1 00:00:03,360 --> 00:00:13,760 Speaker 1: Transmitting this Alaska. Welcome to Thursday's show Morning Studio Morning 2 00:00:13,920 --> 00:00:16,160 Speaker 1: Slider Buddies. Here, I want to go over to Elizabeth 3 00:00:16,239 --> 00:00:19,599 Speaker 1: in Oklahoma City. She got a big day today. Elizabeth, 4 00:00:19,680 --> 00:00:22,279 Speaker 1: what's going on? Um? So, yes, I have a job 5 00:00:22,320 --> 00:00:25,640 Speaker 1: interview today and um. You know how at the end 6 00:00:25,640 --> 00:00:28,120 Speaker 1: of the interviews, people always ask if you have any 7 00:00:28,200 --> 00:00:31,160 Speaker 1: questions for us, and they say that if you answer 8 00:00:31,200 --> 00:00:34,960 Speaker 1: that that you should, like, you know, be interested in 9 00:00:34,960 --> 00:00:37,440 Speaker 1: the job or ask something really good to kind of 10 00:00:37,440 --> 00:00:40,200 Speaker 1: catch their attention. Because I was just wondering, if you've 11 00:00:40,200 --> 00:00:43,920 Speaker 1: ever had that opportunity, what's something that you ask or 12 00:00:44,120 --> 00:00:46,800 Speaker 1: what's an idea of something I could ask a good question? 13 00:00:47,080 --> 00:00:48,840 Speaker 1: So this is what I would do. I would jump 14 00:00:48,840 --> 00:00:51,920 Speaker 1: even ahead of that. And if you can ask questions 15 00:00:52,320 --> 00:00:57,160 Speaker 1: in the interview, it's so much stronger than if you 16 00:00:57,200 --> 00:01:00,800 Speaker 1: ask at the very end. So my tip to you 17 00:01:00,960 --> 00:01:03,080 Speaker 1: is go into this interview with a few questions and 18 00:01:03,120 --> 00:01:06,520 Speaker 1: have them ready and ask them while you're being interviewed, 19 00:01:07,160 --> 00:01:08,920 Speaker 1: and then at the end they're going to say, hey, 20 00:01:08,920 --> 00:01:10,720 Speaker 1: do you have any any other questions and then have 21 00:01:10,880 --> 00:01:14,679 Speaker 1: one have one just waiting to go. So basically, go 22 00:01:14,680 --> 00:01:16,279 Speaker 1: on to the five questions. You may use four, hopefully 23 00:01:16,400 --> 00:01:18,479 Speaker 1: use all five. You go, you ask that final question, 24 00:01:18,640 --> 00:01:20,680 Speaker 1: and they anything else, and you go, this is what 25 00:01:20,720 --> 00:01:24,240 Speaker 1: I say, not anything else. I've really asked all I 26 00:01:24,240 --> 00:01:25,960 Speaker 1: had ready and you answer, you nailed it. I really 27 00:01:25,959 --> 00:01:28,840 Speaker 1: appreciate that. It really, you know, makes me even more 28 00:01:28,880 --> 00:01:30,320 Speaker 1: interested in this job, and it makes me feel like 29 00:01:30,360 --> 00:01:31,520 Speaker 1: I could do an even better job. I have to 30 00:01:31,520 --> 00:01:35,319 Speaker 1: answer all those questions. So it's just about you being 31 00:01:35,400 --> 00:01:39,160 Speaker 1: dialed in and even questioning do you even want the job? 32 00:01:39,280 --> 00:01:40,360 Speaker 1: You know, I don't know what kind of job it is. 33 00:01:40,360 --> 00:01:41,520 Speaker 1: I don't know if you're coming off a job. I 34 00:01:41,520 --> 00:01:43,280 Speaker 1: don't know if they're trying to hire you away from something. 35 00:01:43,600 --> 00:01:46,399 Speaker 1: What kind of specific job is it? It would be 36 00:01:46,440 --> 00:01:49,120 Speaker 1: working with startups, I would be working with an accelerator 37 00:01:49,200 --> 00:01:51,720 Speaker 1: here in the area and would be working with I 38 00:01:51,840 --> 00:01:54,880 Speaker 1: kind of like with a shark tanklo tasty. I would 39 00:01:54,920 --> 00:01:56,160 Speaker 1: love to hear it. So are they trying to hire 40 00:01:56,160 --> 00:01:58,080 Speaker 1: you away from someone? Do you have a job right now? 41 00:01:58,080 --> 00:02:01,360 Speaker 1: What's that question? Oh? You have all the power, Yeah, 42 00:02:01,400 --> 00:02:04,000 Speaker 1: you have all the power, and you really don't. But 43 00:02:04,640 --> 00:02:09,040 Speaker 1: if you, for example, back when everybody was dating, all 44 00:02:09,040 --> 00:02:10,519 Speaker 1: you had to do is act like somebody else was 45 00:02:10,560 --> 00:02:14,600 Speaker 1: interested in you. Come on, everybody's like, ooh, I like 46 00:02:14,639 --> 00:02:16,960 Speaker 1: to have them. Then if I was ever dating a 47 00:02:17,000 --> 00:02:18,760 Speaker 1: girl and I found out that, you know, I was 48 00:02:18,840 --> 00:02:20,600 Speaker 1: nineteen or twenty, well, first of all, no girls wanted 49 00:02:20,600 --> 00:02:22,600 Speaker 1: to date me. But if so, and I was like, oh, 50 00:02:22,600 --> 00:02:24,320 Speaker 1: he likes her. I liked her a whole lot more 51 00:02:24,360 --> 00:02:27,080 Speaker 1: than only because somebody else liked her. So you go 52 00:02:27,120 --> 00:02:30,600 Speaker 1: into this interview, you're smiling. Remember, the key is just 53 00:02:30,639 --> 00:02:33,080 Speaker 1: getting them to like you and then proving that you 54 00:02:33,120 --> 00:02:35,160 Speaker 1: have the credentials, and that's it. Closed the door. Shut 55 00:02:35,200 --> 00:02:36,640 Speaker 1: the door at your job if you want it. And 56 00:02:36,639 --> 00:02:38,560 Speaker 1: then you ask questions during the interview, and at the 57 00:02:38,680 --> 00:02:40,320 Speaker 1: end you have one question left. And when they said 58 00:02:40,320 --> 00:02:41,840 Speaker 1: do you have any other questions, you say no, I've 59 00:02:41,840 --> 00:02:43,280 Speaker 1: asked all of them. I brought a bunch and you 60 00:02:43,400 --> 00:02:46,560 Speaker 1: nailed them. And it really gets me excited that maybe 61 00:02:46,560 --> 00:02:47,799 Speaker 1: I want to do this job and crush it, you 62 00:02:47,800 --> 00:02:49,880 Speaker 1: know that kind of thing. Okay, that's it, you got it, 63 00:02:50,400 --> 00:02:53,519 Speaker 1: Go get the job and come in eight percent. Yeah, yeah, yeah, yeah, 64 00:02:53,520 --> 00:02:55,920 Speaker 1: it's a consulting fee that that happens in the real world. Well, 65 00:02:55,919 --> 00:02:58,360 Speaker 1: thank you very much. I really appreciate it, and can 66 00:02:58,400 --> 00:03:00,360 Speaker 1: I ask I just say one more thing, Yeah, go ahead. 67 00:03:00,600 --> 00:03:03,320 Speaker 1: I want to say that I love Lunchbox. He's super, 68 00:03:03,400 --> 00:03:05,240 Speaker 1: super funny, and so I know he has a lot 69 00:03:05,280 --> 00:03:07,560 Speaker 1: of haters out there, but I just want to encourage 70 00:03:07,639 --> 00:03:10,120 Speaker 1: him and be like, keep me funny. I don't even 71 00:03:10,120 --> 00:03:11,480 Speaker 1: think he has had many haters. I think he just 72 00:03:11,520 --> 00:03:13,040 Speaker 1: says it. Yeah, I do have a lot of haters. 73 00:03:13,080 --> 00:03:14,600 Speaker 1: Thank you for that. I'm glad that you're smart and 74 00:03:14,639 --> 00:03:16,400 Speaker 1: I can tell you're a very intelligent person. I know 75 00:03:16,440 --> 00:03:18,639 Speaker 1: you're gonna get that job now. And I don't think 76 00:03:18,680 --> 00:03:20,639 Speaker 1: he needs to be funny. He's just that's a good 77 00:03:20,680 --> 00:03:22,360 Speaker 1: point to you know, that's a good point too. He 78 00:03:22,400 --> 00:03:24,600 Speaker 1: just says dumb stuff. It's funny. It's funny. Yeah, it's 79 00:03:24,600 --> 00:03:27,120 Speaker 1: true funny. All right, Elizabeth's good luck. Hope you nail it. 80 00:03:27,600 --> 00:03:29,560 Speaker 1: I appreciate it. Thank you so much. All right, check 81 00:03:29,600 --> 00:03:32,360 Speaker 1: back with us, let us know how it wins. It 82 00:03:32,520 --> 00:03:39,320 Speaker 1: is time to open up the mailbage something we call 83 00:03:40,840 --> 00:03:45,360 Speaker 1: ye Hello, Bobby Bones. My ten year old son loves movies. 84 00:03:45,760 --> 00:03:48,040 Speaker 1: He recently expressed to me that he wants to watch 85 00:03:48,200 --> 00:03:51,440 Speaker 1: Forrest Gump. It's ready. Pg. Thirteen. I think he's a 86 00:03:51,480 --> 00:03:53,840 Speaker 1: little young for it. There are things I'm not sure 87 00:03:53,880 --> 00:03:56,320 Speaker 1: he's ready for, like how will I explain to him 88 00:03:56,360 --> 00:04:00,720 Speaker 1: about Jenny's abuse from her father and Forrest's mother sleeping 89 00:04:01,000 --> 00:04:04,240 Speaker 1: with the school official. And then there's the violence and unrest, 90 00:04:04,240 --> 00:04:07,200 Speaker 1: the Vietnam War, Forrest being bullied by the local boys. 91 00:04:07,480 --> 00:04:09,760 Speaker 1: There are more adult themes in that movie than I 92 00:04:09,800 --> 00:04:12,360 Speaker 1: think he's ready for. He's ten. What do you think 93 00:04:12,840 --> 00:04:18,279 Speaker 1: is ten too young for Forrest Gump? Signed Melanie in Kansas. 94 00:04:18,960 --> 00:04:21,159 Speaker 1: That's interesting because I think the first time I watched 95 00:04:21,200 --> 00:04:24,600 Speaker 1: Forrest Gump, I didn't understand the mom and the principal thing. Yeah, 96 00:04:24,600 --> 00:04:27,640 Speaker 1: I don't think I got it exactly. I don't at all. 97 00:04:27,720 --> 00:04:30,200 Speaker 1: And I was like, and I just moved on. The 98 00:04:30,279 --> 00:04:34,400 Speaker 1: Vietnam War, Nope, didn't get that. Just thought it was 99 00:04:34,480 --> 00:04:37,160 Speaker 1: fighting war. I don't know Jenny's dad abuse stuff. I 100 00:04:37,200 --> 00:04:39,320 Speaker 1: didn't get that either at all when I first watched it. 101 00:04:39,360 --> 00:04:41,360 Speaker 1: I mean, and this came out in ninety four, so 102 00:04:41,400 --> 00:04:44,279 Speaker 1: i'd have been fourteen, and some of that stuff still 103 00:04:44,279 --> 00:04:46,719 Speaker 1: went over my head. Then you know you're a parent, 104 00:04:46,800 --> 00:04:50,440 Speaker 1: you know your son obviously. I think PG. Thirteen probably 105 00:04:50,480 --> 00:04:52,720 Speaker 1: back then as a little different than PG. Thirteen now even, 106 00:04:53,360 --> 00:04:56,800 Speaker 1: but I'll go to Eddie first, since he has, first 107 00:04:56,800 --> 00:04:59,200 Speaker 1: of all, loves Forrest Gump and has held your all 108 00:04:59,279 --> 00:05:01,480 Speaker 1: of your boys. My oldest is fourteen, and we went 109 00:05:01,520 --> 00:05:04,000 Speaker 1: through this a couple of years ago. That when he 110 00:05:04,080 --> 00:05:06,760 Speaker 1: wanted to watch Forrest Gump because it is my favorite movie, 111 00:05:06,760 --> 00:05:07,880 Speaker 1: and I told him that, he said, I want to 112 00:05:07,880 --> 00:05:10,160 Speaker 1: watch that someday. So we watched it for the first 113 00:05:10,200 --> 00:05:13,160 Speaker 1: time when he was thirteen last year, and there were like, 114 00:05:13,200 --> 00:05:14,880 Speaker 1: She's right, there are some parts in there that are 115 00:05:14,880 --> 00:05:17,640 Speaker 1: a little scary. Can I fast forwarded through a couple 116 00:05:18,200 --> 00:05:19,880 Speaker 1: U There's a little bit of nudity too that I 117 00:05:19,960 --> 00:05:23,240 Speaker 1: forgot that Forrest Gump had. So there are things that 118 00:05:23,600 --> 00:05:25,440 Speaker 1: I don't think. I think he's too young for it. 119 00:05:25,480 --> 00:05:27,440 Speaker 1: Ten is a little too young. We did it at thirteen, 120 00:05:27,480 --> 00:05:30,080 Speaker 1: it's three years later. But no the movie and no 121 00:05:30,160 --> 00:05:32,479 Speaker 1: win to pause, no win to forward. That'll help a lot. 122 00:05:32,560 --> 00:05:37,640 Speaker 1: I love that Kenny song, no Wind, that's the Watcher 123 00:05:38,279 --> 00:05:41,800 Speaker 1: of the Gambler. Hey, so what about the theory. I'm 124 00:05:41,800 --> 00:05:44,000 Speaker 1: just throwing this out there that at ten he won't 125 00:05:44,080 --> 00:05:46,480 Speaker 1: understand any of that. Yeah, see, I thought about that, 126 00:05:46,520 --> 00:05:50,920 Speaker 1: But my son understood everyeen. Between ten and thirteen, there's 127 00:05:50,960 --> 00:05:53,800 Speaker 1: a lot of development. It's risky. It's risky because be 128 00:05:53,880 --> 00:05:56,960 Speaker 1: prepared to explain stuff early, if you know if yeah, 129 00:05:57,120 --> 00:05:58,240 Speaker 1: that's why you don't watch it with him. You have 130 00:05:58,320 --> 00:06:03,560 Speaker 1: to explained anything, Okay, so Eddie says, and oh no, wait, okay, Amy, Well, 131 00:06:03,600 --> 00:06:06,320 Speaker 1: so I watched Pretty Woman when I was nine, and 132 00:06:06,680 --> 00:06:09,360 Speaker 1: I had no idea what was happening, and it's one 133 00:06:09,400 --> 00:06:11,719 Speaker 1: of my favorite movies ever, and I think I just 134 00:06:11,800 --> 00:06:14,000 Speaker 1: pieced together what I thought and it was a beautiful 135 00:06:14,040 --> 00:06:17,320 Speaker 1: love story. Had no idea the nuances of what was 136 00:06:17,360 --> 00:06:21,040 Speaker 1: happening actually in the film. So I think that similarly, 137 00:06:21,080 --> 00:06:23,960 Speaker 1: a ten year old could watch that movie and still 138 00:06:24,040 --> 00:06:26,080 Speaker 1: enjoy it and not understand some of the heavy stuff. 139 00:06:26,080 --> 00:06:29,279 Speaker 1: And hey, you should watch it beforehand, make note of, yeah, 140 00:06:29,279 --> 00:06:31,680 Speaker 1: when you might need to fast forward or cover the eyes. 141 00:06:31,720 --> 00:06:34,360 Speaker 1: That's what my parents did, hand over the face. And 142 00:06:34,400 --> 00:06:37,360 Speaker 1: then you just have conversations about it too. What if 143 00:06:37,360 --> 00:06:40,000 Speaker 1: it opens up some conversation that you could talk about 144 00:06:40,000 --> 00:06:43,719 Speaker 1: with your son. I like fast forwarding it, ye wants 145 00:06:43,720 --> 00:06:45,359 Speaker 1: to Yeah, but if you've seen it, you kind of 146 00:06:45,360 --> 00:06:46,880 Speaker 1: know what's coming up in totally and then if you 147 00:06:46,880 --> 00:06:50,039 Speaker 1: actually fast forward over something that you just rewind it. Yeah, 148 00:06:50,040 --> 00:06:53,760 Speaker 1: I'm thinking about again. I was fourteen. I didn't know 149 00:06:53,800 --> 00:06:55,480 Speaker 1: any of that. I didn't know I knew at all. 150 00:06:55,520 --> 00:06:57,400 Speaker 1: But I didn't watch the movie and pick out any 151 00:06:57,400 --> 00:06:59,479 Speaker 1: of that even made me a bir Sacon fly fall 152 00:06:59,520 --> 00:07:03,559 Speaker 1: far away. I didn't even get that. Yeah, I didn't either. Yeah. So, 153 00:07:04,240 --> 00:07:07,360 Speaker 1: and as a pretty smart kid, I didn't get a 154 00:07:07,640 --> 00:07:11,400 Speaker 1: dnny abuse to the force and mother Vietnam War for sure, 155 00:07:11,520 --> 00:07:16,360 Speaker 1: no bullied oz bolly to whatever. I don't. I think 156 00:07:16,360 --> 00:07:19,120 Speaker 1: he could probably watch it and not get or understand 157 00:07:19,120 --> 00:07:21,000 Speaker 1: any of that that's going on. I agree, and still 158 00:07:21,040 --> 00:07:24,160 Speaker 1: like the movie. And see Forst. Gump playing football to Alabama. Yeah, 159 00:07:24,200 --> 00:07:28,080 Speaker 1: I see forscunt run. That's interesting, Lunchbox. I think you 160 00:07:28,160 --> 00:07:29,760 Speaker 1: let him watch it, Like I mean, you're saying some 161 00:07:29,800 --> 00:07:31,520 Speaker 1: of the stuff like make a bird fly fly away. 162 00:07:31,520 --> 00:07:33,320 Speaker 1: I don't know what you mean by that. Still, did 163 00:07:33,320 --> 00:07:35,640 Speaker 1: you ever watch Forst. Gump? Yeah? I still don't know 164 00:07:35,640 --> 00:07:38,280 Speaker 1: what that means. So I think it's fine that a 165 00:07:38,320 --> 00:07:40,360 Speaker 1: ten year old watches it. He's gonna see it as Oh, 166 00:07:40,400 --> 00:07:43,560 Speaker 1: they go fishing, they go running, he plays football, he 167 00:07:43,600 --> 00:07:46,960 Speaker 1: meets the president. I tend to agree with you. Yeah, 168 00:07:47,160 --> 00:07:50,040 Speaker 1: that tends kind of in front of the line where 169 00:07:50,040 --> 00:07:51,760 Speaker 1: you gotta start worrying about him understanding that. But you 170 00:07:51,760 --> 00:07:53,840 Speaker 1: can always sit with them watching fast forward to a 171 00:07:53,840 --> 00:07:55,600 Speaker 1: couple of those scenes. Unless be real, a ten year 172 00:07:55,600 --> 00:07:57,000 Speaker 1: old is not gonna sit down and watch all a 173 00:07:57,040 --> 00:07:58,680 Speaker 1: forst Gump. They're gonna be coming in and out and 174 00:07:58,680 --> 00:08:02,280 Speaker 1: they're gonna support four days long. Okay, so yes, it's 175 00:08:02,280 --> 00:08:04,680 Speaker 1: like a festival. Um, okay, so we got Eddie and no, 176 00:08:05,320 --> 00:08:08,120 Speaker 1: I'm gonna go and side with Amy and say yes. 177 00:08:08,240 --> 00:08:09,960 Speaker 1: But you can fast forward through a couple of the 178 00:08:10,000 --> 00:08:13,680 Speaker 1: scenes if you need to. But Lunchbox says, let me 179 00:08:13,680 --> 00:08:16,360 Speaker 1: just let him watch straight up letter. M all right, 180 00:08:16,440 --> 00:08:18,760 Speaker 1: there you go, Melanie, Thank you, good luck. It is 181 00:08:18,800 --> 00:08:21,320 Speaker 1: a great movie. Awesome, maybe the greatest movie made in 182 00:08:21,360 --> 00:08:23,800 Speaker 1: our lifetime. That's what I say. It's after that and 183 00:08:23,920 --> 00:08:28,440 Speaker 1: Shaw and Bill and Ted's excellent adventure. All right, now 184 00:08:28,520 --> 00:08:38,280 Speaker 1: it up, We've got you. Now. Have a little controversy 185 00:08:38,360 --> 00:08:40,400 Speaker 1: here on the show because the guys on the show 186 00:08:40,960 --> 00:08:43,920 Speaker 1: claim that the ladies on the show get dressed up 187 00:08:43,960 --> 00:08:48,520 Speaker 1: whenever mail artists. It's not a controversy, it's true, that's 188 00:08:48,559 --> 00:08:50,320 Speaker 1: what happens. Well, they say that's not true, and they 189 00:08:50,360 --> 00:08:52,080 Speaker 1: get dressed up all the time for different reasons. Okay, 190 00:08:52,280 --> 00:08:53,480 Speaker 1: So I got a couple of things I want to 191 00:08:53,480 --> 00:08:56,160 Speaker 1: bring up here. Um, So, Eddie, I'm gonna let you 192 00:08:56,240 --> 00:08:58,960 Speaker 1: go first. Yep. What did you notice? Well, I came 193 00:08:59,000 --> 00:09:01,280 Speaker 1: to you first when I told it. When Cody Johnson 194 00:09:01,400 --> 00:09:04,120 Speaker 1: was in, and you know, Morgan and Abbey were wearing 195 00:09:04,200 --> 00:09:10,040 Speaker 1: dresses and Morgan had a nice blouse. Now what happened Morgan? 196 00:09:10,040 --> 00:09:11,560 Speaker 1: Do you have anything you would even call a blouse? 197 00:09:11,559 --> 00:09:13,080 Speaker 1: Do you call anything of bass? She's wearing a blouse 198 00:09:13,160 --> 00:09:14,760 Speaker 1: right now? Now, would you call it a blouse? No? 199 00:09:14,800 --> 00:09:17,719 Speaker 1: I just call him? Shut Okay, go ahead. So what 200 00:09:17,840 --> 00:09:20,280 Speaker 1: happened when Marion Morris came in? I don't know, I 201 00:09:20,400 --> 00:09:24,600 Speaker 1: mean sweats. There was no effort in getting dressed at all. 202 00:09:24,760 --> 00:09:26,559 Speaker 1: I noticed that because they don't want to make out 203 00:09:26,600 --> 00:09:31,079 Speaker 1: with Marion. That's why they don't want to. They just 204 00:09:31,240 --> 00:09:32,839 Speaker 1: they don't want to impress Mary at all. It's like, 205 00:09:32,920 --> 00:09:38,280 Speaker 1: whatever's Cody Johnson? Different story, Morgan? Anything you want to say, Yeah, 206 00:09:38,320 --> 00:09:40,319 Speaker 1: that's not true. I had jeans on and I had 207 00:09:40,440 --> 00:09:42,880 Speaker 1: a nice outfit on. You just didn't pay attention to 208 00:09:43,000 --> 00:09:45,439 Speaker 1: what was going on because of you're a narrative that 209 00:09:45,520 --> 00:09:48,199 Speaker 1: you wanted to create. I was dressed up for Maren. Negative, 210 00:09:48,240 --> 00:09:50,760 Speaker 1: I paid attention. Yeah, and Abbey, where was her cocktail dress? 211 00:09:51,960 --> 00:09:55,640 Speaker 1: A cocktail dress for yeah? Yeah, it was prom night 212 00:09:55,720 --> 00:10:01,079 Speaker 1: back there. It's formal yet curse and everything. Oh, I 213 00:10:01,160 --> 00:10:04,920 Speaker 1: didn't notice all that. So okay, Eddie you say the 214 00:10:05,080 --> 00:10:08,160 Speaker 1: ladies only dress up for male artists and they just 215 00:10:08,240 --> 00:10:11,400 Speaker 1: don't care for female arts. Correct. And Morgan, you say, 216 00:10:11,480 --> 00:10:14,760 Speaker 1: that's just Eddie. He's just making up his own crap 217 00:10:14,840 --> 00:10:16,840 Speaker 1: at this point, because I was dressed up for Marion. 218 00:10:16,920 --> 00:10:18,480 Speaker 1: Have you offended? Your voice sounds a little bit like 219 00:10:18,480 --> 00:10:20,520 Speaker 1: you're offended. Yes, off Because also, why is he even 220 00:10:20,559 --> 00:10:22,800 Speaker 1: paying attention into my outfits? Why doesn't he pay attention 221 00:10:22,800 --> 00:10:27,560 Speaker 1: into his job what I do? It's hard to ignore 222 00:10:27,600 --> 00:10:32,520 Speaker 1: the fact and something that obvious. Okay, so are we 223 00:10:32,600 --> 00:10:35,920 Speaker 1: still friends? Yes, we're friends. Bus. I was just pointed 224 00:10:35,920 --> 00:10:37,920 Speaker 1: it out because it's pretty obvious that when you have 225 00:10:38,000 --> 00:10:40,280 Speaker 1: a picture of what Morgan was wearing, I can probably 226 00:10:40,280 --> 00:10:45,880 Speaker 1: pull it up in video. Absolutely sweats No, I know 227 00:10:46,080 --> 00:10:49,000 Speaker 1: when Maren came in here that I had on a 228 00:10:49,160 --> 00:10:51,960 Speaker 1: nice outfit. Welso, and they're gonna for the next few artists. 229 00:10:52,000 --> 00:10:54,280 Speaker 1: They're definitely gonna dress up for every female artist now 230 00:10:54,320 --> 00:10:56,319 Speaker 1: because they've been called out. So we gotta let it 231 00:10:56,960 --> 00:10:58,839 Speaker 1: soak a little bit, let them forget about it, and 232 00:10:58,920 --> 00:11:01,960 Speaker 1: then bust them again. I wouldn't doubt they pull out 233 00:11:02,000 --> 00:11:04,240 Speaker 1: the cocktail dress for another few mors, just to prove 234 00:11:04,280 --> 00:11:06,240 Speaker 1: you don't know what cocktail dresses. No, they don't want 235 00:11:10,200 --> 00:11:13,200 Speaker 1: So here's what I'm going to say. If I felt 236 00:11:13,280 --> 00:11:16,319 Speaker 1: like we had a guest up here and somebody just 237 00:11:16,400 --> 00:11:21,199 Speaker 1: look like total garbage, I think I would say something. No, No, 238 00:11:21,240 --> 00:11:22,960 Speaker 1: they don't look like total garbage. We're not saying they 239 00:11:23,000 --> 00:11:24,559 Speaker 1: look like the trashes there's got taken out to the 240 00:11:24,640 --> 00:11:27,040 Speaker 1: dumps there. Weren't talking like. They don't go above and beyond. 241 00:11:27,080 --> 00:11:28,760 Speaker 1: They don't wake up an hour early and have their 242 00:11:28,800 --> 00:11:31,520 Speaker 1: makeup and hair person at their house. Nobody here has 243 00:11:31,559 --> 00:11:33,439 Speaker 1: a hair person at their house. Well, that's what it 244 00:11:33,480 --> 00:11:35,719 Speaker 1: looks like when Cody Johnson comes in, when Maren comes in, 245 00:11:35,800 --> 00:11:37,440 Speaker 1: it's just a normal day at all. I would also 246 00:11:37,520 --> 00:11:39,439 Speaker 1: like to say that every single day, even if we 247 00:11:39,480 --> 00:11:41,640 Speaker 1: don't have a guest in my makeup and hair are 248 00:11:41,679 --> 00:11:43,559 Speaker 1: done just because it may not be what you want 249 00:11:43,600 --> 00:11:45,440 Speaker 1: it to look like. My makeup and my hair are 250 00:11:45,480 --> 00:11:49,920 Speaker 1: done every single day. Oh, Lunchbox, Okay. I guess he 251 00:11:50,200 --> 00:11:52,520 Speaker 1: thinks that we look otherwise, or the girls on the 252 00:11:52,559 --> 00:11:54,360 Speaker 1: show look other well, I think they think when we 253 00:11:54,440 --> 00:11:56,400 Speaker 1: put our hair up, it means we're not doing it. 254 00:11:56,520 --> 00:11:58,000 Speaker 1: I'm like, some days I just don't want to do 255 00:11:58,080 --> 00:11:59,559 Speaker 1: my hair. You know how much effort it takes to 256 00:11:59,600 --> 00:12:01,360 Speaker 1: do your hair every day. On those days that you 257 00:12:01,480 --> 00:12:03,360 Speaker 1: don't want to do your hair, it's only when female 258 00:12:03,400 --> 00:12:09,800 Speaker 1: artists come in. Guess what always when Cody Johnson comes in, 259 00:12:09,880 --> 00:12:12,360 Speaker 1: I got no, that's normally when no artists come in, 260 00:12:12,440 --> 00:12:14,160 Speaker 1: It's like, I'm like, okay, I can you know, throw 261 00:12:14,240 --> 00:12:16,200 Speaker 1: my hair up today? It'll be fine. I when if 262 00:12:16,200 --> 00:12:18,319 Speaker 1: we're don't have guests, oh, come in and sweats in 263 00:12:18,360 --> 00:12:21,040 Speaker 1: a T shirt along the top halflocks decent, I don't 264 00:12:21,080 --> 00:12:23,240 Speaker 1: care because I want camera right, so I don't have 265 00:12:23,280 --> 00:12:24,920 Speaker 1: a problem if we do that as a group. But 266 00:12:25,640 --> 00:12:27,000 Speaker 1: and if anyone we're going to get hate it on 267 00:12:27,040 --> 00:12:29,640 Speaker 1: for dressing. But at least he's consistent, is Lunchbox, because 268 00:12:29,679 --> 00:12:33,760 Speaker 1: he always just lost you didn't know what you're trying 269 00:12:33,760 --> 00:12:35,480 Speaker 1: to say right now, you're trying to say you just 270 00:12:35,720 --> 00:12:38,439 Speaker 1: you just are consistent in your style and that's good. 271 00:12:38,480 --> 00:12:40,160 Speaker 1: Good for you, buddy. Yeah we're a hoodie man. Good 272 00:12:40,200 --> 00:12:42,120 Speaker 1: for you. But it's cold in here. Yeah, good for you, buddy. 273 00:12:42,320 --> 00:12:44,320 Speaker 1: What was the thing with Lunchbox? Like there was somebody 274 00:12:44,400 --> 00:12:46,360 Speaker 1: had another story? Was it you Morgan? I did well. 275 00:12:46,360 --> 00:12:48,960 Speaker 1: I had a story about these two because they talk 276 00:12:49,040 --> 00:12:51,120 Speaker 1: crap on our outfits all the time. But we had 277 00:12:51,160 --> 00:12:54,160 Speaker 1: to take a photo for a client. Okay, a social post, 278 00:12:54,400 --> 00:12:57,199 Speaker 1: not anything super intense, but still for a client, but 279 00:12:57,320 --> 00:12:59,559 Speaker 1: still for a client. And Sonic, by the way, who 280 00:12:59,679 --> 00:13:02,720 Speaker 1: is a massive clients and these two we told them 281 00:13:02,720 --> 00:13:05,040 Speaker 1: about it. Do you think either one of them shaved, 282 00:13:05,120 --> 00:13:07,319 Speaker 1: made their hair looked good, or didn't wear a sweatshirt 283 00:13:07,400 --> 00:13:09,920 Speaker 1: that day? No, they showed up just like they do 284 00:13:10,120 --> 00:13:14,040 Speaker 1: every single day in their sweatshirt. Lunchbox still had this 285 00:13:14,120 --> 00:13:16,719 Speaker 1: crazy were wolf thing going on on his face, and 286 00:13:17,160 --> 00:13:19,319 Speaker 1: neither one of them cleaned up for this photo for 287 00:13:19,400 --> 00:13:22,880 Speaker 1: a client. Yeah, we're not going to sit here and 288 00:13:22,920 --> 00:13:24,600 Speaker 1: give you a fake photo for the client, like we're 289 00:13:24,800 --> 00:13:26,360 Speaker 1: you're supposed to look at your best whenever it's a 290 00:13:26,400 --> 00:13:28,560 Speaker 1: paid spot. If they hired you for a commercial, if 291 00:13:28,559 --> 00:13:29,960 Speaker 1: Sonic said, hey, we want you to do a commercial, 292 00:13:30,000 --> 00:13:31,440 Speaker 1: would you show up like that? I would say, how 293 00:13:31,480 --> 00:13:33,400 Speaker 1: would you like me to look? And they would give 294 00:13:33,400 --> 00:13:34,960 Speaker 1: me a direction. Then why don't you say that to Morgan? 295 00:13:35,040 --> 00:13:36,839 Speaker 1: When it's like, hey, I didn't? She said, look camera ready? 296 00:13:36,960 --> 00:13:41,240 Speaker 1: I was camera ready. The camera it was not camera ready. 297 00:13:41,280 --> 00:13:44,600 Speaker 1: It was camera ready. We were swebones. We weren't trying 298 00:13:44,640 --> 00:13:47,199 Speaker 1: to make out with Sonic. So we dress. It's a 299 00:13:47,240 --> 00:13:51,720 Speaker 1: good point. That's it, all right, Next time we'll wear 300 00:13:51,720 --> 00:13:55,960 Speaker 1: a cocktail dress. You guys are idiots, total idiots. We've 301 00:13:55,960 --> 00:13:58,040 Speaker 1: had this conversation. Everybody. Just be aware that you're being 302 00:13:58,160 --> 00:14:00,320 Speaker 1: judged now by what you wear and who's in the room. Okay, 303 00:14:00,360 --> 00:14:01,920 Speaker 1: and if a client says we need you for something, 304 00:14:02,440 --> 00:14:05,400 Speaker 1: turn it out twenty seven percent. I did. I didn't 305 00:14:05,440 --> 00:14:07,520 Speaker 1: wear a logo on my shirt. That was a big 306 00:14:07,600 --> 00:14:09,040 Speaker 1: That was a big step for him. Yeah, I mean 307 00:14:09,080 --> 00:14:10,400 Speaker 1: a lot of my shirts have logos. What do you 308 00:14:10,440 --> 00:14:12,800 Speaker 1: want me to wear? I said, do you want me 309 00:14:12,800 --> 00:14:14,800 Speaker 1: to take the hoodie off? She said no, So that's 310 00:14:14,800 --> 00:14:18,520 Speaker 1: on her. That's director a T shirt. Otherwise, Okay, I'm 311 00:14:18,559 --> 00:14:20,800 Speaker 1: downe in this segment. You guys have exhausted me, and 312 00:14:20,920 --> 00:14:23,320 Speaker 1: so I'm gonna hit this song. But just know everybody's 313 00:14:23,320 --> 00:14:25,040 Speaker 1: watching you in this room and they could need time. 314 00:14:25,080 --> 00:14:27,160 Speaker 1: Say I want to spell the t on somebody. Okay, Okay. 315 00:14:28,400 --> 00:14:32,240 Speaker 1: The latest from Nashville and Tullywood Morgan number two thirty 316 00:14:32,280 --> 00:14:37,120 Speaker 1: seven Gay the ACM Honors Show was announced. Miranda Lambert, 317 00:14:37,200 --> 00:14:40,640 Speaker 1: Chris Stapleton, Shania Twain, Morgan Wallen, and the TV show 318 00:14:40,720 --> 00:14:43,680 Speaker 1: Yellowstone will be honored at the ceremony. The show will 319 00:14:43,680 --> 00:14:46,680 Speaker 1: be hosted by Carly Pierce with several performances, and it 320 00:14:46,720 --> 00:14:50,560 Speaker 1: will air on Fox on September thirteenth. Dolly Parton and 321 00:14:50,680 --> 00:14:54,000 Speaker 1: Willie Nelson were spotted at Dollywood this week. Rumor is 322 00:14:54,000 --> 00:14:57,840 Speaker 1: their filming scenes for Dolly's holiday movie, Dolly Parton's Mountain 323 00:14:57,880 --> 00:15:01,800 Speaker 1: Magic Christmas. Jimmy Fallon, Bill Race Cyrus and Miley Cyrus 324 00:15:01,880 --> 00:15:04,840 Speaker 1: are also in the film No word yet. On air date, 325 00:15:05,240 --> 00:15:08,520 Speaker 1: Carly Pearce talked about her greatest achievement in winning CMA 326 00:15:08,680 --> 00:15:11,840 Speaker 1: Female Vocalist of the Year. It's really still hard even 327 00:15:12,280 --> 00:15:15,520 Speaker 1: eight months later, to process to you what was happening 328 00:15:15,600 --> 00:15:18,800 Speaker 1: to my body and my heart in that moment. But 329 00:15:19,360 --> 00:15:22,520 Speaker 1: it just felt like thirty one years of hoping and 330 00:15:22,640 --> 00:15:26,840 Speaker 1: praying and wishing and working to make country music my life. 331 00:15:27,040 --> 00:15:30,040 Speaker 1: I'm Morgan. That's your skinny. It's time for the good 332 00:15:30,160 --> 00:15:37,840 Speaker 1: news With Bobby. Holly and Keely Pettit flew their first 333 00:15:37,880 --> 00:15:40,960 Speaker 1: Southwest flight together on flight thirty six fifty eight from Denver, 334 00:15:41,480 --> 00:15:44,440 Speaker 1: where the two of them are from Saint Louis. And 335 00:15:44,560 --> 00:15:46,240 Speaker 1: why you ask, is that a big deal? Well, mom 336 00:15:46,320 --> 00:15:52,480 Speaker 1: and daughter. The two pilots who I was waiting reaction, 337 00:15:54,960 --> 00:15:58,120 Speaker 1: Holly and Keyey Pettit flew together on that flight. Mom 338 00:15:58,200 --> 00:16:01,080 Speaker 1: and daughter. Holly dreamed to be in a pilot after 339 00:16:01,160 --> 00:16:03,440 Speaker 1: writing in the jump seat as a flight attendant for 340 00:16:03,480 --> 00:16:08,160 Speaker 1: another carrier, so she took flying lessons. Her husband took 341 00:16:08,240 --> 00:16:10,720 Speaker 1: care of the kids while she went and did all 342 00:16:10,760 --> 00:16:13,400 Speaker 1: the flying and the training, and so at fourteen years old, 343 00:16:13,480 --> 00:16:15,680 Speaker 1: Keiley said, I want to be like my mom. And 344 00:16:15,840 --> 00:16:19,240 Speaker 1: so then she trained through all the school, pursued a 345 00:16:19,280 --> 00:16:21,000 Speaker 1: career in aviation, and then all of a sudden, they're 346 00:16:21,000 --> 00:16:23,560 Speaker 1: both working in a Southwest they pair them together at 347 00:16:23,640 --> 00:16:26,080 Speaker 1: being about a boom. They're up in the air. Mom 348 00:16:26,160 --> 00:16:28,800 Speaker 1: and daughter. That's that's that's pretty cool there, all right, 349 00:16:28,840 --> 00:16:32,040 Speaker 1: that's what it's all about. That was tell me something good, 350 00:16:33,640 --> 00:16:36,920 Speaker 1: the trivia game and a battle of generations. It's elder 351 00:16:37,080 --> 00:16:41,560 Speaker 1: versus millennial. Here's what we're gonna do. The buttons are broken. 352 00:16:41,640 --> 00:16:44,000 Speaker 1: I'm hearing. Yeah, do you have yours? Morgan? Yeah, I do, 353 00:16:44,200 --> 00:16:46,680 Speaker 1: but it doesn't really work well, just let the listeners 354 00:16:46,720 --> 00:16:50,840 Speaker 1: hear it. So that's supposed to be a clown car horn. 355 00:16:51,720 --> 00:16:54,600 Speaker 1: Now we paid a lot of money for these four dollars, 356 00:16:54,920 --> 00:16:59,200 Speaker 1: so they broke. We got their worth, houle or some more. 357 00:16:59,440 --> 00:17:01,520 Speaker 1: So today you'll just do your sound out of your mouth. 358 00:17:01,920 --> 00:17:04,240 Speaker 1: So Morgan, yours will be that that clown car horn. 359 00:17:04,320 --> 00:17:07,240 Speaker 1: It we got good. Wow, that's actually pretty good. That 360 00:17:07,359 --> 00:17:08,960 Speaker 1: was really good. I thought I was gonna get a 361 00:17:08,960 --> 00:17:10,320 Speaker 1: good laugh at how it's funny it was. And I 362 00:17:10,400 --> 00:17:17,600 Speaker 1: gotta do mine. We'll higher. I mean, I'm the one 363 00:17:17,680 --> 00:17:22,080 Speaker 1: that did it, so like this, Okay, I'll throw my 364 00:17:22,200 --> 00:17:24,480 Speaker 1: bets all right. So we got questions at Eddie we'll know, 365 00:17:24,680 --> 00:17:27,399 Speaker 1: probably questions that Morgan will know. And so the object 366 00:17:27,600 --> 00:17:29,880 Speaker 1: is trying to steal one from the other category. Let's 367 00:17:29,960 --> 00:17:32,560 Speaker 1: play elder versus millennial question number one, Here we go. 368 00:17:34,160 --> 00:17:39,639 Speaker 1: The elder question what actress had starring roles as the 369 00:17:39,760 --> 00:17:45,879 Speaker 1: title characters in these sitcoms. Clarissa explains, at all, and 370 00:17:48,720 --> 00:17:51,680 Speaker 1: that's Melissa Joan Hart. That is correct. Let's do and 371 00:17:51,880 --> 00:17:57,280 Speaker 1: Sabrine of the teenage witch. Next question in the millennial category, 372 00:17:58,640 --> 00:18:01,320 Speaker 1: what was the name of the main character in the 373 00:18:01,560 --> 00:18:07,359 Speaker 1: Disney Channel original movie Girl of the twenty first Century. No, 374 00:18:07,520 --> 00:18:14,239 Speaker 1: you're now, I hear it. Oh, hear an ambulance. We're 375 00:18:14,280 --> 00:18:26,960 Speaker 1: getting closer. Correct? Correct? Alright, everybody take a breath. Were 376 00:18:27,160 --> 00:18:29,439 Speaker 1: we got nail this? Go? Clon, car go. I need 377 00:18:29,520 --> 00:18:36,119 Speaker 1: to hear it again. No, now that she can lose 378 00:18:36,160 --> 00:18:39,760 Speaker 1: this game, it's gone. It's gone from my brain. Can 379 00:18:39,800 --> 00:18:43,600 Speaker 1: you do it? I can do it? To begin with, Mike, 380 00:18:43,640 --> 00:18:47,720 Speaker 1: can you do it? Okay? Anyway, do your best. Next 381 00:18:47,800 --> 00:18:51,000 Speaker 1: question elder versus a millennial. I'm gonna play a hook 382 00:18:51,000 --> 00:18:58,920 Speaker 1: at this song. Here you go. So her name is 383 00:18:58,960 --> 00:19:02,800 Speaker 1: Cindy Lapper. She mentions, the girls want to do what 384 00:19:06,400 --> 00:19:08,640 Speaker 1: that is? Uh? They just want to have fun. That's correct. Yeah, 385 00:19:11,240 --> 00:19:15,960 Speaker 1: tell man, I'll tell you what did she want to 386 00:19:16,000 --> 00:19:19,480 Speaker 1: get started? Eddie? Do you want to get the party? 387 00:19:19,480 --> 00:19:25,399 Speaker 1: Starts correct. Yeah, I literally don't. She just said it. 388 00:19:26,000 --> 00:19:32,480 Speaker 1: I don't know the best game, all right. Next up 389 00:19:32,600 --> 00:19:37,800 Speaker 1: in the elder category, the final question, Inspector Gadget love him. 390 00:19:38,040 --> 00:19:44,679 Speaker 1: There's a cartoon Manama. Inspector gadget man, alright, his everyday 391 00:19:44,800 --> 00:19:50,119 Speaker 1: outfit consists of his gray she'll be hat. And what 392 00:19:50,280 --> 00:19:56,120 Speaker 1: piece of outerwear poopoo peep yep, that's me, Eddie. It's 393 00:19:56,119 --> 00:19:59,840 Speaker 1: a trench coat. That's correct. Yeah. And finally, over them 394 00:20:00,000 --> 00:20:03,080 Speaker 1: an ol category, what member of n Sync was pranked 395 00:20:03,119 --> 00:20:07,920 Speaker 1: on the first episode of Punk? That is uh, Joey 396 00:20:08,000 --> 00:20:13,399 Speaker 1: Fatone incorrect. I'm gonna go with Nick Lache Well not 397 00:20:15,680 --> 00:20:27,280 Speaker 1: justin timber Le Well nice. That was way too focused 398 00:20:27,280 --> 00:20:30,399 Speaker 1: on trying to make my sound noise. I can't do 399 00:20:30,480 --> 00:20:33,160 Speaker 1: the clown car either. Now that's hard. That's a donkey. 400 00:20:34,440 --> 00:20:37,480 Speaker 1: That's a donkey. Okay, Eddie, you're the winner. You're dominating 401 00:20:38,600 --> 00:20:43,040 Speaker 1: this round. Thank you guys. A few weeks ago, I 402 00:20:43,160 --> 00:20:46,720 Speaker 1: did say we should eliminate everything from the eighties, have 403 00:20:47,000 --> 00:20:49,440 Speaker 1: no need for it, no use for it, not on 404 00:20:49,560 --> 00:20:52,280 Speaker 1: this show. Well, then yesterday we had Richard marks on 405 00:20:52,680 --> 00:20:55,960 Speaker 1: Who's from the eighties? It was awesome he's awesome. He 406 00:20:56,000 --> 00:21:01,240 Speaker 1: has wherever you go, whatever you do, will be thanking 407 00:21:01,600 --> 00:21:04,000 Speaker 1: waiting for you. He's awesome. He came on the show, 408 00:21:04,040 --> 00:21:07,280 Speaker 1: he killed it, and he had great stories. For example, 409 00:21:07,359 --> 00:21:10,080 Speaker 1: the story he told about him and Lionel Ritchie. Here 410 00:21:10,119 --> 00:21:12,800 Speaker 1: you go. So there I am, you know, singing background 411 00:21:12,840 --> 00:21:15,359 Speaker 1: vocals on this Kenny Rogers album and he's there studio 412 00:21:15,520 --> 00:21:18,840 Speaker 1: and I went up to him and said, I'm a songwriter. 413 00:21:19,000 --> 00:21:20,920 Speaker 1: I'd love to play you a song I wrote for you. 414 00:21:21,480 --> 00:21:23,639 Speaker 1: And he should have thrown me out of the studio. 415 00:21:23,720 --> 00:21:25,840 Speaker 1: He should have had security, you know, throw me on 416 00:21:25,920 --> 00:21:28,520 Speaker 1: the street. But he was cool, and he said, yeah, 417 00:21:28,680 --> 00:21:30,720 Speaker 1: let me hear it, and we sat down at the 418 00:21:30,800 --> 00:21:33,160 Speaker 1: piano and he cut my song, and then he cut 419 00:21:33,200 --> 00:21:35,920 Speaker 1: two more in my songs and that launched my songwriting career. 420 00:21:36,040 --> 00:21:41,159 Speaker 1: Wood So I was lucky enough to befriend Lionel do 421 00:21:41,240 --> 00:21:43,080 Speaker 1: I did four season of American Idol. But he's the 422 00:21:43,160 --> 00:21:45,760 Speaker 1: kindest guy. Was he like that even when he was 423 00:21:46,160 --> 00:21:50,080 Speaker 1: young and killing it then. I have never known anybody 424 00:21:50,119 --> 00:21:52,960 Speaker 1: who was a superstar who acted less like a superstar 425 00:21:53,040 --> 00:21:56,440 Speaker 1: than Le. He's just the most gracious kind he you know, 426 00:21:56,480 --> 00:21:58,520 Speaker 1: he's still got a wicked sense of humor, and he 427 00:21:58,600 --> 00:22:01,600 Speaker 1: can be sarcastick, and he can be like he can 428 00:22:01,720 --> 00:22:04,919 Speaker 1: hang with the best of them. But inside his soul 429 00:22:05,280 --> 00:22:08,119 Speaker 1: is just kindness, and he loves to help people and 430 00:22:08,400 --> 00:22:10,400 Speaker 1: he's just the best. Like I just love the guy. 431 00:22:10,440 --> 00:22:13,359 Speaker 1: He changed my life. Great interview from Richard Marks, and 432 00:22:13,400 --> 00:22:15,080 Speaker 1: it's twenty minutes long if you want to go listen 433 00:22:15,080 --> 00:22:17,400 Speaker 1: to yesterday's podcast. But I've made a list now thinks 434 00:22:17,440 --> 00:22:20,919 Speaker 1: from the eighties that I will allow Richard Marks. Okay, 435 00:22:21,040 --> 00:22:22,800 Speaker 1: what else? So I'm in so far I got Richard 436 00:22:22,840 --> 00:22:26,159 Speaker 1: Marks on the list. He's he's cleared through the eighties. 437 00:22:26,680 --> 00:22:30,600 Speaker 1: I also have the Beastie Boys. Yeah, and finally my birth. 438 00:22:30,920 --> 00:22:33,360 Speaker 1: Other than that a good all right, I made the list. Yeah, 439 00:22:33,520 --> 00:22:36,560 Speaker 1: that's it. Here we go. My birth, the Beastie Boys, 440 00:22:36,600 --> 00:22:38,159 Speaker 1: and Richard Marks the only things from the eighties that 441 00:22:38,200 --> 00:22:41,800 Speaker 1: I think right now I'm allowing to be on. If 442 00:22:41,840 --> 00:22:44,520 Speaker 1: there's anything else we can dive back into it, like 443 00:22:44,640 --> 00:22:47,160 Speaker 1: I'm leaning toward Bill and Ted's excellent venture that movie. 444 00:22:47,280 --> 00:22:49,040 Speaker 1: Oh yeah, but I don't want to break the role 445 00:22:49,040 --> 00:22:52,399 Speaker 1: too many times. So those are the three things right 446 00:22:52,440 --> 00:22:55,000 Speaker 1: now that we love from the eighties, which by the way, Abbey, 447 00:22:55,119 --> 00:22:57,639 Speaker 1: great job on getting that interview. Thank you. I think 448 00:22:57,680 --> 00:22:59,760 Speaker 1: a lot of folks they're like that show must have 449 00:22:59,840 --> 00:23:02,560 Speaker 1: some big celebrity interview booker and they do walk. No. 450 00:23:02,760 --> 00:23:05,320 Speaker 1: You know what, Abby did she? I saw the message 451 00:23:05,320 --> 00:23:06,879 Speaker 1: on Instagram that you sent him. You were like, Hi, 452 00:23:06,960 --> 00:23:09,080 Speaker 1: I'm Abbey, I'm on a show. Will you come on? Yeah? 453 00:23:09,119 --> 00:23:11,800 Speaker 1: I just messaged him. Surprised. He was like, yeah, sure, 454 00:23:11,920 --> 00:23:14,119 Speaker 1: why not, And that's how he came on this. That's amazing. 455 00:23:14,119 --> 00:23:16,800 Speaker 1: I didn't know that either, did you say? I saw 456 00:23:16,840 --> 00:23:19,120 Speaker 1: the DM Yeah, I thought this a whole Scooba Steve deal. 457 00:23:19,200 --> 00:23:21,280 Speaker 1: But no, what Abby, No, we just like talk back 458 00:23:21,320 --> 00:23:23,760 Speaker 1: and forth a little bit, and like because when he 459 00:23:23,840 --> 00:23:25,359 Speaker 1: reposted mine, I was like, oh, I bet it's one 460 00:23:25,400 --> 00:23:27,760 Speaker 1: of his people, you know, just like reposting to be nice, 461 00:23:27,880 --> 00:23:29,919 Speaker 1: but it was actually him. Well it's a great interview. 462 00:23:29,920 --> 00:23:31,720 Speaker 1: I hope you listened to it. And you know what, 463 00:23:31,840 --> 00:23:36,560 Speaker 1: Bill and Ted's it's one Bill and Ted's excellent adventure. 464 00:23:36,680 --> 00:23:39,399 Speaker 1: And I'm gonna change my birth to our births. Thank you. 465 00:23:40,040 --> 00:23:42,679 Speaker 1: Except for Eddie. Yeah, I was waiting for that guy. 466 00:23:42,760 --> 00:23:46,480 Speaker 1: Yeahe nine, Yeah, so sorry, but that's all right. It's 467 00:23:46,480 --> 00:23:48,440 Speaker 1: one year. Yeah it is, though, but you're seventies child. 468 00:23:48,840 --> 00:23:53,280 Speaker 1: Flower power, Buddy, flower Powerty, that's sixties. Here's the top 469 00:23:53,359 --> 00:23:56,439 Speaker 1: three on the go breakfast at number three, fruit, at 470 00:23:56,520 --> 00:23:59,200 Speaker 1: number two just coffee, and at number one boiled eggs. 471 00:24:00,000 --> 00:24:01,000 Speaker 1: But then you gotta but you get a boil it 472 00:24:01,080 --> 00:24:03,600 Speaker 1: before you get it, or you do it before. That's 473 00:24:03,640 --> 00:24:05,639 Speaker 1: what I'm saying. It's already, it's ready in the fridge. 474 00:24:06,160 --> 00:24:07,720 Speaker 1: No I know, but you gotta boil it at some point. 475 00:24:07,720 --> 00:24:08,879 Speaker 1: It's not on the goad of the night before I 476 00:24:09,000 --> 00:24:11,920 Speaker 1: bought it. I bought packaged boiled eggs. They're already. I 477 00:24:11,960 --> 00:24:14,000 Speaker 1: don't feel good about that. Yeah, you're right, some of 478 00:24:14,040 --> 00:24:15,680 Speaker 1: them don't smell about good. Don't feel good about that 479 00:24:15,880 --> 00:24:18,440 Speaker 1: at all. I have boiled egg phases of my life. 480 00:24:18,600 --> 00:24:20,560 Speaker 1: I don't feel good about that at all. The top 481 00:24:20,680 --> 00:24:25,200 Speaker 1: reasons for household arguments number two chores, Number one money, kids, 482 00:24:26,840 --> 00:24:33,600 Speaker 1: kids would have. Oh my gosh, yes, you're Amy's pile 483 00:24:33,680 --> 00:24:37,040 Speaker 1: of stories. Are you a doctor pimple popper watcher? This 484 00:24:37,119 --> 00:24:39,639 Speaker 1: is disgusting to me. Uh no, I don't watch it, 485 00:24:39,680 --> 00:24:41,199 Speaker 1: and they should ban her from the internet. I'm off 486 00:24:41,240 --> 00:24:44,240 Speaker 1: on free speech except that well, She used to make 487 00:24:44,400 --> 00:24:48,680 Speaker 1: a hundred thousand dollars a month, just a month alone 488 00:24:48,840 --> 00:24:51,920 Speaker 1: on YouTube videos, but now a lot of companies don't 489 00:24:51,920 --> 00:24:54,639 Speaker 1: want to advertise with her because her content is flagged 490 00:24:55,040 --> 00:24:59,440 Speaker 1: as too graphic, and she is annoyed because they're mischaracterizing 491 00:24:59,520 --> 00:25:02,520 Speaker 1: her video. She said that they're educational content, they're not 492 00:25:02,680 --> 00:25:05,320 Speaker 1: sensitive content. I wonder what we could find the hypocrisy here? 493 00:25:05,400 --> 00:25:07,240 Speaker 1: I mean, can you watch any sort of surgical video 494 00:25:07,359 --> 00:25:09,720 Speaker 1: on YouTube? I don't know because I don't go and 495 00:25:09,840 --> 00:25:12,120 Speaker 1: just look at YouTube. I find I go and search 496 00:25:12,200 --> 00:25:15,359 Speaker 1: for things on YouTube specifically, but can you find people 497 00:25:15,440 --> 00:25:21,840 Speaker 1: giving birth on YouTube? Can you find It's just you know, 498 00:25:21,920 --> 00:25:24,800 Speaker 1: we could play the game and find hypocrisy, but pimple 499 00:25:24,840 --> 00:25:26,560 Speaker 1: popping is awful, and even if you can, I still 500 00:25:26,560 --> 00:25:29,119 Speaker 1: stand behind their decision. It's disgusting. Oh it is one 501 00:25:29,160 --> 00:25:32,760 Speaker 1: of the most satisfying things to watch when she extracts 502 00:25:32,800 --> 00:25:35,120 Speaker 1: something and it's oozing out. I love it, Eddie. Why 503 00:25:35,119 --> 00:25:37,000 Speaker 1: your eyes big because I pull that off my screen 504 00:25:38,720 --> 00:25:41,560 Speaker 1: on my screen like Nope, the best and quickest all 505 00:25:41,680 --> 00:25:47,200 Speaker 1: natural birthing video nope, or twenty two thousand views birth 506 00:25:47,320 --> 00:25:52,479 Speaker 1: video and five time parents open heart surgery over here. 507 00:25:53,600 --> 00:25:58,919 Speaker 1: My good justice for pimple popper, Oh my good? Okay, 508 00:25:59,080 --> 00:26:01,159 Speaker 1: all right, what else you got? So? Ribo would like 509 00:26:01,240 --> 00:26:04,600 Speaker 1: everyone to know that she has never endorsed Nature's one 510 00:26:04,840 --> 00:26:10,159 Speaker 1: CBD gummies or Keto gummy items. Scammers created paid ads 511 00:26:10,200 --> 00:26:13,840 Speaker 1: on Facebook that used Reba's image and likeness. Like her 512 00:26:13,960 --> 00:26:17,560 Speaker 1: face is on these ads. They look so legit. But 513 00:26:17,720 --> 00:26:20,080 Speaker 1: she has nothing to do with the products and is 514 00:26:20,119 --> 00:26:22,080 Speaker 1: not associated. It's not hard to cut her face off 515 00:26:22,080 --> 00:26:23,680 Speaker 1: of a picture and then be like, Riba endorses it. 516 00:26:23,960 --> 00:26:28,119 Speaker 1: But they can't do that leg All it takes is 517 00:26:28,160 --> 00:26:31,240 Speaker 1: you going photo. Here's a picture of his face. She 518 00:26:31,440 --> 00:26:34,680 Speaker 1: likes it. They can't do that legally, but of course 519 00:26:34,720 --> 00:26:37,440 Speaker 1: it's gonna look legit. That's easy to fake. Oh yeah, 520 00:26:37,600 --> 00:26:39,920 Speaker 1: I know that part I just made for her. I 521 00:26:40,000 --> 00:26:43,840 Speaker 1: just made one of you and eat pills. I'm that 522 00:26:43,960 --> 00:26:46,680 Speaker 1: makes zero sense. It looks leg So there you go. 523 00:26:46,800 --> 00:26:48,560 Speaker 1: I just took your face, all right? What else? Okay? Well, 524 00:26:48,960 --> 00:26:52,680 Speaker 1: a woman has started a whole conversation online after she 525 00:26:52,880 --> 00:26:57,359 Speaker 1: posted that she let her friend breastfeed her baby so 526 00:26:57,480 --> 00:26:59,720 Speaker 1: that she could have a few drinks. Oh that parts 527 00:26:59,760 --> 00:27:02,359 Speaker 1: weird because I have heard stories of people breastfeeding other 528 00:27:02,400 --> 00:27:05,720 Speaker 1: people's babies for different reasons as far as they're not 529 00:27:05,800 --> 00:27:09,119 Speaker 1: healthy physical. Yeah, but I didn't. Yeah, that's a tough one. 530 00:27:09,160 --> 00:27:10,639 Speaker 1: I don't think I like that one. I don't know 531 00:27:10,680 --> 00:27:12,439 Speaker 1: the rules though, I don't know the rules. Well, I mean, 532 00:27:12,520 --> 00:27:14,280 Speaker 1: I would just think that what most people do is 533 00:27:14,320 --> 00:27:16,800 Speaker 1: they get those pumps and they pump their milk and 534 00:27:16,880 --> 00:27:19,040 Speaker 1: they save it and then they go have a few 535 00:27:19,200 --> 00:27:22,400 Speaker 1: drinks and then they can serve their baby the pumped milk. 536 00:27:22,440 --> 00:27:24,480 Speaker 1: But then also after you have drinks, you can pump 537 00:27:24,680 --> 00:27:27,399 Speaker 1: that stuff out and then make pump and dump. There 538 00:27:27,440 --> 00:27:29,080 Speaker 1: you go. That's what it's I understand that. I've never 539 00:27:29,480 --> 00:27:32,080 Speaker 1: understand that, But I'm saying what looks look at the alternative. 540 00:27:32,359 --> 00:27:34,880 Speaker 1: Would you have rather herd done this or actually drank 541 00:27:34,920 --> 00:27:38,119 Speaker 1: and had and the baby had the breastfed with the drinking. 542 00:27:38,200 --> 00:27:40,080 Speaker 1: I don't know. You don't want that, right, so this 543 00:27:40,200 --> 00:27:44,200 Speaker 1: one's better than that, But I don't know, actually meta 544 00:27:44,320 --> 00:27:48,640 Speaker 1: if this is okay? Well, pediatricians are saying that if 545 00:27:48,680 --> 00:27:52,640 Speaker 1: you're just informally breastfeeding other people's kids, it could expose 546 00:27:53,160 --> 00:27:56,119 Speaker 1: to them to certain medications you have on any altshe 547 00:27:56,200 --> 00:27:59,080 Speaker 1: your body disease. So if she's like not, she's clean. 548 00:28:00,240 --> 00:28:04,680 Speaker 1: Interesting term. If she's clean, then okay, let's go boobies 549 00:28:04,680 --> 00:28:07,560 Speaker 1: everywhere for every baby. Huh. Okay, I guess well, I 550 00:28:07,640 --> 00:28:09,760 Speaker 1: mean this is the conversation online. But I think best 551 00:28:09,800 --> 00:28:11,720 Speaker 1: case scenarios what you said. But as we know, life 552 00:28:11,720 --> 00:28:14,320 Speaker 1: isn't always best case scenarios, right, and we would rather 553 00:28:14,640 --> 00:28:19,320 Speaker 1: do this than drink and breastfeed, you know, instead of 554 00:28:19,320 --> 00:28:21,480 Speaker 1: an F. She's getting a solid D minus. Okay, you 555 00:28:21,560 --> 00:28:28,119 Speaker 1: know she passed. No, yeah, he passes absolutely. Yeah, we 556 00:28:28,200 --> 00:28:30,200 Speaker 1: found that out. Really really, it's failing, I know, but 557 00:28:30,320 --> 00:28:33,120 Speaker 1: I thought maybe a D. Still was like we still fail. Yeah, 558 00:28:33,119 --> 00:28:35,280 Speaker 1: I don't know. It's like dumb D for dumb. You're 559 00:28:35,359 --> 00:28:38,120 Speaker 1: dumb when we fail? Yeah. No, No, I never had 560 00:28:38,160 --> 00:28:40,239 Speaker 1: a D. I don't know D is doing all right? 561 00:28:41,480 --> 00:28:43,520 Speaker 1: These we got you guys lit up and I was like, 562 00:28:43,600 --> 00:28:46,880 Speaker 1: does fail You're like, no, it didn't fail. All right, 563 00:28:47,320 --> 00:28:49,880 Speaker 1: thank you, Amy, go ahead, I'm Amy. That's my pile. 564 00:28:50,720 --> 00:28:54,080 Speaker 1: That was Amy's pile of stories. It's time for the 565 00:28:54,200 --> 00:29:01,560 Speaker 1: good news. Good. For the last ten years, Susanne Miller 566 00:29:01,800 --> 00:29:04,479 Speaker 1: from Illinois has been running a marathon that helps support 567 00:29:04,560 --> 00:29:08,160 Speaker 1: Saint Jude Research Hospital and her kids have been doing 568 00:29:08,200 --> 00:29:10,280 Speaker 1: a lemonade stand just to raise money so she can 569 00:29:10,280 --> 00:29:13,080 Speaker 1: actually do the marathon. So it's been great. But her 570 00:29:13,120 --> 00:29:14,920 Speaker 1: neighbors said, God, they've been doing this for ten years, 571 00:29:15,080 --> 00:29:18,200 Speaker 1: we should all pitch in do a neighborhood lemonade stand. 572 00:29:18,320 --> 00:29:20,760 Speaker 1: That way the kids and Susanna doesn't have to worry 573 00:29:20,760 --> 00:29:24,520 Speaker 1: about it. They raised over two thousand dollars for her 574 00:29:24,560 --> 00:29:26,560 Speaker 1: to run and all the money goes to Saint Jude. Yeah, 575 00:29:26,560 --> 00:29:28,280 Speaker 1: that's pretty cool that all the neighbors have volunteer their 576 00:29:28,280 --> 00:29:31,000 Speaker 1: time to do that too, and doing over ten years. Yeah, 577 00:29:31,120 --> 00:29:33,680 Speaker 1: that's a long time they've been active with Saint Jude, 578 00:29:33,720 --> 00:29:36,520 Speaker 1: which is just really a fantastic place. The marathon Abbey 579 00:29:36,680 --> 00:29:39,080 Speaker 1: saying it it last year that may have been Abbey's first, 580 00:29:40,320 --> 00:29:44,080 Speaker 1: like first performance in years right where she liked it 581 00:29:44,160 --> 00:29:46,440 Speaker 1: wasn't with us, you know, where they were actually like 582 00:29:46,440 --> 00:29:48,680 Speaker 1: we heard you saying please come here. That's pretty cool 583 00:29:48,720 --> 00:29:50,320 Speaker 1: if you guys want to get to know more about 584 00:29:50,360 --> 00:29:52,520 Speaker 1: Saint Jude. It's a really remarkable place where nobody has 585 00:29:52,560 --> 00:29:54,480 Speaker 1: to pay a bill if you go in. If a 586 00:29:54,560 --> 00:29:56,880 Speaker 1: doctor says you have a certain type of cancer, you go. 587 00:29:57,680 --> 00:30:02,160 Speaker 1: They pay for your travel, your medicine, your stay, everything. 588 00:30:02,600 --> 00:30:05,000 Speaker 1: So Saint Juda's Place is helping so many kids all around, 589 00:30:05,400 --> 00:30:07,160 Speaker 1: not only America, but the world. And shout out to 590 00:30:07,160 --> 00:30:09,160 Speaker 1: that neighborhood. We're coming together for that. All right, that's 591 00:30:09,160 --> 00:30:12,120 Speaker 1: what it's all about. That was tell me something good. 592 00:30:13,600 --> 00:30:15,520 Speaker 1: Thank you guys for waking up with us. It's time 593 00:30:15,600 --> 00:30:19,480 Speaker 1: for the investigative Morning Corny, where we have ninety seconds 594 00:30:19,920 --> 00:30:22,320 Speaker 1: to figure out Amy's Morning Corny, and if we nail it, 595 00:30:22,360 --> 00:30:23,840 Speaker 1: we go on to the second one. Then most we've 596 00:30:23,880 --> 00:30:27,040 Speaker 1: ever got three, Yeah, the records three. Mostly we get 597 00:30:27,160 --> 00:30:29,600 Speaker 1: nine er one, but the records three. Let's go boys, 598 00:30:29,640 --> 00:30:36,640 Speaker 1: focus up here we go, Morning Corny. What do you 599 00:30:36,720 --> 00:30:40,280 Speaker 1: call a priest that becomes a lawyer? Priest that's a lawyer, 600 00:30:40,640 --> 00:30:46,880 Speaker 1: cloth law, Bible, Bible, law, law, Bible and the law. 601 00:30:47,760 --> 00:30:50,880 Speaker 1: What do you call a priest that becomes a lawyer? 602 00:30:50,960 --> 00:30:56,120 Speaker 1: Father in law, father in law. We're going father in 603 00:30:56,200 --> 00:31:09,400 Speaker 1: law kings. Was the frog's job at the hotel? Call 604 00:31:09,480 --> 00:31:21,760 Speaker 1: a sleeping dinosaur Somethingsaurus rex t rex t sleep tu 605 00:31:21,880 --> 00:31:29,240 Speaker 1: said again, what do you call a sleeping dinosaur? Snore? Soaurus, Yeah, 606 00:31:29,360 --> 00:31:34,640 Speaker 1: snore soaurus No, no, snor saurus low t rex no low. 607 00:31:36,080 --> 00:31:38,800 Speaker 1: That's good though, It's like, what do you call less 608 00:31:38,840 --> 00:31:44,479 Speaker 1: masculine dinosaur? But that's that's not the joke. Good, that's 609 00:31:44,480 --> 00:31:46,080 Speaker 1: like Jeopardy jokes. You give me the clunchline and I 610 00:31:46,200 --> 00:31:48,719 Speaker 1: find that. What's a question? Sorry? What do you call 611 00:31:48,720 --> 00:31:59,800 Speaker 1: a sleeping dinosaursaurauraur? What kind of tree does a math 612 00:32:00,040 --> 00:32:07,560 Speaker 1: teacher climb? Uh? Calculator? Tree? Calculator, palm tree, palm, palm, palm, 613 00:32:07,680 --> 00:32:14,120 Speaker 1: pilot tree, mom bom. We got three though, that's good. 614 00:32:15,160 --> 00:32:18,040 Speaker 1: Blowing again the one you didn't get. Yeah, I can't 615 00:32:18,080 --> 00:32:21,040 Speaker 1: save it. No, I'll be going to tell us the intro. 616 00:32:21,200 --> 00:32:24,680 Speaker 1: And then a week you're bleeding me doing Google is 617 00:32:24,880 --> 00:32:27,400 Speaker 1: every time you do this, you do We're so good? 618 00:32:27,560 --> 00:32:30,640 Speaker 1: Once a week? Yeah, we crushed. Sorry, okay, what kind 619 00:32:30,720 --> 00:32:33,800 Speaker 1: of tree does a math teacher climb? A geoma tree? 620 00:32:34,920 --> 00:32:39,360 Speaker 1: That's pretty good. That's pretty good job boys, good job boys. 621 00:32:40,040 --> 00:32:46,880 Speaker 1: Hit a clear eyes, four hearts good Lunchbox is a 622 00:32:46,920 --> 00:32:51,000 Speaker 1: big audition on Friday for a musical in Las Vegas. 623 00:32:51,320 --> 00:32:54,120 Speaker 1: It's called Bad out of Hell. And he thought it 624 00:32:54,160 --> 00:32:55,480 Speaker 1: would be a good I did to hit the streets 625 00:32:55,480 --> 00:32:58,680 Speaker 1: and get feedback from strangers, people that aren't biased against 626 00:32:58,760 --> 00:33:00,400 Speaker 1: him or for him. And so we're gonna have the 627 00:33:00,440 --> 00:33:02,479 Speaker 1: director on Friday and Lunchbox is gonna audition for him. 628 00:33:02,520 --> 00:33:04,920 Speaker 1: I'm so ready. It's some acting and singing. That's great, 629 00:33:05,080 --> 00:33:07,320 Speaker 1: that's right up my alley. I'm getting better at singing 630 00:33:07,440 --> 00:33:09,920 Speaker 1: my actings. On point. I've been taking my classes, talking 631 00:33:09,960 --> 00:33:12,280 Speaker 1: to my teacher, and she's really confident that I'm gonna 632 00:33:12,320 --> 00:33:16,680 Speaker 1: nail it. You pay her. I do pay her. Do 633 00:33:16,720 --> 00:33:19,600 Speaker 1: you think any of that confidence comes from the fact 634 00:33:19,640 --> 00:33:21,960 Speaker 1: that you pay her? H No, I think she would 635 00:33:22,000 --> 00:33:23,760 Speaker 1: tell me honestly, like if I was bad, she would 636 00:33:23,760 --> 00:33:25,040 Speaker 1: tell me I'm bad because like when we do our 637 00:33:25,040 --> 00:33:26,800 Speaker 1: little thing, she sends me notes and says, oh, that 638 00:33:26,880 --> 00:33:30,240 Speaker 1: wasn't your best performance. So she's honest, she's critical. And 639 00:33:30,400 --> 00:33:33,000 Speaker 1: you told her what that I got a role in 640 00:33:33,040 --> 00:33:34,760 Speaker 1: the music and get a role though you have to 641 00:33:34,800 --> 00:33:38,160 Speaker 1: audition on Friday. Well, I did tell her, like, you know, 642 00:33:38,200 --> 00:33:40,040 Speaker 1: the director is coming on, but he pretty much has 643 00:33:40,080 --> 00:33:42,680 Speaker 1: seen my stuff and he hasn't seen your stuff. He 644 00:33:43,200 --> 00:33:44,800 Speaker 1: hasn't and what stuff would he'd see? You don't put 645 00:33:44,800 --> 00:33:47,280 Speaker 1: it up because you think we'll laugh at you. Yeah's 646 00:33:47,320 --> 00:33:49,680 Speaker 1: your stuff. I figured he found it like a headshot 647 00:33:49,720 --> 00:33:53,040 Speaker 1: in resume on something. Yeah. Man, So here is Lunchbox. 648 00:33:53,160 --> 00:33:55,000 Speaker 1: You know where he likes to go at all times 649 00:33:55,040 --> 00:33:57,680 Speaker 1: when he's doing a street bit the drive through that 650 00:33:58,040 --> 00:33:59,880 Speaker 1: I mean, it's like, what can I do? I'm go 651 00:34:00,160 --> 00:34:02,120 Speaker 1: right to the drive through and this is you singing. 652 00:34:02,160 --> 00:34:04,560 Speaker 1: I'll play a clip up here. There's no business like 653 00:34:04,680 --> 00:34:09,680 Speaker 1: show business like sho that is from Annie Get Your Gun? Huh, 654 00:34:09,760 --> 00:34:13,520 Speaker 1: which Rebo was in it, Kristin Chenowith. Lunchbox is gonna 655 00:34:13,520 --> 00:34:16,600 Speaker 1: perform a little number from There's no business like show business. 656 00:34:16,800 --> 00:34:18,839 Speaker 1: All right. Look, I got a big audition this week. 657 00:34:18,880 --> 00:34:21,719 Speaker 1: I'm trying out for a musical in Las Vegas. So 658 00:34:21,960 --> 00:34:23,279 Speaker 1: I want to I want to give you my best, 659 00:34:23,320 --> 00:34:24,759 Speaker 1: and I want you to be honest with me if 660 00:34:24,760 --> 00:34:28,320 Speaker 1: you think I should get the park. Okay. There's no 661 00:34:28,840 --> 00:34:34,960 Speaker 1: business like show business, like no business. I know everything 662 00:34:35,160 --> 00:34:40,960 Speaker 1: about it is appealing, everything that traffic will allow. There's 663 00:34:41,040 --> 00:34:46,080 Speaker 1: no people like show people. They smile when they are low, 664 00:34:47,360 --> 00:34:52,279 Speaker 1: even with a what say that again? You're screaming and 665 00:34:52,440 --> 00:34:54,960 Speaker 1: we are closed? Yeah, yeah, but I was asking you 666 00:34:55,040 --> 00:34:57,680 Speaker 1: to give you my like what you think about my audition. 667 00:34:57,920 --> 00:34:59,520 Speaker 1: He can't just be in my drive to you all 668 00:34:59,560 --> 00:35:03,600 Speaker 1: day like okay, oh sorry, but what do you think? 669 00:35:03,640 --> 00:35:06,200 Speaker 1: What do you think I have it? Yeah? I don't know, 670 00:35:06,800 --> 00:35:11,600 Speaker 1: like be honest, No, why horrible? Like what was wrong 671 00:35:11,640 --> 00:35:20,439 Speaker 1: with it? Everything? Oh? All right? Thank you? Well? How 672 00:35:21,200 --> 00:35:22,880 Speaker 1: I mean I think a little bit. Maybe they were 673 00:35:22,920 --> 00:35:26,160 Speaker 1: just irritated they were closing. Oh maybe that was it. Yeah, 674 00:35:26,200 --> 00:35:28,719 Speaker 1: and use it wasn't horrible, was it? I will say 675 00:35:28,840 --> 00:35:31,279 Speaker 1: for you, you kind of own the melody and you 676 00:35:31,440 --> 00:35:34,799 Speaker 1: never stay on ye. Yeah, And i'd heard that song 677 00:35:34,880 --> 00:35:36,560 Speaker 1: one time in my life. That's odd for you to 678 00:35:36,600 --> 00:35:38,239 Speaker 1: be able to do it that well, because you can't 679 00:35:38,280 --> 00:35:40,160 Speaker 1: do any song that well. So good for you. Maybe 680 00:35:40,160 --> 00:35:42,520 Speaker 1: you're focused. Maybe maybe I'm dialed in when I know 681 00:35:42,560 --> 00:35:44,839 Speaker 1: I got big things coming, I really dialed in. They 682 00:35:44,880 --> 00:35:46,680 Speaker 1: didn't like you, though, now they were not my friends. 683 00:35:46,719 --> 00:35:48,359 Speaker 1: They and they they're not gonna come to the show. 684 00:35:49,160 --> 00:35:51,479 Speaker 1: You don't have the show yet though, Oh yeah's true? 685 00:35:51,640 --> 00:35:54,400 Speaker 1: All right, here is another club. You're going up to 686 00:35:54,440 --> 00:35:56,440 Speaker 1: a couple at a store. Yeah, you just go up 687 00:35:56,440 --> 00:35:59,319 Speaker 1: to two people. Yep, there just shopping kind of store. Um, 688 00:36:00,000 --> 00:36:02,839 Speaker 1: healthy and happy, healthy and happy. If we can figure 689 00:36:02,880 --> 00:36:11,600 Speaker 1: that out. Yeah, okay, here we go somewhere over the song. 690 00:36:12,080 --> 00:36:13,960 Speaker 1: We can't figure it out because that one not so good. 691 00:36:14,239 --> 00:36:16,200 Speaker 1: That is, by the words, you can tell us. Somewhere 692 00:36:16,760 --> 00:36:26,160 Speaker 1: over the rainbow much more Tuesdays, Dolly, Judy Garland Close 693 00:36:27,239 --> 00:36:30,560 Speaker 1: where it re? Oh this is from that movie I 694 00:36:30,600 --> 00:36:33,239 Speaker 1: didn't know. Yeah, okay, here's Lunchbox doing somewhere over the 695 00:36:33,320 --> 00:36:40,719 Speaker 1: rainbow where Uppie, there's a land that I heard of 696 00:36:42,520 --> 00:36:56,600 Speaker 1: once in a lullaby, sowear over the rainbow. What's your thinking? Well, man, 697 00:36:57,760 --> 00:37:01,960 Speaker 1: it's all right, like what what do I need in proof? Yeah? 698 00:37:02,000 --> 00:37:05,840 Speaker 1: But I mean like that's like that's good stuff though. Okay, 699 00:37:06,000 --> 00:37:10,480 Speaker 1: so just a little pitch. Okay, let's try again somewhere 700 00:37:11,400 --> 00:37:16,400 Speaker 1: over the rainbow. Yeah, we had cringe on. Let's try again, 701 00:37:16,760 --> 00:37:18,840 Speaker 1: do it funny, funny, funny, Let's do it again, crench. 702 00:37:19,000 --> 00:37:21,120 Speaker 1: Ok that's when they walked away. But that's a very 703 00:37:21,160 --> 00:37:23,520 Speaker 1: famous song. I don't know. I couldn't hold that one. 704 00:37:23,680 --> 00:37:25,239 Speaker 1: I don't know that one very well. And I think 705 00:37:25,280 --> 00:37:27,640 Speaker 1: I'm bad at the slower ones, like when I gotta 706 00:37:27,680 --> 00:37:31,360 Speaker 1: go slow it's just too much. Somewhere over the rainbow, 707 00:37:32,120 --> 00:37:41,239 Speaker 1: wheep Pie, Somewhere over the rainbow way up pie soundwhere 708 00:37:41,719 --> 00:37:48,320 Speaker 1: over the rainbow? Somewhere over the rainbow? Yeh, he's not 709 00:37:48,400 --> 00:37:53,920 Speaker 1: hearing it. It's crazy. What was that somewhere over the rainbow? 710 00:37:59,120 --> 00:38:03,000 Speaker 1: Am I? Oh god it I gotta stop. Some somebody 711 00:38:03,239 --> 00:38:09,080 Speaker 1: wants told me. Oh no, okay, tomorrow, tomorrow, the director 712 00:38:09,160 --> 00:38:11,359 Speaker 1: is gonna be on. Can we stick to like food 713 00:38:11,440 --> 00:38:13,440 Speaker 1: drive throughs? Because I'm worried that patients are trying to 714 00:38:13,480 --> 00:38:16,200 Speaker 1: get their medication in lunchbox is like at a farm 715 00:38:16,480 --> 00:38:19,560 Speaker 1: an oxygen tanking. Man. Hey, hey, my man, do you 716 00:38:19,640 --> 00:38:24,720 Speaker 1: mind if I say it's like, okay, good luck. There's 717 00:38:24,760 --> 00:38:30,879 Speaker 1: no business life, show business, no lose it. Yes, I'm 718 00:38:30,960 --> 00:38:36,160 Speaker 1: where over the rainbow up high. You're a little bit 719 00:38:36,200 --> 00:38:39,960 Speaker 1: Oh god, he may have hurt you a little bit. No, no, okay, 720 00:38:40,480 --> 00:38:42,319 Speaker 1: thank you guys. That's tomorrow morning here on the show. 721 00:38:44,080 --> 00:38:47,120 Speaker 1: You guys are having an awesome day. Amy. I'm glad 722 00:38:47,200 --> 00:38:49,880 Speaker 1: you got my I should say hour, but she's not here. 723 00:38:49,920 --> 00:38:51,480 Speaker 1: So I'm glad you got our thank you card for 724 00:38:51,520 --> 00:38:53,320 Speaker 1: our wedding. It's a picture of you and Caitlin on 725 00:38:53,360 --> 00:38:55,160 Speaker 1: the front. We did good by the way you got 726 00:38:55,200 --> 00:38:58,640 Speaker 1: married over here again, she just got the card. Yeah, 727 00:38:58,640 --> 00:38:59,920 Speaker 1: I guess she just got lost in the mail up 728 00:38:59,920 --> 00:39:02,400 Speaker 1: here for many months. So what did you want to 729 00:39:02,400 --> 00:39:05,799 Speaker 1: say about that? Well, so just a couple observations from it, which, 730 00:39:05,840 --> 00:39:08,120 Speaker 1: first of all, yes, you hit the year mark, which 731 00:39:08,120 --> 00:39:10,120 Speaker 1: I think that's what experts say, is you have a 732 00:39:10,280 --> 00:39:12,920 Speaker 1: year to send out thank you notes because they you know, 733 00:39:12,960 --> 00:39:16,479 Speaker 1: people understand there's a lot going on. You're a year, right, Yeah, 734 00:39:16,560 --> 00:39:18,959 Speaker 1: and you address that a little bit in the note. 735 00:39:19,280 --> 00:39:21,759 Speaker 1: And then also the note was in your handwriting, which 736 00:39:22,480 --> 00:39:25,839 Speaker 1: no offense. But that surprised me. Why would that surprise Well, 737 00:39:25,840 --> 00:39:28,160 Speaker 1: I thought that Caitlin would just write them and you 738 00:39:28,239 --> 00:39:32,560 Speaker 1: would sign them, and so I know that's rude. No, 739 00:39:33,080 --> 00:39:35,640 Speaker 1: I don't, don't take it the wrong way. I just 740 00:39:35,880 --> 00:39:38,080 Speaker 1: thought she would be the one writing it. We both 741 00:39:38,440 --> 00:39:40,880 Speaker 1: write in these cards, right, Which was my question on 742 00:39:41,040 --> 00:39:45,480 Speaker 1: how did y'all divide up? Who did what? I knew? Oh, 743 00:39:45,600 --> 00:39:47,799 Speaker 1: I didn't know. If I didn't know the person from 744 00:39:47,840 --> 00:39:51,520 Speaker 1: her side, she did it. If she didn't know the person, 745 00:39:51,640 --> 00:39:53,520 Speaker 1: I did it. And if we both knew the person, 746 00:39:53,920 --> 00:39:55,960 Speaker 1: it was just where the order was and then we 747 00:39:56,120 --> 00:39:58,360 Speaker 1: just wrote it in there. Well, if the handwriting didn't 748 00:39:58,440 --> 00:40:01,320 Speaker 1: give it away, the content of the note would definitely 749 00:40:01,400 --> 00:40:03,200 Speaker 1: tell me it was you that wrote. Okay, go ahead, 750 00:40:03,200 --> 00:40:05,960 Speaker 1: what did I write, Amy, thank you for the dutch Oven. 751 00:40:06,440 --> 00:40:10,240 Speaker 1: Google that and see the other meanings for dutch oven Oven. 752 00:40:10,680 --> 00:40:13,480 Speaker 1: This was sent one minute before one year of being married, 753 00:40:13,600 --> 00:40:16,960 Speaker 1: so it counts thank you Bobby and Caitlin one minute. 754 00:40:17,520 --> 00:40:20,840 Speaker 1: And what's then, let me be honest with you, it 755 00:40:21,000 --> 00:40:23,239 Speaker 1: was we missed. I mean I I sent it like 756 00:40:23,400 --> 00:40:26,080 Speaker 1: two days ago and it's way over a year. Yeah, 757 00:40:26,280 --> 00:40:29,320 Speaker 1: but dutch Oven, that's something that they had on their registry. 758 00:40:29,360 --> 00:40:31,279 Speaker 1: You cook with it, you can make all kinds of things. 759 00:40:31,440 --> 00:40:34,120 Speaker 1: And then you know, Bobby wanted me to google the 760 00:40:34,200 --> 00:40:36,560 Speaker 1: other men. Did you I think I already know it? 761 00:40:36,680 --> 00:40:38,280 Speaker 1: What do you think it? Do you think it is? Okay? 762 00:40:38,920 --> 00:40:41,839 Speaker 1: That's when you know. And then you pull the cover. Yeah, 763 00:40:42,200 --> 00:40:44,960 Speaker 1: here's the definition, the act of farting under the bed 764 00:40:45,000 --> 00:40:46,840 Speaker 1: covers while in bed with another person, then pull the 765 00:40:46,920 --> 00:40:49,400 Speaker 1: covers over their head and forced them to smell it. 766 00:40:49,600 --> 00:40:52,400 Speaker 1: Well when it said because we kept a lesson, it 767 00:40:52,480 --> 00:40:56,440 Speaker 1: said Amy dutch Oven, and I went and so I 768 00:40:56,640 --> 00:40:59,120 Speaker 1: grabbed that one purposefully. And so now that you know 769 00:40:59,200 --> 00:41:00,800 Speaker 1: what it means, card again, but read it like I 770 00:41:01,160 --> 00:41:06,279 Speaker 1: wrote it like past, like seriousness, Amy, Yeah, thank you 771 00:41:06,520 --> 00:41:09,200 Speaker 1: for the Dutch oven. Google that and see the other 772 00:41:09,320 --> 00:41:13,320 Speaker 1: meaning for Dutch oven. Hilarious on a one minute before 773 00:41:13,400 --> 00:41:16,040 Speaker 1: one year of being married. So it counts. Thank you 774 00:41:16,320 --> 00:41:18,759 Speaker 1: Bobby and Caitlin. There you go, and good card. Thank 775 00:41:18,760 --> 00:41:21,440 Speaker 1: you for the point for me. Wrote it with mo onhand, 776 00:41:21,440 --> 00:41:24,239 Speaker 1: my left hand, personalized because I did get the Dutch oven. 777 00:41:24,320 --> 00:41:27,680 Speaker 1: It wasn't generic every Dutch laugh. I didn't even know 778 00:41:27,719 --> 00:41:29,040 Speaker 1: that was a real, real thing that people got. I 779 00:41:29,080 --> 00:41:31,279 Speaker 1: thought it was literally something they hadn't, you know, the 780 00:41:31,440 --> 00:41:33,279 Speaker 1: Dutch had and so but now I know it's like 781 00:41:33,280 --> 00:41:35,959 Speaker 1: a little it's like a little pan thing. Nice one. Yeah, okay, 782 00:41:35,960 --> 00:41:40,000 Speaker 1: we have to brag on what you got me. She's like, okay, 783 00:41:40,040 --> 00:41:41,800 Speaker 1: well there you go. I'm very happy to be of 784 00:41:41,840 --> 00:41:44,520 Speaker 1: your service. Yeah. Well good. You should say me a 785 00:41:44,560 --> 00:41:46,160 Speaker 1: thank you card for me sending you a nice thank 786 00:41:46,160 --> 00:41:49,319 Speaker 1: you card. It never stopped out. When is it end? Yeah? 787 00:41:49,360 --> 00:41:53,120 Speaker 1: It never stopped thank you. Wow, dear Bobby. I looked 788 00:41:53,160 --> 00:41:54,560 Speaker 1: it up. I had a good laugh. Thank you for 789 00:41:54,640 --> 00:41:59,520 Speaker 1: that laugh. Let me go over talk to Jara Florida 790 00:41:59,600 --> 00:42:03,040 Speaker 1: who's on phone. Appreciate your call on what's going on? Hi, 791 00:42:03,239 --> 00:42:07,600 Speaker 1: good morning, studio. How are you all? We're doing pretty good. 792 00:42:07,600 --> 00:42:10,720 Speaker 1: What can I do for you? Good? I just collegues 793 00:42:10,719 --> 00:42:14,520 Speaker 1: told inquire about Amy's fish. The fish. It's still alive, Amy, 794 00:42:14,640 --> 00:42:18,799 Speaker 1: the fish that we have gambled on when it will die. 795 00:42:19,480 --> 00:42:23,440 Speaker 1: Is it still alive? Yes? Of course. The fish resides 796 00:42:23,480 --> 00:42:26,240 Speaker 1: with two snails now too, and they too are alive. 797 00:42:26,920 --> 00:42:28,640 Speaker 1: I predict the fish will eat the snails because the 798 00:42:28,680 --> 00:42:30,520 Speaker 1: fish will not be fed for a few days, and 799 00:42:30,640 --> 00:42:33,080 Speaker 1: this will be a secondary food source for the fish. 800 00:42:33,920 --> 00:42:36,759 Speaker 1: Is that the plan? They're amazing. They keep the take clean. No, 801 00:42:37,000 --> 00:42:39,000 Speaker 1: I don't think it's possible for the fish to eat 802 00:42:39,080 --> 00:42:41,719 Speaker 1: the snails. I don't want the fish to die neither. 803 00:42:41,840 --> 00:42:44,719 Speaker 1: But we all said, oh, Amy, you gotta watch a 804 00:42:44,840 --> 00:42:46,560 Speaker 1: fish a petel for sure, if we get to feed it. 805 00:42:47,360 --> 00:42:50,239 Speaker 1: There's only a few times where the fish is at risk, 806 00:42:50,400 --> 00:42:52,400 Speaker 1: and that as if my daughter is spinning the night 807 00:42:52,440 --> 00:42:54,480 Speaker 1: at a friend's house or she's out of town, because 808 00:42:55,400 --> 00:42:57,359 Speaker 1: she's the one that feeds it every day, and then 809 00:42:57,560 --> 00:43:00,200 Speaker 1: I take charge and then sometimes I forget. But it's 810 00:43:00,239 --> 00:43:02,560 Speaker 1: been good so far. She's alive. There you go, Joe. 811 00:43:02,560 --> 00:43:05,440 Speaker 1: I appreciate that call, thank you, how a good day? 812 00:43:05,520 --> 00:43:07,680 Speaker 1: See you later. Here is truck or Joe who left 813 00:43:07,719 --> 00:43:11,360 Speaker 1: us a voicemail. Here you go as you wanted to 814 00:43:11,480 --> 00:43:15,479 Speaker 1: call and let Ray Mundo and Abbie Mill. I've seen 815 00:43:15,560 --> 00:43:19,600 Speaker 1: the video last night and it is awesome. I love it. 816 00:43:20,080 --> 00:43:25,440 Speaker 1: Great songs and Abbie looks six years a lot. Okay, 817 00:43:25,600 --> 00:43:27,600 Speaker 1: Trucker Joe's got the hots for Abbe. Maybe we can 818 00:43:27,680 --> 00:43:30,560 Speaker 1: set that up. Hey, bring that big raak through here. 819 00:43:31,719 --> 00:43:36,520 Speaker 1: I'll pay for that dinner. Yeah what no? What? No? Amy, 820 00:43:36,640 --> 00:43:38,000 Speaker 1: how do we how do we know that want to 821 00:43:38,040 --> 00:43:40,320 Speaker 1: be a love connection. It's amazing, But I don't know 822 00:43:40,520 --> 00:43:42,759 Speaker 1: that we're going to put Abby in that position. Maybe 823 00:43:42,800 --> 00:43:45,040 Speaker 1: I likes them. I didn't say she had to. I'm 824 00:43:45,080 --> 00:43:47,359 Speaker 1: saying if she would like to. Okay, Abbie goes out 825 00:43:47,440 --> 00:43:49,279 Speaker 1: random people to text her. That's like, hey, this is 826 00:43:49,320 --> 00:43:52,520 Speaker 1: a random number. I found it. Yeah, Abbie's the best, 827 00:43:52,680 --> 00:43:55,920 Speaker 1: but I think she's looking for a man. Okay, Trucker 828 00:43:56,000 --> 00:43:58,720 Speaker 1: Joe's like a legit dude, right guys, Yeah, nice guy. Yeah. Anyway, 829 00:43:58,719 --> 00:44:02,480 Speaker 1: we're naming themselves after the car they drive. I'm into. Yeah, 830 00:44:03,320 --> 00:44:06,880 Speaker 1: let's go to Karina and California. Voicemail number one. I 831 00:44:07,080 --> 00:44:09,360 Speaker 1: was just wondering, I'm trying to watch Snake in the 832 00:44:09,480 --> 00:44:12,239 Speaker 1: Grass on Hulu and it says I can only watch 833 00:44:12,360 --> 00:44:16,840 Speaker 1: some lives TV. Is there another, uh like streaming service 834 00:44:16,960 --> 00:44:18,719 Speaker 1: that has it where I should watch it now so 835 00:44:18,880 --> 00:44:21,440 Speaker 1: that I can give you ratings. I just wanted to, 836 00:44:22,120 --> 00:44:24,040 Speaker 1: like see if I could figure that out. Thank you 837 00:44:24,080 --> 00:44:26,440 Speaker 1: so much, thank you for the question. Sometimes on demand 838 00:44:27,280 --> 00:44:29,840 Speaker 1: listeners said, hey, I have I don't know some service, 839 00:44:29,880 --> 00:44:31,279 Speaker 1: I remember one of the big ones, and I can 840 00:44:31,360 --> 00:44:33,759 Speaker 1: watch it on demand now for free. Yes, could you 841 00:44:33,800 --> 00:44:35,719 Speaker 1: pay for cable so you could go find Snake in 842 00:44:35,760 --> 00:44:38,400 Speaker 1: the Grass on demand and then you could find it? 843 00:44:38,920 --> 00:44:42,560 Speaker 1: I mean you can close your eyes, I'll imagine it. Oh, okay, 844 00:44:42,920 --> 00:44:44,320 Speaker 1: I don't know other than that, have no idea. I 845 00:44:44,400 --> 00:44:46,359 Speaker 1: have her answer. When you go down, you go down 846 00:44:46,400 --> 00:44:48,879 Speaker 1: to the episodes and all the episodes are listed, though 847 00:44:50,760 --> 00:44:54,920 Speaker 1: you have to have a bonus package. Yeah, it's not 848 00:44:55,080 --> 00:44:57,359 Speaker 1: on Lulu because I don't have it. I don't pay 849 00:44:57,360 --> 00:44:59,759 Speaker 1: for Hulu live right. I don't want to watch it either, 850 00:45:00,000 --> 00:45:02,919 Speaker 1: lived it, but I went and looked so free living 851 00:45:02,920 --> 00:45:05,640 Speaker 1: in the back of my eyelids. Okay, that we're not 852 00:45:05,680 --> 00:45:07,960 Speaker 1: a lot of help there, but hopefully that helped a 853 00:45:08,000 --> 00:45:10,600 Speaker 1: little bit. Hopefully it's on demand there for you. Let's 854 00:45:10,680 --> 00:45:14,640 Speaker 1: do one more call Mollie and Georgia who is on 855 00:45:14,880 --> 00:45:21,839 Speaker 1: line one. Hi Molly, Hi, good morning studio morning. Um. 856 00:45:22,040 --> 00:45:24,320 Speaker 1: So for my husband's birthday, I got him tickets to 857 00:45:24,400 --> 00:45:26,520 Speaker 1: your show tomorrow. I was hoping that you could help 858 00:45:26,560 --> 00:45:30,560 Speaker 1: me tell him tomorrow is in Friday. Yeah? Yeah, is 859 00:45:30,600 --> 00:45:33,680 Speaker 1: he on the phone, No, he's not, but we listened 860 00:45:33,719 --> 00:45:38,480 Speaker 1: to the podcast together. Oh what's his name? Tanner? Tanner? Hey, 861 00:45:38,560 --> 00:45:41,840 Speaker 1: Tannard's Bobby Bones. You're coming to my show tomorrow. Wow? 862 00:45:42,239 --> 00:45:47,000 Speaker 1: I don't know. I mean, it's like, your wife is awesome. 863 00:45:47,040 --> 00:45:50,800 Speaker 1: Are you guys driving up or flying? We're driving awesome. 864 00:45:50,840 --> 00:45:52,279 Speaker 1: Then you'll get here and there won't be any flight 865 00:45:52,320 --> 00:45:54,440 Speaker 1: delays because there are flight delays like crazy. We were 866 00:45:54,480 --> 00:45:57,040 Speaker 1: to late eight hours the other day. It was awesome. 867 00:45:57,640 --> 00:46:01,319 Speaker 1: We got on the plane, sat there and they said, 868 00:46:01,360 --> 00:46:04,799 Speaker 1: everybody off the plane. We're like, wait what our sounds 869 00:46:04,840 --> 00:46:06,120 Speaker 1: grateful to get off that. We just didn't have to 870 00:46:06,200 --> 00:46:07,960 Speaker 1: sit on the plane. And then I was like wow. 871 00:46:08,080 --> 00:46:09,759 Speaker 1: And then we sat there for another few hours. Then 872 00:46:09,800 --> 00:46:12,239 Speaker 1: we got on the plane again and I was like, 873 00:46:12,440 --> 00:46:14,200 Speaker 1: if we got off this we're going home. I'm not. 874 00:46:14,200 --> 00:46:16,000 Speaker 1: I'm not gonna wait here anymore. But or eight hours 875 00:46:16,320 --> 00:46:17,880 Speaker 1: so a little bit. I was like, let's tell us 876 00:46:17,880 --> 00:46:19,960 Speaker 1: to get off, tell us to get off, and they 877 00:46:20,000 --> 00:46:22,440 Speaker 1: were like, all right, we're going up. I was like, 878 00:46:22,520 --> 00:46:26,000 Speaker 1: any good flight energy. I have a flight late tomorrow 879 00:46:26,120 --> 00:46:30,400 Speaker 1: to Austin late one. But I mean, for sure I 880 00:46:30,440 --> 00:46:39,520 Speaker 1: was gonna be lady, give me better. All right, Molly, 881 00:46:39,560 --> 00:46:41,000 Speaker 1: you and Tanner, hope you have an awesome time. I'll 882 00:46:41,000 --> 00:46:42,880 Speaker 1: see it tomorrow night. There are we did. All of 883 00:46:42,920 --> 00:46:45,560 Speaker 1: our releases were out. We're out of tickets to put out. 884 00:46:45,880 --> 00:46:48,799 Speaker 1: There's one pair on the floor right now and maybe 885 00:46:48,880 --> 00:46:50,560 Speaker 1: one pair on the balcony. If you guys want to 886 00:46:50,560 --> 00:46:52,200 Speaker 1: come to the show tomorrow night, which is Friday night, 887 00:46:52,440 --> 00:46:55,920 Speaker 1: go to CMA Theater dot com and hit that up 888 00:46:56,239 --> 00:46:58,120 Speaker 1: CMA Theater dot com. But I have a show Friday 889 00:46:58,200 --> 00:47:04,640 Speaker 1: night and Saturday night. It's time for the news. Bobby's 890 00:47:04,800 --> 00:47:10,360 Speaker 1: be an artist through the pickle from a McDonald's burger 891 00:47:10,440 --> 00:47:14,160 Speaker 1: on a ceiling and is now charging six thousand, three 892 00:47:14,280 --> 00:47:17,719 Speaker 1: hundred twenty five dollars for it. Oh my god, because 893 00:47:17,719 --> 00:47:19,879 Speaker 1: it's your credit cards down. Everybody put your credit cards down. 894 00:47:20,960 --> 00:47:24,280 Speaker 1: An Australian artist Matthew Griffin debut at work he titled 895 00:47:25,120 --> 00:47:29,960 Speaker 1: Pickle oh Original, A single slice of pickle he plugged 896 00:47:29,960 --> 00:47:33,120 Speaker 1: from McDonald's cheeseburger and then threw it up. And then 897 00:47:33,360 --> 00:47:36,879 Speaker 1: that's the arts. And here's the thing. We can laugh, 898 00:47:36,960 --> 00:47:40,640 Speaker 1: and I will laugh because that is really stupid. But art, 899 00:47:40,719 --> 00:47:42,720 Speaker 1: as they say, is in the eye of the beholder. 900 00:47:44,200 --> 00:47:48,040 Speaker 1: And if someone is a big Matthew Griffin fan, I'm 901 00:47:48,080 --> 00:47:50,480 Speaker 1: not sure someone might just go like everything he does 902 00:47:50,600 --> 00:47:53,480 Speaker 1: I love, regardless of what it is. Maybe they just 903 00:47:53,560 --> 00:47:56,839 Speaker 1: buy this because they want something that he touched as art, 904 00:47:57,080 --> 00:47:59,520 Speaker 1: not even so much what he painted exactly, but that 905 00:47:59,600 --> 00:48:01,080 Speaker 1: I think that happens a lot in the art world, 906 00:48:01,080 --> 00:48:02,919 Speaker 1: Like they'll be a really crappy painting from a really 907 00:48:02,960 --> 00:48:05,160 Speaker 1: famous person that goes for a ton of money and 908 00:48:05,200 --> 00:48:07,520 Speaker 1: it's just because they wanted something from that person. But 909 00:48:07,719 --> 00:48:09,160 Speaker 1: I never heard of them. I would not buy I 910 00:48:09,160 --> 00:48:13,279 Speaker 1: wouldn't give sixty bucks for this. It's the dumbest thing 911 00:48:13,280 --> 00:48:14,640 Speaker 1: I've ever seen as far as they want a pickle 912 00:48:14,680 --> 00:48:17,440 Speaker 1: into a ceiling. But I guess I'm just just defending 913 00:48:17,520 --> 00:48:21,719 Speaker 1: the idea and the ideal of art. So that's from 914 00:48:21,840 --> 00:48:24,040 Speaker 1: the Today's Show. It is stupid. It is stupid, but 915 00:48:24,440 --> 00:48:26,400 Speaker 1: it's not me to judge. Well, here it is, but 916 00:48:26,560 --> 00:48:30,000 Speaker 1: not in the world. The food you're not eating before 917 00:48:30,160 --> 00:48:33,480 Speaker 1: bed that will help you sleep. The worst thing you 918 00:48:33,560 --> 00:48:38,000 Speaker 1: can do is drink wine or beer before you sleep. 919 00:48:39,239 --> 00:48:41,440 Speaker 1: They do help you fall asleep faster, but they will 920 00:48:41,440 --> 00:48:43,400 Speaker 1: wake you up later in the night for the bathroom, 921 00:48:43,440 --> 00:48:45,719 Speaker 1: and your body will wake up because it's processing it. 922 00:48:46,239 --> 00:48:48,319 Speaker 1: Your liver is having a process. It's like almost eating 923 00:48:48,360 --> 00:48:50,120 Speaker 1: food right when you go to bed. You're like, I 924 00:48:50,200 --> 00:48:52,520 Speaker 1: am hungry, and sure, you should fuel your body for 925 00:48:52,560 --> 00:48:55,120 Speaker 1: the next day. But if you go late, your body's 926 00:48:55,200 --> 00:48:58,960 Speaker 1: working because it's digesting it. It's processing. So if your 927 00:48:59,000 --> 00:49:02,640 Speaker 1: body's run in it it's running, it's moving, it's grinding 928 00:49:02,680 --> 00:49:05,520 Speaker 1: it out. You're more tired, well, it's gonna keep you awake, 929 00:49:05,920 --> 00:49:07,799 Speaker 1: or at least a little more awake as you try 930 00:49:07,880 --> 00:49:10,480 Speaker 1: to sleep. It's weird to w night eat late. I 931 00:49:10,880 --> 00:49:13,439 Speaker 1: wake up more hungry, and I mean, I just dated 932 00:49:13,520 --> 00:49:15,640 Speaker 1: cheeseburger before I went to bed. It's crazy. I don't 933 00:49:15,640 --> 00:49:17,440 Speaker 1: have the answer to that. That's not a journal that 934 00:49:17,480 --> 00:49:20,400 Speaker 1: I read. No, it was processing all night. Digest. I 935 00:49:20,440 --> 00:49:23,360 Speaker 1: don't I don't know what that is. But you know, 936 00:49:23,480 --> 00:49:25,440 Speaker 1: they say eat some cheese if you need to eat 937 00:49:25,520 --> 00:49:27,840 Speaker 1: something right before you go to sleep. Researchers found the 938 00:49:27,840 --> 00:49:29,880 Speaker 1: people who ate cheese before going to bed reported they 939 00:49:29,960 --> 00:49:33,200 Speaker 1: slept well and had pleasant dreams. Cheese contains tripped a fan. 940 00:49:33,400 --> 00:49:35,840 Speaker 1: Where else do we know that turkey? Turkey on Thanksgiving? 941 00:49:35,880 --> 00:49:38,800 Speaker 1: That's right, an amino acid that reduces stress and promote sleep. 942 00:49:39,120 --> 00:49:41,080 Speaker 1: Cheese earlier in the day, though, seem to have very 943 00:49:41,120 --> 00:49:43,560 Speaker 1: little effects, So it has to be fifteen twenty minutes 944 00:49:43,560 --> 00:49:46,200 Speaker 1: before you go down. Hold on, baby, I gotta coming 945 00:49:46,280 --> 00:49:47,920 Speaker 1: right to bed. I gotta guess a provolone, gonna get 946 00:49:47,920 --> 00:49:51,120 Speaker 1: a nightly provolone. So that's a weird thing, but that 947 00:49:51,400 --> 00:49:55,279 Speaker 1: is what they say. That is from Health magazine. You know, melotonin, 948 00:49:55,400 --> 00:49:59,000 Speaker 1: for example, I was talking to a doctor and melotonin 949 00:49:59,200 --> 00:50:01,080 Speaker 1: is great, but you have to stay on a cycle 950 00:50:01,160 --> 00:50:03,960 Speaker 1: because if melotonin shifts your cycle, your sleep cycle a 951 00:50:04,000 --> 00:50:06,040 Speaker 1: little bit. So it's not always good for you to 952 00:50:06,120 --> 00:50:09,640 Speaker 1: do that. Because we're supposed to sleep until like there's 953 00:50:09,640 --> 00:50:12,160 Speaker 1: like a rim cycle, a cycle, and you're supposed to 954 00:50:12,200 --> 00:50:13,480 Speaker 1: wake up on the back side of the cycle. We 955 00:50:13,680 --> 00:50:16,239 Speaker 1: wake up in the middle of it. You're exhausted. So 956 00:50:16,760 --> 00:50:19,640 Speaker 1: the melotona kind of messes with that your cycle a bit. 957 00:50:20,239 --> 00:50:22,120 Speaker 1: And so that's why if you start, you know, you 958 00:50:22,239 --> 00:50:25,480 Speaker 1: become dependent on it. It's tough. I have an aversion 959 00:50:25,560 --> 00:50:28,759 Speaker 1: to it. I can't take it. Which where are you? 960 00:50:28,880 --> 00:50:31,279 Speaker 1: How are you taking it at night? For me? Now? 961 00:50:32,800 --> 00:50:35,680 Speaker 1: I don't know which you don't hippy stuff or you're like, well, 962 00:50:35,680 --> 00:50:39,320 Speaker 1: I put this pill here and I'm like, that doesn't work. No, No, 963 00:50:39,680 --> 00:50:41,320 Speaker 1: if I if I do take it, I had to 964 00:50:41,400 --> 00:50:45,080 Speaker 1: take a children's one and cut it in half. It messes. 965 00:50:45,160 --> 00:50:47,480 Speaker 1: It keeps me up, and then I my mind is 966 00:50:47,600 --> 00:50:50,360 Speaker 1: racing and then I feel horrible the next day. I 967 00:50:50,400 --> 00:50:53,239 Speaker 1: don't know. This doesn't happen to anybody else. No, I 968 00:50:53,320 --> 00:50:59,880 Speaker 1: think you're eating the wrong pill. Yeah, I think that's all. 969 00:51:00,280 --> 00:51:03,200 Speaker 1: Here you go from the psychology of sport and exercise. 970 00:51:03,480 --> 00:51:05,600 Speaker 1: If you're a coach, it really helps your team when 971 00:51:05,640 --> 00:51:09,320 Speaker 1: you smile. Researchers analyze hundreds of coaches from lower levels 972 00:51:09,320 --> 00:51:12,279 Speaker 1: to pro and found beat happy coaches were far and 973 00:51:12,360 --> 00:51:16,440 Speaker 1: away the most successful in the win lose column. Researchers 974 00:51:16,440 --> 00:51:18,319 Speaker 1: found the coach through smile at players before the game. 975 00:51:18,600 --> 00:51:23,160 Speaker 1: They really motivate their team with positivity, and teams tend 976 00:51:23,200 --> 00:51:25,680 Speaker 1: to do a little bit better. They don't talk about 977 00:51:25,719 --> 00:51:27,759 Speaker 1: Really a smileing coach if he actually knows what he's 978 00:51:27,800 --> 00:51:30,319 Speaker 1: talking about, that that helps too. You can't just smile 979 00:51:30,360 --> 00:51:33,600 Speaker 1: and be an idiot. Sport on my Instagram and he 980 00:51:33,640 --> 00:51:35,120 Speaker 1: may have seen it in the news. I posted a 981 00:51:35,200 --> 00:51:37,359 Speaker 1: video I was an Oklahoma team. I believe the kid 982 00:51:37,440 --> 00:51:40,480 Speaker 1: was from Tulsa, and so he's batting and the picture 983 00:51:40,520 --> 00:51:43,839 Speaker 1: of forget what Texas maybe a Texas team booms beans 984 00:51:43,920 --> 00:51:45,319 Speaker 1: him in the head that the other twelve years old 985 00:51:45,400 --> 00:51:48,439 Speaker 1: doesn't do it on purpose, and the kid goes down hard. 986 00:51:49,320 --> 00:51:52,320 Speaker 1: The blue shirt Tulsa kid goes down hard. Luckily it 987 00:51:52,400 --> 00:51:53,880 Speaker 1: hit him a part of the helmet and like the 988 00:51:54,080 --> 00:51:57,080 Speaker 1: st the side of the So he goes down and 989 00:51:57,160 --> 00:51:59,160 Speaker 1: he goes to first looks like he's fine. Well, the 990 00:51:59,239 --> 00:52:01,320 Speaker 1: pitcher who who threw the ball and hit him accidentally 991 00:52:01,320 --> 00:52:03,520 Speaker 1: in the head is very emotional because he didn't mean 992 00:52:03,560 --> 00:52:05,279 Speaker 1: to hit him in the head. He's you can see 993 00:52:05,360 --> 00:52:07,040 Speaker 1: him kind of crying. The camera's not on his face. 994 00:52:07,040 --> 00:52:08,879 Speaker 1: Ain't good to sea. But the guy the kid gets 995 00:52:08,880 --> 00:52:11,080 Speaker 1: off first base who was hit with the ball just 996 00:52:11,239 --> 00:52:13,640 Speaker 1: walks over to the mountain and like embraces him. Was like, bro, 997 00:52:13,760 --> 00:52:15,960 Speaker 1: Bro's all right, I'm good. I'm good, I'm good. It's awesome. 998 00:52:16,040 --> 00:52:18,720 Speaker 1: I mean it was. It was like I was emotional 999 00:52:18,800 --> 00:52:23,319 Speaker 1: watching it because it wasn't contrived. The kid who got 1000 00:52:23,400 --> 00:52:25,719 Speaker 1: hit was the one that was like, hey, I got 1001 00:52:25,800 --> 00:52:30,480 Speaker 1: you great video. Go to mister Bobby Bones on Instagram 1002 00:52:30,480 --> 00:52:32,160 Speaker 1: if you want to watch it. But just a great video. 1003 00:52:32,560 --> 00:52:35,320 Speaker 1: Parents of that kid, give him rays your parents getting 1004 00:52:35,320 --> 00:52:38,359 Speaker 1: pay salaries, right, Oh, yeah, that's give him a rays. 1005 00:52:38,560 --> 00:52:40,000 Speaker 1: They did a heck of a job. Yeah, it was 1006 00:52:40,080 --> 00:52:42,680 Speaker 1: genuine and a perfect example of how we can help 1007 00:52:42,760 --> 00:52:48,279 Speaker 1: others out. Wow, that is a tough kid right there. 1008 00:52:48,920 --> 00:52:51,800 Speaker 1: So this is really cool because as a picture, Bobbs 1009 00:52:51,960 --> 00:52:54,839 Speaker 1: looks shaken up right now because of what he did. 1010 00:52:54,880 --> 00:52:57,919 Speaker 1: And look at Zay Jarvis. This is such great sportsmanship. 1011 00:52:58,520 --> 00:53:00,719 Speaker 1: He wants him to know that it's okay, that he'll 1012 00:53:00,719 --> 00:53:09,840 Speaker 1: be fine. Look at me, look at me. It's awesome. 1013 00:53:09,960 --> 00:53:11,920 Speaker 1: It's really cool. Heart of that picture, I mean the 1014 00:53:12,000 --> 00:53:13,880 Speaker 1: heart of both of them. He's twelve, and twelve year 1015 00:53:13,880 --> 00:53:16,000 Speaker 1: olds are supposed to not be oh like that. That 1016 00:53:16,080 --> 00:53:18,640 Speaker 1: doesn't happen. Yeah, I know that does not happen. Good. 1017 00:53:18,719 --> 00:53:20,680 Speaker 1: That's good parenting and a great kid. So I don't 1018 00:53:20,680 --> 00:53:22,880 Speaker 1: know if they listen to the show, but that is amazing. 1019 00:53:23,360 --> 00:53:25,759 Speaker 1: The British tabloids say that a recent long and this 1020 00:53:25,880 --> 00:53:29,600 Speaker 1: monster sighting. Yes, we talked about it. It turned out 1021 00:53:29,640 --> 00:53:31,640 Speaker 1: to be an al packet going for a swim. No 1022 00:53:31,800 --> 00:53:33,880 Speaker 1: way stop it. Yeah. Yeah, it was an escaped out 1023 00:53:33,920 --> 00:53:36,800 Speaker 1: packet going for a swim, very long neck. People were like, 1024 00:53:37,080 --> 00:53:39,960 Speaker 1: that's the longest monster and they're like, no, that's all packet. 1025 00:53:40,040 --> 00:53:43,719 Speaker 1: That's Benji. We found dumb a little Benji's who knew 1026 00:53:43,800 --> 00:53:46,200 Speaker 1: that they went for swim. That's from the mirror. A 1027 00:53:46,320 --> 00:53:49,279 Speaker 1: pair of islands are up for sale cheap. Oh, that's 1028 00:53:49,320 --> 00:53:51,080 Speaker 1: what I'm talking about. Where am I moving? I'm bringing 1029 00:53:51,120 --> 00:53:53,000 Speaker 1: this to you because you always want on an island. Yeah, 1030 00:53:53,000 --> 00:53:57,200 Speaker 1: in Jamaica, you can buy a pair of islands for 1031 00:53:57,280 --> 00:54:00,279 Speaker 1: one hundred and fifty thousand dollars because usually they're milk. 1032 00:54:00,640 --> 00:54:07,239 Speaker 1: That's cheat. The two islands for sale are in Harrisburg, Pennsylvania. Oh, 1033 00:54:08,160 --> 00:54:12,120 Speaker 1: I mean that's at least more convenient. Yeah. They sit 1034 00:54:12,239 --> 00:54:16,200 Speaker 1: in the Sausquehanna River in Harrisburg, Pennsylvania. Not sure that's 1035 00:54:16,239 --> 00:54:18,640 Speaker 1: where I want. The River Island, that's not That's not 1036 00:54:18,800 --> 00:54:22,440 Speaker 1: the tropical destination I was thinking of. Well, thus the 1037 00:54:22,600 --> 00:54:25,000 Speaker 1: larger island just have a small recreation park with a dancehall, 1038 00:54:25,040 --> 00:54:28,280 Speaker 1: water slide and ferry. They're in. It's equipped for humans. 1039 00:54:28,520 --> 00:54:30,200 Speaker 1: Locals still like to go there and relax. That's from 1040 00:54:30,200 --> 00:54:32,840 Speaker 1: penn Life. So I'm just letting you know two islands 1041 00:54:33,040 --> 00:54:37,120 Speaker 1: in Pennsylvania. The man I don't know. And then it's cold. 1042 00:54:37,239 --> 00:54:40,280 Speaker 1: You can't use that island all year round. Steve Martin, 1043 00:54:40,400 --> 00:54:42,960 Speaker 1: hence that he may retire after only murders in the building. 1044 00:54:43,280 --> 00:54:46,480 Speaker 1: That's from Eonline. It's just a great show there, really is. 1045 00:54:46,680 --> 00:54:49,560 Speaker 1: It's almost wholesome for everyone, except they drop a few 1046 00:54:49,600 --> 00:54:52,120 Speaker 1: bad words. Other than a few bad words, and they're 1047 00:54:52,120 --> 00:54:54,880 Speaker 1: always those big bad words and they just say them. 1048 00:54:54,920 --> 00:54:57,520 Speaker 1: It's almost a very wholesome show except for the occasional 1049 00:54:58,160 --> 00:55:00,879 Speaker 1: big old beep. Yeah a teenager can watch it, but yes, 1050 00:55:01,239 --> 00:55:03,160 Speaker 1: but it is a show I did not think I 1051 00:55:03,200 --> 00:55:05,560 Speaker 1: would like, just because I was like, Okay, what is 1052 00:55:05,560 --> 00:55:09,640 Speaker 1: this murder Murderer podcast? Like we get figured out it's cheat, 1053 00:55:09,760 --> 00:55:12,320 Speaker 1: it's awesome and Selena Gomez is awesome in it. So 1054 00:55:12,760 --> 00:55:14,840 Speaker 1: you guys watch Only Murders in the Building. It's on Hulu. 1055 00:55:15,200 --> 00:55:17,080 Speaker 1: But Steve Martin says, hey, I don't think I'm gonna 1056 00:55:17,080 --> 00:55:19,200 Speaker 1: do anything else after that. He's so funny. Martin, Short's 1057 00:55:19,239 --> 00:55:20,920 Speaker 1: so fun I'm like, god, they're both so funny. Him 1058 00:55:20,920 --> 00:55:22,920 Speaker 1: as awesome in it, hilarious. Only Murders in the Building, 1059 00:55:23,000 --> 00:55:28,640 Speaker 1: that's the news story. Hey, Ray, when you played Trucker 1060 00:55:28,760 --> 00:55:32,400 Speaker 1: Joe's voicemail again, Hey man, you wanted to call and 1061 00:55:32,640 --> 00:55:36,960 Speaker 1: let Raymundo and Abbey Mill I've seen the video last 1062 00:55:37,120 --> 00:55:41,600 Speaker 1: night and is awesome. I love it. Great songs, and 1063 00:55:41,960 --> 00:55:46,080 Speaker 1: Abbie looks a lot. So Abby's very sexy, and and 1064 00:55:46,120 --> 00:55:49,000 Speaker 1: he says, um, Trucker Joe's actually on the phone. He 1065 00:55:49,040 --> 00:55:51,120 Speaker 1: did not know we played his voice. He calls a 1066 00:55:51,160 --> 00:55:53,359 Speaker 1: lot and I like that. Trucker Joe's like, my guy, Hey, 1067 00:55:53,440 --> 00:55:58,240 Speaker 1: Trucker Joe. What's going on? Buddy? Hey morning, Bobby, morning morning. 1068 00:55:58,560 --> 00:56:00,759 Speaker 1: You saw Abby in the video and you think, man, 1069 00:56:01,400 --> 00:56:05,800 Speaker 1: she's looking pretty good. Huh. I've seen Abbie before the video, 1070 00:56:05,920 --> 00:56:08,080 Speaker 1: and yet she does look good. Okay, s a before 1071 00:56:08,120 --> 00:56:11,200 Speaker 1: and then during the video. What in the video. What 1072 00:56:11,320 --> 00:56:13,800 Speaker 1: happened in the video that led you to go I'm inspired? 1073 00:56:13,840 --> 00:56:17,680 Speaker 1: I need to call the voicemail to Bobby Bones show. Well, 1074 00:56:17,760 --> 00:56:22,080 Speaker 1: actually I was calling to ask much more the questions today. Yeah, yeah, no, 1075 00:56:22,120 --> 00:56:24,080 Speaker 1: I know why you're calling today, But you love the voicemail? 1076 00:56:24,200 --> 00:56:28,239 Speaker 1: He again, he did not know. I just want to 1077 00:56:28,320 --> 00:56:30,319 Speaker 1: let them know that I've seen the video. It's an 1078 00:56:30,360 --> 00:56:34,400 Speaker 1: awesome song. Abby is beautiful. Yeah, I don't want her 1079 00:56:34,440 --> 00:56:40,920 Speaker 1: to listen to anything. So are you a single guy? Yes? Yes, 1080 00:56:40,960 --> 00:56:43,520 Speaker 1: there I am. And do you ever did you swing 1081 00:56:43,640 --> 00:56:47,600 Speaker 1: through Nashville often or ever? I swing through every once 1082 00:56:47,600 --> 00:56:49,759 Speaker 1: in a while. Yeah, okay, all right, we got potential here. 1083 00:56:50,400 --> 00:56:52,520 Speaker 1: What are you looking for in a lated Chucker Joe? 1084 00:56:54,200 --> 00:56:59,919 Speaker 1: Somebody that is not my ex wife? Oh yeah, Chuck. Yeah, Abby, 1085 00:57:00,040 --> 00:57:03,040 Speaker 1: let's fit that criteria. Truck or Joe. What celebrity would 1086 00:57:03,040 --> 00:57:05,320 Speaker 1: you say you most resemble? Now you don't have to 1087 00:57:05,400 --> 00:57:07,279 Speaker 1: look exactly like them, but I need you to think, 1088 00:57:07,360 --> 00:57:12,840 Speaker 1: and who are you closest to resembling? Yeah? Yeah, honestly, 1089 00:57:12,880 --> 00:57:15,319 Speaker 1: I couldn't think of any any all these celebrities look 1090 00:57:15,440 --> 00:57:18,840 Speaker 1: kind of look kind of good. Yeah yeah, yeah, yeah, 1091 00:57:18,920 --> 00:57:21,240 Speaker 1: that truck Joe. You're good in your own way. Man. Yeah, 1092 00:57:21,240 --> 00:57:25,560 Speaker 1: if you can't think of any one Truck or Joe honestly, 1093 00:57:25,560 --> 00:57:27,960 Speaker 1: you know. Uh, if you can think of somebody with 1094 00:57:28,120 --> 00:57:34,320 Speaker 1: a gray goate, you know, and like salt and pepper hair, 1095 00:57:34,440 --> 00:57:37,800 Speaker 1: then there you go. Okay. The guy from Stranger Things? 1096 00:57:37,840 --> 00:57:41,600 Speaker 1: Who's the cop David? Oh? Yeah, I forgot his? Murmer's 1097 00:57:41,640 --> 00:57:44,520 Speaker 1: name is Mike? What's his name? The actor? Yes, the sheriff. 1098 00:57:44,680 --> 00:57:49,120 Speaker 1: That's who I'm picturing. Is who David Harper? I'm picturing him? 1099 00:57:49,160 --> 00:57:54,000 Speaker 1: Is David Harper the adult and Stranger Things? Who David 1100 00:57:54,080 --> 00:57:57,240 Speaker 1: Kenneth Harbor? Harbor not Harper? Sorry? I said, Okay, you're 1101 00:57:57,280 --> 00:57:59,280 Speaker 1: he's David Harbor and he's rides a truck. How long 1102 00:57:59,320 --> 00:58:03,240 Speaker 1: you've been driving a ruck? Okay? Now, I have a 1103 00:58:03,280 --> 00:58:04,680 Speaker 1: little experience with stelf. I'm not gonna lie to It's 1104 00:58:04,680 --> 00:58:06,040 Speaker 1: a very difficult job. I don't think you guys are 1105 00:58:06,080 --> 00:58:08,160 Speaker 1: getting near the respect that you deserve. Our country does 1106 00:58:08,200 --> 00:58:10,440 Speaker 1: not run without you guys, and what you guys do 1107 00:58:10,520 --> 00:58:11,960 Speaker 1: every single day is what allows us to go to 1108 00:58:12,000 --> 00:58:15,040 Speaker 1: the store and buy stuff. Now, you're very important to me. Now, Abby, 1109 00:58:15,120 --> 00:58:18,160 Speaker 1: the question to you is do you think David Harbor's cute, 1110 00:58:18,240 --> 00:58:20,320 Speaker 1: the actor from Stranger Things. I don't know what he 1111 00:58:20,360 --> 00:58:22,400 Speaker 1: looks like. Yeah, you should up, you should look because, 1112 00:58:22,480 --> 00:58:26,560 Speaker 1: let me tell you, I'd take a spin top. Hold on, 1113 00:58:26,840 --> 00:58:28,840 Speaker 1: hold on? Are we going to ask how old Trucker 1114 00:58:28,880 --> 00:58:34,800 Speaker 1: Joe is? I don't give a crap I ask. Okay, Okay, 1115 00:58:35,200 --> 00:58:38,720 Speaker 1: I think that's a good question. Hey, Trucker Joe, just 1116 00:58:38,800 --> 00:58:42,360 Speaker 1: answer this. We're glad from like you though me. Okay, 1117 00:58:42,480 --> 00:58:45,840 Speaker 1: anyone's like me, so imagine David Harbor from the nose down, 1118 00:58:46,200 --> 00:58:50,640 Speaker 1: but me from the nose up. Okay, I see it. Yeah, okay, Um, 1119 00:58:50,800 --> 00:58:58,680 Speaker 1: Trucker Joe over under seventy five? Are you go? We'll 1120 00:58:58,680 --> 00:59:02,960 Speaker 1: settle there. Sound like it's like a love connection. Wait, 1121 00:59:03,080 --> 00:59:04,480 Speaker 1: Trucker Joe, do you want to tell us how old 1122 00:59:04,520 --> 00:59:08,720 Speaker 1: you are? I am actually your ange? Bobby forty one? Oh? 1123 00:59:10,840 --> 00:59:13,720 Speaker 1: Hold on, hold on second, on, hold on, hold us like, 1124 00:59:13,760 --> 00:59:15,360 Speaker 1: hold on this second, need to hold this will be 1125 00:59:15,480 --> 00:59:16,720 Speaker 1: do not? I hear you? I thought Trucker Joe was 1126 00:59:16,760 --> 00:59:18,480 Speaker 1: like fifteen years old than too. I'm not gonna lie 1127 00:59:18,480 --> 00:59:22,640 Speaker 1: to you. Youthful presence though, I feel that. Wow. Also, 1128 00:59:22,720 --> 00:59:31,760 Speaker 1: Bobby's forty two? Yeah you okay, okay, Yeah, I know 1129 00:59:31,880 --> 00:59:33,800 Speaker 1: how old Bobby is. I'll be forty two next month. 1130 00:59:34,200 --> 00:59:40,360 Speaker 1: Oh okay, Trucker Joe, you are if I'm correct, if 1131 00:59:40,400 --> 00:59:43,360 Speaker 1: I know my Trucker Joe history. He's from Iowa. Is 1132 00:59:43,400 --> 00:59:48,720 Speaker 1: that right? No, I'm in Iowa right now, travels okay, 1133 00:59:48,800 --> 00:59:54,919 Speaker 1: must it's not far well, part of North Carolina, Jacksonville, Campelly, June. 1134 00:59:54,960 --> 00:59:57,560 Speaker 1: I'm born to raise Yeah, okay, so this is what 1135 00:59:57,680 --> 01:00:00,160 Speaker 1: I like. Trucker Joe, stay on the phone. Want to 1136 01:00:00,200 --> 01:00:01,800 Speaker 1: keep truck you on the phone. Ray, move that song down. 1137 01:00:01,840 --> 01:00:03,240 Speaker 1: We'll get to it in a second. I have Trucker 1138 01:00:03,280 --> 01:00:04,640 Speaker 1: Joe on the phone. We want to say there's a 1139 01:00:04,640 --> 01:00:07,040 Speaker 1: love connection here. I'm gonna ask him three to separate them, 1140 01:00:07,080 --> 01:00:09,600 Speaker 1: asking three questions. We'll see how their answers compare, and 1141 01:00:09,680 --> 01:00:12,400 Speaker 1: we'll see if Trucker Joe and Abbey are meant to be. 1142 01:00:14,360 --> 01:00:17,000 Speaker 1: That's next segment. We're back and hey, Trucker Joe, don't 1143 01:00:17,000 --> 01:00:22,440 Speaker 1: hang up. I won't okay, Okay, do we have his 1144 01:00:22,560 --> 01:00:25,360 Speaker 1: number in case? Yeah? Okay, back in a second with 1145 01:00:25,440 --> 01:00:30,400 Speaker 1: Trucker Joe. Hey, Abby, I need you to go away 1146 01:00:30,640 --> 01:00:33,400 Speaker 1: and not hear the show for three or four minutes. Okay, 1147 01:00:33,760 --> 01:00:35,720 Speaker 1: So I'm gonna give trucker Joe some questions and see 1148 01:00:35,720 --> 01:00:38,880 Speaker 1: if you guys match compatibility wise. So let me know 1149 01:00:39,120 --> 01:00:41,560 Speaker 1: Ray what she can't hear. She's going the other room 1150 01:00:41,680 --> 01:00:44,240 Speaker 1: right now. My trucker Joe is on. He loves Abby, 1151 01:00:45,400 --> 01:00:47,160 Speaker 1: he love that, and I'm like, let's see what we 1152 01:00:47,200 --> 01:00:48,840 Speaker 1: can do here. And if it doesn't match, it doesn't match. 1153 01:00:48,920 --> 01:00:50,760 Speaker 1: That happens sometimes you got two great people. Sure, it 1154 01:00:50,840 --> 01:00:53,800 Speaker 1: just doesn't work out. Trucker Joe, are you driving right now? 1155 01:00:55,360 --> 01:00:58,320 Speaker 1: I'm ask you about to stop at my ship? Okay? 1156 01:00:58,400 --> 01:01:00,080 Speaker 1: So can you give us a little too too on 1157 01:01:00,160 --> 01:01:04,880 Speaker 1: a boot boot? Let's trucker talk for it? Can I 1158 01:01:04,960 --> 01:01:07,840 Speaker 1: hear the horn? There it is? You know truckers have 1159 01:01:07,920 --> 01:01:10,120 Speaker 1: to say stuff like that one on the boot boot? Yeah, 1160 01:01:10,120 --> 01:01:12,120 Speaker 1: I just kind of made that up. Then, all right, 1161 01:01:12,160 --> 01:01:16,040 Speaker 1: truck or Joe, you got three questions. Are you ready? Sure? 1162 01:01:17,200 --> 01:01:18,440 Speaker 1: You get a couple of days off and you can 1163 01:01:18,480 --> 01:01:21,720 Speaker 1: do whatever you want. Do you a hang out on 1164 01:01:21,800 --> 01:01:29,880 Speaker 1: the beach, b go to the mountains, or see just 1165 01:01:30,160 --> 01:01:32,760 Speaker 1: hang out at home and watch TV. You got a 1166 01:01:32,800 --> 01:01:40,320 Speaker 1: truck or Joe, Well, I don't like the beach, so 1167 01:01:40,760 --> 01:01:42,680 Speaker 1: I would either hang out at home or go to 1168 01:01:42,760 --> 01:01:47,800 Speaker 1: the mountains, depend on you know what months it is. 1169 01:01:48,400 --> 01:01:50,440 Speaker 1: Any mountain you want, Trucker Joe, you want the mountains 1170 01:01:50,600 --> 01:01:53,280 Speaker 1: or do you want at home? Just a quick yes, no, ABC, 1171 01:01:54,160 --> 01:01:56,280 Speaker 1: probably a mountain. Okay, truck or Joe goes to the mountains. 1172 01:01:56,320 --> 01:01:58,720 Speaker 1: That's a good one, all right, Truck or Joe. You 1173 01:01:58,800 --> 01:02:01,240 Speaker 1: have an evening free and you can watch whatever you want. 1174 01:02:01,960 --> 01:02:05,720 Speaker 1: Do you go and find a good documentary? Do you 1175 01:02:05,880 --> 01:02:10,560 Speaker 1: pursue lol comedy or are you down for a drama? 1176 01:02:11,240 --> 01:02:16,640 Speaker 1: Trucker Joe, you think I'd probably go comedy. Okay, Trucker 1177 01:02:16,720 --> 01:02:18,960 Speaker 1: Rucker's comedy. I'm feeling this is gonna work out. It's 1178 01:02:19,000 --> 01:02:21,760 Speaker 1: pretty good. Yeah, yeah, we might just set it up. 1179 01:02:23,360 --> 01:02:26,760 Speaker 1: Truck or Joe. You're on the road long day head. 1180 01:02:27,240 --> 01:02:30,760 Speaker 1: You can only listen to one artist of these artists, 1181 01:02:31,080 --> 01:02:35,280 Speaker 1: which one do you listen to all day long? Justin Bieber, 1182 01:02:36,800 --> 01:02:46,280 Speaker 1: food Fighters, Luke Bryan or Tupac. See now that's hard 1183 01:02:48,120 --> 01:02:51,960 Speaker 1: Bran Bran, Look Brian, Okay, look Brian. All right, Trucker 1184 01:02:52,040 --> 01:02:54,280 Speaker 1: Joe is in in the mountains watching a comedy. Listen 1185 01:02:54,320 --> 01:02:57,320 Speaker 1: to Luke Brian all right, let's go. Let's bring out. 1186 01:02:58,040 --> 01:03:01,000 Speaker 1: All right, Abby's our phone screener, also a segment producer. 1187 01:03:01,120 --> 01:03:04,600 Speaker 1: She's I say, she's phone screnner. She's very valuable around here. 1188 01:03:04,680 --> 01:03:06,960 Speaker 1: And you know, a wise man once said you don't 1189 01:03:06,960 --> 01:03:08,600 Speaker 1: need to do everything behind the scenes, and that wise 1190 01:03:08,640 --> 01:03:12,080 Speaker 1: man's lunchbox, and so Abby is very important. So when 1191 01:03:12,080 --> 01:03:13,920 Speaker 1: we say just phone screenner, abbe, you know you know 1192 01:03:13,960 --> 01:03:15,640 Speaker 1: what's out of love and it's just the easiest thing 1193 01:03:15,680 --> 01:03:18,000 Speaker 1: to describe. Thank you, m Abby. I'm gonna ask you 1194 01:03:18,040 --> 01:03:20,360 Speaker 1: three questions to give me your answer. Okay, okay. You 1195 01:03:20,480 --> 01:03:23,000 Speaker 1: got a whole weekend to do whatever you want and 1196 01:03:23,040 --> 01:03:25,480 Speaker 1: go wherever you want to go. Do you a go 1197 01:03:25,840 --> 01:03:30,360 Speaker 1: to the beach? Do you be go to the mountains? 1198 01:03:31,520 --> 01:03:35,080 Speaker 1: Or do you see just stay at home. Oh, I'm 1199 01:03:35,080 --> 01:03:36,600 Speaker 1: gonna have to go to the beach. All right, Abby 1200 01:03:36,680 --> 01:03:40,200 Speaker 1: goes to the beach, Abbey. You got a whole night, 1201 01:03:40,280 --> 01:03:43,000 Speaker 1: a whole evening. There's nothing planned. It's just you and 1202 01:03:43,160 --> 01:03:47,720 Speaker 1: the boob tube. Now, do you watch a documentary? Maybe 1203 01:03:47,760 --> 01:03:50,400 Speaker 1: find you a good documentary. Do you dial in and 1204 01:03:50,480 --> 01:03:52,480 Speaker 1: go LLL for a comedy? Oh you want to get 1205 01:03:52,480 --> 01:03:57,320 Speaker 1: your laugh in? Or do you get serious? Do you 1206 01:03:57,360 --> 01:04:00,960 Speaker 1: want to watch a drama. Oh I like a good comedy, right, 1207 01:04:01,400 --> 01:04:04,800 Speaker 1: like to laugh? Right? All right? Hey, Abby, you get 1208 01:04:05,600 --> 01:04:07,320 Speaker 1: you have a long road trip ahead of you. I 1209 01:04:07,360 --> 01:04:09,120 Speaker 1: still take you ten hours to get to where you're going. 1210 01:04:09,440 --> 01:04:11,760 Speaker 1: You only get to listen to one artist the entire time. 1211 01:04:12,080 --> 01:04:13,960 Speaker 1: Which of these four if you had to choose, would 1212 01:04:14,000 --> 01:04:22,040 Speaker 1: that artist be Justin Bieber, Foo Fighters, Luke Brian or 1213 01:04:22,080 --> 01:04:27,080 Speaker 1: Tupac Dang, that's a tassa between Justin Bieber and Luke Brian. 1214 01:04:28,080 --> 01:04:31,920 Speaker 1: Oh I guess I would say Justin Bieber because I 1215 01:04:32,200 --> 01:04:35,360 Speaker 1: hear a lot of Luke Brian sober. All right, So 1216 01:04:35,840 --> 01:04:37,520 Speaker 1: all we were looking for is one out of three 1217 01:04:37,560 --> 01:04:43,880 Speaker 1: for you guys to get married. What do you mean 1218 01:04:43,920 --> 01:04:48,480 Speaker 1: there was no There was no rules the questions. If 1219 01:04:48,480 --> 01:04:50,280 Speaker 1: you got three thirty three over a career in baseball, 1220 01:04:50,320 --> 01:04:52,680 Speaker 1: that's hall of fame, right, And I mean they were 1221 01:04:52,760 --> 01:04:54,840 Speaker 1: both on the Luke Brian train, Like she had Luke 1222 01:04:54,840 --> 01:04:57,160 Speaker 1: Bryan as a finalist. So Abby went to the beach 1223 01:04:57,240 --> 01:04:59,440 Speaker 1: and Trucker Joe went to the mountains. So there's not 1224 01:04:59,520 --> 01:05:02,720 Speaker 1: a love can action there. Okay, Abby picked Bieber, Rucker 1225 01:05:02,800 --> 01:05:05,000 Speaker 1: Joe picked Luke Bryan, So no love connection there. But 1226 01:05:05,120 --> 01:05:06,720 Speaker 1: I put most of the weight on the what to watch, 1227 01:05:06,760 --> 01:05:08,520 Speaker 1: because we've spent most of our life at home watching 1228 01:05:08,560 --> 01:05:10,800 Speaker 1: things with our people, and you guys both picked a comedy, 1229 01:05:11,040 --> 01:05:16,840 Speaker 1: So you guys are destined. All right, Hey there, I'm 1230 01:05:16,880 --> 01:05:18,560 Speaker 1: gonna send you out and he'll pay for it. Are 1231 01:05:18,560 --> 01:05:21,520 Speaker 1: we gonna do it here? Married on the show? Married 1232 01:05:21,560 --> 01:05:26,160 Speaker 1: it first night, married in the morning. What we call it? 1233 01:05:26,360 --> 01:05:29,880 Speaker 1: Married in the morning. Um, Trucker Joe, you know, next 1234 01:05:29,920 --> 01:05:32,200 Speaker 1: time you come through Nashville, will you just let me 1235 01:05:32,280 --> 01:05:35,080 Speaker 1: know because if possible, we'd love to meet you. And 1236 01:05:35,200 --> 01:05:37,440 Speaker 1: who knows, you guys might see each other, and it's 1237 01:05:37,480 --> 01:05:41,800 Speaker 1: like two sparklers going, Oh, I'll try. Man, I'm always 1238 01:05:41,840 --> 01:05:44,960 Speaker 1: calling and I was here a busy signal. Yeah he 1239 01:05:45,240 --> 01:05:47,320 Speaker 1: got it today I heard that. Here's the lunchbox of 1240 01:05:47,320 --> 01:05:52,320 Speaker 1: self schoolers number. No, no, we'll just give your hobbies number. 1241 01:05:52,360 --> 01:05:54,120 Speaker 1: Trucker Joe. But you have our voicemail. You can call 1242 01:05:54,200 --> 01:05:56,040 Speaker 1: us anytime in the afternoon or night. Leave us the voicemail, 1243 01:05:56,040 --> 01:05:58,120 Speaker 1: say I'm coming to Nashville and maybe we can organize 1244 01:05:58,160 --> 01:06:01,960 Speaker 1: a meeting. Yeah, I got my numbers, so no, no, no, 1245 01:06:03,440 --> 01:06:05,560 Speaker 1: we don't know when you're coming through town. Truck okay, 1246 01:06:05,680 --> 01:06:08,440 Speaker 1: we's number. Well, but Truck or Joe, if you're coming through, 1247 01:06:08,520 --> 01:06:09,800 Speaker 1: just call our voice and I'll be I'm gonna be 1248 01:06:09,800 --> 01:06:11,240 Speaker 1: a Nahville tomorrow and we'll see if we can call 1249 01:06:11,280 --> 01:06:16,560 Speaker 1: you back. Okay, exactly, all right, that's what I was saying. 1250 01:06:16,680 --> 01:06:18,880 Speaker 1: It wasn't. I'll be honest, it wasn't a love connection. 1251 01:06:18,960 --> 01:06:20,640 Speaker 1: Had you gone three for three out of said, maybe 1252 01:06:20,640 --> 01:06:23,760 Speaker 1: there's something here, but one for three, maybe that's a 1253 01:06:24,120 --> 01:06:28,040 Speaker 1: one good makeout session. We call three. There's not. Just 1254 01:06:28,160 --> 01:06:31,600 Speaker 1: a little fun. Yeah, I mean just a little tongue. Okay, 1255 01:06:31,800 --> 01:06:34,560 Speaker 1: stop clean the teeth, all right, Truck or Joe, what 1256 01:06:34,600 --> 01:06:36,400 Speaker 1: do you want to ask Lunchbox real quick? The reason 1257 01:06:36,480 --> 01:06:42,200 Speaker 1: he called? Yeah, yeah, Runchboxes. Uh, where did you get 1258 01:06:42,280 --> 01:06:43,959 Speaker 1: that you were getting the role in the movie? Because 1259 01:06:44,000 --> 01:06:47,000 Speaker 1: nobody said you were getting the lead the Las Vegas production. 1260 01:06:47,080 --> 01:06:48,760 Speaker 1: Oh dude, I mean, if they're gonna put me, I'm 1261 01:06:48,800 --> 01:06:50,880 Speaker 1: gonna be in the lead. Of course, why would they not. 1262 01:06:51,120 --> 01:06:52,640 Speaker 1: That's what they want. They want to start in front. 1263 01:06:52,680 --> 01:06:55,280 Speaker 1: They can own the stage. That's me. Tomorrow, Lunchbox will 1264 01:06:55,280 --> 01:06:58,000 Speaker 1: auditions for a director. Yes, I got a few reasons 1265 01:06:58,040 --> 01:07:03,120 Speaker 1: why they wouldn't. Oh boy, oh um, and two. Okay, 1266 01:07:04,200 --> 01:07:08,840 Speaker 1: Now this is kind of rude, but lunchboke knows rude. 1267 01:07:10,720 --> 01:07:15,840 Speaker 1: Have you heard yourself sing? Yeah, I've heard myself sing. Okay, 1268 01:07:16,120 --> 01:07:19,640 Speaker 1: now you talk about Abby singing for you sound like 1269 01:07:19,720 --> 01:07:23,280 Speaker 1: two seagulls. Final word fish nice got him good? Yeah? 1270 01:07:23,440 --> 01:07:26,120 Speaker 1: I never won yea trucker Joe, I never said. I 1271 01:07:26,240 --> 01:07:28,080 Speaker 1: never came on the radio and claimed to be a singer. 1272 01:07:28,320 --> 01:07:29,640 Speaker 1: I never said that I was going to have a 1273 01:07:29,920 --> 01:07:32,200 Speaker 1: music career, Like I didn't move to Nashville to have 1274 01:07:32,280 --> 01:07:34,920 Speaker 1: a music career. She didn't claim it. She's actually tried it, right, Well, 1275 01:07:34,960 --> 01:07:37,200 Speaker 1: that's what I'm saying. She tried it and she still 1276 01:07:37,240 --> 01:07:39,520 Speaker 1: believes she can sing, Like, I don't know that I 1277 01:07:39,640 --> 01:07:41,200 Speaker 1: came here to sing, but guess what they want me 1278 01:07:41,240 --> 01:07:44,520 Speaker 1: in a musical? I'll sing. Trucker Joe, we appreciate you 1279 01:07:44,840 --> 01:07:46,320 Speaker 1: and we will hopefully talk to you soon. And what 1280 01:07:46,360 --> 01:07:48,840 Speaker 1: does he think he sounds like a trucker. It's living 1281 01:07:48,920 --> 01:07:50,960 Speaker 1: live and making sure that we all are able to 1282 01:07:51,000 --> 01:07:52,880 Speaker 1: get the supplies that we need. What do you drive in, 1283 01:07:52,880 --> 01:07:54,640 Speaker 1: trucker Joe? Like? What's in the what's in the hall? 1284 01:07:54,720 --> 01:07:59,200 Speaker 1: Back there? I can't sing with a crap yeah, actually 1285 01:07:59,280 --> 01:08:01,000 Speaker 1: just traceding the hall. I'm about to pick up some 1286 01:08:01,080 --> 01:08:04,640 Speaker 1: more grades and uh bring him to Illinois. All right, Well, 1287 01:08:04,640 --> 01:08:07,600 Speaker 1: hopefully we'll see you soon in Trucker Joe. But just 1288 01:08:07,800 --> 01:08:09,360 Speaker 1: want to let Joe know I'm a big grand on 1289 01:08:09,440 --> 01:08:12,919 Speaker 1: the show. Okay, I love that bar on the show. 1290 01:08:14,200 --> 01:08:15,960 Speaker 1: My daughter don't like gonch to walk too much though. 1291 01:08:16,080 --> 01:08:17,800 Speaker 1: All right, well he's not everybody's taste, but some people 1292 01:08:17,840 --> 01:08:20,160 Speaker 1: he's our favorite taste, you know what. That's okay. Some 1293 01:08:20,200 --> 01:08:22,519 Speaker 1: people like pickles on the ceiling for art, right now, 1294 01:08:22,760 --> 01:08:24,560 Speaker 1: that's okay, all right, Trucker Joe. We gotta go have 1295 01:08:24,640 --> 01:08:27,360 Speaker 1: a great day. Yeah, a great day, Bobby, I see 1296 01:08:27,360 --> 01:08:39,120 Speaker 1: a buddy. Huh. And Abby looks six years old? Amy, 1297 01:08:39,200 --> 01:08:42,000 Speaker 1: your son's birthday was yesterday. He turned twelve years old. 1298 01:08:42,080 --> 01:08:46,200 Speaker 1: That's wild. You adopted him when he was how old? Seven? 1299 01:08:46,920 --> 01:08:48,920 Speaker 1: That five years? I mean, that's a that's a wild 1300 01:08:49,000 --> 01:08:51,160 Speaker 1: five years. And even the five years before that or 1301 01:08:51,240 --> 01:08:52,880 Speaker 1: four years when you're trying to get him from Haiti. 1302 01:08:53,360 --> 01:08:55,639 Speaker 1: Oh yeah, no, I mean when I first met him 1303 01:08:55,880 --> 01:08:58,439 Speaker 1: he was two and a half. I wasn't matched with 1304 01:08:58,560 --> 01:09:00,280 Speaker 1: him at that point, so I didn't know he would 1305 01:09:00,280 --> 01:09:02,519 Speaker 1: be my son. But that was my first time going 1306 01:09:02,560 --> 01:09:05,639 Speaker 1: to the orphanage, and I'll never forget him specifically because 1307 01:09:05,640 --> 01:09:07,200 Speaker 1: I was holding him and he peat on me and 1308 01:09:07,320 --> 01:09:10,280 Speaker 1: that's how you knew. Yep. So what did you get 1309 01:09:10,360 --> 01:09:13,439 Speaker 1: him first birthday? Well, we got him some football things 1310 01:09:13,560 --> 01:09:15,360 Speaker 1: and stuff he was real excited about. And then he's 1311 01:09:15,360 --> 01:09:18,240 Speaker 1: been asking for a drum set. This is something we 1312 01:09:18,360 --> 01:09:23,000 Speaker 1: had addressed over the years. Lessons for oil. Yes, he did, 1313 01:09:23,080 --> 01:09:25,800 Speaker 1: but I would allow him to, you know, use the 1314 01:09:25,880 --> 01:09:28,400 Speaker 1: countertop as drums, and then he could play drums when 1315 01:09:28,400 --> 01:09:30,160 Speaker 1: he went to lessons. And then I think Ray got 1316 01:09:30,240 --> 01:09:32,519 Speaker 1: him some set from Cracker Barrel or me. I don't know. 1317 01:09:32,800 --> 01:09:39,960 Speaker 1: We'd had something that disappeared because he disappeared. Drums are obnoxious. Well, 1318 01:09:40,000 --> 01:09:43,400 Speaker 1: I found this thing on Amazon that is a drum pad. 1319 01:09:43,680 --> 01:09:45,439 Speaker 1: It rolls up and rolls out, so you can take 1320 01:09:45,439 --> 01:09:47,360 Speaker 1: it to any room in the house. It's easy. But 1321 01:09:47,479 --> 01:09:50,080 Speaker 1: you plug headphones into it and it's like these round 1322 01:09:50,200 --> 01:09:52,320 Speaker 1: It looks like almost like a stove or an oven, 1323 01:09:52,600 --> 01:09:59,639 Speaker 1: you know, like where you cook things. But it were seven. Yeah, sorry, 1324 01:10:00,000 --> 01:10:02,040 Speaker 1: I'm trying to paint a picture for you. And then 1325 01:10:02,080 --> 01:10:04,320 Speaker 1: you plug headphones in and you can beat the pad 1326 01:10:04,760 --> 01:10:08,640 Speaker 1: and it's like you're playing drums. I just didn't know 1327 01:10:08,800 --> 01:10:12,400 Speaker 1: if that equated to like lame or still in the 1328 01:10:12,520 --> 01:10:14,760 Speaker 1: category of legit drums. What do you think about it? 1329 01:10:15,439 --> 01:10:18,040 Speaker 1: I mean, well, technically we open presents so late. He 1330 01:10:18,120 --> 01:10:19,599 Speaker 1: wanted to set it up, and I said, oh, we'll 1331 01:10:19,600 --> 01:10:22,000 Speaker 1: have to do that tomorrow, so we're probably let him 1332 01:10:22,000 --> 01:10:23,599 Speaker 1: open it but not play it, even for five minutes. 1333 01:10:24,120 --> 01:10:27,240 Speaker 1: It's a school night. Well then why let I'm open 1334 01:10:27,280 --> 01:10:29,720 Speaker 1: it's so late, had other gifts to open. And then 1335 01:10:29,760 --> 01:10:31,800 Speaker 1: I said, well, we'll worry about set because we can't. 1336 01:10:31,880 --> 01:10:33,680 Speaker 1: We're on a schedule and I'm like, we can't stay 1337 01:10:33,760 --> 01:10:35,439 Speaker 1: up late trying to figure out this drum pad, so 1338 01:10:35,560 --> 01:10:37,519 Speaker 1: we'll figure it out tomorrow. I think you'll like it 1339 01:10:37,720 --> 01:10:39,519 Speaker 1: or today For a minute, I think it's cool. If 1340 01:10:39,520 --> 01:10:41,200 Speaker 1: you're wanting to be a drummer, it's cool because that 1341 01:10:41,240 --> 01:10:42,800 Speaker 1: means you could play it. I have friends that have 1342 01:10:42,880 --> 01:10:45,080 Speaker 1: similar ones because they're drummers and they can't always play 1343 01:10:45,160 --> 01:10:48,200 Speaker 1: drum to have kids or neighbors, but they play it 1344 01:10:48,400 --> 01:10:50,280 Speaker 1: like to practice. If I think, if he wants to 1345 01:10:50,320 --> 01:10:52,360 Speaker 1: still do drums, it's pretty cool. Cool, So I don't 1346 01:10:52,400 --> 01:10:54,400 Speaker 1: say lame but I don't know he's gonna stay with 1347 01:10:54,600 --> 01:10:56,920 Speaker 1: that unless you actually let them play the real drums 1348 01:10:56,960 --> 01:10:59,880 Speaker 1: and you can practice on that to play the real drums. Okay, 1349 01:11:00,680 --> 01:11:02,519 Speaker 1: well we'll see what happens. Yeah we will. I'll see 1350 01:11:02,520 --> 01:11:06,479 Speaker 1: how committed he is to the rollout stove. Yeah, but 1351 01:11:06,640 --> 01:11:10,840 Speaker 1: is he taking lessons to Nope? Okay this one. So 1352 01:11:11,000 --> 01:11:14,000 Speaker 1: what is your daughter for your son's birthday? Oh? Well, 1353 01:11:14,080 --> 01:11:17,680 Speaker 1: she gave him a card and she made it all 1354 01:11:17,720 --> 01:11:21,360 Speaker 1: by herself, and when he opened it up, there was 1355 01:11:21,720 --> 01:11:23,920 Speaker 1: a little blue piece of paper that she cut out 1356 01:11:23,960 --> 01:11:25,760 Speaker 1: that fell out and he was like, oh, what's this? 1357 01:11:25,840 --> 01:11:27,360 Speaker 1: And he picked it up and it was a cupon 1358 01:11:28,280 --> 01:11:31,439 Speaker 1: to hang out with her anytime? Anytime he wants to 1359 01:11:31,520 --> 01:11:33,560 Speaker 1: cash it in And she said does he like to 1360 01:11:33,560 --> 01:11:35,519 Speaker 1: hang out with her? And she won't let him. Oh yeah, okay, 1361 01:11:35,640 --> 01:11:38,599 Speaker 1: that's a pretty good gift. In she's fifteen, he's now twelve. 1362 01:11:38,920 --> 01:11:43,040 Speaker 1: He's the little brother and she liked good on her. 1363 01:11:43,160 --> 01:11:45,040 Speaker 1: She's genius because she got him a gift that means 1364 01:11:45,040 --> 01:11:46,280 Speaker 1: a lot to him and she didn't have to spend 1365 01:11:46,280 --> 01:11:48,680 Speaker 1: any money. Yeah. So how long though, is it on there? 1366 01:11:48,840 --> 01:11:51,120 Speaker 1: Sixty minutes? That's where she kind of messed up. She 1367 01:11:51,160 --> 01:11:53,240 Speaker 1: didn't put a time or did she do it exactly right? 1368 01:11:53,280 --> 01:11:55,120 Speaker 1: She could for five minutes to be like, you got it. 1369 01:11:55,320 --> 01:11:59,200 Speaker 1: We hung out maybe, but she did make it clear 1370 01:11:59,560 --> 01:12:01,400 Speaker 1: that the eyes kind of lit up like he kind 1371 01:12:01,439 --> 01:12:02,840 Speaker 1: of wanted to cash it in at that moment, and 1372 01:12:02,880 --> 01:12:05,400 Speaker 1: she looked at him. She goes, not tonight, you couldn't 1373 01:12:05,400 --> 01:12:07,360 Speaker 1: even play drums, much less hanging out the rest of 1374 01:12:08,080 --> 01:12:09,960 Speaker 1: So she's going to high school to day for the 1375 01:12:09,960 --> 01:12:12,720 Speaker 1: first time, to day one, fifteen years old. Crazy. I 1376 01:12:12,800 --> 01:12:15,880 Speaker 1: got a picture of her, uh, you know, walking into 1377 01:12:16,000 --> 01:12:17,960 Speaker 1: school for the first time. I could just see her 1378 01:12:18,000 --> 01:12:19,960 Speaker 1: from the back with her backpack because obviously I can't 1379 01:12:19,960 --> 01:12:22,040 Speaker 1: be part of school drop off. But when I was 1380 01:12:22,120 --> 01:12:24,960 Speaker 1: excited for her, I'm just pumped. I just a whole 1381 01:12:25,040 --> 01:12:29,680 Speaker 1: new era, Like she's starting the journey towards this is 1382 01:12:29,760 --> 01:12:32,920 Speaker 1: the school in which she will start driving. This is 1383 01:12:33,000 --> 01:12:36,600 Speaker 1: where she'll you know, maybe get a boyfriend. This is 1384 01:12:36,680 --> 01:12:38,439 Speaker 1: when she'll graduate, and then she's going to go off 1385 01:12:38,479 --> 01:12:40,920 Speaker 1: to college like all, I mean, she's got four more years. 1386 01:12:41,760 --> 01:12:43,760 Speaker 1: It's crazy. How did she feel about it going today 1387 01:12:43,840 --> 01:12:46,360 Speaker 1: or even last week leading up to it? She said 1388 01:12:46,680 --> 01:12:49,559 Speaker 1: she gave me actually a number. She said, I'm fifty 1389 01:12:49,600 --> 01:12:53,200 Speaker 1: percent nervous. Fifty percent. Okay, that's a great ratio. Yeah, 1390 01:12:53,439 --> 01:12:55,880 Speaker 1: because you should be nervous about new cool things and 1391 01:12:55,920 --> 01:12:57,799 Speaker 1: you should be excited about new cool things just generally 1392 01:12:57,880 --> 01:13:00,400 Speaker 1: in life. Well, that's really cool. Now, I guess what 1393 01:13:00,479 --> 01:13:03,400 Speaker 1: I wonder. I was cant that she'd cut all her 1394 01:13:03,439 --> 01:13:05,880 Speaker 1: hair off. She did, what do you mean, Like she 1395 01:13:05,920 --> 01:13:08,120 Speaker 1: went to the she went to the salon and had 1396 01:13:08,160 --> 01:13:09,760 Speaker 1: him cut her hair off because you want to go short. Well, 1397 01:13:09,800 --> 01:13:12,200 Speaker 1: so we had extensions in her hair, like she had 1398 01:13:12,240 --> 01:13:16,040 Speaker 1: these twisty braids, and but they were way growing out, 1399 01:13:16,120 --> 01:13:18,160 Speaker 1: and obviously for the first day of school, we wanted 1400 01:13:18,320 --> 01:13:21,840 Speaker 1: new hair, like a new hair situation. So she took 1401 01:13:21,880 --> 01:13:24,000 Speaker 1: out her hair, and her hair was probably down to 1402 01:13:24,080 --> 01:13:27,720 Speaker 1: her shoulders. But I don't know what happened. I think 1403 01:13:27,800 --> 01:13:30,320 Speaker 1: some of her nerves got to her something. And I 1404 01:13:30,439 --> 01:13:32,439 Speaker 1: walked in the kitchen and she's standing over the trash 1405 01:13:32,479 --> 01:13:35,000 Speaker 1: can with a pair of scissors, and her hair is 1406 01:13:35,000 --> 01:13:38,880 Speaker 1: about as long as yours. Did she chopped all of 1407 01:13:38,960 --> 01:13:42,800 Speaker 1: her I don't even know what I thought. You know, 1408 01:13:42,880 --> 01:13:45,800 Speaker 1: it's not midlife crisis because she's fifteen. But I don't 1409 01:13:45,800 --> 01:13:49,679 Speaker 1: know if it's like, you know, mid school journey crisis. Well, 1410 01:13:50,120 --> 01:13:59,479 Speaker 1: can I make extremely uneducated observation. Sure, Sometimes folks will 1411 01:13:59,520 --> 01:14:01,120 Speaker 1: cut all their hair off when they don't have control 1412 01:14:01,160 --> 01:14:04,559 Speaker 1: of other things and what's happening to them is out 1413 01:14:04,600 --> 01:14:05,920 Speaker 1: of their control in a way, and the only thing 1414 01:14:05,960 --> 01:14:09,840 Speaker 1: they can't control is things about their body. So they 1415 01:14:09,880 --> 01:14:12,040 Speaker 1: will take control and they will cut all their hair 1416 01:14:12,080 --> 01:14:14,880 Speaker 1: off or shave their head because I still have control 1417 01:14:14,920 --> 01:14:18,960 Speaker 1: of this, And it's like, yeah, I mean I've definitely 1418 01:14:19,000 --> 01:14:20,840 Speaker 1: I wanted to shave my head. Has it always been 1419 01:14:20,840 --> 01:14:22,519 Speaker 1: in like a situation where you're like, oh, but I 1420 01:14:22,640 --> 01:14:24,880 Speaker 1: guess I have I know that. Oh if I do this, 1421 01:14:25,000 --> 01:14:27,320 Speaker 1: there's no turning back. But was it at a time 1422 01:14:27,360 --> 01:14:29,599 Speaker 1: when there was some sort of massive stress when you're 1423 01:14:29,600 --> 01:14:30,960 Speaker 1: like I need to want to shave my head or 1424 01:14:31,040 --> 01:14:35,479 Speaker 1: some sort of I want to change. Yeah, Brittany spears 1425 01:14:35,520 --> 01:14:37,240 Speaker 1: she did it at that time too. I'm not sure 1426 01:14:37,320 --> 01:14:39,519 Speaker 1: what that was, but a lot of times people will 1427 01:14:39,560 --> 01:14:42,640 Speaker 1: do that because it's they have control over that. I 1428 01:14:42,800 --> 01:14:47,360 Speaker 1: only know this because I have some very light OCD tendencies. 1429 01:14:47,400 --> 01:14:51,280 Speaker 1: I mean so lot you wouldn't even notice up at all. 1430 01:14:51,439 --> 01:14:53,320 Speaker 1: We can probably name them all but it's fine. You 1431 01:14:53,439 --> 01:14:56,160 Speaker 1: never even know I'm like that, um, but just reading 1432 01:14:56,200 --> 01:14:58,400 Speaker 1: about it. That's one of the things that people will 1433 01:14:58,400 --> 01:15:01,000 Speaker 1: do at times because a lot of mine is control issues, 1434 01:15:01,320 --> 01:15:02,920 Speaker 1: and so I know I have controlled this, I can, 1435 01:15:03,360 --> 01:15:05,880 Speaker 1: but well, I'm rooting for well she got it off. 1436 01:15:05,920 --> 01:15:07,240 Speaker 1: But then she showed up at her hair point of 1437 01:15:07,240 --> 01:15:10,080 Speaker 1: the next day to get her new due for school, 1438 01:15:10,280 --> 01:15:12,000 Speaker 1: and they could They had to do the braids in 1439 01:15:12,120 --> 01:15:14,080 Speaker 1: such a unique way because they were like, we don't 1440 01:15:14,120 --> 01:15:16,800 Speaker 1: have that much hair to work with right now, And 1441 01:15:16,960 --> 01:15:20,439 Speaker 1: I thought, okay, but she looks good. First day of school. 1442 01:15:20,520 --> 01:15:23,680 Speaker 1: We're rocking now, that's awesome. Yeah, good, good update. Let 1443 01:15:23,760 --> 01:15:25,880 Speaker 1: me know how long the drums get played? Which lived 1444 01:15:25,920 --> 01:15:29,000 Speaker 1: longer the fish of the drums? Fish? Yeah, probably gonna 1445 01:15:29,000 --> 01:15:30,400 Speaker 1: go with the fish. And we don't even know about 1446 01:15:30,400 --> 01:15:35,320 Speaker 1: the fish. All right, thank you guys. Shown Sorry the 1447 01:15:35,439 --> 01:15:38,799 Speaker 1: day this story comes us from Salt Lake City, Utah. 1448 01:15:39,439 --> 01:15:42,640 Speaker 1: A man was out for a hike win oh, no spider, 1449 01:15:44,080 --> 01:15:46,320 Speaker 1: So instead of just walking away, he tries to burn 1450 01:15:46,400 --> 01:15:49,320 Speaker 1: it with a lighter and he causes a wildfire. Yeah, 1451 01:15:49,640 --> 01:15:54,040 Speaker 1: he's on a walk outside, like if it were your house, 1452 01:15:54,080 --> 01:15:55,719 Speaker 1: I would even say that's probably not a good method 1453 01:15:55,760 --> 01:15:58,559 Speaker 1: to burn it. But he wasn't even in the spider's house. 1454 01:15:58,640 --> 01:16:00,599 Speaker 1: He tried to burn the spider in this hider's house 1455 01:16:02,439 --> 01:16:06,840 Speaker 1: and then obviously it's dry, yes, very dry. There are 1456 01:16:06,840 --> 01:16:08,840 Speaker 1: certain places you can do fireworks at all this year 1457 01:16:08,880 --> 01:16:11,320 Speaker 1: because of how dry it is. And he tries to 1458 01:16:11,560 --> 01:16:14,120 Speaker 1: burn just get away, walk away, best way to wait 1459 01:16:14,160 --> 01:16:15,640 Speaker 1: from the spider, walk away from it. This is not 1460 01:16:15,720 --> 01:16:17,280 Speaker 1: the first time we've heard about this. Why do they 1461 01:16:17,320 --> 01:16:19,040 Speaker 1: want to burn the spider? A lot of times they 1462 01:16:19,080 --> 01:16:20,880 Speaker 1: do it in houses though, Ye's my point. I mean, 1463 01:16:20,920 --> 01:16:23,400 Speaker 1: the first wildfire I've heard of. But just step on 1464 01:16:23,479 --> 01:16:26,960 Speaker 1: it or no walk away? Yeah, but even like what 1465 01:16:27,080 --> 01:16:29,200 Speaker 1: if it's on your face and then do this flick? 1466 01:16:29,320 --> 01:16:31,280 Speaker 1: Yeah exactly, they get the lighter and want to light 1467 01:16:31,320 --> 01:16:32,800 Speaker 1: it on fire. I don't get it. Well, that's why 1468 01:16:32,840 --> 01:16:36,200 Speaker 1: it's a bonehead. I'm Lunchbox. That's your bone head story 1469 01:16:36,200 --> 01:16:41,639 Speaker 1: of the day. Big show tomorrow, because the fancy director 1470 01:16:41,760 --> 01:16:44,559 Speaker 1: of this big Vegas production will be on and Lunchbox 1471 01:16:44,640 --> 01:16:47,280 Speaker 1: will be auditioning right here on the show on zoom 1472 01:16:47,840 --> 01:16:51,000 Speaker 1: on zoom. I'm used to that, Oh being on zoom 1473 01:16:51,160 --> 01:16:54,120 Speaker 1: performing Yeah, well yeah, but you'll be standing on stage. 1474 01:16:54,280 --> 01:16:56,400 Speaker 1: That's fine, okay, I don't mind the spotlight on me. 1475 01:16:56,800 --> 01:16:59,240 Speaker 1: The bright lights is when I come alive. Not sure 1476 01:16:59,280 --> 01:17:01,040 Speaker 1: exactly what you're going to do, but I'm sure there'll 1477 01:17:01,040 --> 01:17:02,479 Speaker 1: be some acting and some singing, and that's all that 1478 01:17:02,560 --> 01:17:05,760 Speaker 1: I knew. That's fine. So tomorrow Lunchbox will do well 1479 01:17:05,800 --> 01:17:07,800 Speaker 1: audition on the show to see if he gets the part. 1480 01:17:08,040 --> 01:17:09,559 Speaker 1: So this could be the big break you've always been 1481 01:17:09,560 --> 01:17:12,800 Speaker 1: waiting to. I mean, next stop, Hollywood, Well, I guess Vegas, 1482 01:17:12,840 --> 01:17:16,400 Speaker 1: then Hollywood, Yeah, yes, Vegas first, if you get it, 1483 01:17:16,520 --> 01:17:19,240 Speaker 1: then Hollywood, yeah, Pitt stop. So you reach out to 1484 01:17:19,240 --> 01:17:22,400 Speaker 1: your acting coach, yes, because you guys are telling me, oh, 1485 01:17:22,439 --> 01:17:24,080 Speaker 1: it's a big deal. So I just wanted to see 1486 01:17:24,160 --> 01:17:28,080 Speaker 1: what she as a fellow actor, actress that has experienced 1487 01:17:28,080 --> 01:17:29,759 Speaker 1: in the field, if she can give me any tips 1488 01:17:29,840 --> 01:17:32,160 Speaker 1: for a big audition. And this is a real person. 1489 01:17:32,439 --> 01:17:34,479 Speaker 1: It's not gonna be like your agent where it's your voice. 1490 01:17:34,520 --> 01:17:36,960 Speaker 1: Just no, okay, I know I feel like we're hearing something. 1491 01:17:37,000 --> 01:17:39,880 Speaker 1: I know me too. I feel like this bigfoot. Here 1492 01:17:39,920 --> 01:17:42,600 Speaker 1: we go, here's Lunchboxes acting coach. Hey, listen, all the 1493 01:17:42,680 --> 01:17:44,759 Speaker 1: hard work is paying off. I got a big audition 1494 01:17:44,880 --> 01:17:48,000 Speaker 1: for a musical in Las Vegas. It's called Bat Out 1495 01:17:48,040 --> 01:17:50,240 Speaker 1: of Hell, and I'm gonna be at the Paris Casino. 1496 01:17:50,360 --> 01:17:52,920 Speaker 1: And I mean all of our hard work is paying off. 1497 01:17:53,040 --> 01:17:56,400 Speaker 1: That's like, oh my gosh, you're gonna be perfect for that. 1498 01:17:57,240 --> 01:17:59,200 Speaker 1: I know, you know we've been doing the zoom classes 1499 01:17:59,240 --> 01:18:01,240 Speaker 1: and you know you give critiques or whatever. I just 1500 01:18:01,560 --> 01:18:04,320 Speaker 1: so I want to I just need like audition advice 1501 01:18:04,439 --> 01:18:06,960 Speaker 1: because this is like the moment that I have been 1502 01:18:07,040 --> 01:18:09,360 Speaker 1: waiting for. Okay, So for the audition, I think what 1503 01:18:09,439 --> 01:18:13,360 Speaker 1: you should focus on is I mean definitely like projection, right. 1504 01:18:13,439 --> 01:18:15,640 Speaker 1: Let you want to project, you want to enunciate, and 1505 01:18:15,840 --> 01:18:19,840 Speaker 1: just don't get in your head, you know, keep it loose. Natural. Um, 1506 01:18:20,080 --> 01:18:22,479 Speaker 1: I mean you have a natural stage presence, and you've 1507 01:18:22,520 --> 01:18:24,920 Speaker 1: got such a great voice, Like I'm sure that your 1508 01:18:25,040 --> 01:18:27,439 Speaker 1: musical singing voice. Like, pick a song that you really 1509 01:18:27,520 --> 01:18:29,920 Speaker 1: feel confidently. I don't know if I get to pick, Like, 1510 01:18:30,080 --> 01:18:31,840 Speaker 1: if I got to pick one, I would probably do. 1511 01:18:32,280 --> 01:18:36,880 Speaker 1: I believe I can fly, I believe I can touch 1512 01:18:37,080 --> 01:18:39,040 Speaker 1: this guy. Why would you go to R Kelly as 1513 01:18:39,040 --> 01:18:41,160 Speaker 1: your one song? He's not good? Like in prison for 1514 01:18:41,200 --> 01:18:43,600 Speaker 1: a long time for a bed. Yeah, there's nothing to 1515 01:18:43,640 --> 01:18:45,320 Speaker 1: do with R. Kelly. It's just that's one song that 1516 01:18:45,400 --> 01:18:47,760 Speaker 1: I know. I know a lot of the w have 1517 01:18:47,840 --> 01:18:49,880 Speaker 1: to unknow it. Yeah, you kind of unknow it. We 1518 01:18:49,920 --> 01:18:51,920 Speaker 1: had to let it go. Yeah and learn that one. Yeah. Yeah, 1519 01:18:51,920 --> 01:18:53,559 Speaker 1: as you're as your one, as your go to, Yeah 1520 01:18:53,640 --> 01:18:55,479 Speaker 1: you can tell know it, but I shouldn't be your 1521 01:18:55,520 --> 01:18:57,840 Speaker 1: go to. Yeah. I hear some more lunchbox with his 1522 01:18:57,920 --> 01:19:03,040 Speaker 1: acting coach. Okay, all right, I think that sounds great. Okay, 1523 01:19:03,560 --> 01:19:05,160 Speaker 1: you don't just say that because you know, you're an 1524 01:19:05,200 --> 01:19:07,960 Speaker 1: actor actress, so you're not just acting that. I'm good, right, 1525 01:19:08,000 --> 01:19:12,000 Speaker 1: You're you're being truthful. I would mean no. I like, 1526 01:19:12,240 --> 01:19:15,760 Speaker 1: you've got a naturally grave voice, and so I think 1527 01:19:15,840 --> 01:19:18,040 Speaker 1: that you know, and you're a likable guy. I think 1528 01:19:18,080 --> 01:19:21,120 Speaker 1: that that really comes across you know, in your in 1529 01:19:21,240 --> 01:19:24,599 Speaker 1: your characters. Like I'm like, whenever you bring a role 1530 01:19:24,680 --> 01:19:27,080 Speaker 1: to life, I'm like, man, I like it. I like 1531 01:19:27,280 --> 01:19:28,880 Speaker 1: that guy. I hope you're gonna come see me in 1532 01:19:28,960 --> 01:19:32,559 Speaker 1: Las Vegas. It's gonna be amazing. I'm gonna I mean, 1533 01:19:32,840 --> 01:19:34,439 Speaker 1: you got to bring the whole class like that. I 1534 01:19:34,520 --> 01:19:36,439 Speaker 1: can't wait to tell the whole class that I'm gonna 1535 01:19:36,439 --> 01:19:39,160 Speaker 1: be in a musical. They are going to freak out. 1536 01:19:39,720 --> 01:19:42,160 Speaker 1: What a fun class sold trip. This is gonna be 1537 01:19:42,200 --> 01:19:45,080 Speaker 1: so excited. Right, I'll talk to you later. I'll talk 1538 01:19:45,120 --> 01:19:47,000 Speaker 1: to that and i'll see in class by talk. Why 1539 01:19:47,000 --> 01:19:48,799 Speaker 1: did you hang up on her when she's another sentence? 1540 01:19:48,920 --> 01:19:50,519 Speaker 1: I don't know. I was just I was ready to 1541 01:19:50,600 --> 01:19:52,800 Speaker 1: go Okay his board of her, she was like, sands 1542 01:19:52,800 --> 01:19:55,479 Speaker 1: something nice. It's gonna be so I gotta go. Um 1543 01:19:55,760 --> 01:19:57,960 Speaker 1: two things. One, you don't have it yet, so let's see. 1544 01:19:58,040 --> 01:19:59,720 Speaker 1: I think you have a good shot at it. Yeah, 1545 01:19:59,760 --> 01:20:01,280 Speaker 1: I I don't want you to be so disappointed if 1546 01:20:01,280 --> 01:20:02,600 Speaker 1: you don't get it. I do think you have a 1547 01:20:02,640 --> 01:20:04,559 Speaker 1: great shot at it. I do too, because I've had 1548 01:20:04,600 --> 01:20:06,680 Speaker 1: conversations and I've really pumped you up. Yes, I got 1549 01:20:06,720 --> 01:20:11,360 Speaker 1: one of the been pumping pumping the guy out. Can 1550 01:20:11,400 --> 01:20:13,240 Speaker 1: you send him my sizzle? Real? Nope, there's no such thing. 1551 01:20:13,240 --> 01:20:14,320 Speaker 1: I don't think we have it, because if we did, 1552 01:20:14,360 --> 01:20:15,840 Speaker 1: we play it and love it and listen to it. Oh, 1553 01:20:16,880 --> 01:20:19,320 Speaker 1: so that happens tomorrow. Now she's gonna get jealous of 1554 01:20:19,360 --> 01:20:22,559 Speaker 1: you because when you talked about her credentials. This might 1555 01:20:22,600 --> 01:20:25,160 Speaker 1: be bigger than anything even your teachers done. Oh no, 1556 01:20:25,280 --> 01:20:28,400 Speaker 1: she did some stuff in college. Bro, this is a 1557 01:20:28,479 --> 01:20:31,120 Speaker 1: real deal Las Vegas. I don't think. I don't think 1558 01:20:31,320 --> 01:20:33,680 Speaker 1: that they want their students to spread their wings and 1559 01:20:33,800 --> 01:20:37,240 Speaker 1: fly and source. That's why here today. So I don't 1560 01:20:37,240 --> 01:20:38,800 Speaker 1: think she's gonna be jealous at all. She did not 1561 01:20:38,880 --> 01:20:40,880 Speaker 1: sound like she was gonna be jealous. Love it, Love 1562 01:20:40,960 --> 01:20:43,879 Speaker 1: it love If she's supportive tomorrow morning, that happens with Lunchbox. 1563 01:20:44,040 --> 01:20:46,760 Speaker 1: We'll see you tomorrow. Big day tomorrow. You guys have 1564 01:20:46,840 --> 01:20:50,760 Speaker 1: awesome Thursday. Good Bye everybody, y'all