WEBVTT - Episode 999: The Simpsons Spectacular Part I

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<v Speaker 1>Welcome to stuff you should know from how Stuff Works

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<v Speaker 1>dot com. M Hey, and welcome to The Simpsons, I

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<v Speaker 1>mean the podcast. I'm Josh Clark, There's Charles w. Chuck Bryant,

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<v Speaker 1>there's Jerry over there, and this is Chuck episode. Yeah. Well,

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<v Speaker 1>you know how I think of this. I think of

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<v Speaker 1>it as one thousand, just a big fat one thousand

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<v Speaker 1>that had to leak on to two days. It actually

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<v Speaker 1>leaked back in time. How amazing is that? Yeah, because

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<v Speaker 1>we have to do a two parter because upon looking

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<v Speaker 1>at this research and this topic, very special topic for

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<v Speaker 1>us for the show, we realized it had to be

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<v Speaker 1>a two parter and rather than do one thousand and

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<v Speaker 1>one thousand one, what kind of person would do that?

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<v Speaker 1>An unwholesome person. Yeah, yeah, okay, so this is episode

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<v Speaker 1>in your view, it's it's really just part of episode

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<v Speaker 1>one thousand. I'm with you on that. Yes, can you

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<v Speaker 1>believe that? I, you know what Chuck up until today?

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<v Speaker 1>I could totally believe it. But the fact that we're

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<v Speaker 1>doing The Simpsons for our thousandth episode, it just it

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<v Speaker 1>drove everything home, Like all the gear teeth fell right

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<v Speaker 1>into place, and now the gears are spinning in sync

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<v Speaker 1>and I can feel it and I'm amazed. Yeah. So, uh,

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<v Speaker 1>we just wanted to acknowledge the one thousand here up front,

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<v Speaker 1>and I think frankly, we're doing that because we're both

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<v Speaker 1>so excited about doing this. I think I should tell

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<v Speaker 1>people what you emailed earlier. We were furiously sending links

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<v Speaker 1>back fourth this week and you said, Uh, I don't

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<v Speaker 1>even want to record, I just want to keep researching

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<v Speaker 1>the Simpsons forever. It's true. Man. Last night, Chuck, I

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<v Speaker 1>was sitting there watching Simpsons episodes and I thought, well,

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<v Speaker 1>this is the pinnacle of my career. I am literally

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<v Speaker 1>being paid to watch the Simpsons. Yeah, and we just

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<v Speaker 1>had to stop, Like Eveen, we could have done this

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<v Speaker 1>for weeks and researched, and this could be uh an

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<v Speaker 1>entire podcast and into itself with a thousand episodes. Well

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<v Speaker 1>maybe not a thousand, close to it, but at some

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<v Speaker 1>point we had to stop. So just know, if we

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<v Speaker 1>didn't cover your favorite thing from the show that's been

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<v Speaker 1>on for thirty years, or or if we're not referring

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<v Speaker 1>to episodes under their specific naming convention, yeah, calm down, Yeah,

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<v Speaker 1>it's just impossible. So we're gonna do our best here

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<v Speaker 1>to talk about some of our favorite stuff and a

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<v Speaker 1>little bit about how the show works. But here we go, right, Oh, man,

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<v Speaker 1>let's do it. This is like an actual intro. Yes,

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<v Speaker 1>that was an actual response, So Chuck, yes, have you

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<v Speaker 1>ever seen the Simpsons? I have, sir, you caught it

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<v Speaker 1>back from the beginning, like that was right in our wheelhouse,

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<v Speaker 1>maybe even yours a little more than mine. Yeah, And uh,

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<v Speaker 1>I mean, let's we should go ahead and just talk

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<v Speaker 1>for a moment about episode one because I have a

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<v Speaker 1>very distinct memory, which is I'm in high school. It's

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<v Speaker 1>my senior year. Chris Bouten, my friend and future roommate

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<v Speaker 1>in college, calls me Boots Bouten, and he says, dude,

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<v Speaker 1>have you and I have to admit I did not

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<v Speaker 1>see the Tracy Almond shorts, So let's get that out

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<v Speaker 1>of the way right now. They were bizarre. Yeah, and

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<v Speaker 1>this is that's where the show began. As most people know,

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<v Speaker 1>is a little short animated bits in the Tracy Ellman Show.

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<v Speaker 1>But Chris Bootin calls me episodes Man, I'm coming over.

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<v Speaker 1>I'm meeting you in the basement, opened the back door.

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<v Speaker 1>I have a VHS of this show called The Simpsons

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<v Speaker 1>you gotta see it, and he met me over there.

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<v Speaker 1>It was winter, it was December. Well it aired on

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<v Speaker 1>the seventeenth, but I have a feeling this was the

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<v Speaker 1>next day probably, and Booting came over and we watched

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<v Speaker 1>the very first episode, which was Santa's Little Helper, and

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<v Speaker 1>we cried tears of joy and laughter, and my life

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<v Speaker 1>went on a different course. Yeah, I Boots did not

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<v Speaker 1>visit my house personally with the video. We didn't call

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<v Speaker 1>him Boots by the video because well I'm calling him

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<v Speaker 1>Boots nickname Boots. That's classic Boots by the way to

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<v Speaker 1>show up in the basement. Um. But he, uh, he

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<v Speaker 1>did not come to my house. But I did see

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<v Speaker 1>that one, and I think Guy saw it when it

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<v Speaker 1>aired actually, and I remember watching the Tracy Ullman shorts

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<v Speaker 1>too and just being like, what the hell is this.

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<v Speaker 1>But then by the time I think the Tracy Ullman

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<v Speaker 1>Show and we'll get a little more into it, that

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<v Speaker 1>one started in seven, um and the actual show started

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<v Speaker 1>in eighty nine. So between those two points they really

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<v Speaker 1>like it really started to come together to where that

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<v Speaker 1>first episode where Homer finds out he's not getting a

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<v Speaker 1>Christmas bonus, so he gets a job secretly as a

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<v Speaker 1>mall Santa and ends up taking his check to the

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<v Speaker 1>dog track and betting it all and losing it all

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<v Speaker 1>on Santa's a Little Helper, which was the dog right,

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<v Speaker 1>But then he ends up with Santa a Little Helper,

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<v Speaker 1>so he gets what he was after all along, which

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<v Speaker 1>is a great Christmas present for his family. What a

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<v Speaker 1>beautiful episode, right, Yeah, And interestingly that first episode was

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<v Speaker 1>really the eighth one to be made, but they ran

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<v Speaker 1>that one first, so uh, there were there were some

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<v Speaker 1>weird differences like the show. Actually, originally I think Matt

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<v Speaker 1>Gray thought it would be redrawn a little more slickly,

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<v Speaker 1>but they just traced over his original drawing. So the

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<v Speaker 1>animation was fairly crude in this episode. And then you'll

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<v Speaker 1>notice an episode two it actually looks a little bit better. Um,

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<v Speaker 1>and you know, the Simpson still looks like the Simpsons,

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<v Speaker 1>but that early episode and kind of the whole first

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<v Speaker 1>season was a little more crude in drawing and voice. Uh.

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<v Speaker 1>And the pilot was the only episode missing that very

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<v Speaker 1>famous opening sequence, which we'll talk about a little bit later.

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<v Speaker 1>Oh yeah, it wasn't it like a cold opening or

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<v Speaker 1>something like that. I can't remember exactly how, but it

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<v Speaker 1>didn't feature the iconic opening that we all know and

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<v Speaker 1>love today. Um So, where shall we start, Chuck? I mean,

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<v Speaker 1>I guess we kind of just did start. Yeah, and

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<v Speaker 1>I think I already made a mistake about what well

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<v Speaker 1>Sante's Little Hope would In the name of the episode,

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<v Speaker 1>it was Simpsons roasting on an open fire. Yeah, so

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<v Speaker 1>I mean, come on, that's the one that you were

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<v Speaker 1>you were talking about, you know, yeah, but I'm just

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<v Speaker 1>I know that like probably thousand people just slam their

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<v Speaker 1>laptot shut. But that's what I'm saying, Everybody, chill out.

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<v Speaker 1>That's not what this episode is about. We're not trying

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<v Speaker 1>to show you how little you know. That's right. Ed

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<v Speaker 1>the Grabster Grabanowski wrote this article. Actually this one was

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<v Speaker 1>written by Unedd Grabanowski. If you ask me, why did

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<v Speaker 1>you say that? Because it was it wasn't like five

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<v Speaker 1>times as long as it should have been. No, I

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<v Speaker 1>can't remember who who calls himself that for every Treehouse

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<v Speaker 1>of Horror, but there's a D and they call themselves uned,

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<v Speaker 1>so I thought that was probably I'm really surprised he

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<v Speaker 1>didn't actually get that as his byline for this it's

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<v Speaker 1>a nice estery there, my friend. Yeah. Uh, and then

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<v Speaker 1>we did just I mean, so much supplementary information. It's

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<v Speaker 1>sort of ridiculous. Yeah, but this is like a special

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<v Speaker 1>request from us, wasn't it. Oh yeah, we said, go forth,

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<v Speaker 1>grabster and write the well right the oh okay, right there,

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<v Speaker 1>Well there were two ease in that the yeah, yeah, yeah, yeah,

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<v Speaker 1>I should have noticed by the flourish of your hand

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<v Speaker 1>what you were saying. All right, So let's go back

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<v Speaker 1>to uh Simpsons creator one Mr Matt Greening, and we

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<v Speaker 1>have actually met him, and we will talk about that

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<v Speaker 1>in a little bit. Life highlight for sure. But he

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<v Speaker 1>had a comic strip called Life and Hell, and I

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<v Speaker 1>think the original conceit to pitch to producer James L. Brooks.

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<v Speaker 1>Seven was a cartoon version of that. Ed writes in

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<v Speaker 1>here he thought it would be a failure, but I

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<v Speaker 1>read that he wasn't too keen on signing away sort

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<v Speaker 1>of the thing he had worked on all his life.

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<v Speaker 1>So he changed his mind at the last minute and thought,

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<v Speaker 1>of the Simpsons. That's awesome. That sounds the second one

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<v Speaker 1>sounds much more like Matt Graining for sure. Yeah, And

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<v Speaker 1>he had he had no idea that would make him

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<v Speaker 1>a super rich gazillion are either. But if you if

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<v Speaker 1>you um know that story. The fact that the Simpsons

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<v Speaker 1>started out on Tracy Ullman makes sense because James Brooks,

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<v Speaker 1>who himself is a pretty like bona fide cool guy

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<v Speaker 1>right here the married Tyler Moore shown directed terms of endearment. Um,

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<v Speaker 1>he produced Bottle Rocket. Um. Yeah, you could say he

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<v Speaker 1>has an eye for amazing things for sure. So he

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<v Speaker 1>had come across this life and How strip and and

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<v Speaker 1>wanted to basically turn it into animated shorts for the

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<v Speaker 1>Tracy Woman Show, but then Graining swapped it out at

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<v Speaker 1>the at the pitch meeting and said let's do this instead.

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<v Speaker 1>But I think either way, he came up with the

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<v Speaker 1>characters and the idea fairly on the fly, right Yeah,

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<v Speaker 1>I mean obviously wasn't like while he was waiting outside

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<v Speaker 1>of the pitch meeting, but h what he came up with.

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<v Speaker 1>And if you haven't seen the Simpsons, maybe you should

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<v Speaker 1>go watch an episode or two. Crawl up from under

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<v Speaker 1>the rock that you're and go watch one. But obviously

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<v Speaker 1>we should at least say what it is. And it

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<v Speaker 1>is a sort of a traditional sitcom about um, and

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<v Speaker 1>follows the sitcom conventions in many ways of a family, uh,

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<v Speaker 1>living together under a roof who encounter fun hijinks along

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<v Speaker 1>the way. Yeah, and um, that's kind of the subtext

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<v Speaker 1>for the whole or the pretext I should say, for

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<v Speaker 1>the whole series. Right, it's like it's a sitcom, it's

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<v Speaker 1>a family sitcom. But there's a couple of big differences

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<v Speaker 1>with it right there. Um, it's animated, which is huge

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<v Speaker 1>because it's a it was a price. It became in

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<v Speaker 1>nine a primetime animated series, and it was the first

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<v Speaker 1>one since I think nineteen seventy two where Wait Till

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<v Speaker 1>You're nineteen seventy four where Wait Till Your Father Gets

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<v Speaker 1>Home went off the air. Did you ever see that show?

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<v Speaker 1>It was like a proto family Guy basically, um, from

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<v Speaker 1>the early seventies, and it was actually super entertaining. And

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<v Speaker 1>then before that, of course, there was The flint Stones,

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<v Speaker 1>but those were like the two big primetime animated series

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<v Speaker 1>before the Simpsons. But there's a good, you know, twentysomething

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<v Speaker 1>thirties something year lull in between those and the Simpsons.

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<v Speaker 1>So that was a big difference in and of itself. Well,

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<v Speaker 1>it's easy to take for granted. Now with the advent

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<v Speaker 1>of like Cartoon Network in Adult Swim and Family Guy

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<v Speaker 1>in Futurama, which also from graining. Yeah, I mean, there's

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<v Speaker 1>just an explosion of animation. Right. You've got you know,

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<v Speaker 1>starting back with Beavis and butt Head that was a

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<v Speaker 1>descendant of The Simpsons, and then of course you've got

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<v Speaker 1>King of the Hill, uh South Park. Um, today you've

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<v Speaker 1>got Rick and Morty. Have you seen Rick and Morty?

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<v Speaker 1>I haven't yet. Everyone I'm remiss. Everyone said it's the greatest.

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<v Speaker 1>It is, it's the greatest, and man, it's one of

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<v Speaker 1>those it's under the same thing that The Simpsons was

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<v Speaker 1>initially taken for where you know, there's a lot of belching,

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<v Speaker 1>so people are like, this is low brown. It's like, no,

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<v Speaker 1>look past it to what they're actually doing. It's insanely

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<v Speaker 1>smart and and really entertaining too. Like it's, um, it's

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<v Speaker 1>laugh out loud funny in a lot of parts. I

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<v Speaker 1>think we've kind of proven that we can be smart

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<v Speaker 1>and still make part jokes. Sure, and and Rick and

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<v Speaker 1>Morty is doing the same thing. And by the way, um,

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<v Speaker 1>you know they listened to us, right Rick and Morty, Yeah,

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<v Speaker 1>I remember they sent us that aunt's book and it

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<v Speaker 1>had that was the Rick and Morty people. Yeah, so

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<v Speaker 1>thanks again for that, guys. That's a treasured possession. Well

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<v Speaker 1>I'm definitely watching now. Yeah, all the adult quote unquote

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<v Speaker 1>uh cartoons that we see. But it was revolutionary at

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<v Speaker 1>the time. I mean Flint Stone's aside, Like you said,

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<v Speaker 1>it had been a long time and it was quite

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<v Speaker 1>literally leveled the TV industry because it was such a

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<v Speaker 1>smash hit right out of the gate. That's right, Yeah,

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<v Speaker 1>I know, it was huge, right, um, and a lot

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<v Speaker 1>of things came together for it. Um the fact that

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<v Speaker 1>that James L. Brooks got in touch with the man Craning.

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<v Speaker 1>That was a bit of a fluke because he got

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<v Speaker 1>in touch with them for a different reason, but also

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<v Speaker 1>because it was a show on Fox and Fox was

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<v Speaker 1>just starting out as a network and they were looking

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<v Speaker 1>to make waves. So at the time you had basically here,

0:12:52.840 --> 0:12:56.760
<v Speaker 1>So here's what the Simpsons were up against in family

0:12:56.760 --> 0:13:00.760
<v Speaker 1>sitcom wise. You ready for this? Um My two Dads,

0:13:01.400 --> 0:13:07.080
<v Speaker 1>Major Dad, Mr Belvedere, who's the Boss, Hogan, Family Family Matters,

0:13:07.520 --> 0:13:13.760
<v Speaker 1>Growing Pains, The Cosby Show, Full House, and like that

0:13:13.880 --> 0:13:17.960
<v Speaker 1>was what family sitcoms or TV sitcoms in general were

0:13:18.240 --> 0:13:20.720
<v Speaker 1>at the time, and you had Roseanne. Roseanne had been

0:13:20.720 --> 0:13:22.240
<v Speaker 1>on for a couple of years already, and it had

0:13:22.280 --> 0:13:26.640
<v Speaker 1>shaken things up some for sure, but for the most part,

0:13:26.760 --> 0:13:30.160
<v Speaker 1>like this was America was this um, clean and tidy,

0:13:30.240 --> 0:13:36.360
<v Speaker 1>wholesome place where everything was just peachy keen and all

0:13:36.440 --> 0:13:39.840
<v Speaker 1>the problems that a family encounter were about as superficial

0:13:39.960 --> 0:13:42.920
<v Speaker 1>as you could possibly come across. And this was the

0:13:42.920 --> 0:13:45.520
<v Speaker 1>other big thing about The Simpsons, and it actually went

0:13:45.679 --> 0:13:50.080
<v Speaker 1>really well, at least superficially with married with Children, which

0:13:50.200 --> 0:13:56.320
<v Speaker 1>was that family wholesome sitcom spawn onto its very gritty,

0:13:56.360 --> 0:14:01.520
<v Speaker 1>dirty underbelly. Right. Uh. The Pons was initially compared to

0:14:01.600 --> 0:14:03.480
<v Speaker 1>that same kind of thing because they were both on

0:14:03.559 --> 0:14:05.640
<v Speaker 1>Fox and they both like kind of took the family

0:14:05.640 --> 0:14:08.640
<v Speaker 1>sitcom and turned it on its head. But it took

0:14:08.640 --> 0:14:11.040
<v Speaker 1>a minute but not too long for people to start noticing,

0:14:11.040 --> 0:14:15.720
<v Speaker 1>oh wait, actually this is really subversive satire. And that

0:14:15.880 --> 0:14:21.720
<v Speaker 1>was the big thing that I think initially gave the Simpsons.

0:14:21.720 --> 0:14:26.320
<v Speaker 1>It's it's it's base for to keep going for thirty seasons. Yeah,

0:14:26.360 --> 0:14:28.760
<v Speaker 1>I mean, I remember when Fox first came out and

0:14:28.800 --> 0:14:31.960
<v Speaker 1>it was like that, what, there's a fourth TV channel.

0:14:32.120 --> 0:14:33.880
<v Speaker 1>I know it was a big deal. It was a

0:14:33.920 --> 0:14:35.920
<v Speaker 1>big deal. And their thing from the beginning was, you know,

0:14:35.920 --> 0:14:38.440
<v Speaker 1>we're gonna be edgy, We're gonna be different. This is

0:14:38.320 --> 0:14:41.600
<v Speaker 1>this is not your mom and Dad's TV. And like

0:14:41.640 --> 0:14:44.040
<v Speaker 1>you said, Mary with Children and the Simpsons firmly put

0:14:44.080 --> 0:14:47.040
<v Speaker 1>them on a different track. Uh. And it was funny

0:14:47.080 --> 0:14:49.720
<v Speaker 1>when you were just going through all the shows like

0:14:49.800 --> 0:14:55.280
<v Speaker 1>they they were no more edgy than since TV's inception,

0:14:55.360 --> 0:14:57.120
<v Speaker 1>and it might it might as well have been, well

0:14:57.160 --> 0:14:59.680
<v Speaker 1>maybe a little more edgy than like be Re Cleaver

0:14:59.760 --> 0:15:02.920
<v Speaker 1>and Sean Harriet, but not too far off. For the

0:15:02.960 --> 0:15:06.360
<v Speaker 1>most part. TV was kind of the same for decades

0:15:06.960 --> 0:15:10.040
<v Speaker 1>when it came to family sitcoms. Yeah, so the Simpsons

0:15:10.080 --> 0:15:13.640
<v Speaker 1>was just this is not overstating it. It was a

0:15:13.680 --> 0:15:17.720
<v Speaker 1>cultural revolution in every way. It definitely was. And it

0:15:17.720 --> 0:15:20.560
<v Speaker 1>it took up like this already kind of nascent revolution

0:15:20.640 --> 0:15:24.320
<v Speaker 1>and from Roseanne and from Mary with Children, but it

0:15:24.360 --> 0:15:26.640
<v Speaker 1>was different, man, it was like it was it was

0:15:26.720 --> 0:15:29.960
<v Speaker 1>its own thing and still is today. And again, like

0:15:30.000 --> 0:15:32.640
<v Speaker 1>you were saying, it's easy to look back and be like, well, yeah,

0:15:32.680 --> 0:15:39.480
<v Speaker 1>i mean animated, really smart, subversive satirical shows like they're

0:15:39.640 --> 0:15:42.480
<v Speaker 1>they're a diamond dozen is a weird way to put it,

0:15:42.520 --> 0:15:44.440
<v Speaker 1>but it's true, like they're all over the place. Now,

0:15:45.040 --> 0:15:48.600
<v Speaker 1>that's because the Simpsons came along. It's as simple as that. Yeah.

0:15:48.600 --> 0:15:51.720
<v Speaker 1>So the early episodes um in the In the first

0:15:51.760 --> 0:15:55.360
<v Speaker 1>couple of seasons, Bart Simpson, uh was sort of the

0:15:55.360 --> 0:15:58.120
<v Speaker 1>star of the show as far as pop culture goes.

0:15:58.160 --> 0:16:00.720
<v Speaker 1>I mean, he was front and enter, he was on

0:16:00.760 --> 0:16:04.040
<v Speaker 1>every T shirt. Every kid was saying eat my shorts,

0:16:04.760 --> 0:16:08.160
<v Speaker 1>every kid was talking back to their teachers more, and

0:16:08.200 --> 0:16:11.440
<v Speaker 1>it created quite a ruckuss in schools. I know that

0:16:11.480 --> 0:16:15.240
<v Speaker 1>some of the T shirts were banned in certain school districts. Yeah.

0:16:15.280 --> 0:16:18.320
<v Speaker 1>The Underachiever and proud of It man, Yeah, that one

0:16:18.560 --> 0:16:21.480
<v Speaker 1>was banned and I think I'm Bart Simpson, who the

0:16:21.480 --> 0:16:26.040
<v Speaker 1>hell are you? Yeah, But it wasn't long before it

0:16:26.080 --> 0:16:30.760
<v Speaker 1>became pretty clear that it was an ensemble show for

0:16:30.840 --> 0:16:36.120
<v Speaker 1>one and sort of Homer's show, let's be honest. Yeah,

0:16:36.840 --> 0:16:39.920
<v Speaker 1>ultimately ended up that way in large part. He he

0:16:39.960 --> 0:16:43.400
<v Speaker 1>became the central character, didn't he. Yeah, I would say easily.

0:16:43.840 --> 0:16:45.320
<v Speaker 1>But then, I mean, we'll go through a lot of

0:16:45.360 --> 0:16:47.960
<v Speaker 1>these characters, if not all of them, because we don't

0:16:47.960 --> 0:16:51.400
<v Speaker 1>have time to read like five people's names, right, but

0:16:51.840 --> 0:16:54.240
<v Speaker 1>it ended up being like a memorial or something. I know.

0:16:54.320 --> 0:16:56.760
<v Speaker 1>But the Simpsons side characters and the guest characters have

0:16:56.840 --> 0:17:00.520
<v Speaker 1>become just as beloved as uh as the fane of

0:17:00.520 --> 0:17:04.520
<v Speaker 1>of course, Homer and Marge and Lisa and Bart and

0:17:04.760 --> 0:17:10.040
<v Speaker 1>little Maggie. Absolutely. Do you want to take our first break? Yeah? Yeah,

0:17:10.080 --> 0:17:11.840
<v Speaker 1>let's we're so excited. Let's go ahead and take a

0:17:11.840 --> 0:17:33.879
<v Speaker 1>break real quick and calm down. All right, we're back.

0:17:34.119 --> 0:17:38.280
<v Speaker 1>So the earliest clips of the Simpsons were animated by

0:17:38.440 --> 0:17:40.520
<v Speaker 1>a different studio than they used now and have used

0:17:40.520 --> 0:17:44.800
<v Speaker 1>for many years. It's called class Key Suppo or Cupo

0:17:45.240 --> 0:17:48.080
<v Speaker 1>zupo c s u p oh. I'm not sure how

0:17:48.119 --> 0:17:50.520
<v Speaker 1>they pronounced it, but they were all, of course based

0:17:50.520 --> 0:17:55.360
<v Speaker 1>on Matt Greening's original sketches that had these yellow skinned characters,

0:17:55.480 --> 0:17:58.879
<v Speaker 1>very bright primary color palette. Uh. And it became a

0:17:58.880 --> 0:18:00.840
<v Speaker 1>little more refined over the year, SUPs, we said, but

0:18:01.400 --> 0:18:06.120
<v Speaker 1>it's um it never approached like a slick looking animation

0:18:06.119 --> 0:18:09.119
<v Speaker 1>by any means. No, No, the earliest stuff definitely not.

0:18:09.200 --> 0:18:12.320
<v Speaker 1>And they were with I think it's class Key Zupo,

0:18:12.640 --> 0:18:14.840
<v Speaker 1>I'm not sure, but they were with them for two

0:18:14.960 --> 0:18:18.800
<v Speaker 1>years and and despite this stuff being really rough and

0:18:18.880 --> 0:18:21.240
<v Speaker 1>like kind of hard to watch even if you if

0:18:21.240 --> 0:18:24.520
<v Speaker 1>you look at it now. Um, they gave the Simpsons

0:18:24.520 --> 0:18:28.360
<v Speaker 1>like their yellow skin, Marge's blue hair, and supposedly Matt

0:18:28.400 --> 0:18:32.800
<v Speaker 1>graening Um when he saw the yellow skin tone palette

0:18:32.800 --> 0:18:37.280
<v Speaker 1>for the Simpsons skin colors, he was like, that is perfect.

0:18:37.359 --> 0:18:39.920
<v Speaker 1>Like when somebody's like clicking through the channels real quick,

0:18:40.200 --> 0:18:42.480
<v Speaker 1>their eyes going to is gonna catch that and they're

0:18:42.520 --> 0:18:45.200
<v Speaker 1>gonna stop because the Simpsons are on and they're gonna

0:18:45.240 --> 0:18:48.480
<v Speaker 1>watch it. So apparently that's where the yellow came from.

0:18:48.560 --> 0:18:50.719
<v Speaker 1>It was kind of a fluke, but they went with

0:18:50.760 --> 0:18:53.480
<v Speaker 1>it just because it was so catchy. That's great idea.

0:18:53.720 --> 0:18:56.000
<v Speaker 1>But then after I think two years, they moved over

0:18:56.040 --> 0:18:59.400
<v Speaker 1>to something called film Roman or film Roman. I've never

0:18:59.440 --> 0:19:02.600
<v Speaker 1>heard it actually really set out loud, but they they

0:19:02.640 --> 0:19:05.000
<v Speaker 1>were the ones who, starting in and think season two

0:19:05.080 --> 0:19:09.600
<v Speaker 1>or three, really gave the Simpsons it's defined look that

0:19:09.720 --> 0:19:12.200
<v Speaker 1>stayed for years and years and years. Yeah. I remember

0:19:12.240 --> 0:19:15.480
<v Speaker 1>Homer's voice early on sounded a little bit different too. Yeah,

0:19:15.680 --> 0:19:18.440
<v Speaker 1>you know, I mean the same guy. It was Dan Castlenetta,

0:19:18.520 --> 0:19:21.879
<v Speaker 1>but just uh was not the same Homer's voice that

0:19:21.880 --> 0:19:24.240
<v Speaker 1>we know and love today. No, it was much gruffer.

0:19:24.320 --> 0:19:27.000
<v Speaker 1>Plus his dialogue two was way more I mean it

0:19:27.040 --> 0:19:30.159
<v Speaker 1>really was much more about Bart and Homer was way

0:19:30.280 --> 0:19:33.800
<v Speaker 1>angrier and like he strangled barred it like the drop

0:19:33.840 --> 0:19:36.760
<v Speaker 1>of a hat. That was like a go to gag.

0:19:36.880 --> 0:19:40.479
<v Speaker 1>So this the show is still really smart compared to

0:19:40.880 --> 0:19:45.360
<v Speaker 1>Who's the Boss, But compared to you know, later seasons

0:19:45.359 --> 0:19:48.760
<v Speaker 1>of The Simpsons, it was really just it's rough by comparison,

0:19:48.800 --> 0:19:51.480
<v Speaker 1>for sure. Don't not go boss too much though, I

0:19:51.480 --> 0:19:53.880
<v Speaker 1>mean it's fine, too fine show. But man, it wasn't

0:19:53.880 --> 0:19:55.840
<v Speaker 1>smart satire. You put it, you put it Who's the

0:19:55.840 --> 0:19:59.480
<v Speaker 1>Boss episode up against like a season seven episode of

0:19:59.480 --> 0:20:02.040
<v Speaker 1>The Simpsons. Mr. The Boss is not going to win

0:20:02.160 --> 0:20:04.239
<v Speaker 1>that one. Yeah, they're not the Boss. I mean, like

0:20:04.320 --> 0:20:09.040
<v Speaker 1>even Tony Danes. It will tell you that. So let's

0:20:09.080 --> 0:20:12.760
<v Speaker 1>talk a little bit about the main cast and the crew. Uh.

0:20:12.920 --> 0:20:16.000
<v Speaker 1>In those early years, Um, of course, Matt Graining was

0:20:16.040 --> 0:20:19.760
<v Speaker 1>around from the beginning, and James L. Brooks of course.

0:20:20.080 --> 0:20:23.040
<v Speaker 1>Then there was a man, uh, the dearly departed Sam Simon,

0:20:23.280 --> 0:20:26.280
<v Speaker 1>who was an EP on the show from the early days. Uh,

0:20:26.359 --> 0:20:29.000
<v Speaker 1>and the great Al Jean has been the show runner

0:20:29.040 --> 0:20:32.800
<v Speaker 1>since the thirteenth season. Um, but I'm pretty sure he

0:20:32.800 --> 0:20:34.840
<v Speaker 1>was around before that, right, I didn't exactly look at

0:20:34.880 --> 0:20:37.240
<v Speaker 1>when he joined up. I believe he was an early

0:20:37.320 --> 0:20:41.119
<v Speaker 1>producer as well, Okay, but eventually rose to showrunner. Bill Oakley.

0:20:41.200 --> 0:20:44.639
<v Speaker 1>Josh Weinstein and Mike Scully ran the show previous to

0:20:44.720 --> 0:20:48.600
<v Speaker 1>that during the first twelve seasons. We cannot list all

0:20:48.640 --> 0:20:51.680
<v Speaker 1>the writers. It would be impossible, No, but some some

0:20:51.800 --> 0:20:56.600
<v Speaker 1>made some pretty huge contributions. Yeah, like George Meyer and

0:20:56.720 --> 0:21:02.240
<v Speaker 1>John Schwartzwelder are generally given credit to kind of defining

0:21:03.359 --> 0:21:06.280
<v Speaker 1>who these characters were from the early days. Yeah, the worldview,

0:21:06.359 --> 0:21:08.960
<v Speaker 1>the jokes they would make, the fact that and this

0:21:09.040 --> 0:21:11.359
<v Speaker 1>is another huge thing that we take for granted today

0:21:11.359 --> 0:21:16.520
<v Speaker 1>that The Simpsons really established was referential humor, like making

0:21:16.840 --> 0:21:21.840
<v Speaker 1>making fun of, um, you know, film literature, trends, whatever,

0:21:22.200 --> 0:21:24.639
<v Speaker 1>not necessarily part of the plot, but just part of

0:21:24.680 --> 0:21:26.920
<v Speaker 1>a joke maybe or something like that, or in addition,

0:21:26.920 --> 0:21:29.240
<v Speaker 1>a little layer just to make the whole, the whole

0:21:29.280 --> 0:21:31.919
<v Speaker 1>idea that was being put across that much more palatable.

0:21:32.200 --> 0:21:34.600
<v Speaker 1>They really kind of blew that out, and that was

0:21:34.640 --> 0:21:37.440
<v Speaker 1>thanks to that early brain trust you just mentioned of

0:21:37.520 --> 0:21:40.400
<v Speaker 1>people who established the show for for what it's what

0:21:40.440 --> 0:21:42.880
<v Speaker 1>it was, Yeah, I mean it was a blueprint and

0:21:43.280 --> 0:21:46.960
<v Speaker 1>everyone that that came along afterward sort of had their

0:21:47.000 --> 0:21:51.560
<v Speaker 1>show Bible thanks to these people. Yes, you know which

0:21:51.840 --> 0:21:54.320
<v Speaker 1>if you look up show Bible, there's this there's one

0:21:54.359 --> 0:21:57.160
<v Speaker 1>episode that just screws up any Google search for that.

0:21:57.560 --> 0:22:00.720
<v Speaker 1>There was the Simpsons Bible Stories episode, which was a

0:22:00.760 --> 0:22:03.760
<v Speaker 1>stinker anyway, but it sucks because now you can't find

0:22:03.800 --> 0:22:07.440
<v Speaker 1>any examples of this show Bible must exist somewhere. I

0:22:07.480 --> 0:22:09.479
<v Speaker 1>don't know if you could find that online. You can

0:22:09.520 --> 0:22:13.520
<v Speaker 1>find the style Guide examples online though, Yeah, for sure. Uh.

0:22:13.560 --> 0:22:15.320
<v Speaker 1>And of course we got to mention Conan O'Brien because

0:22:15.320 --> 0:22:17.000
<v Speaker 1>he very famously worked for a couple of years on

0:22:17.040 --> 0:22:21.520
<v Speaker 1>The Simpsons. I think it's credited with four or five episodes, uh,

0:22:21.560 --> 0:22:25.160
<v Speaker 1>including one of the all time classics, Marge versus the Monorail,

0:22:26.240 --> 0:22:28.560
<v Speaker 1>which Conan has still talks about that being one of

0:22:28.600 --> 0:22:31.440
<v Speaker 1>his great career achievements is writing that episode. I can imagine,

0:22:31.440 --> 0:22:33.560
<v Speaker 1>because not only was a great episode, but you got

0:22:33.560 --> 0:22:36.320
<v Speaker 1>to write and then Phil Hartman brought your stuff to

0:22:36.400 --> 0:22:39.680
<v Speaker 1>life man like that was a big one. All right. Well,

0:22:39.800 --> 0:22:42.960
<v Speaker 1>speaking of Phil Hartman, let's start talking about the cast,

0:22:43.520 --> 0:22:46.160
<v Speaker 1>because this is gonna this is gonna take a little while.

0:22:46.760 --> 0:22:51.959
<v Speaker 1>Are you ready. So, so, there's hundreds of characters in

0:22:52.160 --> 0:22:55.840
<v Speaker 1>the Simpsons universe, but really a lot of them, a

0:22:56.040 --> 0:22:58.879
<v Speaker 1>lot of them boil down to the voices of just

0:22:58.960 --> 0:23:04.080
<v Speaker 1>six people. Yeah, so, um, two of them focus almost

0:23:04.080 --> 0:23:08.720
<v Speaker 1>exclusively on just one character each. Julie Kavner does Marge,

0:23:08.760 --> 0:23:11.600
<v Speaker 1>but then she also obviously does Marge's sisters Patty and

0:23:11.600 --> 0:23:15.480
<v Speaker 1>Selma and her mom Jacqueline in one episode, Yeah, the

0:23:15.480 --> 0:23:19.119
<v Speaker 1>Bouvier's yea. And then you'rd Lee Smith does just Lisa

0:23:19.400 --> 0:23:21.840
<v Speaker 1>for the for the show. Yeah, and she's the only

0:23:21.880 --> 0:23:25.240
<v Speaker 1>one that does a single voice. Um, Dan casting Lenetta

0:23:25.320 --> 0:23:30.080
<v Speaker 1>obviously does Homer. He also does Grandpa Abe. It's hard

0:23:30.119 --> 0:23:32.640
<v Speaker 1>to not laugh just thinking of each one of these characters.

0:23:32.920 --> 0:23:35.760
<v Speaker 1>I know, you know, I kept laughing out loud researching

0:23:35.760 --> 0:23:38.640
<v Speaker 1>this stuff, at the very least, chuckling to myself, you know, yeah,

0:23:38.640 --> 0:23:40.680
<v Speaker 1>strickling in the office today was like I gotta ask

0:23:40.800 --> 0:23:42.800
<v Speaker 1>what the heck is going on over there? And it's

0:23:42.840 --> 0:23:44.800
<v Speaker 1>like we're doing an episode in Simpson's leaving Alan. He

0:23:44.880 --> 0:23:48.960
<v Speaker 1>was like, what castle Lena also does Barney Gumble Krusty

0:23:49.000 --> 0:23:57.000
<v Speaker 1>the Clown, Groundskeeper, Willie Mayor Quimby Man so great Hans Moleman, Sideshow,

0:23:57.040 --> 0:24:03.080
<v Speaker 1>mel Itchy, kdoskil Pucci, Uh, the Squeaky Boys Team Mr Burns, Lawyer,

0:24:03.800 --> 0:24:07.680
<v Speaker 1>Krusty's Monkey, Mr Teeney, and he did Bill Clinton, Great

0:24:07.720 --> 0:24:13.280
<v Speaker 1>Bill Clinton Team Real no fooling Pigs. What about Nancy

0:24:13.320 --> 0:24:15.920
<v Speaker 1>cart Right, the Great Nancy cart Right. So she does

0:24:15.960 --> 0:24:17.920
<v Speaker 1>bart that's what she's best known for, but she does

0:24:17.960 --> 0:24:22.879
<v Speaker 1>some other voices of um, some other prepubescent uh characters

0:24:22.920 --> 0:24:25.640
<v Speaker 1>like Ralph Wiggham one of the great all time voices ever,

0:24:26.760 --> 0:24:32.040
<v Speaker 1>Um Todd Flanders, Nelson Months has a great one. Kearney

0:24:32.359 --> 0:24:37.600
<v Speaker 1>the bald headed or shaved headed bully, and um Database.

0:24:39.119 --> 0:24:41.359
<v Speaker 1>I don't know who Database was. I think Database is

0:24:41.400 --> 0:24:44.360
<v Speaker 1>more recent. And this is probably where I should say

0:24:44.359 --> 0:24:46.399
<v Speaker 1>that I haven't seen the Simpsons in a few years.

0:24:47.119 --> 0:24:49.480
<v Speaker 1>I dabbled a little bit a couple of years ago

0:24:49.520 --> 0:24:51.440
<v Speaker 1>and I was like, this is this is not bad?

0:24:51.680 --> 0:24:54.040
<v Speaker 1>And then you know, it was kind of hit or miss,

0:24:54.160 --> 0:24:56.760
<v Speaker 1>definitely compared to two years ago. But I'm not gonna

0:24:56.760 --> 0:24:59.480
<v Speaker 1>hate on anything that's going on today. It's still the

0:24:59.520 --> 0:25:02.640
<v Speaker 1>Simpson you know, of course, Uh, the great, great, great

0:25:02.680 --> 0:25:08.560
<v Speaker 1>great Hankers area. Uh. One of the fantastic additional cast members. Uh.

0:25:08.600 --> 0:25:10.879
<v Speaker 1>While I say additional because he's not one of the Simpsons,

0:25:11.000 --> 0:25:14.760
<v Speaker 1>but he's a primary cast member. Uh. He voices a Pooh.

0:25:14.960 --> 0:25:16.600
<v Speaker 1>Do you want to try and say, who's last name

0:25:16.800 --> 0:25:21.199
<v Speaker 1>a poo Nahasa Pima pedal on Uh. And by the way,

0:25:21.240 --> 0:25:22.760
<v Speaker 1>we should mention a Pooh is taking a lot of

0:25:22.760 --> 0:25:26.160
<v Speaker 1>heat in recent years for the very least being an

0:25:26.160 --> 0:25:30.840
<v Speaker 1>ethnic stereotype and some say straight up racist. Uh. And

0:25:30.880 --> 0:25:34.440
<v Speaker 1>there is a documentary airing Believe on True TV next

0:25:34.560 --> 0:25:39.440
<v Speaker 1>month called The Problem with a Pooh from uh comedian

0:25:39.440 --> 0:25:44.399
<v Speaker 1>I really love Hari Kondabolou. And you know you should

0:25:44.680 --> 0:25:46.520
<v Speaker 1>watch it and sort of think of a Pooh a

0:25:46.520 --> 0:25:49.440
<v Speaker 1>little bit through uh, through Harry's lens or the lens

0:25:49.440 --> 0:25:51.960
<v Speaker 1>of an Indian person. So, um, well, you know, this

0:25:52.040 --> 0:25:54.320
<v Speaker 1>is not the first time that the Simpsons have been

0:25:54.480 --> 0:25:59.440
<v Speaker 1>called the task for offending a group, sure, an entire

0:25:59.520 --> 0:26:02.879
<v Speaker 1>group or race or country like It's it's definitely happened

0:26:03.040 --> 0:26:06.520
<v Speaker 1>over the course of this the thirty seasons that's been

0:26:06.560 --> 0:26:10.800
<v Speaker 1>going on. Um. Sometimes they apologize, sometimes they acknowledge it.

0:26:10.880 --> 0:26:15.920
<v Speaker 1>Other times they're just like whatever for sure, um so

0:26:16.119 --> 0:26:18.880
<v Speaker 1>going on with hankas area. Besides the poo, mostes lack

0:26:19.240 --> 0:26:22.119
<v Speaker 1>one the great characters, Chief Wigham. I mean, these are

0:26:22.200 --> 0:26:24.600
<v Speaker 1>all great comic book guy who, by the way, has

0:26:24.640 --> 0:26:29.440
<v Speaker 1>a real name, Jeff Albertson, never knew that. I can't

0:26:29.480 --> 0:26:32.800
<v Speaker 1>remember where that one came from, but yeah, Carl a

0:26:32.880 --> 0:26:37.200
<v Speaker 1>beloved beloved friend of Homer's from the bar. Uh Dr

0:26:37.320 --> 0:26:42.359
<v Speaker 1>Nick Hi for rolls and body. Remember he went to

0:26:42.480 --> 0:26:48.680
<v Speaker 1>the Tijuana Upstairs Medical. That's where he graduated from uh

0:26:48.800 --> 0:26:53.480
<v Speaker 1>Captain McAllister, uh Superintendent Chalmers. And of course when I

0:26:53.520 --> 0:26:55.360
<v Speaker 1>think of Chalmers, all I can think of is uh.

0:26:55.400 --> 0:26:57.840
<v Speaker 1>I can't remember the episode title, but the one with

0:26:58.400 --> 0:27:02.119
<v Speaker 1>with Skinner and the I think that was like the

0:27:02.200 --> 0:27:05.200
<v Speaker 1>twenty two episodes about Springfield. One. Oh man, that's such

0:27:05.200 --> 0:27:07.960
<v Speaker 1>a great one short films. I was never into that one.

0:27:08.280 --> 0:27:11.320
<v Speaker 1>I loved it and I had no idea. But apparently

0:27:11.359 --> 0:27:15.920
<v Speaker 1>it's a reference to there was a documentary or okay,

0:27:15.920 --> 0:27:18.879
<v Speaker 1>a movie twenty two short films about Glenn Gould. Love

0:27:18.960 --> 0:27:21.480
<v Speaker 1>that movie. Okay, I've never even heard of it. And

0:27:21.800 --> 0:27:23.600
<v Speaker 1>this raises a really good point that I'd like to

0:27:23.600 --> 0:27:25.600
<v Speaker 1>make her chuck if you'll indulge me for a second.

0:27:27.359 --> 0:27:30.160
<v Speaker 1>One of the things that The Simpsons did for me,

0:27:30.240 --> 0:27:33.159
<v Speaker 1>and I suspected for a lot of other people, is

0:27:33.240 --> 0:27:37.080
<v Speaker 1>that it pointed me in the direction of culture, like

0:27:37.240 --> 0:27:40.720
<v Speaker 1>it cultured me in culturated me. I'm not sure what

0:27:40.800 --> 0:27:43.640
<v Speaker 1>the word is. The Simpsons never taught me, but the

0:27:43.640 --> 0:27:48.040
<v Speaker 1>the the just the little signposts that they they point

0:27:48.080 --> 0:27:50.360
<v Speaker 1>to through the references they make that you don't get,

0:27:50.440 --> 0:27:52.479
<v Speaker 1>but then you find out about later what they were

0:27:52.520 --> 0:27:55.120
<v Speaker 1>actually talking about. It might lead you to go see

0:27:55.119 --> 0:27:57.879
<v Speaker 1>that movie or read that book, or just have a

0:27:57.920 --> 0:28:00.600
<v Speaker 1>better understanding of the world than you did four It's

0:28:00.640 --> 0:28:04.399
<v Speaker 1>like backwards reference. Yeah, I mean some of them are

0:28:04.400 --> 0:28:07.679
<v Speaker 1>so subtle to like, there isn't a human alive that

0:28:07.760 --> 0:28:10.560
<v Speaker 1>picks up on all the culture references that the Simpsons

0:28:10.640 --> 0:28:13.920
<v Speaker 1>throws out week the week. You know, whether it's uh

0:28:13.960 --> 0:28:15.680
<v Speaker 1>something like you were just talking about, or whether it's

0:28:15.720 --> 0:28:18.879
<v Speaker 1>just simply like in a show title like don't have

0:28:18.960 --> 0:28:21.520
<v Speaker 1>to Live like a referee, little things like that. They're

0:28:21.560 --> 0:28:26.680
<v Speaker 1>just nuggets all over the place. Uh. Continuing of Mr Zaria,

0:28:26.720 --> 0:28:31.720
<v Speaker 1>Professor Frank Cleadas, the slack jall yokel who will get

0:28:31.760 --> 0:28:34.520
<v Speaker 1>to a little bit more some of those his children's names. Uh,

0:28:34.960 --> 0:28:37.400
<v Speaker 1>we have some good stuff coming up, so I love

0:28:37.800 --> 0:28:44.360
<v Speaker 1>so get off the dang roof bumblebee man snake. Uh.

0:28:44.480 --> 0:28:47.960
<v Speaker 1>Kirk van Houghton man that that divorce episode was one

0:28:47.960 --> 0:28:54.080
<v Speaker 1>of the best. Yeah, can I borrow a Drederick Tatum

0:28:54.280 --> 0:28:57.280
<v Speaker 1>and Piro also known as Chase that was from that

0:28:57.320 --> 0:29:00.480
<v Speaker 1>episode two? I think it wasn't that the American Ideator

0:29:00.560 --> 0:29:05.320
<v Speaker 1>that that Millhouse's mom dates. Yeah, yeah, yeah, I forgot

0:29:05.320 --> 0:29:10.040
<v Speaker 1>about that. Oh man, Well, that's that's it. I think

0:29:10.920 --> 0:29:13.720
<v Speaker 1>these may not be complete list from Harry Shear Um, No,

0:29:13.840 --> 0:29:16.120
<v Speaker 1>I'm sorry for my area. But Harry Shears next, do

0:29:16.120 --> 0:29:18.440
<v Speaker 1>you want to tackle some of these? He does Mr

0:29:18.480 --> 0:29:22.280
<v Speaker 1>Burns and Mr Smithers, which is that's great to to

0:29:22.440 --> 0:29:25.280
<v Speaker 1>basically take those two halves of a hole and be

0:29:25.360 --> 0:29:27.280
<v Speaker 1>able to fill them out like that. Yeah, and by

0:29:27.320 --> 0:29:29.640
<v Speaker 1>the way, Burns was in the very first episode and

0:29:29.920 --> 0:29:33.200
<v Speaker 1>Smithers is heard over the intercom but not seen in

0:29:33.800 --> 0:29:36.720
<v Speaker 1>that episode one. That's a bit of trivia. But he

0:29:36.760 --> 0:29:41.480
<v Speaker 1>can put in their pipe and smoke. Ned Flanders principal Skinner,

0:29:41.560 --> 0:29:46.440
<v Speaker 1>Reverend love Joys, great Dr Hibbert. That laugh, he's got

0:29:46.440 --> 0:29:51.640
<v Speaker 1>a laugh that almost rivals, yours joke in awesomeness, Kent Brockman,

0:29:51.840 --> 0:29:55.080
<v Speaker 1>great Scratchy. I don't know who does itchy, do you?

0:29:56.320 --> 0:29:58.680
<v Speaker 1>I don't know. I kind of figured he did both,

0:29:58.880 --> 0:30:01.880
<v Speaker 1>you'd think so. But yeah, somebody all right in to

0:30:02.040 --> 0:30:06.360
<v Speaker 1>let us know Otto the bus driver, Ottoman, Jasper Abes,

0:30:06.440 --> 0:30:09.480
<v Speaker 1>friend with the long beard who can't feel them a beard.

0:30:10.880 --> 0:30:16.720
<v Speaker 1>Then Lenny Homer and Carl's other friends. Yeah, anybody else? Yeah,

0:30:16.840 --> 0:30:20.200
<v Speaker 1>wolf Castle and McBain. Oh yeah, that's right. Yeah. And

0:30:20.200 --> 0:30:23.040
<v Speaker 1>there's here's another old tidbit I can't even wait on

0:30:23.360 --> 0:30:27.040
<v Speaker 1>from our our Easter egg section later on, is apparently

0:30:27.600 --> 0:30:32.240
<v Speaker 1>if you take out all the wolf Castle pieces throughout

0:30:32.280 --> 0:30:35.680
<v Speaker 1>the years, there's a little coherent story that you can

0:30:35.720 --> 0:30:40.760
<v Speaker 1>actually follow that is masterful. Yeah. And I'm not sure

0:30:40.800 --> 0:30:42.920
<v Speaker 1>if someone has I'm sure someone has pulled that. Um.

0:30:42.920 --> 0:30:48.280
<v Speaker 1>I didn't get a chance to watch, but that's pretty amazing. Yeah, Uh, Herman,

0:30:48.440 --> 0:30:52.360
<v Speaker 1>George Bush, Judge Schneider, Eddie Renier, some of the other

0:30:52.600 --> 0:30:55.480
<v Speaker 1>Shearer characters. Do you remember who Eddie Renier was? No?

0:30:55.680 --> 0:30:59.080
<v Speaker 1>I don't. I don't either. Maybe we got some digging

0:30:59.160 --> 0:31:04.520
<v Speaker 1>to do, man, some some in bigg and digging. Uh,

0:31:04.560 --> 0:31:07.960
<v Speaker 1>we have to mention the great Pamela Hayden. She does Millhouse,

0:31:09.000 --> 0:31:15.960
<v Speaker 1>Rod Flanders, Janie Powell, Jimbo Jones, Malibu Stacy, Sarah Wigham

0:31:16.200 --> 0:31:21.320
<v Speaker 1>uh and a couple of dearly departed cast members occasional

0:31:21.320 --> 0:31:24.800
<v Speaker 1>cast members. Marsha Wallace, the great Marsha Wallace from The

0:31:24.800 --> 0:31:27.920
<v Speaker 1>Bob Newhart Show passed away in two thousand thirteen. She

0:31:28.120 --> 0:31:32.040
<v Speaker 1>was Mrs Crabapple. I mean, what a beloved character and

0:31:32.200 --> 0:31:36.120
<v Speaker 1>as in so many ways they describe her in this article,

0:31:36.200 --> 0:31:40.000
<v Speaker 1>is sarcastic and sexy. That whole that whole um subplot

0:31:40.120 --> 0:31:44.760
<v Speaker 1>that went through multiple episodes where she was dating Um Yeah,

0:31:45.000 --> 0:31:48.160
<v Speaker 1>Seymour Skinner and then later on Mary's ned Flanders. No

0:31:48.160 --> 0:31:50.920
<v Speaker 1>one saw that coming, but the fact that this show

0:31:51.000 --> 0:31:54.440
<v Speaker 1>could take steps like that and then would would commit

0:31:54.560 --> 0:31:59.040
<v Speaker 1>itself to to continuing it as long as as could

0:31:59.040 --> 0:32:01.760
<v Speaker 1>be and and keeping it up, you know what I mean,

0:32:01.920 --> 0:32:03.640
<v Speaker 1>rather than just being like, oh, forget about that, it

0:32:03.640 --> 0:32:06.480
<v Speaker 1>doesn't matter that that was another hallmark of the show

0:32:06.520 --> 0:32:08.920
<v Speaker 1>as well, that it could had the chops to to

0:32:09.080 --> 0:32:11.560
<v Speaker 1>make big leaps like that and then keep it going

0:32:11.600 --> 0:32:15.800
<v Speaker 1>without as seeming tried or tired or anything. Absolutely Marsha

0:32:15.840 --> 0:32:19.600
<v Speaker 1>Wallace won an Emmy for her voice work. Uh, and

0:32:19.600 --> 0:32:22.800
<v Speaker 1>they paid a tribute to her um in the episode

0:32:22.800 --> 0:32:26.640
<v Speaker 1>for Regrettings and a Funeral. Barts Chalkboard Gag at the

0:32:26.680 --> 0:32:31.080
<v Speaker 1>beginning said we'll really miss you, mrs Ka so sad

0:32:31.520 --> 0:32:33.840
<v Speaker 1>so sad. Uh. And the Man who grew too much,

0:32:33.920 --> 0:32:37.440
<v Speaker 1>Ned Flanders wears a black armband. Two more Edna, who

0:32:37.480 --> 0:32:40.080
<v Speaker 1>of course took the place of his departed wife. And

0:32:40.120 --> 0:32:44.600
<v Speaker 1>Maud Flanders. Yeah he's a widower twice over. Yeah. Man,

0:32:44.680 --> 0:32:47.280
<v Speaker 1>that one where Maud died. That was really just a

0:32:47.320 --> 0:32:49.840
<v Speaker 1>great episode. Yeah, I mean that. That's the thing about

0:32:49.840 --> 0:32:51.959
<v Speaker 1>The Simpsons is as silly as it was, they managed

0:32:52.000 --> 0:32:54.320
<v Speaker 1>to pull the heartstrings every now and then. It was

0:32:54.360 --> 0:32:56.200
<v Speaker 1>always they didn't do too much of it, but it

0:32:56.240 --> 0:32:58.680
<v Speaker 1>was always just well timed, you know, for sure, and

0:32:58.720 --> 0:33:01.320
<v Speaker 1>like they could take on some thing like death and

0:33:01.440 --> 0:33:04.320
<v Speaker 1>grief and do it like with heart but also without

0:33:04.720 --> 0:33:07.960
<v Speaker 1>making a very special episode of it. Always felt like

0:33:08.000 --> 0:33:11.000
<v Speaker 1>the Simpsons. Yeah, exactly. Uh. And of course Phil Hartman,

0:33:11.080 --> 0:33:14.480
<v Speaker 1>who left us way too soon. He did a couple

0:33:14.480 --> 0:33:20.360
<v Speaker 1>of classic classic characters in Lionel Huts and Troy McLure. Uh.

0:33:20.360 --> 0:33:22.080
<v Speaker 1>And I had to get a few of my favorite

0:33:22.120 --> 0:33:25.920
<v Speaker 1>Troy McClure lines in here. Um, and he was very famous.

0:33:26.000 --> 0:33:30.600
<v Speaker 1>If you don't know the Simpsons, Toroy McClure was uh,

0:33:30.960 --> 0:33:34.280
<v Speaker 1>former semi famous actor who would pop up every now

0:33:34.320 --> 0:33:37.280
<v Speaker 1>and then in uh kind of like school films and

0:33:37.320 --> 0:33:41.960
<v Speaker 1>stuff like that, sure or um an infomercial. Yeah. He

0:33:42.120 --> 0:33:45.680
<v Speaker 1>was just like a former pretty boy actor basically. Yeah.

0:33:45.720 --> 0:33:48.560
<v Speaker 1>And his his running gag was I'm Troy McClure. You

0:33:48.680 --> 0:33:51.600
<v Speaker 1>might remember me dot dot dot right, So here's here's

0:33:51.600 --> 0:33:54.720
<v Speaker 1>a few of my favorites. I'm Troy McClure. You might

0:33:54.760 --> 0:33:58.440
<v Speaker 1>remember me from some self help videos as Smoke Yourself

0:33:58.480 --> 0:34:06.040
<v Speaker 1>then and get comf and Stupid. Here's another one. You

0:34:06.120 --> 0:34:09.239
<v Speaker 1>might remember me from such driver's ed films as Alice's

0:34:09.239 --> 0:34:12.960
<v Speaker 1>Adventures through the Windshield Glass and the Decapitation of lead

0:34:13.080 --> 0:34:18.359
<v Speaker 1>Larry Leadfoot, And then this one. You may remember me

0:34:18.440 --> 0:34:21.920
<v Speaker 1>from such educational films as to minus three equals Negative

0:34:21.960 --> 0:34:29.040
<v Speaker 1>fun and by a Crackers The Silent Killer so good,

0:34:29.160 --> 0:34:31.919
<v Speaker 1>and Attorney Lama Huts was just great too, was good?

0:34:32.040 --> 0:34:35.560
<v Speaker 1>And then which one did he date? He dated Patty

0:34:35.640 --> 0:34:40.759
<v Speaker 1>or Selma? I can't remember which one. You're just I'm mortified. Well,

0:34:40.800 --> 0:34:43.200
<v Speaker 1>they're so interchangeable to me, Well, they are. One of

0:34:43.239 --> 0:34:46.640
<v Speaker 1>them came out as gay, actually, and one of the

0:34:46.680 --> 0:34:52.360
<v Speaker 1>recent seasons was not that one, right, um I I

0:34:52.360 --> 0:34:56.239
<v Speaker 1>think it was Selma. No, it would have been Patty

0:34:56.320 --> 0:34:59.520
<v Speaker 1>because Patty is the one who was engaged to Principal Skinner.

0:35:00.080 --> 0:35:03.160
<v Speaker 1>That's right, um So, I guess he was dating Patty.

0:35:03.280 --> 0:35:05.880
<v Speaker 1>I just remember in that episode when he he went

0:35:05.880 --> 0:35:07.239
<v Speaker 1>out with her one night and then showed up the

0:35:07.239 --> 0:35:09.520
<v Speaker 1>next day and said, you might remember me from certain

0:35:09.600 --> 0:35:14.319
<v Speaker 1>dates as last nights. Right. One of my favorite lines

0:35:14.360 --> 0:35:16.839
<v Speaker 1>from that episode is, um, there in like a nice

0:35:16.880 --> 0:35:21.239
<v Speaker 1>restaurant and um, Selma, No, Patty lights up a cigarette

0:35:21.600 --> 0:35:25.240
<v Speaker 1>and everybody's like, oh my gosh, she's smoking smoking. Somebody

0:35:25.280 --> 0:35:32.040
<v Speaker 1>goes waiter, I ordered a zeema, not emphysema. What a

0:35:32.080 --> 0:35:36.040
<v Speaker 1>great line, man, Yeah. Um So. Guest stars over the years,

0:35:36.320 --> 0:35:41.000
<v Speaker 1>um they have. There have been some very beloved people

0:35:41.120 --> 0:35:44.960
<v Speaker 1>playing other people, and then many people playing themselves. Uh.

0:35:45.000 --> 0:35:47.080
<v Speaker 1>And I made a list of my favorite people playing

0:35:47.080 --> 0:35:54.000
<v Speaker 1>other people. Martin Sheen played Sergeant Seymour Skinner a k a.

0:35:54.200 --> 0:35:58.720
<v Speaker 1>The real Seymour Skinner. Oh that was Martin Sheen. Wasn't it. Okay?

0:35:59.320 --> 0:36:03.239
<v Speaker 1>The Great Albert Brooks played Hank Scorpio. Nice. Yeah, that

0:36:03.320 --> 0:36:06.560
<v Speaker 1>was a great character. Glenn Close played Homer's mom and

0:36:07.600 --> 0:36:09.920
<v Speaker 1>just such a great episode that that one. And I

0:36:10.000 --> 0:36:12.800
<v Speaker 1>think also the one where he goes and um tries

0:36:12.840 --> 0:36:17.359
<v Speaker 1>to find what his middle his the j stand name.

0:36:17.400 --> 0:36:19.439
<v Speaker 1>Yeah yeah yeah. I don't know if she was in that,

0:36:19.520 --> 0:36:22.280
<v Speaker 1>but like she she's like a she's like an off

0:36:22.400 --> 0:36:25.560
<v Speaker 1>camera character because he meets like some of her old

0:36:25.600 --> 0:36:28.720
<v Speaker 1>friends from back when he was such a sweet episode

0:36:28.800 --> 0:36:32.600
<v Speaker 1>and then they all end up on um Payote I

0:36:32.640 --> 0:36:37.760
<v Speaker 1>think in truth sim since fashion. Patrick Stewart played Number

0:36:37.760 --> 0:36:41.880
<v Speaker 1>one in the stone Cutters episode. Meryl Street played Jessica

0:36:41.920 --> 0:36:46.680
<v Speaker 1>Lovejoy Bart's love interest brief love interest. The late great

0:36:46.760 --> 0:36:51.120
<v Speaker 1>Johnny Cash played Homer Spirit Coyote. Yeah remember that. Remember

0:36:51.239 --> 0:36:55.120
<v Speaker 1>Rodney Dangerfield is Larry Burns. I get no esteem, noverre

0:36:55.160 --> 0:36:59.960
<v Speaker 1>god either. Ron Taylor played a bleeding gums Murphy Lee,

0:37:00.120 --> 0:37:03.120
<v Speaker 1>his sort of mentor on the saxophone who played him

0:37:03.920 --> 0:37:06.880
<v Speaker 1>got named Ron Taylor. Okay, give him his due, and

0:37:07.160 --> 0:37:10.560
<v Speaker 1>arties If was played by John Lovitt Sure and John

0:37:10.600 --> 0:37:13.000
<v Speaker 1>Lovitts played Jay Sherman, the critic in one of the

0:37:13.040 --> 0:37:17.160
<v Speaker 1>more hated episodes of all times. Yeah, the crossover episode

0:37:17.200 --> 0:37:21.040
<v Speaker 1>where they throw a film festival in Springfield and Jay

0:37:21.080 --> 0:37:25.759
<v Speaker 1>Sherman shows up to to lead the jury for the

0:37:26.160 --> 0:37:30.920
<v Speaker 1>film festival. Well, it was. It was basically a vehicle

0:37:30.960 --> 0:37:33.759
<v Speaker 1>to introduce America to the critic, which was now going

0:37:33.800 --> 0:37:36.759
<v Speaker 1>to be on Fox after The Simpsons. And did you

0:37:36.760 --> 0:37:40.239
<v Speaker 1>ever see that show? The critic? Yeah, yeah, yeah, I

0:37:40.280 --> 0:37:42.200
<v Speaker 1>saw that. It was a little smallsey, but I mean

0:37:42.239 --> 0:37:44.160
<v Speaker 1>it had its charms here there. It wasn't like the

0:37:44.200 --> 0:37:47.399
<v Speaker 1>worst thing anyone's ever put on TV. It certainly wasn't

0:37:47.400 --> 0:37:52.280
<v Speaker 1>Simpsons caliber. But supposedly Matt Graining was so upset about

0:37:52.320 --> 0:37:54.880
<v Speaker 1>this that he made them take his name off of

0:37:54.920 --> 0:37:58.880
<v Speaker 1>the opening credits on the TV screen. He was that

0:37:59.000 --> 0:38:01.360
<v Speaker 1>mad about this crawl sover that had been like shoved

0:38:01.400 --> 0:38:04.600
<v Speaker 1>down his throat by Fox executives. As the legend goes,

0:38:04.800 --> 0:38:08.719
<v Speaker 1>good for him, sure, um, And then you know, they've

0:38:08.719 --> 0:38:11.959
<v Speaker 1>had some legends that played themselves before Bob Hope passed away.

0:38:11.960 --> 0:38:15.880
<v Speaker 1>He was on the show. Ernest borg Nine, Robert Goulay,

0:38:16.400 --> 0:38:22.000
<v Speaker 1>Steve Allen, Robert Gooley swings his hello. He's sitting there,

0:38:22.760 --> 0:38:26.200
<v Speaker 1>he's doing the treehouse at Bart's Treehouse, he's doing a show.

0:38:26.760 --> 0:38:28.399
<v Speaker 1>I don't know how he got booked there. I think

0:38:28.440 --> 0:38:31.759
<v Speaker 1>Nelson maybe was his agent, and like he's swinging his

0:38:31.920 --> 0:38:34.480
<v Speaker 1>microphone and the quarters are so close in the treehouse.

0:38:34.520 --> 0:38:37.520
<v Speaker 1>He smacks like I think millhouses glasses right off his face,

0:38:37.680 --> 0:38:42.000
<v Speaker 1>like oh sorry kid, uh And then they I think

0:38:42.000 --> 0:38:44.920
<v Speaker 1>there've been more than like seventy musicians and bands through

0:38:44.960 --> 0:38:49.239
<v Speaker 1>the years. They've always loved featuring bands. So at the time,

0:38:49.280 --> 0:38:52.360
<v Speaker 1>all the Living Beatles before George Harrison passed, and the

0:38:52.480 --> 0:38:55.040
<v Speaker 1>Ramons and the Who and Metallica and R E. M

0:38:55.120 --> 0:38:58.960
<v Speaker 1>and You Too and Aerosmith, Tom Petty, the late Great

0:38:59.000 --> 0:39:01.319
<v Speaker 1>Tom Petty, Lenny Krab. It's like the list goes on

0:39:01.360 --> 0:39:03.600
<v Speaker 1>and on. But they've always had great musical guests. And

0:39:03.640 --> 0:39:07.319
<v Speaker 1>that YouTube episode that was the garbage Man episode, right,

0:39:07.480 --> 0:39:10.080
<v Speaker 1>I think so so one of the great There's like

0:39:10.560 --> 0:39:13.200
<v Speaker 1>this is a great illustration of just a throwaway joke

0:39:13.480 --> 0:39:15.840
<v Speaker 1>on The Simpsons that just made it that much smarter

0:39:16.000 --> 0:39:19.360
<v Speaker 1>that show. Right, So, like Homer is trying to sneak backstage,

0:39:19.880 --> 0:39:24.799
<v Speaker 1>so he dresses up like Irish potato delivery man, like

0:39:24.840 --> 0:39:28.439
<v Speaker 1>there is such a thing, right, So, so the joke

0:39:28.600 --> 0:39:30.360
<v Speaker 1>is that this is what Homer thinks is going to

0:39:30.440 --> 0:39:33.719
<v Speaker 1>get him backstage. But then the added bonus to the

0:39:33.800 --> 0:39:37.080
<v Speaker 1>joke is that it actually works, Like when he shows up,

0:39:37.360 --> 0:39:40.319
<v Speaker 1>the security guards like, where in the devil have you been?

0:39:40.719 --> 0:39:42.960
<v Speaker 1>Like they've been waiting for the guy who delivers raw

0:39:43.000 --> 0:39:47.560
<v Speaker 1>potatoes backstage at a YouTube concert? Like that's just the thing, right,

0:39:48.160 --> 0:39:52.640
<v Speaker 1>I love that show so much. Uh. And finally, as

0:39:52.680 --> 0:39:56.160
<v Speaker 1>far as guest voices, we would be we would be

0:39:56.200 --> 0:39:59.120
<v Speaker 1>remiss without mentioning the great Kelsey Grammar at side show

0:39:59.160 --> 0:40:02.440
<v Speaker 1>Bob prominent prominent character. And then they ended up getting

0:40:03.239 --> 0:40:07.279
<v Speaker 1>David Hyde pierced to play Cecil, his brother, and then

0:40:07.840 --> 0:40:12.759
<v Speaker 1>John Mahoney all from Frazier to play his father, Dr

0:40:12.840 --> 0:40:17.600
<v Speaker 1>Robert to Willoker. Nice, so good, it's so so good, Chuck. Alright,

0:40:17.719 --> 0:40:20.359
<v Speaker 1>let's take another break and we're gonna come back and

0:40:20.560 --> 0:40:22.920
<v Speaker 1>talk a little bit about these episodes and how they

0:40:22.920 --> 0:40:43.600
<v Speaker 1>are put together. Josh, Okay, Chuck, we're back, and you

0:40:43.719 --> 0:40:46.280
<v Speaker 1>promised that we were going to talk more about the Simpsons,

0:40:46.320 --> 0:40:49.600
<v Speaker 1>so go all right, well we should talk a little

0:40:49.600 --> 0:40:51.840
<v Speaker 1>bit about I mean, we can sit here and quote

0:40:51.840 --> 0:40:54.319
<v Speaker 1>lines all day long. I know, I hope this isn't

0:40:54.360 --> 0:40:57.319
<v Speaker 1>getting annoying for anybody. Hopefully everybody's having as much fun

0:40:57.320 --> 0:40:59.479
<v Speaker 1>as we are. No, I mean this one was bound

0:40:59.520 --> 0:41:02.200
<v Speaker 1>to get super wonky. But we should talk a little

0:41:02.239 --> 0:41:06.680
<v Speaker 1>bit technically about how the show is made. Hey, uh,

0:41:06.760 --> 0:41:08.839
<v Speaker 1>so here's how it starts, and the Grabs are did

0:41:08.840 --> 0:41:11.239
<v Speaker 1>a good job of kind of breaking this down, I think. Yeah.

0:41:11.280 --> 0:41:13.279
<v Speaker 1>And also also I want to give a shout out

0:41:13.320 --> 0:41:17.600
<v Speaker 1>to an article on the Verge called how uh Simpsons

0:41:17.680 --> 0:41:21.400
<v Speaker 1>episode is made. It goes into even greater detail. It's

0:41:21.440 --> 0:41:25.520
<v Speaker 1>it's nuts what they do. Alright. So, like most shows,

0:41:25.600 --> 0:41:28.320
<v Speaker 1>or I would say probably every show, uh, it begins

0:41:28.320 --> 0:41:31.759
<v Speaker 1>in the writer's room. Writer's gonna pitch ideas to each

0:41:31.760 --> 0:41:35.120
<v Speaker 1>other and the producers. An episode will get a green light,

0:41:35.600 --> 0:41:39.800
<v Speaker 1>and then a single writer usually sometimes they work in pairs,

0:41:39.840 --> 0:41:42.399
<v Speaker 1>will go off and create a draft in a couple

0:41:42.400 --> 0:41:44.960
<v Speaker 1>of weeks. But that is not the end of the

0:41:44.960 --> 0:41:48.240
<v Speaker 1>writing process. No, no, no, no no. Supposedly, the writing

0:41:48.280 --> 0:41:54.360
<v Speaker 1>process is one of the most um uh shape shifting

0:41:55.880 --> 0:41:58.520
<v Speaker 1>parts of the entire process of making an episode. There's

0:41:58.560 --> 0:42:01.120
<v Speaker 1>a lot of people pokey at it. You've got the

0:42:01.120 --> 0:42:04.759
<v Speaker 1>show runner, who in this capacity serves as the um

0:42:04.760 --> 0:42:08.680
<v Speaker 1>script editor and the head writer. Um, you've got the

0:42:08.680 --> 0:42:11.080
<v Speaker 1>actual writers, you've got the writing team, you've got the

0:42:11.080 --> 0:42:14.040
<v Speaker 1>writing assistance, You've got producers who are thinking about it.

0:42:14.280 --> 0:42:16.719
<v Speaker 1>You've got all these people who are thinking of the

0:42:16.760 --> 0:42:19.920
<v Speaker 1>script and rewriting it and editing it. That is supposedly

0:42:19.960 --> 0:42:25.000
<v Speaker 1>a script goes through rewrites um for like four to

0:42:25.080 --> 0:42:28.120
<v Speaker 1>six weeks or something like that. Yeah, and like most

0:42:28.120 --> 0:42:30.640
<v Speaker 1>shows operate this way, there's a lot, especially comedies, a

0:42:30.640 --> 0:42:33.080
<v Speaker 1>lot of rewriting that goes on to just I mean,

0:42:33.080 --> 0:42:36.760
<v Speaker 1>they'll come down and debate a word for a couple

0:42:36.760 --> 0:42:39.160
<v Speaker 1>of hours to make sure they're getting the funniest stuff

0:42:39.160 --> 0:42:42.719
<v Speaker 1>they can get right. Um, then what comes next is

0:42:43.200 --> 0:42:47.720
<v Speaker 1>the table read. And brother, you and I got really

0:42:47.760 --> 0:42:50.600
<v Speaker 1>really lucky. When was this four or five years ago?

0:42:50.840 --> 0:42:54.000
<v Speaker 1>I think it was two thousand, thirteen or fourteen. So

0:42:54.120 --> 0:42:56.120
<v Speaker 1>here's how it went down. We had a listener, uh

0:42:56.239 --> 0:43:00.400
<v Speaker 1>named Jesse write us and say she did worked for

0:43:00.440 --> 0:43:02.640
<v Speaker 1>the Simpsons, but she was in somehow. I think she

0:43:02.680 --> 0:43:05.720
<v Speaker 1>had a friend. She was friends I think with Tom Gamble,

0:43:05.880 --> 0:43:08.759
<v Speaker 1>the producer, one of the users of the Simpsons. Yeah,

0:43:08.800 --> 0:43:10.400
<v Speaker 1>and she said, you know, dudes, whenever you want to

0:43:10.400 --> 0:43:12.000
<v Speaker 1>come out to l A and go to a table read,

0:43:12.360 --> 0:43:14.440
<v Speaker 1>and then we were basically at the airport about an

0:43:14.440 --> 0:43:17.919
<v Speaker 1>hour later. So I don't know. We had a trip

0:43:17.920 --> 0:43:19.560
<v Speaker 1>booked for some reason or another, and we went out

0:43:19.600 --> 0:43:23.400
<v Speaker 1>there and uh we met at the Fox lot and

0:43:23.440 --> 0:43:26.600
<v Speaker 1>the building little bungalow outside the Simpsons. First of all

0:43:26.719 --> 0:43:29.880
<v Speaker 1>is just so exciting because they have topiaries of Simpsons

0:43:29.920 --> 0:43:34.319
<v Speaker 1>characters and of itself. And then the table read is

0:43:35.160 --> 0:43:37.880
<v Speaker 1>a bit of a public thing, like it's not a

0:43:37.920 --> 0:43:42.279
<v Speaker 1>hundred people, but they were probably besides the cast in

0:43:43.400 --> 0:43:48.160
<v Speaker 1>writing staff an additional what people in there, like tourists

0:43:48.160 --> 0:43:50.239
<v Speaker 1>like us. Yeah, yeah, I would say something like that

0:43:50.280 --> 0:43:54.800
<v Speaker 1>like friends, family members, um, just special invitees, the ambassador

0:43:55.000 --> 0:43:59.200
<v Speaker 1>of from Spain, like just just people were there and

0:43:59.200 --> 0:44:02.200
<v Speaker 1>and they were like you shut up, all of you.

0:44:02.440 --> 0:44:05.160
<v Speaker 1>Don't make a sound, turn off your cell phones, will

0:44:05.239 --> 0:44:07.400
<v Speaker 1>kill your whole family if you if you say anything,

0:44:07.400 --> 0:44:10.000
<v Speaker 1>because this is serious business. Yeah. So there's they're all

0:44:10.080 --> 0:44:11.960
<v Speaker 1>the people who work on the show. We're sitting at

0:44:11.960 --> 0:44:15.359
<v Speaker 1>this big, huge, long conference table. And then the room

0:44:15.560 --> 0:44:18.480
<v Speaker 1>is lined all along the outside on four walls with

0:44:18.600 --> 0:44:23.120
<v Speaker 1>chairs for people to just sit there quietly and uh,

0:44:23.280 --> 0:44:26.439
<v Speaker 1>sit at the altar in reverence of what they're about

0:44:26.480 --> 0:44:29.080
<v Speaker 1>to see and we so the one we were there

0:44:29.200 --> 0:44:32.040
<v Speaker 1>um was a script read for the episode that became

0:44:32.239 --> 0:44:35.920
<v Speaker 1>the Wreck of the Relationship, right. I think Nick Offerman

0:44:36.080 --> 0:44:38.920
<v Speaker 1>guest starred in it as a sea captain. But basically

0:44:39.000 --> 0:44:42.560
<v Speaker 1>Bart and Homer go off on this um father's son

0:44:42.760 --> 0:44:47.400
<v Speaker 1>bonding tour like aboard a ship, and uh. The b

0:44:47.680 --> 0:44:51.160
<v Speaker 1>subplot was that while they were gone, Marge had to

0:44:51.600 --> 0:44:56.200
<v Speaker 1>um pick Homer's fantasy football team, and she decided that

0:44:56.280 --> 0:45:00.719
<v Speaker 1>she should pick all place kickers and turns out that

0:45:00.760 --> 0:45:04.520
<v Speaker 1>she she was right. Um like, she ended up winning,

0:45:04.520 --> 0:45:07.040
<v Speaker 1>but in between picking them and not knowing what she

0:45:07.120 --> 0:45:09.879
<v Speaker 1>was doing and winning the whole thing, um, she ends

0:45:09.920 --> 0:45:12.520
<v Speaker 1>up like trash talking with Mo and Lenny and Carl

0:45:13.080 --> 0:45:17.080
<v Speaker 1>um And it's a pretty good be subplot. Actually, yeah,

0:45:17.120 --> 0:45:19.480
<v Speaker 1>And I would love to say that, um, all of

0:45:19.520 --> 0:45:22.239
<v Speaker 1>the voice actors are in the room together. That is

0:45:22.280 --> 0:45:24.960
<v Speaker 1>not the case because everyone is busy and doing other stuff.

0:45:25.000 --> 0:45:27.120
<v Speaker 1>And they got it down to a science now so

0:45:27.160 --> 0:45:30.440
<v Speaker 1>they don't have to rub elbows. But they're you know,

0:45:30.520 --> 0:45:32.160
<v Speaker 1>calling it on the phone and they're doing the voices

0:45:32.160 --> 0:45:35.000
<v Speaker 1>and stuff either be a phone or in person, and uh,

0:45:35.080 --> 0:45:38.319
<v Speaker 1>Matt Graining was there though, Uh, Dan Castelenetta was there

0:45:38.360 --> 0:45:41.120
<v Speaker 1>in the room, Julie Kavner was there. Julie Kavner was there,

0:45:41.360 --> 0:45:45.319
<v Speaker 1>Udly Smith yep Beudy Smith and um, Pamela Hayden was there,

0:45:46.160 --> 0:45:49.480
<v Speaker 1>but we got no as Aria or Shearer, right, but

0:45:49.520 --> 0:45:51.239
<v Speaker 1>they were on the phone, so like we were sitting

0:45:51.280 --> 0:45:53.880
<v Speaker 1>there listening to them do the voices. Yeah, so they

0:45:53.960 --> 0:45:56.560
<v Speaker 1>basically read through the script. They'll stop every now and

0:45:56.600 --> 0:45:59.520
<v Speaker 1>then and make suggestions or something on a different line

0:45:59.560 --> 0:46:02.520
<v Speaker 1>reading and in the writers and producers are all furiously

0:46:02.560 --> 0:46:05.920
<v Speaker 1>scribbling and making notes and stuff like that. Uh. And

0:46:05.960 --> 0:46:11.320
<v Speaker 1>then afterward they they finished it up and we very

0:46:11.360 --> 0:46:14.520
<v Speaker 1>like a couple of six year old sheepishly grabbed our

0:46:14.560 --> 0:46:16.480
<v Speaker 1>scripts that we get to take with us because everyone

0:46:16.480 --> 0:46:20.360
<v Speaker 1>gets a script to read along and uh and met

0:46:21.160 --> 0:46:27.360
<v Speaker 1>Matt Greening and it was surreal. It was um yeah.

0:46:27.480 --> 0:46:29.880
<v Speaker 1>What was I think even more surreal was that he

0:46:30.000 --> 0:46:33.480
<v Speaker 1>was like super nice, the nicest dude you could imagine,

0:46:33.520 --> 0:46:36.440
<v Speaker 1>Like he was like really nice, like Dan cast Lenetta

0:46:36.520 --> 0:46:38.920
<v Speaker 1>like didn't ever look up when like Umi was there,

0:46:38.960 --> 0:46:40.680
<v Speaker 1>and she took a picture of me with Dan castle

0:46:40.719 --> 0:46:43.080
<v Speaker 1>Lenetta and I'm saying they're giving a thumbs up, and

0:46:43.120 --> 0:46:46.200
<v Speaker 1>he's like looking down, like signing my script. Yeah, it's

0:46:46.200 --> 0:46:48.120
<v Speaker 1>not like he wasn't a nice guy, but he just

0:46:48.160 --> 0:46:50.400
<v Speaker 1>wasn't quite as personable in person as I'm at Graining.

0:46:50.520 --> 0:46:52.440
<v Speaker 1>But I think like Matt Greening like stood up and

0:46:52.440 --> 0:46:54.800
<v Speaker 1>shook hands and was like, hey, great to meet you,

0:46:54.920 --> 0:46:57.000
<v Speaker 1>and he didn't know who I was from Adam. He

0:46:57.120 --> 0:47:01.000
<v Speaker 1>was just this surprisingly friendly guy. Yeah, we remember telling

0:47:01.080 --> 0:47:03.360
<v Speaker 1>him that we uh you mean was just laughing the

0:47:03.360 --> 0:47:06.080
<v Speaker 1>whole time. She was like, you guys are just hysterical. Yeah,

0:47:06.120 --> 0:47:08.200
<v Speaker 1>we really were like a couple of six year olds.

0:47:08.239 --> 0:47:10.680
<v Speaker 1>I was surprised at both of us actually, just how

0:47:10.760 --> 0:47:14.160
<v Speaker 1>quickly we were like kids. Yeah. I don't get superstar

0:47:14.280 --> 0:47:16.440
<v Speaker 1>struck anymore, and and this one just had me like

0:47:16.480 --> 0:47:19.839
<v Speaker 1>I was super super nervous. But I remember I think

0:47:19.880 --> 0:47:23.120
<v Speaker 1>I told him Mr. Graining that, you know, we have

0:47:23.160 --> 0:47:25.319
<v Speaker 1>a podcast and we talked about the Simpsons so much,

0:47:25.680 --> 0:47:28.319
<v Speaker 1>it's almost like an additional character on our show. And

0:47:28.360 --> 0:47:30.759
<v Speaker 1>he asked what the name of it was, wrote it

0:47:30.800 --> 0:47:33.520
<v Speaker 1>down stuff you should know on his script, and then

0:47:33.800 --> 0:47:36.319
<v Speaker 1>ate that piece of paper in front of you, and

0:47:36.360 --> 0:47:38.200
<v Speaker 1>then he signed our script and he scribbles out a

0:47:38.280 --> 0:47:40.920
<v Speaker 1>quick drawing he drew bart On my script I got

0:47:40.960 --> 0:47:44.879
<v Speaker 1>Homer and it says your pal Matt Graining. Yeah, so

0:47:45.080 --> 0:47:49.080
<v Speaker 1>nice man. That script is like under plexiglass, under lock

0:47:49.120 --> 0:47:52.280
<v Speaker 1>and key trained Momo to kill anybody who comes anywhere

0:47:52.320 --> 0:47:55.359
<v Speaker 1>near it. It's just like comprised possession. Now. Oh yeah,

0:47:55.400 --> 0:47:58.600
<v Speaker 1>for sure. We got Dan Castle Lenetta to sign it, uh,

0:47:59.040 --> 0:48:01.120
<v Speaker 1>Julie Kabner to sign and I think those are the

0:48:01.120 --> 0:48:04.160
<v Speaker 1>only three autographs I got. But it was neat so

0:48:04.200 --> 0:48:06.880
<v Speaker 1>to us, we were just losing our minds. It was

0:48:06.960 --> 0:48:11.080
<v Speaker 1>so amazing to them, like it was straight up work, right,

0:48:11.200 --> 0:48:13.440
<v Speaker 1>Like this is work to them, and it was nicely

0:48:13.520 --> 0:48:15.960
<v Speaker 1>like they're they're fine, like seeing people that they're friends with,

0:48:16.000 --> 0:48:18.640
<v Speaker 1>who they invited or whatever. But um, I read an

0:48:18.640 --> 0:48:21.719
<v Speaker 1>interview with al Jean and al Jean said that he

0:48:22.360 --> 0:48:26.160
<v Speaker 1>hates will Reads more than anything because it is real work,

0:48:26.640 --> 0:48:29.919
<v Speaker 1>but it's it's in this weird kind of in between state,

0:48:30.000 --> 0:48:32.439
<v Speaker 1>like letting people come wat. Yeah, I wonder whose idea

0:48:32.480 --> 0:48:35.400
<v Speaker 1>that was. I don't know, but apparently a customed that

0:48:35.440 --> 0:48:37.520
<v Speaker 1>they've been keeping up this whole time, despite at the

0:48:37.600 --> 0:48:41.280
<v Speaker 1>very least one of the high powered executives in charge

0:48:41.280 --> 0:48:44.439
<v Speaker 1>of the show hating it interesting. Yeah, I think there's

0:48:44.480 --> 0:48:46.880
<v Speaker 1>lots of distractions and stuff like that, but apparently they

0:48:46.960 --> 0:48:50.520
<v Speaker 1>muddled through every Thursday. Yeah, and it's I just can't

0:48:50.560 --> 0:48:54.359
<v Speaker 1>say enough it was. This is not hyperbole. It is

0:48:54.440 --> 0:48:58.640
<v Speaker 1>a genuine all time life highlight. You know. It was

0:48:58.719 --> 0:49:02.480
<v Speaker 1>just amazing, agree, Chuck. Alright, so I think we've reached

0:49:02.480 --> 0:49:06.040
<v Speaker 1>the end of part one of episode one thousand, technically

0:49:06.120 --> 0:49:10.320
<v Speaker 1>episode that's a cliffhanger too, it is. Man, I'm pretty

0:49:10.360 --> 0:49:13.000
<v Speaker 1>I'm pretty psyched. Like this is not planned, Chuck. This

0:49:13.040 --> 0:49:14.960
<v Speaker 1>is a genuine cliffhanger. Yeah, right in the middle of

0:49:14.960 --> 0:49:17.400
<v Speaker 1>the production process, people are gonna be like, I have

0:49:17.480 --> 0:49:20.680
<v Speaker 1>to know how they make these shows. Well, just cool out, everybody,

0:49:20.680 --> 0:49:24.160
<v Speaker 1>cool out. You can wait until what Thursday? Right, Yes,

0:49:24.480 --> 0:49:28.000
<v Speaker 1>for our actual official episode one thousand, And in the meantime,

0:49:28.080 --> 0:49:30.200
<v Speaker 1>you can get in touch with us on Twitter. I'm

0:49:30.239 --> 0:49:33.360
<v Speaker 1>at josh um Clark and what the official handle is

0:49:33.520 --> 0:49:37.759
<v Speaker 1>s y s K podcast. Charles Chuck is at Facebook

0:49:37.960 --> 0:49:41.440
<v Speaker 1>dot com slash Charles W. Chuck Bryant. There's also I'm

0:49:41.480 --> 0:49:43.640
<v Speaker 1>on there somewhere you can try to find me Um

0:49:43.680 --> 0:49:45.560
<v Speaker 1>And then there's also an official stuff you Should Know

0:49:45.640 --> 0:49:48.600
<v Speaker 1>one on Facebook. Two. You can send us all an email,

0:49:48.600 --> 0:49:51.600
<v Speaker 1>including Jerry to stuff podcast at how stuff Works dot

0:49:51.680 --> 0:49:53.840
<v Speaker 1>com and as always, hang out with us at our

0:49:53.920 --> 0:50:01.719
<v Speaker 1>home on the web, Stuff you Should Know dot com.

0:50:01.760 --> 0:50:04.200
<v Speaker 1>For more on this and thousands of other topics, is

0:50:04.239 --> 0:50:15.960
<v Speaker 1>a howstof works dot com