1 00:00:00,120 --> 00:00:03,240 Speaker 1: Good Usa yo yo yo yo yo yo yo yo 2 00:00:03,320 --> 00:00:05,080 Speaker 1: yo yo yo yo yo yo yo yo yo yo 3 00:00:05,120 --> 00:00:06,840 Speaker 1: yo yo yo yo yo yo yo yo yo. 4 00:00:06,880 --> 00:00:09,520 Speaker 2: Yo yo yo Jess, Hilarry ass Semarini. 5 00:00:09,760 --> 00:00:13,000 Speaker 3: It's Thursday. Hopefully you had an amazing Christmas. Hopefully it 6 00:00:13,039 --> 00:00:15,120 Speaker 3: was with some family. Hopefully you got a chance to 7 00:00:15,160 --> 00:00:18,440 Speaker 3: rest a little bit. Today's show is all about nineties 8 00:00:18,680 --> 00:00:21,920 Speaker 3: stars all right now. Charlamagne will lie, he will say 9 00:00:21,960 --> 00:00:23,840 Speaker 3: he looks like this guy, but he'll be joining us 10 00:00:23,840 --> 00:00:24,240 Speaker 3: this morning. 11 00:00:24,280 --> 00:00:26,239 Speaker 2: The real Morris Chestnut will be in the building. 12 00:00:26,320 --> 00:00:31,080 Speaker 3: Also Jasmine Guy and Kadeem Hardison, our guy, Julia White and. 13 00:00:30,960 --> 00:00:32,400 Speaker 2: Also Rosee Bardez. 14 00:00:32,479 --> 00:00:35,640 Speaker 3: Yes, it's all about nineties stars all on today's show, 15 00:00:35,840 --> 00:00:36,760 Speaker 3: So don't go anywhere. 16 00:00:36,800 --> 00:00:38,560 Speaker 2: Get your ass up. It's the Breakfast Club. Good morning, 17 00:00:39,840 --> 00:00:43,239 Speaker 2: ready right ray Yo, Charla Magne, Daffy, what up are 18 00:00:43,240 --> 00:00:43,680 Speaker 2: we lying? 19 00:00:43,960 --> 00:00:45,519 Speaker 4: This is your time to get it off your chest? 20 00:00:45,640 --> 00:00:48,560 Speaker 2: I got an indoor pool, door pool. We want to 21 00:00:48,560 --> 00:00:49,840 Speaker 2: hear from you on the Breakfast Club. 22 00:00:49,880 --> 00:00:51,120 Speaker 5: We can get on the phone right now. 23 00:00:51,200 --> 00:00:52,239 Speaker 6: He'll tell you what it is. 24 00:00:52,280 --> 00:00:52,919 Speaker 7: We lie. 25 00:00:53,720 --> 00:00:55,720 Speaker 2: Hello, who's this going on? 26 00:00:55,800 --> 00:00:57,760 Speaker 5: In great day? The money from truly? 27 00:00:58,000 --> 00:01:00,640 Speaker 2: Yeah, what's up? Dame Philly get it off your chest, you. 28 00:01:00,680 --> 00:01:02,400 Speaker 5: Know, real fast. I'm gonna get this south to wait 29 00:01:02,480 --> 00:01:03,920 Speaker 5: for v because I'm a truck driver. 30 00:01:04,040 --> 00:01:07,399 Speaker 8: Man, he hugged the horm but he's breaking up. 31 00:01:07,480 --> 00:01:08,840 Speaker 2: Yeah, we ain't hit a horme. Man, you got to 32 00:01:08,840 --> 00:01:09,680 Speaker 2: do the time. 33 00:01:09,840 --> 00:01:11,479 Speaker 4: Want it again. If you need to hear, you blow 34 00:01:11,760 --> 00:01:12,000 Speaker 4: you hear? 35 00:01:12,480 --> 00:01:16,240 Speaker 5: Hey, y know Charlie that you guys chill. 36 00:01:16,480 --> 00:01:17,240 Speaker 4: I want you to go. 37 00:01:17,520 --> 00:01:19,040 Speaker 2: You don't want to call up here talking about you 38 00:01:19,080 --> 00:01:21,560 Speaker 2: want to blow for invY. That was like something that 39 00:01:21,600 --> 00:01:24,160 Speaker 2: she was calling out. Man, we know what you man, 40 00:01:24,280 --> 00:01:25,959 Speaker 2: you know, don't let him take our joil. 41 00:01:26,040 --> 00:01:28,880 Speaker 5: But look, hey, yo, but Charlotte made I wanted to 42 00:01:28,920 --> 00:01:31,679 Speaker 5: give you flowers, you know, the mental health and all that. 43 00:01:31,760 --> 00:01:35,160 Speaker 5: And my cousin is actually Rachel, Rachel Edwards. I want 44 00:01:35,160 --> 00:01:37,120 Speaker 5: to get versed out out too. She was like, I 45 00:01:37,120 --> 00:01:38,960 Speaker 5: want you want to call it up When I was working. 46 00:01:38,760 --> 00:01:41,080 Speaker 2: Up there, Oh man, I was with Rachel last night. 47 00:01:41,160 --> 00:01:41,399 Speaker 4: Rachel. 48 00:01:41,440 --> 00:01:45,680 Speaker 2: We was out last night. I love Rachel my heart. 49 00:01:45,800 --> 00:01:49,600 Speaker 5: We had thanks again and she was was all together 50 00:01:49,680 --> 00:01:51,560 Speaker 5: with Jamaica. You know what I mean, Rachel? 51 00:01:51,600 --> 00:01:54,760 Speaker 1: You hey, oh yeah, yeah, I've had I've had Rachel's 52 00:01:54,760 --> 00:01:56,040 Speaker 1: mama's oxtails before. 53 00:01:56,480 --> 00:01:59,000 Speaker 5: Yeah, Joe, you should have saw, man. She looked like 54 00:01:59,040 --> 00:02:01,520 Speaker 5: she cooked, like she was cooking and cooking for orphaned. 55 00:02:02,040 --> 00:02:02,760 Speaker 5: That's what she do. 56 00:02:03,480 --> 00:02:04,400 Speaker 4: That's that's what's up. 57 00:02:05,080 --> 00:02:05,280 Speaker 9: Man. 58 00:02:05,760 --> 00:02:08,679 Speaker 5: And I ran in the I ran in the death 59 00:02:08,760 --> 00:02:12,720 Speaker 5: before pr Man around twenty twenty. I don't know if 60 00:02:12,760 --> 00:02:15,400 Speaker 5: you remember. I was a dude from Kelly and you 61 00:02:15,680 --> 00:02:17,959 Speaker 5: was like, you probably brought these flying roachures in Paly 62 00:02:18,040 --> 00:02:18,280 Speaker 5: with you. 63 00:02:18,600 --> 00:02:20,320 Speaker 4: Oh my god, no, I don't remember that. 64 00:02:20,320 --> 00:02:21,320 Speaker 2: You're you bought roaches. 65 00:02:21,360 --> 00:02:22,040 Speaker 9: I don't remember. 66 00:02:23,240 --> 00:02:25,320 Speaker 5: It would be bigger. It would be bigger as flying 67 00:02:25,440 --> 00:02:28,040 Speaker 5: roaches in pr that was running from them. 68 00:02:28,600 --> 00:02:31,360 Speaker 10: Oh my god, no, I don't remember that. It sounds 69 00:02:31,400 --> 00:02:32,120 Speaker 10: like something I said. 70 00:02:32,200 --> 00:02:35,639 Speaker 5: Oh my god, no, but you I ain't gonna lie. 71 00:02:35,639 --> 00:02:37,120 Speaker 5: You was cool as hell. I thought you would have 72 00:02:37,120 --> 00:02:40,720 Speaker 5: been boogie or something. No, never that you was cool 73 00:02:40,720 --> 00:02:41,079 Speaker 5: as hell. 74 00:02:41,320 --> 00:02:41,720 Speaker 4: Thank you. 75 00:02:41,840 --> 00:02:44,760 Speaker 5: Yeah, yeah, man, I thought that. That's all I wanted 76 00:02:44,760 --> 00:02:45,080 Speaker 5: to say. 77 00:02:45,120 --> 00:02:46,520 Speaker 4: Man, we appreciate my brother. 78 00:02:46,600 --> 00:02:47,639 Speaker 5: I thought that I got through. 79 00:02:47,760 --> 00:02:47,959 Speaker 9: Man. 80 00:02:48,080 --> 00:02:50,160 Speaker 5: I love y'all though, Man, listen to y'all every day. 81 00:02:50,040 --> 00:02:54,440 Speaker 1: In the morning, I will I will have a good one. 82 00:02:54,440 --> 00:02:54,600 Speaker 6: Brother. 83 00:02:55,120 --> 00:02:55,799 Speaker 4: Hello, who's this? 84 00:02:56,520 --> 00:03:00,839 Speaker 3: Heys Neil up Neil to get it off your chest. 85 00:03:01,120 --> 00:03:05,359 Speaker 6: I'm so mad. Over the weekend, I ordered from mac 86 00:03:06,320 --> 00:03:09,400 Speaker 6: and I ordered to sign up and that's cocaine. 87 00:03:09,440 --> 00:03:11,760 Speaker 4: I love this kissed me. 88 00:03:13,280 --> 00:03:15,040 Speaker 2: What is she saying about cop with that baby in 89 00:03:15,040 --> 00:03:17,440 Speaker 2: the background? She said, coach? She wanted a coach a 90 00:03:17,600 --> 00:03:20,960 Speaker 2: jacket and its too it's too too big. We'll stop 91 00:03:21,040 --> 00:03:23,320 Speaker 2: ordering from Timu. You want to you want to buy. 92 00:03:23,120 --> 00:03:26,280 Speaker 11: That coat for six It was from Macon and I'm 93 00:03:26,280 --> 00:03:30,520 Speaker 11: so mad because I usually don't even buy stuff that's expensive. 94 00:03:31,400 --> 00:03:32,680 Speaker 5: I wanted to treat myself. 95 00:03:32,919 --> 00:03:35,240 Speaker 4: What's it called from? Who? What's it called? What's called 96 00:03:35,760 --> 00:03:37,480 Speaker 4: maca makay? What's that? 97 00:03:37,640 --> 00:03:37,720 Speaker 6: Just? 98 00:03:38,320 --> 00:03:40,400 Speaker 10: You mean micah m I c A s. 99 00:03:41,000 --> 00:03:44,640 Speaker 6: No macad m A m A c k A. 100 00:03:46,000 --> 00:03:47,800 Speaker 10: I don't know what that is? Okay, how much was 101 00:03:47,840 --> 00:03:48,160 Speaker 10: that coat? 102 00:03:50,600 --> 00:03:50,800 Speaker 4: No? 103 00:03:54,040 --> 00:03:56,080 Speaker 12: You just spent eight ninety on a coat and you 104 00:03:56,200 --> 00:03:57,960 Speaker 12: just had cyberdals and black Friday. 105 00:03:58,000 --> 00:04:01,280 Speaker 10: It's eight hundred and ninety, yes, eight ninety. 106 00:04:03,480 --> 00:04:06,320 Speaker 12: Pea cod I know, But what kind of code is it? 107 00:04:06,360 --> 00:04:07,640 Speaker 12: Is a bubble cold the trench coat? 108 00:04:07,960 --> 00:04:08,600 Speaker 4: What is it? 109 00:04:08,600 --> 00:04:09,840 Speaker 6: It's a it's a suffer. 110 00:04:10,880 --> 00:04:13,120 Speaker 12: You bought a puffer for one thousand dollars a puppet 111 00:04:13,120 --> 00:04:13,920 Speaker 12: where you live at. 112 00:04:15,360 --> 00:04:16,760 Speaker 2: Wow, what that puffy? 113 00:04:16,839 --> 00:04:18,760 Speaker 12: You think that puffa gonna keep you warm in these 114 00:04:18,839 --> 00:04:19,599 Speaker 12: New York streets. 115 00:04:21,040 --> 00:04:26,480 Speaker 2: That's crazy. It's too small. You could have brought. You 116 00:04:26,839 --> 00:04:28,600 Speaker 2: could have brought two north faces. 117 00:04:28,520 --> 00:04:31,240 Speaker 12: Right amount of man, put a hoodie under it and 118 00:04:31,320 --> 00:04:33,560 Speaker 12: wed proud a thousand all investments. 119 00:04:33,560 --> 00:04:34,599 Speaker 6: That what I was thinking. 120 00:04:34,800 --> 00:04:40,440 Speaker 1: Oh yeah, but I love you. 121 00:04:40,400 --> 00:04:41,960 Speaker 4: You might even want to rob you for that cold. 122 00:04:45,080 --> 00:04:46,120 Speaker 2: Get it off your chest. 123 00:04:46,200 --> 00:04:48,480 Speaker 3: Eight hundred five eighty five one O five one. If 124 00:04:48,520 --> 00:04:49,960 Speaker 3: you need to vent, hit this up now. It's the 125 00:04:49,960 --> 00:04:50,520 Speaker 3: Breakfast Club. 126 00:04:50,560 --> 00:04:57,640 Speaker 4: Good morning, the Breakfast Club. This is your time to 127 00:04:57,680 --> 00:04:59,960 Speaker 4: get it off your chest, whether you're mad or black. 128 00:05:00,160 --> 00:05:01,840 Speaker 3: I hate the way that you walk, the way that 129 00:05:01,920 --> 00:05:04,560 Speaker 3: you talk, I hate the way that you jet everything. 130 00:05:04,680 --> 00:05:09,200 Speaker 3: When he is best, call up now eight hundred five one. 131 00:05:09,240 --> 00:05:11,279 Speaker 4: Not just me, I'm with the coach of philing. 132 00:05:11,960 --> 00:05:14,920 Speaker 6: Hello, who's this yoldest Rode from New Orleans? 133 00:05:15,160 --> 00:05:16,000 Speaker 2: Rob from New Orleans? 134 00:05:16,040 --> 00:05:17,200 Speaker 4: What's up? And get it off your chest? 135 00:05:17,600 --> 00:05:19,600 Speaker 6: What's that? And good morning fella? Good morning, good morning, 136 00:05:19,640 --> 00:05:23,000 Speaker 6: Brother's club, good morning, selling man, good morning, good morning, 137 00:05:23,040 --> 00:05:26,200 Speaker 6: good morning Jess, good morning, Envy. I want to get 138 00:05:26,240 --> 00:05:28,719 Speaker 6: up my test man. This is my first year amiversary 139 00:05:29,279 --> 00:05:31,239 Speaker 6: when I got married one year ago today. 140 00:05:31,680 --> 00:05:34,000 Speaker 10: Congratulations, congratulations, sir. 141 00:05:34,720 --> 00:05:36,400 Speaker 6: Thank you, thank you. I want to give a shock 142 00:05:36,480 --> 00:05:38,720 Speaker 6: to my wife's jazz sleep right now. So when she 143 00:05:38,800 --> 00:05:41,840 Speaker 6: went up, you know we're our we're our behind. So 144 00:05:41,880 --> 00:05:44,000 Speaker 6: I woke up there to get off my test. I 145 00:05:44,120 --> 00:05:46,640 Speaker 6: love your baby, happy first year anniverstity. 146 00:05:46,800 --> 00:05:48,000 Speaker 2: But y'all doing today anything? 147 00:05:48,320 --> 00:05:50,640 Speaker 6: Man, We better have a whole day. Whatever she want 148 00:05:50,680 --> 00:05:52,600 Speaker 6: to do today, dedicate to her. So we about to 149 00:05:52,680 --> 00:05:54,400 Speaker 6: be about to do whatever whenever she get up. We 150 00:05:54,480 --> 00:05:56,760 Speaker 6: want to have a whole day, wine and dine whatever 151 00:05:56,800 --> 00:05:59,839 Speaker 6: she want to do. So it's it's it's up, it's up. 152 00:06:00,320 --> 00:06:02,320 Speaker 6: I woke up just to do this. I said my 153 00:06:02,360 --> 00:06:04,640 Speaker 6: love for five club this morning to do this. This 154 00:06:04,839 --> 00:06:06,560 Speaker 6: is this is the first thing when she wake up 155 00:06:06,600 --> 00:06:08,760 Speaker 6: this morning. I'm gonna play this in the morning at sixteen. 156 00:06:08,920 --> 00:06:10,040 Speaker 4: Oh, you got a whole day plan? 157 00:06:11,000 --> 00:06:12,800 Speaker 6: Yeah, yeah, yeah, I got a whole day. I got 158 00:06:12,800 --> 00:06:15,320 Speaker 6: a whole day plan. We took the day off today. 159 00:06:15,480 --> 00:06:17,719 Speaker 6: We got our day cause we bring on baby girl 160 00:06:17,720 --> 00:06:20,479 Speaker 6: to day camp. And we started with the Brothers Club. 161 00:06:20,680 --> 00:06:23,680 Speaker 6: We ending. We ended with whatever whatever we do, we're 162 00:06:23,680 --> 00:06:25,279 Speaker 6: gonna do what. You know, I just want to shout 163 00:06:25,279 --> 00:06:27,039 Speaker 6: out my baby girl, happy one year at the bresh 164 00:06:27,080 --> 00:06:27,480 Speaker 6: of my baby. 165 00:06:27,640 --> 00:06:29,680 Speaker 2: All right, brother, have a go with manutager your day. 166 00:06:29,880 --> 00:06:30,960 Speaker 6: Yes, sir, appreciate y'all. 167 00:06:31,000 --> 00:06:33,160 Speaker 3: Get it off your chest. Eight hundred and five eight 168 00:06:33,200 --> 00:06:34,680 Speaker 3: five one o five one. If you need to vent, 169 00:06:34,760 --> 00:06:36,000 Speaker 3: hit us up now. It's the Breakfast Club. 170 00:06:36,000 --> 00:06:40,360 Speaker 4: Good morning, the Breakfast Club. Morning. 171 00:06:40,400 --> 00:06:44,080 Speaker 3: Everybody is DJ Envy Jess Hilarious, Charlamage the Guy. We 172 00:06:44,120 --> 00:06:46,120 Speaker 3: are the Breakfast Club and we got a special guest 173 00:06:46,120 --> 00:06:50,040 Speaker 3: in the building, the legendary Jasmine Guy. Welcome back, Good morning. 174 00:06:50,640 --> 00:06:51,320 Speaker 2: How you feeling. 175 00:06:51,600 --> 00:06:52,600 Speaker 10: I felt great. 176 00:06:52,960 --> 00:06:57,440 Speaker 13: I love doing your show the last time and I 177 00:06:57,480 --> 00:06:59,320 Speaker 13: got a lot of positive feedback. 178 00:07:00,200 --> 00:07:01,280 Speaker 4: You come on. 179 00:07:01,760 --> 00:07:04,000 Speaker 10: It was a different kind of interview though than there you. 180 00:07:05,279 --> 00:07:08,040 Speaker 13: My daddy was like you were a little too comfortable, 181 00:07:09,240 --> 00:07:14,720 Speaker 13: like they were at your house. Champagne, right, yes, champagne 182 00:07:14,800 --> 00:07:15,760 Speaker 13: whatever that was. 183 00:07:16,720 --> 00:07:18,760 Speaker 10: I didn't even like it, and I was drinking that. 184 00:07:19,560 --> 00:07:22,400 Speaker 13: But my father said that you would put more in 185 00:07:22,560 --> 00:07:23,880 Speaker 13: when I was looking at Kadeen. 186 00:07:26,080 --> 00:07:27,040 Speaker 10: That's what he said. 187 00:07:27,600 --> 00:07:30,040 Speaker 13: He said, whenever you looked at Kadeen, he poured more 188 00:07:30,080 --> 00:07:32,880 Speaker 13: in there. So I'm I'm thinking I'm just drinking one 189 00:07:32,920 --> 00:07:39,680 Speaker 13: glassy swaanty whatever. 190 00:07:42,080 --> 00:07:45,640 Speaker 10: But I'm drinking anyway, seven o'clock in the morning. Embarrassing, 191 00:07:45,760 --> 00:07:49,000 Speaker 10: is that you talking? He was just sitting back there. 192 00:07:49,640 --> 00:07:50,560 Speaker 10: I'm just laughing. 193 00:07:52,520 --> 00:07:55,680 Speaker 13: No, No, it was good because you ask questions that 194 00:07:55,720 --> 00:07:58,440 Speaker 13: people don't usually ask. You know, we get the same 195 00:07:58,560 --> 00:08:01,679 Speaker 13: questions over and over actually about a different world. 196 00:08:02,320 --> 00:08:04,120 Speaker 4: And you've done so much more since since. 197 00:08:04,560 --> 00:08:07,920 Speaker 1: Absolutely, like right now, you want your first Emmy this year, 198 00:08:08,200 --> 00:08:10,600 Speaker 1: that's congratulations. 199 00:08:10,680 --> 00:08:14,000 Speaker 10: Went for the Chronicles of Jessica Woo. Yes, that was 200 00:08:14,040 --> 00:08:14,480 Speaker 10: a trip. 201 00:08:14,640 --> 00:08:17,760 Speaker 13: So I was going to Mexico to hang out with 202 00:08:17,800 --> 00:08:21,320 Speaker 13: my girlfriends, and I land and I get all these 203 00:08:22,080 --> 00:08:26,840 Speaker 13: texts from people saying congratulation on your Emmy nomination, and 204 00:08:26,920 --> 00:08:28,800 Speaker 13: I really thought people would messing with me. 205 00:08:29,480 --> 00:08:32,880 Speaker 10: I didn't even call them back. I said whatever. 206 00:08:33,000 --> 00:08:37,040 Speaker 13: I wasn't even and then when I realized I really 207 00:08:37,120 --> 00:08:39,040 Speaker 13: had been nominated, I. 208 00:08:39,080 --> 00:08:41,080 Speaker 10: Thought it was for the show Harlem. 209 00:08:41,480 --> 00:08:45,280 Speaker 13: Okay, Chronicles of Jessica Woo I had done. True, it 210 00:08:45,320 --> 00:08:49,320 Speaker 13: was before COVID. It was a long time ago, and 211 00:08:49,360 --> 00:08:51,880 Speaker 13: I only worked on it for a day. It was 212 00:08:51,920 --> 00:08:56,880 Speaker 13: a very interesting project to me because the production company 213 00:08:57,320 --> 00:09:01,800 Speaker 13: was a couple, a small black production company. The superhero 214 00:09:02,000 --> 00:09:07,000 Speaker 13: in the piece had autism, but her powers that whatever 215 00:09:07,040 --> 00:09:07,640 Speaker 13: put her on. 216 00:09:07,559 --> 00:09:10,000 Speaker 10: The spectrum made her a superhero. 217 00:09:10,640 --> 00:09:14,560 Speaker 13: Their daughter had an autistic child anyway, So I said, well, 218 00:09:14,600 --> 00:09:16,760 Speaker 13: I'll do it because I know after this they're going 219 00:09:16,840 --> 00:09:21,400 Speaker 13: to need distribution. And who knew that's what you know. 220 00:09:21,480 --> 00:09:26,360 Speaker 13: What I'm saying, my love for them and what I 221 00:09:26,520 --> 00:09:29,480 Speaker 13: know about, you know, pitching ideas. You're gonna need a name. 222 00:09:29,600 --> 00:09:32,320 Speaker 13: I know I've heard it all, and I said, well, 223 00:09:32,320 --> 00:09:34,760 Speaker 13: I'll be your name. This is gonna be good. And 224 00:09:34,840 --> 00:09:37,800 Speaker 13: it was a short series, like a wepisode series. 225 00:09:38,720 --> 00:09:40,800 Speaker 10: The other Oscar. 226 00:09:40,480 --> 00:09:44,720 Speaker 13: Nomination I got was also from an independent black company 227 00:09:44,760 --> 00:09:48,120 Speaker 13: and it was my nephew, Emmett. And I played em 228 00:09:48,160 --> 00:09:51,760 Speaker 13: Matill's aren't on the night that he was taken from 229 00:09:51,920 --> 00:09:55,000 Speaker 13: their home, and I was like, oh, I do not 230 00:09:55,280 --> 00:09:57,640 Speaker 13: want to go to Mississippi. And I'm telling you we 231 00:09:57,760 --> 00:10:01,480 Speaker 13: stayed right down the street from when he got abducted. 232 00:10:02,800 --> 00:10:04,440 Speaker 2: Missisippi still got that same energy. 233 00:10:04,520 --> 00:10:05,000 Speaker 10: Thank you. 234 00:10:06,040 --> 00:10:09,160 Speaker 13: I was gonna say, I felt ghosts, you know, And 235 00:10:09,200 --> 00:10:12,000 Speaker 13: I did it, and they got nominated for an Oscar night. 236 00:10:12,160 --> 00:10:15,760 Speaker 13: When the director called me, he was a graduate student 237 00:10:15,800 --> 00:10:19,640 Speaker 13: from NYU Film School. His mentors with Spike Lee and 238 00:10:19,679 --> 00:10:24,280 Speaker 13: Casey Lammon's right beautiful brother, the and the crew and everybody. 239 00:10:24,679 --> 00:10:28,560 Speaker 13: I had a great artistic experience. But when he told me, 240 00:10:28,920 --> 00:10:31,720 Speaker 13: you know, we got nominated for an Oscar thought he 241 00:10:31,840 --> 00:10:32,640 Speaker 13: was messing with me. 242 00:10:33,240 --> 00:10:35,679 Speaker 1: That says a lot though, like about how you know, 243 00:10:35,720 --> 00:10:39,600 Speaker 1: I guess black actors and actresses are conditioned in Hollywood 244 00:10:39,679 --> 00:10:41,960 Speaker 1: that when they get told that they're even nominated, they 245 00:10:41,960 --> 00:10:42,840 Speaker 1: don't believe it. 246 00:10:43,240 --> 00:10:46,520 Speaker 13: But when you ignored long enough, you got the message. 247 00:10:46,840 --> 00:10:51,320 Speaker 13: I got the message. If you're not nominating a different world. 248 00:10:51,440 --> 00:10:56,400 Speaker 13: Debbie Allen, Susan fails our wardrobe department, any other actor 249 00:10:56,520 --> 00:10:59,720 Speaker 13: on that show. I stopped focusing on y'all giving me 250 00:10:59,800 --> 00:11:03,080 Speaker 13: my props. I know who gives me my props. And 251 00:11:03,160 --> 00:11:06,040 Speaker 13: I told the actors, I said, we just got to 252 00:11:06,080 --> 00:11:09,559 Speaker 13: be good, you know, forget all these accolades or whatever. 253 00:11:09,720 --> 00:11:13,360 Speaker 13: They obviously do you know how many times they said 254 00:11:13,400 --> 00:11:16,400 Speaker 13: to me, even on I think I did Dennis Miller, 255 00:11:16,520 --> 00:11:20,920 Speaker 13: remember Dennis Milana talk show. He started with, so how 256 00:11:20,960 --> 00:11:24,600 Speaker 13: does it feel being between number one and three? And 257 00:11:24,679 --> 00:11:27,280 Speaker 13: I was stunned because I just sat down. You know, 258 00:11:27,400 --> 00:11:29,760 Speaker 13: you come out all cute, and what I was like 259 00:11:30,400 --> 00:11:32,400 Speaker 13: he said that wasn't a good lead in question. 260 00:11:32,600 --> 00:11:33,680 Speaker 10: I said, no, it wasn't. 261 00:11:33,920 --> 00:11:35,240 Speaker 2: You're talking about Cogye and Tears. 262 00:11:35,520 --> 00:11:39,319 Speaker 13: Everybody said we were number two because we came between them, okay, 263 00:11:39,640 --> 00:11:40,640 Speaker 13: and that was the first question. 264 00:11:40,679 --> 00:11:41,679 Speaker 10: That was the message. 265 00:11:41,760 --> 00:11:44,679 Speaker 13: That was the message that we got as actors as 266 00:11:44,920 --> 00:11:49,160 Speaker 13: you know, performers, and we never got our props for 267 00:11:50,120 --> 00:11:54,240 Speaker 13: not just the acting, but it was Debbie Allen, Susan 268 00:11:54,320 --> 00:11:55,240 Speaker 13: fails me. 269 00:11:55,480 --> 00:11:59,120 Speaker 10: Three black women in charge of that show. You know 270 00:11:59,160 --> 00:12:00,839 Speaker 10: what I mean. We could have been on. 271 00:12:00,800 --> 00:12:04,040 Speaker 13: The cover of Essence, and I just knew who really 272 00:12:04,160 --> 00:12:06,280 Speaker 13: saw us and who really understood us. 273 00:12:08,000 --> 00:12:11,560 Speaker 10: It's the same way you said, just look, okay. 274 00:12:11,320 --> 00:12:17,120 Speaker 13: So Carcy Warner, our producers also produced a show with 275 00:12:17,120 --> 00:12:21,440 Speaker 13: Whoop the Goldberg called Bagdad, Cafe Grace, under Fire in 276 00:12:21,520 --> 00:12:24,640 Speaker 13: the Roseanne Show and the Cosm of Show right, so 277 00:12:24,960 --> 00:12:26,040 Speaker 13: we're one of five. 278 00:12:26,400 --> 00:12:28,680 Speaker 10: They never asked us to do anything. 279 00:12:29,000 --> 00:12:32,520 Speaker 13: They asked Roseanne Barr to sing the national anthem, in 280 00:12:32,559 --> 00:12:34,800 Speaker 13: which she grabbed her crotch because she can't sing. 281 00:12:35,080 --> 00:12:36,959 Speaker 10: But we got five singers on our show. 282 00:12:37,160 --> 00:12:37,800 Speaker 4: That's crazy. 283 00:12:37,920 --> 00:12:41,160 Speaker 13: You could have had don me Kree, you know, never, 284 00:12:41,679 --> 00:12:44,679 Speaker 13: I don't know. I just got things we got things 285 00:12:44,760 --> 00:12:47,120 Speaker 13: on our own, and I never felt a part of 286 00:12:47,160 --> 00:12:48,319 Speaker 13: that network. 287 00:12:48,880 --> 00:12:49,480 Speaker 10: Then when I. 288 00:12:49,360 --> 00:12:53,200 Speaker 13: Saw what happened with Friends, I was like, yo, that 289 00:12:53,240 --> 00:12:55,240 Speaker 13: would have helped us. It would have helped us with 290 00:12:55,520 --> 00:13:00,000 Speaker 13: work after the show. It would have given us some props, 291 00:13:00,040 --> 00:13:03,439 Speaker 13: you know, that we could have used for future projects. 292 00:13:04,440 --> 00:13:07,040 Speaker 13: I pitched a lot. I have my own production company 293 00:13:07,080 --> 00:13:10,400 Speaker 13: after a Different World. All of my projects were rejected, 294 00:13:11,240 --> 00:13:13,120 Speaker 13: but then I started to see them. 295 00:13:13,280 --> 00:13:15,440 Speaker 4: That was wow. You know what I mean. 296 00:13:15,520 --> 00:13:17,120 Speaker 10: It's like a bad relationship. 297 00:13:17,200 --> 00:13:20,120 Speaker 13: After a while, you gotta understand, Okay, I ain't what 298 00:13:20,200 --> 00:13:20,600 Speaker 13: you want. 299 00:13:21,360 --> 00:13:21,640 Speaker 4: All right. 300 00:13:21,679 --> 00:13:23,760 Speaker 2: We got more with Jasmine Guy. When we come back, 301 00:13:23,800 --> 00:13:24,199 Speaker 2: do move. 302 00:13:24,200 --> 00:13:25,000 Speaker 4: It's to Breakfast Club. 303 00:13:25,040 --> 00:13:25,480 Speaker 2: Good Morning. 304 00:13:25,520 --> 00:13:28,960 Speaker 1: Breakfast Club was saying it was such a privacy in 305 00:13:29,000 --> 00:13:32,520 Speaker 1: the nineties, so to get those stories from that era 306 00:13:32,640 --> 00:13:35,640 Speaker 1: when she talks about you and talk and just your friendship, 307 00:13:35,679 --> 00:13:37,160 Speaker 1: just that friendship of black Hollywood. 308 00:13:37,200 --> 00:13:37,760 Speaker 4: It's just like. 309 00:13:38,200 --> 00:13:41,760 Speaker 13: Man and now I was like privileged enough to hang 310 00:13:41,840 --> 00:13:43,800 Speaker 13: with them because there's so much younger than me. 311 00:13:44,480 --> 00:13:46,560 Speaker 10: You know, it was just easy. 312 00:13:46,920 --> 00:13:51,000 Speaker 13: You know, her birthday party and we went to the Dragonfly, 313 00:13:51,520 --> 00:13:56,160 Speaker 13: which was funk night that night. 314 00:13:56,480 --> 00:13:59,640 Speaker 10: I liked me some funk, obviously, I'm like, it's funck night. 315 00:14:00,120 --> 00:14:00,520 Speaker 12: I can fly. 316 00:14:01,360 --> 00:14:06,280 Speaker 13: But and you know, accepting of me because well, I'm 317 00:14:06,320 --> 00:14:09,520 Speaker 13: sixty two. So when I'm on the show, I'm twenty five, 318 00:14:09,559 --> 00:14:10,800 Speaker 13: twenty six, twenty seven. 319 00:14:10,880 --> 00:14:12,440 Speaker 10: They eighteen nineteen. 320 00:14:12,840 --> 00:14:15,120 Speaker 13: Now it's not a big deal. But back then, I 321 00:14:15,200 --> 00:14:18,160 Speaker 13: wasn't hanging out with no you know. I remember I 322 00:14:18,200 --> 00:14:21,600 Speaker 13: went to a restaurant with Cree and as we were 323 00:14:21,640 --> 00:14:24,480 Speaker 13: walking to the restaurant, she said, do they card? 324 00:14:25,120 --> 00:14:25,960 Speaker 10: I said card? 325 00:14:26,160 --> 00:14:29,720 Speaker 13: I mean I never I had never been carded because eighteen, 326 00:14:30,040 --> 00:14:33,280 Speaker 13: you know, I said, how old are you? She said, 327 00:14:33,320 --> 00:14:36,320 Speaker 13: I just turned eighteen. I said, what the hell am 328 00:14:36,400 --> 00:14:43,040 Speaker 13: I doing hanging out with? Are you kidding me? Kadem too, 329 00:14:43,680 --> 00:14:46,880 Speaker 13: I saw them as kids, I like grown ass man 330 00:14:46,960 --> 00:14:51,680 Speaker 13: when I was young, thirty thirty two. But now that 331 00:14:52,000 --> 00:14:55,960 Speaker 13: they have embraced me, I appreciate it because they kept 332 00:14:56,000 --> 00:15:01,200 Speaker 13: me current and kept me interested because they, Jada and Cree, 333 00:15:01,200 --> 00:15:04,640 Speaker 13: are out the box thinkers. They bring creative ideas to 334 00:15:04,720 --> 00:15:07,280 Speaker 13: the table that I never would have thought of. And 335 00:15:07,360 --> 00:15:10,960 Speaker 13: I love that and and of course you know, keeps 336 00:15:11,040 --> 00:15:11,600 Speaker 13: me laughing. 337 00:15:11,800 --> 00:15:12,960 Speaker 4: What about Pawk? 338 00:15:13,040 --> 00:15:16,480 Speaker 10: And I would like that too? He always had ideas. 339 00:15:16,640 --> 00:15:21,880 Speaker 13: I felt so unaccomplished, you know, because he would say 340 00:15:21,920 --> 00:15:24,600 Speaker 13: something and then do it. I would tell him an 341 00:15:24,600 --> 00:15:28,160 Speaker 13: idea and not write it and not finish it, or 342 00:15:28,200 --> 00:15:31,920 Speaker 13: it's still like on my shelf. Mostly I wanted him 343 00:15:31,960 --> 00:15:34,640 Speaker 13: to know that I felt he was a great actor. 344 00:15:35,160 --> 00:15:38,480 Speaker 13: And I heard the murmurings of oh, he's just being 345 00:15:38,560 --> 00:15:41,680 Speaker 13: himself or whatever. They're just writing on his fame as 346 00:15:41,720 --> 00:15:45,560 Speaker 13: a rapper. I said, everybody that raps ain't acting on there. 347 00:15:45,600 --> 00:15:48,440 Speaker 13: There were a lot of rappers that had movies that 348 00:15:48,600 --> 00:15:53,160 Speaker 13: man can act. Yeah, I mean his performances were after 349 00:15:53,320 --> 00:15:56,240 Speaker 13: Chang and I just wanted him to know that and 350 00:15:56,280 --> 00:15:57,160 Speaker 13: not listen to that. 351 00:15:57,440 --> 00:15:59,080 Speaker 1: Well, you were afraid during that time, like when you 352 00:15:59,080 --> 00:16:01,640 Speaker 1: took poking after he got you feel like, what have 353 00:16:01,720 --> 00:16:03,400 Speaker 1: they come looking for him? 354 00:16:03,440 --> 00:16:08,560 Speaker 13: And yeah, there were times because of the the regularity 355 00:16:08,640 --> 00:16:12,120 Speaker 13: of my going in and out of my apartment, I 356 00:16:12,240 --> 00:16:15,000 Speaker 13: felt like it would be easy if I had been 357 00:16:15,040 --> 00:16:18,280 Speaker 13: on the radar for anybody to you know, follow me 358 00:16:18,680 --> 00:16:21,920 Speaker 13: or come up. And so there was that. And I 359 00:16:21,960 --> 00:16:25,240 Speaker 13: didn't live in a secured building like a doorman building, 360 00:16:25,720 --> 00:16:30,000 Speaker 13: and I was scared of the like I had never 361 00:16:30,080 --> 00:16:33,760 Speaker 13: seen a real bullet wound, just you know, on TV 362 00:16:34,000 --> 00:16:37,080 Speaker 13: like NHYPD Blue and when I played a badass in 363 00:16:37,160 --> 00:16:40,240 Speaker 13: this movie. But I was concerned about that, you know, 364 00:16:40,440 --> 00:16:43,160 Speaker 13: actually caring for the wounds and making sure he was 365 00:16:43,160 --> 00:16:47,240 Speaker 13: gonna be Okay, n he should have been in the 366 00:16:47,280 --> 00:16:51,120 Speaker 13: hospital for at least two or three more days on antibiotics. 367 00:16:51,240 --> 00:16:52,200 Speaker 2: Everybody has walked out. 368 00:16:52,240 --> 00:16:53,840 Speaker 3: He signed himself out, so you had to help him 369 00:16:53,840 --> 00:16:55,880 Speaker 3: out and help meet and help him get himself back together. 370 00:16:55,880 --> 00:16:59,160 Speaker 13: But he when he left Bellevue, he went to his 371 00:16:59,200 --> 00:17:03,760 Speaker 13: girlfriends and he realized it was equally accessible. 372 00:17:04,080 --> 00:17:06,879 Speaker 10: He just felt like a sitting duck in the hospital. 373 00:17:07,320 --> 00:17:09,000 Speaker 1: Yeah, I'm sure you talk about this on since this 374 00:17:09,040 --> 00:17:10,960 Speaker 1: is my last question, Like when's the last time you 375 00:17:10,960 --> 00:17:14,159 Speaker 1: spoke to him, like before you die, you remember the 376 00:17:14,240 --> 00:17:16,200 Speaker 1: last conversation in your head or the last time you 377 00:17:16,240 --> 00:17:16,760 Speaker 1: saw him? 378 00:17:16,880 --> 00:17:20,440 Speaker 13: And I was visiting a Feini and Stone Mountain when 379 00:17:20,440 --> 00:17:22,760 Speaker 13: they had a house there and he came through. Now 380 00:17:22,800 --> 00:17:25,639 Speaker 13: this is after he had been in prison for eleven months. Okay, 381 00:17:26,200 --> 00:17:29,120 Speaker 13: I've seen him for a while. Yeah, Star, I saw 382 00:17:29,200 --> 00:17:30,920 Speaker 13: him at the house. That was the last time. 383 00:17:31,080 --> 00:17:33,080 Speaker 2: Do you remember the conversations? Personal? 384 00:17:33,359 --> 00:17:35,680 Speaker 13: It was just like hey, you know, and he was 385 00:17:35,880 --> 00:17:39,520 Speaker 13: like I'm strong, now because he was infirmed. So he 386 00:17:39,640 --> 00:17:42,760 Speaker 13: wanted me to see his you know, little prism push 387 00:17:42,840 --> 00:17:47,359 Speaker 13: up muscles, knuckles were all black from doing it on 388 00:17:47,480 --> 00:17:48,320 Speaker 13: you know he wanted. 389 00:17:48,520 --> 00:17:50,400 Speaker 10: I was like, yeah, you look good. 390 00:17:51,119 --> 00:17:53,280 Speaker 13: And then he went out with his friends and you know, 391 00:17:53,640 --> 00:17:56,480 Speaker 13: I hung out with a fainting The thing that really 392 00:17:56,520 --> 00:18:00,119 Speaker 13: hurt my feelings about him getting shot like that he 393 00:18:00,240 --> 00:18:00,679 Speaker 13: was with me. 394 00:18:00,800 --> 00:18:02,960 Speaker 10: I thought I was helping and go. 395 00:18:03,080 --> 00:18:06,000 Speaker 4: To the next part of his life, like grow. 396 00:18:07,600 --> 00:18:09,520 Speaker 13: I was like, we're gonna go to prison and then 397 00:18:09,560 --> 00:18:13,959 Speaker 13: get shot again. And I knew that second shooting wasn't. 398 00:18:14,440 --> 00:18:16,560 Speaker 13: The wounds he had the first time were in his. 399 00:18:16,520 --> 00:18:24,720 Speaker 10: Appendages, not in his lungs. I'm so disappointed. Yeah, and 400 00:18:24,880 --> 00:18:27,280 Speaker 10: he told me he was gonna it wasn't gonna make 401 00:18:27,280 --> 00:18:29,560 Speaker 10: it past twenty five. I always thought he was just 402 00:18:29,600 --> 00:18:30,920 Speaker 10: talking all the time. 403 00:18:31,800 --> 00:18:33,919 Speaker 13: That's legend put that in the book. I was like, 404 00:18:34,240 --> 00:18:38,120 Speaker 13: I'm not writing a book about you. Stop telling me that. 405 00:18:40,880 --> 00:18:45,200 Speaker 13: I'd be like, I'm never telling anybody anything about this experience. 406 00:18:46,520 --> 00:18:48,720 Speaker 13: I thought it was ridiculous for him to say he 407 00:18:48,800 --> 00:18:50,520 Speaker 13: wasn't gonna live past twenty five. 408 00:18:51,320 --> 00:18:53,840 Speaker 10: I treated him like I treated my little cousins that 409 00:18:54,200 --> 00:18:58,720 Speaker 10: make these statements about life. Yeah, so that hurt. 410 00:18:59,040 --> 00:19:01,760 Speaker 2: I can't wait people to your story. You lived a life, guy, 411 00:19:01,880 --> 00:19:04,160 Speaker 2: and I got to watching him since this Sunday, March 412 00:19:04,240 --> 00:19:04,800 Speaker 2: twenty four. 413 00:19:05,119 --> 00:19:07,840 Speaker 4: Always Pleasure. I love you so much. 414 00:19:08,640 --> 00:19:11,680 Speaker 2: You are a cultural icon. We appreciate you so much, 415 00:19:11,720 --> 00:19:12,679 Speaker 2: we value you. 416 00:19:12,760 --> 00:19:14,520 Speaker 4: Just thank you, Always you. 417 00:19:14,760 --> 00:19:16,680 Speaker 2: It's Jazmin guy. It's the Breakfast Club. 418 00:19:16,680 --> 00:19:18,600 Speaker 4: Good morning morning. 419 00:19:18,640 --> 00:19:22,360 Speaker 3: Everybody is the j en Vy, Jess hilarious, Charlomagne the guy. 420 00:19:22,400 --> 00:19:25,160 Speaker 3: We are the Breakfast Club. Jess is all maternity leave, 421 00:19:25,240 --> 00:19:27,240 Speaker 3: so long the ross filling in and we got some 422 00:19:27,280 --> 00:19:30,440 Speaker 3: special guests in the building. Yes, indeed we have Morris Chestnut. 423 00:19:30,520 --> 00:19:33,360 Speaker 3: He's here, and we have Amaya Coronalvy. Did I say 424 00:19:33,359 --> 00:19:33,840 Speaker 3: your name right? 425 00:19:36,840 --> 00:19:37,560 Speaker 4: Why the fun? 426 00:19:38,119 --> 00:19:42,680 Speaker 2: I gotta start like this, Emma. Does Charlomagne look anything 427 00:19:42,760 --> 00:19:47,120 Speaker 2: like Morris? Ches here to talk reasonable doubt? 428 00:19:47,720 --> 00:19:49,639 Speaker 3: I want to start there because he's been talking so 429 00:19:49,720 --> 00:19:52,720 Speaker 3: much he thinks he's more reasonable doubt. After that, and 430 00:19:52,760 --> 00:19:56,639 Speaker 3: then I know the reasonable doubt does look anything. 431 00:19:56,960 --> 00:19:59,360 Speaker 8: I knew this was gonna come up. I was prepared 432 00:19:59,400 --> 00:20:01,840 Speaker 8: for this. You would I've heard squint your eyes a 433 00:20:01,880 --> 00:20:02,840 Speaker 8: little bit down. 434 00:20:02,880 --> 00:20:03,920 Speaker 4: Here's the couple. 435 00:20:04,000 --> 00:20:08,920 Speaker 14: One eye couple, both eyes, both beautiful chocolate bald headed men. 436 00:20:09,359 --> 00:20:12,760 Speaker 2: I see that, Yes, you see a resemblance. 437 00:20:12,960 --> 00:20:16,520 Speaker 8: And that what I just thought, Okay. 438 00:20:17,320 --> 00:20:19,639 Speaker 4: Scared in the factory model. 439 00:20:20,720 --> 00:20:23,679 Speaker 2: Just the fact, Scar, I. 440 00:20:23,760 --> 00:20:27,840 Speaker 3: Said, Now, does it bother you when when this this 441 00:20:28,080 --> 00:20:31,400 Speaker 3: brother over here that looks nothing like you claims. 442 00:20:30,960 --> 00:20:31,320 Speaker 12: That he's you. 443 00:20:31,440 --> 00:20:33,080 Speaker 2: For his birthday, he post pictures. 444 00:20:32,760 --> 00:20:34,600 Speaker 4: Of you, just not telling you. 445 00:20:34,720 --> 00:20:38,200 Speaker 9: Somebody came to me on the streets. I said, no, 446 00:20:38,520 --> 00:20:39,240 Speaker 9: I wasn't on the street. 447 00:20:39,240 --> 00:20:39,520 Speaker 4: You're right. 448 00:20:39,560 --> 00:20:41,560 Speaker 9: I was at a hotel or sat the valet and 449 00:20:41,600 --> 00:20:43,480 Speaker 9: one of the values said, that's what he said. 450 00:20:43,520 --> 00:20:45,840 Speaker 2: He said, he looked like Charlemagne, he said, he. 451 00:20:45,840 --> 00:20:47,200 Speaker 4: Said, Charlemagne. 452 00:20:47,480 --> 00:20:55,200 Speaker 9: I don't know if he was trolling dim. 453 00:20:53,640 --> 00:20:54,160 Speaker 4: Glasses. 454 00:20:55,240 --> 00:20:57,040 Speaker 9: I know he didn't have glasses, you know, but it 455 00:20:57,080 --> 00:21:00,600 Speaker 9: did happen. It did happen, y'all, didn't. 456 00:21:00,400 --> 00:21:05,960 Speaker 1: That an't the way, y'all? 457 00:21:06,200 --> 00:21:06,920 Speaker 8: Fantastic? 458 00:21:07,440 --> 00:21:09,560 Speaker 2: What roles excite you nowadays? 459 00:21:09,640 --> 00:21:12,560 Speaker 4: Marsh You've been in the game so long, you know 460 00:21:12,600 --> 00:21:15,520 Speaker 4: what this role did excite me? It really did? You know? 461 00:21:15,560 --> 00:21:16,960 Speaker 4: The one thing I love? 462 00:21:17,080 --> 00:21:20,639 Speaker 9: First of all, she's incredible, I mean, she's incredible at 463 00:21:20,680 --> 00:21:24,560 Speaker 9: what she does. Incredible actress. I mean she's incredible. But 464 00:21:24,600 --> 00:21:27,080 Speaker 9: the whole production, so the production starts, you know, with 465 00:21:27,200 --> 00:21:30,520 Speaker 9: ONX Collective. We have you know, black female executives there, 466 00:21:31,240 --> 00:21:36,000 Speaker 9: and then of course Carrie Washington's company is producing Street 467 00:21:36,119 --> 00:21:39,920 Speaker 9: Simpson Streets producing it top not there, Ram and Mohammad, 468 00:21:40,600 --> 00:21:44,320 Speaker 9: black female showrunner. All the scripts were on time before. 469 00:21:44,680 --> 00:21:47,879 Speaker 9: I've never gotten scripts on the show like that this early. 470 00:21:48,160 --> 00:21:50,600 Speaker 9: I would get a script like we was. We would 471 00:21:50,640 --> 00:21:53,479 Speaker 9: be on the second day of an episode and get 472 00:21:53,520 --> 00:21:55,640 Speaker 9: a script for the next episode that normally never happens. 473 00:21:56,000 --> 00:21:57,920 Speaker 9: So everything was topping. I didn't working with her in 474 00:21:57,960 --> 00:21:59,800 Speaker 9: the cast. This role did. 475 00:22:00,960 --> 00:22:03,600 Speaker 3: Now for people that don't know what is reasonable doubt about, 476 00:22:03,840 --> 00:22:05,960 Speaker 3: because you're on season two. So if they don't know 477 00:22:06,000 --> 00:22:07,160 Speaker 3: what is it about, break it down. 478 00:22:07,320 --> 00:22:10,639 Speaker 14: You know, it's about this high powered, you know, black 479 00:22:10,720 --> 00:22:13,679 Speaker 14: female attorney, you know, who is about her business. You know, 480 00:22:13,760 --> 00:22:16,040 Speaker 14: she handles all of her business when she's when she's 481 00:22:16,040 --> 00:22:17,960 Speaker 14: in the office, when she's in court, you know, but 482 00:22:18,000 --> 00:22:19,680 Speaker 14: she's trying to juggle it. You know, she's a mother, 483 00:22:19,760 --> 00:22:23,000 Speaker 14: she's a wife, and sometimes you know, some of the. 484 00:22:22,920 --> 00:22:24,600 Speaker 8: Balls drop out of the air, you know what I mean. 485 00:22:24,640 --> 00:22:28,720 Speaker 14: She fails at times and she makes questionable decisions, makes 486 00:22:28,760 --> 00:22:31,399 Speaker 14: mistakes at times, you know, but it's about this woman. 487 00:22:31,440 --> 00:22:33,800 Speaker 8: It's about this marriage, this black marriage. 488 00:22:34,119 --> 00:22:34,280 Speaker 9: You know. 489 00:22:34,320 --> 00:22:36,440 Speaker 14: We get to see them trying to figure it out. 490 00:22:36,480 --> 00:22:38,159 Speaker 14: We get to see them making mistakes. We get to 491 00:22:38,200 --> 00:22:41,080 Speaker 14: see them, you know, really living their life in this 492 00:22:41,160 --> 00:22:43,399 Speaker 14: way that we don't often get to see on television. 493 00:22:43,640 --> 00:22:46,240 Speaker 14: Along with the courtroom drama of it all, you know, 494 00:22:46,280 --> 00:22:49,200 Speaker 14: we get to see her really in her element. Because 495 00:22:49,200 --> 00:22:53,400 Speaker 14: the show is loosely based on Sean Holly. Yeah, she's 496 00:22:53,440 --> 00:22:56,720 Speaker 14: a very high powered defense attorney in La you know, 497 00:22:56,800 --> 00:22:59,320 Speaker 14: and so we have all of those elements. It's a 498 00:22:59,320 --> 00:23:03,040 Speaker 14: good blend of the courtroom drama with the character driven 499 00:23:03,200 --> 00:23:03,720 Speaker 14: kind of piece. 500 00:23:03,920 --> 00:23:05,960 Speaker 4: You say, half of that business in court? Is that 501 00:23:06,000 --> 00:23:07,280 Speaker 4: all the business? 502 00:23:07,280 --> 00:23:09,240 Speaker 14: I mean, she does what she got to do anywhere, 503 00:23:09,640 --> 00:23:10,919 Speaker 14: anywhere and everywhere. 504 00:23:11,040 --> 00:23:12,520 Speaker 4: Did you see with Sean at all? 505 00:23:13,920 --> 00:23:14,160 Speaker 10: Yes? 506 00:23:14,280 --> 00:23:14,680 Speaker 4: Oh yeah. 507 00:23:14,720 --> 00:23:16,760 Speaker 14: Before we started filming, we you know, she invited me 508 00:23:16,800 --> 00:23:18,040 Speaker 14: to her home and you know, we sat and we 509 00:23:18,080 --> 00:23:20,400 Speaker 14: talked for hours. You know, I got to really pick 510 00:23:20,440 --> 00:23:23,920 Speaker 14: her brain about how she chooses the cases. 511 00:23:23,520 --> 00:23:25,480 Speaker 8: That she decides to take on, because. 512 00:23:25,520 --> 00:23:28,119 Speaker 14: That's the thing you know, we really I think nailed 513 00:23:28,119 --> 00:23:30,840 Speaker 14: that in the show with the kinds of cases that 514 00:23:30,960 --> 00:23:34,399 Speaker 14: Jacks chooses to accept can sometimes cause issue with her 515 00:23:34,440 --> 00:23:36,439 Speaker 14: friends or her family. You know, why are you not 516 00:23:36,480 --> 00:23:38,880 Speaker 14: defending black women? Why did you choose to defend this 517 00:23:38,880 --> 00:23:41,240 Speaker 14: this man? And that's what Sean is about, you know, 518 00:23:41,280 --> 00:23:43,040 Speaker 14: And that's something that I admired or wanted to know 519 00:23:43,080 --> 00:23:45,960 Speaker 14: a little bit more about what goes into her selecting 520 00:23:46,000 --> 00:23:47,840 Speaker 14: the kind of cases that she chooses to represent. 521 00:23:48,359 --> 00:23:50,119 Speaker 2: Is it hard to leave your character on set? 522 00:23:50,400 --> 00:23:52,560 Speaker 8: Is it hard? No? 523 00:23:52,560 --> 00:23:56,080 Speaker 14: No, I've learned how to just make the separation. I've 524 00:23:56,160 --> 00:23:58,600 Speaker 14: learned how to make the separation, and especially with someone 525 00:23:58,680 --> 00:24:01,400 Speaker 14: like Jack's, you know, she she has a lot going on, 526 00:24:01,480 --> 00:24:03,440 Speaker 14: you know, so I'm faithful to just leave that there 527 00:24:03,480 --> 00:24:05,119 Speaker 14: and go home to normalcy. 528 00:24:05,520 --> 00:24:05,680 Speaker 6: You know. 529 00:24:05,760 --> 00:24:07,240 Speaker 1: I wanted to ask actors, like, when you have to 530 00:24:07,240 --> 00:24:08,720 Speaker 1: play a traumatic scene, right, like. 531 00:24:08,640 --> 00:24:10,880 Speaker 2: When Ricky gets killed in Boys in the Hood. 532 00:24:10,920 --> 00:24:13,600 Speaker 1: Being that they play that so much on TV, does 533 00:24:13,600 --> 00:24:14,760 Speaker 1: that trigger you when you see it? 534 00:24:14,800 --> 00:24:17,440 Speaker 9: Like, do you feel that doesn't trigger me? One thing 535 00:24:17,480 --> 00:24:19,960 Speaker 9: that did trigger me when I did The First Best Man. 536 00:24:20,560 --> 00:24:22,320 Speaker 9: It was the first time that I had to be 537 00:24:22,400 --> 00:24:24,400 Speaker 9: such an emotional spacially. When I did the wedding scene. 538 00:24:24,400 --> 00:24:26,359 Speaker 9: That was crying, and I had to be in an 539 00:24:26,359 --> 00:24:29,879 Speaker 9: emotional space for so long. That triggered me for just 540 00:24:29,960 --> 00:24:33,320 Speaker 9: even thinking about it for at least at least five 541 00:24:33,320 --> 00:24:34,400 Speaker 9: to seven years. 542 00:24:34,520 --> 00:24:35,440 Speaker 4: When y'all get the TV. 543 00:24:35,280 --> 00:24:39,679 Speaker 9: Show, see I see, I had already, you know, as 544 00:24:39,720 --> 00:24:41,760 Speaker 9: an actor, I had grown and I kind of let 545 00:24:41,880 --> 00:24:44,000 Speaker 9: some stuff. You know, it's you know, as actors, you know, 546 00:24:44,080 --> 00:24:47,280 Speaker 9: we use our trauma in our pain to get there. 547 00:24:47,440 --> 00:24:50,240 Speaker 9: So I you know, I kind of worked on that, 548 00:24:50,720 --> 00:24:52,679 Speaker 9: but it triggered me for a long time on the 549 00:24:52,680 --> 00:24:53,320 Speaker 9: first Best Man. 550 00:24:53,240 --> 00:24:55,159 Speaker 2: Because you ever get tired of it? Because Boys of 551 00:24:55,160 --> 00:24:56,520 Speaker 2: the Hood was so long ago. 552 00:24:56,600 --> 00:24:59,600 Speaker 3: Did you ever realize how impactful that was going to 553 00:24:59,640 --> 00:25:00,760 Speaker 3: be when you when you shot it? 554 00:25:00,920 --> 00:25:01,840 Speaker 4: I didn't. I didn't. 555 00:25:01,880 --> 00:25:04,120 Speaker 9: I had no clue because when I when I, I mean, 556 00:25:04,160 --> 00:25:06,600 Speaker 9: I was a lead in the movie that nobody knew 557 00:25:06,600 --> 00:25:09,560 Speaker 9: who I was, and no one knew who Cuba was. 558 00:25:09,800 --> 00:25:13,360 Speaker 9: You know, people knew who Ice Cube was. Angela wasn't Angela, 559 00:25:13,440 --> 00:25:16,159 Speaker 9: Nia wasn't Nia. I mean, everybody was, you know, just 560 00:25:16,200 --> 00:25:18,720 Speaker 9: popping off. So I didn't think it was gonna be 561 00:25:18,920 --> 00:25:19,400 Speaker 9: that big. 562 00:25:19,480 --> 00:25:21,760 Speaker 1: Now, that's interesting what you said about the Best Man 563 00:25:21,800 --> 00:25:23,960 Speaker 1: because to being a role when the TV show came 564 00:25:24,040 --> 00:25:26,720 Speaker 1: where in that iteration of it, you know your wife 565 00:25:26,800 --> 00:25:30,159 Speaker 1: was deceased. Yes, you had to tap into that emotion 566 00:25:30,280 --> 00:25:32,920 Speaker 1: of being a man who lost their wife. 567 00:25:33,280 --> 00:25:34,640 Speaker 4: How did you leave that at home? 568 00:25:34,920 --> 00:25:38,119 Speaker 9: Well, so it's uh, leave that on the set round? Yeah, yeah, 569 00:25:38,160 --> 00:25:41,600 Speaker 9: so it's okay. So so that was the first best 570 00:25:41,600 --> 00:25:43,480 Speaker 9: man I had that. So the second best man was 571 00:25:43,520 --> 00:25:45,639 Speaker 9: tough because she was battling cancer and I had to 572 00:25:45,640 --> 00:25:48,520 Speaker 9: do a lot of emotional scenes then. So I've just 573 00:25:48,640 --> 00:25:53,480 Speaker 9: learned to manage kind of those emotions. I've learned to 574 00:25:53,560 --> 00:25:56,200 Speaker 9: deal with some of that trauma in a different way now. 575 00:25:56,600 --> 00:25:58,359 Speaker 4: And actually it's actually acting. 576 00:25:58,400 --> 00:26:02,119 Speaker 9: It's pretty much therapeutic because you're able to release certain things. 577 00:26:02,240 --> 00:26:04,239 Speaker 4: And so over the years, that's that's what's happened. Were 578 00:26:04,240 --> 00:26:05,400 Speaker 4: you a fan of Reasonable Doubt? 579 00:26:05,400 --> 00:26:06,880 Speaker 2: Season one? 580 00:26:07,240 --> 00:26:09,000 Speaker 4: I was, because I literally I was on it. 581 00:26:09,080 --> 00:26:11,520 Speaker 9: I was playing a Saturday basketball game and one of 582 00:26:11,720 --> 00:26:13,560 Speaker 9: one of the guys there he was like, oo, he said, 583 00:26:13,720 --> 00:26:16,200 Speaker 9: we normally after we play, he's you know, we talk 584 00:26:16,240 --> 00:26:18,600 Speaker 9: about stupid stuff, dude, stuff in the gym or whatever. 585 00:26:18,640 --> 00:26:20,120 Speaker 9: And then he just said, hey, have you guys seen 586 00:26:20,160 --> 00:26:22,960 Speaker 9: the show Reasonable Doubt? And I knew about the show 587 00:26:22,960 --> 00:26:24,520 Speaker 9: because I knew Elie was on it, I knew Amians. 588 00:26:25,000 --> 00:26:27,320 Speaker 9: I hadn't seen it yet. He was like, man, it 589 00:26:27,359 --> 00:26:30,000 Speaker 9: was just so odd to hear him say that on 590 00:26:30,040 --> 00:26:32,320 Speaker 9: the court, you know what I'm saying, And so he said, 591 00:26:32,359 --> 00:26:33,920 Speaker 9: you got to check it out. So yeah, So before 592 00:26:33,920 --> 00:26:35,280 Speaker 9: I did the show, I was definitely fan because I 593 00:26:35,280 --> 00:26:36,159 Speaker 9: watched it because he told me to. 594 00:26:36,520 --> 00:26:37,640 Speaker 10: And what was harder for you? 595 00:26:37,720 --> 00:26:41,240 Speaker 11: Because Jackson's different season one versus season two, what was 596 00:26:41,280 --> 00:26:43,600 Speaker 11: the harder draw for you as an actress, like pulling 597 00:26:43,680 --> 00:26:45,920 Speaker 11: from the experiences. Was it harder for season one or 598 00:26:45,960 --> 00:26:46,879 Speaker 11: harder for season two for you? 599 00:26:47,880 --> 00:26:51,200 Speaker 14: I think I would definitely say season two, just because 600 00:26:51,240 --> 00:26:54,240 Speaker 14: of you know, she's showing a lot more vulnerability as 601 00:26:54,240 --> 00:26:56,679 Speaker 14: a result of what happened in season one. Yes, you know, 602 00:26:56,880 --> 00:27:00,359 Speaker 14: so that just it required just like Morris was, you know, 603 00:27:00,359 --> 00:27:02,560 Speaker 14: I got to pull from some of those places, you know, 604 00:27:02,640 --> 00:27:05,080 Speaker 14: that kind of thing. So it was more of a 605 00:27:05,480 --> 00:27:07,720 Speaker 14: challenge in that way. You know, I had to decide 606 00:27:07,760 --> 00:27:09,440 Speaker 14: to open myself up. 607 00:27:09,840 --> 00:27:12,040 Speaker 3: We got more with Morris, Chesnut and Miati. When we 608 00:27:12,080 --> 00:27:14,360 Speaker 3: come back, She don't move. It's to Breakfast Club, Good Morning. 609 00:27:14,160 --> 00:27:14,920 Speaker 2: Owning Everybody. 610 00:27:14,920 --> 00:27:18,479 Speaker 3: It's DJ Envy, Jess Hilarius, Charlamagne, the Guy we Are 611 00:27:18,600 --> 00:27:20,960 Speaker 3: the Breakfast Club were still kicking it with Morris Chestnut 612 00:27:21,119 --> 00:27:24,439 Speaker 3: and Miati Coronaldi. Of course, Reasonable Doubt Season two is 613 00:27:24,440 --> 00:27:28,040 Speaker 3: on Hulu everywhere. Now, Emma, you started off in soap operas. 614 00:27:28,040 --> 00:27:30,640 Speaker 3: Most people never leave that soap opera world, but you did. 615 00:27:31,040 --> 00:27:33,640 Speaker 3: So break down the soap opera world and what got 616 00:27:33,640 --> 00:27:35,040 Speaker 3: you in the soap opera I will first I want 617 00:27:35,040 --> 00:27:37,040 Speaker 3: to know how you got into acting. Because you're a 618 00:27:37,080 --> 00:27:40,120 Speaker 3: military child. Usually that means you're traveling all over the place. 619 00:27:40,160 --> 00:27:43,000 Speaker 3: Your parents are heavy into education. What got you into acting? 620 00:27:43,000 --> 00:27:46,399 Speaker 14: From the start, it was something that I always loved. 621 00:27:46,600 --> 00:27:49,640 Speaker 14: I always loved, but I didn't know that it could 622 00:27:49,640 --> 00:27:52,720 Speaker 14: be a choice to be a career, you know. And 623 00:27:52,800 --> 00:27:55,920 Speaker 14: for a long time, it was just fun, just a hobby. 624 00:27:56,200 --> 00:27:57,840 Speaker 14: And I thought that I had it planned, doubt. I 625 00:27:57,880 --> 00:27:59,199 Speaker 14: was going to go to law school. I was going 626 00:27:59,280 --> 00:28:01,560 Speaker 14: to be a lawyer. My father wanted me to go 627 00:28:01,600 --> 00:28:04,240 Speaker 14: to the military, but I said, Okay, I think I'm 628 00:28:04,240 --> 00:28:06,840 Speaker 14: gonna be a lawyer. But in high school I had 629 00:28:06,840 --> 00:28:09,040 Speaker 14: a girlfriend who also wanted to be a lawyer, and 630 00:28:09,080 --> 00:28:11,240 Speaker 14: we had our whole plan. It was gonna be Cornaldi 631 00:28:11,320 --> 00:28:15,679 Speaker 14: and Sweeny Incorporated, you know. But I realized, thankfully before 632 00:28:15,840 --> 00:28:18,080 Speaker 14: you know, graduation, Okay, no, I don't really want to 633 00:28:18,080 --> 00:28:19,280 Speaker 14: be a lawyer. I'm not trying to go to law 634 00:28:19,320 --> 00:28:21,680 Speaker 14: school like she was taking it serious and fill out 635 00:28:21,680 --> 00:28:22,360 Speaker 14: these SATs. 636 00:28:22,400 --> 00:28:23,199 Speaker 8: I'm like, am I doing all that? 637 00:28:23,320 --> 00:28:23,879 Speaker 2: Is she a lawyer? 638 00:28:23,880 --> 00:28:24,040 Speaker 6: Now? 639 00:28:24,119 --> 00:28:27,320 Speaker 14: She's a lawyer now? So we went in the right path. 640 00:28:27,359 --> 00:28:29,560 Speaker 14: I realized, No, I think I just I like the drama. 641 00:28:29,600 --> 00:28:31,399 Speaker 14: I like the suits and you know, all of that 642 00:28:31,440 --> 00:28:33,760 Speaker 14: in the courtroom. And so that's the moment when I 643 00:28:33,800 --> 00:28:36,080 Speaker 14: knew and I kind of started pursuing it at that point. 644 00:28:36,400 --> 00:28:39,240 Speaker 14: And this was in I graduated high school in Jersey. 645 00:28:39,320 --> 00:28:42,080 Speaker 14: My last two years were out there in Kansas. I 646 00:28:42,160 --> 00:28:44,400 Speaker 14: was all over the place, and then went back to 647 00:28:44,480 --> 00:28:47,720 Speaker 14: Jersey and really started studying and back and forth up 648 00:28:47,760 --> 00:28:49,960 Speaker 14: here to New York all my off off off Broadway 649 00:28:50,000 --> 00:28:50,960 Speaker 14: classes and all of that. 650 00:28:52,080 --> 00:28:52,880 Speaker 8: And then that was it. 651 00:28:53,040 --> 00:28:53,440 Speaker 2: That was it. 652 00:28:53,480 --> 00:28:57,840 Speaker 14: And my first role was that that role in Young 653 00:28:57,840 --> 00:29:00,600 Speaker 14: and Arrest, and that was because that was my showing. 654 00:29:00,680 --> 00:29:03,360 Speaker 14: She said to her, you know, that was me making it. 655 00:29:04,920 --> 00:29:06,760 Speaker 14: She says, you got to get him younger. Directed run 656 00:29:06,800 --> 00:29:09,320 Speaker 14: the restless until Victor I said Hi. And so the 657 00:29:09,320 --> 00:29:12,080 Speaker 14: bitter sweet moment about that for me is because my 658 00:29:12,120 --> 00:29:14,800 Speaker 14: mom passed before that happened, before she got to see 659 00:29:15,440 --> 00:29:16,920 Speaker 14: And so as soon as I got on the set, 660 00:29:16,960 --> 00:29:18,320 Speaker 14: I said, Victor, I just got to tell you know, 661 00:29:18,400 --> 00:29:20,400 Speaker 14: my mom just loves you so. 662 00:29:20,520 --> 00:29:22,440 Speaker 8: And that was a small that was a really small role. 663 00:29:22,440 --> 00:29:24,520 Speaker 14: And I think that's how I the reason why didn't 664 00:29:24,520 --> 00:29:26,840 Speaker 14: get caught up in it and staying there because it 665 00:29:26,960 --> 00:29:29,680 Speaker 14: was a small role, but it was truly one of 666 00:29:29,720 --> 00:29:31,880 Speaker 14: the most meaningful ones to me to this day because 667 00:29:31,880 --> 00:29:32,160 Speaker 14: of that. 668 00:29:32,600 --> 00:29:35,880 Speaker 1: Wow, that's so alarmed for your first your first scene, 669 00:29:35,920 --> 00:29:40,320 Speaker 1: Mars is a sex scene. Do you ever have to 670 00:29:40,320 --> 00:29:42,680 Speaker 1: tell these studios not to not to objectify you? 671 00:29:43,320 --> 00:29:44,440 Speaker 2: Because we heard MEPhI Man. 672 00:29:44,360 --> 00:29:46,680 Speaker 1: Once said he always, you know, pushed back against his 673 00:29:47,080 --> 00:29:49,960 Speaker 1: sex symbol status. You ever have to tell these studios like, look, 674 00:29:50,000 --> 00:29:51,360 Speaker 1: you know, I know I'm Mars chestnut. 675 00:29:51,360 --> 00:29:51,720 Speaker 2: You can't be. 676 00:29:55,400 --> 00:29:57,480 Speaker 10: Explained, we would know the difference. 677 00:29:57,760 --> 00:29:59,440 Speaker 2: Do you ever feel like it being objectified maybe is 678 00:29:59,480 --> 00:30:00,000 Speaker 2: a better question. 679 00:30:00,040 --> 00:30:01,920 Speaker 4: I don't see that that way. You know. 680 00:30:01,960 --> 00:30:04,360 Speaker 9: It's almost like because people sometimes they ask me, they say, 681 00:30:05,120 --> 00:30:07,040 Speaker 9: do you get mad when people call you Ricky all 682 00:30:07,080 --> 00:30:09,680 Speaker 9: the time, and people see me on the street, and honestly, 683 00:30:10,040 --> 00:30:11,960 Speaker 9: the one thing about me is that I have never 684 00:30:12,120 --> 00:30:16,160 Speaker 9: ever forgotten where I come from, right, and and when 685 00:30:16,200 --> 00:30:18,680 Speaker 9: I was an actor, just starting out, trying to get 686 00:30:18,680 --> 00:30:21,040 Speaker 9: an agent, just trying to get a part, just say oh, 687 00:30:21,160 --> 00:30:22,400 Speaker 9: just please, somebody cast me. 688 00:30:22,560 --> 00:30:24,000 Speaker 4: I just want to be seen. I want to be 689 00:30:24,080 --> 00:30:25,360 Speaker 4: known so I can get more work. 690 00:30:25,800 --> 00:30:29,280 Speaker 9: And so it just so happens that that role that 691 00:30:29,360 --> 00:30:31,840 Speaker 9: I was dying to get to be able to get 692 00:30:31,880 --> 00:30:34,320 Speaker 9: more work was a role that it was. 693 00:30:34,440 --> 00:30:34,840 Speaker 4: It was. 694 00:30:34,880 --> 00:30:37,840 Speaker 9: It was a blessing that it's still relevant and people 695 00:30:37,880 --> 00:30:40,680 Speaker 9: still refer to it to this very day. So now 696 00:30:41,000 --> 00:30:43,320 Speaker 9: just because people say Ricky almost every day, I'm not 697 00:30:43,360 --> 00:30:44,800 Speaker 9: going to turn around and say, oh, man, I hate 698 00:30:44,800 --> 00:30:46,280 Speaker 9: when people call me Ricky. 699 00:30:46,040 --> 00:30:48,560 Speaker 4: Because I was so I would desire it so much. 700 00:30:49,000 --> 00:30:53,840 Speaker 9: So to your question about you know, studios, I don't 701 00:30:53,840 --> 00:30:54,920 Speaker 9: think they objectify me. 702 00:30:55,080 --> 00:30:55,880 Speaker 4: I think that. 703 00:30:57,400 --> 00:30:59,880 Speaker 9: I've been in the business a long time and they 704 00:31:00,120 --> 00:31:03,040 Speaker 9: the younger Morris would not have imagined that he would 705 00:31:03,040 --> 00:31:05,080 Speaker 9: be here to this very single. 706 00:31:04,880 --> 00:31:06,760 Speaker 4: Day after all these years. 707 00:31:07,080 --> 00:31:11,160 Speaker 9: So I'm just I'm just blessed and and I'm very 708 00:31:11,160 --> 00:31:14,560 Speaker 9: appreciative of the fact that they still want to cast 709 00:31:14,560 --> 00:31:18,200 Speaker 9: me because in our industry, you know, no one really 710 00:31:18,200 --> 00:31:21,200 Speaker 9: retires from our industry. Our industry retires us the phone 711 00:31:21,240 --> 00:31:23,720 Speaker 9: stops ringing. So as long as the phone is still ringing, 712 00:31:24,080 --> 00:31:25,880 Speaker 9: I'm gonna keep picking up. And I appreciate it. 713 00:31:25,920 --> 00:31:27,200 Speaker 1: But it's one thing to be a great actor what 714 00:31:27,280 --> 00:31:29,880 Speaker 1: you are, but it's another to be considered a heart drop. Right, 715 00:31:29,880 --> 00:31:32,240 Speaker 1: It's only like kind of like it's like Denzel Mars, 716 00:31:32,280 --> 00:31:35,160 Speaker 1: who else punts in that lane historically? 717 00:31:39,120 --> 00:31:41,400 Speaker 2: Michael B. Jordan's Michael, Yeah, he was. 718 00:31:42,000 --> 00:31:43,480 Speaker 4: Trying to say that, I know. 719 00:31:45,080 --> 00:31:47,680 Speaker 10: From Queen Sugar, Dark Skin. Queen Sugar. 720 00:31:51,000 --> 00:31:53,480 Speaker 2: Is the he's there. 721 00:31:54,600 --> 00:31:55,440 Speaker 4: Where we're at right now. 722 00:31:55,440 --> 00:31:57,480 Speaker 10: But I think, honestly, you did. 723 00:31:58,040 --> 00:32:00,760 Speaker 11: It's y'all level of It's like maybe two or three 724 00:32:00,800 --> 00:32:03,040 Speaker 11: that are to go to mainly you though, like you 725 00:32:03,080 --> 00:32:05,320 Speaker 11: get you do get a lot of the posts and 726 00:32:05,320 --> 00:32:07,920 Speaker 11: stuff online. A lot of them comes from Charlomy's Instagram. 727 00:32:08,920 --> 00:32:11,760 Speaker 9: Shut up, I think to the answer to that question 728 00:32:12,120 --> 00:32:15,640 Speaker 9: is for me, I don't. I don't focus on it 729 00:32:15,880 --> 00:32:19,560 Speaker 9: because you know, it's it's this is the type of industry. 730 00:32:19,600 --> 00:32:22,080 Speaker 9: There's you know, there's there's there's gonna be somebody else tomorrow. 731 00:32:22,280 --> 00:32:25,320 Speaker 9: There's gonna be somebody else the next day. So I 732 00:32:25,480 --> 00:32:28,280 Speaker 9: just focused. Honestly, I just try to focus on doing 733 00:32:28,280 --> 00:32:30,320 Speaker 9: the best job I can as an actor with these 734 00:32:30,400 --> 00:32:32,400 Speaker 9: job and if that comes with it, I'm appreciative of it. 735 00:32:32,440 --> 00:32:35,360 Speaker 9: If that's what people say, I'm appreciative of that. But 736 00:32:35,400 --> 00:32:37,480 Speaker 9: I don't I don't focus on that. I just have 737 00:32:37,560 --> 00:32:39,520 Speaker 9: to focus on the work because that's gonna keep me 738 00:32:39,560 --> 00:32:42,720 Speaker 9: here longer than being a You know, if people consider 739 00:32:42,800 --> 00:32:43,320 Speaker 9: sex and more. 740 00:32:43,960 --> 00:32:45,840 Speaker 3: The real more is shutting up. Was the sexiest man 741 00:32:45,880 --> 00:32:47,480 Speaker 3: alive in twenty fifteen? Reason I got to say that 742 00:32:47,560 --> 00:32:49,640 Speaker 3: because sometimes he puts his face there and ask like. 743 00:32:49,600 --> 00:32:50,320 Speaker 4: I've never done that. 744 00:32:50,400 --> 00:32:52,920 Speaker 1: But if you wanted to call him the sexiest man alive, 745 00:32:52,960 --> 00:32:53,320 Speaker 1: that's fine. 746 00:32:53,640 --> 00:32:56,080 Speaker 2: If you want to use me to do that, I've 747 00:32:56,080 --> 00:33:04,080 Speaker 2: never done that, y'all want y'all, I'm going to ask, 748 00:33:04,080 --> 00:33:05,760 Speaker 2: how does your wife deal with it all? 749 00:33:05,920 --> 00:33:09,240 Speaker 3: You know, with women hollering when you're allowed in the comments, 750 00:33:09,280 --> 00:33:10,640 Speaker 3: how does she how does she handle it? 751 00:33:10,680 --> 00:33:10,880 Speaker 6: Well? 752 00:33:11,000 --> 00:33:12,880 Speaker 4: I mean, my wife is a star in our family 753 00:33:13,200 --> 00:33:13,720 Speaker 4: for sure. 754 00:33:13,880 --> 00:33:17,040 Speaker 9: I mean she's the one that h I mean, she's 755 00:33:17,080 --> 00:33:19,440 Speaker 9: a star in the family, and she does and I'm 756 00:33:19,440 --> 00:33:19,920 Speaker 9: a homebody. 757 00:33:20,120 --> 00:33:21,160 Speaker 4: I'm home all the time. 758 00:33:21,360 --> 00:33:25,800 Speaker 9: And honestly, the older I've gotten, you know, I mean, 759 00:33:25,840 --> 00:33:28,720 Speaker 9: she's she's just not even. She's not stressed by it. 760 00:33:28,800 --> 00:33:31,240 Speaker 9: She's not even. She's just not she's not really interested 761 00:33:31,280 --> 00:33:34,560 Speaker 9: in the industry. She's it's like we've been together a 762 00:33:34,600 --> 00:33:37,440 Speaker 9: long long time and so you know, she knows what 763 00:33:37,520 --> 00:33:40,200 Speaker 9: it is. You know, I'm not going nowhere. Hopefully she's 764 00:33:40,240 --> 00:33:42,920 Speaker 9: not going anywhere. But uh, it's she's she's cool with it. 765 00:33:43,000 --> 00:33:46,840 Speaker 9: What about your kids, that's a that's an interesting question. 766 00:33:46,920 --> 00:33:49,760 Speaker 9: We've never really had the conversation about it. My son 767 00:33:49,840 --> 00:33:51,800 Speaker 9: has made has made comments about it. 768 00:33:51,800 --> 00:33:52,560 Speaker 2: Does he have jokes? 769 00:33:53,120 --> 00:33:55,440 Speaker 4: No, No, he doesn't. He doesn't. He doesn't. He doesn't 770 00:33:55,440 --> 00:33:56,000 Speaker 4: have jokes. 771 00:33:56,040 --> 00:34:02,440 Speaker 9: He doesn't have jokes about it. Well, so that's a 772 00:34:02,440 --> 00:34:06,640 Speaker 9: good question we have. We have my son, and my 773 00:34:06,760 --> 00:34:10,360 Speaker 9: son's twenty six years old right now. You know, he 774 00:34:10,400 --> 00:34:13,480 Speaker 9: just turns tow seven, and we just basically have a 775 00:34:13,480 --> 00:34:17,720 Speaker 9: lot of father son conversations, and my conversations are more 776 00:34:17,800 --> 00:34:22,200 Speaker 9: gears towards preparing him for life and trying to get 777 00:34:22,239 --> 00:34:26,480 Speaker 9: him to see the world from different perspectives, primarily from 778 00:34:26,520 --> 00:34:30,080 Speaker 9: a from a business perspective, a young man who's gonna 779 00:34:30,080 --> 00:34:33,279 Speaker 9: be taking care of a family perspective. And he'll make 780 00:34:33,400 --> 00:34:37,360 Speaker 9: comments just in terms of when I'm trying to explain 781 00:34:37,520 --> 00:34:40,160 Speaker 9: certain things to him how things go in life. 782 00:34:40,480 --> 00:34:42,080 Speaker 4: He feels. 783 00:34:42,120 --> 00:34:46,000 Speaker 9: Sometimes he'll make a comment like, well, you haven't had 784 00:34:46,040 --> 00:34:47,959 Speaker 9: to deal with such and such because such and such. 785 00:34:48,320 --> 00:34:50,319 Speaker 9: You know, but you know, and I keep having to 786 00:34:50,320 --> 00:34:52,279 Speaker 9: tell him. I keep it happen to remind him that, 787 00:34:53,360 --> 00:34:55,399 Speaker 9: you know, I you know, I slept in the room 788 00:34:55,440 --> 00:34:58,719 Speaker 9: with my brother till we went to college, and we 789 00:34:58,719 --> 00:35:00,520 Speaker 9: couldn't even open the door was so tight in the 790 00:35:00,600 --> 00:35:02,839 Speaker 9: room we have bunk beds with put the bunk bed down. 791 00:35:02,840 --> 00:35:05,600 Speaker 9: We couldn't even open the door. So I didn't. I didn't. 792 00:35:05,600 --> 00:35:08,080 Speaker 9: I wasn't born into this, you know. And so there's 793 00:35:08,120 --> 00:35:11,640 Speaker 9: a lot of discipline and hard work. So that has 794 00:35:11,960 --> 00:35:14,680 Speaker 9: and a blessing you know, from God. But discipline, hard 795 00:35:14,719 --> 00:35:16,800 Speaker 9: work that has me where I am today. 796 00:35:17,120 --> 00:35:20,320 Speaker 3: All Right, we got more with Morris Chestnut and Miyazi Carnaldi. 797 00:35:20,360 --> 00:35:22,319 Speaker 2: When we come back, don't move. It's to breakfast club, 798 00:35:22,360 --> 00:35:26,400 Speaker 2: Good morning. Everybody is the j n V. Jess Soliris, Charlomagne. 799 00:35:26,400 --> 00:35:28,439 Speaker 3: To God, we are the Breakfast Club Law on the roster, 800 00:35:28,480 --> 00:35:31,000 Speaker 3: filing in for Jess, and we're still kicking it with 801 00:35:31,120 --> 00:35:35,440 Speaker 3: Miati Cornality and Morris Chestnut. Of course, reasonable Doubt. Season 802 00:35:35,440 --> 00:35:37,960 Speaker 3: two is on Hulu now, Charlamage, What. 803 00:35:38,200 --> 00:35:39,839 Speaker 2: Did y'all two learn from each other on set? 804 00:35:40,239 --> 00:35:40,919 Speaker 4: Oh? 805 00:35:40,960 --> 00:35:43,240 Speaker 8: Well, I would say I definitely learned. 806 00:35:43,280 --> 00:35:43,480 Speaker 4: You know. 807 00:35:43,880 --> 00:35:45,520 Speaker 14: When they asked me how I felt about Morris coming 808 00:35:45,520 --> 00:35:48,080 Speaker 14: on to the show number one, I was just excited. 809 00:35:48,120 --> 00:35:51,080 Speaker 14: I mean, it's Morris the Chestnut, you know. I mean, 810 00:35:51,120 --> 00:35:53,880 Speaker 14: it's true, you know, just it's just he brings a 811 00:35:53,960 --> 00:36:01,600 Speaker 14: level of professionalism and ease, but yet very just approachable 812 00:36:02,200 --> 00:36:05,040 Speaker 14: and and and kind and giving, you know what I mean, 813 00:36:05,080 --> 00:36:07,840 Speaker 14: in a way that you just may not expect for 814 00:36:07,920 --> 00:36:10,520 Speaker 14: someone who's been in the business for so long, for 815 00:36:10,600 --> 00:36:13,840 Speaker 14: someone who knows that they have this particular status, you 816 00:36:13,880 --> 00:36:15,759 Speaker 14: know what I mean. But but he didn't have any 817 00:36:15,760 --> 00:36:19,200 Speaker 14: of that, you know, So I definitely just appreciated and 818 00:36:19,280 --> 00:36:22,200 Speaker 14: respected that you know about you and I. 819 00:36:22,080 --> 00:36:25,120 Speaker 9: Appreciate So the one thing you know, on a set, 820 00:36:25,600 --> 00:36:28,360 Speaker 9: the number one on the call sheet is the heartbeat 821 00:36:28,400 --> 00:36:30,839 Speaker 9: of the set. The set goes, how the number one 822 00:36:30,880 --> 00:36:32,800 Speaker 9: goes If the number one is not feeling good today. 823 00:36:32,880 --> 00:36:34,279 Speaker 9: The set's not gonna have a good day. If the 824 00:36:34,320 --> 00:36:36,120 Speaker 9: number one is not a good person, it's not a 825 00:36:36,120 --> 00:36:40,000 Speaker 9: set that you want to be on. She is literally 826 00:36:40,120 --> 00:36:43,000 Speaker 9: one of the best number ones and that I've. 827 00:36:42,880 --> 00:36:43,520 Speaker 4: Ever worked with. 828 00:36:43,680 --> 00:36:46,520 Speaker 9: She she I mean, this is is so hard because 829 00:36:46,560 --> 00:36:48,440 Speaker 9: when you're when you're when you come to a set, 830 00:36:48,840 --> 00:36:50,800 Speaker 9: you know, we have the scenes, we have our lines, 831 00:36:50,840 --> 00:36:52,720 Speaker 9: and we and we have to worry about our character. 832 00:36:52,719 --> 00:36:56,239 Speaker 9: And she knew everybody's name on the set, everybody's name. 833 00:36:56,360 --> 00:36:58,759 Speaker 9: And I've been on set. I've been on set right 834 00:36:58,760 --> 00:37:00,680 Speaker 9: now for six months. I still on even probably about 835 00:37:00,800 --> 00:37:03,400 Speaker 9: seven names out of like one hundred people. And that 836 00:37:03,560 --> 00:37:07,080 Speaker 9: was just so impressive to me. And it was really 837 00:37:07,080 --> 00:37:09,080 Speaker 9: she was really inspiring to me just to see how 838 00:37:09,120 --> 00:37:11,080 Speaker 9: she was doing that. And she made me mad one 839 00:37:11,160 --> 00:37:13,000 Speaker 9: day because I always like to be when they call 840 00:37:13,080 --> 00:37:14,799 Speaker 9: us to set, I like to be the first one there. 841 00:37:15,280 --> 00:37:16,799 Speaker 9: And she beat me one time. I said, oh, I 842 00:37:16,800 --> 00:37:19,319 Speaker 9: can't have that. I cannot have her beat me to 843 00:37:19,400 --> 00:37:21,799 Speaker 9: set because I gotta be there. Yeah, I said, I got, 844 00:37:21,840 --> 00:37:24,440 Speaker 9: I can have that. So she's just in everything that 845 00:37:24,440 --> 00:37:26,920 Speaker 9: she does, and she with all of that, you know, 846 00:37:27,000 --> 00:37:28,920 Speaker 9: she had her daughter there. She's taking care of her daughter. 847 00:37:29,000 --> 00:37:31,560 Speaker 9: She has, you know, she's carrying the load on this show. 848 00:37:31,640 --> 00:37:35,880 Speaker 9: She did it so gracefully, eloquently and just an incredible actress. 849 00:37:35,880 --> 00:37:38,120 Speaker 4: So I just have a huge She's inspiring. 850 00:37:38,400 --> 00:37:39,919 Speaker 2: Now, was there somebody you talking about? 851 00:37:40,000 --> 00:37:40,480 Speaker 4: Number ones? 852 00:37:40,600 --> 00:37:42,759 Speaker 3: Is there somebody that you say, no matter how much 853 00:37:42,760 --> 00:37:45,000 Speaker 3: they pay you, you without saying names, that you just won't 854 00:37:45,040 --> 00:37:47,120 Speaker 3: do a movie with them because they just don't act, right? 855 00:37:47,440 --> 00:37:51,879 Speaker 14: Oh No, No. 856 00:37:51,280 --> 00:37:56,080 Speaker 3: No, theod because someone popped into my head. 857 00:37:56,080 --> 00:37:58,439 Speaker 8: But I don't that's just based off of what you hear. 858 00:37:58,520 --> 00:37:59,400 Speaker 4: I don't know, you know what I mean. 859 00:37:59,440 --> 00:37:59,680 Speaker 5: I don't. 860 00:37:59,719 --> 00:38:01,640 Speaker 8: I can't jump someone based on that. So no, I 861 00:38:01,680 --> 00:38:02,440 Speaker 8: wouldn't say that. 862 00:38:02,600 --> 00:38:08,480 Speaker 3: Morrison, Oh oh yeah, I have I have one, you know. 863 00:38:09,040 --> 00:38:12,919 Speaker 9: Yeah, he doesn't. I'm not sure if he's I don't 864 00:38:12,920 --> 00:38:15,960 Speaker 9: think he's done anything too much lately. But yeah, it's Yeah. 865 00:38:16,040 --> 00:38:19,399 Speaker 9: It can be a really, really really bad set. It's 866 00:38:19,440 --> 00:38:22,040 Speaker 9: just not a good it's not a working it's not 867 00:38:22,120 --> 00:38:26,520 Speaker 9: a free working environment to be an artist when you 868 00:38:26,680 --> 00:38:32,279 Speaker 9: have everyone walking on eggshells and this person just dictates 869 00:38:32,920 --> 00:38:35,719 Speaker 9: the whole mood, just the of the set, and it 870 00:38:35,840 --> 00:38:38,560 Speaker 9: just makes it so challenging, not even to just do 871 00:38:38,640 --> 00:38:42,080 Speaker 9: your job just to even be there, because we spend 872 00:38:42,600 --> 00:38:46,279 Speaker 9: twelve thirteen hours a day. It's like a family. You know, 873 00:38:46,320 --> 00:38:48,120 Speaker 9: you spend more time on a set than you do 874 00:38:48,160 --> 00:38:48,640 Speaker 9: your family. 875 00:38:48,960 --> 00:38:51,040 Speaker 10: So yeah, I mean, I say, I have a question 876 00:38:51,080 --> 00:38:51,319 Speaker 10: for you. 877 00:38:51,680 --> 00:38:54,239 Speaker 11: I had heard Eric Alexander talk about how when black 878 00:38:54,239 --> 00:38:57,360 Speaker 11: women play strong roles on TV, it boxes them in. 879 00:38:57,440 --> 00:38:59,400 Speaker 11: It's like a good thing because your representation, but it 880 00:38:59,400 --> 00:39:01,319 Speaker 11: can be a bad and because it boxes you into this, 881 00:39:01,480 --> 00:39:03,560 Speaker 11: like you always have that power, you always have to 882 00:39:03,600 --> 00:39:04,600 Speaker 11: be tough and rough. 883 00:39:04,880 --> 00:39:06,760 Speaker 10: Do you think about that when you're picking roles? 884 00:39:06,800 --> 00:39:09,680 Speaker 11: I know, because Jackson's becoming a household now household emaw, 885 00:39:09,719 --> 00:39:11,920 Speaker 11: like people love the show. Do you think about that? 886 00:39:11,920 --> 00:39:13,400 Speaker 11: Do you think how that will affect you? Has that 887 00:39:13,480 --> 00:39:15,600 Speaker 11: been you know, something you and your team I talked about. 888 00:39:16,160 --> 00:39:18,600 Speaker 14: You know, I understand what she's saying about that because 889 00:39:18,600 --> 00:39:21,799 Speaker 14: that is you know, it's it's almost can even be 890 00:39:21,840 --> 00:39:24,640 Speaker 14: a stigma even that's placed upon us as black women. 891 00:39:24,760 --> 00:39:27,200 Speaker 14: But it's not something that I think about because there's 892 00:39:27,239 --> 00:39:28,120 Speaker 14: an element of it. 893 00:39:28,040 --> 00:39:29,719 Speaker 8: That is true. It's there. 894 00:39:29,920 --> 00:39:30,760 Speaker 4: We are strong. 895 00:39:30,840 --> 00:39:32,799 Speaker 14: We've had to be strong for so long for so 896 00:39:32,840 --> 00:39:35,279 Speaker 14: many reasons, So you know, it's not something that I 897 00:39:35,280 --> 00:39:37,600 Speaker 14: feel like I have to lead with or something that 898 00:39:37,640 --> 00:39:42,760 Speaker 14: I have to be cognizant of, because I don't. It doesn't, 899 00:39:42,800 --> 00:39:45,279 Speaker 14: it doesn't. It doesn't bother me in that way, you 900 00:39:45,320 --> 00:39:47,680 Speaker 14: know what I mean? And so I think I do 901 00:39:47,960 --> 00:39:51,239 Speaker 14: choose roles, not necessarily. If I see a role and 902 00:39:51,280 --> 00:39:53,319 Speaker 14: it says, Okay, she's a strong woman, that would have 903 00:39:53,400 --> 00:39:54,880 Speaker 14: you You know, I know, I'm going to put my 904 00:39:54,920 --> 00:39:57,000 Speaker 14: own spin on it, and I may not feel like 905 00:39:57,120 --> 00:39:59,960 Speaker 14: she's strong in the way that they think she's strong, 906 00:40:00,200 --> 00:40:01,400 Speaker 14: you know what I mean, So I can make a 907 00:40:01,400 --> 00:40:04,440 Speaker 14: different interpretation, interpretation on it. 908 00:40:04,560 --> 00:40:06,640 Speaker 4: Gotcha, I know y'all got to go. So I got 909 00:40:06,800 --> 00:40:07,640 Speaker 4: my final question. 910 00:40:07,680 --> 00:40:10,600 Speaker 1: Other than when I'm around Mark my, do you ever 911 00:40:10,680 --> 00:40:12,319 Speaker 1: walk in the room and say I'm the most handsome man? 912 00:40:14,719 --> 00:40:15,120 Speaker 4: No? 913 00:40:15,120 --> 00:40:22,920 Speaker 14: No, did say that one day when we were. 914 00:40:24,960 --> 00:40:27,239 Speaker 2: That I don't want to. You're in the family Feud video, right, 915 00:40:27,320 --> 00:40:27,920 Speaker 2: Jaycon's family? 916 00:40:28,080 --> 00:40:28,319 Speaker 10: Yes? 917 00:40:28,440 --> 00:40:29,640 Speaker 4: How was how were you casting for that? 918 00:40:29,680 --> 00:40:30,479 Speaker 2: Are you cool with the family? 919 00:40:31,400 --> 00:40:33,920 Speaker 14: Ava a direct? 920 00:40:35,320 --> 00:40:36,680 Speaker 8: I think that's how we met. 921 00:40:36,719 --> 00:40:38,280 Speaker 10: We met at. 922 00:40:39,840 --> 00:40:43,160 Speaker 4: Yeah, yeah, we did. It was when you were there. 923 00:40:45,040 --> 00:40:45,520 Speaker 10: I didn't. 924 00:40:45,920 --> 00:40:49,400 Speaker 8: I didn't. 925 00:40:49,680 --> 00:40:51,720 Speaker 4: I was like five years yeah. 926 00:40:51,600 --> 00:40:54,960 Speaker 14: Something like that, young watching the movie or something and 927 00:40:55,160 --> 00:40:58,160 Speaker 14: the fight it was, that's what it was. 928 00:40:58,400 --> 00:41:00,640 Speaker 8: But yeah, that's how that came about. But Abe was 929 00:41:00,640 --> 00:41:01,320 Speaker 8: the director. 930 00:41:01,400 --> 00:41:02,920 Speaker 2: Yeah, Astu. Well, we appreciate you. I know you guys 931 00:41:02,920 --> 00:41:04,399 Speaker 2: got a run Doubt. 932 00:41:04,400 --> 00:41:05,920 Speaker 9: I want to say something to you guys. I really 933 00:41:05,960 --> 00:41:07,960 Speaker 9: appreciate what you guys are doing for the culture. I mean, 934 00:41:08,000 --> 00:41:09,719 Speaker 9: I see the guests you guys have on to see 935 00:41:09,719 --> 00:41:13,040 Speaker 9: the topics that you guys talk about, and I appreciate 936 00:41:13,080 --> 00:41:15,680 Speaker 9: what you guys doing because, especially now in our community, 937 00:41:15,680 --> 00:41:16,879 Speaker 9: you talk about therapy a lot. 938 00:41:17,000 --> 00:41:18,040 Speaker 4: I love that you. 939 00:41:17,960 --> 00:41:21,600 Speaker 9: Guys bring up a current topic, current event, topics, politics, 940 00:41:21,960 --> 00:41:24,160 Speaker 9: and so you guys are I was really excited to 941 00:41:24,160 --> 00:41:25,560 Speaker 9: come back because I've been here before, but I was 942 00:41:25,600 --> 00:41:28,080 Speaker 9: really excited to come back because I appreciate you guys, 943 00:41:28,160 --> 00:41:29,440 Speaker 9: what you guys are doing for the culture. 944 00:41:29,480 --> 00:41:30,080 Speaker 4: So thank you, guys. 945 00:41:30,200 --> 00:41:31,040 Speaker 2: Thank you very much much. 946 00:41:31,360 --> 00:41:34,479 Speaker 3: Reasonable Doubt Season two is out now on Hulu. Ladies 947 00:41:34,520 --> 00:41:36,680 Speaker 3: and gentlemen, it's the Breakfast Club. It's Mores Chesnut and 948 00:41:36,760 --> 00:41:37,880 Speaker 3: Emma Yati Coronali. 949 00:41:37,920 --> 00:41:40,239 Speaker 2: Thank you so much. Close the Breakfast, Good. 950 00:41:40,120 --> 00:41:41,320 Speaker 4: Morning, it's time for Donkey. 951 00:41:41,960 --> 00:41:46,319 Speaker 2: It's a read. But you're so good at charlamade. Wants 952 00:41:46,360 --> 00:41:50,000 Speaker 2: charlamadel Man. 953 00:41:50,080 --> 00:41:51,680 Speaker 10: Who do you give a dusky O to day? To them? 954 00:41:52,120 --> 00:41:54,160 Speaker 1: Yes, don'gy to Dayvid goes to a twenty one year 955 00:41:54,160 --> 00:41:57,279 Speaker 1: old woman named Juniper Bryson, and she's been charged with 956 00:41:57,840 --> 00:42:00,400 Speaker 1: the sale our purchase of a child and she is 957 00:42:00,440 --> 00:42:02,799 Speaker 1: currently being held on the thirty thousand dollar bond because 958 00:42:02,800 --> 00:42:05,840 Speaker 1: she tried to sell her house on Facebook. 959 00:42:06,000 --> 00:42:08,040 Speaker 4: Let's go to ABC thirteen Eye Witness News for the report. 960 00:42:08,040 --> 00:42:11,840 Speaker 8: Please she led us on to believe that we were chosen. 961 00:42:12,000 --> 00:42:14,640 Speaker 7: Wendy Williams and her husband were one of many families, 962 00:42:14,640 --> 00:42:17,040 Speaker 7: according to court records, hopeful to be the parents of 963 00:42:17,080 --> 00:42:20,680 Speaker 7: this beautiful baby boy born on September twenty fourth. The 964 00:42:20,719 --> 00:42:23,640 Speaker 7: only difference between Williams and the other families is she 965 00:42:23,760 --> 00:42:25,959 Speaker 7: was in the delivery room with twenty one year old 966 00:42:26,040 --> 00:42:29,399 Speaker 7: Juniper Bryson. Williams didn't know Bryson, neither did the other 967 00:42:29,440 --> 00:42:32,960 Speaker 7: prospective parents. They just responded to Facebook posts asking for 968 00:42:33,040 --> 00:42:37,120 Speaker 7: someone to adopt Bryson's baby. Bryson chose Williams, she believes, 969 00:42:37,160 --> 00:42:39,560 Speaker 7: because she was local and Bryson went into labor early. 970 00:42:40,160 --> 00:42:42,600 Speaker 7: She stayed at the hospital for three days with Bryson 971 00:42:42,640 --> 00:42:45,680 Speaker 7: and the newborn who tested positive for drugs, munting to 972 00:42:45,719 --> 00:42:49,280 Speaker 7: court records. But then Williams says she started getting messages 973 00:42:49,320 --> 00:42:52,200 Speaker 7: on Facebook from people saying Bryson was trying to sell 974 00:42:52,239 --> 00:42:55,280 Speaker 7: the baby. After finding out what she did, Williams contacted 975 00:42:55,320 --> 00:42:59,520 Speaker 7: CPS and police were called. Investigators obtained conversations with at 976 00:42:59,600 --> 00:43:02,440 Speaker 7: least seven people on social media where they say Bryson 977 00:43:02,560 --> 00:43:06,040 Speaker 7: was asking for money in exchange for the baby, including 978 00:43:06,080 --> 00:43:08,480 Speaker 7: this one where she says, quote, I'd ask for a 979 00:43:08,520 --> 00:43:11,040 Speaker 7: minimum of one hundred and fifty bucks up front. 980 00:43:11,400 --> 00:43:13,360 Speaker 4: That's it, one hundred and fifty. 981 00:43:13,400 --> 00:43:15,280 Speaker 2: I gotta get a discount if the baby test positive 982 00:43:15,280 --> 00:43:15,920 Speaker 2: for drugs. 983 00:43:16,120 --> 00:43:18,239 Speaker 1: Okay, sot a meth, little crack baby. I'm not paying 984 00:43:18,280 --> 00:43:20,279 Speaker 1: one hundred and fifty Yeah, one hundred dollars. That's fit 985 00:43:20,320 --> 00:43:22,480 Speaker 1: nothing more than nothing less. Now, look, she's twenty one 986 00:43:22,520 --> 00:43:24,400 Speaker 1: years old, and I have a theory that after the 987 00:43:24,480 --> 00:43:26,920 Speaker 1: year two thousand, they really just started making any old 988 00:43:27,000 --> 00:43:29,400 Speaker 1: kind of human. Okay, I think God sold the company 989 00:43:29,400 --> 00:43:32,400 Speaker 1: the company that makes humans. God sold it. Let them 990 00:43:32,480 --> 00:43:34,680 Speaker 1: keep the name of the designs, but the ingredients don't 991 00:43:34,719 --> 00:43:36,360 Speaker 1: hit the say. Now, don't get me wrong, I'm not 992 00:43:36,360 --> 00:43:38,000 Speaker 1: gonna sit here and act like the humans. 993 00:43:37,800 --> 00:43:38,879 Speaker 2: I grew up with was much better. 994 00:43:38,920 --> 00:43:40,600 Speaker 1: Okay, I grew up in the era where some humans 995 00:43:40,600 --> 00:43:43,560 Speaker 1: would have babies and then throw the babies in a dumpsterum. Okay, 996 00:43:43,560 --> 00:43:45,799 Speaker 1: Tupac wrote a whole song about it, Brenda's Got a Baby, 997 00:43:45,840 --> 00:43:47,399 Speaker 1: and that was based on a true story. So I'm 998 00:43:47,400 --> 00:43:49,239 Speaker 1: not gonna sit here and act holy at it now. 999 00:43:49,400 --> 00:43:52,759 Speaker 1: But this is exactly why women should be able to 1000 00:43:52,800 --> 00:43:55,200 Speaker 1: have abortions if they want one. Okay, Texas has some 1001 00:43:55,239 --> 00:43:57,560 Speaker 1: of the strictest abortion laws in the country. Abortion is 1002 00:43:57,560 --> 00:44:00,640 Speaker 1: completely banned, except for limited circumstances. This twenty one year 1003 00:44:00,640 --> 00:44:02,839 Speaker 1: old girl has to carry the term. She reaches out 1004 00:44:03,120 --> 00:44:05,880 Speaker 1: to a family connection asking if they know any families 1005 00:44:05,920 --> 00:44:06,520 Speaker 1: looking to adopt. 1006 00:44:06,600 --> 00:44:09,480 Speaker 2: Imagine looking for a plug for adoption. That's what she did. 1007 00:44:09,520 --> 00:44:13,759 Speaker 4: She was looking for a plug for adoption, an adoption booster. 1008 00:44:13,600 --> 00:44:15,920 Speaker 1: But exactly and she didn't even go about the process 1009 00:44:16,480 --> 00:44:18,720 Speaker 1: of doing the adoption right, so she ended up putting 1010 00:44:18,719 --> 00:44:21,200 Speaker 1: her baby on Facebook marketplace. You can buy a furniture 1011 00:44:21,280 --> 00:44:24,040 Speaker 1: home to core rugs and newborn babies all on Facebook 1012 00:44:24,080 --> 00:44:29,960 Speaker 1: Marketplace now. I asked Lauren Lorossa earlier if there was 1013 00:44:30,000 --> 00:44:32,480 Speaker 1: any newborn babies on Facebook marketplace. I just asked you 1014 00:44:32,520 --> 00:44:34,239 Speaker 1: to look. I don't know. Maybe this is normal and 1015 00:44:34,280 --> 00:44:35,080 Speaker 1: we don't know about it. 1016 00:44:35,200 --> 00:44:38,479 Speaker 11: I ain't see none. I also checked sheen a baby baby, 1017 00:44:38,560 --> 00:44:40,840 Speaker 11: come get this baby. I checked TMU for baby daddy. 1018 00:44:40,840 --> 00:44:42,200 Speaker 11: I ain't seen none of them available. 1019 00:44:42,239 --> 00:44:44,920 Speaker 1: Okay, okay, Now what's interesting to me about this situation 1020 00:44:45,120 --> 00:44:48,600 Speaker 1: is Juniper posted in a Facebook group aimed at connecting 1021 00:44:48,680 --> 00:44:53,600 Speaker 1: birth mothers with prospective adoptive parents. So you know, she 1022 00:44:53,680 --> 00:44:56,160 Speaker 1: indicated that she was located in Houston, but willing to 1023 00:44:56,200 --> 00:44:57,959 Speaker 1: travel if an arrangement could be made. 1024 00:44:58,000 --> 00:45:01,520 Speaker 4: This poor girl really thought that this is how this works. 1025 00:45:02,040 --> 00:45:04,640 Speaker 1: Okay, I just get in a Facebook group with mothers 1026 00:45:04,760 --> 00:45:07,279 Speaker 1: looking to be adoptive parents, and I sell this seven 1027 00:45:07,400 --> 00:45:10,280 Speaker 1: pounds four houns born to a joy to the highest bidder. 1028 00:45:10,320 --> 00:45:13,400 Speaker 1: She was literally at the hospital waiting for the highest bidder. 1029 00:45:13,440 --> 00:45:16,080 Speaker 1: You had to pay extra for the placenta, but she 1030 00:45:16,120 --> 00:45:19,280 Speaker 1: would sell you the newborn below market rate. Now authorities 1031 00:45:19,280 --> 00:45:22,000 Speaker 1: were notified after social media users raise concerns about the 1032 00:45:22,040 --> 00:45:24,640 Speaker 1: legitimacy of the adoption. I've never claimed to be the 1033 00:45:24,680 --> 00:45:27,120 Speaker 1: highest graded weed in the dispensary, but unless something has 1034 00:45:27,200 --> 00:45:30,680 Speaker 1: changed drastically in the world. No adoptions happen on Facebook. 1035 00:45:30,719 --> 00:45:33,040 Speaker 1: You just heard Lauren say, you can't go on Facebook 1036 00:45:33,080 --> 00:45:34,600 Speaker 1: marketplace Okay. 1037 00:45:34,520 --> 00:45:35,240 Speaker 4: To buy a baby. 1038 00:45:35,280 --> 00:45:37,600 Speaker 1: They don't have no babies for sale, and you don't 1039 00:45:37,600 --> 00:45:40,120 Speaker 1: get paid for adopting a child. And it's illegal to 1040 00:45:40,200 --> 00:45:42,680 Speaker 1: receive payment for putting a child up for adoption. So 1041 00:45:42,680 --> 00:45:46,120 Speaker 1: it's nothing left to see here, folks. Please give Juniper 1042 00:45:46,160 --> 00:45:53,000 Speaker 1: Bryceon of Houston, Texas the biggest Hea hull. Now, just 1043 00:45:53,280 --> 00:45:57,520 Speaker 1: you know, hypothetically, if you were to buy a new barn, 1044 00:45:58,600 --> 00:45:59,440 Speaker 1: where would you want it from? 1045 00:45:59,480 --> 00:46:04,360 Speaker 4: Timo? Was I probably go sen Geene? 1046 00:46:04,440 --> 00:46:04,600 Speaker 10: Right? 1047 00:46:04,880 --> 00:46:06,919 Speaker 11: Yeah, I feel like I know more people who've ordered 1048 00:46:06,960 --> 00:46:08,680 Speaker 11: off machine, so my baby would be legit. 1049 00:46:08,800 --> 00:46:09,000 Speaker 4: Yeah. 1050 00:46:09,040 --> 00:46:11,120 Speaker 1: And then you know what, Timu, if they show you 1051 00:46:11,160 --> 00:46:12,799 Speaker 1: the picture of the baby, the baby ain't gonna look 1052 00:46:12,800 --> 00:46:14,640 Speaker 1: the way it looks and when you get it. 1053 00:46:14,680 --> 00:46:16,400 Speaker 11: Yeah, I feel like Sheen, you can like you know, 1054 00:46:16,440 --> 00:46:18,080 Speaker 11: how you wait until you post photos of your baby 1055 00:46:18,080 --> 00:46:21,479 Speaker 11: to all the all the the features and all that coming. 1056 00:46:21,520 --> 00:46:22,200 Speaker 10: How they be waiting. 1057 00:46:22,480 --> 00:46:24,080 Speaker 11: But Sheen, I think they would show you all that, 1058 00:46:24,160 --> 00:46:26,239 Speaker 11: like you would get the before, the after, you get 1059 00:46:26,239 --> 00:46:26,680 Speaker 11: to know who the. 1060 00:46:26,680 --> 00:46:28,360 Speaker 1: Dad is, all that you don't want a little Ti 1061 00:46:28,440 --> 00:46:32,040 Speaker 1: MoU face baby, little t move face baby, and be 1062 00:46:32,080 --> 00:46:35,560 Speaker 1: where you order it from, forever, forever twenty one. 1063 00:46:36,000 --> 00:46:37,000 Speaker 2: Where you get your wakes from. 1064 00:46:37,000 --> 00:46:37,560 Speaker 4: That's all I get in. 1065 00:46:37,840 --> 00:46:40,400 Speaker 11: Oh, it's from a nature of savage artistry. You know, 1066 00:46:40,600 --> 00:46:42,160 Speaker 11: custom unit, custom a unit. 1067 00:46:42,360 --> 00:46:48,160 Speaker 1: Don't never order a baby from that. Don't ever order 1068 00:46:48,200 --> 00:46:48,960 Speaker 1: up baby from there. 1069 00:46:49,360 --> 00:46:52,200 Speaker 11: She don't make baby, she makes beautiful units. 1070 00:46:52,239 --> 00:46:54,480 Speaker 10: Busy. I know that's right. The girls from Delaware get 1071 00:46:54,480 --> 00:46:55,320 Speaker 10: busy with the hands. 1072 00:46:55,520 --> 00:46:58,040 Speaker 4: All right, Well, thank you for that. Donkey to day 1073 00:47:00,160 --> 00:47:03,840 Speaker 4: Breakfast Club Morning. 1074 00:47:03,840 --> 00:47:07,840 Speaker 3: Everybody's DJ Envy Jess, Hilarryous, Charlamagne and the guy. We 1075 00:47:07,880 --> 00:47:10,280 Speaker 3: are the breakfast Club Laurna Rosa filling in for jests. 1076 00:47:10,400 --> 00:47:12,480 Speaker 3: And we got a special guest in the building. Yes, 1077 00:47:12,560 --> 00:47:14,360 Speaker 3: indeed we got Jalil White. 1078 00:47:14,440 --> 00:47:14,840 Speaker 2: Welcome. 1079 00:47:14,960 --> 00:47:17,239 Speaker 4: What's up, fact, How you feeling man? I'm doing great, man, 1080 00:47:17,239 --> 00:47:17,879 Speaker 4: I rear a good man. 1081 00:47:18,040 --> 00:47:19,719 Speaker 1: Good to see you, Bron'll see you, brother. You got 1082 00:47:19,760 --> 00:47:22,920 Speaker 1: your new book, Growing Up Arcle, a memoir. I've always 1083 00:47:23,000 --> 00:47:25,120 Speaker 1: loved your story, though, because you know you already a 1084 00:47:25,200 --> 00:47:28,200 Speaker 1: pitted me of taking advantage of a moment. He's an opportunity, right, 1085 00:47:28,239 --> 00:47:30,560 Speaker 1: because you were so only supposed to be on one episode, 1086 00:47:30,719 --> 00:47:34,360 Speaker 1: the episode How'd that Happen Again? 1087 00:47:35,480 --> 00:47:37,160 Speaker 15: Charlamagne, I was I was just a black kid at 1088 00:47:37,160 --> 00:47:38,279 Speaker 15: one of the Sega Jackson start. 1089 00:47:38,600 --> 00:47:39,680 Speaker 4: It really wasn't that deep. 1090 00:47:40,000 --> 00:47:41,640 Speaker 15: My dad told me that I could get one of 1091 00:47:41,719 --> 00:47:44,800 Speaker 15: anything whenever I got a job, because I was resisting 1092 00:47:44,880 --> 00:47:47,319 Speaker 15: going on auditions. At this point, I was all five 1093 00:47:47,320 --> 00:47:48,880 Speaker 15: foot four of me, was ready to play basketball. 1094 00:47:48,880 --> 00:47:50,760 Speaker 4: We all getting basketball talks at some boy. 1095 00:47:51,239 --> 00:47:54,399 Speaker 15: And I wasn't booking jobs at age twelve too much 1096 00:47:54,440 --> 00:47:56,319 Speaker 15: because a lot of the stereotypical roles. 1097 00:47:56,320 --> 00:47:59,399 Speaker 4: I just wasn't fitting it. My profile I had, like I. 1098 00:47:59,320 --> 00:48:02,040 Speaker 15: Said, at braceist on five four, and I saw this 1099 00:48:02,120 --> 00:48:04,680 Speaker 15: audition come through and I was like, I can get 1100 00:48:04,680 --> 00:48:05,040 Speaker 15: the shot. 1101 00:48:05,600 --> 00:48:06,920 Speaker 4: What was it? What was it? What did it say? 1102 00:48:07,200 --> 00:48:09,840 Speaker 15: The description I included in the book was just, you know, 1103 00:48:10,040 --> 00:48:12,280 Speaker 15: nerdy character. As a matter of fact, I was described 1104 00:48:12,280 --> 00:48:15,840 Speaker 15: as a Rick Moranis type. So that just shows you 1105 00:48:15,880 --> 00:48:18,160 Speaker 15: what the writer's room was already doing the cast of 1106 00:48:18,200 --> 00:48:20,640 Speaker 15: the Black Kid and asking for Rick Morani's type. So 1107 00:48:20,800 --> 00:48:23,200 Speaker 15: I actually read that literally, and then I went and 1108 00:48:23,400 --> 00:48:26,160 Speaker 15: got the Best of Saturday Night Live VHS tape that 1109 00:48:26,239 --> 00:48:28,880 Speaker 15: we had in our house and I found Ed Grimley 1110 00:48:28,960 --> 00:48:31,640 Speaker 15: and I basically was doing a black kid's version of 1111 00:48:31,840 --> 00:48:34,920 Speaker 15: Ed Grimley, and it wasn't really a good impersonation, quite frankly, 1112 00:48:34,960 --> 00:48:38,279 Speaker 15: but because nobody thought that was my inspiration, it became mine. 1113 00:48:38,520 --> 00:48:42,160 Speaker 2: Did you get the second genesis? I was just always curious, 1114 00:48:42,840 --> 00:48:43,680 Speaker 2: did you want to act? 1115 00:48:44,920 --> 00:48:46,839 Speaker 4: Acting was just something that I just didn't after. 1116 00:48:46,880 --> 00:48:49,239 Speaker 15: I mean doing this, I was three, So you know, 1117 00:48:49,400 --> 00:48:51,160 Speaker 15: did you want to do anything that your parents got 1118 00:48:51,160 --> 00:48:51,839 Speaker 15: you started when. 1119 00:48:51,760 --> 00:48:52,160 Speaker 4: You were three? 1120 00:48:52,200 --> 00:48:54,920 Speaker 15: It was just it just came naturally. I didn't resist it, 1121 00:48:54,960 --> 00:48:56,600 Speaker 15: and I enjoyed it. Of course, you always joined and 1122 00:48:56,680 --> 00:48:58,680 Speaker 15: enjoyed getting a day off of school to go someplace 1123 00:48:58,719 --> 00:49:01,960 Speaker 15: and and yeah, exactly and have some fun. But as 1124 00:49:02,000 --> 00:49:03,960 Speaker 15: I got to be around the age of twelve, I 1125 00:49:04,120 --> 00:49:05,600 Speaker 15: didn't really want to act more. 1126 00:49:05,640 --> 00:49:07,120 Speaker 4: I wanted to play play basketball. 1127 00:49:07,320 --> 00:49:10,320 Speaker 15: But once I got the show, then I started getting 1128 00:49:10,320 --> 00:49:13,520 Speaker 15: reps in at a different pace. And now, once you 1129 00:49:13,560 --> 00:49:16,080 Speaker 15: get reps in, you prove yourself good at something proficient, 1130 00:49:16,080 --> 00:49:19,319 Speaker 15: Like I remember the exact episode where I'm like. 1131 00:49:19,920 --> 00:49:22,280 Speaker 4: Oh, this is fun and this audience is my toy. 1132 00:49:22,600 --> 00:49:24,680 Speaker 15: And the episode is called the Big Fix where I 1133 00:49:24,680 --> 00:49:27,360 Speaker 15: took Lower on a date for the first time because 1134 00:49:27,800 --> 00:49:30,640 Speaker 15: Eddie needed to pay off a bet and I leveled 1135 00:49:30,880 --> 00:49:32,160 Speaker 15: this French restaurant. 1136 00:49:32,200 --> 00:49:34,040 Speaker 4: Now, before we get to episode. 1137 00:49:33,760 --> 00:49:35,920 Speaker 15: Yeah, that's the first episode where I'm like, I can 1138 00:49:36,000 --> 00:49:37,799 Speaker 15: hear the audience different. I can see it in my 1139 00:49:37,840 --> 00:49:39,240 Speaker 15: eyes when I watched the episode. 1140 00:49:39,239 --> 00:49:41,000 Speaker 3: Before we get into that part of it. Is it 1141 00:49:41,000 --> 00:49:43,520 Speaker 3: true that you tried out for Rudy Huxtable that boy? 1142 00:49:43,560 --> 00:49:44,400 Speaker 2: Yeah, I did the root. 1143 00:49:44,440 --> 00:49:45,799 Speaker 4: That's the naint. Rudy was poor boy. 1144 00:49:45,920 --> 00:49:47,959 Speaker 2: Oh wow, it was poor boy. 1145 00:49:48,120 --> 00:49:50,520 Speaker 15: So there was a debate there, and you know, he 1146 00:49:50,600 --> 00:49:53,880 Speaker 15: obviously went out over the network at the end, and. 1147 00:49:53,400 --> 00:49:55,799 Speaker 4: And Kisha got the roll. How did you get Oh, 1148 00:49:55,840 --> 00:49:57,600 Speaker 4: it came down to me and her. That's it. 1149 00:49:57,719 --> 00:50:00,760 Speaker 15: They auditioned us all day. I actually never forget that audition. 1150 00:50:00,920 --> 00:50:02,840 Speaker 15: They always bring in like two or three options for 1151 00:50:02,880 --> 00:50:05,280 Speaker 15: each role. But they put us in one room. 1152 00:50:05,280 --> 00:50:07,640 Speaker 4: For like several hours and kept paring us. 1153 00:50:07,520 --> 00:50:09,440 Speaker 15: And going in and out, and then at the end 1154 00:50:09,480 --> 00:50:11,560 Speaker 15: they said, hey, listen, we are pressed for time, so 1155 00:50:11,800 --> 00:50:13,920 Speaker 15: we will take you. You, you, and you and the 1156 00:50:13,960 --> 00:50:15,440 Speaker 15: rest of you. Thank you for coming out. So you 1157 00:50:15,480 --> 00:50:18,360 Speaker 15: had all these crying kids just pouring out of that 1158 00:50:18,400 --> 00:50:19,879 Speaker 15: building that had been there all day. 1159 00:50:20,120 --> 00:50:22,319 Speaker 4: And I remember my mom was like she just had a. 1160 00:50:22,280 --> 00:50:24,000 Speaker 15: Huge reaction to that. She was like, do you ever 1161 00:50:24,080 --> 00:50:25,960 Speaker 15: react like that to losing an audition? 1162 00:50:26,000 --> 00:50:26,239 Speaker 4: Again? 1163 00:50:26,320 --> 00:50:27,279 Speaker 2: Are you crying? 1164 00:50:27,480 --> 00:50:27,640 Speaker 1: Oh? 1165 00:50:27,719 --> 00:50:29,919 Speaker 15: We every I mean, that's a cold way to lose 1166 00:50:29,960 --> 00:50:31,640 Speaker 15: a job when you're seven years old. 1167 00:50:31,960 --> 00:50:34,200 Speaker 10: Did you really understand it to be picked right in front? 1168 00:50:34,320 --> 00:50:36,360 Speaker 15: And I've been right in front because generally it happened. 1169 00:50:36,520 --> 00:50:38,560 Speaker 15: You know, your agent will call you or your agent 1170 00:50:38,560 --> 00:50:40,600 Speaker 15: didn't call you. And my mom was never the type 1171 00:50:40,600 --> 00:50:42,200 Speaker 15: to call the agent also and be like did we 1172 00:50:42,320 --> 00:50:43,279 Speaker 15: or did we not get the job? 1173 00:50:43,280 --> 00:50:44,200 Speaker 4: And a lot of parents do that. 1174 00:50:44,120 --> 00:50:45,920 Speaker 11: But did you really understand at seven years old, like, 1175 00:50:46,000 --> 00:50:48,040 Speaker 11: oh my god, I'm losing this job? This is like 1176 00:50:48,080 --> 00:50:48,919 Speaker 11: what this could be? 1177 00:50:49,360 --> 00:50:49,920 Speaker 4: Well? 1178 00:50:49,920 --> 00:50:51,360 Speaker 10: Were you were just like a kid and it was 1179 00:50:51,400 --> 00:50:53,439 Speaker 10: like no, so you cried like what did you think? 1180 00:50:53,640 --> 00:50:56,040 Speaker 4: No, Well, we were supposed to move to New York. Oh, 1181 00:50:56,040 --> 00:50:56,719 Speaker 4: so they were. 1182 00:50:56,800 --> 00:50:59,400 Speaker 15: They had already talked to my parents through our agent 1183 00:50:59,480 --> 00:51:01,759 Speaker 15: and everything, and my dad was trying to figure out 1184 00:51:01,800 --> 00:51:04,360 Speaker 15: because he was just graduating from dental school. 1185 00:51:04,160 --> 00:51:04,560 Speaker 4: At the time. 1186 00:51:04,880 --> 00:51:07,080 Speaker 15: My dad was trying to figure out how to do 1187 00:51:07,160 --> 00:51:09,680 Speaker 15: this from New York. They had practically said the job 1188 00:51:09,760 --> 00:51:11,640 Speaker 15: is yours and then a little girl came walking in. 1189 00:51:11,840 --> 00:51:12,120 Speaker 4: Damn. 1190 00:51:12,160 --> 00:51:13,520 Speaker 15: I mean they do that kind of stuff all the 1191 00:51:13,560 --> 00:51:15,080 Speaker 15: time now that I'm adult and I know that, but 1192 00:51:15,160 --> 00:51:17,280 Speaker 15: at the time, it was just it was just very shocking. 1193 00:51:17,760 --> 00:51:20,160 Speaker 15: And then you've become a big fan of the show, right, 1194 00:51:20,239 --> 00:51:22,279 Speaker 15: so you're looking at the show and it's like, oh, man, 1195 00:51:22,360 --> 00:51:23,000 Speaker 15: that could have been me. 1196 00:51:24,040 --> 00:51:25,640 Speaker 4: You're doing that, But that passes too. 1197 00:51:26,320 --> 00:51:28,680 Speaker 2: Especially when you end up with your own iconic role 1198 00:51:29,000 --> 00:51:29,600 Speaker 2: in the future. 1199 00:51:29,680 --> 00:51:31,719 Speaker 4: Right. I didn't even look at it that way, seriously, 1200 00:51:31,760 --> 00:51:33,120 Speaker 4: I just during that time show. 1201 00:51:33,320 --> 00:51:35,879 Speaker 15: I'm telling you, man, it's wild to watch fame now 1202 00:51:36,000 --> 00:51:38,839 Speaker 15: because everybody kind of believes like they can have a 1203 00:51:38,840 --> 00:51:41,320 Speaker 15: famous moment and it should come easy to them. 1204 00:51:41,440 --> 00:51:43,080 Speaker 4: But back then, like you know, if you. 1205 00:51:43,080 --> 00:51:44,920 Speaker 15: Got a chance to meet Magic Johnson, you got a 1206 00:51:45,000 --> 00:51:48,280 Speaker 15: chance to meet Chatty Jackson in person. They were inaccessible, 1207 00:51:48,640 --> 00:51:52,000 Speaker 15: they were all talented, they were you know, there was 1208 00:51:52,040 --> 00:51:52,560 Speaker 15: an aura. 1209 00:51:52,719 --> 00:51:53,080 Speaker 4: Literally. 1210 00:51:53,120 --> 00:51:55,200 Speaker 15: I remember the time I met Michael Jordan for the 1211 00:51:55,200 --> 00:51:56,799 Speaker 15: first time and he crept up behind me at the 1212 00:51:56,800 --> 00:51:59,440 Speaker 15: Magic Johnson Midsummer Nights Classic, and it's just like he 1213 00:51:59,600 --> 00:52:01,879 Speaker 15: literally had like this little glow around him, this black 1214 00:52:02,000 --> 00:52:05,440 Speaker 15: Jesus glow around him, and and it's different now, it 1215 00:52:05,480 --> 00:52:05,799 Speaker 15: really is. 1216 00:52:05,800 --> 00:52:07,480 Speaker 4: So you didn't think you could be that. You see 1217 00:52:07,480 --> 00:52:08,759 Speaker 4: what I'm saying now, I don't think that. 1218 00:52:08,840 --> 00:52:10,719 Speaker 2: I don't think there is real celebrity now. 1219 00:52:10,880 --> 00:52:13,360 Speaker 15: Oh now, no celebrity has completely been deluded. Yeah, it 1220 00:52:13,400 --> 00:52:16,359 Speaker 15: really is. I'll disagree and say, there's still some people 1221 00:52:16,400 --> 00:52:16,800 Speaker 15: who have it. 1222 00:52:17,360 --> 00:52:18,400 Speaker 4: I can you know, I can see it. 1223 00:52:18,400 --> 00:52:20,000 Speaker 15: There's some people where they walk in and they have 1224 00:52:20,160 --> 00:52:22,640 Speaker 15: that natural it factor where it's like, okay, you just 1225 00:52:22,719 --> 00:52:24,360 Speaker 15: you affect the room, you know what I'm saying. Like 1226 00:52:24,360 --> 00:52:26,239 Speaker 15: even when Will Smith used to come in or the 1227 00:52:26,320 --> 00:52:28,560 Speaker 15: NBA All Star Games, when Will was in the room, 1228 00:52:28,880 --> 00:52:29,720 Speaker 15: it was just different. 1229 00:52:29,800 --> 00:52:30,600 Speaker 2: That's just arato. 1230 00:52:30,760 --> 00:52:34,040 Speaker 15: Yeah that's exactly so. But that's but that's traditional celebrity 1231 00:52:34,080 --> 00:52:35,640 Speaker 15: this stuff. Now, like I said, it's just it can 1232 00:52:35,680 --> 00:52:37,840 Speaker 15: feel real temporary and it's like you ain't got the 1233 00:52:37,880 --> 00:52:39,480 Speaker 15: it factor, but you got the light on. 1234 00:52:39,520 --> 00:52:40,120 Speaker 10: You did. 1235 00:52:40,120 --> 00:52:42,960 Speaker 3: The cast like you because you went from just supposed 1236 00:52:43,000 --> 00:52:47,480 Speaker 3: to be one episode to taking over the whole thing. 1237 00:52:47,840 --> 00:52:49,239 Speaker 3: So did they like it? There had to be some 1238 00:52:49,280 --> 00:52:51,759 Speaker 3: resentment a little bit. It's like Lord nerdy kid coming 1239 00:52:51,800 --> 00:52:53,520 Speaker 3: in here, Like I said, it was, it was. It 1240 00:52:53,600 --> 00:52:54,480 Speaker 3: was weird at first. 1241 00:52:54,680 --> 00:52:56,480 Speaker 15: The kids and I we worked it out the easiest 1242 00:52:56,719 --> 00:52:58,680 Speaker 15: because they had to hear a lot of. 1243 00:52:58,680 --> 00:53:00,240 Speaker 4: Things that some of their parents who even saying. 1244 00:53:00,320 --> 00:53:01,719 Speaker 15: And you know, when you're a kid and you're hearing 1245 00:53:01,719 --> 00:53:04,040 Speaker 15: what your parents are saying, you're just gonna follow suit that. 1246 00:53:04,320 --> 00:53:07,040 Speaker 4: But Darius and Kelly and I we became brothers and sisters. 1247 00:53:07,160 --> 00:53:07,960 Speaker 4: That's our puberty. 1248 00:53:08,080 --> 00:53:09,920 Speaker 15: So I just feel like the division really kind of 1249 00:53:09,920 --> 00:53:12,360 Speaker 15: took place more along the lines of the adults were 1250 00:53:12,400 --> 00:53:13,880 Speaker 15: the adults and the kids were the kids. 1251 00:53:14,160 --> 00:53:16,279 Speaker 1: You would think that at some point in life people 1252 00:53:16,280 --> 00:53:18,760 Speaker 1: would understand that y'all are a team and it doesn't 1253 00:53:18,800 --> 00:53:20,719 Speaker 1: matter who the star of the team is if the 1254 00:53:20,840 --> 00:53:22,360 Speaker 1: team is winning. 1255 00:53:22,520 --> 00:53:24,320 Speaker 4: Yeah, but the magic words you say is you would. 1256 00:53:24,080 --> 00:53:25,440 Speaker 2: Think, yeah, yeah, but I would it. 1257 00:53:25,560 --> 00:53:27,480 Speaker 4: I mean, after all of these years, we haven't learned that. 1258 00:53:27,520 --> 00:53:29,160 Speaker 2: Even when you use the Shaq and Kobe. 1259 00:53:28,880 --> 00:53:31,120 Speaker 15: Example like that's you know, you can't change the way 1260 00:53:31,120 --> 00:53:32,879 Speaker 15: people are gonna think when they when they're coming from 1261 00:53:32,880 --> 00:53:34,839 Speaker 15: a place of ego. You know, I did a lot 1262 00:53:34,880 --> 00:53:37,080 Speaker 15: to extend our run because the reality was. 1263 00:53:37,120 --> 00:53:39,000 Speaker 4: She was about to get canceled. I know, but that 1264 00:53:39,239 --> 00:53:40,359 Speaker 4: in fact, I get it. 1265 00:53:40,440 --> 00:53:43,640 Speaker 15: You can say that I don't need to to lean 1266 00:53:43,680 --> 00:53:45,600 Speaker 15: in on that, you know, but you know, whether if 1267 00:53:45,600 --> 00:53:47,520 Speaker 15: it was keeping my hair to cut the same way. 1268 00:53:47,600 --> 00:53:48,640 Speaker 15: I mean, it got to the point where I was 1269 00:53:48,640 --> 00:53:51,160 Speaker 15: sick of my own haircut or staying out of the gym, 1270 00:53:51,280 --> 00:53:54,000 Speaker 15: not working out, you know that sucked and playing basketball 1271 00:53:54,040 --> 00:53:56,640 Speaker 15: and finally in my scene they change the pants. Yeah, 1272 00:53:56,640 --> 00:53:58,440 Speaker 15: they maybe change in the final season. It was like, 1273 00:53:58,480 --> 00:54:00,560 Speaker 15: no more jeans. He doesn't wear any gens. So I 1274 00:54:00,640 --> 00:54:01,440 Speaker 15: was doing things that was. 1275 00:54:04,960 --> 00:54:05,000 Speaker 5: You. 1276 00:54:08,960 --> 00:54:12,480 Speaker 4: I read that about to get messed. What was your bulge. 1277 00:54:14,280 --> 00:54:15,040 Speaker 2: About this out. 1278 00:54:17,200 --> 00:54:17,839 Speaker 4: Talk over you? 1279 00:54:18,520 --> 00:54:20,239 Speaker 11: I mean, he wants to talk about your balls. I 1280 00:54:20,239 --> 00:54:23,440 Speaker 11: want to be I want you said were coming. I 1281 00:54:23,480 --> 00:54:25,399 Speaker 11: was getting there. I was one little fishing statement. You 1282 00:54:25,480 --> 00:54:28,640 Speaker 11: jumped to the bulge, did go ahead? You jumped on 1283 00:54:28,680 --> 00:54:29,760 Speaker 11: down his fins, go ahead. 1284 00:54:29,760 --> 00:54:33,080 Speaker 4: To work it out. When we come to the package. 1285 00:54:34,440 --> 00:54:37,200 Speaker 2: Regular it's crazy, y'all. Don't get to sit here. 1286 00:54:37,080 --> 00:54:43,520 Speaker 4: He gives it off waiting for that off back to 1287 00:54:43,520 --> 00:54:46,080 Speaker 4: the bulls. That James bottom line, they just said no 1288 00:54:46,160 --> 00:54:47,280 Speaker 4: jeans in the final season. 1289 00:54:48,120 --> 00:54:49,920 Speaker 2: They didn't tell you why they said no jeans in 1290 00:54:49,920 --> 00:54:50,480 Speaker 2: the final. 1291 00:54:53,560 --> 00:54:55,839 Speaker 11: Ball can tell you that it was getting a little 1292 00:54:55,840 --> 00:54:56,720 Speaker 11: awkward to see the bulge. 1293 00:54:56,800 --> 00:54:57,879 Speaker 10: That's what the pote said. 1294 00:54:57,960 --> 00:55:00,600 Speaker 4: Jesus, they said, no jeans. 1295 00:55:00,640 --> 00:55:02,160 Speaker 10: Do they come to your parents and say that or 1296 00:55:02,120 --> 00:55:03,440 Speaker 10: did they come directly to you. 1297 00:55:03,239 --> 00:55:04,680 Speaker 15: Know at that point, I mean, come on, I'm on 1298 00:55:04,800 --> 00:55:07,200 Speaker 15: saying I'm taking I'm getting notes from producers and you. 1299 00:55:07,120 --> 00:55:12,760 Speaker 1: Know that's a funny ass note to tell somebody that's. 1300 00:55:12,520 --> 00:55:13,640 Speaker 10: An uncomfortable note. 1301 00:55:14,480 --> 00:55:14,920 Speaker 4: We don't know. 1302 00:55:15,520 --> 00:55:17,000 Speaker 11: I feel like you said it in private, like you 1303 00:55:17,080 --> 00:55:18,840 Speaker 11: pulled my family to the side and we have a 1304 00:55:19,040 --> 00:55:21,160 Speaker 11: very closed discussion. 1305 00:55:21,000 --> 00:55:25,400 Speaker 4: Talk about your son's bultit wild Bright. 1306 00:55:25,440 --> 00:55:27,880 Speaker 3: We got more with Julio White, a k a. Steve 1307 00:55:28,160 --> 00:55:30,279 Speaker 3: Kele when we come back, don't move. It's to Breakfast Club. 1308 00:55:30,320 --> 00:55:34,560 Speaker 3: Good morning morning everybody, Iss dj Envy, Jess, Hilarrys Charlamage 1309 00:55:34,600 --> 00:55:37,360 Speaker 3: the guy we are the breakfast Club law La Rosa filing. 1310 00:55:37,160 --> 00:55:40,000 Speaker 2: And for Jess was still kicking it with Jalio White. 1311 00:55:40,040 --> 00:55:41,040 Speaker 2: You know, Steve Erkele. 1312 00:55:41,160 --> 00:55:42,919 Speaker 3: Now we were talking about when you were turning into 1313 00:55:42,960 --> 00:55:45,200 Speaker 3: the star. Right, So at first you didn't have a 1314 00:55:45,280 --> 00:55:47,920 Speaker 3: dress room. Now you got the biggest dress room. So 1315 00:55:48,120 --> 00:55:49,080 Speaker 3: how was that change? 1316 00:55:51,000 --> 00:55:51,239 Speaker 4: Money? 1317 00:55:51,360 --> 00:55:52,360 Speaker 2: I'm so money change. 1318 00:55:52,440 --> 00:55:54,320 Speaker 15: Well, the thing about money, which was cool is that 1319 00:55:54,760 --> 00:55:58,160 Speaker 15: my mom was so petrified the show would get canceled anyway, 1320 00:55:58,400 --> 00:56:00,439 Speaker 15: that she never bought a new car for the first 1321 00:56:00,520 --> 00:56:01,640 Speaker 15: four seasons of the show. 1322 00:56:02,320 --> 00:56:03,279 Speaker 4: You know, my mom was that. 1323 00:56:03,440 --> 00:56:06,200 Speaker 15: I think that's why I'm so passionate about the protective 1324 00:56:06,280 --> 00:56:09,360 Speaker 15: job that my parents did. They did so much to 1325 00:56:09,560 --> 00:56:13,000 Speaker 15: try to keep me attached to normal life, right, you know, 1326 00:56:13,160 --> 00:56:14,920 Speaker 15: they didn't get new cars themselves. 1327 00:56:15,040 --> 00:56:17,040 Speaker 4: My mom demanded that I went to public school. I 1328 00:56:17,080 --> 00:56:18,400 Speaker 4: went to public school. 1329 00:56:18,200 --> 00:56:22,800 Speaker 15: During the entire time, but they't but we didn't have 1330 00:56:23,040 --> 00:56:25,239 Speaker 15: cell phones. We didn't have all we had cell phone 1331 00:56:25,239 --> 00:56:27,200 Speaker 15: but they were big bricks at that time, but we 1332 00:56:27,280 --> 00:56:30,280 Speaker 15: didn't have smartphones to invade the privacy to that degree 1333 00:56:30,320 --> 00:56:31,040 Speaker 15: and let everybody know. 1334 00:56:31,120 --> 00:56:33,439 Speaker 4: What school he goes to, at least on a nationwide level. 1335 00:56:33,719 --> 00:56:35,759 Speaker 15: So you know, I would pop into school like every 1336 00:56:35,840 --> 00:56:38,279 Speaker 15: two weeks to three weeks, and you know, that was 1337 00:56:38,320 --> 00:56:40,280 Speaker 15: something I actually enjoyed doing, kind of like a magic 1338 00:56:40,360 --> 00:56:42,560 Speaker 15: trick because I could go in and I could take tests, 1339 00:56:42,640 --> 00:56:44,600 Speaker 15: I could raise my hand, I could answer answer questions 1340 00:56:44,640 --> 00:56:46,800 Speaker 15: from the teacher, and my peers are looking at me like, 1341 00:56:46,840 --> 00:56:48,280 Speaker 15: how do you know this stuff? It's like I study 1342 00:56:48,320 --> 00:56:50,440 Speaker 15: on set too. How was school did you ever get 1343 00:56:50,480 --> 00:56:51,560 Speaker 15: bullied because people. 1344 00:56:51,360 --> 00:56:51,719 Speaker 4: Looked at you. 1345 00:56:51,960 --> 00:56:54,480 Speaker 2: You know, that's the whole thing. There's the whole thing. 1346 00:56:54,600 --> 00:56:57,520 Speaker 15: It was like the first school I was attending at 1347 00:56:57,560 --> 00:56:58,800 Speaker 15: the time, I was the only black kid at the 1348 00:56:58,960 --> 00:57:01,879 Speaker 15: entire school, which was our we two. It was half Asian, 1349 00:57:01,960 --> 00:57:03,719 Speaker 15: it was half white, and now it's sense taking over 1350 00:57:03,840 --> 00:57:05,960 Speaker 15: all Asian. When I'd go back and past that school, 1351 00:57:06,120 --> 00:57:09,080 Speaker 15: and you know, that's all, you know, the usual stuff. 1352 00:57:09,120 --> 00:57:11,120 Speaker 15: Can I touch your hair and you know, not getting 1353 00:57:11,120 --> 00:57:13,080 Speaker 15: invited to buy Mitzvah's and all that kind of stuff. 1354 00:57:13,120 --> 00:57:14,719 Speaker 15: And then that all changed as soon as I got 1355 00:57:14,760 --> 00:57:16,000 Speaker 15: on the show. Hey you want to go to the 1356 00:57:16,080 --> 00:57:18,080 Speaker 15: Laker game with me? And you know, my mom wants 1357 00:57:18,080 --> 00:57:20,400 Speaker 15: your agent number. She thinking about putting me in the business. 1358 00:57:20,440 --> 00:57:22,680 Speaker 15: And now I'm suddenly so popular. So I left that 1359 00:57:22,720 --> 00:57:24,600 Speaker 15: school and then I went to what I like to call, like, 1360 00:57:24,880 --> 00:57:26,800 Speaker 15: you know, the Joe Clark School, the lean on Me Light. 1361 00:57:27,320 --> 00:57:29,040 Speaker 15: In that case, I was just I stood out a 1362 00:57:29,040 --> 00:57:32,040 Speaker 15: little too much and it also raised my hand too much. 1363 00:57:32,240 --> 00:57:33,640 Speaker 15: And I had a teacher that liked me, and I 1364 00:57:33,760 --> 00:57:36,360 Speaker 15: liked this last of the two. And you know at 1365 00:57:36,400 --> 00:57:38,520 Speaker 15: schools like that, they don't like those kind of relationships. 1366 00:57:38,960 --> 00:57:42,640 Speaker 15: So ran into problems there. And then my mom found 1367 00:57:42,680 --> 00:57:45,040 Speaker 15: the school that was the porch that was just warm 1368 00:57:45,120 --> 00:57:47,760 Speaker 15: enough for me. And in three bear story analogy and 1369 00:57:48,160 --> 00:57:50,000 Speaker 15: and now was South Pasadena High School, and they kind 1370 00:57:50,000 --> 00:57:50,960 Speaker 15: of had to sprinkle everybody. 1371 00:57:51,040 --> 00:57:52,800 Speaker 4: It was Asian, it was Mexican, it was black. It 1372 00:57:52,920 --> 00:57:53,600 Speaker 4: was wonderful. 1373 00:57:53,800 --> 00:57:56,080 Speaker 15: And I had a great principal named Ben Rameirez may 1374 00:57:56,120 --> 00:57:58,200 Speaker 15: he rest in peace, who just you know, kind of 1375 00:57:58,280 --> 00:57:59,600 Speaker 15: went out of his way to make sure that I 1376 00:57:59,640 --> 00:58:00,720 Speaker 15: was always welcome on camp. 1377 00:58:00,920 --> 00:58:03,360 Speaker 11: So, because even in your book you talk about having 1378 00:58:03,400 --> 00:58:06,919 Speaker 11: your dressing room kind of like set up like aress. 1379 00:58:06,160 --> 00:58:07,920 Speaker 4: Room, My dreasu room was cool addressing you. 1380 00:58:08,000 --> 00:58:09,960 Speaker 10: Really wanted to go to the NBA like that was 1381 00:58:10,000 --> 00:58:10,440 Speaker 10: like brill. 1382 00:58:10,400 --> 00:58:11,760 Speaker 4: It was about going to NB I was a huge 1383 00:58:11,800 --> 00:58:13,240 Speaker 4: I mean listen, if you grew up in the nineties, 1384 00:58:13,320 --> 00:58:14,880 Speaker 4: the NBA just this was different. 1385 00:58:14,960 --> 00:58:15,080 Speaker 12: Man. 1386 00:58:15,800 --> 00:58:17,200 Speaker 4: It landed on your life. 1387 00:58:17,320 --> 00:58:19,880 Speaker 15: Man, it was it was everything got so I, you know, 1388 00:58:20,320 --> 00:58:22,760 Speaker 15: I once I started gaining some influence, you know, you 1389 00:58:22,840 --> 00:58:24,880 Speaker 15: could do certain things. And the set decorator for our 1390 00:58:24,960 --> 00:58:28,840 Speaker 15: show transformed the second room in my dressing room into 1391 00:58:28,920 --> 00:58:31,480 Speaker 15: an actual NBA locker room. So I had all the 1392 00:58:31,520 --> 00:58:34,680 Speaker 15: different lockers and you know, that's where I would change 1393 00:58:34,680 --> 00:58:35,520 Speaker 15: and get ready for the show. 1394 00:58:36,080 --> 00:58:38,320 Speaker 1: Wow, you know what I wanted to did the cast 1395 00:58:38,440 --> 00:58:41,360 Speaker 1: members on Family Matters? Was it a level of hate and. 1396 00:58:41,440 --> 00:58:43,920 Speaker 2: Jealousy and envyingus inviianis Indianists are? 1397 00:58:45,360 --> 00:58:45,680 Speaker 1: Yeah, it was. 1398 00:58:46,400 --> 00:58:48,880 Speaker 4: You know what I mean? Your chance to get him 1399 00:58:49,880 --> 00:58:53,280 Speaker 4: up are in hindsight? Were you really difficult to work? 1400 00:58:53,600 --> 00:58:53,640 Speaker 13: No? 1401 00:58:54,080 --> 00:58:57,720 Speaker 2: Absolutely not. You know because Reginald Johnson said that. 1402 00:58:57,920 --> 00:58:59,800 Speaker 15: Okay, okay, so let me make it easy for you. 1403 00:59:00,080 --> 00:59:01,959 Speaker 15: How come you never heard that from the kids? Kelly 1404 00:59:02,040 --> 00:59:05,320 Speaker 15: speaks Arius is everywhere is everywhere? How come you never 1405 00:59:05,360 --> 00:59:05,960 Speaker 15: heard of real again? 1406 00:59:06,160 --> 00:59:06,360 Speaker 6: Yeah? 1407 00:59:06,600 --> 00:59:08,439 Speaker 4: You know, when you when you leave a show. 1408 00:59:08,600 --> 00:59:10,800 Speaker 15: First of all, the difference between movie started and TV 1409 00:59:10,880 --> 00:59:13,600 Speaker 15: startum is when your movie start, you still star, even 1410 00:59:13,640 --> 00:59:15,280 Speaker 15: if you don't have a movie out. When you a 1411 00:59:15,360 --> 00:59:17,040 Speaker 15: TV star, unless you're on TV. 1412 00:59:16,880 --> 00:59:18,120 Speaker 4: You're not a starting. And that's just the way the 1413 00:59:18,160 --> 00:59:18,680 Speaker 4: business treats. 1414 00:59:18,960 --> 00:59:20,400 Speaker 15: So I think people go through a lot of personal 1415 00:59:20,440 --> 00:59:24,600 Speaker 15: trauma sometimes after a show is gone off the air, divorces, investments, 1416 00:59:24,640 --> 00:59:26,360 Speaker 15: maybe they go right, et cetera, et cetera. And it 1417 00:59:26,400 --> 00:59:28,760 Speaker 15: causes people to look back on things with kind of 1418 00:59:28,800 --> 00:59:31,040 Speaker 15: a jaded look, and it was like, man, we had fun. 1419 00:59:31,240 --> 00:59:31,480 Speaker 4: We did. 1420 00:59:31,640 --> 00:59:33,800 Speaker 15: Even the pictures I picked out for the book. You know, 1421 00:59:33,840 --> 00:59:36,040 Speaker 15: I wanted to show pictures of us chilling. You know, 1422 00:59:36,120 --> 00:59:39,000 Speaker 15: I wanted to show me, Reggie and Darius, you know, 1423 00:59:39,640 --> 00:59:41,919 Speaker 15: chilling in Paris when we shot two episodes in Paris. 1424 00:59:41,920 --> 00:59:43,680 Speaker 4: We're the only black show to ever shoot in Europe. 1425 00:59:44,160 --> 00:59:44,919 Speaker 4: That was a big deal. 1426 00:59:45,000 --> 00:59:45,120 Speaker 1: You know. 1427 00:59:45,200 --> 00:59:46,280 Speaker 4: We had this I'll never forget. 1428 00:59:46,320 --> 00:59:49,560 Speaker 15: We had this giant, twelve thousand dollars meal at the 1429 00:59:49,640 --> 00:59:51,120 Speaker 15: top of the Eiffel Tower. 1430 00:59:51,000 --> 00:59:52,240 Speaker 4: As a cast. 1431 00:59:52,760 --> 00:59:55,280 Speaker 15: Oh, I'm glad you asked. My mom took that bill 1432 00:59:55,320 --> 00:59:57,480 Speaker 15: and handed the production because she had the cloud. 1433 00:59:57,280 --> 01:00:00,520 Speaker 4: To do that. But Joe Bury's there, Reggie there, Well, 1434 01:00:00,560 --> 01:00:02,720 Speaker 4: we was balling at the top. But again you balling. 1435 01:00:03,200 --> 01:00:04,760 Speaker 15: So you know, it's almost kind of like when you 1436 01:00:04,840 --> 01:00:06,680 Speaker 15: hear Scotti Pittman talking about the Bulls. 1437 01:00:06,760 --> 01:00:08,919 Speaker 4: Now, it's like, Scotty, you can't say nothing nice about 1438 01:00:08,960 --> 01:00:09,320 Speaker 4: the bulls? 1439 01:00:10,200 --> 01:00:10,400 Speaker 12: Have you? 1440 01:00:10,760 --> 01:00:13,840 Speaker 4: He was rock stars? You and Mike didn't kick it 1441 01:00:13,880 --> 01:00:14,160 Speaker 4: at all? 1442 01:00:14,360 --> 01:00:15,200 Speaker 6: You should That's how. 1443 01:00:15,120 --> 01:00:15,600 Speaker 10: You remember it. 1444 01:00:15,720 --> 01:00:17,520 Speaker 11: Have you recently talked to any casts, because I know 1445 01:00:17,840 --> 01:00:19,640 Speaker 11: Joe Marie pay and like she had come out and 1446 01:00:19,680 --> 01:00:21,480 Speaker 11: said that you guys had a little whatever. 1447 01:00:21,560 --> 01:00:23,440 Speaker 4: That's what you fight each other. 1448 01:00:23,520 --> 01:00:25,880 Speaker 10: Yeah, Like, can you first of all clarify that story 1449 01:00:25,920 --> 01:00:26,840 Speaker 10: because that's just a while. 1450 01:00:27,120 --> 01:00:28,800 Speaker 4: No, there's just there's nothing to clarify. 1451 01:00:29,120 --> 01:00:31,960 Speaker 15: I'm talking about a coworker of over thirty years ago, 1452 01:00:32,240 --> 01:00:33,120 Speaker 15: and I was a miner. 1453 01:00:33,320 --> 01:00:34,920 Speaker 4: You don't think if there was any validity of that, 1454 01:00:34,960 --> 01:00:35,800 Speaker 4: they wouldn't have come out. 1455 01:00:36,040 --> 01:00:38,800 Speaker 10: I'm like, wow, so nothing happened. 1456 01:00:38,840 --> 01:00:39,080 Speaker 14: I mean. 1457 01:00:40,760 --> 01:00:42,640 Speaker 4: No, but I'm not I'm not getting in it back 1458 01:00:42,680 --> 01:00:43,000 Speaker 4: and forth. 1459 01:00:43,040 --> 01:00:45,440 Speaker 15: I'm sorry, I'm just doing too good getting it back 1460 01:00:45,480 --> 01:00:47,840 Speaker 15: and forth, you know, with a woman who's over seventy 1461 01:00:47,960 --> 01:00:50,160 Speaker 15: and I've been kind of like mentally ingrained. 1462 01:00:49,880 --> 01:00:52,240 Speaker 4: To not fight with my elders, Like, all right, that's 1463 01:00:52,280 --> 01:00:53,880 Speaker 4: the way you saw it. Cool, it is what it is. 1464 01:00:54,000 --> 01:00:56,320 Speaker 11: Well, she recently said on the stage, I think where 1465 01:00:56,320 --> 01:00:58,600 Speaker 11: I forget where they were at, but the cast was there. 1466 01:00:58,720 --> 01:01:00,840 Speaker 11: You weren't there, and she said that, like, you know, 1467 01:01:00,920 --> 01:01:02,680 Speaker 11: she wished that you were there, and if you were there, 1468 01:01:02,760 --> 01:01:04,160 Speaker 11: she would hug you, and she kind of you know 1469 01:01:04,600 --> 01:01:05,120 Speaker 11: that whole thing. 1470 01:01:05,200 --> 01:01:07,800 Speaker 10: So have y'all talked or why. 1471 01:01:07,680 --> 01:01:09,560 Speaker 15: Does what she have to say hold so much more 1472 01:01:09,640 --> 01:01:12,400 Speaker 15: validity than what my other cast members have to say, 1473 01:01:12,440 --> 01:01:13,200 Speaker 15: I'm just curious. 1474 01:01:13,320 --> 01:01:15,040 Speaker 10: I think, oh, I think that the age thing does 1475 01:01:15,080 --> 01:01:17,680 Speaker 10: play a factor. What you say, you know what I mean? 1476 01:01:17,760 --> 01:01:19,600 Speaker 10: I think that definitely plays a factor as well. 1477 01:01:19,880 --> 01:01:22,840 Speaker 11: But I think she's one of the first people that alleged, 1478 01:01:22,960 --> 01:01:25,440 Speaker 11: like the bad stuff that I saw come out and 1479 01:01:25,520 --> 01:01:27,160 Speaker 11: be like, man, we should just hug it out. 1480 01:01:27,160 --> 01:01:28,800 Speaker 10: I wanted to know. It made me wonder like, have 1481 01:01:28,960 --> 01:01:30,120 Speaker 10: y'all talked, like what changed? 1482 01:01:30,360 --> 01:01:33,040 Speaker 15: So the people that I talked to regularly is Kelly 1483 01:01:33,120 --> 01:01:35,320 Speaker 15: and Darius Neggain. I don't call them Laura Netty, so 1484 01:01:35,400 --> 01:01:38,200 Speaker 15: I you know, I called Kelly about this book, you know, 1485 01:01:38,320 --> 01:01:39,040 Speaker 15: and we spoke. 1486 01:01:38,880 --> 01:01:41,320 Speaker 4: Extensively, and you know, Kelly called me two weeks ago. 1487 01:01:41,520 --> 01:01:42,840 Speaker 4: But it's weird for us. By the way. 1488 01:01:42,880 --> 01:01:44,960 Speaker 15: Also when we go out and eat or anything like that. 1489 01:01:45,120 --> 01:01:46,880 Speaker 15: You know, we like little back rooms and stuff like 1490 01:01:47,000 --> 01:01:49,520 Speaker 15: freak out exactly if people saw if people saw me 1491 01:01:49,680 --> 01:01:52,560 Speaker 15: and Kelly just at Crustaceans in Beverly Hills, what it 1492 01:01:52,760 --> 01:01:54,520 Speaker 15: tends to turn into a big Hey, can I get 1493 01:01:54,560 --> 01:01:54,960 Speaker 15: a selfie? 1494 01:01:55,000 --> 01:01:55,240 Speaker 2: Fast? 1495 01:01:55,840 --> 01:02:04,920 Speaker 4: So you know, data, so you know, we keep it private. 1496 01:02:05,040 --> 01:02:07,480 Speaker 15: But I have a very good relationship with all the 1497 01:02:07,560 --> 01:02:10,320 Speaker 15: cast members who've ever wanted a relationship with me beyond 1498 01:02:10,680 --> 01:02:13,000 Speaker 15: the show, and I don't have anything negative to say 1499 01:02:13,000 --> 01:02:15,480 Speaker 15: about Reggie when people ask me who is your favorite 1500 01:02:15,480 --> 01:02:18,320 Speaker 15: scene partner? I'm like the chemistry I had with Reginald 1501 01:02:18,400 --> 01:02:22,120 Speaker 15: vel Johnson. I remember the episode where it clicked for us, 1502 01:02:22,480 --> 01:02:24,680 Speaker 15: It's called Box Card Blues, when we were stuck in 1503 01:02:24,760 --> 01:02:27,160 Speaker 15: the train together all these cows and Steve is just 1504 01:02:27,200 --> 01:02:30,120 Speaker 15: getting on his nerves, and you know, Reggie just couldn't 1505 01:02:30,120 --> 01:02:32,480 Speaker 15: look at me without breaking up, without you know, without 1506 01:02:32,480 --> 01:02:35,720 Speaker 15: breaking character, and we just we developed this amazing chemistry. 1507 01:02:35,800 --> 01:02:38,360 Speaker 15: But adults are adults and they're going through adult things too. 1508 01:02:38,440 --> 01:02:40,880 Speaker 15: And also I'm a kid, so you know what I'll 1509 01:02:40,920 --> 01:02:42,720 Speaker 15: tell you one way, maybe I could have been annoying. 1510 01:02:42,840 --> 01:02:45,880 Speaker 15: I dribbled my basketball everywhere. If I was in school, 1511 01:02:45,960 --> 01:02:47,000 Speaker 15: did you let what need you all said? 1512 01:02:47,000 --> 01:02:50,360 Speaker 4: Boom boom? Basketball? Basketball? Basketball? But adults get annoyed when 1513 01:02:50,360 --> 01:02:52,160 Speaker 4: a kid is just dribbling and bouncing the ball all 1514 01:02:52,200 --> 01:02:55,800 Speaker 4: over the place. Is that difficult old you to talk 1515 01:02:55,840 --> 01:02:57,040 Speaker 4: about thirteen fourteen years old? 1516 01:02:57,120 --> 01:02:59,880 Speaker 1: Yeah, that's what I'm saying. I would feel like adults 1517 01:03:00,000 --> 01:03:01,000 Speaker 1: would have a little bit more. 1518 01:03:01,640 --> 01:03:05,480 Speaker 15: I'm approaching it from a very self where you know standpoint. 1519 01:03:05,520 --> 01:03:07,520 Speaker 15: So I'm like, okay, yeah, no, that's and I remember 1520 01:03:07,600 --> 01:03:10,360 Speaker 15: Joyce Web, one of our script supervisors, be like, oh 1521 01:03:10,400 --> 01:03:14,280 Speaker 15: here it comes with the basketball, just like okay, you know. 1522 01:03:14,400 --> 01:03:17,400 Speaker 15: I'm like, but if that's that translates twenty five years 1523 01:03:17,480 --> 01:03:19,240 Speaker 15: later to being difficult, I'll take it. 1524 01:03:19,640 --> 01:03:21,440 Speaker 3: We got more with Julia White when we come back. 1525 01:03:21,440 --> 01:03:25,280 Speaker 3: It's the Breakfast Club. Good Morning, the Breakfast Club. 1526 01:03:27,600 --> 01:03:27,880 Speaker 4: Warning. 1527 01:03:27,920 --> 01:03:31,480 Speaker 3: Everybody is dj n V Jess hilarious, charlamage the guy 1528 01:03:31,600 --> 01:03:33,439 Speaker 3: we are the Breakfast Club Lord and the Rosa filling 1529 01:03:33,480 --> 01:03:35,640 Speaker 3: in for Jess. We're still kicking it with Julia White 1530 01:03:35,640 --> 01:03:39,240 Speaker 3: aka Steve Erkle. Now let's talk about your first kiss. 1531 01:03:40,840 --> 01:03:44,040 Speaker 3: Let's talk about your first kiss, because everybody you're getting 1532 01:03:44,080 --> 01:03:45,320 Speaker 3: arrested and nowadays if that was. 1533 01:03:45,480 --> 01:03:48,480 Speaker 1: So because he's a guy, oh and only they don't 1534 01:03:48,520 --> 01:03:50,919 Speaker 1: do that to guy exactly. So break down your first kiss, 1535 01:03:50,960 --> 01:03:52,240 Speaker 1: seventeen years old on set. 1536 01:03:52,440 --> 01:03:53,800 Speaker 4: He's ahead of me on this one. 1537 01:03:54,720 --> 01:03:54,760 Speaker 5: No. 1538 01:03:54,920 --> 01:03:57,160 Speaker 15: We had a we had a scene man where you know, 1539 01:03:57,200 --> 01:03:59,080 Speaker 15: Steve and Eddie get hot at the dice table and 1540 01:03:59,120 --> 01:04:02,000 Speaker 15: they're rolling to die and this woman is supposed to 1541 01:04:02,000 --> 01:04:03,800 Speaker 15: give me a kid just planting on on me before 1542 01:04:03,840 --> 01:04:07,040 Speaker 15: my last dice roll, and during rehearsals all week, she had. 1543 01:04:07,000 --> 01:04:08,160 Speaker 4: Just pretty much given me a pack. 1544 01:04:08,240 --> 01:04:10,000 Speaker 15: It was just a pack, yeah, because you just go 1545 01:04:10,120 --> 01:04:13,120 Speaker 15: through the motions, but with that hot live studio audience there, man, 1546 01:04:13,240 --> 01:04:15,120 Speaker 15: she just yeah, she gave me the whole she bang. 1547 01:04:15,360 --> 01:04:17,640 Speaker 15: And so when I pulled back, this was your first time, 1548 01:04:17,680 --> 01:04:19,400 Speaker 15: because yeah, I had never kissed the girl. 1549 01:04:19,600 --> 01:04:20,720 Speaker 10: I said, how did you know what to do? 1550 01:04:21,040 --> 01:04:21,240 Speaker 6: I did. 1551 01:04:21,480 --> 01:04:23,080 Speaker 4: I wasn't. First of all, I wasn't even planning for that. 1552 01:04:23,120 --> 01:04:24,480 Speaker 15: I know you're supposed to put your lips together, but 1553 01:04:24,480 --> 01:04:26,320 Speaker 15: I didn't know that anything else was really supposed to 1554 01:04:26,360 --> 01:04:27,200 Speaker 15: happen to them. 1555 01:04:27,640 --> 01:04:29,680 Speaker 4: I wasn't. I wasn't seasoned it was. 1556 01:04:31,080 --> 01:04:35,200 Speaker 15: And so she does it, and my whole my thinking 1557 01:04:35,280 --> 01:04:37,600 Speaker 15: at the time was do not break character, do not 1558 01:04:37,760 --> 01:04:39,680 Speaker 15: ruin a good take. You know, That's what you just 1559 01:04:39,760 --> 01:04:42,640 Speaker 15: kind of taught as as a comedic actor and as 1560 01:04:42,680 --> 01:04:44,960 Speaker 15: a kid. And so when I went to my dressing room, 1561 01:04:45,000 --> 01:04:47,480 Speaker 15: I just kind of involuntarily tears start coming down my 1562 01:04:47,520 --> 01:04:49,560 Speaker 15: face because I was just like, that was weird. And 1563 01:04:49,640 --> 01:04:51,479 Speaker 15: then my dad corners me and he's like, what's wrong. 1564 01:04:51,640 --> 01:04:53,720 Speaker 15: Exact the producer comes back, like what's wrong? And it 1565 01:04:53,840 --> 01:04:55,959 Speaker 15: was just like, you know, like she put her tongue 1566 01:04:55,960 --> 01:04:56,360 Speaker 15: in my mouth. 1567 01:04:57,080 --> 01:04:59,959 Speaker 2: I'm surprised your mother, and you know, it was so funny. 1568 01:05:00,040 --> 01:05:02,280 Speaker 15: Everybody says that, but it was like my father was 1569 01:05:02,400 --> 01:05:05,400 Speaker 15: present and was dealing with the issue, so there was 1570 01:05:05,480 --> 01:05:09,000 Speaker 15: no reason to inject. And once it was revealed what happened, 1571 01:05:09,320 --> 01:05:10,520 Speaker 15: they all started laughing. 1572 01:05:10,960 --> 01:05:16,800 Speaker 2: Not the mento movement, my dad, my dad, my dad's left. 1573 01:05:16,880 --> 01:05:19,600 Speaker 4: No, do not find this woman, do not troll this 1574 01:05:19,760 --> 01:05:20,800 Speaker 4: woman at all. 1575 01:05:21,040 --> 01:05:22,800 Speaker 15: No, I'm serious, because it's like that's one of the 1576 01:05:22,880 --> 01:05:25,120 Speaker 15: things that I'm very protective of is we have to 1577 01:05:25,200 --> 01:05:28,560 Speaker 15: embrace what double standards were, leave them in the past. 1578 01:05:28,760 --> 01:05:30,440 Speaker 4: But it's okay, like I can laugh at it. 1579 01:05:30,480 --> 01:05:33,120 Speaker 15: I'm saying, like from the time that it happened to 1580 01:05:33,240 --> 01:05:35,600 Speaker 15: my dad and the executi producer coming in to me 1581 01:05:35,720 --> 01:05:37,800 Speaker 15: walking back out on stage to do now the next. 1582 01:05:37,720 --> 01:05:40,400 Speaker 4: Scenes, even the crew Hot five, she put it on 1583 01:05:40,480 --> 01:05:42,600 Speaker 4: your young fellow. You hung in there, you did your thing, 1584 01:05:42,720 --> 01:05:44,600 Speaker 4: and it was like it was very clear to me. 1585 01:05:44,880 --> 01:05:47,760 Speaker 15: All the signals that I was getting was that might 1586 01:05:47,840 --> 01:05:50,000 Speaker 15: have been yucky the way it went down, but apparently 1587 01:05:50,080 --> 01:05:51,080 Speaker 15: I'm going to get a lot. 1588 01:05:51,080 --> 01:05:53,640 Speaker 4: More of that. So Cheesemo says, yeah, okay, all right, 1589 01:05:53,720 --> 01:05:54,240 Speaker 4: go with the flow. 1590 01:05:54,360 --> 01:05:55,880 Speaker 1: What about the trauma you went through because it was 1591 01:05:55,920 --> 01:05:57,720 Speaker 1: immediately after that scene they told you that you can't 1592 01:05:57,720 --> 01:05:58,560 Speaker 1: wear pants anymore. 1593 01:05:58,760 --> 01:06:01,800 Speaker 4: You know what, I see, I see how you're doing. 1594 01:06:02,600 --> 01:06:04,320 Speaker 4: You'll be here. We tip your waitresses. 1595 01:06:07,520 --> 01:06:09,360 Speaker 11: I know in the book you talk about the meeting 1596 01:06:09,440 --> 01:06:12,040 Speaker 11: that you had with the exact about the remaker to 1597 01:06:12,080 --> 01:06:16,000 Speaker 11: spin off the reboot. Your version that you wanted to happen, 1598 01:06:16,240 --> 01:06:18,160 Speaker 11: in my opinion, was way better. I don't know if 1599 01:06:18,160 --> 01:06:19,760 Speaker 11: you want to say it, want people to read the book, 1600 01:06:19,760 --> 01:06:22,280 Speaker 11: but was way better than what they had pitched to 1601 01:06:22,400 --> 01:06:24,600 Speaker 11: you than you Will we ever get that, and can you? 1602 01:06:24,720 --> 01:06:25,840 Speaker 10: Could you do that on your own? 1603 01:06:26,280 --> 01:06:26,520 Speaker 1: Listen? 1604 01:06:26,600 --> 01:06:28,000 Speaker 4: First of all, you can't do it on your own. 1605 01:06:28,120 --> 01:06:28,280 Speaker 6: You know. 1606 01:06:28,360 --> 01:06:30,840 Speaker 15: That's the thing about television that people have to respect. 1607 01:06:31,000 --> 01:06:34,480 Speaker 15: It's the only art form I feel that still has gatekeeping, 1608 01:06:34,560 --> 01:06:35,160 Speaker 15: still very. 1609 01:06:35,080 --> 01:06:35,800 Speaker 4: Much in place. 1610 01:06:36,040 --> 01:06:37,520 Speaker 15: And you can either be bitter about it or you 1611 01:06:37,560 --> 01:06:39,040 Speaker 15: can fight the good fight and look for the person 1612 01:06:39,080 --> 01:06:40,120 Speaker 15: that's gonna be your champion. 1613 01:06:40,400 --> 01:06:41,680 Speaker 4: That's just it is what it is. 1614 01:06:42,040 --> 01:06:43,880 Speaker 15: I was never offered a reboot. I always want to 1615 01:06:43,880 --> 01:06:45,920 Speaker 15: make that very clear, and even my vision for the 1616 01:06:45,960 --> 01:06:46,560 Speaker 15: show that I have. 1617 01:06:46,920 --> 01:06:47,640 Speaker 4: It's not about me. 1618 01:06:47,920 --> 01:06:51,080 Speaker 15: It's about three dimensional characters that would actually resonate and 1619 01:06:51,160 --> 01:06:54,120 Speaker 15: translate in twenty twenty four. Because I worked for the 1620 01:06:54,160 --> 01:06:57,840 Speaker 15: producers who coined the phrase jump the shark. Bonsie jumped 1621 01:06:57,880 --> 01:07:00,560 Speaker 15: the shark, You jumped over a shark, right, those are 1622 01:07:00,640 --> 01:07:03,480 Speaker 15: my producers, the exact same producers, So you're not going 1623 01:07:03,520 --> 01:07:05,840 Speaker 15: to invite me to jump the shart again. I was 1624 01:07:05,880 --> 01:07:09,240 Speaker 15: offered a blind contract and half my pay of what 1625 01:07:09,360 --> 01:07:11,720 Speaker 15: I got for the last episode, and there was no 1626 01:07:11,960 --> 01:07:15,840 Speaker 15: consideration given to the adults that actually have such a 1627 01:07:15,920 --> 01:07:18,680 Speaker 15: large opinion over what terms they would return to. I'm 1628 01:07:18,760 --> 01:07:21,320 Speaker 15: like the way they were being discussed was, well, you know, 1629 01:07:21,680 --> 01:07:23,800 Speaker 15: Harrod and Carl will come by and they'll visit the 1630 01:07:23,840 --> 01:07:27,080 Speaker 15: new family every now and then, Like Hollywood doesn't really. 1631 01:07:27,480 --> 01:07:30,960 Speaker 15: They engage talent when they need talent, they pay talent 1632 01:07:31,080 --> 01:07:33,720 Speaker 15: when they need talent. And this isn't even a black thing. 1633 01:07:33,760 --> 01:07:35,720 Speaker 15: I don't want this to turn into a black thing. 1634 01:07:36,000 --> 01:07:38,480 Speaker 15: I'll hear guys like Chris Pine or whatever, who's you know, 1635 01:07:38,560 --> 01:07:40,120 Speaker 15: He's like, I don't know what they're going to do 1636 01:07:40,200 --> 01:07:42,560 Speaker 15: next with Star Trek, Like I love playing the character, 1637 01:07:42,640 --> 01:07:43,440 Speaker 15: but when they call me. 1638 01:07:43,560 --> 01:07:45,120 Speaker 4: They called me, so I'd. 1639 01:07:45,000 --> 01:07:47,840 Speaker 15: Love the opportunity to make the show that I envisioned. 1640 01:07:48,240 --> 01:07:50,760 Speaker 15: That was never turned down. It was never pitched. I 1641 01:07:50,960 --> 01:07:54,360 Speaker 15: was just offered a blind contract and around that they 1642 01:07:54,400 --> 01:07:56,200 Speaker 15: were going to develop the reboots. 1643 01:07:56,400 --> 01:07:58,560 Speaker 2: Now, you never there. I was watching an interview you did, 1644 01:07:58,680 --> 01:08:00,320 Speaker 2: and you said you never got invited. None of the 1645 01:08:00,360 --> 01:08:01,120 Speaker 2: Hollywood parties. 1646 01:08:01,800 --> 01:08:02,919 Speaker 4: No, no, I mean I didn't. 1647 01:08:03,000 --> 01:08:04,640 Speaker 15: I would do a lot of nice parties, but not 1648 01:08:05,240 --> 01:08:07,320 Speaker 15: none of the like the stuff that started gaining a 1649 01:08:07,400 --> 01:08:10,040 Speaker 15: lot of steam on on on social media, like you 1650 01:08:10,080 --> 01:08:13,520 Speaker 15: know the Rock Nation brunch or or obviously you know 1651 01:08:13,600 --> 01:08:15,760 Speaker 15: you're talking about my man, you know, the Diddy parties 1652 01:08:15,840 --> 01:08:16,400 Speaker 15: or whatever. 1653 01:08:16,320 --> 01:08:20,240 Speaker 4: Like Noah, nothing organically not did you used to get invited? 1654 01:08:20,600 --> 01:08:21,519 Speaker 4: You got to calm down, You. 1655 01:08:21,520 --> 01:08:22,760 Speaker 2: Got you gotta go. 1656 01:08:24,560 --> 01:08:25,599 Speaker 4: You gotta calm down. 1657 01:08:26,280 --> 01:08:28,240 Speaker 2: You just around. 1658 01:08:28,479 --> 01:08:30,360 Speaker 15: We just we're going to slow it down for a second, 1659 01:08:31,439 --> 01:08:32,840 Speaker 15: you know what I'm saying. So sometimes you can just 1660 01:08:32,880 --> 01:08:35,160 Speaker 15: be driving too fast. You're not paying attention to the 1661 01:08:35,280 --> 01:08:39,200 Speaker 15: to the you know, speed, to the speed exactly. We're 1662 01:08:39,200 --> 01:08:40,559 Speaker 15: in a thirty five zone right now. 1663 01:08:40,640 --> 01:08:41,599 Speaker 4: What happened to Julia? 1664 01:08:41,680 --> 01:08:41,880 Speaker 6: Man? 1665 01:08:42,400 --> 01:08:44,040 Speaker 4: How Judy just walked up stairs. 1666 01:08:43,960 --> 01:08:46,680 Speaker 15: Talked about it, So I know there were a multitude 1667 01:08:46,680 --> 01:08:49,519 Speaker 15: of factors that went into her departure from the show 1668 01:08:49,760 --> 01:08:52,919 Speaker 15: that I blame all on her mother. But as a performer, 1669 01:08:53,240 --> 01:08:55,920 Speaker 15: they weren't giving her storylines. She wasn't the best at 1670 01:08:55,960 --> 01:08:56,760 Speaker 15: delivering a joke. 1671 01:08:56,840 --> 01:08:57,000 Speaker 4: You know. 1672 01:08:57,160 --> 01:08:59,720 Speaker 15: Sometimes they would give her material and it would just 1673 01:08:59,800 --> 01:09:02,120 Speaker 15: fall flat. And if you fall flat and run through, 1674 01:09:02,280 --> 01:09:04,800 Speaker 15: they're gonna rewrite you. And you know, we're kids back there, 1675 01:09:04,920 --> 01:09:06,960 Speaker 15: so you know, kids, that's the thing. You can't roast 1676 01:09:06,960 --> 01:09:09,160 Speaker 15: each other nowadays, at least not in public. But trust me, 1677 01:09:09,240 --> 01:09:11,080 Speaker 15: kids are still roasting each other. That's never going to 1678 01:09:11,160 --> 01:09:13,120 Speaker 15: go away, right, So you know, we'd be sitting in 1679 01:09:13,160 --> 01:09:14,160 Speaker 15: the background and they're like, and. 1680 01:09:14,240 --> 01:09:15,640 Speaker 4: She blows the layup. You know. 1681 01:09:15,920 --> 01:09:16,519 Speaker 12: It was just like. 1682 01:09:19,760 --> 01:09:21,760 Speaker 15: You know, and it's just like, you know, you can 1683 01:09:21,840 --> 01:09:24,840 Speaker 15: only mess up so much and be arrogant about it 1684 01:09:24,920 --> 01:09:27,879 Speaker 15: in the Fird code in the Mercedes Too before somebody 1685 01:09:27,960 --> 01:09:30,639 Speaker 15: says enough of this, you know, And in this situation, 1686 01:09:30,800 --> 01:09:32,760 Speaker 15: I really felt like, you know, Jamie was born to 1687 01:09:32,840 --> 01:09:35,120 Speaker 15: a mother who put herself before her daughter, and she 1688 01:09:35,240 --> 01:09:38,240 Speaker 15: had ideas of grandeur that weren't necessarily very realistic, and 1689 01:09:38,320 --> 01:09:40,080 Speaker 15: it sucks for Jamie that she has to wear that 1690 01:09:40,160 --> 01:09:42,479 Speaker 15: scarlet letter for the rest of her life. And I 1691 01:09:42,600 --> 01:09:45,200 Speaker 15: hope that Jamie finds peace outside of show business. To 1692 01:09:45,280 --> 01:09:47,519 Speaker 15: be quite honest, you know, this show business can start 1693 01:09:47,560 --> 01:09:49,200 Speaker 15: to make you think that this is the only way 1694 01:09:49,240 --> 01:09:51,639 Speaker 15: to make money, this is the only way to live, 1695 01:09:51,840 --> 01:09:53,920 Speaker 15: Like if it didn't I talk about that with Jonathan 1696 01:09:53,960 --> 01:09:56,760 Speaker 15: Brandis because he passed away and he took his life 1697 01:09:56,840 --> 01:09:58,439 Speaker 15: and I just I was very close to him at 1698 01:09:58,479 --> 01:10:00,720 Speaker 15: that particular time, and I saw some of someone that 1699 01:10:00,880 --> 01:10:04,240 Speaker 15: was really putting too much emphasis on what this business meant. 1700 01:10:04,080 --> 01:10:09,680 Speaker 11: To his existence on her For one, Myra Michelle Thomas, Yes, 1701 01:10:10,080 --> 01:10:12,479 Speaker 11: every time that girl, I know, I was going to say, 1702 01:10:12,520 --> 01:10:14,560 Speaker 11: every time you talk about her, it's very emotional for you, 1703 01:10:14,640 --> 01:10:16,800 Speaker 11: and like I feel that that's your girl, right Or 1704 01:10:17,040 --> 01:10:20,280 Speaker 11: was I want to know off off camera when you 1705 01:10:20,320 --> 01:10:22,639 Speaker 11: guys developed your relationship that we didn saw on camera 1706 01:10:22,680 --> 01:10:26,200 Speaker 11: because it was so believable, what was that off camera relationship? 1707 01:10:26,360 --> 01:10:28,679 Speaker 10: Like and like building that for the characters on camera? 1708 01:10:28,800 --> 01:10:30,320 Speaker 10: Like how did you guys cause you were so young? 1709 01:10:30,520 --> 01:10:30,680 Speaker 14: Dad? 1710 01:10:30,840 --> 01:10:31,560 Speaker 12: No, just you know. 1711 01:10:31,800 --> 01:10:34,720 Speaker 15: Michelle started off playing malcol Jamal Warner's girlfriend on The 1712 01:10:35,439 --> 01:10:37,360 Speaker 15: Cosby Show, so she was always older than me. So 1713 01:10:37,520 --> 01:10:40,040 Speaker 15: even though she was so small and bubbly and you know, big, 1714 01:10:40,960 --> 01:10:43,240 Speaker 15: but she was I looked at her like a little sister. 1715 01:10:43,400 --> 01:10:44,599 Speaker 4: I'm like a big sister. Yeah. 1716 01:10:44,760 --> 01:10:47,760 Speaker 15: We just had this amazing chemistry. My mama loved her too, 1717 01:10:47,840 --> 01:10:51,040 Speaker 15: so that always that that made things easy. And she 1718 01:10:51,280 --> 01:10:53,439 Speaker 15: just made it her business to always want to always 1719 01:10:53,439 --> 01:10:55,799 Speaker 15: want to hook me up with somebody. And she introduced 1720 01:10:55,840 --> 01:10:59,040 Speaker 15: me to Martha's Vineyard, you know, spending summers there, and 1721 01:10:59,160 --> 01:11:00,880 Speaker 15: we just had an amazing chemistry. She was just and 1722 01:11:00,960 --> 01:11:01,760 Speaker 15: she was just down. 1723 01:11:02,160 --> 01:11:03,479 Speaker 4: Like everybody knew Michelle. 1724 01:11:03,479 --> 01:11:06,240 Speaker 15: Everybody knew Michelle in the music business, everybody music just 1725 01:11:06,439 --> 01:11:10,000 Speaker 15: everywhere we went, people loved Michelle. And unfortunately she passed 1726 01:11:10,000 --> 01:11:12,960 Speaker 15: away to summit cancer and that was just a very 1727 01:11:13,080 --> 01:11:15,800 Speaker 15: emotional time because we just knew what she was going 1728 01:11:15,840 --> 01:11:18,720 Speaker 15: through as an actress. So during the time when she 1729 01:11:18,800 --> 01:11:20,599 Speaker 15: went out, I just I wish that there have been 1730 01:11:20,640 --> 01:11:22,640 Speaker 15: some better opportunities for her, you know what I'm saying, Like. 1731 01:11:22,800 --> 01:11:24,679 Speaker 1: We want people to buy the book Growing Up Oracle, 1732 01:11:24,720 --> 01:11:26,439 Speaker 1: but you know, it is it is interesting to see 1733 01:11:26,479 --> 01:11:29,439 Speaker 1: how much of the love y'all created off camera. 1734 01:11:29,600 --> 01:11:30,240 Speaker 6: Yeah, no, it was. 1735 01:11:30,400 --> 01:11:32,960 Speaker 4: It was real love man like you know, I get it. 1736 01:11:33,160 --> 01:11:35,479 Speaker 15: Yes, it was bumpy in the beginning, especially with the 1737 01:11:35,560 --> 01:11:38,160 Speaker 15: adults and uh and and the parents were some of 1738 01:11:38,200 --> 01:11:38,599 Speaker 15: the kids. 1739 01:11:38,720 --> 01:11:40,160 Speaker 4: But that's my puberty. 1740 01:11:40,600 --> 01:11:40,760 Speaker 6: You know. 1741 01:11:40,960 --> 01:11:42,800 Speaker 15: Darius is out here while in the times, and you 1742 01:11:42,880 --> 01:11:44,879 Speaker 15: know he and I we slide each other's dms. 1743 01:11:45,320 --> 01:11:46,240 Speaker 4: But that's my brother. 1744 01:11:46,439 --> 01:11:48,960 Speaker 15: I mean, we've all had, you know, brothers or whatever, 1745 01:11:49,000 --> 01:11:52,479 Speaker 15: frat brothers or college friends, you know, bugging out or whatnot. 1746 01:11:52,520 --> 01:11:54,120 Speaker 15: But you don't abandon that cat. You still take it 1747 01:11:54,160 --> 01:11:56,080 Speaker 15: as call and y'all just laugh it off. And that's 1748 01:11:56,080 --> 01:11:58,680 Speaker 15: what my relationship is with with Kelly and Darius. It's 1749 01:11:58,840 --> 01:12:01,920 Speaker 15: very brotherly and says, you know, I'll always defend our 1750 01:12:02,080 --> 01:12:03,320 Speaker 15: entire cast actually for the. 1751 01:12:03,360 --> 01:12:04,720 Speaker 4: Work that we did. That's what it is. 1752 01:12:04,800 --> 01:12:07,360 Speaker 3: Well, Jalil White, ladies and gentlemen, growing a pleasure with 1753 01:12:07,400 --> 01:12:09,240 Speaker 3: my brother out right now makes you pick it up. 1754 01:12:09,280 --> 01:12:12,120 Speaker 2: Breast cloud now good morning pointing. 1755 01:12:12,200 --> 01:12:15,920 Speaker 3: Everybody is dj En v Jesse, hilarious, charlamage the guy 1756 01:12:16,000 --> 01:12:17,360 Speaker 3: we are the breakfast club. 1757 01:12:17,280 --> 01:12:18,360 Speaker 2: Or leave us on a positive note. 1758 01:12:18,439 --> 01:12:20,800 Speaker 1: The positive note is simply this man reminds yourself that 1759 01:12:20,920 --> 01:12:23,680 Speaker 1: winning an argument, are proving your point really gets you 1760 01:12:23,920 --> 01:12:27,200 Speaker 1: nowhere in the long run, win through your actions, not 1761 01:12:27,400 --> 01:12:27,920 Speaker 1: your words. 1762 01:12:28,200 --> 01:12:29,760 Speaker 2: Have a blessed day, Breakfast Club. 1763 01:12:29,800 --> 01:12:31,679 Speaker 4: It is you don't finish, So y'all done.