1 00:00:05,120 --> 00:00:07,400 Speaker 1: Hey, this is Anny and Samantha. I'm welcome to stuff. 2 00:00:07,440 --> 00:00:09,440 Speaker 1: I never told your production of iHeartRadio. 3 00:00:18,680 --> 00:00:22,120 Speaker 2: And for this month's movie pick, I'm calling it Whimsical 4 00:00:22,200 --> 00:00:24,960 Speaker 2: Wednesday because that's when it's being released. Just in case 5 00:00:25,000 --> 00:00:27,360 Speaker 2: you need to know. There has been a bit of 6 00:00:27,360 --> 00:00:29,160 Speaker 2: a delay because it was supposed to actually be recorded 7 00:00:29,240 --> 00:00:34,640 Speaker 2: last week Today's three twenty six, but because of the 8 00:00:34,680 --> 00:00:38,080 Speaker 2: squeaky raspy voice, which is still happening. But it's still better, 9 00:00:38,520 --> 00:00:40,400 Speaker 2: about five times better than what it was last week. 10 00:00:40,479 --> 00:00:44,720 Speaker 2: Y'all it was. It was rough. Yeah, listen to past 11 00:00:44,760 --> 00:00:49,680 Speaker 2: episodes because y'all have pollen. Here is no joke. I 12 00:00:49,720 --> 00:00:52,479 Speaker 2: was telling Annie that when I drove my car, the 13 00:00:52,560 --> 00:00:57,080 Speaker 2: amount of pollen yellow dust that sprayed back onto my 14 00:00:57,200 --> 00:01:02,560 Speaker 2: car again was like a windstorm, a sandstorm, and everything 15 00:01:02,600 --> 00:01:06,760 Speaker 2: has been in a yellow haze. That ridiculous cold Play 16 00:01:06,800 --> 00:01:10,400 Speaker 2: song is in my head. It was all yellow. 17 00:01:13,240 --> 00:01:18,360 Speaker 1: Yeah, it's intense. It's also impacted the other show I'm 18 00:01:18,360 --> 00:01:24,600 Speaker 1: on Saver, so I am fortunate to knock on wood. 19 00:01:26,040 --> 00:01:27,240 Speaker 1: No allergies for me. 20 00:01:28,120 --> 00:01:33,279 Speaker 2: Well, pray for us in the South. We ain't okay, 21 00:01:34,200 --> 00:01:37,760 Speaker 2: we hain'te okay anyway. But with all of that also, 22 00:01:37,800 --> 00:01:41,679 Speaker 2: because this is one of those movies that was one 23 00:01:41,720 --> 00:01:45,040 Speaker 2: of my teenage classic favorites. I love, love, love to 24 00:01:45,080 --> 00:01:48,200 Speaker 2: watch it repeatedly, read the book, love everything about it. 25 00:01:48,600 --> 00:01:52,720 Speaker 2: Was so excited to watch it again. Realized I may 26 00:01:52,760 --> 00:01:58,000 Speaker 2: have just been running on teenage hormones for this movie specifically. 27 00:01:58,040 --> 00:02:01,120 Speaker 2: But yes, we are talking about in nineteen ninety five 28 00:02:01,200 --> 00:02:05,120 Speaker 2: classic suckle Offerends, and not to be confused with the 29 00:02:05,160 --> 00:02:09,160 Speaker 2: one on Prime right now, which is a completely different film, 30 00:02:09,320 --> 00:02:10,080 Speaker 2: right Annie. 31 00:02:11,080 --> 00:02:17,760 Speaker 1: Oh yes, I almost made this mistake. And I'm glad 32 00:02:17,800 --> 00:02:19,960 Speaker 1: I checked in with Samantha because I have watched the 33 00:02:19,960 --> 00:02:25,320 Speaker 1: wrong thing before for this segment, and you had told 34 00:02:25,400 --> 00:02:28,200 Speaker 1: me about this movie which I never heard of, and 35 00:02:28,360 --> 00:02:32,560 Speaker 1: I was reading the description of what I found, and 36 00:02:32,639 --> 00:02:36,639 Speaker 1: I just thought, this doesn't sound like the teenage Irish 37 00:02:36,760 --> 00:02:45,040 Speaker 1: rump that's promised me it was. I had like murder, death, 38 00:02:45,320 --> 00:02:48,639 Speaker 1: all of this stuff. So I'm very glad I checked 39 00:02:50,560 --> 00:02:52,760 Speaker 1: because that would have been unfortunate that it would have 40 00:02:52,800 --> 00:02:56,680 Speaker 1: been a comical if I had come in with watching 41 00:02:56,760 --> 00:03:00,280 Speaker 1: that and not knowing I'd watched the wrong thing. But 42 00:03:00,320 --> 00:03:02,200 Speaker 1: we tried to run a smoother ship than that. 43 00:03:02,919 --> 00:03:05,680 Speaker 2: Here I was really glad. I was really glad you ask, 44 00:03:05,720 --> 00:03:08,240 Speaker 2: because when I clicked on, I was like, what what 45 00:03:08,360 --> 00:03:08,600 Speaker 2: is this? 46 00:03:10,720 --> 00:03:12,720 Speaker 1: Yeah, so don't make that mistake, listener. 47 00:03:12,520 --> 00:03:15,200 Speaker 2: Don't watch it on Prime. Weirdly, I was able to 48 00:03:15,240 --> 00:03:17,200 Speaker 2: just to google it and it was up on YouTube 49 00:03:17,240 --> 00:03:19,959 Speaker 2: for free. Because it's not anywhere. You can't even buy 50 00:03:20,000 --> 00:03:22,760 Speaker 2: it on Amazon. I discovered that you can buy it 51 00:03:22,880 --> 00:03:25,160 Speaker 2: on Apple Play. 52 00:03:25,360 --> 00:03:26,160 Speaker 1: Huh not. 53 00:03:27,720 --> 00:03:31,640 Speaker 2: Apple TV No, sorry, so not sponsors obviously, but interestingly, yeah, 54 00:03:31,720 --> 00:03:33,639 Speaker 2: it is that old. I guess no one cares about 55 00:03:33,639 --> 00:03:34,480 Speaker 2: as much as I do. 56 00:03:34,600 --> 00:03:37,440 Speaker 1: That old. 57 00:03:37,800 --> 00:03:40,320 Speaker 2: I don't think it's old. But you see this? 58 00:03:40,440 --> 00:03:41,840 Speaker 1: Where did you originally see this? 59 00:03:44,120 --> 00:03:48,080 Speaker 2: I think I'll rented it? Okay, okay, back in the 60 00:03:48,200 --> 00:03:52,320 Speaker 2: VHS rental days, I was trying to somewhere. 61 00:03:52,400 --> 00:03:55,520 Speaker 1: Like the A Green Gable situation of like a the 62 00:03:55,560 --> 00:04:01,480 Speaker 1: BBC not the BBC, CBC. I thought that that maybe 63 00:04:01,520 --> 00:04:02,120 Speaker 1: was the case. 64 00:04:02,480 --> 00:04:07,160 Speaker 2: Interesting Okay, No, it's definitely not all PBS, which is 65 00:04:07,160 --> 00:04:10,080 Speaker 2: why I watched Gables because they played a lot of 66 00:04:10,640 --> 00:04:10,840 Speaker 2: you know. 67 00:04:10,920 --> 00:04:12,480 Speaker 1: Now that you say that, I think it's the subject 68 00:04:12,560 --> 00:04:13,480 Speaker 1: matter that makes sense. 69 00:04:13,680 --> 00:04:17,240 Speaker 2: No, this is not a lighthearted childhood film. It is 70 00:04:17,279 --> 00:04:20,320 Speaker 2: PG thirteen. Oh, but it is PG. 71 00:04:20,480 --> 00:04:23,000 Speaker 1: Thirteen, I see give it that. 72 00:04:24,120 --> 00:04:29,400 Speaker 2: Yeah. So this was is an adaptation of May Benchi's book, 73 00:04:29,600 --> 00:04:31,880 Speaker 2: which again I read and I loved. I actually do 74 00:04:32,000 --> 00:04:34,960 Speaker 2: appreciate her version more, even though she did help write 75 00:04:35,000 --> 00:04:37,880 Speaker 2: the screenplay. So this is her screenplay. She approved all 76 00:04:37,880 --> 00:04:41,160 Speaker 2: of all the things, but in it and just to 77 00:04:41,200 --> 00:04:44,599 Speaker 2: get to give a heads up like she doesn't. She 78 00:04:44,640 --> 00:04:47,040 Speaker 2: doesn't have a tightly knit bow at the end of it. 79 00:04:47,120 --> 00:04:50,280 Speaker 2: She doesn't give it like forgiveness that the movie does, 80 00:04:51,200 --> 00:04:56,360 Speaker 2: which I appreciated because some things are not okay. Betrayal 81 00:04:56,440 --> 00:05:01,280 Speaker 2: is not okay. Anyway back to yeah, so this has 82 00:05:01,560 --> 00:05:04,800 Speaker 2: my childhood crush. I definitely had a crush on both 83 00:05:05,120 --> 00:05:10,680 Speaker 2: Chris o'donald and Mini Driver. Who are these stars in 84 00:05:10,720 --> 00:05:13,960 Speaker 2: this movie. They were a big developmental moment for me, 85 00:05:14,040 --> 00:05:17,680 Speaker 2: I think in general because Mini Driver this is the 86 00:05:17,720 --> 00:05:20,279 Speaker 2: first time I'd ever seen her in anything. This was 87 00:05:20,480 --> 00:05:25,680 Speaker 2: before Goodwill Hunting, which was kind of like her breakthrough 88 00:05:25,839 --> 00:05:30,000 Speaker 2: American film, and in it, she's so fun and like, 89 00:05:30,440 --> 00:05:34,360 Speaker 2: you know, very down to earth, also very skinny, and 90 00:05:34,480 --> 00:05:37,640 Speaker 2: during the time of the nineties, if you know anything 91 00:05:37,640 --> 00:05:39,680 Speaker 2: about the nineties, it was all about being like that 92 00:05:39,839 --> 00:05:44,160 Speaker 2: rail model thin look and she kind of pushed back 93 00:05:44,200 --> 00:05:47,919 Speaker 2: against that. In this this movie. Of course, we're going 94 00:05:48,000 --> 00:05:51,200 Speaker 2: to talk about a lot of like body insecurities and 95 00:05:51,279 --> 00:05:54,000 Speaker 2: all that because it is mentioned, but the fact that 96 00:05:54,080 --> 00:05:57,960 Speaker 2: she just looked genuinely happy and she was the main 97 00:05:58,000 --> 00:06:00,719 Speaker 2: focus in the love story as being quote unquote a 98 00:06:00,760 --> 00:06:04,880 Speaker 2: bigger girl, bigger gal made me love her. I loved 99 00:06:05,240 --> 00:06:08,400 Speaker 2: Mini driver she was. I wanted to be her best friend. 100 00:06:10,279 --> 00:06:12,920 Speaker 2: I was very like, like, I wanted that. And then 101 00:06:12,960 --> 00:06:17,719 Speaker 2: Chris o'donald, he has had my heart from the beginning. 102 00:06:19,960 --> 00:06:23,000 Speaker 1: Uh huh, Well we talked about this because I had 103 00:06:23,000 --> 00:06:26,280 Speaker 1: a crush on him too, but mine is from the 104 00:06:26,480 --> 00:06:28,000 Speaker 1: Batman and Robin. 105 00:06:28,000 --> 00:06:30,600 Speaker 2: And then they's a little sad. I watched Batman and 106 00:06:30,680 --> 00:06:33,080 Speaker 2: Robin because he was in it, but he that was 107 00:06:33,080 --> 00:06:36,000 Speaker 2: I was like, no, no, not mine, not my Crystal o'donald. 108 00:06:36,320 --> 00:06:41,320 Speaker 1: Yeah, it's no good. I went through a crushes hard 109 00:06:41,360 --> 00:06:42,160 Speaker 1: and fast when I. 110 00:06:42,080 --> 00:06:44,840 Speaker 2: Was young, so oh I kept them. 111 00:06:45,240 --> 00:06:47,960 Speaker 1: I kept some of them, obviously, but a lot of 112 00:06:48,000 --> 00:06:51,880 Speaker 1: them were like beyond here, today, gone tomorrow. 113 00:06:53,640 --> 00:06:57,880 Speaker 2: Cryst o'donald was my love because of a circle of friends. 114 00:06:58,680 --> 00:07:01,960 Speaker 2: I also watched him and he was in a movie 115 00:07:02,000 --> 00:07:08,119 Speaker 2: with Brendan Fraser school Ties, which is also interesting George, 116 00:07:08,120 --> 00:07:10,280 Speaker 2: because he's not a good guy in school Ties if 117 00:07:10,280 --> 00:07:13,160 Speaker 2: I remember correctly. I don't think he's the worst guy, 118 00:07:14,200 --> 00:07:17,400 Speaker 2: but he's not a good guy in school Ties. Have 119 00:07:17,480 --> 00:07:20,240 Speaker 2: you ever seen that movie? Nope, this was one of 120 00:07:20,240 --> 00:07:27,200 Speaker 2: his Uh this he being Brendan Fraser's big like dramatic movies. 121 00:07:27,240 --> 00:07:31,520 Speaker 2: He plays a Jewish student m h in the nineteenth 122 00:07:31,840 --> 00:07:35,640 Speaker 2: sixties I believe fifties, sixties maybe forties, So you go 123 00:07:35,720 --> 00:07:41,320 Speaker 2: with that as yeah, yeah, Scent of a Woman Fried 124 00:07:41,400 --> 00:07:42,960 Speaker 2: Green Tomatoes. He was also in that. 125 00:07:44,680 --> 00:07:46,000 Speaker 1: We watched that, didn't we. 126 00:07:46,080 --> 00:07:48,480 Speaker 2: Yeah, we did. He was only in it for a second, remember, 127 00:07:48,480 --> 00:07:50,960 Speaker 2: Ohky because he was buddy and then he gets front 128 00:07:51,000 --> 00:07:55,080 Speaker 2: number by train oh man, but he has to die 129 00:07:55,080 --> 00:07:57,240 Speaker 2: in order for the two women to like, you know, 130 00:07:58,200 --> 00:08:02,800 Speaker 2: beat again. Yeah Ish anyway, but yes, he was a 131 00:08:02,880 --> 00:08:07,240 Speaker 2: man that I truly adored growing up. I thought he 132 00:08:07,480 --> 00:08:12,840 Speaker 2: was amazing, madly in love with him. I think I 133 00:08:12,880 --> 00:08:15,600 Speaker 2: stayed with that till I was like older and realized 134 00:08:17,520 --> 00:08:20,960 Speaker 2: I will never meet this man. And also he's not Irish. 135 00:08:22,240 --> 00:08:24,760 Speaker 2: Oh he doesn't have that Irish. 136 00:08:25,040 --> 00:08:26,560 Speaker 1: I had to ask you about that. I was like 137 00:08:27,360 --> 00:08:28,160 Speaker 1: is the Irish. 138 00:08:28,560 --> 00:08:34,839 Speaker 2: I mean, I believe, yes, genetically that is his lineage. 139 00:08:35,880 --> 00:08:39,040 Speaker 2: Accent wise not so much, not so much, not so much. 140 00:08:39,600 --> 00:08:42,400 Speaker 2: But with that, yes, he was my crush. So there's 141 00:08:42,440 --> 00:08:45,400 Speaker 2: a lot of teenage hormones that drew me to this movie. 142 00:08:45,400 --> 00:08:48,640 Speaker 2: I did not realize how horny this movie was until 143 00:08:48,640 --> 00:08:53,479 Speaker 2: I rewatched it in my forties and I'm like, oh oh, 144 00:08:53,679 --> 00:08:55,880 Speaker 2: I was seriously repressed. 145 00:08:57,400 --> 00:09:02,839 Speaker 1: I have to admit when I was watching, I was like, I. 146 00:09:02,880 --> 00:09:06,080 Speaker 2: Really forgot all of those tensions. But it does kind 147 00:09:06,080 --> 00:09:08,720 Speaker 2: of go like, there's so many things that I ignored 148 00:09:08,920 --> 00:09:13,920 Speaker 2: with some of the bigger pictures of this movie. But again, 149 00:09:14,200 --> 00:09:17,200 Speaker 2: it is a teenage coming of age story for sure, 150 00:09:18,760 --> 00:09:20,640 Speaker 2: so we're gonna get into it. Yes, so may've ben 151 00:09:20,640 --> 00:09:23,079 Speaker 2: She was definitely a part of the making of this movie. 152 00:09:23,280 --> 00:09:25,760 Speaker 2: A least she may have a whole series with these characters. 153 00:09:25,760 --> 00:09:27,920 Speaker 2: I can't remember for sure. I know she has other books, 154 00:09:27,920 --> 00:09:30,840 Speaker 2: obviously she is a very well known writer, but I 155 00:09:30,920 --> 00:09:33,840 Speaker 2: want to say she does. So to get into the plot, 156 00:09:33,920 --> 00:09:38,319 Speaker 2: we have Benedict or Benny, played by Minnie Driver, and 157 00:09:38,360 --> 00:09:42,000 Speaker 2: her orphan friend Eve, who is played by Geraldine Ora, 158 00:09:42,360 --> 00:09:45,520 Speaker 2: who grew up in the small town of Knocklin, and 159 00:09:45,559 --> 00:09:48,240 Speaker 2: as they go get older, they go off to college 160 00:09:48,280 --> 00:09:51,120 Speaker 2: in Dublin. Also should be known that they are very Catholic. 161 00:09:51,200 --> 00:09:53,199 Speaker 2: Their families are Catholic, to the point that Eve was 162 00:09:53,280 --> 00:09:56,240 Speaker 2: raised by the nuns even though she was an orphan, 163 00:09:56,320 --> 00:09:58,920 Speaker 2: but that's how she was raised, and the nuns also 164 00:09:59,200 --> 00:10:02,120 Speaker 2: keep up with her prom that was something that she 165 00:10:02,200 --> 00:10:07,000 Speaker 2: inherited from her father, all those things. So they go 166 00:10:07,080 --> 00:10:11,560 Speaker 2: to college in Dublin. There's all this like excitement happening. Eve. 167 00:10:11,600 --> 00:10:14,360 Speaker 2: It's going to have to move to Dublin and we'll 168 00:10:14,400 --> 00:10:17,400 Speaker 2: be staying at a convent there while Benny will be 169 00:10:17,440 --> 00:10:20,000 Speaker 2: remaining home, but go and taking the bus back and forth, 170 00:10:20,000 --> 00:10:22,400 Speaker 2: which is quite a big trick for her, but gotta 171 00:10:22,440 --> 00:10:24,720 Speaker 2: do what she's got to do. Had to compromise to 172 00:10:24,720 --> 00:10:28,480 Speaker 2: be able to go to the big city to school. There, 173 00:10:28,600 --> 00:10:31,320 Speaker 2: they meet their long lost friend Nan, who was known 174 00:10:31,360 --> 00:10:33,960 Speaker 2: for her beauty ever since she was a child they had, 175 00:10:34,080 --> 00:10:37,360 Speaker 2: but she had moved away and moved to Dublin at 176 00:10:37,360 --> 00:10:39,920 Speaker 2: a young age, so they lost touch. But they reconnect 177 00:10:40,240 --> 00:10:43,120 Speaker 2: there and then we also get to meet a group 178 00:10:43,160 --> 00:10:46,240 Speaker 2: of boys which included Jack Foley, who was played by 179 00:10:46,320 --> 00:10:50,000 Speaker 2: Chris O'donald May love interests, and we have Aiden played 180 00:10:50,040 --> 00:10:53,840 Speaker 2: by Aidan Gillian, the villain of Game of Thrones little Finger. 181 00:10:54,880 --> 00:10:57,520 Speaker 1: Oh oh I know, yeah. 182 00:10:57,160 --> 00:10:59,640 Speaker 2: Those familiar faces and I'm like, oh my gosh, oh 183 00:10:59,640 --> 00:11:04,560 Speaker 2: my god. We also have the introduction of Sean, who 184 00:11:04,600 --> 00:11:07,240 Speaker 2: is played by Alan Cumming, who I actually adore now, 185 00:11:07,679 --> 00:11:10,400 Speaker 2: but this character made me so creeped out by him. 186 00:11:10,840 --> 00:11:13,040 Speaker 2: He did such a good job with this role, but 187 00:11:13,160 --> 00:11:14,480 Speaker 2: I despised him. 188 00:11:15,080 --> 00:11:17,040 Speaker 1: It was strange for me because I've never seen this. 189 00:11:17,080 --> 00:11:20,560 Speaker 1: I've only seen like his newer stuff, right, and I 190 00:11:20,600 --> 00:11:25,000 Speaker 1: was like, whoa. 191 00:11:25,280 --> 00:11:29,520 Speaker 2: Character so well? Too well? And then we also have 192 00:11:30,120 --> 00:11:33,120 Speaker 2: we're gonna see Colin Firth also, this is also one 193 00:11:33,120 --> 00:11:35,000 Speaker 2: of the movies that made me creeped out by him. 194 00:11:35,160 --> 00:11:37,080 Speaker 2: It took until Pride and Prejudice for me to really 195 00:11:37,120 --> 00:11:42,080 Speaker 2: appreciate who Colin Firth was as an Englishman. I put 196 00:11:42,080 --> 00:11:46,160 Speaker 2: that there. But in this role who he plays Simon Westwood, 197 00:11:46,160 --> 00:11:49,599 Speaker 2: who is an Englishman who comes ann is one of 198 00:11:49,640 --> 00:11:53,000 Speaker 2: the rich folk of Knocklin and obviously has a reputation 199 00:11:54,200 --> 00:11:59,320 Speaker 2: there really creepy role though. Really despised this role. 200 00:12:00,240 --> 00:12:02,319 Speaker 1: Yeah, now you're breaking it down, there's not a lot 201 00:12:02,320 --> 00:12:05,520 Speaker 1: of good guys in this. 202 00:12:04,960 --> 00:12:08,959 Speaker 2: Even the good guys aren't good guys. Yeah, even the 203 00:12:09,000 --> 00:12:11,199 Speaker 2: good guys aren't good guys. But that's kind of that 204 00:12:11,360 --> 00:12:16,920 Speaker 2: level of like all men or horny yeah in conversation. 205 00:12:17,600 --> 00:12:21,240 Speaker 2: But anyway, So we have been introduced to the majority 206 00:12:21,280 --> 00:12:25,480 Speaker 2: of characters here, and here we are learning that they 207 00:12:25,520 --> 00:12:27,920 Speaker 2: all take class together. Nan introduces the boys to the 208 00:12:28,120 --> 00:12:30,640 Speaker 2: to the young ladies. They become kind of a group. 209 00:12:30,800 --> 00:12:34,920 Speaker 2: We have a rugby scene. That rugby scene was nice, 210 00:12:34,960 --> 00:12:38,560 Speaker 2: It's not gonna lie, where we see a Jack flirting 211 00:12:38,640 --> 00:12:42,520 Speaker 2: with Benny and Bennie having a moment of like, yes, 212 00:12:43,200 --> 00:12:46,480 Speaker 2: this is the man. At the same time, we come 213 00:12:46,520 --> 00:12:50,480 Speaker 2: back knowing that Bennie is expected to possibly marry Sean 214 00:12:50,800 --> 00:12:53,400 Speaker 2: to help with the business, who he has been brown 215 00:12:53,440 --> 00:12:56,040 Speaker 2: nosing her parents the entire time to help with the 216 00:12:56,080 --> 00:12:58,080 Speaker 2: business as well. So he has a whole plan and 217 00:12:58,240 --> 00:13:03,640 Speaker 2: that includes marrying Benny. He obviously is attracted to her, 218 00:13:04,240 --> 00:13:08,360 Speaker 2: but in a creepy way, very creepy insert weird movie 219 00:13:08,360 --> 00:13:11,240 Speaker 2: scene here, and she tells them I'm not interested and 220 00:13:11,320 --> 00:13:13,480 Speaker 2: that she doesn't she doesn't want anything to do with him. 221 00:13:13,520 --> 00:13:16,000 Speaker 2: But he's like, oh, this is for your family. Type 222 00:13:16,000 --> 00:13:20,160 Speaker 2: of conversation. We move on, we have gatherings. It's fun. 223 00:13:20,200 --> 00:13:22,400 Speaker 2: We get to see them all go out together. And 224 00:13:22,440 --> 00:13:27,240 Speaker 2: here we have Jack Letting inviting Benny after they kind 225 00:13:27,240 --> 00:13:29,920 Speaker 2: of run into each other at Knocklinn when he is 226 00:13:29,960 --> 00:13:33,640 Speaker 2: helping his dad visit an old friend and they get 227 00:13:33,800 --> 00:13:36,839 Speaker 2: to Benny and Jack get a little closer and he 228 00:13:36,880 --> 00:13:39,280 Speaker 2: talks about how he's so easy talking to her, all 229 00:13:39,320 --> 00:13:41,959 Speaker 2: the nice things, and he's like, you know, we're gonna 230 00:13:42,080 --> 00:13:44,160 Speaker 2: do this thing. Would you like to come with us? 231 00:13:44,240 --> 00:13:47,240 Speaker 2: And she's like yes. She comes back excitedly tells Nan 232 00:13:47,679 --> 00:13:50,840 Speaker 2: and Eve and then Nan being Nan, so it's like, yeah, 233 00:13:50,840 --> 00:13:54,559 Speaker 2: we're all going. He invited us all and she's like oh, 234 00:13:54,600 --> 00:13:56,400 Speaker 2: and then they realize I'm mistake of the black but 235 00:13:56,480 --> 00:13:59,680 Speaker 2: he invited you personally, Benny, you know type of thing. 236 00:14:00,080 --> 00:14:01,480 Speaker 2: So she's like, yeah, yeah, but what do I wear? 237 00:14:01,520 --> 00:14:03,400 Speaker 2: Oh my gosh, I don't want to look fat? All 238 00:14:03,400 --> 00:14:06,440 Speaker 2: these things, which again is a conversation that I would 239 00:14:06,480 --> 00:14:10,160 Speaker 2: also have. And we have cut scene where they're getting 240 00:14:10,240 --> 00:14:12,520 Speaker 2: dressed and we get to see Bennie in a beautiful, 241 00:14:12,800 --> 00:14:14,720 Speaker 2: very low cut dress where she talks about they're going 242 00:14:14,720 --> 00:14:16,000 Speaker 2: to slip out and they do kind of look like 243 00:14:16,000 --> 00:14:19,440 Speaker 2: they might slip out, but she does also say that 244 00:14:19,800 --> 00:14:23,040 Speaker 2: she does feel pretty and she looks good, and I'm like, oh, 245 00:14:23,160 --> 00:14:25,520 Speaker 2: I think that my minute was so sweet. We go 246 00:14:25,640 --> 00:14:28,520 Speaker 2: to them at the concert and we see that Jack 247 00:14:28,600 --> 00:14:32,560 Speaker 2: is dancing with every girl but him. At one point, Aiden, 248 00:14:32,600 --> 00:14:35,720 Speaker 2: who is a friend, dances with Bennie and tells Bennie 249 00:14:35,720 --> 00:14:37,880 Speaker 2: that he asked all the women out because he liked 250 00:14:37,880 --> 00:14:39,960 Speaker 2: all of them and he didn't know who was his favorite, 251 00:14:40,360 --> 00:14:43,760 Speaker 2: which is rude. By the way, rude. Aiden says that 252 00:14:43,880 --> 00:14:46,760 Speaker 2: he likes Eve and she's like. Bennie's like, well, why 253 00:14:46,760 --> 00:14:48,720 Speaker 2: are you dancing with me if you obviously want to 254 00:14:48,800 --> 00:14:50,760 Speaker 2: dance with Eve? And by the way, they look like 255 00:14:50,760 --> 00:14:53,640 Speaker 2: they're struggling dancing seems like a struggle for the two 256 00:14:53,680 --> 00:14:59,160 Speaker 2: of them, and as we go on, Eve does dance 257 00:14:59,200 --> 00:15:02,040 Speaker 2: with Aiden. They are obvious they are getting closer. Bennie 258 00:15:02,040 --> 00:15:04,640 Speaker 2: has had enough. She's kind of feeling embarrassed and sad, 259 00:15:04,680 --> 00:15:08,080 Speaker 2: so she decides to go out and possibly leave. Jack 260 00:15:08,120 --> 00:15:10,040 Speaker 2: stops her and he's like, you know, I always save 261 00:15:10,080 --> 00:15:12,320 Speaker 2: the best for last. Come dance with me. So we 262 00:15:12,400 --> 00:15:15,920 Speaker 2: have the beginning of their relationship. During this time, we 263 00:15:16,000 --> 00:15:19,160 Speaker 2: found out that Nana had plans in trying to get 264 00:15:19,200 --> 00:15:22,880 Speaker 2: a rich man for herself, and that includes after she 265 00:15:23,000 --> 00:15:27,080 Speaker 2: runs into they run into Simon Westward. That's her new prize, 266 00:15:27,400 --> 00:15:29,560 Speaker 2: so she is on a plan to get with him 267 00:15:29,600 --> 00:15:33,000 Speaker 2: and they start getting together. All the hormones are happening. 268 00:15:33,440 --> 00:15:37,720 Speaker 2: During class, they're talking about the sex lives of savages. 269 00:15:37,840 --> 00:15:40,120 Speaker 2: It is very racist, and I'm like, oh, but again 270 00:15:40,160 --> 00:15:43,840 Speaker 2: this is placed in the nineteen forties. Moving on, and 271 00:15:43,960 --> 00:15:45,720 Speaker 2: during the time, of course, we have a lot of 272 00:15:45,760 --> 00:15:50,040 Speaker 2: like intermingling of conversations about sex and young kids and 273 00:15:50,080 --> 00:15:53,960 Speaker 2: Catholicism and what that looks like. We have the fact 274 00:15:54,000 --> 00:15:58,960 Speaker 2: that there is condoms that they could buy from the French, 275 00:15:59,320 --> 00:16:02,520 Speaker 2: which they call letters or French letters, you know, because 276 00:16:02,560 --> 00:16:07,520 Speaker 2: only the French would have such things. And during this 277 00:16:07,640 --> 00:16:10,360 Speaker 2: time Jackson should not bring home some and she's like, 278 00:16:10,720 --> 00:16:13,160 Speaker 2: Manny goes, oh my goodness, oh my goodness, all these things. 279 00:16:13,360 --> 00:16:15,280 Speaker 2: We also have a really funny then, which I think 280 00:16:15,360 --> 00:16:19,280 Speaker 2: is so iconic of Eve. Eve is obviously portrayed as 281 00:16:19,400 --> 00:16:22,320 Speaker 2: the proud of the of the and the most strict 282 00:16:22,680 --> 00:16:27,000 Speaker 2: of the three, in which there's a scene between Aiden 283 00:16:27,520 --> 00:16:29,680 Speaker 2: and Eve in the cottage just they're fixing it up. 284 00:16:32,440 --> 00:16:36,840 Speaker 2: They play suggess or checkers. They're playing a game they mega, 285 00:16:36,880 --> 00:16:40,280 Speaker 2: but she loses and he's like, you have to hold it, 286 00:16:41,080 --> 00:16:43,200 Speaker 2: and her response says, Okay, I'll hold it, but I'm 287 00:16:43,240 --> 00:16:47,280 Speaker 2: not gonna wiggle it about or check it about. I 288 00:16:47,280 --> 00:16:49,840 Speaker 2: think that's one of the best funniest lines I've ever 289 00:16:49,880 --> 00:16:52,080 Speaker 2: heard in my life, and they do it so seriously. 290 00:16:53,080 --> 00:16:56,880 Speaker 2: But during this entire time, of course, we have a 291 00:16:56,920 --> 00:17:03,040 Speaker 2: moment in which Ben confronts her dad about him wanting 292 00:17:03,080 --> 00:17:07,360 Speaker 2: her to marry Sean. How she wants to stay in Dublin, 293 00:17:07,680 --> 00:17:10,600 Speaker 2: live in Dublin and live her life, and it's obviously 294 00:17:10,600 --> 00:17:12,239 Speaker 2: they don't want her there. They want her to keep 295 00:17:12,240 --> 00:17:16,439 Speaker 2: her safe, wholesome and follow the plan. And during this 296 00:17:16,600 --> 00:17:20,000 Speaker 2: argument it gets a little heated. The next morning we 297 00:17:20,080 --> 00:17:23,359 Speaker 2: see that her father passes away and we have a 298 00:17:23,400 --> 00:17:26,880 Speaker 2: moment where she's kind of like lost and sad having 299 00:17:26,880 --> 00:17:29,320 Speaker 2: to stay at home. She can't be at the school 300 00:17:29,600 --> 00:17:32,720 Speaker 2: just to run the business, help her mom get everything straight. 301 00:17:32,960 --> 00:17:35,280 Speaker 2: Sean is right there, and she really is very suspicious 302 00:17:35,320 --> 00:17:38,800 Speaker 2: of Sean him and his double entry system, which kid's 303 00:17:39,000 --> 00:17:41,520 Speaker 2: very confusing for everyone because they keep losing money, and 304 00:17:41,520 --> 00:17:43,959 Speaker 2: they don't understand why they're losing money when their business 305 00:17:44,040 --> 00:17:46,959 Speaker 2: is good. All the while the kids at school are 306 00:17:46,960 --> 00:17:50,439 Speaker 2: still doing their thing without her. At one point, we 307 00:17:50,520 --> 00:17:54,440 Speaker 2: do find that Nan is pregnant with Simon Westborth's baby, 308 00:17:54,720 --> 00:17:57,119 Speaker 2: and after Simon Westword is like, I can't marry you. 309 00:17:57,160 --> 00:17:59,320 Speaker 2: I have to marry someone rich. I'm sorry, you're a 310 00:17:59,359 --> 00:18:01,399 Speaker 2: cool girl. No, you need to go have an abortion, 311 00:18:01,760 --> 00:18:04,280 Speaker 2: and she's like, I'm Catholic, I can't do that. She 312 00:18:04,320 --> 00:18:07,680 Speaker 2: comes up with another plan and decides that she needs 313 00:18:07,720 --> 00:18:09,239 Speaker 2: to find someone who could take care of her, and 314 00:18:09,280 --> 00:18:14,200 Speaker 2: she chooses Jack, seduces him, and then tells him she's pregnant. 315 00:18:14,400 --> 00:18:17,560 Speaker 2: It's very sad as things are starting to get better 316 00:18:17,640 --> 00:18:20,160 Speaker 2: for Benny, including the fact that she's discovered that yes, 317 00:18:20,480 --> 00:18:24,840 Speaker 2: Sean is taking over their money, taking their money. Oh 318 00:18:24,840 --> 00:18:27,960 Speaker 2: my goodness, all these things and their businesses is back right. 319 00:18:28,000 --> 00:18:30,120 Speaker 2: She's like, I'm going back to school. Everything is good, 320 00:18:30,160 --> 00:18:33,040 Speaker 2: my mom is doing great, blah blah blah. I can't 321 00:18:33,040 --> 00:18:34,320 Speaker 2: wait to see you, and he's like, I have something 322 00:18:34,359 --> 00:18:36,440 Speaker 2: to tell you. They meet up and he tells her 323 00:18:36,440 --> 00:18:40,000 Speaker 2: she's pregnant. Heartbreak, all these bad things are happening all 324 00:18:40,080 --> 00:18:43,120 Speaker 2: the while. Eve is also getting reports from people that 325 00:18:44,000 --> 00:18:46,679 Speaker 2: things are happening at her cottage, like people are showing up. 326 00:18:46,840 --> 00:18:49,240 Speaker 2: She finds a newspaper that is fairly new, so she 327 00:18:49,320 --> 00:18:52,159 Speaker 2: knows someone's using their cottage. Who is this? And they're like, 328 00:18:52,200 --> 00:18:55,080 Speaker 2: maybe it's a ghost. All these things as we come 329 00:18:55,119 --> 00:18:59,359 Speaker 2: about Eve, who is an ever loyal friend, like I 330 00:18:59,359 --> 00:19:02,160 Speaker 2: got Benny's back. If I ever see Nan or Jack, 331 00:19:02,280 --> 00:19:06,760 Speaker 2: I'm gonna give him a wappin my words. Later we 332 00:19:06,800 --> 00:19:09,040 Speaker 2: see a little party that she throws at the cottage 333 00:19:09,040 --> 00:19:12,520 Speaker 2: where Ben Benny is sitting alone. Jack and Nan pop 334 00:19:12,600 --> 00:19:15,720 Speaker 2: up because Nan is really delusional thinking everybody will accept them, 335 00:19:15,720 --> 00:19:18,800 Speaker 2: everything's going to be just fine, And when she walks in, 336 00:19:19,440 --> 00:19:21,840 Speaker 2: of course, Jack makes a bee line to Benny to 337 00:19:21,880 --> 00:19:24,680 Speaker 2: talk to her, while Nan goes to talk to Eve. 338 00:19:24,960 --> 00:19:27,119 Speaker 2: As they're sitting there talking and Eve is very angry, 339 00:19:27,200 --> 00:19:30,800 Speaker 2: chopping bread, slicing bread, she figures out that Nana has 340 00:19:30,800 --> 00:19:33,280 Speaker 2: been lying the entire time that yes, this is what 341 00:19:33,800 --> 00:19:37,359 Speaker 2: Simon's baby. She did this against you to her own friend, 342 00:19:38,400 --> 00:19:40,760 Speaker 2: how could you? At this point, we find out that 343 00:19:40,800 --> 00:19:44,119 Speaker 2: she is trying to run away accidentally cuts her arm 344 00:19:44,119 --> 00:19:45,840 Speaker 2: on a window, which, by the way, is very dramatic, 345 00:19:46,000 --> 00:19:49,040 Speaker 2: very very dramatic. All the while, Jack comes into the 346 00:19:49,119 --> 00:19:53,560 Speaker 2: rescue BT dubs. He's been going to medical school because 347 00:19:53,600 --> 00:19:55,439 Speaker 2: his dad really wanted to be doctor, but he's been 348 00:19:55,480 --> 00:19:59,040 Speaker 2: scared because he's very squimish around blood and anything gross. Here, 349 00:19:59,160 --> 00:20:01,920 Speaker 2: he like sucks it all up and tries to help 350 00:20:02,000 --> 00:20:07,160 Speaker 2: his girlfriend at the time, it's Beyonce. All the while. 351 00:20:07,400 --> 00:20:09,960 Speaker 2: We come back later and find out yes, Nancy. Finally, 352 00:20:10,280 --> 00:20:13,159 Speaker 2: Nan finally admits that it is Simon's baby, decides to 353 00:20:13,240 --> 00:20:16,280 Speaker 2: leave on a train. No one tells her by except 354 00:20:16,320 --> 00:20:19,920 Speaker 2: for good old Jack. Jack comes back to Bennie trying 355 00:20:19,960 --> 00:20:23,520 Speaker 2: to make things right, and you know, Bennie's like, it's 356 00:20:23,520 --> 00:20:26,119 Speaker 2: going to take time. I've changed, you've changed. We have 357 00:20:26,160 --> 00:20:28,119 Speaker 2: to get to know each other again type of conversation, 358 00:20:28,840 --> 00:20:33,080 Speaker 2: and as they progress, the movie ends with them having sex. 359 00:20:33,320 --> 00:20:36,000 Speaker 2: I guess in the cottage because she's like, forgive me father, 360 00:20:36,080 --> 00:20:40,199 Speaker 2: because I have sinned. Dumb dum dum. 361 00:20:41,040 --> 00:20:41,320 Speaker 1: Yep. 362 00:20:41,840 --> 00:20:44,960 Speaker 2: So in the book they are actually all She does 363 00:20:45,000 --> 00:20:46,920 Speaker 2: not get back together with Jack, like I think he's 364 00:20:46,920 --> 00:20:49,840 Speaker 2: imploring her to get back together, but we see them 365 00:20:49,880 --> 00:20:52,600 Speaker 2: out a beach. I think if I remember correctly, And 366 00:20:52,680 --> 00:20:56,400 Speaker 2: she's already being courted by another dude, and like Jack 367 00:20:56,480 --> 00:20:59,280 Speaker 2: is watching her from a different angle, like watching her 368 00:20:59,359 --> 00:21:01,080 Speaker 2: talking to this and she just smiles and nauds of 369 00:21:01,119 --> 00:21:03,720 Speaker 2: them as is to forgive him, but it's not back 370 00:21:03,760 --> 00:21:06,480 Speaker 2: with him. I like that ending better to be honest. 371 00:21:08,040 --> 00:21:10,960 Speaker 2: As much as I love cryst o'donn he did not 372 00:21:11,040 --> 00:21:11,440 Speaker 2: do right. 373 00:21:12,840 --> 00:21:17,560 Speaker 1: Yeah. Yeah, it's tough stories like that where you kind 374 00:21:17,560 --> 00:21:19,399 Speaker 1: of there's a part of you that wants to like 375 00:21:20,920 --> 00:21:22,879 Speaker 1: but these are the characters and I wanted them to 376 00:21:22,960 --> 00:21:25,040 Speaker 1: get together. But then there's the other part of you 377 00:21:25,119 --> 00:21:26,120 Speaker 1: that's like, but. 378 00:21:26,720 --> 00:21:27,840 Speaker 2: Girls stand up for yourself. 379 00:21:27,920 --> 00:21:31,040 Speaker 1: You know, you haven't met There's a lot of people 380 00:21:31,080 --> 00:21:31,440 Speaker 1: out there. 381 00:21:31,520 --> 00:21:46,000 Speaker 2: There's so many people. So what were your thoughts about 382 00:21:46,040 --> 00:21:46,399 Speaker 2: the movie. 383 00:21:48,000 --> 00:21:50,680 Speaker 1: I enjoyed it. I'm glad I didn't watch that other 384 00:21:50,720 --> 00:21:51,119 Speaker 1: movie on it. 385 00:21:55,680 --> 00:21:56,240 Speaker 2: It was. 386 00:21:58,720 --> 00:22:02,520 Speaker 1: A bit hornier than I was expecting. I will say, I. 387 00:22:02,520 --> 00:22:05,440 Speaker 2: Really didn't forget all of that's not gonna lie. 388 00:22:05,480 --> 00:22:08,920 Speaker 1: And I did. I did appreciate, like, like the scene 389 00:22:08,920 --> 00:22:11,399 Speaker 1: you were talking about when they were getting dressed. I 390 00:22:11,440 --> 00:22:14,000 Speaker 1: thought they had a lot of moments that were very 391 00:22:15,440 --> 00:22:19,040 Speaker 1: true to being a teenage girl of like, you know, 392 00:22:19,200 --> 00:22:22,280 Speaker 1: we do worry about our boobs popping out of our 393 00:22:22,359 --> 00:22:26,720 Speaker 1: dress sometimes, Like we do worry about those things, and 394 00:22:26,760 --> 00:22:31,920 Speaker 1: you don't always see that reflected in the media. And 395 00:22:31,960 --> 00:22:34,240 Speaker 1: so I really liked that. I liked the irishness of 396 00:22:34,280 --> 00:22:37,359 Speaker 1: it all. I thought that was great. I was. I 397 00:22:37,400 --> 00:22:39,960 Speaker 1: was pretty shocked. Maybe I shouldn't have been. I was 398 00:22:40,000 --> 00:22:44,920 Speaker 1: pretty shocked at the whole man betrayal thing. I was like, Oh, 399 00:22:45,000 --> 00:22:46,640 Speaker 1: because it's called circle of Friends. So I was sort 400 00:22:46,680 --> 00:22:52,159 Speaker 1: of like, oh, yeah, okay. 401 00:22:52,840 --> 00:22:54,800 Speaker 2: I think what we're supposed to imply with this, and 402 00:22:54,840 --> 00:22:57,080 Speaker 2: we're going to get into it a minute. Like she has, 403 00:22:57,160 --> 00:23:00,399 Speaker 2: so there's so much expectations by her family to make 404 00:23:00,440 --> 00:23:03,040 Speaker 2: sure that they were taken care of, and she also 405 00:23:03,119 --> 00:23:04,800 Speaker 2: didn't want to be like her mother, so there was 406 00:23:04,840 --> 00:23:07,360 Speaker 2: just like disdain between her and her mother. Her mother 407 00:23:07,520 --> 00:23:10,439 Speaker 2: was so proud of her for getting into college and 408 00:23:10,480 --> 00:23:13,119 Speaker 2: making more of herself than being in a relationship like 409 00:23:13,160 --> 00:23:16,800 Speaker 2: her father, who was obviously abusive and very mean to 410 00:23:17,040 --> 00:23:20,520 Speaker 2: the entire family her but nan and then this level 411 00:23:20,560 --> 00:23:23,200 Speaker 2: of like trying to get out of that world. And 412 00:23:23,400 --> 00:23:26,040 Speaker 2: because she has in this conversation about like I'm not 413 00:23:26,280 --> 00:23:29,080 Speaker 2: like them, I'm like you to Simon Westward, who had 414 00:23:29,119 --> 00:23:33,520 Speaker 2: to prove that she is more royalty than not because 415 00:23:33,520 --> 00:23:36,520 Speaker 2: he is obviously of a very established family that has 416 00:23:37,040 --> 00:23:39,640 Speaker 2: ideals when it comes to wealth, even though they've lost 417 00:23:39,680 --> 00:23:46,960 Speaker 2: the entire wealth. Yeah, interestingly, so you have this level 418 00:23:47,000 --> 00:23:50,600 Speaker 2: of I don't think they portrayed that enough in the movie, 419 00:23:50,600 --> 00:23:54,280 Speaker 2: because you don't. I don't have somebathy for Nan as 420 00:23:54,359 --> 00:23:54,560 Speaker 2: much a. 421 00:23:54,640 --> 00:23:59,760 Speaker 1: Yeah want too well, And I feel like, also watching 422 00:23:59,840 --> 00:24:04,320 Speaker 1: this from a modern perspective, it was kind of easy 423 00:24:04,320 --> 00:24:08,359 Speaker 1: to forget this was the forties, right, So yeah, that 424 00:24:08,440 --> 00:24:12,639 Speaker 1: makes total sense, Like, yeah, of course things were different, 425 00:24:12,680 --> 00:24:14,639 Speaker 1: and I understood, you know, when she found out she 426 00:24:14,680 --> 00:24:18,920 Speaker 1: was pregnant and then he was like Simon was like, nope, 427 00:24:20,720 --> 00:24:23,879 Speaker 1: get out here with that, no, thank you. You know, 428 00:24:24,000 --> 00:24:26,320 Speaker 1: that's a that's a rough situation to be in. But 429 00:24:26,560 --> 00:24:29,840 Speaker 1: I do think it was, Yeah, like it was easy 430 00:24:29,880 --> 00:24:33,800 Speaker 1: to forget the time period, and it was also kind 431 00:24:33,800 --> 00:24:37,840 Speaker 1: of easy to forget because you're focused on Bennie, so 432 00:24:37,880 --> 00:24:40,960 Speaker 1: you're like, right, what are you doing right over here? 433 00:24:41,320 --> 00:24:41,639 Speaker 2: Right? 434 00:24:41,960 --> 00:24:45,520 Speaker 1: Ruining this for everybody? 435 00:24:47,960 --> 00:24:52,480 Speaker 2: Okay, So there's some obvious themes, friendship being a big 436 00:24:52,520 --> 00:24:56,960 Speaker 2: theme between Eve. Honestly, the friendship between Eve and and 437 00:24:57,480 --> 00:25:02,200 Speaker 2: Benny is kind of that big one because the beginning, 438 00:25:02,200 --> 00:25:06,119 Speaker 2: if I remember correctly, of the book, people were iffy 439 00:25:06,200 --> 00:25:09,480 Speaker 2: of Eve because she was an orphan, you know, and 440 00:25:09,560 --> 00:25:11,760 Speaker 2: she was raised by nuns, and so it's like, who 441 00:25:11,800 --> 00:25:14,479 Speaker 2: is a strange girl. But then Bennie realized how amazing 442 00:25:14,480 --> 00:25:16,280 Speaker 2: she was and she's like, oh, she's my best friend now, 443 00:25:16,320 --> 00:25:18,000 Speaker 2: like she's got my back, I got her back type 444 00:25:18,000 --> 00:25:20,600 Speaker 2: of conversation, and we do see that, we see that 445 00:25:20,680 --> 00:25:23,240 Speaker 2: when it comes to this level and the loyalty that 446 00:25:23,280 --> 00:25:26,080 Speaker 2: Eve has, she's very right or wrong though let's I mean, 447 00:25:26,119 --> 00:25:30,000 Speaker 2: let's be really honest, and so it's very clear her lines. 448 00:25:30,480 --> 00:25:32,960 Speaker 2: So it's interesting to see. But you also like have 449 00:25:33,160 --> 00:25:36,199 Speaker 2: that meshing of the two groups. We don't see a 450 00:25:36,200 --> 00:25:39,040 Speaker 2: lot of that in the movie because we see the 451 00:25:39,280 --> 00:25:43,360 Speaker 2: you know, Jack and Benny, Aiden and Eve, but like 452 00:25:43,520 --> 00:25:45,720 Speaker 2: if I remember correctly, they do kind of all come 453 00:25:45,760 --> 00:25:48,479 Speaker 2: together as a group, and you see the other boys 454 00:25:48,840 --> 00:25:52,119 Speaker 2: in this conversation as well, and they're a giant group 455 00:25:52,240 --> 00:25:56,679 Speaker 2: coming together, being a big French friendship circle. And so 456 00:25:56,800 --> 00:26:00,439 Speaker 2: the cottage like moments are really important because they are together. 457 00:26:01,280 --> 00:26:05,240 Speaker 2: Also they do some naughty things but the hanging out, 458 00:26:05,359 --> 00:26:05,840 Speaker 2: the dancing. 459 00:26:06,040 --> 00:26:08,439 Speaker 1: Final thought when I at the end, I was like, 460 00:26:09,119 --> 00:26:13,360 Speaker 1: so Heve's cottage, just as the hookups, this was where 461 00:26:13,720 --> 00:26:18,399 Speaker 1: they inside and she's she's not into it at least 462 00:26:18,480 --> 00:26:24,480 Speaker 1: not yet. Wow, multiple instances. 463 00:26:24,800 --> 00:26:27,240 Speaker 2: Okay, this is what happens, I guess when you give 464 00:26:27,440 --> 00:26:31,239 Speaker 2: a young, young, young pelitic house. But yeah, like it 465 00:26:31,320 --> 00:26:34,359 Speaker 2: is really good to see. Even like with Benny and 466 00:26:34,600 --> 00:26:37,960 Speaker 2: Jack's relationship beginning, it is a good friendship. Like they 467 00:26:38,000 --> 00:26:40,840 Speaker 2: talk about how they get to know each other and 468 00:26:40,840 --> 00:26:45,040 Speaker 2: talk to each other and really like ease each other's anxieties. 469 00:26:45,400 --> 00:26:48,200 Speaker 2: You know, immediately Jack is talking about not wanting to 470 00:26:48,240 --> 00:26:50,879 Speaker 2: be a doctor, he wants to be something else, anything else, 471 00:26:51,600 --> 00:26:54,920 Speaker 2: but feeling pressure to do so, and Bennie being there 472 00:26:54,960 --> 00:26:58,960 Speaker 2: to like comfort him. They're even conversation about wanting to 473 00:26:59,000 --> 00:27:01,919 Speaker 2: have sex or having it is probably the most like 474 00:27:02,560 --> 00:27:06,160 Speaker 2: genuine conversation between the opposite sex. I'm trying to figure 475 00:27:06,359 --> 00:27:09,679 Speaker 2: like feel each other out, like where do you have you? 476 00:27:11,240 --> 00:27:12,360 Speaker 2: How do you feel about this? 477 00:27:14,280 --> 00:27:17,400 Speaker 1: Yeah, And those are very relatable conversations in terms of 478 00:27:17,520 --> 00:27:19,640 Speaker 1: when you are at that age when you're go into 479 00:27:19,640 --> 00:27:25,560 Speaker 1: college and it's you know, you can become a new 480 00:27:25,640 --> 00:27:29,160 Speaker 1: person or find yourself, as they say, and you're asking 481 00:27:29,200 --> 00:27:31,600 Speaker 1: yourself these questions, and especially in the place that is 482 00:27:31,720 --> 00:27:36,359 Speaker 1: very Catholic, if you've been raised that way, that's kind 483 00:27:36,400 --> 00:27:40,840 Speaker 1: of tricky. That's you know, you've perhaps got something going 484 00:27:40,880 --> 00:27:45,000 Speaker 1: on in your body versus what your religion and society 485 00:27:45,119 --> 00:27:47,800 Speaker 1: is telling you. And to have that conversation with somebody 486 00:27:48,680 --> 00:27:52,800 Speaker 1: it is very awkward and it's very vulnerable conversation to 487 00:27:52,920 --> 00:27:56,639 Speaker 1: have of you know, yeah, I do want this, but 488 00:27:56,680 --> 00:27:58,360 Speaker 1: I'm not I don't want this. 489 00:28:00,680 --> 00:28:02,920 Speaker 2: I think one of the best conversations is the one 490 00:28:02,960 --> 00:28:05,880 Speaker 2: between Eve and Benny about whether or not they want 491 00:28:05,880 --> 00:28:10,720 Speaker 2: to have sex. No, like you think about what m M. 492 00:28:12,240 --> 00:28:16,000 Speaker 2: Some of the descriptives they have is fantastic. Like I'm like, yeah, 493 00:28:16,000 --> 00:28:19,880 Speaker 2: that sounds that sounds about right. But with that, I'm 494 00:28:19,880 --> 00:28:23,240 Speaker 2: gonna go into my teenage angst as a theme because 495 00:28:23,440 --> 00:28:28,359 Speaker 2: obviously sex versus religion is pretty played in this one, 496 00:28:28,440 --> 00:28:32,040 Speaker 2: and I think like as ourselves like Southern Christian people. 497 00:28:32,160 --> 00:28:35,160 Speaker 2: For me, that was a big like back and forth 498 00:28:35,200 --> 00:28:39,560 Speaker 2: that that dynamic really had a hold on me as 499 00:28:39,560 --> 00:28:41,960 Speaker 2: a teenager well as well. So the film was like 500 00:28:42,000 --> 00:28:44,160 Speaker 2: both of those things. This is both my naughty and 501 00:28:44,200 --> 00:28:49,840 Speaker 2: my guilt. Yeah, obviously in this level though I've never 502 00:28:49,880 --> 00:28:54,320 Speaker 2: been Catholic, but it's pretty heavily laid on for Southern 503 00:28:54,640 --> 00:28:59,480 Speaker 2: like conservative Christians as well in this level. But it 504 00:28:59,520 --> 00:29:07,480 Speaker 2: is really funny how this like nineteen fifties, sixties setting 505 00:29:08,600 --> 00:29:14,880 Speaker 2: was still understandable for a nineteen ninety fiveteen, like two 506 00:29:14,920 --> 00:29:18,960 Speaker 2: thousand viewing. For me that I'm like, yeah, there's this 507 00:29:19,040 --> 00:29:21,760 Speaker 2: back and forth, like but who do I would? I? 508 00:29:21,960 --> 00:29:24,200 Speaker 2: Oh my gosh, what is this about? 509 00:29:25,760 --> 00:29:30,520 Speaker 1: Oh yeah, no, I mean see our good misnos was 510 00:29:30,560 --> 00:29:34,880 Speaker 1: it fourteen part religious trauma series? It is still very relevant. 511 00:29:34,920 --> 00:29:38,760 Speaker 1: It is still a conversation that happens today, and it's 512 00:29:38,960 --> 00:29:43,880 Speaker 1: very convoluted and complicated, and when you're young, you kind 513 00:29:43,920 --> 00:29:48,840 Speaker 1: of have those warring things of wanting to fit in 514 00:29:49,520 --> 00:29:54,160 Speaker 1: with your classmates or peers who are very interested in 515 00:29:54,200 --> 00:29:59,760 Speaker 1: sex maybe, and then how you were raised religiously, that 516 00:29:59,840 --> 00:30:03,240 Speaker 1: my be telling you that makes you wrong or like 517 00:30:03,600 --> 00:30:08,400 Speaker 1: morally bad, or you'll go to hell or just even 518 00:30:08,600 --> 00:30:13,400 Speaker 1: you know, fears of pregnancy or what have you. But 519 00:30:14,440 --> 00:30:19,360 Speaker 1: having those sort of warring sides, I think I think 520 00:30:19,360 --> 00:30:21,640 Speaker 1: it's still very relevant. And I was I I was 521 00:30:21,640 --> 00:30:26,040 Speaker 1: even thinking about it in terms of like the queer community, 522 00:30:26,320 --> 00:30:29,440 Speaker 1: it can be a big if you have any kind 523 00:30:29,440 --> 00:30:35,480 Speaker 1: of internalized homophobia or something, that sexual aspect of relationship 524 00:30:35,520 --> 00:30:42,880 Speaker 1: can be extremely difficult. So no, it's it's I grew 525 00:30:42,960 --> 00:30:46,600 Speaker 1: up with it too. It was just a you know, 526 00:30:48,080 --> 00:30:51,160 Speaker 1: it's wrong. But then at school everybody's telling me I'm 527 00:30:51,200 --> 00:30:52,959 Speaker 1: strange of thinking it's wrong. 528 00:30:54,320 --> 00:30:59,200 Speaker 2: It's complicated, it is, And then I guess the teenagers 529 00:30:59,200 --> 00:31:04,040 Speaker 2: are repelling against the parents. Bennie finally shouting at her 530 00:31:04,120 --> 00:31:08,080 Speaker 2: dad about things, which, by the way, that reaction was classic. 531 00:31:09,440 --> 00:31:12,200 Speaker 2: You made that article, which, by the way, that term, 532 00:31:12,760 --> 00:31:15,960 Speaker 2: I really do enjoy it as like an insult. 533 00:31:16,280 --> 00:31:19,640 Speaker 1: It's a good insult. It was a great it was 534 00:31:19,680 --> 00:31:22,120 Speaker 1: a great moment. I have to say, if I was her, 535 00:31:23,960 --> 00:31:25,560 Speaker 1: I would live with guilt that. 536 00:31:26,400 --> 00:31:29,320 Speaker 2: I know, and she did before she had to clear 537 00:31:29,400 --> 00:31:31,760 Speaker 2: up anything in the air. But she also ended up 538 00:31:31,800 --> 00:31:32,560 Speaker 2: being right. 539 00:31:33,200 --> 00:31:36,680 Speaker 1: No, no, exactly, she didn't do anything wrong. It is 540 00:31:36,760 --> 00:31:42,960 Speaker 1: not her fault. I just know, I too would be like, oh. 541 00:31:43,080 --> 00:31:44,959 Speaker 2: That was how he remembered me and he was so 542 00:31:45,040 --> 00:31:46,040 Speaker 2: upset and killed him. 543 00:31:46,760 --> 00:31:53,520 Speaker 3: Yeah yeah, oh, And then even like her pushing back 544 00:31:53,560 --> 00:31:56,400 Speaker 3: against her mother because of Sean still like that still 545 00:31:56,480 --> 00:31:58,480 Speaker 3: was a thing back and forth, and how long she 546 00:31:58,560 --> 00:32:00,600 Speaker 3: had to be there to help her mom and to 547 00:32:00,680 --> 00:32:03,080 Speaker 3: mourn her dad before she could she could live her life. 548 00:32:03,360 --> 00:32:05,400 Speaker 2: Like there's this like balance of like trying to figure 549 00:32:05,440 --> 00:32:09,960 Speaker 2: that out. I also really appreciated Jack's father and his 550 00:32:10,880 --> 00:32:15,040 Speaker 2: observations about Benny. How he's like, you know, there's just 551 00:32:15,080 --> 00:32:20,160 Speaker 2: something about those big girls, you have to hold on 552 00:32:20,160 --> 00:32:23,400 Speaker 2: to them. I was like, Okay, okay, that's new, Okay, 553 00:32:25,680 --> 00:32:29,520 Speaker 2: interesting as a big girl, I'm like, I'm glad he 554 00:32:29,600 --> 00:32:33,560 Speaker 2: appreciates big girls. And then he's encouraging Jack to try 555 00:32:33,560 --> 00:32:34,920 Speaker 2: it instead of being a jerk. 556 00:32:35,720 --> 00:32:40,800 Speaker 1: Yeah. Yeah, it's also kind of strange thing to say, 557 00:32:40,880 --> 00:32:41,360 Speaker 1: but sure. 558 00:32:55,800 --> 00:32:59,360 Speaker 2: Yeah. Obviously weight and body image was a big thing 559 00:32:59,760 --> 00:33:02,720 Speaker 2: for especially Benny's character, Like no one else seemed to 560 00:33:02,720 --> 00:33:05,720 Speaker 2: have cared outside of Sean, who I think in the 561 00:33:05,720 --> 00:33:09,959 Speaker 2: book actually has a fetish for bigger women if I 562 00:33:10,000 --> 00:33:15,680 Speaker 2: remember correctly, or outside of herself Sean and like a 563 00:33:15,720 --> 00:33:19,040 Speaker 2: little passing comment here and there, which just doesn't feel great. 564 00:33:19,440 --> 00:33:23,200 Speaker 2: But with that, the fact that she was still the 565 00:33:23,240 --> 00:33:25,800 Speaker 2: main character and her having to deal with this and 566 00:33:25,960 --> 00:33:28,920 Speaker 2: constantly fighting it, I will say I loved love the 567 00:33:28,920 --> 00:33:31,280 Speaker 2: fact that they never gave our a quote unquote glow 568 00:33:31,360 --> 00:33:35,200 Speaker 2: up yeah, or a weight loss transition, And I think 569 00:33:35,240 --> 00:33:37,720 Speaker 2: that was so important for me for her to be 570 00:33:37,840 --> 00:33:41,400 Speaker 2: able to like see, for her to be able to 571 00:33:41,440 --> 00:33:43,520 Speaker 2: live her life that way without the need to do 572 00:33:43,560 --> 00:33:46,200 Speaker 2: all of that for sure, like we have that crash course, 573 00:33:46,280 --> 00:33:48,280 Speaker 2: like if I don't eat for a week, cannot look 574 00:33:48,400 --> 00:33:51,720 Speaker 2: like this in these conversations, and comparing yourself to the 575 00:33:51,760 --> 00:33:55,400 Speaker 2: most beautiful, which is nan Like, there's this level of 576 00:33:55,520 --> 00:33:59,280 Speaker 2: understanding and feeling seen in that. Again, I've talked about 577 00:33:59,280 --> 00:34:02,320 Speaker 2: this a lot. This was kind of that representation of 578 00:34:02,360 --> 00:34:06,400 Speaker 2: being the bigger girl and not having to change in 579 00:34:06,520 --> 00:34:08,640 Speaker 2: order to get these things. So that's definitely like that 580 00:34:08,840 --> 00:34:12,520 Speaker 2: level that I had hoped for, And it was kind 581 00:34:12,560 --> 00:34:15,239 Speaker 2: of surprising for like again in the nineties, to be 582 00:34:15,440 --> 00:34:18,880 Speaker 2: okay with it. Of course, she ended up losing. She 583 00:34:19,120 --> 00:34:20,840 Speaker 2: ended up being much smaller and had gained weight for 584 00:34:20,880 --> 00:34:23,960 Speaker 2: this role in went Okay. 585 00:34:24,239 --> 00:34:30,879 Speaker 1: I guess never fun to hear, yeah, but it did. 586 00:34:30,880 --> 00:34:33,560 Speaker 2: It really did impact me as a kid who was 587 00:34:33,719 --> 00:34:38,280 Speaker 2: growing up with so many body images issues to see 588 00:34:38,760 --> 00:34:40,839 Speaker 2: this and her being loved. 589 00:34:42,920 --> 00:34:50,040 Speaker 1: Yeah, And it was pretty refreshing too. That Jack, who 590 00:34:50,040 --> 00:34:54,080 Speaker 1: I would say is your kind of traditional standard handsome dude, 591 00:34:55,320 --> 00:34:58,719 Speaker 1: was immediately like, who's that. I want to talk to her, 592 00:35:00,280 --> 00:35:04,799 Speaker 1: and it's always seeking her out as opposed to her yeah, 593 00:35:04,920 --> 00:35:08,440 Speaker 1: having to like change her whole look or something to 594 00:35:08,440 --> 00:35:11,279 Speaker 1: get his attention. He was already like, no, I don't 595 00:35:11,280 --> 00:35:11,960 Speaker 1: want to get to know. 596 00:35:11,960 --> 00:35:14,400 Speaker 2: Her, Like we don't have the bad trope of her 597 00:35:14,440 --> 00:35:16,520 Speaker 2: being bullied and then her losing weight to come back 598 00:35:16,560 --> 00:35:19,000 Speaker 2: and get revenge. I'm like, yes, thank you, thank you 599 00:35:19,040 --> 00:35:20,959 Speaker 2: for that. Thank you that we don't have to see 600 00:35:21,040 --> 00:35:23,600 Speaker 2: that disgusting this which again the nineties kind of really 601 00:35:23,640 --> 00:35:27,600 Speaker 2: had that trip a lot giant, whether it was take 602 00:35:27,760 --> 00:35:30,400 Speaker 2: her curly hair and straighten it out, take those glasses 603 00:35:30,400 --> 00:35:32,759 Speaker 2: off and put some lipstick on her. She's beautiful now 604 00:35:32,800 --> 00:35:36,840 Speaker 2: and you're like, wait, what are you talking about? Yeah, yeah, 605 00:35:37,040 --> 00:35:40,520 Speaker 2: so to be fair again, Minnie Driver has always been beautiful, 606 00:35:40,800 --> 00:35:44,319 Speaker 2: so there's nothing about that that changes, but like it's 607 00:35:44,480 --> 00:35:49,359 Speaker 2: to be seen as a thicker girl, like oh yay, yay, 608 00:35:51,120 --> 00:35:53,400 Speaker 2: another theme. I think it's really big as again following 609 00:35:53,440 --> 00:35:55,279 Speaker 2: the dreams. Of course, some of those dreams did not 610 00:35:55,360 --> 00:35:57,480 Speaker 2: work out. When we talk about Nan really thinking that 611 00:35:57,520 --> 00:36:02,200 Speaker 2: she was going to land Simon West and have that 612 00:36:02,239 --> 00:36:04,560 Speaker 2: fairy tale life. Of course that did not happen. But 613 00:36:04,600 --> 00:36:07,359 Speaker 2: then we do get to see like Eve taking her 614 00:36:07,400 --> 00:36:11,760 Speaker 2: cottage from not being used to be able to really 615 00:36:11,920 --> 00:36:14,319 Speaker 2: fix it up, to be livable, to be you know, 616 00:36:14,520 --> 00:36:17,520 Speaker 2: used for warmth and parties, to also her being able 617 00:36:17,520 --> 00:36:20,880 Speaker 2: to go to college with the assistance of the Westwards, 618 00:36:20,880 --> 00:36:24,080 Speaker 2: and like being able to get that money to continue 619 00:36:24,080 --> 00:36:28,080 Speaker 2: her education. We see Benny not being stuck within her 620 00:36:28,160 --> 00:36:31,760 Speaker 2: family business, being able to go to college, being a writer, 621 00:36:32,000 --> 00:36:34,520 Speaker 2: as she says later on, because she goes to studies 622 00:36:35,600 --> 00:36:40,960 Speaker 2: the same sex drive. I guess even though Jack didn't 623 00:36:40,960 --> 00:36:43,279 Speaker 2: know what his dream was, being able to be a 624 00:36:43,280 --> 00:36:46,200 Speaker 2: doctor or being able to study medicine and realize that 625 00:36:46,280 --> 00:36:48,520 Speaker 2: he could do it, Like, all of those things are 626 00:36:48,560 --> 00:36:52,040 Speaker 2: really big to see. Although was there an end where 627 00:36:52,080 --> 00:36:56,000 Speaker 2: they talk about what happened as they grew up a 628 00:36:56,000 --> 00:37:01,160 Speaker 2: bigger picture? They never hear from Nan right, No, not 629 00:37:01,239 --> 00:37:06,840 Speaker 2: that I remember. She talks about being a writer. I 630 00:37:06,880 --> 00:37:07,480 Speaker 2: don't remember. 631 00:37:11,120 --> 00:37:13,560 Speaker 1: I think she went off into the dark knight and that. 632 00:37:13,640 --> 00:37:17,000 Speaker 2: Was Do you even know did Jack become a doctor? 633 00:37:19,040 --> 00:37:21,160 Speaker 2: I think he did, he does, she does say that. 634 00:37:21,760 --> 00:37:23,520 Speaker 1: I don't know if it says it, but I believe 635 00:37:23,560 --> 00:37:34,840 Speaker 1: he did according to and he's ending obviously, Yeah, okay. 636 00:37:34,920 --> 00:37:36,560 Speaker 2: I was looking to see if I could find it. 637 00:37:36,560 --> 00:37:38,400 Speaker 2: It just says that she moves in within a flat 638 00:37:38,440 --> 00:37:40,520 Speaker 2: with Eve, which it was a dream that she wanted, 639 00:37:40,920 --> 00:37:43,680 Speaker 2: and that she pursues her writing because she caused a 640 00:37:43,760 --> 00:37:47,200 Speaker 2: stir about the paper she wrote about the sexual ives 641 00:37:47,239 --> 00:37:51,399 Speaker 2: such and that said, and then she falls in love 642 00:37:51,440 --> 00:37:59,040 Speaker 2: with Jack again quote unquote boo, but okay boo. And 643 00:37:59,080 --> 00:38:02,640 Speaker 2: there's a very obvious these small underlying conversation about like 644 00:38:02,719 --> 00:38:06,240 Speaker 2: class when we talk about the wealthy English versus the Irish, 645 00:38:06,360 --> 00:38:08,960 Speaker 2: So the nineteen fifties would have been I think the 646 00:38:09,000 --> 00:38:12,160 Speaker 2: independence actually was established in nineteen forty nine, Like even 647 00:38:12,200 --> 00:38:16,120 Speaker 2: though they had won independence in the nineteen twenties, I 648 00:38:16,160 --> 00:38:20,040 Speaker 2: believe it wasn't actually established until that point. So I 649 00:38:20,120 --> 00:38:24,759 Speaker 2: don't know if that was any kind of like overtone 650 00:38:25,080 --> 00:38:30,240 Speaker 2: or commentary about the wealthy English being in that area, 651 00:38:30,280 --> 00:38:34,080 Speaker 2: specifically the Westwards, specifically the slimy character that it was 652 00:38:34,640 --> 00:38:39,319 Speaker 2: simon Westward in the book. I feel like it has 653 00:38:39,360 --> 00:38:43,000 Speaker 2: a bigger part to play, but it's hard to do 654 00:38:43,239 --> 00:38:47,279 Speaker 2: in a little romance coming of age movie, I. 655 00:38:47,200 --> 00:38:51,240 Speaker 1: Guess, yeah, But there were definitely hints at it because 656 00:38:51,440 --> 00:38:54,239 Speaker 1: I thought about that with the bus, because Benny had 657 00:38:54,280 --> 00:38:57,840 Speaker 1: to ride the bus and it was such a like 658 00:38:57,960 --> 00:39:01,840 Speaker 1: impacts on her life, her schedule and her social life, 659 00:39:02,239 --> 00:39:05,600 Speaker 1: and it was commented on several times like no, I 660 00:39:05,640 --> 00:39:08,000 Speaker 1: have to take the bus. I can't. This is the 661 00:39:08,040 --> 00:39:10,680 Speaker 1: only way I can do it. And so they were 662 00:39:10,800 --> 00:39:15,520 Speaker 1: little things like that that I think made clear, especially 663 00:39:15,560 --> 00:39:19,200 Speaker 1: with Benny and Eve, that you know, they they had 664 00:39:19,239 --> 00:39:23,880 Speaker 1: these things that made their lives a bit more difficult 665 00:39:23,960 --> 00:39:27,080 Speaker 1: because they didn't have the money that a lot of 666 00:39:27,080 --> 00:39:29,160 Speaker 1: the people they were interacting with did have. 667 00:39:32,080 --> 00:39:34,799 Speaker 2: There's a lot, but there you go. This was my 668 00:39:35,480 --> 00:39:39,920 Speaker 2: very horny teenager movie that I did not realize said 669 00:39:39,960 --> 00:39:40,640 Speaker 2: such things. 670 00:39:45,440 --> 00:39:48,600 Speaker 1: Just to be clear listeners, as men said, it is PG. Thirteen. 671 00:39:48,760 --> 00:39:52,799 Speaker 1: It's not like wild or anything, No, but it was. 672 00:39:52,920 --> 00:39:54,240 Speaker 1: I was a little taken aback. 673 00:39:54,880 --> 00:40:00,319 Speaker 2: Definitely definitely tackle. The entire theme of it is about 674 00:40:00,320 --> 00:40:04,160 Speaker 2: whether or not what happens when sex is introduced, essentially 675 00:40:04,239 --> 00:40:05,960 Speaker 2: like it is a coming of age, and so we 676 00:40:06,080 --> 00:40:10,800 Speaker 2: know that feeling like we don't see purity. So that's 677 00:40:10,840 --> 00:40:12,719 Speaker 2: like we don't see that. We don't see like them 678 00:40:12,719 --> 00:40:15,520 Speaker 2: having periods, we don't see them whatever whatnot. But we 679 00:40:15,560 --> 00:40:17,880 Speaker 2: see them having their first and having that moment of 680 00:40:17,960 --> 00:40:20,799 Speaker 2: like understanding whether or not they can go, how far 681 00:40:20,840 --> 00:40:23,160 Speaker 2: they can go, and what they can do. What is 682 00:40:23,200 --> 00:40:26,880 Speaker 2: sin Like it is on a comic level placed in 683 00:40:26,920 --> 00:40:30,080 Speaker 2: the nineteen fifties in Ireland, so like it puts at 684 00:40:30,080 --> 00:40:35,359 Speaker 2: a different level. But it is a lot of like 685 00:40:35,480 --> 00:40:37,200 Speaker 2: there's no way I would have watched that with my parents. 686 00:40:39,640 --> 00:40:40,480 Speaker 2: I know that. 687 00:40:42,080 --> 00:40:44,800 Speaker 1: I wish I had been. I had recorded my reaction 688 00:40:44,880 --> 00:40:47,800 Speaker 1: at the end when they walked into that East cottage. 689 00:40:48,000 --> 00:40:53,799 Speaker 1: I was like, ohness, this is how it is. 690 00:40:54,040 --> 00:40:56,080 Speaker 2: That's how it ends. Not in the book, but this 691 00:40:56,160 --> 00:40:59,560 Speaker 2: is how it ends here. So oh lord, you know 692 00:40:59,600 --> 00:41:03,359 Speaker 2: what I think. Again, we've talked about awakenings and what 693 00:41:03,440 --> 00:41:07,799 Speaker 2: we were like, oh this okay, this is one of those. 694 00:41:07,880 --> 00:41:10,600 Speaker 2: Later we're like, okay, I see where I was. I 695 00:41:10,680 --> 00:41:13,680 Speaker 2: see I see, you see what I needed in life 696 00:41:13,960 --> 00:41:18,239 Speaker 2: an Irish man. Apparently that in Ireland. Though. I want 697 00:41:18,239 --> 00:41:20,640 Speaker 2: to say puffins, but is it not about puffins? 698 00:41:21,880 --> 00:41:30,960 Speaker 1: No, decidedly not about puffinsuffs to be seen, no buffins 699 00:41:31,000 --> 00:41:36,520 Speaker 1: to be seen? Oh my goodness. Well, it is on 700 00:41:36,560 --> 00:41:39,640 Speaker 1: YouTube listeners. It is for free if you want to 701 00:41:39,719 --> 00:41:43,880 Speaker 1: check it out and then right back your your opinions 702 00:41:43,880 --> 00:41:47,560 Speaker 1: and reviews, or if you'd already seen it, let. 703 00:41:47,360 --> 00:41:50,719 Speaker 2: Us know what state were you in when you watched it? 704 00:41:51,400 --> 00:41:56,960 Speaker 1: Yes, was it an awakening? We must know. You can 705 00:41:57,040 --> 00:41:59,200 Speaker 1: email us at Hello at stuff one Never Told You 706 00:41:59,280 --> 00:42:00,920 Speaker 1: dot com. You can find us on Blue Sky Mom 707 00:42:00,960 --> 00:42:03,520 Speaker 1: Stuff podcast, or Inestagram and TikTok at stuff I've Never 708 00:42:03,560 --> 00:42:08,319 Speaker 1: Told You. We're also on YouTube. Also, we have some 709 00:42:08,400 --> 00:42:10,160 Speaker 1: merchandise at coomp Bureau and we have a book you 710 00:42:10,160 --> 00:42:12,720 Speaker 1: can get wherever you get your books. Thanks as always 711 00:42:12,719 --> 00:42:15,160 Speaker 1: to our super produce Christina or executive producer My Ander, 712 00:42:15,200 --> 00:42:15,879 Speaker 1: contributor Joey. 713 00:42:16,160 --> 00:42:16,480 Speaker 2: Thank you. 714 00:42:17,200 --> 00:42:19,479 Speaker 1: Thanks to you for listening Stuff Never Told Me protection 715 00:42:19,560 --> 00:42:21,239 Speaker 1: by heart Radio. For more podcasts from my heart Radio, 716 00:42:21,239 --> 00:42:23,080 Speaker 1: you can check out the heart Radio app, Apple podcast 717 00:42:23,200 --> 00:42:24,600 Speaker 1: or reb you listen to your favorite shows