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Speaker 1: Welcome to stuff you should know from how Stuff Works

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Speaker 1: dot com. M Hey, and welcome to The Simpsons, I

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Speaker 1: mean the podcast. I'm Josh Clark, There's Charles w. Chuck Bryant,

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Speaker 1: there's Jerry over there, and this is Chuck episode. Yeah. Well,

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Speaker 1: you know how I think of this. I think of

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Speaker 1: it as one thousand, just a big fat one thousand

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Speaker 1: that had to leak on to two days. It actually

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Speaker 1: leaked back in time. How amazing is that? Yeah, because

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Speaker 1: we have to do a two parter because upon looking

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Speaker 1: at this research and this topic, very special topic for

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Speaker 1: us for the show, we realized it had to be

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Speaker 1: a two parter and rather than do one thousand and

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Speaker 1: one thousand one, what kind of person would do that?

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Speaker 1: An unwholesome person. Yeah, yeah, okay, so this is episode

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Speaker 1: in your view, it's it's really just part of episode

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Speaker 1: one thousand. I'm with you on that. Yes, can you

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Speaker 1: believe that? I, you know what Chuck up until today?

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Speaker 1: I could totally believe it. But the fact that we're

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Speaker 1: doing The Simpsons for our thousandth episode, it just it

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Speaker 1: drove everything home, Like all the gear teeth fell right

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Speaker 1: into place, and now the gears are spinning in sync

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Speaker 1: and I can feel it and I'm amazed. Yeah. So, uh,

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Speaker 1: we just wanted to acknowledge the one thousand here up front,

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Speaker 1: and I think frankly, we're doing that because we're both

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Speaker 1: so excited about doing this. I think I should tell

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Speaker 1: people what you emailed earlier. We were furiously sending links

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Speaker 1: back fourth this week and you said, Uh, I don't

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Speaker 1: even want to record, I just want to keep researching

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Speaker 1: the Simpsons forever. It's true. Man. Last night, Chuck, I

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Speaker 1: was sitting there watching Simpsons episodes and I thought, well,

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Speaker 1: this is the pinnacle of my career. I am literally

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Speaker 1: being paid to watch the Simpsons. Yeah, and we just

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Speaker 1: had to stop, Like Eveen, we could have done this

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Speaker 1: for weeks and researched, and this could be uh an

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Speaker 1: entire podcast and into itself with a thousand episodes. Well

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Speaker 1: maybe not a thousand, close to it, but at some

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Speaker 1: point we had to stop. So just know, if we

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Speaker 1: didn't cover your favorite thing from the show that's been

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Speaker 1: on for thirty years, or or if we're not referring

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Speaker 1: to episodes under their specific naming convention, yeah, calm down, Yeah,

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Speaker 1: it's just impossible. So we're gonna do our best here

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Speaker 1: to talk about some of our favorite stuff and a

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Speaker 1: little bit about how the show works. But here we go, right, Oh, man,

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Speaker 1: let's do it. This is like an actual intro. Yes,

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Speaker 1: that was an actual response, So Chuck, yes, have you

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Speaker 1: ever seen the Simpsons? I have, sir, you caught it

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Speaker 1: back from the beginning, like that was right in our wheelhouse,

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Speaker 1: maybe even yours a little more than mine. Yeah, And uh,

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Speaker 1: I mean, let's we should go ahead and just talk

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Speaker 1: for a moment about episode one because I have a

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Speaker 1: very distinct memory, which is I'm in high school. It's

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Speaker 1: my senior year. Chris Bouten, my friend and future roommate

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Speaker 1: in college, calls me Boots Bouten, and he says, dude,

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Speaker 1: have you and I have to admit I did not

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Speaker 1: see the Tracy Almond shorts, So let's get that out

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Speaker 1: of the way right now. They were bizarre. Yeah, and

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Speaker 1: this is that's where the show began. As most people know,

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Speaker 1: is a little short animated bits in the Tracy Ellman Show.

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Speaker 1: But Chris Bootin calls me episodes Man, I'm coming over.

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Speaker 1: I'm meeting you in the basement, opened the back door.

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Speaker 1: I have a VHS of this show called The Simpsons

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Speaker 1: you gotta see it, and he met me over there.

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Speaker 1: It was winter, it was December. Well it aired on

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Speaker 1: the seventeenth, but I have a feeling this was the

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Speaker 1: next day probably, and Booting came over and we watched

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Speaker 1: the very first episode, which was Santa's Little Helper, and

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Speaker 1: we cried tears of joy and laughter, and my life

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Speaker 1: went on a different course. Yeah, I Boots did not

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Speaker 1: visit my house personally with the video. We didn't call

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Speaker 1: him Boots by the video because well I'm calling him

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Speaker 1: Boots nickname Boots. That's classic Boots by the way to

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Speaker 1: show up in the basement. Um. But he, uh, he

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Speaker 1: did not come to my house. But I did see

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Speaker 1: that one, and I think Guy saw it when it

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Speaker 1: aired actually, and I remember watching the Tracy Ullman shorts

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Speaker 1: too and just being like, what the hell is this.

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Speaker 1: But then by the time I think the Tracy Ullman

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Speaker 1: Show and we'll get a little more into it, that

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Speaker 1: one started in seven, um and the actual show started

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Speaker 1: in eighty nine. So between those two points they really

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Speaker 1: like it really started to come together to where that

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Speaker 1: first episode where Homer finds out he's not getting a

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Speaker 1: Christmas bonus, so he gets a job secretly as a

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Speaker 1: mall Santa and ends up taking his check to the

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Speaker 1: dog track and betting it all and losing it all

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Speaker 1: on Santa's a Little Helper, which was the dog right,

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Speaker 1: But then he ends up with Santa a Little Helper,

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Speaker 1: so he gets what he was after all along, which

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Speaker 1: is a great Christmas present for his family. What a

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Speaker 1: beautiful episode, right, Yeah, And interestingly that first episode was

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Speaker 1: really the eighth one to be made, but they ran

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Speaker 1: that one first, so uh, there were there were some

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Speaker 1: weird differences like the show. Actually, originally I think Matt

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Speaker 1: Gray thought it would be redrawn a little more slickly,

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Speaker 1: but they just traced over his original drawing. So the

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Speaker 1: animation was fairly crude in this episode. And then you'll

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Speaker 1: notice an episode two it actually looks a little bit better. Um,

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Speaker 1: and you know, the Simpson still looks like the Simpsons,

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Speaker 1: but that early episode and kind of the whole first

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Speaker 1: season was a little more crude in drawing and voice. Uh.

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Speaker 1: And the pilot was the only episode missing that very

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Speaker 1: famous opening sequence, which we'll talk about a little bit later.

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Speaker 1: Oh yeah, it wasn't it like a cold opening or

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Speaker 1: something like that. I can't remember exactly how, but it

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Speaker 1: didn't feature the iconic opening that we all know and

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Speaker 1: love today. Um So, where shall we start, Chuck? I mean,

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Speaker 1: I guess we kind of just did start. Yeah, and

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Speaker 1: I think I already made a mistake about what well

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Speaker 1: Sante's Little Hope would In the name of the episode,

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Speaker 1: it was Simpsons roasting on an open fire. Yeah, so

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Speaker 1: I mean, come on, that's the one that you were

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Speaker 1: you were talking about, you know, yeah, but I'm just

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Speaker 1: I know that like probably thousand people just slam their

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Speaker 1: laptot shut. But that's what I'm saying, Everybody, chill out.

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Speaker 1: That's not what this episode is about. We're not trying

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Speaker 1: to show you how little you know. That's right. Ed

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Speaker 1: the Grabster Grabanowski wrote this article. Actually this one was

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Speaker 1: written by Unedd Grabanowski. If you ask me, why did

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Speaker 1: you say that? Because it was it wasn't like five

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Speaker 1: times as long as it should have been. No, I

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Speaker 1: can't remember who who calls himself that for every Treehouse

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Speaker 1: of Horror, but there's a D and they call themselves uned,

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Speaker 1: so I thought that was probably I'm really surprised he

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Speaker 1: didn't actually get that as his byline for this it's

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Speaker 1: a nice estery there, my friend. Yeah. Uh, and then

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Speaker 1: we did just I mean, so much supplementary information. It's

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Speaker 1: sort of ridiculous. Yeah, but this is like a special

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Speaker 1: request from us, wasn't it. Oh yeah, we said, go forth,

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Speaker 1: grabster and write the well right the oh okay, right there,

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Speaker 1: Well there were two ease in that the yeah, yeah, yeah, yeah,

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Speaker 1: I should have noticed by the flourish of your hand

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Speaker 1: what you were saying. All right, So let's go back

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Speaker 1: to uh Simpsons creator one Mr Matt Greening, and we

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Speaker 1: have actually met him, and we will talk about that

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Speaker 1: in a little bit. Life highlight for sure. But he

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Speaker 1: had a comic strip called Life and Hell, and I

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Speaker 1: think the original conceit to pitch to producer James L. Brooks.

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Speaker 1: Seven was a cartoon version of that. Ed writes in

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Speaker 1: here he thought it would be a failure, but I

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Speaker 1: read that he wasn't too keen on signing away sort

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Speaker 1: of the thing he had worked on all his life.

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Speaker 1: So he changed his mind at the last minute and thought,

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Speaker 1: of the Simpsons. That's awesome. That sounds the second one

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Speaker 1: sounds much more like Matt Graining for sure. Yeah, And

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Speaker 1: he had he had no idea that would make him

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Speaker 1: a super rich gazillion are either. But if you if

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Speaker 1: you um know that story. The fact that the Simpsons

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Speaker 1: started out on Tracy Ullman makes sense because James Brooks,

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Speaker 1: who himself is a pretty like bona fide cool guy

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Speaker 1: right here the married Tyler Moore shown directed terms of endearment. Um,

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Speaker 1: he produced Bottle Rocket. Um. Yeah, you could say he

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Speaker 1: has an eye for amazing things for sure. So he

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Speaker 1: had come across this life and How strip and and

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Speaker 1: wanted to basically turn it into animated shorts for the

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Speaker 1: Tracy Woman Show, but then Graining swapped it out at

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Speaker 1: the at the pitch meeting and said let's do this instead.

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Speaker 1: But I think either way, he came up with the

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Speaker 1: characters and the idea fairly on the fly, right Yeah,

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Speaker 1: I mean obviously wasn't like while he was waiting outside

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Speaker 1: of the pitch meeting, but h what he came up with.

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Speaker 1: And if you haven't seen the Simpsons, maybe you should

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Speaker 1: go watch an episode or two. Crawl up from under

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Speaker 1: the rock that you're and go watch one. But obviously

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Speaker 1: we should at least say what it is. And it

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Speaker 1: is a sort of a traditional sitcom about um, and

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Speaker 1: follows the sitcom conventions in many ways of a family, uh,

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Speaker 1: living together under a roof who encounter fun hijinks along

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Speaker 1: the way. Yeah, and um, that's kind of the subtext

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Speaker 1: for the whole or the pretext I should say, for

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Speaker 1: the whole series. Right, it's like it's a sitcom, it's

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Speaker 1: a family sitcom. But there's a couple of big differences

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Speaker 1: with it right there. Um, it's animated, which is huge

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Speaker 1: because it's a it was a price. It became in

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Speaker 1: nine a primetime animated series, and it was the first

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Speaker 1: one since I think nineteen seventy two where Wait Till

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Speaker 1: You're nineteen seventy four where Wait Till Your Father Gets

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Speaker 1: Home went off the air. Did you ever see that show?

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Speaker 1: It was like a proto family Guy basically, um, from

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Speaker 1: the early seventies, and it was actually super entertaining. And

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Speaker 1: then before that, of course, there was The flint Stones,

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Speaker 1: but those were like the two big primetime animated series

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Speaker 1: before the Simpsons. But there's a good, you know, twentysomething

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Speaker 1: thirties something year lull in between those and the Simpsons.

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Speaker 1: So that was a big difference in and of itself. Well,

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Speaker 1: it's easy to take for granted. Now with the advent

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Speaker 1: of like Cartoon Network in Adult Swim and Family Guy

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Speaker 1: in Futurama, which also from graining. Yeah, I mean, there's

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Speaker 1: just an explosion of animation. Right. You've got you know,

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Speaker 1: starting back with Beavis and butt Head that was a

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Speaker 1: descendant of The Simpsons, and then of course you've got

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Speaker 1: King of the Hill, uh South Park. Um, today you've

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Speaker 1: got Rick and Morty. Have you seen Rick and Morty?

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Speaker 1: I haven't yet. Everyone I'm remiss. Everyone said it's the greatest.

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Speaker 1: It is, it's the greatest, and man, it's one of

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Speaker 1: those it's under the same thing that The Simpsons was

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Speaker 1: initially taken for where you know, there's a lot of belching,

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Speaker 1: so people are like, this is low brown. It's like, no,

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Speaker 1: look past it to what they're actually doing. It's insanely

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Speaker 1: smart and and really entertaining too. Like it's, um, it's

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Speaker 1: laugh out loud funny in a lot of parts. I

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Speaker 1: think we've kind of proven that we can be smart

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Speaker 1: and still make part jokes. Sure, and and Rick and

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Speaker 1: Morty is doing the same thing. And by the way, um,

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Speaker 1: you know they listened to us, right Rick and Morty, Yeah,

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Speaker 1: I remember they sent us that aunt's book and it

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Speaker 1: had that was the Rick and Morty people. Yeah, so

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Speaker 1: thanks again for that, guys. That's a treasured possession. Well

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Speaker 1: I'm definitely watching now. Yeah, all the adult quote unquote

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Speaker 1: uh cartoons that we see. But it was revolutionary at

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Speaker 1: the time. I mean Flint Stone's aside, Like you said,

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Speaker 1: it had been a long time and it was quite

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Speaker 1: literally leveled the TV industry because it was such a

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Speaker 1: smash hit right out of the gate. That's right, Yeah,

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Speaker 1: I know, it was huge, right, um, and a lot

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Speaker 1: of things came together for it. Um the fact that

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Speaker 1: that James L. Brooks got in touch with the man Craning.

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Speaker 1: That was a bit of a fluke because he got

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Speaker 1: in touch with them for a different reason, but also

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Speaker 1: because it was a show on Fox and Fox was

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Speaker 1: just starting out as a network and they were looking

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Speaker 1: to make waves. So at the time you had basically here,

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Speaker 1: So here's what the Simpsons were up against in family

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Speaker 1: sitcom wise. You ready for this? Um My two Dads,

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Speaker 1: Major Dad, Mr Belvedere, who's the Boss, Hogan, Family Family Matters,

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Speaker 1: Growing Pains, The Cosby Show, Full House, and like that

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Speaker 1: was what family sitcoms or TV sitcoms in general were

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Speaker 1: at the time, and you had Roseanne. Roseanne had been

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Speaker 1: on for a couple of years already, and it had

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Speaker 1: shaken things up some for sure, but for the most part,

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Speaker 1: like this was America was this um, clean and tidy,

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Speaker 1: wholesome place where everything was just peachy keen and all

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Speaker 1: the problems that a family encounter were about as superficial

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Speaker 1: as you could possibly come across. And this was the

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Speaker 1: other big thing about The Simpsons, and it actually went

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Speaker 1: really well, at least superficially with married with Children, which

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Speaker 1: was that family wholesome sitcom spawn onto its very gritty,

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Speaker 1: dirty underbelly. Right. Uh. The Pons was initially compared to

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Speaker 1: that same kind of thing because they were both on

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Speaker 1: Fox and they both like kind of took the family

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Speaker 1: sitcom and turned it on its head. But it took

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Speaker 1: a minute but not too long for people to start noticing,

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Speaker 1: oh wait, actually this is really subversive satire. And that

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Speaker 1: was the big thing that I think initially gave the Simpsons.

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Speaker 1: It's it's it's base for to keep going for thirty seasons. Yeah,

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Speaker 1: I mean, I remember when Fox first came out and

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Speaker 1: it was like that, what, there's a fourth TV channel.

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Speaker 1: I know it was a big deal. It was a

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Speaker 1: big deal. And their thing from the beginning was, you know,

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Speaker 1: we're gonna be edgy, We're gonna be different. This is

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Speaker 1: this is not your mom and Dad's TV. And like

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Speaker 1: you said, Mary with Children and the Simpsons firmly put

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Speaker 1: them on a different track. Uh. And it was funny

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Speaker 1: when you were just going through all the shows like

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Speaker 1: they they were no more edgy than since TV's inception,

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Speaker 1: and it might it might as well have been, well

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Speaker 1: maybe a little more edgy than like be Re Cleaver

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Speaker 1: and Sean Harriet, but not too far off. For the

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Speaker 1: most part. TV was kind of the same for decades

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Speaker 1: when it came to family sitcoms. Yeah, so the Simpsons

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Speaker 1: was just this is not overstating it. It was a

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Speaker 1: cultural revolution in every way. It definitely was. And it

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Speaker 1: it took up like this already kind of nascent revolution

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Speaker 1: and from Roseanne and from Mary with Children, but it

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Speaker 1: was different, man, it was like it was it was

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Speaker 1: its own thing and still is today. And again, like

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Speaker 1: you were saying, it's easy to look back and be like, well, yeah,

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Speaker 1: i mean animated, really smart, subversive satirical shows like they're

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Speaker 1: they're a diamond dozen is a weird way to put it,

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Speaker 1: but it's true, like they're all over the place. Now,

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Speaker 1: that's because the Simpsons came along. It's as simple as that. Yeah.

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Speaker 1: So the early episodes um in the In the first

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Speaker 1: couple of seasons, Bart Simpson, uh was sort of the

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Speaker 1: star of the show as far as pop culture goes.

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Speaker 1: I mean, he was front and enter, he was on

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Speaker 1: every T shirt. Every kid was saying eat my shorts,

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Speaker 1: every kid was talking back to their teachers more, and

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Speaker 1: it created quite a ruckuss in schools. I know that

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Speaker 1: some of the T shirts were banned in certain school districts. Yeah.

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Speaker 1: The Underachiever and proud of It man, Yeah, that one

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Speaker 1: was banned and I think I'm Bart Simpson, who the

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Speaker 1: hell are you? Yeah, But it wasn't long before it

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Speaker 1: became pretty clear that it was an ensemble show for

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Speaker 1: one and sort of Homer's show, let's be honest. Yeah,

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Speaker 1: ultimately ended up that way in large part. He he

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Speaker 1: became the central character, didn't he. Yeah, I would say easily.

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Speaker 1: But then, I mean, we'll go through a lot of

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Speaker 1: these characters, if not all of them, because we don't

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Speaker 1: have time to read like five people's names, right, but

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Speaker 1: it ended up being like a memorial or something. I know.

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Speaker 1: But the Simpsons side characters and the guest characters have

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Speaker 1: become just as beloved as uh as the fane of

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Speaker 1: of course, Homer and Marge and Lisa and Bart and

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Speaker 1: little Maggie. Absolutely. Do you want to take our first break? Yeah? Yeah,

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Speaker 1: let's we're so excited. Let's go ahead and take a

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Speaker 1: break real quick and calm down. All right, we're back.

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Speaker 1: So the earliest clips of the Simpsons were animated by

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Speaker 1: a different studio than they used now and have used

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Speaker 1: for many years. It's called class Key Suppo or Cupo

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Speaker 1: zupo c s u p oh. I'm not sure how

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Speaker 1: they pronounced it, but they were all, of course based

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Speaker 1: on Matt Greening's original sketches that had these yellow skinned characters,

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Speaker 1: very bright primary color palette. Uh. And it became a

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Speaker 1: little more refined over the year, SUPs, we said, but

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Speaker 1: it's um it never approached like a slick looking animation

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Speaker 1: by any means. No, No, the earliest stuff definitely not.

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Speaker 1: And they were with I think it's class Key Zupo,

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Speaker 1: I'm not sure, but they were with them for two

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Speaker 1: years and and despite this stuff being really rough and

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Speaker 1: like kind of hard to watch even if you if

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Speaker 1: you look at it now. Um, they gave the Simpsons

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Speaker 1: like their yellow skin, Marge's blue hair, and supposedly Matt

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Speaker 1: graening Um when he saw the yellow skin tone palette

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Speaker 1: for the Simpsons skin colors, he was like, that is perfect.

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Speaker 1: Like when somebody's like clicking through the channels real quick,

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Speaker 1: their eyes going to is gonna catch that and they're

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Speaker 1: gonna stop because the Simpsons are on and they're gonna

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Speaker 1: watch it. So apparently that's where the yellow came from.

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Speaker 1: It was kind of a fluke, but they went with

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Speaker 1: it just because it was so catchy. That's great idea.

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Speaker 1: But then after I think two years, they moved over

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Speaker 1: to something called film Roman or film Roman. I've never

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Speaker 1: heard it actually really set out loud, but they they

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Speaker 1: were the ones who, starting in and think season two

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Speaker 1: or three, really gave the Simpsons it's defined look that

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Speaker 1: stayed for years and years and years. Yeah. I remember

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Speaker 1: Homer's voice early on sounded a little bit different too. Yeah,

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Speaker 1: you know, I mean the same guy. It was Dan Castlenetta,

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Speaker 1: but just uh was not the same Homer's voice that

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Speaker 1: we know and love today. No, it was much gruffer.

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Speaker 1: Plus his dialogue two was way more I mean it

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Speaker 1: really was much more about Bart and Homer was way

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Speaker 1: angrier and like he strangled barred it like the drop

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Speaker 1: of a hat. That was like a go to gag.

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Speaker 1: So this the show is still really smart compared to

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Speaker 1: Who's the Boss, But compared to you know, later seasons

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Speaker 1: of The Simpsons, it was really just it's rough by comparison,

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Speaker 1: for sure. Don't not go boss too much though, I

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Speaker 1: mean it's fine, too fine show. But man, it wasn't

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Speaker 1: smart satire. You put it, you put it Who's the

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Speaker 1: Boss episode up against like a season seven episode of

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Speaker 1: The Simpsons. Mr. The Boss is not going to win

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Speaker 1: that one. Yeah, they're not the Boss. I mean, like

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Speaker 1: even Tony Danes. It will tell you that. So let's

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Speaker 1: talk a little bit about the main cast and the crew. Uh.

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Speaker 1: In those early years, Um, of course, Matt Graining was

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Speaker 1: around from the beginning, and James L. Brooks of course.

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Speaker 1: Then there was a man, uh, the dearly departed Sam Simon,

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Speaker 1: who was an EP on the show from the early days. Uh,

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Speaker 1: and the great Al Jean has been the show runner

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Speaker 1: since the thirteenth season. Um, but I'm pretty sure he

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Speaker 1: was around before that, right, I didn't exactly look at

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Speaker 1: when he joined up. I believe he was an early

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Speaker 1: producer as well, Okay, but eventually rose to showrunner. Bill Oakley.

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Speaker 1: Josh Weinstein and Mike Scully ran the show previous to

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Speaker 1: that during the first twelve seasons. We cannot list all

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Speaker 1: the writers. It would be impossible, No, but some some

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Speaker 1: made some pretty huge contributions. Yeah, like George Meyer and

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Speaker 1: John Schwartzwelder are generally given credit to kind of defining

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Speaker 1: who these characters were from the early days. Yeah, the worldview,

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Speaker 1: the jokes they would make, the fact that and this

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Speaker 1: is another huge thing that we take for granted today

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Speaker 1: that The Simpsons really established was referential humor, like making

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Speaker 1: making fun of, um, you know, film literature, trends, whatever,

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Speaker 1: not necessarily part of the plot, but just part of

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Speaker 1: a joke maybe or something like that, or in addition,

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Speaker 1: a little layer just to make the whole, the whole

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Speaker 1: idea that was being put across that much more palatable.

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Speaker 1: They really kind of blew that out, and that was

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Speaker 1: thanks to that early brain trust you just mentioned of

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Speaker 1: people who established the show for for what it's what

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Speaker 1: it was, Yeah, I mean it was a blueprint and

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Speaker 1: everyone that that came along afterward sort of had their

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Speaker 1: show Bible thanks to these people. Yes, you know which

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Speaker 1: if you look up show Bible, there's this there's one

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Speaker 1: episode that just screws up any Google search for that.

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Speaker 1: There was the Simpsons Bible Stories episode, which was a

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Speaker 1: stinker anyway, but it sucks because now you can't find

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Speaker 1: any examples of this show Bible must exist somewhere. I

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Speaker 1: don't know if you could find that online. You can

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Speaker 1: find the style Guide examples online though, Yeah, for sure. Uh.

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Speaker 1: And of course we got to mention Conan O'Brien because

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Speaker 1: he very famously worked for a couple of years on

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Speaker 1: The Simpsons. I think it's credited with four or five episodes, uh,

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Speaker 1: including one of the all time classics, Marge versus the Monorail,

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Speaker 1: which Conan has still talks about that being one of

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Speaker 1: his great career achievements is writing that episode. I can imagine,

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Speaker 1: because not only was a great episode, but you got

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Speaker 1: to write and then Phil Hartman brought your stuff to

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Speaker 1: life man like that was a big one. All right. Well,

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Speaker 1: speaking of Phil Hartman, let's start talking about the cast,

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Speaker 1: because this is gonna this is gonna take a little while.

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Speaker 1: Are you ready. So, so, there's hundreds of characters in

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Speaker 1: the Simpsons universe, but really a lot of them, a

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Speaker 1: lot of them boil down to the voices of just

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Speaker 1: six people. Yeah, so, um, two of them focus almost

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Speaker 1: exclusively on just one character each. Julie Kavner does Marge,

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Speaker 1: but then she also obviously does Marge's sisters Patty and

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Speaker 1: Selma and her mom Jacqueline in one episode, Yeah, the

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Speaker 1: Bouvier's yea. And then you'rd Lee Smith does just Lisa

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Speaker 1: for the for the show. Yeah, and she's the only

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Speaker 1: one that does a single voice. Um, Dan casting Lenetta

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Speaker 1: obviously does Homer. He also does Grandpa Abe. It's hard

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Speaker 1: to not laugh just thinking of each one of these characters.

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Speaker 1: I know, you know, I kept laughing out loud researching

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Speaker 1: this stuff, at the very least, chuckling to myself, you know, yeah,

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Speaker 1: strickling in the office today was like I gotta ask

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Speaker 1: what the heck is going on over there? And it's

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Speaker 1: like we're doing an episode in Simpson's leaving Alan. He

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Speaker 1: was like, what castle Lena also does Barney Gumble Krusty

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Speaker 1: the Clown, Groundskeeper, Willie Mayor Quimby Man so great Hans Moleman, Sideshow,

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Speaker 1: mel Itchy, kdoskil Pucci, Uh, the Squeaky Boys Team Mr Burns, Lawyer,

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Speaker 1: Krusty's Monkey, Mr Teeney, and he did Bill Clinton, Great

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Speaker 1: Bill Clinton Team Real no fooling Pigs. What about Nancy

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Speaker 1: cart Right, the Great Nancy cart Right. So she does

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Speaker 1: bart that's what she's best known for, but she does

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Speaker 1: some other voices of um, some other prepubescent uh characters

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Speaker 1: like Ralph Wiggham one of the great all time voices ever,

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Speaker 1: Um Todd Flanders, Nelson Months has a great one. Kearney

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Speaker 1: the bald headed or shaved headed bully, and um Database.

420
00:24:39,119 --> 00:24:41,359
Speaker 1: I don't know who Database was. I think Database is

421
00:24:41,400 --> 00:24:44,360
Speaker 1: more recent. And this is probably where I should say

422
00:24:44,359 --> 00:24:46,399
Speaker 1: that I haven't seen the Simpsons in a few years.

423
00:24:47,119 --> 00:24:49,480
Speaker 1: I dabbled a little bit a couple of years ago

424
00:24:49,520 --> 00:24:51,440
Speaker 1: and I was like, this is this is not bad?

425
00:24:51,680 --> 00:24:54,040
Speaker 1: And then you know, it was kind of hit or miss,

426
00:24:54,160 --> 00:24:56,760
Speaker 1: definitely compared to two years ago. But I'm not gonna

427
00:24:56,760 --> 00:24:59,480
Speaker 1: hate on anything that's going on today. It's still the

428
00:24:59,520 --> 00:25:02,640
Speaker 1: Simpson you know, of course, Uh, the great, great, great

429
00:25:02,680 --> 00:25:08,560
Speaker 1: great Hankers area. Uh. One of the fantastic additional cast members. Uh.

430
00:25:08,600 --> 00:25:10,879
Speaker 1: While I say additional because he's not one of the Simpsons,

431
00:25:11,000 --> 00:25:14,760
Speaker 1: but he's a primary cast member. Uh. He voices a Pooh.

432
00:25:14,960 --> 00:25:16,600
Speaker 1: Do you want to try and say, who's last name

433
00:25:16,800 --> 00:25:21,199
Speaker 1: a poo Nahasa Pima pedal on Uh. And by the way,

434
00:25:21,240 --> 00:25:22,760
Speaker 1: we should mention a Pooh is taking a lot of

435
00:25:22,760 --> 00:25:26,160
Speaker 1: heat in recent years for the very least being an

436
00:25:26,160 --> 00:25:30,840
Speaker 1: ethnic stereotype and some say straight up racist. Uh. And

437
00:25:30,880 --> 00:25:34,440
Speaker 1: there is a documentary airing Believe on True TV next

438
00:25:34,560 --> 00:25:39,440
Speaker 1: month called The Problem with a Pooh from uh comedian

439
00:25:39,440 --> 00:25:44,399
Speaker 1: I really love Hari Kondabolou. And you know you should

440
00:25:44,680 --> 00:25:46,520
Speaker 1: watch it and sort of think of a Pooh a

441
00:25:46,520 --> 00:25:49,440
Speaker 1: little bit through uh, through Harry's lens or the lens

442
00:25:49,440 --> 00:25:51,960
Speaker 1: of an Indian person. So, um, well, you know, this

443
00:25:52,040 --> 00:25:54,320
Speaker 1: is not the first time that the Simpsons have been

444
00:25:54,480 --> 00:25:59,440
Speaker 1: called the task for offending a group, sure, an entire

445
00:25:59,520 --> 00:26:02,879
Speaker 1: group or race or country like It's it's definitely happened

446
00:26:03,040 --> 00:26:06,520
Speaker 1: over the course of this the thirty seasons that's been

447
00:26:06,560 --> 00:26:10,800
Speaker 1: going on. Um. Sometimes they apologize, sometimes they acknowledge it.

448
00:26:10,880 --> 00:26:15,920
Speaker 1: Other times they're just like whatever for sure, um so

449
00:26:16,119 --> 00:26:18,880
Speaker 1: going on with hankas area. Besides the poo, mostes lack

450
00:26:19,240 --> 00:26:22,119
Speaker 1: one the great characters, Chief Wigham. I mean, these are

451
00:26:22,200 --> 00:26:24,600
Speaker 1: all great comic book guy who, by the way, has

452
00:26:24,640 --> 00:26:29,440
Speaker 1: a real name, Jeff Albertson, never knew that. I can't

453
00:26:29,480 --> 00:26:32,800
Speaker 1: remember where that one came from, but yeah, Carl a

454
00:26:32,880 --> 00:26:37,200
Speaker 1: beloved beloved friend of Homer's from the bar. Uh Dr

455
00:26:37,320 --> 00:26:42,359
Speaker 1: Nick Hi for rolls and body. Remember he went to

456
00:26:42,480 --> 00:26:48,680
Speaker 1: the Tijuana Upstairs Medical. That's where he graduated from uh

457
00:26:48,800 --> 00:26:53,480
Speaker 1: Captain McAllister, uh Superintendent Chalmers. And of course when I

458
00:26:53,520 --> 00:26:55,360
Speaker 1: think of Chalmers, all I can think of is uh.

459
00:26:55,400 --> 00:26:57,840
Speaker 1: I can't remember the episode title, but the one with

460
00:26:58,400 --> 00:27:02,119
Speaker 1: with Skinner and the I think that was like the

461
00:27:02,200 --> 00:27:05,200
Speaker 1: twenty two episodes about Springfield. One. Oh man, that's such

462
00:27:05,200 --> 00:27:07,960
Speaker 1: a great one short films. I was never into that one.

463
00:27:08,280 --> 00:27:11,320
Speaker 1: I loved it and I had no idea. But apparently

464
00:27:11,359 --> 00:27:15,920
Speaker 1: it's a reference to there was a documentary or okay,

465
00:27:15,920 --> 00:27:18,879
Speaker 1: a movie twenty two short films about Glenn Gould. Love

466
00:27:18,960 --> 00:27:21,480
Speaker 1: that movie. Okay, I've never even heard of it. And

467
00:27:21,800 --> 00:27:23,600
Speaker 1: this raises a really good point that I'd like to

468
00:27:23,600 --> 00:27:25,600
Speaker 1: make her chuck if you'll indulge me for a second.

469
00:27:27,359 --> 00:27:30,160
Speaker 1: One of the things that The Simpsons did for me,

470
00:27:30,240 --> 00:27:33,159
Speaker 1: and I suspected for a lot of other people, is

471
00:27:33,240 --> 00:27:37,080
Speaker 1: that it pointed me in the direction of culture, like

472
00:27:37,240 --> 00:27:40,720
Speaker 1: it cultured me in culturated me. I'm not sure what

473
00:27:40,800 --> 00:27:43,640
Speaker 1: the word is. The Simpsons never taught me, but the

474
00:27:43,640 --> 00:27:48,040
Speaker 1: the the just the little signposts that they they point

475
00:27:48,080 --> 00:27:50,360
Speaker 1: to through the references they make that you don't get,

476
00:27:50,440 --> 00:27:52,479
Speaker 1: but then you find out about later what they were

477
00:27:52,520 --> 00:27:55,120
Speaker 1: actually talking about. It might lead you to go see

478
00:27:55,119 --> 00:27:57,879
Speaker 1: that movie or read that book, or just have a

479
00:27:57,920 --> 00:28:00,600
Speaker 1: better understanding of the world than you did four It's

480
00:28:00,640 --> 00:28:04,399
Speaker 1: like backwards reference. Yeah, I mean some of them are

481
00:28:04,400 --> 00:28:07,679
Speaker 1: so subtle to like, there isn't a human alive that

482
00:28:07,760 --> 00:28:10,560
Speaker 1: picks up on all the culture references that the Simpsons

483
00:28:10,640 --> 00:28:13,920
Speaker 1: throws out week the week. You know, whether it's uh

484
00:28:13,960 --> 00:28:15,680
Speaker 1: something like you were just talking about, or whether it's

485
00:28:15,720 --> 00:28:18,879
Speaker 1: just simply like in a show title like don't have

486
00:28:18,960 --> 00:28:21,520
Speaker 1: to Live like a referee, little things like that. They're

487
00:28:21,560 --> 00:28:26,680
Speaker 1: just nuggets all over the place. Uh. Continuing of Mr Zaria,

488
00:28:26,720 --> 00:28:31,720
Speaker 1: Professor Frank Cleadas, the slack jall yokel who will get

489
00:28:31,760 --> 00:28:34,520
Speaker 1: to a little bit more some of those his children's names. Uh,

490
00:28:34,960 --> 00:28:37,400
Speaker 1: we have some good stuff coming up, so I love

491
00:28:37,800 --> 00:28:44,360
Speaker 1: so get off the dang roof bumblebee man snake. Uh.

492
00:28:44,480 --> 00:28:47,960
Speaker 1: Kirk van Houghton man that that divorce episode was one

493
00:28:47,960 --> 00:28:54,080
Speaker 1: of the best. Yeah, can I borrow a Drederick Tatum

494
00:28:54,280 --> 00:28:57,280
Speaker 1: and Piro also known as Chase that was from that

495
00:28:57,320 --> 00:29:00,480
Speaker 1: episode two? I think it wasn't that the American Ideator

496
00:29:00,560 --> 00:29:05,320
Speaker 1: that that Millhouse's mom dates. Yeah, yeah, yeah, I forgot

497
00:29:05,320 --> 00:29:10,040
Speaker 1: about that. Oh man, Well, that's that's it. I think

498
00:29:10,920 --> 00:29:13,720
Speaker 1: these may not be complete list from Harry Shear Um, No,

499
00:29:13,840 --> 00:29:16,120
Speaker 1: I'm sorry for my area. But Harry Shears next, do

500
00:29:16,120 --> 00:29:18,440
Speaker 1: you want to tackle some of these? He does Mr

501
00:29:18,480 --> 00:29:22,280
Speaker 1: Burns and Mr Smithers, which is that's great to to

502
00:29:22,440 --> 00:29:25,280
Speaker 1: basically take those two halves of a hole and be

503
00:29:25,360 --> 00:29:27,280
Speaker 1: able to fill them out like that. Yeah, and by

504
00:29:27,320 --> 00:29:29,640
Speaker 1: the way, Burns was in the very first episode and

505
00:29:29,920 --> 00:29:33,200
Speaker 1: Smithers is heard over the intercom but not seen in

506
00:29:33,800 --> 00:29:36,720
Speaker 1: that episode one. That's a bit of trivia. But he

507
00:29:36,760 --> 00:29:41,480
Speaker 1: can put in their pipe and smoke. Ned Flanders principal Skinner,

508
00:29:41,560 --> 00:29:46,440
Speaker 1: Reverend love Joys, great Dr Hibbert. That laugh, he's got

509
00:29:46,440 --> 00:29:51,640
Speaker 1: a laugh that almost rivals, yours joke in awesomeness, Kent Brockman,

510
00:29:51,840 --> 00:29:55,080
Speaker 1: great Scratchy. I don't know who does itchy, do you?

511
00:29:56,320 --> 00:29:58,680
Speaker 1: I don't know. I kind of figured he did both,

512
00:29:58,880 --> 00:30:01,880
Speaker 1: you'd think so. But yeah, somebody all right in to

513
00:30:02,040 --> 00:30:06,360
Speaker 1: let us know Otto the bus driver, Ottoman, Jasper Abes,

514
00:30:06,440 --> 00:30:09,480
Speaker 1: friend with the long beard who can't feel them a beard.

515
00:30:10,880 --> 00:30:16,720
Speaker 1: Then Lenny Homer and Carl's other friends. Yeah, anybody else? Yeah,

516
00:30:16,840 --> 00:30:20,200
Speaker 1: wolf Castle and McBain. Oh yeah, that's right. Yeah. And

517
00:30:20,200 --> 00:30:23,040
Speaker 1: there's here's another old tidbit I can't even wait on

518
00:30:23,360 --> 00:30:27,040
Speaker 1: from our our Easter egg section later on, is apparently

519
00:30:27,600 --> 00:30:32,240
Speaker 1: if you take out all the wolf Castle pieces throughout

520
00:30:32,280 --> 00:30:35,680
Speaker 1: the years, there's a little coherent story that you can

521
00:30:35,720 --> 00:30:40,760
Speaker 1: actually follow that is masterful. Yeah. And I'm not sure

522
00:30:40,800 --> 00:30:42,920
Speaker 1: if someone has I'm sure someone has pulled that. Um.

523
00:30:42,920 --> 00:30:48,280
Speaker 1: I didn't get a chance to watch, but that's pretty amazing. Yeah, Uh, Herman,

524
00:30:48,440 --> 00:30:52,360
Speaker 1: George Bush, Judge Schneider, Eddie Renier, some of the other

525
00:30:52,600 --> 00:30:55,480
Speaker 1: Shearer characters. Do you remember who Eddie Renier was? No?

526
00:30:55,680 --> 00:30:59,080
Speaker 1: I don't. I don't either. Maybe we got some digging

527
00:30:59,160 --> 00:31:04,520
Speaker 1: to do, man, some some in bigg and digging. Uh,

528
00:31:04,560 --> 00:31:07,960
Speaker 1: we have to mention the great Pamela Hayden. She does Millhouse,

529
00:31:09,000 --> 00:31:15,960
Speaker 1: Rod Flanders, Janie Powell, Jimbo Jones, Malibu Stacy, Sarah Wigham

530
00:31:16,200 --> 00:31:21,320
Speaker 1: uh and a couple of dearly departed cast members occasional

531
00:31:21,320 --> 00:31:24,800
Speaker 1: cast members. Marsha Wallace, the great Marsha Wallace from The

532
00:31:24,800 --> 00:31:27,920
Speaker 1: Bob Newhart Show passed away in two thousand thirteen. She

533
00:31:28,120 --> 00:31:32,040
Speaker 1: was Mrs Crabapple. I mean, what a beloved character and

534
00:31:32,200 --> 00:31:36,120
Speaker 1: as in so many ways they describe her in this article,

535
00:31:36,200 --> 00:31:40,000
Speaker 1: is sarcastic and sexy. That whole that whole um subplot

536
00:31:40,120 --> 00:31:44,760
Speaker 1: that went through multiple episodes where she was dating Um Yeah,

537
00:31:45,000 --> 00:31:48,160
Speaker 1: Seymour Skinner and then later on Mary's ned Flanders. No

538
00:31:48,160 --> 00:31:50,920
Speaker 1: one saw that coming, but the fact that this show

539
00:31:51,000 --> 00:31:54,440
Speaker 1: could take steps like that and then would would commit

540
00:31:54,560 --> 00:31:59,040
Speaker 1: itself to to continuing it as long as as could

541
00:31:59,040 --> 00:32:01,760
Speaker 1: be and and keeping it up, you know what I mean,

542
00:32:01,920 --> 00:32:03,640
Speaker 1: rather than just being like, oh, forget about that, it

543
00:32:03,640 --> 00:32:06,480
Speaker 1: doesn't matter that that was another hallmark of the show

544
00:32:06,520 --> 00:32:08,920
Speaker 1: as well, that it could had the chops to to

545
00:32:09,080 --> 00:32:11,560
Speaker 1: make big leaps like that and then keep it going

546
00:32:11,600 --> 00:32:15,800
Speaker 1: without as seeming tried or tired or anything. Absolutely Marsha

547
00:32:15,840 --> 00:32:19,600
Speaker 1: Wallace won an Emmy for her voice work. Uh, and

548
00:32:19,600 --> 00:32:22,800
Speaker 1: they paid a tribute to her um in the episode

549
00:32:22,800 --> 00:32:26,640
Speaker 1: for Regrettings and a Funeral. Barts Chalkboard Gag at the

550
00:32:26,680 --> 00:32:31,080
Speaker 1: beginning said we'll really miss you, mrs Ka so sad

551
00:32:31,520 --> 00:32:33,840
Speaker 1: so sad. Uh. And the Man who grew too much,

552
00:32:33,920 --> 00:32:37,440
Speaker 1: Ned Flanders wears a black armband. Two more Edna, who

553
00:32:37,480 --> 00:32:40,080
Speaker 1: of course took the place of his departed wife. And

554
00:32:40,120 --> 00:32:44,600
Speaker 1: Maud Flanders. Yeah he's a widower twice over. Yeah. Man,

555
00:32:44,680 --> 00:32:47,280
Speaker 1: that one where Maud died. That was really just a

556
00:32:47,320 --> 00:32:49,840
Speaker 1: great episode. Yeah, I mean that. That's the thing about

557
00:32:49,840 --> 00:32:51,959
Speaker 1: The Simpsons is as silly as it was, they managed

558
00:32:52,000 --> 00:32:54,320
Speaker 1: to pull the heartstrings every now and then. It was

559
00:32:54,360 --> 00:32:56,200
Speaker 1: always they didn't do too much of it, but it

560
00:32:56,240 --> 00:32:58,680
Speaker 1: was always just well timed, you know, for sure, and

561
00:32:58,720 --> 00:33:01,320
Speaker 1: like they could take on some thing like death and

562
00:33:01,440 --> 00:33:04,320
Speaker 1: grief and do it like with heart but also without

563
00:33:04,720 --> 00:33:07,960
Speaker 1: making a very special episode of it. Always felt like

564
00:33:08,000 --> 00:33:11,000
Speaker 1: the Simpsons. Yeah, exactly. Uh. And of course Phil Hartman,

565
00:33:11,080 --> 00:33:14,480
Speaker 1: who left us way too soon. He did a couple

566
00:33:14,480 --> 00:33:20,360
Speaker 1: of classic classic characters in Lionel Huts and Troy McLure. Uh.

567
00:33:20,360 --> 00:33:22,080
Speaker 1: And I had to get a few of my favorite

568
00:33:22,120 --> 00:33:25,920
Speaker 1: Troy McClure lines in here. Um, and he was very famous.

569
00:33:26,000 --> 00:33:30,600
Speaker 1: If you don't know the Simpsons, Toroy McClure was uh,

570
00:33:30,960 --> 00:33:34,280
Speaker 1: former semi famous actor who would pop up every now

571
00:33:34,320 --> 00:33:37,280
Speaker 1: and then in uh kind of like school films and

572
00:33:37,320 --> 00:33:41,960
Speaker 1: stuff like that, sure or um an infomercial. Yeah. He

573
00:33:42,120 --> 00:33:45,680
Speaker 1: was just like a former pretty boy actor basically. Yeah.

574
00:33:45,720 --> 00:33:48,560
Speaker 1: And his his running gag was I'm Troy McClure. You

575
00:33:48,680 --> 00:33:51,600
Speaker 1: might remember me dot dot dot right, So here's here's

576
00:33:51,600 --> 00:33:54,720
Speaker 1: a few of my favorites. I'm Troy McClure. You might

577
00:33:54,760 --> 00:33:58,440
Speaker 1: remember me from some self help videos as Smoke Yourself

578
00:33:58,480 --> 00:34:06,040
Speaker 1: then and get comf and Stupid. Here's another one. You

579
00:34:06,120 --> 00:34:09,239
Speaker 1: might remember me from such driver's ed films as Alice's

580
00:34:09,239 --> 00:34:12,960
Speaker 1: Adventures through the Windshield Glass and the Decapitation of lead

581
00:34:13,080 --> 00:34:18,359
Speaker 1: Larry Leadfoot, And then this one. You may remember me

582
00:34:18,440 --> 00:34:21,920
Speaker 1: from such educational films as to minus three equals Negative

583
00:34:21,960 --> 00:34:29,040
Speaker 1: fun and by a Crackers The Silent Killer so good,

584
00:34:29,160 --> 00:34:31,919
Speaker 1: and Attorney Lama Huts was just great too, was good?

585
00:34:32,040 --> 00:34:35,560
Speaker 1: And then which one did he date? He dated Patty

586
00:34:35,640 --> 00:34:40,759
Speaker 1: or Selma? I can't remember which one. You're just I'm mortified. Well,

587
00:34:40,800 --> 00:34:43,200
Speaker 1: they're so interchangeable to me, Well, they are. One of

588
00:34:43,239 --> 00:34:46,640
Speaker 1: them came out as gay, actually, and one of the

589
00:34:46,680 --> 00:34:52,360
Speaker 1: recent seasons was not that one, right, um I I

590
00:34:52,360 --> 00:34:56,239
Speaker 1: think it was Selma. No, it would have been Patty

591
00:34:56,320 --> 00:34:59,520
Speaker 1: because Patty is the one who was engaged to Principal Skinner.

592
00:35:00,080 --> 00:35:03,160
Speaker 1: That's right, um So, I guess he was dating Patty.

593
00:35:03,280 --> 00:35:05,880
Speaker 1: I just remember in that episode when he he went

594
00:35:05,880 --> 00:35:07,239
Speaker 1: out with her one night and then showed up the

595
00:35:07,239 --> 00:35:09,520
Speaker 1: next day and said, you might remember me from certain

596
00:35:09,600 --> 00:35:14,319
Speaker 1: dates as last nights. Right. One of my favorite lines

597
00:35:14,360 --> 00:35:16,839
Speaker 1: from that episode is, um, there in like a nice

598
00:35:16,880 --> 00:35:21,239
Speaker 1: restaurant and um, Selma, No, Patty lights up a cigarette

599
00:35:21,600 --> 00:35:25,240
Speaker 1: and everybody's like, oh my gosh, she's smoking smoking. Somebody

600
00:35:25,280 --> 00:35:32,040
Speaker 1: goes waiter, I ordered a zeema, not emphysema. What a

601
00:35:32,080 --> 00:35:36,040
Speaker 1: great line, man, Yeah. Um So. Guest stars over the years,

602
00:35:36,320 --> 00:35:41,000
Speaker 1: um they have. There have been some very beloved people

603
00:35:41,120 --> 00:35:44,960
Speaker 1: playing other people, and then many people playing themselves. Uh.

604
00:35:45,000 --> 00:35:47,080
Speaker 1: And I made a list of my favorite people playing

605
00:35:47,080 --> 00:35:54,000
Speaker 1: other people. Martin Sheen played Sergeant Seymour Skinner a k a.

606
00:35:54,200 --> 00:35:58,720
Speaker 1: The real Seymour Skinner. Oh that was Martin Sheen. Wasn't it. Okay?

607
00:35:59,320 --> 00:36:03,239
Speaker 1: The Great Albert Brooks played Hank Scorpio. Nice. Yeah, that

608
00:36:03,320 --> 00:36:06,560
Speaker 1: was a great character. Glenn Close played Homer's mom and

609
00:36:07,600 --> 00:36:09,920
Speaker 1: just such a great episode that that one. And I

610
00:36:10,000 --> 00:36:12,800
Speaker 1: think also the one where he goes and um tries

611
00:36:12,840 --> 00:36:17,359
Speaker 1: to find what his middle his the j stand name.

612
00:36:17,400 --> 00:36:19,439
Speaker 1: Yeah yeah yeah. I don't know if she was in that,

613
00:36:19,520 --> 00:36:22,280
Speaker 1: but like she she's like a she's like an off

614
00:36:22,400 --> 00:36:25,560
Speaker 1: camera character because he meets like some of her old

615
00:36:25,600 --> 00:36:28,720
Speaker 1: friends from back when he was such a sweet episode

616
00:36:28,800 --> 00:36:32,600
Speaker 1: and then they all end up on um Payote I

617
00:36:32,640 --> 00:36:37,760
Speaker 1: think in truth sim since fashion. Patrick Stewart played Number

618
00:36:37,760 --> 00:36:41,880
Speaker 1: one in the stone Cutters episode. Meryl Street played Jessica

619
00:36:41,920 --> 00:36:46,680
Speaker 1: Lovejoy Bart's love interest brief love interest. The late great

620
00:36:46,760 --> 00:36:51,120
Speaker 1: Johnny Cash played Homer Spirit Coyote. Yeah remember that. Remember

621
00:36:51,239 --> 00:36:55,120
Speaker 1: Rodney Dangerfield is Larry Burns. I get no esteem, noverre

622
00:36:55,160 --> 00:36:59,960
Speaker 1: god either. Ron Taylor played a bleeding gums Murphy Lee,

623
00:37:00,120 --> 00:37:03,120
Speaker 1: his sort of mentor on the saxophone who played him

624
00:37:03,920 --> 00:37:06,880
Speaker 1: got named Ron Taylor. Okay, give him his due, and

625
00:37:07,160 --> 00:37:10,560
Speaker 1: arties If was played by John Lovitt Sure and John

626
00:37:10,600 --> 00:37:13,000
Speaker 1: Lovitts played Jay Sherman, the critic in one of the

627
00:37:13,040 --> 00:37:17,160
Speaker 1: more hated episodes of all times. Yeah, the crossover episode

628
00:37:17,200 --> 00:37:21,040
Speaker 1: where they throw a film festival in Springfield and Jay

629
00:37:21,080 --> 00:37:25,759
Speaker 1: Sherman shows up to to lead the jury for the

630
00:37:26,160 --> 00:37:30,920
Speaker 1: film festival. Well, it was. It was basically a vehicle

631
00:37:30,960 --> 00:37:33,759
Speaker 1: to introduce America to the critic, which was now going

632
00:37:33,800 --> 00:37:36,759
Speaker 1: to be on Fox after The Simpsons. And did you

633
00:37:36,760 --> 00:37:40,239
Speaker 1: ever see that show? The critic? Yeah, yeah, yeah, I

634
00:37:40,280 --> 00:37:42,200
Speaker 1: saw that. It was a little smallsey, but I mean

635
00:37:42,239 --> 00:37:44,160
Speaker 1: it had its charms here there. It wasn't like the

636
00:37:44,200 --> 00:37:47,399
Speaker 1: worst thing anyone's ever put on TV. It certainly wasn't

637
00:37:47,400 --> 00:37:52,280
Speaker 1: Simpsons caliber. But supposedly Matt Graining was so upset about

638
00:37:52,320 --> 00:37:54,880
Speaker 1: this that he made them take his name off of

639
00:37:54,920 --> 00:37:58,880
Speaker 1: the opening credits on the TV screen. He was that

640
00:37:59,000 --> 00:38:01,360
Speaker 1: mad about this crawl sover that had been like shoved

641
00:38:01,400 --> 00:38:04,600
Speaker 1: down his throat by Fox executives. As the legend goes,

642
00:38:04,800 --> 00:38:08,719
Speaker 1: good for him, sure, um, And then you know, they've

643
00:38:08,719 --> 00:38:11,959
Speaker 1: had some legends that played themselves before Bob Hope passed away.

644
00:38:11,960 --> 00:38:15,880
Speaker 1: He was on the show. Ernest borg Nine, Robert Goulay,

645
00:38:16,400 --> 00:38:22,000
Speaker 1: Steve Allen, Robert Gooley swings his hello. He's sitting there,

646
00:38:22,760 --> 00:38:26,200
Speaker 1: he's doing the treehouse at Bart's Treehouse, he's doing a show.

647
00:38:26,760 --> 00:38:28,399
Speaker 1: I don't know how he got booked there. I think

648
00:38:28,440 --> 00:38:31,759
Speaker 1: Nelson maybe was his agent, and like he's swinging his

649
00:38:31,920 --> 00:38:34,480
Speaker 1: microphone and the quarters are so close in the treehouse.

650
00:38:34,520 --> 00:38:37,520
Speaker 1: He smacks like I think millhouses glasses right off his face,

651
00:38:37,680 --> 00:38:42,000
Speaker 1: like oh sorry kid, uh And then they I think

652
00:38:42,000 --> 00:38:44,920
Speaker 1: there've been more than like seventy musicians and bands through

653
00:38:44,960 --> 00:38:49,239
Speaker 1: the years. They've always loved featuring bands. So at the time,

654
00:38:49,280 --> 00:38:52,360
Speaker 1: all the Living Beatles before George Harrison passed, and the

655
00:38:52,480 --> 00:38:55,040
Speaker 1: Ramons and the Who and Metallica and R E. M

656
00:38:55,120 --> 00:38:58,960
Speaker 1: and You Too and Aerosmith, Tom Petty, the late Great

657
00:38:59,000 --> 00:39:01,319
Speaker 1: Tom Petty, Lenny Krab. It's like the list goes on

658
00:39:01,360 --> 00:39:03,600
Speaker 1: and on. But they've always had great musical guests. And

659
00:39:03,640 --> 00:39:07,319
Speaker 1: that YouTube episode that was the garbage Man episode, right,

660
00:39:07,480 --> 00:39:10,080
Speaker 1: I think so so one of the great There's like

661
00:39:10,560 --> 00:39:13,200
Speaker 1: this is a great illustration of just a throwaway joke

662
00:39:13,480 --> 00:39:15,840
Speaker 1: on The Simpsons that just made it that much smarter

663
00:39:16,000 --> 00:39:19,360
Speaker 1: that show. Right, So, like Homer is trying to sneak backstage,

664
00:39:19,880 --> 00:39:24,799
Speaker 1: so he dresses up like Irish potato delivery man, like

665
00:39:24,840 --> 00:39:28,439
Speaker 1: there is such a thing, right, So, so the joke

666
00:39:28,600 --> 00:39:30,360
Speaker 1: is that this is what Homer thinks is going to

667
00:39:30,440 --> 00:39:33,719
Speaker 1: get him backstage. But then the added bonus to the

668
00:39:33,800 --> 00:39:37,080
Speaker 1: joke is that it actually works, Like when he shows up,

669
00:39:37,360 --> 00:39:40,319
Speaker 1: the security guards like, where in the devil have you been?

670
00:39:40,719 --> 00:39:42,960
Speaker 1: Like they've been waiting for the guy who delivers raw

671
00:39:43,000 --> 00:39:47,560
Speaker 1: potatoes backstage at a YouTube concert? Like that's just the thing, right,

672
00:39:48,160 --> 00:39:52,640
Speaker 1: I love that show so much. Uh. And finally, as

673
00:39:52,680 --> 00:39:56,160
Speaker 1: far as guest voices, we would be we would be

674
00:39:56,200 --> 00:39:59,120
Speaker 1: remiss without mentioning the great Kelsey Grammar at side show

675
00:39:59,160 --> 00:40:02,440
Speaker 1: Bob prominent prominent character. And then they ended up getting

676
00:40:03,239 --> 00:40:07,279
Speaker 1: David Hyde pierced to play Cecil, his brother, and then

677
00:40:07,840 --> 00:40:12,759
Speaker 1: John Mahoney all from Frazier to play his father, Dr

678
00:40:12,840 --> 00:40:17,600
Speaker 1: Robert to Willoker. Nice, so good, it's so so good, Chuck. Alright,

679
00:40:17,719 --> 00:40:20,359
Speaker 1: let's take another break and we're gonna come back and

680
00:40:20,560 --> 00:40:22,920
Speaker 1: talk a little bit about these episodes and how they

681
00:40:22,920 --> 00:40:43,600
Speaker 1: are put together. Josh, Okay, Chuck, we're back, and you

682
00:40:43,719 --> 00:40:46,280
Speaker 1: promised that we were going to talk more about the Simpsons,

683
00:40:46,320 --> 00:40:49,600
Speaker 1: so go all right, well we should talk a little

684
00:40:49,600 --> 00:40:51,840
Speaker 1: bit about I mean, we can sit here and quote

685
00:40:51,840 --> 00:40:54,319
Speaker 1: lines all day long. I know, I hope this isn't

686
00:40:54,360 --> 00:40:57,319
Speaker 1: getting annoying for anybody. Hopefully everybody's having as much fun

687
00:40:57,320 --> 00:40:59,479
Speaker 1: as we are. No, I mean this one was bound

688
00:40:59,520 --> 00:41:02,200
Speaker 1: to get super wonky. But we should talk a little

689
00:41:02,239 --> 00:41:06,680
Speaker 1: bit technically about how the show is made. Hey, uh,

690
00:41:06,760 --> 00:41:08,839
Speaker 1: so here's how it starts, and the Grabs are did

691
00:41:08,840 --> 00:41:11,239
Speaker 1: a good job of kind of breaking this down, I think. Yeah.

692
00:41:11,280 --> 00:41:13,279
Speaker 1: And also also I want to give a shout out

693
00:41:13,320 --> 00:41:17,600
Speaker 1: to an article on the Verge called how uh Simpsons

694
00:41:17,680 --> 00:41:21,400
Speaker 1: episode is made. It goes into even greater detail. It's

695
00:41:21,440 --> 00:41:25,520
Speaker 1: it's nuts what they do. Alright. So, like most shows,

696
00:41:25,600 --> 00:41:28,320
Speaker 1: or I would say probably every show, uh, it begins

697
00:41:28,320 --> 00:41:31,759
Speaker 1: in the writer's room. Writer's gonna pitch ideas to each

698
00:41:31,760 --> 00:41:35,120
Speaker 1: other and the producers. An episode will get a green light,

699
00:41:35,600 --> 00:41:39,800
Speaker 1: and then a single writer usually sometimes they work in pairs,

700
00:41:39,840 --> 00:41:42,399
Speaker 1: will go off and create a draft in a couple

701
00:41:42,400 --> 00:41:44,960
Speaker 1: of weeks. But that is not the end of the

702
00:41:44,960 --> 00:41:48,240
Speaker 1: writing process. No, no, no, no no. Supposedly, the writing

703
00:41:48,280 --> 00:41:54,360
Speaker 1: process is one of the most um uh shape shifting

704
00:41:55,880 --> 00:41:58,520
Speaker 1: parts of the entire process of making an episode. There's

705
00:41:58,560 --> 00:42:01,120
Speaker 1: a lot of people pokey at it. You've got the

706
00:42:01,120 --> 00:42:04,759
Speaker 1: show runner, who in this capacity serves as the um

707
00:42:04,760 --> 00:42:08,680
Speaker 1: script editor and the head writer. Um, you've got the

708
00:42:08,680 --> 00:42:11,080
Speaker 1: actual writers, you've got the writing team, you've got the

709
00:42:11,080 --> 00:42:14,040
Speaker 1: writing assistance, You've got producers who are thinking about it.

710
00:42:14,280 --> 00:42:16,719
Speaker 1: You've got all these people who are thinking of the

711
00:42:16,760 --> 00:42:19,920
Speaker 1: script and rewriting it and editing it. That is supposedly

712
00:42:19,960 --> 00:42:25,000
Speaker 1: a script goes through rewrites um for like four to

713
00:42:25,080 --> 00:42:28,120
Speaker 1: six weeks or something like that. Yeah, and like most

714
00:42:28,120 --> 00:42:30,640
Speaker 1: shows operate this way, there's a lot, especially comedies, a

715
00:42:30,640 --> 00:42:33,080
Speaker 1: lot of rewriting that goes on to just I mean,

716
00:42:33,080 --> 00:42:36,760
Speaker 1: they'll come down and debate a word for a couple

717
00:42:36,760 --> 00:42:39,160
Speaker 1: of hours to make sure they're getting the funniest stuff

718
00:42:39,160 --> 00:42:42,719
Speaker 1: they can get right. Um, then what comes next is

719
00:42:43,200 --> 00:42:47,720
Speaker 1: the table read. And brother, you and I got really

720
00:42:47,760 --> 00:42:50,600
Speaker 1: really lucky. When was this four or five years ago?

721
00:42:50,840 --> 00:42:54,000
Speaker 1: I think it was two thousand, thirteen or fourteen. So

722
00:42:54,120 --> 00:42:56,120
Speaker 1: here's how it went down. We had a listener, uh

723
00:42:56,239 --> 00:43:00,400
Speaker 1: named Jesse write us and say she did worked for

724
00:43:00,440 --> 00:43:02,640
Speaker 1: the Simpsons, but she was in somehow. I think she

725
00:43:02,680 --> 00:43:05,720
Speaker 1: had a friend. She was friends I think with Tom Gamble,

726
00:43:05,880 --> 00:43:08,759
Speaker 1: the producer, one of the users of the Simpsons. Yeah,

727
00:43:08,800 --> 00:43:10,400
Speaker 1: and she said, you know, dudes, whenever you want to

728
00:43:10,400 --> 00:43:12,000
Speaker 1: come out to l A and go to a table read,

729
00:43:12,360 --> 00:43:14,440
Speaker 1: and then we were basically at the airport about an

730
00:43:14,440 --> 00:43:17,919
Speaker 1: hour later. So I don't know. We had a trip

731
00:43:17,920 --> 00:43:19,560
Speaker 1: booked for some reason or another, and we went out

732
00:43:19,600 --> 00:43:23,400
Speaker 1: there and uh we met at the Fox lot and

733
00:43:23,440 --> 00:43:26,600
Speaker 1: the building little bungalow outside the Simpsons. First of all

734
00:43:26,719 --> 00:43:29,880
Speaker 1: is just so exciting because they have topiaries of Simpsons

735
00:43:29,920 --> 00:43:34,319
Speaker 1: characters and of itself. And then the table read is

736
00:43:35,160 --> 00:43:37,880
Speaker 1: a bit of a public thing, like it's not a

737
00:43:37,920 --> 00:43:42,279
Speaker 1: hundred people, but they were probably besides the cast in

738
00:43:43,400 --> 00:43:48,160
Speaker 1: writing staff an additional what people in there, like tourists

739
00:43:48,160 --> 00:43:50,239
Speaker 1: like us. Yeah, yeah, I would say something like that

740
00:43:50,280 --> 00:43:54,800
Speaker 1: like friends, family members, um, just special invitees, the ambassador

741
00:43:55,000 --> 00:43:59,200
Speaker 1: of from Spain, like just just people were there and

742
00:43:59,200 --> 00:44:02,200
Speaker 1: and they were like you shut up, all of you.

743
00:44:02,440 --> 00:44:05,160
Speaker 1: Don't make a sound, turn off your cell phones, will

744
00:44:05,239 --> 00:44:07,400
Speaker 1: kill your whole family if you if you say anything,

745
00:44:07,400 --> 00:44:10,000
Speaker 1: because this is serious business. Yeah. So there's they're all

746
00:44:10,080 --> 00:44:11,960
Speaker 1: the people who work on the show. We're sitting at

747
00:44:11,960 --> 00:44:15,359
Speaker 1: this big, huge, long conference table. And then the room

748
00:44:15,560 --> 00:44:18,480
Speaker 1: is lined all along the outside on four walls with

749
00:44:18,600 --> 00:44:23,120
Speaker 1: chairs for people to just sit there quietly and uh,

750
00:44:23,280 --> 00:44:26,439
Speaker 1: sit at the altar in reverence of what they're about

751
00:44:26,480 --> 00:44:29,080
Speaker 1: to see and we so the one we were there

752
00:44:29,200 --> 00:44:32,040
Speaker 1: um was a script read for the episode that became

753
00:44:32,239 --> 00:44:35,920
Speaker 1: the Wreck of the Relationship, right. I think Nick Offerman

754
00:44:36,080 --> 00:44:38,920
Speaker 1: guest starred in it as a sea captain. But basically

755
00:44:39,000 --> 00:44:42,560
Speaker 1: Bart and Homer go off on this um father's son

756
00:44:42,760 --> 00:44:47,400
Speaker 1: bonding tour like aboard a ship, and uh. The b

757
00:44:47,680 --> 00:44:51,160
Speaker 1: subplot was that while they were gone, Marge had to

758
00:44:51,600 --> 00:44:56,200
Speaker 1: um pick Homer's fantasy football team, and she decided that

759
00:44:56,280 --> 00:45:00,719
Speaker 1: she should pick all place kickers and turns out that

760
00:45:00,760 --> 00:45:04,520
Speaker 1: she she was right. Um like, she ended up winning,

761
00:45:04,520 --> 00:45:07,040
Speaker 1: but in between picking them and not knowing what she

762
00:45:07,120 --> 00:45:09,879
Speaker 1: was doing and winning the whole thing, um, she ends

763
00:45:09,920 --> 00:45:12,520
Speaker 1: up like trash talking with Mo and Lenny and Carl

764
00:45:13,080 --> 00:45:17,080
Speaker 1: um And it's a pretty good be subplot. Actually, yeah,

765
00:45:17,120 --> 00:45:19,480
Speaker 1: And I would love to say that, um, all of

766
00:45:19,520 --> 00:45:22,239
Speaker 1: the voice actors are in the room together. That is

767
00:45:22,280 --> 00:45:24,960
Speaker 1: not the case because everyone is busy and doing other stuff.

768
00:45:25,000 --> 00:45:27,120
Speaker 1: And they got it down to a science now so

769
00:45:27,160 --> 00:45:30,440
Speaker 1: they don't have to rub elbows. But they're you know,

770
00:45:30,520 --> 00:45:32,160
Speaker 1: calling it on the phone and they're doing the voices

771
00:45:32,160 --> 00:45:35,000
Speaker 1: and stuff either be a phone or in person, and uh,

772
00:45:35,080 --> 00:45:38,319
Speaker 1: Matt Graining was there though, Uh, Dan Castelenetta was there

773
00:45:38,360 --> 00:45:41,120
Speaker 1: in the room, Julie Kavner was there. Julie Kavner was there,

774
00:45:41,360 --> 00:45:45,319
Speaker 1: Udly Smith yep Beudy Smith and um, Pamela Hayden was there,

775
00:45:46,160 --> 00:45:49,480
Speaker 1: but we got no as Aria or Shearer, right, but

776
00:45:49,520 --> 00:45:51,239
Speaker 1: they were on the phone, so like we were sitting

777
00:45:51,280 --> 00:45:53,880
Speaker 1: there listening to them do the voices. Yeah, so they

778
00:45:53,960 --> 00:45:56,560
Speaker 1: basically read through the script. They'll stop every now and

779
00:45:56,600 --> 00:45:59,520
Speaker 1: then and make suggestions or something on a different line

780
00:45:59,560 --> 00:46:02,520
Speaker 1: reading and in the writers and producers are all furiously

781
00:46:02,560 --> 00:46:05,920
Speaker 1: scribbling and making notes and stuff like that. Uh. And

782
00:46:05,960 --> 00:46:11,320
Speaker 1: then afterward they they finished it up and we very

783
00:46:11,360 --> 00:46:14,520
Speaker 1: like a couple of six year old sheepishly grabbed our

784
00:46:14,560 --> 00:46:16,480
Speaker 1: scripts that we get to take with us because everyone

785
00:46:16,480 --> 00:46:20,360
Speaker 1: gets a script to read along and uh and met

786
00:46:21,160 --> 00:46:27,360
Speaker 1: Matt Greening and it was surreal. It was um yeah.

787
00:46:27,480 --> 00:46:29,880
Speaker 1: What was I think even more surreal was that he

788
00:46:30,000 --> 00:46:33,480
Speaker 1: was like super nice, the nicest dude you could imagine,

789
00:46:33,520 --> 00:46:36,440
Speaker 1: Like he was like really nice, like Dan cast Lenetta

790
00:46:36,520 --> 00:46:38,920
Speaker 1: like didn't ever look up when like Umi was there,

791
00:46:38,960 --> 00:46:40,680
Speaker 1: and she took a picture of me with Dan castle

792
00:46:40,719 --> 00:46:43,080
Speaker 1: Lenetta and I'm saying they're giving a thumbs up, and

793
00:46:43,120 --> 00:46:46,200
Speaker 1: he's like looking down, like signing my script. Yeah, it's

794
00:46:46,200 --> 00:46:48,120
Speaker 1: not like he wasn't a nice guy, but he just

795
00:46:48,160 --> 00:46:50,400
Speaker 1: wasn't quite as personable in person as I'm at Graining.

796
00:46:50,520 --> 00:46:52,440
Speaker 1: But I think like Matt Greening like stood up and

797
00:46:52,440 --> 00:46:54,800
Speaker 1: shook hands and was like, hey, great to meet you,

798
00:46:54,920 --> 00:46:57,000
Speaker 1: and he didn't know who I was from Adam. He

799
00:46:57,120 --> 00:47:01,000
Speaker 1: was just this surprisingly friendly guy. Yeah, we remember telling

800
00:47:01,080 --> 00:47:03,360
Speaker 1: him that we uh you mean was just laughing the

801
00:47:03,360 --> 00:47:06,080
Speaker 1: whole time. She was like, you guys are just hysterical. Yeah,

802
00:47:06,120 --> 00:47:08,200
Speaker 1: we really were like a couple of six year olds.

803
00:47:08,239 --> 00:47:10,680
Speaker 1: I was surprised at both of us actually, just how

804
00:47:10,760 --> 00:47:14,160
Speaker 1: quickly we were like kids. Yeah. I don't get superstar

805
00:47:14,280 --> 00:47:16,440
Speaker 1: struck anymore, and and this one just had me like

806
00:47:16,480 --> 00:47:19,839
Speaker 1: I was super super nervous. But I remember I think

807
00:47:19,880 --> 00:47:23,120
Speaker 1: I told him Mr. Graining that, you know, we have

808
00:47:23,160 --> 00:47:25,319
Speaker 1: a podcast and we talked about the Simpsons so much,

809
00:47:25,680 --> 00:47:28,319
Speaker 1: it's almost like an additional character on our show. And

810
00:47:28,360 --> 00:47:30,759
Speaker 1: he asked what the name of it was, wrote it

811
00:47:30,800 --> 00:47:33,520
Speaker 1: down stuff you should know on his script, and then

812
00:47:33,800 --> 00:47:36,319
Speaker 1: ate that piece of paper in front of you, and

813
00:47:36,360 --> 00:47:38,200
Speaker 1: then he signed our script and he scribbles out a

814
00:47:38,280 --> 00:47:40,920
Speaker 1: quick drawing he drew bart On my script I got

815
00:47:40,960 --> 00:47:44,879
Speaker 1: Homer and it says your pal Matt Graining. Yeah, so

816
00:47:45,080 --> 00:47:49,080
Speaker 1: nice man. That script is like under plexiglass, under lock

817
00:47:49,120 --> 00:47:52,280
Speaker 1: and key trained Momo to kill anybody who comes anywhere

818
00:47:52,320 --> 00:47:55,359
Speaker 1: near it. It's just like comprised possession. Now. Oh yeah,

819
00:47:55,400 --> 00:47:58,600
Speaker 1: for sure. We got Dan Castle Lenetta to sign it, uh,

820
00:47:59,040 --> 00:48:01,120
Speaker 1: Julie Kabner to sign and I think those are the

821
00:48:01,120 --> 00:48:04,160
Speaker 1: only three autographs I got. But it was neat so

822
00:48:04,200 --> 00:48:06,880
Speaker 1: to us, we were just losing our minds. It was

823
00:48:06,960 --> 00:48:11,080
Speaker 1: so amazing to them, like it was straight up work, right,

824
00:48:11,200 --> 00:48:13,440
Speaker 1: Like this is work to them, and it was nicely

825
00:48:13,520 --> 00:48:15,960
Speaker 1: like they're they're fine, like seeing people that they're friends with,

826
00:48:16,000 --> 00:48:18,640
Speaker 1: who they invited or whatever. But um, I read an

827
00:48:18,640 --> 00:48:21,719
Speaker 1: interview with al Jean and al Jean said that he

828
00:48:22,360 --> 00:48:26,160
Speaker 1: hates will Reads more than anything because it is real work,

829
00:48:26,640 --> 00:48:29,919
Speaker 1: but it's it's in this weird kind of in between state,

830
00:48:30,000 --> 00:48:32,439
Speaker 1: like letting people come wat. Yeah, I wonder whose idea

831
00:48:32,480 --> 00:48:35,400
Speaker 1: that was. I don't know, but apparently a customed that

832
00:48:35,440 --> 00:48:37,520
Speaker 1: they've been keeping up this whole time, despite at the

833
00:48:37,600 --> 00:48:41,280
Speaker 1: very least one of the high powered executives in charge

834
00:48:41,280 --> 00:48:44,439
Speaker 1: of the show hating it interesting. Yeah, I think there's

835
00:48:44,480 --> 00:48:46,880
Speaker 1: lots of distractions and stuff like that, but apparently they

836
00:48:46,960 --> 00:48:50,520
Speaker 1: muddled through every Thursday. Yeah, and it's I just can't

837
00:48:50,560 --> 00:48:54,359
Speaker 1: say enough it was. This is not hyperbole. It is

838
00:48:54,440 --> 00:48:58,640
Speaker 1: a genuine all time life highlight. You know. It was

839
00:48:58,719 --> 00:49:02,480
Speaker 1: just amazing, agree, Chuck. Alright, so I think we've reached

840
00:49:02,480 --> 00:49:06,040
Speaker 1: the end of part one of episode one thousand, technically

841
00:49:06,120 --> 00:49:10,320
Speaker 1: episode that's a cliffhanger too, it is. Man, I'm pretty

842
00:49:10,360 --> 00:49:13,000
Speaker 1: I'm pretty psyched. Like this is not planned, Chuck. This

843
00:49:13,040 --> 00:49:14,960
Speaker 1: is a genuine cliffhanger. Yeah, right in the middle of

844
00:49:14,960 --> 00:49:17,400
Speaker 1: the production process, people are gonna be like, I have

845
00:49:17,480 --> 00:49:20,680
Speaker 1: to know how they make these shows. Well, just cool out, everybody,

846
00:49:20,680 --> 00:49:24,160
Speaker 1: cool out. You can wait until what Thursday? Right, Yes,

847
00:49:24,480 --> 00:49:28,000
Speaker 1: for our actual official episode one thousand, And in the meantime,

848
00:49:28,080 --> 00:49:30,200
Speaker 1: you can get in touch with us on Twitter. I'm

849
00:49:30,239 --> 00:49:33,360
Speaker 1: at josh um Clark and what the official handle is

850
00:49:33,520 --> 00:49:37,759
Speaker 1: s y s K podcast. Charles Chuck is at Facebook

851
00:49:37,960 --> 00:49:41,440
Speaker 1: dot com slash Charles W. Chuck Bryant. There's also I'm

852
00:49:41,480 --> 00:49:43,640
Speaker 1: on there somewhere you can try to find me Um

853
00:49:43,680 --> 00:49:45,560
Speaker 1: And then there's also an official stuff you Should Know

854
00:49:45,640 --> 00:49:48,600
Speaker 1: one on Facebook. Two. You can send us all an email,

855
00:49:48,600 --> 00:49:51,600
Speaker 1: including Jerry to stuff podcast at how stuff Works dot

856
00:49:51,680 --> 00:49:53,840
Speaker 1: com and as always, hang out with us at our

857
00:49:53,920 --> 00:50:01,719
Speaker 1: home on the web, Stuff you Should Know dot com.

858
00:50:01,760 --> 00:50:04,200
Speaker 1: For more on this and thousands of other topics, is

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00:50:04,239 --> 00:50:15,960
Speaker 1: a howstof works dot com