00:55:38,640
Speaker 4: Where did nigga go?

1253
00:55:39,160 --> 00:55:42,200
Speaker 1: You know, Eminem's like eminem moved like the president, like nigga,

1254
00:55:42,600 --> 00:55:43,640
Speaker 1: eminem wan tacos.

1255
00:55:43,680 --> 00:55:46,240
Speaker 2: That shit going to ten different niggas, Eminem wan tacos.

1256
00:55:46,280 --> 00:55:48,960
Speaker 2: And then one time you was there. He was there

1257
00:55:49,000 --> 00:55:51,720
Speaker 2: when he laid that nigga moved like the president.

1258
00:55:51,760 --> 00:55:53,920
Speaker 3: You was there when he laid all the shady records,

1259
00:55:54,000 --> 00:55:55,600
Speaker 3: was eighty seconds away from the time.

1260
00:55:55,960 --> 00:56:00,319
Speaker 1: Yeah, you gotta understand my experiences. That's why people like, Yo,

1261
00:56:01,120 --> 00:56:03,080
Speaker 1: why do you talk about these niggas because this ship

1262
00:56:03,520 --> 00:56:07,279
Speaker 1: for me? Fuck money, Fuck Jerry fuck them. Experience is

1263
00:56:07,320 --> 00:56:09,719
Speaker 1: being in a studio with Doctor Dre for the first time,

1264
00:56:10,120 --> 00:56:12,359
Speaker 1: being in the studio with Eminem for the first time,

1265
00:56:13,719 --> 00:56:17,279
Speaker 1: niggas signing the deal, fifty on the phone. That's when

1266
00:56:17,360 --> 00:56:22,080
Speaker 1: Christal was popping ristablish popping million dollars. I'm like, shait something, Eminem.

1267
00:56:22,160 --> 00:56:24,920
Speaker 2: Shit is crazy, Eminem, and then niggas.

1268
00:56:25,280 --> 00:56:26,960
Speaker 1: We just had a lot of hate because why m

1269
00:56:27,120 --> 00:56:29,600
Speaker 1: was white, so motherfuckers was hating on him like this

1270
00:56:29,680 --> 00:56:30,760
Speaker 1: was Mike motherfucker winning.

1271
00:56:31,080 --> 00:56:32,760
Speaker 2: He had balls. See Eminem got.

1272
00:56:32,640 --> 00:56:34,400
Speaker 3: My feet Like at the time, I ain't even here

1273
00:56:34,480 --> 00:56:36,360
Speaker 3: that hate though, Like it was so it was so

1274
00:56:36,560 --> 00:56:37,080
Speaker 3: much motion.

1275
00:56:38,280 --> 00:56:40,240
Speaker 2: It was it was hate coming from certain areas.

1276
00:56:40,280 --> 00:56:43,080
Speaker 3: But you think about social media wasn't around like that either,

1277
00:56:43,160 --> 00:56:45,239
Speaker 3: So I felt like he was just having that.

1278
00:56:46,160 --> 00:56:49,360
Speaker 1: I never thought fifty would say, Yo somen with Eminem

1279
00:56:49,440 --> 00:56:52,400
Speaker 1: and Doctor Dre bro best thing ever, best time of

1280
00:56:52,440 --> 00:56:55,160
Speaker 1: my life. I'm talking about being on buildings eating lunch

1281
00:56:55,200 --> 00:56:58,640
Speaker 1: with Jimmy, I being to being in the studio Hennessy

1282
00:56:58,800 --> 00:57:01,200
Speaker 1: Matt Bud with doctor I'm like it's n w A.

1283
00:57:01,320 --> 00:57:04,160
Speaker 1: I'm like, oh, she's con Doctor Dre like niggas and

1284
00:57:04,280 --> 00:57:07,440
Speaker 1: he's playing in the club he's playing p I M P.

1285
00:57:08,320 --> 00:57:14,040
Speaker 1: Youre going to fucking Eminem studios, Separate studios because Eminem

1286
00:57:14,120 --> 00:57:16,560
Speaker 1: sometimes he'll be in his own zone, like he being

1287
00:57:16,640 --> 00:57:18,920
Speaker 1: his ship. We in another shit and he'd be like, Yo,

1288
00:57:19,000 --> 00:57:23,280
Speaker 1: top fifty, somebody interclm in sometimes come here or go

1289
00:57:23,400 --> 00:57:24,840
Speaker 1: over there, you know what I mean. He'll be in

1290
00:57:24,880 --> 00:57:28,920
Speaker 1: his own zone. Eminem type of nigga twenty instruments. He's

1291
00:57:28,960 --> 00:57:31,320
Speaker 1: a professionist to the key. People don't understand. They just

1292
00:57:31,400 --> 00:57:36,120
Speaker 1: think rapping. He's a producer too, right. Niggas said, these

1293
00:57:36,160 --> 00:57:39,160
Speaker 1: are the steps from Poltageist and Mini men. I'm like you,

1294
00:57:39,240 --> 00:57:41,200
Speaker 1: those are the steps and poltargeyst and some shit like

1295
00:57:41,240 --> 00:57:43,880
Speaker 1: how you know what movie the sounds and the steps is.

1296
00:57:43,960 --> 00:57:46,600
Speaker 2: It gets deepen in when you get a studio with them. Niggas,

1297
00:57:46,960 --> 00:57:49,800
Speaker 2: they like mad scientists. It ain't no yo put the

1298
00:57:49,880 --> 00:57:50,240
Speaker 2: beat on.

1299
00:57:50,840 --> 00:57:54,320
Speaker 1: Nah, it's mad thought going into the shit like every

1300
00:57:54,440 --> 00:57:57,360
Speaker 1: album is like a movie. That's what Dre and m

1301
00:57:57,440 --> 00:58:00,320
Speaker 1: may get rich. Start trying a super fucking class. See,

1302
00:58:00,720 --> 00:58:03,840
Speaker 1: I don't know why t J self itself. You're an idiot,

1303
00:58:04,360 --> 00:58:06,040
Speaker 1: you know, I don't know. I don't know you too

1304
00:58:06,160 --> 00:58:12,360
Speaker 1: but you're an idiot. DJ Selff don't know what we're

1305
00:58:12,360 --> 00:58:17,840
Speaker 1: gonna get him on show, said two two things?

1306
00:58:17,840 --> 00:58:20,840
Speaker 2: What two things? Self said.

1307
00:58:22,160 --> 00:58:28,520
Speaker 1: Ice CB was better than the Os Never is he bugging?

1308
00:58:28,680 --> 00:58:32,600
Speaker 1: I told you he's from that's a different Then he said, look,

1309
00:58:32,720 --> 00:58:37,760
Speaker 1: then he said ice Cube was better than Biggie. He's

1310
00:58:37,800 --> 00:58:38,920
Speaker 1: from New York and Brooklyn.

1311
00:58:39,040 --> 00:58:42,160
Speaker 3: So I'm tripping, like, well, Biggie's Biggie's the greatest rapper

1312
00:58:42,240 --> 00:58:45,640
Speaker 3: of all time rapper. I'm not saying rap artists. To me,

1313
00:58:45,720 --> 00:58:48,520
Speaker 3: Tupac the best rap artist, but Biggie is the greatest rapper.

1314
00:58:48,880 --> 00:58:51,880
Speaker 3: You gotta think most of Biggie's ellis bars. He was

1315
00:58:51,960 --> 00:58:54,680
Speaker 3: saying words that didn't exist, like but it's just flying

1316
00:58:54,760 --> 00:58:56,920
Speaker 3: over your head because it's Chris must missed us. Chris

1317
00:58:57,040 --> 00:59:00,440
Speaker 3: must not a word frown. I'm at the opera. Franklin's

1318
00:59:00,480 --> 00:59:02,560
Speaker 3: on top of the what his opera, but he just

1319
00:59:03,040 --> 00:59:06,240
Speaker 3: he's taking shit. He's so surgical with his ship. He's

1320
00:59:06,280 --> 00:59:09,840
Speaker 3: just getting big, just getting in his voice like instrument.

1321
00:59:10,280 --> 00:59:11,760
Speaker 3: BIG's the best ever bro.

1322
00:59:12,080 --> 00:59:14,320
Speaker 2: Big set a couple of poles, lines and niggas.

1323
00:59:14,640 --> 00:59:15,520
Speaker 1: Yeah yeah, yeah.

1324
00:59:16,680 --> 00:59:19,560
Speaker 2: Try to use that against him, just for that.

1325
00:59:20,240 --> 00:59:22,120
Speaker 1: But what I'm saying is when you when you here

1326
00:59:22,560 --> 00:59:25,800
Speaker 1: today's agenda, got the suitcase up in the central go

1327
00:59:25,960 --> 00:59:28,840
Speaker 1: to room one twelve. That is one of the hip

1328
00:59:28,880 --> 00:59:31,880
Speaker 1: hop sang best stories ever told with Nigga.

1329
00:59:31,880 --> 00:59:35,000
Speaker 3: Gotta understand even in that story, he went into giving

1330
00:59:35,040 --> 00:59:39,400
Speaker 3: you character development like a novel. Wood on Arizona, wrong

1331
00:59:39,480 --> 00:59:42,080
Speaker 3: from Tucson, and he pushed the black Yukon and he

1332
00:59:42,120 --> 00:59:45,439
Speaker 3: had he done, told you he from Arizona. He pushed

1333
00:59:45,480 --> 00:59:48,800
Speaker 3: the black u go on. He played his slow grooves,

1334
00:59:49,200 --> 00:59:52,760
Speaker 3: he caught a body throat, then he got back with

1335
00:59:52,840 --> 00:59:55,160
Speaker 3: the toast beat. It took at the child beat it

1336
00:59:55,280 --> 00:59:58,320
Speaker 3: now you feel the undefeated. He means it nothing to lose,

1337
00:59:58,440 --> 01:00:01,760
Speaker 3: tattooed around his gun wound, everything to gain embedded in

1338
01:00:01,840 --> 01:00:04,000
Speaker 3: his brain. And me, I feel the same for this

1339
01:00:04,120 --> 01:00:06,800
Speaker 3: paper of dying, even if, especially if my daughter crying.

1340
01:00:06,840 --> 01:00:10,640
Speaker 3: I know the sign you can't physically rap better than

1341
01:00:10,720 --> 01:00:12,960
Speaker 3: Big in life is that he is the bar and

1342
01:00:13,040 --> 01:00:14,320
Speaker 3: there's no bar over it.

1343
01:00:14,640 --> 01:00:18,000
Speaker 1: To me, you remember when he had that freestyle. Remember

1344
01:00:18,040 --> 01:00:20,800
Speaker 1: when he had the freestyle and the beach was changing.

1345
01:00:21,120 --> 01:00:23,000
Speaker 1: I can't find it nowhere, but that's one of you

1346
01:00:23,040 --> 01:00:24,680
Speaker 1: know what I'm talking about when he just when he

1347
01:00:24,760 --> 01:00:26,960
Speaker 1: talking about him in the hospital, I think he had

1348
01:00:27,000 --> 01:00:28,160
Speaker 1: won of snoops beach on you.

1349
01:00:28,320 --> 01:00:31,320
Speaker 5: I know he's talking about man the West Coast, So

1350
01:00:31,480 --> 01:00:33,920
Speaker 5: come on, brod on the West Coast.

1351
01:00:34,240 --> 01:00:34,720
Speaker 2: Come on bro.

1352
01:00:35,040 --> 01:00:37,760
Speaker 1: That's when going to Hot ninety seven was like going

1353
01:00:37,840 --> 01:00:41,040
Speaker 1: to Hot ninety seven. That's like when May said bounce

1354
01:00:41,080 --> 01:00:44,080
Speaker 1: tou la blowing red pla like them them.

1355
01:00:44,120 --> 01:00:45,800
Speaker 3: They gonna lie. Mace was dumb nice.

1356
01:00:45,880 --> 01:00:47,640
Speaker 4: Time was very.

1357
01:00:47,640 --> 01:00:48,479
Speaker 3: Slept on Mace.

1358
01:00:50,480 --> 01:00:52,920
Speaker 2: He come on, niggas know what Mace do. Mace.

1359
01:00:53,080 --> 01:00:54,400
Speaker 3: Mace was dumb nice.

1360
01:00:55,120 --> 01:00:59,120
Speaker 2: That was my favorite freestyle. Stu La La. That was

1361
01:00:59,280 --> 01:01:02,560
Speaker 2: I think it was a Hot seven classic moments, nigga.

1362
01:01:03,240 --> 01:01:03,880
Speaker 4: That's a fact.

1363
01:01:04,160 --> 01:01:05,440
Speaker 2: That's what every rapper wanted to do.

1364
01:01:05,640 --> 01:01:10,000
Speaker 1: Like for me, that was like going to flex, because

1365
01:01:10,080 --> 01:01:11,760
Speaker 1: how you feel when you get your first time up

1366
01:01:11,760 --> 01:01:12,720
Speaker 1: to flex and shit like that.

1367
01:01:13,240 --> 01:01:15,240
Speaker 3: Like that was now I was. I was like, I

1368
01:01:15,320 --> 01:01:18,280
Speaker 3: went to flex the first time. That's when I learned

1369
01:01:18,320 --> 01:01:21,960
Speaker 3: about you know, how they could, uh how they call

1370
01:01:22,000 --> 01:01:24,920
Speaker 3: it freeze the shooter like in a basketball game, like

1371
01:01:25,000 --> 01:01:27,160
Speaker 3: if you got two five shots and they'll call the

1372
01:01:27,200 --> 01:01:29,200
Speaker 3: time out during the same one. So I got up

1373
01:01:29,240 --> 01:01:32,560
Speaker 3: there and I sat in the lobby for like five hours.

1374
01:01:32,600 --> 01:01:34,560
Speaker 3: It's when I really kicked it with Crack and was

1375
01:01:34,640 --> 01:01:38,280
Speaker 3: able to talk with Cracking. He's telling me mad stories. Listen,

1376
01:01:38,400 --> 01:01:40,760
Speaker 3: I stopped I started forgetting about the ship him out

1377
01:01:40,800 --> 01:01:44,160
Speaker 3: to rap like you know, I stopped focusing because I'm like, man,

1378
01:01:44,240 --> 01:01:46,720
Speaker 3: this hip hop history right here. Then I walked to

1379
01:01:46,840 --> 01:01:49,160
Speaker 3: the door. I see Corey Guns in there, just black

1380
01:01:49,240 --> 01:01:51,720
Speaker 3: and going crazy. And now I'm like, I've been drinking

1381
01:01:51,840 --> 01:01:55,680
Speaker 3: motherfucking Duce Savor four hours and a lot. So now

1382
01:01:55,800 --> 01:01:57,760
Speaker 3: I get in there. You know, Flex ain't too like

1383
01:01:58,080 --> 01:02:00,400
Speaker 3: personable sometime when you talk to him and ship like,

1384
01:02:00,440 --> 01:02:02,680
Speaker 3: he's cool, but he's like, you know a little to

1385
01:02:02,760 --> 01:02:05,400
Speaker 3: prove yourself. Yeah, you got to prove yourself. So now

1386
01:02:05,520 --> 01:02:07,520
Speaker 3: I'm like, damn, I'm trying to remember what the fun.

1387
01:02:07,640 --> 01:02:09,720
Speaker 3: That was one of the harder joints to get through,

1388
01:02:09,800 --> 01:02:11,480
Speaker 3: but you know, I caught it and that ship they're

1389
01:02:11,480 --> 01:02:15,120
Speaker 3: real good for me. So but yeah, I like that ship,

1390
01:02:15,160 --> 01:02:17,960
Speaker 3: though I missed the adrenaline and rap like where it's like, yo,

1391
01:02:18,040 --> 01:02:20,480
Speaker 3: go and prove your fucking nice on the spot, you

1392
01:02:20,560 --> 01:02:23,480
Speaker 3: know what I mean. I cut that recently with like

1393
01:02:23,560 --> 01:02:25,680
Speaker 3: the cons and not ship only because it's a live

1394
01:02:25,800 --> 01:02:27,720
Speaker 3: stream like that ship live in front of the world.

1395
01:02:27,800 --> 01:02:31,280
Speaker 3: If you stumble, it's not no do over, No, this

1396
01:02:31,440 --> 01:02:32,880
Speaker 3: is right here and they're looking at.

1397
01:02:32,840 --> 01:02:35,560
Speaker 2: You like Flex was live. Flex was live, but we

1398
01:02:35,800 --> 01:02:36,360
Speaker 2: think about that.

1399
01:02:37,600 --> 01:02:39,640
Speaker 4: You had to show him prove right there on the spot.

1400
01:02:40,520 --> 01:02:41,440
Speaker 4: No editing, none of that.

1401
01:02:43,160 --> 01:02:45,720
Speaker 2: Listen my funk free styff. You don't know about it.

1402
01:02:46,880 --> 01:02:47,160
Speaker 2: Check that.

1403
01:02:47,360 --> 01:02:51,920
Speaker 3: We gotta pull that up, you know, but that was

1404
01:02:52,280 --> 01:02:53,920
Speaker 3: the man that.

1405
01:02:54,360 --> 01:02:55,000
Speaker 2: One right there.

1406
01:02:55,080 --> 01:02:57,320
Speaker 1: Even Flex knew what time it was, like I don't know,

1407
01:02:57,680 --> 01:02:59,840
Speaker 1: like I know now they got on the radar, but

1408
01:03:00,040 --> 01:03:01,880
Speaker 1: it seems like on the radars more laid back and

1409
01:03:01,960 --> 01:03:04,800
Speaker 1: people are playing like that, like frush.

1410
01:03:04,600 --> 01:03:05,760
Speaker 3: Shake the steaks is high.

1411
01:03:05,880 --> 01:03:08,200
Speaker 2: Flex, I know, it's like Flex, I don't know.

1412
01:03:08,360 --> 01:03:11,200
Speaker 1: You know, it's like the night before Nigga, you gotta

1413
01:03:11,280 --> 01:03:14,840
Speaker 1: do Flex Nigga. Nigga was thinking about all his balls,

1414
01:03:14,920 --> 01:03:15,880
Speaker 1: like yeah, you gotta lock in.

1415
01:03:16,360 --> 01:03:19,760
Speaker 2: I'm do Yeah, I'm up there with Banks fifty. The

1416
01:03:19,840 --> 01:03:20,680
Speaker 2: niggas got balls.

1417
01:03:20,920 --> 01:03:22,720
Speaker 3: But that's that's missing from the game.

1418
01:03:22,840 --> 01:03:25,000
Speaker 2: Now I got it ready, Like that ship is a

1419
01:03:25,040 --> 01:03:28,080
Speaker 2: different kind of adrenaline rush for me. That's how you

1420
01:03:28,200 --> 01:03:29,240
Speaker 2: don't know if on the radar.

1421
01:03:29,320 --> 01:03:32,000
Speaker 1: They feel like same adrenaline rush because it's like niggas

1422
01:03:32,080 --> 01:03:34,640
Speaker 1: is like singing. Some niggas are just chilling and some

1423
01:03:34,800 --> 01:03:36,920
Speaker 1: niggas ain't saying ship on it just up.

1424
01:03:37,000 --> 01:03:42,080
Speaker 3: Yeah, I said, it's a dif adrenaline rust. I know

1425
01:03:42,160 --> 01:03:44,440
Speaker 3: exactly what you know what I mean that energy, that

1426
01:03:44,560 --> 01:03:47,000
Speaker 3: adrenaline rush A should come with like cosmic cav l

1427
01:03:47,080 --> 01:03:50,520
Speaker 3: A League or all of those. That's what I wanted

1428
01:03:50,560 --> 01:03:52,040
Speaker 3: to do. When I first got in this ship, I

1429
01:03:52,080 --> 01:03:54,440
Speaker 3: was like, Yo, let me check all the bases so

1430
01:03:55,360 --> 01:03:57,040
Speaker 3: just in case anybody got me fucked up. Let me

1431
01:03:57,120 --> 01:03:59,920
Speaker 3: go to Sway multiple times. Let me go to fleg

1432
01:04:01,080 --> 01:04:01,560
Speaker 3: Sway too.

1433
01:04:01,640 --> 01:04:02,760
Speaker 4: If you if you.

1434
01:04:04,280 --> 01:04:06,400
Speaker 3: Sweat, I ain't gonna lie. Sway as one of the

1435
01:04:06,480 --> 01:04:08,680
Speaker 3: realist people ever. We all we came in there and

1436
01:04:08,760 --> 01:04:11,640
Speaker 3: we was double booked with the Jonas Brothers. Was booked

1437
01:04:11,680 --> 01:04:14,640
Speaker 3: for Jonas Brothers. Right, they're the biggest group in the world.

1438
01:04:16,320 --> 01:04:20,200
Speaker 3: They and then they got the entourage, like forty person entourage.

1439
01:04:20,240 --> 01:04:22,439
Speaker 3: They doing some ship with like GQ or some ship

1440
01:04:22,880 --> 01:04:26,360
Speaker 3: and and Sway was like, Yo, I'm about to walk

1441
01:04:26,440 --> 01:04:28,560
Speaker 3: to the bathroom, Yo, don't move. We in the hallway

1442
01:04:28,640 --> 01:04:30,480
Speaker 3: waiting to get into the room. He's like, yo, don't move.

1443
01:04:30,560 --> 01:04:32,560
Speaker 3: Don't let none of them move y'all from this spot.

1444
01:04:33,040 --> 01:04:36,440
Speaker 3: So as soon as Sway spin off, some people from

1445
01:04:36,520 --> 01:04:39,400
Speaker 3: Jonas Brothers, record label or whatever, they're like, can y'all

1446
01:04:39,480 --> 01:04:42,120
Speaker 3: watch out because Vogue is about to come through here

1447
01:04:42,200 --> 01:04:44,200
Speaker 3: and do them. So I don't want to cause no

1448
01:04:44,320 --> 01:04:48,520
Speaker 3: problem in the building. We walked back and ship Sway

1449
01:04:48,640 --> 01:04:52,800
Speaker 3: came back. He saw us, he said, y'all moved. We're like, yeah, well,

1450
01:04:53,080 --> 01:04:57,720
Speaker 3: you know the people, yo, He's spased on all of them, bro,

1451
01:04:57,920 --> 01:05:00,000
Speaker 3: He spased on all of them. He said, YO, don't

1452
01:05:00,160 --> 01:05:03,520
Speaker 3: ever ever ever treat one of your guests more special

1453
01:05:03,600 --> 01:05:05,200
Speaker 3: than my guests in life. Matter of fact, you don't

1454
01:05:05,200 --> 01:05:07,720
Speaker 3: even be in this building like your swayed black on him.

1455
01:05:07,720 --> 01:05:09,840
Speaker 3: And then we just did an interview and he was like,

1456
01:05:09,880 --> 01:05:12,680
Speaker 3: see the Jonas Brothers watched this, saluted the Jonas Brothers.

1457
01:05:12,720 --> 01:05:14,240
Speaker 3: He was like, see they love me. All these people

1458
01:05:14,280 --> 01:05:17,200
Speaker 3: around these people, there's nobody, bro, don't never disrespect hip hop.

1459
01:05:17,520 --> 01:05:21,160
Speaker 3: Swayed blitzed on the whole Sway just Sway blitzed on

1460
01:05:21,360 --> 01:05:24,920
Speaker 3: the Jonas Brothers staff, faculty, and record label as a

1461
01:05:24,960 --> 01:05:26,880
Speaker 3: motherfucking crew sway blitzed on it.

1462
01:05:28,000 --> 01:05:32,000
Speaker 2: You know he don't play.

1463
01:05:33,240 --> 01:05:35,360
Speaker 5: Actually let me, but I ain't gonna let me host

1464
01:05:35,440 --> 01:05:37,600
Speaker 5: his show. A couple of times when he don't be there,

1465
01:05:37,640 --> 01:05:40,360
Speaker 5: he let me host his show for look the.

1466
01:05:40,400 --> 01:05:42,880
Speaker 1: Thing, man, This is the thing I was gonna say

1467
01:05:42,880 --> 01:05:46,480
Speaker 1: about Hogh ninety seven because like you had jay Z

1468
01:05:46,640 --> 01:05:52,960
Speaker 1: free style on there, oh Nahs, Biggie like Mace, like

1469
01:05:53,120 --> 01:05:57,640
Speaker 1: everybody freestyle on there. So flex was like, I remember

1470
01:05:57,720 --> 01:05:59,440
Speaker 1: we went up there something that should just be a

1471
01:05:59,480 --> 01:06:01,919
Speaker 1: whole I know what you're saying. All them ships comes

1472
01:06:01,960 --> 01:06:08,919
Speaker 1: with Kevin all that dropping niggas from love like he said,

1473
01:06:08,960 --> 01:06:09,520
Speaker 1: it's love.

1474
01:06:09,760 --> 01:06:12,800
Speaker 3: It ain't no y'all get hardh criticism in New York,

1475
01:06:12,920 --> 01:06:16,560
Speaker 3: like New York, New York place, like if you your

1476
01:06:16,600 --> 01:06:18,400
Speaker 3: block is going to be outside the next day like

1477
01:06:19,280 --> 01:06:20,480
Speaker 3: trash crash man.

1478
01:06:20,600 --> 01:06:21,120
Speaker 4: You know what I mean?

1479
01:06:21,320 --> 01:06:24,040
Speaker 1: Remember because because people you know, they're New York, New

1480
01:06:24,120 --> 01:06:27,200
Speaker 1: York been super grimmy for a long time, like come

1481
01:06:27,240 --> 01:06:30,000
Speaker 1: on Shot nine seven, that ship from Hot nine seven

1482
01:06:30,080 --> 01:06:30,760
Speaker 1: and Shot nine.

1483
01:06:30,680 --> 01:06:36,480
Speaker 2: Seven man shot mm hmm. He was always wrong team

1484
01:06:36,560 --> 01:06:39,080
Speaker 2: bumping to each other back then shootout.

1485
01:06:40,680 --> 01:06:43,280
Speaker 3: That's crazy for me now thinking about how like Manhattan

1486
01:06:43,440 --> 01:06:43,880
Speaker 3: is now.

1487
01:06:43,800 --> 01:06:46,840
Speaker 2: And Ship Niggas, it's a lot of cameras now.

1488
01:06:47,400 --> 01:06:51,200
Speaker 3: After nine eleven and all that, it's a lot of cameras.

1489
01:06:52,160 --> 01:06:55,240
Speaker 2: Numerous shootouts in front of how they moved the building.

1490
01:06:55,360 --> 01:06:58,080
Speaker 1: But to be at nine seven, like Summer Gym and

1491
01:06:58,120 --> 01:07:02,720
Speaker 1: all that, even Summer Man like that ship, it's still

1492
01:07:02,760 --> 01:07:03,200
Speaker 1: what it is.

1493
01:07:04,520 --> 01:07:07,160
Speaker 2: I love what they're doing. But like I came up

1494
01:07:07,240 --> 01:07:08,880
Speaker 2: to me, I came up in the hip hop game

1495
01:07:08,920 --> 01:07:14,400
Speaker 2: and nostalgic times. That's how I feel was stylish, you

1496
01:07:14,440 --> 01:07:14,880
Speaker 2: know what I mean?

1497
01:07:15,000 --> 01:07:18,200
Speaker 1: Like Fifth had high to rob like like it was

1498
01:07:18,320 --> 01:07:20,919
Speaker 1: just a whole bunch of ship nostalgic times. Going into

1499
01:07:21,000 --> 01:07:24,680
Speaker 1: the nineties to the early two thousands, that ship was nostalgic.

1500
01:07:24,760 --> 01:07:27,240
Speaker 2: You had big pun like remember when Big Punk this.

1501
01:07:27,320 --> 01:07:30,480
Speaker 1: Fifty, That ship was fire like, like damn a big

1502
01:07:30,520 --> 01:07:33,160
Speaker 1: punk this you from shit crazy.

1503
01:07:34,440 --> 01:07:38,240
Speaker 2: Jane. This ship Niggas was just hype because me Niggas

1504
01:07:38,320 --> 01:07:41,520
Speaker 2: was something work. So they work. We're like, damn this

1505
01:07:41,600 --> 01:07:45,320
Speaker 2: ship fight work. It's Fifth for marketing genius. Yeah, no,

1506
01:07:45,480 --> 01:07:46,600
Speaker 2: it's letting you know what I mean.

1507
01:07:47,280 --> 01:07:50,160
Speaker 3: I'm just gonna start with every ship was Liker. Ship

1508
01:07:50,200 --> 01:07:52,439
Speaker 3: was going crazy on them DVDs that was the first ship,

1509
01:07:52,560 --> 01:07:57,760
Speaker 3: right it ain't still yeah talking crazy wash with him

1510
01:07:57,800 --> 01:08:00,880
Speaker 3: in France that you heard me your Yeah, I'm a friend.

1511
01:08:01,720 --> 01:08:03,920
Speaker 5: He was talking about like I need to make this,

1512
01:08:04,600 --> 01:08:07,200
Speaker 5: I need I need this video, man, shut out the

1513
01:08:07,280 --> 01:08:10,000
Speaker 5: first DVD ever was crazy back then. Man, I ain't

1514
01:08:10,000 --> 01:08:10,440
Speaker 5: gonna lie.

1515
01:08:10,680 --> 01:08:15,520
Speaker 2: Listen Brooklyn, Chris, Chris Lighty. You gotta understand that's about

1516
01:08:15,520 --> 01:08:16,200
Speaker 2: Brooklyn niggas.

1517
01:08:16,640 --> 01:08:21,000
Speaker 1: Brooklyn niggas gonna make a way Chris Lighty from Brooklyn, noll.

1518
01:08:21,200 --> 01:08:24,200
Speaker 2: I think the Bronx just from the Bronx b X.

1519
01:08:24,640 --> 01:08:27,720
Speaker 1: What I'm saying is like murder murders a nigga, Like

1520
01:08:27,840 --> 01:08:30,120
Speaker 1: I couldn't believe that he was managed by Chris Lighty,

1521
01:08:30,400 --> 01:08:32,000
Speaker 1: rest in peace, Like I don't know how he made

1522
01:08:32,040 --> 01:08:33,959
Speaker 1: that move happen because Chris Lighty.

1523
01:08:33,760 --> 01:08:37,880
Speaker 2: Had you know, he had fucking Diddy. Yeah he's hot. Yeah,

1524
01:08:37,960 --> 01:08:40,480
Speaker 2: murder Murder Street Niggas.

1525
01:08:40,200 --> 01:08:43,320
Speaker 1: Fifty But like me, we was there because the fifth

1526
01:08:43,400 --> 01:08:45,960
Speaker 1: you Connor was there like like making moves.

1527
01:08:46,120 --> 01:08:49,840
Speaker 5: How you know it's crazy because shut out the Mike Lighty,

1528
01:08:50,000 --> 01:08:54,599
Speaker 5: his brother Mike like that actually shut out the cut

1529
01:08:54,680 --> 01:08:57,640
Speaker 5: mans to see to rest in peace master, see you

1530
01:08:58,040 --> 01:09:01,519
Speaker 5: no yo, man mister to see you alive.

1531
01:09:05,320 --> 01:09:06,200
Speaker 4: I keep here.

1532
01:09:06,680 --> 01:09:07,160
Speaker 2: So he was.

1533
01:09:07,439 --> 01:09:09,280
Speaker 4: He was cool with Mike Lighty at the time.

1534
01:09:09,360 --> 01:09:10,599
Speaker 2: You didn't say cut master see.

1535
01:09:11,720 --> 01:09:13,920
Speaker 4: I said cut Master see and you said no.

1536
01:09:14,000 --> 01:09:19,439
Speaker 1: But mister mister But I think mister C mister but

1537
01:09:19,520 --> 01:09:21,640
Speaker 1: I think mister C was called cut master see too.

1538
01:09:21,720 --> 01:09:24,000
Speaker 4: But I don't think miss never called cut master.

1539
01:09:24,560 --> 01:09:25,720
Speaker 2: I think the big Daddy came.

1540
01:09:25,760 --> 01:09:27,519
Speaker 4: We have to look look, have to look at you.

1541
01:09:27,960 --> 01:09:29,559
Speaker 2: I know my hip hop. I don't know how far

1542
01:09:29,640 --> 01:09:31,320
Speaker 2: you go back. You call the young the eighties, I

1543
01:09:31,320 --> 01:09:31,640
Speaker 2: don't know.

1544
01:09:32,640 --> 01:09:33,759
Speaker 3: I know mister C though.

1545
01:09:35,360 --> 01:09:36,760
Speaker 2: Cut master the Queen.

1546
01:09:37,160 --> 01:09:39,360
Speaker 5: But cut Master Sea used to be working with Mike

1547
01:09:39,479 --> 01:09:42,760
Speaker 5: Lighty and that was Chris Lighty's younger brother, and he

1548
01:09:42,920 --> 01:09:44,960
Speaker 5: used to be always filling my music. So one time

1549
01:09:45,920 --> 01:09:47,960
Speaker 5: he worked at Ballator. So he just had me up

1550
01:09:48,000 --> 01:09:50,519
Speaker 5: at Ballater and I'm just up in there. This is

1551
01:09:50,560 --> 01:09:53,360
Speaker 5: a little while after the office that got shut up

1552
01:09:54,280 --> 01:09:55,000
Speaker 5: vallet of the office that.

1553
01:09:55,000 --> 01:09:55,680
Speaker 4: Got shut up here.

1554
01:09:56,000 --> 01:09:58,280
Speaker 5: So I'm just walking round in there, and I got

1555
01:09:58,360 --> 01:10:00,760
Speaker 5: my hammer, my gun, and I'm just walking around to

1556
01:10:00,800 --> 01:10:03,120
Speaker 5: everybody's office. I'm popping my head and everybody office in there.

1557
01:10:03,400 --> 01:10:04,920
Speaker 5: Combs up there with Chris Lightdy and I got my

1558
01:10:05,040 --> 01:10:06,760
Speaker 5: music comes up in there, pop my head.

1559
01:10:06,920 --> 01:10:08,880
Speaker 4: What you do? What you do? What you do? And

1560
01:10:09,320 --> 01:10:11,120
Speaker 4: you think I'm playing Chris Lighty, God blessed. He just

1561
01:10:11,200 --> 01:10:13,000
Speaker 4: and he's standing up in his office.

1562
01:10:13,000 --> 01:10:15,479
Speaker 5: He's just standing up in the hallway and he watching

1563
01:10:15,560 --> 01:10:17,479
Speaker 5: me pop in and out of everybody office.

1564
01:10:17,560 --> 01:10:20,360
Speaker 4: Right. So when I get the almost by where he was,

1565
01:10:20,560 --> 01:10:24,000
Speaker 4: he was like, yo, man, who you? Oh yeah, my

1566
01:10:24,080 --> 01:10:27,280
Speaker 4: name is Murdy Man. Who you? He said, I'm Chris

1567
01:10:27,400 --> 01:10:29,400
Speaker 4: Lighty Man, this is my office. Man, What are you doing?

1568
01:10:30,000 --> 01:10:32,200
Speaker 5: I saw I got some music man, you know, and

1569
01:10:33,000 --> 01:10:35,320
Speaker 5: I'm just trying to get my money to up. I'm

1570
01:10:35,320 --> 01:10:37,200
Speaker 5: sitting here with Mike Lightdy man. I trust I got

1571
01:10:37,240 --> 01:10:39,160
Speaker 5: that sick Chris. You know what I'm saying, Like, oh

1572
01:10:39,200 --> 01:10:41,320
Speaker 5: you Chris Lighty or I got that sick Chris.

1573
01:10:41,360 --> 01:10:41,760
Speaker 4: You hear me?

1574
01:10:41,920 --> 01:10:43,840
Speaker 5: Yo, I'm just letting everybody here know I'm that nigga

1575
01:10:43,880 --> 01:10:45,439
Speaker 5: man worried. I know your office got shut up and

1576
01:10:45,479 --> 01:10:47,200
Speaker 5: all that shit. Yo, I'm a shooter too, you know

1577
01:10:47,200 --> 01:10:49,599
Speaker 5: what I'm saying. I sold him my gun. I'm like, Yo,

1578
01:10:49,640 --> 01:10:51,519
Speaker 5: I'm like, you know, I'm official Chris World worried up.

1579
01:10:51,760 --> 01:10:53,400
Speaker 5: He was like I'm gonna tell you you got the music.

1580
01:10:53,439 --> 01:10:56,880
Speaker 5: He said, yeah, look the way you talking. He said,

1581
01:10:56,920 --> 01:10:59,040
Speaker 5: let me tell you something right now, man, I'm gonna

1582
01:10:59,040 --> 01:11:01,760
Speaker 5: listen to your CD mm hmm. If I give you

1583
01:11:01,840 --> 01:11:05,720
Speaker 5: a call tomorrow, that means I like your music. If

1584
01:11:05,800 --> 01:11:07,760
Speaker 5: I don't, I don't want to see you at my

1585
01:11:07,840 --> 01:11:11,320
Speaker 5: office no more. I was like, I said, well, you're

1586
01:11:11,360 --> 01:11:13,800
Speaker 5: gonna call me, nigga. You know what I'm saying. The

1587
01:11:13,880 --> 01:11:16,400
Speaker 5: music get real talk. He called the next day, and

1588
01:11:16,479 --> 01:11:18,680
Speaker 5: then from there I was just I was violated, And

1589
01:11:18,760 --> 01:11:20,360
Speaker 5: that's how I got the Mike.

1590
01:11:20,439 --> 01:11:22,479
Speaker 2: Like they have the Dream Team, you had Chris Lighty,

1591
01:11:22,560 --> 01:11:24,439
Speaker 2: af Mike Lady, you had.

1592
01:11:26,439 --> 01:11:28,160
Speaker 3: Ho ted you up fast.

1593
01:11:30,080 --> 01:11:31,080
Speaker 4: You know what it was, Chris.

1594
01:11:31,200 --> 01:11:35,479
Speaker 5: But with Chris Lighty, it was so easy to the

1595
01:11:35,600 --> 01:11:37,720
Speaker 5: labels and get the meetings. And I already had like

1596
01:11:37,800 --> 01:11:40,759
Speaker 5: a street buzz at this time. So with Chris Lighty

1597
01:11:40,760 --> 01:11:42,840
Speaker 5: it was just easy. It was it was easy to

1598
01:11:42,880 --> 01:11:44,400
Speaker 5: set up the meetings. And we're going to see epic

1599
01:11:44,520 --> 01:11:46,080
Speaker 5: this day. We're going to see this one. We're going

1600
01:11:46,080 --> 01:11:47,920
Speaker 5: to see this one. The crazy thing about it is,

1601
01:11:48,360 --> 01:11:50,600
Speaker 5: at the time, I think Sylvia wrong was pop. I

1602
01:11:50,680 --> 01:11:52,760
Speaker 5: forgot who she was with but she offered us the

1603
01:11:52,880 --> 01:11:55,439
Speaker 5: most money at the time, but we just wanted so

1604
01:11:55,520 --> 01:11:57,320
Speaker 5: many options that we wound up doing the deal with

1605
01:11:57,439 --> 01:11:57,720
Speaker 5: jay Z.

1606
01:11:58,000 --> 01:12:01,040
Speaker 4: With Chris Lighty, but yeah, he just made it easier.

1607
01:12:01,080 --> 01:12:02,799
Speaker 4: But Chris Lighty everything was easier.

1608
01:12:02,840 --> 01:12:05,439
Speaker 1: And then you gotta think when you look at Violator, right,

1609
01:12:05,600 --> 01:12:10,280
Speaker 1: you got the dream team. You got Chris Lighty, Mike Lighty,

1610
01:12:11,360 --> 01:12:15,360
Speaker 1: you got claud Dean, you got Mona Scott that started

1611
01:12:15,439 --> 01:12:16,080
Speaker 1: loving hip hop.

1612
01:12:16,760 --> 01:12:20,280
Speaker 2: You got James Cruise, and.

1613
01:12:20,320 --> 01:12:22,320
Speaker 5: Then you had a relationship with Leo Cohen too, Like

1614
01:12:22,360 --> 01:12:24,759
Speaker 5: it was like Leo Cohen was like his his plug

1615
01:12:24,840 --> 01:12:25,559
Speaker 5: to him and Leo.

1616
01:12:25,720 --> 01:12:29,840
Speaker 2: James Crue look and James Cruise and me and DC's wife.

1617
01:12:29,920 --> 01:12:33,880
Speaker 2: She was the Yean dy Yandy was there, had the

1618
01:12:34,000 --> 01:12:37,240
Speaker 2: crazy roster. I forgot what's the short black dude, my

1619
01:12:37,320 --> 01:12:39,920
Speaker 2: man bugger ry man. I don't want to my man.

1620
01:12:40,000 --> 01:12:42,840
Speaker 2: He was there. They just had a dream team over there.

1621
01:12:43,200 --> 01:12:44,479
Speaker 2: So they had over there.

1622
01:12:44,520 --> 01:12:47,320
Speaker 1: They had Kate Slady, they had fifty, they had Diddy

1623
01:12:47,760 --> 01:12:50,960
Speaker 1: like they was like three hundred before three hundred, you

1624
01:12:51,000 --> 01:12:51,559
Speaker 1: know what I'm saying.

1625
01:12:51,640 --> 01:12:52,160
Speaker 2: Rest of the Peace.

1626
01:12:52,560 --> 01:12:54,519
Speaker 1: Chris Lighty and then Mike Lightdy was on the road

1627
01:12:54,600 --> 01:12:56,840
Speaker 1: with us, like that ship was dope going over there.

1628
01:12:57,040 --> 01:12:59,040
Speaker 1: They had freeway and all them signed to them.

1629
01:12:59,600 --> 01:13:04,160
Speaker 2: Yeah, yo, he had Yo, he had everybody, remember.

1630
01:13:06,040 --> 01:13:07,000
Speaker 4: Busting everybody.

1631
01:13:07,479 --> 01:13:11,080
Speaker 2: Everybody shipped over there. So it used to be crazy

1632
01:13:11,240 --> 01:13:12,520
Speaker 2: just going to the office.

1633
01:13:12,400 --> 01:13:15,760
Speaker 3: Y'all used to like in them days. I still well,

1634
01:13:15,840 --> 01:13:18,679
Speaker 3: I'll still go with the outfit two three days, especially

1635
01:13:18,680 --> 01:13:20,960
Speaker 3: if finding getting my burn out of it. But was

1636
01:13:21,080 --> 01:13:23,479
Speaker 3: y'all able to y'all didn't have to change up clothes

1637
01:13:23,520 --> 01:13:25,799
Speaker 3: as much back in the day because it wasn't.

1638
01:13:25,640 --> 01:13:28,680
Speaker 4: A picture every day that social media nowadays.

1639
01:13:29,520 --> 01:13:31,920
Speaker 3: Now, if you had a good day outside, your ship

1640
01:13:32,040 --> 01:13:35,360
Speaker 3: is finished after that. I was wondering about that, Like

1641
01:13:35,400 --> 01:13:37,400
Speaker 3: if y'all could save on clothes back in the day

1642
01:13:37,400 --> 01:13:41,000
Speaker 3: a little bit, Like you get the same throwback Jersey

1643
01:13:41,040 --> 01:13:42,960
Speaker 3: go off at three four five shows, you.

1644
01:13:43,000 --> 01:13:44,760
Speaker 5: Can remix a little bit more back in the days.

1645
01:13:44,840 --> 01:13:47,479
Speaker 5: Now the days everything on social media like Nigga win

1646
01:13:47,560 --> 01:13:48,120
Speaker 5: that shit again.

1647
01:13:48,520 --> 01:13:51,000
Speaker 3: That's like you get a Louis Jackie. You wear one show,

1648
01:13:52,200 --> 01:13:53,679
Speaker 3: you can't pop out the next.

1649
01:13:53,640 --> 01:13:56,479
Speaker 4: One, like can't afford another one or he can't do this.

1650
01:13:56,560 --> 01:13:59,559
Speaker 4: It is liked on that microscope man.

1651
01:14:00,160 --> 01:14:01,840
Speaker 2: Chrome hawks and wear the ships for two weeks.

1652
01:14:02,040 --> 01:14:05,599
Speaker 3: No, I'll do that though. Listen to Chrome ten bands,

1653
01:14:05,640 --> 01:14:08,920
Speaker 3: I'm wearing them for ten years. For two weeks, Bro

1654
01:14:10,120 --> 01:14:12,639
Speaker 3: ten bands for the Chrome, I'm wearing them for ten years.

1655
01:14:12,880 --> 01:14:13,080
Speaker 5: Hello.

1656
01:14:13,240 --> 01:14:16,360
Speaker 1: Ship clothes is crazy because you'll read you'll meet your

1657
01:14:16,439 --> 01:14:18,559
Speaker 1: real rich friends and they got sketches in the Apple

1658
01:14:18,600 --> 01:14:18,960
Speaker 1: watch on.

1659
01:14:19,360 --> 01:14:22,160
Speaker 2: Let's be serious, man, you got a million dollar kitchen.

1660
01:14:22,479 --> 01:14:23,360
Speaker 2: I met people in there.

1661
01:14:23,560 --> 01:14:26,200
Speaker 3: But sometimes I'll be seeing that ship online and people

1662
01:14:26,320 --> 01:14:28,280
Speaker 3: be like, yo, real rich people dressed like this, that

1663
01:14:28,439 --> 01:14:29,840
Speaker 3: and the third, and I'll be like, yeah, but real

1664
01:14:29,960 --> 01:14:31,559
Speaker 3: rich people don't got no sauce neither.

1665
01:14:32,000 --> 01:14:34,120
Speaker 1: So we met too, And that nigga had an Apple

1666
01:14:34,160 --> 01:14:40,360
Speaker 1: Watch on. That man has Astro Astro rockets, rockets, the

1667
01:14:40,479 --> 01:14:42,640
Speaker 1: Astros nine hundred restaurants.

1668
01:14:42,960 --> 01:14:45,080
Speaker 2: That man had an Apple Watch on in a suit.

1669
01:14:45,800 --> 01:14:46,639
Speaker 3: He got a suit though.

1670
01:14:47,439 --> 01:14:50,000
Speaker 2: That's cool, But you got sketches.

1671
01:14:50,280 --> 01:14:51,519
Speaker 3: Oh yeah, sketches with a suit.

1672
01:14:51,640 --> 01:14:53,840
Speaker 2: You got the hookah sneakers going, I know, you really

1673
01:14:56,080 --> 01:14:56,559
Speaker 2: go to the hand.

1674
01:14:56,680 --> 01:15:00,519
Speaker 1: This motherfucker got the hookah sneakers. People just don't care

1675
01:15:00,520 --> 01:15:04,320
Speaker 1: about material things. So hanging in the suburbs you be looking.

1676
01:15:04,120 --> 01:15:06,080
Speaker 3: At they care about houses and all that.

1677
01:15:06,800 --> 01:15:10,519
Speaker 4: Oh yeah, like that.

1678
01:15:11,040 --> 01:15:13,320
Speaker 1: You know they have house money, that's a kitchen or

1679
01:15:13,439 --> 01:15:15,879
Speaker 1: motherfucker say, I'm doing my backyard, al must spend.

1680
01:15:16,120 --> 01:15:18,519
Speaker 2: Three hundred four hundred Like they don't.

1681
01:15:18,560 --> 01:15:21,200
Speaker 1: Really, They'll have, you know, nice suits and ship, but

1682
01:15:21,720 --> 01:15:24,200
Speaker 1: nigga would have the hookah sneakers on with the Apple Watch.

1683
01:15:25,600 --> 01:15:29,080
Speaker 3: Yeah that's a fact, aps and the Cuban links and

1684
01:15:29,080 --> 01:15:29,559
Speaker 3: they ain't doing.

1685
01:15:29,840 --> 01:15:29,880
Speaker 4: No.

1686
01:15:30,080 --> 01:15:34,639
Speaker 2: Watch is good investment. Watches to me chame good investment.

1687
01:15:34,720 --> 01:15:39,040
Speaker 3: But investment right now a good investment if you're rapping.

1688
01:15:39,080 --> 01:15:41,280
Speaker 1: This is how Look I'm gonna tell you why, but

1689
01:15:41,400 --> 01:15:43,320
Speaker 1: this is what. But this is for me, This is

1690
01:15:43,320 --> 01:15:45,679
Speaker 1: why I say for me, it's back and forth chain

1691
01:15:45,760 --> 01:15:49,400
Speaker 1: a good investment. Sometimes Watch I think a little better

1692
01:15:49,520 --> 01:15:52,639
Speaker 1: because like when you really buy jewelry, think about it's

1693
01:15:52,640 --> 01:15:54,280
Speaker 1: an investment that niggas want to kill you for.

1694
01:15:55,680 --> 01:15:57,600
Speaker 3: Yeah, but if you are rapping, sometimes that ship that

1695
01:15:57,600 --> 01:15:59,320
Speaker 3: should get you a lot of business as a rapper.

1696
01:15:59,400 --> 01:16:00,800
Speaker 3: Like you walk into a spot and you got that

1697
01:16:00,840 --> 01:16:03,920
Speaker 3: ship on your neck. Sometimes people a media.

1698
01:16:05,000 --> 01:16:09,800
Speaker 2: Airport murder especially, No, I don't know.

1699
01:16:10,000 --> 01:16:11,519
Speaker 1: For me, I don't know.

1700
01:16:11,720 --> 01:16:12,880
Speaker 2: I love I love Drewry.

1701
01:16:13,120 --> 01:16:13,880
Speaker 4: I know what you mean.

1702
01:16:13,960 --> 01:16:16,439
Speaker 2: It's investments, But I don't know. I'm more of like

1703
01:16:16,560 --> 01:16:18,320
Speaker 2: I like the watches now, like I think.

1704
01:16:18,800 --> 01:16:21,160
Speaker 3: To watch you on your grown businessman ship, I.

1705
01:16:21,360 --> 01:16:23,439
Speaker 2: Watch the watch doesn't lose any value though.

1706
01:16:23,920 --> 01:16:25,600
Speaker 3: Yeah, but what I'm saying is I could get a

1707
01:16:25,680 --> 01:16:28,160
Speaker 3: chain that might lose fifty thousand. Let's say I get

1708
01:16:28,200 --> 01:16:30,360
Speaker 3: a change for one hundred thousand and lose fifty thousand

1709
01:16:30,439 --> 01:16:32,960
Speaker 3: in value, but then I have made connections that earned

1710
01:16:33,000 --> 01:16:36,599
Speaker 3: me five hundred thousand. So she really made me stand out.

1711
01:16:36,880 --> 01:16:39,760
Speaker 3: Now I'm talking to these people who's just fascinated.

1712
01:16:39,240 --> 01:16:39,960
Speaker 4: Oh you're a rapper.

1713
01:16:40,120 --> 01:16:43,000
Speaker 3: Oh for real, man, I fuck around, bust down to

1714
01:16:43,080 --> 01:16:45,840
Speaker 3: deal with them later for whatever it be. So I

1715
01:16:45,960 --> 01:16:50,240
Speaker 3: didn't specifically get the you know, the my chain there

1716
01:16:50,280 --> 01:16:52,639
Speaker 3: and the center whatever amount of money that the watch

1717
01:16:52,760 --> 01:16:57,240
Speaker 3: might have, but I was compensated for my ship. What

1718
01:16:57,280 --> 01:17:00,800
Speaker 3: I'm saying, I do believe for rappers, we still fifty shit.

1719
01:17:00,880 --> 01:17:03,600
Speaker 2: We had Eminem doctor Drake, so like my face was the.

1720
01:17:03,640 --> 01:17:06,720
Speaker 3: Jew yeah face God, but that's the same, no, you

1721
01:17:06,800 --> 01:17:09,200
Speaker 3: know how it is like we we came up kind of.

1722
01:17:09,360 --> 01:17:10,960
Speaker 3: I told my man, like one of the best hits

1723
01:17:10,960 --> 01:17:13,240
Speaker 3: about being a rapper too, and I ain't have like

1724
01:17:13,320 --> 01:17:15,360
Speaker 3: the you around the Juggernauts. You know what I'm saying,

1725
01:17:15,479 --> 01:17:17,720
Speaker 3: But it's like one of the one of the best

1726
01:17:17,800 --> 01:17:20,200
Speaker 3: experiences about being the rabbers getting free shit. Bro, I

1727
01:17:20,280 --> 01:17:22,720
Speaker 3: love free shit. I love free fool I don't give

1728
01:17:22,760 --> 01:17:24,719
Speaker 3: a fuck. I like when I go to a restaurant

1729
01:17:24,800 --> 01:17:26,519
Speaker 3: they like, don't worry about it. Even if this ship

1730
01:17:26,640 --> 01:17:30,040
Speaker 3: was seventeen dollars to me, I'd be boosting my ship

1731
01:17:30,240 --> 01:17:33,880
Speaker 3: like I like. I like free clothes, like free food.

1732
01:17:34,240 --> 01:17:37,720
Speaker 3: I like getting in the club, free, like everything.

1733
01:17:37,479 --> 01:17:40,280
Speaker 1: Free twenty two to everything in life, ladies and gentlemen,

1734
01:17:40,600 --> 01:17:42,640
Speaker 1: because you like that. I love free ship. We get

1735
01:17:42,760 --> 01:17:45,760
Speaker 1: cut the line, Mona, Lisa. But when the niggas trying

1736
01:17:45,800 --> 01:17:47,160
Speaker 1: to talk to you while you're taking the piss in

1737
01:17:47,200 --> 01:17:50,560
Speaker 1: the bathroom of the airport, that shit is ridiculous to

1738
01:17:50,680 --> 01:17:53,479
Speaker 1: catch two now, I'm just saying it.

1739
01:17:54,920 --> 01:17:56,760
Speaker 3: But you gotta be in them. You gotta go to

1740
01:17:56,840 --> 01:17:59,280
Speaker 3: the you into all them sits with the guest lounges,

1741
01:17:59,320 --> 01:18:00,320
Speaker 3: and you could just go to the.

1742
01:18:02,360 --> 01:18:04,160
Speaker 2: We always first class. We might walk to the gate.

1743
01:18:04,720 --> 01:18:07,000
Speaker 2: We not. We don't get bougie all the time.

1744
01:18:07,120 --> 01:18:09,080
Speaker 3: Like you know, I see, I'll be taking you. I'll

1745
01:18:09,120 --> 01:18:12,479
Speaker 3: be taking you as boogie. Now, yeah, I'll be taking you.

1746
01:18:12,600 --> 01:18:14,400
Speaker 3: It's like when I think you gay, like you see

1747
01:18:14,439 --> 01:18:16,640
Speaker 3: he like, now fuck the jewelry of No.

1748
01:18:16,800 --> 01:18:19,320
Speaker 2: People take that as me being like bougie.

1749
01:18:19,439 --> 01:18:19,680
Speaker 4: It's not.

1750
01:18:19,880 --> 01:18:22,000
Speaker 1: It's just what I'm saying is to me, the best

1751
01:18:22,080 --> 01:18:25,360
Speaker 1: experiences is flying the world like he is in guess

1752
01:18:25,400 --> 01:18:26,559
Speaker 1: me out of four Seasons.

1753
01:18:26,880 --> 01:18:29,640
Speaker 2: It was just built for the Olympics. She was experienced

1754
01:18:29,680 --> 01:18:30,160
Speaker 2: a vibe.

1755
01:18:30,200 --> 01:18:33,240
Speaker 1: We got my man, he called them Morocci mafia. You

1756
01:18:33,360 --> 01:18:36,800
Speaker 1: had the good budd so the food was hitting. They

1757
01:18:36,840 --> 01:18:41,200
Speaker 1: have smoked duck for breakfast there Paris, look, Paris looks.

1758
01:18:41,439 --> 01:18:41,639
Speaker 5: Look.

1759
01:18:41,760 --> 01:18:44,360
Speaker 1: I'm gonna tell you I don't want fling. I'll tell

1760
01:18:44,400 --> 01:18:46,080
Speaker 1: you all the time, Murder, what I tell you, I

1761
01:18:46,120 --> 01:18:46,639
Speaker 1: don't want.

1762
01:18:46,479 --> 01:18:47,000
Speaker 2: To feel like.

1763
01:18:48,920 --> 01:18:52,120
Speaker 3: Yo, how many like smoked duck they got you unanimous

1764
01:18:52,200 --> 01:18:54,639
Speaker 3: with that on it and how many times like that's

1765
01:18:54,840 --> 01:18:56,840
Speaker 3: just like a repeat man like McDonald's.

1766
01:18:56,840 --> 01:19:00,760
Speaker 2: Now, it's just no, it's not that he murder was

1767
01:19:00,800 --> 01:19:01,360
Speaker 2: in Morocco.

1768
01:19:01,520 --> 01:19:04,760
Speaker 3: He's a one persons for smoking. Me and.

1769
01:19:06,640 --> 01:19:07,800
Speaker 2: Me, me and Murder was.

1770
01:19:07,920 --> 01:19:11,080
Speaker 1: We was at the four Seasons, brand new ship Morocco.

1771
01:19:11,640 --> 01:19:14,040
Speaker 1: His man's from the but they had that ship for breakfast.

1772
01:19:14,120 --> 01:19:16,120
Speaker 1: I'm like, that's where the smoke duck shit come from.

1773
01:19:16,400 --> 01:19:19,160
Speaker 1: But what I'm saying is like see fifty eminem thing.

1774
01:19:19,760 --> 01:19:21,120
Speaker 1: They can't really go outside.

1775
01:19:21,160 --> 01:19:25,400
Speaker 2: They gonna get they can't do nothing.

1776
01:19:26,040 --> 01:19:28,280
Speaker 1: I like my fame because we get to go out,

1777
01:19:28,400 --> 01:19:31,040
Speaker 1: go see the Mona Lisa. Yeah, Yo, Murder, We're gonna

1778
01:19:31,040 --> 01:19:31,280
Speaker 1: get a.

1779
01:19:31,240 --> 01:19:31,880
Speaker 2: Couple of those.

1780
01:19:32,000 --> 01:19:32,519
Speaker 4: We good.

1781
01:19:34,600 --> 01:19:37,120
Speaker 2: Smoking. You know you know what I mean.

1782
01:19:37,240 --> 01:19:39,240
Speaker 1: I'm good with my fame because I want to steal.

1783
01:19:39,840 --> 01:19:41,840
Speaker 1: I don't want to be in the hotel all day.

1784
01:19:41,880 --> 01:19:43,960
Speaker 1: You gonna want to go to the Louis Store shopping.

1785
01:19:44,439 --> 01:19:46,840
Speaker 1: You gonna want to hear go to go see the

1786
01:19:46,920 --> 01:19:50,800
Speaker 1: Mona Lisa. Security New Niggas. One time we went in

1787
01:19:50,880 --> 01:19:54,479
Speaker 1: the hotel. We was in Norway, as someone motherfucker came

1788
01:19:54,600 --> 01:19:57,000
Speaker 1: playing Rod Diggs and uncle Murder. I couldn't believe it.

1789
01:19:57,120 --> 01:20:01,679
Speaker 1: Nigga said, where was we at Belgium? Dear Nigga came

1790
01:20:01,800 --> 01:20:05,160
Speaker 1: through white boy Rod Diggs Murder. I'm like, you know

1791
01:20:05,400 --> 01:20:09,000
Speaker 1: that that's me and Roight Diggs just us coming outside

1792
01:20:09,000 --> 01:20:11,280
Speaker 1: to hear the joint on the humble. You be touching

1793
01:20:11,320 --> 01:20:13,439
Speaker 1: the fis niggas love us overseas, Yo.

1794
01:20:13,880 --> 01:20:14,360
Speaker 2: That's the best.

1795
01:20:14,439 --> 01:20:17,320
Speaker 3: That's the best blessing in this raph like traveling like.

1796
01:20:19,200 --> 01:20:19,479
Speaker 4: The world.

1797
01:20:19,840 --> 01:20:22,680
Speaker 1: They that shit be different and they and it'd be Look,

1798
01:20:22,760 --> 01:20:25,400
Speaker 1: it'd be a nigga that like what I like about

1799
01:20:25,479 --> 01:20:28,920
Speaker 1: overseass They don't let hip hop die like America, Yo, were.

1800
01:20:28,800 --> 01:20:29,280
Speaker 4: Done with you.

1801
01:20:30,040 --> 01:20:32,479
Speaker 1: When you go out there, you catch it's still you

1802
01:20:32,600 --> 01:20:34,960
Speaker 1: catch jay rue of damage. You you'll catch new addition,

1803
01:20:35,120 --> 01:20:37,519
Speaker 1: you'll catch fucking k resch one niggas.

1804
01:20:37,800 --> 01:20:38,519
Speaker 2: Oh we know that.

1805
01:20:39,000 --> 01:20:41,040
Speaker 1: Like, they don't let hip hop die like they don't

1806
01:20:41,040 --> 01:20:44,320
Speaker 1: give a eighties nineties they so it would be different

1807
01:20:44,400 --> 01:20:45,680
Speaker 1: out there, like motherfuckers.

1808
01:20:46,160 --> 01:20:49,120
Speaker 2: The niggas that got five on it, them niggas get prayed.

1809
01:20:50,479 --> 01:20:51,360
Speaker 2: I got five on it.

1810
01:20:52,760 --> 01:20:58,360
Speaker 3: That's my dogs, five on it. Them niggas tall forever forever.

1811
01:20:58,560 --> 01:21:01,360
Speaker 1: That's a big week ship different them niggas being the

1812
01:21:01,400 --> 01:21:04,519
Speaker 1: Swiss Alps doing shows and all that, Like I got

1813
01:21:04,600 --> 01:21:07,000
Speaker 1: five on it. That shit is still getting show money.

1814
01:21:07,200 --> 01:21:09,680
Speaker 1: Facts niggas will shit on them and be like, YO,

1815
01:21:10,439 --> 01:21:12,960
Speaker 1: don't know what that is in America. Let them niggas

1816
01:21:13,000 --> 01:21:15,240
Speaker 1: go to Germany and all that shit feeling niggas be

1817
01:21:15,320 --> 01:21:18,280
Speaker 1: trying getting it back. That's what I like about overseas

1818
01:21:18,640 --> 01:21:22,479
Speaker 1: and being out there because they love hip hop and

1819
01:21:22,720 --> 01:21:25,519
Speaker 1: j rud to damage your nigga. Youn't want up back?

1820
01:21:25,600 --> 01:21:30,120
Speaker 1: What remember that shit? Niggas be we're running into them niggas.

1821
01:21:30,760 --> 01:21:32,679
Speaker 1: Hey ar res one, you're running into them niggas.

1822
01:21:32,680 --> 01:21:33,240
Speaker 4: That's crazy.

1823
01:21:33,600 --> 01:21:35,280
Speaker 3: That's let them because it's.

1824
01:21:35,160 --> 01:21:37,200
Speaker 2: Not mic awave music. See, that's the whole thing.

1825
01:21:39,520 --> 01:21:42,320
Speaker 1: It's twenty years later, fifty still doing shows, twenty twenty

1826
01:21:42,360 --> 01:21:44,639
Speaker 1: three live Nation hundred and three shows.

1827
01:21:46,280 --> 01:21:49,000
Speaker 4: Should I got rich off? Get Richard trying? Twenty years later?

1828
01:21:49,120 --> 01:21:51,519
Speaker 2: Niggas be like, where's his money now? Niggas be like,

1829
01:21:51,840 --> 01:21:54,120
Speaker 2: niggas be like, where's his music now? His music now?

1830
01:21:54,320 --> 01:21:55,960
Speaker 1: Nigga just did a one hundred you know a live

1831
01:21:56,080 --> 01:21:59,080
Speaker 1: Nation paid him. There's only a handful of niggas that

1832
01:21:59,160 --> 01:22:01,960
Speaker 1: can do a lot of Nation tour. It's not you

1833
01:22:02,000 --> 01:22:04,800
Speaker 1: know what I'm saying, it's a handful of niggas. Niggas

1834
01:22:04,840 --> 01:22:07,040
Speaker 1: ain't getting that kind of bag like that, bro, not

1835
01:22:07,200 --> 01:22:09,760
Speaker 1: even me. I ain't getting that bag at Nation. That

1836
01:22:09,800 --> 01:22:13,840
Speaker 1: ship is a handful of people. Cardi b right now, Nation.

1837
01:22:13,800 --> 01:22:17,000
Speaker 4: Cardi Beat Tour on fire Shut after Cardi Beat.

1838
01:22:17,800 --> 01:22:19,599
Speaker 2: Try to get to that level to get a lot

1839
01:22:19,680 --> 01:22:23,400
Speaker 2: of nation tour. It's not just an easy thing. Love nation.

1840
01:22:23,840 --> 01:22:27,000
Speaker 3: Even getting known overseas, you'd be surprised who who they

1841
01:22:27,160 --> 01:22:29,880
Speaker 3: know and don't know when you get to like Colombian

1842
01:22:30,400 --> 01:22:34,000
Speaker 3: uh dr and ship like that because a lot of

1843
01:22:34,040 --> 01:22:35,960
Speaker 3: people a lot, there's a lot of rappers. I'll be

1844
01:22:36,040 --> 01:22:38,479
Speaker 3: like so and so They'll be like no no Snoop Dogg.

1845
01:22:39,200 --> 01:22:39,880
Speaker 3: Yeah Snoop.

1846
01:22:40,520 --> 01:22:45,479
Speaker 1: They gonna know m ANDELM and M.

1847
01:22:46,200 --> 01:22:48,920
Speaker 2: That's what I'll be trying that Eminem.

1848
01:22:49,000 --> 01:22:50,760
Speaker 3: Shit went so far from me that I'll be in

1849
01:22:50,840 --> 01:22:52,840
Speaker 3: a random place like that and a waiter or something

1850
01:22:53,000 --> 01:22:54,400
Speaker 3: like Eminem like you know what I mean.

1851
01:23:00,040 --> 01:23:03,360
Speaker 2: Yeah, Yeah, that's the ship.

1852
01:23:03,479 --> 01:23:05,560
Speaker 1: That's that's That's what bucked my head out is just

1853
01:23:05,640 --> 01:23:08,479
Speaker 1: to come home out of jail and feel blessed. Man

1854
01:23:08,600 --> 01:23:11,479
Speaker 1: lifting battery, Paul, come out of my building. See statue

1855
01:23:11,479 --> 01:23:14,120
Speaker 1: of liberty. We come from nothing, nigga. So for me,

1856
01:23:14,280 --> 01:23:16,800
Speaker 1: I always was humble. And then nigga, picture you being

1857
01:23:16,840 --> 01:23:19,200
Speaker 1: in the party with Jim Carrey. Nigga, this nigga, you know,

1858
01:23:19,280 --> 01:23:21,519
Speaker 1: this nigga from the movies, and ship he dancing behind you,

1859
01:23:21,640 --> 01:23:28,400
Speaker 1: you laughing. Wesley Snipes the Kardashians like I done met everybody. Yeah,

1860
01:23:28,400 --> 01:23:31,240
Speaker 1: except for Michael Jackson, who kids shout to who met

1861
01:23:31,520 --> 01:23:35,439
Speaker 1: and Tony Brother met Michael Jackson. Michael, I never met

1862
01:23:35,479 --> 01:23:38,880
Speaker 1: Michael Johns Man. I never met Mandela. I know fifty

1863
01:23:38,920 --> 01:23:41,599
Speaker 1: and I met Mandela. Too many niggas were fitted going

1864
01:23:41,680 --> 01:23:45,799
Speaker 1: to Mandela crib, you know, violators, like too many niggas

1865
01:23:46,640 --> 01:23:51,760
Speaker 1: snouts Mandela. When I got to go to selling all

1866
01:23:51,800 --> 01:23:55,240
Speaker 1: that niggas everybody was feeding. That was a man niggas

1867
01:23:55,360 --> 01:23:58,280
Speaker 1: hype word fifty in them got a chance to meet him,

1868
01:23:59,120 --> 01:23:59,960
Speaker 1: but I didn't get a chance.

1869
01:24:00,120 --> 01:24:02,080
Speaker 2: It was like now, too many niggas, But.

1870
01:24:02,200 --> 01:24:03,800
Speaker 4: You got to go to a sale, so that was cool.

1871
01:24:03,840 --> 01:24:04,960
Speaker 2: You got your sell and all that.

1872
01:24:05,040 --> 01:24:07,240
Speaker 1: See, those experiences you can never take from me. I

1873
01:24:07,320 --> 01:24:11,000
Speaker 1: lived three lifetimes already. Now you well live three lives already.

1874
01:24:11,000 --> 01:24:11,120
Speaker 4: Bro.

1875
01:24:11,760 --> 01:24:13,439
Speaker 3: That's how I feel like the raps it is too

1876
01:24:13,560 --> 01:24:16,200
Speaker 3: because when my shits started even kicking off in like

1877
01:24:16,320 --> 01:24:19,360
Speaker 3: twenty twenty one. From twenty twenty one to twenty twenty five,

1878
01:24:19,439 --> 01:24:21,360
Speaker 3: I feel like each year was like seven years, like

1879
01:24:21,439 --> 01:24:23,280
Speaker 3: dog years kind of like but in a good way,

1880
01:24:23,760 --> 01:24:25,719
Speaker 3: you know what I mean, Like because I'm I can't

1881
01:24:26,000 --> 01:24:27,640
Speaker 3: it gets to the point you can't remember what you

1882
01:24:27,800 --> 01:24:29,840
Speaker 3: did like five days ago. I'll be telling bro, I'll

1883
01:24:29,840 --> 01:24:32,679
Speaker 3: be like, anything after seventy two hours, I don't remember

1884
01:24:32,760 --> 01:24:34,800
Speaker 3: that shit, because this should be a blur sometimes, you

1885
01:24:34,880 --> 01:24:37,400
Speaker 3: know how it'd be like moving and groover, Yeah, moving

1886
01:24:37,439 --> 01:24:39,479
Speaker 3: and groove and you can't even remember shit. But then

1887
01:24:39,600 --> 01:24:41,880
Speaker 3: at the end of that three sixty five I'd be

1888
01:24:41,960 --> 01:24:43,439
Speaker 3: having to go through my camera role and.

1889
01:24:43,439 --> 01:24:46,439
Speaker 2: I'd be like, damn, I did wow shit.

1890
01:24:46,600 --> 01:24:49,080
Speaker 3: Like and That've been for like three four five years.

1891
01:24:49,080 --> 01:24:50,840
Speaker 3: It's been the best years of my life ever.

1892
01:24:51,120 --> 01:24:53,599
Speaker 4: Like real shit, oh god, real shit.

1893
01:24:53,840 --> 01:24:56,800
Speaker 2: Bless you, and I reached the level that I want to.

1894
01:24:56,880 --> 01:25:04,200
Speaker 3: But I'm I'm happy, Like, yeah, guys, we.

1895
01:25:04,280 --> 01:25:06,800
Speaker 1: Definitely want to hear this albl project. Hopefully you get

1896
01:25:06,840 --> 01:25:08,360
Speaker 1: a Leaf war versus out.

1897
01:25:08,360 --> 01:25:12,800
Speaker 2: He comes home. Listen, I believe lot y'all three, y'all

1898
01:25:12,840 --> 01:25:14,719
Speaker 2: three on the project man.

1899
01:25:14,880 --> 01:25:18,120
Speaker 3: That like, I believe so much, and I'm stamping like

1900
01:25:18,280 --> 01:25:21,559
Speaker 3: Leaf Warard is the best lyricists in America under thirty

1901
01:25:21,680 --> 01:25:25,479
Speaker 3: years old by far, and I pull whatever on I support,

1902
01:25:25,680 --> 01:25:29,320
Speaker 3: I pull whatever on anybody under thirty. He will smoke

1903
01:25:29,400 --> 01:25:32,360
Speaker 3: your fucking boots and he really don't try. He just

1904
01:25:32,439 --> 01:25:37,360
Speaker 3: go to the studio, drop ship casual and it goes

1905
01:25:37,400 --> 01:25:38,360
Speaker 3: because it's that pure.

1906
01:25:38,720 --> 01:25:40,880
Speaker 4: If you don't know about leaf Ward tuning in to

1907
01:25:41,000 --> 01:25:43,360
Speaker 4: my boy leave, he's gonna be home.

1908
01:25:43,320 --> 01:25:46,000
Speaker 2: So put me on the leaf Ward. He put me

1909
01:25:46,120 --> 01:25:47,920
Speaker 2: on the albl before he came home.

1910
01:25:48,800 --> 01:25:50,760
Speaker 3: But that's I ain't gonna lie. That's fire that y'all

1911
01:25:50,840 --> 01:25:53,960
Speaker 3: like tapped in with music. A lot of like a

1912
01:25:54,000 --> 01:25:56,639
Speaker 3: lot of the older generations, sometimes they tap out of music.

1913
01:25:56,720 --> 01:25:58,639
Speaker 3: I never wanted to do that because they say, after

1914
01:25:58,760 --> 01:26:01,719
Speaker 3: thirty is the scientific study that ninety percent of people

1915
01:26:01,840 --> 01:26:04,479
Speaker 3: stopped listening to music and just go with what they know.

1916
01:26:04,840 --> 01:26:07,240
Speaker 3: I'm telling you that's because y'all. You know what I mean,

1917
01:26:07,680 --> 01:26:09,639
Speaker 3: y'all really into the music. A lot of people would

1918
01:26:09,720 --> 01:26:11,640
Speaker 3: just say, all these thirty years, I'm gonna just go

1919
01:26:11,760 --> 01:26:14,559
Speaker 3: with whatever songs I acquired over now, and they kind

1920
01:26:14,600 --> 01:26:17,599
Speaker 3: of block off new music. But there's still people out

1921
01:26:17,640 --> 01:26:20,760
Speaker 3: there rapping their ass off to this day making amazing music.

1922
01:26:21,240 --> 01:26:21,760
Speaker 4: On your ship.

1923
01:26:21,840 --> 01:26:25,840
Speaker 5: That's why, Yeah, I know who's talking that ship out.

1924
01:26:26,520 --> 01:26:28,599
Speaker 5: I said, I know who's talking that ship.

1925
01:26:30,400 --> 01:26:30,879
Speaker 3: Breakless.

1926
01:26:31,840 --> 01:26:33,960
Speaker 1: We do some things when we say who are artist

1927
01:26:34,040 --> 01:26:37,240
Speaker 1: of the week. Is my artist of the week, New

1928
01:26:37,360 --> 01:26:38,960
Speaker 1: York City. I gotta give it up to Cardi B

1929
01:26:39,040 --> 01:26:43,600
Speaker 1: because she's on tour loud nature. Who's your artist of

1930
01:26:43,640 --> 01:26:44,040
Speaker 1: the week.

1931
01:26:45,240 --> 01:26:49,439
Speaker 3: My artist of the week. Besides if what I mean, like,

1932
01:26:49,520 --> 01:26:50,280
Speaker 3: what's the category?

1933
01:26:51,960 --> 01:26:55,040
Speaker 4: What just riding around bumping? If you ain't listening to

1934
01:26:55,160 --> 01:26:57,120
Speaker 4: your own ship right there?

1935
01:26:57,160 --> 01:26:58,200
Speaker 2: Who you funk with right now?

1936
01:26:58,840 --> 01:27:01,439
Speaker 3: I ain't gonna lie. I was just in the tour tape,

1937
01:27:02,200 --> 01:27:04,120
Speaker 3: No tour he's from Philly.

1938
01:27:04,200 --> 01:27:06,240
Speaker 2: T o U are e you put me on?

1939
01:27:06,560 --> 01:27:06,720
Speaker 3: Yeah?

1940
01:27:06,800 --> 01:27:07,360
Speaker 4: I never heard it.

1941
01:27:07,640 --> 01:27:10,400
Speaker 3: He talks crazy. He started as ship. He said, dudes,

1942
01:27:10,439 --> 01:27:13,240
Speaker 3: want to know why everybody can't go same reason. It's

1943
01:27:13,280 --> 01:27:15,920
Speaker 3: two seats in a lambo. That was his first two bars.

1944
01:27:16,000 --> 01:27:18,320
Speaker 3: I said, all right, yeah, I mean, let me tap

1945
01:27:18,400 --> 01:27:18,640
Speaker 3: him with that.

1946
01:27:18,880 --> 01:27:19,800
Speaker 2: So tour.

1947
01:27:19,920 --> 01:27:22,559
Speaker 3: He from Philly, the best, the best rappers, pound for pound.

1948
01:27:22,560 --> 01:27:24,679
Speaker 3: I feel like, come out of Philly like as a whole.

1949
01:27:24,840 --> 01:27:28,240
Speaker 3: Like New York might got ten of the greatest, amazing people,

1950
01:27:28,320 --> 01:27:33,479
Speaker 3: but Philly got two hundred super amazing, solid rappers.

1951
01:27:33,560 --> 01:27:36,320
Speaker 4: But yeah, in Philly.

1952
01:27:37,880 --> 01:27:41,080
Speaker 3: Little Bucks another one I've been listening to. And then

1953
01:27:41,280 --> 01:27:43,479
Speaker 3: I listened to No Cap all day. That's somebody No

1954
01:27:43,600 --> 01:27:46,800
Speaker 3: Captain Rolo Rodriguez I would really tell East Coast people

1955
01:27:46,880 --> 01:27:49,760
Speaker 3: to to bend your mind to go listen to that

1956
01:27:49,840 --> 01:27:52,200
Speaker 3: ship because they got a lot of double triple entendres.

1957
01:27:52,240 --> 01:27:55,240
Speaker 3: They just harmonizing it. So it might throw you off.

1958
01:27:55,320 --> 01:27:57,320
Speaker 3: The auto tune might throw you for the East Coast,

1959
01:27:57,720 --> 01:27:59,400
Speaker 3: but when you listen to it, you're gonna be saying,

1960
01:27:59,600 --> 01:28:02,519
Speaker 3: hold on. He just said that, like and the incredible artist.

1961
01:28:02,600 --> 01:28:05,360
Speaker 3: So my artist of the week, I'm gonna say yeah,

1962
01:28:05,360 --> 01:28:06,360
Speaker 3: I'll say no, cap.

1963
01:28:07,200 --> 01:28:08,240
Speaker 2: You said a couple of people.

1964
01:28:08,600 --> 01:28:12,680
Speaker 3: I said, for right, Yeah, I'm thinking of who I

1965
01:28:12,800 --> 01:28:13,160
Speaker 3: was listening.

1966
01:28:13,640 --> 01:28:16,080
Speaker 5: That's that's that's what you thought to the week minds.

1967
01:28:16,120 --> 01:28:17,200
Speaker 5: Right now, I'm not gonna even hold you.

1968
01:28:17,240 --> 01:28:19,160
Speaker 4: Just pool sisty, shasty.

1969
01:28:19,280 --> 01:28:20,280
Speaker 3: Poo sisty mar.

1970
01:28:21,720 --> 01:28:23,160
Speaker 4: You switched it up that he switched.

1971
01:28:24,880 --> 01:28:25,599
Speaker 2: I'm not gonna die.

1972
01:28:25,640 --> 01:28:27,439
Speaker 3: I'm pre boo sisty, free.

1973
01:28:27,320 --> 01:28:31,720
Speaker 5: Pool sisty, I'm free poise I got the first I

1974
01:28:31,800 --> 01:28:33,320
Speaker 5: gonna hold you. I've been working after I got a

1975
01:28:33,360 --> 01:28:36,200
Speaker 5: gym in my house. I've just been working out the

1976
01:28:36,240 --> 01:28:38,120
Speaker 5: pool sisey, lady man, I'm not gonna hold it.

1977
01:28:38,880 --> 01:28:42,559
Speaker 4: Free fdo free pool sisty fd.

1978
01:28:42,520 --> 01:28:46,200
Speaker 3: O baby on my on my LBR tape. I gotta

1979
01:28:46,280 --> 01:28:48,640
Speaker 3: We just recorded like two nights ago to night that

1980
01:28:48,720 --> 01:28:51,120
Speaker 3: should happened. I said something something my young and wave

1981
01:28:51,200 --> 01:28:55,040
Speaker 3: the thirty uh free pool shisty these record labels thirty

1982
01:28:55,200 --> 01:28:58,280
Speaker 3: you know, I mean I got where nobody?

1983
01:28:58,880 --> 01:29:01,839
Speaker 4: Yeah, first.

1984
01:29:03,640 --> 01:29:04,280
Speaker 2: Firch live.

1985
01:29:04,960 --> 01:29:06,120
Speaker 4: I remember that. I remember that.

1986
01:29:06,240 --> 01:29:08,200
Speaker 3: I remember that. It's just to show love to the

1987
01:29:08,320 --> 01:29:12,080
Speaker 3: artists in live time. That's what it is. Capitalizes is

1988
01:29:12,120 --> 01:29:12,679
Speaker 3: how my mom.

1989
01:29:14,400 --> 01:29:15,720
Speaker 4: That's right, that's right.

1990
01:29:16,200 --> 01:29:18,759
Speaker 5: But you already know we have my boy in the building,

1991
01:29:18,840 --> 01:29:21,640
Speaker 5: new project out now bos.

1992
01:29:23,400 --> 01:29:24,080
Speaker 2: The fives.

1993
01:29:24,720 --> 01:29:33,439
Speaker 3: Yes, sir, good luck surviving the off season football fans.

1994
01:29:34,640 --> 01:29:39,320
Speaker 2: At first, that was afraid. I was petrified footballs over.

1995
01:29:39,439 --> 01:29:42,840
Speaker 2: It's like a part of me just died inside two.

1996
01:29:42,800 --> 01:29:44,519
Speaker 5: Hundreds bowls back.

1997
01:29:44,840 --> 01:29:47,280
Speaker 2: But tonight I won't just cry because I've got a

1998
01:29:47,439 --> 01:29:50,479
Speaker 2: ways to play, and that's the placement, hard rock bed.

1999
01:29:50,880 --> 01:29:53,559
Speaker 2: We survived by them.

2000
01:29:53,600 --> 01:29:55,519
Speaker 5: I'll try before that must be twenty one plus and physically,

2001
01:29:55,520 --> 01:29:57,360
Speaker 5: President Florida, the wage your terms of conditional clock.

2002
01:29:57,400 --> 01:29:58,840
Speaker 3: If you were someone you know as a family problem,

2003
01:29:58,880 --> 01:30:00,519
Speaker 3: please call one eight three three playwise