1
00:00:00,120 --> 00:00:03,960
Speaker 1: Hello the Internet, and welcome to this special episode of

2
00:00:04,519 --> 00:00:09,719
Speaker 1: elly Zygeist. This is going to be the OOPS All Overrated,

3
00:00:09,840 --> 00:00:13,520
Speaker 1: Underrated and Search History series, featuring some of our favorite

4
00:00:13,520 --> 00:00:18,120
Speaker 1: guests giving some of our favorite opinions from the past

5
00:00:18,600 --> 00:00:22,919
Speaker 1: few months. We'll be checking in with these sporadically. They're

6
00:00:23,040 --> 00:00:27,560
Speaker 1: just mostly silly episodes, full of the the treat part

7
00:00:27,840 --> 00:00:31,880
Speaker 1: of the episode, the not about the news part of

8
00:00:31,920 --> 00:00:36,080
Speaker 1: the episode, and yeah, we hope you enjoy them. All filler,

9
00:00:36,280 --> 00:00:39,800
Speaker 1: no killer, I guess you could say. And if you

10
00:00:39,920 --> 00:00:43,479
Speaker 1: have a favorite overrated underrated from the long history of

11
00:00:43,479 --> 00:00:47,559
Speaker 1: the show, my memory doesn't work that well. But if

12
00:00:47,920 --> 00:00:50,800
Speaker 1: you have one from a long time ago, let us

13
00:00:50,840 --> 00:00:54,200
Speaker 1: know in the discorder and the comments and maybe we

14
00:00:54,240 --> 00:00:58,800
Speaker 1: can do an all time OOPS all over under Search History.

15
00:00:58,960 --> 00:01:01,680
Speaker 2: Anyways, without they're ado here, they are.

16
00:01:01,840 --> 00:01:05,480
Speaker 1: OOPS, All Overrated, Underrated and Search History.

17
00:01:05,680 --> 00:01:05,960
Speaker 2: Bye.

18
00:01:07,760 --> 00:01:11,600
Speaker 1: All right, my underrated. How different our brains are? Like

19
00:01:11,640 --> 00:01:16,520
Speaker 1: I was thinking about this researching Einstein for upcoming icons

20
00:01:16,800 --> 00:01:20,160
Speaker 1: version of the show, and I just read this article

21
00:01:20,480 --> 00:01:22,040
Speaker 1: about Afantasia.

22
00:01:22,440 --> 00:01:25,479
Speaker 2: You know what this is. I think we've covered you see,

23
00:01:26,240 --> 00:01:28,919
Speaker 2: Like it's some of the way you perceive things, right.

24
00:01:29,120 --> 00:01:34,800
Speaker 1: It's yeah, people who can't picture images in their brands. Okay, Yeah,

25
00:01:35,280 --> 00:01:38,639
Speaker 1: so they don't have like image based memories. They don't

26
00:01:39,040 --> 00:01:41,399
Speaker 1: like if their eyes are closed, they're not seeing anything,

27
00:01:41,800 --> 00:01:46,399
Speaker 1: but they they live their lives like completely normally. So

28
00:01:46,800 --> 00:01:48,800
Speaker 1: this is the thing that was surprised, Like I can

29
00:01:48,840 --> 00:01:51,320
Speaker 1: believe like, oh, there's you know, all sorts of different

30
00:01:51,360 --> 00:01:55,800
Speaker 1: brains out there. There's also hyper fantagic people who have

31
00:01:55,920 --> 00:01:59,600
Speaker 1: like very strong visual memories or imaginations that like make

32
00:01:59,640 --> 00:02:03,920
Speaker 1: their lives ives borderline unlivable. Becau's just like reading about

33
00:02:03,960 --> 00:02:08,520
Speaker 1: someone getting surgery without anesthesia is too much, Like they

34
00:02:08,760 --> 00:02:11,040
Speaker 1: feel that pain and then like can't forget it, so

35
00:02:11,080 --> 00:02:13,920
Speaker 1: they have to like watch what they take in and uh,

36
00:02:14,639 --> 00:02:17,560
Speaker 1: you know, reading novels is like too overwhelming for them,

37
00:02:17,560 --> 00:02:22,799
Speaker 1: whereas like people with afantasia like can't really like they said,

38
00:02:22,800 --> 00:02:26,240
Speaker 1: they were just soap the prescriptive part. Yeah, so this

39
00:02:26,320 --> 00:02:29,280
Speaker 1: is the thing that blew my mind. So they said

40
00:02:29,280 --> 00:02:33,240
Speaker 1: that afantagic people like tend to be brilliant scientists, hyperfantagic

41
00:02:33,520 --> 00:02:36,640
Speaker 1: people artists, which like that's kind of what you'd expect.

42
00:02:37,000 --> 00:02:40,320
Speaker 1: The thing is, in all of these stories, they just

43
00:02:40,440 --> 00:02:43,920
Speaker 1: discovered that this was a thing like in twenty sixteen,

44
00:02:44,560 --> 00:02:48,639
Speaker 1: and the people who don't have the ability to picture

45
00:02:49,200 --> 00:02:53,480
Speaker 1: images in their brain didn't know that it was weird.

46
00:02:53,560 --> 00:02:56,839
Speaker 1: They thought that we were all speaking in metaphors when

47
00:02:56,840 --> 00:02:59,520
Speaker 1: we were like, you know, picturing something in our mind.

48
00:02:59,639 --> 00:03:02,800
Speaker 1: They were like right right, Like they thought like it

49
00:03:02,880 --> 00:03:06,000
Speaker 1: was weird. Like reading the way this guy came to

50
00:03:06,120 --> 00:03:08,520
Speaker 1: the discovery, it was like a part in two thousand

51
00:03:08,560 --> 00:03:12,280
Speaker 1: and one Space Odyssey where like in the novel he's

52
00:03:12,320 --> 00:03:15,239
Speaker 1: talking about how like as he's like going through this thing,

53
00:03:15,360 --> 00:03:18,200
Speaker 1: like all these memories are like flooding back to him

54
00:03:18,320 --> 00:03:21,200
Speaker 1: and he's like, oh, so it's the alien technology that's

55
00:03:21,240 --> 00:03:24,160
Speaker 1: like doing that to him, like and then yea. It

56
00:03:24,240 --> 00:03:26,959
Speaker 1: was just like some random newspaper column where a guy

57
00:03:27,040 --> 00:03:29,519
Speaker 1: was talking about like how time isn't real because you

58
00:03:29,560 --> 00:03:32,280
Speaker 1: can close your eyes and like go back and relive

59
00:03:32,320 --> 00:03:35,560
Speaker 1: something and like that. Like he was thirty five, like

60
00:03:35,600 --> 00:03:39,560
Speaker 1: a successful PhD. That's when he was like, oh, like

61
00:03:39,720 --> 00:03:42,000
Speaker 1: I might be different and like had to like call

62
00:03:42,040 --> 00:03:43,880
Speaker 1: his friends and be like, hey, so when you say

63
00:03:43,960 --> 00:03:48,080
Speaker 1: like you can like picture something in your mind, what

64
00:03:48,560 --> 00:03:51,960
Speaker 1: do you actually do you actually see stuff? And yes,

65
00:03:52,120 --> 00:03:53,800
Speaker 1: like whoa, what the fuck?

66
00:03:54,000 --> 00:03:55,960
Speaker 2: Like are you fucking with drugs again. Man, you are right.

67
00:03:56,240 --> 00:03:57,160
Speaker 2: Well that's so.

68
00:03:57,360 --> 00:03:59,960
Speaker 1: That's the other thing is that this article is New York.

69
00:04:00,080 --> 00:04:05,320
Speaker 1: Her profile is like it goes through all these people.

70
00:04:05,400 --> 00:04:07,680
Speaker 1: It talks about like how some of them have been

71
00:04:07,720 --> 00:04:10,680
Speaker 1: able like all of our sacks. I think that writer

72
00:04:10,920 --> 00:04:15,320
Speaker 1: about psychology, very popular writer who he didn't have the

73
00:04:15,360 --> 00:04:17,760
Speaker 1: ability to like picture images in his mind, and then

74
00:04:17,920 --> 00:04:20,919
Speaker 1: he took a bunch of amphetamines at one point and

75
00:04:21,000 --> 00:04:23,080
Speaker 1: was like I could suddenly picture images in my mind

76
00:04:23,120 --> 00:04:26,200
Speaker 1: for like three seconds and then like it went away.

77
00:04:26,520 --> 00:04:29,320
Speaker 1: And he was like, and I don't recommend doing that.

78
00:04:31,320 --> 00:04:33,159
Speaker 2: For visions. Yeah, but I don't know.

79
00:04:33,200 --> 00:04:38,920
Speaker 1: I think we assume like that, like those people who

80
00:04:39,640 --> 00:04:41,880
Speaker 1: have had gone through their lives not being able to

81
00:04:41,880 --> 00:04:44,280
Speaker 1: picture anything and just thinking when people are like I'm

82
00:04:44,279 --> 00:04:47,800
Speaker 1: counting sheep in my mind. It was like conceptual, like

83
00:04:47,880 --> 00:04:51,960
Speaker 1: we assume everyone is more or less like us in

84
00:04:52,080 --> 00:04:56,080
Speaker 1: their minds until we are like confronted by evidence otherwise.

85
00:04:56,680 --> 00:05:00,320
Speaker 1: And that's so interesting, Like when researching Einstein is like

86
00:05:00,680 --> 00:05:04,120
Speaker 1: kept being like it feels like this guy is constantly high,

87
00:05:04,440 --> 00:05:09,320
Speaker 1: like he's he's always like forgetting shit, and uh, he's

88
00:05:09,400 --> 00:05:13,359
Speaker 1: just he's like you know, a person who is constantly stoned,

89
00:05:13,800 --> 00:05:16,480
Speaker 1: but then like having like these really like high ideas

90
00:05:16,520 --> 00:05:18,880
Speaker 1: and like you could say, like taking drugs is like

91
00:05:18,960 --> 00:05:22,560
Speaker 1: trying on the ways other people experience the world. Like

92
00:05:22,600 --> 00:05:26,680
Speaker 1: I do wonder if people are just like all on

93
00:05:26,800 --> 00:05:30,200
Speaker 1: this like different continuum of like ways you can experience

94
00:05:30,279 --> 00:05:33,320
Speaker 1: the world. And like I've had bad drug experiences that

95
00:05:33,400 --> 00:05:35,520
Speaker 1: I'm like, oh, this is probably what it feels like

96
00:05:35,600 --> 00:05:38,200
Speaker 1: to be like X, Y or Z. Yeah yeah, just

97
00:05:38,279 --> 00:05:42,159
Speaker 1: totally fucking racked by anxiety all the time. Oh yeah,

98
00:05:42,160 --> 00:05:45,200
Speaker 1: but yeah, it's it's a really interesting article when they

99
00:05:45,240 --> 00:05:46,920
Speaker 1: go off to it in the footnotes. But I do

100
00:05:46,960 --> 00:05:50,279
Speaker 1: think that that's a very underrated aspect of just like

101
00:05:50,600 --> 00:05:56,320
Speaker 1: human existence is, like our minds are just built totally

102
00:05:56,320 --> 00:05:59,240
Speaker 1: different and experience the world in completely different ways. Like

103
00:05:59,320 --> 00:06:03,039
Speaker 1: the people who are afantasic like are less likely to

104
00:06:04,040 --> 00:06:09,360
Speaker 1: value retributive justice, I think, or no, no, no, They're more

105
00:06:09,520 --> 00:06:13,600
Speaker 1: likely to be like anything like conceptual like an eye

106
00:06:13,640 --> 00:06:16,080
Speaker 1: for an eye, whereas like people who are hyper fantagic

107
00:06:16,200 --> 00:06:18,680
Speaker 1: or like just any suffering is like too much for them,

108
00:06:18,839 --> 00:06:22,320
Speaker 1: you know what I mean. So it's just it's interesting,

109
00:06:22,320 --> 00:06:26,800
Speaker 1: it's this whole like continuum that I didn't really understand

110
00:06:27,000 --> 00:06:29,440
Speaker 1: and then like you of course, like where would you

111
00:06:29,520 --> 00:06:32,760
Speaker 1: say you fall on that spectrum? Like I feel like

112
00:06:33,760 --> 00:06:35,720
Speaker 1: one thing that they talked about was like people with

113
00:06:35,920 --> 00:06:39,640
Speaker 1: auditory hyper fantasia who like they're like they wake up

114
00:06:39,680 --> 00:06:42,719
Speaker 1: with like music playing in their head. I was like, well,

115
00:06:43,120 --> 00:06:46,520
Speaker 1: I have like nineties rap song like before we started recording,

116
00:06:46,600 --> 00:06:50,560
Speaker 1: I was liked was saying apart from a Fuji song

117
00:06:50,560 --> 00:06:54,560
Speaker 1: that I hadn't heard in twenty years, Like, yeah, I

118
00:06:54,560 --> 00:06:57,680
Speaker 1: think I have like more auditory and then you know,

119
00:06:57,920 --> 00:06:59,200
Speaker 1: I'm pretty able to.

120
00:06:59,400 --> 00:07:03,160
Speaker 3: I don't know images definitely not I would say I'm Fantasia.

121
00:07:04,080 --> 00:07:09,320
Speaker 3: You're Fantasia Pantasia Burrino. Fantasia Fantasia Burrino the American Idol

122
00:07:09,440 --> 00:07:11,120
Speaker 3: winner or maybe she was a runner up.

123
00:07:11,120 --> 00:07:12,560
Speaker 2: No, I'm definitely.

124
00:07:12,760 --> 00:07:15,640
Speaker 3: I definitely have vivid I have like a very vivid

125
00:07:15,760 --> 00:07:20,000
Speaker 3: memory recall, like I can really see like where I'm at,

126
00:07:20,160 --> 00:07:22,840
Speaker 3: like I can smell everything. I can engage all my

127
00:07:22,920 --> 00:07:24,360
Speaker 3: senses with memory pretty well.

128
00:07:24,480 --> 00:07:25,160
Speaker 2: That makes sense.

129
00:07:26,400 --> 00:07:28,240
Speaker 3: And yeah, I mean like I definitely I don't know

130
00:07:28,280 --> 00:07:31,119
Speaker 3: if it's empathy, but like it is that is something

131
00:07:31,160 --> 00:07:34,960
Speaker 3: I if I'm seeing or reading about pretty vivid suffering.

132
00:07:35,120 --> 00:07:35,440
Speaker 2: I don't.

133
00:07:35,520 --> 00:07:38,680
Speaker 3: It doesn't necessarily mean like it throws me, but I

134
00:07:38,680 --> 00:07:40,880
Speaker 3: think it's I think it's more empathy than anything. I

135
00:07:40,920 --> 00:07:43,880
Speaker 3: think more the visual kind of sensory sort of memory stuff.

136
00:07:43,960 --> 00:07:45,680
Speaker 2: I think more speaks to me than anything.

137
00:07:45,880 --> 00:07:47,760
Speaker 3: Yeah, yeah, but it is funny, like I feel like

138
00:07:47,800 --> 00:07:50,440
Speaker 3: all the time we are, you know, like just learning.

139
00:07:50,440 --> 00:07:52,760
Speaker 2: I'm like, oh, I'm a visual learner.

140
00:07:52,720 --> 00:07:55,480
Speaker 3: Like even those different yeah, yeah, that we have all

141
00:07:55,520 --> 00:07:58,840
Speaker 3: these different ways that again like yeah, I can't imagine

142
00:07:58,840 --> 00:08:00,960
Speaker 3: maybe like fifty years, they have been more detailed to

143
00:08:00,960 --> 00:08:01,600
Speaker 3: be like you.

144
00:08:01,480 --> 00:08:03,800
Speaker 2: Are X Y and Z. Like Brian in the chat

145
00:08:04,320 --> 00:08:05,920
Speaker 2: just said, what the fuck? Brian?

146
00:08:05,920 --> 00:08:09,720
Speaker 1: Did you say you were tactile auditory synesthetic? And I

147
00:08:09,800 --> 00:08:11,800
Speaker 1: didn't know until a couple of years ago. I assumed

148
00:08:11,800 --> 00:08:13,080
Speaker 1: everyone could feel sound.

149
00:08:13,160 --> 00:08:14,840
Speaker 2: What does that mean? You could feel sound like the

150
00:08:14,880 --> 00:08:16,400
Speaker 2: bass is hidden in your accord?

151
00:08:16,800 --> 00:08:21,560
Speaker 4: So I get physical sensations throughout my body that are

152
00:08:21,960 --> 00:08:25,640
Speaker 4: repeatable depending on like what I'm listening to, which I

153
00:08:25,800 --> 00:08:27,080
Speaker 4: just assume was normal.

154
00:08:27,160 --> 00:08:28,960
Speaker 2: And I would talk to people about it and they're.

155
00:08:28,760 --> 00:08:32,520
Speaker 1: Like, yeah, totally right, like because it the way we

156
00:08:32,559 --> 00:08:34,760
Speaker 1: talk about music. And I do wonder how much of

157
00:08:34,800 --> 00:08:39,599
Speaker 1: it is like language created by somebody who has your ability,

158
00:08:39,679 --> 00:08:42,640
Speaker 1: like has your type of brain, and then we all

159
00:08:42,720 --> 00:08:45,960
Speaker 1: just assume, oh, they're just being like descriptive and using

160
00:08:46,000 --> 00:08:47,400
Speaker 1: poetic license, you know what I mean.

161
00:08:47,520 --> 00:08:50,559
Speaker 2: Oh yeah, yeah, yeah, yeah yeah, oh yeah yeah.

162
00:08:50,600 --> 00:08:51,960
Speaker 1: I'm feeling the music too.

163
00:08:52,320 --> 00:08:54,760
Speaker 3: I definitely have the I think the only time I

164
00:08:54,800 --> 00:08:57,200
Speaker 3: get sensation is because certain songs are tied to such

165
00:08:57,240 --> 00:09:00,000
Speaker 3: a strong memory, Like I just have this one song

166
00:09:00,000 --> 00:09:03,240
Speaker 3: I would play before job interviews to fucking get like

167
00:09:03,280 --> 00:09:06,080
Speaker 3: to get my mind like in the zone, okay, because

168
00:09:06,120 --> 00:09:08,800
Speaker 3: like the economy was bad, so you had to treat

169
00:09:08,840 --> 00:09:12,760
Speaker 3: these job interviews like fucking the super Bowl. When I

170
00:09:12,800 --> 00:09:15,040
Speaker 3: hear that stuff, like, I get like in a like

171
00:09:15,040 --> 00:09:17,520
Speaker 3: this sort of like a like a drenal response.

172
00:09:17,840 --> 00:09:20,360
Speaker 2: Yeah yeah, I think again that might be more tied

173
00:09:20,440 --> 00:09:21,079
Speaker 2: to man.

174
00:09:20,920 --> 00:09:23,400
Speaker 1: Speaking of the adrenal response, like they found because this

175
00:09:23,520 --> 00:09:26,240
Speaker 1: does all seem like mushing. You're like, oh, you don't

176
00:09:26,520 --> 00:09:29,880
Speaker 1: see images, but like they when they study the people

177
00:09:29,880 --> 00:09:33,959
Speaker 1: who like don't see images, they when you tell them

178
00:09:34,000 --> 00:09:36,240
Speaker 1: a scary story or they read a scary story, like

179
00:09:36,280 --> 00:09:39,000
Speaker 1: they have no physical response, like when they're like hooked

180
00:09:39,080 --> 00:09:42,320
Speaker 1: up to systems and stuff, like that, whereas like the

181
00:09:42,360 --> 00:09:45,720
Speaker 1: hyper fantagic people have like very strong physical response and

182
00:09:46,040 --> 00:09:48,240
Speaker 1: the rest of us, like, you know, you experience fear,

183
00:09:48,400 --> 00:09:51,720
Speaker 1: and like they're just like unable to do that. But

184
00:09:51,840 --> 00:09:53,959
Speaker 1: then they're the same if you like show them a

185
00:09:54,000 --> 00:09:56,240
Speaker 1: scary movie because the energies are like there in front

186
00:09:56,280 --> 00:10:01,160
Speaker 1: of them. So yeah, I just and it is interesting,

187
00:10:01,559 --> 00:10:03,319
Speaker 1: Like I think a lot of people are like, oh,

188
00:10:03,360 --> 00:10:07,000
Speaker 1: this younger generation is like, you know, over diagnosed, and

189
00:10:07,000 --> 00:10:10,880
Speaker 1: they're obsessed with like diagnosing themselves and they're different ways

190
00:10:10,880 --> 00:10:14,200
Speaker 1: of processing the world. But I think it it is

191
00:10:14,440 --> 00:10:17,160
Speaker 1: like I don't know, we I feel like we're just

192
00:10:17,440 --> 00:10:22,199
Speaker 1: discovering how many like different ways there are to experience

193
00:10:22,240 --> 00:10:25,280
Speaker 1: the world, and like past generations were just like yeah,

194
00:10:25,320 --> 00:10:27,680
Speaker 1: I don't know, man, whatever, And it is like really

195
00:10:27,679 --> 00:10:28,640
Speaker 1: fucking interesting.

196
00:10:28,880 --> 00:10:30,080
Speaker 2: It's like, oh shit.

197
00:10:30,120 --> 00:10:32,120
Speaker 3: Dude, when we were kids, there were four kinds of

198
00:10:32,160 --> 00:10:36,280
Speaker 3: people nice, mean, smart or dumb.

199
00:10:36,640 --> 00:10:37,880
Speaker 2: Yeah, and that was it.

200
00:10:38,040 --> 00:10:40,679
Speaker 1: Like I remember when they invaulted introvert extrovert.

201
00:10:40,760 --> 00:10:42,559
Speaker 2: I was like, yo, no, a new type of person

202
00:10:42,679 --> 00:10:43,200
Speaker 2: just dropped.

203
00:10:43,280 --> 00:10:47,800
Speaker 3: Oh my god, that's me, whereas before it's like you

204
00:10:47,840 --> 00:10:53,280
Speaker 3: are nice and dumb. Yeah, It's like great, Miles is

205
00:10:53,320 --> 00:10:56,079
Speaker 3: mean and smart, like okay.

206
00:10:55,800 --> 00:10:58,480
Speaker 1: But I am interested in hearing from people, especially if

207
00:10:58,520 --> 00:11:01,800
Speaker 1: like you are becoming aware of like the fact that

208
00:11:01,840 --> 00:11:04,280
Speaker 1: you're like somewhere on the spectrum or you have like

209
00:11:04,320 --> 00:11:07,640
Speaker 1: something like that wave of experiencing the world. Because yet

210
00:11:07,720 --> 00:11:09,680
Speaker 1: like a lot of the shit, like a lot of

211
00:11:09,720 --> 00:11:14,160
Speaker 1: the people that they you know, interview who are a fantagic,

212
00:11:14,320 --> 00:11:17,600
Speaker 1: like found out about it through like reading some random

213
00:11:17,600 --> 00:11:21,319
Speaker 1: shit and just hearing someone describe actually how their brain

214
00:11:21,400 --> 00:11:24,080
Speaker 1: works in their like thirties or forties, and they're like,

215
00:11:24,200 --> 00:11:25,719
Speaker 1: oh wait, what all right?

216
00:11:25,720 --> 00:11:27,280
Speaker 2: Because when I was a kid, there are only four

217
00:11:27,360 --> 00:11:28,080
Speaker 2: kinds of people.

218
00:11:28,840 --> 00:11:35,760
Speaker 1: Yeah, my underrated miles is how hard museum heists are.

219
00:11:36,240 --> 00:11:40,280
Speaker 1: There's a new heist just drop every weekend at the Louver,

220
00:11:40,840 --> 00:11:43,680
Speaker 1: and this one kind of seems like this one stands

221
00:11:43,679 --> 00:11:47,720
Speaker 1: out because it's I think a little bit more sophisticated.

222
00:11:47,800 --> 00:11:50,480
Speaker 1: Like they drove up with a truck that had a

223
00:11:50,600 --> 00:11:53,720
Speaker 1: ladder and they were wearing masks from the beginning. Also

224
00:11:53,800 --> 00:11:59,719
Speaker 1: that's huge that that is actually a higher bar than

225
00:11:59,720 --> 00:12:05,240
Speaker 1: most art heists reach. But came up with masks, broke

226
00:12:05,280 --> 00:12:09,080
Speaker 1: into the second floor window, the alarms going off, and

227
00:12:10,000 --> 00:12:14,840
Speaker 1: nobody really did ship. They stole the jewels, like some

228
00:12:15,520 --> 00:12:21,600
Speaker 1: famous jewels that I Napoleonic jewels, Napoleonic jewels, and I and.

229
00:12:21,520 --> 00:12:24,839
Speaker 3: I went to sleep when I read that. Oh god,

230
00:12:24,960 --> 00:12:28,680
Speaker 3: no jewels. Oh God.

231
00:12:29,000 --> 00:12:31,320
Speaker 1: But we'll get into the details of that heist in

232
00:12:31,360 --> 00:12:33,880
Speaker 1: a little bit. But I just I always think it's

233
00:12:33,880 --> 00:12:38,360
Speaker 1: worth bringing up because movies, there's like the art heist

234
00:12:38,559 --> 00:12:41,280
Speaker 1: genre of you know, Thomas Crown Affair and shit like that,

235
00:12:41,720 --> 00:12:45,199
Speaker 1: and they treat robbing a museum like it's a classier

236
00:12:45,320 --> 00:12:49,240
Speaker 1: and like more difficult and sophisticated version of bank robberies,

237
00:12:49,360 --> 00:12:53,240
Speaker 1: where you have to, like you learn a choreographed dance

238
00:12:53,360 --> 00:12:55,880
Speaker 1: to like get through a field of lasers and shit

239
00:12:56,000 --> 00:12:59,000
Speaker 1: like that, and you gotta wear tight spandex while you

240
00:12:59,000 --> 00:13:02,040
Speaker 1: gotta wear tight span. You gotta be up on the

241
00:13:02,120 --> 00:13:07,200
Speaker 1: latest technology you've got it, yeah, which is always Spandex.

242
00:13:07,880 --> 00:13:10,640
Speaker 1: You've got to have that Kim kardash and faith brawn

243
00:13:10,800 --> 00:13:13,559
Speaker 1: so your saggy ass face doesn't hit one of the

244
00:13:13,600 --> 00:13:18,880
Speaker 1: trip wires exact exactly. But in reality, like museum staff

245
00:13:19,000 --> 00:13:22,840
Speaker 1: are usually unarmed, some of the biggest art heist in

246
00:13:22,960 --> 00:13:28,640
Speaker 1: history are usually like somewhere between shoplifting and like a bully,

247
00:13:28,760 --> 00:13:32,600
Speaker 1: like stealing someone's lunch money. It's they just like walk

248
00:13:32,640 --> 00:13:35,560
Speaker 1: in and take the ship. And there's not anybody who

249
00:13:36,080 --> 00:13:38,840
Speaker 1: like the most successful art heist in history. And like

250
00:13:39,080 --> 00:13:41,920
Speaker 1: since I wrote about this back at Cracked, there there's

251
00:13:41,920 --> 00:13:44,920
Speaker 1: been a documentary about it, but it's it happened in Boston.

252
00:13:45,920 --> 00:13:48,720
Speaker 1: It's never been solved. And like the documentary was like,

253
00:13:49,080 --> 00:13:51,559
Speaker 1: we don't know, like how these people must have been geniuses,

254
00:13:51,880 --> 00:13:54,640
Speaker 1: but it like truly could have been planned by a

255
00:13:54,760 --> 00:13:55,400
Speaker 1: five year old.

256
00:13:55,760 --> 00:13:56,320
Speaker 2: It's right.

257
00:13:56,480 --> 00:14:01,160
Speaker 1: They they wore police uniforms and had fake badges to

258
00:14:01,160 --> 00:14:04,800
Speaker 1: get into the museum, so just like you know, Halloween costumes.

259
00:14:06,160 --> 00:14:09,880
Speaker 1: They had to subdue a grand total of two security guards,

260
00:14:10,520 --> 00:14:14,640
Speaker 1: who were both twenty something musicians, from one of whom

261
00:14:14,760 --> 00:14:17,040
Speaker 1: admitted to showing up for work stoned.

262
00:14:17,400 --> 00:14:19,640
Speaker 2: Oh yeah, oh yeah, don't worry about them. They're not

263
00:14:19,640 --> 00:14:20,280
Speaker 2: putting up a fight.

264
00:14:20,520 --> 00:14:24,960
Speaker 1: Yeah no, it's it is a it's treated as and

265
00:14:25,000 --> 00:14:29,600
Speaker 1: it's in like the pay of you know, like being

266
00:14:29,760 --> 00:14:32,200
Speaker 1: a doorman or something, you know what I mean.

267
00:14:32,320 --> 00:14:33,040
Speaker 2: Like it's just like.

268
00:14:33,440 --> 00:14:35,200
Speaker 3: You're not you're not being paid to be some kind

269
00:14:35,240 --> 00:14:38,800
Speaker 3: of like a security specialist. You're exactly you're you're merely

270
00:14:38,800 --> 00:14:43,680
Speaker 3: a body, Yeah, to dissuade someone from you know, breaking

271
00:14:43,720 --> 00:14:46,560
Speaker 3: the social contract in that uh, you.

272
00:14:46,520 --> 00:14:49,640
Speaker 1: Know, most famous, most successful artists ever that's ever been solved.

273
00:14:49,720 --> 00:14:54,440
Speaker 1: The thieves accidentally tripped an alarm that they hadn't prepared

274
00:14:54,480 --> 00:14:58,640
Speaker 1: to you know, like dance through or like body Zada

275
00:14:58,760 --> 00:15:03,560
Speaker 1: Jones U wiggle through. The alarm sent a signal out

276
00:15:03,600 --> 00:15:08,600
Speaker 1: to another part of the museum. It's like a it's

277
00:15:08,640 --> 00:15:13,720
Speaker 1: like a baby monitor. It's just like hell. Yeah, the

278
00:15:14,400 --> 00:15:16,800
Speaker 1: like the Mona Lisa. We've we've talked before about how

279
00:15:16,800 --> 00:15:20,360
Speaker 1: the Mona Lisa is mostly famous because a similar thing

280
00:15:20,400 --> 00:15:24,240
Speaker 1: had like a French guy stole it. And he did

281
00:15:24,280 --> 00:15:28,440
Speaker 1: that by being like you know, working at the museum

282
00:15:28,600 --> 00:15:31,360
Speaker 1: and then like hiding it in his smock. He just

283
00:15:31,400 --> 00:15:33,680
Speaker 1: took it off the wall and like put it like again,

284
00:15:33,800 --> 00:15:37,240
Speaker 1: like just like stealing a fucking candy bar from raid.

285
00:15:37,880 --> 00:15:40,040
Speaker 2: Yeah. The planning is just it goes like this, well,

286
00:15:40,040 --> 00:15:41,760
Speaker 2: how are we gonna get it? I gonna put it

287
00:15:41,760 --> 00:15:43,000
Speaker 2: in my jacket? All right? Cool?

288
00:15:43,040 --> 00:15:47,840
Speaker 1: Cool, Like you don't even you don't even need like

289
00:15:48,000 --> 00:15:49,640
Speaker 1: other people involved.

290
00:15:49,640 --> 00:15:54,440
Speaker 2: You're just like what if I got a bigger jacket? Oh, shit. Yeah, okay,

291
00:15:54,720 --> 00:15:56,200
Speaker 2: let's all right, let's go get her.

292
00:15:56,600 --> 00:15:59,760
Speaker 1: Another guy like one of the most successful art thieves

293
00:15:59,760 --> 00:16:03,600
Speaker 1: of all all time, not a Thomas Crown level genius.

294
00:16:03,640 --> 00:16:07,480
Speaker 1: He uh just you know, had a long career of

295
00:16:07,960 --> 00:16:10,160
Speaker 1: taking art off the wall and hiding it in his coat,

296
00:16:10,320 --> 00:16:13,600
Speaker 1: just like straight up swiping it off the wall. One

297
00:16:13,680 --> 00:16:16,600
Speaker 1: point four billion dollars over the course of his career.

298
00:16:17,880 --> 00:16:20,600
Speaker 1: And yeah, like that, I just doing research. It was

299
00:16:21,240 --> 00:16:24,080
Speaker 1: like they the thieves usually don't know what they're stealing.

300
00:16:24,360 --> 00:16:27,320
Speaker 1: They just like steal it and then wait to read

301
00:16:27,360 --> 00:16:29,880
Speaker 1: in the newspaper what they saw and like what the

302
00:16:29,960 --> 00:16:30,520
Speaker 1: value is.

303
00:16:30,640 --> 00:16:32,160
Speaker 2: Yeah, like fencing it.

304
00:16:32,400 --> 00:16:35,440
Speaker 1: Yeah, this one again, this one sounds like it was

305
00:16:35,480 --> 00:16:39,120
Speaker 1: a little bit more sophisticated, but I don't like the

306
00:16:39,160 --> 00:16:41,840
Speaker 1: details will emerge, but I don't think it probably needed

307
00:16:41,880 --> 00:16:46,560
Speaker 1: to be. Like the one security intervention that we've read

308
00:16:46,840 --> 00:16:50,920
Speaker 1: about from the theft was that like they tried to

309
00:16:51,040 --> 00:16:53,680
Speaker 1: light their car on fire and somebody worked at the

310
00:16:53,720 --> 00:16:55,480
Speaker 1: museum like put it out, Hey.

311
00:16:55,400 --> 00:16:59,400
Speaker 3: Hey, stop that all right, all right, Hey, we're taking

312
00:16:59,400 --> 00:16:59,960
Speaker 3: off on our bike.

313
00:17:00,120 --> 00:17:02,960
Speaker 1: Yeah, and then they rode away on motorcycles, which is cool. Yeah,

314
00:17:03,000 --> 00:17:04,800
Speaker 1: this is more of a jewel theft, which might be

315
00:17:04,800 --> 00:17:06,960
Speaker 1: a higher level. I haven't done a ton of research

316
00:17:07,000 --> 00:17:10,560
Speaker 1: into that, but just generally museums are staffed by the

317
00:17:10,600 --> 00:17:14,439
Speaker 1: same people who like, there's not a hidden security force

318
00:17:15,080 --> 00:17:17,639
Speaker 1: is like armed to the hilt in the other room.

319
00:17:18,040 --> 00:17:21,080
Speaker 1: It's the people who are like, hey, stand back, you're

320
00:17:21,119 --> 00:17:24,040
Speaker 1: standing your toes on the line, right, you know, like

321
00:17:24,080 --> 00:17:26,320
Speaker 1: that's who, that's who's no flash photography?

322
00:17:26,600 --> 00:17:30,080
Speaker 3: Yeah yeah, okay, well you just stop the job. You

323
00:17:30,160 --> 00:17:32,359
Speaker 3: just said no flash photography. Are you going to enforce that?

324
00:17:32,520 --> 00:17:32,600
Speaker 5: No?

325
00:17:33,280 --> 00:17:33,320
Speaker 2: No?

326
00:17:33,760 --> 00:17:36,640
Speaker 1: And when they say flash, no flash photography, I've never

327
00:17:36,760 --> 00:17:39,120
Speaker 1: witnessed them like open their coat and have like.

328
00:17:39,600 --> 00:17:40,439
Speaker 2: That thing on them.

329
00:17:40,520 --> 00:17:40,720
Speaker 1: Yeah.

330
00:17:40,800 --> 00:17:45,480
Speaker 2: Yeah, a fucking MP five. They're like, watch out, baby.

331
00:17:46,280 --> 00:17:52,919
Speaker 1: My overrated is this new is basically candy cigarettes but

332
00:17:53,040 --> 00:17:58,640
Speaker 1: for nitrous We so we, uh had a school camping

333
00:17:58,680 --> 00:18:02,160
Speaker 1: trip this weekend. I'm not usual this outdoors outdoorsy, but yeah,

334
00:18:02,240 --> 00:18:05,160
Speaker 1: did tide pools last week and then uh, my kids

335
00:18:05,160 --> 00:18:07,520
Speaker 1: school does a camping trip every every year.

336
00:18:08,600 --> 00:18:09,600
Speaker 2: This is our fifth one.

337
00:18:10,119 --> 00:18:13,119
Speaker 1: The entire school up through like sixth grade, you know,

338
00:18:13,240 --> 00:18:15,560
Speaker 1: goes to this one campgrounds and then the kids just

339
00:18:15,640 --> 00:18:20,200
Speaker 1: like run wild like it's an animal habitat for feral children.

340
00:18:20,560 --> 00:18:23,400
Speaker 2: Oh like looking like Nell the Jody Foster movie.

341
00:18:23,560 --> 00:18:26,320
Speaker 1: It's just you're just hearing shit, Like as you're going

342
00:18:26,359 --> 00:18:30,199
Speaker 1: to sleep, you're just hearing uh peatch, just children like

343
00:18:30,240 --> 00:18:33,720
Speaker 1: getting into fights and just fucking going going nuts.

344
00:18:34,160 --> 00:18:36,120
Speaker 2: Tain Mischief Ape.

345
00:18:37,359 --> 00:18:40,159
Speaker 1: Six seven was was a lot of uh, it was

346
00:18:40,200 --> 00:18:42,520
Speaker 1: a lot of what I was hearing. But one of

347
00:18:42,560 --> 00:18:45,800
Speaker 1: the sort of icons of this camping event every year

348
00:18:46,000 --> 00:18:48,359
Speaker 1: is there's a the camp store at the bottom of

349
00:18:48,400 --> 00:18:51,240
Speaker 1: the hill, which is known amongst the kids as the

350
00:18:51,280 --> 00:18:54,639
Speaker 1: candy Shop because they keep that shit stocked with the

351
00:18:54,760 --> 00:18:59,800
Speaker 1: latest innovations in like dumb Wonka re you know. It's

352
00:18:59,880 --> 00:19:04,160
Speaker 1: like yeah, yeah, where we the people are doing. People

353
00:19:04,240 --> 00:19:09,040
Speaker 1: are putting the the research, the R and R into

354
00:19:10,240 --> 00:19:12,720
Speaker 1: candy these days in a way that I wasn't aware of,

355
00:19:12,800 --> 00:19:14,960
Speaker 1: but obviously, like kids are up on it. And so

356
00:19:15,040 --> 00:19:18,440
Speaker 1: two years ago, like the big hit was toilet candy,

357
00:19:18,480 --> 00:19:22,399
Speaker 1: which is a toilet bowl with like two lollipops on

358
00:19:22,440 --> 00:19:25,600
Speaker 1: either side, and then in the toilet bowl is like

359
00:19:26,119 --> 00:19:30,360
Speaker 1: the dipping you know, the sour sugar candy.

360
00:19:30,640 --> 00:19:32,760
Speaker 2: You know, oh got it, got it?

361
00:19:33,080 --> 00:19:35,600
Speaker 1: Like okay, you have the lollipop and then you dip

362
00:19:35,600 --> 00:19:40,240
Speaker 1: it into the fund. Yeah, but presumably you know, brilliantly

363
00:19:40,280 --> 00:19:43,400
Speaker 1: exploiting the skibbity ohio of it all at a time,

364
00:19:43,520 --> 00:19:47,440
Speaker 1: right as that's cresting, uh this year, the the hit

365
00:19:47,560 --> 00:19:50,160
Speaker 1: candy that everybody's running around with is a little canister

366
00:19:50,640 --> 00:19:54,200
Speaker 1: where you're basically like spraying a stream of sour candy

367
00:19:54,280 --> 00:19:58,440
Speaker 1: juice in your mouth, which I don't know, I don't

368
00:19:58,480 --> 00:20:03,639
Speaker 1: have a lot of experience. It's called quick blast sour

369
00:20:03,720 --> 00:20:04,520
Speaker 1: candy spray.

370
00:20:04,880 --> 00:20:06,080
Speaker 2: Because what it's called.

371
00:20:06,000 --> 00:20:09,720
Speaker 3: That doesn't even sound fun quick last hour candy spray?

372
00:20:09,800 --> 00:20:13,800
Speaker 2: What the fuck you? What the fuck is this? Yeah?

373
00:20:13,840 --> 00:20:15,359
Speaker 2: And it's it occur.

374
00:20:15,520 --> 00:20:17,840
Speaker 1: You know, we've talked on here about the rise of

375
00:20:18,800 --> 00:20:24,560
Speaker 1: galaxy gash, like the popular drug with kids, and I'm

376
00:20:24,640 --> 00:20:27,120
Speaker 1: just like, oh, this is just candy cigarettes for nitrius.

377
00:20:27,320 --> 00:20:30,840
Speaker 1: Like kids are just walking around like firing jet streams

378
00:20:30,840 --> 00:20:33,200
Speaker 1: of compressed candy gas into their mouths.

379
00:20:33,440 --> 00:20:37,960
Speaker 3: Yeah, putting your mouth on a nozzle into a consumption

380
00:20:39,040 --> 00:20:41,080
Speaker 3: context is always bad news.

381
00:20:41,160 --> 00:20:43,320
Speaker 2: When it's like, what do you drink a wind deex?

382
00:20:43,400 --> 00:20:48,120
Speaker 2: What are you getting a fucking nawse? What is this? Wow? Yeah,

383
00:20:48,200 --> 00:20:49,879
Speaker 2: that's actually really frightening to me.

384
00:20:50,000 --> 00:20:53,560
Speaker 1: But now I really yeah, I really want some actual

385
00:20:53,640 --> 00:20:57,120
Speaker 1: journalists out there to like foya whoever makes this candy,

386
00:20:57,240 --> 00:21:02,320
Speaker 1: because there's no way that they didn't at least see

387
00:21:02,320 --> 00:21:04,960
Speaker 1: mad Max Fury Road and be like, hey, wait a second.

388
00:21:04,760 --> 00:21:06,640
Speaker 2: Yeah, we have an idea here.

389
00:21:07,160 --> 00:21:09,119
Speaker 3: When our kids looking like the dude strapped to the

390
00:21:09,119 --> 00:21:11,720
Speaker 3: front of that fucking eighteen wheeler playing guitar.

391
00:21:12,040 --> 00:21:13,280
Speaker 2: That looks fucking sick.

392
00:21:13,480 --> 00:21:16,280
Speaker 1: I mean it looks like I do think like the

393
00:21:16,320 --> 00:21:20,640
Speaker 1: fact that that is a like the popular drug that's

394
00:21:20,680 --> 00:21:22,960
Speaker 1: exploding in popularity with like young people.

395
00:21:23,160 --> 00:21:26,240
Speaker 2: I feel like it has to have come.

396
00:21:26,080 --> 00:21:30,200
Speaker 1: Up in the the candy development meetings.

397
00:21:30,000 --> 00:21:31,920
Speaker 3: Or they're probably yeah, I mean, I'm sure all of it.

398
00:21:31,920 --> 00:21:35,040
Speaker 3: It's always about like the delivery mechanism, right, Like it

399
00:21:35,080 --> 00:21:37,280
Speaker 3: would either be fun dip, which felt like innoson when

400
00:21:37,280 --> 00:21:40,119
Speaker 3: it was like stick this chalky tab into a powder

401
00:21:40,160 --> 00:21:43,080
Speaker 3: and lick it right, and then you had like push

402
00:21:43,200 --> 00:21:45,600
Speaker 3: up push pops and things like this, and everything was

403
00:21:45,640 --> 00:21:47,720
Speaker 3: like how do you just kind of tweak the thing.

404
00:21:48,800 --> 00:21:52,520
Speaker 1: Chew was just chewing tobacco shred gum form. You know.

405
00:21:52,640 --> 00:21:54,880
Speaker 3: This is what's interesting too, because I think about how

406
00:21:54,960 --> 00:21:57,720
Speaker 3: like when I was in school, the thing we got

407
00:21:57,720 --> 00:22:00,199
Speaker 3: really in trouble for was fucking round with pixie stick

408
00:22:00,760 --> 00:22:01,639
Speaker 3: and chopping it up.

409
00:22:03,680 --> 00:22:07,720
Speaker 2: Oh my god, dude, I remember fifth snorting them. Yeah, yeah, yeah,

410
00:22:08,080 --> 00:22:08,960
Speaker 2: snorting lines.

411
00:22:09,400 --> 00:22:12,080
Speaker 3: I remember my friend because we were like, you know,

412
00:22:12,119 --> 00:22:14,359
Speaker 3: we were watching pulp fiction and Ship. We knew about snorting,

413
00:22:14,520 --> 00:22:19,040
Speaker 3: like we saw drug snortings scenes. Yeah, so we were like, oh, one,

414
00:22:19,119 --> 00:22:21,840
Speaker 3: I remember for Halloween we were putting it out and

415
00:22:21,880 --> 00:22:25,199
Speaker 3: we fucking chopped it up with a ruler obviously just

416
00:22:25,240 --> 00:22:30,159
Speaker 3: being stupid, and tried a second and went and we

417
00:22:30,160 --> 00:22:32,600
Speaker 3: were like, yeah, it was probably.

418
00:22:32,400 --> 00:22:35,880
Speaker 1: A similar reaction to Uma Thurman and pulp fiction. Yeah,

419
00:22:35,880 --> 00:22:37,000
Speaker 1: she sorts the wrong ship.

420
00:22:37,320 --> 00:22:39,320
Speaker 3: Yeah, like using two hands, trying to dig it out

421
00:22:39,359 --> 00:22:41,160
Speaker 3: your nostril or something and then you just go down.

422
00:22:42,520 --> 00:22:43,800
Speaker 2: Yeah, that was the sensation.

423
00:22:43,920 --> 00:22:46,560
Speaker 3: And then there was Raven's Revenge that was like an

424
00:22:46,760 --> 00:22:49,280
Speaker 3: escalation on powdered candy. So I wonder if there's always

425
00:22:49,320 --> 00:22:52,920
Speaker 3: like whatever the drug thing, like what'sever sort of in

426
00:22:52,960 --> 00:22:57,199
Speaker 3: the culture, even if they don't know, because like I

427
00:22:57,240 --> 00:23:00,760
Speaker 3: was just reading about pixie sticks in two tooth and eleven,

428
00:23:01,320 --> 00:23:03,919
Speaker 3: like a middle school district banned it because they were

429
00:23:03,920 --> 00:23:06,119
Speaker 3: seeing kids like mimicking drug.

430
00:23:05,960 --> 00:23:10,920
Speaker 1: Use with Yeah, Yeah, it's uh, what like is that

431
00:23:11,520 --> 00:23:13,680
Speaker 1: like that floy of the candy marry? I want to

432
00:23:13,720 --> 00:23:17,359
Speaker 1: see is that a part like a admitted strategy that

433
00:23:17,359 --> 00:23:18,400
Speaker 1: they're using, you know what I mean?

434
00:23:18,760 --> 00:23:19,520
Speaker 2: Right? Right right?

435
00:23:19,800 --> 00:23:21,240
Speaker 1: I feel like it has to be I feel like

436
00:23:21,280 --> 00:23:24,920
Speaker 1: that it's too it's too cynical not to be true.

437
00:23:25,080 --> 00:23:29,040
Speaker 2: Who's behind this? Yeah, who's behind this shit?

438
00:23:29,760 --> 00:23:33,960
Speaker 1: Willie Wanka's out here giving people everlasting gobstoppers, so poor

439
00:23:34,040 --> 00:23:36,720
Speaker 1: kids have candy always, and these motherfuckers are like, what

440
00:23:36,760 --> 00:23:40,240
Speaker 1: if we can like mimic the drug that they're about

441
00:23:40,240 --> 00:23:42,520
Speaker 1: to be hooked on when they turn into teenagers?

442
00:23:42,840 --> 00:23:44,080
Speaker 2: Yeah? Exactly right.

443
00:23:44,359 --> 00:23:55,640
Speaker 1: Yeah, what's something, Miles that you think is underrated?

444
00:23:56,200 --> 00:23:58,800
Speaker 2: H the comic Kazi retail worker.

445
00:23:59,400 --> 00:24:03,720
Speaker 3: Okay, there's nothing like the kind of hookup you get

446
00:24:03,760 --> 00:24:06,960
Speaker 3: at a store than from a person working retail who

447
00:24:07,040 --> 00:24:10,960
Speaker 3: does not give a fuck, someone who has one foot

448
00:24:11,080 --> 00:24:14,439
Speaker 3: out the door, someone who just got back from a

449
00:24:14,560 --> 00:24:17,960
Speaker 3: job interview for a better job and is now just

450
00:24:18,280 --> 00:24:23,120
Speaker 3: running the clock out. I had the great honor of

451
00:24:23,200 --> 00:24:27,040
Speaker 3: intersecting with one of these people, these hero retail workers,

452
00:24:27,320 --> 00:24:30,520
Speaker 3: over the weekend because her majesty took me out to

453
00:24:30,520 --> 00:24:33,480
Speaker 3: get a birthday gift on over the weekend.

454
00:24:34,240 --> 00:24:36,879
Speaker 2: So and I wanted some new cups. She's like, what

455
00:24:36,880 --> 00:24:37,280
Speaker 2: do you want for you?

456
00:24:37,440 --> 00:24:40,879
Speaker 3: I was like, you know, we lost everything fire, I

457
00:24:40,920 --> 00:24:42,160
Speaker 3: would like some cups.

458
00:24:42,320 --> 00:24:45,080
Speaker 1: I've been drinking with my hands for the psyear, like

459
00:24:45,119 --> 00:24:45,720
Speaker 1: this just.

460
00:24:45,680 --> 00:24:48,399
Speaker 3: Together, just slurping out of the sink or out of

461
00:24:48,640 --> 00:24:49,520
Speaker 3: our drinking bucket.

462
00:24:50,720 --> 00:24:52,919
Speaker 2: But we don't even have a dipper.

463
00:24:53,840 --> 00:24:56,040
Speaker 3: But like I wanted to get like these like really

464
00:24:56,080 --> 00:24:58,840
Speaker 3: cool like just like these coffee cups okay that were

465
00:24:58,880 --> 00:25:00,600
Speaker 3: just like kind of like the I liked like the

466
00:25:00,640 --> 00:25:01,520
Speaker 3: ceramics of it.

467
00:25:01,560 --> 00:25:03,680
Speaker 2: So there's a store we went into.

468
00:25:04,040 --> 00:25:06,120
Speaker 3: We get to the store, it's like fucking two, right,

469
00:25:06,240 --> 00:25:08,199
Speaker 3: and the store is closed, and I'm like, what the

470
00:25:08,200 --> 00:25:08,919
Speaker 3: fuck is going on?

471
00:25:08,960 --> 00:25:10,160
Speaker 2: Like I know the store is open.

472
00:25:10,440 --> 00:25:12,119
Speaker 3: We go next door and I'm like, are they do

473
00:25:12,200 --> 00:25:14,199
Speaker 3: the people like leave for lunch. You're like, yeah, they

474
00:25:14,200 --> 00:25:16,200
Speaker 3: should be back in like twenty minutes. We come back

475
00:25:16,240 --> 00:25:19,239
Speaker 3: like forty minutes later, still nobody there. Yeah, And then

476
00:25:19,280 --> 00:25:19,760
Speaker 3: I'm like, what.

477
00:25:19,680 --> 00:25:20,480
Speaker 2: The fuck's going on?

478
00:25:20,600 --> 00:25:23,600
Speaker 3: Then some guy pulls up behind He's like, Oh, what's up, guys.

479
00:25:24,000 --> 00:25:27,600
Speaker 3: This is like a multinational company, Like this isn't something

480
00:25:27,640 --> 00:25:28,560
Speaker 3: like BOUCHI right.

481
00:25:29,080 --> 00:25:31,760
Speaker 2: I'm like, what's up. He's like, oh, my bad, dude,

482
00:25:31,840 --> 00:25:34,639
Speaker 2: my bad. Yes, I just had a meeting dog. It's

483
00:25:34,640 --> 00:25:37,040
Speaker 2: supposed to be thirty minutes, just shit turned to two hours.

484
00:25:37,119 --> 00:25:39,560
Speaker 2: He's talking to me like this, like very converon, and

485
00:25:39,560 --> 00:25:40,160
Speaker 2: I'm like, okay.

486
00:25:40,160 --> 00:25:44,320
Speaker 1: So like this guy rich like Karen's and you know

487
00:25:44,520 --> 00:25:47,520
Speaker 1: what would be like getting more and more incensed and

488
00:25:47,600 --> 00:25:50,960
Speaker 1: ready to talk about to their manager. You you saw

489
00:25:51,000 --> 00:25:51,760
Speaker 1: an opportunity.

490
00:25:51,840 --> 00:25:54,560
Speaker 2: I go, what's up, bro, I'll go I'll good dog,

491
00:25:54,600 --> 00:25:57,160
Speaker 2: all good dog. He's like, dude, I'm so sorry. He's like, bro,

492
00:25:57,520 --> 00:25:59,960
Speaker 2: I'll hook you up. Bro. Sorry about that, man, I shouldn't.

493
00:26:00,040 --> 00:26:01,800
Speaker 2: How'd you guys play it like that? So I go

494
00:26:01,800 --> 00:26:02,200
Speaker 2: all right?

495
00:26:02,600 --> 00:26:05,280
Speaker 3: And then like the guy was clearly very like loose.

496
00:26:05,400 --> 00:26:07,680
Speaker 3: So I'm just talking to him yeah, and I'm like,

497
00:26:07,720 --> 00:26:08,239
Speaker 3: what's going on?

498
00:26:08,280 --> 00:26:09,280
Speaker 2: Man, Like, how do you like work here?

499
00:26:09,280 --> 00:26:12,480
Speaker 3: He's like, Bro, He's like low key, Bro, I hate

500
00:26:12,480 --> 00:26:15,600
Speaker 3: this place, dog, But like I'm about.

501
00:26:15,280 --> 00:26:19,200
Speaker 1: To leave, Brook, Are you are you fainting surprise at this? Yeah?

502
00:26:19,280 --> 00:26:22,679
Speaker 3: I go, oh, oh why why He's like, bro, just

503
00:26:22,720 --> 00:26:26,000
Speaker 3: fucking like it's fine, like you know, but like I'm

504
00:26:26,040 --> 00:26:28,080
Speaker 3: just just just so fucking boring dude, you know.

505
00:26:28,040 --> 00:26:29,520
Speaker 2: What I mean? Anyway, what do you want?

506
00:26:30,160 --> 00:26:31,600
Speaker 3: And I was like, oh, let me get like a

507
00:26:31,600 --> 00:26:33,639
Speaker 3: couple of these mugs and a couple like two of

508
00:26:33,640 --> 00:26:35,560
Speaker 3: those mugs. And he's like, for sure, dog, He's like,

509
00:26:35,600 --> 00:26:37,199
Speaker 3: I'm gonna hook you up fat, and I go When

510
00:26:37,240 --> 00:26:39,400
Speaker 3: he said hook you up fat, I'm like, first of all,

511
00:26:39,480 --> 00:26:42,919
Speaker 3: this guy smokes weed, because that's like a weed dealer

512
00:26:43,000 --> 00:26:45,560
Speaker 3: talk you have, fat, dog, I'll hook you a faty

513
00:26:45,600 --> 00:26:46,240
Speaker 3: dog right now.

514
00:26:46,400 --> 00:26:48,720
Speaker 1: I'm pretty sure he was also trying to communicate to

515
00:26:48,760 --> 00:26:51,560
Speaker 1: you that he deals with maybe maybe.

516
00:26:51,680 --> 00:26:53,880
Speaker 3: I mean like there was an understanding when it came

517
00:26:53,880 --> 00:26:56,159
Speaker 3: in all fucking weird, and I was like, bro, no

518
00:26:56,280 --> 00:26:58,560
Speaker 3: fucking problem, dog, I don't even give a shit like

519
00:26:58,680 --> 00:27:02,880
Speaker 3: you do you? This fucking guy gave me fifty percent

520
00:27:03,000 --> 00:27:05,760
Speaker 3: off and didn't even charge me for like other shit.

521
00:27:06,320 --> 00:27:06,639
Speaker 2: Wow.

522
00:27:06,720 --> 00:27:08,119
Speaker 3: Like when I looked at the thing, he's like, bro,

523
00:27:08,200 --> 00:27:10,200
Speaker 3: I'm just gonna like whatever, Dude, He's like, I usually

524
00:27:10,200 --> 00:27:12,000
Speaker 3: I can give like twenty, I'll just give you fifties,

525
00:27:12,000 --> 00:27:13,520
Speaker 3: like dude, and he goes, I'll give you fifty.

526
00:27:13,560 --> 00:27:14,600
Speaker 2: I don't even give a fuck.

527
00:27:18,440 --> 00:27:22,360
Speaker 3: Hell yeah, And I was like, yes, dog, thank you amazing,

528
00:27:22,640 --> 00:27:24,199
Speaker 3: And I just think of like when I used to

529
00:27:24,200 --> 00:27:25,520
Speaker 3: do that, when I worked at like the art like

530
00:27:25,520 --> 00:27:26,359
Speaker 3: the Laser tag place.

531
00:27:26,400 --> 00:27:26,960
Speaker 2: I used to give.

532
00:27:26,920 --> 00:27:29,240
Speaker 3: Kids like tokens for the arcade machine, and I was

533
00:27:29,280 --> 00:27:30,639
Speaker 3: like I was trying to hook them, Like I was like,

534
00:27:30,680 --> 00:27:32,399
Speaker 3: I just don't give a fuck, And that was like

535
00:27:32,440 --> 00:27:33,679
Speaker 3: my way to be like rebel.

536
00:27:33,760 --> 00:27:36,359
Speaker 2: I'm like, y'all paying me minum. Wait, watch this, here's

537
00:27:36,359 --> 00:27:38,800
Speaker 2: your fucking tokens. Do that have one with that?

538
00:27:39,320 --> 00:27:44,000
Speaker 3: So again, I just love somebody who was just willing

539
00:27:44,040 --> 00:27:45,600
Speaker 3: to give that discount, you know.

540
00:27:45,600 --> 00:27:46,040
Speaker 2: What I mean.

541
00:27:46,400 --> 00:27:49,920
Speaker 3: Amazing And I get to when you don't fear death anymore,

542
00:27:50,040 --> 00:27:52,600
Speaker 3: like in terms of getting fired getting fired, that you

543
00:27:52,640 --> 00:27:55,080
Speaker 3: are actually the most one of the most powerful beings

544
00:27:55,320 --> 00:27:56,000
Speaker 3: in retail.

545
00:27:56,800 --> 00:27:58,640
Speaker 2: This place sucks shit, do low key?

546
00:27:58,640 --> 00:28:01,320
Speaker 3: Bro, I'm fucking I'm off this shit, And I'm like,

547
00:28:01,320 --> 00:28:02,160
Speaker 3: where are you off to next?

548
00:28:02,160 --> 00:28:04,560
Speaker 2: He's like, dude, there's this custom furniture place.

549
00:28:04,640 --> 00:28:04,880
Speaker 6: Dog.

550
00:28:05,200 --> 00:28:07,359
Speaker 3: He's like, the couches are so expensive, but if I

551
00:28:07,359 --> 00:28:09,960
Speaker 3: saw like three in a fucking month, I'll make way

552
00:28:09,960 --> 00:28:11,880
Speaker 3: more than I do fucking here. And I'm like sick.

553
00:28:11,920 --> 00:28:14,800
Speaker 3: He's like, also, I might help start a restaurant. Then

554
00:28:14,840 --> 00:28:18,200
Speaker 3: he'd like listen about like eight different plans, and I'm like, yeah,

555
00:28:18,400 --> 00:28:20,760
Speaker 3: oh to be twenty four, I know, you know what

556
00:28:20,840 --> 00:28:22,760
Speaker 3: I mean. I was like, all right, doggie, you do

557
00:28:22,840 --> 00:28:24,159
Speaker 3: you thank you for my mugs?

558
00:28:24,200 --> 00:28:24,600
Speaker 2: I'm out.

559
00:28:24,760 --> 00:28:26,760
Speaker 1: You're like, you should definitely start that restaurant. Man.

560
00:28:27,880 --> 00:28:31,760
Speaker 2: Look at this right there. Ooh, very beautiful mug. Yeah,

561
00:28:31,840 --> 00:28:33,960
Speaker 2: very beautiful. Miles.

562
00:28:34,000 --> 00:28:36,119
Speaker 1: You wanna kick us off with something he thinks underrated?

563
00:28:37,200 --> 00:28:41,080
Speaker 2: Underrated? What did I put? Oh? Yeah, yeah, yeah five.

564
00:28:41,120 --> 00:28:45,760
Speaker 3: There's a there's a fine line with toilet paper and

565
00:28:45,920 --> 00:28:50,360
Speaker 3: water pressure where you go from the perfect thickness or

566
00:28:50,400 --> 00:28:54,280
Speaker 3: water pressure and easily into too thick of toilet paper

567
00:28:54,440 --> 00:28:57,360
Speaker 3: or too strong of water pressure. Okay, And I think

568
00:28:57,480 --> 00:28:59,840
Speaker 3: it's just something to think about. I was talking about

569
00:28:59,840 --> 00:29:02,840
Speaker 3: this last week when I was in DC off mic

570
00:29:03,440 --> 00:29:08,400
Speaker 3: because my mother in law has like, like the I

571
00:29:08,400 --> 00:29:10,760
Speaker 3: don't even know if luxurious is the way to describe it.

572
00:29:10,840 --> 00:29:14,920
Speaker 3: The thickest toilet paper I've ever fucking used, and it

573
00:29:15,040 --> 00:29:15,720
Speaker 3: was freaking me.

574
00:29:15,800 --> 00:29:17,800
Speaker 2: I felt like I was not worthy of it. It

575
00:29:17,840 --> 00:29:22,880
Speaker 2: was so thick. It felt like bed sheets, Yeah, yeah, comforters.

576
00:29:22,880 --> 00:29:25,560
Speaker 3: Yeah, like a down comfort, Like it's like, is there

577
00:29:25,680 --> 00:29:29,360
Speaker 3: down in this. Okay, I didn't realize Downey changed their

578
00:29:29,400 --> 00:29:31,000
Speaker 3: whole thing, but yeah, it was so.

579
00:29:32,880 --> 00:29:35,400
Speaker 2: I don't know, like I it was jarring.

580
00:29:35,200 --> 00:29:37,680
Speaker 3: And I'm so used to people have heard my toilet

581
00:29:37,720 --> 00:29:41,440
Speaker 3: paper exploits over the supply of shitty toilet paper. Yeah,

582
00:29:41,560 --> 00:29:44,400
Speaker 3: finally got through it. I upgraded to like one more ply,

583
00:29:44,520 --> 00:29:46,840
Speaker 3: which is still like, you know, like I would call

584
00:29:46,840 --> 00:29:50,880
Speaker 3: it journeyman toilet paper. Yeah, you know, replacement level toilet paper.

585
00:29:50,960 --> 00:29:53,360
Speaker 3: Yeah yeah, yeah, yeah, like utility toilet paper. But this

586
00:29:53,400 --> 00:29:57,280
Speaker 3: shit was like definitely like boomer approaching retirement thickness. And

587
00:29:57,320 --> 00:29:59,320
Speaker 3: it was for whatever reason, I was like, this is

588
00:29:59,360 --> 00:30:01,719
Speaker 3: actually bad. It's too thick, and I don't like it

589
00:30:02,320 --> 00:30:02,920
Speaker 3: to that end.

590
00:30:03,000 --> 00:30:05,520
Speaker 1: Also, and I'm not just complaining about my mother in

591
00:30:05,560 --> 00:30:09,160
Speaker 1: law's house at all, and it's not about it and

592
00:30:09,200 --> 00:30:10,800
Speaker 1: there's nothing to do with her because actually I took

593
00:30:10,840 --> 00:30:13,120
Speaker 1: a shower at another friend's place in DC.

594
00:30:13,400 --> 00:30:16,520
Speaker 2: The water pressure almost ripped my fucking skin off. Wow.

595
00:30:16,880 --> 00:30:19,800
Speaker 2: And I love you love a strong I love a

596
00:30:19,840 --> 00:30:20,600
Speaker 2: strong spray.

597
00:30:21,240 --> 00:30:23,080
Speaker 1: That's something we all know about you. You love a

598
00:30:23,120 --> 00:30:26,040
Speaker 1: strong spray. You know everybody knows why you you sit

599
00:30:26,120 --> 00:30:29,440
Speaker 1: outside of the bathroom when I go pee and you

600
00:30:29,480 --> 00:30:30,880
Speaker 1: compliment me on the strength of my.

601
00:30:31,240 --> 00:30:34,320
Speaker 3: Cup with a cup to the door because I like it.

602
00:30:34,600 --> 00:30:37,040
Speaker 3: I like to really accentuate the sound and the acoustics.

603
00:30:37,040 --> 00:30:40,720
Speaker 3: But just like straight fire hose shit, you're like getting pushed. Yeah, yeah, yeah,

604
00:30:40,720 --> 00:30:43,200
Speaker 3: I would have like Civil Rights era flashbacks and ship.

605
00:30:43,320 --> 00:30:45,000
Speaker 2: I thought a German shepherd was gonna bite me.

606
00:30:45,120 --> 00:30:48,000
Speaker 1: I was like, you're in a like athletic stance and

607
00:30:48,040 --> 00:30:51,640
Speaker 1: it's just pushing you back again. Your feet are just

608
00:30:51,680 --> 00:30:54,440
Speaker 1: like squeaking blows up.

609
00:30:54,400 --> 00:31:01,280
Speaker 2: On my feet, just sliding bass. But yeah, it was

610
00:31:01,920 --> 00:31:02,520
Speaker 2: a fine line.

611
00:31:02,520 --> 00:31:05,920
Speaker 1: But again, have a conversation with God, like Lieutenant Dan

612
00:31:06,040 --> 00:31:09,240
Speaker 1: and the storm scene, and yeah, that is my promise you.

613
00:31:09,280 --> 00:31:11,840
Speaker 1: I will make a Forest Gump preference every every day

614
00:31:12,080 --> 00:31:13,200
Speaker 1: or even though I don't like that.

615
00:31:13,200 --> 00:31:16,600
Speaker 3: Movie, this is our right, Yeah, like Superman references and Seinfeld,

616
00:31:16,880 --> 00:31:18,960
Speaker 3: you always got to catch the Forest Gump preference in

617
00:31:18,960 --> 00:31:19,640
Speaker 3: every episode.

618
00:31:19,920 --> 00:31:20,440
Speaker 2: Yeah.

619
00:31:20,640 --> 00:31:24,120
Speaker 1: We uh, we have some water pressure issues in our

620
00:31:24,120 --> 00:31:27,640
Speaker 1: house where like the very inconsistent. Sometimes I'll be like,

621
00:31:27,680 --> 00:31:29,440
Speaker 1: all right, I gotta hop of the shower real quick

622
00:31:29,480 --> 00:31:34,520
Speaker 1: before we record, and uh, it's just like dribbling. It's

623
00:31:34,640 --> 00:31:38,680
Speaker 1: it's an old man's weak stream coming out of the shower.

624
00:31:39,920 --> 00:31:42,200
Speaker 1: It just like goes on and off. We've tried to

625
00:31:43,440 --> 00:31:46,000
Speaker 1: work on it. There there's like a pressure gauge like

626
00:31:46,040 --> 00:31:48,080
Speaker 1: outside of the house that you can like mess with

627
00:31:48,120 --> 00:31:51,680
Speaker 1: a little bit. Uh so it's we we crank that

628
00:31:51,840 --> 00:31:54,240
Speaker 1: up a little bit. Didn't really help that much with

629
00:31:54,280 --> 00:31:56,680
Speaker 1: the water pressure on the second floor. But what it

630
00:31:56,760 --> 00:32:00,200
Speaker 1: did do is like the hose on our sink, it

631
00:32:00,280 --> 00:32:02,000
Speaker 1: was like too much for the hose on our sink,

632
00:32:02,040 --> 00:32:04,160
Speaker 1: and it like broke before.

633
00:32:04,400 --> 00:32:07,400
Speaker 2: H Let Jack know what has he got to do?

634
00:32:07,640 --> 00:32:10,320
Speaker 1: Yeah, I mean I've been told that you need to

635
00:32:10,600 --> 00:32:11,640
Speaker 1: replace the pipes.

636
00:32:11,720 --> 00:32:15,760
Speaker 2: Yeah your house. Yeah yeah, sure, sure, probably we do.

637
00:32:16,080 --> 00:32:16,479
Speaker 2: I don't know.

638
00:32:16,520 --> 00:32:18,480
Speaker 3: Maybe I'll just turn up the volume at the main

639
00:32:18,560 --> 00:32:21,400
Speaker 3: water line.

640
00:32:22,160 --> 00:32:27,600
Speaker 1: There's just ship breaking everywhere else. Yeah, all right, myles,

641
00:32:27,640 --> 00:32:29,920
Speaker 1: what's something you think is overrated?

642
00:32:30,080 --> 00:32:31,440
Speaker 2: Overrated? Okay?

643
00:32:32,440 --> 00:32:34,760
Speaker 3: I think this is I don't think it's controversial, but

644
00:32:34,840 --> 00:32:36,960
Speaker 3: I think I think poop is overrated.

645
00:32:37,000 --> 00:32:39,160
Speaker 2: I think it's gross. A second here, hold on, let

646
00:32:39,240 --> 00:32:41,520
Speaker 2: me finish. I think it's gross. I think you get

647
00:32:41,640 --> 00:32:44,400
Speaker 2: sick if you play with it, and it's yucky. Okay,

648
00:32:44,600 --> 00:32:44,840
Speaker 2: And this.

649
00:32:44,920 --> 00:32:47,400
Speaker 3: Has nothing to do with anything happening at my home.

650
00:32:47,440 --> 00:32:50,440
Speaker 3: In my first life, just my objective. Take that poop

651
00:32:50,680 --> 00:32:52,040
Speaker 3: is yucky, it's bad.

652
00:32:52,160 --> 00:32:53,960
Speaker 2: We don't touch it. It's not a toy.

653
00:32:54,000 --> 00:32:55,560
Speaker 3: And if you need to take your diaper off, you

654
00:32:55,560 --> 00:32:57,640
Speaker 3: ask mommy and Daddy to help you.

655
00:32:57,640 --> 00:33:00,800
Speaker 2: You don't touch that, Okay. And that's what I mean.

656
00:33:01,640 --> 00:33:03,840
Speaker 1: People have been saying the same overrated to me for

657
00:33:03,880 --> 00:33:07,480
Speaker 1: a long time. Give me that exact same field, and

658
00:33:07,520 --> 00:33:10,760
Speaker 1: I'm tired of it. I mean, Daddy will not have it.

659
00:33:10,800 --> 00:33:13,760
Speaker 2: And you, bro, the guy.

660
00:33:14,120 --> 00:33:19,760
Speaker 1: It's interesting the guys child is It's like he is, Yeah,

661
00:33:19,880 --> 00:33:21,120
Speaker 1: he's stepping it up.

662
00:33:21,560 --> 00:33:25,280
Speaker 3: There's an there's been escalation over the last three mornings

663
00:33:26,280 --> 00:33:29,560
Speaker 3: where I wake up to some form of a dexter

664
00:33:29,800 --> 00:33:30,600
Speaker 3: kill room.

665
00:33:33,160 --> 00:33:35,920
Speaker 2: And I'm like, what the fuck. He's like, I'm cleaning

666
00:33:35,960 --> 00:33:39,680
Speaker 2: it up, and no, you are not, bro, And I

667
00:33:39,680 --> 00:33:43,200
Speaker 2: gotta put a hazmad suit on now. And it's just

668
00:33:43,240 --> 00:33:45,000
Speaker 2: so fucking like. I'm like, we don't play with it.

669
00:33:45,080 --> 00:33:47,440
Speaker 2: We don't play any we don't play with it. That's right.

670
00:33:47,480 --> 00:33:51,120
Speaker 3: And if I if I feel I say, yeah, I

671
00:33:51,240 --> 00:33:51,880
Speaker 3: mommy Daddy.

672
00:33:52,160 --> 00:33:57,080
Speaker 1: When it comes to playing with poop us, we roll

673
00:33:57,120 --> 00:33:58,320
Speaker 1: our sleeves up in the house.

674
00:33:59,560 --> 00:34:01,240
Speaker 2: Yeah. So I'm just it's just a very.

675
00:34:01,080 --> 00:34:06,479
Speaker 3: Interesting time in my home where I'm like I just

676
00:34:06,520 --> 00:34:10,360
Speaker 3: please don't I don't I look zeit gang uh any

677
00:34:10,480 --> 00:34:13,560
Speaker 3: any whatever, whatever your tips are, to try and connect

678
00:34:13,600 --> 00:34:16,600
Speaker 3: the dots for a child that equal matter is not

679
00:34:16,840 --> 00:34:17,680
Speaker 3: the new play though.

680
00:34:18,440 --> 00:34:22,520
Speaker 2: Yeah, you know I'm on my ears. I'm wielding a

681
00:34:22,520 --> 00:34:23,120
Speaker 2: lot of power.

682
00:34:23,120 --> 00:34:26,040
Speaker 1: I will say, like children, there's those studies of children

683
00:34:26,080 --> 00:34:28,279
Speaker 1: where they you know, they look at how children behave

684
00:34:28,360 --> 00:34:31,000
Speaker 1: and they'll like drop a thing just to see their

685
00:34:31,080 --> 00:34:33,960
Speaker 1: parents have to pick it up. You know, just be like, yeah,

686
00:34:33,960 --> 00:34:37,880
Speaker 1: I guess his boss and yeah, you know, nothing is

687
00:34:37,920 --> 00:34:39,760
Speaker 1: more powerful, Like yeah.

688
00:34:39,719 --> 00:34:42,759
Speaker 3: He's like, yeah, man, fix this light socket, homie luck

689
00:34:42,760 --> 00:34:43,399
Speaker 3: cleaning that out?

690
00:34:43,480 --> 00:34:47,640
Speaker 2: Fix this light socket that I just shitted? Oh no dog?

691
00:34:47,840 --> 00:34:51,080
Speaker 2: Why why Yeah?

692
00:34:51,400 --> 00:34:53,720
Speaker 3: Yeah, I mean like he's got my ass, bro, Yeah

693
00:34:54,200 --> 00:34:55,719
Speaker 3: he's gotten as I don't know.

694
00:34:55,680 --> 00:34:57,319
Speaker 2: The power available to us all.

695
00:34:58,520 --> 00:35:10,400
Speaker 3: Yeah, coming to a white house or you what is

696
00:35:10,440 --> 00:35:12,000
Speaker 3: something prop you think is under its?

697
00:35:12,760 --> 00:35:13,000
Speaker 1: Man?

698
00:35:13,200 --> 00:35:16,520
Speaker 6: I just think it's underrated, like like just not knowing

699
00:35:16,680 --> 00:35:21,320
Speaker 6: new like jen alpha slang. That's fine, dude, Like you

700
00:35:21,400 --> 00:35:23,279
Speaker 6: know what I'm saying, like, let them have a thing

701
00:35:24,440 --> 00:35:25,000
Speaker 6: I find.

702
00:35:25,239 --> 00:35:26,319
Speaker 2: You know what I did?

703
00:35:26,320 --> 00:35:30,440
Speaker 3: You witness somebody, uh speaking outside of their age bracket.

704
00:35:31,000 --> 00:35:34,200
Speaker 6: Yes, I witnessed somebody speaking out of side of the

705
00:35:34,320 --> 00:35:38,200
Speaker 6: age bracket and it was okay, other fathers in the building.

706
00:35:38,200 --> 00:35:40,080
Speaker 6: You will be there very soon, Miles. And the pick

707
00:35:40,160 --> 00:35:44,399
Speaker 6: up lines, right, the after school pickup line is the

708
00:35:45,040 --> 00:35:48,000
Speaker 6: oh my god, it is the waffle house of dad

709
00:35:48,040 --> 00:35:52,080
Speaker 6: ship where you just got off. You just you can't

710
00:35:52,120 --> 00:35:53,600
Speaker 6: like you have to learn how you got to keep

711
00:35:53,640 --> 00:35:56,920
Speaker 6: to yourself. Jack, please attest to this, like you have

712
00:35:57,000 --> 00:35:59,680
Speaker 6: to be very selective as to who you'll start a

713
00:35:59,680 --> 00:36:05,080
Speaker 6: converse station with because it it can go horribly right,

714
00:36:05,120 --> 00:36:07,160
Speaker 6: it will go in weird direction, it could go in

715
00:36:07,239 --> 00:36:09,719
Speaker 6: awful directions and it and it's like it's lose lose

716
00:36:09,760 --> 00:36:11,560
Speaker 6: because let's just say you meet a dude and you're like,

717
00:36:11,640 --> 00:36:14,840
Speaker 6: that's actually a cool last dude, But then our kids

718
00:36:14,880 --> 00:36:17,799
Speaker 6: don't get along fuck right.

719
00:36:18,160 --> 00:36:19,640
Speaker 2: But then the kid that.

720
00:36:19,960 --> 00:36:23,359
Speaker 6: Your child likes got a weirdo ass dad, and now

721
00:36:23,400 --> 00:36:26,279
Speaker 6: you're like ship, Like it's just like it's I'm.

722
00:36:26,200 --> 00:36:28,960
Speaker 2: Gonna drop you off. It's like I'll drop you off,

723
00:36:29,000 --> 00:36:31,200
Speaker 2: you know what I'm saying. So it's just like it's

724
00:36:31,200 --> 00:36:36,680
Speaker 2: just so much give a little honk, Yes, don't let.

725
00:36:36,520 --> 00:36:38,759
Speaker 6: Them figure out how do hip hop or that I

726
00:36:38,800 --> 00:36:41,760
Speaker 6: got a podcast or you like, because they're looking for somebody.

727
00:36:42,560 --> 00:36:45,839
Speaker 2: Yes, we're both looking for somebody. That's kind of you're

728
00:36:45,880 --> 00:36:47,640
Speaker 2: a rapper and podcast.

729
00:36:49,560 --> 00:36:52,640
Speaker 3: If you were a stand up comedian also, it would

730
00:36:52,680 --> 00:36:56,640
Speaker 3: be cooked all back, Jason, I do a little wrapping myself.

731
00:36:56,239 --> 00:37:00,959
Speaker 2: It's all you play the shook Ones instrumental. Yeah. Yeah. Now,

732
00:37:01,080 --> 00:37:03,600
Speaker 2: luckily a few times I've scored.

733
00:37:03,680 --> 00:37:06,799
Speaker 6: So the dude that runs the record label that put

734
00:37:06,800 --> 00:37:11,839
Speaker 6: out Andre's flute record. Yeah, yeah, so they family goes

735
00:37:11,880 --> 00:37:13,800
Speaker 6: to my kids school. So like I've lucked out a

736
00:37:13,840 --> 00:37:15,800
Speaker 6: few times like that dude, That dude's dope. You know

737
00:37:15,800 --> 00:37:19,799
Speaker 6: what I'm saying, like like just all this like comperimental. Yeah,

738
00:37:19,800 --> 00:37:21,800
Speaker 6: I was like, okay, he's dope. Right, So I've scored

739
00:37:21,840 --> 00:37:24,839
Speaker 6: every once in a while. But sometimes you just run

740
00:37:24,880 --> 00:37:28,000
Speaker 6: into the dude that sees me and thinks I want

741
00:37:28,040 --> 00:37:31,399
Speaker 6: to hear him try out his new slang.

742
00:37:31,960 --> 00:37:36,480
Speaker 1: Right, And I'm like seven right, what?

743
00:37:36,760 --> 00:37:39,000
Speaker 6: And I have to look at Homie and be like, look, man,

744
00:37:40,200 --> 00:37:43,439
Speaker 6: just keep whipping in the naan, like just stay where

745
00:37:43,480 --> 00:37:47,279
Speaker 6: you are, just stay you're going, Homie, Like if you

746
00:37:47,320 --> 00:37:50,440
Speaker 6: feel me like find something timeless, like whatever you know,

747
00:37:51,120 --> 00:37:54,399
Speaker 6: like whatever the verbal version of like just a pair

748
00:37:54,440 --> 00:37:57,640
Speaker 6: of clean dickies and a white tea is some chucks, bro,

749
00:37:57,840 --> 00:38:00,480
Speaker 6: Like just stay classic.

750
00:38:00,200 --> 00:38:02,120
Speaker 2: You feel me like, you can't lose if you just

751
00:38:02,200 --> 00:38:05,719
Speaker 2: stay classic. It's okay. You don't know what six seven is? Yeah,

752
00:38:05,800 --> 00:38:09,160
Speaker 2: it's fine. That's their thing. Let them have a thing.

753
00:38:09,640 --> 00:38:12,800
Speaker 1: Yeah right, yeah, So I just told it doesn't mean anything,

754
00:38:13,040 --> 00:38:15,960
Speaker 1: so it's fine for me to use it in all contexts.

755
00:38:16,000 --> 00:38:17,800
Speaker 2: Actually, and you know what, you might be right.

756
00:38:17,760 --> 00:38:20,239
Speaker 1: And that's actually cool and that makes me cool, just

757
00:38:20,280 --> 00:38:20,800
Speaker 1: that fly.

758
00:38:20,760 --> 00:38:22,680
Speaker 2: Out And here's the thing, because I have it, you

759
00:38:22,760 --> 00:38:24,520
Speaker 2: might be right. You know why? You know why you

760
00:38:24,600 --> 00:38:25,160
Speaker 2: might be right?

761
00:38:25,760 --> 00:38:26,080
Speaker 1: Or why?

762
00:38:26,080 --> 00:38:30,440
Speaker 7: I don't know because I don't know. And it's okay

763
00:38:30,719 --> 00:38:32,919
Speaker 7: that I don't know. And guess what, these kids don't

764
00:38:32,920 --> 00:38:34,480
Speaker 7: know what the fuck we're talking about. They don't know

765
00:38:34,480 --> 00:38:36,680
Speaker 7: what the hell were talking about. They don't want to know.

766
00:38:36,719 --> 00:38:40,000
Speaker 6: When they hear a song that like, actually that song

767
00:38:40,080 --> 00:38:42,640
Speaker 6: came from Let them have a song, man, you want

768
00:38:42,640 --> 00:38:43,240
Speaker 6: to hear the sample.

769
00:38:43,440 --> 00:38:44,120
Speaker 2: You want to hear the sample.

770
00:38:44,200 --> 00:38:47,160
Speaker 6: No, let them have a song, Like I almost showed

771
00:38:47,280 --> 00:38:50,880
Speaker 6: my daughter the Luther Vandro song as she was singing

772
00:38:50,920 --> 00:38:54,200
Speaker 6: along to Sissy and Kendrick, and I caught myself and

773
00:38:54,320 --> 00:38:55,759
Speaker 6: was like, why are you doing this?

774
00:38:56,600 --> 00:38:59,960
Speaker 2: You know what happens? Yeah, exactly let her have it.

775
00:39:00,360 --> 00:39:02,960
Speaker 2: You know who is not like, what is something you

776
00:39:03,000 --> 00:39:03,759
Speaker 2: think is over?

777
00:39:03,960 --> 00:39:04,200
Speaker 8: Yeah?

778
00:39:04,239 --> 00:39:09,160
Speaker 2: That would be Superman. No.

779
00:39:09,160 --> 00:39:11,160
Speaker 6: Now she asked me why is it called Luther? Then

780
00:39:11,160 --> 00:39:13,719
Speaker 6: I would tell her, but like she's not asking the

781
00:39:13,719 --> 00:39:17,120
Speaker 6: red questions. I mean, but you're the cool dad.

782
00:39:17,200 --> 00:39:20,040
Speaker 3: I feel like that's kind of the formative process, is

783
00:39:20,080 --> 00:39:22,840
Speaker 3: you have somebody, even though they are not into it,

784
00:39:22,880 --> 00:39:25,160
Speaker 3: they're gonna be like, you know, actually I did appreciate you.

785
00:39:25,200 --> 00:39:28,160
Speaker 6: Actually now my oldest But she found it on her own.

786
00:39:28,320 --> 00:39:30,719
Speaker 6: So the thing was I just exposed her to it.

787
00:39:30,800 --> 00:39:33,799
Speaker 2: I didn't like make her. It was just you would

788
00:39:33,800 --> 00:39:34,440
Speaker 2: come in the house.

789
00:39:34,880 --> 00:39:37,520
Speaker 6: I'm playing in the house, I'm walking around, I'm doing

790
00:39:37,600 --> 00:39:40,200
Speaker 6: this is what we're playing. There's records that those are

791
00:39:40,200 --> 00:39:42,360
Speaker 6: the records right there. I'm pulling from there and just

792
00:39:42,480 --> 00:39:44,720
Speaker 6: let it be a part of her ethos. And now

793
00:39:44,760 --> 00:39:48,000
Speaker 6: she's like, yeah, now she's you see the crates behind me,

794
00:39:48,080 --> 00:39:49,720
Speaker 6: She's like digging through them crates.

795
00:39:49,719 --> 00:39:51,720
Speaker 2: You know what I'm saying, Yeah, that's fun.

796
00:39:52,840 --> 00:39:55,920
Speaker 1: What is something from your search history that is revealing

797
00:39:55,960 --> 00:39:56,879
Speaker 1: about who you are?

798
00:39:57,520 --> 00:40:03,239
Speaker 9: This is so embarrassing. H I'm a big Cardi B fan.

799
00:40:05,040 --> 00:40:08,680
Speaker 9: I have tickets to her first show back after giving

800
00:40:08,680 --> 00:40:12,120
Speaker 9: birth in February, so we'll see how that goes. I

801
00:40:12,160 --> 00:40:14,600
Speaker 9: like the new album a lot. I think it's great.

802
00:40:14,920 --> 00:40:16,719
Speaker 9: I didn't love it the first listen through, but the

803
00:40:16,719 --> 00:40:20,800
Speaker 9: second listen I was like, this is amazing, still very good. Anyway,

804
00:40:20,840 --> 00:40:23,520
Speaker 9: I've been watching a lot of Cardi B interviews and

805
00:40:23,800 --> 00:40:28,600
Speaker 9: she was on one interview with Angie Martinez and I

806
00:40:28,640 --> 00:40:31,360
Speaker 9: was just looking at her watch and I was like, damn,

807
00:40:32,120 --> 00:40:35,800
Speaker 9: that's a nice watch. And I was like trying to

808
00:40:35,880 --> 00:40:39,040
Speaker 9: zoom in and I couldn't find you know, like, what

809
00:40:39,280 --> 00:40:40,040
Speaker 9: is this watch?

810
00:40:40,200 --> 00:40:40,440
Speaker 6: You know?

811
00:40:41,520 --> 00:40:44,360
Speaker 9: So I was really into the watch. It was like big,

812
00:40:44,600 --> 00:40:53,000
Speaker 9: chunky and white, and I realized, yes, I finally found it,

813
00:40:53,360 --> 00:40:58,360
Speaker 9: and it is a two point five million dollar watch

814
00:40:59,080 --> 00:41:03,920
Speaker 9: that some boys, some guys name it's whatever.

815
00:41:04,800 --> 00:41:07,879
Speaker 2: So then Richard Richard.

816
00:41:11,840 --> 00:41:14,600
Speaker 9: Million dollar watch. Now, of course, this takes my love

817
00:41:14,600 --> 00:41:16,480
Speaker 9: of her down because I'm like, nobody needs a two

818
00:41:16,520 --> 00:41:19,359
Speaker 9: and a half million dollar watch, you know, blah blah blah.

819
00:41:19,400 --> 00:41:25,680
Speaker 9: I'm you know, but I didn't did search chunky white

820
00:41:25,760 --> 00:41:31,160
Speaker 9: watch and realized that, you know, for the rubes out

821
00:41:31,200 --> 00:41:35,040
Speaker 9: there who just want to watch that looks like a nice.

822
00:41:34,800 --> 00:41:37,160
Speaker 1: Watch's just pointing to a chunky white watch on her

823
00:41:37,200 --> 00:41:37,680
Speaker 1: own wrist.

824
00:41:38,080 --> 00:41:42,479
Speaker 9: There's a lot of dupes out there here, so I'm

825
00:41:42,520 --> 00:41:45,160
Speaker 9: a total dupe and I like. I like it. It's

826
00:41:45,200 --> 00:41:47,800
Speaker 9: it's white, it's light, and it's guess.

827
00:41:47,920 --> 00:41:49,879
Speaker 2: Let me see that. Let me see that. Bring that close.

828
00:41:49,920 --> 00:41:52,479
Speaker 10: To bring that close to grandmother's eyes so I can look.

829
00:41:52,440 --> 00:41:54,880
Speaker 9: Again if you can't focus on it. But it's like

830
00:41:55,480 --> 00:41:56,000
Speaker 9: I got.

831
00:41:55,800 --> 00:41:57,040
Speaker 2: The clear watch. It's guest.

832
00:41:57,080 --> 00:42:00,919
Speaker 1: Branch's not asking you to guess yet, let me bring

833
00:42:00,960 --> 00:42:01,279
Speaker 1: it close.

834
00:42:01,600 --> 00:42:03,680
Speaker 10: Yeah, Richard mill, Yeah, that.

835
00:42:03,719 --> 00:42:04,160
Speaker 2: Was a joke.

836
00:42:04,160 --> 00:42:05,879
Speaker 1: If anybody laughed at that joke, that was a joke

837
00:42:05,960 --> 00:42:08,920
Speaker 1: from the Brady Bunch movie that I just stole.

838
00:42:08,719 --> 00:42:14,040
Speaker 11: There so wow, where she jeans are those and she

839
00:42:14,080 --> 00:42:19,880
Speaker 11: says guess and she goes, okay, Lee LEVI ye, No

840
00:42:20,000 --> 00:42:20,319
Speaker 11: it is.

841
00:42:20,520 --> 00:42:21,200
Speaker 2: I haven't bought.

842
00:42:21,160 --> 00:42:23,600
Speaker 9: Something from guests, I think since I was like seventeen,

843
00:42:24,120 --> 00:42:27,360
Speaker 9: So this is very like. I like the watch. It's fine,

844
00:42:27,520 --> 00:42:30,680
Speaker 9: it's cute. It is definitely a like I saw Cardi

845
00:42:30,800 --> 00:42:32,759
Speaker 9: b on an interview, and I don't have two and

846
00:42:32,800 --> 00:42:33,800
Speaker 9: a half million dollars.

847
00:42:33,800 --> 00:42:36,640
Speaker 3: Funny, I didn't never clogged Cardi B to be one

848
00:42:36,640 --> 00:42:39,520
Speaker 3: of your style icons, because you don't dress like Cardi

849
00:42:39,600 --> 00:42:42,360
Speaker 3: B at all your.

850
00:42:42,360 --> 00:42:45,799
Speaker 9: Energy on the I need some ribs removed first and

851
00:42:46,239 --> 00:42:49,879
Speaker 9: putting I don't know where some I guess inner thigh

852
00:42:49,960 --> 00:42:50,920
Speaker 9: weight into my ass.

853
00:42:50,920 --> 00:42:53,600
Speaker 2: The point is, you know the ribs in your ass?

854
00:42:59,560 --> 00:43:00,319
Speaker 2: Knock on thing.

855
00:43:00,760 --> 00:43:02,120
Speaker 9: No, not my satellite on.

856
00:43:02,200 --> 00:43:03,160
Speaker 2: But I was needing a.

857
00:43:03,120 --> 00:43:04,680
Speaker 9: New watch, and I just you know, so I was

858
00:43:04,680 --> 00:43:07,719
Speaker 9: like chunky watch, and I feel like Google or Duck

859
00:43:07,800 --> 00:43:11,400
Speaker 9: Duck go, which I use knew that I was looking

860
00:43:11,440 --> 00:43:13,879
Speaker 9: for a very dupe.

861
00:43:14,040 --> 00:43:14,759
Speaker 2: Hey, don't go.

862
00:43:15,040 --> 00:43:17,919
Speaker 3: I mean you can find Chonky so many people do.

863
00:43:18,160 --> 00:43:20,160
Speaker 3: You could have found one that is pretty much like

864
00:43:20,200 --> 00:43:24,560
Speaker 3: a just a direct ripoff of that. Oh yeah, if

865
00:43:24,560 --> 00:43:26,120
Speaker 3: you really wanted to have that, you know what I mean,

866
00:43:26,120 --> 00:43:26,960
Speaker 3: I could, I know.

867
00:43:26,960 --> 00:43:28,560
Speaker 9: All, but that would have been like what like five

868
00:43:28,640 --> 00:43:31,400
Speaker 9: hundred thousand or something like pople You get.

869
00:43:31,200 --> 00:43:34,640
Speaker 10: That shit on the gate for like fucking like eighty bucks.

870
00:43:35,080 --> 00:43:39,000
Speaker 9: Okay, anyway, the right I don't know what the Google's

871
00:43:39,080 --> 00:43:39,799
Speaker 9: da gate.

872
00:43:39,960 --> 00:43:42,319
Speaker 3: Okay, this is where the Chinese websites where you get

873
00:43:42,320 --> 00:43:43,520
Speaker 3: all the counterfeit merchandise.

874
00:43:43,880 --> 00:43:46,439
Speaker 1: I feel like the world of reps has been under

875
00:43:46,520 --> 00:43:52,360
Speaker 1: publicized because it is really like the very foundation of

876
00:43:52,800 --> 00:43:58,400
Speaker 1: capitalism wobbles under its weight under replicas. The most expensive

877
00:43:59,239 --> 00:44:03,240
Speaker 1: pair of shoes, like the My wife, for I think

878
00:44:03,440 --> 00:44:07,040
Speaker 1: our anniversary, bought me these shoes that were like my

879
00:44:07,160 --> 00:44:12,799
Speaker 1: grail sneakers, the Union, Guaba Ice, Jordan Force, and I

880
00:44:13,040 --> 00:44:15,680
Speaker 1: was wearing them. Miles was there, he can attest to

881
00:44:15,719 --> 00:44:20,319
Speaker 1: this in Las Vegas and a teenager walked up to

882
00:44:20,400 --> 00:44:23,160
Speaker 1: me and goes and goes nice reps.

883
00:44:23,560 --> 00:44:24,840
Speaker 8: No, laughed.

884
00:44:25,239 --> 00:44:29,440
Speaker 1: So not only not only like can you fool people

885
00:44:29,520 --> 00:44:32,520
Speaker 1: by getting the reps, but if you are stupid enough

886
00:44:32,560 --> 00:44:36,600
Speaker 1: to spend the money on the nice thing that you covet, yeah,

887
00:44:36,600 --> 00:44:39,640
Speaker 1: people are gonna think they're reps anyways, might as well

888
00:44:39,719 --> 00:44:40,920
Speaker 1: just get the fucking reps.

889
00:44:41,040 --> 00:44:41,480
Speaker 2: Okay.

890
00:44:41,560 --> 00:44:44,640
Speaker 9: So he wasn't like he just clocked you with someone

891
00:44:44,680 --> 00:44:47,000
Speaker 9: who didn't wasn't able to get the rep. It was

892
00:44:47,239 --> 00:44:48,120
Speaker 9: able to get the original.

893
00:44:48,200 --> 00:44:49,960
Speaker 3: Yeah, he was just trying to because reps are so

894
00:44:50,120 --> 00:44:54,960
Speaker 3: pervasive and they look some of them are so good.

895
00:44:55,360 --> 00:44:55,600
Speaker 2: Yeah.

896
00:44:55,680 --> 00:44:58,839
Speaker 1: Yeah, And there was a sneaker convention in town. So

897
00:44:58,920 --> 00:45:01,400
Speaker 1: he was like, but like the fact that there's a

898
00:45:01,400 --> 00:45:06,239
Speaker 1: sneaker convention in town at the time means that he

899
00:45:06,800 --> 00:45:10,160
Speaker 1: was like he was really saying fuck you, because he

900
00:45:10,239 --> 00:45:13,080
Speaker 1: was like, look at this rube who just bought some reps,

901
00:45:13,280 --> 00:45:14,960
Speaker 1: like at the sneaker.

902
00:45:14,600 --> 00:45:17,280
Speaker 2: Convey Did you chase him out? Like no, not, they're

903
00:45:17,320 --> 00:45:18,040
Speaker 2: actually real.

904
00:45:18,280 --> 00:45:20,319
Speaker 3: I mean, like to your point, it's really interesting. Just

905
00:45:20,360 --> 00:45:24,200
Speaker 3: like his as somebody who loves sneakers but hates paying

906
00:45:24,760 --> 00:45:28,279
Speaker 3: just like insane amounts of money. I'm like, yeah, I'll

907
00:45:28,320 --> 00:45:31,120
Speaker 3: buy fakes because I'm not about to pay fucking five

908
00:45:31,200 --> 00:45:32,400
Speaker 3: hundred dollars for parisoningger.

909
00:45:32,440 --> 00:45:34,880
Speaker 2: I'll pay it a hundred from somewhere else.

910
00:45:35,320 --> 00:45:39,360
Speaker 3: Yeah, but like it it's it's it's broken the brains

911
00:45:39,360 --> 00:45:42,799
Speaker 3: of like hype beast brand focused people who are like

912
00:45:43,200 --> 00:45:45,160
Speaker 3: the whole point is like you don't want to like

913
00:45:45,200 --> 00:45:46,920
Speaker 3: why spend for the cheap thing, like you want to

914
00:45:46,960 --> 00:45:49,080
Speaker 3: spend like the twelve hundred dollars on the other thing,

915
00:45:49,200 --> 00:45:50,000
Speaker 3: Like that's the whole.

916
00:45:49,840 --> 00:45:50,200
Speaker 2: Point of it.

917
00:45:50,239 --> 00:45:51,560
Speaker 10: And you're like, it actually isn't.

918
00:45:51,560 --> 00:45:54,200
Speaker 3: And look how pressed you are because somebody just showed

919
00:45:54,280 --> 00:45:56,239
Speaker 3: up with the thing that looks like the thing that

920
00:45:56,320 --> 00:45:58,320
Speaker 3: costs two thousand dollars or whatever.

921
00:45:59,000 --> 00:46:01,759
Speaker 9: It's it's I mean, I'm not into Like when I

922
00:46:01,800 --> 00:46:03,799
Speaker 9: did go to China, they did take us like part

923
00:46:03,840 --> 00:46:05,560
Speaker 9: of the tour when I visit. I can't remember if

924
00:46:05,560 --> 00:46:07,160
Speaker 9: I was outside of Beijing. They took us to a

925
00:46:07,160 --> 00:46:10,000
Speaker 9: place that was like, you know, number one, First of all,

926
00:46:10,040 --> 00:46:13,480
Speaker 9: you ever tried to like not buy something, you know,

927
00:46:13,640 --> 00:46:15,560
Speaker 9: like just a place that's like nothing but dupes and

928
00:46:15,560 --> 00:46:18,960
Speaker 9: reps and like whatever, like fakes, knock off shit. It's impossible.

929
00:46:19,000 --> 00:46:21,439
Speaker 9: You cannot make eye contact with any vendors because they'll

930
00:46:21,480 --> 00:46:25,480
Speaker 9: be like, buy my glasses, please, saw you looking?

931
00:46:25,560 --> 00:46:27,279
Speaker 8: I saw you looking, and you're like, oh my god,

932
00:46:27,280 --> 00:46:27,839
Speaker 8: oh my god.

933
00:46:28,200 --> 00:46:30,200
Speaker 9: But I will say like I'm not someone who's ever

934
00:46:30,239 --> 00:46:32,680
Speaker 9: been into brands. I don't. I really don't care. Like

935
00:46:32,719 --> 00:46:37,040
Speaker 9: I understand occasionally occasionally be like oh, like the logo

936
00:46:37,280 --> 00:46:39,719
Speaker 9: whatever whatever, but it really is about like, oh, the

937
00:46:39,719 --> 00:46:41,320
Speaker 9: style is nice. It's a nice style.

938
00:46:41,400 --> 00:46:44,719
Speaker 1: It's a well the way it looks anyway, I just

939
00:46:44,719 --> 00:46:45,359
Speaker 1: put it in the chat.

940
00:46:45,440 --> 00:46:47,719
Speaker 2: Look at that dupe that's thirteen bucks off the gate.

941
00:46:48,120 --> 00:46:53,359
Speaker 9: Shut up, yes, this looks exactly like what I have there.

942
00:46:53,360 --> 00:46:56,800
Speaker 3: You go, you know what I mean, yeah, save your coins,

943
00:46:57,280 --> 00:46:59,720
Speaker 3: save your coins, quest for the Revolution?

944
00:47:03,080 --> 00:47:06,480
Speaker 2: What is what something you think is underrated? Underrated? Yeah?

945
00:47:06,480 --> 00:47:07,560
Speaker 8: I can answer that question.

946
00:47:08,040 --> 00:47:10,960
Speaker 2: So underrated? All right, you sound like a guilty guy

947
00:47:11,080 --> 00:47:11,840
Speaker 2: being questioned.

948
00:47:13,080 --> 00:47:13,279
Speaker 1: Yeah.

949
00:47:13,360 --> 00:47:16,080
Speaker 8: Yeah, you Saturday night around two am.

950
00:47:16,600 --> 00:47:20,040
Speaker 1: Yeah, yeah, yeah, I can answer that question.

951
00:47:20,520 --> 00:47:23,720
Speaker 8: Asked midnight, sure, two hours to two am in the morning.

952
00:47:23,719 --> 00:47:28,839
Speaker 8: In the morning, then I was at so underrated.

953
00:47:28,960 --> 00:47:35,399
Speaker 12: I have sleep masks, but with the eyes indented, if

954
00:47:35,440 --> 00:47:38,840
Speaker 12: that makes sense. So you can get a sleep mask

955
00:47:39,280 --> 00:47:43,360
Speaker 12: that doesn't cons your eyes. So it's there's like I.

956
00:47:43,640 --> 00:47:48,680
Speaker 10: Who hold, there's a concave, so there's cavity.

957
00:47:48,760 --> 00:47:50,040
Speaker 1: It pops a little bit.

958
00:47:50,120 --> 00:47:52,120
Speaker 8: Yeah, macavity, macavity.

959
00:47:52,360 --> 00:47:53,520
Speaker 2: No, that's not what we said.

960
00:47:53,560 --> 00:47:55,440
Speaker 12: We said, he sure, no, No, you can get the

961
00:47:55,480 --> 00:47:57,839
Speaker 12: rum Tum Tugger brand of eyeglasses. Why are you guys

962
00:47:57,880 --> 00:47:59,000
Speaker 12: talking about cats constantly?

963
00:47:59,800 --> 00:48:00,359
Speaker 2: Your ago?

964
00:48:00,680 --> 00:48:02,000
Speaker 8: That happened so long?

965
00:48:02,840 --> 00:48:07,680
Speaker 2: They took out the butts? Okay, the butthole cut. We

966
00:48:07,719 --> 00:48:08,960
Speaker 2: won't stop. We won't stop.

967
00:48:09,480 --> 00:48:12,000
Speaker 1: I will not stop until they released the butthole cut

968
00:48:12,160 --> 00:48:13,080
Speaker 1: in theaters.

969
00:48:13,320 --> 00:48:15,680
Speaker 10: Jack didn't Jack doesn't even know me. I'd even vote

970
00:48:15,719 --> 00:48:16,240
Speaker 10: in the election.

971
00:48:17,800 --> 00:48:21,560
Speaker 1: Rating only the only thing keeping I actually think the

972
00:48:21,560 --> 00:48:25,120
Speaker 1: country is on a great course, except they didn't release

973
00:48:25,160 --> 00:48:27,719
Speaker 1: the butthole cut you.

974
00:48:27,719 --> 00:48:29,879
Speaker 8: Like the masks, Yeah, I mean I get Yeah.

975
00:48:30,280 --> 00:48:32,640
Speaker 3: Once you have one that actually like doesn't press against

976
00:48:32,640 --> 00:48:35,560
Speaker 3: your eyelashes and stuff, it makes it a lot easier

977
00:48:35,600 --> 00:48:38,080
Speaker 3: because I used to look, I got luscious eyelashes.

978
00:48:38,200 --> 00:48:42,120
Speaker 8: Yeah, so does Jack too. And then I think also Jack,

979
00:48:42,120 --> 00:48:42,680
Speaker 8: I don't know if.

980
00:48:42,560 --> 00:48:43,360
Speaker 1: You eye luscious.

981
00:48:43,520 --> 00:48:45,120
Speaker 2: Yeah oh yeah, yeah yeah.

982
00:48:44,800 --> 00:48:44,880
Speaker 4: The.

983
00:48:47,040 --> 00:48:51,320
Speaker 3: Little discomfort yeah right anyway, yeah, so great are you doing?

984
00:48:51,600 --> 00:48:54,319
Speaker 1: And is that why you need the concavity over the

985
00:48:54,360 --> 00:48:56,880
Speaker 1: eyes or is it something about like the feeling of

986
00:48:56,960 --> 00:48:59,920
Speaker 1: having your eyes pushed back into your ship.

987
00:49:02,080 --> 00:49:04,640
Speaker 8: It's the thing about my eyes big push back.

988
00:49:04,520 --> 00:49:05,320
Speaker 2: Into my ship.

989
00:49:05,480 --> 00:49:09,240
Speaker 11: Yeah, pushed it, yeah, my whole eyes ship.

990
00:49:10,320 --> 00:49:14,360
Speaker 8: Yeah, it's definitely that.

991
00:49:14,719 --> 00:49:17,520
Speaker 12: Because your eyes are more or firmer than the lash,

992
00:49:17,600 --> 00:49:20,560
Speaker 12: like the lashes. If you're doing it with with care,

993
00:49:20,920 --> 00:49:23,600
Speaker 12: you can push down a lash, you know, like and

994
00:49:24,160 --> 00:49:27,360
Speaker 12: be relatively comfortable. But yeah, no, it's not having the

995
00:49:27,400 --> 00:49:29,960
Speaker 12: eye it's like you're not wearing it at all. Essentially,

996
00:49:29,960 --> 00:49:33,560
Speaker 12: where if you have a cheap piece of ship eyemask

997
00:49:33,719 --> 00:49:36,560
Speaker 12: that pushes in your ship, your eyes, ship in your

998
00:49:36,600 --> 00:49:38,319
Speaker 12: eyes ship, I remember the luck.

999
00:49:38,440 --> 00:49:40,840
Speaker 10: A lot of people don't realize in training, that's what

1000
00:49:40,920 --> 00:49:43,120
Speaker 10: those gangsters were talking about when they're talking to Ethan

1001
00:49:43,120 --> 00:49:47,040
Speaker 10: Hawk's characters.

1002
00:49:46,560 --> 00:49:49,880
Speaker 1: Pushed it to push gently on his eyes.

1003
00:49:53,320 --> 00:49:54,840
Speaker 2: Yeah, yeah, yeah.

1004
00:49:54,960 --> 00:49:57,200
Speaker 1: Do you ever notice people when they laugh really hard

1005
00:49:57,320 --> 00:49:58,399
Speaker 1: will push on.

1006
00:49:58,360 --> 00:49:59,440
Speaker 2: Their ars like that?

1007
00:50:00,160 --> 00:50:02,640
Speaker 8: Mm hm oh some people.

1008
00:50:02,760 --> 00:50:03,400
Speaker 2: I don't know.

1009
00:50:03,760 --> 00:50:05,840
Speaker 1: I feel like that's a new trend. I'm noticing.

1010
00:50:06,920 --> 00:50:09,440
Speaker 2: I make a lot of people laugh really hard. So

1011
00:50:09,480 --> 00:50:10,240
Speaker 2: that's that's.

1012
00:50:10,120 --> 00:50:12,200
Speaker 1: The thing that I've just I'm on the cutting edge

1013
00:50:12,239 --> 00:50:14,279
Speaker 1: of people's reactions when they like.

1014
00:50:14,280 --> 00:50:16,680
Speaker 3: You're spitting like shards of apple into their faces and

1015
00:50:16,760 --> 00:50:23,839
Speaker 3: you speak and like, yeah, wait, what's your theory there?

1016
00:50:23,840 --> 00:50:25,680
Speaker 10: Like they're trying to keep their eyeballs from popping out,

1017
00:50:25,719 --> 00:50:26,680
Speaker 10: so they got to keep their ship.

1018
00:50:26,719 --> 00:50:29,840
Speaker 1: I just I've seen multiple comedians, like on podcasts do

1019
00:50:29,880 --> 00:50:33,040
Speaker 1: it where like somebody says something really funny early that

1020
00:50:33,800 --> 00:50:36,960
Speaker 1: young Matt Appadaka does it.

1021
00:50:36,960 --> 00:50:40,240
Speaker 2: It's a trend. It's a trend with uh people. I've noticed.

1022
00:50:41,120 --> 00:50:42,920
Speaker 1: We got to get his ass back here and take

1023
00:50:43,000 --> 00:50:45,760
Speaker 1: him to task on this pushing his whole ship, and

1024
00:50:46,120 --> 00:50:48,839
Speaker 1: I think, what's your.

1025
00:50:48,800 --> 00:50:50,040
Speaker 2: Eyes about to pop out? Like that?

1026
00:50:50,080 --> 00:50:51,839
Speaker 10: One lady in the nineties who had a whole career

1027
00:50:51,840 --> 00:50:53,319
Speaker 10: for making her eyes pop out on TV?

1028
00:50:54,280 --> 00:50:56,960
Speaker 1: How do you think she found out she had that skill?

1029
00:50:58,600 --> 00:51:02,040
Speaker 3: I should have been laughing like the whole time. I'm

1030
00:51:02,040 --> 00:51:05,720
Speaker 3: glad I didn't because I wouldn't have this mansion. LMO laughed,

1031
00:51:05,760 --> 00:51:10,080
Speaker 3: my eyes off, laugh, my eyes out, my eyes out.

1032
00:51:10,120 --> 00:51:11,600
Speaker 3: You're making me laugh my eyes out.

1033
00:51:12,680 --> 00:51:15,879
Speaker 2: Laugh my fucking eyes out. The are you?

1034
00:51:15,880 --> 00:51:18,600
Speaker 1: You're a sleep mask guy? Because I'm working on a

1035
00:51:18,640 --> 00:51:22,400
Speaker 1: loose theory, Blake. There's a recent study that said that

1036
00:51:23,200 --> 00:51:26,839
Speaker 1: night lights cause people to be at a higher risk

1037
00:51:27,040 --> 00:51:32,040
Speaker 1: of heart failure and heart disease, heart attack, all the

1038
00:51:32,080 --> 00:51:34,959
Speaker 1: bad all the bad ones, all the heart stuff. And

1039
00:51:35,640 --> 00:51:38,200
Speaker 1: I'm wondering. I was wondering because I also have a

1040
00:51:38,440 --> 00:51:41,799
Speaker 1: I've heard anecdotally from people and this apparently isn't backed

1041
00:51:41,880 --> 00:51:44,800
Speaker 1: up by science, but that like mental institutions are a

1042
00:51:44,840 --> 00:51:48,560
Speaker 1: lot more busy, have a lot more incoming on nights

1043
00:51:48,600 --> 00:51:51,680
Speaker 1: with full moons, and I'm wondering, like if it's just

1044
00:51:51,840 --> 00:51:55,960
Speaker 1: the subtle sleep disruption of having some light in the

1045
00:51:56,120 --> 00:52:01,080
Speaker 1: room from the full moon or sleep interesting.

1046
00:52:01,640 --> 00:52:04,759
Speaker 12: I so we have blackout curtains, as as I've told

1047
00:52:04,800 --> 00:52:07,040
Speaker 12: you multiple time, as I've said on our on top.

1048
00:52:06,880 --> 00:52:08,800
Speaker 10: Of a hat, isn't it You got blackout curtains and

1049
00:52:08,880 --> 00:52:09,600
Speaker 10: you need the imass.

1050
00:52:09,960 --> 00:52:13,000
Speaker 12: I'll use the imass when I travel, and which I

1051
00:52:13,000 --> 00:52:15,480
Speaker 12: should have, which I should have disclosed earlier, and I apologized,

1052
00:52:15,520 --> 00:52:16,160
Speaker 12: but it is.

1053
00:52:16,200 --> 00:52:17,560
Speaker 8: It does help when you travel.

1054
00:52:17,640 --> 00:52:20,719
Speaker 1: Sleep mask with I indented for travel, can.

1055
00:52:21,120 --> 00:52:24,239
Speaker 12: Get Yeah, I'm sorry to give you more work justin

1056
00:52:24,280 --> 00:52:26,040
Speaker 12: when you get a chance, can you actually edit what

1057
00:52:26,080 --> 00:52:27,319
Speaker 12: I just clean?

1058
00:52:29,000 --> 00:52:29,680
Speaker 8: Let's get clean.

1059
00:52:29,719 --> 00:52:31,040
Speaker 2: People are gonna want that clean.

1060
00:52:31,160 --> 00:52:36,160
Speaker 12: I think I masks scooped out eyes for travel and also.

1061
00:52:36,360 --> 00:52:42,040
Speaker 1: So gross, get stoop out, Let me get out scooped outs,

1062
00:52:42,040 --> 00:52:42,880
Speaker 1: scoop toasted.

1063
00:52:43,120 --> 00:52:48,560
Speaker 12: Can I toasted eye masks scooped out? Well, here's here's

1064
00:52:48,560 --> 00:52:51,719
Speaker 12: an I wonder also where if it is darker in

1065
00:52:51,800 --> 00:52:54,120
Speaker 12: your room and you can't see anything, there's probably dangerous

1066
00:52:54,120 --> 00:52:57,040
Speaker 12: there too. Where We were staying one night at my

1067
00:52:57,120 --> 00:53:00,480
Speaker 12: in laws and I walked at a speed that would

1068
00:53:00,520 --> 00:53:03,320
Speaker 12: suggest that I had no worries in the world, directly

1069
00:53:03,360 --> 00:53:05,839
Speaker 12: into the corner of a wall and had like didn't

1070
00:53:05,880 --> 00:53:08,239
Speaker 12: put my hands up, like didn't slow down, and had

1071
00:53:08,280 --> 00:53:09,799
Speaker 12: a big out that in my head he was.

1072
00:53:09,840 --> 00:53:12,160
Speaker 2: Walking with purpose. Face burst the.

1073
00:53:12,200 --> 00:53:14,440
Speaker 12: Wall as if I had, Like I was in the

1074
00:53:14,480 --> 00:53:16,600
Speaker 12: airport and had time to make my flight, so I

1075
00:53:16,600 --> 00:53:17,480
Speaker 12: didn't have to run, but.

1076
00:53:17,520 --> 00:53:19,680
Speaker 8: Like was I got to walk at a brisk pace?

1077
00:53:19,920 --> 00:53:20,160
Speaker 2: Yeah?

1078
00:53:20,239 --> 00:53:22,080
Speaker 8: Se, Yeah, there's dangers everywhere.

1079
00:53:22,280 --> 00:53:24,359
Speaker 5: All right, And that's going to do it for this

1080
00:53:24,520 --> 00:53:29,040
Speaker 5: edition of Oops. All overrated, underrated, and we'll be back

1081
00:53:29,160 --> 00:53:34,200
Speaker 5: Monday to find out all the baffling and horrible things

1082
00:53:34,200 --> 00:53:35,320
Speaker 5: that happened over the weekend.

1083
00:53:35,880 --> 00:53:39,719
Speaker 1: Bye the Daily Zeite guys as Executive produced by Catherine Law,

1084
00:53:40,040 --> 00:53:41,760
Speaker 1: co produced by bay Way.

1085
00:53:42,120 --> 00:53:43,840
Speaker 2: Co produced by Victor Wright

1086
00:53:44,280 --> 00:53:48,000
Speaker 5: Co written by j M McNabb, and edited and engineered

1087
00:53:48,040 --> 00:53:50,400
Speaker 5: by Brian Jeffries.