1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:20,360 Speaker 2: Oh, let's you Gilmore Girls Gazette with Amy Sugarman and 3 00:00:20,480 --> 00:00:23,720 Speaker 2: Danielle Romo, an iHeartRadio podcast. 4 00:00:24,239 --> 00:00:27,720 Speaker 1: May your blessings keep you always, May your wishes all 5 00:00:27,720 --> 00:00:30,920 Speaker 1: come true. That's right, Braverman's Inn. It is time to 6 00:00:30,960 --> 00:00:35,760 Speaker 1: talk parenthood and what I thought Mark was a fantastic episode. 7 00:00:35,960 --> 00:00:37,920 Speaker 2: Oh my god, we disagree. 8 00:00:38,479 --> 00:00:39,280 Speaker 1: Get out of here. 9 00:00:39,680 --> 00:00:43,680 Speaker 2: First of all, great intro, really really really proud of 10 00:00:43,720 --> 00:00:47,240 Speaker 2: you for that geniusness. Stay tuned till the end because 11 00:00:47,240 --> 00:00:50,320 Speaker 2: I have an amazing menopause minute. This was not my favorite. 12 00:00:50,640 --> 00:00:52,879 Speaker 1: Wow, this is my best one yet that I've been 13 00:00:52,920 --> 00:00:53,279 Speaker 1: here for. 14 00:00:53,560 --> 00:00:56,120 Speaker 2: Oh my gosh, I am stunned by that. 15 00:00:56,280 --> 00:00:58,320 Speaker 1: Let's start with Haley and Alex and that whole drama. 16 00:00:58,360 --> 00:01:00,760 Speaker 1: I love that she answers her cool little pink cell 17 00:01:00,800 --> 00:01:03,760 Speaker 1: phone from twelve. First, what am I doing? We need 18 00:01:03,760 --> 00:01:06,840 Speaker 1: to do a synopsis? Oh you know, I stick to 19 00:01:06,840 --> 00:01:09,320 Speaker 1: the fundamentals. People, Season two, episode thirteen. 20 00:01:09,840 --> 00:01:13,920 Speaker 2: First of all, I love them. Just anyone listening, just enjoy, 21 00:01:14,319 --> 00:01:19,240 Speaker 2: Just sit back and enjoy the messy ride we're on. 22 00:01:19,800 --> 00:01:23,360 Speaker 1: It's messy. Opening night, air Day, January eighteenth, twenty eleven. 23 00:01:23,440 --> 00:01:26,000 Speaker 1: Christine and Adam catch Hattie sneaking around with Alex and 24 00:01:26,040 --> 00:01:29,160 Speaker 1: forbid her from seeing him anymore. Sarah faces a new 25 00:01:29,240 --> 00:01:31,520 Speaker 1: challenge when Drew Telser he needs to sell five hundred 26 00:01:31,520 --> 00:01:34,560 Speaker 1: dollars with a wrapping paper. Meanwhile, Crosby and Jasmine have 27 00:01:34,560 --> 00:01:36,720 Speaker 1: to deal with Jabbar's bad case of stage fright right 28 00:01:36,760 --> 00:01:39,280 Speaker 1: before the school play. And that's what made me think 29 00:01:39,319 --> 00:01:41,199 Speaker 1: of it is because their cell phone was so twenty eleven. 30 00:01:41,240 --> 00:01:43,360 Speaker 1: That's why I had to go back and read the synopsis. 31 00:01:44,120 --> 00:01:47,160 Speaker 1: But I love the opening. First of all, that's a 32 00:01:47,200 --> 00:01:51,000 Speaker 1: fantastic scene, the confrontation on the front lawn. There he is, 33 00:01:51,200 --> 00:01:51,880 Speaker 1: there she is. 34 00:01:52,160 --> 00:01:55,840 Speaker 2: Yes, that was that. Yes, the episode started off. 35 00:01:56,200 --> 00:01:58,840 Speaker 1: The parents coming bursting through the front door. 36 00:01:58,960 --> 00:02:00,920 Speaker 2: Well, first of all, she's like waiting for them to leave, 37 00:02:01,280 --> 00:02:01,880 Speaker 2: and then they. 38 00:02:01,800 --> 00:02:02,919 Speaker 1: Leave, Max forgot. 39 00:02:03,040 --> 00:02:05,640 Speaker 2: They come back, and you know, she tries to run 40 00:02:05,680 --> 00:02:08,679 Speaker 2: out and it's just like ooh, and then and sort 41 00:02:08,680 --> 00:02:11,480 Speaker 2: of the drama of it, and then Michael B. Jordan's 42 00:02:11,520 --> 00:02:12,359 Speaker 2: reaction like. 43 00:02:12,560 --> 00:02:15,640 Speaker 1: You're unbelievable, and then he walked off. But they're all 44 00:02:15,680 --> 00:02:17,920 Speaker 1: on top of each other. It's a classic Parenthood kind 45 00:02:17,960 --> 00:02:18,720 Speaker 1: of improv scene. 46 00:02:18,840 --> 00:02:22,320 Speaker 2: Yeah. No, that was really good. Good, Yeah, I was 47 00:02:22,360 --> 00:02:25,600 Speaker 2: in I have some flags on the rappet. 48 00:02:25,720 --> 00:02:28,040 Speaker 1: We'll get to that. So then Haley goes to Camille. 49 00:02:28,440 --> 00:02:31,960 Speaker 2: Well, and you teed me up to not like the play. 50 00:02:31,919 --> 00:02:33,880 Speaker 1: But I was so delighted by the plan. But we'll 51 00:02:33,919 --> 00:02:36,600 Speaker 1: get to that too. But so Hattie goes to Camille, 52 00:02:37,520 --> 00:02:39,680 Speaker 1: has a moment that I like, I have to go 53 00:02:39,720 --> 00:02:40,640 Speaker 1: to school. 54 00:02:41,160 --> 00:02:44,400 Speaker 2: And the grandma did the right thing. You know. Look, 55 00:02:44,720 --> 00:02:48,160 Speaker 2: I think Christina tends to be a little not so 56 00:02:48,320 --> 00:02:52,960 Speaker 2: nice to Camille, typical mother in law daughter in law situation. 57 00:02:54,360 --> 00:02:57,000 Speaker 2: But Christina chill out. 58 00:02:56,600 --> 00:02:59,440 Speaker 1: Well and then chilling out she and Adam go home 59 00:02:59,440 --> 00:03:02,000 Speaker 1: and take the door offer bedroom. 60 00:03:02,160 --> 00:03:06,040 Speaker 2: That was so aggressive and also like, like you can 61 00:03:06,040 --> 00:03:08,480 Speaker 2: tell by their faces that like, do we even believe what. 62 00:03:08,440 --> 00:03:09,160 Speaker 1: We're doing here? 63 00:03:09,520 --> 00:03:11,000 Speaker 2: Well, and what's that solving? 64 00:03:11,320 --> 00:03:12,920 Speaker 1: Right? We've dug a hole and now we're just going 65 00:03:13,000 --> 00:03:13,800 Speaker 1: to keep digging. 66 00:03:13,840 --> 00:03:17,080 Speaker 2: Right, She didn't just like what right? I'm not totally 67 00:03:17,080 --> 00:03:18,320 Speaker 2: sold on their parenting. 68 00:03:18,520 --> 00:03:22,040 Speaker 1: But so then the Christina and Camille confrontation. Christina gets 69 00:03:22,080 --> 00:03:24,800 Speaker 1: all mad that Hattie confided in her, which I understand 70 00:03:24,800 --> 00:03:28,480 Speaker 1: there's jealousy there that Hattie went to someone else. Now, 71 00:03:28,880 --> 00:03:31,720 Speaker 1: to me, the peak of the show the peak of 72 00:03:32,160 --> 00:03:35,560 Speaker 1: the shows that I've been watching. The scene with Alex 73 00:03:35,760 --> 00:03:39,320 Speaker 1: and Adam in Adam's office that was as good as 74 00:03:39,320 --> 00:03:43,640 Speaker 1: it gets. A phenomenal scene, two masters of their craft 75 00:03:43,720 --> 00:03:46,440 Speaker 1: at the height of their abilities going at it. The 76 00:03:46,480 --> 00:03:49,320 Speaker 1: sheer brilliance of Michael B. Jordan and Peter Crawse in 77 00:03:49,360 --> 00:03:50,680 Speaker 1: that scene blew me away. 78 00:03:50,880 --> 00:03:51,520 Speaker 2: First of all. 79 00:03:51,960 --> 00:03:52,520 Speaker 1: I know. 80 00:03:53,560 --> 00:03:56,800 Speaker 2: And here's why I know, because it made me google 81 00:03:57,760 --> 00:04:01,040 Speaker 2: what is Peter Krause working on? Because I'm so upset 82 00:04:01,160 --> 00:04:03,080 Speaker 2: that he was killed off nine one one. I find 83 00:04:03,120 --> 00:04:08,320 Speaker 2: it to be like an insane move, like almost of 84 00:04:08,360 --> 00:04:10,600 Speaker 2: the fact that I'm like, I don't buy it, like 85 00:04:10,640 --> 00:04:15,280 Speaker 2: that the director, creator whatever he is, is like, it 86 00:04:15,320 --> 00:04:18,400 Speaker 2: was a choice. We wanted to kill off a major character. Wait, 87 00:04:18,640 --> 00:04:21,880 Speaker 2: you wanted to kill off your best character, like and 88 00:04:21,920 --> 00:04:24,600 Speaker 2: Peter Krausa. They all say like, no, Peter didn't want 89 00:04:24,600 --> 00:04:27,279 Speaker 2: to leave. But I'm like, it's so crazy they did that. 90 00:04:29,400 --> 00:04:32,120 Speaker 2: I digress. So I was like, what's he working? I 91 00:04:32,120 --> 00:04:34,080 Speaker 2: need him to have a new show because he's, oh 92 00:04:34,120 --> 00:04:37,320 Speaker 2: my god, nothing right now, He's still an executive producer 93 00:04:37,360 --> 00:04:39,480 Speaker 2: of nine to one one, But my thing is he's 94 00:04:39,640 --> 00:04:43,080 Speaker 2: They're so good and Michael Beach Jordan is just like 95 00:04:45,640 --> 00:04:49,360 Speaker 2: he's so good in this show. But also the character 96 00:04:50,000 --> 00:04:55,719 Speaker 2: is so like confident despite the like challenges he had 97 00:04:56,120 --> 00:04:59,920 Speaker 2: that you really are like you respect him, and you're like, 98 00:05:00,200 --> 00:05:02,960 Speaker 2: why don't you get that Adam Braverman, like, why don't 99 00:05:03,000 --> 00:05:05,920 Speaker 2: you get that this guy is so much better than 100 00:05:05,920 --> 00:05:09,200 Speaker 2: the ex boyfriend that you let her date that slept 101 00:05:09,279 --> 00:05:09,600 Speaker 2: with the. 102 00:05:09,600 --> 00:05:13,320 Speaker 1: Cousin agreed, Now, I get it, my daughter, he's older, 103 00:05:13,680 --> 00:05:16,760 Speaker 1: private apartment, I get all that stuff. But he knows 104 00:05:16,760 --> 00:05:17,480 Speaker 1: he's messed up. 105 00:05:17,880 --> 00:05:21,760 Speaker 2: But just tell her it's not. You can't see this 106 00:05:22,080 --> 00:05:26,080 Speaker 2: totally classy, great guy that even Camille fully vouched for 107 00:05:26,400 --> 00:05:31,000 Speaker 2: right who she and she knows him have. I'm not 108 00:05:31,360 --> 00:05:37,080 Speaker 2: mad at parenting parenthood, but have a have a situation 109 00:05:37,200 --> 00:05:41,120 Speaker 2: that's tenable. Right Just telling your kid never drink is 110 00:05:41,160 --> 00:05:43,400 Speaker 2: just going to make your kids sneak out and drink. 111 00:05:43,440 --> 00:05:47,160 Speaker 2: And you know, behind the wherever if you say to 112 00:05:47,200 --> 00:05:50,680 Speaker 2: your kid, hey, we have concerns, here's why, and as 113 00:05:50,680 --> 00:05:55,719 Speaker 2: a result, we trust you. But you know you're ABC 114 00:05:55,920 --> 00:05:56,479 Speaker 2: whatever it is. 115 00:05:56,520 --> 00:05:58,920 Speaker 1: That's also a genius of this show. You would think 116 00:05:58,920 --> 00:06:01,120 Speaker 1: that after Adam talks to Alex, he would go to 117 00:06:01,160 --> 00:06:03,280 Speaker 1: her and say go to you know, maybe go to 118 00:06:03,520 --> 00:06:06,080 Speaker 1: what Christina and say, you know what, we should probably 119 00:06:06,160 --> 00:06:08,760 Speaker 1: reland on this. But no, he's sticking to his guns. 120 00:06:08,839 --> 00:06:11,919 Speaker 1: Can we had that talk with Christina? You think Christina'd 121 00:06:11,880 --> 00:06:13,720 Speaker 1: be like, yeah, maybe he is okay, But no, they 122 00:06:13,760 --> 00:06:15,360 Speaker 1: got to stick to their guns. 123 00:06:15,279 --> 00:06:18,360 Speaker 2: Because they're parenting out of fear instead of trusting their kid, 124 00:06:18,400 --> 00:06:19,880 Speaker 2: who's such a good kid. 125 00:06:20,000 --> 00:06:22,160 Speaker 1: But also, it's hard to admit you're wrong when you're 126 00:06:22,160 --> 00:06:26,120 Speaker 1: a parent. That is such a hard thing. But is it? 127 00:06:26,200 --> 00:06:29,120 Speaker 1: Think it is? Though it is and I I came 128 00:06:29,160 --> 00:06:31,159 Speaker 1: around on that and I'm pretty good at it now. 129 00:06:31,279 --> 00:06:35,560 Speaker 1: But I think that's what Christina going through. What are 130 00:06:35,600 --> 00:06:37,720 Speaker 1: we going to do now? We're even to each other that. 131 00:06:37,839 --> 00:06:41,480 Speaker 2: Yeah, And it's like being wrong, being wrong is okay, 132 00:06:41,560 --> 00:06:43,880 Speaker 2: Like if I'm going to teach you a lesson of 133 00:06:43,920 --> 00:06:47,520 Speaker 2: the day because I'm so wise, like it's okay to 134 00:06:47,520 --> 00:06:50,280 Speaker 2: be wrong. I would be so happy for them to 135 00:06:50,320 --> 00:06:52,120 Speaker 2: be right. Yes, do you know what I'm saying? Like 136 00:06:52,800 --> 00:06:56,000 Speaker 2: where they go, hey, we we didn't get this one 137 00:06:56,120 --> 00:07:00,120 Speaker 2: right because we're first time parents too, that's it, do 138 00:07:00,120 --> 00:07:01,520 Speaker 2: you know what I mean? This is the first time 139 00:07:01,520 --> 00:07:04,240 Speaker 2: they've ever had a sixteen year old whatever she is, yeah, 140 00:07:04,279 --> 00:07:08,520 Speaker 2: sixteen because she was learning to drive and fix it. 141 00:07:09,120 --> 00:07:13,000 Speaker 2: I find Sarah Braverman to be better, not that as 142 00:07:13,040 --> 00:07:15,239 Speaker 2: a parent to be like, oh, I got it wrong, 143 00:07:15,640 --> 00:07:17,480 Speaker 2: let me get it right. I got it wrong with 144 00:07:17,960 --> 00:07:20,880 Speaker 2: men with the singing, you know, like, first of all, where, 145 00:07:20,960 --> 00:07:23,440 Speaker 2: by the way, where was Julia? Was Julia even in 146 00:07:23,480 --> 00:07:24,040 Speaker 2: this episode? 147 00:07:24,280 --> 00:07:25,000 Speaker 1: Yeah? Not much. 148 00:07:25,760 --> 00:07:28,560 Speaker 2: I don't remember seeing her one time. Maybe one time 149 00:07:28,600 --> 00:07:31,480 Speaker 2: she went into the sure the play and maybe she 150 00:07:31,520 --> 00:07:35,360 Speaker 2: went into one rehearsal or something. I don't even remember. No, 151 00:07:35,440 --> 00:07:36,720 Speaker 2: not enough Julia for me. 152 00:07:46,040 --> 00:07:48,960 Speaker 1: After weeks and months of this play being an absolute mess, 153 00:07:48,960 --> 00:07:52,120 Speaker 1: it is now the most elaborate, complicated school play in history. 154 00:07:52,160 --> 00:07:55,160 Speaker 1: They have props, they have music, they have costumes, they 155 00:07:55,160 --> 00:07:58,840 Speaker 1: have special effects. There's running water on the stage. I mean, 156 00:07:58,920 --> 00:08:01,160 Speaker 1: it's insane in their production value. 157 00:08:01,480 --> 00:08:03,880 Speaker 2: Well, not a great play. I'm like, is that good? 158 00:08:04,080 --> 00:08:06,080 Speaker 2: I don't really get it. I don't get it, like 159 00:08:06,160 --> 00:08:10,280 Speaker 2: she Marilyn, I guess it's the history of California something yeah, 160 00:08:10,320 --> 00:08:16,040 Speaker 2: and jabbar and so like, okay, sorry to well. But 161 00:08:16,080 --> 00:08:19,920 Speaker 2: the one thing I do like is that Crosby is 162 00:08:20,000 --> 00:08:25,040 Speaker 2: expressing himself quite clearly as to why he wants Jabbar 163 00:08:25,560 --> 00:08:30,520 Speaker 2: to try again, and Jasmine is also expressing herself clearly 164 00:08:30,920 --> 00:08:33,800 Speaker 2: she's not wrong, like, hey, he's in kindergarten, Like do 165 00:08:33,840 --> 00:08:36,120 Speaker 2: we have to push him on this one? That's sort 166 00:08:36,120 --> 00:08:39,120 Speaker 2: of one of those parenting situations where you're like, you're 167 00:08:39,120 --> 00:08:42,079 Speaker 2: both right. Probably Crosby's like a little bit more right, 168 00:08:42,640 --> 00:08:44,840 Speaker 2: you know, like, Okay, I get it. We don't need 169 00:08:44,880 --> 00:08:46,400 Speaker 2: to push our kids all the time. 170 00:08:46,720 --> 00:08:49,120 Speaker 1: And Zeke saying him, come on, now, what are you doing. 171 00:08:49,280 --> 00:08:53,480 Speaker 1: You're you're the boss too, and then Crosby saying it's 172 00:08:53,520 --> 00:08:57,320 Speaker 1: a partnership and Zeke saying, god, that sounds dreadful. I 173 00:08:57,360 --> 00:09:00,040 Speaker 1: thought that was such a great lie. 174 00:09:01,360 --> 00:09:04,560 Speaker 2: Speak. That's been kind of awesome in like the last 175 00:09:04,679 --> 00:09:08,120 Speaker 2: three or four episodes butting in as a parent and 176 00:09:08,160 --> 00:09:13,200 Speaker 2: I'm like, I'm here for it, Like I'm here for it. Also, 177 00:09:13,600 --> 00:09:15,840 Speaker 2: the thing that I did love about this episode was 178 00:09:15,920 --> 00:09:17,280 Speaker 2: Sydney's negota. 179 00:09:17,400 --> 00:09:19,080 Speaker 1: Yes, that was great. 180 00:09:19,400 --> 00:09:23,040 Speaker 2: I'm like that little kid, yeah, her mom, and it's 181 00:09:23,120 --> 00:09:26,040 Speaker 2: kind of awesome. And Joel's like, no, Sydney, we're not 182 00:09:26,040 --> 00:09:31,040 Speaker 2: doing that, and yeah, Shepherd's like I'll play, I'll play. Yeah. 183 00:09:31,040 --> 00:09:33,720 Speaker 2: That was cute. And also that made me not feel 184 00:09:33,760 --> 00:09:35,800 Speaker 2: bad for her, So I thought it was like effective, 185 00:09:36,160 --> 00:09:37,800 Speaker 2: Like I think I would have had sort of oh no, 186 00:09:37,920 --> 00:09:40,400 Speaker 2: you just took her part away. But in this case, 187 00:09:40,440 --> 00:09:42,000 Speaker 2: I didn't have to feel bad and I could be 188 00:09:42,120 --> 00:09:44,960 Speaker 2: happy for Jabbar because it was cool with it. 189 00:09:45,080 --> 00:09:47,720 Speaker 1: Another example, really into the show, they've taken the time 190 00:09:47,760 --> 00:09:51,880 Speaker 1: to develop the character of Sydney that she's wants to 191 00:09:51,880 --> 00:09:53,880 Speaker 1: be on stage. She wants to spotlight. As soon as 192 00:09:53,880 --> 00:09:55,720 Speaker 1: you borrow out, she's right in there and she's just 193 00:09:55,720 --> 00:09:57,880 Speaker 1: like her mom with the negotiation. How many shows have 194 00:09:57,880 --> 00:09:58,920 Speaker 1: the time to develop. 195 00:09:58,600 --> 00:10:00,640 Speaker 2: A kid correct And she's so like aasure doing business 196 00:10:00,720 --> 00:10:02,640 Speaker 2: with you, Like, you don't have to feel bad like that, 197 00:10:02,720 --> 00:10:05,679 Speaker 2: this kindergartener got her heart taken away. You're like, I'm fine, 198 00:10:05,720 --> 00:10:08,440 Speaker 2: it's fine, All is fine, and yea Jabar. Although here's 199 00:10:08,480 --> 00:10:12,400 Speaker 2: the thing I don't totally like. Of all the things 200 00:10:12,440 --> 00:10:15,000 Speaker 2: I remember in the episode, the play is sort of 201 00:10:15,040 --> 00:10:17,960 Speaker 2: like was that the end? I don't really remember. 202 00:10:17,600 --> 00:10:19,400 Speaker 1: It, just like I thought this was so great. They're 203 00:10:19,400 --> 00:10:22,240 Speaker 1: walking back to the car after the play and Drew 204 00:10:22,280 --> 00:10:24,360 Speaker 1: didn't like the play very much, and Sarah calls him 205 00:10:24,400 --> 00:10:27,080 Speaker 1: al Roker for his bad review, and they often be 206 00:10:27,120 --> 00:10:29,280 Speaker 1: like Al Roker's not a movie he's not a critic, 207 00:10:29,320 --> 00:10:32,160 Speaker 1: He's a weather man. Like was that in the script? 208 00:10:32,240 --> 00:10:36,760 Speaker 2: Or I think they're met Leonard Malton or Roger Ebert 209 00:10:36,880 --> 00:10:40,559 Speaker 2: or Jans's skill. Wait, I missed so completely. I feel 210 00:10:40,559 --> 00:10:42,559 Speaker 2: like I don't know. Was I falling asleep? What happened 211 00:10:42,600 --> 00:10:44,520 Speaker 2: to me? I feel like I missed the very end. 212 00:10:44,400 --> 00:10:47,440 Speaker 1: Of the very casual conversation, like as they're walking across 213 00:10:47,440 --> 00:10:49,680 Speaker 1: the parking lot, it seemed very off the cuff to me, 214 00:10:49,720 --> 00:10:51,720 Speaker 1: and maybe it was I don't know, and that was no, 215 00:10:51,840 --> 00:10:54,160 Speaker 1: And then and then they get back to the car 216 00:10:54,200 --> 00:10:56,760 Speaker 1: and I don't I don't remember. 217 00:10:57,360 --> 00:10:59,920 Speaker 2: Right something see episode was? I know you love it? 218 00:11:00,320 --> 00:11:02,160 Speaker 1: But is it at that point that they find out 219 00:11:02,200 --> 00:11:04,480 Speaker 1: that Zeke bought all the wrapping paper? I think, maybe, yes, 220 00:11:05,200 --> 00:11:05,720 Speaker 1: so much. 221 00:11:05,800 --> 00:11:08,880 Speaker 2: Sorry you are, and he gives that wink. But here's 222 00:11:08,920 --> 00:11:13,640 Speaker 2: my flaw on that. But under their money troubles, Zeke 223 00:11:13,679 --> 00:11:16,720 Speaker 2: and Camille, remember they had the building he bought, and 224 00:11:17,440 --> 00:11:22,160 Speaker 2: you know ed Julia's ex boyfriend, the guy from Scandal, 225 00:11:22,559 --> 00:11:25,040 Speaker 2: was like gonna buy it, and like all of a sudden, 226 00:11:25,040 --> 00:11:26,520 Speaker 2: that just went away. 227 00:11:26,640 --> 00:11:29,080 Speaker 1: Always gonna spend on your grandkids. 228 00:11:29,120 --> 00:11:31,840 Speaker 2: Correct, but five hundred bucks for all the wrapping paper, 229 00:11:31,880 --> 00:11:34,040 Speaker 2: I get it, But like, are we just over their 230 00:11:34,040 --> 00:11:36,640 Speaker 2: money problems? It seems like that storyline has vanished and 231 00:11:36,640 --> 00:11:37,199 Speaker 2: I'm fine with it. 232 00:11:37,360 --> 00:11:38,080 Speaker 1: I didn't need it. 233 00:11:38,440 --> 00:11:40,360 Speaker 2: And it was like annoying. Do you notice how they 234 00:11:40,520 --> 00:11:44,720 Speaker 2: work in a lot uh the time? You know, they're 235 00:11:44,880 --> 00:11:48,520 Speaker 2: very clear that this was a recession in America, and 236 00:11:48,559 --> 00:11:51,640 Speaker 2: they do that a bunch with the shoe, the whole thing. 237 00:11:51,679 --> 00:11:54,640 Speaker 2: It's like very clear, like and maybe because that was 238 00:11:54,640 --> 00:11:57,959 Speaker 2: such a big thing, then it's the one thing watching 239 00:11:58,000 --> 00:12:00,880 Speaker 2: back though that you're like, we're there. 240 00:12:01,240 --> 00:12:03,400 Speaker 1: Yeah, they wanted very badly to be every family, just 241 00:12:03,440 --> 00:12:04,520 Speaker 1: a random every family. 242 00:12:04,600 --> 00:12:07,559 Speaker 2: Is that recession from the like when the housing crisis 243 00:12:07,559 --> 00:12:09,920 Speaker 2: happened with all those short sales or whatever that thing 244 00:12:09,960 --> 00:12:12,440 Speaker 2: where yeah, where it was like nobody could afford their 245 00:12:12,480 --> 00:12:14,520 Speaker 2: loans and it's a big old mess. They were giving 246 00:12:14,559 --> 00:12:17,120 Speaker 2: they were just handing out loans. You want a loan, 247 00:12:17,240 --> 00:12:19,559 Speaker 2: you got loan. You want alone, you don't have any 248 00:12:19,600 --> 00:12:22,840 Speaker 2: money to put down the mine, It's totally fine. Give 249 00:12:22,880 --> 00:12:24,479 Speaker 2: a dollar, just put give a dollar. 250 00:12:24,800 --> 00:12:26,920 Speaker 1: Like we got one of those We got one of 251 00:12:26,920 --> 00:12:27,440 Speaker 1: those loans. 252 00:12:27,480 --> 00:12:31,200 Speaker 2: You we did. I wish i'd nothing down. Yeah, you know, 253 00:12:31,280 --> 00:12:34,160 Speaker 2: I'm a thirty year fixed lady. I am now a 254 00:12:34,200 --> 00:12:38,120 Speaker 2: thirty years I always was, always, always was, always will 255 00:12:38,160 --> 00:12:41,640 Speaker 2: be thirty year fixed. I am not trying to gamble 256 00:12:42,440 --> 00:12:43,240 Speaker 2: with a home loan. 257 00:12:43,480 --> 00:12:44,640 Speaker 1: No agreed. 258 00:12:44,960 --> 00:12:48,840 Speaker 2: Let me tell you this, people, I can never move 259 00:12:49,160 --> 00:12:51,760 Speaker 2: because somehow I got a three percent loan. 260 00:12:51,920 --> 00:12:55,600 Speaker 1: Two we refined that in the pandemic, we got two. 261 00:12:56,240 --> 00:12:57,840 Speaker 1: We're stuck here for the rest of our lives. 262 00:12:58,320 --> 00:13:02,600 Speaker 2: Just live here forever because I cannot move. I cannot 263 00:13:02,640 --> 00:13:08,920 Speaker 2: afford seven percent. Correct, So I'm just like, Hope, I 264 00:13:09,000 --> 00:13:11,959 Speaker 2: like this place, but I go all right, Well, can't move, 265 00:13:12,040 --> 00:13:14,360 Speaker 2: so better put money into it. Like if something doesn't 266 00:13:14,440 --> 00:13:15,400 Speaker 2: you know, isn't quite. 267 00:13:15,280 --> 00:13:16,760 Speaker 1: Right, that's it. 268 00:13:16,760 --> 00:13:23,080 Speaker 2: I will die here. I told me, he said, just 269 00:13:23,160 --> 00:13:25,360 Speaker 2: take my dead body out of there. Hope it will 270 00:13:25,360 --> 00:13:27,839 Speaker 2: be one hundred. No, I can't move. Luckily I got 271 00:13:27,840 --> 00:13:29,439 Speaker 2: one story. You got one story, or two. 272 00:13:29,320 --> 00:13:30,240 Speaker 1: We got two stories. 273 00:13:30,520 --> 00:13:33,160 Speaker 2: Oh Grandpa, that's gonna be tough when you're ninety. 274 00:13:32,280 --> 00:13:34,800 Speaker 1: Yes, we'll see what happens. 275 00:13:35,600 --> 00:13:36,080 Speaker 2: Keep going. 276 00:13:37,920 --> 00:13:39,840 Speaker 1: Well. We kind of gave the ending away to Drew, 277 00:13:39,880 --> 00:13:41,199 Speaker 1: but you know he wants to buy the wrapper. 278 00:13:41,600 --> 00:13:44,520 Speaker 2: The wrapping paper was Here's why I liked it. Yeah, 279 00:13:44,640 --> 00:13:47,840 Speaker 2: I love almost said Lorlie, I love a Lauren Graham 280 00:13:47,960 --> 00:13:49,160 Speaker 2: drew everything. 281 00:13:49,440 --> 00:13:53,720 Speaker 1: Yes, but it was just like the wrapping January is funny. 282 00:13:53,880 --> 00:13:55,959 Speaker 2: Yeah, I guess it was fine. It was maybe a 283 00:13:56,000 --> 00:13:57,640 Speaker 2: little long with the woman that was going to buy 284 00:13:57,640 --> 00:13:59,720 Speaker 2: the wrapping paper, but she doesn't celebrate, and it was like, 285 00:14:00,160 --> 00:14:02,160 Speaker 2: you've wasted a lot of your time and their. 286 00:14:02,120 --> 00:14:04,240 Speaker 1: Time, and then Adam's mad. She's trying to sell it 287 00:14:04,280 --> 00:14:05,880 Speaker 1: at work, and then Zeke's like you. 288 00:14:06,040 --> 00:14:08,959 Speaker 2: Right, although every other person was selling their junk of book, 289 00:14:09,559 --> 00:14:11,800 Speaker 2: I was. I didn't even know she still worked there. 290 00:14:12,559 --> 00:14:15,120 Speaker 1: Yeah, that's weird. I like the movement. When Zeke said 291 00:14:15,160 --> 00:14:17,079 Speaker 1: to Sarah, hey, you're late with your rent and Sarah said, 292 00:14:17,120 --> 00:14:19,200 Speaker 1: I don't pay rent and he says, really you should 293 00:14:19,240 --> 00:14:23,600 Speaker 1: pay rent more. Zeke classic z. 294 00:14:23,880 --> 00:14:27,600 Speaker 2: Yeah, he's great. I missed Billy Baldwin. I'm not like crazy. 295 00:14:27,600 --> 00:14:30,640 Speaker 1: I'm not missing Bill Baldwin. I'm good, I'm fine. I'm 296 00:14:30,640 --> 00:14:31,640 Speaker 1: fine with see. 297 00:14:31,520 --> 00:14:35,640 Speaker 2: Poor Alec in the Don't Tell Me Steven Baldwin crashed 298 00:14:35,680 --> 00:14:39,160 Speaker 2: the rain drover. Seems like everyone was fine. They swerved 299 00:14:39,360 --> 00:14:42,560 Speaker 2: some sort of It didn't seem like dramatic like there 300 00:14:42,600 --> 00:14:46,200 Speaker 2: was some you know, like Red Herring or something. Is 301 00:14:46,240 --> 00:14:47,800 Speaker 2: that the same smoking gun? 302 00:14:48,080 --> 00:14:50,800 Speaker 1: Perhaps is a Baldwin moment also a part of the show. 303 00:14:50,800 --> 00:14:53,840 Speaker 1: They have the menopause minute and the Baldwin check went on. 304 00:14:53,920 --> 00:14:56,560 Speaker 2: I mean the Baldwin moment is like very connected to 305 00:14:56,680 --> 00:14:59,680 Speaker 2: it as well. I know we we did get one 306 00:14:59,760 --> 00:15:04,960 Speaker 2: review of people saying too many tangents, but we got 307 00:15:05,000 --> 00:15:09,040 Speaker 2: another refuse saying I love them just talking about random craft. 308 00:15:10,240 --> 00:15:12,880 Speaker 2: Who do I please? Left or right? So I guess 309 00:15:12,960 --> 00:15:14,120 Speaker 2: I just go in the middle. 310 00:15:14,200 --> 00:15:16,280 Speaker 1: But also, this is Amy, this is who Amy is. 311 00:15:16,520 --> 00:15:18,960 Speaker 1: If you're in a meeting with her, there's tangents galore. 312 00:15:19,240 --> 00:15:22,160 Speaker 2: Yeah, I can't. I don't live in a straight line. 313 00:15:22,600 --> 00:15:25,520 Speaker 2: I go. Yeah, I got a lot to say about 314 00:15:25,520 --> 00:15:27,840 Speaker 2: a lot of things. What storyline have we skipped? I'm 315 00:15:27,880 --> 00:15:31,040 Speaker 2: still gonna go with. This episode is only okay, This 316 00:15:31,080 --> 00:15:34,080 Speaker 2: episode is only okay. Let me give the quick menopause 317 00:15:34,080 --> 00:15:35,560 Speaker 2: minute will really only be one minute because I have 318 00:15:35,600 --> 00:15:38,520 Speaker 2: another meeting last night went to the Shawn Mendez concert. 319 00:15:38,720 --> 00:15:41,400 Speaker 2: Texted you because I didn't know Shawn Mendes was still 320 00:15:41,440 --> 00:15:43,680 Speaker 2: such a thing. Let me tell you, Mark, he's a thing. 321 00:15:43,960 --> 00:15:47,600 Speaker 2: He's a massive thing, seven thousand people, just massive. Walking 322 00:15:47,640 --> 00:15:49,920 Speaker 2: back to the car, got a hurry because now I'm 323 00:15:49,960 --> 00:15:52,720 Speaker 2: one minute late to the meeting, walking on dirt because 324 00:15:52,720 --> 00:15:53,920 Speaker 2: it's been muddy and rainy. 325 00:15:53,960 --> 00:15:54,160 Speaker 1: Here. 326 00:15:54,720 --> 00:15:57,920 Speaker 2: My one leg went down into a little bit of 327 00:15:57,960 --> 00:16:02,760 Speaker 2: a hole and I thought, WHOA, didn't fall recovered, walked 328 00:16:02,800 --> 00:16:06,360 Speaker 2: on like no problem, didn't even say out, just went WHOA. 329 00:16:06,400 --> 00:16:09,080 Speaker 2: That was weird. Drove one hour home. By the time 330 00:16:09,080 --> 00:16:10,640 Speaker 2: I got home, I thought my leg is sort of 331 00:16:10,680 --> 00:16:16,480 Speaker 2: really hurt. By midnight, no camp sleep because the leg 332 00:16:17,160 --> 00:16:20,960 Speaker 2: is completely messed up. And I believe this is menopause. 333 00:16:21,200 --> 00:16:24,040 Speaker 2: Things that I could have recovered from at twenty, like 334 00:16:24,080 --> 00:16:30,000 Speaker 2: a champ. Not so much everybody's asking that, not that 335 00:16:30,040 --> 00:16:33,200 Speaker 2: I can see, but like also menopause, Like I don't 336 00:16:33,200 --> 00:16:37,200 Speaker 2: have bone thin thighs anymore. So No, Black and Blues 337 00:16:38,000 --> 00:16:40,080 Speaker 2: took some ad built ice in it. I'll give you 338 00:16:40,080 --> 00:16:41,560 Speaker 2: an update next week. Don't let me forget. 339 00:16:41,640 --> 00:16:44,400 Speaker 1: Thank you for this episode. 340 00:16:44,680 --> 00:16:49,560 Speaker 2: Oh eight point nine. No, I'm gonna give it a 341 00:16:50,080 --> 00:16:52,640 Speaker 2: I'm gonna give it a eight point nine. 342 00:16:53,240 --> 00:16:57,680 Speaker 1: Wow. May you stay forever. Braverman's out. 343 00:16:58,000 --> 00:16:58,600 Speaker 2: Bring that energy. 344 00:16:58,760 --> 00:17:30,880 Speaker 1: Okay, dot everybody at Forget follow us on Instagram at 345 00:17:31,160 --> 00:17:35,320 Speaker 1: i Am all In Podcast, and email us at Gilmore 346 00:17:35,359 --> 00:17:46,240 Speaker 1: at iHeartRadio dot com.