WEBVTT - Former WWE Insider Sees Life After Vince McMahon

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<v Speaker 1>Welcome to another episode of Strictly Business, the podcast in

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<v Speaker 1>which we speak with some of the brightest minds working

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<v Speaker 1>in the media business. Today, I'm Andrew Wallenstein with Variety.

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<v Speaker 1>I'll start this week with a confession. In fact, two

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<v Speaker 1>of them, one related to the other. The first, I,

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<v Speaker 1>as a child was a big fan of the World

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<v Speaker 1>Wrestling Federation from Hulk Ogan on down. The second, I

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<v Speaker 1>had no idea For the first few years I followed

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<v Speaker 1>it at this um sport was totally fake, every move

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<v Speaker 1>in and outside the ring, completely scripted. Hey, I never

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<v Speaker 1>said it was a genius. Today I'm going to talk

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<v Speaker 1>to Brian Gowartz, one of the people who did that

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<v Speaker 1>script thing and wrote about his experience in his new book.

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<v Speaker 1>He also has a new documentary series about wrestling's early

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<v Speaker 1>days on Vice TV. We'll be back with Brian in

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<v Speaker 1>just a minute. And we're back with Brian, author of

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<v Speaker 1>the new book There's just One Problem. True Tales from

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<v Speaker 1>the former one time seventh most powerful person in w

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<v Speaker 1>w E. Thanks for coming on, Brian, Andrew, thank you,

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<v Speaker 1>thanks for having me. So I suppose we should start

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<v Speaker 1>with an explanation of what it even means to script

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<v Speaker 1>something like wrestling, because I think that's a little subject

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<v Speaker 1>to interpretation. Are you suggesting each in every move? Are

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<v Speaker 1>you suggesting each and every word? I would imagine there's

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<v Speaker 1>a lot of improvisation. Yeah, there's many different facets you know,

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<v Speaker 1>to writing wrestling, and the writers themselves, um, don't have

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<v Speaker 1>the qualifications to write, you know, the moves per se. Um.

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<v Speaker 1>The wrestlers largely themselves are the ones who who put

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<v Speaker 1>the matches together. They work with former wrestlers called producers. Um.

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<v Speaker 1>When it comes to the television shows and some of

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<v Speaker 1>the live events, what we do is writers, well we

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<v Speaker 1>would um you know, write the storylines that lead up

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<v Speaker 1>to the matches and propose what the matches are, and

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<v Speaker 1>propose who as they stay in wrestling, goes over in

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<v Speaker 1>the match, which is to win or to lose? Um.

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<v Speaker 1>And then you know that there are separate people who

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<v Speaker 1>actually you know, construct what is going to happen within

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<v Speaker 1>the ropes. You know, well, will make a suggestion as

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<v Speaker 1>far as like when this person will interfere and it

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<v Speaker 1>will lead to something next week. UM. But that's you

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<v Speaker 1>know the extent of the in ring action where dangerously

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<v Speaker 1>unqualified you know to uh to actually suggest what happens physically,

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<v Speaker 1>especially because the wrestlers themselves, it's like, yes, it's predetermined

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<v Speaker 1>and it's scripted, um, but the actual you know, there's

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<v Speaker 1>major physicality that's involved and injuries that occur, uh and

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<v Speaker 1>everything else. So that it's it's really important to have

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<v Speaker 1>people who know they're doing, you know, putting that stuff together.

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<v Speaker 1>But the actual storylines and you know, the the in

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<v Speaker 1>ring promos as that we're in terms of like what

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<v Speaker 1>the wrestlers are saying to each other, that's very collaborative

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<v Speaker 1>as well. But that's where the writers really you know,

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<v Speaker 1>have much more involvement in terms of what that is

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<v Speaker 1>and working with the wrestlers and working with you know,

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<v Speaker 1>and during my tenure Vince McMahon as it would be

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<v Speaker 1>now Triple H Paul evac um in terms of what

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<v Speaker 1>gets approved and everything else. Um. So there's yeah, there's

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<v Speaker 1>there's backstage stuff. There's stuff that takes place outside of

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<v Speaker 1>the arena, um, you know, right, So there's there's lots

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<v Speaker 1>of different aspects to it. Um. You know, so that

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<v Speaker 1>I really even realized. We'll get to Vincent in just

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<v Speaker 1>a minute, because I'm certainly interested in hearing your opinion

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<v Speaker 1>on where this league is at today. It's certainly an

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<v Speaker 1>interesting time. But still want to know some more about

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<v Speaker 1>the creative process here. What goes into being a great

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<v Speaker 1>creative in the wrestling world. Would imagine it's not necessarily

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<v Speaker 1>the same thing as writing for a sitcom or a

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<v Speaker 1>talk show. And you've done that kind of stuff as well. Yeah,

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<v Speaker 1>I mean I always you know, my my uncle, Howard

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<v Speaker 1>gowertz Um was a longtime successful show runner and executive producer.

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<v Speaker 1>He wrote on shows like Taxi and Wings and Larry Sanders. Um,

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<v Speaker 1>and it's what I wanted to do, you know, ever

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<v Speaker 1>since I saw you know his name in the credits

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<v Speaker 1>watching Taxi as a kid. Um. So I you know,

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<v Speaker 1>I was fortunate enough to to have written on a

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<v Speaker 1>few sitcoms prior to w w E and w w E. Yeah,

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<v Speaker 1>it's a completely different animal. There's some similarities. Um, it's

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<v Speaker 1>actually evolved to have more similarities. When I first started,

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<v Speaker 1>and there was not many similarities because it was very

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<v Speaker 1>run and gun. We'd be writing Tuesday morning, we'd be

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<v Speaker 1>writing the show that would take place Tuesday afternoon. Um,

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<v Speaker 1>from scratch. Now it's much more prepared ahead of time,

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<v Speaker 1>but nothing like the sitcom world, you know, like I'm

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<v Speaker 1>I'm here in Memphis season three of Young Rock, And

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<v Speaker 1>you know, these like like any other single cam sitcom,

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<v Speaker 1>you know, the scripts are written, that rewritten, their several drafts.

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<v Speaker 1>There's meetings with NBC getting and Universal getting notes and everything, um,

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<v Speaker 1>and you're shooting individual scenes over the course of the week,

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<v Speaker 1>whereas in w W E, you know, you're preparing during

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<v Speaker 1>the week, but basically the show goes on because it's

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<v Speaker 1>eight o'clock on Monday, not necessarily because it's ready or

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<v Speaker 1>completely you know, prepared, but you gotta do it because

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<v Speaker 1>you're on live television three hours and there's a lot

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<v Speaker 1>of you know, scrambling day of It's it's very it's

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<v Speaker 1>it's friends. It's it's frantic, but it's also the word friends.

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<v Speaker 1>It's it's very uh, it's it's very like adrenaline fueled.

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<v Speaker 1>You know. There's there's just a special magic, especially for

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<v Speaker 1>the performers, because they have the added bonus that that

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<v Speaker 1>really no one else in scripted television does of performing

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<v Speaker 1>not for a studio audience of a few hundred, but

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<v Speaker 1>of several thousand um and on pay per views that

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<v Speaker 1>could exceed over fifty thousand. Sometimes people who will and

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<v Speaker 1>we're not necessarily, like you know, conditioned to like it,

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<v Speaker 1>just because they're there that they don't like it, they'll

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<v Speaker 1>let you know, um. And you know it's it's just

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<v Speaker 1>very very um exciting. And when you're feeding off of

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<v Speaker 1>that um, it kind of fuels you to the next

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<v Speaker 1>show you wanna, you want to top yourself. Yeah, you

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<v Speaker 1>really capture that vibe in your book, which was such

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<v Speaker 1>a fun read. And you know, the funny thing is

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<v Speaker 1>the thing that I was struck by reading your book

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<v Speaker 1>was I could have been you. What I mean that

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<v Speaker 1>I too was a small Jewish kid growing up on

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<v Speaker 1>Long Island who grew up loving what was then known

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<v Speaker 1>as the WWF and it's eighties heyday from the first

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<v Speaker 1>Wrestlmania to Saturday Night main event. And I know you

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<v Speaker 1>sort of came up following it as well. I mean,

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<v Speaker 1>I don't know about you. I have this like Pavlovian

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<v Speaker 1>response to hearing the opening notes of remember that song

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<v Speaker 1>Obsession by an Emotion, which which was what kicked off

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<v Speaker 1>Saturday and I made event I hear those opening notes,

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<v Speaker 1>that my adrenaline shoots out of my body because I

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<v Speaker 1>remembered that was the feeling I felt when I was

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<v Speaker 1>about to watch like the most amazing wrestling extravaganza and

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<v Speaker 1>so funny. By the way, it's sorry interrupt Yeah, the

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<v Speaker 1>fact that you said that. So at one point in

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<v Speaker 1>the mid two thousand's, Saturdaynite's main event came back, um

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<v Speaker 1>or made like there was some version of it that

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<v Speaker 1>came back, and I was so animate about using that song,

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<v Speaker 1>the obsession song by an Emotion um And of course,

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<v Speaker 1>you know, this was mid two thousand's. They didn't want

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<v Speaker 1>to seem you know, the idea of it being retro was,

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<v Speaker 1>you know, being a step back and this is who

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<v Speaker 1>we are now, and let's have some new metal two

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<v Speaker 1>thousand six song as the whatever it was. But I

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<v Speaker 1>ve and went so far as to like, please just

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<v Speaker 1>just prepare and opening, let's just show Vince what it

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<v Speaker 1>would look like. Uh, And of course I think it was.

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<v Speaker 1>Here comes the Boom was the name of the song

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<v Speaker 1>that they used, and it was edited exactly to the

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<v Speaker 1>you know this physicality on the booms. And then when

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<v Speaker 1>the Animotion version, they just put the song over what

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<v Speaker 1>they had already edited, so nothing SYNCD up. It looked

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<v Speaker 1>completely I feel like I'm being sandbag, but I still

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<v Speaker 1>appreciate the fact that you know that you love that

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<v Speaker 1>song because I think it's in the whole generation. It

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<v Speaker 1>really does speak to I respect the effort that you made.

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<v Speaker 1>That's that's tremendous. You mentioned Vince we gotta go there

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<v Speaker 1>obviously quite the scandal that we've heard about in recent months,

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<v Speaker 1>which has led to his resignation as the chairman and CEO.

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<v Speaker 1>What is your because you worked with this guy, you

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<v Speaker 1>know him? Well, I'm not, you know, I'm sure you

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<v Speaker 1>can't say you know what you saw if there was

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<v Speaker 1>anything on, you know, in terms of observing what was

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<v Speaker 1>going on. The scandal, I think that sort of happened

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<v Speaker 1>after your time. But can this league function without someone

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<v Speaker 1>so central to what this sport is? Uh? Yeah, I

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<v Speaker 1>mean I think the short answer is yes, and and

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<v Speaker 1>they're proving it right now. Um. You know, Vince was

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<v Speaker 1>the he was you know where the buck stopped um

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<v Speaker 1>at w W E. But he also, you know, spouse

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<v Speaker 1>state philosophy of no one person is bigger than the company. Um,

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<v Speaker 1>and that was certainly the case, you know when talent left,

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<v Speaker 1>uh so called Steve Austin retired when the Rock went

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<v Speaker 1>to Hollywood. Ultimately, when John Cena went to Hollywood. Um,

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<v Speaker 1>there's so many you know, great great wrestlers that were

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<v Speaker 1>the focal point of the show that ultimately stopped wrestling.

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<v Speaker 1>And the company went on and it went through peaks

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<v Speaker 1>and valleys, but it still was on the air every

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<v Speaker 1>single week. And from a company in a business standpoint,

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<v Speaker 1>you know, I think Vince always employed the same philosophy

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<v Speaker 1>that like, you know, when he groomed people Triple H,

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<v Speaker 1>Paul avec included um, you know, and his daughter Stephanie McMahon, um,

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<v Speaker 1>and several you know executives as well, to put it

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<v Speaker 1>in and be in a position to succeed. You know.

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<v Speaker 1>My whole reason for being at w w E came

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<v Speaker 1>about because the two writers that were there at the

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<v Speaker 1>time before I started. Um, they you know through and

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<v Speaker 1>they have their reasons and everything, but they left the

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<v Speaker 1>company w w E to go to the rival w CW,

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<v Speaker 1>and that left w w WE with zero writers. Um,

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<v Speaker 1>and that's one of the main reasons why I was hired. Um,

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<v Speaker 1>they needed someone, and they needed someone right now. But

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<v Speaker 1>Vince you know, learned from that. He's like, I'm never

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<v Speaker 1>gonna put myself in a position where like I am

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<v Speaker 1>all of a sudden without a writing staff because one

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<v Speaker 1>or two people decided to leave. Um And I think

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<v Speaker 1>that just general philosophy permeates. So now you have people

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<v Speaker 1>being put in a position um to you know, essentially

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<v Speaker 1>prove their worth when its too all these you know,

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<v Speaker 1>talent relations, creative writing, live events, all these aspects of

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<v Speaker 1>the company that ran through Vince. But he had people

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<v Speaker 1>you know, in in place there. Um And I think

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<v Speaker 1>you know, Paula Veck and Stephanie McMahon um and Nick

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<v Speaker 1>con as well. I mean Paul and Stephanie obviously went

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<v Speaker 1>through the rigors of w w E and that culture.

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<v Speaker 1>It's embedded in their lives. They've been in the company.

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<v Speaker 1>You know, Triple H started wrestling, I believe, um and

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<v Speaker 1>and has always been. He didn't just all of a

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<v Speaker 1>sudden graduate two behind the scenes role after you know,

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<v Speaker 1>Vince stepped down. You know, he had been an executive

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<v Speaker 1>in the company, you know, for years before that. Even

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<v Speaker 1>as a wrestler. He was always in the production meetings

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<v Speaker 1>at television. Um, you know, sitting in the front row, observing, learning,

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<v Speaker 1>you know, absorbing everything. Stephanie too was you know, Vince

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<v Speaker 1>didn't put her in a position of power immediately. She

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<v Speaker 1>interned essentially at the New York sales office. At the

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<v Speaker 1>beginning of her tenure, she followed and tracked Vince backstage

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<v Speaker 1>before she took any sort of position. UM. So I

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<v Speaker 1>think they're well versed and and Nick con of course

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<v Speaker 1>is you know someone who's well raging from C A

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<v Speaker 1>A who now runs the business there. Yeah, and on

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<v Speaker 1>that business side as WWS evolving and needs someone just

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<v Speaker 1>like him who knows these fields so well. And it's

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<v Speaker 1>not in a wrestling bubble as we call it. Um.

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<v Speaker 1>You know, I think that that triumphant um. I'm saying

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<v Speaker 1>a lot of words today that I'm not I hope

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<v Speaker 1>these are actual words that they are. UM. I think

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<v Speaker 1>they've been put in a position where it's not like

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<v Speaker 1>Vince is gone and all of a sudden, it's the

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<v Speaker 1>scene from airplanes. Anyone had to fly a plane and

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<v Speaker 1>there's just mass pine waving their arms and screaming. It's

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<v Speaker 1>like they're there put in a position, um to now

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<v Speaker 1>show their worth. And I think know, if there's any

0:13:00.720 --> 0:13:03.000
<v Speaker 1>indication of the past month or two, you know, they're

0:13:03.040 --> 0:13:06.600
<v Speaker 1>doing just that. I wonder though, and I think there's

0:13:06.640 --> 0:13:09.040
<v Speaker 1>been a lot of speculation that has propped up the

0:13:09.080 --> 0:13:13.600
<v Speaker 1>stock that the company may finally get sold. Uh could

0:13:13.640 --> 0:13:18.839
<v Speaker 1>you imagine that happening? Um? Look, anything is is possible,

0:13:19.000 --> 0:13:23.280
<v Speaker 1>you know. UM. And I think you know, I wouldn't

0:13:23.640 --> 0:13:27.000
<v Speaker 1>know exactly, but I would say when w w E

0:13:27.280 --> 0:13:31.880
<v Speaker 1>Network first started, UM, I had always you know, thought like, Okay,

0:13:31.920 --> 0:13:34.079
<v Speaker 1>this is going to be something that w w E

0:13:34.200 --> 0:13:37.319
<v Speaker 1>strongly feels is going to be its own streaming service.

0:13:37.400 --> 0:13:40.760
<v Speaker 1>And I can't imagine if this existing in any form um.

0:13:41.040 --> 0:13:43.240
<v Speaker 1>And it's you know, no one is going to know

0:13:43.280 --> 0:13:45.400
<v Speaker 1>how to do this better than us and all of

0:13:45.440 --> 0:13:48.559
<v Speaker 1>that stuff and all their archival footage and everything else. Um.

0:13:48.640 --> 0:13:50.240
<v Speaker 1>And then all of a sudden, now it's on Peacock

0:13:50.320 --> 0:13:52.680
<v Speaker 1>and it's not its own streaming form anymore. And I

0:13:52.760 --> 0:13:56.720
<v Speaker 1>was just like, huh, I did not see that coming. Um.

0:13:56.760 --> 0:13:58.400
<v Speaker 1>And I think it's kind of like, you know, that's

0:13:58.440 --> 0:14:02.800
<v Speaker 1>a good parallel because they're a business. Um, it's fiercely

0:14:03.040 --> 0:14:05.840
<v Speaker 1>and with much pride, you know, a family owned business,

0:14:05.880 --> 0:14:08.280
<v Speaker 1>even though it's a publicly traded company. But the McMahon's

0:14:08.280 --> 0:14:12.360
<v Speaker 1>obviously own the majority of the stock and everything. UM.

0:14:12.400 --> 0:14:15.960
<v Speaker 1>But yeah, the Vince has always been you know, his philosophy,

0:14:15.960 --> 0:14:19.640
<v Speaker 1>and it trickles on down is Um, there's more than

0:14:19.680 --> 0:14:23.080
<v Speaker 1>one right way to do something, and you know, if

0:14:23.080 --> 0:14:25.680
<v Speaker 1>an opportunity comes along, they'll always do. It's funny because

0:14:25.720 --> 0:14:29.240
<v Speaker 1>Triple h And and Stephanie McMahon as television characters, they

0:14:29.320 --> 0:14:32.480
<v Speaker 1>got a lot of heat as authority authority figures by

0:14:32.480 --> 0:14:35.880
<v Speaker 1>saying we're gonna do what's best for business, and on

0:14:35.960 --> 0:14:39.280
<v Speaker 1>television that translated to putting the good guys, the baby

0:14:39.280 --> 0:14:42.920
<v Speaker 1>faces and precarious positions. Um, but it's best for business.

0:14:43.000 --> 0:14:46.120
<v Speaker 1>But now it actually is paralleling in real life. Um,

0:14:46.160 --> 0:14:48.440
<v Speaker 1>they'll do what's best for business. And whether that means

0:14:48.440 --> 0:14:50.560
<v Speaker 1>one day selling the company, that could be, whether it

0:14:50.640 --> 0:14:53.760
<v Speaker 1>means keeping the company forever and evolving. You know, with

0:14:53.840 --> 0:14:59.560
<v Speaker 1>the times, I could easily see that too. We'll be

0:14:59.600 --> 0:15:02.640
<v Speaker 1>back in just a moment with more with Brian Gwertz.

0:15:02.760 --> 0:15:14.840
<v Speaker 1>Stick around. We're back with Brian Gowertz, author of the

0:15:14.880 --> 0:15:18.000
<v Speaker 1>new book There's Just One Problem, True tales from the

0:15:18.040 --> 0:15:21.520
<v Speaker 1>former one time seventh most powerful person in the w

0:15:21.520 --> 0:15:25.520
<v Speaker 1>w E. So, Brian, you have since left the w

0:15:25.520 --> 0:15:28.960
<v Speaker 1>w E. You now work with seven Bucks Production, which

0:15:29.000 --> 0:15:33.400
<v Speaker 1>happens to be Dwayne the Rock Johnson's production company. What

0:15:33.480 --> 0:15:36.640
<v Speaker 1>was your relationship with him, like you talk about this

0:15:36.680 --> 0:15:39.560
<v Speaker 1>in the book, when you were both in the same league,

0:15:39.600 --> 0:15:41.840
<v Speaker 1>and how did it sort of graduate to this whole

0:15:41.840 --> 0:15:46.680
<v Speaker 1>new place. Yeah, we had um for two people who

0:15:46.680 --> 0:15:53.280
<v Speaker 1>were certainly physically extraordinarily different. Um, you know, we we

0:15:53.280 --> 0:15:57.720
<v Speaker 1>were we kind of had the same UM. Well, we

0:15:57.800 --> 0:15:59.920
<v Speaker 1>definitely did not have the same path to get the

0:16:00.040 --> 0:16:03.320
<v Speaker 1>BW but there are similarities in the sense that we're

0:16:03.400 --> 0:16:07.640
<v Speaker 1>essentially one year apart um, you know, age wise, so

0:16:07.840 --> 0:16:10.880
<v Speaker 1>we kind of have that same um you know, gen

0:16:11.120 --> 0:16:14.480
<v Speaker 1>x sensibilities in terms of hitting a sweet spot age

0:16:14.520 --> 0:16:17.640
<v Speaker 1>when Star Wars and Indiana Jones and like all those

0:16:17.640 --> 0:16:21.240
<v Speaker 1>things came out, uh and be having similar tastes and fans,

0:16:21.560 --> 0:16:24.840
<v Speaker 1>you know, sense of humor, that kind of thing. UM

0:16:24.920 --> 0:16:26.800
<v Speaker 1>to be able to relate as far as pop culture

0:16:26.800 --> 0:16:30.560
<v Speaker 1>and movies and sports as well. UM. You know, he

0:16:30.680 --> 0:16:33.480
<v Speaker 1>famously UM And I didn't realize that at the time,

0:16:33.560 --> 0:16:36.000
<v Speaker 1>but as a member of the Miami Hurricanes, he'd come

0:16:36.040 --> 0:16:39.200
<v Speaker 1>to Syracuse where I went, UM and they beat our

0:16:39.560 --> 0:16:42.800
<v Speaker 1>asses pretty good in football, and I remember booing what

0:16:43.480 --> 0:16:45.600
<v Speaker 1>turned out to be him and all his teammates off

0:16:45.640 --> 0:16:52.040
<v Speaker 1>the field has rated after a you know, decisive, heartbreaking victory. UM.

0:16:52.080 --> 0:16:55.400
<v Speaker 1>But he always you know, his philosophy, wh's the same

0:16:55.440 --> 0:16:58.840
<v Speaker 1>now as it was then, has always been show me

0:16:58.840 --> 0:17:01.400
<v Speaker 1>what you got I don't have. You know, there a

0:17:01.440 --> 0:17:05.120
<v Speaker 1>lot of wrestlers who had these fair but you know,

0:17:05.920 --> 0:17:10.240
<v Speaker 1>preconceived notions of like what can someone five eight from

0:17:10.280 --> 0:17:12.280
<v Speaker 1>Long Island who doesn't look like they can crack an

0:17:12.280 --> 0:17:16.080
<v Speaker 1>egg with a punch possibly tell me about how I

0:17:16.160 --> 0:17:18.800
<v Speaker 1>as a wrestler, I'm supposed to either trash talk or

0:17:19.040 --> 0:17:22.360
<v Speaker 1>or promote a match and sell tickets and that kind

0:17:22.359 --> 0:17:25.879
<v Speaker 1>of thing, um, which I get. But his philosophy is

0:17:25.920 --> 0:17:29.000
<v Speaker 1>always like, yeah, what do you If you can help me, great,

0:17:29.359 --> 0:17:31.280
<v Speaker 1>and if you can't help me, I'll still be fine.

0:17:31.440 --> 0:17:34.240
<v Speaker 1>So let's see what you can do. And that's what

0:17:34.359 --> 0:17:35.920
<v Speaker 1>kind of you know, and I write about in the book.

0:17:35.960 --> 0:17:38.280
<v Speaker 1>I mean that's when I met him at MTV doing

0:17:38.280 --> 0:17:41.320
<v Speaker 1>these specials. UM. He was impressed with what I had written.

0:17:41.320 --> 0:17:43.080
<v Speaker 1>He's like, wow, you really captured my voice well in

0:17:43.119 --> 0:17:45.920
<v Speaker 1>these promos. Um, have you ever considered working for w

0:17:46.119 --> 0:17:49.240
<v Speaker 1>w E, which I hadn't um, And And that led

0:17:49.280 --> 0:17:52.360
<v Speaker 1>to me eventually getting hired. UM. And we always work

0:17:52.480 --> 0:17:55.040
<v Speaker 1>together on stuff at w w E. It was always

0:17:55.080 --> 0:17:57.640
<v Speaker 1>kind of like, let's bounce ideas off each other. Um.

0:17:57.680 --> 0:18:00.639
<v Speaker 1>And it was very very carefully craft did it wouldn't

0:18:00.680 --> 0:18:04.480
<v Speaker 1>be you know, he his philosophy wasn't like, yeah, I'll

0:18:04.520 --> 0:18:06.800
<v Speaker 1>just go out and I'll do my stick and then

0:18:06.840 --> 0:18:09.240
<v Speaker 1>we'll go to the back. It's like, how can we creatively? Yes,

0:18:09.280 --> 0:18:11.760
<v Speaker 1>there was a lot of catchphrases that people knew and stuff,

0:18:12.000 --> 0:18:15.159
<v Speaker 1>but getting into it and and the stories that he

0:18:15.240 --> 0:18:18.240
<v Speaker 1>was telling. Uh, he always had a very very you know,

0:18:18.359 --> 0:18:21.199
<v Speaker 1>carefully crafted, fine eye towards what it was he was

0:18:21.200 --> 0:18:23.159
<v Speaker 1>going to say and to who and how he was

0:18:23.200 --> 0:18:25.840
<v Speaker 1>going to do it. Especially then when he turned Heel

0:18:25.960 --> 0:18:28.240
<v Speaker 1>Bad Guy in two thousand three, and that's sort of

0:18:28.280 --> 0:18:30.119
<v Speaker 1>like was a brand new character, even though it was

0:18:30.160 --> 0:18:34.560
<v Speaker 1>the same person. UM. And that extended to television, you know.

0:18:34.720 --> 0:18:37.520
<v Speaker 1>I he took me along the ride. He hosted m

0:18:37.720 --> 0:18:40.600
<v Speaker 1>the World Stunt Awards, the Tourist Stunt Awards, which was

0:18:40.760 --> 0:18:43.760
<v Speaker 1>an award show for stuntmen and women on the Paramount

0:18:43.760 --> 0:18:46.320
<v Speaker 1>Lot two years or in a row, early early early

0:18:46.400 --> 0:18:48.680
<v Speaker 1>this was probably like two thousand four two thousand five

0:18:48.760 --> 0:18:52.360
<v Speaker 1>or something like that, and he was like, yeah, come

0:18:52.400 --> 0:18:54.720
<v Speaker 1>on board, I'll get you hired as a writer. Let's

0:18:54.760 --> 0:18:57.440
<v Speaker 1>do it. Um. And we always kept in touch even

0:18:57.480 --> 0:19:00.800
<v Speaker 1>when he was doing his movies. UM. And when it

0:19:00.880 --> 0:19:04.240
<v Speaker 1>was time for him and Danny Garcia's business partner ex

0:19:04.280 --> 0:19:07.480
<v Speaker 1>wife business partner to start their own production company, uh

0:19:07.480 --> 0:19:10.000
<v Speaker 1>seven Bucks, he was like, yeah, hey, listen, we'd love

0:19:10.040 --> 0:19:12.840
<v Speaker 1>to have you if you want to come. And I was,

0:19:13.480 --> 0:19:17.120
<v Speaker 1>you know, fifteen years in w W E like, yeah,

0:19:17.119 --> 0:19:21.439
<v Speaker 1>I was ready transition. While it's like, you know, I'm

0:19:21.480 --> 0:19:24.359
<v Speaker 1>still in my forties. There's still a lot of you know,

0:19:24.480 --> 0:19:27.080
<v Speaker 1>work to be done and experiences to have. So let's

0:19:27.080 --> 0:19:30.080
<v Speaker 1>do it. That's great, And you know you've gone on

0:19:30.160 --> 0:19:33.400
<v Speaker 1>to do things like you know, the Young Rock sitcom

0:19:33.400 --> 0:19:37.520
<v Speaker 1>which is returning to NBC. And what I mean is

0:19:37.680 --> 0:19:40.520
<v Speaker 1>basically anything that the Rock does out of seven Bucks,

0:19:40.600 --> 0:19:42.720
<v Speaker 1>you've got your fingerprints in it. Is that how it

0:19:42.760 --> 0:19:46.159
<v Speaker 1>works well on the television side, um, because we obviously

0:19:46.200 --> 0:19:52.320
<v Speaker 1>we have television, there's movies, there's you know, all the business, um,

0:19:52.359 --> 0:19:55.959
<v Speaker 1>you know expenditures. He's again, I'm saying words that I

0:19:56.000 --> 0:20:01.679
<v Speaker 1>feel I'm trying. I can confer where they were Riety podcast, Um,

0:20:01.760 --> 0:20:04.359
<v Speaker 1>you know, but between Terramana and you know, his tequila

0:20:04.480 --> 0:20:09.720
<v Speaker 1>company and under Armour project Rock Zoe, there's there's there's

0:20:09.760 --> 0:20:13.119
<v Speaker 1>all these you know business ventures, um that all of

0:20:13.240 --> 0:20:16.679
<v Speaker 1>us you know, within seven Bucks are always involved in,

0:20:17.240 --> 0:20:21.600
<v Speaker 1>whether it's you know, writing, you know copy for um,

0:20:21.640 --> 0:20:24.200
<v Speaker 1>you know, a campaign and ad campaign or at least

0:20:24.200 --> 0:20:27.800
<v Speaker 1>contributing to it. On the movie side, you know, I'm

0:20:27.840 --> 0:20:29.800
<v Speaker 1>not on set on any of the movies and listen,

0:20:29.880 --> 0:20:32.679
<v Speaker 1>just visiting to say hi. But we all have you know,

0:20:33.200 --> 0:20:35.760
<v Speaker 1>meetings where we're discussing what projects we're all working on.

0:20:36.440 --> 0:20:39.200
<v Speaker 1>We'll all be able to read the scripts and give feedback.

0:20:39.520 --> 0:20:42.879
<v Speaker 1>On the television side though, you know, that's a you know,

0:20:43.080 --> 0:20:47.320
<v Speaker 1>that's that's more obviously my my lane and everything that

0:20:47.400 --> 0:20:49.800
<v Speaker 1>you know we do on the television side, I'm involved with.

0:20:49.880 --> 0:20:53.520
<v Speaker 1>But also it's certainly not a one person operation. You know,

0:20:53.560 --> 0:20:56.440
<v Speaker 1>we have other members of the team on the TV side,

0:20:56.480 --> 0:21:01.120
<v Speaker 1>other executives, and obviously we are in touch with Dwayne

0:21:01.160 --> 0:21:04.920
<v Speaker 1>to get his feedback opinion. He is not a movie

0:21:04.920 --> 0:21:08.119
<v Speaker 1>star with a production company, hands off producer. You know,

0:21:08.200 --> 0:21:10.280
<v Speaker 1>anything that comes out of seven Bucks is going to

0:21:10.320 --> 0:21:13.680
<v Speaker 1>be associated with him, So he wants to know what

0:21:13.840 --> 0:21:16.520
<v Speaker 1>it is and and obviously wants to have some sort

0:21:16.560 --> 0:21:19.560
<v Speaker 1>of connectivity to it, um, which we always try to do,

0:21:19.760 --> 0:21:22.679
<v Speaker 1>even if it's on a surface level. You know, you

0:21:22.680 --> 0:21:26.040
<v Speaker 1>wouldn't associate with the rock, but you know, there there's

0:21:26.040 --> 0:21:28.760
<v Speaker 1>always a way in terms of like you know, he

0:21:28.800 --> 0:21:32.720
<v Speaker 1>watches documentaries all the time, uh, you know, in his

0:21:32.880 --> 0:21:35.960
<v Speaker 1>two seconds of free time that he has. So we're developing,

0:21:36.119 --> 0:21:40.080
<v Speaker 1>you know, a docuseries right now, um that hopefully will

0:21:40.119 --> 0:21:42.840
<v Speaker 1>be you know and be able to be announced soon. Um.

0:21:42.880 --> 0:21:46.159
<v Speaker 1>He minored in criminology at University of Miami. You know,

0:21:46.240 --> 0:21:49.840
<v Speaker 1>that opens up a whole, you know, another level of projects,

0:21:49.920 --> 0:21:53.920
<v Speaker 1>dramas unscripted that we can do. But any but anything

0:21:53.960 --> 0:21:55.960
<v Speaker 1>that even if just a member of the team, even

0:21:55.960 --> 0:21:58.800
<v Speaker 1>if it's not Dwayne himself, has a passion for He

0:21:58.920 --> 0:22:02.000
<v Speaker 1>encourages us to pursue it, and you know, want to

0:22:02.040 --> 0:22:04.520
<v Speaker 1>see it through because if you don't have you know,

0:22:04.560 --> 0:22:06.679
<v Speaker 1>if you're just gonna like stamp your name on something

0:22:07.000 --> 0:22:10.439
<v Speaker 1>and you know that's and then hopefully it gets sells.

0:22:10.840 --> 0:22:14.480
<v Speaker 1>I mean that's that's that's fine maybe to a certain extent,

0:22:14.520 --> 0:22:16.359
<v Speaker 1>but it really doesn't work on the seven buck side,

0:22:16.359 --> 0:22:19.080
<v Speaker 1>because you really need to have somebody on the team

0:22:19.480 --> 0:22:23.480
<v Speaker 1>have a strong passion and connectivity to any project for

0:22:23.560 --> 0:22:27.000
<v Speaker 1>it to really you know shine. Well, one of the

0:22:27.040 --> 0:22:29.880
<v Speaker 1>projects you guys have worked on is this new Vice

0:22:29.960 --> 0:22:35.080
<v Speaker 1>TV docuseries that starts today the day that this podcast

0:22:35.160 --> 0:22:40.119
<v Speaker 1>comes out, called Tales from the Territories, which goes deep

0:22:40.200 --> 0:22:43.040
<v Speaker 1>on what wrestling was like in the seventies and eighties

0:22:43.080 --> 0:22:47.200
<v Speaker 1>of very different business than um, you know, it's funny.

0:22:47.240 --> 0:22:49.840
<v Speaker 1>I also sort of related to my own experience. I

0:22:49.880 --> 0:22:54.120
<v Speaker 1>grew up in the eighties just watching WWF and then

0:22:54.160 --> 0:22:59.359
<v Speaker 1>I remember transitioning at some point to seeing magazines about

0:22:59.400 --> 0:23:03.440
<v Speaker 1>the wrestling world and lo and behold, discovering there's all

0:23:03.480 --> 0:23:07.080
<v Speaker 1>these other leagues out there like n w A and

0:23:07.359 --> 0:23:10.880
<v Speaker 1>u WF, and the wrestling there was so much gorri

0:23:11.040 --> 0:23:15.000
<v Speaker 1>er with like barbed wire matches and buckets of blood.

0:23:15.040 --> 0:23:17.920
<v Speaker 1>Like I assume that's the kind of stuff this documentary

0:23:18.000 --> 0:23:21.880
<v Speaker 1>gets into the wild wooly early days. Well yeah, we

0:23:21.880 --> 0:23:24.560
<v Speaker 1>we really it's funny. We we have the same exact

0:23:25.119 --> 0:23:27.639
<v Speaker 1>you know, fan experience as as kids, you know, as

0:23:27.680 --> 0:23:29.199
<v Speaker 1>I grew up in the eighties as well, and I

0:23:29.240 --> 0:23:34.159
<v Speaker 1>remember the Pro Wrestling illustrated magazines and seeing you know,

0:23:34.359 --> 0:23:39.160
<v Speaker 1>all these other all these other companies and territories essentially

0:23:39.720 --> 0:23:42.440
<v Speaker 1>um and I remember seeing this picture of this wild,

0:23:43.000 --> 0:23:46.760
<v Speaker 1>blonde haired, long haired guy drinking Jack Daniels and bleeding

0:23:47.040 --> 0:23:49.119
<v Speaker 1>and thinking, oh my god, look at that that person.

0:23:49.160 --> 0:23:51.399
<v Speaker 1>It's like a maniac. And that was Michael ps He.

0:23:51.560 --> 0:23:53.520
<v Speaker 1>So I ended up working with the w w EE

0:23:54.040 --> 0:23:56.800
<v Speaker 1>for a decade and a half. Um. You know, it

0:23:56.880 --> 0:23:59.680
<v Speaker 1>is kind of funny how it came around, but yeah,

0:23:59.720 --> 0:24:03.520
<v Speaker 1>the were you know, Vince McMahon, you know, kind of

0:24:03.920 --> 0:24:09.320
<v Speaker 1>nationalized um wrestling, you know, with with Cable and WrestleMania

0:24:09.359 --> 0:24:11.679
<v Speaker 1>and you know, in turner to an extent to with

0:24:12.160 --> 0:24:15.639
<v Speaker 1>w CW. But before that, you know, the wrestling world

0:24:15.760 --> 0:24:21.520
<v Speaker 1>was was essentially territorial, like every region in America and

0:24:21.840 --> 0:24:24.400
<v Speaker 1>outside of America too, in Canada, Mexico, they all had

0:24:24.640 --> 0:24:28.359
<v Speaker 1>their own territories and wrestlers would come and go out

0:24:28.359 --> 0:24:31.160
<v Speaker 1>of the territories, um, and it would you know, they'd

0:24:31.160 --> 0:24:35.240
<v Speaker 1>have local TV and it would be a really huge deal. Um,

0:24:35.280 --> 0:24:38.159
<v Speaker 1>you know, whether it was in Memphis, whether it was

0:24:38.240 --> 0:24:43.000
<v Speaker 1>in Texas with World Class up in Portland, Calgary and

0:24:43.080 --> 0:24:47.120
<v Speaker 1>Stampede mid Atlantic. There there's so many different territories and stories.

0:24:47.160 --> 0:24:50.920
<v Speaker 1>And this was during a time when you know, fans

0:24:51.640 --> 0:24:55.760
<v Speaker 1>we're not as you know, tuned into the backstage workings

0:24:55.840 --> 0:24:58.359
<v Speaker 1>of the business. You know, they treated it as real,

0:24:58.960 --> 0:25:02.119
<v Speaker 1>um and much real lawyer than you know fans you know,

0:25:02.240 --> 0:25:05.240
<v Speaker 1>view the product today. So there's a lot of passion

0:25:05.400 --> 0:25:09.160
<v Speaker 1>and there was a lot of wrestlers, bad guys getting

0:25:09.280 --> 0:25:12.360
<v Speaker 1>attacked by fans. And you know, you if you were

0:25:12.400 --> 0:25:14.320
<v Speaker 1>a good guy and you or even if you were

0:25:14.359 --> 0:25:16.439
<v Speaker 1>a bad guy and you were in a bar and

0:25:16.480 --> 0:25:19.399
<v Speaker 1>you lost a fight to a quote unquote regular person,

0:25:20.080 --> 0:25:22.800
<v Speaker 1>you'd be in big trouble because that's you know that

0:25:23.560 --> 0:25:27.479
<v Speaker 1>you're you're essentially the illusion is being shattered. Um. So

0:25:27.520 --> 0:25:31.000
<v Speaker 1>there are these and obviously two on Dwayne side. His dad,

0:25:31.200 --> 0:25:35.879
<v Speaker 1>Rocky Johnson wrestled in the territories, as did his grandfather

0:25:35.960 --> 0:25:38.679
<v Speaker 1>Hig Chief Peter my idea. So this is something you know,

0:25:38.760 --> 0:25:40.719
<v Speaker 1>and he that's one of the reasons, it's it's one

0:25:40.760 --> 0:25:43.320
<v Speaker 1>of the foundations of young Rock the reason why he

0:25:43.400 --> 0:25:48.080
<v Speaker 1>lives in so many different towns and cities between Hawaii,

0:25:48.160 --> 0:25:52.560
<v Speaker 1>between Memphis, between you know, in real life. Um, you know,

0:25:52.600 --> 0:25:54.960
<v Speaker 1>he he's lived everywhere. He's lived in Texas, he's living

0:25:54.960 --> 0:25:57.919
<v Speaker 1>in Connecticut, he's lived in New Zealand. You know, Um,

0:25:58.160 --> 0:26:00.479
<v Speaker 1>it's because of the territories, because his dad is bouncing

0:26:00.480 --> 0:26:03.480
<v Speaker 1>around from territory to territory. So we were able to

0:26:03.520 --> 0:26:05.840
<v Speaker 1>work with the vice and creators the Dark Side of

0:26:05.880 --> 0:26:09.600
<v Speaker 1>the Ring they're successful wrestling show. Um, to to get

0:26:09.600 --> 0:26:13.160
<v Speaker 1>the real life people who experienced them, who lived during

0:26:13.200 --> 0:26:16.639
<v Speaker 1>these times and tell these stories and shoot recreations of

0:26:16.680 --> 0:26:19.000
<v Speaker 1>these stories so you're seeing these stories come to life.

0:26:19.520 --> 0:26:21.600
<v Speaker 1>Um and and yeah, it was one of those things

0:26:21.600 --> 0:26:24.560
<v Speaker 1>where like the dark side of the business has been

0:26:24.960 --> 0:26:29.280
<v Speaker 1>you know well told, Uh, especially with Dark Side of

0:26:29.280 --> 0:26:32.040
<v Speaker 1>the Ring being such a big success over advice, how

0:26:32.080 --> 0:26:35.880
<v Speaker 1>can we you know, tell the story of these basically wild,

0:26:36.080 --> 0:26:40.040
<v Speaker 1>crazy anything can happen, just needs to be seen to

0:26:40.080 --> 0:26:42.879
<v Speaker 1>be believed type stories. And that was the you know,

0:26:42.920 --> 0:26:46.440
<v Speaker 1>the foundation of tales from the territories that yeah, we're

0:26:46.440 --> 0:26:50.720
<v Speaker 1>super excited about, you know coming out. Um, you know today,

0:26:51.560 --> 0:26:55.040
<v Speaker 1>what what was it like to get footage and and

0:26:55.200 --> 0:26:58.000
<v Speaker 1>find sort of the historical record there because this this

0:26:58.080 --> 0:27:01.440
<v Speaker 1>was far these territories were far from a polished product,

0:27:01.640 --> 0:27:04.160
<v Speaker 1>was it was? There a lot of effort that went

0:27:04.160 --> 0:27:07.400
<v Speaker 1>into digging that all opera. Was it there for the taking? Yeah,

0:27:07.440 --> 0:27:10.800
<v Speaker 1>I mean there's archival footage and there's stills and stuff

0:27:10.840 --> 0:27:13.880
<v Speaker 1>like that, you know, But the the good thing is

0:27:13.880 --> 0:27:17.400
<v Speaker 1>is that the story isn't really relying on footage footage

0:27:17.480 --> 0:27:21.399
<v Speaker 1>because almost all of these stories m are what takes

0:27:21.400 --> 0:27:24.840
<v Speaker 1>place outside of the ring um and whether it wouldn't

0:27:24.840 --> 0:27:28.080
<v Speaker 1>be footage anyway. So that's why we're shooting these recreations

0:27:28.600 --> 0:27:31.639
<v Speaker 1>while you know, hearing from the people directly involved or

0:27:31.680 --> 0:27:34.840
<v Speaker 1>at least one step removed from the people directly involved,

0:27:34.880 --> 0:27:36.720
<v Speaker 1>whether there was a story told to them or whether

0:27:36.720 --> 0:27:39.000
<v Speaker 1>it was something that they lived themselves. So we could

0:27:39.000 --> 0:27:45.760
<v Speaker 1>supplement that with footage of um the people the principles,

0:27:45.960 --> 0:27:48.800
<v Speaker 1>But in terms of the actual stories of what went

0:27:49.040 --> 0:27:52.919
<v Speaker 1>what went down, that's something that we just shoot ourselves

0:27:53.280 --> 0:27:55.920
<v Speaker 1>and are able to kind of seamlessly insert it as

0:27:56.000 --> 0:27:59.480
<v Speaker 1>these legends are are telling their first person accounts and

0:27:59.560 --> 0:28:03.840
<v Speaker 1>what led show up in this stock. So there's like,

0:28:04.600 --> 0:28:06.280
<v Speaker 1>you know, it was so much fun, you know, and

0:28:06.280 --> 0:28:09.119
<v Speaker 1>that's part of my job as a producer, was reaching

0:28:09.119 --> 0:28:13.400
<v Speaker 1>out um to Breath the hit Man Heart, reaching out

0:28:13.400 --> 0:28:16.080
<v Speaker 1>to Jerry the King Lawler, reaching out to Jimmy Mouth

0:28:16.119 --> 0:28:19.440
<v Speaker 1>and the South Heart, Jeff Jarrett, Jerry Jarrett, his father,

0:28:20.000 --> 0:28:25.160
<v Speaker 1>um and and you know between my relationships and Evan

0:28:25.240 --> 0:28:28.000
<v Speaker 1>Huntsey and Jason Eisner Dark Side of the Ring, you know,

0:28:28.119 --> 0:28:30.359
<v Speaker 1>to be able to have Kevin von Erik, to be

0:28:30.400 --> 0:28:32.520
<v Speaker 1>able to have Dr d David Schultz and a lot

0:28:32.520 --> 0:28:37.159
<v Speaker 1>of people who haven't really spoken a ton on you know,

0:28:37.200 --> 0:28:39.760
<v Speaker 1>these subjects. I'm Duel of the Butcher is on our show.

0:28:39.800 --> 0:28:43.080
<v Speaker 1>I remember that guy. Yeah, that's the guy that you'd

0:28:43.080 --> 0:28:47.200
<v Speaker 1>read in the the old you know magazine. Oh my god,

0:28:47.600 --> 0:28:51.080
<v Speaker 1>that a fork coming out of his head exactly. You know,

0:28:51.120 --> 0:28:53.760
<v Speaker 1>it's it's so cool. It's so cool to you know,

0:28:53.800 --> 0:28:56.080
<v Speaker 1>be able to see them in person. I was at

0:28:56.120 --> 0:28:59.000
<v Speaker 1>a couple of the tapings, um and see them tell

0:28:59.000 --> 0:29:02.640
<v Speaker 1>their tales. Do you remember, by the way, from these magazines.

0:29:02.680 --> 0:29:05.000
<v Speaker 1>I just had a memory. They would there was some

0:29:05.160 --> 0:29:09.960
<v Speaker 1>company that would advertise you could create your own wrestler

0:29:10.480 --> 0:29:13.760
<v Speaker 1>and make up moves, make up a wrestler, and you'd

0:29:13.760 --> 0:29:16.320
<v Speaker 1>like hand in like I don't know, three dollars a month,

0:29:16.800 --> 0:29:18.760
<v Speaker 1>and then they'd come back to you was like, oh yeah,

0:29:18.800 --> 0:29:21.200
<v Speaker 1>you're wrestler. Beat that wrestler and it was this whole

0:29:21.240 --> 0:29:24.200
<v Speaker 1>like three page print out of everything going on in

0:29:24.240 --> 0:29:26.320
<v Speaker 1>the league. And I'm sure it was a total scam,

0:29:26.400 --> 0:29:30.640
<v Speaker 1>but I still loved it. I I remember advertisements like that.

0:29:30.720 --> 0:29:36.600
<v Speaker 1>I never had the I was the sucker, did it? Uh? Yeah?

0:29:36.680 --> 0:29:40.120
<v Speaker 1>I mean and to this day, as you know, unfortunately,

0:29:40.360 --> 0:29:42.760
<v Speaker 1>you know, when you grow up a wrestling fan, you

0:29:42.760 --> 0:29:45.480
<v Speaker 1>you know hundreds of different performers, and it feels like

0:29:45.600 --> 0:29:48.920
<v Speaker 1>nowadays so many of these guys, like every month goes

0:29:48.960 --> 0:29:51.320
<v Speaker 1>by you here one of them dying, and it's like

0:29:51.360 --> 0:29:55.120
<v Speaker 1>a little piece of your childhood being peeled away one

0:29:55.200 --> 0:29:58.080
<v Speaker 1>by one, where there are people that you wanted in

0:29:58.160 --> 0:30:00.120
<v Speaker 1>this doct that you didn't hear from just because as

0:30:00.120 --> 0:30:03.840
<v Speaker 1>they were no longer with us. Well you know, yeah,

0:30:03.880 --> 0:30:05.960
<v Speaker 1>you know, it would be in a in a perfect world,

0:30:06.240 --> 0:30:08.320
<v Speaker 1>you know. I mean. Summer of two thousand fifteen for

0:30:08.480 --> 0:30:13.800
<v Speaker 1>me was very rough because you know, Dusty Rhodes the

0:30:13.800 --> 0:30:17.440
<v Speaker 1>American Dream and Roddy piper Um two of my favorites.

0:30:17.520 --> 0:30:20.560
<v Speaker 1>Roddy was my favorite as a kid. Dusty became my

0:30:20.680 --> 0:30:22.640
<v Speaker 1>favorite when I had the opportunity to work with him

0:30:23.160 --> 0:30:25.560
<v Speaker 1>backstage at w w E. Otherwise I had you know,

0:30:26.240 --> 0:30:28.160
<v Speaker 1>like seen you know, as a as a w w

0:30:28.680 --> 0:30:31.840
<v Speaker 1>F fan growing up. Of course we saw the polka

0:30:31.880 --> 0:30:34.440
<v Speaker 1>dot laden Dusty Rhodes, you know, when he was in

0:30:34.640 --> 0:30:37.520
<v Speaker 1>w w E. But you know, it was a while

0:30:37.560 --> 0:30:41.120
<v Speaker 1>other than the magazines actually for me at least other

0:30:41.120 --> 0:30:43.880
<v Speaker 1>people had probably a different experience to see him in action.

0:30:44.000 --> 0:30:49.520
<v Speaker 1>And he was so magnetic and such a force of nature. Truly,

0:30:49.640 --> 0:30:52.760
<v Speaker 1>no one liked Dusty Rhodes the American Dream And you know,

0:30:52.800 --> 0:30:55.320
<v Speaker 1>I got to work with two of his sons, Dustin

0:30:55.400 --> 0:30:58.880
<v Speaker 1>Rhodes gold Dust and Cody Rhodes. Um. And you know,

0:30:58.920 --> 0:31:01.680
<v Speaker 1>but just being able to work with Dusty, Dusty would

0:31:01.680 --> 0:31:04.880
<v Speaker 1>have had a field day on this show. Um, he

0:31:04.920 --> 0:31:07.480
<v Speaker 1>would have been. He's such a great storyteller and such

0:31:07.480 --> 0:31:11.240
<v Speaker 1>a great presence. Um. The same with Roddy, although Roddy

0:31:11.400 --> 0:31:14.400
<v Speaker 1>you know, again two very very different people. But you know,

0:31:14.440 --> 0:31:17.160
<v Speaker 1>again Roddy did he did one man show with all

0:31:17.320 --> 0:31:20.960
<v Speaker 1>his stories and everything. Um. And yeah, I mean there's

0:31:21.520 --> 0:31:24.320
<v Speaker 1>there's a lot of legends, um that would have been

0:31:24.320 --> 0:31:26.600
<v Speaker 1>great to have on. But there you know, there's still

0:31:26.640 --> 0:31:29.200
<v Speaker 1>i think in some cases mentioned in some of these

0:31:29.200 --> 0:31:31.840
<v Speaker 1>stories and being able to you know, take them and

0:31:32.400 --> 0:31:36.160
<v Speaker 1>you know have their uh, the legacy you know continue. Um,

0:31:36.200 --> 0:31:38.920
<v Speaker 1>it was very very cool. Well that's the beauty of

0:31:38.920 --> 0:31:41.280
<v Speaker 1>the wrestling BIS. Lots of great stories and you tell

0:31:41.320 --> 0:31:44.240
<v Speaker 1>plenty of them in your new book. There's just one problem.

0:31:44.320 --> 0:31:47.240
<v Speaker 1>True tales from the former one time seventh most powerful

0:31:47.280 --> 0:31:50.720
<v Speaker 1>person in w W W E. Brian, thank you for joining

0:31:50.760 --> 0:31:53.680
<v Speaker 1>me today, Andrew, thank you. This was This was a

0:31:53.680 --> 0:31:58.160
<v Speaker 1>lot of fun. Um. I expanded my vocabulary somewhat, I think, uh,

0:31:58.200 --> 0:32:01.040
<v Speaker 1>and it was well done out. Thank you. I'm very

0:32:01.080 --> 0:32:10.560
<v Speaker 1>proud of myself. This has been another episode of Strictly Business.

0:32:10.680 --> 0:32:13.920
<v Speaker 1>Tune in next week for another helping of scintillating conversation

0:32:14.040 --> 0:32:16.600
<v Speaker 1>with media movers and shakers, and please make sure you

0:32:16.640 --> 0:32:20.120
<v Speaker 1>subscribe to the podcast to hear future episodes. Also leave

0:32:20.160 --> 0:32:23.000
<v Speaker 1>a review in Apple Podcasts and let us know how

0:32:23.040 --> 0:32:23.480
<v Speaker 1>we're doing.