WEBVTT - Oops... All Overrated / Underrated! 11.14.25

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<v Speaker 1>Hello the Internet, and welcome to this special episode of

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<v Speaker 1>elly Zygeist. This is going to be the OOPS All Overrated,

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<v Speaker 1>Underrated and Search History series, featuring some of our favorite

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<v Speaker 1>guests giving some of our favorite opinions from the past

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<v Speaker 1>few months. We'll be checking in with these sporadically. They're

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<v Speaker 1>just mostly silly episodes, full of the the treat part

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<v Speaker 1>of the episode, the not about the news part of

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<v Speaker 1>the episode, and yeah, we hope you enjoy them. All filler,

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<v Speaker 1>no killer, I guess you could say. And if you

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<v Speaker 1>have a favorite overrated underrated from the long history of

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<v Speaker 1>the show, my memory doesn't work that well. But if

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<v Speaker 1>you have one from a long time ago, let us

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<v Speaker 1>know in the discorder and the comments and maybe we

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<v Speaker 1>can do an all time OOPS all over under Search History.

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<v Speaker 2>Anyways, without they're ado here, they are.

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<v Speaker 1>OOPS, All Overrated, Underrated and Search History.

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<v Speaker 2>Bye.

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<v Speaker 1>All right, my underrated. How different our brains are? Like

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<v Speaker 1>I was thinking about this researching Einstein for upcoming icons

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<v Speaker 1>version of the show, and I just read this article

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<v Speaker 1>about Afantasia.

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<v Speaker 2>You know what this is. I think we've covered you see,

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<v Speaker 2>Like it's some of the way you perceive things, right.

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<v Speaker 1>It's yeah, people who can't picture images in their brands. Okay, Yeah,

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<v Speaker 1>so they don't have like image based memories. They don't

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<v Speaker 1>like if their eyes are closed, they're not seeing anything,

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<v Speaker 1>but they they live their lives like completely normally. So

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<v Speaker 1>this is the thing that was surprised, Like I can

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<v Speaker 1>believe like, oh, there's you know, all sorts of different

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<v Speaker 1>brains out there. There's also hyper fantagic people who have

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<v Speaker 1>like very strong visual memories or imaginations that like make

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<v Speaker 1>their lives ives borderline unlivable. Becau's just like reading about

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<v Speaker 1>someone getting surgery without anesthesia is too much, Like they

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<v Speaker 1>feel that pain and then like can't forget it, so

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<v Speaker 1>they have to like watch what they take in and uh,

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<v Speaker 1>you know, reading novels is like too overwhelming for them,

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<v Speaker 1>whereas like people with afantasia like can't really like they said,

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<v Speaker 1>they were just soap the prescriptive part. Yeah, so this

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<v Speaker 1>is the thing that blew my mind. So they said

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<v Speaker 1>that afantagic people like tend to be brilliant scientists, hyperfantagic

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<v Speaker 1>people artists, which like that's kind of what you'd expect.

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<v Speaker 1>The thing is, in all of these stories, they just

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<v Speaker 1>discovered that this was a thing like in twenty sixteen,

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<v Speaker 1>and the people who don't have the ability to picture

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<v Speaker 1>images in their brain didn't know that it was weird.

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<v Speaker 1>They thought that we were all speaking in metaphors when

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<v Speaker 1>we were like, you know, picturing something in our mind.

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<v Speaker 1>They were like right right, Like they thought like it

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<v Speaker 1>was weird. Like reading the way this guy came to

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<v Speaker 1>the discovery, it was like a part in two thousand

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<v Speaker 1>and one Space Odyssey where like in the novel he's

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<v Speaker 1>talking about how like as he's like going through this thing,

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<v Speaker 1>like all these memories are like flooding back to him

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<v Speaker 1>and he's like, oh, so it's the alien technology that's

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<v Speaker 1>like doing that to him, like and then yea. It

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<v Speaker 1>was just like some random newspaper column where a guy

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<v Speaker 1>was talking about like how time isn't real because you

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<v Speaker 1>can close your eyes and like go back and relive

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<v Speaker 1>something and like that. Like he was thirty five, like

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<v Speaker 1>a successful PhD. That's when he was like, oh, like

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<v Speaker 1>I might be different and like had to like call

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<v Speaker 1>his friends and be like, hey, so when you say

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<v Speaker 1>like you can like picture something in your mind, what

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<v Speaker 1>do you actually do you actually see stuff? And yes,

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<v Speaker 1>like whoa, what the fuck?

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<v Speaker 2>Like are you fucking with drugs again. Man, you are right.

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<v Speaker 2>Well that's so.

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<v Speaker 1>That's the other thing is that this article is New York.

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<v Speaker 1>Her profile is like it goes through all these people.

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<v Speaker 1>It talks about like how some of them have been

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<v Speaker 1>able like all of our sacks. I think that writer

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<v Speaker 1>about psychology, very popular writer who he didn't have the

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<v Speaker 1>ability to like picture images in his mind, and then

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<v Speaker 1>he took a bunch of amphetamines at one point and

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<v Speaker 1>was like I could suddenly picture images in my mind

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<v Speaker 1>for like three seconds and then like it went away.

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<v Speaker 1>And he was like, and I don't recommend doing that.

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<v Speaker 2>For visions. Yeah, but I don't know.

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<v Speaker 1>I think we assume like that, like those people who

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<v Speaker 1>have had gone through their lives not being able to

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<v Speaker 1>picture anything and just thinking when people are like I'm

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<v Speaker 1>counting sheep in my mind. It was like conceptual, like

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<v Speaker 1>we assume everyone is more or less like us in

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<v Speaker 1>their minds until we are like confronted by evidence otherwise.

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<v Speaker 1>And that's so interesting, Like when researching Einstein is like

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<v Speaker 1>kept being like it feels like this guy is constantly high,

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<v Speaker 1>like he's he's always like forgetting shit, and uh, he's

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<v Speaker 1>just he's like you know, a person who is constantly stoned,

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<v Speaker 1>but then like having like these really like high ideas

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<v Speaker 1>and like you could say, like taking drugs is like

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<v Speaker 1>trying on the ways other people experience the world. Like

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<v Speaker 1>I do wonder if people are just like all on

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<v Speaker 1>this like different continuum of like ways you can experience

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<v Speaker 1>the world. And like I've had bad drug experiences that

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<v Speaker 1>I'm like, oh, this is probably what it feels like

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<v Speaker 1>to be like X, Y or Z. Yeah yeah, just

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<v Speaker 1>totally fucking racked by anxiety all the time. Oh yeah,

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<v Speaker 1>but yeah, it's it's a really interesting article when they

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<v Speaker 1>go off to it in the footnotes. But I do

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<v Speaker 1>think that that's a very underrated aspect of just like

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<v Speaker 1>human existence is, like our minds are just built totally

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<v Speaker 1>different and experience the world in completely different ways. Like

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<v Speaker 1>the people who are afantasic like are less likely to

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<v Speaker 1>value retributive justice, I think, or no, no, no, They're more

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<v Speaker 1>likely to be like anything like conceptual like an eye

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<v Speaker 1>for an eye, whereas like people who are hyper fantagic

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<v Speaker 1>or like just any suffering is like too much for them,

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<v Speaker 1>you know what I mean. So it's just it's interesting,

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<v Speaker 1>it's this whole like continuum that I didn't really understand

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<v Speaker 1>and then like you of course, like where would you

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<v Speaker 1>say you fall on that spectrum? Like I feel like

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<v Speaker 1>one thing that they talked about was like people with

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<v Speaker 1>auditory hyper fantasia who like they're like they wake up

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<v Speaker 1>with like music playing in their head. I was like, well,

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<v Speaker 1>I have like nineties rap song like before we started recording,

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<v Speaker 1>I was liked was saying apart from a Fuji song

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<v Speaker 1>that I hadn't heard in twenty years, Like, yeah, I

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<v Speaker 1>think I have like more auditory and then you know,

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<v Speaker 1>I'm pretty able to.

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<v Speaker 3>I don't know images definitely not I would say I'm Fantasia.

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<v Speaker 3>You're Fantasia Pantasia Burrino. Fantasia Fantasia Burrino the American Idol

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<v Speaker 3>winner or maybe she was a runner up.

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<v Speaker 2>No, I'm definitely.

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<v Speaker 3>I definitely have vivid I have like a very vivid

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<v Speaker 3>memory recall, like I can really see like where I'm at,

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<v Speaker 3>like I can smell everything. I can engage all my

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<v Speaker 3>senses with memory pretty well.

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<v Speaker 2>That makes sense.

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<v Speaker 3>And yeah, I mean like I definitely I don't know

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<v Speaker 3>if it's empathy, but like it is that is something

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<v Speaker 3>I if I'm seeing or reading about pretty vivid suffering.

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<v Speaker 2>I don't.

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<v Speaker 3>It doesn't necessarily mean like it throws me, but I

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<v Speaker 3>think it's I think it's more empathy than anything. I

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<v Speaker 3>think more the visual kind of sensory sort of memory stuff.

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<v Speaker 2>I think more speaks to me than anything.

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<v Speaker 3>Yeah, yeah, but it is funny, like I feel like

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<v Speaker 3>all the time we are, you know, like just learning.

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<v Speaker 2>I'm like, oh, I'm a visual learner.

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<v Speaker 3>Like even those different yeah, yeah, that we have all

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<v Speaker 3>these different ways that again like yeah, I can't imagine

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<v Speaker 3>maybe like fifty years, they have been more detailed to

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<v Speaker 3>be like you.

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<v Speaker 2>Are X Y and Z. Like Brian in the chat

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<v Speaker 2>just said, what the fuck? Brian?

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<v Speaker 1>Did you say you were tactile auditory synesthetic? And I

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<v Speaker 1>didn't know until a couple of years ago. I assumed

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<v Speaker 1>everyone could feel sound.

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<v Speaker 2>What does that mean? You could feel sound like the

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<v Speaker 2>bass is hidden in your accord?

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<v Speaker 4>So I get physical sensations throughout my body that are

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<v Speaker 4>repeatable depending on like what I'm listening to, which I

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<v Speaker 4>just assume was normal.

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<v Speaker 2>And I would talk to people about it and they're.

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<v Speaker 1>Like, yeah, totally right, like because it the way we

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<v Speaker 1>talk about music. And I do wonder how much of

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<v Speaker 1>it is like language created by somebody who has your ability,

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<v Speaker 1>like has your type of brain, and then we all

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<v Speaker 1>just assume, oh, they're just being like descriptive and using

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<v Speaker 1>poetic license, you know what I mean.

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<v Speaker 2>Oh yeah, yeah, yeah, yeah yeah, oh yeah yeah.

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<v Speaker 1>I'm feeling the music too.

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<v Speaker 3>I definitely have the I think the only time I

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<v Speaker 3>get sensation is because certain songs are tied to such

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<v Speaker 3>a strong memory, Like I just have this one song

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<v Speaker 3>I would play before job interviews to fucking get like

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<v Speaker 3>to get my mind like in the zone, okay, because

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<v Speaker 3>like the economy was bad, so you had to treat

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<v Speaker 3>these job interviews like fucking the super Bowl. When I

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<v Speaker 3>hear that stuff, like, I get like in a like

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<v Speaker 3>this sort of like a like a drenal response.

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<v Speaker 2>Yeah yeah, I think again that might be more tied

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<v Speaker 2>to man.

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<v Speaker 1>Speaking of the adrenal response, like they found because this

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<v Speaker 1>does all seem like mushing. You're like, oh, you don't

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<v Speaker 1>see images, but like they when they study the people

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<v Speaker 1>who like don't see images, they when you tell them

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<v Speaker 1>a scary story or they read a scary story, like

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<v Speaker 1>they have no physical response, like when they're like hooked

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<v Speaker 1>up to systems and stuff, like that, whereas like the

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<v Speaker 1>hyper fantagic people have like very strong physical response and

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<v Speaker 1>the rest of us, like, you know, you experience fear,

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<v Speaker 1>and like they're just like unable to do that. But

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<v Speaker 1>then they're the same if you like show them a

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<v Speaker 1>scary movie because the energies are like there in front

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<v Speaker 1>of them. So yeah, I just and it is interesting,

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<v Speaker 1>Like I think a lot of people are like, oh,

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<v Speaker 1>this younger generation is like, you know, over diagnosed, and

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<v Speaker 1>they're obsessed with like diagnosing themselves and they're different ways

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<v Speaker 1>of processing the world. But I think it it is

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<v Speaker 1>like I don't know, we I feel like we're just

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<v Speaker 1>discovering how many like different ways there are to experience

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<v Speaker 1>the world, and like past generations were just like yeah,

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<v Speaker 1>I don't know, man, whatever, And it is like really

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<v Speaker 1>fucking interesting.

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<v Speaker 2>It's like, oh shit.

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<v Speaker 3>Dude, when we were kids, there were four kinds of

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<v Speaker 3>people nice, mean, smart or dumb.

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<v Speaker 2>Yeah, and that was it.

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<v Speaker 1>Like I remember when they invaulted introvert extrovert.

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<v Speaker 2>I was like, yo, no, a new type of person

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<v Speaker 2>just dropped.

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<v Speaker 3>Oh my god, that's me, whereas before it's like you

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<v Speaker 3>are nice and dumb. Yeah, It's like great, Miles is

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<v Speaker 3>mean and smart, like okay.

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<v Speaker 1>But I am interested in hearing from people, especially if

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<v Speaker 1>like you are becoming aware of like the fact that

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<v Speaker 1>you're like somewhere on the spectrum or you have like

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<v Speaker 1>something like that wave of experiencing the world. Because yet

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<v Speaker 1>like a lot of the shit, like a lot of

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<v Speaker 1>the people that they you know, interview who are a fantagic,

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<v Speaker 1>like found out about it through like reading some random

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<v Speaker 1>shit and just hearing someone describe actually how their brain

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<v Speaker 1>works in their like thirties or forties, and they're like,

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<v Speaker 1>oh wait, what all right?

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<v Speaker 2>Because when I was a kid, there are only four

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<v Speaker 2>kinds of people.

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<v Speaker 1>Yeah, my underrated miles is how hard museum heists are.

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<v Speaker 1>There's a new heist just drop every weekend at the Louver,

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<v Speaker 1>and this one kind of seems like this one stands

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<v Speaker 1>out because it's I think a little bit more sophisticated.

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<v Speaker 1>Like they drove up with a truck that had a

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<v Speaker 1>ladder and they were wearing masks from the beginning. Also

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<v Speaker 1>that's huge that that is actually a higher bar than

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<v Speaker 1>most art heists reach. But came up with masks, broke

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<v Speaker 1>into the second floor window, the alarms going off, and

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<v Speaker 1>nobody really did ship. They stole the jewels, like some

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<v Speaker 1>famous jewels that I Napoleonic jewels, Napoleonic jewels, and I and.

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<v Speaker 3>I went to sleep when I read that. Oh god,

0:12:24.960 --> 0:12:28.680
<v Speaker 3>no jewels. Oh God.

0:12:29.000 --> 0:12:31.320
<v Speaker 1>But we'll get into the details of that heist in

0:12:31.360 --> 0:12:33.880
<v Speaker 1>a little bit. But I just I always think it's

0:12:33.880 --> 0:12:38.360
<v Speaker 1>worth bringing up because movies, there's like the art heist

0:12:38.559 --> 0:12:41.280
<v Speaker 1>genre of you know, Thomas Crown Affair and shit like that,

0:12:41.720 --> 0:12:45.199
<v Speaker 1>and they treat robbing a museum like it's a classier

0:12:45.320 --> 0:12:49.240
<v Speaker 1>and like more difficult and sophisticated version of bank robberies,

0:12:49.360 --> 0:12:53.240
<v Speaker 1>where you have to, like you learn a choreographed dance

0:12:53.360 --> 0:12:55.880
<v Speaker 1>to like get through a field of lasers and shit

0:12:56.000 --> 0:12:59.000
<v Speaker 1>like that, and you gotta wear tight spandex while you

0:12:59.000 --> 0:13:02.040
<v Speaker 1>gotta wear tight span. You gotta be up on the

0:13:02.120 --> 0:13:07.200
<v Speaker 1>latest technology you've got it, yeah, which is always Spandex.

0:13:07.880 --> 0:13:10.640
<v Speaker 1>You've got to have that Kim kardash and faith brawn

0:13:10.800 --> 0:13:13.559
<v Speaker 1>so your saggy ass face doesn't hit one of the

0:13:13.600 --> 0:13:18.880
<v Speaker 1>trip wires exact exactly. But in reality, like museum staff

0:13:19.000 --> 0:13:22.840
<v Speaker 1>are usually unarmed, some of the biggest art heist in

0:13:22.960 --> 0:13:28.640
<v Speaker 1>history are usually like somewhere between shoplifting and like a bully,

0:13:28.760 --> 0:13:32.600
<v Speaker 1>like stealing someone's lunch money. It's they just like walk

0:13:32.640 --> 0:13:35.560
<v Speaker 1>in and take the ship. And there's not anybody who

0:13:36.080 --> 0:13:38.840
<v Speaker 1>like the most successful art heist in history. And like

0:13:39.080 --> 0:13:41.920
<v Speaker 1>since I wrote about this back at Cracked, there there's

0:13:41.920 --> 0:13:44.920
<v Speaker 1>been a documentary about it, but it's it happened in Boston.

0:13:45.920 --> 0:13:48.720
<v Speaker 1>It's never been solved. And like the documentary was like,

0:13:49.080 --> 0:13:51.559
<v Speaker 1>we don't know, like how these people must have been geniuses,

0:13:51.880 --> 0:13:54.640
<v Speaker 1>but it like truly could have been planned by a

0:13:54.760 --> 0:13:55.400
<v Speaker 1>five year old.

0:13:55.760 --> 0:13:56.320
<v Speaker 2>It's right.

0:13:56.480 --> 0:14:01.160
<v Speaker 1>They they wore police uniforms and had fake badges to

0:14:01.160 --> 0:14:04.800
<v Speaker 1>get into the museum, so just like you know, Halloween costumes.

0:14:06.160 --> 0:14:09.880
<v Speaker 1>They had to subdue a grand total of two security guards,

0:14:10.520 --> 0:14:14.640
<v Speaker 1>who were both twenty something musicians, from one of whom

0:14:14.760 --> 0:14:17.040
<v Speaker 1>admitted to showing up for work stoned.

0:14:17.400 --> 0:14:19.640
<v Speaker 2>Oh yeah, oh yeah, don't worry about them. They're not

0:14:19.640 --> 0:14:20.280
<v Speaker 2>putting up a fight.

0:14:20.520 --> 0:14:24.960
<v Speaker 1>Yeah no, it's it is a it's treated as and

0:14:25.000 --> 0:14:29.600
<v Speaker 1>it's in like the pay of you know, like being

0:14:29.760 --> 0:14:32.200
<v Speaker 1>a doorman or something, you know what I mean.

0:14:32.320 --> 0:14:33.040
<v Speaker 2>Like it's just like.

0:14:33.440 --> 0:14:35.200
<v Speaker 3>You're not you're not being paid to be some kind

0:14:35.240 --> 0:14:38.800
<v Speaker 3>of like a security specialist. You're exactly you're you're merely

0:14:38.800 --> 0:14:43.680
<v Speaker 3>a body, Yeah, to dissuade someone from you know, breaking

0:14:43.720 --> 0:14:46.560
<v Speaker 3>the social contract in that uh, you.

0:14:46.520 --> 0:14:49.640
<v Speaker 1>Know, most famous, most successful artists ever that's ever been solved.

0:14:49.720 --> 0:14:54.440
<v Speaker 1>The thieves accidentally tripped an alarm that they hadn't prepared

0:14:54.480 --> 0:14:58.640
<v Speaker 1>to you know, like dance through or like body Zada

0:14:58.760 --> 0:15:03.560
<v Speaker 1>Jones U wiggle through. The alarm sent a signal out

0:15:03.600 --> 0:15:08.600
<v Speaker 1>to another part of the museum. It's like a it's

0:15:08.640 --> 0:15:13.720
<v Speaker 1>like a baby monitor. It's just like hell. Yeah, the

0:15:14.400 --> 0:15:16.800
<v Speaker 1>like the Mona Lisa. We've we've talked before about how

0:15:16.800 --> 0:15:20.360
<v Speaker 1>the Mona Lisa is mostly famous because a similar thing

0:15:20.400 --> 0:15:24.240
<v Speaker 1>had like a French guy stole it. And he did

0:15:24.280 --> 0:15:28.440
<v Speaker 1>that by being like you know, working at the museum

0:15:28.600 --> 0:15:31.360
<v Speaker 1>and then like hiding it in his smock. He just

0:15:31.400 --> 0:15:33.680
<v Speaker 1>took it off the wall and like put it like again,

0:15:33.800 --> 0:15:37.240
<v Speaker 1>like just like stealing a fucking candy bar from raid.

0:15:37.880 --> 0:15:40.040
<v Speaker 2>Yeah. The planning is just it goes like this, well,

0:15:40.040 --> 0:15:41.760
<v Speaker 2>how are we gonna get it? I gonna put it

0:15:41.760 --> 0:15:43.000
<v Speaker 2>in my jacket? All right? Cool?

0:15:43.040 --> 0:15:47.840
<v Speaker 1>Cool, Like you don't even you don't even need like

0:15:48.000 --> 0:15:49.640
<v Speaker 1>other people involved.

0:15:49.640 --> 0:15:54.440
<v Speaker 2>You're just like what if I got a bigger jacket? Oh, shit. Yeah, okay,

0:15:54.720 --> 0:15:56.200
<v Speaker 2>let's all right, let's go get her.

0:15:56.600 --> 0:15:59.760
<v Speaker 1>Another guy like one of the most successful art thieves

0:15:59.760 --> 0:16:03.600
<v Speaker 1>of all all time, not a Thomas Crown level genius.

0:16:03.640 --> 0:16:07.480
<v Speaker 1>He uh just you know, had a long career of

0:16:07.960 --> 0:16:10.160
<v Speaker 1>taking art off the wall and hiding it in his coat,

0:16:10.320 --> 0:16:13.600
<v Speaker 1>just like straight up swiping it off the wall. One

0:16:13.680 --> 0:16:16.600
<v Speaker 1>point four billion dollars over the course of his career.

0:16:17.880 --> 0:16:20.600
<v Speaker 1>And yeah, like that, I just doing research. It was

0:16:21.240 --> 0:16:24.080
<v Speaker 1>like they the thieves usually don't know what they're stealing.

0:16:24.360 --> 0:16:27.320
<v Speaker 1>They just like steal it and then wait to read

0:16:27.360 --> 0:16:29.880
<v Speaker 1>in the newspaper what they saw and like what the

0:16:29.960 --> 0:16:30.520
<v Speaker 1>value is.

0:16:30.640 --> 0:16:32.160
<v Speaker 2>Yeah, like fencing it.

0:16:32.400 --> 0:16:35.440
<v Speaker 1>Yeah, this one again, this one sounds like it was

0:16:35.480 --> 0:16:39.120
<v Speaker 1>a little bit more sophisticated, but I don't like the

0:16:39.160 --> 0:16:41.840
<v Speaker 1>details will emerge, but I don't think it probably needed

0:16:41.880 --> 0:16:46.560
<v Speaker 1>to be. Like the one security intervention that we've read

0:16:46.840 --> 0:16:50.920
<v Speaker 1>about from the theft was that like they tried to

0:16:51.040 --> 0:16:53.680
<v Speaker 1>light their car on fire and somebody worked at the

0:16:53.720 --> 0:16:55.480
<v Speaker 1>museum like put it out, Hey.

0:16:55.400 --> 0:16:59.400
<v Speaker 3>Hey, stop that all right, all right, Hey, we're taking

0:16:59.400 --> 0:16:59.960
<v Speaker 3>off on our bike.

0:17:00.120 --> 0:17:02.960
<v Speaker 1>Yeah, and then they rode away on motorcycles, which is cool. Yeah,

0:17:03.000 --> 0:17:04.800
<v Speaker 1>this is more of a jewel theft, which might be

0:17:04.800 --> 0:17:06.960
<v Speaker 1>a higher level. I haven't done a ton of research

0:17:07.000 --> 0:17:10.560
<v Speaker 1>into that, but just generally museums are staffed by the

0:17:10.600 --> 0:17:14.439
<v Speaker 1>same people who like, there's not a hidden security force

0:17:15.080 --> 0:17:17.639
<v Speaker 1>is like armed to the hilt in the other room.

0:17:18.040 --> 0:17:21.080
<v Speaker 1>It's the people who are like, hey, stand back, you're

0:17:21.119 --> 0:17:24.040
<v Speaker 1>standing your toes on the line, right, you know, like

0:17:24.080 --> 0:17:26.320
<v Speaker 1>that's who, that's who's no flash photography?

0:17:26.600 --> 0:17:30.080
<v Speaker 3>Yeah yeah, okay, well you just stop the job. You

0:17:30.160 --> 0:17:32.359
<v Speaker 3>just said no flash photography. Are you going to enforce that?

0:17:32.520 --> 0:17:32.600
<v Speaker 5>No?

0:17:33.280 --> 0:17:33.320
<v Speaker 2>No?

0:17:33.760 --> 0:17:36.640
<v Speaker 1>And when they say flash, no flash photography, I've never

0:17:36.760 --> 0:17:39.120
<v Speaker 1>witnessed them like open their coat and have like.

0:17:39.600 --> 0:17:40.439
<v Speaker 2>That thing on them.

0:17:40.520 --> 0:17:40.720
<v Speaker 1>Yeah.

0:17:40.800 --> 0:17:45.480
<v Speaker 2>Yeah, a fucking MP five. They're like, watch out, baby.

0:17:46.280 --> 0:17:52.919
<v Speaker 1>My overrated is this new is basically candy cigarettes but

0:17:53.040 --> 0:17:58.640
<v Speaker 1>for nitrous We so we, uh had a school camping

0:17:58.680 --> 0:18:02.160
<v Speaker 1>trip this weekend. I'm not usual this outdoors outdoorsy, but yeah,

0:18:02.240 --> 0:18:05.160
<v Speaker 1>did tide pools last week and then uh, my kids

0:18:05.160 --> 0:18:07.520
<v Speaker 1>school does a camping trip every every year.

0:18:08.600 --> 0:18:09.600
<v Speaker 2>This is our fifth one.

0:18:10.119 --> 0:18:13.119
<v Speaker 1>The entire school up through like sixth grade, you know,

0:18:13.240 --> 0:18:15.560
<v Speaker 1>goes to this one campgrounds and then the kids just

0:18:15.640 --> 0:18:20.200
<v Speaker 1>like run wild like it's an animal habitat for feral children.

0:18:20.560 --> 0:18:23.400
<v Speaker 2>Oh like looking like Nell the Jody Foster movie.

0:18:23.560 --> 0:18:26.320
<v Speaker 1>It's just you're just hearing shit, Like as you're going

0:18:26.359 --> 0:18:30.199
<v Speaker 1>to sleep, you're just hearing uh peatch, just children like

0:18:30.240 --> 0:18:33.720
<v Speaker 1>getting into fights and just fucking going going nuts.

0:18:34.160 --> 0:18:36.120
<v Speaker 2>Tain Mischief Ape.

0:18:37.359 --> 0:18:40.159
<v Speaker 1>Six seven was was a lot of uh, it was

0:18:40.200 --> 0:18:42.520
<v Speaker 1>a lot of what I was hearing. But one of

0:18:42.560 --> 0:18:45.800
<v Speaker 1>the sort of icons of this camping event every year

0:18:46.000 --> 0:18:48.359
<v Speaker 1>is there's a the camp store at the bottom of

0:18:48.400 --> 0:18:51.240
<v Speaker 1>the hill, which is known amongst the kids as the

0:18:51.280 --> 0:18:54.639
<v Speaker 1>candy Shop because they keep that shit stocked with the

0:18:54.760 --> 0:18:59.800
<v Speaker 1>latest innovations in like dumb Wonka re you know. It's

0:18:59.880 --> 0:19:04.160
<v Speaker 1>like yeah, yeah, where we the people are doing. People

0:19:04.240 --> 0:19:09.040
<v Speaker 1>are putting the the research, the R and R into

0:19:10.240 --> 0:19:12.720
<v Speaker 1>candy these days in a way that I wasn't aware of,

0:19:12.800 --> 0:19:14.960
<v Speaker 1>but obviously, like kids are up on it. And so

0:19:15.040 --> 0:19:18.440
<v Speaker 1>two years ago, like the big hit was toilet candy,

0:19:18.480 --> 0:19:22.399
<v Speaker 1>which is a toilet bowl with like two lollipops on

0:19:22.440 --> 0:19:25.600
<v Speaker 1>either side, and then in the toilet bowl is like

0:19:26.119 --> 0:19:30.360
<v Speaker 1>the dipping you know, the sour sugar candy.

0:19:30.640 --> 0:19:32.760
<v Speaker 2>You know, oh got it, got it?

0:19:33.080 --> 0:19:35.600
<v Speaker 1>Like okay, you have the lollipop and then you dip

0:19:35.600 --> 0:19:40.240
<v Speaker 1>it into the fund. Yeah, but presumably you know, brilliantly

0:19:40.280 --> 0:19:43.400
<v Speaker 1>exploiting the skibbity ohio of it all at a time,

0:19:43.520 --> 0:19:47.440
<v Speaker 1>right as that's cresting, uh this year, the the hit

0:19:47.560 --> 0:19:50.160
<v Speaker 1>candy that everybody's running around with is a little canister

0:19:50.640 --> 0:19:54.200
<v Speaker 1>where you're basically like spraying a stream of sour candy

0:19:54.280 --> 0:19:58.440
<v Speaker 1>juice in your mouth, which I don't know, I don't

0:19:58.480 --> 0:20:03.639
<v Speaker 1>have a lot of experience. It's called quick blast sour

0:20:03.720 --> 0:20:04.520
<v Speaker 1>candy spray.

0:20:04.880 --> 0:20:06.080
<v Speaker 2>Because what it's called.

0:20:06.000 --> 0:20:09.720
<v Speaker 3>That doesn't even sound fun quick last hour candy spray?

0:20:09.800 --> 0:20:13.800
<v Speaker 2>What the fuck you? What the fuck is this? Yeah?

0:20:13.840 --> 0:20:15.359
<v Speaker 2>And it's it occur.

0:20:15.520 --> 0:20:17.840
<v Speaker 1>You know, we've talked on here about the rise of

0:20:18.800 --> 0:20:24.560
<v Speaker 1>galaxy gash, like the popular drug with kids, and I'm

0:20:24.640 --> 0:20:27.120
<v Speaker 1>just like, oh, this is just candy cigarettes for nitrius.

0:20:27.320 --> 0:20:30.840
<v Speaker 1>Like kids are just walking around like firing jet streams

0:20:30.840 --> 0:20:33.200
<v Speaker 1>of compressed candy gas into their mouths.

0:20:33.440 --> 0:20:37.960
<v Speaker 3>Yeah, putting your mouth on a nozzle into a consumption

0:20:39.040 --> 0:20:41.080
<v Speaker 3>context is always bad news.

0:20:41.160 --> 0:20:43.320
<v Speaker 2>When it's like, what do you drink a wind deex?

0:20:43.400 --> 0:20:48.120
<v Speaker 2>What are you getting a fucking nawse? What is this? Wow? Yeah,

0:20:48.200 --> 0:20:49.879
<v Speaker 2>that's actually really frightening to me.

0:20:50.000 --> 0:20:53.560
<v Speaker 1>But now I really yeah, I really want some actual

0:20:53.640 --> 0:20:57.120
<v Speaker 1>journalists out there to like foya whoever makes this candy,

0:20:57.240 --> 0:21:02.320
<v Speaker 1>because there's no way that they didn't at least see

0:21:02.320 --> 0:21:04.960
<v Speaker 1>mad Max Fury Road and be like, hey, wait a second.

0:21:04.760 --> 0:21:06.640
<v Speaker 2>Yeah, we have an idea here.

0:21:07.160 --> 0:21:09.119
<v Speaker 3>When our kids looking like the dude strapped to the

0:21:09.119 --> 0:21:11.720
<v Speaker 3>front of that fucking eighteen wheeler playing guitar.

0:21:12.040 --> 0:21:13.280
<v Speaker 2>That looks fucking sick.

0:21:13.480 --> 0:21:16.280
<v Speaker 1>I mean it looks like I do think like the

0:21:16.320 --> 0:21:20.640
<v Speaker 1>fact that that is a like the popular drug that's

0:21:20.680 --> 0:21:22.960
<v Speaker 1>exploding in popularity with like young people.

0:21:23.160 --> 0:21:26.240
<v Speaker 2>I feel like it has to have come.

0:21:26.080 --> 0:21:30.200
<v Speaker 1>Up in the the candy development meetings.

0:21:30.000 --> 0:21:31.920
<v Speaker 3>Or they're probably yeah, I mean, I'm sure all of it.

0:21:31.920 --> 0:21:35.040
<v Speaker 3>It's always about like the delivery mechanism, right, Like it

0:21:35.080 --> 0:21:37.280
<v Speaker 3>would either be fun dip, which felt like innoson when

0:21:37.280 --> 0:21:40.119
<v Speaker 3>it was like stick this chalky tab into a powder

0:21:40.160 --> 0:21:43.080
<v Speaker 3>and lick it right, and then you had like push

0:21:43.200 --> 0:21:45.600
<v Speaker 3>up push pops and things like this, and everything was

0:21:45.640 --> 0:21:47.720
<v Speaker 3>like how do you just kind of tweak the thing.

0:21:48.800 --> 0:21:52.520
<v Speaker 1>Chew was just chewing tobacco shred gum form. You know.

0:21:52.640 --> 0:21:54.880
<v Speaker 3>This is what's interesting too, because I think about how

0:21:54.960 --> 0:21:57.720
<v Speaker 3>like when I was in school, the thing we got

0:21:57.720 --> 0:22:00.199
<v Speaker 3>really in trouble for was fucking round with pixie stick

0:22:00.760 --> 0:22:01.639
<v Speaker 3>and chopping it up.

0:22:03.680 --> 0:22:07.720
<v Speaker 2>Oh my god, dude, I remember fifth snorting them. Yeah, yeah, yeah,

0:22:08.080 --> 0:22:08.960
<v Speaker 2>snorting lines.

0:22:09.400 --> 0:22:12.080
<v Speaker 3>I remember my friend because we were like, you know,

0:22:12.119 --> 0:22:14.359
<v Speaker 3>we were watching pulp fiction and Ship. We knew about snorting,

0:22:14.520 --> 0:22:19.040
<v Speaker 3>like we saw drug snortings scenes. Yeah, so we were like, oh, one,

0:22:19.119 --> 0:22:21.840
<v Speaker 3>I remember for Halloween we were putting it out and

0:22:21.880 --> 0:22:25.199
<v Speaker 3>we fucking chopped it up with a ruler obviously just

0:22:25.240 --> 0:22:30.159
<v Speaker 3>being stupid, and tried a second and went and we

0:22:30.160 --> 0:22:32.600
<v Speaker 3>were like, yeah, it was probably.

0:22:32.400 --> 0:22:35.880
<v Speaker 1>A similar reaction to Uma Thurman and pulp fiction. Yeah,

0:22:35.880 --> 0:22:37.000
<v Speaker 1>she sorts the wrong ship.

0:22:37.320 --> 0:22:39.320
<v Speaker 3>Yeah, like using two hands, trying to dig it out

0:22:39.359 --> 0:22:41.160
<v Speaker 3>your nostril or something and then you just go down.

0:22:42.520 --> 0:22:43.800
<v Speaker 2>Yeah, that was the sensation.

0:22:43.920 --> 0:22:46.560
<v Speaker 3>And then there was Raven's Revenge that was like an

0:22:46.760 --> 0:22:49.280
<v Speaker 3>escalation on powdered candy. So I wonder if there's always

0:22:49.320 --> 0:22:52.920
<v Speaker 3>like whatever the drug thing, like what'sever sort of in

0:22:52.960 --> 0:22:57.199
<v Speaker 3>the culture, even if they don't know, because like I

0:22:57.240 --> 0:23:00.760
<v Speaker 3>was just reading about pixie sticks in two tooth and eleven,

0:23:01.320 --> 0:23:03.919
<v Speaker 3>like a middle school district banned it because they were

0:23:03.920 --> 0:23:06.119
<v Speaker 3>seeing kids like mimicking drug.

0:23:05.960 --> 0:23:10.920
<v Speaker 1>Use with Yeah, Yeah, it's uh, what like is that

0:23:11.520 --> 0:23:13.680
<v Speaker 1>like that floy of the candy marry? I want to

0:23:13.720 --> 0:23:17.359
<v Speaker 1>see is that a part like a admitted strategy that

0:23:17.359 --> 0:23:18.400
<v Speaker 1>they're using, you know what I mean?

0:23:18.760 --> 0:23:19.520
<v Speaker 2>Right? Right right?

0:23:19.800 --> 0:23:21.240
<v Speaker 1>I feel like it has to be I feel like

0:23:21.280 --> 0:23:24.920
<v Speaker 1>that it's too it's too cynical not to be true.

0:23:25.080 --> 0:23:29.040
<v Speaker 2>Who's behind this? Yeah, who's behind this shit?

0:23:29.760 --> 0:23:33.960
<v Speaker 1>Willie Wanka's out here giving people everlasting gobstoppers, so poor

0:23:34.040 --> 0:23:36.720
<v Speaker 1>kids have candy always, and these motherfuckers are like, what

0:23:36.760 --> 0:23:40.240
<v Speaker 1>if we can like mimic the drug that they're about

0:23:40.240 --> 0:23:42.520
<v Speaker 1>to be hooked on when they turn into teenagers?

0:23:42.840 --> 0:23:44.080
<v Speaker 2>Yeah? Exactly right.

0:23:44.359 --> 0:23:55.640
<v Speaker 1>Yeah, what's something, Miles that you think is underrated?

0:23:56.200 --> 0:23:58.800
<v Speaker 2>H the comic Kazi retail worker.

0:23:59.400 --> 0:24:03.720
<v Speaker 3>Okay, there's nothing like the kind of hookup you get

0:24:03.760 --> 0:24:06.960
<v Speaker 3>at a store than from a person working retail who

0:24:07.040 --> 0:24:10.960
<v Speaker 3>does not give a fuck, someone who has one foot

0:24:11.080 --> 0:24:14.439
<v Speaker 3>out the door, someone who just got back from a

0:24:14.560 --> 0:24:17.960
<v Speaker 3>job interview for a better job and is now just

0:24:18.280 --> 0:24:23.120
<v Speaker 3>running the clock out. I had the great honor of

0:24:23.200 --> 0:24:27.040
<v Speaker 3>intersecting with one of these people, these hero retail workers,

0:24:27.320 --> 0:24:30.520
<v Speaker 3>over the weekend because her majesty took me out to

0:24:30.520 --> 0:24:33.480
<v Speaker 3>get a birthday gift on over the weekend.

0:24:34.240 --> 0:24:36.879
<v Speaker 2>So and I wanted some new cups. She's like, what

0:24:36.880 --> 0:24:37.280
<v Speaker 2>do you want for you?

0:24:37.440 --> 0:24:40.879
<v Speaker 3>I was like, you know, we lost everything fire, I

0:24:40.920 --> 0:24:42.160
<v Speaker 3>would like some cups.

0:24:42.320 --> 0:24:45.080
<v Speaker 1>I've been drinking with my hands for the psyear, like

0:24:45.119 --> 0:24:45.720
<v Speaker 1>this just.

0:24:45.680 --> 0:24:48.399
<v Speaker 3>Together, just slurping out of the sink or out of

0:24:48.640 --> 0:24:49.520
<v Speaker 3>our drinking bucket.

0:24:50.720 --> 0:24:52.919
<v Speaker 2>But we don't even have a dipper.

0:24:53.840 --> 0:24:56.040
<v Speaker 3>But like I wanted to get like these like really

0:24:56.080 --> 0:24:58.840
<v Speaker 3>cool like just like these coffee cups okay that were

0:24:58.880 --> 0:25:00.600
<v Speaker 3>just like kind of like the I liked like the

0:25:00.640 --> 0:25:01.520
<v Speaker 3>ceramics of it.

0:25:01.560 --> 0:25:03.680
<v Speaker 2>So there's a store we went into.

0:25:04.040 --> 0:25:06.120
<v Speaker 3>We get to the store, it's like fucking two, right,

0:25:06.240 --> 0:25:08.199
<v Speaker 3>and the store is closed, and I'm like, what the

0:25:08.200 --> 0:25:08.919
<v Speaker 3>fuck is going on?

0:25:08.960 --> 0:25:10.160
<v Speaker 2>Like I know the store is open.

0:25:10.440 --> 0:25:12.119
<v Speaker 3>We go next door and I'm like, are they do

0:25:12.200 --> 0:25:14.199
<v Speaker 3>the people like leave for lunch. You're like, yeah, they

0:25:14.200 --> 0:25:16.200
<v Speaker 3>should be back in like twenty minutes. We come back

0:25:16.240 --> 0:25:19.239
<v Speaker 3>like forty minutes later, still nobody there. Yeah, And then

0:25:19.280 --> 0:25:19.760
<v Speaker 3>I'm like, what.

0:25:19.680 --> 0:25:20.480
<v Speaker 2>The fuck's going on?

0:25:20.600 --> 0:25:23.600
<v Speaker 3>Then some guy pulls up behind He's like, Oh, what's up, guys.

0:25:24.000 --> 0:25:27.600
<v Speaker 3>This is like a multinational company, Like this isn't something

0:25:27.640 --> 0:25:28.560
<v Speaker 3>like BOUCHI right.

0:25:29.080 --> 0:25:31.760
<v Speaker 2>I'm like, what's up. He's like, oh, my bad, dude,

0:25:31.840 --> 0:25:34.639
<v Speaker 2>my bad. Yes, I just had a meeting dog. It's

0:25:34.640 --> 0:25:37.040
<v Speaker 2>supposed to be thirty minutes, just shit turned to two hours.

0:25:37.119 --> 0:25:39.560
<v Speaker 2>He's talking to me like this, like very converon, and

0:25:39.560 --> 0:25:40.160
<v Speaker 2>I'm like, okay.

0:25:40.160 --> 0:25:44.320
<v Speaker 1>So like this guy rich like Karen's and you know

0:25:44.520 --> 0:25:47.520
<v Speaker 1>what would be like getting more and more incensed and

0:25:47.600 --> 0:25:50.960
<v Speaker 1>ready to talk about to their manager. You you saw

0:25:51.000 --> 0:25:51.760
<v Speaker 1>an opportunity.

0:25:51.840 --> 0:25:54.560
<v Speaker 2>I go, what's up, bro, I'll go I'll good dog,

0:25:54.600 --> 0:25:57.160
<v Speaker 2>all good dog. He's like, dude, I'm so sorry. He's like, bro,

0:25:57.520 --> 0:25:59.960
<v Speaker 2>I'll hook you up. Bro. Sorry about that, man, I shouldn't.

0:26:00.040 --> 0:26:01.800
<v Speaker 2>How'd you guys play it like that? So I go

0:26:01.800 --> 0:26:02.200
<v Speaker 2>all right?

0:26:02.600 --> 0:26:05.280
<v Speaker 3>And then like the guy was clearly very like loose.

0:26:05.400 --> 0:26:07.680
<v Speaker 3>So I'm just talking to him yeah, and I'm like,

0:26:07.720 --> 0:26:08.239
<v Speaker 3>what's going on?

0:26:08.280 --> 0:26:09.280
<v Speaker 2>Man, Like, how do you like work here?

0:26:09.280 --> 0:26:12.480
<v Speaker 3>He's like, Bro, He's like low key, Bro, I hate

0:26:12.480 --> 0:26:15.600
<v Speaker 3>this place, dog, But like I'm about.

0:26:15.280 --> 0:26:19.200
<v Speaker 1>To leave, Brook, Are you are you fainting surprise at this? Yeah?

0:26:19.280 --> 0:26:22.679
<v Speaker 3>I go, oh, oh why why He's like, bro, just

0:26:22.720 --> 0:26:26.000
<v Speaker 3>fucking like it's fine, like you know, but like I'm

0:26:26.040 --> 0:26:28.080
<v Speaker 3>just just just so fucking boring dude, you know.

0:26:28.040 --> 0:26:29.520
<v Speaker 2>What I mean? Anyway, what do you want?

0:26:30.160 --> 0:26:31.600
<v Speaker 3>And I was like, oh, let me get like a

0:26:31.600 --> 0:26:33.639
<v Speaker 3>couple of these mugs and a couple like two of

0:26:33.640 --> 0:26:35.560
<v Speaker 3>those mugs. And he's like, for sure, dog, He's like,

0:26:35.600 --> 0:26:37.199
<v Speaker 3>I'm gonna hook you up fat, and I go When

0:26:37.240 --> 0:26:39.400
<v Speaker 3>he said hook you up fat, I'm like, first of all,

0:26:39.480 --> 0:26:42.919
<v Speaker 3>this guy smokes weed, because that's like a weed dealer

0:26:43.000 --> 0:26:45.560
<v Speaker 3>talk you have, fat, dog, I'll hook you a faty

0:26:45.600 --> 0:26:46.240
<v Speaker 3>dog right now.

0:26:46.400 --> 0:26:48.720
<v Speaker 1>I'm pretty sure he was also trying to communicate to

0:26:48.760 --> 0:26:51.560
<v Speaker 1>you that he deals with maybe maybe.

0:26:51.680 --> 0:26:53.880
<v Speaker 3>I mean like there was an understanding when it came

0:26:53.880 --> 0:26:56.159
<v Speaker 3>in all fucking weird, and I was like, bro, no

0:26:56.280 --> 0:26:58.560
<v Speaker 3>fucking problem, dog, I don't even give a shit like

0:26:58.680 --> 0:27:02.880
<v Speaker 3>you do you? This fucking guy gave me fifty percent

0:27:03.000 --> 0:27:05.760
<v Speaker 3>off and didn't even charge me for like other shit.

0:27:06.320 --> 0:27:06.639
<v Speaker 2>Wow.

0:27:06.720 --> 0:27:08.119
<v Speaker 3>Like when I looked at the thing, he's like, bro,

0:27:08.200 --> 0:27:10.200
<v Speaker 3>I'm just gonna like whatever, Dude, He's like, I usually

0:27:10.200 --> 0:27:12.000
<v Speaker 3>I can give like twenty, I'll just give you fifties,

0:27:12.000 --> 0:27:13.520
<v Speaker 3>like dude, and he goes, I'll give you fifty.

0:27:13.560 --> 0:27:14.600
<v Speaker 2>I don't even give a fuck.

0:27:18.440 --> 0:27:22.360
<v Speaker 3>Hell yeah, And I was like, yes, dog, thank you amazing,

0:27:22.640 --> 0:27:24.199
<v Speaker 3>And I just think of like when I used to

0:27:24.200 --> 0:27:25.520
<v Speaker 3>do that, when I worked at like the art like

0:27:25.520 --> 0:27:26.359
<v Speaker 3>the Laser tag place.

0:27:26.400 --> 0:27:26.960
<v Speaker 2>I used to give.

0:27:26.920 --> 0:27:29.240
<v Speaker 3>Kids like tokens for the arcade machine, and I was

0:27:29.280 --> 0:27:30.639
<v Speaker 3>like I was trying to hook them, Like I was like,

0:27:30.680 --> 0:27:32.399
<v Speaker 3>I just don't give a fuck, And that was like

0:27:32.440 --> 0:27:33.679
<v Speaker 3>my way to be like rebel.

0:27:33.760 --> 0:27:36.359
<v Speaker 2>I'm like, y'all paying me minum. Wait, watch this, here's

0:27:36.359 --> 0:27:38.800
<v Speaker 2>your fucking tokens. Do that have one with that?

0:27:39.320 --> 0:27:44.000
<v Speaker 3>So again, I just love somebody who was just willing

0:27:44.040 --> 0:27:45.600
<v Speaker 3>to give that discount, you know.

0:27:45.600 --> 0:27:46.040
<v Speaker 2>What I mean.

0:27:46.400 --> 0:27:49.920
<v Speaker 3>Amazing And I get to when you don't fear death anymore,

0:27:50.040 --> 0:27:52.600
<v Speaker 3>like in terms of getting fired getting fired, that you

0:27:52.640 --> 0:27:55.080
<v Speaker 3>are actually the most one of the most powerful beings

0:27:55.320 --> 0:27:56.000
<v Speaker 3>in retail.

0:27:56.800 --> 0:27:58.640
<v Speaker 2>This place sucks shit, do low key?

0:27:58.640 --> 0:28:01.320
<v Speaker 3>Bro, I'm fucking I'm off this shit, And I'm like,

0:28:01.320 --> 0:28:02.160
<v Speaker 3>where are you off to next?

0:28:02.160 --> 0:28:04.560
<v Speaker 2>He's like, dude, there's this custom furniture place.

0:28:04.640 --> 0:28:04.880
<v Speaker 6>Dog.

0:28:05.200 --> 0:28:07.359
<v Speaker 3>He's like, the couches are so expensive, but if I

0:28:07.359 --> 0:28:09.960
<v Speaker 3>saw like three in a fucking month, I'll make way

0:28:09.960 --> 0:28:11.880
<v Speaker 3>more than I do fucking here. And I'm like sick.

0:28:11.920 --> 0:28:14.800
<v Speaker 3>He's like, also, I might help start a restaurant. Then

0:28:14.840 --> 0:28:18.200
<v Speaker 3>he'd like listen about like eight different plans, and I'm like, yeah,

0:28:18.400 --> 0:28:20.760
<v Speaker 3>oh to be twenty four, I know, you know what

0:28:20.840 --> 0:28:22.760
<v Speaker 3>I mean. I was like, all right, doggie, you do

0:28:22.840 --> 0:28:24.159
<v Speaker 3>you thank you for my mugs?

0:28:24.200 --> 0:28:24.600
<v Speaker 2>I'm out.

0:28:24.760 --> 0:28:26.760
<v Speaker 1>You're like, you should definitely start that restaurant. Man.

0:28:27.880 --> 0:28:31.760
<v Speaker 2>Look at this right there. Ooh, very beautiful mug. Yeah,

0:28:31.840 --> 0:28:33.960
<v Speaker 2>very beautiful. Miles.

0:28:34.000 --> 0:28:36.119
<v Speaker 1>You wanna kick us off with something he thinks underrated?

0:28:37.200 --> 0:28:41.080
<v Speaker 2>Underrated? What did I put? Oh? Yeah, yeah, yeah five.

0:28:41.120 --> 0:28:45.760
<v Speaker 3>There's a there's a fine line with toilet paper and

0:28:45.920 --> 0:28:50.360
<v Speaker 3>water pressure where you go from the perfect thickness or

0:28:50.400 --> 0:28:54.280
<v Speaker 3>water pressure and easily into too thick of toilet paper

0:28:54.440 --> 0:28:57.360
<v Speaker 3>or too strong of water pressure. Okay, And I think

0:28:57.480 --> 0:28:59.840
<v Speaker 3>it's just something to think about. I was talking about

0:28:59.840 --> 0:29:02.840
<v Speaker 3>this last week when I was in DC off mic

0:29:03.440 --> 0:29:08.400
<v Speaker 3>because my mother in law has like, like the I

0:29:08.400 --> 0:29:10.760
<v Speaker 3>don't even know if luxurious is the way to describe it.

0:29:10.840 --> 0:29:14.920
<v Speaker 3>The thickest toilet paper I've ever fucking used, and it

0:29:15.040 --> 0:29:15.720
<v Speaker 3>was freaking me.

0:29:15.800 --> 0:29:17.800
<v Speaker 2>I felt like I was not worthy of it. It

0:29:17.840 --> 0:29:22.880
<v Speaker 2>was so thick. It felt like bed sheets, Yeah, yeah, comforters.

0:29:22.880 --> 0:29:25.560
<v Speaker 3>Yeah, like a down comfort, Like it's like, is there

0:29:25.680 --> 0:29:29.360
<v Speaker 3>down in this. Okay, I didn't realize Downey changed their

0:29:29.400 --> 0:29:31.000
<v Speaker 3>whole thing, but yeah, it was so.

0:29:32.880 --> 0:29:35.400
<v Speaker 2>I don't know, like I it was jarring.

0:29:35.200 --> 0:29:37.680
<v Speaker 3>And I'm so used to people have heard my toilet

0:29:37.720 --> 0:29:41.440
<v Speaker 3>paper exploits over the supply of shitty toilet paper. Yeah,

0:29:41.560 --> 0:29:44.400
<v Speaker 3>finally got through it. I upgraded to like one more ply,

0:29:44.520 --> 0:29:46.840
<v Speaker 3>which is still like, you know, like I would call

0:29:46.840 --> 0:29:50.880
<v Speaker 3>it journeyman toilet paper. Yeah, you know, replacement level toilet paper.

0:29:50.960 --> 0:29:53.360
<v Speaker 3>Yeah yeah, yeah, yeah, like utility toilet paper. But this

0:29:53.400 --> 0:29:57.280
<v Speaker 3>shit was like definitely like boomer approaching retirement thickness. And

0:29:57.320 --> 0:29:59.320
<v Speaker 3>it was for whatever reason, I was like, this is

0:29:59.360 --> 0:30:01.719
<v Speaker 3>actually bad. It's too thick, and I don't like it

0:30:02.320 --> 0:30:02.920
<v Speaker 3>to that end.

0:30:03.000 --> 0:30:05.520
<v Speaker 1>Also, and I'm not just complaining about my mother in

0:30:05.560 --> 0:30:09.160
<v Speaker 1>law's house at all, and it's not about it and

0:30:09.200 --> 0:30:10.800
<v Speaker 1>there's nothing to do with her because actually I took

0:30:10.840 --> 0:30:13.120
<v Speaker 1>a shower at another friend's place in DC.

0:30:13.400 --> 0:30:16.520
<v Speaker 2>The water pressure almost ripped my fucking skin off. Wow.

0:30:16.880 --> 0:30:19.800
<v Speaker 2>And I love you love a strong I love a

0:30:19.840 --> 0:30:20.600
<v Speaker 2>strong spray.

0:30:21.240 --> 0:30:23.080
<v Speaker 1>That's something we all know about you. You love a

0:30:23.120 --> 0:30:26.040
<v Speaker 1>strong spray. You know everybody knows why you you sit

0:30:26.120 --> 0:30:29.440
<v Speaker 1>outside of the bathroom when I go pee and you

0:30:29.480 --> 0:30:30.880
<v Speaker 1>compliment me on the strength of my.

0:30:31.240 --> 0:30:34.320
<v Speaker 3>Cup with a cup to the door because I like it.

0:30:34.600 --> 0:30:37.040
<v Speaker 3>I like to really accentuate the sound and the acoustics.

0:30:37.040 --> 0:30:40.720
<v Speaker 3>But just like straight fire hose shit, you're like getting pushed. Yeah, yeah, yeah,

0:30:40.720 --> 0:30:43.200
<v Speaker 3>I would have like Civil Rights era flashbacks and ship.

0:30:43.320 --> 0:30:45.000
<v Speaker 2>I thought a German shepherd was gonna bite me.

0:30:45.120 --> 0:30:48.000
<v Speaker 1>I was like, you're in a like athletic stance and

0:30:48.040 --> 0:30:51.640
<v Speaker 1>it's just pushing you back again. Your feet are just

0:30:51.680 --> 0:30:54.440
<v Speaker 1>like squeaking blows up.

0:30:54.400 --> 0:31:01.280
<v Speaker 2>On my feet, just sliding bass. But yeah, it was

0:31:01.920 --> 0:31:02.520
<v Speaker 2>a fine line.

0:31:02.520 --> 0:31:05.920
<v Speaker 1>But again, have a conversation with God, like Lieutenant Dan

0:31:06.040 --> 0:31:09.240
<v Speaker 1>and the storm scene, and yeah, that is my promise you.

0:31:09.280 --> 0:31:11.840
<v Speaker 1>I will make a Forest Gump preference every every day

0:31:12.080 --> 0:31:13.200
<v Speaker 1>or even though I don't like that.

0:31:13.200 --> 0:31:16.600
<v Speaker 3>Movie, this is our right, Yeah, like Superman references and Seinfeld,

0:31:16.880 --> 0:31:18.960
<v Speaker 3>you always got to catch the Forest Gump preference in

0:31:18.960 --> 0:31:19.640
<v Speaker 3>every episode.

0:31:19.920 --> 0:31:20.440
<v Speaker 2>Yeah.

0:31:20.640 --> 0:31:24.120
<v Speaker 1>We uh, we have some water pressure issues in our

0:31:24.120 --> 0:31:27.640
<v Speaker 1>house where like the very inconsistent. Sometimes I'll be like,

0:31:27.680 --> 0:31:29.440
<v Speaker 1>all right, I gotta hop of the shower real quick

0:31:29.480 --> 0:31:34.520
<v Speaker 1>before we record, and uh, it's just like dribbling. It's

0:31:34.640 --> 0:31:38.680
<v Speaker 1>it's an old man's weak stream coming out of the shower.

0:31:39.920 --> 0:31:42.200
<v Speaker 1>It just like goes on and off. We've tried to

0:31:43.440 --> 0:31:46.000
<v Speaker 1>work on it. There there's like a pressure gauge like

0:31:46.040 --> 0:31:48.080
<v Speaker 1>outside of the house that you can like mess with

0:31:48.120 --> 0:31:51.680
<v Speaker 1>a little bit. Uh so it's we we crank that

0:31:51.840 --> 0:31:54.240
<v Speaker 1>up a little bit. Didn't really help that much with

0:31:54.280 --> 0:31:56.680
<v Speaker 1>the water pressure on the second floor. But what it

0:31:56.760 --> 0:32:00.200
<v Speaker 1>did do is like the hose on our sink, it

0:32:00.280 --> 0:32:02.000
<v Speaker 1>was like too much for the hose on our sink,

0:32:02.040 --> 0:32:04.160
<v Speaker 1>and it like broke before.

0:32:04.400 --> 0:32:07.400
<v Speaker 2>H Let Jack know what has he got to do?

0:32:07.640 --> 0:32:10.320
<v Speaker 1>Yeah, I mean I've been told that you need to

0:32:10.600 --> 0:32:11.640
<v Speaker 1>replace the pipes.

0:32:11.720 --> 0:32:15.760
<v Speaker 2>Yeah your house. Yeah yeah, sure, sure, probably we do.

0:32:16.080 --> 0:32:16.479
<v Speaker 2>I don't know.

0:32:16.520 --> 0:32:18.480
<v Speaker 3>Maybe I'll just turn up the volume at the main

0:32:18.560 --> 0:32:21.400
<v Speaker 3>water line.

0:32:22.160 --> 0:32:27.600
<v Speaker 1>There's just ship breaking everywhere else. Yeah, all right, myles,

0:32:27.640 --> 0:32:29.920
<v Speaker 1>what's something you think is overrated?

0:32:30.080 --> 0:32:31.440
<v Speaker 2>Overrated? Okay?

0:32:32.440 --> 0:32:34.760
<v Speaker 3>I think this is I don't think it's controversial, but

0:32:34.840 --> 0:32:36.960
<v Speaker 3>I think I think poop is overrated.

0:32:37.000 --> 0:32:39.160
<v Speaker 2>I think it's gross. A second here, hold on, let

0:32:39.240 --> 0:32:41.520
<v Speaker 2>me finish. I think it's gross. I think you get

0:32:41.640 --> 0:32:44.400
<v Speaker 2>sick if you play with it, and it's yucky. Okay,

0:32:44.600 --> 0:32:44.840
<v Speaker 2>And this.

0:32:44.920 --> 0:32:47.400
<v Speaker 3>Has nothing to do with anything happening at my home.

0:32:47.440 --> 0:32:50.440
<v Speaker 3>In my first life, just my objective. Take that poop

0:32:50.680 --> 0:32:52.040
<v Speaker 3>is yucky, it's bad.

0:32:52.160 --> 0:32:53.960
<v Speaker 2>We don't touch it. It's not a toy.

0:32:54.000 --> 0:32:55.560
<v Speaker 3>And if you need to take your diaper off, you

0:32:55.560 --> 0:32:57.640
<v Speaker 3>ask mommy and Daddy to help you.

0:32:57.640 --> 0:33:00.800
<v Speaker 2>You don't touch that, Okay. And that's what I mean.

0:33:01.640 --> 0:33:03.840
<v Speaker 1>People have been saying the same overrated to me for

0:33:03.880 --> 0:33:07.480
<v Speaker 1>a long time. Give me that exact same field, and

0:33:07.520 --> 0:33:10.760
<v Speaker 1>I'm tired of it. I mean, Daddy will not have it.

0:33:10.800 --> 0:33:13.760
<v Speaker 2>And you, bro, the guy.

0:33:14.120 --> 0:33:19.760
<v Speaker 1>It's interesting the guys child is It's like he is, Yeah,

0:33:19.880 --> 0:33:21.120
<v Speaker 1>he's stepping it up.

0:33:21.560 --> 0:33:25.280
<v Speaker 3>There's an there's been escalation over the last three mornings

0:33:26.280 --> 0:33:29.560
<v Speaker 3>where I wake up to some form of a dexter

0:33:29.800 --> 0:33:30.600
<v Speaker 3>kill room.

0:33:33.160 --> 0:33:35.920
<v Speaker 2>And I'm like, what the fuck. He's like, I'm cleaning

0:33:35.960 --> 0:33:39.680
<v Speaker 2>it up, and no, you are not, bro, And I

0:33:39.680 --> 0:33:43.200
<v Speaker 2>gotta put a hazmad suit on now. And it's just

0:33:43.240 --> 0:33:45.000
<v Speaker 2>so fucking like. I'm like, we don't play with it.

0:33:45.080 --> 0:33:47.440
<v Speaker 2>We don't play any we don't play with it. That's right.

0:33:47.480 --> 0:33:51.120
<v Speaker 3>And if I if I feel I say, yeah, I

0:33:51.240 --> 0:33:51.880
<v Speaker 3>mommy Daddy.

0:33:52.160 --> 0:33:57.080
<v Speaker 1>When it comes to playing with poop us, we roll

0:33:57.120 --> 0:33:58.320
<v Speaker 1>our sleeves up in the house.

0:33:59.560 --> 0:34:01.240
<v Speaker 2>Yeah. So I'm just it's just a very.

0:34:01.080 --> 0:34:06.479
<v Speaker 3>Interesting time in my home where I'm like I just

0:34:06.520 --> 0:34:10.360
<v Speaker 3>please don't I don't I look zeit gang uh any

0:34:10.480 --> 0:34:13.560
<v Speaker 3>any whatever, whatever your tips are, to try and connect

0:34:13.600 --> 0:34:16.600
<v Speaker 3>the dots for a child that equal matter is not

0:34:16.840 --> 0:34:17.680
<v Speaker 3>the new play though.

0:34:18.440 --> 0:34:22.520
<v Speaker 2>Yeah, you know I'm on my ears. I'm wielding a

0:34:22.520 --> 0:34:23.120
<v Speaker 2>lot of power.

0:34:23.120 --> 0:34:26.040
<v Speaker 1>I will say, like children, there's those studies of children

0:34:26.080 --> 0:34:28.279
<v Speaker 1>where they you know, they look at how children behave

0:34:28.360 --> 0:34:31.000
<v Speaker 1>and they'll like drop a thing just to see their

0:34:31.080 --> 0:34:33.960
<v Speaker 1>parents have to pick it up. You know, just be like, yeah,

0:34:33.960 --> 0:34:37.880
<v Speaker 1>I guess his boss and yeah, you know, nothing is

0:34:37.920 --> 0:34:39.760
<v Speaker 1>more powerful, Like yeah.

0:34:39.719 --> 0:34:42.759
<v Speaker 3>He's like, yeah, man, fix this light socket, homie luck

0:34:42.760 --> 0:34:43.399
<v Speaker 3>cleaning that out?

0:34:43.480 --> 0:34:47.640
<v Speaker 2>Fix this light socket that I just shitted? Oh no dog?

0:34:47.840 --> 0:34:51.080
<v Speaker 2>Why why Yeah?

0:34:51.400 --> 0:34:53.720
<v Speaker 3>Yeah, I mean like he's got my ass, bro, Yeah

0:34:54.200 --> 0:34:55.719
<v Speaker 3>he's gotten as I don't know.

0:34:55.680 --> 0:34:57.319
<v Speaker 2>The power available to us all.

0:34:58.520 --> 0:35:10.400
<v Speaker 3>Yeah, coming to a white house or you what is

0:35:10.440 --> 0:35:12.000
<v Speaker 3>something prop you think is under its?

0:35:12.760 --> 0:35:13.000
<v Speaker 1>Man?

0:35:13.200 --> 0:35:16.520
<v Speaker 6>I just think it's underrated, like like just not knowing

0:35:16.680 --> 0:35:21.320
<v Speaker 6>new like jen alpha slang. That's fine, dude, Like you

0:35:21.400 --> 0:35:23.279
<v Speaker 6>know what I'm saying, like, let them have a thing

0:35:24.440 --> 0:35:25.000
<v Speaker 6>I find.

0:35:25.239 --> 0:35:26.319
<v Speaker 2>You know what I did?

0:35:26.320 --> 0:35:30.440
<v Speaker 3>You witness somebody, uh speaking outside of their age bracket.

0:35:31.000 --> 0:35:34.200
<v Speaker 6>Yes, I witnessed somebody speaking out of side of the

0:35:34.320 --> 0:35:38.200
<v Speaker 6>age bracket and it was okay, other fathers in the building.

0:35:38.200 --> 0:35:40.080
<v Speaker 6>You will be there very soon, Miles. And the pick

0:35:40.160 --> 0:35:44.399
<v Speaker 6>up lines, right, the after school pickup line is the

0:35:45.040 --> 0:35:48.000
<v Speaker 6>oh my god, it is the waffle house of dad

0:35:48.040 --> 0:35:52.080
<v Speaker 6>ship where you just got off. You just you can't

0:35:52.120 --> 0:35:53.600
<v Speaker 6>like you have to learn how you got to keep

0:35:53.640 --> 0:35:56.920
<v Speaker 6>to yourself. Jack, please attest to this, like you have

0:35:57.000 --> 0:35:59.680
<v Speaker 6>to be very selective as to who you'll start a

0:35:59.680 --> 0:36:05.080
<v Speaker 6>converse station with because it it can go horribly right,

0:36:05.120 --> 0:36:07.160
<v Speaker 6>it will go in weird direction, it could go in

0:36:07.239 --> 0:36:09.719
<v Speaker 6>awful directions and it and it's like it's lose lose

0:36:09.760 --> 0:36:11.560
<v Speaker 6>because let's just say you meet a dude and you're like,

0:36:11.640 --> 0:36:14.840
<v Speaker 6>that's actually a cool last dude, But then our kids

0:36:14.880 --> 0:36:17.799
<v Speaker 6>don't get along fuck right.

0:36:18.160 --> 0:36:19.640
<v Speaker 2>But then the kid that.

0:36:19.960 --> 0:36:23.359
<v Speaker 6>Your child likes got a weirdo ass dad, and now

0:36:23.400 --> 0:36:26.279
<v Speaker 6>you're like ship, Like it's just like it's I'm.

0:36:26.200 --> 0:36:28.960
<v Speaker 2>Gonna drop you off. It's like I'll drop you off,

0:36:29.000 --> 0:36:31.200
<v Speaker 2>you know what I'm saying. So it's just like it's

0:36:31.200 --> 0:36:36.680
<v Speaker 2>just so much give a little honk, Yes, don't let.

0:36:36.520 --> 0:36:38.759
<v Speaker 6>Them figure out how do hip hop or that I

0:36:38.800 --> 0:36:41.760
<v Speaker 6>got a podcast or you like, because they're looking for somebody.

0:36:42.560 --> 0:36:45.839
<v Speaker 2>Yes, we're both looking for somebody. That's kind of you're

0:36:45.880 --> 0:36:47.640
<v Speaker 2>a rapper and podcast.

0:36:49.560 --> 0:36:52.640
<v Speaker 3>If you were a stand up comedian also, it would

0:36:52.680 --> 0:36:56.640
<v Speaker 3>be cooked all back, Jason, I do a little wrapping myself.

0:36:56.239 --> 0:37:00.959
<v Speaker 2>It's all you play the shook Ones instrumental. Yeah. Yeah. Now,

0:37:01.080 --> 0:37:03.600
<v Speaker 2>luckily a few times I've scored.

0:37:03.680 --> 0:37:06.799
<v Speaker 6>So the dude that runs the record label that put

0:37:06.800 --> 0:37:11.839
<v Speaker 6>out Andre's flute record. Yeah, yeah, so they family goes

0:37:11.880 --> 0:37:13.800
<v Speaker 6>to my kids school. So like I've lucked out a

0:37:13.840 --> 0:37:15.800
<v Speaker 6>few times like that dude, That dude's dope. You know

0:37:15.800 --> 0:37:19.799
<v Speaker 6>what I'm saying, like like just all this like comperimental. Yeah,

0:37:19.800 --> 0:37:21.800
<v Speaker 6>I was like, okay, he's dope. Right, So I've scored

0:37:21.840 --> 0:37:24.839
<v Speaker 6>every once in a while. But sometimes you just run

0:37:24.880 --> 0:37:28.000
<v Speaker 6>into the dude that sees me and thinks I want

0:37:28.040 --> 0:37:31.399
<v Speaker 6>to hear him try out his new slang.

0:37:31.960 --> 0:37:36.480
<v Speaker 1>Right, And I'm like seven right, what?

0:37:36.760 --> 0:37:39.000
<v Speaker 6>And I have to look at Homie and be like, look, man,

0:37:40.200 --> 0:37:43.439
<v Speaker 6>just keep whipping in the naan, like just stay where

0:37:43.480 --> 0:37:47.279
<v Speaker 6>you are, just stay you're going, Homie, Like if you

0:37:47.320 --> 0:37:50.440
<v Speaker 6>feel me like find something timeless, like whatever you know,

0:37:51.120 --> 0:37:54.399
<v Speaker 6>like whatever the verbal version of like just a pair

0:37:54.440 --> 0:37:57.640
<v Speaker 6>of clean dickies and a white tea is some chucks, bro,

0:37:57.840 --> 0:38:00.480
<v Speaker 6>Like just stay classic.

0:38:00.200 --> 0:38:02.120
<v Speaker 2>You feel me like, you can't lose if you just

0:38:02.200 --> 0:38:05.719
<v Speaker 2>stay classic. It's okay. You don't know what six seven is? Yeah,

0:38:05.800 --> 0:38:09.160
<v Speaker 2>it's fine. That's their thing. Let them have a thing.

0:38:09.640 --> 0:38:12.800
<v Speaker 1>Yeah right, yeah, So I just told it doesn't mean anything,

0:38:13.040 --> 0:38:15.960
<v Speaker 1>so it's fine for me to use it in all contexts.

0:38:16.000 --> 0:38:17.800
<v Speaker 2>Actually, and you know what, you might be right.

0:38:17.760 --> 0:38:20.239
<v Speaker 1>And that's actually cool and that makes me cool, just

0:38:20.280 --> 0:38:20.800
<v Speaker 1>that fly.

0:38:20.760 --> 0:38:22.680
<v Speaker 2>Out And here's the thing, because I have it, you

0:38:22.760 --> 0:38:24.520
<v Speaker 2>might be right. You know why? You know why you

0:38:24.600 --> 0:38:25.160
<v Speaker 2>might be right?

0:38:25.760 --> 0:38:26.080
<v Speaker 1>Or why?

0:38:26.080 --> 0:38:30.440
<v Speaker 7>I don't know because I don't know. And it's okay

0:38:30.719 --> 0:38:32.919
<v Speaker 7>that I don't know. And guess what, these kids don't

0:38:32.920 --> 0:38:34.480
<v Speaker 7>know what the fuck we're talking about. They don't know

0:38:34.480 --> 0:38:36.680
<v Speaker 7>what the hell were talking about. They don't want to know.

0:38:36.719 --> 0:38:40.000
<v Speaker 6>When they hear a song that like, actually that song

0:38:40.080 --> 0:38:42.640
<v Speaker 6>came from Let them have a song, man, you want

0:38:42.640 --> 0:38:43.240
<v Speaker 6>to hear the sample.

0:38:43.440 --> 0:38:44.120
<v Speaker 2>You want to hear the sample.

0:38:44.200 --> 0:38:47.160
<v Speaker 6>No, let them have a song, Like I almost showed

0:38:47.280 --> 0:38:50.880
<v Speaker 6>my daughter the Luther Vandro song as she was singing

0:38:50.920 --> 0:38:54.200
<v Speaker 6>along to Sissy and Kendrick, and I caught myself and

0:38:54.320 --> 0:38:55.759
<v Speaker 6>was like, why are you doing this?

0:38:56.600 --> 0:38:59.960
<v Speaker 2>You know what happens? Yeah, exactly let her have it.

0:39:00.360 --> 0:39:02.960
<v Speaker 2>You know who is not like, what is something you

0:39:03.000 --> 0:39:03.759
<v Speaker 2>think is over?

0:39:03.960 --> 0:39:04.200
<v Speaker 8>Yeah?

0:39:04.239 --> 0:39:09.160
<v Speaker 2>That would be Superman. No.

0:39:09.160 --> 0:39:11.160
<v Speaker 6>Now she asked me why is it called Luther? Then

0:39:11.160 --> 0:39:13.719
<v Speaker 6>I would tell her, but like she's not asking the

0:39:13.719 --> 0:39:17.120
<v Speaker 6>red questions. I mean, but you're the cool dad.

0:39:17.200 --> 0:39:20.040
<v Speaker 3>I feel like that's kind of the formative process, is

0:39:20.080 --> 0:39:22.840
<v Speaker 3>you have somebody, even though they are not into it,

0:39:22.880 --> 0:39:25.160
<v Speaker 3>they're gonna be like, you know, actually I did appreciate you.

0:39:25.200 --> 0:39:28.160
<v Speaker 6>Actually now my oldest But she found it on her own.

0:39:28.320 --> 0:39:30.719
<v Speaker 6>So the thing was I just exposed her to it.

0:39:30.800 --> 0:39:33.799
<v Speaker 2>I didn't like make her. It was just you would

0:39:33.800 --> 0:39:34.440
<v Speaker 2>come in the house.

0:39:34.880 --> 0:39:37.520
<v Speaker 6>I'm playing in the house, I'm walking around, I'm doing

0:39:37.600 --> 0:39:40.200
<v Speaker 6>this is what we're playing. There's records that those are

0:39:40.200 --> 0:39:42.360
<v Speaker 6>the records right there. I'm pulling from there and just

0:39:42.480 --> 0:39:44.720
<v Speaker 6>let it be a part of her ethos. And now

0:39:44.760 --> 0:39:48.000
<v Speaker 6>she's like, yeah, now she's you see the crates behind me,

0:39:48.080 --> 0:39:49.720
<v Speaker 6>She's like digging through them crates.

0:39:49.719 --> 0:39:51.720
<v Speaker 2>You know what I'm saying, Yeah, that's fun.

0:39:52.840 --> 0:39:55.920
<v Speaker 1>What is something from your search history that is revealing

0:39:55.960 --> 0:39:56.879
<v Speaker 1>about who you are?

0:39:57.520 --> 0:40:03.239
<v Speaker 9>This is so embarrassing. H I'm a big Cardi B fan.

0:40:05.040 --> 0:40:08.680
<v Speaker 9>I have tickets to her first show back after giving

0:40:08.680 --> 0:40:12.120
<v Speaker 9>birth in February, so we'll see how that goes. I

0:40:12.160 --> 0:40:14.600
<v Speaker 9>like the new album a lot. I think it's great.

0:40:14.920 --> 0:40:16.719
<v Speaker 9>I didn't love it the first listen through, but the

0:40:16.719 --> 0:40:20.800
<v Speaker 9>second listen I was like, this is amazing, still very good. Anyway,

0:40:20.840 --> 0:40:23.520
<v Speaker 9>I've been watching a lot of Cardi B interviews and

0:40:23.800 --> 0:40:28.600
<v Speaker 9>she was on one interview with Angie Martinez and I

0:40:28.640 --> 0:40:31.360
<v Speaker 9>was just looking at her watch and I was like, damn,

0:40:32.120 --> 0:40:35.800
<v Speaker 9>that's a nice watch. And I was like trying to

0:40:35.880 --> 0:40:39.040
<v Speaker 9>zoom in and I couldn't find you know, like, what

0:40:39.280 --> 0:40:40.040
<v Speaker 9>is this watch?

0:40:40.200 --> 0:40:40.440
<v Speaker 6>You know?

0:40:41.520 --> 0:40:44.360
<v Speaker 9>So I was really into the watch. It was like big,

0:40:44.600 --> 0:40:53.000
<v Speaker 9>chunky and white, and I realized, yes, I finally found it,

0:40:53.360 --> 0:40:58.360
<v Speaker 9>and it is a two point five million dollar watch

0:40:59.080 --> 0:41:03.920
<v Speaker 9>that some boys, some guys name it's whatever.

0:41:04.800 --> 0:41:07.879
<v Speaker 2>So then Richard Richard.

0:41:11.840 --> 0:41:14.600
<v Speaker 9>Million dollar watch. Now, of course, this takes my love

0:41:14.600 --> 0:41:16.480
<v Speaker 9>of her down because I'm like, nobody needs a two

0:41:16.520 --> 0:41:19.359
<v Speaker 9>and a half million dollar watch, you know, blah blah blah.

0:41:19.400 --> 0:41:25.680
<v Speaker 9>I'm you know, but I didn't did search chunky white

0:41:25.760 --> 0:41:31.160
<v Speaker 9>watch and realized that, you know, for the rubes out

0:41:31.200 --> 0:41:35.040
<v Speaker 9>there who just want to watch that looks like a nice.

0:41:34.800 --> 0:41:37.160
<v Speaker 1>Watch's just pointing to a chunky white watch on her

0:41:37.200 --> 0:41:37.680
<v Speaker 1>own wrist.

0:41:38.080 --> 0:41:42.479
<v Speaker 9>There's a lot of dupes out there here, so I'm

0:41:42.520 --> 0:41:45.160
<v Speaker 9>a total dupe and I like. I like it. It's

0:41:45.200 --> 0:41:47.800
<v Speaker 9>it's white, it's light, and it's guess.

0:41:47.920 --> 0:41:49.879
<v Speaker 2>Let me see that. Let me see that. Bring that close.

0:41:49.920 --> 0:41:52.479
<v Speaker 10>To bring that close to grandmother's eyes so I can look.

0:41:52.440 --> 0:41:54.880
<v Speaker 9>Again if you can't focus on it. But it's like

0:41:55.480 --> 0:41:56.000
<v Speaker 9>I got.

0:41:55.800 --> 0:41:57.040
<v Speaker 2>The clear watch. It's guest.

0:41:57.080 --> 0:42:00.919
<v Speaker 1>Branch's not asking you to guess yet, let me bring

0:42:00.960 --> 0:42:01.279
<v Speaker 1>it close.

0:42:01.600 --> 0:42:03.680
<v Speaker 10>Yeah, Richard mill, Yeah, that.

0:42:03.719 --> 0:42:04.160
<v Speaker 2>Was a joke.

0:42:04.160 --> 0:42:05.879
<v Speaker 1>If anybody laughed at that joke, that was a joke

0:42:05.960 --> 0:42:08.920
<v Speaker 1>from the Brady Bunch movie that I just stole.

0:42:08.719 --> 0:42:14.040
<v Speaker 11>There so wow, where she jeans are those and she

0:42:14.080 --> 0:42:19.880
<v Speaker 11>says guess and she goes, okay, Lee LEVI ye, No

0:42:20.000 --> 0:42:20.319
<v Speaker 11>it is.

0:42:20.520 --> 0:42:21.200
<v Speaker 2>I haven't bought.

0:42:21.160 --> 0:42:23.600
<v Speaker 9>Something from guests, I think since I was like seventeen,

0:42:24.120 --> 0:42:27.360
<v Speaker 9>So this is very like. I like the watch. It's fine,

0:42:27.520 --> 0:42:30.680
<v Speaker 9>it's cute. It is definitely a like I saw Cardi

0:42:30.800 --> 0:42:32.759
<v Speaker 9>b on an interview, and I don't have two and

0:42:32.800 --> 0:42:33.800
<v Speaker 9>a half million dollars.

0:42:33.800 --> 0:42:36.640
<v Speaker 3>Funny, I didn't never clogged Cardi B to be one

0:42:36.640 --> 0:42:39.520
<v Speaker 3>of your style icons, because you don't dress like Cardi

0:42:39.600 --> 0:42:42.360
<v Speaker 3>B at all your.

0:42:42.360 --> 0:42:45.799
<v Speaker 9>Energy on the I need some ribs removed first and

0:42:46.239 --> 0:42:49.879
<v Speaker 9>putting I don't know where some I guess inner thigh

0:42:49.960 --> 0:42:50.920
<v Speaker 9>weight into my ass.

0:42:50.920 --> 0:42:53.600
<v Speaker 2>The point is, you know the ribs in your ass?

0:42:59.560 --> 0:43:00.319
<v Speaker 2>Knock on thing.

0:43:00.760 --> 0:43:02.120
<v Speaker 9>No, not my satellite on.

0:43:02.200 --> 0:43:03.160
<v Speaker 2>But I was needing a.

0:43:03.120 --> 0:43:04.680
<v Speaker 9>New watch, and I just you know, so I was

0:43:04.680 --> 0:43:07.719
<v Speaker 9>like chunky watch, and I feel like Google or Duck

0:43:07.800 --> 0:43:11.400
<v Speaker 9>Duck go, which I use knew that I was looking

0:43:11.440 --> 0:43:13.879
<v Speaker 9>for a very dupe.

0:43:14.040 --> 0:43:14.759
<v Speaker 2>Hey, don't go.

0:43:15.040 --> 0:43:17.919
<v Speaker 3>I mean you can find Chonky so many people do.

0:43:18.160 --> 0:43:20.160
<v Speaker 3>You could have found one that is pretty much like

0:43:20.200 --> 0:43:24.560
<v Speaker 3>a just a direct ripoff of that. Oh yeah, if

0:43:24.560 --> 0:43:26.120
<v Speaker 3>you really wanted to have that, you know what I mean,

0:43:26.120 --> 0:43:26.960
<v Speaker 3>I could, I know.

0:43:26.960 --> 0:43:28.560
<v Speaker 9>All, but that would have been like what like five

0:43:28.640 --> 0:43:31.400
<v Speaker 9>hundred thousand or something like pople You get.

0:43:31.200 --> 0:43:34.640
<v Speaker 10>That shit on the gate for like fucking like eighty bucks.

0:43:35.080 --> 0:43:39.000
<v Speaker 9>Okay, anyway, the right I don't know what the Google's

0:43:39.080 --> 0:43:39.799
<v Speaker 9>da gate.

0:43:39.960 --> 0:43:42.319
<v Speaker 3>Okay, this is where the Chinese websites where you get

0:43:42.320 --> 0:43:43.520
<v Speaker 3>all the counterfeit merchandise.

0:43:43.880 --> 0:43:46.439
<v Speaker 1>I feel like the world of reps has been under

0:43:46.520 --> 0:43:52.360
<v Speaker 1>publicized because it is really like the very foundation of

0:43:52.800 --> 0:43:58.400
<v Speaker 1>capitalism wobbles under its weight under replicas. The most expensive

0:43:59.239 --> 0:44:03.240
<v Speaker 1>pair of shoes, like the My wife, for I think

0:44:03.440 --> 0:44:07.040
<v Speaker 1>our anniversary, bought me these shoes that were like my

0:44:07.160 --> 0:44:12.799
<v Speaker 1>grail sneakers, the Union, Guaba Ice, Jordan Force, and I

0:44:13.040 --> 0:44:15.680
<v Speaker 1>was wearing them. Miles was there, he can attest to

0:44:15.719 --> 0:44:20.319
<v Speaker 1>this in Las Vegas and a teenager walked up to

0:44:20.400 --> 0:44:23.160
<v Speaker 1>me and goes and goes nice reps.

0:44:23.560 --> 0:44:24.840
<v Speaker 8>No, laughed.

0:44:25.239 --> 0:44:29.440
<v Speaker 1>So not only not only like can you fool people

0:44:29.520 --> 0:44:32.520
<v Speaker 1>by getting the reps, but if you are stupid enough

0:44:32.560 --> 0:44:36.600
<v Speaker 1>to spend the money on the nice thing that you covet, yeah,

0:44:36.600 --> 0:44:39.640
<v Speaker 1>people are gonna think they're reps anyways, might as well

0:44:39.719 --> 0:44:40.920
<v Speaker 1>just get the fucking reps.

0:44:41.040 --> 0:44:41.480
<v Speaker 2>Okay.

0:44:41.560 --> 0:44:44.640
<v Speaker 9>So he wasn't like he just clocked you with someone

0:44:44.680 --> 0:44:47.000
<v Speaker 9>who didn't wasn't able to get the rep. It was

0:44:47.239 --> 0:44:48.120
<v Speaker 9>able to get the original.

0:44:48.200 --> 0:44:49.960
<v Speaker 3>Yeah, he was just trying to because reps are so

0:44:50.120 --> 0:44:54.960
<v Speaker 3>pervasive and they look some of them are so good.

0:44:55.360 --> 0:44:55.600
<v Speaker 2>Yeah.

0:44:55.680 --> 0:44:58.839
<v Speaker 1>Yeah, And there was a sneaker convention in town. So

0:44:58.920 --> 0:45:01.400
<v Speaker 1>he was like, but like the fact that there's a

0:45:01.400 --> 0:45:06.239
<v Speaker 1>sneaker convention in town at the time means that he

0:45:06.800 --> 0:45:10.160
<v Speaker 1>was like he was really saying fuck you, because he

0:45:10.239 --> 0:45:13.080
<v Speaker 1>was like, look at this rube who just bought some reps,

0:45:13.280 --> 0:45:14.960
<v Speaker 1>like at the sneaker.

0:45:14.600 --> 0:45:17.280
<v Speaker 2>Convey Did you chase him out? Like no, not, they're

0:45:17.320 --> 0:45:18.040
<v Speaker 2>actually real.

0:45:18.280 --> 0:45:20.319
<v Speaker 3>I mean, like to your point, it's really interesting. Just

0:45:20.360 --> 0:45:24.200
<v Speaker 3>like his as somebody who loves sneakers but hates paying

0:45:24.760 --> 0:45:28.279
<v Speaker 3>just like insane amounts of money. I'm like, yeah, I'll

0:45:28.320 --> 0:45:31.120
<v Speaker 3>buy fakes because I'm not about to pay fucking five

0:45:31.200 --> 0:45:32.400
<v Speaker 3>hundred dollars for parisoningger.

0:45:32.440 --> 0:45:34.880
<v Speaker 2>I'll pay it a hundred from somewhere else.

0:45:35.320 --> 0:45:39.360
<v Speaker 3>Yeah, but like it it's it's it's broken the brains

0:45:39.360 --> 0:45:42.799
<v Speaker 3>of like hype beast brand focused people who are like

0:45:43.200 --> 0:45:45.160
<v Speaker 3>the whole point is like you don't want to like

0:45:45.200 --> 0:45:46.920
<v Speaker 3>why spend for the cheap thing, like you want to

0:45:46.960 --> 0:45:49.080
<v Speaker 3>spend like the twelve hundred dollars on the other thing,

0:45:49.200 --> 0:45:50.000
<v Speaker 3>Like that's the whole.

0:45:49.840 --> 0:45:50.200
<v Speaker 2>Point of it.

0:45:50.239 --> 0:45:51.560
<v Speaker 10>And you're like, it actually isn't.

0:45:51.560 --> 0:45:54.200
<v Speaker 3>And look how pressed you are because somebody just showed

0:45:54.280 --> 0:45:56.239
<v Speaker 3>up with the thing that looks like the thing that

0:45:56.320 --> 0:45:58.320
<v Speaker 3>costs two thousand dollars or whatever.

0:45:59.000 --> 0:46:01.759
<v Speaker 9>It's it's I mean, I'm not into Like when I

0:46:01.800 --> 0:46:03.799
<v Speaker 9>did go to China, they did take us like part

0:46:03.840 --> 0:46:05.560
<v Speaker 9>of the tour when I visit. I can't remember if

0:46:05.560 --> 0:46:07.160
<v Speaker 9>I was outside of Beijing. They took us to a

0:46:07.160 --> 0:46:10.000
<v Speaker 9>place that was like, you know, number one, First of all,

0:46:10.040 --> 0:46:13.480
<v Speaker 9>you ever tried to like not buy something, you know,

0:46:13.640 --> 0:46:15.560
<v Speaker 9>like just a place that's like nothing but dupes and

0:46:15.560 --> 0:46:18.960
<v Speaker 9>reps and like whatever, like fakes, knock off shit. It's impossible.

0:46:19.000 --> 0:46:21.439
<v Speaker 9>You cannot make eye contact with any vendors because they'll

0:46:21.480 --> 0:46:25.480
<v Speaker 9>be like, buy my glasses, please, saw you looking?

0:46:25.560 --> 0:46:27.279
<v Speaker 8>I saw you looking, and you're like, oh my god,

0:46:27.280 --> 0:46:27.839
<v Speaker 8>oh my god.

0:46:28.200 --> 0:46:30.200
<v Speaker 9>But I will say like I'm not someone who's ever

0:46:30.239 --> 0:46:32.680
<v Speaker 9>been into brands. I don't. I really don't care. Like

0:46:32.719 --> 0:46:37.040
<v Speaker 9>I understand occasionally occasionally be like oh, like the logo

0:46:37.280 --> 0:46:39.719
<v Speaker 9>whatever whatever, but it really is about like, oh, the

0:46:39.719 --> 0:46:41.320
<v Speaker 9>style is nice. It's a nice style.

0:46:41.400 --> 0:46:44.719
<v Speaker 1>It's a well the way it looks anyway, I just

0:46:44.719 --> 0:46:45.359
<v Speaker 1>put it in the chat.

0:46:45.440 --> 0:46:47.719
<v Speaker 2>Look at that dupe that's thirteen bucks off the gate.

0:46:48.120 --> 0:46:53.359
<v Speaker 9>Shut up, yes, this looks exactly like what I have there.

0:46:53.360 --> 0:46:56.800
<v Speaker 3>You go, you know what I mean, yeah, save your coins,

0:46:57.280 --> 0:46:59.720
<v Speaker 3>save your coins, quest for the Revolution?

0:47:03.080 --> 0:47:06.480
<v Speaker 2>What is what something you think is underrated? Underrated? Yeah?

0:47:06.480 --> 0:47:07.560
<v Speaker 8>I can answer that question.

0:47:08.040 --> 0:47:10.960
<v Speaker 2>So underrated? All right, you sound like a guilty guy

0:47:11.080 --> 0:47:11.840
<v Speaker 2>being questioned.

0:47:13.080 --> 0:47:13.279
<v Speaker 1>Yeah.

0:47:13.360 --> 0:47:16.080
<v Speaker 8>Yeah, you Saturday night around two am.

0:47:16.600 --> 0:47:20.040
<v Speaker 1>Yeah, yeah, yeah, I can answer that question.

0:47:20.520 --> 0:47:23.720
<v Speaker 8>Asked midnight, sure, two hours to two am in the morning.

0:47:23.719 --> 0:47:28.839
<v Speaker 8>In the morning, then I was at so underrated.

0:47:28.960 --> 0:47:35.399
<v Speaker 12>I have sleep masks, but with the eyes indented, if

0:47:35.440 --> 0:47:38.840
<v Speaker 12>that makes sense. So you can get a sleep mask

0:47:39.280 --> 0:47:43.360
<v Speaker 12>that doesn't cons your eyes. So it's there's like I.

0:47:43.640 --> 0:47:48.680
<v Speaker 10>Who hold, there's a concave, so there's cavity.

0:47:48.760 --> 0:47:50.040
<v Speaker 1>It pops a little bit.

0:47:50.120 --> 0:47:52.120
<v Speaker 8>Yeah, macavity, macavity.

0:47:52.360 --> 0:47:53.520
<v Speaker 2>No, that's not what we said.

0:47:53.560 --> 0:47:55.440
<v Speaker 12>We said, he sure, no, No, you can get the

0:47:55.480 --> 0:47:57.839
<v Speaker 12>rum Tum Tugger brand of eyeglasses. Why are you guys

0:47:57.880 --> 0:47:59.000
<v Speaker 12>talking about cats constantly?

0:47:59.800 --> 0:48:00.359
<v Speaker 2>Your ago?

0:48:00.680 --> 0:48:02.000
<v Speaker 8>That happened so long?

0:48:02.840 --> 0:48:07.680
<v Speaker 2>They took out the butts? Okay, the butthole cut. We

0:48:07.719 --> 0:48:08.960
<v Speaker 2>won't stop. We won't stop.

0:48:09.480 --> 0:48:12.000
<v Speaker 1>I will not stop until they released the butthole cut

0:48:12.160 --> 0:48:13.080
<v Speaker 1>in theaters.

0:48:13.320 --> 0:48:15.680
<v Speaker 10>Jack didn't Jack doesn't even know me. I'd even vote

0:48:15.719 --> 0:48:16.240
<v Speaker 10>in the election.

0:48:17.800 --> 0:48:21.560
<v Speaker 1>Rating only the only thing keeping I actually think the

0:48:21.560 --> 0:48:25.120
<v Speaker 1>country is on a great course, except they didn't release

0:48:25.160 --> 0:48:27.719
<v Speaker 1>the butthole cut you.

0:48:27.719 --> 0:48:29.879
<v Speaker 8>Like the masks, Yeah, I mean I get Yeah.

0:48:30.280 --> 0:48:32.640
<v Speaker 3>Once you have one that actually like doesn't press against

0:48:32.640 --> 0:48:35.560
<v Speaker 3>your eyelashes and stuff, it makes it a lot easier

0:48:35.600 --> 0:48:38.080
<v Speaker 3>because I used to look, I got luscious eyelashes.

0:48:38.200 --> 0:48:42.120
<v Speaker 8>Yeah, so does Jack too. And then I think also Jack,

0:48:42.120 --> 0:48:42.680
<v Speaker 8>I don't know if.

0:48:42.560 --> 0:48:43.360
<v Speaker 1>You eye luscious.

0:48:43.520 --> 0:48:45.120
<v Speaker 2>Yeah oh yeah, yeah yeah.

0:48:44.800 --> 0:48:44.880
<v Speaker 4>The.

0:48:47.040 --> 0:48:51.320
<v Speaker 3>Little discomfort yeah right anyway, yeah, so great are you doing?

0:48:51.600 --> 0:48:54.319
<v Speaker 1>And is that why you need the concavity over the

0:48:54.360 --> 0:48:56.880
<v Speaker 1>eyes or is it something about like the feeling of

0:48:56.960 --> 0:48:59.920
<v Speaker 1>having your eyes pushed back into your ship.

0:49:02.080 --> 0:49:04.640
<v Speaker 8>It's the thing about my eyes big push back.

0:49:04.520 --> 0:49:05.320
<v Speaker 2>Into my ship.

0:49:05.480 --> 0:49:09.240
<v Speaker 11>Yeah, pushed it, yeah, my whole eyes ship.

0:49:10.320 --> 0:49:14.360
<v Speaker 8>Yeah, it's definitely that.

0:49:14.719 --> 0:49:17.520
<v Speaker 12>Because your eyes are more or firmer than the lash,

0:49:17.600 --> 0:49:20.560
<v Speaker 12>like the lashes. If you're doing it with with care,

0:49:20.920 --> 0:49:23.600
<v Speaker 12>you can push down a lash, you know, like and

0:49:24.160 --> 0:49:27.360
<v Speaker 12>be relatively comfortable. But yeah, no, it's not having the

0:49:27.400 --> 0:49:29.960
<v Speaker 12>eye it's like you're not wearing it at all. Essentially,

0:49:29.960 --> 0:49:33.560
<v Speaker 12>where if you have a cheap piece of ship eyemask

0:49:33.719 --> 0:49:36.560
<v Speaker 12>that pushes in your ship, your eyes, ship in your

0:49:36.600 --> 0:49:38.319
<v Speaker 12>eyes ship, I remember the luck.

0:49:38.440 --> 0:49:40.840
<v Speaker 10>A lot of people don't realize in training, that's what

0:49:40.920 --> 0:49:43.120
<v Speaker 10>those gangsters were talking about when they're talking to Ethan

0:49:43.120 --> 0:49:47.040
<v Speaker 10>Hawk's characters.

0:49:46.560 --> 0:49:49.880
<v Speaker 1>Pushed it to push gently on his eyes.

0:49:53.320 --> 0:49:54.840
<v Speaker 2>Yeah, yeah, yeah.

0:49:54.960 --> 0:49:57.200
<v Speaker 1>Do you ever notice people when they laugh really hard

0:49:57.320 --> 0:49:58.399
<v Speaker 1>will push on.

0:49:58.360 --> 0:49:59.440
<v Speaker 2>Their ars like that?

0:50:00.160 --> 0:50:02.640
<v Speaker 8>Mm hm oh some people.

0:50:02.760 --> 0:50:03.400
<v Speaker 2>I don't know.

0:50:03.760 --> 0:50:05.840
<v Speaker 1>I feel like that's a new trend. I'm noticing.

0:50:06.920 --> 0:50:09.440
<v Speaker 2>I make a lot of people laugh really hard. So

0:50:09.480 --> 0:50:10.240
<v Speaker 2>that's that's.

0:50:10.120 --> 0:50:12.200
<v Speaker 1>The thing that I've just I'm on the cutting edge

0:50:12.239 --> 0:50:14.279
<v Speaker 1>of people's reactions when they like.

0:50:14.280 --> 0:50:16.680
<v Speaker 3>You're spitting like shards of apple into their faces and

0:50:16.760 --> 0:50:23.839
<v Speaker 3>you speak and like, yeah, wait, what's your theory there?

0:50:23.840 --> 0:50:25.680
<v Speaker 10>Like they're trying to keep their eyeballs from popping out,

0:50:25.719 --> 0:50:26.680
<v Speaker 10>so they got to keep their ship.

0:50:26.719 --> 0:50:29.840
<v Speaker 1>I just I've seen multiple comedians, like on podcasts do

0:50:29.880 --> 0:50:33.040
<v Speaker 1>it where like somebody says something really funny early that

0:50:33.800 --> 0:50:36.960
<v Speaker 1>young Matt Appadaka does it.

0:50:36.960 --> 0:50:40.240
<v Speaker 2>It's a trend. It's a trend with uh people. I've noticed.

0:50:41.120 --> 0:50:42.920
<v Speaker 1>We got to get his ass back here and take

0:50:43.000 --> 0:50:45.760
<v Speaker 1>him to task on this pushing his whole ship, and

0:50:46.120 --> 0:50:48.839
<v Speaker 1>I think, what's your.

0:50:48.800 --> 0:50:50.040
<v Speaker 2>Eyes about to pop out? Like that?

0:50:50.080 --> 0:50:51.839
<v Speaker 10>One lady in the nineties who had a whole career

0:50:51.840 --> 0:50:53.319
<v Speaker 10>for making her eyes pop out on TV?

0:50:54.280 --> 0:50:56.960
<v Speaker 1>How do you think she found out she had that skill?

0:50:58.600 --> 0:51:02.040
<v Speaker 3>I should have been laughing like the whole time. I'm

0:51:02.040 --> 0:51:05.720
<v Speaker 3>glad I didn't because I wouldn't have this mansion. LMO laughed,

0:51:05.760 --> 0:51:10.080
<v Speaker 3>my eyes off, laugh, my eyes out, my eyes out.

0:51:10.120 --> 0:51:11.600
<v Speaker 3>You're making me laugh my eyes out.

0:51:12.680 --> 0:51:15.879
<v Speaker 2>Laugh my fucking eyes out. The are you?

0:51:15.880 --> 0:51:18.600
<v Speaker 1>You're a sleep mask guy? Because I'm working on a

0:51:18.640 --> 0:51:22.400
<v Speaker 1>loose theory, Blake. There's a recent study that said that

0:51:23.200 --> 0:51:26.839
<v Speaker 1>night lights cause people to be at a higher risk

0:51:27.040 --> 0:51:32.040
<v Speaker 1>of heart failure and heart disease, heart attack, all the

0:51:32.080 --> 0:51:34.959
<v Speaker 1>bad all the bad ones, all the heart stuff. And

0:51:35.640 --> 0:51:38.200
<v Speaker 1>I'm wondering. I was wondering because I also have a

0:51:38.440 --> 0:51:41.799
<v Speaker 1>I've heard anecdotally from people and this apparently isn't backed

0:51:41.880 --> 0:51:44.800
<v Speaker 1>up by science, but that like mental institutions are a

0:51:44.840 --> 0:51:48.560
<v Speaker 1>lot more busy, have a lot more incoming on nights

0:51:48.600 --> 0:51:51.680
<v Speaker 1>with full moons, and I'm wondering, like if it's just

0:51:51.840 --> 0:51:55.960
<v Speaker 1>the subtle sleep disruption of having some light in the

0:51:56.120 --> 0:52:01.080
<v Speaker 1>room from the full moon or sleep interesting.

0:52:01.640 --> 0:52:04.759
<v Speaker 12>I so we have blackout curtains, as as I've told

0:52:04.800 --> 0:52:07.040
<v Speaker 12>you multiple time, as I've said on our on top.

0:52:06.880 --> 0:52:08.800
<v Speaker 10>Of a hat, isn't it You got blackout curtains and

0:52:08.880 --> 0:52:09.600
<v Speaker 10>you need the imass.

0:52:09.960 --> 0:52:13.000
<v Speaker 12>I'll use the imass when I travel, and which I

0:52:13.000 --> 0:52:15.480
<v Speaker 12>should have, which I should have disclosed earlier, and I apologized,

0:52:15.520 --> 0:52:16.160
<v Speaker 12>but it is.

0:52:16.200 --> 0:52:17.560
<v Speaker 8>It does help when you travel.

0:52:17.640 --> 0:52:20.719
<v Speaker 1>Sleep mask with I indented for travel, can.

0:52:21.120 --> 0:52:24.239
<v Speaker 12>Get Yeah, I'm sorry to give you more work justin

0:52:24.280 --> 0:52:26.040
<v Speaker 12>when you get a chance, can you actually edit what

0:52:26.080 --> 0:52:27.319
<v Speaker 12>I just clean?

0:52:29.000 --> 0:52:29.680
<v Speaker 8>Let's get clean.

0:52:29.719 --> 0:52:31.040
<v Speaker 2>People are gonna want that clean.

0:52:31.160 --> 0:52:36.160
<v Speaker 12>I think I masks scooped out eyes for travel and also.

0:52:36.360 --> 0:52:42.040
<v Speaker 1>So gross, get stoop out, Let me get out scooped outs,

0:52:42.040 --> 0:52:42.880
<v Speaker 1>scoop toasted.

0:52:43.120 --> 0:52:48.560
<v Speaker 12>Can I toasted eye masks scooped out? Well, here's here's

0:52:48.560 --> 0:52:51.719
<v Speaker 12>an I wonder also where if it is darker in

0:52:51.800 --> 0:52:54.120
<v Speaker 12>your room and you can't see anything, there's probably dangerous

0:52:54.120 --> 0:52:57.040
<v Speaker 12>there too. Where We were staying one night at my

0:52:57.120 --> 0:53:00.480
<v Speaker 12>in laws and I walked at a speed that would

0:53:00.520 --> 0:53:03.320
<v Speaker 12>suggest that I had no worries in the world, directly

0:53:03.360 --> 0:53:05.839
<v Speaker 12>into the corner of a wall and had like didn't

0:53:05.880 --> 0:53:08.239
<v Speaker 12>put my hands up, like didn't slow down, and had

0:53:08.280 --> 0:53:09.799
<v Speaker 12>a big out that in my head he was.

0:53:09.840 --> 0:53:12.160
<v Speaker 2>Walking with purpose. Face burst the.

0:53:12.200 --> 0:53:14.440
<v Speaker 12>Wall as if I had, Like I was in the

0:53:14.480 --> 0:53:16.600
<v Speaker 12>airport and had time to make my flight, so I

0:53:16.600 --> 0:53:17.480
<v Speaker 12>didn't have to run, but.

0:53:17.520 --> 0:53:19.680
<v Speaker 8>Like was I got to walk at a brisk pace?

0:53:19.920 --> 0:53:20.160
<v Speaker 2>Yeah?

0:53:20.239 --> 0:53:22.080
<v Speaker 8>Se, Yeah, there's dangers everywhere.

0:53:22.280 --> 0:53:24.359
<v Speaker 5>All right, And that's going to do it for this

0:53:24.520 --> 0:53:29.040
<v Speaker 5>edition of Oops. All overrated, underrated, and we'll be back

0:53:29.160 --> 0:53:34.200
<v Speaker 5>Monday to find out all the baffling and horrible things

0:53:34.200 --> 0:53:35.320
<v Speaker 5>that happened over the weekend.

0:53:35.880 --> 0:53:39.719
<v Speaker 1>Bye the Daily Zeite guys as Executive produced by Catherine Law,

0:53:40.040 --> 0:53:41.760
<v Speaker 1>co produced by bay Way.

0:53:42.120 --> 0:53:43.840
<v Speaker 2>Co produced by Victor Wright

0:53:44.280 --> 0:53:48.000
<v Speaker 5>Co written by j M McNabb, and edited and engineered

0:53:48.040 --> 0:53:50.400
<v Speaker 5>by Brian Jeffries.