1 00:00:00,640 --> 00:00:03,000 Speaker 1: This podcast contains spoilers for the season two premiere of 2 00:00:03,080 --> 00:00:06,120 Speaker 1: Yellow Jackets, Season one of Yellow Jackets, and the entire 3 00:00:06,200 --> 00:00:10,000 Speaker 1: Scream franchise, including the latest edition in the Scream franchise, 4 00:00:10,039 --> 00:00:11,840 Speaker 1: Scream six, So be warned. 5 00:00:12,000 --> 00:00:32,200 Speaker 2: Sydney. 6 00:00:32,240 --> 00:00:35,840 Speaker 1: Hello, my name is Jason Concepcion and I'm Rosie Knight, 7 00:00:36,040 --> 00:00:37,720 Speaker 1: and welcome to x ray Vision of the Crookeet Media 8 00:00:37,760 --> 00:00:40,800 Speaker 1: podcast where we dive deep to your favorite shows, movies, 9 00:00:40,880 --> 00:00:42,599 Speaker 1: comics and pop culture. 10 00:00:43,159 --> 00:00:46,560 Speaker 3: In this episode, previously, we're going to briefly talk about 11 00:00:46,560 --> 00:00:49,239 Speaker 3: the news that came out about Jonathan Major's from over 12 00:00:49,280 --> 00:00:53,120 Speaker 3: the weekend. In the Airlock, we'll be onto Yellowjackets Season 13 00:00:53,159 --> 00:00:57,240 Speaker 3: two the premiere, where we will recap that very fun 14 00:00:57,280 --> 00:01:00,160 Speaker 3: episode and maybe talk a little bit about some the 15 00:01:00,160 --> 00:01:02,320 Speaker 3: horror that we've loved so far this year. In the 16 00:01:02,440 --> 00:01:05,760 Speaker 3: Hive Mind, we're gonna have an interview with Scream six 17 00:01:05,880 --> 00:01:09,080 Speaker 3: co writer Guy Busick, which I cannot wait for. And 18 00:01:09,120 --> 00:01:12,240 Speaker 3: in the nerd Out, we've got a passionate plea from 19 00:01:12,280 --> 00:01:15,319 Speaker 3: Lucas on the Monk and Robot series by Becky Chambers. 20 00:01:16,680 --> 00:01:18,759 Speaker 1: We know there have been issues with the time stamps. 21 00:01:19,160 --> 00:01:21,200 Speaker 1: We're working on that, but you can still check the 22 00:01:21,240 --> 00:01:24,199 Speaker 1: show notes for those time stamps because they are there 23 00:01:24,600 --> 00:01:30,160 Speaker 1: for you to reference. Coming up the previously on Okay, 24 00:01:30,160 --> 00:01:32,760 Speaker 1: First up on the previously on. Some truly troubling news 25 00:01:32,840 --> 00:01:37,800 Speaker 1: about Jonathan Major's came out over the weekend. Over the 26 00:01:37,880 --> 00:01:41,600 Speaker 1: end of last week, per People magazine, which actually has 27 00:01:41,680 --> 00:01:45,240 Speaker 1: the police report quote. On Monday, People obtained documents from 28 00:01:45,240 --> 00:01:47,800 Speaker 1: the Manhattan District Attorney's office that show Major's thirty three, 29 00:01:47,880 --> 00:01:50,400 Speaker 1: was charged with three counts of assault in the third degree, 30 00:01:50,680 --> 00:01:53,680 Speaker 1: aggravated harassment in the second degree, three crowns of attempted 31 00:01:53,680 --> 00:01:56,240 Speaker 1: assault in the third degree, and harassment in the second 32 00:01:56,280 --> 00:01:59,240 Speaker 1: degree after he was arrested for an alleged domestic dispute 33 00:01:59,280 --> 00:02:04,400 Speaker 1: on Saturday. Some of the fallout for this includes the 34 00:02:04,640 --> 00:02:12,440 Speaker 1: Army pulling Majors from its ad campaign. The Army currently 35 00:02:12,480 --> 00:02:21,560 Speaker 1: embroiled in issues regarding its own problems with assault, cross 36 00:02:21,600 --> 00:02:28,079 Speaker 1: gender assault in its ranks violence, so kind of very 37 00:02:28,080 --> 00:02:32,240 Speaker 1: bad association with that. We don't know much more than 38 00:02:32,520 --> 00:02:34,480 Speaker 1: what is contained in the police support and we're waiting 39 00:02:34,480 --> 00:02:36,600 Speaker 1: for information to emerge, but truly. 40 00:02:37,040 --> 00:02:38,120 Speaker 3: Not good news. 41 00:02:38,480 --> 00:02:44,480 Speaker 1: A statement from majors lawyer says the following that Jonathan 42 00:02:44,520 --> 00:02:47,080 Speaker 1: Majors was quote the victim of an altercation with a 43 00:02:47,080 --> 00:02:50,320 Speaker 1: woman he knows, and that the woman had recanted the accusation, 44 00:02:50,400 --> 00:02:54,120 Speaker 1: and that video evidence and witness supported his account. The 45 00:02:54,160 --> 00:02:57,200 Speaker 1: statement continues, mister Majors is entirely innocent and did not 46 00:02:57,520 --> 00:03:01,320 Speaker 1: assault her whatsoever. And there was an earlier statement, I 47 00:03:01,320 --> 00:03:04,200 Speaker 1: think not this one, in which the same rep said 48 00:03:04,280 --> 00:03:07,600 Speaker 1: something to the effect of mister Major just looks forward 49 00:03:07,639 --> 00:03:11,280 Speaker 1: to clearing his name completely, or something to that effect. Obviously, 50 00:03:12,480 --> 00:03:14,800 Speaker 1: this is not good, not a lot of information to 51 00:03:14,919 --> 00:03:18,560 Speaker 1: go on, and we're waiting for more information before we 52 00:03:18,600 --> 00:03:26,520 Speaker 1: say more about it. But obviously troubling up. Next, Yellowjackets, 53 00:03:31,800 --> 00:03:34,200 Speaker 1: we're stepping out of the airlock for the season two 54 00:03:34,320 --> 00:03:38,520 Speaker 1: premiere of Yellow Jackets on the beleaguered Showtime network. 55 00:03:39,640 --> 00:03:42,040 Speaker 3: Be Lee Good. If you tried to watch it this weekend, 56 00:03:42,200 --> 00:03:43,800 Speaker 3: you may agree with that statement. 57 00:03:44,400 --> 00:03:47,040 Speaker 1: Well, let's talk about that for a brief second before 58 00:03:47,040 --> 00:03:51,400 Speaker 1: we get into the recap. Originally the show was supposed 59 00:03:51,440 --> 00:03:53,280 Speaker 1: to come out at a certain date, but then it 60 00:03:53,320 --> 00:03:55,400 Speaker 1: turned out not to be the date. What happened there? 61 00:03:56,000 --> 00:04:00,760 Speaker 3: My understanding is that the show was released on streaming 62 00:04:00,920 --> 00:04:04,840 Speaker 3: on the Showtime app as they advertise on the twenty fourth, 63 00:04:04,880 --> 00:04:09,080 Speaker 3: but the premiere date, as promoted multiple times, was Sunday 64 00:04:09,120 --> 00:04:10,960 Speaker 3: the twenty sixth, which is when it is airing on 65 00:04:11,000 --> 00:04:17,280 Speaker 3: the Showtime network, going up against succession on broadcast. It 66 00:04:17,400 --> 00:04:21,360 Speaker 3: was unclear at best, but I will shout out to 67 00:04:21,400 --> 00:04:23,920 Speaker 3: the discord once again because so many people went in 68 00:04:23,960 --> 00:04:25,520 Speaker 3: there and were like, guys, I just want to let 69 00:04:25,520 --> 00:04:27,159 Speaker 3: you know you can watch it right now, and luckily 70 00:04:27,200 --> 00:04:29,200 Speaker 3: the internet new and now everyone can watch it, and 71 00:04:30,120 --> 00:04:34,720 Speaker 3: we have confirmed that that will be the release schedule 72 00:04:34,800 --> 00:04:36,720 Speaker 3: going forward. You will always be able to watch it 73 00:04:36,760 --> 00:04:39,840 Speaker 3: on the Showtime app on streaming on the Friday, and 74 00:04:39,880 --> 00:04:42,200 Speaker 3: on Sunday, you can watch it on old school cable 75 00:04:42,240 --> 00:04:46,200 Speaker 3: and we will be talking about it on our Wednesday episodes. 76 00:04:46,320 --> 00:04:48,039 Speaker 2: Oh folks, and it's a lot to talk. 77 00:04:51,880 --> 00:04:55,919 Speaker 3: WHOA Okay, so it's me Rosie. You can hear my voice, 78 00:04:56,040 --> 00:04:59,400 Speaker 3: not Jason's voice. Shocking twist, just like this episode is 79 00:04:59,400 --> 00:05:04,880 Speaker 3: full of. This episode of Yellowjackets has an unbelievable name 80 00:05:05,240 --> 00:05:08,680 Speaker 3: that you will surely laugh or cry about once you 81 00:05:08,800 --> 00:05:14,120 Speaker 3: see the final scene of the episode. It is called Friends, Romans, Countrymen, 82 00:05:14,600 --> 00:05:17,880 Speaker 3: written by Ashley Lyle and Bart Nickerson. The two of 83 00:05:17,880 --> 00:05:22,280 Speaker 3: the showrunners and directed by Daisy von Schirlemeier. Welcome back 84 00:05:22,320 --> 00:05:24,960 Speaker 3: to the Wilderness, Baby. The girls are trying to survive 85 00:05:24,960 --> 00:05:28,760 Speaker 3: a harsh winner and it is not going well. It's 86 00:05:28,800 --> 00:05:30,800 Speaker 3: not going well. Travis and that have taken on the 87 00:05:30,880 --> 00:05:33,560 Speaker 3: roles of full time hunter gatherers, which we kind of 88 00:05:33,600 --> 00:05:38,120 Speaker 3: saw teased in the last season. But while that seems sensible, 89 00:05:38,160 --> 00:05:42,920 Speaker 3: they are also entrenched in Lottie's strange wilderness rituals. 90 00:05:43,520 --> 00:05:50,040 Speaker 1: Yeah, you know Lottie, who you may remember nearly led 91 00:05:50,200 --> 00:05:55,680 Speaker 1: a cannibalistic murder and sexual assault. Very came very very 92 00:05:55,680 --> 00:05:57,920 Speaker 1: close to happening. Well, the sexual assault thing, I think 93 00:05:57,960 --> 00:05:59,360 Speaker 1: you could argue did. 94 00:05:59,360 --> 00:06:04,360 Speaker 3: Happened ther The murder only was stopped by nat who 95 00:06:04,400 --> 00:06:07,560 Speaker 3: stopped Shahna from splitting Travis's throat open with a knife. 96 00:06:08,480 --> 00:06:12,560 Speaker 1: And Ladie is continuing down their paths of Now, remember 97 00:06:13,040 --> 00:06:18,000 Speaker 1: she has gone off her medication. She's neurodivergent in some fashion, 98 00:06:18,400 --> 00:06:20,520 Speaker 1: bipolar or I forget. 99 00:06:20,160 --> 00:06:25,360 Speaker 3: Which was unclear. I believe that. I believe Internet sleuths 100 00:06:25,560 --> 00:06:30,560 Speaker 3: saw that her medication was currently used. It was regularly 101 00:06:30,640 --> 00:06:34,280 Speaker 3: used for people who have schizophrenia. I will also note 102 00:06:34,640 --> 00:06:37,760 Speaker 3: that the mysterious nature of the show. We also know 103 00:06:37,800 --> 00:06:41,120 Speaker 3: that Lottie has had visions that have come true, and 104 00:06:41,160 --> 00:06:47,520 Speaker 3: there is a chance that potentially she is medicated for 105 00:06:47,800 --> 00:06:50,680 Speaker 3: reasons unknown, and we kind of see that her parents 106 00:06:51,279 --> 00:06:55,000 Speaker 3: have a distant relationship with their daughter and her mental health. 107 00:06:55,080 --> 00:06:57,120 Speaker 3: But basically, I'm going to tell you she's not doing 108 00:06:57,200 --> 00:07:01,520 Speaker 3: very well because when Travis and Travis then Nat go out, 109 00:07:01,640 --> 00:07:03,679 Speaker 3: she makes him drink a tea that has her blood 110 00:07:03,720 --> 00:07:03,919 Speaker 3: at it. 111 00:07:04,839 --> 00:07:07,839 Speaker 1: Right, not to mention the fact that if you, you know, 112 00:07:07,920 --> 00:07:09,880 Speaker 1: if your schizophrenic and you go off your meds, you 113 00:07:09,920 --> 00:07:13,240 Speaker 1: definitely shouldn't medicate with mushrooms, which is a thing that 114 00:07:13,360 --> 00:07:15,640 Speaker 1: happened and could be have very adverse effects. 115 00:07:15,880 --> 00:07:19,320 Speaker 3: Also, dropping off dropping off any meds is like a 116 00:07:19,360 --> 00:07:20,320 Speaker 3: recipe for disaster. 117 00:07:20,440 --> 00:07:21,240 Speaker 2: Yeah, and not good. 118 00:07:21,600 --> 00:07:27,160 Speaker 1: I will say, to your point about her medication and 119 00:07:27,200 --> 00:07:33,520 Speaker 1: her parents, I am eager to raise the possibility that 120 00:07:33,640 --> 00:07:36,920 Speaker 1: there is some kind of deeper conspiracy going on. 121 00:07:37,240 --> 00:07:38,640 Speaker 2: But I'll get to I'll raise that. 122 00:07:39,040 --> 00:07:41,440 Speaker 3: Get that I love, We'll get to that. So it's 123 00:07:41,720 --> 00:07:44,640 Speaker 3: the really interesting thing here is Travis kind of embraces it. 124 00:07:44,640 --> 00:07:47,360 Speaker 3: He drinks the blood tea, he goes for it and 125 00:07:47,960 --> 00:07:51,120 Speaker 3: you're starting to see where we stand two months later. Now, 126 00:07:51,240 --> 00:07:53,440 Speaker 3: Nat is not about this shit. She says, it's not 127 00:07:53,480 --> 00:07:56,280 Speaker 3: like this wicker bullshit is doing us good. But as 128 00:07:56,360 --> 00:07:59,000 Speaker 3: Lly points out, they keep coming back from the woods alive. 129 00:07:59,120 --> 00:08:01,160 Speaker 3: So drink that blood and head out on the way. 130 00:08:02,720 --> 00:08:06,280 Speaker 3: She's like, is it working? And then you know we're 131 00:08:06,280 --> 00:08:08,760 Speaker 3: going to get a kind of this is foreshadowing or 132 00:08:08,800 --> 00:08:11,960 Speaker 3: we were right moment here we see Lottie draw the 133 00:08:12,080 --> 00:08:16,800 Speaker 3: strange symhol that we now know is the symbol of 134 00:08:16,960 --> 00:08:20,520 Speaker 3: her modern day cult. But before that very interesting moment here, 135 00:08:20,560 --> 00:08:22,760 Speaker 3: we skipped to a year we haven't seen before, nineteen 136 00:08:22,920 --> 00:08:27,040 Speaker 3: ninety eight and he's come home. Yep, it's a press frenzy, 137 00:08:27,200 --> 00:08:31,640 Speaker 3: like absolute madness at the airport. They are not thinking 138 00:08:31,640 --> 00:08:34,160 Speaker 3: about these children's mental health in any way, shape or form. 139 00:08:34,200 --> 00:08:38,520 Speaker 3: They are absolutely raiding her, and no surprise is Lottie 140 00:08:38,600 --> 00:08:42,120 Speaker 3: is dealing with it worse than anyone. She is silent, 141 00:08:42,440 --> 00:08:45,040 Speaker 3: she won't talk. Her parents say she barely eats, and 142 00:08:45,080 --> 00:08:47,600 Speaker 3: we immediately see them take her to the doctor. They 143 00:08:47,640 --> 00:08:50,520 Speaker 3: request that they want her to be fixed, and soon 144 00:08:50,600 --> 00:08:52,080 Speaker 3: she's getting electric shock therapy. 145 00:08:52,320 --> 00:08:56,960 Speaker 1: Okay, so in this scene, when you know we're watching 146 00:08:57,000 --> 00:09:03,040 Speaker 1: the news reports of them coming back to civilization after 147 00:09:03,080 --> 00:09:08,080 Speaker 1: their rescue. Somewhere in the woods, we hear the reporter 148 00:09:08,280 --> 00:09:12,600 Speaker 1: say that they were the plane crashed eight hundred miles 149 00:09:12,720 --> 00:09:15,560 Speaker 1: off of the plight the flight path like that it was. 150 00:09:17,520 --> 00:09:19,440 Speaker 1: It was in a place where no one was even looking, 151 00:09:20,240 --> 00:09:24,800 Speaker 1: leading me to ask, what is going on here? There's 152 00:09:24,920 --> 00:09:28,520 Speaker 1: another plane there, there's like that part of the woods. 153 00:09:28,600 --> 00:09:33,360 Speaker 1: There's something weird going on there, and what would lead 154 00:09:33,559 --> 00:09:36,360 Speaker 1: the plane to be over there in the first case? 155 00:09:36,800 --> 00:09:39,120 Speaker 3: So you're asking the important questions. One I will say, 156 00:09:39,160 --> 00:09:42,280 Speaker 3: as a as a devout hater of Loti's parents from 157 00:09:42,320 --> 00:09:44,720 Speaker 3: the first season and in the second season, I will say, 158 00:09:44,760 --> 00:09:47,520 Speaker 3: I think there's a very sad, logical reason which I 159 00:09:47,559 --> 00:09:49,160 Speaker 3: don't think is going to be the answer, but I'll 160 00:09:49,160 --> 00:09:52,439 Speaker 3: cover it. First, Loy's dad hired that plane. Loyi's dad 161 00:09:52,440 --> 00:09:54,760 Speaker 3: hated having a kid with mental health. I think there's 162 00:09:54,800 --> 00:09:57,599 Speaker 3: a very good chance that that was a way for 163 00:09:57,679 --> 00:09:59,040 Speaker 3: him to get rid of this kid that he saw 164 00:09:59,080 --> 00:10:01,360 Speaker 3: as a burden. But I think the reason you're asking 165 00:10:01,360 --> 00:10:04,440 Speaker 3: important questions is because the reality is, as we see 166 00:10:04,440 --> 00:10:07,360 Speaker 3: in this episode, we're really getting into lost territory here, 167 00:10:08,000 --> 00:10:11,560 Speaker 3: let's talk about it. We're talking about Bermuda Triangle, people 168 00:10:11,600 --> 00:10:15,400 Speaker 3: getting potentially lost, planes ending up in this strange space. 169 00:10:15,559 --> 00:10:18,840 Speaker 3: Something is drawing people here, and I don't think Lottie 170 00:10:18,920 --> 00:10:23,040 Speaker 3: was wrong to say that the forest is trying to 171 00:10:23,120 --> 00:10:23,720 Speaker 3: keep them there. 172 00:10:24,320 --> 00:10:25,360 Speaker 2: Yeah, I think you're right. 173 00:10:25,800 --> 00:10:29,520 Speaker 3: And well, in the modern day, we see Lotty at 174 00:10:29,520 --> 00:10:34,839 Speaker 3: her wellness retreat aka a cult. Yes, it's a cult, 175 00:10:34,960 --> 00:10:36,760 Speaker 3: And in an interview that I wrote up at IGN, 176 00:10:36,840 --> 00:10:38,840 Speaker 3: the creators kind of talked about how they were inspired 177 00:10:38,840 --> 00:10:41,440 Speaker 3: by real wellness leaders and kind of people who had 178 00:10:41,760 --> 00:10:45,360 Speaker 3: used their platforms to end up creating cults around them. 179 00:10:45,480 --> 00:10:47,360 Speaker 3: It's called Camp Green Pine. Now I just have to 180 00:10:47,400 --> 00:10:51,240 Speaker 3: say something. It looks like the wilderness where they were lost, right, 181 00:10:51,600 --> 00:10:54,079 Speaker 3: But she literally looks like she's just gone back to 182 00:10:54,120 --> 00:10:54,880 Speaker 3: where they crashed. 183 00:10:55,320 --> 00:10:59,000 Speaker 1: I am saying. I think when Lartie came back, part 184 00:10:59,040 --> 00:11:00,920 Speaker 1: of the reason why she was talking is because she 185 00:11:01,000 --> 00:11:04,240 Speaker 1: fucking loved it out there. She was in her element, 186 00:11:04,679 --> 00:11:06,199 Speaker 1: she was having a great time, and then all of 187 00:11:06,240 --> 00:11:08,080 Speaker 1: a sudden, she's back in this place she doesn't want 188 00:11:08,120 --> 00:11:11,520 Speaker 1: to be. And it's I think quite fitting that it 189 00:11:11,559 --> 00:11:14,480 Speaker 1: appears that she has created a life that allows her to. 190 00:11:14,400 --> 00:11:15,800 Speaker 2: Return to that energy. 191 00:11:16,200 --> 00:11:19,880 Speaker 1: I completely And you know what, the pink and moive 192 00:11:20,280 --> 00:11:25,480 Speaker 1: and purple choor jackets are pretty nice, pretty nice. Always 193 00:11:25,520 --> 00:11:30,400 Speaker 1: beware when when these wellness people start wearing the same shit. 194 00:11:30,600 --> 00:11:33,440 Speaker 3: Yes, when it starts that you have a uniform, Yeah, 195 00:11:33,440 --> 00:11:35,320 Speaker 3: it's gonna go chadly, it's gonna. 196 00:11:35,080 --> 00:11:35,400 Speaker 2: Go a matter. 197 00:11:35,600 --> 00:11:38,120 Speaker 3: And she's giving like a speech that I think really 198 00:11:38,160 --> 00:11:40,520 Speaker 3: speaks to your point, which is she's talking about like 199 00:11:40,640 --> 00:11:45,040 Speaker 3: primal selves and how we all we can only help ourselves, 200 00:11:45,040 --> 00:11:46,680 Speaker 3: no one else can help us. And then she says 201 00:11:46,720 --> 00:11:49,800 Speaker 3: something really interesting again I think leads into our lost theory, 202 00:11:49,880 --> 00:11:53,920 Speaker 3: where she basically says it doesn't matter because it isn't real, 203 00:11:54,160 --> 00:11:57,520 Speaker 3: and everyone just starts screaming it isn't real, it isn't real, 204 00:11:57,640 --> 00:12:00,120 Speaker 3: and you're like, not good, No good sounds bad. And 205 00:12:00,160 --> 00:12:03,120 Speaker 3: after that very good Nightties credit sequence, which if you 206 00:12:03,200 --> 00:12:05,640 Speaker 3: want to, you can go through at half speed and 207 00:12:05,679 --> 00:12:08,360 Speaker 3: find many clips that will occur later in the season, 208 00:12:08,440 --> 00:12:10,000 Speaker 3: just like they did in season one. I did an 209 00:12:10,040 --> 00:12:15,720 Speaker 3: analysis at IGN about it. We come to a shocking revelation, 210 00:12:15,800 --> 00:12:18,200 Speaker 3: which is that Shawner is being interviewed by the police 211 00:12:18,360 --> 00:12:22,560 Speaker 3: about Adam's murder and they're asking very questions because guess what, 212 00:12:22,840 --> 00:12:26,440 Speaker 3: it's not the police, it's Misty' Misty with a voice 213 00:12:26,960 --> 00:12:29,960 Speaker 3: Transforpreme style voice transformer. 214 00:12:30,120 --> 00:12:33,040 Speaker 1: And again you have to say, here, okay, so Missy 215 00:12:33,120 --> 00:12:38,079 Speaker 1: one of my favorite characters in recent TV history, one 216 00:12:38,120 --> 00:12:40,000 Speaker 1: of the most for my money, one of the most 217 00:12:40,040 --> 00:12:43,640 Speaker 1: original characters you know, that I've ever seen on television. 218 00:12:44,160 --> 00:12:49,480 Speaker 1: She is chaos, she is amoral. She is you know, 219 00:12:49,520 --> 00:12:51,120 Speaker 1: if you had to put her in a slot, you'd 220 00:12:51,120 --> 00:12:52,040 Speaker 1: say she's a villain. 221 00:12:52,240 --> 00:12:54,040 Speaker 3: She's a murderer. We've seen her kill people. 222 00:12:54,120 --> 00:12:55,119 Speaker 2: She's a murderer. 223 00:12:55,600 --> 00:12:59,000 Speaker 1: She is probably the reason they were not rescued from 224 00:12:59,080 --> 00:13:02,640 Speaker 1: the woods a lot, because she destroyed the the transmitter. 225 00:13:03,440 --> 00:13:06,520 Speaker 1: She made them all trip on mushrooms, on and on 226 00:13:06,400 --> 00:13:11,240 Speaker 1: and on and on. But she's also right about everything. 227 00:13:11,480 --> 00:13:13,679 Speaker 3: Yes, I'm so glad you brought this up because one 228 00:13:13,960 --> 00:13:17,679 Speaker 3: Samantha Hanray Christina Ricci unbelievable. I have to say both. 229 00:13:17,760 --> 00:13:20,559 Speaker 3: All of the casting in this show is like unreal 230 00:13:20,760 --> 00:13:24,000 Speaker 3: how much they managed to get two different actors to 231 00:13:24,040 --> 00:13:26,400 Speaker 3: portray the same character and make it believable. But I 232 00:13:26,440 --> 00:13:28,280 Speaker 3: told I'm so glad you brought this up because this 233 00:13:28,320 --> 00:13:31,920 Speaker 3: episode especially proves they would be fucked without mystique, they 234 00:13:31,960 --> 00:13:34,920 Speaker 3: were fucked. She looked, Okay, did she break the black 235 00:13:34,960 --> 00:13:38,760 Speaker 3: box there? Yes, I have, I will. I will admit that. 236 00:13:38,920 --> 00:13:41,760 Speaker 3: But they probably wouldn't have survived even the two weeks 237 00:13:41,800 --> 00:13:43,679 Speaker 3: it took for them to rescue them, if they if 238 00:13:43,679 --> 00:13:45,920 Speaker 3: she hadn't. Without her, she was the one who knew 239 00:13:45,920 --> 00:13:48,160 Speaker 3: the weird survivalist ship. She knew how to court her 240 00:13:48,200 --> 00:13:52,880 Speaker 3: as a wound. She is indispensable in the narrative world 241 00:13:52,960 --> 00:13:55,360 Speaker 3: that they have created. And I love that that continues 242 00:13:55,360 --> 00:13:59,240 Speaker 3: now because they had to call her to dispose of 243 00:13:59,240 --> 00:14:03,160 Speaker 3: Adam's body. Now she's training, she's training, sure, not on 244 00:14:03,200 --> 00:14:07,080 Speaker 3: how to stop, not not tell the police everything because 245 00:14:07,080 --> 00:14:08,359 Speaker 3: Sean's gonna. 246 00:14:09,679 --> 00:14:12,400 Speaker 1: She's gonna Sean is gonna need that tree. And it 247 00:14:12,480 --> 00:14:16,520 Speaker 1: goes Natalie would have relapsed addiction if not. 248 00:14:16,559 --> 00:14:19,000 Speaker 3: And we will get to that too, because Natalie would 249 00:14:19,000 --> 00:14:20,960 Speaker 3: also have just disappeared off the face of the earth, 250 00:14:21,000 --> 00:14:22,960 Speaker 3: and no one would have cared. And if you're questioning 251 00:14:23,280 --> 00:14:26,520 Speaker 3: whether Misty's only doing this because she loves, you know, 252 00:14:26,640 --> 00:14:31,360 Speaker 3: murder and terrible things. No, she even made Sanna a giant. Yeah, 253 00:14:31,400 --> 00:14:34,440 Speaker 3: she made Shanna a giant cookie that said, let me 254 00:14:34,480 --> 00:14:37,800 Speaker 3: speak to my lawyer. She was like, she is a 255 00:14:37,840 --> 00:14:40,080 Speaker 3: true friend and in the world of yellow Jackets, she 256 00:14:40,240 --> 00:14:43,800 Speaker 3: is indispensable, even as like a crazy serial killer. You're 257 00:14:43,880 --> 00:14:47,440 Speaker 3: lucky to have her on side, absolutely, and they do 258 00:14:47,520 --> 00:14:50,200 Speaker 3: not respect that. Seanna's kind of like boy and her 259 00:14:50,240 --> 00:14:52,320 Speaker 3: off and she wants to go back home, and she's like, 260 00:14:52,360 --> 00:14:56,320 Speaker 3: we're fine, nothing's gonna happen. Tysa is struggling because her 261 00:14:56,320 --> 00:14:59,960 Speaker 3: wife found her bloodshot shrine at the end of last year, 262 00:15:00,840 --> 00:15:03,160 Speaker 3: which we'll talk about more, because I think they're playing 263 00:15:03,160 --> 00:15:06,960 Speaker 3: a very interesting game with the way we perceive whether 264 00:15:07,040 --> 00:15:09,840 Speaker 3: Tye really knows what's going on. But that comes to 265 00:15:09,920 --> 00:15:12,720 Speaker 3: a head outside of her son's school, where she tries 266 00:15:12,760 --> 00:15:16,200 Speaker 3: to drop off a new dog, Steve, and love Steve. 267 00:15:16,240 --> 00:15:17,720 Speaker 3: He's so cute, it was I was a big fan 268 00:15:17,760 --> 00:15:20,160 Speaker 3: of this. Steve is actually also the best name, the 269 00:15:20,240 --> 00:15:22,120 Speaker 3: name of the best character in the Missile movie. 270 00:15:22,520 --> 00:15:25,600 Speaker 2: I hope Steve makes it for the entire s me too. 271 00:15:25,680 --> 00:15:28,240 Speaker 3: I love Steve, and I'm sure this is going to 272 00:15:28,280 --> 00:15:31,200 Speaker 3: come into play. But her wife basically says like, if 273 00:15:31,240 --> 00:15:33,440 Speaker 3: you don't drop out of office and get some help, 274 00:15:33,480 --> 00:15:36,560 Speaker 3: Like I'm going to the press, and another way biggest. 275 00:15:36,200 --> 00:15:38,600 Speaker 2: As she should as should as. 276 00:15:38,720 --> 00:15:42,560 Speaker 1: Shrine blood shrine, and I'd be could you imagine if 277 00:15:42,560 --> 00:15:49,640 Speaker 1: you saw your potentially like psychotic ex who decapitated your 278 00:15:49,680 --> 00:15:54,960 Speaker 1: pet and created a weird like blood religious shrine in 279 00:15:55,000 --> 00:15:57,880 Speaker 1: your basement all of a sudden that you're divorcing yees 280 00:15:57,880 --> 00:15:59,640 Speaker 1: of a sudden like trying to pick up your child. 281 00:16:00,360 --> 00:16:02,560 Speaker 3: I think the most unsettling thing about that is not 282 00:16:02,800 --> 00:16:05,840 Speaker 3: the fact that she made it, though that is obviously horrific, 283 00:16:06,040 --> 00:16:08,800 Speaker 3: but also you'd have to deal with the existential horror 284 00:16:08,800 --> 00:16:11,640 Speaker 3: of the fact that it seemed to have worked because 285 00:16:11,680 --> 00:16:15,040 Speaker 3: Tis was gonna lose the election, and then she did 286 00:16:15,160 --> 00:16:18,560 Speaker 3: that and now she's a senator. Nat is nowhere to 287 00:16:18,560 --> 00:16:20,280 Speaker 3: be seen in the modern day. Of course, we know 288 00:16:20,320 --> 00:16:24,200 Speaker 3: she got kidnapped by Lottie's cult, and sure not is 289 00:16:24,280 --> 00:16:27,200 Speaker 3: just like unbelievably chill about the fact she killed a 290 00:16:27,240 --> 00:16:30,440 Speaker 3: man and is now covering it out very badly. In 291 00:16:30,520 --> 00:16:34,520 Speaker 3: a very cool moment, Misty basically like seeks out the 292 00:16:34,640 --> 00:16:37,040 Speaker 3: truth on her true crime boards to see if any 293 00:16:37,400 --> 00:16:40,680 Speaker 3: citizen detectives are going to uncover what happened in Adam's death, 294 00:16:40,960 --> 00:16:45,920 Speaker 3: and it does look like a faceless yet recognizable voice 295 00:16:45,920 --> 00:16:49,560 Speaker 3: of Elijah Woods may be coming closer to the truth 296 00:16:49,600 --> 00:16:51,600 Speaker 3: than Misty would like. So we're gonna get that Ice 297 00:16:51,680 --> 00:16:53,160 Speaker 3: Storm reunion sooner. 298 00:16:55,120 --> 00:16:57,400 Speaker 1: And I will say, as a person who spends a 299 00:16:57,440 --> 00:17:01,280 Speaker 1: lot of time on the unsolved mysteries read it. The 300 00:17:02,400 --> 00:17:06,240 Speaker 1: voicing of this, like the post itself in the styling, 301 00:17:06,720 --> 00:17:09,560 Speaker 1: felt very very much what you would say. 302 00:17:10,440 --> 00:17:13,640 Speaker 3: One I was like, this is and I loved how 303 00:17:13,680 --> 00:17:15,960 Speaker 3: in sync they are. There's this kind of that It's 304 00:17:15,960 --> 00:17:19,399 Speaker 3: written as a telegram something stop stop and Misty's like, 305 00:17:19,440 --> 00:17:21,000 Speaker 3: oh my god, this is getting tired. And at the 306 00:17:21,040 --> 00:17:24,000 Speaker 3: same time he writes this is getting tired, like I'm 307 00:17:24,000 --> 00:17:26,800 Speaker 3: tired of this. They're they're in sync already. And I 308 00:17:26,800 --> 00:17:30,399 Speaker 3: wouldn't be surprised if we saw Misty finally find a 309 00:17:30,520 --> 00:17:32,080 Speaker 3: romantic I was going to. 310 00:17:32,080 --> 00:17:36,520 Speaker 1: Say attraction absolutely feel the same way that it feels 311 00:17:36,520 --> 00:17:37,080 Speaker 1: like that's. 312 00:17:37,119 --> 00:17:38,920 Speaker 3: She's going to have to like team up with him 313 00:17:38,960 --> 00:17:41,920 Speaker 3: to pretend that they're solving the murder, but really she's 314 00:17:41,960 --> 00:17:44,680 Speaker 3: going to be stopping him. I mean it sounds delightful. 315 00:17:45,720 --> 00:17:49,560 Speaker 3: Sadly things are not delightful. In nineteen ninety six, where 316 00:17:49,560 --> 00:17:53,159 Speaker 3: the Rations are running low, which seems like it's going 317 00:17:53,240 --> 00:17:55,800 Speaker 3: to play into the further cannibal story arc that we 318 00:17:55,840 --> 00:17:58,200 Speaker 3: will inevitably be getting to. If you remember the first 319 00:17:59,000 --> 00:18:01,600 Speaker 3: episode of the first season where we saw the girls 320 00:18:01,640 --> 00:18:05,359 Speaker 3: eating some kind of meat in these strange cult costumes. Now, 321 00:18:05,760 --> 00:18:09,679 Speaker 3: good news turns out Jackie did survive her night in 322 00:18:09,720 --> 00:18:12,960 Speaker 3: the forest because Shawna is playing mash with her and 323 00:18:13,280 --> 00:18:15,120 Speaker 3: they're kind of talking about how she's gonna be married 324 00:18:15,160 --> 00:18:17,679 Speaker 3: to Jeff, and it seems great, Oh no, that's not 325 00:18:17,760 --> 00:18:20,480 Speaker 3: the case, dun center, Jackie is dead. 326 00:18:20,920 --> 00:18:25,879 Speaker 1: She's targeting to a flat out frozen gray corpse that 327 00:18:26,040 --> 00:18:28,600 Speaker 1: is like horrific to look at. 328 00:18:28,760 --> 00:18:32,080 Speaker 3: And for some reason, I would say trauma, grief, and 329 00:18:32,520 --> 00:18:37,080 Speaker 3: immense amounts of guilt. Shanna, now, as Marie mentions, just 330 00:18:37,240 --> 00:18:40,320 Speaker 3: chills in the meat shed with Jackie's dead body and 331 00:18:40,359 --> 00:18:43,520 Speaker 3: then comes out with like like rations and says, oh, 332 00:18:43,520 --> 00:18:45,720 Speaker 3: I was getting these, but everyone knows. She's just kind 333 00:18:45,760 --> 00:18:50,359 Speaker 3: of SnO, yeah, and they really dissect they play games together. 334 00:18:50,400 --> 00:18:54,760 Speaker 3: We see it's this very fun Norman Bates esque situation 335 00:18:54,880 --> 00:18:57,840 Speaker 3: where Shawna is talking about all the things she's guilty 336 00:18:57,840 --> 00:19:00,040 Speaker 3: about how her and Jeff got together. You know, the 337 00:19:00,200 --> 00:19:02,920 Speaker 3: future that she wants to have it. It's really sad 338 00:19:02,960 --> 00:19:05,920 Speaker 3: and Sophie Nellie's is so good, Like again, great costing. 339 00:19:06,080 --> 00:19:08,320 Speaker 3: You really feel like that's young Melanie Lynsky. 340 00:19:08,800 --> 00:19:15,200 Speaker 1: There's with Jackie and Shawna and then Shawna as an adult, 341 00:19:15,359 --> 00:19:23,960 Speaker 1: and there's something really interesting here about like sexuality and 342 00:19:24,200 --> 00:19:26,800 Speaker 1: the sense of like attraction, the things that turn a 343 00:19:26,840 --> 00:19:30,159 Speaker 1: person on but also shame. Yeah, certainly in the in 344 00:19:30,280 --> 00:19:33,640 Speaker 1: adult Shauna's life. We see this later in the episode. Yeah, 345 00:19:34,119 --> 00:19:37,840 Speaker 1: her and Jeff. You know, she she kind of allows 346 00:19:37,840 --> 00:19:39,960 Speaker 1: herself to be vulnerable about the things that. 347 00:19:39,960 --> 00:19:40,719 Speaker 3: Turn her on. 348 00:19:41,600 --> 00:19:45,320 Speaker 1: And it's very interesting because, you know, Jackie and Jeff. 349 00:19:47,080 --> 00:19:50,600 Speaker 1: The issue there was that Jackie was not ready to 350 00:19:50,760 --> 00:19:56,000 Speaker 1: have sex with Jeff and and Shaana you could say, 351 00:19:56,200 --> 00:19:58,600 Speaker 1: kind of use that as a way to kind of 352 00:19:58,640 --> 00:20:03,040 Speaker 1: pull Jeff into her web. And the way that represents 353 00:20:03,760 --> 00:20:08,080 Speaker 1: in in Shawna's psyche is really fascinating. 354 00:20:08,080 --> 00:20:09,919 Speaker 3: Really, Yeah, I think that's such a great point. I 355 00:20:09,960 --> 00:20:12,160 Speaker 3: loved that moment where she's taught that her and Jackie 356 00:20:12,160 --> 00:20:15,960 Speaker 3: are arguing about it. Jackie says it was because the 357 00:20:15,960 --> 00:20:18,080 Speaker 3: reason we argued was because I wouldn't sleep with him 358 00:20:18,119 --> 00:20:20,639 Speaker 3: you know, And Shawna says, oh, I'm so sorry I 359 00:20:20,680 --> 00:20:23,640 Speaker 3: didn't know, because it's just her psyche. Jackie goes, yeah, 360 00:20:23,640 --> 00:20:27,200 Speaker 3: you did. And it's this great kind of personal argument 361 00:20:27,240 --> 00:20:29,959 Speaker 3: about the way you can repress things that you're ashamed 362 00:20:30,000 --> 00:20:32,600 Speaker 3: of and things that you did. And also I feel like, 363 00:20:32,640 --> 00:20:34,480 Speaker 3: for the first time in this episode, we get it 364 00:20:34,480 --> 00:20:36,320 Speaker 3: with a little bit with Van and Tye in the wilderness, 365 00:20:36,320 --> 00:20:38,919 Speaker 3: and we get it here the kind of reminder of 366 00:20:38,920 --> 00:20:42,640 Speaker 3: how different things were in the nineties about sex, especially 367 00:20:42,640 --> 00:20:45,639 Speaker 3: for young women, about being queer or about being sexually active. 368 00:20:46,119 --> 00:20:49,520 Speaker 3: But anyway, you know what, that doesn't matter because what 369 00:20:49,840 --> 00:20:52,920 Speaker 3: ultimately ends up happening is that Shawna does not learn 370 00:20:52,960 --> 00:20:55,920 Speaker 3: something from this. Shawna gets angry at her own psyche 371 00:20:56,000 --> 00:20:58,840 Speaker 3: and her own dead best friend and knocks her over, 372 00:20:59,560 --> 00:21:02,960 Speaker 3: knocking off Jackie's ear, which will set on a domino 373 00:21:03,200 --> 00:21:06,199 Speaker 3: effect to the final moments of this episode that you 374 00:21:06,240 --> 00:21:08,719 Speaker 3: will not believe. So, you know what, instead of just 375 00:21:09,040 --> 00:21:11,159 Speaker 3: leaving it there in the meat shed, she puts it 376 00:21:11,200 --> 00:21:11,800 Speaker 3: in her pocket. 377 00:21:13,200 --> 00:21:16,480 Speaker 1: And I question, I questioned the decision making, but I 378 00:21:16,520 --> 00:21:16,920 Speaker 1: get it. 379 00:21:17,040 --> 00:21:17,439 Speaker 3: I get it. 380 00:21:17,480 --> 00:21:17,840 Speaker 4: You know what. 381 00:21:19,280 --> 00:21:22,680 Speaker 3: Is chaos in Shana is this is what I love 382 00:21:22,720 --> 00:21:26,280 Speaker 3: about this episode, and I love how the beginning of 383 00:21:26,320 --> 00:21:28,119 Speaker 3: this season I feel like it was close to it 384 00:21:28,160 --> 00:21:30,160 Speaker 3: at the end because Shorna killed Adam, but they kind 385 00:21:30,160 --> 00:21:32,920 Speaker 3: of made narrative allowances. By the end of this episode, 386 00:21:32,920 --> 00:21:37,320 Speaker 3: I'm like, sure that is the chaos cyclone that everything 387 00:21:37,320 --> 00:21:38,680 Speaker 3: else happens around. 388 00:21:39,119 --> 00:21:46,080 Speaker 1: I agree, thing bad. She is like a high functioning freak, 389 00:21:46,520 --> 00:21:50,480 Speaker 1: you know, she puts she has this facade of the 390 00:21:50,600 --> 00:21:55,679 Speaker 1: regular wife and mother, you know, living this kind of 391 00:21:56,119 --> 00:21:59,360 Speaker 1: upper middle class suburban life, like after the terrible things 392 00:21:59,359 --> 00:22:02,159 Speaker 1: had happened, yeah, because of the crash and when she 393 00:22:02,240 --> 00:22:08,280 Speaker 1: was teenager, But in reality, inside she is just a mess. 394 00:22:08,520 --> 00:22:10,879 Speaker 3: Yeah, And that's I think that's why the show speaks 395 00:22:10,880 --> 00:22:13,000 Speaker 3: to so many people, because there's so many great moments 396 00:22:13,040 --> 00:22:17,520 Speaker 3: about like the perception Shana is the unsatisfied suburban housewife 397 00:22:17,520 --> 00:22:19,680 Speaker 3: but she wouldn't hurt anyone. But in that first season, 398 00:22:19,680 --> 00:22:21,679 Speaker 3: you ever just kill that rabbit who's in her garden. 399 00:22:21,920 --> 00:22:24,399 Speaker 3: She has this violence and this fury in her that 400 00:22:24,480 --> 00:22:27,880 Speaker 3: she may hide better than someone like Misty, but it's 401 00:22:27,880 --> 00:22:31,080 Speaker 3: still there and it makes these characters just ultimately compelling. 402 00:22:31,560 --> 00:22:34,920 Speaker 1: And Misty knows who she is, like her lies come 403 00:22:34,960 --> 00:22:37,080 Speaker 1: from the fact that she knows who she's and she 404 00:22:37,160 --> 00:22:40,320 Speaker 1: needs to hide it right, and she understands that, she 405 00:22:40,400 --> 00:22:43,760 Speaker 1: understands how the world would reject her. Shauna is Shauna 406 00:22:44,800 --> 00:22:48,520 Speaker 1: hates her life, hates everything about her life, how normal 407 00:22:48,520 --> 00:22:48,760 Speaker 1: it is. 408 00:22:48,800 --> 00:22:52,040 Speaker 2: She has always kind of we see her she's. 409 00:22:51,920 --> 00:22:54,760 Speaker 3: Scared of becoming her mom and marrying Jeff, living that 410 00:22:54,800 --> 00:22:57,800 Speaker 3: suburban life when she's a teen, but that's exactly what 411 00:22:57,880 --> 00:22:58,800 Speaker 3: happens to her. 412 00:22:59,040 --> 00:23:01,640 Speaker 1: And so she's always kind of craved a more kind 413 00:23:01,680 --> 00:23:04,160 Speaker 1: of dangerous existence, but at the same time been afraid 414 00:23:04,160 --> 00:23:06,840 Speaker 1: to like go after it, and so she is drawn 415 00:23:06,920 --> 00:23:09,880 Speaker 1: to these situations that could just blow up her life, 416 00:23:10,160 --> 00:23:12,000 Speaker 1: Like that is the thing she can that's such a 417 00:23:12,000 --> 00:23:16,680 Speaker 1: good way. Often is like anything that could absolutely melt 418 00:23:16,800 --> 00:23:20,680 Speaker 1: her entire life down, destroy everything, turned her daughter against her, 419 00:23:21,040 --> 00:23:24,399 Speaker 1: turn her husband against her, in prison, put her in prison, 420 00:23:24,680 --> 00:23:27,160 Speaker 1: that is the stuff that attracts her. 421 00:23:27,400 --> 00:23:30,480 Speaker 3: Yeah, And we actually we get a great glimpse of 422 00:23:30,520 --> 00:23:33,160 Speaker 3: that too, because we start to see that Shanna isn't 423 00:23:33,160 --> 00:23:35,680 Speaker 3: actually that bothered about covering up Adam's murder at all, 424 00:23:36,920 --> 00:23:39,600 Speaker 3: and she is out of all the girls in the nineties, 425 00:23:39,640 --> 00:23:42,560 Speaker 3: she is dealing with the crash the worst. At this point, 426 00:23:42,720 --> 00:23:45,560 Speaker 3: Misty she's doing okay. She's a little bit upset that 427 00:23:45,600 --> 00:23:47,919 Speaker 3: she's been cut off from cooking Jewy, seeing as she 428 00:23:48,040 --> 00:23:51,640 Speaker 3: poisoned everyone with mushrooms, and not only that, but purposefully 429 00:23:51,680 --> 00:23:56,120 Speaker 3: poisoned assistant coach Ben. This is also interesting here because 430 00:23:56,160 --> 00:23:58,879 Speaker 3: we basically get a look at the JV squad, who 431 00:23:58,920 --> 00:24:01,080 Speaker 3: were barely in the last season. You might have seen 432 00:24:01,119 --> 00:24:04,720 Speaker 3: a couple of them ends, but now they take sent 433 00:24:04,760 --> 00:24:07,199 Speaker 3: a stage, including a new cast member who plays this 434 00:24:07,320 --> 00:24:10,720 Speaker 3: kind of theater love of Crystal, who's humming a lot 435 00:24:10,720 --> 00:24:13,639 Speaker 3: and annoying everyone and breaking into song. Very good, weird, 436 00:24:13,680 --> 00:24:16,880 Speaker 3: sketchy character. I love her. And the best thing is 437 00:24:17,280 --> 00:24:19,359 Speaker 3: that we get this moment here that kind of shows 438 00:24:19,359 --> 00:24:23,600 Speaker 3: that her and Misty might become friends as long as 439 00:24:23,640 --> 00:24:26,960 Speaker 3: Misty doesn't mind like harmonizing with her. Yes, And it's 440 00:24:27,000 --> 00:24:30,359 Speaker 3: like the offers too good for Misty to turn down 441 00:24:30,680 --> 00:24:32,840 Speaker 3: as someone who's always seeking out friendship and who has 442 00:24:32,920 --> 00:24:37,880 Speaker 3: yet to find any kind of friend in this kind 443 00:24:37,880 --> 00:24:40,639 Speaker 3: of terrified extremely hard. Yeah, And I think that's one 444 00:24:40,680 --> 00:24:43,240 Speaker 3: of the things Richie does so well here is she 445 00:24:43,800 --> 00:24:48,159 Speaker 3: she puts across this desperation this like trying too hard. 446 00:24:48,600 --> 00:24:51,000 Speaker 3: That makes you understand why it might push people away, 447 00:24:51,520 --> 00:24:56,360 Speaker 3: But it's incredibly empathetic and feels just really sad. It's 448 00:24:56,400 --> 00:24:59,760 Speaker 3: such a great nuanced performance that manages to be scary 449 00:24:59,800 --> 00:25:04,399 Speaker 3: and hilarious and sad and compassionate and creepy. It's so good. 450 00:25:05,160 --> 00:25:07,640 Speaker 3: And in the last two that we kind of catch 451 00:25:07,720 --> 00:25:09,920 Speaker 3: up with in the past of Van and Tye, who 452 00:25:10,080 --> 00:25:12,200 Speaker 3: this is very interesting to me. I guess I hadn't 453 00:25:12,200 --> 00:25:15,640 Speaker 3: really realized until this episode that their romance was entirely 454 00:25:15,720 --> 00:25:19,760 Speaker 3: secret from the other girls. This is something that they 455 00:25:19,800 --> 00:25:22,399 Speaker 3: are keeping. We hear girls reference Oh why are they 456 00:25:22,400 --> 00:25:26,080 Speaker 3: always hanging out? Exactly? Are they talking about their boyfriends? 457 00:25:26,160 --> 00:25:28,080 Speaker 3: All this kind of stuff. I found that to be 458 00:25:28,160 --> 00:25:31,040 Speaker 3: very interesting because I think that's setting up a potential 459 00:25:31,280 --> 00:25:34,600 Speaker 3: future conflict, and also it separates them off from the 460 00:25:34,640 --> 00:25:37,439 Speaker 3: rest of the group, which bodes badly because ty has 461 00:25:37,480 --> 00:25:41,720 Speaker 3: been having these violent nighttime outbursts. She's been hurting Van, 462 00:25:41,880 --> 00:25:44,280 Speaker 3: she's been climbing up trees, she's been eating dirt, and 463 00:25:44,320 --> 00:25:47,120 Speaker 3: it's gotten to the point where Van and Tye now 464 00:25:47,200 --> 00:25:50,600 Speaker 3: sleep in the attic with their arms tied together by rope. 465 00:25:51,800 --> 00:25:54,040 Speaker 3: So it's a desperate situation, but they love each other. 466 00:25:54,760 --> 00:25:57,879 Speaker 3: They will only continue. They will only continue, continue to 467 00:25:57,880 --> 00:25:59,560 Speaker 3: get more done. And let's be real, we know Van 468 00:25:59,680 --> 00:26:03,399 Speaker 3: is a said immortal. She survived that plane crash. Apparently 469 00:26:03,640 --> 00:26:05,560 Speaker 3: she survived getting more by a wolf. She is our 470 00:26:05,560 --> 00:26:06,800 Speaker 3: immortal gay and I love her. 471 00:26:07,480 --> 00:26:08,800 Speaker 2: X Ray Vision will be back. 472 00:26:18,040 --> 00:26:20,040 Speaker 3: And we're back in the present. In one of my 473 00:26:20,160 --> 00:26:23,080 Speaker 3: funniest moment. I've watched this episode so many times at 474 00:26:23,080 --> 00:26:25,080 Speaker 3: this point because of writing different stuff about it and 475 00:26:25,119 --> 00:26:29,240 Speaker 3: watching it for the pod and everything. So Jeff's failing 476 00:26:29,280 --> 00:26:31,560 Speaker 3: business that he had to go to a loan shark 477 00:26:31,800 --> 00:26:37,920 Speaker 3: for yeah, is now doing exceptionally well since his life murdered. 478 00:26:37,920 --> 00:26:40,919 Speaker 3: Like he answers the phone he's talking about this is McDonald's, 479 00:26:40,960 --> 00:26:46,439 Speaker 3: because I'm selling six pieces like crazy. This man is 480 00:26:46,600 --> 00:26:50,240 Speaker 3: loving life and the business is doing great since Shawna 481 00:26:50,359 --> 00:26:52,800 Speaker 3: murdered Adam, which I'm saying is a blood sacrifice that 482 00:26:52,840 --> 00:26:53,320 Speaker 3: went right. 483 00:26:53,560 --> 00:27:01,160 Speaker 1: I can't say yeah, I can't say. I am holding 484 00:27:01,320 --> 00:27:04,280 Speaker 1: to the idea that most of this stuff is just 485 00:27:04,359 --> 00:27:06,640 Speaker 1: kind of like in the eye of the beholder exactly. 486 00:27:07,359 --> 00:27:11,720 Speaker 1: It is really interesting, right, all of a sudden, his 487 00:27:12,080 --> 00:27:14,960 Speaker 1: business has just gone through the roofs. There's so many 488 00:27:15,000 --> 00:27:17,879 Speaker 1: people that the guts. 489 00:27:18,240 --> 00:27:20,720 Speaker 3: It's it's really fun because that's what I think I'm 490 00:27:20,800 --> 00:27:24,840 Speaker 3: loving the most about returning to this world is they're 491 00:27:24,880 --> 00:27:31,040 Speaker 3: giving us so much power in our subjectivity. Is it supernatural? 492 00:27:31,160 --> 00:27:31,520 Speaker 3: Is it not? 493 00:27:31,800 --> 00:27:31,879 Speaker 5: Is? 494 00:27:32,119 --> 00:27:34,360 Speaker 3: But after like the fourth time I watched the episode, 495 00:27:34,400 --> 00:27:37,720 Speaker 3: I was like, shit, why is just business going well? 496 00:27:37,800 --> 00:27:40,879 Speaker 3: I was like, this seems like it wasn't intentional. But 497 00:27:40,960 --> 00:27:43,600 Speaker 3: apparently in this world, if you just murder someone, like 498 00:27:44,080 --> 00:27:47,760 Speaker 3: something good's gonna happen to you. Speaking of weird culture 499 00:27:47,800 --> 00:27:49,960 Speaker 3: in the past, we kind of learned that Travis is 500 00:27:50,040 --> 00:27:55,119 Speaker 3: just completely consumed by the quest to find his brother Harvey. 501 00:27:55,160 --> 00:27:58,680 Speaker 3: That we last saw him on the Doom's Coming night 502 00:27:58,800 --> 00:28:00,919 Speaker 3: where he missed where he ran away after they were 503 00:28:00,920 --> 00:28:04,160 Speaker 3: trying to orgy murder his brother, and I mean troubling thing. 504 00:28:04,200 --> 00:28:05,159 Speaker 2: And I understand it. 505 00:28:05,320 --> 00:28:07,560 Speaker 3: Yeah, yeah, we get his feeling. I mean this is 506 00:28:07,680 --> 00:28:10,360 Speaker 3: ironically I kind of love that they wrote this into 507 00:28:10,440 --> 00:28:12,560 Speaker 3: the plot. It makes sense because it's his brother, but 508 00:28:12,640 --> 00:28:15,000 Speaker 3: it's also the thing that every viewer wants to know, 509 00:28:15,760 --> 00:28:19,160 Speaker 3: where is Harvey? Where is Harvey? Harvey wasn't Adam. They 510 00:28:19,160 --> 00:28:21,600 Speaker 3: did say they'd considered in the creators said that in 511 00:28:21,640 --> 00:28:25,639 Speaker 3: season one they'd considered Harvey being Adam and Adam being Harvey, 512 00:28:25,640 --> 00:28:27,600 Speaker 3: but they decided not to do it. So where is he? 513 00:28:27,880 --> 00:28:29,840 Speaker 3: Is he still alive? Did he die in the wilderness? 514 00:28:29,840 --> 00:28:32,960 Speaker 3: Travis is like seeing dead foxes and thinking it's his brother. 515 00:28:33,080 --> 00:28:36,600 Speaker 3: It's it's Nats like supporting him. She's going out and 516 00:28:36,640 --> 00:28:39,000 Speaker 3: searching for Harvey every day, even though it's winter and 517 00:28:39,040 --> 00:28:42,560 Speaker 3: it seems unlikely that he would be in any way alive. 518 00:28:42,720 --> 00:28:44,440 Speaker 3: But this is a show where people can survive a 519 00:28:44,480 --> 00:28:45,400 Speaker 3: wolf attack. 520 00:28:45,440 --> 00:28:51,560 Speaker 1: And everybody, everybody, I think he's alive simply because everyone 521 00:28:51,720 --> 00:28:55,200 Speaker 1: is like, there's no way, yeah, exactly. Like the amount 522 00:28:55,280 --> 00:28:58,200 Speaker 1: of people telling him that there's no way he's alive 523 00:28:58,600 --> 00:29:01,000 Speaker 1: tells me that he's got to be exactly. 524 00:29:01,120 --> 00:29:05,280 Speaker 3: And in a very weird moment, Lotty gives him like 525 00:29:05,320 --> 00:29:09,280 Speaker 3: a saucy boner inducing fireside vision when he's having a 526 00:29:09,320 --> 00:29:11,680 Speaker 3: panic attack. She like puts her hand on his chest 527 00:29:11,720 --> 00:29:15,560 Speaker 3: and shows him this tree stump that is kind of 528 00:29:15,640 --> 00:29:18,920 Speaker 3: pulsing with life, and she says, Harvey's okay, And obviously 529 00:29:19,000 --> 00:29:22,520 Speaker 3: NAT's like, fuck you, like say less, you can't say 530 00:29:22,520 --> 00:29:25,040 Speaker 3: that shit that. She's like say a lot fucking less 531 00:29:25,080 --> 00:29:28,200 Speaker 3: actually like, yeah, this is bad. You can't say that 532 00:29:28,240 --> 00:29:31,240 Speaker 3: to him, but that again to me, I am. I 533 00:29:31,360 --> 00:29:33,400 Speaker 3: believe that we could see at at Harvey this season, 534 00:29:33,440 --> 00:29:36,440 Speaker 3: and I believe he may well be with Lotty. 535 00:29:37,080 --> 00:29:38,200 Speaker 2: Yeah she could have. 536 00:29:38,320 --> 00:29:42,400 Speaker 3: She's she seems to have some kind of uh, survival 537 00:29:42,440 --> 00:29:44,600 Speaker 3: instincts within this forest. Like you said, it's somewhere that 538 00:29:44,680 --> 00:29:46,960 Speaker 3: she feels like she's thriving. Maybe there's somewhere that she's 539 00:29:47,000 --> 00:29:49,600 Speaker 3: hidden him away, or she's kind of keeping him secluded 540 00:29:49,640 --> 00:29:52,880 Speaker 3: and you know, inverted commas safe. We also learn something 541 00:29:52,880 --> 00:29:55,000 Speaker 3: interesting here again which I think really leads into the 542 00:29:55,080 --> 00:29:59,600 Speaker 3: lost of it All, which is like Nat while she 543 00:29:59,760 --> 00:30:03,840 Speaker 3: is helping Travis for his brother, is actually like making 544 00:30:03,880 --> 00:30:07,800 Speaker 3: a map and marking out the territory where they are. 545 00:30:07,960 --> 00:30:10,880 Speaker 3: It's good, and she's you know, she's using topological like 546 00:30:10,960 --> 00:30:13,960 Speaker 3: sketches to show mountains and she's doing this in secret 547 00:30:14,000 --> 00:30:17,239 Speaker 3: with Coach Ben. But there are like weird things about it, 548 00:30:17,280 --> 00:30:20,320 Speaker 3: like they're not finding any game, the animals are just gone, 549 00:30:21,000 --> 00:30:22,840 Speaker 3: and it kind of it's a very big map. So 550 00:30:22,880 --> 00:30:27,600 Speaker 3: I think we're gonna start to see some hints that 551 00:30:27,720 --> 00:30:29,840 Speaker 3: maybe everything is not what it seems but like you said, 552 00:30:29,840 --> 00:30:30,760 Speaker 3: it's all about perception. 553 00:30:31,120 --> 00:30:33,200 Speaker 1: I wonder if this is gonna end up being some 554 00:30:33,360 --> 00:30:38,920 Speaker 1: like top secret former military installation like X Men two, 555 00:30:39,200 --> 00:30:45,120 Speaker 1: you know what I mean, or like like Strikers, like Strikers, 556 00:30:45,280 --> 00:30:49,280 Speaker 1: like facility that created mutants, like for in Canada, something 557 00:30:49,440 --> 00:30:49,840 Speaker 1: like that. 558 00:30:49,840 --> 00:30:52,479 Speaker 3: That's like the belagued showtime. They're like, you know what 559 00:30:52,520 --> 00:30:54,920 Speaker 3: we need, we need roverin. We're just putting him in. 560 00:30:55,520 --> 00:30:59,680 Speaker 3: This is this is old man, Jonathan, he's been living 561 00:30:59,720 --> 00:31:03,280 Speaker 3: it now. I think you're right though, like essentially some 562 00:31:03,400 --> 00:31:08,040 Speaker 3: kind of X Men to Stranger Things kind of situation 563 00:31:08,200 --> 00:31:11,000 Speaker 3: where it's like, this is a weird military base. There's 564 00:31:11,000 --> 00:31:12,640 Speaker 3: a reason your plane would end up there. There's a 565 00:31:12,640 --> 00:31:14,480 Speaker 3: reason there was another plane there. There's a reason there's 566 00:31:14,480 --> 00:31:17,120 Speaker 3: a cabin there, you know, and there's a reason why 567 00:31:17,160 --> 00:31:19,160 Speaker 3: you're eight hundred miles away. I think that could be 568 00:31:19,680 --> 00:31:24,880 Speaker 3: a very interesting and quite likely twist, you know what, 569 00:31:25,520 --> 00:31:28,720 Speaker 3: even if that was the truth. Then some of the 570 00:31:28,720 --> 00:31:31,000 Speaker 3: girls got out, and somehow one of them was Shauna, 571 00:31:31,280 --> 00:31:34,920 Speaker 3: who is a true fool, Like I am everyday mad 572 00:31:34,960 --> 00:31:37,680 Speaker 3: at Shanna. She kept Adam's belongings. She said to Misty, 573 00:31:37,760 --> 00:31:40,719 Speaker 3: she destroyed everything. But actually she's like looking emotionally at 574 00:31:40,760 --> 00:31:44,520 Speaker 3: his ID card. She's dreaming of going to prison, like 575 00:31:44,920 --> 00:31:48,000 Speaker 3: and she's like calling up Jeff at his very successful 576 00:31:48,040 --> 00:31:51,040 Speaker 3: furniture business and she's like, hey, we got to destroy 577 00:31:51,040 --> 00:31:55,000 Speaker 3: Adam's things, including his art studio where I definitely never 578 00:31:55,040 --> 00:31:57,760 Speaker 3: went and definitely didn't have sex with him or kill him. 579 00:31:58,160 --> 00:32:02,160 Speaker 3: And I heard it some wear close, So let's. 580 00:32:02,080 --> 00:32:08,880 Speaker 2: Go what now. I think that Shawna is so repressed. 581 00:32:09,960 --> 00:32:14,120 Speaker 1: Because this is such a bad idea, like so bad, 582 00:32:14,200 --> 00:32:16,960 Speaker 1: Like this is like such a bad idea annals. 583 00:32:16,600 --> 00:32:20,640 Speaker 3: Of bad ideas that have been and bad plans in television. 584 00:32:20,720 --> 00:32:22,880 Speaker 3: This is up there in like top five, like don't. 585 00:32:22,720 --> 00:32:23,480 Speaker 2: Do it up there. 586 00:32:23,640 --> 00:32:26,000 Speaker 1: It's way way up there. And the only way it 587 00:32:26,040 --> 00:32:28,680 Speaker 1: makes sense is that Seanna is so repressed that what 588 00:32:28,880 --> 00:32:32,600 Speaker 1: happens there is the thing she wanted to happen all along. 589 00:32:32,680 --> 00:32:34,520 Speaker 3: Yeah, yeah, yeah, there's a reason that she went there 590 00:32:34,520 --> 00:32:37,480 Speaker 3: and that's the only way she could get and the 591 00:32:37,560 --> 00:32:40,040 Speaker 3: thing that is most interesting. So this also, I will 592 00:32:40,080 --> 00:32:42,640 Speaker 3: just say this is one of my tinfoil hat theories. 593 00:32:42,760 --> 00:32:45,560 Speaker 3: After out there they get there stinks a weed. There's 594 00:32:45,600 --> 00:32:49,280 Speaker 3: somebody next door who was Adam's studio mate, who's blaring music. 595 00:32:49,560 --> 00:32:52,040 Speaker 3: What if that's Harvey and that's how Adam knew so 596 00:32:52,120 --> 00:32:55,320 Speaker 3: much about Shanna. That's my theory is Harvey was Adam's 597 00:32:55,320 --> 00:32:58,520 Speaker 3: friend and they were like scheming on her together. But anyway, 598 00:32:58,640 --> 00:33:01,200 Speaker 3: they get in there and shot Cora. The art studio 599 00:33:01,240 --> 00:33:05,320 Speaker 3: is actually filled with pictures of Shanna in a varying 600 00:33:05,360 --> 00:33:09,040 Speaker 3: states of undressed. They're very beautiful. Now, I will say 601 00:33:09,240 --> 00:33:13,640 Speaker 3: that if I were, if Misty was there, I think 602 00:33:13,640 --> 00:33:15,360 Speaker 3: Misty would have probably been like, Hey, don't do this, 603 00:33:15,600 --> 00:33:17,520 Speaker 3: but be leave these up, because then you can say, 604 00:33:17,520 --> 00:33:19,360 Speaker 3: this guy was stalking you and you killed him in 605 00:33:19,360 --> 00:33:22,880 Speaker 3: self defense if they catch you just saying, but Jeff 606 00:33:22,880 --> 00:33:25,240 Speaker 3: and Shwana are extremely fucked up, and I'm starting to 607 00:33:25,280 --> 00:33:28,160 Speaker 3: believe also have probably killed at least one person before. 608 00:33:28,680 --> 00:33:34,000 Speaker 1: Yeah, they're just like they're so chilling, ready to do it. Yeah, 609 00:33:34,000 --> 00:33:35,080 Speaker 1: they're ready to do this. 610 00:33:35,280 --> 00:33:37,880 Speaker 3: They decide to get down to business. But hint, I'm 611 00:33:37,880 --> 00:33:42,520 Speaker 3: not talking about destroying the paintings they Shanna like. She 612 00:33:42,800 --> 00:33:45,640 Speaker 3: starts telling Jeff about how much it turned her on 613 00:33:45,840 --> 00:33:48,480 Speaker 3: to think of him cheating, and how she's no longer 614 00:33:48,520 --> 00:33:51,160 Speaker 3: ashamed of who she is and they sort of, you know, 615 00:33:51,960 --> 00:33:54,479 Speaker 3: seems like they're gonna get it on. It's unclear. I 616 00:33:54,480 --> 00:33:59,240 Speaker 3: feel like at the end whether that was something that happened. 617 00:33:59,280 --> 00:34:01,880 Speaker 3: I think like they tried. I couldn't tell whether Jeff 618 00:34:01,960 --> 00:34:05,160 Speaker 3: was ashamed it happened or he kind of got uncomfortable 619 00:34:05,160 --> 00:34:07,880 Speaker 3: in the middle, which understandable. Seeing as you're fucking your 620 00:34:07,920 --> 00:34:10,400 Speaker 3: wife in the studio of the man that she murdered, 621 00:34:10,920 --> 00:34:11,720 Speaker 3: I could understand. 622 00:34:11,719 --> 00:34:14,759 Speaker 1: Why then you're helping to cover it up and actively 623 00:34:14,880 --> 00:34:16,680 Speaker 1: helping her to destroy evidence of the. 624 00:34:16,640 --> 00:34:19,120 Speaker 3: Crowd exactly, Like there's a lot going on there to 625 00:34:19,200 --> 00:34:23,040 Speaker 3: just focus on sex. Also, I would say again terrible 626 00:34:23,080 --> 00:34:25,799 Speaker 3: ideas that have been had in history and covering up 627 00:34:25,880 --> 00:34:31,040 Speaker 3: murders just like turpentining out the faces on these paintings 628 00:34:31,160 --> 00:34:34,360 Speaker 3: is like so sus and I know that they definitely 629 00:34:34,360 --> 00:34:37,080 Speaker 3: missed one. So this was just a terrible idea all around. 630 00:34:37,360 --> 00:34:42,239 Speaker 1: Either either burn the entire here's what I thought down, 631 00:34:42,760 --> 00:34:46,279 Speaker 1: burn the building down, murder of the next side or 632 00:34:46,320 --> 00:34:49,839 Speaker 1: whatever it is. Or take all the paintings and burn them, 633 00:34:50,280 --> 00:34:55,000 Speaker 1: but don't one fuck in the place, leaving DNA and 634 00:34:55,080 --> 00:34:57,520 Speaker 1: heroin well, who knows my evidence so. 635 00:34:57,800 --> 00:34:59,600 Speaker 3: Much like you do not want to go in there 636 00:34:59,640 --> 00:35:02,080 Speaker 3: with a bla you are gonna get caught. This is 637 00:35:02,120 --> 00:35:03,560 Speaker 3: a terrible idea. 638 00:35:03,719 --> 00:35:06,400 Speaker 1: Then like destroy the paintings in a way that anybody 639 00:35:06,440 --> 00:35:07,279 Speaker 1: walking in and be like, what. 640 00:35:07,239 --> 00:35:08,320 Speaker 3: The fuck happened to these? 641 00:35:09,840 --> 00:35:10,040 Speaker 2: Right? 642 00:35:10,360 --> 00:35:12,600 Speaker 3: Yeah, Like I better find out who these are off 643 00:35:12,640 --> 00:35:15,120 Speaker 3: because they were obviously the person who did the turpentiny. 644 00:35:16,040 --> 00:35:20,680 Speaker 3: What's happened? Just like such bad choices and plans. And 645 00:35:20,719 --> 00:35:23,680 Speaker 3: if she'd have just called Misty then it would have 646 00:35:23,719 --> 00:35:25,080 Speaker 3: been fine. And I want to say I did not 647 00:35:25,120 --> 00:35:27,160 Speaker 3: include this in the full recap because it's not necessarily 648 00:35:27,200 --> 00:35:29,920 Speaker 3: story relevant, But I do have to say one of 649 00:35:29,960 --> 00:35:33,040 Speaker 3: the best scenes of this episode happens after this, which 650 00:35:33,080 --> 00:35:36,080 Speaker 3: is when Jeff goes and sits into his car and 651 00:35:36,160 --> 00:35:39,000 Speaker 3: listens to Papa Roach this is my last resort. 652 00:35:41,360 --> 00:35:42,440 Speaker 2: He's into it. 653 00:35:42,560 --> 00:35:45,640 Speaker 3: He's like hitting the wheel and he's feeling so angry 654 00:35:45,680 --> 00:35:48,479 Speaker 3: about Seana, and it's just such a good weird character moment. 655 00:35:48,760 --> 00:35:53,759 Speaker 3: Loved it. Speaking of good weird character moments, there is 656 00:35:53,800 --> 00:36:00,080 Speaker 3: like this great sequence of events where Misty goes to 657 00:36:00,080 --> 00:36:04,440 Speaker 3: show have a showdown with the motel manager or of 658 00:36:04,560 --> 00:36:06,279 Speaker 3: the place where Nat was staying. She wants to know 659 00:36:06,280 --> 00:36:09,520 Speaker 3: what happened. He won't tell her anything. Larry the motel manager, 660 00:36:09,600 --> 00:36:11,680 Speaker 3: is like probably the first person who's ever said no 661 00:36:11,760 --> 00:36:14,640 Speaker 3: to Misty when she tries to blackmail him. It's so funny, 662 00:36:14,640 --> 00:36:19,200 Speaker 3: it's so good. And eventually she kind of just like 663 00:36:19,280 --> 00:36:22,680 Speaker 3: annoys him and gives him creepy chesha cat grins until 664 00:36:22,680 --> 00:36:24,719 Speaker 3: he says, well, she left, she paid in the middle 665 00:36:24,719 --> 00:36:29,120 Speaker 3: of the night, and Misty's like absolutely heartbroken because she 666 00:36:29,239 --> 00:36:32,799 Speaker 3: kind of believed their odd couple Yeah, and she thought 667 00:36:32,840 --> 00:36:36,000 Speaker 3: that odd couple friendship that they'd built while looking for 668 00:36:36,040 --> 00:36:38,600 Speaker 3: the truth of what happened was something real. And then 669 00:36:38,640 --> 00:36:42,200 Speaker 3: she realizes, once again, Misty coming through with the win, 670 00:36:42,680 --> 00:36:45,439 Speaker 3: the only observant person, the only clever person, the only 671 00:36:45,480 --> 00:36:48,280 Speaker 3: person paranoid enough to know what's going on. She notices 672 00:36:48,320 --> 00:36:52,120 Speaker 3: that the door jam of where of NAT's old room 673 00:36:52,719 --> 00:36:57,960 Speaker 3: is splintered, and she realizes that Nat was kidnapped. The 674 00:36:58,040 --> 00:37:02,319 Speaker 3: true hero of Yellow Jacket strikes once again, and yeah, like, 675 00:37:02,520 --> 00:37:06,760 Speaker 3: what the heck that is still alive? Good love. Juliet 676 00:37:06,840 --> 00:37:11,400 Speaker 3: lewis smashing it in this performance. Uh, and she is pissed. 677 00:37:11,960 --> 00:37:14,560 Speaker 3: She's tied to a bed as one would be who 678 00:37:14,840 --> 00:37:18,239 Speaker 3: she is absolutely furious. And so then we get a 679 00:37:18,280 --> 00:37:21,440 Speaker 3: new character here, we get Nicole Mayins, who's so brilliant, 680 00:37:22,320 --> 00:37:25,480 Speaker 3: and she comes in and and she looks a lot 681 00:37:25,520 --> 00:37:28,239 Speaker 3: like Loti. That was my read. I felt like, is 682 00:37:28,280 --> 00:37:31,640 Speaker 3: this Lotty's door like? And she I. 683 00:37:31,600 --> 00:37:32,480 Speaker 2: Thought the same thing. 684 00:37:32,560 --> 00:37:35,879 Speaker 1: Yeah, Because I will tell you what I think, and 685 00:37:35,920 --> 00:37:38,720 Speaker 1: that is there's a lot of weird sex shit happening 686 00:37:38,719 --> 00:37:39,360 Speaker 1: in this cult. 687 00:37:39,480 --> 00:37:42,400 Speaker 6: Absolutely, I don't know it for I don't know it 688 00:37:42,440 --> 00:37:46,840 Speaker 6: for a fact yet, but what I've seen thus far 689 00:37:46,960 --> 00:37:52,520 Speaker 6: of Lottie's life and career as a wicked priestess lead 690 00:37:52,560 --> 00:37:54,640 Speaker 6: me to believe that there's a lot of. 691 00:37:54,640 --> 00:37:56,800 Speaker 2: Weird sex shit happening in this cult. 692 00:37:56,920 --> 00:38:01,600 Speaker 3: Completely this and also it just feels y. Yeah, it's 693 00:38:01,600 --> 00:38:03,360 Speaker 3: giving off the weird sex cop vibes. We know that 694 00:38:03,400 --> 00:38:07,000 Speaker 3: they were taking from real life inspiration. That is something 695 00:38:07,040 --> 00:38:11,520 Speaker 3: that's been very relevant recently. It feels weird. But this 696 00:38:11,560 --> 00:38:15,399 Speaker 3: young girl is like she's green in the captivity game. Yes, 697 00:38:15,600 --> 00:38:17,239 Speaker 3: they should not have sent her to be in charge 698 00:38:17,280 --> 00:38:20,520 Speaker 3: of NAT. Nat is a true survivor, like she will 699 00:38:20,560 --> 00:38:24,200 Speaker 3: do anything to survive and she does essentially like playing 700 00:38:24,200 --> 00:38:27,040 Speaker 3: this kind of cat and mouse game. Nicen Up the 701 00:38:27,120 --> 00:38:29,960 Speaker 3: girl and eventually getting a fork and stab in her 702 00:38:30,000 --> 00:38:31,360 Speaker 3: with it so she can escape. 703 00:38:33,360 --> 00:38:33,840 Speaker 2: Ruthless. 704 00:38:34,000 --> 00:38:35,880 Speaker 3: That shit was bad ass. I mean, she went for 705 00:38:35,960 --> 00:38:38,640 Speaker 3: the eye like she would have killed her, but luckily 706 00:38:38,680 --> 00:38:41,360 Speaker 3: the captor kind of she she you know, she she 707 00:38:41,520 --> 00:38:42,880 Speaker 3: blocked it with the hand and now she has a 708 00:38:42,920 --> 00:38:44,680 Speaker 3: fork in her hand, which she probably doesn't feel too 709 00:38:44,719 --> 00:38:49,080 Speaker 3: lucky about actually, and Nat is out of there, like boom, not, 710 00:38:49,239 --> 00:38:52,040 Speaker 3: this is not happening to me. You are incorrect. She 711 00:38:52,239 --> 00:38:54,680 Speaker 3: is also At first I was like, oh, she's running away, 712 00:38:54,760 --> 00:38:58,880 Speaker 3: but no, she is going to find Lotty like like 713 00:38:59,040 --> 00:39:03,400 Speaker 3: she fucking knows. And this is great because before this moment, 714 00:39:04,160 --> 00:39:08,880 Speaker 3: they're really playing with our expectations. We see Lotty. Lotty 715 00:39:09,040 --> 00:39:11,080 Speaker 3: is arguably like the only one in the group who's 716 00:39:11,160 --> 00:39:14,720 Speaker 3: kind of doing any kind of processing of what happened. 717 00:39:14,880 --> 00:39:17,440 Speaker 3: She seems to be wealthy, she seems to be successful. 718 00:39:18,120 --> 00:39:21,280 Speaker 3: So this is like a great moment because until now, 719 00:39:21,600 --> 00:39:24,480 Speaker 3: what we've really seen of Lotty's cult is like it's 720 00:39:24,520 --> 00:39:27,880 Speaker 3: a wellness place. People there look healthy, they look healthy, 721 00:39:27,920 --> 00:39:31,000 Speaker 3: they're in the beautiful nature. They're wearing creepy robes. But 722 00:39:31,040 --> 00:39:33,160 Speaker 3: maybe that's just our own perceptions of what our cult 723 00:39:33,200 --> 00:39:36,160 Speaker 3: is no, because when Natalie gets into those woods, she 724 00:39:36,239 --> 00:39:40,000 Speaker 3: sees people with terrifying like animal masks and they're burying 725 00:39:40,000 --> 00:39:40,640 Speaker 3: a man alive. 726 00:39:41,480 --> 00:39:45,840 Speaker 1: Yes, and yes, it seems like he's into it. I 727 00:39:45,880 --> 00:39:50,360 Speaker 1: would hope, so I certainly listen. I think, you know, 728 00:39:50,400 --> 00:39:53,880 Speaker 1: as a person who spent a lot of time around 729 00:39:54,000 --> 00:39:56,960 Speaker 1: hippies earlier in my life, younger in my life and 730 00:39:57,600 --> 00:40:00,640 Speaker 1: seen the hippies kind of grow up, I know a 731 00:40:00,640 --> 00:40:04,880 Speaker 1: lot of people who have become ensconced in different levels 732 00:40:05,000 --> 00:40:08,879 Speaker 1: of the wellness lifestyle, and a lot of it is like, hey, 733 00:40:08,960 --> 00:40:11,800 Speaker 1: drink this tea and you'll never get sick. 734 00:40:11,960 --> 00:40:12,719 Speaker 2: That kind of thing. 735 00:40:13,000 --> 00:40:13,920 Speaker 3: Yeah, And it goes. 736 00:40:13,760 --> 00:40:16,719 Speaker 1: Beyond just the kind of like eat organic that kind 737 00:40:16,719 --> 00:40:17,719 Speaker 1: of like every day. 738 00:40:17,960 --> 00:40:19,759 Speaker 3: Oh yeah, it's a totally to. 739 00:40:19,920 --> 00:40:21,640 Speaker 2: The economy that you can that you can do. 740 00:40:21,760 --> 00:40:24,719 Speaker 1: It's it's I think for people who have been around it, 741 00:40:25,280 --> 00:40:27,359 Speaker 1: we've been in the in the kind of orbit of it. 742 00:40:28,040 --> 00:40:31,520 Speaker 1: This felt very much like a thing that I could 743 00:40:31,560 --> 00:40:33,640 Speaker 1: see people I know getting involved in. 744 00:40:34,120 --> 00:40:36,280 Speaker 3: Yeah, yeah, yeah that I think again, it's all about, 745 00:40:36,320 --> 00:40:38,360 Speaker 3: like you're saying, it's all about the eye of the beholder. 746 00:40:38,680 --> 00:40:42,200 Speaker 3: Is this just this way of lotty kind of recreating 747 00:40:42,280 --> 00:40:45,520 Speaker 3: in a safe inverted comma space, the feral nature of 748 00:40:45,560 --> 00:40:48,319 Speaker 3: being in the forest as it something that people want 749 00:40:48,320 --> 00:40:49,960 Speaker 3: to connect with and pay a lot of money for. 750 00:40:50,320 --> 00:40:52,600 Speaker 3: Or is she really doing some weird like blood ritual 751 00:40:53,120 --> 00:40:55,120 Speaker 3: that's still very up in the air here, but not 752 00:40:55,400 --> 00:41:00,520 Speaker 3: is like legit about the like cavew He's head in 753 00:41:00,640 --> 00:41:04,520 Speaker 3: with a branch Like she's like, why the fuck shouldn't I? 754 00:41:05,040 --> 00:41:08,000 Speaker 3: And Lotty is extremely chill like to a point of 755 00:41:08,040 --> 00:41:14,319 Speaker 3: being patronizing, and she absolutely knocks Nat for six by 756 00:41:14,360 --> 00:41:16,640 Speaker 3: telling her like, you don't want to do that because 757 00:41:16,640 --> 00:41:22,760 Speaker 3: I've got a message and it's from Travis and obviously 758 00:41:22,760 --> 00:41:24,600 Speaker 3: you're like, wait a minute, well that actually if I 759 00:41:24,680 --> 00:41:26,400 Speaker 3: was that, I'd be like, well fuck you, because didn't 760 00:41:26,400 --> 00:41:29,120 Speaker 3: you wipe his bank account before him? So like what 761 00:41:29,280 --> 00:41:32,120 Speaker 3: kind of message? But Natt is in a very unstable place. 762 00:41:32,360 --> 00:41:35,880 Speaker 3: Juliette Lewis does this bit of face acting, specifically with 763 00:41:35,920 --> 00:41:37,839 Speaker 3: the way she kind of grinds her teeth over her 764 00:41:37,840 --> 00:41:41,520 Speaker 3: lips in this scene that is just fucking heartbreaking. Like 765 00:41:41,600 --> 00:41:46,560 Speaker 3: she knows there is probably nothing honest and real about 766 00:41:46,719 --> 00:41:48,600 Speaker 3: what Lotty is about to tell her, but she wants 767 00:41:48,640 --> 00:41:51,000 Speaker 3: to hear that more than anything in. 768 00:41:51,560 --> 00:41:54,640 Speaker 1: The show is off the charts, fool. I think it's 769 00:41:54,840 --> 00:41:55,680 Speaker 1: very it's great. 770 00:41:55,960 --> 00:41:59,520 Speaker 3: Yeah, and we kind of get this very interesting moment 771 00:41:59,560 --> 00:42:03,239 Speaker 3: in the present here that I think is very well 772 00:42:03,320 --> 00:42:06,480 Speaker 3: handled and kind of twenty cypress again give her all 773 00:42:06,520 --> 00:42:10,600 Speaker 3: the props. She creeps into the underpass underneath her house, 774 00:42:10,840 --> 00:42:12,920 Speaker 3: finds her blood shrine and is like. 775 00:42:13,680 --> 00:42:17,640 Speaker 6: Half shocked but also not shocked, and they're not shocked 776 00:42:17,719 --> 00:42:20,799 Speaker 6: enough enough, Like it's almost like when she. 777 00:42:20,800 --> 00:42:24,840 Speaker 3: Sees it, she kind of realizes. And then, in case 778 00:42:25,160 --> 00:42:28,719 Speaker 3: you weren't sure that she was the one who was 779 00:42:29,520 --> 00:42:31,319 Speaker 3: culpable for this blood shrine. 780 00:42:31,160 --> 00:42:33,960 Speaker 7: I was not sure right last season, and I wasn't 781 00:42:34,000 --> 00:42:36,640 Speaker 7: either because and even earlier on like when her wife 782 00:42:36,680 --> 00:42:38,560 Speaker 7: was yelling at her and she was like, I don't know, 783 00:42:38,680 --> 00:42:40,360 Speaker 7: but then when she was like, oh, fucking hit in 784 00:42:40,400 --> 00:42:42,839 Speaker 7: the But in this moment, she turns. 785 00:42:42,520 --> 00:42:45,200 Speaker 3: To Steve, good old Steve will be rooting for you, Steve, 786 00:42:45,320 --> 00:42:47,760 Speaker 3: and she says Steve and she says, oh, no, don't worry, 787 00:42:47,800 --> 00:42:52,520 Speaker 3: like that was a mistake about a dead dog. I 788 00:42:52,600 --> 00:42:54,760 Speaker 3: was like, what do you mean, Like you weren't supposed 789 00:42:54,760 --> 00:42:55,480 Speaker 3: to kill him? 790 00:42:55,600 --> 00:42:56,759 Speaker 2: I mean, I hope, So. 791 00:42:58,400 --> 00:43:01,200 Speaker 3: I'm like, what like this was an accident. I'm guessing 792 00:43:01,320 --> 00:43:04,360 Speaker 3: so from what we've seen especially, we get this, we 793 00:43:04,480 --> 00:43:06,520 Speaker 3: get some great moments here with her and Van. It 794 00:43:06,560 --> 00:43:09,160 Speaker 3: seems like this sleep disorder that she has where she 795 00:43:09,280 --> 00:43:11,400 Speaker 3: sort of is violent in her sleep, she's the woman 796 00:43:11,440 --> 00:43:12,239 Speaker 3: in the tree. 797 00:43:12,160 --> 00:43:12,920 Speaker 2: She climbs up. 798 00:43:13,719 --> 00:43:16,799 Speaker 3: Yeah, some kind of disassociation that implies here. I think 799 00:43:16,800 --> 00:43:19,839 Speaker 3: that she was in that state when she did it. 800 00:43:20,080 --> 00:43:23,240 Speaker 3: But I was cracking jokes and she was like, sorry, Steve, 801 00:43:23,360 --> 00:43:28,120 Speaker 3: I'll do better, And I was like, ty, I guess about. 802 00:43:28,480 --> 00:43:33,239 Speaker 1: Creating a whole shrine, decapitating your dog, setting up little trinketstile. 803 00:43:33,320 --> 00:43:35,320 Speaker 2: That's a lot of work when you're asleep. 804 00:43:35,560 --> 00:43:38,719 Speaker 3: Yeah, did she get down there? Like when did she 805 00:43:38,840 --> 00:43:40,879 Speaker 3: murder the dog? The dog went missing before he ended 806 00:43:40,960 --> 00:43:44,120 Speaker 3: up in the shrine, Like this seems at least a 807 00:43:44,239 --> 00:43:49,480 Speaker 3: slight plan. Maybe I guess a tinfoil hat throw out 808 00:43:49,480 --> 00:43:51,800 Speaker 3: there is she was still in contact with Loti or 809 00:43:51,840 --> 00:43:54,680 Speaker 3: someone who was involved in this blood cult kind of 810 00:43:54,719 --> 00:43:57,160 Speaker 3: situation and she delivered the dog but didn't know what 811 00:43:57,239 --> 00:43:59,040 Speaker 3: they would do with it. Nah, I think she did it. 812 00:43:59,080 --> 00:44:00,160 Speaker 3: But I'm just saying. 813 00:44:00,520 --> 00:44:07,680 Speaker 1: I think that Lottie somehow has been able to place 814 00:44:07,800 --> 00:44:11,799 Speaker 1: like a post hypnotic suggestion ents and I. 815 00:44:11,760 --> 00:44:13,719 Speaker 3: Think I could definitely see that. 816 00:44:13,880 --> 00:44:17,200 Speaker 1: And I think because she wants to promote whatever it 817 00:44:17,239 --> 00:44:19,279 Speaker 1: is that she's doing, and you get a powerful state 818 00:44:19,360 --> 00:44:24,040 Speaker 1: senator elected and things get easier for you and whatever, 819 00:44:24,080 --> 00:44:28,200 Speaker 1: you know whatever, except right, maybe you get taxes at 820 00:44:28,320 --> 00:44:31,200 Speaker 1: status or your cult whatever like whatever it is, right. 821 00:44:31,320 --> 00:44:34,799 Speaker 1: But I think that she did that to Tyson, and 822 00:44:34,840 --> 00:44:37,080 Speaker 1: I think she's trying to do that with everyone, put 823 00:44:37,600 --> 00:44:41,120 Speaker 1: somehow break their minds and put something in there. I 824 00:44:41,200 --> 00:44:43,479 Speaker 1: like that that she can trigger, and I think she's 825 00:44:43,520 --> 00:44:44,200 Speaker 1: triggering these. 826 00:44:44,160 --> 00:44:48,720 Speaker 3: We know setting cults. They use hallucinogens to break people's 827 00:44:48,719 --> 00:44:51,239 Speaker 3: will and stuff, so we could see that multi It's 828 00:44:51,239 --> 00:44:54,839 Speaker 3: almost like, you know, has Loti been setting up her 829 00:44:54,840 --> 00:44:57,920 Speaker 3: own like Black Widow Network or Scroll Network. She just 830 00:44:57,920 --> 00:45:01,919 Speaker 3: like triggers people by saying like a And think about 831 00:45:02,080 --> 00:45:04,200 Speaker 3: imagine if Tyan Lotty had stayed in touch and she 832 00:45:04,280 --> 00:45:06,480 Speaker 3: was like, I'll send you these wellness drinks, they'll help 833 00:45:06,520 --> 00:45:08,839 Speaker 3: with your sleeping. But really she's drugging her and kind 834 00:45:08,840 --> 00:45:11,319 Speaker 3: of giving her strange hypnosis. I love this, and I 835 00:45:11,360 --> 00:45:13,760 Speaker 3: love like you said, I think there's a great version 836 00:45:13,840 --> 00:45:16,200 Speaker 3: of this which will we're getting close to the end, 837 00:45:16,239 --> 00:45:18,760 Speaker 3: and I think near the end you could say subverts 838 00:45:18,880 --> 00:45:20,880 Speaker 3: this a little bit. I like this idea that Lotty 839 00:45:21,480 --> 00:45:24,160 Speaker 3: could be the nightmarish cult leader who's planning all of this, 840 00:45:24,480 --> 00:45:26,680 Speaker 3: or she absolutely could not be. And it's just like 841 00:45:26,719 --> 00:45:32,480 Speaker 3: a wellness scammer, and she's exciting, yeah, and. 842 00:45:32,680 --> 00:45:35,920 Speaker 1: All little kidnapping like we know, we know, we know 843 00:45:35,960 --> 00:45:38,800 Speaker 1: it the very she's criminal. 844 00:45:38,840 --> 00:45:41,640 Speaker 3: Shit, we know she's doing some criminals. She's at least 845 00:45:41,719 --> 00:45:44,480 Speaker 3: kidnapping people, you know. I would say in the theory 846 00:45:44,520 --> 00:45:46,440 Speaker 3: you could argue that there's a version where it's like 847 00:45:46,480 --> 00:45:49,560 Speaker 3: she kidnapped nap because she was relapsing. Cults do stuff 848 00:45:49,600 --> 00:45:49,839 Speaker 3: like that. 849 00:45:49,880 --> 00:45:52,920 Speaker 2: You know, I wanted to help you exactly addictions. 850 00:45:53,040 --> 00:45:56,239 Speaker 3: Yeah, but yeah, it's really interesting stuff. And then we 851 00:45:56,320 --> 00:45:59,279 Speaker 3: get it's really funny because we there's this brutality of 852 00:45:59,320 --> 00:46:02,560 Speaker 3: the the scary sheep masks and and nat and this, 853 00:46:02,840 --> 00:46:05,920 Speaker 3: and then you go to this kind of suburban ideal 854 00:46:06,000 --> 00:46:08,600 Speaker 3: of Jeff and Shawna who are just so much scarier 855 00:46:08,640 --> 00:46:11,720 Speaker 3: than not he could ever be, and and they decide 856 00:46:11,719 --> 00:46:16,120 Speaker 3: that they're going to get rid of Adams belongings by 857 00:46:16,120 --> 00:46:19,120 Speaker 3: burning them on a barbecue but then immediately cooking food 858 00:46:19,320 --> 00:46:22,400 Speaker 3: on the plastic fire stuff. 859 00:46:22,640 --> 00:46:25,960 Speaker 1: Throw this stuff away in different places, throw it down. 860 00:46:26,000 --> 00:46:29,839 Speaker 1: So they were in the but like especially when, as 861 00:46:29,880 --> 00:46:32,920 Speaker 1: we have seen, Jeff and Shawna's daughter. 862 00:46:32,800 --> 00:46:35,880 Speaker 2: Calli, is all up in. 863 00:46:36,680 --> 00:46:42,600 Speaker 1: Particular business kind of being the worst, as teenagers often are, 864 00:46:42,640 --> 00:46:45,040 Speaker 1: but like, oh, she's the worst. 865 00:46:44,760 --> 00:46:46,640 Speaker 3: She's the fucking worst. But you know, and the funniest 866 00:46:46,640 --> 00:46:52,760 Speaker 3: thing is this is how good again? Literally, like Callie, 867 00:46:52,760 --> 00:46:54,600 Speaker 3: you had a fucking worst, Like why do you want 868 00:46:54,600 --> 00:46:56,840 Speaker 3: trying to switch on your mom? Like your mom is crazy? 869 00:46:56,880 --> 00:47:01,839 Speaker 3: But going through a ship, you guys are alive ship 870 00:47:01,920 --> 00:47:04,600 Speaker 3: having affairs of murdering people. You weren't on that plane. 871 00:47:05,000 --> 00:47:09,239 Speaker 3: You dressed up for Halloween in your thumbs cheerleading costume, 872 00:47:09,360 --> 00:47:12,480 Speaker 3: like you are the worst. And I was just it 873 00:47:12,560 --> 00:47:14,080 Speaker 3: blew my mind that Jeff was like, yeah, we'll just 874 00:47:14,120 --> 00:47:15,799 Speaker 3: grill up some franks on here. I was like, are 875 00:47:15,800 --> 00:47:18,400 Speaker 3: you trying to kill yourself? Like this is on the 876 00:47:19,400 --> 00:47:24,200 Speaker 3: tree they they eat these nasty plastic franks And basically 877 00:47:24,239 --> 00:47:26,600 Speaker 3: like Calli, as you pointed out, is like fuck you, 878 00:47:26,680 --> 00:47:28,279 Speaker 3: I don't want to eat this ship. And you guys 879 00:47:28,280 --> 00:47:29,880 Speaker 3: have got some sush shit going on. And as the 880 00:47:29,920 --> 00:47:35,840 Speaker 3: episode comes to a close, we see Callie discover Adam's 881 00:47:35,840 --> 00:47:37,680 Speaker 3: ID card bomb bomb. 882 00:47:37,400 --> 00:47:40,880 Speaker 1: But you gotta make sure that ship is burn literally 883 00:47:40,960 --> 00:47:45,319 Speaker 1: his face like you could have just swallowed it, just scissors. 884 00:47:44,800 --> 00:47:50,600 Speaker 3: Subway, like you the terrible come on, Scissors, You just 885 00:47:50,640 --> 00:47:53,680 Speaker 3: can't have his face. His face is there, Peter god 886 00:47:54,200 --> 00:47:57,279 Speaker 3: Gadoire's beautiful face, and he's looking at a Cali And 887 00:47:57,360 --> 00:47:59,879 Speaker 3: Kelly is like, I'm gonna fucking take this bitch down. 888 00:48:00,239 --> 00:48:04,360 Speaker 3: Like Kelly's ready, her teenage resentment of her mom is 889 00:48:04,400 --> 00:48:07,160 Speaker 3: gonna take down her whole family if she's not kept. 890 00:48:07,680 --> 00:48:10,640 Speaker 3: I'm gonna tell you, I believe Shawna would kill her 891 00:48:10,640 --> 00:48:13,560 Speaker 3: own door. She would do it now, I believe it. 892 00:48:13,640 --> 00:48:15,600 Speaker 3: So Kelly should watch her back because it's gonna end 893 00:48:15,640 --> 00:48:18,680 Speaker 3: badly for her. We get like a rare bit of 894 00:48:18,800 --> 00:48:21,919 Speaker 3: sweet wilderness news as ty and Vang kind of tell 895 00:48:21,960 --> 00:48:25,360 Speaker 3: each other that they love each other. Yeah, very cute, 896 00:48:25,480 --> 00:48:28,640 Speaker 3: but it only happened after Tye almost ripped Van's lip 897 00:48:28,680 --> 00:48:32,440 Speaker 3: off in a kind of nighttime violent trance. But I 898 00:48:32,440 --> 00:48:34,319 Speaker 3: think they're setting something up here. We don't get to 899 00:48:34,320 --> 00:48:37,200 Speaker 3: see Lauren Ambrose, who plays adult Van. We know she 900 00:48:37,239 --> 00:48:40,239 Speaker 3: got cast earlier this year. We don't get to see 901 00:48:40,239 --> 00:48:42,759 Speaker 3: her here, but I think they're basically establishing like Van 902 00:48:42,880 --> 00:48:45,680 Speaker 3: isn't scared of Tyser. Van accepts Tyser for who she 903 00:48:45,800 --> 00:48:49,160 Speaker 3: is Van, even with Tyson's nighttime trances all this stuff, 904 00:48:49,200 --> 00:48:52,880 Speaker 3: and I would assume that we will see Tie return 905 00:48:53,120 --> 00:48:55,279 Speaker 3: to Van as that kind of place of safety. That's 906 00:48:55,280 --> 00:48:57,719 Speaker 3: my guess. It could be something else. I think the 907 00:48:57,760 --> 00:49:01,040 Speaker 3: clip of Van that we see and the credits kind 908 00:49:01,040 --> 00:49:05,480 Speaker 3: of sees her being distracted by somebody knocking on her 909 00:49:05,480 --> 00:49:08,160 Speaker 3: door or something, which feels very similar to NAT's kidnapping. 910 00:49:08,239 --> 00:49:10,239 Speaker 3: So maybe it won't be that sweet, but that's kind 911 00:49:10,239 --> 00:49:13,440 Speaker 3: of where my gut is going with it. Travis and Nat, 912 00:49:13,480 --> 00:49:17,239 Speaker 3: on their little excursion, discover what looks to be the 913 00:49:17,280 --> 00:49:20,680 Speaker 3: magical tree from Travis's sexy vision and it's still blooming 914 00:49:20,680 --> 00:49:22,960 Speaker 3: in the middle of winter. So that's strange. 915 00:49:23,560 --> 00:49:24,719 Speaker 2: Yeah, fake tree. 916 00:49:24,800 --> 00:49:27,640 Speaker 3: Maybe if we're talking about like a military base something 917 00:49:27,760 --> 00:49:28,080 Speaker 3: like that. 918 00:49:28,280 --> 00:49:31,239 Speaker 1: You I don't chemicals like the old like it's the 919 00:49:31,320 --> 00:49:35,239 Speaker 1: old beach like something like this is like a poisoned 920 00:49:35,360 --> 00:49:38,919 Speaker 1: area with chemicals that are doing weird shit. 921 00:49:39,080 --> 00:49:41,120 Speaker 3: Oh that's a good idea. I like that. The idea 922 00:49:41,120 --> 00:49:43,560 Speaker 3: that something seeping into the ground and even the meat 923 00:49:43,600 --> 00:49:47,000 Speaker 3: they're eating is actually infected by it. 924 00:49:46,320 --> 00:49:49,319 Speaker 1: Like they're always what if they're always eating a low 925 00:49:49,440 --> 00:49:53,600 Speaker 1: level of whatever, the yes, whatever has suffused the landscaper. 926 00:49:53,760 --> 00:49:57,960 Speaker 3: You know. Also, I will say I was rewatching the 927 00:49:58,000 --> 00:50:00,120 Speaker 3: first season when I was doing the recap for the 928 00:50:00,160 --> 00:50:03,680 Speaker 3: show and writing about Misty, found a lot of magic mushrooms, 929 00:50:03,800 --> 00:50:08,120 Speaker 3: very very quickly. Founder they are just there. So I 930 00:50:08,120 --> 00:50:10,200 Speaker 3: think you could be onto something that there's kind of 931 00:50:10,239 --> 00:50:12,960 Speaker 3: some kind of infusion that's making them have this kind 932 00:50:13,000 --> 00:50:15,880 Speaker 3: of group hysteria. And really Nat is so far the 933 00:50:15,920 --> 00:50:17,799 Speaker 3: only one who doesn't seem to have brought into it 934 00:50:17,840 --> 00:50:23,400 Speaker 3: at all. But all of that great episode, Love this episode, 935 00:50:23,440 --> 00:50:26,480 Speaker 3: but it's all basically irrelevant because the big news of 936 00:50:26,520 --> 00:50:30,000 Speaker 3: this episode is that the cannibalism has finally begun. And 937 00:50:30,080 --> 00:50:33,440 Speaker 3: I will say, yeah, it's what we've all been waiting for. 938 00:50:33,480 --> 00:50:39,400 Speaker 3: The crowd goes mad, cannibalism, curnibalism. I was shocked to 939 00:50:39,600 --> 00:50:43,640 Speaker 3: see who the first cannibal me Too, turned out to be. 940 00:50:43,960 --> 00:50:46,640 Speaker 3: They did a great job, as we said in this episode, 941 00:50:46,680 --> 00:50:48,640 Speaker 3: they set up, and they set up, and they set 942 00:50:48,719 --> 00:50:52,680 Speaker 3: up this kind of chaotic black hole in the middle 943 00:50:52,680 --> 00:50:55,600 Speaker 3: of the show and it is Shorna. So by the 944 00:50:55,680 --> 00:50:58,440 Speaker 3: time this happened, I yelled, but I was like, oh, 945 00:50:59,440 --> 00:51:01,680 Speaker 3: so the final moment of the show, which is just 946 00:51:01,800 --> 00:51:06,920 Speaker 3: so good and so gross, Shawna's just chilling walking around 947 00:51:06,960 --> 00:51:09,799 Speaker 3: the cabin and she just pulls Jackie's ear out of 948 00:51:09,800 --> 00:51:12,960 Speaker 3: her pocket and she holds it close and she just 949 00:51:13,120 --> 00:51:15,719 Speaker 3: swallows it. And there is and her friend has been 950 00:51:15,719 --> 00:51:17,360 Speaker 3: dead for two months, and there is the title of 951 00:51:17,360 --> 00:51:24,200 Speaker 3: your episode's friends Romance Countrymen, Let me in it. That's 952 00:51:24,280 --> 00:51:28,480 Speaker 3: so good. Okay, okay, questions I have for you after 953 00:51:28,480 --> 00:51:31,960 Speaker 3: this episode? So I want to know is Shauna the antlerquin. 954 00:51:33,960 --> 00:51:36,080 Speaker 3: We all feel like it's Lotty because of the colt 955 00:51:36,200 --> 00:51:38,719 Speaker 3: and like the kind of the regality, and we saw 956 00:51:38,800 --> 00:51:42,160 Speaker 3: Lotty wearing a headdress. But I'm like, if Shanna is 957 00:51:42,200 --> 00:51:44,600 Speaker 3: the first cannibal, is she the one who spreads it 958 00:51:44,640 --> 00:51:45,280 Speaker 3: within the group? 959 00:51:47,600 --> 00:51:48,520 Speaker 2: Gosh, I don't know. 960 00:51:48,719 --> 00:51:51,680 Speaker 1: I would not be surprised, but I also would not 961 00:51:51,760 --> 00:51:57,160 Speaker 1: be surprised if it's this. It's the junior Varsity become 962 00:51:57,239 --> 00:52:00,759 Speaker 1: the people closest around Oh my god, I love that 963 00:52:01,080 --> 00:52:04,279 Speaker 1: around Lottie, that become the people that she you know 964 00:52:04,320 --> 00:52:08,239 Speaker 1: the younger, more impressionable, they don't know her as well, 965 00:52:08,280 --> 00:52:11,680 Speaker 1: and she's able to kind of create her identity with them. 966 00:52:12,080 --> 00:52:15,359 Speaker 1: I do wonder if it's going to be them who 967 00:52:15,360 --> 00:52:16,279 Speaker 1: are the closest to her. 968 00:52:16,400 --> 00:52:18,160 Speaker 3: Yeah, her, I think that makes a lot of sense, 969 00:52:18,280 --> 00:52:20,359 Speaker 3: especially because the one person we know is in that 970 00:52:20,360 --> 00:52:23,400 Speaker 3: circle is Misty, and if Misty makes that connection with Crystal, 971 00:52:23,680 --> 00:52:26,120 Speaker 3: she would likely tag along with whatever kept her in 972 00:52:26,160 --> 00:52:29,640 Speaker 3: the friendship group the popular group. Also, that makes a 973 00:52:29,640 --> 00:52:32,040 Speaker 3: lot of sense because then you can assume that the 974 00:52:32,120 --> 00:52:34,799 Speaker 3: older girls may actually become the prey, because we still 975 00:52:34,800 --> 00:52:36,960 Speaker 3: have that big mystery from the first episode, who was 976 00:52:37,000 --> 00:52:40,279 Speaker 3: the girl running through the forest? You know, who was 977 00:52:40,320 --> 00:52:43,040 Speaker 3: the girl that they slit her throat? And they potentially 978 00:52:43,239 --> 00:52:45,399 Speaker 3: ate her though, and we can't confirm or deny that. 979 00:52:46,080 --> 00:52:48,360 Speaker 1: Ask that how much do you think Shanna and the 980 00:52:48,440 --> 00:52:51,560 Speaker 1: rest are aware of what Lottie is up to these days? 981 00:52:52,880 --> 00:52:55,760 Speaker 3: That I think is the biggest question of this season. 982 00:52:56,440 --> 00:53:00,719 Speaker 3: I think the fact that nat Like breathed there and 983 00:53:00,800 --> 00:53:03,759 Speaker 3: just immediately knew that she was looking for Lotty and 984 00:53:03,840 --> 00:53:06,879 Speaker 3: was screaming for Lotti makes me think that Lotti might 985 00:53:06,920 --> 00:53:11,360 Speaker 3: not necessarily be that secretive, but I will also say 986 00:53:11,920 --> 00:53:14,880 Speaker 3: we know she's not like a celebrity wellness person because 987 00:53:14,920 --> 00:53:18,120 Speaker 3: the final line of the last episode was NAT's ex 988 00:53:19,800 --> 00:53:23,680 Speaker 3: AA sponsor basically saying to her, who the fuck is 989 00:53:23,719 --> 00:53:27,120 Speaker 3: Lotti Matthews? So it's not it's not someone who is. 990 00:53:27,120 --> 00:53:32,560 Speaker 3: Actually she's not like famous. But I think, like to me, 991 00:53:33,360 --> 00:53:35,880 Speaker 3: I actually think the biggest bet I have now is 992 00:53:35,880 --> 00:53:38,800 Speaker 3: that Shauna knows. I just think Seanna knows Sean. I 993 00:53:38,840 --> 00:53:41,200 Speaker 3: think Seanna probably kept tabs on Lotty because then she 994 00:53:41,320 --> 00:53:44,840 Speaker 3: could be another one of those intrusive thoughts and secrets 995 00:53:44,880 --> 00:53:48,719 Speaker 3: that constantly promises to burn down her life. Yeah, like, 996 00:53:49,160 --> 00:53:51,799 Speaker 3: oh what if somebody found out that I knew? And 997 00:53:51,840 --> 00:53:54,200 Speaker 3: then that leads to the next question, which is, you 998 00:53:54,239 --> 00:53:57,560 Speaker 3: know we were saying, like, is the captor who was 999 00:53:57,840 --> 00:53:59,759 Speaker 3: fighting with Nat who got the fork to the hand 1000 00:54:00,160 --> 00:54:03,400 Speaker 3: that Lotti's dor. I think that's like a good bet. 1001 00:54:03,640 --> 00:54:04,919 Speaker 2: I think it's a good bet as well. 1002 00:54:05,160 --> 00:54:08,920 Speaker 3: But my name is Dan, one of our discord users. 1003 00:54:08,920 --> 00:54:10,839 Speaker 3: He brought something up that people in our discord were 1004 00:54:10,920 --> 00:54:14,680 Speaker 3: very into, which is is that character that Nicole Mayan's 1005 00:54:14,800 --> 00:54:20,560 Speaker 3: plays actually shorn as Wilderness Baby whoa don't don't darn 1006 00:54:21,040 --> 00:54:23,000 Speaker 3: because you know what my timelines. 1007 00:54:23,200 --> 00:54:25,360 Speaker 2: I need to find out what happened to the Wilderness. 1008 00:54:25,360 --> 00:54:26,879 Speaker 3: We need to find out up to baby. We're back 1009 00:54:26,880 --> 00:54:29,600 Speaker 3: to the baby conversation again. We need to know babies 1010 00:54:30,600 --> 00:54:33,239 Speaker 3: because I like that one too. Me too, because also 1011 00:54:33,280 --> 00:54:37,319 Speaker 3: the thing is right, so I hilariously, I just like, 1012 00:54:38,280 --> 00:54:40,840 Speaker 3: didn't my I'm not gonna maths first of all, and 1013 00:54:40,920 --> 00:54:43,520 Speaker 3: second of all, the narrative of the show was so 1014 00:54:43,840 --> 00:54:46,880 Speaker 3: engaging that I kind of just hadn't really put together 1015 00:54:46,920 --> 00:54:49,560 Speaker 3: that it was twenty five years since, even though they 1016 00:54:49,640 --> 00:54:51,799 Speaker 3: say it many times, but like to me, I was 1017 00:54:51,880 --> 00:54:54,759 Speaker 3: just like, well, maybe Cally was the baby, Like how 1018 00:54:54,760 --> 00:54:56,440 Speaker 3: old could you? And then it was this episode where 1019 00:54:56,480 --> 00:54:58,560 Speaker 3: I was like, oh no, that's like Kelly's like a teenager. 1020 00:54:58,600 --> 00:55:00,719 Speaker 3: This is that's not the Wilderness baby. That's like a 1021 00:55:00,719 --> 00:55:04,719 Speaker 3: different baby. So who where is the Wilderness baby? I 1022 00:55:04,760 --> 00:55:06,920 Speaker 3: will say, super produce a soul. I'm gonna put this 1023 00:55:06,960 --> 00:55:09,080 Speaker 3: one out there. It's a very bleak tim for hat theory. 1024 00:55:09,120 --> 00:55:10,320 Speaker 3: So a cover year is if you don't want to 1025 00:55:10,360 --> 00:55:13,920 Speaker 3: hear it, oh no, he suggests maybe they ate the baby? 1026 00:55:14,719 --> 00:55:15,680 Speaker 3: Did they could? 1027 00:55:15,880 --> 00:55:19,680 Speaker 2: It could be the case. I will say that if 1028 00:55:21,160 --> 00:55:21,759 Speaker 2: Lottie has. 1029 00:55:21,680 --> 00:55:25,680 Speaker 1: Been raising the Wilderness baby. How would she get the baby? 1030 00:55:26,840 --> 00:55:29,880 Speaker 1: Here's what I here's how I think it could help Shauna. 1031 00:55:30,400 --> 00:55:33,400 Speaker 1: We've seen that she has shame issues, guilty issues, particularly 1032 00:55:33,400 --> 00:55:38,080 Speaker 1: around her her expressions of her own sexuality. 1033 00:55:37,640 --> 00:55:40,200 Speaker 3: Which the baby is living proof baby is. 1034 00:55:40,880 --> 00:55:43,440 Speaker 1: Maybe they get rescued and Lottie says, you know what, 1035 00:55:43,480 --> 00:55:44,279 Speaker 1: I'll say, it's mine. 1036 00:55:44,760 --> 00:55:47,000 Speaker 3: I'll say, I think that could definitely happen. 1037 00:55:47,200 --> 00:55:49,480 Speaker 2: Pregnant in the forest and I'll say it's mine. Mm hmm. 1038 00:55:50,640 --> 00:55:56,760 Speaker 1: And maybe maybe this whole thing with this mysterious guy 1039 00:55:57,800 --> 00:56:00,520 Speaker 1: all of a sudden coming out of nowhere to like 1040 00:56:00,640 --> 00:56:05,080 Speaker 1: proposition her sexually, and this whole affair that happened that 1041 00:56:05,120 --> 00:56:07,960 Speaker 1: resulted in murder, I would not be surprised if Lottie's pulling. 1042 00:56:08,880 --> 00:56:11,920 Speaker 3: Okay, I love that theory because I do think that Adam, 1043 00:56:12,000 --> 00:56:15,520 Speaker 3: being a follower of Lotty's, his job was basically just 1044 00:56:15,560 --> 00:56:19,160 Speaker 3: to unsettle and kind of upset Shana and play on 1045 00:56:19,200 --> 00:56:23,160 Speaker 3: those weaknesses that Lotty knew she had. I think that's 1046 00:56:23,360 --> 00:56:28,080 Speaker 3: very legit and very likely. I think nat probably knew 1047 00:56:28,120 --> 00:56:30,000 Speaker 3: what lott he was up to, but didn't care. The 1048 00:56:30,040 --> 00:56:32,880 Speaker 3: one the funniest shit is Misty seems like the one 1049 00:56:32,880 --> 00:56:36,480 Speaker 3: who's probably like least bothered because she was probably like, no, Lott, 1050 00:56:36,480 --> 00:56:39,200 Speaker 3: he was never my friend. These girls were my friends. 1051 00:56:39,280 --> 00:56:41,879 Speaker 1: Like, I feel like I could tell Misty anything, Yeah, 1052 00:56:42,239 --> 00:56:46,160 Speaker 1: you know, whatever has bothered me, whatever I've done that 1053 00:56:46,160 --> 00:56:47,839 Speaker 1: I'm a shade of I feel like I could tell 1054 00:56:47,880 --> 00:56:50,319 Speaker 1: Misty and Missy be like, it's fine, we fix it. 1055 00:56:50,480 --> 00:56:52,920 Speaker 3: The final question, speaking of our but love and Misty, 1056 00:56:53,360 --> 00:56:56,759 Speaker 3: is like, so she killed the Jannet the pi that 1057 00:56:56,840 --> 00:56:59,640 Speaker 3: Tyson hied Jessica at the end of the last season. 1058 00:56:59,680 --> 00:57:01,160 Speaker 3: Is that to come back and bite her or is 1059 00:57:01,200 --> 00:57:04,040 Speaker 3: she just likes to Yeah, it feels like it has to. 1060 00:57:04,400 --> 00:57:06,400 Speaker 3: I feel like that and Adam's death are going to 1061 00:57:06,440 --> 00:57:08,680 Speaker 3: be these kind of jeweling things that threatened to take 1062 00:57:08,719 --> 00:57:10,520 Speaker 3: them down. But I also like the idea that she's 1063 00:57:10,560 --> 00:57:13,319 Speaker 3: like a killing Eve, like early season killing Eve style 1064 00:57:13,440 --> 00:57:15,799 Speaker 3: killer who just kills people and just gets away with it. 1065 00:57:16,880 --> 00:57:17,320 Speaker 2: I'll make it. 1066 00:57:17,400 --> 00:57:19,400 Speaker 1: I'll make a tinfoil head prediction. I think it's going 1067 00:57:19,440 --> 00:57:21,760 Speaker 1: to be her parrot that undos her. It puts her 1068 00:57:21,800 --> 00:57:24,520 Speaker 1: at risk of suspicion for that murder. 1069 00:57:24,640 --> 00:57:26,000 Speaker 3: That is such a good call. 1070 00:57:26,320 --> 00:57:29,440 Speaker 1: I absolutely like going to start saying murder shit because 1071 00:57:29,560 --> 00:57:31,400 Speaker 1: I absolutely true. 1072 00:57:31,600 --> 00:57:34,440 Speaker 3: Also, the parrot has a prominent place in the first season. 1073 00:57:34,520 --> 00:57:37,240 Speaker 3: It really does credits so like and I think you're 1074 00:57:37,280 --> 00:57:39,560 Speaker 3: right because guess who was down there listening when her 1075 00:57:39,600 --> 00:57:42,920 Speaker 3: and Shauna were practicing for the police. It was the parrot. Jason, 1076 00:57:43,000 --> 00:57:45,120 Speaker 3: You've blown my mind that that was the one. Now, 1077 00:57:45,160 --> 00:57:46,760 Speaker 3: I can't wait to cover the rest of the season 1078 00:57:46,800 --> 00:57:48,320 Speaker 3: and see how the parrot plays. 1079 00:57:48,080 --> 00:57:54,000 Speaker 1: Into We'll be following Yellow Jackets all season here on 1080 00:57:54,360 --> 00:57:57,160 Speaker 1: x Ray Vision. Up next, Hive Mind with Scream six 1081 00:57:57,200 --> 00:57:58,320 Speaker 1: co writer Guide Music. 1082 00:58:12,400 --> 00:58:14,600 Speaker 3: Welcome to the Hive Mind, where we explore a topic 1083 00:58:14,640 --> 00:58:17,560 Speaker 3: in more detail with the help of expert guests. This week, 1084 00:58:17,600 --> 00:58:20,160 Speaker 3: we're thrilled to have Guy Busic, co writer of Scream 1085 00:58:20,200 --> 00:58:23,720 Speaker 3: six and twenty twenty two Scream. Hey, Guy, thanks so 1086 00:58:23,800 --> 00:58:24,560 Speaker 3: much for being here. 1087 00:58:25,440 --> 00:58:26,240 Speaker 5: Thanks for having me. 1088 00:58:27,320 --> 00:58:30,200 Speaker 3: Yeah. I love Scream so much. I have a Scream 1089 00:58:30,280 --> 00:58:34,840 Speaker 3: tattoo and I'm like a huge little ghost face up there. 1090 00:58:36,120 --> 00:58:36,600 Speaker 5: I love it. 1091 00:58:37,200 --> 00:58:40,360 Speaker 3: Yeah, So this is just like a dream I loved 1092 00:58:40,360 --> 00:58:44,000 Speaker 3: and I loved the New Scream movie, and I loved 1093 00:58:44,400 --> 00:58:47,840 Speaker 3: Scream you know five in the ed commas. I love 1094 00:58:47,880 --> 00:58:49,880 Speaker 3: the core for so we're just We're so stoked to 1095 00:58:49,920 --> 00:58:52,440 Speaker 3: have you here. But seeing as this is Xtra Vision, 1096 00:58:52,560 --> 00:58:54,920 Speaker 3: which is our kind of mine and Jason's hub for 1097 00:58:54,960 --> 00:58:56,480 Speaker 3: all the things we love, I'll start with a little 1098 00:58:56,520 --> 00:58:59,560 Speaker 3: bit of a less horror focused question and say, what's 1099 00:58:59,600 --> 00:59:02,200 Speaker 3: your book origin. What was the thing that got you 1100 00:59:02,240 --> 00:59:04,680 Speaker 3: into comics and made you love comic books. 1101 00:59:05,320 --> 00:59:08,040 Speaker 5: I think it was Batman eighty nine. It was the 1102 00:59:08,120 --> 00:59:11,880 Speaker 5: summer that that came out, and I was walking around 1103 00:59:11,920 --> 00:59:12,240 Speaker 5: the mall. 1104 00:59:12,320 --> 00:59:13,080 Speaker 6: I was in a. 1105 00:59:13,080 --> 00:59:15,040 Speaker 5: Bookstore and I saw the cover for Death in the 1106 00:59:15,080 --> 00:59:17,160 Speaker 5: Family and I was like, what the hell is that 1107 00:59:17,240 --> 00:59:20,800 Speaker 5: they killed Robin? So I picked that up and then 1108 00:59:20,800 --> 00:59:22,960 Speaker 5: found out that like people voted for that for the 1109 00:59:23,040 --> 00:59:26,400 Speaker 5: second Robbin Jason Todd to die. And then I just 1110 00:59:26,400 --> 00:59:30,440 Speaker 5: started buying more Batman comics and graphic novels and compilations 1111 00:59:30,520 --> 00:59:33,840 Speaker 5: like trade paperbacks in anticipation of the movie. So by 1112 00:59:33,840 --> 00:59:36,440 Speaker 5: the time the movie had come out, which I saw 1113 00:59:36,480 --> 00:59:39,880 Speaker 5: I think seven times in the theater, I was probably thirteen. 1114 00:59:40,000 --> 00:59:42,600 Speaker 5: I think that summer I was kind of caught up 1115 00:59:42,600 --> 00:59:45,760 Speaker 5: on a lot of the so called classics of the era, 1116 00:59:45,880 --> 00:59:48,880 Speaker 5: and then so Batman just got me into like so 1117 00:59:49,080 --> 00:59:50,800 Speaker 5: Robin's and the teen Titans SAI. Then I'd get into 1118 00:59:50,800 --> 00:59:53,880 Speaker 5: the Teen Titans, who became the New Titans, and so 1119 00:59:53,920 --> 00:59:55,560 Speaker 5: I catch up on the New Titans, and then Batman 1120 00:59:55,600 --> 00:59:57,240 Speaker 5: was in the Justice League, so I'd start reading Justice 1121 00:59:57,280 --> 01:00:00,840 Speaker 5: League and it was in that wonderful Justice League International era. Yeah, 1122 01:00:00,880 --> 01:00:02,400 Speaker 5: and so and from there it was like then I 1123 01:00:02,480 --> 01:00:05,280 Speaker 5: went back and read Crisis on Infinite Earths, and I 1124 01:00:05,320 --> 01:00:07,240 Speaker 5: was just a DC head. From then on, I just 1125 01:00:07,240 --> 01:00:09,680 Speaker 5: got into everything Green Lantern and Hawkman Flash, all of it, 1126 01:00:10,640 --> 01:00:13,840 Speaker 5: and some Marvel. But I didn't become like a died 1127 01:00:13,840 --> 01:00:17,200 Speaker 5: in Woe Marvel fan until the movies, until the NCU, 1128 01:00:17,600 --> 01:00:19,400 Speaker 5: there were just only a few characters that I was 1129 01:00:19,440 --> 01:00:22,480 Speaker 5: really invested in. For whatever reason. I love them all 1130 01:00:23,000 --> 01:00:25,560 Speaker 5: in comic book format and TV and movie form, but 1131 01:00:25,920 --> 01:00:28,280 Speaker 5: for whatever reason, I was really drawn to the DC universe, 1132 01:00:28,480 --> 01:00:30,880 Speaker 5: and I still am. I still love those comics and 1133 01:00:30,920 --> 01:00:31,880 Speaker 5: those characters. 1134 01:00:33,640 --> 01:00:38,000 Speaker 1: It makes sense thinking about, you know, Batman and Pity nine, 1135 01:00:38,000 --> 01:00:42,960 Speaker 1: Batman of that era being your your entry point, What 1136 01:00:43,040 --> 01:00:45,240 Speaker 1: about your actually point into horror? What was the thing 1137 01:00:45,360 --> 01:00:48,120 Speaker 1: you've You've worked so much in the horror genre, what 1138 01:00:48,240 --> 01:00:51,160 Speaker 1: was the thing that really got you into horror? 1139 01:00:52,360 --> 01:00:54,480 Speaker 5: You know, I wasn't a horror kid growing up, and 1140 01:00:54,600 --> 01:00:56,520 Speaker 5: I think part of it was that, like my parents 1141 01:00:56,520 --> 01:00:59,280 Speaker 5: were a bit protective of likes and stuff like that. 1142 01:00:59,840 --> 01:01:02,920 Speaker 5: So that very same summer that Batman came out, well, 1143 01:01:02,920 --> 01:01:05,800 Speaker 5: I guess it was the fall because I met Ryan Murphy, 1144 01:01:06,520 --> 01:01:08,880 Speaker 5: my co writer Ridy or not not the Ryan Murphy 1145 01:01:08,880 --> 01:01:15,760 Speaker 5: of American horror story, I always have to clarify. And 1146 01:01:16,240 --> 01:01:18,720 Speaker 5: he was also into Batman and movies and comics and 1147 01:01:19,160 --> 01:01:21,000 Speaker 5: all that great stuff. I remember we talked about Got 1148 01:01:21,000 --> 01:01:23,800 Speaker 5: Them by Gaslight, this book that had come out that summer, 1149 01:01:23,800 --> 01:01:25,760 Speaker 5: and that's was one of our first bonding points, is 1150 01:01:25,800 --> 01:01:27,280 Speaker 5: we're kind of feeling each other out, like are we 1151 01:01:27,280 --> 01:01:27,920 Speaker 5: going to be friends? 1152 01:01:27,960 --> 01:01:28,200 Speaker 6: Is this? 1153 01:01:28,520 --> 01:01:31,240 Speaker 5: Are we cool? Are we vibing here? And we became 1154 01:01:31,400 --> 01:01:33,520 Speaker 5: really really close friends. And he was the horror kid, 1155 01:01:33,680 --> 01:01:35,400 Speaker 5: and so he would, you know, like I could watch 1156 01:01:35,400 --> 01:01:37,000 Speaker 5: all this stuff at his house that I could watch 1157 01:01:37,000 --> 01:01:39,400 Speaker 5: on my own, and most of it turned me off. 1158 01:01:39,440 --> 01:01:40,960 Speaker 5: I was like, I just I don't get it. It's 1159 01:01:40,960 --> 01:01:43,360 Speaker 5: not for me. I don't really like these characters, blah 1160 01:01:43,400 --> 01:01:45,880 Speaker 5: blah blah. And now I look back on a lot 1161 01:01:45,880 --> 01:01:47,640 Speaker 5: of that stuff and I'm like, I was so wrong. 1162 01:01:47,680 --> 01:01:50,040 Speaker 5: This is build, but as a kid, it just kind 1163 01:01:50,040 --> 01:01:52,080 Speaker 5: of maybe I was just a little too protected for 1164 01:01:52,120 --> 01:01:54,840 Speaker 5: it at the time. So it was Scream, you know, 1165 01:01:54,960 --> 01:01:57,960 Speaker 5: ironically it was Wow. I saw it opening day in 1166 01:01:58,000 --> 01:02:00,320 Speaker 5: nineteen ninety six, and it was the one that blew 1167 01:02:00,400 --> 01:02:05,400 Speaker 5: my mind with Kevin's just amazing script and Wes's direction 1168 01:02:05,600 --> 01:02:10,000 Speaker 5: and that cast, that classic amazing cast, and for the 1169 01:02:10,040 --> 01:02:11,640 Speaker 5: first time, I was like, oh, horror can be fun. 1170 01:02:11,640 --> 01:02:13,520 Speaker 5: It can be funny, it can be meta, you can 1171 01:02:13,640 --> 01:02:15,840 Speaker 5: have a conversation with your audience. For the first time, 1172 01:02:15,880 --> 01:02:18,600 Speaker 5: I'm seeing myself in a horror movie, as you know, 1173 01:02:18,760 --> 01:02:22,560 Speaker 5: Randy the movie nerd. And it's just that I care 1174 01:02:22,600 --> 01:02:25,120 Speaker 5: about these characters and when they die it hurts. It's 1175 01:02:25,160 --> 01:02:28,400 Speaker 5: not so much about the killer, it's about the victims. 1176 01:02:28,440 --> 01:02:31,240 Speaker 5: You're really on their side for once, and it was 1177 01:02:31,280 --> 01:02:33,200 Speaker 5: a murder mystery. It was just like, how can it 1178 01:02:33,240 --> 01:02:35,760 Speaker 5: be all of these things, you know, a horror movie. 1179 01:02:35,800 --> 01:02:39,800 Speaker 5: And so that's when I think my true love started. 1180 01:02:39,800 --> 01:02:41,320 Speaker 5: And then I went back and rewatched a lot of 1181 01:02:41,360 --> 01:02:44,280 Speaker 5: others from the earlier periods and it was like, Okay, yes, 1182 01:02:44,360 --> 01:02:46,080 Speaker 5: now I kind of get it. But it was like 1183 01:02:46,680 --> 01:02:48,920 Speaker 5: Scream kind of broke the damn for me. And then 1184 01:02:49,360 --> 01:02:50,840 Speaker 5: the fact that they were able to follow that up 1185 01:02:51,000 --> 01:02:56,040 Speaker 5: in twelve months with another great Scream, like we really were. 1186 01:02:55,960 --> 01:03:00,520 Speaker 1: Actually incredible that that happened, Like yeah. 1187 01:03:00,000 --> 01:03:02,280 Speaker 3: Probguably one of the best horror sequels of all time. 1188 01:03:02,560 --> 01:03:03,520 Speaker 3: And they did it with any. 1189 01:03:04,400 --> 01:03:06,520 Speaker 5: Yeah, within a year, And I was like, well they 1190 01:03:06,680 --> 01:03:08,320 Speaker 5: I mean, they must have rushed it. How could it 1191 01:03:08,360 --> 01:03:11,760 Speaker 5: possibly be high quality if it's twelve months later and 1192 01:03:11,840 --> 01:03:13,960 Speaker 5: they did it again, And I was just like, I 1193 01:03:14,240 --> 01:03:17,320 Speaker 5: just I am in awe. And so the fact that 1194 01:03:17,360 --> 01:03:19,480 Speaker 5: I'm now, you know, getting to talk to Kevin, work 1195 01:03:19,520 --> 01:03:22,400 Speaker 5: with Kevin on screen movies is just blowing my twenty 1196 01:03:22,400 --> 01:03:24,520 Speaker 5: one year old mind in the past somehow, you know, 1197 01:03:24,560 --> 01:03:26,000 Speaker 5: if I could just go back and say, you're not 1198 01:03:26,040 --> 01:03:29,240 Speaker 5: going to believe this, but this movie that changed your 1199 01:03:29,240 --> 01:03:31,360 Speaker 5: life in terms of loving the genre, like you're going 1200 01:03:31,400 --> 01:03:33,440 Speaker 5: to get to work on that someday. I just I 1201 01:03:33,680 --> 01:03:36,480 Speaker 5: still can't believe it. It's so surreal and I'm pinching myself. 1202 01:03:36,520 --> 01:03:39,880 Speaker 5: And anytime I'm writing a legacy character, you know, created 1203 01:03:39,880 --> 01:03:42,120 Speaker 5: by an earlier writer, you know Kevin in particular, like 1204 01:03:42,440 --> 01:03:45,080 Speaker 5: writing Dialogue for Gaile and just writing the name Gail 1205 01:03:45,160 --> 01:03:48,560 Speaker 5: I just like, how did I end up here? This 1206 01:03:48,600 --> 01:03:52,040 Speaker 5: is just a dream I love so Yeah. 1207 01:03:51,600 --> 01:03:53,240 Speaker 3: I love that so much, And I guess kind of 1208 01:03:53,280 --> 01:03:55,360 Speaker 3: you could you talk a little bit about like how 1209 01:03:55,400 --> 01:03:57,880 Speaker 3: you did get there? Obviously, like Ready or Not you 1210 01:03:57,920 --> 01:03:59,960 Speaker 3: have like h standing as evil, But Ready or Not 1211 01:04:00,120 --> 01:04:03,400 Speaker 3: was just such a huge smash people just in a way. 1212 01:04:03,440 --> 01:04:07,080 Speaker 3: It had its own screen impact. It made people excited 1213 01:04:07,120 --> 01:04:10,000 Speaker 3: for horror. It made people feel like there was something 1214 01:04:10,040 --> 01:04:12,080 Speaker 3: different that you could play with in this world. What 1215 01:04:12,200 --> 01:04:14,080 Speaker 3: was that like for you? Kind of getting to make 1216 01:04:14,160 --> 01:04:18,080 Speaker 3: this independent, unique take on horror and then having it 1217 01:04:18,120 --> 01:04:19,440 Speaker 3: so well received. 1218 01:04:19,680 --> 01:04:22,760 Speaker 5: Well, that's just really levey to hear you so happy 1219 01:04:23,400 --> 01:04:26,080 Speaker 5: to think that people might have had that experience. 1220 01:04:26,160 --> 01:04:28,040 Speaker 3: I know so many people who'd want big horror heads 1221 01:04:28,080 --> 01:04:32,040 Speaker 3: who just absolutely adored it. 1222 01:04:33,080 --> 01:04:37,280 Speaker 5: Yeah, it was. It was a confluence of I mean, 1223 01:04:37,560 --> 01:04:42,200 Speaker 5: all the planets aligned basically. You know, Ryan and I 1224 01:04:42,280 --> 01:04:44,840 Speaker 5: we met, you know, when we were thirteen. We moved 1225 01:04:44,880 --> 01:04:48,680 Speaker 5: out here right after high school, went to college, different colleges, 1226 01:04:48,720 --> 01:04:50,880 Speaker 5: but we were always, you know, still very close. And 1227 01:04:50,880 --> 01:04:54,360 Speaker 5: then we would write together or write separately for many years, 1228 01:04:54,440 --> 01:04:58,600 Speaker 5: and we were working in different genres. We were selling 1229 01:04:58,680 --> 01:05:02,600 Speaker 5: pitches for big action sci fi things, they just weren't 1230 01:05:02,600 --> 01:05:05,200 Speaker 5: getting made, and so we just made a conscious decision, 1231 01:05:05,280 --> 01:05:09,320 Speaker 5: let's just do something smaller, low budget genre so you 1232 01:05:09,360 --> 01:05:11,720 Speaker 5: don't need a star, you know, and horror is just 1233 01:05:12,680 --> 01:05:15,160 Speaker 5: it never goes away. It's always going to be popular, 1234 01:05:15,200 --> 01:05:17,120 Speaker 5: and so we settled on that. We came up with 1235 01:05:17,160 --> 01:05:22,280 Speaker 5: the idea I think in like twenty thirteen, Wow, and 1236 01:05:22,840 --> 01:05:28,280 Speaker 5: we wrote this spec and it didn't set the world 1237 01:05:28,280 --> 01:05:32,560 Speaker 5: on fire, and so at that point it's like twenty fourteen, 1238 01:05:32,600 --> 01:05:34,360 Speaker 5: it hasn't It hasn't sold. We slipped it to a 1239 01:05:34,400 --> 01:05:37,320 Speaker 5: few producers, no one bit. So I'm thinking I'm going 1240 01:05:37,400 --> 01:05:41,280 Speaker 5: to quit the business at this point. And my good 1241 01:05:41,280 --> 01:05:44,720 Speaker 5: friend James Vanderbilt Jamie who's my co writer on Scream 1242 01:05:45,040 --> 01:05:47,840 Speaker 5: twenty twenty two and Scream six. He's a very close 1243 01:05:47,880 --> 01:05:50,800 Speaker 5: friend too. I met him because he went to college 1244 01:05:50,800 --> 01:05:53,720 Speaker 5: with Ryan. So it's just all a very, you know, 1245 01:05:53,800 --> 01:05:55,840 Speaker 5: small world kind of a situation. But Jamie was a 1246 01:05:55,840 --> 01:05:58,040 Speaker 5: big fan of that script. It was called family Ritual 1247 01:05:58,080 --> 01:06:01,040 Speaker 5: at the time, not Ready or Not, and the wedding 1248 01:06:01,040 --> 01:06:03,680 Speaker 5: element wasn't part of it, to believe it or Not, 1249 01:06:03,960 --> 01:06:06,560 Speaker 5: which is which is pretty much its whole identity which 1250 01:06:09,160 --> 01:06:11,600 Speaker 5: I know, right the bride with the with the cigarette 1251 01:06:11,640 --> 01:06:14,920 Speaker 5: and all covered in blood, and but it was basically 1252 01:06:14,960 --> 01:06:18,160 Speaker 5: like the Alex character bringing Grace home to see if 1253 01:06:18,200 --> 01:06:20,040 Speaker 5: you can get permission to marry her. And it was 1254 01:06:20,040 --> 01:06:22,439 Speaker 5: like over the Easter weekend or something. And then get 1255 01:06:22,440 --> 01:06:26,520 Speaker 5: Out happened and it was like, well, that's already the 1256 01:06:26,560 --> 01:06:29,560 Speaker 5: horror version. I meet the parents and so we had 1257 01:06:29,560 --> 01:06:31,280 Speaker 5: to pivot. And then we came up with the wedding 1258 01:06:31,280 --> 01:06:34,280 Speaker 5: thing and it was on track. But yeah, I mean 1259 01:06:35,080 --> 01:06:37,920 Speaker 5: it was a slow process. It took about six years 1260 01:06:37,920 --> 01:06:39,880 Speaker 5: from you know, coming up with the idea to it 1261 01:06:39,920 --> 01:06:40,439 Speaker 5: coming out. 1262 01:06:40,680 --> 01:06:41,080 Speaker 3: Wow. 1263 01:06:41,760 --> 01:06:45,680 Speaker 5: But we found Radio Silence. They pitched on it, and 1264 01:06:45,720 --> 01:06:47,520 Speaker 5: we immediately when we met them, we knew this is 1265 01:06:47,520 --> 01:06:50,480 Speaker 5: going to be a long and fruitful partnership. Matt, Tyler 1266 01:06:50,520 --> 01:06:54,000 Speaker 5: and Chad are just we all share a very very 1267 01:06:54,040 --> 01:06:56,200 Speaker 5: similar sensibility. We kind of all have like a high 1268 01:06:56,360 --> 01:07:01,080 Speaker 5: mind speaking of my mind, and uh, I love those guys. 1269 01:07:01,120 --> 01:07:02,440 Speaker 5: And I knew that there were the right people for it. 1270 01:07:02,480 --> 01:07:05,320 Speaker 5: And then Searchlight came on board and like our execs 1271 01:07:05,320 --> 01:07:08,840 Speaker 5: there completely got it. The marketing was great and it 1272 01:07:08,880 --> 01:07:10,880 Speaker 5: was just really cool. I mean, I'm so that one 1273 01:07:10,960 --> 01:07:12,680 Speaker 5: is always going to hold a special place in my heart, 1274 01:07:12,760 --> 01:07:15,920 Speaker 5: not just because it was my first produced movie. I 1275 01:07:15,920 --> 01:07:21,360 Speaker 5: don't count the other one, but because it was original, 1276 01:07:21,360 --> 01:07:24,800 Speaker 5: and it was so different and so odd, and it 1277 01:07:24,840 --> 01:07:27,680 Speaker 5: was a little bit hard to put in a box 1278 01:07:27,680 --> 01:07:29,880 Speaker 5: because it was again, it wasn't just one thing. And 1279 01:07:30,000 --> 01:07:31,520 Speaker 5: I always say, you know, you can draw a straight 1280 01:07:31,560 --> 01:07:34,360 Speaker 5: line from screen to ready or not in terms of like, 1281 01:07:34,880 --> 01:07:39,320 Speaker 5: hopefully it's a fun ride first and foremost, and hopefully 1282 01:07:39,360 --> 01:07:41,440 Speaker 5: it gives you characters or at least one character that 1283 01:07:41,480 --> 01:07:44,480 Speaker 5: you really like and root for and want to see 1284 01:07:44,520 --> 01:07:46,520 Speaker 5: make it through. And you know, again you mentioned some 1285 01:07:46,720 --> 01:07:50,080 Speaker 5: ri It's like that was lightning in a bottle. It 1286 01:07:50,600 --> 01:07:54,440 Speaker 5: couldn't have been better casting across the board. But wow, 1287 01:07:54,560 --> 01:07:58,720 Speaker 5: her performance is just just next level. And so to 1288 01:07:58,760 --> 01:08:01,760 Speaker 5: get to bring her back first Dream six was a 1289 01:08:01,840 --> 01:08:04,240 Speaker 5: treat for everybody. You know, I was, I was. I 1290 01:08:04,240 --> 01:08:05,640 Speaker 5: did not get to be on set when she was 1291 01:08:05,680 --> 01:08:09,160 Speaker 5: doing her scenes. I had already come back from from Montreal. 1292 01:08:09,240 --> 01:08:12,320 Speaker 5: But watching those dailies, my my wife and I were 1293 01:08:12,320 --> 01:08:15,640 Speaker 5: in stitches because her outtakes her you know, like, there 1294 01:08:15,640 --> 01:08:18,880 Speaker 5: are different takes of that scene are just she's so 1295 01:08:18,920 --> 01:08:21,920 Speaker 5: funny and likable and goofy, and it's just like she 1296 01:08:22,080 --> 01:08:25,599 Speaker 5: said that that's the character that she's played that's closest 1297 01:08:25,600 --> 01:08:29,160 Speaker 5: to her and I find that just lovely and love that. 1298 01:08:29,640 --> 01:08:32,120 Speaker 2: So how did you get there? From ready or Not 1299 01:08:32,240 --> 01:08:35,800 Speaker 2: to the screen franchise? What was you know? How did 1300 01:08:35,840 --> 01:08:37,639 Speaker 2: that kind of evolve? 1301 01:08:38,400 --> 01:08:41,519 Speaker 5: That was a very strange story and one of those 1302 01:08:41,520 --> 01:08:44,439 Speaker 5: things that never happens in this business and I consider 1303 01:08:44,479 --> 01:08:47,160 Speaker 5: myself one of the luckiest people on earth because of it. 1304 01:08:47,160 --> 01:08:50,639 Speaker 5: It's my good friend Jamie who I mentioned I met 1305 01:08:50,960 --> 01:08:54,439 Speaker 5: when we were eighteen and freshmen at different colleges. He 1306 01:08:54,680 --> 01:08:57,519 Speaker 5: has a company called Project X Entertainment that has produced 1307 01:08:57,760 --> 01:09:00,880 Speaker 5: these screen movies and they had a deal with Spyglass 1308 01:09:01,960 --> 01:09:05,479 Speaker 5: Media Group where I think it was just for TV, 1309 01:09:05,560 --> 01:09:07,519 Speaker 5: but they kind of had a general meeting with Gary 1310 01:09:07,560 --> 01:09:11,760 Speaker 5: Barber who owns and runs it, and they had acquired 1311 01:09:11,880 --> 01:09:16,360 Speaker 5: some of the old Weinstein Company assets, Scream being the 1312 01:09:16,439 --> 01:09:18,800 Speaker 5: kind of the main one, like the big one that 1313 01:09:18,840 --> 01:09:22,320 Speaker 5: he really wanted to do something with. And Jamie's been 1314 01:09:22,360 --> 01:09:24,360 Speaker 5: a longtime screen fan too, and he had met Kevin 1315 01:09:24,360 --> 01:09:26,599 Speaker 5: Williamson early in his career and Kevin was very very 1316 01:09:26,640 --> 01:09:28,360 Speaker 5: kind and supportive of him. When he was sort of 1317 01:09:28,400 --> 01:09:31,880 Speaker 5: a baby writer, and so Jamie was like, well, I 1318 01:09:31,920 --> 01:09:34,519 Speaker 5: would really like to try something with that, and Gary 1319 01:09:34,640 --> 01:09:39,240 Speaker 5: was like, well, would you write it? And he said yeah, 1320 01:09:39,280 --> 01:09:40,800 Speaker 5: And so they walked out of that meeting and they 1321 01:09:40,840 --> 01:09:45,760 Speaker 5: had scream and he knew he didn't want to He 1322 01:09:45,800 --> 01:09:47,920 Speaker 5: knew it was he wanted radio silence, and he knew 1323 01:09:47,920 --> 01:09:49,360 Speaker 5: he didn't want to do it by himself. And he 1324 01:09:49,760 --> 01:09:52,280 Speaker 5: picked me because I, you know, he knows how much 1325 01:09:52,320 --> 01:09:54,240 Speaker 5: reverence I have for the franchise and how much love 1326 01:09:54,280 --> 01:09:58,120 Speaker 5: I have for Kevin and Wes and those first poor movies. 1327 01:09:58,160 --> 01:10:00,720 Speaker 5: And I think he was all so a little busy 1328 01:10:00,760 --> 01:10:01,880 Speaker 5: at the time. So it was like, if I could 1329 01:10:01,880 --> 01:10:03,040 Speaker 5: split the work, I'd be great. 1330 01:10:03,360 --> 01:10:03,960 Speaker 2: Yeah. 1331 01:10:04,160 --> 01:10:06,960 Speaker 5: And so he called me and I was in New York, 1332 01:10:06,960 --> 01:10:08,559 Speaker 5: which is kind of funny because we had ended up 1333 01:10:08,600 --> 01:10:11,080 Speaker 5: doing six in New York, but I was on my 1334 01:10:11,120 --> 01:10:14,280 Speaker 5: wedding anniversary with my wife. It was our ten year anniversary. 1335 01:10:14,560 --> 01:10:15,960 Speaker 5: We had just come out of play. I saw that 1336 01:10:16,000 --> 01:10:17,680 Speaker 5: he had called. I was worried that one of our 1337 01:10:17,720 --> 01:10:20,280 Speaker 5: many projects together had fallen apart. We didn't want to 1338 01:10:20,280 --> 01:10:22,160 Speaker 5: call him back. I was like putting it up. And 1339 01:10:22,200 --> 01:10:23,920 Speaker 5: I called him and he just said, hey, so all 1340 01:10:23,960 --> 01:10:25,920 Speaker 5: the projects are fine because he knows me, he knows 1341 01:10:25,960 --> 01:10:28,960 Speaker 5: that's whatever. And he goes, he goes, do you want 1342 01:10:28,960 --> 01:10:30,880 Speaker 5: to write Scream five with me? And I just my 1343 01:10:31,000 --> 01:10:35,120 Speaker 5: job rop And you know, I was just in shock 1344 01:10:35,360 --> 01:10:37,639 Speaker 5: for like the next hour. And so I came back 1345 01:10:37,640 --> 01:10:40,639 Speaker 5: and we watched the four movies in person together, came 1346 01:10:40,720 --> 01:10:42,599 Speaker 5: up with our wish list of like what do we 1347 01:10:42,640 --> 01:10:45,160 Speaker 5: as fans want to see in a screen movie? Like 1348 01:10:45,240 --> 01:10:47,280 Speaker 5: if this is the last one we ever get, what 1349 01:10:47,479 --> 01:10:51,080 Speaker 5: is it? How do we as fans create something that 1350 01:10:51,120 --> 01:10:54,400 Speaker 5: we would love? And we were just completely in sync 1351 01:10:54,439 --> 01:10:57,320 Speaker 5: and it was so easy to work together. And I'm 1352 01:10:57,320 --> 01:10:59,680 Speaker 5: not saying that the scripts were always easy, but I 1353 01:10:59,720 --> 01:11:02,120 Speaker 5: think a lot of the ideas just kind of came to 1354 01:11:02,160 --> 01:11:04,360 Speaker 5: both of us independently, and we were sort of surprised 1355 01:11:04,360 --> 01:11:05,600 Speaker 5: to be like, oh you thought of that too, Oh 1356 01:11:05,680 --> 01:11:08,040 Speaker 5: my god, Okay, we're really of one mind on this 1357 01:11:08,120 --> 01:11:11,479 Speaker 5: thing and writing that that, you know, first draft of 1358 01:11:11,520 --> 01:11:13,519 Speaker 5: five it didn't take long at all. It was just 1359 01:11:13,560 --> 01:11:15,800 Speaker 5: like we kind of whipped through it in just a 1360 01:11:15,800 --> 01:11:19,000 Speaker 5: few weeks. And that's that was That was how I 1361 01:11:19,040 --> 01:11:22,880 Speaker 5: was just invited. It doesn't happen like that. It just it. 1362 01:11:22,880 --> 01:11:26,000 Speaker 5: It's the dream, you know, it was just here it is, 1363 01:11:26,320 --> 01:11:29,479 Speaker 5: and you know, I'm grateful that he had to put 1364 01:11:29,479 --> 01:11:31,160 Speaker 5: the trust and faith in me that I could do it. 1365 01:11:31,200 --> 01:11:34,200 Speaker 5: And you know, now we've done two together and seems 1366 01:11:34,200 --> 01:11:37,160 Speaker 5: to be working out. So I know, I'm very very 1367 01:11:37,200 --> 01:11:38,400 Speaker 5: grateful and very proud. 1368 01:11:38,720 --> 01:11:40,400 Speaker 3: Yeah, Like what was so what was it like then 1369 01:11:40,479 --> 01:11:43,160 Speaker 3: to not only get to play in this soundbox, then 1370 01:11:43,200 --> 01:11:46,880 Speaker 3: you're getting the legacy characters back. Then the movie comes 1371 01:11:46,880 --> 01:11:49,040 Speaker 3: out and people just love it and it makes a 1372 01:11:49,040 --> 01:11:50,800 Speaker 3: ton of money, which is kind of your dream in 1373 01:11:50,840 --> 01:11:53,920 Speaker 3: this really hard time for cinema and kind of cinema 1374 01:11:54,040 --> 01:11:57,240 Speaker 3: and distribution. Scream is a hit. It's a hit on 1375 01:11:57,280 --> 01:12:00,600 Speaker 3: a small budget. What was that? Ex variants? 1376 01:12:00,800 --> 01:12:02,879 Speaker 5: Like a relief? 1377 01:12:06,920 --> 01:12:07,400 Speaker 1: It just. 1378 01:12:09,120 --> 01:12:13,920 Speaker 5: We we just thought, if anyone's gonna ruin the franchise, 1379 01:12:14,000 --> 01:12:15,760 Speaker 5: at least, let it be a couple of guys who 1380 01:12:15,800 --> 01:12:18,840 Speaker 5: absolutely love it and want to protect it. And yet 1381 01:12:18,880 --> 01:12:20,599 Speaker 5: we didn't want to ruin it. And so when it 1382 01:12:20,640 --> 01:12:22,960 Speaker 5: came out and it did connect with with you know, 1383 01:12:23,040 --> 01:12:26,200 Speaker 5: longtime fans and new fans and did well financially, it 1384 01:12:26,240 --> 01:12:28,280 Speaker 5: was just it was a huge relief. We didn't break 1385 01:12:28,320 --> 01:12:30,880 Speaker 5: the thing that we would you know, we actually were 1386 01:12:30,920 --> 01:12:33,920 Speaker 5: able to contribute and keep this thing alive and not 1387 01:12:34,040 --> 01:12:36,320 Speaker 5: just put it back on life support. But it was 1388 01:12:36,360 --> 01:12:39,040 Speaker 5: well received and people wanted more and people did like 1389 01:12:39,280 --> 01:12:41,960 Speaker 5: you know, the new characters, and so it was just gratifying. 1390 01:12:42,000 --> 01:12:45,320 Speaker 5: It just I felt very again, just relieved that we 1391 01:12:45,360 --> 01:12:48,000 Speaker 5: didn't ruin it and like create the work the one 1392 01:12:48,040 --> 01:12:51,680 Speaker 5: that you just killed it forever. And yeah, I was 1393 01:12:51,760 --> 01:12:53,559 Speaker 5: I was proud that we'd pulled it off because it 1394 01:12:53,560 --> 01:12:57,040 Speaker 5: had been eleven years, you know, since four and people 1395 01:12:57,200 --> 01:12:59,599 Speaker 5: really had kind of moved on from it, and Kevin 1396 01:12:59,640 --> 01:13:01,080 Speaker 5: had moved on from it, by the ways, like a 1397 01:13:01,120 --> 01:13:03,080 Speaker 5: lot of people involved and moved on for We had 1398 01:13:03,160 --> 01:13:05,200 Speaker 5: no guarantee that we were going to get those legacy 1399 01:13:05,200 --> 01:13:08,360 Speaker 5: actors back. We just kind of were like we blind 1400 01:13:08,360 --> 01:13:10,879 Speaker 5: faith we write it. We try to write the characters 1401 01:13:10,880 --> 01:13:13,559 Speaker 5: as being in different places than we've seen them before, 1402 01:13:13,600 --> 01:13:15,840 Speaker 5: so give them something new to play. We know they 1403 01:13:15,880 --> 01:13:18,240 Speaker 5: love each other and we know they love you know, 1404 01:13:18,320 --> 01:13:21,599 Speaker 5: Wes and Kevin, but it was a leap to think 1405 01:13:21,600 --> 01:13:24,360 Speaker 5: that they would want to do a screen movie without Wes. Yeah, 1406 01:13:24,400 --> 01:13:26,280 Speaker 5: and so we just we had to take a shot, 1407 01:13:26,320 --> 01:13:28,920 Speaker 5: and you know, we got them, and we were thrilled 1408 01:13:28,920 --> 01:13:30,439 Speaker 5: we did. We weren't sure we were going to and 1409 01:13:30,479 --> 01:13:32,479 Speaker 5: we got them and they came back. And that was, 1410 01:13:33,680 --> 01:13:36,400 Speaker 5: like I said before, like writing dialogue for Sidney Prescott 1411 01:13:36,520 --> 01:13:39,559 Speaker 5: or Gail Webbers or Dewey Riley was you know, it 1412 01:13:39,600 --> 01:13:40,320 Speaker 5: was just a trip. 1413 01:13:42,600 --> 01:13:47,080 Speaker 1: I would imagine there are certain challenges to bringing back 1414 01:13:47,120 --> 01:13:49,760 Speaker 1: this franchise that are unique. You know, you've got to 1415 01:13:49,840 --> 01:13:54,040 Speaker 1: have that killer cold open. You've got to be able 1416 01:13:54,040 --> 01:13:56,920 Speaker 1: to play with the tropes of the form in a 1417 01:13:56,960 --> 01:13:58,880 Speaker 1: way that is entertaining. You've got to have a great 1418 01:13:58,960 --> 01:14:02,559 Speaker 1: murder mystery. What What were some of the things that, 1419 01:14:02,720 --> 01:14:05,760 Speaker 1: as you're watching these four movies in a row, you thought, Okay, 1420 01:14:05,800 --> 01:14:08,040 Speaker 1: we gotta do this, gotta do that. 1421 01:14:10,040 --> 01:14:12,800 Speaker 5: I think it's just the formula has always been the same, 1422 01:14:13,280 --> 01:14:16,880 Speaker 5: but with different it's like certain elements of it are 1423 01:14:16,920 --> 01:14:19,360 Speaker 5: dialed up or dialed down. I think one of the 1424 01:14:19,360 --> 01:14:21,960 Speaker 5: things that we really looked at was let's make it 1425 01:14:22,040 --> 01:14:27,040 Speaker 5: really legitimately scary again, because some of the meta got 1426 01:14:27,040 --> 01:14:30,240 Speaker 5: turned up a little higher in three and four. So 1427 01:14:30,360 --> 01:14:32,920 Speaker 5: and not to say there weren't wonderful scares in three 1428 01:14:32,960 --> 01:14:35,760 Speaker 5: and four, but I didn't feel some of the I 1429 01:14:35,760 --> 01:14:38,599 Speaker 5: don't even know how to put it, but just that 1430 01:14:38,680 --> 01:14:39,519 Speaker 5: gut level, like. 1431 01:14:39,560 --> 01:14:41,880 Speaker 3: You want to feel the terror, you want to feel 1432 01:14:42,080 --> 01:14:45,839 Speaker 3: the kills likes five I think about a lot you feel. 1433 01:14:46,800 --> 01:14:47,360 Speaker 3: It's horrible. 1434 01:14:48,240 --> 01:14:50,000 Speaker 5: Yeah, no, it truly is. That was that was a 1435 01:14:50,080 --> 01:14:52,760 Speaker 5: rough one to think of, and right and shoot, and 1436 01:14:52,840 --> 01:14:54,760 Speaker 5: Dylan really was so good in it. It was like, 1437 01:14:54,840 --> 01:14:57,599 Speaker 5: oh god, that's really hard to watch. But another thing 1438 01:14:57,600 --> 01:15:01,120 Speaker 5: we went back to was really making sure the audience 1439 01:15:01,160 --> 01:15:04,160 Speaker 5: knew that these there are stakes again and we went 1440 01:15:04,200 --> 01:15:06,679 Speaker 5: back to two and we're like, we didn't. Nobody wanted 1441 01:15:06,720 --> 01:15:10,120 Speaker 5: Randy to die. That was terrible. And at midpoint in 1442 01:15:10,120 --> 01:15:12,559 Speaker 5: the movie, you know, Randy are our sort of audience 1443 01:15:12,560 --> 01:15:15,320 Speaker 5: identification character in many ways as being the movie Nerd 1444 01:15:15,960 --> 01:15:18,360 Speaker 5: is taken from us. And then three and four, you know, 1445 01:15:18,400 --> 01:15:21,960 Speaker 5: the core three, the Big three make it through and 1446 01:15:22,000 --> 01:15:23,519 Speaker 5: we were like, I think we're going to have to 1447 01:15:23,600 --> 01:15:26,960 Speaker 5: kill one. And it was a really rough conversation because 1448 01:15:27,000 --> 01:15:29,160 Speaker 5: we love those characters and Dewey has always been my 1449 01:15:29,240 --> 01:15:32,800 Speaker 5: personal favorite, and so that was a brutal realization to go. 1450 01:15:32,880 --> 01:15:36,160 Speaker 5: I think that's correct for this story because it's solved 1451 01:15:36,200 --> 01:15:39,000 Speaker 5: a lot of story problems for him to die, because 1452 01:15:39,040 --> 01:15:40,679 Speaker 5: why else would Sidney come back to Woodsboro? 1453 01:15:40,880 --> 01:15:44,640 Speaker 3: Ever, like Eva. 1454 01:15:46,240 --> 01:15:48,400 Speaker 5: There would be no reason, nothing could get it there 1455 01:15:48,439 --> 01:15:51,680 Speaker 5: except for you know, avenging her friend, you know, and 1456 01:15:51,760 --> 01:15:54,080 Speaker 5: so that it made sense, and it would also you know, 1457 01:15:54,280 --> 01:15:57,400 Speaker 5: Gail obviously would then have a real and the audience 1458 01:15:57,439 --> 01:16:00,840 Speaker 5: would be really, really pissed off. And but yeah, it's 1459 01:16:00,840 --> 01:16:02,519 Speaker 5: like it's coming up with the murderers, it's coming. I 1460 01:16:02,520 --> 01:16:06,719 Speaker 5: think the hardest things are always who is it and why? 1461 01:16:07,280 --> 01:16:10,720 Speaker 5: What's the motive? And because the motive is always of 1462 01:16:10,760 --> 01:16:13,920 Speaker 5: the time, and it's they're always very you know, very good, 1463 01:16:14,040 --> 01:16:17,479 Speaker 5: very smart, and I love like Joe Robertson in four, 1464 01:16:17,560 --> 01:16:21,320 Speaker 5: you know, it's like I don't want. 1465 01:16:20,840 --> 01:16:23,519 Speaker 3: Yeah, I love Jill Emma just absolutely killed it. 1466 01:16:24,439 --> 01:16:27,360 Speaker 5: Yeah yeah she did, and I completely agree. And so 1467 01:16:27,400 --> 01:16:29,439 Speaker 5: that was another one where was like, that's very of 1468 01:16:29,520 --> 01:16:31,960 Speaker 5: the time of you know, social media becoming is just 1469 01:16:32,040 --> 01:16:35,640 Speaker 5: blowing up and you know tw twenty eleven into what 1470 01:16:35,680 --> 01:16:37,800 Speaker 5: it's become now, and so for us it was like, Okay, 1471 01:16:37,800 --> 01:16:40,559 Speaker 5: how do we These movies always have a conversation with 1472 01:16:40,600 --> 01:16:44,439 Speaker 5: their audience, and they always comment on not just horror 1473 01:16:44,479 --> 01:16:47,439 Speaker 5: tropes of the time, but also just pop culture, horror 1474 01:16:47,520 --> 01:16:49,880 Speaker 5: as a genre, movies in general, you know, and so 1475 01:16:50,120 --> 01:16:52,120 Speaker 5: it was like once we kind of found that toxic 1476 01:16:52,200 --> 01:16:55,880 Speaker 5: fandom angle so good. It was something that we've been 1477 01:16:55,880 --> 01:16:59,200 Speaker 5: witnessing in the last few years. It was just we're like, Okay, 1478 01:16:59,200 --> 01:17:01,240 Speaker 5: that's it, that's what we have to say right now, 1479 01:17:01,560 --> 01:17:03,519 Speaker 5: and it works perfectly in a screen movie, which is 1480 01:17:03,560 --> 01:17:07,679 Speaker 5: a movie about movies and fans, and so it really clicked. 1481 01:17:08,400 --> 01:17:10,960 Speaker 5: And then in terms of you know, the Killers, it 1482 01:17:11,040 --> 01:17:15,040 Speaker 5: was like, we so much of five is an homage 1483 01:17:15,080 --> 01:17:17,120 Speaker 5: to one, and we just thought it would be really 1484 01:17:17,120 --> 01:17:18,720 Speaker 5: fun to go back to the boyfriend and have it 1485 01:17:18,720 --> 01:17:20,679 Speaker 5: be you know, we wrote that part. 1486 01:17:21,880 --> 01:17:24,519 Speaker 3: Looks he looks as soon as you cost Jackquad, You're like, 1487 01:17:24,560 --> 01:17:26,679 Speaker 3: he's going to be the killer, right, and then you're like, well, 1488 01:17:26,800 --> 01:17:28,040 Speaker 3: well no, that would be too obvious. 1489 01:17:28,040 --> 01:17:28,519 Speaker 5: And I love this. 1490 01:17:29,160 --> 01:17:31,920 Speaker 3: No, he's the killer, literally him. 1491 01:17:32,560 --> 01:17:37,000 Speaker 5: And we copied that from one because Skating Matthew are 1492 01:17:37,120 --> 01:17:41,880 Speaker 5: telling you over and over and yet they pull it 1493 01:17:41,960 --> 01:17:44,439 Speaker 5: off and it's still a shock when when they're the killers. 1494 01:17:44,520 --> 01:17:47,160 Speaker 5: And that's just Kevin's brilliant writing. Yeah, Wes is directing, 1495 01:17:47,240 --> 01:17:51,599 Speaker 5: and and those performances by those two iconic actors but yeah, 1496 01:17:51,640 --> 01:17:53,720 Speaker 5: it was like, let's let's do that. Let's try to 1497 01:17:53,920 --> 01:17:55,920 Speaker 5: do that same magic trick where it's like, oh, it's 1498 01:17:55,920 --> 01:17:58,320 Speaker 5: got to be him. Oh no, now it definitely can't 1499 01:17:58,360 --> 01:17:59,760 Speaker 5: be him. Oh god, it was. 1500 01:18:02,280 --> 01:18:02,920 Speaker 2: Right the first time. 1501 01:18:03,000 --> 01:18:06,040 Speaker 3: Okay. Also, I know we haven't even gotten to Sick yet, 1502 01:18:06,080 --> 01:18:07,559 Speaker 3: but like, I just need to ask because you talked 1503 01:18:07,600 --> 01:18:11,080 Speaker 3: about Skee I screamed the first time in five when 1504 01:18:11,120 --> 01:18:13,599 Speaker 3: you revealed like the daughter of Billy Loomis and kind 1505 01:18:13,600 --> 01:18:16,960 Speaker 3: of bringing back Skee as this other legacy character. Could 1506 01:18:16,960 --> 01:18:19,320 Speaker 3: you talk a little bit about that choice, Like did 1507 01:18:19,400 --> 01:18:21,679 Speaker 3: you get any pushback on that? Because it's real late 1508 01:18:21,840 --> 01:18:24,840 Speaker 3: stage horror movie sequel stuff, which is why I loved it. 1509 01:18:25,000 --> 01:18:26,960 Speaker 3: But was that something that people were like, it's not 1510 01:18:27,080 --> 01:18:29,160 Speaker 3: gonna work. It's too out there, like we need our 1511 01:18:29,200 --> 01:18:31,200 Speaker 3: final gal to be pure and kind of follow those 1512 01:18:31,280 --> 01:18:32,040 Speaker 3: older rules. 1513 01:18:33,240 --> 01:18:35,639 Speaker 5: Absolutely, I think not so much. On the Billy Loomis's 1514 01:18:35,800 --> 01:18:38,439 Speaker 5: legitimate daughter, we didn't get a lot of pushback on that. 1515 01:18:38,479 --> 01:18:39,880 Speaker 5: We got a lot of pushback on the idea that 1516 01:18:39,920 --> 01:18:44,799 Speaker 5: we would actually see Billy. Yeah, and they were nervous 1517 01:18:45,800 --> 01:18:50,240 Speaker 5: and we understood why. But there were conversations and they said, 1518 01:18:51,040 --> 01:18:52,800 Speaker 5: if you you know, if he agrees to do it, 1519 01:18:52,960 --> 01:18:55,240 Speaker 5: do it. We may not end up using anyo and 1520 01:18:55,600 --> 01:18:57,320 Speaker 5: you know, it may be a voiceover, it may not 1521 01:18:57,439 --> 01:19:00,560 Speaker 5: be any kind of dialogue with Billy at all. And 1522 01:19:00,640 --> 01:19:02,920 Speaker 5: then once they saw it, nobody ever brought it up again. 1523 01:19:03,920 --> 01:19:06,400 Speaker 5: And I will say one thing about the pushback was 1524 01:19:07,560 --> 01:19:09,760 Speaker 5: that gave us confidence that we were doing the right 1525 01:19:09,840 --> 01:19:12,880 Speaker 5: thing by trying it. At least was we pitched the 1526 01:19:12,920 --> 01:19:15,600 Speaker 5: whole thing to Kevin and he maybe even read the 1527 01:19:15,680 --> 01:19:18,280 Speaker 5: draft at that point, and he said, the one thing 1528 01:19:18,600 --> 01:19:21,240 Speaker 5: that doesn't feel like a screen movie is this seeing 1529 01:19:21,400 --> 01:19:23,840 Speaker 5: the sort of phantom Billy that's in her head. And 1530 01:19:23,880 --> 01:19:25,400 Speaker 5: he's like, that's why I think you have to do it. 1531 01:19:27,640 --> 01:19:29,720 Speaker 5: And that was like, oh, thank you. You just gave 1532 01:19:29,800 --> 01:19:32,240 Speaker 5: us the best kind of permission to go and try something. 1533 01:19:32,840 --> 01:19:34,479 Speaker 5: It's a big swing, you know, as you said, it 1534 01:19:34,520 --> 01:19:36,679 Speaker 5: could have gone horribly wrong. If it had, it wouldn't 1535 01:19:36,680 --> 01:19:38,880 Speaker 5: have made it in there. But yeah, I mean, Billy 1536 01:19:39,360 --> 01:19:42,439 Speaker 5: and Stu are you know, as much a reason for 1537 01:19:42,520 --> 01:19:44,680 Speaker 5: the success of that movie and for kind of the 1538 01:19:44,760 --> 01:19:47,400 Speaker 5: love of the franchise as any of the other cast members. 1539 01:19:47,479 --> 01:19:50,600 Speaker 5: You know, they skate and Matthew just I mean I 1540 01:19:50,720 --> 01:19:52,760 Speaker 5: was quoting them on the way to the car after 1541 01:19:52,880 --> 01:19:55,000 Speaker 5: my first screaming it bit, you know, because they were 1542 01:19:55,120 --> 01:19:58,479 Speaker 5: so I mean, those performances are just the stuff of legends. 1543 01:19:58,920 --> 01:20:01,400 Speaker 5: So we were me and I got really excited at 1544 01:20:01,439 --> 01:20:04,439 Speaker 5: the idea that this is Billy's legacy and Billy's going 1545 01:20:04,479 --> 01:20:07,000 Speaker 5: to be in it, and Sydney's going to have to 1546 01:20:07,600 --> 01:20:10,439 Speaker 5: come face to face with Billy's daughter who you know, 1547 01:20:10,600 --> 01:20:14,160 Speaker 5: he got Sam's mother pregnant while he was with Sydney, 1548 01:20:14,360 --> 01:20:17,240 Speaker 5: most likely because she refused to sleep with him, and 1549 01:20:18,160 --> 01:20:21,280 Speaker 5: so he went outside of that relationship and yeah, here 1550 01:20:21,360 --> 01:20:23,720 Speaker 5: we go. And to have those two women fighting side 1551 01:20:23,760 --> 01:20:26,479 Speaker 5: by side was just kind of a we thought that 1552 01:20:26,680 --> 01:20:29,559 Speaker 5: was It just gave us the giggles. 1553 01:20:29,720 --> 01:20:36,560 Speaker 1: We thought, Yeah, how early in the process did the 1554 01:20:36,760 --> 01:20:41,080 Speaker 1: idea of having a family of killers come to be? 1555 01:20:41,920 --> 01:20:44,200 Speaker 5: That was pretty early, and I will say, you know, 1556 01:20:44,320 --> 01:20:47,720 Speaker 5: full transparency, we didn't always know it was Richie's family. Oh, 1557 01:20:49,040 --> 01:20:51,599 Speaker 5: but we did love the idea of three ghost faces. 1558 01:20:51,720 --> 01:20:55,479 Speaker 5: And it's kind of a hard overcome to imagine three 1559 01:20:55,600 --> 01:20:57,960 Speaker 5: people being like minded enough that they'd want to go 1560 01:20:58,040 --> 01:21:01,040 Speaker 5: on killing screens together and have the same motive. And 1561 01:21:01,160 --> 01:21:02,760 Speaker 5: so we came up with family, I think out of 1562 01:21:02,800 --> 01:21:05,200 Speaker 5: the desire to want to do three for the first time. Yeah, 1563 01:21:05,479 --> 01:21:08,439 Speaker 5: and then it really finally clicked when we were like, 1564 01:21:09,040 --> 01:21:11,800 Speaker 5: there's there's something that's not because we also wanted the 1565 01:21:11,840 --> 01:21:14,840 Speaker 5: motive in six to be primal and not sort of intellectual, 1566 01:21:15,520 --> 01:21:19,960 Speaker 5: because the motive in five was about an idea about movies, 1567 01:21:19,960 --> 01:21:22,559 Speaker 5: about wanting my favorite franchise to get back on track, 1568 01:21:22,640 --> 01:21:25,120 Speaker 5: so I'm going to help out, and it's not really primal, 1569 01:21:25,200 --> 01:21:27,599 Speaker 5: it's just more of an intellectual exercise. So with this one, 1570 01:21:27,640 --> 01:21:30,439 Speaker 5: we're like, it's got to be something really really someone 1571 01:21:30,560 --> 01:21:33,479 Speaker 5: has to hate Sam and then it, you know, not 1572 01:21:33,600 --> 01:21:36,280 Speaker 5: a huge leap to get from there. This is this 1573 01:21:36,400 --> 01:21:38,720 Speaker 5: is a family full of psychos and this father is 1574 01:21:38,920 --> 01:21:43,960 Speaker 5: just so twisted. All of his kids ended up this way. Yeah, 1575 01:21:44,760 --> 01:21:47,200 Speaker 5: and you notice that Jack Champion, you know, please, Ethan 1576 01:21:47,280 --> 01:21:48,840 Speaker 5: looks a lot like Jack Quaid. 1577 01:21:48,960 --> 01:21:51,000 Speaker 3: It does look like him, Like I thought that was 1578 01:21:51,040 --> 01:21:52,839 Speaker 3: why I recognized him. Then I realized it was Avatar. 1579 01:21:53,120 --> 01:21:55,960 Speaker 5: But yeah, Avatar. Yeah, yeah, he really doesn't make like 1580 01:21:56,920 --> 01:21:59,040 Speaker 5: he really you know, sprouted up since Avatar. I mean, 1581 01:21:59,120 --> 01:22:02,160 Speaker 5: he's just like this really tall, good looking guy and 1582 01:22:02,280 --> 01:22:04,880 Speaker 5: that not you know, obviously he's great an Avatar, but 1583 01:22:04,920 --> 01:22:07,439 Speaker 5: he's kind of a kid and he really spread out. 1584 01:22:07,520 --> 01:22:09,360 Speaker 5: This was the first thing he did after Avatar, and 1585 01:22:09,439 --> 01:22:12,400 Speaker 5: it was like his second set after years and years 1586 01:22:12,439 --> 01:22:16,400 Speaker 5: on these the James Cameron movies. But like they look 1587 01:22:16,520 --> 01:22:20,000 Speaker 5: so much alike. One of the character was Jamie or 1588 01:22:20,000 --> 01:22:22,880 Speaker 5: William or one of radio silences said, don't stand together 1589 01:22:23,000 --> 01:22:24,920 Speaker 5: on the red carpet. People will figured it out. 1590 01:22:27,000 --> 01:22:29,719 Speaker 2: That's so good and I think it's funny. 1591 01:22:29,920 --> 01:22:32,760 Speaker 3: Yeah, I love as well. Like there's so many parallels 1592 01:22:32,800 --> 01:22:35,919 Speaker 3: here with Scream two, not even like from the quickness 1593 01:22:35,960 --> 01:22:38,080 Speaker 3: that you guys made the sequel to then having them 1594 01:22:38,520 --> 01:22:40,800 Speaker 3: in this different location, to then having you know, the 1595 01:22:41,040 --> 01:22:41,880 Speaker 3: end be in. 1596 01:22:43,680 --> 01:22:43,880 Speaker 5: To this. 1597 01:22:44,160 --> 01:22:46,639 Speaker 3: So that family connection makes a lot of sense because 1598 01:22:46,680 --> 01:22:49,320 Speaker 3: of Billy's mum being the killer in two were one 1599 01:22:49,360 --> 01:22:51,000 Speaker 3: of the killers. So could you talk a little bit 1600 01:22:51,040 --> 01:22:53,000 Speaker 3: how early did you realize this was also going to 1601 01:22:53,040 --> 01:22:55,439 Speaker 3: be not just a scream movie, but like a scream 1602 01:22:55,520 --> 01:22:58,839 Speaker 3: to kind of reaction and response in homage. 1603 01:22:59,640 --> 01:23:02,000 Speaker 5: We have actually tried to dial that back, you know. Oddly, 1604 01:23:02,520 --> 01:23:04,080 Speaker 5: I think it was we just didn't want to be 1605 01:23:04,240 --> 01:23:07,880 Speaker 5: seen as sort because you know, obviously one was very 1606 01:23:07,960 --> 01:23:10,800 Speaker 5: very five was very similar to one, so we wanted 1607 01:23:11,320 --> 01:23:13,880 Speaker 5: now that we've kind of hopefully done what we set 1608 01:23:13,920 --> 01:23:16,000 Speaker 5: out to do, which is like remind people what scream is, 1609 01:23:16,120 --> 01:23:18,640 Speaker 5: why it's different, why it's cool, and here are the 1610 01:23:18,760 --> 01:23:21,759 Speaker 5: new characters we wanted to. I mean, it's very goofy, 1611 01:23:21,880 --> 01:23:24,400 Speaker 5: but our sort of internal log line was if we 1612 01:23:24,479 --> 01:23:27,200 Speaker 5: were playing the hits in five, then six is the 1613 01:23:27,280 --> 01:23:30,040 Speaker 5: punk rock B side, and we wanted to do our 1614 01:23:30,040 --> 01:23:32,560 Speaker 5: own thing and take really big swings, and so we 1615 01:23:33,000 --> 01:23:37,120 Speaker 5: didn't other than the college setting, we didn't really consciously 1616 01:23:37,160 --> 01:23:39,000 Speaker 5: think about all that stuff. And it's funny because in 1617 01:23:39,600 --> 01:23:42,840 Speaker 5: talking to fans now our friends or doing interviews, there's 1618 01:23:42,840 --> 01:23:45,000 Speaker 5: a lot of nods to two that we weren't even 1619 01:23:45,240 --> 01:23:50,200 Speaker 5: aware of. We knew that the Missus Loomis and Wayne 1620 01:23:50,280 --> 01:23:52,840 Speaker 5: Bailey connection was there, and it's like he's only the 1621 01:23:52,920 --> 01:23:58,479 Speaker 5: second like grown up ghost Face the other franchise. He's 1622 01:23:58,560 --> 01:24:01,840 Speaker 5: so great and he's the funniest guy in person. So 1623 01:24:01,880 --> 01:24:03,400 Speaker 5: we knew that was there. And then the theater thing 1624 01:24:03,479 --> 01:24:07,320 Speaker 5: actually gave us pause because originally that that shrine museum 1625 01:24:07,479 --> 01:24:10,760 Speaker 5: was just in a warehouse somewhere and they couldn't find 1626 01:24:11,040 --> 01:24:14,679 Speaker 5: a location in Montreal that that really worked, like nothing 1627 01:24:14,840 --> 01:24:19,519 Speaker 5: just felt right, and so the location scout showed radio 1628 01:24:19,600 --> 01:24:21,680 Speaker 5: silence that and they were like, we think this is it, 1629 01:24:22,000 --> 01:24:24,680 Speaker 5: and Jamie and I were like, I don't know that. 1630 01:24:24,960 --> 01:24:26,920 Speaker 5: We don't want to look like we're just copy pasting 1631 01:24:27,200 --> 01:24:30,240 Speaker 5: from dow and so we went out to Montreal to 1632 01:24:30,280 --> 01:24:31,760 Speaker 5: look at it and we went, Okay, it's going to 1633 01:24:31,800 --> 01:24:36,200 Speaker 5: feel different enough and it has this creepy different kind 1634 01:24:36,280 --> 01:24:41,479 Speaker 5: of vibe. But yeah, it's funny how much of two 1635 01:24:41,560 --> 01:24:44,840 Speaker 5: made it in there without even conscious knowledge video it 1636 01:24:44,960 --> 01:24:47,679 Speaker 5: was something you know. So I'm happy about that because 1637 01:24:47,680 --> 01:24:50,920 Speaker 5: it is kind of a neat echo. But we almost 1638 01:24:51,000 --> 01:24:52,559 Speaker 5: tried to go the other way, where it's like, let's 1639 01:24:52,560 --> 01:24:54,000 Speaker 5: make sure we're not just doing too right. 1640 01:24:54,360 --> 01:24:56,479 Speaker 3: Yeah, I think the opening does a great The cold 1641 01:24:56,520 --> 01:24:59,080 Speaker 3: open does a great job of switching it out by 1642 01:24:59,160 --> 01:25:01,719 Speaker 3: having that review and kind of doing something very different 1643 01:25:01,920 --> 01:25:04,320 Speaker 3: and having that who the fuck cares about the movies? 1644 01:25:04,600 --> 01:25:07,439 Speaker 3: So after that you're very intellectually far away from two. 1645 01:25:07,520 --> 01:25:09,599 Speaker 3: But it's just after seeing it a couple of times, 1646 01:25:09,640 --> 01:25:11,400 Speaker 3: I was like, oh, they are awesome. This is a 1647 01:25:11,479 --> 01:25:14,040 Speaker 3: movie that loves too as well. It really is. 1648 01:25:14,160 --> 01:25:16,639 Speaker 5: Yeah, other people have pointed that out as well, But yeah, 1649 01:25:16,680 --> 01:25:18,120 Speaker 5: that was the thing that got us really excited was 1650 01:25:18,160 --> 01:25:21,240 Speaker 5: that opening. And the very bizarre thing about the opening 1651 01:25:21,320 --> 01:25:23,320 Speaker 5: is that Jamie and I came up with that independently 1652 01:25:23,400 --> 01:25:26,000 Speaker 5: of each other, and we came to our first meeting 1653 01:25:26,040 --> 01:25:28,000 Speaker 5: to talk about what Scream six should be, and we 1654 01:25:28,080 --> 01:25:31,240 Speaker 5: had both written down that we started. We knew it 1655 01:25:31,320 --> 01:25:33,320 Speaker 5: was going to be New York, we'd already decided that, 1656 01:25:33,560 --> 01:25:36,800 Speaker 5: but we were like, okay, I think I pitched him 1657 01:25:36,840 --> 01:25:39,280 Speaker 5: first on our first zoom and I was like, Okay, 1658 01:25:39,320 --> 01:25:41,840 Speaker 5: this is going to sound weird, but let's do like 1659 01:25:42,439 --> 01:25:46,760 Speaker 5: imagine a traditional Scream opening phone call, you know, but 1660 01:25:46,840 --> 01:25:49,000 Speaker 5: it's New York, so it's already feels a little different, 1661 01:25:49,080 --> 01:25:51,000 Speaker 5: but you know, more or less traditional. And then he's 1662 01:25:51,040 --> 01:25:53,200 Speaker 5: got the last line and does the slash, and you 1663 01:25:53,280 --> 01:25:55,240 Speaker 5: think we're going to go to the title card like always, 1664 01:25:55,280 --> 01:25:57,680 Speaker 5: and then we just hold on him for an uncomfortably 1665 01:25:57,760 --> 01:26:00,080 Speaker 5: long time, and then he takes the mask off, and 1666 01:26:00,160 --> 01:26:02,880 Speaker 5: then we follow the killer to the point where you 1667 01:26:02,960 --> 01:26:04,719 Speaker 5: might think, for a second, if you knew nothing about 1668 01:26:04,720 --> 01:26:07,680 Speaker 5: the movie, is this from Ghostface's point of view? And 1669 01:26:08,000 --> 01:26:10,840 Speaker 5: then that guy who's kind of doing it for traditional 1670 01:26:11,720 --> 01:26:14,400 Speaker 5: reasons like carrying on the previous killer's work or whatever, 1671 01:26:14,479 --> 01:26:16,320 Speaker 5: like I want to finish Richie's movie. Like that guy 1672 01:26:16,400 --> 01:26:19,200 Speaker 5: gets killed by a really scary ghost face who doesn't 1673 01:26:19,240 --> 01:26:23,640 Speaker 5: care about and he got this kind of look on 1674 01:26:23,720 --> 01:26:25,080 Speaker 5: his face and I was like, oh, he hates it, 1675 01:26:25,720 --> 01:26:28,640 Speaker 5: that's stupid. Nevermind, and he holds up his notepad and 1676 01:26:28,720 --> 01:26:31,000 Speaker 5: he's got it written down like traditional killed. Ghost Face 1677 01:26:31,040 --> 01:26:33,880 Speaker 5: takes off mask. We follow ghost face ghost face killed, 1678 01:26:33,920 --> 01:26:36,559 Speaker 5: and we're like, whoa, Okay, we're really sharing a brain 1679 01:26:37,000 --> 01:26:37,599 Speaker 5: on this one. 1680 01:26:38,479 --> 01:26:39,360 Speaker 3: That is so cool. 1681 01:26:40,800 --> 01:26:46,599 Speaker 1: Finally, you know the horror genre we talk about scream queens. 1682 01:26:46,720 --> 01:26:50,080 Speaker 1: The queen of Scream is Sidney herself. 1683 01:26:50,240 --> 01:26:50,879 Speaker 2: Nev Campbell. 1684 01:26:51,920 --> 01:26:56,040 Speaker 1: Recently Schedule Lurric was quoted as saying that he had 1685 01:26:56,080 --> 01:26:58,799 Speaker 1: a conversation with her and she really liked the latest 1686 01:26:59,000 --> 01:26:59,479 Speaker 1: edition in the. 1687 01:27:01,439 --> 01:27:02,760 Speaker 2: Yeah, that must feel good. 1688 01:27:03,000 --> 01:27:03,240 Speaker 3: Eddie. 1689 01:27:03,360 --> 01:27:07,080 Speaker 1: Would you ever no no strings attached? Did you ever 1690 01:27:07,120 --> 01:27:08,880 Speaker 1: think about Briddy bringing Sydney back? 1691 01:27:10,080 --> 01:27:12,880 Speaker 5: Unfortunately, it's always out of our hands. I mean these things, 1692 01:27:13,120 --> 01:27:15,439 Speaker 5: just like as much as people were mad at Radio 1693 01:27:15,520 --> 01:27:19,600 Speaker 5: Silence or us for fortune, right, it's not It's not 1694 01:27:19,760 --> 01:27:21,559 Speaker 5: up to us. And so even at the script stage, 1695 01:27:21,560 --> 01:27:22,960 Speaker 5: people are like, well, at least write her in, and 1696 01:27:23,040 --> 01:27:25,760 Speaker 5: it's like no, we're told who is going to you know, 1697 01:27:26,040 --> 01:27:27,800 Speaker 5: be available? Who can they can? 1698 01:27:27,920 --> 01:27:28,439 Speaker 3: You know what? 1699 01:27:29,120 --> 01:27:31,000 Speaker 5: So it's really out of our hands. I mean, all 1700 01:27:31,040 --> 01:27:33,280 Speaker 5: I can say to that is I love the character 1701 01:27:33,320 --> 01:27:37,400 Speaker 5: Sidney Prescott. I love MeV Campbell as an actor, I 1702 01:27:37,560 --> 01:27:40,840 Speaker 5: think she is synonymous with the screen franchise. As a fan, 1703 01:27:41,520 --> 01:27:44,479 Speaker 5: I would really love to see Sydney go back exactly. 1704 01:27:44,680 --> 01:27:48,080 Speaker 5: So as a person involved in screen movies, I can't say, 1705 01:27:48,320 --> 01:27:50,479 Speaker 5: but as a fan outside of it is like, even 1706 01:27:50,520 --> 01:27:52,320 Speaker 5: if it's not me, even if it's years from now, 1707 01:27:52,720 --> 01:27:54,760 Speaker 5: I want to see that. So I hope that you 1708 01:27:54,840 --> 01:27:56,920 Speaker 5: know that can happen at some point in time, because 1709 01:27:57,160 --> 01:27:59,640 Speaker 5: it's sim me. You know, guy, you sick? 1710 01:27:59,680 --> 01:28:02,360 Speaker 3: Thank you, thank you so much, so much fun relations 1711 01:28:02,400 --> 01:28:03,040 Speaker 3: on your success. 1712 01:28:03,280 --> 01:28:04,880 Speaker 5: Yeah, thank you so much. Thanks for having me. 1713 01:28:05,000 --> 01:28:05,760 Speaker 3: Us to the next one. 1714 01:28:06,360 --> 01:28:09,840 Speaker 2: Yeah up next nerd Out. 1715 01:28:17,760 --> 01:28:19,720 Speaker 3: In today's nerd Out, will you tell us what you 1716 01:28:19,800 --> 01:28:20,120 Speaker 3: love them? 1717 01:28:20,200 --> 01:28:20,320 Speaker 5: Why? 1718 01:28:20,680 --> 01:28:23,400 Speaker 3: Or a theory you're excited to share? Lucas Pictures, us 1719 01:28:23,439 --> 01:28:26,360 Speaker 3: on Becky Chambers, Monk and Robot series. 1720 01:28:26,680 --> 01:28:30,080 Speaker 4: Jason Rosie, everybody at X ray Vision. My name's Lucas Adams. 1721 01:28:30,680 --> 01:28:32,880 Speaker 4: I wanted to first off say thank you so much 1722 01:28:33,040 --> 01:28:35,840 Speaker 4: for the podcast. I really really love it. I think 1723 01:28:36,320 --> 01:28:39,479 Speaker 4: I've learned an incredible amount about sci fi, fantasy, comic 1724 01:28:39,520 --> 01:28:42,519 Speaker 4: books and everything. I love nerd Out. I wanted to 1725 01:28:42,720 --> 01:28:45,080 Speaker 4: share my nerd out, which is a series of books, 1726 01:28:45,120 --> 01:28:47,679 Speaker 4: thus farts too. I think there will be more. Called 1727 01:28:47,720 --> 01:28:51,280 Speaker 4: the Monk and Robots series by Becky Chambers. The first 1728 01:28:51,320 --> 01:28:54,719 Speaker 4: book is a Psalm for the Wild Built. The second book, 1729 01:28:54,720 --> 01:28:56,519 Speaker 4: which just came out a few weeks ago, is called 1730 01:28:56,520 --> 01:28:59,439 Speaker 4: a Prayer for the Crown Shy, and the first book 1731 01:28:59,439 --> 01:29:04,000 Speaker 4: asalng for the Wild Built. Basically, we have used robots 1732 01:29:04,360 --> 01:29:07,560 Speaker 4: to build up our world, almost destroy our world, and 1733 01:29:07,880 --> 01:29:11,840 Speaker 4: they have gained sentience and they leave. They simply, as 1734 01:29:11,880 --> 01:29:14,400 Speaker 4: a group, decide to head out into the world, into 1735 01:29:14,400 --> 01:29:17,360 Speaker 4: the wilds and be by themselves, forcing us to face 1736 01:29:17,640 --> 01:29:22,160 Speaker 4: our own existence without them. Luckily, we make a lot 1737 01:29:22,200 --> 01:29:26,200 Speaker 4: of really good choices that help save ourselves, but it 1738 01:29:26,320 --> 01:29:31,840 Speaker 4: doesn't come without some struggle. This book, however, is about 1739 01:29:32,040 --> 01:29:34,800 Speaker 4: a t monk as they're known in this world name 1740 01:29:35,240 --> 01:29:40,320 Speaker 4: Sibling Decks, and they decide to explore the world in 1741 01:29:40,400 --> 01:29:42,639 Speaker 4: a different way and go out into the wild, where 1742 01:29:42,640 --> 01:29:46,320 Speaker 4: they come across a robot named Mosscap and the robot 1743 01:29:46,360 --> 01:29:48,719 Speaker 4: has been sent by other robots to see how humanity 1744 01:29:48,840 --> 01:29:50,760 Speaker 4: is doing and basically to ask the question what do 1745 01:29:50,920 --> 01:29:56,240 Speaker 4: humans need? And so they build a relationship with one another. 1746 01:29:56,400 --> 01:29:59,360 Speaker 4: They explore their relationships with themselves and the world, both 1747 01:29:59,400 --> 01:30:02,240 Speaker 4: the natural and built world as it was and as 1748 01:30:02,280 --> 01:30:05,920 Speaker 4: it is now. And then in the second book they 1749 01:30:05,960 --> 01:30:07,720 Speaker 4: continue this journey. And I don't want to give away 1750 01:30:07,760 --> 01:30:11,560 Speaker 4: too much. I'm just it is two short, wonderful meditations 1751 01:30:11,760 --> 01:30:17,760 Speaker 4: on technology and our living, breathing earth and our relationship 1752 01:30:17,840 --> 01:30:21,280 Speaker 4: to it and ourselves and the other people around us 1753 01:30:21,400 --> 01:30:26,040 Speaker 4: and in this case robots. I highly recommend it. I 1754 01:30:26,160 --> 01:30:29,400 Speaker 4: highly recommend Becky Chambers. She also wrote the Wayfarer series, 1755 01:30:29,479 --> 01:30:34,920 Speaker 4: which is a really fun space travel action series that 1756 01:30:35,040 --> 01:30:39,400 Speaker 4: also asks some really great relationship questions about relationships with 1757 01:30:39,520 --> 01:30:42,559 Speaker 4: ourselves and other species and our place in the world 1758 01:30:42,640 --> 01:30:44,960 Speaker 4: and how we treat those around us, and how we 1759 01:30:45,200 --> 01:30:49,800 Speaker 4: experience things and people and other things that are different 1760 01:30:49,840 --> 01:30:53,400 Speaker 4: from us. I think everybody would really like it, and 1761 01:30:53,800 --> 01:30:56,880 Speaker 4: I am so happy to share it again. Thank you 1762 01:30:57,000 --> 01:30:59,280 Speaker 4: all so much for everything you do. I love your podcast. 1763 01:30:59,400 --> 01:31:02,240 Speaker 3: Have a great day, Thanks Lucas. If you have theories 1764 01:31:02,320 --> 01:31:04,320 Speaker 3: or passions that you want to share, hit us up 1765 01:31:04,680 --> 01:31:08,080 Speaker 3: x ray at crooked dot com. Instructions in the show notes. 1766 01:31:08,160 --> 01:31:12,280 Speaker 3: As always, that's it for us. 1767 01:31:12,320 --> 01:31:14,880 Speaker 1: A big thank you to Guy Music, Rosie any plugs, 1768 01:31:14,960 --> 01:31:16,599 Speaker 1: blug blug, bluck bluck bluck black bluck blood. 1769 01:31:16,880 --> 01:31:21,000 Speaker 3: You can find me at Rosie Marx, on Instagram and 1770 01:31:21,720 --> 01:31:23,880 Speaker 3: letter box, the usual places. I have a newsletter. The 1771 01:31:24,080 --> 01:31:25,640 Speaker 3: thing will be in the show notes and you can 1772 01:31:25,680 --> 01:31:27,800 Speaker 3: find me here. If you want to read about yellow 1773 01:31:27,840 --> 01:31:30,320 Speaker 3: jackets and all my wild theories and citizen detecting, you 1774 01:31:30,360 --> 01:31:32,680 Speaker 3: can find that at IGN And I've got a lot 1775 01:31:32,680 --> 01:31:34,200 Speaker 3: of stuff at DC dot com at the moment, so 1776 01:31:34,320 --> 01:31:34,760 Speaker 3: go there too. 1777 01:31:38,000 --> 01:31:43,680 Speaker 1: Primo May nineteen on Amazon freeb you can watch it 1778 01:31:43,840 --> 01:31:46,040 Speaker 1: for free. It's right there at a name freebee with 1779 01:31:46,280 --> 01:31:49,200 Speaker 1: ads just like the just like the old times. But 1780 01:31:49,360 --> 01:31:52,120 Speaker 1: of course if you're an Amazon Prime subscriber you can 1781 01:31:52,200 --> 01:31:54,120 Speaker 1: get it without. 1782 01:31:54,520 --> 01:31:56,320 Speaker 2: Actually I don't know, I don't know about that. 1783 01:31:56,760 --> 01:31:57,679 Speaker 5: It's I don't. 1784 01:31:57,520 --> 01:31:59,879 Speaker 3: Actually free May nineteenth. 1785 01:32:00,160 --> 01:32:02,280 Speaker 2: Just put that in your brain and you better watch it. 1786 01:32:02,640 --> 01:32:05,120 Speaker 3: I've got to screeners so I can say it's good. 1787 01:32:07,520 --> 01:32:10,240 Speaker 1: And of course subscribe on YouTube where you can watch 1788 01:32:10,360 --> 01:32:13,160 Speaker 1: full episodes of our show x ray Vision and don't 1789 01:32:13,200 --> 01:32:16,120 Speaker 1: forget to follow at xerv pod on Twitter and check 1790 01:32:16,160 --> 01:32:18,479 Speaker 1: out the discord to meet and hang out with lots 1791 01:32:18,560 --> 01:32:22,880 Speaker 1: of amazing folks, fans, listeners, and Rosie. 1792 01:32:22,640 --> 01:32:25,720 Speaker 2: And I us with that five star ratings. Five star 1793 01:32:27,000 --> 01:32:29,200 Speaker 2: we love them. You gotta give them to us. 1794 01:32:29,280 --> 01:32:33,200 Speaker 1: Here's one from JAM zero sixty four, my favorite podcast 1795 01:32:33,280 --> 01:32:35,639 Speaker 1: at the moment. It's funny and informative in many ways. 1796 01:32:35,680 --> 01:32:37,479 Speaker 1: I could listen to Jason and Rosie talk about anything. 1797 01:32:37,520 --> 01:32:38,160 Speaker 2: Five star pod. 1798 01:32:38,240 --> 01:32:40,520 Speaker 3: Thanks, bye, bye bye Zar. 1799 01:32:41,320 --> 01:32:43,120 Speaker 1: X ray Vision is a Crooked Media production. The show 1800 01:32:43,200 --> 01:32:44,920 Speaker 1: is produced by Chris Lord and Salt Rubin. The show 1801 01:32:45,000 --> 01:32:47,920 Speaker 1: is executive produced by myself and Sandy Rhard Are editing 1802 01:32:47,960 --> 01:32:51,960 Speaker 1: and sound designers by Vascillis Fatopoulos, Dylon Villanueva and Matt 1803 01:32:51,960 --> 01:32:55,000 Speaker 1: de Group provide video production support. Alex Rella for handle 1804 01:32:55,080 --> 01:32:57,720 Speaker 1: social media. Thank you, Brian Vasquez for theme music. 1805 01:32:58,240 --> 01:32:59,280 Speaker 2: We'll see you next time. 1806 01:32:59,720 --> 01:32:59,920 Speaker 3: Bye. 1807 01:33:00,000 --> 01:33:05,080 Speaker 1: Hey Mike, this is HISTB for Marid. Yeah, I'm just 1808 01:33:05,240 --> 01:33:08,960 Speaker 1: calling on behalf of your state, Senator Tysa Turner on 1809 01:33:09,080 --> 01:33:11,439 Speaker 1: phone back and listen. I understand we just had an 1810 01:33:11,479 --> 01:33:14,719 Speaker 1: election Mike, but it's not too early to start thinking 1811 01:33:14,800 --> 01:33:17,680 Speaker 1: about the next cycle. Now you might be hearing some 1812 01:33:17,920 --> 01:33:23,920 Speaker 1: spurious rumors about pet decapitation. Those are all being put 1813 01:33:24,000 --> 01:33:30,120 Speaker 1: out there by the senator's disgruntled partner. There's nothing to that. 1814 01:33:30,400 --> 01:33:33,919 Speaker 1: There's no cult stuff, no eating of dirt, no climbing 1815 01:33:34,000 --> 01:33:40,080 Speaker 1: of trees, no strange behaviors, no talking to herself. That's 1816 01:33:40,160 --> 01:33:42,680 Speaker 1: all I have to say, Mike, vote Tyson Turner in 1817 01:33:42,760 --> 01:33:46,160 Speaker 1: the next election. We're happy to have your support. Take 1818 01:33:46,200 --> 01:33:46,960 Speaker 1: my hands off the earth. 1819 01:33:46,960 --> 01:33:47,200 Speaker 3: Thank you.