WEBVTT - Yellowjackets S2 Premiere + Scream 6 w/ Co-Writer Guy Busick

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<v Speaker 1>This podcast contains spoilers for the season two premiere of

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<v Speaker 1>Yellow Jackets, Season one of Yellow Jackets, and the entire

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<v Speaker 1>Scream franchise, including the latest edition in the Scream franchise,

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<v Speaker 1>Scream six, So be warned.

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<v Speaker 2>Sydney.

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<v Speaker 1>Hello, my name is Jason Concepcion and I'm Rosie Knight,

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<v Speaker 1>and welcome to x ray Vision of the Crookeet Media

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<v Speaker 1>podcast where we dive deep to your favorite shows, movies,

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<v Speaker 1>comics and pop culture.

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<v Speaker 3>In this episode, previously, we're going to briefly talk about

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<v Speaker 3>the news that came out about Jonathan Major's from over

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<v Speaker 3>the weekend. In the Airlock, we'll be onto Yellowjackets Season

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<v Speaker 3>two the premiere, where we will recap that very fun

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<v Speaker 3>episode and maybe talk a little bit about some the

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<v Speaker 3>horror that we've loved so far this year. In the

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<v Speaker 3>Hive Mind, we're gonna have an interview with Scream six

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<v Speaker 3>co writer Guy Busick, which I cannot wait for. And

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<v Speaker 3>in the nerd Out, we've got a passionate plea from

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<v Speaker 3>Lucas on the Monk and Robot series by Becky Chambers.

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<v Speaker 1>We know there have been issues with the time stamps.

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<v Speaker 1>We're working on that, but you can still check the

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<v Speaker 1>show notes for those time stamps because they are there

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<v Speaker 1>for you to reference. Coming up the previously on Okay,

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<v Speaker 1>First up on the previously on. Some truly troubling news

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<v Speaker 1>about Jonathan Major's came out over the weekend. Over the

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<v Speaker 1>end of last week, per People magazine, which actually has

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<v Speaker 1>the police report quote. On Monday, People obtained documents from

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<v Speaker 1>the Manhattan District Attorney's office that show Major's thirty three,

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<v Speaker 1>was charged with three counts of assault in the third degree,

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<v Speaker 1>aggravated harassment in the second degree, three crowns of attempted

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<v Speaker 1>assault in the third degree, and harassment in the second

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<v Speaker 1>degree after he was arrested for an alleged domestic dispute

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<v Speaker 1>on Saturday. Some of the fallout for this includes the

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<v Speaker 1>Army pulling Majors from its ad campaign. The Army currently

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<v Speaker 1>embroiled in issues regarding its own problems with assault, cross

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<v Speaker 1>gender assault in its ranks violence, so kind of very

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<v Speaker 1>bad association with that. We don't know much more than

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<v Speaker 1>what is contained in the police support and we're waiting

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<v Speaker 1>for information to emerge, but truly.

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<v Speaker 3>Not good news.

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<v Speaker 1>A statement from majors lawyer says the following that Jonathan

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<v Speaker 1>Majors was quote the victim of an altercation with a

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<v Speaker 1>woman he knows, and that the woman had recanted the accusation,

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<v Speaker 1>and that video evidence and witness supported his account. The

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<v Speaker 1>statement continues, mister Majors is entirely innocent and did not

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<v Speaker 1>assault her whatsoever. And there was an earlier statement, I

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<v Speaker 1>think not this one, in which the same rep said

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<v Speaker 1>something to the effect of mister Major just looks forward

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<v Speaker 1>to clearing his name completely, or something to that effect. Obviously,

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<v Speaker 1>this is not good, not a lot of information to

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<v Speaker 1>go on, and we're waiting for more information before we

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<v Speaker 1>say more about it. But obviously troubling up. Next, Yellowjackets,

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<v Speaker 1>we're stepping out of the airlock for the season two

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<v Speaker 1>premiere of Yellow Jackets on the beleaguered Showtime network.

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<v Speaker 3>Be Lee Good. If you tried to watch it this weekend,

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<v Speaker 3>you may agree with that statement.

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<v Speaker 1>Well, let's talk about that for a brief second before

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<v Speaker 1>we get into the recap. Originally the show was supposed

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<v Speaker 1>to come out at a certain date, but then it

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<v Speaker 1>turned out not to be the date. What happened there?

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<v Speaker 3>My understanding is that the show was released on streaming

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<v Speaker 3>on the Showtime app as they advertise on the twenty fourth,

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<v Speaker 3>but the premiere date, as promoted multiple times, was Sunday

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<v Speaker 3>the twenty sixth, which is when it is airing on

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<v Speaker 3>the Showtime network, going up against succession on broadcast. It

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<v Speaker 3>was unclear at best, but I will shout out to

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<v Speaker 3>the discord once again because so many people went in

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<v Speaker 3>there and were like, guys, I just want to let

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<v Speaker 3>you know you can watch it right now, and luckily

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<v Speaker 3>the internet new and now everyone can watch it, and

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<v Speaker 3>we have confirmed that that will be the release schedule

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<v Speaker 3>going forward. You will always be able to watch it

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<v Speaker 3>on the Showtime app on streaming on the Friday, and

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<v Speaker 3>on Sunday, you can watch it on old school cable

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<v Speaker 3>and we will be talking about it on our Wednesday episodes.

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<v Speaker 2>Oh folks, and it's a lot to talk.

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<v Speaker 3>WHOA Okay, so it's me Rosie. You can hear my voice,

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<v Speaker 3>not Jason's voice. Shocking twist, just like this episode is

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<v Speaker 3>full of. This episode of Yellowjackets has an unbelievable name

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<v Speaker 3>that you will surely laugh or cry about once you

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<v Speaker 3>see the final scene of the episode. It is called Friends, Romans, Countrymen,

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<v Speaker 3>written by Ashley Lyle and Bart Nickerson. The two of

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<v Speaker 3>the showrunners and directed by Daisy von Schirlemeier. Welcome back

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<v Speaker 3>to the Wilderness, Baby. The girls are trying to survive

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<v Speaker 3>a harsh winner and it is not going well. It's

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<v Speaker 3>not going well. Travis and that have taken on the

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<v Speaker 3>roles of full time hunter gatherers, which we kind of

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<v Speaker 3>saw teased in the last season. But while that seems sensible,

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<v Speaker 3>they are also entrenched in Lottie's strange wilderness rituals.

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<v Speaker 1>Yeah, you know Lottie, who you may remember nearly led

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<v Speaker 1>a cannibalistic murder and sexual assault. Very came very very

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<v Speaker 1>close to happening. Well, the sexual assault thing, I think

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<v Speaker 1>you could argue did.

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<v Speaker 3>Happened ther The murder only was stopped by nat who

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<v Speaker 3>stopped Shahna from splitting Travis's throat open with a knife.

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<v Speaker 1>And Ladie is continuing down their paths of Now, remember

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<v Speaker 1>she has gone off her medication. She's neurodivergent in some fashion,

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<v Speaker 1>bipolar or I forget.

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<v Speaker 3>Which was unclear. I believe that. I believe Internet sleuths

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<v Speaker 3>saw that her medication was currently used. It was regularly

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<v Speaker 3>used for people who have schizophrenia. I will also note

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<v Speaker 3>that the mysterious nature of the show. We also know

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<v Speaker 3>that Lottie has had visions that have come true, and

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<v Speaker 3>there is a chance that potentially she is medicated for

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<v Speaker 3>reasons unknown, and we kind of see that her parents

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<v Speaker 3>have a distant relationship with their daughter and her mental health.

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<v Speaker 3>But basically, I'm going to tell you she's not doing

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<v Speaker 3>very well because when Travis and Travis then Nat go out,

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<v Speaker 3>she makes him drink a tea that has her blood

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<v Speaker 3>at it.

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<v Speaker 1>Right, not to mention the fact that if you, you know,

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<v Speaker 1>if your schizophrenic and you go off your meds, you

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<v Speaker 1>definitely shouldn't medicate with mushrooms, which is a thing that

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<v Speaker 1>happened and could be have very adverse effects.

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<v Speaker 3>Also, dropping off dropping off any meds is like a

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<v Speaker 3>recipe for disaster.

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<v Speaker 2>Yeah, and not good.

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<v Speaker 1>I will say, to your point about her medication and

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<v Speaker 1>her parents, I am eager to raise the possibility that

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<v Speaker 1>there is some kind of deeper conspiracy going on.

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<v Speaker 2>But I'll get to I'll raise that.

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<v Speaker 3>Get that I love, We'll get to that. So it's

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<v Speaker 3>the really interesting thing here is Travis kind of embraces it.

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<v Speaker 3>He drinks the blood tea, he goes for it and

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<v Speaker 3>you're starting to see where we stand two months later. Now,

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<v Speaker 3>Nat is not about this shit. She says, it's not

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<v Speaker 3>like this wicker bullshit is doing us good. But as

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<v Speaker 3>Lly points out, they keep coming back from the woods alive.

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<v Speaker 3>So drink that blood and head out on the way.

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<v Speaker 3>She's like, is it working? And then you know we're

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<v Speaker 3>going to get a kind of this is foreshadowing or

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<v Speaker 3>we were right moment here we see Lottie draw the

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<v Speaker 3>strange symhol that we now know is the symbol of

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<v Speaker 3>her modern day cult. But before that very interesting moment here,

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<v Speaker 3>we skipped to a year we haven't seen before, nineteen

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<v Speaker 3>ninety eight and he's come home. Yep, it's a press frenzy,

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<v Speaker 3>like absolute madness at the airport. They are not thinking

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<v Speaker 3>about these children's mental health in any way, shape or form.

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<v Speaker 3>They are absolutely raiding her, and no surprise is Lottie

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<v Speaker 3>is dealing with it worse than anyone. She is silent,

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<v Speaker 3>she won't talk. Her parents say she barely eats, and

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<v Speaker 3>we immediately see them take her to the doctor. They

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<v Speaker 3>request that they want her to be fixed, and soon

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<v Speaker 3>she's getting electric shock therapy.

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<v Speaker 1>Okay, so in this scene, when you know we're watching

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<v Speaker 1>the news reports of them coming back to civilization after

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<v Speaker 1>their rescue. Somewhere in the woods, we hear the reporter

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<v Speaker 1>say that they were the plane crashed eight hundred miles

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<v Speaker 1>off of the plight the flight path like that it was.

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<v Speaker 1>It was in a place where no one was even looking,

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<v Speaker 1>leading me to ask, what is going on here? There's

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<v Speaker 1>another plane there, there's like that part of the woods.

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<v Speaker 1>There's something weird going on there, and what would lead

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<v Speaker 1>the plane to be over there in the first case?

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<v Speaker 3>So you're asking the important questions. One I will say,

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<v Speaker 3>as a as a devout hater of Loti's parents from

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<v Speaker 3>the first season and in the second season, I will say,

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<v Speaker 3>I think there's a very sad, logical reason which I

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<v Speaker 3>don't think is going to be the answer, but I'll

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<v Speaker 3>cover it. First, Loy's dad hired that plane. Loyi's dad

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<v Speaker 3>hated having a kid with mental health. I think there's

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<v Speaker 3>a very good chance that that was a way for

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<v Speaker 3>him to get rid of this kid that he saw

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<v Speaker 3>as a burden. But I think the reason you're asking

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<v Speaker 3>important questions is because the reality is, as we see

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<v Speaker 3>in this episode, we're really getting into lost territory here,

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<v Speaker 3>let's talk about it. We're talking about Bermuda Triangle, people

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<v Speaker 3>getting potentially lost, planes ending up in this strange space.

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<v Speaker 3>Something is drawing people here, and I don't think Lottie

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<v Speaker 3>was wrong to say that the forest is trying to

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<v Speaker 3>keep them there.

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<v Speaker 2>Yeah, I think you're right.

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<v Speaker 3>And well, in the modern day, we see Lotty at

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<v Speaker 3>her wellness retreat aka a cult. Yes, it's a cult,

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<v Speaker 3>And in an interview that I wrote up at IGN,

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<v Speaker 3>the creators kind of talked about how they were inspired

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<v Speaker 3>by real wellness leaders and kind of people who had

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<v Speaker 3>used their platforms to end up creating cults around them.

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<v Speaker 3>It's called Camp Green Pine. Now I just have to

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<v Speaker 3>say something. It looks like the wilderness where they were lost, right,

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<v Speaker 3>But she literally looks like she's just gone back to

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<v Speaker 3>where they crashed.

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<v Speaker 1>I am saying. I think when Lartie came back, part

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<v Speaker 1>of the reason why she was talking is because she

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<v Speaker 1>fucking loved it out there. She was in her element,

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<v Speaker 1>she was having a great time, and then all of

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<v Speaker 1>a sudden, she's back in this place she doesn't want

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<v Speaker 1>to be. And it's I think quite fitting that it

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<v Speaker 1>appears that she has created a life that allows her to.

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<v Speaker 2>Return to that energy.

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<v Speaker 1>I completely And you know what, the pink and moive

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<v Speaker 1>and purple choor jackets are pretty nice, pretty nice. Always

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<v Speaker 1>beware when when these wellness people start wearing the same shit.

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<v Speaker 3>Yes, when it starts that you have a uniform, Yeah,

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<v Speaker 3>it's gonna go chadly, it's gonna.

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<v Speaker 2>Go a matter.

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<v Speaker 3>And she's giving like a speech that I think really

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<v Speaker 3>speaks to your point, which is she's talking about like

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<v Speaker 3>primal selves and how we all we can only help ourselves,

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<v Speaker 3>no one else can help us. And then she says

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<v Speaker 3>something really interesting again I think leads into our lost theory,

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<v Speaker 3>where she basically says it doesn't matter because it isn't real,

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<v Speaker 3>and everyone just starts screaming it isn't real, it isn't real,

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<v Speaker 3>and you're like, not good, No good sounds bad. And

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<v Speaker 3>after that very good Nightties credit sequence, which if you

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<v Speaker 3>want to, you can go through at half speed and

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<v Speaker 3>find many clips that will occur later in the season,

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<v Speaker 3>just like they did in season one. I did an

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<v Speaker 3>analysis at IGN about it. We come to a shocking revelation,

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<v Speaker 3>which is that Shawner is being interviewed by the police

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<v Speaker 3>about Adam's murder and they're asking very questions because guess what,

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<v Speaker 3>it's not the police, it's Misty' Misty with a voice

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<v Speaker 3>Transforpreme style voice transformer.

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<v Speaker 1>And again you have to say, here, okay, so Missy

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<v Speaker 1>one of my favorite characters in recent TV history, one

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<v Speaker 1>of the most for my money, one of the most

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<v Speaker 1>original characters you know, that I've ever seen on television.

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<v Speaker 1>She is chaos, she is amoral. She is you know,

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<v Speaker 1>if you had to put her in a slot, you'd

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<v Speaker 1>say she's a villain.

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<v Speaker 3>She's a murderer. We've seen her kill people.

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<v Speaker 2>She's a murderer.

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<v Speaker 1>She is probably the reason they were not rescued from

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<v Speaker 1>the woods a lot, because she destroyed the the transmitter.

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<v Speaker 1>She made them all trip on mushrooms, on and on

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<v Speaker 1>and on and on. But she's also right about everything.

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<v Speaker 3>Yes, I'm so glad you brought this up because one

0:13:13.960 --> 0:13:17.679
<v Speaker 3>Samantha Hanray Christina Ricci unbelievable. I have to say both.

0:13:17.760 --> 0:13:20.559
<v Speaker 3>All of the casting in this show is like unreal

0:13:20.760 --> 0:13:24.000
<v Speaker 3>how much they managed to get two different actors to

0:13:24.040 --> 0:13:26.400
<v Speaker 3>portray the same character and make it believable. But I

0:13:26.440 --> 0:13:28.280
<v Speaker 3>told I'm so glad you brought this up because this

0:13:28.320 --> 0:13:31.920
<v Speaker 3>episode especially proves they would be fucked without mystique, they

0:13:31.960 --> 0:13:34.920
<v Speaker 3>were fucked. She looked, Okay, did she break the black

0:13:34.960 --> 0:13:38.760
<v Speaker 3>box there? Yes, I have, I will. I will admit that.

0:13:38.920 --> 0:13:41.760
<v Speaker 3>But they probably wouldn't have survived even the two weeks

0:13:41.800 --> 0:13:43.679
<v Speaker 3>it took for them to rescue them, if they if

0:13:43.679 --> 0:13:45.920
<v Speaker 3>she hadn't. Without her, she was the one who knew

0:13:45.920 --> 0:13:48.160
<v Speaker 3>the weird survivalist ship. She knew how to court her

0:13:48.200 --> 0:13:52.880
<v Speaker 3>as a wound. She is indispensable in the narrative world

0:13:52.960 --> 0:13:55.360
<v Speaker 3>that they have created. And I love that that continues

0:13:55.360 --> 0:13:59.240
<v Speaker 3>now because they had to call her to dispose of

0:13:59.240 --> 0:14:03.160
<v Speaker 3>Adam's body. Now she's training, she's training, sure, not on

0:14:03.200 --> 0:14:07.080
<v Speaker 3>how to stop, not not tell the police everything because

0:14:07.080 --> 0:14:08.359
<v Speaker 3>Sean's gonna.

0:14:09.679 --> 0:14:12.400
<v Speaker 1>She's gonna Sean is gonna need that tree. And it

0:14:12.480 --> 0:14:16.520
<v Speaker 1>goes Natalie would have relapsed addiction if not.

0:14:16.559 --> 0:14:19.000
<v Speaker 3>And we will get to that too, because Natalie would

0:14:19.000 --> 0:14:20.960
<v Speaker 3>also have just disappeared off the face of the earth,

0:14:21.000 --> 0:14:22.960
<v Speaker 3>and no one would have cared. And if you're questioning

0:14:23.280 --> 0:14:26.520
<v Speaker 3>whether Misty's only doing this because she loves, you know,

0:14:26.640 --> 0:14:31.360
<v Speaker 3>murder and terrible things. No, she even made Sanna a giant. Yeah,

0:14:31.400 --> 0:14:34.440
<v Speaker 3>she made Shanna a giant cookie that said, let me

0:14:34.480 --> 0:14:37.800
<v Speaker 3>speak to my lawyer. She was like, she is a

0:14:37.840 --> 0:14:40.080
<v Speaker 3>true friend and in the world of yellow Jackets, she

0:14:40.240 --> 0:14:43.800
<v Speaker 3>is indispensable, even as like a crazy serial killer. You're

0:14:43.880 --> 0:14:47.440
<v Speaker 3>lucky to have her on side, absolutely, and they do

0:14:47.520 --> 0:14:50.200
<v Speaker 3>not respect that. Seanna's kind of like boy and her

0:14:50.240 --> 0:14:52.320
<v Speaker 3>off and she wants to go back home, and she's like,

0:14:52.360 --> 0:14:56.320
<v Speaker 3>we're fine, nothing's gonna happen. Tysa is struggling because her

0:14:56.320 --> 0:14:59.960
<v Speaker 3>wife found her bloodshot shrine at the end of last year,

0:15:00.840 --> 0:15:03.160
<v Speaker 3>which we'll talk about more, because I think they're playing

0:15:03.160 --> 0:15:06.960
<v Speaker 3>a very interesting game with the way we perceive whether

0:15:07.040 --> 0:15:09.840
<v Speaker 3>Tye really knows what's going on. But that comes to

0:15:09.920 --> 0:15:12.720
<v Speaker 3>a head outside of her son's school, where she tries

0:15:12.760 --> 0:15:16.200
<v Speaker 3>to drop off a new dog, Steve, and love Steve.

0:15:16.240 --> 0:15:17.720
<v Speaker 3>He's so cute, it was I was a big fan

0:15:17.760 --> 0:15:20.160
<v Speaker 3>of this. Steve is actually also the best name, the

0:15:20.240 --> 0:15:22.120
<v Speaker 3>name of the best character in the Missile movie.

0:15:22.520 --> 0:15:25.600
<v Speaker 2>I hope Steve makes it for the entire s me too.

0:15:25.680 --> 0:15:28.240
<v Speaker 3>I love Steve, and I'm sure this is going to

0:15:28.280 --> 0:15:31.200
<v Speaker 3>come into play. But her wife basically says like, if

0:15:31.240 --> 0:15:33.440
<v Speaker 3>you don't drop out of office and get some help,

0:15:33.480 --> 0:15:36.560
<v Speaker 3>Like I'm going to the press, and another way biggest.

0:15:36.200 --> 0:15:38.600
<v Speaker 2>As she should as should as.

0:15:38.720 --> 0:15:42.560
<v Speaker 1>Shrine blood shrine, and I'd be could you imagine if

0:15:42.560 --> 0:15:49.640
<v Speaker 1>you saw your potentially like psychotic ex who decapitated your

0:15:49.680 --> 0:15:54.960
<v Speaker 1>pet and created a weird like blood religious shrine in

0:15:55.000 --> 0:15:57.880
<v Speaker 1>your basement all of a sudden that you're divorcing yees

0:15:57.880 --> 0:15:59.640
<v Speaker 1>of a sudden like trying to pick up your child.

0:16:00.360 --> 0:16:02.560
<v Speaker 3>I think the most unsettling thing about that is not

0:16:02.800 --> 0:16:05.840
<v Speaker 3>the fact that she made it, though that is obviously horrific,

0:16:06.040 --> 0:16:08.800
<v Speaker 3>but also you'd have to deal with the existential horror

0:16:08.800 --> 0:16:11.640
<v Speaker 3>of the fact that it seemed to have worked because

0:16:11.680 --> 0:16:15.040
<v Speaker 3>Tis was gonna lose the election, and then she did

0:16:15.160 --> 0:16:18.560
<v Speaker 3>that and now she's a senator. Nat is nowhere to

0:16:18.560 --> 0:16:20.280
<v Speaker 3>be seen in the modern day. Of course, we know

0:16:20.320 --> 0:16:24.200
<v Speaker 3>she got kidnapped by Lottie's cult, and sure not is

0:16:24.280 --> 0:16:27.200
<v Speaker 3>just like unbelievably chill about the fact she killed a

0:16:27.240 --> 0:16:30.440
<v Speaker 3>man and is now covering it out very badly. In

0:16:30.520 --> 0:16:34.520
<v Speaker 3>a very cool moment, Misty basically like seeks out the

0:16:34.640 --> 0:16:37.040
<v Speaker 3>truth on her true crime boards to see if any

0:16:37.400 --> 0:16:40.680
<v Speaker 3>citizen detectives are going to uncover what happened in Adam's death,

0:16:40.960 --> 0:16:45.920
<v Speaker 3>and it does look like a faceless yet recognizable voice

0:16:45.920 --> 0:16:49.560
<v Speaker 3>of Elijah Woods may be coming closer to the truth

0:16:49.600 --> 0:16:51.600
<v Speaker 3>than Misty would like. So we're gonna get that Ice

0:16:51.680 --> 0:16:53.160
<v Speaker 3>Storm reunion sooner.

0:16:55.120 --> 0:16:57.400
<v Speaker 1>And I will say, as a person who spends a

0:16:57.440 --> 0:17:01.280
<v Speaker 1>lot of time on the unsolved mysteries read it. The

0:17:02.400 --> 0:17:06.240
<v Speaker 1>voicing of this, like the post itself in the styling,

0:17:06.720 --> 0:17:09.560
<v Speaker 1>felt very very much what you would say.

0:17:10.440 --> 0:17:13.640
<v Speaker 3>One I was like, this is and I loved how

0:17:13.680 --> 0:17:15.960
<v Speaker 3>in sync they are. There's this kind of that It's

0:17:15.960 --> 0:17:19.399
<v Speaker 3>written as a telegram something stop stop and Misty's like,

0:17:19.440 --> 0:17:21.000
<v Speaker 3>oh my god, this is getting tired. And at the

0:17:21.040 --> 0:17:24.000
<v Speaker 3>same time he writes this is getting tired, like I'm

0:17:24.000 --> 0:17:26.800
<v Speaker 3>tired of this. They're they're in sync already. And I

0:17:26.800 --> 0:17:30.399
<v Speaker 3>wouldn't be surprised if we saw Misty finally find a

0:17:30.520 --> 0:17:32.080
<v Speaker 3>romantic I was going to.

0:17:32.080 --> 0:17:36.520
<v Speaker 1>Say attraction absolutely feel the same way that it feels

0:17:36.520 --> 0:17:37.080
<v Speaker 1>like that's.

0:17:37.119 --> 0:17:38.920
<v Speaker 3>She's going to have to like team up with him

0:17:38.960 --> 0:17:41.920
<v Speaker 3>to pretend that they're solving the murder, but really she's

0:17:41.960 --> 0:17:44.680
<v Speaker 3>going to be stopping him. I mean it sounds delightful.

0:17:45.720 --> 0:17:49.560
<v Speaker 3>Sadly things are not delightful. In nineteen ninety six, where

0:17:49.560 --> 0:17:53.159
<v Speaker 3>the Rations are running low, which seems like it's going

0:17:53.240 --> 0:17:55.800
<v Speaker 3>to play into the further cannibal story arc that we

0:17:55.840 --> 0:17:58.200
<v Speaker 3>will inevitably be getting to. If you remember the first

0:17:59.000 --> 0:18:01.600
<v Speaker 3>episode of the first season where we saw the girls

0:18:01.640 --> 0:18:05.359
<v Speaker 3>eating some kind of meat in these strange cult costumes. Now,

0:18:05.760 --> 0:18:09.679
<v Speaker 3>good news turns out Jackie did survive her night in

0:18:09.720 --> 0:18:12.960
<v Speaker 3>the forest because Shawna is playing mash with her and

0:18:13.280 --> 0:18:15.120
<v Speaker 3>they're kind of talking about how she's gonna be married

0:18:15.160 --> 0:18:17.679
<v Speaker 3>to Jeff, and it seems great, Oh no, that's not

0:18:17.760 --> 0:18:20.480
<v Speaker 3>the case, dun center, Jackie is dead.

0:18:20.920 --> 0:18:25.879
<v Speaker 1>She's targeting to a flat out frozen gray corpse that

0:18:26.040 --> 0:18:28.600
<v Speaker 1>is like horrific to look at.

0:18:28.760 --> 0:18:32.080
<v Speaker 3>And for some reason, I would say trauma, grief, and

0:18:32.520 --> 0:18:37.080
<v Speaker 3>immense amounts of guilt. Shanna, now, as Marie mentions, just

0:18:37.240 --> 0:18:40.320
<v Speaker 3>chills in the meat shed with Jackie's dead body and

0:18:40.359 --> 0:18:43.520
<v Speaker 3>then comes out with like like rations and says, oh,

0:18:43.520 --> 0:18:45.720
<v Speaker 3>I was getting these, but everyone knows. She's just kind

0:18:45.760 --> 0:18:50.359
<v Speaker 3>of SnO, yeah, and they really dissect they play games together.

0:18:50.400 --> 0:18:54.760
<v Speaker 3>We see it's this very fun Norman Bates esque situation

0:18:54.880 --> 0:18:57.840
<v Speaker 3>where Shawna is talking about all the things she's guilty

0:18:57.840 --> 0:19:00.040
<v Speaker 3>about how her and Jeff got together. You know, the

0:19:00.200 --> 0:19:02.920
<v Speaker 3>future that she wants to have it. It's really sad

0:19:02.960 --> 0:19:05.920
<v Speaker 3>and Sophie Nellie's is so good, Like again, great costing.

0:19:06.080 --> 0:19:08.320
<v Speaker 3>You really feel like that's young Melanie Lynsky.

0:19:08.800 --> 0:19:15.200
<v Speaker 1>There's with Jackie and Shawna and then Shawna as an adult,

0:19:15.359 --> 0:19:23.960
<v Speaker 1>and there's something really interesting here about like sexuality and

0:19:24.200 --> 0:19:26.800
<v Speaker 1>the sense of like attraction, the things that turn a

0:19:26.840 --> 0:19:30.159
<v Speaker 1>person on but also shame. Yeah, certainly in the in

0:19:30.280 --> 0:19:33.640
<v Speaker 1>adult Shauna's life. We see this later in the episode. Yeah,

0:19:34.119 --> 0:19:37.840
<v Speaker 1>her and Jeff. You know, she she kind of allows

0:19:37.840 --> 0:19:39.960
<v Speaker 1>herself to be vulnerable about the things that.

0:19:39.960 --> 0:19:40.719
<v Speaker 3>Turn her on.

0:19:41.600 --> 0:19:45.320
<v Speaker 1>And it's very interesting because, you know, Jackie and Jeff.

0:19:47.080 --> 0:19:50.600
<v Speaker 1>The issue there was that Jackie was not ready to

0:19:50.760 --> 0:19:56.000
<v Speaker 1>have sex with Jeff and and Shaana you could say,

0:19:56.200 --> 0:19:58.600
<v Speaker 1>kind of use that as a way to kind of

0:19:58.640 --> 0:20:03.040
<v Speaker 1>pull Jeff into her web. And the way that represents

0:20:03.760 --> 0:20:08.080
<v Speaker 1>in in Shawna's psyche is really fascinating.

0:20:08.080 --> 0:20:09.919
<v Speaker 3>Really, Yeah, I think that's such a great point. I

0:20:09.960 --> 0:20:12.160
<v Speaker 3>loved that moment where she's taught that her and Jackie

0:20:12.160 --> 0:20:15.960
<v Speaker 3>are arguing about it. Jackie says it was because the

0:20:15.960 --> 0:20:18.080
<v Speaker 3>reason we argued was because I wouldn't sleep with him

0:20:18.119 --> 0:20:20.639
<v Speaker 3>you know, And Shawna says, oh, I'm so sorry I

0:20:20.680 --> 0:20:23.640
<v Speaker 3>didn't know, because it's just her psyche. Jackie goes, yeah,

0:20:23.640 --> 0:20:27.200
<v Speaker 3>you did. And it's this great kind of personal argument

0:20:27.240 --> 0:20:29.959
<v Speaker 3>about the way you can repress things that you're ashamed

0:20:30.000 --> 0:20:32.600
<v Speaker 3>of and things that you did. And also I feel like,

0:20:32.640 --> 0:20:34.480
<v Speaker 3>for the first time in this episode, we get it

0:20:34.480 --> 0:20:36.320
<v Speaker 3>with a little bit with Van and Tye in the wilderness,

0:20:36.320 --> 0:20:38.919
<v Speaker 3>and we get it here the kind of reminder of

0:20:38.920 --> 0:20:42.640
<v Speaker 3>how different things were in the nineties about sex, especially

0:20:42.640 --> 0:20:45.639
<v Speaker 3>for young women, about being queer or about being sexually active.

0:20:46.119 --> 0:20:49.520
<v Speaker 3>But anyway, you know what, that doesn't matter because what

0:20:49.840 --> 0:20:52.920
<v Speaker 3>ultimately ends up happening is that Shawna does not learn

0:20:52.960 --> 0:20:55.920
<v Speaker 3>something from this. Shawna gets angry at her own psyche

0:20:56.000 --> 0:20:58.840
<v Speaker 3>and her own dead best friend and knocks her over,

0:20:59.560 --> 0:21:02.960
<v Speaker 3>knocking off Jackie's ear, which will set on a domino

0:21:03.200 --> 0:21:06.199
<v Speaker 3>effect to the final moments of this episode that you

0:21:06.240 --> 0:21:08.719
<v Speaker 3>will not believe. So, you know what, instead of just

0:21:09.040 --> 0:21:11.159
<v Speaker 3>leaving it there in the meat shed, she puts it

0:21:11.200 --> 0:21:11.800
<v Speaker 3>in her pocket.

0:21:13.200 --> 0:21:16.480
<v Speaker 1>And I question, I questioned the decision making, but I

0:21:16.520 --> 0:21:16.920
<v Speaker 1>get it.

0:21:17.040 --> 0:21:17.439
<v Speaker 3>I get it.

0:21:17.480 --> 0:21:17.840
<v Speaker 4>You know what.

0:21:19.280 --> 0:21:22.680
<v Speaker 3>Is chaos in Shana is this is what I love

0:21:22.720 --> 0:21:26.280
<v Speaker 3>about this episode, and I love how the beginning of

0:21:26.320 --> 0:21:28.119
<v Speaker 3>this season I feel like it was close to it

0:21:28.160 --> 0:21:30.160
<v Speaker 3>at the end because Shorna killed Adam, but they kind

0:21:30.160 --> 0:21:32.920
<v Speaker 3>of made narrative allowances. By the end of this episode,

0:21:32.920 --> 0:21:37.320
<v Speaker 3>I'm like, sure that is the chaos cyclone that everything

0:21:37.320 --> 0:21:38.680
<v Speaker 3>else happens around.

0:21:39.119 --> 0:21:46.080
<v Speaker 1>I agree, thing bad. She is like a high functioning freak,

0:21:46.520 --> 0:21:50.480
<v Speaker 1>you know, she puts she has this facade of the

0:21:50.600 --> 0:21:55.679
<v Speaker 1>regular wife and mother, you know, living this kind of

0:21:56.119 --> 0:21:59.360
<v Speaker 1>upper middle class suburban life, like after the terrible things

0:21:59.359 --> 0:22:02.159
<v Speaker 1>had happened, yeah, because of the crash and when she

0:22:02.240 --> 0:22:08.280
<v Speaker 1>was teenager, But in reality, inside she is just a mess.

0:22:08.520 --> 0:22:10.879
<v Speaker 3>Yeah, And that's I think that's why the show speaks

0:22:10.880 --> 0:22:13.000
<v Speaker 3>to so many people, because there's so many great moments

0:22:13.040 --> 0:22:17.520
<v Speaker 3>about like the perception Shana is the unsatisfied suburban housewife

0:22:17.520 --> 0:22:19.680
<v Speaker 3>but she wouldn't hurt anyone. But in that first season,

0:22:19.680 --> 0:22:21.679
<v Speaker 3>you ever just kill that rabbit who's in her garden.

0:22:21.920 --> 0:22:24.399
<v Speaker 3>She has this violence and this fury in her that

0:22:24.480 --> 0:22:27.880
<v Speaker 3>she may hide better than someone like Misty, but it's

0:22:27.880 --> 0:22:31.080
<v Speaker 3>still there and it makes these characters just ultimately compelling.

0:22:31.560 --> 0:22:34.920
<v Speaker 1>And Misty knows who she is, like her lies come

0:22:34.960 --> 0:22:37.080
<v Speaker 1>from the fact that she knows who she's and she

0:22:37.160 --> 0:22:40.320
<v Speaker 1>needs to hide it right, and she understands that, she

0:22:40.400 --> 0:22:43.760
<v Speaker 1>understands how the world would reject her. Shauna is Shauna

0:22:44.800 --> 0:22:48.520
<v Speaker 1>hates her life, hates everything about her life, how normal

0:22:48.520 --> 0:22:48.760
<v Speaker 1>it is.

0:22:48.800 --> 0:22:52.040
<v Speaker 2>She has always kind of we see her she's.

0:22:51.920 --> 0:22:54.760
<v Speaker 3>Scared of becoming her mom and marrying Jeff, living that

0:22:54.800 --> 0:22:57.800
<v Speaker 3>suburban life when she's a teen, but that's exactly what

0:22:57.880 --> 0:22:58.800
<v Speaker 3>happens to her.

0:22:59.040 --> 0:23:01.640
<v Speaker 1>And so she's always kind of craved a more kind

0:23:01.680 --> 0:23:04.160
<v Speaker 1>of dangerous existence, but at the same time been afraid

0:23:04.160 --> 0:23:06.840
<v Speaker 1>to like go after it, and so she is drawn

0:23:06.920 --> 0:23:09.880
<v Speaker 1>to these situations that could just blow up her life,

0:23:10.160 --> 0:23:12.000
<v Speaker 1>Like that is the thing she can that's such a

0:23:12.000 --> 0:23:16.680
<v Speaker 1>good way. Often is like anything that could absolutely melt

0:23:16.800 --> 0:23:20.680
<v Speaker 1>her entire life down, destroy everything, turned her daughter against her,

0:23:21.040 --> 0:23:24.399
<v Speaker 1>turn her husband against her, in prison, put her in prison,

0:23:24.680 --> 0:23:27.160
<v Speaker 1>that is the stuff that attracts her.

0:23:27.400 --> 0:23:30.480
<v Speaker 3>Yeah, And we actually we get a great glimpse of

0:23:30.520 --> 0:23:33.160
<v Speaker 3>that too, because we start to see that Shanna isn't

0:23:33.160 --> 0:23:35.680
<v Speaker 3>actually that bothered about covering up Adam's murder at all,

0:23:36.920 --> 0:23:39.600
<v Speaker 3>and she is out of all the girls in the nineties,

0:23:39.640 --> 0:23:42.560
<v Speaker 3>she is dealing with the crash the worst. At this point,

0:23:42.720 --> 0:23:45.560
<v Speaker 3>Misty she's doing okay. She's a little bit upset that

0:23:45.600 --> 0:23:47.919
<v Speaker 3>she's been cut off from cooking Jewy, seeing as she

0:23:48.040 --> 0:23:51.640
<v Speaker 3>poisoned everyone with mushrooms, and not only that, but purposefully

0:23:51.680 --> 0:23:56.120
<v Speaker 3>poisoned assistant coach Ben. This is also interesting here because

0:23:56.160 --> 0:23:58.879
<v Speaker 3>we basically get a look at the JV squad, who

0:23:58.920 --> 0:24:01.080
<v Speaker 3>were barely in the last season. You might have seen

0:24:01.119 --> 0:24:04.720
<v Speaker 3>a couple of them ends, but now they take sent

0:24:04.760 --> 0:24:07.199
<v Speaker 3>a stage, including a new cast member who plays this

0:24:07.320 --> 0:24:10.720
<v Speaker 3>kind of theater love of Crystal, who's humming a lot

0:24:10.720 --> 0:24:13.639
<v Speaker 3>and annoying everyone and breaking into song. Very good, weird,

0:24:13.680 --> 0:24:16.880
<v Speaker 3>sketchy character. I love her. And the best thing is

0:24:17.280 --> 0:24:19.359
<v Speaker 3>that we get this moment here that kind of shows

0:24:19.359 --> 0:24:23.600
<v Speaker 3>that her and Misty might become friends as long as

0:24:23.640 --> 0:24:26.960
<v Speaker 3>Misty doesn't mind like harmonizing with her. Yes, And it's

0:24:27.000 --> 0:24:30.359
<v Speaker 3>like the offers too good for Misty to turn down

0:24:30.680 --> 0:24:32.840
<v Speaker 3>as someone who's always seeking out friendship and who has

0:24:32.920 --> 0:24:37.880
<v Speaker 3>yet to find any kind of friend in this kind

0:24:37.880 --> 0:24:40.639
<v Speaker 3>of terrified extremely hard. Yeah, And I think that's one

0:24:40.680 --> 0:24:43.240
<v Speaker 3>of the things Richie does so well here is she

0:24:43.800 --> 0:24:48.159
<v Speaker 3>she puts across this desperation this like trying too hard.

0:24:48.600 --> 0:24:51.000
<v Speaker 3>That makes you understand why it might push people away,

0:24:51.520 --> 0:24:56.360
<v Speaker 3>But it's incredibly empathetic and feels just really sad. It's

0:24:56.400 --> 0:24:59.760
<v Speaker 3>such a great nuanced performance that manages to be scary

0:24:59.800 --> 0:25:04.399
<v Speaker 3>and hilarious and sad and compassionate and creepy. It's so good.

0:25:05.160 --> 0:25:07.640
<v Speaker 3>And in the last two that we kind of catch

0:25:07.720 --> 0:25:09.920
<v Speaker 3>up with in the past of Van and Tye, who

0:25:10.080 --> 0:25:12.200
<v Speaker 3>this is very interesting to me. I guess I hadn't

0:25:12.200 --> 0:25:15.640
<v Speaker 3>really realized until this episode that their romance was entirely

0:25:15.720 --> 0:25:19.760
<v Speaker 3>secret from the other girls. This is something that they

0:25:19.800 --> 0:25:22.399
<v Speaker 3>are keeping. We hear girls reference Oh why are they

0:25:22.400 --> 0:25:26.080
<v Speaker 3>always hanging out? Exactly? Are they talking about their boyfriends?

0:25:26.160 --> 0:25:28.080
<v Speaker 3>All this kind of stuff. I found that to be

0:25:28.160 --> 0:25:31.040
<v Speaker 3>very interesting because I think that's setting up a potential

0:25:31.280 --> 0:25:34.600
<v Speaker 3>future conflict, and also it separates them off from the

0:25:34.640 --> 0:25:37.439
<v Speaker 3>rest of the group, which bodes badly because ty has

0:25:37.480 --> 0:25:41.720
<v Speaker 3>been having these violent nighttime outbursts. She's been hurting Van,

0:25:41.880 --> 0:25:44.280
<v Speaker 3>she's been climbing up trees, she's been eating dirt, and

0:25:44.320 --> 0:25:47.120
<v Speaker 3>it's gotten to the point where Van and Tye now

0:25:47.200 --> 0:25:50.600
<v Speaker 3>sleep in the attic with their arms tied together by rope.

0:25:51.800 --> 0:25:54.040
<v Speaker 3>So it's a desperate situation, but they love each other.

0:25:54.760 --> 0:25:57.879
<v Speaker 3>They will only continue. They will only continue, continue to

0:25:57.880 --> 0:25:59.560
<v Speaker 3>get more done. And let's be real, we know Van

0:25:59.680 --> 0:26:03.399
<v Speaker 3>is a said immortal. She survived that plane crash. Apparently

0:26:03.640 --> 0:26:05.560
<v Speaker 3>she survived getting more by a wolf. She is our

0:26:05.560 --> 0:26:06.800
<v Speaker 3>immortal gay and I love her.

0:26:07.480 --> 0:26:08.800
<v Speaker 2>X Ray Vision will be back.

0:26:18.040 --> 0:26:20.040
<v Speaker 3>And we're back in the present. In one of my

0:26:20.160 --> 0:26:23.080
<v Speaker 3>funniest moment. I've watched this episode so many times at

0:26:23.080 --> 0:26:25.080
<v Speaker 3>this point because of writing different stuff about it and

0:26:25.119 --> 0:26:29.240
<v Speaker 3>watching it for the pod and everything. So Jeff's failing

0:26:29.280 --> 0:26:31.560
<v Speaker 3>business that he had to go to a loan shark

0:26:31.800 --> 0:26:37.920
<v Speaker 3>for yeah, is now doing exceptionally well since his life murdered.

0:26:37.920 --> 0:26:40.919
<v Speaker 3>Like he answers the phone he's talking about this is McDonald's,

0:26:40.960 --> 0:26:46.439
<v Speaker 3>because I'm selling six pieces like crazy. This man is

0:26:46.600 --> 0:26:50.240
<v Speaker 3>loving life and the business is doing great since Shawna

0:26:50.359 --> 0:26:52.800
<v Speaker 3>murdered Adam, which I'm saying is a blood sacrifice that

0:26:52.840 --> 0:26:53.320
<v Speaker 3>went right.

0:26:53.560 --> 0:27:01.160
<v Speaker 1>I can't say yeah, I can't say. I am holding

0:27:01.320 --> 0:27:04.280
<v Speaker 1>to the idea that most of this stuff is just

0:27:04.359 --> 0:27:06.640
<v Speaker 1>kind of like in the eye of the beholder exactly.

0:27:07.359 --> 0:27:11.720
<v Speaker 1>It is really interesting, right, all of a sudden, his

0:27:12.080 --> 0:27:14.960
<v Speaker 1>business has just gone through the roofs. There's so many

0:27:15.000 --> 0:27:17.879
<v Speaker 1>people that the guts.

0:27:18.240 --> 0:27:20.720
<v Speaker 3>It's it's really fun because that's what I think I'm

0:27:20.800 --> 0:27:24.840
<v Speaker 3>loving the most about returning to this world is they're

0:27:24.880 --> 0:27:31.040
<v Speaker 3>giving us so much power in our subjectivity. Is it supernatural?

0:27:31.160 --> 0:27:31.520
<v Speaker 3>Is it not?

0:27:31.800 --> 0:27:31.879
<v Speaker 5>Is?

0:27:32.119 --> 0:27:34.360
<v Speaker 3>But after like the fourth time I watched the episode,

0:27:34.400 --> 0:27:37.720
<v Speaker 3>I was like, shit, why is just business going well?

0:27:37.800 --> 0:27:40.879
<v Speaker 3>I was like, this seems like it wasn't intentional. But

0:27:40.960 --> 0:27:43.600
<v Speaker 3>apparently in this world, if you just murder someone, like

0:27:44.080 --> 0:27:47.760
<v Speaker 3>something good's gonna happen to you. Speaking of weird culture

0:27:47.800 --> 0:27:49.960
<v Speaker 3>in the past, we kind of learned that Travis is

0:27:50.040 --> 0:27:55.119
<v Speaker 3>just completely consumed by the quest to find his brother Harvey.

0:27:55.160 --> 0:27:58.680
<v Speaker 3>That we last saw him on the Doom's Coming night

0:27:58.800 --> 0:28:00.919
<v Speaker 3>where he missed where he ran away after they were

0:28:00.920 --> 0:28:04.160
<v Speaker 3>trying to orgy murder his brother, and I mean troubling thing.

0:28:04.200 --> 0:28:05.159
<v Speaker 2>And I understand it.

0:28:05.320 --> 0:28:07.560
<v Speaker 3>Yeah, yeah, we get his feeling. I mean this is

0:28:07.680 --> 0:28:10.360
<v Speaker 3>ironically I kind of love that they wrote this into

0:28:10.440 --> 0:28:12.560
<v Speaker 3>the plot. It makes sense because it's his brother, but

0:28:12.640 --> 0:28:15.000
<v Speaker 3>it's also the thing that every viewer wants to know,

0:28:15.760 --> 0:28:19.160
<v Speaker 3>where is Harvey? Where is Harvey? Harvey wasn't Adam. They

0:28:19.160 --> 0:28:21.600
<v Speaker 3>did say they'd considered in the creators said that in

0:28:21.640 --> 0:28:25.639
<v Speaker 3>season one they'd considered Harvey being Adam and Adam being Harvey,

0:28:25.640 --> 0:28:27.600
<v Speaker 3>but they decided not to do it. So where is he?

0:28:27.880 --> 0:28:29.840
<v Speaker 3>Is he still alive? Did he die in the wilderness?

0:28:29.840 --> 0:28:32.960
<v Speaker 3>Travis is like seeing dead foxes and thinking it's his brother.

0:28:33.080 --> 0:28:36.600
<v Speaker 3>It's it's Nats like supporting him. She's going out and

0:28:36.640 --> 0:28:39.000
<v Speaker 3>searching for Harvey every day, even though it's winter and

0:28:39.040 --> 0:28:42.560
<v Speaker 3>it seems unlikely that he would be in any way alive.

0:28:42.720 --> 0:28:44.440
<v Speaker 3>But this is a show where people can survive a

0:28:44.480 --> 0:28:45.400
<v Speaker 3>wolf attack.

0:28:45.440 --> 0:28:51.560
<v Speaker 1>And everybody, everybody, I think he's alive simply because everyone

0:28:51.720 --> 0:28:55.200
<v Speaker 1>is like, there's no way, yeah, exactly. Like the amount

0:28:55.280 --> 0:28:58.200
<v Speaker 1>of people telling him that there's no way he's alive

0:28:58.600 --> 0:29:01.000
<v Speaker 1>tells me that he's got to be exactly.

0:29:01.120 --> 0:29:05.280
<v Speaker 3>And in a very weird moment, Lotty gives him like

0:29:05.320 --> 0:29:09.280
<v Speaker 3>a saucy boner inducing fireside vision when he's having a

0:29:09.320 --> 0:29:11.680
<v Speaker 3>panic attack. She like puts her hand on his chest

0:29:11.720 --> 0:29:15.560
<v Speaker 3>and shows him this tree stump that is kind of

0:29:15.640 --> 0:29:18.920
<v Speaker 3>pulsing with life, and she says, Harvey's okay, And obviously

0:29:19.000 --> 0:29:22.520
<v Speaker 3>NAT's like, fuck you, like say less, you can't say

0:29:22.520 --> 0:29:25.040
<v Speaker 3>that shit that. She's like say a lot fucking less

0:29:25.080 --> 0:29:28.200
<v Speaker 3>actually like, yeah, this is bad. You can't say that

0:29:28.240 --> 0:29:31.240
<v Speaker 3>to him, but that again to me, I am. I

0:29:31.360 --> 0:29:33.400
<v Speaker 3>believe that we could see at at Harvey this season,

0:29:33.440 --> 0:29:36.440
<v Speaker 3>and I believe he may well be with Lotty.

0:29:37.080 --> 0:29:38.200
<v Speaker 2>Yeah she could have.

0:29:38.320 --> 0:29:42.400
<v Speaker 3>She's she seems to have some kind of uh, survival

0:29:42.440 --> 0:29:44.600
<v Speaker 3>instincts within this forest. Like you said, it's somewhere that

0:29:44.680 --> 0:29:46.960
<v Speaker 3>she feels like she's thriving. Maybe there's somewhere that she's

0:29:47.000 --> 0:29:49.600
<v Speaker 3>hidden him away, or she's kind of keeping him secluded

0:29:49.640 --> 0:29:52.880
<v Speaker 3>and you know, inverted commas safe. We also learn something

0:29:52.880 --> 0:29:55.000
<v Speaker 3>interesting here again which I think really leads into the

0:29:55.080 --> 0:29:59.600
<v Speaker 3>lost of it All, which is like Nat while she

0:29:59.760 --> 0:30:03.840
<v Speaker 3>is helping Travis for his brother, is actually like making

0:30:03.880 --> 0:30:07.800
<v Speaker 3>a map and marking out the territory where they are.

0:30:07.960 --> 0:30:10.880
<v Speaker 3>It's good, and she's you know, she's using topological like

0:30:10.960 --> 0:30:13.960
<v Speaker 3>sketches to show mountains and she's doing this in secret

0:30:14.000 --> 0:30:17.239
<v Speaker 3>with Coach Ben. But there are like weird things about it,

0:30:17.280 --> 0:30:20.320
<v Speaker 3>like they're not finding any game, the animals are just gone,

0:30:21.000 --> 0:30:22.840
<v Speaker 3>and it kind of it's a very big map. So

0:30:22.880 --> 0:30:27.600
<v Speaker 3>I think we're gonna start to see some hints that

0:30:27.720 --> 0:30:29.840
<v Speaker 3>maybe everything is not what it seems but like you said,

0:30:29.840 --> 0:30:30.760
<v Speaker 3>it's all about perception.

0:30:31.120 --> 0:30:33.200
<v Speaker 1>I wonder if this is gonna end up being some

0:30:33.360 --> 0:30:38.920
<v Speaker 1>like top secret former military installation like X Men two,

0:30:39.200 --> 0:30:45.120
<v Speaker 1>you know what I mean, or like like Strikers, like Strikers,

0:30:45.280 --> 0:30:49.280
<v Speaker 1>like facility that created mutants, like for in Canada, something

0:30:49.440 --> 0:30:49.840
<v Speaker 1>like that.

0:30:49.840 --> 0:30:52.479
<v Speaker 3>That's like the belagued showtime. They're like, you know what

0:30:52.520 --> 0:30:54.920
<v Speaker 3>we need, we need roverin. We're just putting him in.

0:30:55.520 --> 0:30:59.680
<v Speaker 3>This is this is old man, Jonathan, he's been living

0:30:59.720 --> 0:31:03.280
<v Speaker 3>it now. I think you're right though, like essentially some

0:31:03.400 --> 0:31:08.040
<v Speaker 3>kind of X Men to Stranger Things kind of situation

0:31:08.200 --> 0:31:11.000
<v Speaker 3>where it's like, this is a weird military base. There's

0:31:11.000 --> 0:31:12.640
<v Speaker 3>a reason your plane would end up there. There's a

0:31:12.640 --> 0:31:14.480
<v Speaker 3>reason there was another plane there. There's a reason there's

0:31:14.480 --> 0:31:17.120
<v Speaker 3>a cabin there, you know, and there's a reason why

0:31:17.160 --> 0:31:19.160
<v Speaker 3>you're eight hundred miles away. I think that could be

0:31:19.680 --> 0:31:24.880
<v Speaker 3>a very interesting and quite likely twist, you know what,

0:31:25.520 --> 0:31:28.720
<v Speaker 3>even if that was the truth. Then some of the

0:31:28.720 --> 0:31:31.000
<v Speaker 3>girls got out, and somehow one of them was Shauna,

0:31:31.280 --> 0:31:34.920
<v Speaker 3>who is a true fool, Like I am everyday mad

0:31:34.960 --> 0:31:37.680
<v Speaker 3>at Shanna. She kept Adam's belongings. She said to Misty,

0:31:37.760 --> 0:31:40.719
<v Speaker 3>she destroyed everything. But actually she's like looking emotionally at

0:31:40.760 --> 0:31:44.520
<v Speaker 3>his ID card. She's dreaming of going to prison, like

0:31:44.920 --> 0:31:48.000
<v Speaker 3>and she's like calling up Jeff at his very successful

0:31:48.040 --> 0:31:51.040
<v Speaker 3>furniture business and she's like, hey, we got to destroy

0:31:51.040 --> 0:31:55.000
<v Speaker 3>Adam's things, including his art studio where I definitely never

0:31:55.040 --> 0:31:57.760
<v Speaker 3>went and definitely didn't have sex with him or kill him.

0:31:58.160 --> 0:32:02.160
<v Speaker 3>And I heard it some wear close, So let's.

0:32:02.080 --> 0:32:08.880
<v Speaker 2>Go what now. I think that Shawna is so repressed.

0:32:09.960 --> 0:32:14.120
<v Speaker 1>Because this is such a bad idea, like so bad,

0:32:14.200 --> 0:32:16.960
<v Speaker 1>Like this is like such a bad idea annals.

0:32:16.600 --> 0:32:20.640
<v Speaker 3>Of bad ideas that have been and bad plans in television.

0:32:20.720 --> 0:32:22.880
<v Speaker 3>This is up there in like top five, like don't.

0:32:22.720 --> 0:32:23.480
<v Speaker 2>Do it up there.

0:32:23.640 --> 0:32:26.000
<v Speaker 1>It's way way up there. And the only way it

0:32:26.040 --> 0:32:28.680
<v Speaker 1>makes sense is that Seanna is so repressed that what

0:32:28.880 --> 0:32:32.600
<v Speaker 1>happens there is the thing she wanted to happen all along.

0:32:32.680 --> 0:32:34.520
<v Speaker 3>Yeah, yeah, yeah, there's a reason that she went there

0:32:34.520 --> 0:32:37.480
<v Speaker 3>and that's the only way she could get and the

0:32:37.560 --> 0:32:40.040
<v Speaker 3>thing that is most interesting. So this also, I will

0:32:40.080 --> 0:32:42.640
<v Speaker 3>just say this is one of my tinfoil hat theories.

0:32:42.760 --> 0:32:45.560
<v Speaker 3>After out there they get there stinks a weed. There's

0:32:45.600 --> 0:32:49.280
<v Speaker 3>somebody next door who was Adam's studio mate, who's blaring music.

0:32:49.560 --> 0:32:52.040
<v Speaker 3>What if that's Harvey and that's how Adam knew so

0:32:52.120 --> 0:32:55.320
<v Speaker 3>much about Shanna. That's my theory is Harvey was Adam's

0:32:55.320 --> 0:32:58.520
<v Speaker 3>friend and they were like scheming on her together. But anyway,

0:32:58.640 --> 0:33:01.200
<v Speaker 3>they get in there and shot Cora. The art studio

0:33:01.240 --> 0:33:05.320
<v Speaker 3>is actually filled with pictures of Shanna in a varying

0:33:05.360 --> 0:33:09.040
<v Speaker 3>states of undressed. They're very beautiful. Now, I will say

0:33:09.240 --> 0:33:13.640
<v Speaker 3>that if I were, if Misty was there, I think

0:33:13.640 --> 0:33:15.360
<v Speaker 3>Misty would have probably been like, Hey, don't do this,

0:33:15.600 --> 0:33:17.520
<v Speaker 3>but be leave these up, because then you can say,

0:33:17.520 --> 0:33:19.360
<v Speaker 3>this guy was stalking you and you killed him in

0:33:19.360 --> 0:33:22.880
<v Speaker 3>self defense if they catch you just saying, but Jeff

0:33:22.880 --> 0:33:25.240
<v Speaker 3>and Shwana are extremely fucked up, and I'm starting to

0:33:25.280 --> 0:33:28.160
<v Speaker 3>believe also have probably killed at least one person before.

0:33:28.680 --> 0:33:34.000
<v Speaker 1>Yeah, they're just like they're so chilling, ready to do it. Yeah,

0:33:34.000 --> 0:33:35.080
<v Speaker 1>they're ready to do this.

0:33:35.280 --> 0:33:37.880
<v Speaker 3>They decide to get down to business. But hint, I'm

0:33:37.880 --> 0:33:42.520
<v Speaker 3>not talking about destroying the paintings they Shanna like. She

0:33:42.800 --> 0:33:45.640
<v Speaker 3>starts telling Jeff about how much it turned her on

0:33:45.840 --> 0:33:48.480
<v Speaker 3>to think of him cheating, and how she's no longer

0:33:48.520 --> 0:33:51.160
<v Speaker 3>ashamed of who she is and they sort of, you know,

0:33:51.960 --> 0:33:54.479
<v Speaker 3>seems like they're gonna get it on. It's unclear. I

0:33:54.480 --> 0:33:59.240
<v Speaker 3>feel like at the end whether that was something that happened.

0:33:59.280 --> 0:34:01.880
<v Speaker 3>I think like they tried. I couldn't tell whether Jeff

0:34:01.960 --> 0:34:05.160
<v Speaker 3>was ashamed it happened or he kind of got uncomfortable

0:34:05.160 --> 0:34:07.880
<v Speaker 3>in the middle, which understandable. Seeing as you're fucking your

0:34:07.920 --> 0:34:10.400
<v Speaker 3>wife in the studio of the man that she murdered,

0:34:10.920 --> 0:34:11.720
<v Speaker 3>I could understand.

0:34:11.719 --> 0:34:14.759
<v Speaker 1>Why then you're helping to cover it up and actively

0:34:14.880 --> 0:34:16.680
<v Speaker 1>helping her to destroy evidence of the.

0:34:16.640 --> 0:34:19.120
<v Speaker 3>Crowd exactly, Like there's a lot going on there to

0:34:19.200 --> 0:34:23.040
<v Speaker 3>just focus on sex. Also, I would say again terrible

0:34:23.080 --> 0:34:25.799
<v Speaker 3>ideas that have been had in history and covering up

0:34:25.880 --> 0:34:31.040
<v Speaker 3>murders just like turpentining out the faces on these paintings

0:34:31.160 --> 0:34:34.360
<v Speaker 3>is like so sus and I know that they definitely

0:34:34.360 --> 0:34:37.080
<v Speaker 3>missed one. So this was just a terrible idea all around.

0:34:37.360 --> 0:34:42.239
<v Speaker 1>Either either burn the entire here's what I thought down,

0:34:42.760 --> 0:34:46.279
<v Speaker 1>burn the building down, murder of the next side or

0:34:46.320 --> 0:34:49.839
<v Speaker 1>whatever it is. Or take all the paintings and burn them,

0:34:50.280 --> 0:34:55.000
<v Speaker 1>but don't one fuck in the place, leaving DNA and

0:34:55.080 --> 0:34:57.520
<v Speaker 1>heroin well, who knows my evidence so.

0:34:57.800 --> 0:34:59.600
<v Speaker 3>Much like you do not want to go in there

0:34:59.640 --> 0:35:02.080
<v Speaker 3>with a bla you are gonna get caught. This is

0:35:02.120 --> 0:35:03.560
<v Speaker 3>a terrible idea.

0:35:03.719 --> 0:35:06.400
<v Speaker 1>Then like destroy the paintings in a way that anybody

0:35:06.440 --> 0:35:07.279
<v Speaker 1>walking in and be like, what.

0:35:07.239 --> 0:35:08.320
<v Speaker 3>The fuck happened to these?

0:35:09.840 --> 0:35:10.040
<v Speaker 2>Right?

0:35:10.360 --> 0:35:12.600
<v Speaker 3>Yeah, Like I better find out who these are off

0:35:12.640 --> 0:35:15.120
<v Speaker 3>because they were obviously the person who did the turpentiny.

0:35:16.040 --> 0:35:20.680
<v Speaker 3>What's happened? Just like such bad choices and plans. And

0:35:20.719 --> 0:35:23.680
<v Speaker 3>if she'd have just called Misty then it would have

0:35:23.719 --> 0:35:25.080
<v Speaker 3>been fine. And I want to say I did not

0:35:25.120 --> 0:35:27.160
<v Speaker 3>include this in the full recap because it's not necessarily

0:35:27.200 --> 0:35:29.920
<v Speaker 3>story relevant, But I do have to say one of

0:35:29.960 --> 0:35:33.040
<v Speaker 3>the best scenes of this episode happens after this, which

0:35:33.080 --> 0:35:36.080
<v Speaker 3>is when Jeff goes and sits into his car and

0:35:36.160 --> 0:35:39.000
<v Speaker 3>listens to Papa Roach this is my last resort.

0:35:41.360 --> 0:35:42.440
<v Speaker 2>He's into it.

0:35:42.560 --> 0:35:45.640
<v Speaker 3>He's like hitting the wheel and he's feeling so angry

0:35:45.680 --> 0:35:48.479
<v Speaker 3>about Seana, and it's just such a good weird character moment.

0:35:48.760 --> 0:35:53.759
<v Speaker 3>Loved it. Speaking of good weird character moments, there is

0:35:53.800 --> 0:36:00.080
<v Speaker 3>like this great sequence of events where Misty goes to

0:36:00.080 --> 0:36:04.440
<v Speaker 3>show have a showdown with the motel manager or of

0:36:04.560 --> 0:36:06.279
<v Speaker 3>the place where Nat was staying. She wants to know

0:36:06.280 --> 0:36:09.520
<v Speaker 3>what happened. He won't tell her anything. Larry the motel manager,

0:36:09.600 --> 0:36:11.680
<v Speaker 3>is like probably the first person who's ever said no

0:36:11.760 --> 0:36:14.640
<v Speaker 3>to Misty when she tries to blackmail him. It's so funny,

0:36:14.640 --> 0:36:19.200
<v Speaker 3>it's so good. And eventually she kind of just like

0:36:19.280 --> 0:36:22.680
<v Speaker 3>annoys him and gives him creepy chesha cat grins until

0:36:22.680 --> 0:36:24.719
<v Speaker 3>he says, well, she left, she paid in the middle

0:36:24.719 --> 0:36:29.120
<v Speaker 3>of the night, and Misty's like absolutely heartbroken because she

0:36:29.239 --> 0:36:32.799
<v Speaker 3>kind of believed their odd couple Yeah, and she thought

0:36:32.840 --> 0:36:36.000
<v Speaker 3>that odd couple friendship that they'd built while looking for

0:36:36.040 --> 0:36:38.600
<v Speaker 3>the truth of what happened was something real. And then

0:36:38.640 --> 0:36:42.200
<v Speaker 3>she realizes, once again, Misty coming through with the win,

0:36:42.680 --> 0:36:45.439
<v Speaker 3>the only observant person, the only clever person, the only

0:36:45.480 --> 0:36:48.280
<v Speaker 3>person paranoid enough to know what's going on. She notices

0:36:48.320 --> 0:36:52.120
<v Speaker 3>that the door jam of where of NAT's old room

0:36:52.719 --> 0:36:57.960
<v Speaker 3>is splintered, and she realizes that Nat was kidnapped. The

0:36:58.040 --> 0:37:02.319
<v Speaker 3>true hero of Yellow Jacket strikes once again, and yeah, like,

0:37:02.520 --> 0:37:06.760
<v Speaker 3>what the heck that is still alive? Good love. Juliet

0:37:06.840 --> 0:37:11.400
<v Speaker 3>lewis smashing it in this performance. Uh, and she is pissed.

0:37:11.960 --> 0:37:14.560
<v Speaker 3>She's tied to a bed as one would be who

0:37:14.840 --> 0:37:18.239
<v Speaker 3>she is absolutely furious. And so then we get a

0:37:18.280 --> 0:37:21.440
<v Speaker 3>new character here, we get Nicole Mayins, who's so brilliant,

0:37:22.320 --> 0:37:25.480
<v Speaker 3>and she comes in and and she looks a lot

0:37:25.520 --> 0:37:28.239
<v Speaker 3>like Loti. That was my read. I felt like, is

0:37:28.280 --> 0:37:31.640
<v Speaker 3>this Lotty's door like? And she I.

0:37:31.600 --> 0:37:32.480
<v Speaker 2>Thought the same thing.

0:37:32.560 --> 0:37:35.879
<v Speaker 1>Yeah, Because I will tell you what I think, and

0:37:35.920 --> 0:37:38.720
<v Speaker 1>that is there's a lot of weird sex shit happening

0:37:38.719 --> 0:37:39.360
<v Speaker 1>in this cult.

0:37:39.480 --> 0:37:42.400
<v Speaker 6>Absolutely, I don't know it for I don't know it

0:37:42.440 --> 0:37:46.840
<v Speaker 6>for a fact yet, but what I've seen thus far

0:37:46.960 --> 0:37:52.520
<v Speaker 6>of Lottie's life and career as a wicked priestess lead

0:37:52.560 --> 0:37:54.640
<v Speaker 6>me to believe that there's a lot of.

0:37:54.640 --> 0:37:56.800
<v Speaker 2>Weird sex shit happening in this cult.

0:37:56.920 --> 0:38:01.600
<v Speaker 3>Completely this and also it just feels y. Yeah, it's

0:38:01.600 --> 0:38:03.360
<v Speaker 3>giving off the weird sex cop vibes. We know that

0:38:03.400 --> 0:38:07.000
<v Speaker 3>they were taking from real life inspiration. That is something

0:38:07.040 --> 0:38:11.520
<v Speaker 3>that's been very relevant recently. It feels weird. But this

0:38:11.560 --> 0:38:15.399
<v Speaker 3>young girl is like she's green in the captivity game. Yes,

0:38:15.600 --> 0:38:17.239
<v Speaker 3>they should not have sent her to be in charge

0:38:17.280 --> 0:38:20.520
<v Speaker 3>of NAT. Nat is a true survivor, like she will

0:38:20.560 --> 0:38:24.200
<v Speaker 3>do anything to survive and she does essentially like playing

0:38:24.200 --> 0:38:27.040
<v Speaker 3>this kind of cat and mouse game. Nicen Up the

0:38:27.120 --> 0:38:29.960
<v Speaker 3>girl and eventually getting a fork and stab in her

0:38:30.000 --> 0:38:31.360
<v Speaker 3>with it so she can escape.

0:38:33.360 --> 0:38:33.840
<v Speaker 2>Ruthless.

0:38:34.000 --> 0:38:35.880
<v Speaker 3>That shit was bad ass. I mean, she went for

0:38:35.960 --> 0:38:38.640
<v Speaker 3>the eye like she would have killed her, but luckily

0:38:38.680 --> 0:38:41.360
<v Speaker 3>the captor kind of she she you know, she she

0:38:41.520 --> 0:38:42.880
<v Speaker 3>blocked it with the hand and now she has a

0:38:42.920 --> 0:38:44.680
<v Speaker 3>fork in her hand, which she probably doesn't feel too

0:38:44.719 --> 0:38:49.080
<v Speaker 3>lucky about actually, and Nat is out of there, like boom, not,

0:38:49.239 --> 0:38:52.040
<v Speaker 3>this is not happening to me. You are incorrect. She

0:38:52.239 --> 0:38:54.680
<v Speaker 3>is also At first I was like, oh, she's running away,

0:38:54.760 --> 0:38:58.880
<v Speaker 3>but no, she is going to find Lotty like like

0:38:59.040 --> 0:39:03.400
<v Speaker 3>she fucking knows. And this is great because before this moment,

0:39:04.160 --> 0:39:08.880
<v Speaker 3>they're really playing with our expectations. We see Lotty. Lotty

0:39:09.040 --> 0:39:11.080
<v Speaker 3>is arguably like the only one in the group who's

0:39:11.160 --> 0:39:14.720
<v Speaker 3>kind of doing any kind of processing of what happened.

0:39:14.880 --> 0:39:17.440
<v Speaker 3>She seems to be wealthy, she seems to be successful.

0:39:18.120 --> 0:39:21.280
<v Speaker 3>So this is like a great moment because until now,

0:39:21.600 --> 0:39:24.480
<v Speaker 3>what we've really seen of Lotty's cult is like it's

0:39:24.520 --> 0:39:27.880
<v Speaker 3>a wellness place. People there look healthy, they look healthy,

0:39:27.920 --> 0:39:31.000
<v Speaker 3>they're in the beautiful nature. They're wearing creepy robes. But

0:39:31.040 --> 0:39:33.160
<v Speaker 3>maybe that's just our own perceptions of what our cult

0:39:33.200 --> 0:39:36.160
<v Speaker 3>is no, because when Natalie gets into those woods, she

0:39:36.239 --> 0:39:40.000
<v Speaker 3>sees people with terrifying like animal masks and they're burying

0:39:40.000 --> 0:39:40.640
<v Speaker 3>a man alive.

0:39:41.480 --> 0:39:45.840
<v Speaker 1>Yes, and yes, it seems like he's into it. I

0:39:45.880 --> 0:39:50.360
<v Speaker 1>would hope, so I certainly listen. I think, you know,

0:39:50.400 --> 0:39:53.880
<v Speaker 1>as a person who spent a lot of time around

0:39:54.000 --> 0:39:56.960
<v Speaker 1>hippies earlier in my life, younger in my life and

0:39:57.600 --> 0:40:00.640
<v Speaker 1>seen the hippies kind of grow up, I know a

0:40:00.640 --> 0:40:04.880
<v Speaker 1>lot of people who have become ensconced in different levels

0:40:05.000 --> 0:40:08.879
<v Speaker 1>of the wellness lifestyle, and a lot of it is like, hey,

0:40:08.960 --> 0:40:11.800
<v Speaker 1>drink this tea and you'll never get sick.

0:40:11.960 --> 0:40:12.719
<v Speaker 2>That kind of thing.

0:40:13.000 --> 0:40:13.920
<v Speaker 3>Yeah, And it goes.

0:40:13.760 --> 0:40:16.719
<v Speaker 1>Beyond just the kind of like eat organic that kind

0:40:16.719 --> 0:40:17.719
<v Speaker 1>of like every day.

0:40:17.960 --> 0:40:19.759
<v Speaker 3>Oh yeah, it's a totally to.

0:40:19.920 --> 0:40:21.640
<v Speaker 2>The economy that you can that you can do.

0:40:21.760 --> 0:40:24.719
<v Speaker 1>It's it's I think for people who have been around it,

0:40:25.280 --> 0:40:27.359
<v Speaker 1>we've been in the in the kind of orbit of it.

0:40:28.040 --> 0:40:31.520
<v Speaker 1>This felt very much like a thing that I could

0:40:31.560 --> 0:40:33.640
<v Speaker 1>see people I know getting involved in.

0:40:34.120 --> 0:40:36.280
<v Speaker 3>Yeah, yeah, yeah that I think again, it's all about,

0:40:36.320 --> 0:40:38.360
<v Speaker 3>like you're saying, it's all about the eye of the beholder.

0:40:38.680 --> 0:40:42.200
<v Speaker 3>Is this just this way of lotty kind of recreating

0:40:42.280 --> 0:40:45.520
<v Speaker 3>in a safe inverted comma space, the feral nature of

0:40:45.560 --> 0:40:48.319
<v Speaker 3>being in the forest as it something that people want

0:40:48.320 --> 0:40:49.960
<v Speaker 3>to connect with and pay a lot of money for.

0:40:50.320 --> 0:40:52.600
<v Speaker 3>Or is she really doing some weird like blood ritual

0:40:53.120 --> 0:40:55.120
<v Speaker 3>that's still very up in the air here, but not

0:40:55.400 --> 0:41:00.520
<v Speaker 3>is like legit about the like cavew He's head in

0:41:00.640 --> 0:41:04.520
<v Speaker 3>with a branch Like she's like, why the fuck shouldn't I?

0:41:05.040 --> 0:41:08.000
<v Speaker 3>And Lotty is extremely chill like to a point of

0:41:08.040 --> 0:41:14.319
<v Speaker 3>being patronizing, and she absolutely knocks Nat for six by

0:41:14.360 --> 0:41:16.640
<v Speaker 3>telling her like, you don't want to do that because

0:41:16.640 --> 0:41:22.760
<v Speaker 3>I've got a message and it's from Travis and obviously

0:41:22.760 --> 0:41:24.600
<v Speaker 3>you're like, wait a minute, well that actually if I

0:41:24.680 --> 0:41:26.400
<v Speaker 3>was that, I'd be like, well fuck you, because didn't

0:41:26.400 --> 0:41:29.120
<v Speaker 3>you wipe his bank account before him? So like what

0:41:29.280 --> 0:41:32.120
<v Speaker 3>kind of message? But Natt is in a very unstable place.

0:41:32.360 --> 0:41:35.880
<v Speaker 3>Juliette Lewis does this bit of face acting, specifically with

0:41:35.920 --> 0:41:37.839
<v Speaker 3>the way she kind of grinds her teeth over her

0:41:37.840 --> 0:41:41.520
<v Speaker 3>lips in this scene that is just fucking heartbreaking. Like

0:41:41.600 --> 0:41:46.560
<v Speaker 3>she knows there is probably nothing honest and real about

0:41:46.719 --> 0:41:48.600
<v Speaker 3>what Lotty is about to tell her, but she wants

0:41:48.640 --> 0:41:51.000
<v Speaker 3>to hear that more than anything in.

0:41:51.560 --> 0:41:54.640
<v Speaker 1>The show is off the charts, fool. I think it's

0:41:54.840 --> 0:41:55.680
<v Speaker 1>very it's great.

0:41:55.960 --> 0:41:59.520
<v Speaker 3>Yeah, and we kind of get this very interesting moment

0:41:59.560 --> 0:42:03.239
<v Speaker 3>in the present here that I think is very well

0:42:03.320 --> 0:42:06.480
<v Speaker 3>handled and kind of twenty cypress again give her all

0:42:06.520 --> 0:42:10.600
<v Speaker 3>the props. She creeps into the underpass underneath her house,

0:42:10.840 --> 0:42:12.920
<v Speaker 3>finds her blood shrine and is like.

0:42:13.680 --> 0:42:17.640
<v Speaker 6>Half shocked but also not shocked, and they're not shocked

0:42:17.719 --> 0:42:20.799
<v Speaker 6>enough enough, Like it's almost like when she.

0:42:20.800 --> 0:42:24.840
<v Speaker 3>Sees it, she kind of realizes. And then, in case

0:42:25.160 --> 0:42:28.719
<v Speaker 3>you weren't sure that she was the one who was

0:42:29.520 --> 0:42:31.319
<v Speaker 3>culpable for this blood shrine.

0:42:31.160 --> 0:42:33.960
<v Speaker 7>I was not sure right last season, and I wasn't

0:42:34.000 --> 0:42:36.640
<v Speaker 7>either because and even earlier on like when her wife

0:42:36.680 --> 0:42:38.560
<v Speaker 7>was yelling at her and she was like, I don't know,

0:42:38.680 --> 0:42:40.360
<v Speaker 7>but then when she was like, oh, fucking hit in

0:42:40.400 --> 0:42:42.839
<v Speaker 7>the But in this moment, she turns.

0:42:42.520 --> 0:42:45.200
<v Speaker 3>To Steve, good old Steve will be rooting for you, Steve,

0:42:45.320 --> 0:42:47.760
<v Speaker 3>and she says Steve and she says, oh, no, don't worry,

0:42:47.800 --> 0:42:52.520
<v Speaker 3>like that was a mistake about a dead dog. I

0:42:52.600 --> 0:42:54.760
<v Speaker 3>was like, what do you mean, Like you weren't supposed

0:42:54.760 --> 0:42:55.480
<v Speaker 3>to kill him?

0:42:55.600 --> 0:42:56.759
<v Speaker 2>I mean, I hope, So.

0:42:58.400 --> 0:43:01.200
<v Speaker 3>I'm like, what like this was an accident. I'm guessing

0:43:01.320 --> 0:43:04.360
<v Speaker 3>so from what we've seen especially, we get this, we

0:43:04.480 --> 0:43:06.520
<v Speaker 3>get some great moments here with her and Van. It

0:43:06.560 --> 0:43:09.160
<v Speaker 3>seems like this sleep disorder that she has where she

0:43:09.280 --> 0:43:11.400
<v Speaker 3>sort of is violent in her sleep, she's the woman

0:43:11.440 --> 0:43:12.239
<v Speaker 3>in the tree.

0:43:12.160 --> 0:43:12.920
<v Speaker 2>She climbs up.

0:43:13.719 --> 0:43:16.799
<v Speaker 3>Yeah, some kind of disassociation that implies here. I think

0:43:16.800 --> 0:43:19.839
<v Speaker 3>that she was in that state when she did it.

0:43:20.080 --> 0:43:23.240
<v Speaker 3>But I was cracking jokes and she was like, sorry, Steve,

0:43:23.360 --> 0:43:28.120
<v Speaker 3>I'll do better, And I was like, ty, I guess about.

0:43:28.480 --> 0:43:33.239
<v Speaker 1>Creating a whole shrine, decapitating your dog, setting up little trinketstile.

0:43:33.320 --> 0:43:35.320
<v Speaker 2>That's a lot of work when you're asleep.

0:43:35.560 --> 0:43:38.719
<v Speaker 3>Yeah, did she get down there? Like when did she

0:43:38.840 --> 0:43:40.879
<v Speaker 3>murder the dog? The dog went missing before he ended

0:43:40.960 --> 0:43:44.120
<v Speaker 3>up in the shrine, Like this seems at least a

0:43:44.239 --> 0:43:49.480
<v Speaker 3>slight plan. Maybe I guess a tinfoil hat throw out

0:43:49.480 --> 0:43:51.800
<v Speaker 3>there is she was still in contact with Loti or

0:43:51.840 --> 0:43:54.680
<v Speaker 3>someone who was involved in this blood cult kind of

0:43:54.719 --> 0:43:57.160
<v Speaker 3>situation and she delivered the dog but didn't know what

0:43:57.239 --> 0:43:59.040
<v Speaker 3>they would do with it. Nah, I think she did it.

0:43:59.080 --> 0:44:00.160
<v Speaker 3>But I'm just saying.

0:44:00.520 --> 0:44:07.680
<v Speaker 1>I think that Lottie somehow has been able to place

0:44:07.800 --> 0:44:11.799
<v Speaker 1>like a post hypnotic suggestion ents and I.

0:44:11.760 --> 0:44:13.719
<v Speaker 3>Think I could definitely see that.

0:44:13.880 --> 0:44:17.200
<v Speaker 1>And I think because she wants to promote whatever it

0:44:17.239 --> 0:44:19.279
<v Speaker 1>is that she's doing, and you get a powerful state

0:44:19.360 --> 0:44:24.040
<v Speaker 1>senator elected and things get easier for you and whatever,

0:44:24.080 --> 0:44:28.200
<v Speaker 1>you know whatever, except right, maybe you get taxes at

0:44:28.320 --> 0:44:31.200
<v Speaker 1>status or your cult whatever like whatever it is, right.

0:44:31.320 --> 0:44:34.799
<v Speaker 1>But I think that she did that to Tyson, and

0:44:34.840 --> 0:44:37.080
<v Speaker 1>I think she's trying to do that with everyone, put

0:44:37.600 --> 0:44:41.120
<v Speaker 1>somehow break their minds and put something in there. I

0:44:41.200 --> 0:44:43.479
<v Speaker 1>like that that she can trigger, and I think she's

0:44:43.520 --> 0:44:44.200
<v Speaker 1>triggering these.

0:44:44.160 --> 0:44:48.720
<v Speaker 3>We know setting cults. They use hallucinogens to break people's

0:44:48.719 --> 0:44:51.239
<v Speaker 3>will and stuff, so we could see that multi It's

0:44:51.239 --> 0:44:54.839
<v Speaker 3>almost like, you know, has Loti been setting up her

0:44:54.840 --> 0:44:57.920
<v Speaker 3>own like Black Widow Network or Scroll Network. She just

0:44:57.920 --> 0:45:01.919
<v Speaker 3>like triggers people by saying like a And think about

0:45:02.080 --> 0:45:04.200
<v Speaker 3>imagine if Tyan Lotty had stayed in touch and she

0:45:04.280 --> 0:45:06.480
<v Speaker 3>was like, I'll send you these wellness drinks, they'll help

0:45:06.520 --> 0:45:08.839
<v Speaker 3>with your sleeping. But really she's drugging her and kind

0:45:08.840 --> 0:45:11.319
<v Speaker 3>of giving her strange hypnosis. I love this, and I

0:45:11.360 --> 0:45:13.760
<v Speaker 3>love like you said, I think there's a great version

0:45:13.840 --> 0:45:16.200
<v Speaker 3>of this which will we're getting close to the end,

0:45:16.239 --> 0:45:18.760
<v Speaker 3>and I think near the end you could say subverts

0:45:18.880 --> 0:45:20.880
<v Speaker 3>this a little bit. I like this idea that Lotty

0:45:21.480 --> 0:45:24.160
<v Speaker 3>could be the nightmarish cult leader who's planning all of this,

0:45:24.480 --> 0:45:26.680
<v Speaker 3>or she absolutely could not be. And it's just like

0:45:26.719 --> 0:45:32.480
<v Speaker 3>a wellness scammer, and she's exciting, yeah, and.

0:45:32.680 --> 0:45:35.920
<v Speaker 1>All little kidnapping like we know, we know, we know

0:45:35.960 --> 0:45:38.800
<v Speaker 1>it the very she's criminal.

0:45:38.840 --> 0:45:41.640
<v Speaker 3>Shit, we know she's doing some criminals. She's at least

0:45:41.719 --> 0:45:44.480
<v Speaker 3>kidnapping people, you know. I would say in the theory

0:45:44.520 --> 0:45:46.440
<v Speaker 3>you could argue that there's a version where it's like

0:45:46.480 --> 0:45:49.560
<v Speaker 3>she kidnapped nap because she was relapsing. Cults do stuff

0:45:49.600 --> 0:45:49.839
<v Speaker 3>like that.

0:45:49.880 --> 0:45:52.920
<v Speaker 2>You know, I wanted to help you exactly addictions.

0:45:53.040 --> 0:45:56.239
<v Speaker 3>Yeah, but yeah, it's really interesting stuff. And then we

0:45:56.320 --> 0:45:59.279
<v Speaker 3>get it's really funny because we there's this brutality of

0:45:59.320 --> 0:46:02.560
<v Speaker 3>the the scary sheep masks and and nat and this,

0:46:02.840 --> 0:46:05.920
<v Speaker 3>and then you go to this kind of suburban ideal

0:46:06.000 --> 0:46:08.600
<v Speaker 3>of Jeff and Shawna who are just so much scarier

0:46:08.640 --> 0:46:11.720
<v Speaker 3>than not he could ever be, and and they decide

0:46:11.719 --> 0:46:16.120
<v Speaker 3>that they're going to get rid of Adams belongings by

0:46:16.120 --> 0:46:19.120
<v Speaker 3>burning them on a barbecue but then immediately cooking food

0:46:19.320 --> 0:46:22.400
<v Speaker 3>on the plastic fire stuff.

0:46:22.640 --> 0:46:25.960
<v Speaker 1>Throw this stuff away in different places, throw it down.

0:46:26.000 --> 0:46:29.839
<v Speaker 1>So they were in the but like especially when, as

0:46:29.880 --> 0:46:32.920
<v Speaker 1>we have seen, Jeff and Shawna's daughter.

0:46:32.800 --> 0:46:35.880
<v Speaker 2>Calli, is all up in.

0:46:36.680 --> 0:46:42.600
<v Speaker 1>Particular business kind of being the worst, as teenagers often are,

0:46:42.640 --> 0:46:45.040
<v Speaker 1>but like, oh, she's the worst.

0:46:44.760 --> 0:46:46.640
<v Speaker 3>She's the fucking worst. But you know, and the funniest

0:46:46.640 --> 0:46:52.760
<v Speaker 3>thing is this is how good again? Literally, like Callie,

0:46:52.760 --> 0:46:54.600
<v Speaker 3>you had a fucking worst, Like why do you want

0:46:54.600 --> 0:46:56.840
<v Speaker 3>trying to switch on your mom? Like your mom is crazy?

0:46:56.880 --> 0:47:01.839
<v Speaker 3>But going through a ship, you guys are alive ship

0:47:01.920 --> 0:47:04.600
<v Speaker 3>having affairs of murdering people. You weren't on that plane.

0:47:05.000 --> 0:47:09.239
<v Speaker 3>You dressed up for Halloween in your thumbs cheerleading costume,

0:47:09.360 --> 0:47:12.480
<v Speaker 3>like you are the worst. And I was just it

0:47:12.560 --> 0:47:14.080
<v Speaker 3>blew my mind that Jeff was like, yeah, we'll just

0:47:14.120 --> 0:47:15.799
<v Speaker 3>grill up some franks on here. I was like, are

0:47:15.800 --> 0:47:18.400
<v Speaker 3>you trying to kill yourself? Like this is on the

0:47:19.400 --> 0:47:24.200
<v Speaker 3>tree they they eat these nasty plastic franks And basically

0:47:24.239 --> 0:47:26.600
<v Speaker 3>like Calli, as you pointed out, is like fuck you,

0:47:26.680 --> 0:47:28.279
<v Speaker 3>I don't want to eat this ship. And you guys

0:47:28.280 --> 0:47:29.880
<v Speaker 3>have got some sush shit going on. And as the

0:47:29.920 --> 0:47:35.840
<v Speaker 3>episode comes to a close, we see Callie discover Adam's

0:47:35.840 --> 0:47:37.680
<v Speaker 3>ID card bomb bomb.

0:47:37.400 --> 0:47:40.880
<v Speaker 1>But you gotta make sure that ship is burn literally

0:47:40.960 --> 0:47:45.319
<v Speaker 1>his face like you could have just swallowed it, just scissors.

0:47:44.800 --> 0:47:50.600
<v Speaker 3>Subway, like you the terrible come on, Scissors, You just

0:47:50.640 --> 0:47:53.680
<v Speaker 3>can't have his face. His face is there, Peter god

0:47:54.200 --> 0:47:57.279
<v Speaker 3>Gadoire's beautiful face, and he's looking at a Cali And

0:47:57.360 --> 0:47:59.879
<v Speaker 3>Kelly is like, I'm gonna fucking take this bitch down.

0:48:00.239 --> 0:48:04.360
<v Speaker 3>Like Kelly's ready, her teenage resentment of her mom is

0:48:04.400 --> 0:48:07.160
<v Speaker 3>gonna take down her whole family if she's not kept.

0:48:07.680 --> 0:48:10.640
<v Speaker 3>I'm gonna tell you, I believe Shawna would kill her

0:48:10.640 --> 0:48:13.560
<v Speaker 3>own door. She would do it now, I believe it.

0:48:13.640 --> 0:48:15.600
<v Speaker 3>So Kelly should watch her back because it's gonna end

0:48:15.640 --> 0:48:18.680
<v Speaker 3>badly for her. We get like a rare bit of

0:48:18.800 --> 0:48:21.919
<v Speaker 3>sweet wilderness news as ty and Vang kind of tell

0:48:21.960 --> 0:48:25.360
<v Speaker 3>each other that they love each other. Yeah, very cute,

0:48:25.480 --> 0:48:28.640
<v Speaker 3>but it only happened after Tye almost ripped Van's lip

0:48:28.680 --> 0:48:32.440
<v Speaker 3>off in a kind of nighttime violent trance. But I

0:48:32.440 --> 0:48:34.319
<v Speaker 3>think they're setting something up here. We don't get to

0:48:34.320 --> 0:48:37.200
<v Speaker 3>see Lauren Ambrose, who plays adult Van. We know she

0:48:37.239 --> 0:48:40.239
<v Speaker 3>got cast earlier this year. We don't get to see

0:48:40.239 --> 0:48:42.759
<v Speaker 3>her here, but I think they're basically establishing like Van

0:48:42.880 --> 0:48:45.680
<v Speaker 3>isn't scared of Tyser. Van accepts Tyser for who she

0:48:45.800 --> 0:48:49.160
<v Speaker 3>is Van, even with Tyson's nighttime trances all this stuff,

0:48:49.200 --> 0:48:52.880
<v Speaker 3>and I would assume that we will see Tie return

0:48:53.120 --> 0:48:55.279
<v Speaker 3>to Van as that kind of place of safety. That's

0:48:55.280 --> 0:48:57.719
<v Speaker 3>my guess. It could be something else. I think the

0:48:57.760 --> 0:49:01.040
<v Speaker 3>clip of Van that we see and the credits kind

0:49:01.040 --> 0:49:05.480
<v Speaker 3>of sees her being distracted by somebody knocking on her

0:49:05.480 --> 0:49:08.160
<v Speaker 3>door or something, which feels very similar to NAT's kidnapping.

0:49:08.239 --> 0:49:10.239
<v Speaker 3>So maybe it won't be that sweet, but that's kind

0:49:10.239 --> 0:49:13.440
<v Speaker 3>of where my gut is going with it. Travis and Nat,

0:49:13.480 --> 0:49:17.239
<v Speaker 3>on their little excursion, discover what looks to be the

0:49:17.280 --> 0:49:20.680
<v Speaker 3>magical tree from Travis's sexy vision and it's still blooming

0:49:20.680 --> 0:49:22.960
<v Speaker 3>in the middle of winter. So that's strange.

0:49:23.560 --> 0:49:24.719
<v Speaker 2>Yeah, fake tree.

0:49:24.800 --> 0:49:27.640
<v Speaker 3>Maybe if we're talking about like a military base something

0:49:27.760 --> 0:49:28.080
<v Speaker 3>like that.

0:49:28.280 --> 0:49:31.239
<v Speaker 1>You I don't chemicals like the old like it's the

0:49:31.320 --> 0:49:35.239
<v Speaker 1>old beach like something like this is like a poisoned

0:49:35.360 --> 0:49:38.919
<v Speaker 1>area with chemicals that are doing weird shit.

0:49:39.080 --> 0:49:41.120
<v Speaker 3>Oh that's a good idea. I like that. The idea

0:49:41.120 --> 0:49:43.560
<v Speaker 3>that something seeping into the ground and even the meat

0:49:43.600 --> 0:49:47.000
<v Speaker 3>they're eating is actually infected by it.

0:49:46.320 --> 0:49:49.319
<v Speaker 1>Like they're always what if they're always eating a low

0:49:49.440 --> 0:49:53.600
<v Speaker 1>level of whatever, the yes, whatever has suffused the landscaper.

0:49:53.760 --> 0:49:57.960
<v Speaker 3>You know. Also, I will say I was rewatching the

0:49:58.000 --> 0:50:00.120
<v Speaker 3>first season when I was doing the recap for the

0:50:00.160 --> 0:50:03.680
<v Speaker 3>show and writing about Misty, found a lot of magic mushrooms,

0:50:03.800 --> 0:50:08.120
<v Speaker 3>very very quickly. Founder they are just there. So I

0:50:08.120 --> 0:50:10.200
<v Speaker 3>think you could be onto something that there's kind of

0:50:10.239 --> 0:50:12.960
<v Speaker 3>some kind of infusion that's making them have this kind

0:50:13.000 --> 0:50:15.880
<v Speaker 3>of group hysteria. And really Nat is so far the

0:50:15.920 --> 0:50:17.799
<v Speaker 3>only one who doesn't seem to have brought into it

0:50:17.840 --> 0:50:23.400
<v Speaker 3>at all. But all of that great episode, Love this episode,

0:50:23.440 --> 0:50:26.480
<v Speaker 3>but it's all basically irrelevant because the big news of

0:50:26.520 --> 0:50:30.000
<v Speaker 3>this episode is that the cannibalism has finally begun. And

0:50:30.080 --> 0:50:33.440
<v Speaker 3>I will say, yeah, it's what we've all been waiting for.

0:50:33.480 --> 0:50:39.400
<v Speaker 3>The crowd goes mad, cannibalism, curnibalism. I was shocked to

0:50:39.600 --> 0:50:43.640
<v Speaker 3>see who the first cannibal me Too, turned out to be.

0:50:43.960 --> 0:50:46.640
<v Speaker 3>They did a great job, as we said in this episode,

0:50:46.680 --> 0:50:48.640
<v Speaker 3>they set up, and they set up, and they set

0:50:48.719 --> 0:50:52.680
<v Speaker 3>up this kind of chaotic black hole in the middle

0:50:52.680 --> 0:50:55.600
<v Speaker 3>of the show and it is Shorna. So by the

0:50:55.680 --> 0:50:58.440
<v Speaker 3>time this happened, I yelled, but I was like, oh,

0:50:59.440 --> 0:51:01.680
<v Speaker 3>so the final moment of the show, which is just

0:51:01.800 --> 0:51:06.920
<v Speaker 3>so good and so gross, Shawna's just chilling walking around

0:51:06.960 --> 0:51:09.799
<v Speaker 3>the cabin and she just pulls Jackie's ear out of

0:51:09.800 --> 0:51:12.960
<v Speaker 3>her pocket and she holds it close and she just

0:51:13.120 --> 0:51:15.719
<v Speaker 3>swallows it. And there is and her friend has been

0:51:15.719 --> 0:51:17.360
<v Speaker 3>dead for two months, and there is the title of

0:51:17.360 --> 0:51:24.200
<v Speaker 3>your episode's friends Romance Countrymen, Let me in it. That's

0:51:24.280 --> 0:51:28.480
<v Speaker 3>so good. Okay, okay, questions I have for you after

0:51:28.480 --> 0:51:31.960
<v Speaker 3>this episode? So I want to know is Shauna the antlerquin.

0:51:33.960 --> 0:51:36.080
<v Speaker 3>We all feel like it's Lotty because of the colt

0:51:36.200 --> 0:51:38.719
<v Speaker 3>and like the kind of the regality, and we saw

0:51:38.800 --> 0:51:42.160
<v Speaker 3>Lotty wearing a headdress. But I'm like, if Shanna is

0:51:42.200 --> 0:51:44.600
<v Speaker 3>the first cannibal, is she the one who spreads it

0:51:44.640 --> 0:51:45.280
<v Speaker 3>within the group?

0:51:47.600 --> 0:51:48.520
<v Speaker 2>Gosh, I don't know.

0:51:48.719 --> 0:51:51.680
<v Speaker 1>I would not be surprised, but I also would not

0:51:51.760 --> 0:51:57.160
<v Speaker 1>be surprised if it's this. It's the junior Varsity become

0:51:57.239 --> 0:52:00.759
<v Speaker 1>the people closest around Oh my god, I love that

0:52:01.080 --> 0:52:04.279
<v Speaker 1>around Lottie, that become the people that she you know

0:52:04.320 --> 0:52:08.239
<v Speaker 1>the younger, more impressionable, they don't know her as well,

0:52:08.280 --> 0:52:11.680
<v Speaker 1>and she's able to kind of create her identity with them.

0:52:12.080 --> 0:52:15.359
<v Speaker 1>I do wonder if it's going to be them who

0:52:15.360 --> 0:52:16.279
<v Speaker 1>are the closest to her.

0:52:16.400 --> 0:52:18.160
<v Speaker 3>Yeah, her, I think that makes a lot of sense,

0:52:18.280 --> 0:52:20.359
<v Speaker 3>especially because the one person we know is in that

0:52:20.360 --> 0:52:23.400
<v Speaker 3>circle is Misty, and if Misty makes that connection with Crystal,

0:52:23.680 --> 0:52:26.120
<v Speaker 3>she would likely tag along with whatever kept her in

0:52:26.160 --> 0:52:29.640
<v Speaker 3>the friendship group the popular group. Also, that makes a

0:52:29.640 --> 0:52:32.040
<v Speaker 3>lot of sense because then you can assume that the

0:52:32.120 --> 0:52:34.799
<v Speaker 3>older girls may actually become the prey, because we still

0:52:34.800 --> 0:52:36.960
<v Speaker 3>have that big mystery from the first episode, who was

0:52:37.000 --> 0:52:40.279
<v Speaker 3>the girl running through the forest? You know, who was

0:52:40.320 --> 0:52:43.040
<v Speaker 3>the girl that they slit her throat? And they potentially

0:52:43.239 --> 0:52:45.399
<v Speaker 3>ate her though, and we can't confirm or deny that.

0:52:46.080 --> 0:52:48.360
<v Speaker 1>Ask that how much do you think Shanna and the

0:52:48.440 --> 0:52:51.560
<v Speaker 1>rest are aware of what Lottie is up to these days?

0:52:52.880 --> 0:52:55.760
<v Speaker 3>That I think is the biggest question of this season.

0:52:56.440 --> 0:53:00.719
<v Speaker 3>I think the fact that nat Like breathed there and

0:53:00.800 --> 0:53:03.759
<v Speaker 3>just immediately knew that she was looking for Lotty and

0:53:03.840 --> 0:53:06.879
<v Speaker 3>was screaming for Lotti makes me think that Lotti might

0:53:06.920 --> 0:53:11.360
<v Speaker 3>not necessarily be that secretive, but I will also say

0:53:11.920 --> 0:53:14.880
<v Speaker 3>we know she's not like a celebrity wellness person because

0:53:14.920 --> 0:53:18.120
<v Speaker 3>the final line of the last episode was NAT's ex

0:53:19.800 --> 0:53:23.680
<v Speaker 3>AA sponsor basically saying to her, who the fuck is

0:53:23.719 --> 0:53:27.120
<v Speaker 3>Lotti Matthews? So it's not it's not someone who is.

0:53:27.120 --> 0:53:32.560
<v Speaker 3>Actually she's not like famous. But I think, like to me,

0:53:33.360 --> 0:53:35.880
<v Speaker 3>I actually think the biggest bet I have now is

0:53:35.880 --> 0:53:38.800
<v Speaker 3>that Shauna knows. I just think Seanna knows Sean. I

0:53:38.840 --> 0:53:41.200
<v Speaker 3>think Seanna probably kept tabs on Lotty because then she

0:53:41.320 --> 0:53:44.840
<v Speaker 3>could be another one of those intrusive thoughts and secrets

0:53:44.880 --> 0:53:48.719
<v Speaker 3>that constantly promises to burn down her life. Yeah, like,

0:53:49.160 --> 0:53:51.799
<v Speaker 3>oh what if somebody found out that I knew? And

0:53:51.840 --> 0:53:54.200
<v Speaker 3>then that leads to the next question, which is, you

0:53:54.239 --> 0:53:57.560
<v Speaker 3>know we were saying, like, is the captor who was

0:53:57.840 --> 0:53:59.759
<v Speaker 3>fighting with Nat who got the fork to the hand

0:54:00.160 --> 0:54:03.400
<v Speaker 3>that Lotti's dor. I think that's like a good bet.

0:54:03.640 --> 0:54:04.919
<v Speaker 2>I think it's a good bet as well.

0:54:05.160 --> 0:54:08.920
<v Speaker 3>But my name is Dan, one of our discord users.

0:54:08.920 --> 0:54:10.839
<v Speaker 3>He brought something up that people in our discord were

0:54:10.920 --> 0:54:14.680
<v Speaker 3>very into, which is is that character that Nicole Mayan's

0:54:14.800 --> 0:54:20.560
<v Speaker 3>plays actually shorn as Wilderness Baby whoa don't don't darn

0:54:21.040 --> 0:54:23.000
<v Speaker 3>because you know what my timelines.

0:54:23.200 --> 0:54:25.360
<v Speaker 2>I need to find out what happened to the Wilderness.

0:54:25.360 --> 0:54:26.879
<v Speaker 3>We need to find out up to baby. We're back

0:54:26.880 --> 0:54:29.600
<v Speaker 3>to the baby conversation again. We need to know babies

0:54:30.600 --> 0:54:33.239
<v Speaker 3>because I like that one too. Me too, because also

0:54:33.280 --> 0:54:37.319
<v Speaker 3>the thing is right, so I hilariously, I just like,

0:54:38.280 --> 0:54:40.840
<v Speaker 3>didn't my I'm not gonna maths first of all, and

0:54:40.920 --> 0:54:43.520
<v Speaker 3>second of all, the narrative of the show was so

0:54:43.840 --> 0:54:46.880
<v Speaker 3>engaging that I kind of just hadn't really put together

0:54:46.920 --> 0:54:49.560
<v Speaker 3>that it was twenty five years since, even though they

0:54:49.640 --> 0:54:51.799
<v Speaker 3>say it many times, but like to me, I was

0:54:51.880 --> 0:54:54.759
<v Speaker 3>just like, well, maybe Cally was the baby, Like how

0:54:54.760 --> 0:54:56.440
<v Speaker 3>old could you? And then it was this episode where

0:54:56.480 --> 0:54:58.560
<v Speaker 3>I was like, oh no, that's like Kelly's like a teenager.

0:54:58.600 --> 0:55:00.719
<v Speaker 3>This is that's not the Wilderness baby. That's like a

0:55:00.719 --> 0:55:04.719
<v Speaker 3>different baby. So who where is the Wilderness baby? I

0:55:04.760 --> 0:55:06.920
<v Speaker 3>will say, super produce a soul. I'm gonna put this

0:55:06.960 --> 0:55:09.080
<v Speaker 3>one out there. It's a very bleak tim for hat theory.

0:55:09.120 --> 0:55:10.320
<v Speaker 3>So a cover year is if you don't want to

0:55:10.360 --> 0:55:13.920
<v Speaker 3>hear it, oh no, he suggests maybe they ate the baby?

0:55:14.719 --> 0:55:15.680
<v Speaker 3>Did they could?

0:55:15.880 --> 0:55:19.680
<v Speaker 2>It could be the case. I will say that if

0:55:21.160 --> 0:55:21.759
<v Speaker 2>Lottie has.

0:55:21.680 --> 0:55:25.680
<v Speaker 1>Been raising the Wilderness baby. How would she get the baby?

0:55:26.840 --> 0:55:29.880
<v Speaker 1>Here's what I here's how I think it could help Shauna.

0:55:30.400 --> 0:55:33.400
<v Speaker 1>We've seen that she has shame issues, guilty issues, particularly

0:55:33.400 --> 0:55:38.080
<v Speaker 1>around her her expressions of her own sexuality.

0:55:37.640 --> 0:55:40.200
<v Speaker 3>Which the baby is living proof baby is.

0:55:40.880 --> 0:55:43.440
<v Speaker 1>Maybe they get rescued and Lottie says, you know what,

0:55:43.480 --> 0:55:44.279
<v Speaker 1>I'll say, it's mine.

0:55:44.760 --> 0:55:47.000
<v Speaker 3>I'll say, I think that could definitely happen.

0:55:47.200 --> 0:55:49.480
<v Speaker 2>Pregnant in the forest and I'll say it's mine. Mm hmm.

0:55:50.640 --> 0:55:56.760
<v Speaker 1>And maybe maybe this whole thing with this mysterious guy

0:55:57.800 --> 0:56:00.520
<v Speaker 1>all of a sudden coming out of nowhere to like

0:56:00.640 --> 0:56:05.080
<v Speaker 1>proposition her sexually, and this whole affair that happened that

0:56:05.120 --> 0:56:07.960
<v Speaker 1>resulted in murder, I would not be surprised if Lottie's pulling.

0:56:08.880 --> 0:56:11.920
<v Speaker 3>Okay, I love that theory because I do think that Adam,

0:56:12.000 --> 0:56:15.520
<v Speaker 3>being a follower of Lotty's, his job was basically just

0:56:15.560 --> 0:56:19.160
<v Speaker 3>to unsettle and kind of upset Shana and play on

0:56:19.200 --> 0:56:23.160
<v Speaker 3>those weaknesses that Lotty knew she had. I think that's

0:56:23.360 --> 0:56:28.080
<v Speaker 3>very legit and very likely. I think nat probably knew

0:56:28.120 --> 0:56:30.000
<v Speaker 3>what lott he was up to, but didn't care. The

0:56:30.040 --> 0:56:32.880
<v Speaker 3>one the funniest shit is Misty seems like the one

0:56:32.880 --> 0:56:36.480
<v Speaker 3>who's probably like least bothered because she was probably like, no, Lott,

0:56:36.480 --> 0:56:39.200
<v Speaker 3>he was never my friend. These girls were my friends.

0:56:39.280 --> 0:56:41.879
<v Speaker 1>Like, I feel like I could tell Misty anything, Yeah,

0:56:42.239 --> 0:56:46.160
<v Speaker 1>you know, whatever has bothered me, whatever I've done that

0:56:46.160 --> 0:56:47.839
<v Speaker 1>I'm a shade of I feel like I could tell

0:56:47.880 --> 0:56:50.319
<v Speaker 1>Misty and Missy be like, it's fine, we fix it.

0:56:50.480 --> 0:56:52.920
<v Speaker 3>The final question, speaking of our but love and Misty,

0:56:53.360 --> 0:56:56.759
<v Speaker 3>is like, so she killed the Jannet the pi that

0:56:56.840 --> 0:56:59.640
<v Speaker 3>Tyson hied Jessica at the end of the last season.

0:56:59.680 --> 0:57:01.160
<v Speaker 3>Is that to come back and bite her or is

0:57:01.200 --> 0:57:04.040
<v Speaker 3>she just likes to Yeah, it feels like it has to.

0:57:04.400 --> 0:57:06.400
<v Speaker 3>I feel like that and Adam's death are going to

0:57:06.440 --> 0:57:08.680
<v Speaker 3>be these kind of jeweling things that threatened to take

0:57:08.719 --> 0:57:10.520
<v Speaker 3>them down. But I also like the idea that she's

0:57:10.560 --> 0:57:13.319
<v Speaker 3>like a killing Eve, like early season killing Eve style

0:57:13.440 --> 0:57:15.799
<v Speaker 3>killer who just kills people and just gets away with it.

0:57:16.880 --> 0:57:17.320
<v Speaker 2>I'll make it.

0:57:17.400 --> 0:57:19.400
<v Speaker 1>I'll make a tinfoil head prediction. I think it's going

0:57:19.440 --> 0:57:21.760
<v Speaker 1>to be her parrot that undos her. It puts her

0:57:21.800 --> 0:57:24.520
<v Speaker 1>at risk of suspicion for that murder.

0:57:24.640 --> 0:57:26.000
<v Speaker 3>That is such a good call.

0:57:26.320 --> 0:57:29.440
<v Speaker 1>I absolutely like going to start saying murder shit because

0:57:29.560 --> 0:57:31.400
<v Speaker 1>I absolutely true.

0:57:31.600 --> 0:57:34.440
<v Speaker 3>Also, the parrot has a prominent place in the first season.

0:57:34.520 --> 0:57:37.240
<v Speaker 3>It really does credits so like and I think you're

0:57:37.280 --> 0:57:39.560
<v Speaker 3>right because guess who was down there listening when her

0:57:39.600 --> 0:57:42.920
<v Speaker 3>and Shauna were practicing for the police. It was the parrot. Jason,

0:57:43.000 --> 0:57:45.120
<v Speaker 3>You've blown my mind that that was the one. Now,

0:57:45.160 --> 0:57:46.760
<v Speaker 3>I can't wait to cover the rest of the season

0:57:46.800 --> 0:57:48.320
<v Speaker 3>and see how the parrot plays.

0:57:48.080 --> 0:57:54.000
<v Speaker 1>Into We'll be following Yellow Jackets all season here on

0:57:54.360 --> 0:57:57.160
<v Speaker 1>x Ray Vision. Up next, Hive Mind with Scream six

0:57:57.200 --> 0:57:58.320
<v Speaker 1>co writer Guide Music.

0:58:12.400 --> 0:58:14.600
<v Speaker 3>Welcome to the Hive Mind, where we explore a topic

0:58:14.640 --> 0:58:17.560
<v Speaker 3>in more detail with the help of expert guests. This week,

0:58:17.600 --> 0:58:20.160
<v Speaker 3>we're thrilled to have Guy Busic, co writer of Scream

0:58:20.200 --> 0:58:23.720
<v Speaker 3>six and twenty twenty two Scream. Hey, Guy, thanks so

0:58:23.800 --> 0:58:24.560
<v Speaker 3>much for being here.

0:58:25.440 --> 0:58:26.240
<v Speaker 5>Thanks for having me.

0:58:27.320 --> 0:58:30.200
<v Speaker 3>Yeah. I love Scream so much. I have a Scream

0:58:30.280 --> 0:58:34.840
<v Speaker 3>tattoo and I'm like a huge little ghost face up there.

0:58:36.120 --> 0:58:36.600
<v Speaker 5>I love it.

0:58:37.200 --> 0:58:40.360
<v Speaker 3>Yeah, So this is just like a dream I loved

0:58:40.360 --> 0:58:44.000
<v Speaker 3>and I loved the New Scream movie, and I loved

0:58:44.400 --> 0:58:47.840
<v Speaker 3>Scream you know five in the ed commas. I love

0:58:47.880 --> 0:58:49.880
<v Speaker 3>the core for so we're just We're so stoked to

0:58:49.920 --> 0:58:52.440
<v Speaker 3>have you here. But seeing as this is Xtra Vision,

0:58:52.560 --> 0:58:54.920
<v Speaker 3>which is our kind of mine and Jason's hub for

0:58:54.960 --> 0:58:56.480
<v Speaker 3>all the things we love, I'll start with a little

0:58:56.520 --> 0:58:59.560
<v Speaker 3>bit of a less horror focused question and say, what's

0:58:59.600 --> 0:59:02.200
<v Speaker 3>your book origin. What was the thing that got you

0:59:02.240 --> 0:59:04.680
<v Speaker 3>into comics and made you love comic books.

0:59:05.320 --> 0:59:08.040
<v Speaker 5>I think it was Batman eighty nine. It was the

0:59:08.120 --> 0:59:11.880
<v Speaker 5>summer that that came out, and I was walking around

0:59:11.920 --> 0:59:12.240
<v Speaker 5>the mall.

0:59:12.320 --> 0:59:13.080
<v Speaker 6>I was in a.

0:59:13.080 --> 0:59:15.040
<v Speaker 5>Bookstore and I saw the cover for Death in the

0:59:15.080 --> 0:59:17.160
<v Speaker 5>Family and I was like, what the hell is that

0:59:17.240 --> 0:59:20.800
<v Speaker 5>they killed Robin? So I picked that up and then

0:59:20.800 --> 0:59:22.960
<v Speaker 5>found out that like people voted for that for the

0:59:23.040 --> 0:59:26.400
<v Speaker 5>second Robbin Jason Todd to die. And then I just

0:59:26.400 --> 0:59:30.440
<v Speaker 5>started buying more Batman comics and graphic novels and compilations

0:59:30.520 --> 0:59:33.840
<v Speaker 5>like trade paperbacks in anticipation of the movie. So by

0:59:33.840 --> 0:59:36.440
<v Speaker 5>the time the movie had come out, which I saw

0:59:36.480 --> 0:59:39.880
<v Speaker 5>I think seven times in the theater, I was probably thirteen.

0:59:40.000 --> 0:59:42.600
<v Speaker 5>I think that summer I was kind of caught up

0:59:42.600 --> 0:59:45.760
<v Speaker 5>on a lot of the so called classics of the era,

0:59:45.880 --> 0:59:48.880
<v Speaker 5>and then so Batman just got me into like so

0:59:49.080 --> 0:59:50.800
<v Speaker 5>Robin's and the teen Titans SAI. Then I'd get into

0:59:50.800 --> 0:59:53.880
<v Speaker 5>the Teen Titans, who became the New Titans, and so

0:59:53.920 --> 0:59:55.560
<v Speaker 5>I catch up on the New Titans, and then Batman

0:59:55.600 --> 0:59:57.240
<v Speaker 5>was in the Justice League, so I'd start reading Justice

0:59:57.280 --> 1:00:00.840
<v Speaker 5>League and it was in that wonderful Justice League International era. Yeah,

1:00:00.880 --> 1:00:02.400
<v Speaker 5>and so and from there it was like then I

1:00:02.480 --> 1:00:05.280
<v Speaker 5>went back and read Crisis on Infinite Earths, and I

1:00:05.320 --> 1:00:07.240
<v Speaker 5>was just a DC head. From then on, I just

1:00:07.240 --> 1:00:09.680
<v Speaker 5>got into everything Green Lantern and Hawkman Flash, all of it,

1:00:10.640 --> 1:00:13.840
<v Speaker 5>and some Marvel. But I didn't become like a died

1:00:13.840 --> 1:00:17.200
<v Speaker 5>in Woe Marvel fan until the movies, until the NCU,

1:00:17.600 --> 1:00:19.400
<v Speaker 5>there were just only a few characters that I was

1:00:19.440 --> 1:00:22.480
<v Speaker 5>really invested in. For whatever reason. I love them all

1:00:23.000 --> 1:00:25.560
<v Speaker 5>in comic book format and TV and movie form, but

1:00:25.920 --> 1:00:28.280
<v Speaker 5>for whatever reason, I was really drawn to the DC universe,

1:00:28.480 --> 1:00:30.880
<v Speaker 5>and I still am. I still love those comics and

1:00:30.920 --> 1:00:31.880
<v Speaker 5>those characters.

1:00:33.640 --> 1:00:38.000
<v Speaker 1>It makes sense thinking about, you know, Batman and Pity nine,

1:00:38.000 --> 1:00:42.960
<v Speaker 1>Batman of that era being your your entry point, What

1:00:43.040 --> 1:00:45.240
<v Speaker 1>about your actually point into horror? What was the thing

1:00:45.360 --> 1:00:48.120
<v Speaker 1>you've You've worked so much in the horror genre, what

1:00:48.240 --> 1:00:51.160
<v Speaker 1>was the thing that really got you into horror?

1:00:52.360 --> 1:00:54.480
<v Speaker 5>You know, I wasn't a horror kid growing up, and

1:00:54.600 --> 1:00:56.520
<v Speaker 5>I think part of it was that, like my parents

1:00:56.520 --> 1:00:59.280
<v Speaker 5>were a bit protective of likes and stuff like that.

1:00:59.840 --> 1:01:02.920
<v Speaker 5>So that very same summer that Batman came out, well,

1:01:02.920 --> 1:01:05.800
<v Speaker 5>I guess it was the fall because I met Ryan Murphy,

1:01:06.520 --> 1:01:08.880
<v Speaker 5>my co writer Ridy or not not the Ryan Murphy

1:01:08.880 --> 1:01:15.760
<v Speaker 5>of American horror story, I always have to clarify. And

1:01:16.240 --> 1:01:18.720
<v Speaker 5>he was also into Batman and movies and comics and

1:01:19.160 --> 1:01:21.000
<v Speaker 5>all that great stuff. I remember we talked about Got

1:01:21.000 --> 1:01:23.800
<v Speaker 5>Them by Gaslight, this book that had come out that summer,

1:01:23.800 --> 1:01:25.760
<v Speaker 5>and that's was one of our first bonding points, is

1:01:25.800 --> 1:01:27.280
<v Speaker 5>we're kind of feeling each other out, like are we

1:01:27.280 --> 1:01:27.920
<v Speaker 5>going to be friends?

1:01:27.960 --> 1:01:28.200
<v Speaker 6>Is this?

1:01:28.520 --> 1:01:31.240
<v Speaker 5>Are we cool? Are we vibing here? And we became

1:01:31.400 --> 1:01:33.520
<v Speaker 5>really really close friends. And he was the horror kid,

1:01:33.680 --> 1:01:35.400
<v Speaker 5>and so he would, you know, like I could watch

1:01:35.400 --> 1:01:37.000
<v Speaker 5>all this stuff at his house that I could watch

1:01:37.000 --> 1:01:39.400
<v Speaker 5>on my own, and most of it turned me off.

1:01:39.440 --> 1:01:40.960
<v Speaker 5>I was like, I just I don't get it. It's

1:01:40.960 --> 1:01:43.360
<v Speaker 5>not for me. I don't really like these characters, blah

1:01:43.400 --> 1:01:45.880
<v Speaker 5>blah blah. And now I look back on a lot

1:01:45.880 --> 1:01:47.640
<v Speaker 5>of that stuff and I'm like, I was so wrong.

1:01:47.680 --> 1:01:50.040
<v Speaker 5>This is build, but as a kid, it just kind

1:01:50.040 --> 1:01:52.080
<v Speaker 5>of maybe I was just a little too protected for

1:01:52.120 --> 1:01:54.840
<v Speaker 5>it at the time. So it was Scream, you know,

1:01:54.960 --> 1:01:57.960
<v Speaker 5>ironically it was Wow. I saw it opening day in

1:01:58.000 --> 1:02:00.320
<v Speaker 5>nineteen ninety six, and it was the one that blew

1:02:00.400 --> 1:02:05.400
<v Speaker 5>my mind with Kevin's just amazing script and Wes's direction

1:02:05.600 --> 1:02:10.000
<v Speaker 5>and that cast, that classic amazing cast, and for the

1:02:10.040 --> 1:02:11.640
<v Speaker 5>first time, I was like, oh, horror can be fun.

1:02:11.640 --> 1:02:13.520
<v Speaker 5>It can be funny, it can be meta, you can

1:02:13.640 --> 1:02:15.840
<v Speaker 5>have a conversation with your audience. For the first time,

1:02:15.880 --> 1:02:18.600
<v Speaker 5>I'm seeing myself in a horror movie, as you know,

1:02:18.760 --> 1:02:22.560
<v Speaker 5>Randy the movie nerd. And it's just that I care

1:02:22.600 --> 1:02:25.120
<v Speaker 5>about these characters and when they die it hurts. It's

1:02:25.160 --> 1:02:28.400
<v Speaker 5>not so much about the killer, it's about the victims.

1:02:28.440 --> 1:02:31.240
<v Speaker 5>You're really on their side for once, and it was

1:02:31.280 --> 1:02:33.200
<v Speaker 5>a murder mystery. It was just like, how can it

1:02:33.240 --> 1:02:35.760
<v Speaker 5>be all of these things, you know, a horror movie.

1:02:35.800 --> 1:02:39.800
<v Speaker 5>And so that's when I think my true love started.

1:02:39.800 --> 1:02:41.320
<v Speaker 5>And then I went back and rewatched a lot of

1:02:41.360 --> 1:02:44.280
<v Speaker 5>others from the earlier periods and it was like, Okay, yes,

1:02:44.360 --> 1:02:46.080
<v Speaker 5>now I kind of get it. But it was like

1:02:46.680 --> 1:02:48.920
<v Speaker 5>Scream kind of broke the damn for me. And then

1:02:49.360 --> 1:02:50.840
<v Speaker 5>the fact that they were able to follow that up

1:02:51.000 --> 1:02:56.040
<v Speaker 5>in twelve months with another great Scream, like we really were.

1:02:55.960 --> 1:03:00.520
<v Speaker 1>Actually incredible that that happened, Like yeah.

1:03:00.000 --> 1:03:02.280
<v Speaker 3>Probguably one of the best horror sequels of all time.

1:03:02.560 --> 1:03:03.520
<v Speaker 3>And they did it with any.

1:03:04.400 --> 1:03:06.520
<v Speaker 5>Yeah, within a year, And I was like, well they

1:03:06.680 --> 1:03:08.320
<v Speaker 5>I mean, they must have rushed it. How could it

1:03:08.360 --> 1:03:11.760
<v Speaker 5>possibly be high quality if it's twelve months later and

1:03:11.840 --> 1:03:13.960
<v Speaker 5>they did it again, And I was just like, I

1:03:14.240 --> 1:03:17.320
<v Speaker 5>just I am in awe. And so the fact that

1:03:17.360 --> 1:03:19.480
<v Speaker 5>I'm now, you know, getting to talk to Kevin, work

1:03:19.520 --> 1:03:22.400
<v Speaker 5>with Kevin on screen movies is just blowing my twenty

1:03:22.400 --> 1:03:24.520
<v Speaker 5>one year old mind in the past somehow, you know,

1:03:24.560 --> 1:03:26.000
<v Speaker 5>if I could just go back and say, you're not

1:03:26.040 --> 1:03:29.240
<v Speaker 5>going to believe this, but this movie that changed your

1:03:29.240 --> 1:03:31.360
<v Speaker 5>life in terms of loving the genre, like you're going

1:03:31.400 --> 1:03:33.440
<v Speaker 5>to get to work on that someday. I just I

1:03:33.680 --> 1:03:36.480
<v Speaker 5>still can't believe it. It's so surreal and I'm pinching myself.

1:03:36.520 --> 1:03:39.880
<v Speaker 5>And anytime I'm writing a legacy character, you know, created

1:03:39.880 --> 1:03:42.120
<v Speaker 5>by an earlier writer, you know Kevin in particular, like

1:03:42.440 --> 1:03:45.080
<v Speaker 5>writing Dialogue for Gaile and just writing the name Gail

1:03:45.160 --> 1:03:48.560
<v Speaker 5>I just like, how did I end up here? This

1:03:48.600 --> 1:03:52.040
<v Speaker 5>is just a dream I love so Yeah.

1:03:51.600 --> 1:03:53.240
<v Speaker 3>I love that so much, And I guess kind of

1:03:53.280 --> 1:03:55.360
<v Speaker 3>you could you talk a little bit about like how

1:03:55.400 --> 1:03:57.880
<v Speaker 3>you did get there? Obviously, like Ready or Not you

1:03:57.920 --> 1:03:59.960
<v Speaker 3>have like h standing as evil, But Ready or Not

1:04:00.120 --> 1:04:03.400
<v Speaker 3>was just such a huge smash people just in a way.

1:04:03.440 --> 1:04:07.080
<v Speaker 3>It had its own screen impact. It made people excited

1:04:07.120 --> 1:04:10.000
<v Speaker 3>for horror. It made people feel like there was something

1:04:10.040 --> 1:04:12.080
<v Speaker 3>different that you could play with in this world. What

1:04:12.200 --> 1:04:14.080
<v Speaker 3>was that like for you? Kind of getting to make

1:04:14.160 --> 1:04:18.080
<v Speaker 3>this independent, unique take on horror and then having it

1:04:18.120 --> 1:04:19.440
<v Speaker 3>so well received.

1:04:19.680 --> 1:04:22.760
<v Speaker 5>Well, that's just really levey to hear you so happy

1:04:23.400 --> 1:04:26.080
<v Speaker 5>to think that people might have had that experience.

1:04:26.160 --> 1:04:28.040
<v Speaker 3>I know so many people who'd want big horror heads

1:04:28.080 --> 1:04:32.040
<v Speaker 3>who just absolutely adored it.

1:04:33.080 --> 1:04:37.280
<v Speaker 5>Yeah, it was. It was a confluence of I mean,

1:04:37.560 --> 1:04:42.200
<v Speaker 5>all the planets aligned basically. You know, Ryan and I

1:04:42.280 --> 1:04:44.840
<v Speaker 5>we met, you know, when we were thirteen. We moved

1:04:44.880 --> 1:04:48.680
<v Speaker 5>out here right after high school, went to college, different colleges,

1:04:48.720 --> 1:04:50.880
<v Speaker 5>but we were always, you know, still very close. And

1:04:50.880 --> 1:04:54.360
<v Speaker 5>then we would write together or write separately for many years,

1:04:54.440 --> 1:04:58.600
<v Speaker 5>and we were working in different genres. We were selling

1:04:58.680 --> 1:05:02.600
<v Speaker 5>pitches for big action sci fi things, they just weren't

1:05:02.600 --> 1:05:05.200
<v Speaker 5>getting made, and so we just made a conscious decision,

1:05:05.280 --> 1:05:09.320
<v Speaker 5>let's just do something smaller, low budget genre so you

1:05:09.360 --> 1:05:11.720
<v Speaker 5>don't need a star, you know, and horror is just

1:05:12.680 --> 1:05:15.160
<v Speaker 5>it never goes away. It's always going to be popular,

1:05:15.200 --> 1:05:17.120
<v Speaker 5>and so we settled on that. We came up with

1:05:17.160 --> 1:05:22.280
<v Speaker 5>the idea I think in like twenty thirteen, Wow, and

1:05:22.840 --> 1:05:28.280
<v Speaker 5>we wrote this spec and it didn't set the world

1:05:28.280 --> 1:05:32.560
<v Speaker 5>on fire, and so at that point it's like twenty fourteen,

1:05:32.600 --> 1:05:34.360
<v Speaker 5>it hasn't It hasn't sold. We slipped it to a

1:05:34.400 --> 1:05:37.320
<v Speaker 5>few producers, no one bit. So I'm thinking I'm going

1:05:37.400 --> 1:05:41.280
<v Speaker 5>to quit the business at this point. And my good

1:05:41.280 --> 1:05:44.720
<v Speaker 5>friend James Vanderbilt Jamie who's my co writer on Scream

1:05:45.040 --> 1:05:47.840
<v Speaker 5>twenty twenty two and Scream six. He's a very close

1:05:47.880 --> 1:05:50.800
<v Speaker 5>friend too. I met him because he went to college

1:05:50.800 --> 1:05:53.720
<v Speaker 5>with Ryan. So it's just all a very, you know,

1:05:53.800 --> 1:05:55.840
<v Speaker 5>small world kind of a situation. But Jamie was a

1:05:55.840 --> 1:05:58.040
<v Speaker 5>big fan of that script. It was called family Ritual

1:05:58.080 --> 1:06:01.040
<v Speaker 5>at the time, not Ready or Not, and the wedding

1:06:01.040 --> 1:06:03.680
<v Speaker 5>element wasn't part of it, to believe it or Not,

1:06:03.960 --> 1:06:06.560
<v Speaker 5>which is which is pretty much its whole identity which

1:06:09.160 --> 1:06:11.600
<v Speaker 5>I know, right the bride with the with the cigarette

1:06:11.640 --> 1:06:14.920
<v Speaker 5>and all covered in blood, and but it was basically

1:06:14.960 --> 1:06:18.160
<v Speaker 5>like the Alex character bringing Grace home to see if

1:06:18.200 --> 1:06:20.040
<v Speaker 5>you can get permission to marry her. And it was

1:06:20.040 --> 1:06:22.439
<v Speaker 5>like over the Easter weekend or something. And then get

1:06:22.440 --> 1:06:26.520
<v Speaker 5>Out happened and it was like, well, that's already the

1:06:26.560 --> 1:06:29.560
<v Speaker 5>horror version. I meet the parents and so we had

1:06:29.560 --> 1:06:31.280
<v Speaker 5>to pivot. And then we came up with the wedding

1:06:31.280 --> 1:06:34.280
<v Speaker 5>thing and it was on track. But yeah, I mean

1:06:35.080 --> 1:06:37.920
<v Speaker 5>it was a slow process. It took about six years

1:06:37.920 --> 1:06:39.880
<v Speaker 5>from you know, coming up with the idea to it

1:06:39.920 --> 1:06:40.439
<v Speaker 5>coming out.

1:06:40.680 --> 1:06:41.080
<v Speaker 3>Wow.

1:06:41.760 --> 1:06:45.680
<v Speaker 5>But we found Radio Silence. They pitched on it, and

1:06:45.720 --> 1:06:47.520
<v Speaker 5>we immediately when we met them, we knew this is

1:06:47.520 --> 1:06:50.480
<v Speaker 5>going to be a long and fruitful partnership. Matt, Tyler

1:06:50.520 --> 1:06:54.000
<v Speaker 5>and Chad are just we all share a very very

1:06:54.040 --> 1:06:56.200
<v Speaker 5>similar sensibility. We kind of all have like a high

1:06:56.360 --> 1:07:01.080
<v Speaker 5>mind speaking of my mind, and uh, I love those guys.

1:07:01.120 --> 1:07:02.440
<v Speaker 5>And I knew that there were the right people for it.

1:07:02.480 --> 1:07:05.320
<v Speaker 5>And then Searchlight came on board and like our execs

1:07:05.320 --> 1:07:08.840
<v Speaker 5>there completely got it. The marketing was great and it

1:07:08.880 --> 1:07:10.880
<v Speaker 5>was just really cool. I mean, I'm so that one

1:07:10.960 --> 1:07:12.680
<v Speaker 5>is always going to hold a special place in my heart,

1:07:12.760 --> 1:07:15.920
<v Speaker 5>not just because it was my first produced movie. I

1:07:15.920 --> 1:07:21.360
<v Speaker 5>don't count the other one, but because it was original,

1:07:21.360 --> 1:07:24.800
<v Speaker 5>and it was so different and so odd, and it

1:07:24.840 --> 1:07:27.680
<v Speaker 5>was a little bit hard to put in a box

1:07:27.680 --> 1:07:29.880
<v Speaker 5>because it was again, it wasn't just one thing. And

1:07:30.000 --> 1:07:31.520
<v Speaker 5>I always say, you know, you can draw a straight

1:07:31.560 --> 1:07:34.360
<v Speaker 5>line from screen to ready or not in terms of like,

1:07:34.880 --> 1:07:39.320
<v Speaker 5>hopefully it's a fun ride first and foremost, and hopefully

1:07:39.360 --> 1:07:41.440
<v Speaker 5>it gives you characters or at least one character that

1:07:41.480 --> 1:07:44.480
<v Speaker 5>you really like and root for and want to see

1:07:44.520 --> 1:07:46.520
<v Speaker 5>make it through. And you know, again you mentioned some

1:07:46.720 --> 1:07:50.080
<v Speaker 5>ri It's like that was lightning in a bottle. It

1:07:50.600 --> 1:07:54.440
<v Speaker 5>couldn't have been better casting across the board. But wow,

1:07:54.560 --> 1:07:58.720
<v Speaker 5>her performance is just just next level. And so to

1:07:58.760 --> 1:08:01.760
<v Speaker 5>get to bring her back first Dream six was a

1:08:01.840 --> 1:08:04.240
<v Speaker 5>treat for everybody. You know, I was, I was. I

1:08:04.240 --> 1:08:05.640
<v Speaker 5>did not get to be on set when she was

1:08:05.680 --> 1:08:09.160
<v Speaker 5>doing her scenes. I had already come back from from Montreal.

1:08:09.240 --> 1:08:12.320
<v Speaker 5>But watching those dailies, my my wife and I were

1:08:12.320 --> 1:08:15.640
<v Speaker 5>in stitches because her outtakes her you know, like, there

1:08:15.640 --> 1:08:18.880
<v Speaker 5>are different takes of that scene are just she's so

1:08:18.920 --> 1:08:21.920
<v Speaker 5>funny and likable and goofy, and it's just like she

1:08:22.080 --> 1:08:25.599
<v Speaker 5>said that that's the character that she's played that's closest

1:08:25.600 --> 1:08:29.160
<v Speaker 5>to her and I find that just lovely and love that.

1:08:29.640 --> 1:08:32.120
<v Speaker 2>So how did you get there? From ready or Not

1:08:32.240 --> 1:08:35.800
<v Speaker 2>to the screen franchise? What was you know? How did

1:08:35.840 --> 1:08:37.639
<v Speaker 2>that kind of evolve?

1:08:38.400 --> 1:08:41.519
<v Speaker 5>That was a very strange story and one of those

1:08:41.520 --> 1:08:44.439
<v Speaker 5>things that never happens in this business and I consider

1:08:44.479 --> 1:08:47.160
<v Speaker 5>myself one of the luckiest people on earth because of it.

1:08:47.160 --> 1:08:50.639
<v Speaker 5>It's my good friend Jamie who I mentioned I met

1:08:50.960 --> 1:08:54.439
<v Speaker 5>when we were eighteen and freshmen at different colleges. He

1:08:54.680 --> 1:08:57.519
<v Speaker 5>has a company called Project X Entertainment that has produced

1:08:57.760 --> 1:09:00.880
<v Speaker 5>these screen movies and they had a deal with Spyglass

1:09:01.960 --> 1:09:05.479
<v Speaker 5>Media Group where I think it was just for TV,

1:09:05.560 --> 1:09:07.519
<v Speaker 5>but they kind of had a general meeting with Gary

1:09:07.560 --> 1:09:11.760
<v Speaker 5>Barber who owns and runs it, and they had acquired

1:09:11.880 --> 1:09:16.360
<v Speaker 5>some of the old Weinstein Company assets, Scream being the

1:09:16.439 --> 1:09:18.800
<v Speaker 5>kind of the main one, like the big one that

1:09:18.840 --> 1:09:22.320
<v Speaker 5>he really wanted to do something with. And Jamie's been

1:09:22.360 --> 1:09:24.360
<v Speaker 5>a longtime screen fan too, and he had met Kevin

1:09:24.360 --> 1:09:26.599
<v Speaker 5>Williamson early in his career and Kevin was very very

1:09:26.640 --> 1:09:28.360
<v Speaker 5>kind and supportive of him. When he was sort of

1:09:28.400 --> 1:09:31.880
<v Speaker 5>a baby writer, and so Jamie was like, well, I

1:09:31.920 --> 1:09:34.519
<v Speaker 5>would really like to try something with that, and Gary

1:09:34.640 --> 1:09:39.240
<v Speaker 5>was like, well, would you write it? And he said yeah,

1:09:39.280 --> 1:09:40.800
<v Speaker 5>And so they walked out of that meeting and they

1:09:40.840 --> 1:09:45.760
<v Speaker 5>had scream and he knew he didn't want to He

1:09:45.800 --> 1:09:47.920
<v Speaker 5>knew it was he wanted radio silence, and he knew

1:09:47.920 --> 1:09:49.360
<v Speaker 5>he didn't want to do it by himself. And he

1:09:49.760 --> 1:09:52.280
<v Speaker 5>picked me because I, you know, he knows how much

1:09:52.320 --> 1:09:54.240
<v Speaker 5>reverence I have for the franchise and how much love

1:09:54.280 --> 1:09:58.120
<v Speaker 5>I have for Kevin and Wes and those first poor movies.

1:09:58.160 --> 1:10:00.720
<v Speaker 5>And I think he was all so a little busy

1:10:00.760 --> 1:10:01.880
<v Speaker 5>at the time. So it was like, if I could

1:10:01.880 --> 1:10:03.040
<v Speaker 5>split the work, I'd be great.

1:10:03.360 --> 1:10:03.960
<v Speaker 2>Yeah.

1:10:04.160 --> 1:10:06.960
<v Speaker 5>And so he called me and I was in New York,

1:10:06.960 --> 1:10:08.559
<v Speaker 5>which is kind of funny because we had ended up

1:10:08.600 --> 1:10:11.080
<v Speaker 5>doing six in New York, but I was on my

1:10:11.120 --> 1:10:14.280
<v Speaker 5>wedding anniversary with my wife. It was our ten year anniversary.

1:10:14.560 --> 1:10:15.960
<v Speaker 5>We had just come out of play. I saw that

1:10:16.000 --> 1:10:17.680
<v Speaker 5>he had called. I was worried that one of our

1:10:17.720 --> 1:10:20.280
<v Speaker 5>many projects together had fallen apart. We didn't want to

1:10:20.280 --> 1:10:22.160
<v Speaker 5>call him back. I was like putting it up. And

1:10:22.200 --> 1:10:23.920
<v Speaker 5>I called him and he just said, hey, so all

1:10:23.960 --> 1:10:25.920
<v Speaker 5>the projects are fine because he knows me, he knows

1:10:25.960 --> 1:10:28.960
<v Speaker 5>that's whatever. And he goes, he goes, do you want

1:10:28.960 --> 1:10:30.880
<v Speaker 5>to write Scream five with me? And I just my

1:10:31.000 --> 1:10:35.120
<v Speaker 5>job rop And you know, I was just in shock

1:10:35.360 --> 1:10:37.639
<v Speaker 5>for like the next hour. And so I came back

1:10:37.640 --> 1:10:40.639
<v Speaker 5>and we watched the four movies in person together, came

1:10:40.720 --> 1:10:42.599
<v Speaker 5>up with our wish list of like what do we

1:10:42.640 --> 1:10:45.160
<v Speaker 5>as fans want to see in a screen movie? Like

1:10:45.240 --> 1:10:47.280
<v Speaker 5>if this is the last one we ever get, what

1:10:47.479 --> 1:10:51.080
<v Speaker 5>is it? How do we as fans create something that

1:10:51.120 --> 1:10:54.400
<v Speaker 5>we would love? And we were just completely in sync

1:10:54.439 --> 1:10:57.320
<v Speaker 5>and it was so easy to work together. And I'm

1:10:57.320 --> 1:10:59.680
<v Speaker 5>not saying that the scripts were always easy, but I

1:10:59.720 --> 1:11:02.120
<v Speaker 5>think a lot of the ideas just kind of came to

1:11:02.160 --> 1:11:04.360
<v Speaker 5>both of us independently, and we were sort of surprised

1:11:04.360 --> 1:11:05.600
<v Speaker 5>to be like, oh you thought of that too, Oh

1:11:05.680 --> 1:11:08.040
<v Speaker 5>my god, Okay, we're really of one mind on this

1:11:08.120 --> 1:11:11.479
<v Speaker 5>thing and writing that that, you know, first draft of

1:11:11.520 --> 1:11:13.519
<v Speaker 5>five it didn't take long at all. It was just

1:11:13.560 --> 1:11:15.800
<v Speaker 5>like we kind of whipped through it in just a

1:11:15.800 --> 1:11:19.000
<v Speaker 5>few weeks. And that's that was That was how I

1:11:19.040 --> 1:11:22.880
<v Speaker 5>was just invited. It doesn't happen like that. It just it.

1:11:22.880 --> 1:11:26.000
<v Speaker 5>It's the dream, you know, it was just here it is,

1:11:26.320 --> 1:11:29.479
<v Speaker 5>and you know, I'm grateful that he had to put

1:11:29.479 --> 1:11:31.160
<v Speaker 5>the trust and faith in me that I could do it.

1:11:31.200 --> 1:11:34.200
<v Speaker 5>And you know, now we've done two together and seems

1:11:34.200 --> 1:11:37.160
<v Speaker 5>to be working out. So I know, I'm very very

1:11:37.200 --> 1:11:38.400
<v Speaker 5>grateful and very proud.

1:11:38.720 --> 1:11:40.400
<v Speaker 3>Yeah, Like what was so what was it like then

1:11:40.479 --> 1:11:43.160
<v Speaker 3>to not only get to play in this soundbox, then

1:11:43.200 --> 1:11:46.880
<v Speaker 3>you're getting the legacy characters back. Then the movie comes

1:11:46.880 --> 1:11:49.040
<v Speaker 3>out and people just love it and it makes a

1:11:49.040 --> 1:11:50.800
<v Speaker 3>ton of money, which is kind of your dream in

1:11:50.840 --> 1:11:53.920
<v Speaker 3>this really hard time for cinema and kind of cinema

1:11:54.040 --> 1:11:57.240
<v Speaker 3>and distribution. Scream is a hit. It's a hit on

1:11:57.280 --> 1:12:00.600
<v Speaker 3>a small budget. What was that? Ex variants?

1:12:00.800 --> 1:12:02.879
<v Speaker 5>Like a relief?

1:12:06.920 --> 1:12:07.400
<v Speaker 1>It just.

1:12:09.120 --> 1:12:13.920
<v Speaker 5>We we just thought, if anyone's gonna ruin the franchise,

1:12:14.000 --> 1:12:15.760
<v Speaker 5>at least, let it be a couple of guys who

1:12:15.800 --> 1:12:18.840
<v Speaker 5>absolutely love it and want to protect it. And yet

1:12:18.880 --> 1:12:20.599
<v Speaker 5>we didn't want to ruin it. And so when it

1:12:20.640 --> 1:12:22.960
<v Speaker 5>came out and it did connect with with you know,

1:12:23.040 --> 1:12:26.200
<v Speaker 5>longtime fans and new fans and did well financially, it

1:12:26.240 --> 1:12:28.280
<v Speaker 5>was just it was a huge relief. We didn't break

1:12:28.320 --> 1:12:30.880
<v Speaker 5>the thing that we would you know, we actually were

1:12:30.920 --> 1:12:33.920
<v Speaker 5>able to contribute and keep this thing alive and not

1:12:34.040 --> 1:12:36.320
<v Speaker 5>just put it back on life support. But it was

1:12:36.360 --> 1:12:39.040
<v Speaker 5>well received and people wanted more and people did like

1:12:39.280 --> 1:12:41.960
<v Speaker 5>you know, the new characters, and so it was just gratifying.

1:12:42.000 --> 1:12:45.320
<v Speaker 5>It just I felt very again, just relieved that we

1:12:45.360 --> 1:12:48.000
<v Speaker 5>didn't ruin it and like create the work the one

1:12:48.040 --> 1:12:51.680
<v Speaker 5>that you just killed it forever. And yeah, I was

1:12:51.760 --> 1:12:53.559
<v Speaker 5>I was proud that we'd pulled it off because it

1:12:53.560 --> 1:12:57.040
<v Speaker 5>had been eleven years, you know, since four and people

1:12:57.200 --> 1:12:59.599
<v Speaker 5>really had kind of moved on from it, and Kevin

1:12:59.640 --> 1:13:01.080
<v Speaker 5>had moved on from it, by the ways, like a

1:13:01.120 --> 1:13:03.080
<v Speaker 5>lot of people involved and moved on for We had

1:13:03.160 --> 1:13:05.200
<v Speaker 5>no guarantee that we were going to get those legacy

1:13:05.200 --> 1:13:08.360
<v Speaker 5>actors back. We just kind of were like we blind

1:13:08.360 --> 1:13:10.879
<v Speaker 5>faith we write it. We try to write the characters

1:13:10.880 --> 1:13:13.559
<v Speaker 5>as being in different places than we've seen them before,

1:13:13.600 --> 1:13:15.840
<v Speaker 5>so give them something new to play. We know they

1:13:15.880 --> 1:13:18.240
<v Speaker 5>love each other and we know they love you know,

1:13:18.320 --> 1:13:21.599
<v Speaker 5>Wes and Kevin, but it was a leap to think

1:13:21.600 --> 1:13:24.360
<v Speaker 5>that they would want to do a screen movie without Wes. Yeah,

1:13:24.400 --> 1:13:26.280
<v Speaker 5>and so we just we had to take a shot,

1:13:26.320 --> 1:13:28.920
<v Speaker 5>and you know, we got them, and we were thrilled

1:13:28.920 --> 1:13:30.439
<v Speaker 5>we did. We weren't sure we were going to and

1:13:30.479 --> 1:13:32.479
<v Speaker 5>we got them and they came back. And that was,

1:13:33.680 --> 1:13:36.400
<v Speaker 5>like I said before, like writing dialogue for Sidney Prescott

1:13:36.520 --> 1:13:39.559
<v Speaker 5>or Gail Webbers or Dewey Riley was you know, it

1:13:39.600 --> 1:13:40.320
<v Speaker 5>was just a trip.

1:13:42.600 --> 1:13:47.080
<v Speaker 1>I would imagine there are certain challenges to bringing back

1:13:47.120 --> 1:13:49.760
<v Speaker 1>this franchise that are unique. You know, you've got to

1:13:49.840 --> 1:13:54.040
<v Speaker 1>have that killer cold open. You've got to be able

1:13:54.040 --> 1:13:56.920
<v Speaker 1>to play with the tropes of the form in a

1:13:56.960 --> 1:13:58.880
<v Speaker 1>way that is entertaining. You've got to have a great

1:13:58.960 --> 1:14:02.559
<v Speaker 1>murder mystery. What What were some of the things that,

1:14:02.720 --> 1:14:05.760
<v Speaker 1>as you're watching these four movies in a row, you thought, Okay,

1:14:05.800 --> 1:14:08.040
<v Speaker 1>we gotta do this, gotta do that.

1:14:10.040 --> 1:14:12.800
<v Speaker 5>I think it's just the formula has always been the same,

1:14:13.280 --> 1:14:16.880
<v Speaker 5>but with different it's like certain elements of it are

1:14:16.920 --> 1:14:19.360
<v Speaker 5>dialed up or dialed down. I think one of the

1:14:19.360 --> 1:14:21.960
<v Speaker 5>things that we really looked at was let's make it

1:14:22.040 --> 1:14:27.040
<v Speaker 5>really legitimately scary again, because some of the meta got

1:14:27.040 --> 1:14:30.240
<v Speaker 5>turned up a little higher in three and four. So

1:14:30.360 --> 1:14:32.920
<v Speaker 5>and not to say there weren't wonderful scares in three

1:14:32.960 --> 1:14:35.760
<v Speaker 5>and four, but I didn't feel some of the I

1:14:35.760 --> 1:14:38.599
<v Speaker 5>don't even know how to put it, but just that

1:14:38.680 --> 1:14:39.519
<v Speaker 5>gut level, like.

1:14:39.560 --> 1:14:41.880
<v Speaker 3>You want to feel the terror, you want to feel

1:14:42.080 --> 1:14:45.839
<v Speaker 3>the kills likes five I think about a lot you feel.

1:14:46.800 --> 1:14:47.360
<v Speaker 3>It's horrible.

1:14:48.240 --> 1:14:50.000
<v Speaker 5>Yeah, no, it truly is. That was that was a

1:14:50.080 --> 1:14:52.760
<v Speaker 5>rough one to think of, and right and shoot, and

1:14:52.840 --> 1:14:54.760
<v Speaker 5>Dylan really was so good in it. It was like,

1:14:54.840 --> 1:14:57.599
<v Speaker 5>oh god, that's really hard to watch. But another thing

1:14:57.600 --> 1:15:01.120
<v Speaker 5>we went back to was really making sure the audience

1:15:01.160 --> 1:15:04.160
<v Speaker 5>knew that these there are stakes again and we went

1:15:04.200 --> 1:15:06.679
<v Speaker 5>back to two and we're like, we didn't. Nobody wanted

1:15:06.720 --> 1:15:10.120
<v Speaker 5>Randy to die. That was terrible. And at midpoint in

1:15:10.120 --> 1:15:12.559
<v Speaker 5>the movie, you know, Randy are our sort of audience

1:15:12.560 --> 1:15:15.320
<v Speaker 5>identification character in many ways as being the movie Nerd

1:15:15.960 --> 1:15:18.360
<v Speaker 5>is taken from us. And then three and four, you know,

1:15:18.400 --> 1:15:21.960
<v Speaker 5>the core three, the Big three make it through and

1:15:22.000 --> 1:15:23.519
<v Speaker 5>we were like, I think we're going to have to

1:15:23.600 --> 1:15:26.960
<v Speaker 5>kill one. And it was a really rough conversation because

1:15:27.000 --> 1:15:29.160
<v Speaker 5>we love those characters and Dewey has always been my

1:15:29.240 --> 1:15:32.800
<v Speaker 5>personal favorite, and so that was a brutal realization to go.

1:15:32.880 --> 1:15:36.160
<v Speaker 5>I think that's correct for this story because it's solved

1:15:36.200 --> 1:15:39.000
<v Speaker 5>a lot of story problems for him to die, because

1:15:39.040 --> 1:15:40.679
<v Speaker 5>why else would Sidney come back to Woodsboro?

1:15:40.880 --> 1:15:44.640
<v Speaker 3>Ever, like Eva.

1:15:46.240 --> 1:15:48.400
<v Speaker 5>There would be no reason, nothing could get it there

1:15:48.439 --> 1:15:51.680
<v Speaker 5>except for you know, avenging her friend, you know, and

1:15:51.760 --> 1:15:54.080
<v Speaker 5>so that it made sense, and it would also you know,

1:15:54.280 --> 1:15:57.400
<v Speaker 5>Gail obviously would then have a real and the audience

1:15:57.439 --> 1:16:00.840
<v Speaker 5>would be really, really pissed off. And but yeah, it's

1:16:00.840 --> 1:16:02.519
<v Speaker 5>like it's coming up with the murderers, it's coming. I

1:16:02.520 --> 1:16:06.719
<v Speaker 5>think the hardest things are always who is it and why?

1:16:07.280 --> 1:16:10.720
<v Speaker 5>What's the motive? And because the motive is always of

1:16:10.760 --> 1:16:13.920
<v Speaker 5>the time, and it's they're always very you know, very good,

1:16:14.040 --> 1:16:17.479
<v Speaker 5>very smart, and I love like Joe Robertson in four,

1:16:17.560 --> 1:16:21.320
<v Speaker 5>you know, it's like I don't want.

1:16:20.840 --> 1:16:23.519
<v Speaker 3>Yeah, I love Jill Emma just absolutely killed it.

1:16:24.439 --> 1:16:27.360
<v Speaker 5>Yeah yeah she did, and I completely agree. And so

1:16:27.400 --> 1:16:29.439
<v Speaker 5>that was another one where was like, that's very of

1:16:29.520 --> 1:16:31.960
<v Speaker 5>the time of you know, social media becoming is just

1:16:32.040 --> 1:16:35.640
<v Speaker 5>blowing up and you know tw twenty eleven into what

1:16:35.680 --> 1:16:37.800
<v Speaker 5>it's become now, and so for us it was like, Okay,

1:16:37.800 --> 1:16:40.559
<v Speaker 5>how do we These movies always have a conversation with

1:16:40.600 --> 1:16:44.439
<v Speaker 5>their audience, and they always comment on not just horror

1:16:44.479 --> 1:16:47.439
<v Speaker 5>tropes of the time, but also just pop culture, horror

1:16:47.520 --> 1:16:49.880
<v Speaker 5>as a genre, movies in general, you know, and so

1:16:50.120 --> 1:16:52.120
<v Speaker 5>it was like once we kind of found that toxic

1:16:52.200 --> 1:16:55.880
<v Speaker 5>fandom angle so good. It was something that we've been

1:16:55.880 --> 1:16:59.200
<v Speaker 5>witnessing in the last few years. It was just we're like, Okay,

1:16:59.200 --> 1:17:01.240
<v Speaker 5>that's it, that's what we have to say right now,

1:17:01.560 --> 1:17:03.519
<v Speaker 5>and it works perfectly in a screen movie, which is

1:17:03.560 --> 1:17:07.679
<v Speaker 5>a movie about movies and fans, and so it really clicked.

1:17:08.400 --> 1:17:10.960
<v Speaker 5>And then in terms of you know, the Killers, it

1:17:11.040 --> 1:17:15.040
<v Speaker 5>was like, we so much of five is an homage

1:17:15.080 --> 1:17:17.120
<v Speaker 5>to one, and we just thought it would be really

1:17:17.120 --> 1:17:18.720
<v Speaker 5>fun to go back to the boyfriend and have it

1:17:18.720 --> 1:17:20.679
<v Speaker 5>be you know, we wrote that part.

1:17:21.880 --> 1:17:24.519
<v Speaker 3>Looks he looks as soon as you cost Jackquad, You're like,

1:17:24.560 --> 1:17:26.679
<v Speaker 3>he's going to be the killer, right, and then you're like, well,

1:17:26.800 --> 1:17:28.040
<v Speaker 3>well no, that would be too obvious.

1:17:28.040 --> 1:17:28.519
<v Speaker 5>And I love this.

1:17:29.160 --> 1:17:31.920
<v Speaker 3>No, he's the killer, literally him.

1:17:32.560 --> 1:17:37.000
<v Speaker 5>And we copied that from one because Skating Matthew are

1:17:37.120 --> 1:17:41.880
<v Speaker 5>telling you over and over and yet they pull it

1:17:41.960 --> 1:17:44.439
<v Speaker 5>off and it's still a shock when when they're the killers.

1:17:44.520 --> 1:17:47.160
<v Speaker 5>And that's just Kevin's brilliant writing. Yeah, Wes is directing,

1:17:47.240 --> 1:17:51.599
<v Speaker 5>and and those performances by those two iconic actors but yeah,

1:17:51.640 --> 1:17:53.720
<v Speaker 5>it was like, let's let's do that. Let's try to

1:17:53.920 --> 1:17:55.920
<v Speaker 5>do that same magic trick where it's like, oh, it's

1:17:55.920 --> 1:17:58.320
<v Speaker 5>got to be him. Oh no, now it definitely can't

1:17:58.360 --> 1:17:59.760
<v Speaker 5>be him. Oh god, it was.

1:18:02.280 --> 1:18:02.920
<v Speaker 2>Right the first time.

1:18:03.000 --> 1:18:06.040
<v Speaker 3>Okay. Also, I know we haven't even gotten to Sick yet,

1:18:06.080 --> 1:18:07.559
<v Speaker 3>but like, I just need to ask because you talked

1:18:07.600 --> 1:18:11.080
<v Speaker 3>about Skee I screamed the first time in five when

1:18:11.120 --> 1:18:13.599
<v Speaker 3>you revealed like the daughter of Billy Loomis and kind

1:18:13.600 --> 1:18:16.960
<v Speaker 3>of bringing back Skee as this other legacy character. Could

1:18:16.960 --> 1:18:19.320
<v Speaker 3>you talk a little bit about that choice, Like did

1:18:19.400 --> 1:18:21.679
<v Speaker 3>you get any pushback on that? Because it's real late

1:18:21.840 --> 1:18:24.840
<v Speaker 3>stage horror movie sequel stuff, which is why I loved it.

1:18:25.000 --> 1:18:26.960
<v Speaker 3>But was that something that people were like, it's not

1:18:27.080 --> 1:18:29.160
<v Speaker 3>gonna work. It's too out there, like we need our

1:18:29.200 --> 1:18:31.200
<v Speaker 3>final gal to be pure and kind of follow those

1:18:31.280 --> 1:18:32.040
<v Speaker 3>older rules.

1:18:33.240 --> 1:18:35.639
<v Speaker 5>Absolutely, I think not so much. On the Billy Loomis's

1:18:35.800 --> 1:18:38.439
<v Speaker 5>legitimate daughter, we didn't get a lot of pushback on that.

1:18:38.479 --> 1:18:39.880
<v Speaker 5>We got a lot of pushback on the idea that

1:18:39.920 --> 1:18:44.799
<v Speaker 5>we would actually see Billy. Yeah, and they were nervous

1:18:45.800 --> 1:18:50.240
<v Speaker 5>and we understood why. But there were conversations and they said,

1:18:51.040 --> 1:18:52.800
<v Speaker 5>if you you know, if he agrees to do it,

1:18:52.960 --> 1:18:55.240
<v Speaker 5>do it. We may not end up using anyo and

1:18:55.600 --> 1:18:57.320
<v Speaker 5>you know, it may be a voiceover, it may not

1:18:57.439 --> 1:19:00.560
<v Speaker 5>be any kind of dialogue with Billy at all. And

1:19:00.640 --> 1:19:02.920
<v Speaker 5>then once they saw it, nobody ever brought it up again.

1:19:03.920 --> 1:19:06.400
<v Speaker 5>And I will say one thing about the pushback was

1:19:07.560 --> 1:19:09.760
<v Speaker 5>that gave us confidence that we were doing the right

1:19:09.840 --> 1:19:12.880
<v Speaker 5>thing by trying it. At least was we pitched the

1:19:12.920 --> 1:19:15.600
<v Speaker 5>whole thing to Kevin and he maybe even read the

1:19:15.680 --> 1:19:18.280
<v Speaker 5>draft at that point, and he said, the one thing

1:19:18.600 --> 1:19:21.240
<v Speaker 5>that doesn't feel like a screen movie is this seeing

1:19:21.400 --> 1:19:23.840
<v Speaker 5>the sort of phantom Billy that's in her head. And

1:19:23.880 --> 1:19:25.400
<v Speaker 5>he's like, that's why I think you have to do it.

1:19:27.640 --> 1:19:29.720
<v Speaker 5>And that was like, oh, thank you. You just gave

1:19:29.800 --> 1:19:32.240
<v Speaker 5>us the best kind of permission to go and try something.

1:19:32.840 --> 1:19:34.479
<v Speaker 5>It's a big swing, you know, as you said, it

1:19:34.520 --> 1:19:36.679
<v Speaker 5>could have gone horribly wrong. If it had, it wouldn't

1:19:36.680 --> 1:19:38.880
<v Speaker 5>have made it in there. But yeah, I mean, Billy

1:19:39.360 --> 1:19:42.439
<v Speaker 5>and Stu are you know, as much a reason for

1:19:42.520 --> 1:19:44.680
<v Speaker 5>the success of that movie and for kind of the

1:19:44.760 --> 1:19:47.400
<v Speaker 5>love of the franchise as any of the other cast members.

1:19:47.479 --> 1:19:50.600
<v Speaker 5>You know, they skate and Matthew just I mean I

1:19:50.720 --> 1:19:52.760
<v Speaker 5>was quoting them on the way to the car after

1:19:52.880 --> 1:19:55.000
<v Speaker 5>my first screaming it bit, you know, because they were

1:19:55.120 --> 1:19:58.479
<v Speaker 5>so I mean, those performances are just the stuff of legends.

1:19:58.920 --> 1:20:01.400
<v Speaker 5>So we were me and I got really excited at

1:20:01.439 --> 1:20:04.439
<v Speaker 5>the idea that this is Billy's legacy and Billy's going

1:20:04.479 --> 1:20:07.000
<v Speaker 5>to be in it, and Sydney's going to have to

1:20:07.600 --> 1:20:10.439
<v Speaker 5>come face to face with Billy's daughter who you know,

1:20:10.600 --> 1:20:14.160
<v Speaker 5>he got Sam's mother pregnant while he was with Sydney,

1:20:14.360 --> 1:20:17.240
<v Speaker 5>most likely because she refused to sleep with him, and

1:20:18.160 --> 1:20:21.280
<v Speaker 5>so he went outside of that relationship and yeah, here

1:20:21.360 --> 1:20:23.720
<v Speaker 5>we go. And to have those two women fighting side

1:20:23.760 --> 1:20:26.479
<v Speaker 5>by side was just kind of a we thought that

1:20:26.680 --> 1:20:29.559
<v Speaker 5>was It just gave us the giggles.

1:20:29.720 --> 1:20:36.560
<v Speaker 1>We thought, Yeah, how early in the process did the

1:20:36.760 --> 1:20:41.080
<v Speaker 1>idea of having a family of killers come to be?

1:20:41.920 --> 1:20:44.200
<v Speaker 5>That was pretty early, and I will say, you know,

1:20:44.320 --> 1:20:47.720
<v Speaker 5>full transparency, we didn't always know it was Richie's family. Oh,

1:20:49.040 --> 1:20:51.599
<v Speaker 5>but we did love the idea of three ghost faces.

1:20:51.720 --> 1:20:55.479
<v Speaker 5>And it's kind of a hard overcome to imagine three

1:20:55.600 --> 1:20:57.960
<v Speaker 5>people being like minded enough that they'd want to go

1:20:58.040 --> 1:21:01.040
<v Speaker 5>on killing screens together and have the same motive. And

1:21:01.160 --> 1:21:02.760
<v Speaker 5>so we came up with family, I think out of

1:21:02.800 --> 1:21:05.200
<v Speaker 5>the desire to want to do three for the first time. Yeah,

1:21:05.479 --> 1:21:08.439
<v Speaker 5>and then it really finally clicked when we were like,

1:21:09.040 --> 1:21:11.800
<v Speaker 5>there's there's something that's not because we also wanted the

1:21:11.840 --> 1:21:14.840
<v Speaker 5>motive in six to be primal and not sort of intellectual,

1:21:15.520 --> 1:21:19.960
<v Speaker 5>because the motive in five was about an idea about movies,

1:21:19.960 --> 1:21:22.559
<v Speaker 5>about wanting my favorite franchise to get back on track,

1:21:22.640 --> 1:21:25.120
<v Speaker 5>so I'm going to help out, and it's not really primal,

1:21:25.200 --> 1:21:27.599
<v Speaker 5>it's just more of an intellectual exercise. So with this one,

1:21:27.640 --> 1:21:30.439
<v Speaker 5>we're like, it's got to be something really really someone

1:21:30.560 --> 1:21:33.479
<v Speaker 5>has to hate Sam and then it, you know, not

1:21:33.600 --> 1:21:36.280
<v Speaker 5>a huge leap to get from there. This is this

1:21:36.400 --> 1:21:38.720
<v Speaker 5>is a family full of psychos and this father is

1:21:38.920 --> 1:21:43.960
<v Speaker 5>just so twisted. All of his kids ended up this way. Yeah,

1:21:44.760 --> 1:21:47.200
<v Speaker 5>and you notice that Jack Champion, you know, please, Ethan

1:21:47.280 --> 1:21:48.840
<v Speaker 5>looks a lot like Jack Quaid.

1:21:48.960 --> 1:21:51.000
<v Speaker 3>It does look like him, Like I thought that was

1:21:51.040 --> 1:21:52.839
<v Speaker 3>why I recognized him. Then I realized it was Avatar.

1:21:53.120 --> 1:21:55.960
<v Speaker 5>But yeah, Avatar. Yeah, yeah, he really doesn't make like

1:21:56.920 --> 1:21:59.040
<v Speaker 5>he really you know, sprouted up since Avatar. I mean,

1:21:59.120 --> 1:22:02.160
<v Speaker 5>he's just like this really tall, good looking guy and

1:22:02.280 --> 1:22:04.880
<v Speaker 5>that not you know, obviously he's great an Avatar, but

1:22:04.920 --> 1:22:07.439
<v Speaker 5>he's kind of a kid and he really spread out.

1:22:07.520 --> 1:22:09.360
<v Speaker 5>This was the first thing he did after Avatar, and

1:22:09.439 --> 1:22:12.400
<v Speaker 5>it was like his second set after years and years

1:22:12.439 --> 1:22:16.400
<v Speaker 5>on these the James Cameron movies. But like they look

1:22:16.520 --> 1:22:20.000
<v Speaker 5>so much alike. One of the character was Jamie or

1:22:20.000 --> 1:22:22.880
<v Speaker 5>William or one of radio silences said, don't stand together

1:22:23.000 --> 1:22:24.920
<v Speaker 5>on the red carpet. People will figured it out.

1:22:27.000 --> 1:22:29.719
<v Speaker 2>That's so good and I think it's funny.

1:22:29.920 --> 1:22:32.760
<v Speaker 3>Yeah, I love as well. Like there's so many parallels

1:22:32.800 --> 1:22:35.919
<v Speaker 3>here with Scream two, not even like from the quickness

1:22:35.960 --> 1:22:38.080
<v Speaker 3>that you guys made the sequel to then having them

1:22:38.520 --> 1:22:40.800
<v Speaker 3>in this different location, to then having you know, the

1:22:41.040 --> 1:22:41.880
<v Speaker 3>end be in.

1:22:43.680 --> 1:22:43.880
<v Speaker 5>To this.

1:22:44.160 --> 1:22:46.639
<v Speaker 3>So that family connection makes a lot of sense because

1:22:46.680 --> 1:22:49.320
<v Speaker 3>of Billy's mum being the killer in two were one

1:22:49.360 --> 1:22:51.000
<v Speaker 3>of the killers. So could you talk a little bit

1:22:51.040 --> 1:22:53.000
<v Speaker 3>how early did you realize this was also going to

1:22:53.040 --> 1:22:55.439
<v Speaker 3>be not just a scream movie, but like a scream

1:22:55.520 --> 1:22:58.839
<v Speaker 3>to kind of reaction and response in homage.

1:22:59.640 --> 1:23:02.000
<v Speaker 5>We have actually tried to dial that back, you know. Oddly,

1:23:02.520 --> 1:23:04.080
<v Speaker 5>I think it was we just didn't want to be

1:23:04.240 --> 1:23:07.880
<v Speaker 5>seen as sort because you know, obviously one was very

1:23:07.960 --> 1:23:10.800
<v Speaker 5>very five was very similar to one, so we wanted

1:23:11.320 --> 1:23:13.880
<v Speaker 5>now that we've kind of hopefully done what we set

1:23:13.920 --> 1:23:16.000
<v Speaker 5>out to do, which is like remind people what scream is,

1:23:16.120 --> 1:23:18.640
<v Speaker 5>why it's different, why it's cool, and here are the

1:23:18.760 --> 1:23:21.759
<v Speaker 5>new characters we wanted to. I mean, it's very goofy,

1:23:21.880 --> 1:23:24.400
<v Speaker 5>but our sort of internal log line was if we

1:23:24.479 --> 1:23:27.200
<v Speaker 5>were playing the hits in five, then six is the

1:23:27.280 --> 1:23:30.040
<v Speaker 5>punk rock B side, and we wanted to do our

1:23:30.040 --> 1:23:32.560
<v Speaker 5>own thing and take really big swings, and so we

1:23:33.000 --> 1:23:37.120
<v Speaker 5>didn't other than the college setting, we didn't really consciously

1:23:37.160 --> 1:23:39.000
<v Speaker 5>think about all that stuff. And it's funny because in

1:23:39.600 --> 1:23:42.840
<v Speaker 5>talking to fans now our friends or doing interviews, there's

1:23:42.840 --> 1:23:45.000
<v Speaker 5>a lot of nods to two that we weren't even

1:23:45.240 --> 1:23:50.200
<v Speaker 5>aware of. We knew that the Missus Loomis and Wayne

1:23:50.280 --> 1:23:52.840
<v Speaker 5>Bailey connection was there, and it's like he's only the

1:23:52.920 --> 1:23:58.479
<v Speaker 5>second like grown up ghost Face the other franchise. He's

1:23:58.560 --> 1:24:01.840
<v Speaker 5>so great and he's the funniest guy in person. So

1:24:01.880 --> 1:24:03.400
<v Speaker 5>we knew that was there. And then the theater thing

1:24:03.479 --> 1:24:07.320
<v Speaker 5>actually gave us pause because originally that that shrine museum

1:24:07.479 --> 1:24:10.760
<v Speaker 5>was just in a warehouse somewhere and they couldn't find

1:24:11.040 --> 1:24:14.679
<v Speaker 5>a location in Montreal that that really worked, like nothing

1:24:14.840 --> 1:24:19.519
<v Speaker 5>just felt right, and so the location scout showed radio

1:24:19.600 --> 1:24:21.680
<v Speaker 5>silence that and they were like, we think this is it,

1:24:22.000 --> 1:24:24.680
<v Speaker 5>and Jamie and I were like, I don't know that.

1:24:24.960 --> 1:24:26.920
<v Speaker 5>We don't want to look like we're just copy pasting

1:24:27.200 --> 1:24:30.240
<v Speaker 5>from dow and so we went out to Montreal to

1:24:30.280 --> 1:24:31.760
<v Speaker 5>look at it and we went, Okay, it's going to

1:24:31.800 --> 1:24:36.200
<v Speaker 5>feel different enough and it has this creepy different kind

1:24:36.280 --> 1:24:41.479
<v Speaker 5>of vibe. But yeah, it's funny how much of two

1:24:41.560 --> 1:24:44.840
<v Speaker 5>made it in there without even conscious knowledge video it

1:24:44.960 --> 1:24:47.679
<v Speaker 5>was something you know. So I'm happy about that because

1:24:47.680 --> 1:24:50.920
<v Speaker 5>it is kind of a neat echo. But we almost

1:24:51.000 --> 1:24:52.559
<v Speaker 5>tried to go the other way, where it's like, let's

1:24:52.560 --> 1:24:54.000
<v Speaker 5>make sure we're not just doing too right.

1:24:54.360 --> 1:24:56.479
<v Speaker 3>Yeah, I think the opening does a great The cold

1:24:56.520 --> 1:24:59.080
<v Speaker 3>open does a great job of switching it out by

1:24:59.160 --> 1:25:01.719
<v Speaker 3>having that review and kind of doing something very different

1:25:01.920 --> 1:25:04.320
<v Speaker 3>and having that who the fuck cares about the movies?

1:25:04.600 --> 1:25:07.439
<v Speaker 3>So after that you're very intellectually far away from two.

1:25:07.520 --> 1:25:09.599
<v Speaker 3>But it's just after seeing it a couple of times,

1:25:09.640 --> 1:25:11.400
<v Speaker 3>I was like, oh, they are awesome. This is a

1:25:11.479 --> 1:25:14.040
<v Speaker 3>movie that loves too as well. It really is.

1:25:14.160 --> 1:25:16.639
<v Speaker 5>Yeah, other people have pointed that out as well, But yeah,

1:25:16.680 --> 1:25:18.120
<v Speaker 5>that was the thing that got us really excited was

1:25:18.160 --> 1:25:21.240
<v Speaker 5>that opening. And the very bizarre thing about the opening

1:25:21.320 --> 1:25:23.320
<v Speaker 5>is that Jamie and I came up with that independently

1:25:23.400 --> 1:25:26.000
<v Speaker 5>of each other, and we came to our first meeting

1:25:26.040 --> 1:25:28.000
<v Speaker 5>to talk about what Scream six should be, and we

1:25:28.080 --> 1:25:31.240
<v Speaker 5>had both written down that we started. We knew it

1:25:31.320 --> 1:25:33.320
<v Speaker 5>was going to be New York, we'd already decided that,

1:25:33.560 --> 1:25:36.800
<v Speaker 5>but we were like, okay, I think I pitched him

1:25:36.840 --> 1:25:39.280
<v Speaker 5>first on our first zoom and I was like, Okay,

1:25:39.320 --> 1:25:41.840
<v Speaker 5>this is going to sound weird, but let's do like

1:25:42.439 --> 1:25:46.760
<v Speaker 5>imagine a traditional Scream opening phone call, you know, but

1:25:46.840 --> 1:25:49.000
<v Speaker 5>it's New York, so it's already feels a little different,

1:25:49.080 --> 1:25:51.000
<v Speaker 5>but you know, more or less traditional. And then he's

1:25:51.040 --> 1:25:53.200
<v Speaker 5>got the last line and does the slash, and you

1:25:53.280 --> 1:25:55.240
<v Speaker 5>think we're going to go to the title card like always,

1:25:55.280 --> 1:25:57.680
<v Speaker 5>and then we just hold on him for an uncomfortably

1:25:57.760 --> 1:26:00.080
<v Speaker 5>long time, and then he takes the mask off, and

1:26:00.160 --> 1:26:02.880
<v Speaker 5>then we follow the killer to the point where you

1:26:02.960 --> 1:26:04.719
<v Speaker 5>might think, for a second, if you knew nothing about

1:26:04.720 --> 1:26:07.680
<v Speaker 5>the movie, is this from Ghostface's point of view? And

1:26:08.000 --> 1:26:10.840
<v Speaker 5>then that guy who's kind of doing it for traditional

1:26:11.720 --> 1:26:14.400
<v Speaker 5>reasons like carrying on the previous killer's work or whatever,

1:26:14.479 --> 1:26:16.320
<v Speaker 5>like I want to finish Richie's movie. Like that guy

1:26:16.400 --> 1:26:19.200
<v Speaker 5>gets killed by a really scary ghost face who doesn't

1:26:19.240 --> 1:26:23.640
<v Speaker 5>care about and he got this kind of look on

1:26:23.720 --> 1:26:25.080
<v Speaker 5>his face and I was like, oh, he hates it,

1:26:25.720 --> 1:26:28.640
<v Speaker 5>that's stupid. Nevermind, and he holds up his notepad and

1:26:28.720 --> 1:26:31.000
<v Speaker 5>he's got it written down like traditional killed. Ghost Face

1:26:31.040 --> 1:26:33.880
<v Speaker 5>takes off mask. We follow ghost face ghost face killed,

1:26:33.920 --> 1:26:36.559
<v Speaker 5>and we're like, whoa, Okay, we're really sharing a brain

1:26:37.000 --> 1:26:37.599
<v Speaker 5>on this one.

1:26:38.479 --> 1:26:39.360
<v Speaker 3>That is so cool.

1:26:40.800 --> 1:26:46.599
<v Speaker 1>Finally, you know the horror genre we talk about scream queens.

1:26:46.720 --> 1:26:50.080
<v Speaker 1>The queen of Scream is Sidney herself.

1:26:50.240 --> 1:26:50.879
<v Speaker 2>Nev Campbell.

1:26:51.920 --> 1:26:56.040
<v Speaker 1>Recently Schedule Lurric was quoted as saying that he had

1:26:56.080 --> 1:26:58.799
<v Speaker 1>a conversation with her and she really liked the latest

1:26:59.000 --> 1:26:59.479
<v Speaker 1>edition in the.

1:27:01.439 --> 1:27:02.760
<v Speaker 2>Yeah, that must feel good.

1:27:03.000 --> 1:27:03.240
<v Speaker 3>Eddie.

1:27:03.360 --> 1:27:07.080
<v Speaker 1>Would you ever no no strings attached? Did you ever

1:27:07.120 --> 1:27:08.880
<v Speaker 1>think about Briddy bringing Sydney back?

1:27:10.080 --> 1:27:12.880
<v Speaker 5>Unfortunately, it's always out of our hands. I mean these things,

1:27:13.120 --> 1:27:15.439
<v Speaker 5>just like as much as people were mad at Radio

1:27:15.520 --> 1:27:19.600
<v Speaker 5>Silence or us for fortune, right, it's not It's not

1:27:19.760 --> 1:27:21.559
<v Speaker 5>up to us. And so even at the script stage,

1:27:21.560 --> 1:27:22.960
<v Speaker 5>people are like, well, at least write her in, and

1:27:23.040 --> 1:27:25.760
<v Speaker 5>it's like no, we're told who is going to you know,

1:27:26.040 --> 1:27:27.800
<v Speaker 5>be available? Who can they can?

1:27:27.920 --> 1:27:28.439
<v Speaker 3>You know what?

1:27:29.120 --> 1:27:31.000
<v Speaker 5>So it's really out of our hands. I mean, all

1:27:31.040 --> 1:27:33.280
<v Speaker 5>I can say to that is I love the character

1:27:33.320 --> 1:27:37.400
<v Speaker 5>Sidney Prescott. I love MeV Campbell as an actor, I

1:27:37.560 --> 1:27:40.840
<v Speaker 5>think she is synonymous with the screen franchise. As a fan,

1:27:41.520 --> 1:27:44.479
<v Speaker 5>I would really love to see Sydney go back exactly.

1:27:44.680 --> 1:27:48.080
<v Speaker 5>So as a person involved in screen movies, I can't say,

1:27:48.320 --> 1:27:50.479
<v Speaker 5>but as a fan outside of it is like, even

1:27:50.520 --> 1:27:52.320
<v Speaker 5>if it's not me, even if it's years from now,

1:27:52.720 --> 1:27:54.760
<v Speaker 5>I want to see that. So I hope that you

1:27:54.840 --> 1:27:56.920
<v Speaker 5>know that can happen at some point in time, because

1:27:57.160 --> 1:27:59.640
<v Speaker 5>it's sim me. You know, guy, you sick?

1:27:59.680 --> 1:28:02.360
<v Speaker 3>Thank you, thank you so much, so much fun relations

1:28:02.400 --> 1:28:03.040
<v Speaker 3>on your success.

1:28:03.280 --> 1:28:04.880
<v Speaker 5>Yeah, thank you so much. Thanks for having me.

1:28:05.000 --> 1:28:05.760
<v Speaker 3>Us to the next one.

1:28:06.360 --> 1:28:09.840
<v Speaker 2>Yeah up next nerd Out.

1:28:17.760 --> 1:28:19.720
<v Speaker 3>In today's nerd Out, will you tell us what you

1:28:19.800 --> 1:28:20.120
<v Speaker 3>love them?

1:28:20.200 --> 1:28:20.320
<v Speaker 5>Why?

1:28:20.680 --> 1:28:23.400
<v Speaker 3>Or a theory you're excited to share? Lucas Pictures, us

1:28:23.439 --> 1:28:26.360
<v Speaker 3>on Becky Chambers, Monk and Robot series.

1:28:26.680 --> 1:28:30.080
<v Speaker 4>Jason Rosie, everybody at X ray Vision. My name's Lucas Adams.

1:28:30.680 --> 1:28:32.880
<v Speaker 4>I wanted to first off say thank you so much

1:28:33.040 --> 1:28:35.840
<v Speaker 4>for the podcast. I really really love it. I think

1:28:36.320 --> 1:28:39.479
<v Speaker 4>I've learned an incredible amount about sci fi, fantasy, comic

1:28:39.520 --> 1:28:42.519
<v Speaker 4>books and everything. I love nerd Out. I wanted to

1:28:42.720 --> 1:28:45.080
<v Speaker 4>share my nerd out, which is a series of books,

1:28:45.120 --> 1:28:47.679
<v Speaker 4>thus farts too. I think there will be more. Called

1:28:47.720 --> 1:28:51.280
<v Speaker 4>the Monk and Robots series by Becky Chambers. The first

1:28:51.320 --> 1:28:54.719
<v Speaker 4>book is a Psalm for the Wild Built. The second book,

1:28:54.720 --> 1:28:56.519
<v Speaker 4>which just came out a few weeks ago, is called

1:28:56.520 --> 1:28:59.439
<v Speaker 4>a Prayer for the Crown Shy, and the first book

1:28:59.439 --> 1:29:04.000
<v Speaker 4>asalng for the Wild Built. Basically, we have used robots

1:29:04.360 --> 1:29:07.560
<v Speaker 4>to build up our world, almost destroy our world, and

1:29:07.880 --> 1:29:11.840
<v Speaker 4>they have gained sentience and they leave. They simply, as

1:29:11.880 --> 1:29:14.400
<v Speaker 4>a group, decide to head out into the world, into

1:29:14.400 --> 1:29:17.360
<v Speaker 4>the wilds and be by themselves, forcing us to face

1:29:17.640 --> 1:29:22.160
<v Speaker 4>our own existence without them. Luckily, we make a lot

1:29:22.200 --> 1:29:26.200
<v Speaker 4>of really good choices that help save ourselves, but it

1:29:26.320 --> 1:29:31.840
<v Speaker 4>doesn't come without some struggle. This book, however, is about

1:29:32.040 --> 1:29:34.800
<v Speaker 4>a t monk as they're known in this world name

1:29:35.240 --> 1:29:40.320
<v Speaker 4>Sibling Decks, and they decide to explore the world in

1:29:40.400 --> 1:29:42.639
<v Speaker 4>a different way and go out into the wild, where

1:29:42.640 --> 1:29:46.320
<v Speaker 4>they come across a robot named Mosscap and the robot

1:29:46.360 --> 1:29:48.719
<v Speaker 4>has been sent by other robots to see how humanity

1:29:48.840 --> 1:29:50.760
<v Speaker 4>is doing and basically to ask the question what do

1:29:50.920 --> 1:29:56.240
<v Speaker 4>humans need? And so they build a relationship with one another.

1:29:56.400 --> 1:29:59.360
<v Speaker 4>They explore their relationships with themselves and the world, both

1:29:59.400 --> 1:30:02.240
<v Speaker 4>the natural and built world as it was and as

1:30:02.280 --> 1:30:05.920
<v Speaker 4>it is now. And then in the second book they

1:30:05.960 --> 1:30:07.720
<v Speaker 4>continue this journey. And I don't want to give away

1:30:07.760 --> 1:30:11.560
<v Speaker 4>too much. I'm just it is two short, wonderful meditations

1:30:11.760 --> 1:30:17.760
<v Speaker 4>on technology and our living, breathing earth and our relationship

1:30:17.840 --> 1:30:21.280
<v Speaker 4>to it and ourselves and the other people around us

1:30:21.400 --> 1:30:26.040
<v Speaker 4>and in this case robots. I highly recommend it. I

1:30:26.160 --> 1:30:29.400
<v Speaker 4>highly recommend Becky Chambers. She also wrote the Wayfarer series,

1:30:29.479 --> 1:30:34.920
<v Speaker 4>which is a really fun space travel action series that

1:30:35.040 --> 1:30:39.400
<v Speaker 4>also asks some really great relationship questions about relationships with

1:30:39.520 --> 1:30:42.559
<v Speaker 4>ourselves and other species and our place in the world

1:30:42.640 --> 1:30:44.960
<v Speaker 4>and how we treat those around us, and how we

1:30:45.200 --> 1:30:49.800
<v Speaker 4>experience things and people and other things that are different

1:30:49.840 --> 1:30:53.400
<v Speaker 4>from us. I think everybody would really like it, and

1:30:53.800 --> 1:30:56.880
<v Speaker 4>I am so happy to share it again. Thank you

1:30:57.000 --> 1:30:59.280
<v Speaker 4>all so much for everything you do. I love your podcast.

1:30:59.400 --> 1:31:02.240
<v Speaker 3>Have a great day, Thanks Lucas. If you have theories

1:31:02.320 --> 1:31:04.320
<v Speaker 3>or passions that you want to share, hit us up

1:31:04.680 --> 1:31:08.080
<v Speaker 3>x ray at crooked dot com. Instructions in the show notes.

1:31:08.160 --> 1:31:12.280
<v Speaker 3>As always, that's it for us.

1:31:12.320 --> 1:31:14.880
<v Speaker 1>A big thank you to Guy Music, Rosie any plugs,

1:31:14.960 --> 1:31:16.599
<v Speaker 1>blug blug, bluck bluck bluck black bluck blood.

1:31:16.880 --> 1:31:21.000
<v Speaker 3>You can find me at Rosie Marx, on Instagram and

1:31:21.720 --> 1:31:23.880
<v Speaker 3>letter box, the usual places. I have a newsletter. The

1:31:24.080 --> 1:31:25.640
<v Speaker 3>thing will be in the show notes and you can

1:31:25.680 --> 1:31:27.800
<v Speaker 3>find me here. If you want to read about yellow

1:31:27.840 --> 1:31:30.320
<v Speaker 3>jackets and all my wild theories and citizen detecting, you

1:31:30.360 --> 1:31:32.680
<v Speaker 3>can find that at IGN And I've got a lot

1:31:32.680 --> 1:31:34.200
<v Speaker 3>of stuff at DC dot com at the moment, so

1:31:34.320 --> 1:31:34.760
<v Speaker 3>go there too.

1:31:38.000 --> 1:31:43.680
<v Speaker 1>Primo May nineteen on Amazon freeb you can watch it

1:31:43.840 --> 1:31:46.040
<v Speaker 1>for free. It's right there at a name freebee with

1:31:46.280 --> 1:31:49.200
<v Speaker 1>ads just like the just like the old times. But

1:31:49.360 --> 1:31:52.120
<v Speaker 1>of course if you're an Amazon Prime subscriber you can

1:31:52.200 --> 1:31:54.120
<v Speaker 1>get it without.

1:31:54.520 --> 1:31:56.320
<v Speaker 2>Actually I don't know, I don't know about that.

1:31:56.760 --> 1:31:57.679
<v Speaker 5>It's I don't.

1:31:57.520 --> 1:31:59.879
<v Speaker 3>Actually free May nineteenth.

1:32:00.160 --> 1:32:02.280
<v Speaker 2>Just put that in your brain and you better watch it.

1:32:02.640 --> 1:32:05.120
<v Speaker 3>I've got to screeners so I can say it's good.

1:32:07.520 --> 1:32:10.240
<v Speaker 1>And of course subscribe on YouTube where you can watch

1:32:10.360 --> 1:32:13.160
<v Speaker 1>full episodes of our show x ray Vision and don't

1:32:13.200 --> 1:32:16.120
<v Speaker 1>forget to follow at xerv pod on Twitter and check

1:32:16.160 --> 1:32:18.479
<v Speaker 1>out the discord to meet and hang out with lots

1:32:18.560 --> 1:32:22.880
<v Speaker 1>of amazing folks, fans, listeners, and Rosie.

1:32:22.640 --> 1:32:25.720
<v Speaker 2>And I us with that five star ratings. Five star

1:32:27.000 --> 1:32:29.200
<v Speaker 2>we love them. You gotta give them to us.

1:32:29.280 --> 1:32:33.200
<v Speaker 1>Here's one from JAM zero sixty four, my favorite podcast

1:32:33.280 --> 1:32:35.639
<v Speaker 1>at the moment. It's funny and informative in many ways.

1:32:35.680 --> 1:32:37.479
<v Speaker 1>I could listen to Jason and Rosie talk about anything.

1:32:37.520 --> 1:32:38.160
<v Speaker 2>Five star pod.

1:32:38.240 --> 1:32:40.520
<v Speaker 3>Thanks, bye, bye bye Zar.

1:32:41.320 --> 1:32:43.120
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:32:43.200 --> 1:32:44.920
<v Speaker 1>is produced by Chris Lord and Salt Rubin. The show

1:32:45.000 --> 1:32:47.920
<v Speaker 1>is executive produced by myself and Sandy Rhard Are editing

1:32:47.960 --> 1:32:51.960
<v Speaker 1>and sound designers by Vascillis Fatopoulos, Dylon Villanueva and Matt

1:32:51.960 --> 1:32:55.000
<v Speaker 1>de Group provide video production support. Alex Rella for handle

1:32:55.080 --> 1:32:57.720
<v Speaker 1>social media. Thank you, Brian Vasquez for theme music.

1:32:58.240 --> 1:32:59.280
<v Speaker 2>We'll see you next time.

1:32:59.720 --> 1:32:59.920
<v Speaker 3>Bye.

1:33:00.000 --> 1:33:05.080
<v Speaker 1>Hey Mike, this is HISTB for Marid. Yeah, I'm just

1:33:05.240 --> 1:33:08.960
<v Speaker 1>calling on behalf of your state, Senator Tysa Turner on

1:33:09.080 --> 1:33:11.439
<v Speaker 1>phone back and listen. I understand we just had an

1:33:11.479 --> 1:33:14.719
<v Speaker 1>election Mike, but it's not too early to start thinking

1:33:14.800 --> 1:33:17.680
<v Speaker 1>about the next cycle. Now you might be hearing some

1:33:17.920 --> 1:33:23.920
<v Speaker 1>spurious rumors about pet decapitation. Those are all being put

1:33:24.000 --> 1:33:30.120
<v Speaker 1>out there by the senator's disgruntled partner. There's nothing to that.

1:33:30.400 --> 1:33:33.919
<v Speaker 1>There's no cult stuff, no eating of dirt, no climbing

1:33:34.000 --> 1:33:40.080
<v Speaker 1>of trees, no strange behaviors, no talking to herself. That's

1:33:40.160 --> 1:33:42.680
<v Speaker 1>all I have to say, Mike, vote Tyson Turner in

1:33:42.760 --> 1:33:46.160
<v Speaker 1>the next election. We're happy to have your support. Take

1:33:46.200 --> 1:33:46.960
<v Speaker 1>my hands off the earth.

1:33:46.960 --> 1:33:47.200
<v Speaker 3>Thank you.