WEBVTT - Listener Mail: Ephemerol

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind at a

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<v Speaker 2>listener mail. My name is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick, and it is Monday, the

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<v Speaker 3>day of each week that we read back messages from

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<v Speaker 3>the Stuff to Blow Your Mind email address. If you

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<v Speaker 3>have never gotten in touch before and would like to

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<v Speaker 3>try it out, you can reach us at contact at

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<v Speaker 3>you have feedback to recent episodes or something interesting you

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<v Speaker 3>about again, that is contact at stuff to Blow your

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<v Speaker 3>Mind dot com.

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<v Speaker 2>That's right, the absolute best way to get in touch

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<v Speaker 2>with us and or provide feedback on the show.

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<v Speaker 3>Okay, today I was thinking about doing our ordering a

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<v Speaker 3>little bit differently. Normally we talk about some responses to

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<v Speaker 3>core episodes and then we get into some weird house

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<v Speaker 3>cinema messages. We've got a lot of weird house cinema

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<v Speaker 3>messages in the backlog that we haven't been able to

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<v Speaker 3>get to in the past few weeks, so I thought

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<v Speaker 3>maybe we would just jump right into Weird House responses

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<v Speaker 3>and then see what else comes up.

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<v Speaker 2>All right, let's do it. What do we have?

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<v Speaker 3>Okay? This first message comes from Adam. Adam says, Hello,

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<v Speaker 3>Robin Joe. My name is Adam from up in Canada

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<v Speaker 3>and I've been a listener of the show since being

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<v Speaker 3>introduced to it by my girlfriend back in September of

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<v Speaker 3>twenty twenty. The installment I look forward to with the

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<v Speaker 3>most enthusiasm each week is Weird House Cinema, and I

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<v Speaker 3>was thrilled to see you were looking at another Vincent

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<v Speaker 3>Price picture. I think this must have been when we

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<v Speaker 3>did Doctor Five's rises again. Adam goes on. Recently, my

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<v Speaker 3>mother was telling me about which TV shows frightened her

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<v Speaker 3>most when she was a child, leading to my discovery

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<v Speaker 3>of a fascinating Canadian TV show that heavily features Vincent Price.

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<v Speaker 3>And the show is called The hell Hilarious House of

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<v Speaker 3>Frightenstein from nineteen seventy one. I don't believe it was

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<v Speaker 3>very popular, so I'd be surprised if you'd seen it,

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<v Speaker 3>but this odd sketch show might be worth a quick glance,

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<v Speaker 3>not for Weird House, but for the sake of interest.

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<v Speaker 3>The show centers around the titular Count Frightenstein, a green

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<v Speaker 3>skinned vampire whose quest is to electrically reanimate a stitched

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<v Speaker 3>together body. Sketches with him and his servant Igor are

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<v Speaker 3>broken up with those featuring a cast of other horrifying hosts,

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<v Speaker 3>the Wolfman, Griselda, the Witch, the Librarian, and many others.

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<v Speaker 3>This mashup of genre staples is delightfully fun, but another

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<v Speaker 3>aspect I found interesting was the production. They filmed all

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<v Speaker 3>of the shows one hundred and thirty episodes, each taking

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<v Speaker 3>a one hour TV slot, over the course of only

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<v Speaker 3>nine months. Unsurprisingly, over the course of filming this huge

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<v Speaker 3>amount of show, the main actor Billy Van estimated that

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<v Speaker 3>near the end it was only around five percent scripted,

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<v Speaker 3>and I watched a bit of the show. This does

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<v Speaker 3>seem correct based on what I saw. So Adam goes

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<v Speaker 3>on Price's floating transparent head introduces us with sinister laughter

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<v Speaker 3>to each episode. In his role as the narrator. Decked

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<v Speaker 3>out in strange costumes, he recites a short rhyming story

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<v Speaker 3>about each zany parentheses and sometimes unfortunately culturally insensitive character

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<v Speaker 3>that is about to feature in the next sketch. The

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<v Speaker 3>show's creators wanted a big horror name, so they managed

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<v Speaker 3>to get Price in and out of Toronto for his

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<v Speaker 3>scenes at least three unique scenes per episode in two

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<v Speaker 3>and a half days.

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<v Speaker 2>Oh wow, Yeah, I was thinking for a show of this,

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<v Speaker 2>the obvious limited budget and limited audience, Price was a

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<v Speaker 2>big get. I don't think he worked cheap in the

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<v Speaker 2>heyday of his career.

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<v Speaker 3>Yeah, so I guess they had to write all of

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<v Speaker 3>his stuff out in advance for wow, for all of

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<v Speaker 3>these episode, for one hundred and thirty episodes, all of

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<v Speaker 3>the Price segments, and film them all in a couple

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<v Speaker 3>of days. That's crazy.

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<v Speaker 2>Yeah, it seems like towards the end of it, you're

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<v Speaker 2>probably just telling Price, Okay, just say something, we'll make

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<v Speaker 2>an episode around it. Just whatever comes to your head.

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<v Speaker 2>We we got five minutes left. Just let it go.

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<v Speaker 3>Adam goes on for anyone interested. There are full episodes

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<v Speaker 3>on YouTube, perfect to be on in the background when

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<v Speaker 3>you need some spooky and silly vibes. Thank you both

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<v Speaker 3>for all you do. And as Price signed off every

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<v Speaker 3>episode of the show, the castle lights are growing dim.

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<v Speaker 3>There's no one left but me and him. And here

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<v Speaker 3>he apparently nods toward Bruce which is the name of

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<v Speaker 3>doctor Frettenstein's monster which is behind him, and then the

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<v Speaker 3>rhyme goes on when next we meet in franken Stone,

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<v Speaker 3>don't come alone. I don't know what franken Stone means.

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<v Speaker 2>I guess that is the castle like Castle franken Stone

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<v Speaker 2>and then frightened Stein's monster. Yeah, that's my limited interpretation here.

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<v Speaker 3>So anyway, I looked up this show and I watched

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<v Speaker 3>some parts of one of the episodes. I think it

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<v Speaker 3>was the first ever episode. Also, I pulled in some

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<v Speaker 3>screenshots for you to look at rob By the way,

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<v Speaker 3>can we get a little sample of that sweet opening music?

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<v Speaker 2>Now, I do really like that, and I didn't get

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<v Speaker 2>a chance to more than glance at this show, but

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<v Speaker 2>i'd love that theme song.

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<v Speaker 3>Yeah. So the opening shows us a couple of signs,

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<v Speaker 3>like on a fork in the road. One way points

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<v Speaker 3>to Transylvania twelve thousand kilometers and the other way points

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<v Speaker 3>to Castle Frtenstein. I guess suggesting that Castle Frightenstein is

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<v Speaker 3>far from Transylvania, and our heroes here who are from

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<v Speaker 3>Transylvania are like exiled.

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<v Speaker 2>So yeah, now I don't know what Frankenstone could possibly be.

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<v Speaker 2>Maybe Frankenstone is a state of mind.

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<v Speaker 3>Franken Stone is like a cool hookah bar that all

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<v Speaker 3>of the monsters go to. But yeah, so we pan

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<v Speaker 3>over some some grave markers and dead trees, and then

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<v Speaker 3>we get a translucent, floating Vincent price head reciting some

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<v Speaker 3>rhyming poetry about I don't know, just about things that

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<v Speaker 3>are scary are gonna happen. The font for the title

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<v Speaker 3>The Hilarious House of Frightenstein is very goose bumps in nature.

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<v Speaker 3>It's that like dripping ooze font. And then Rob I

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<v Speaker 3>pulled in some screenshots for you to look at of

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<v Speaker 3>the opening sketch, which is just sort of some banter,

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<v Speaker 3>some hilarious banter between Count Frightenstein and Igor. Here, Igor

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<v Speaker 3>is like a large bald man with very bushy eyebrows

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<v Speaker 3>and a very bushy mustache, and he's got like a

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<v Speaker 3>garden hose around his neck. I think this is part

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<v Speaker 3>of the skit where he's claiming that he was out

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<v Speaker 3>on the lawn pretending to be a sprinkler. I don't

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<v Speaker 3>fully understand that. But then in the scene, the Count

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<v Speaker 3>suddenly demands that Egor raise the flag, and behind them

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<v Speaker 3>they have a flag on a flagpole that what can

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<v Speaker 3>I see on it? It looks like I see a

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<v Speaker 3>bat and a storm cloud with lightning coming out of it,

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<v Speaker 3>and maybe a wolf's Frankenstein head too. Oh okay, okay.

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<v Speaker 3>But so they've got a flag, and so the count

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<v Speaker 3>says raise the flag, which causes Egor to lower the flag,

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<v Speaker 3>and then he tells him to sing the national anthem,

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<v Speaker 3>and Igor begins to sing a song that sounds to

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<v Speaker 3>me like it's being made up on the spot. It

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<v Speaker 3>is to the tune of the Battle Hymn of the

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<v Speaker 3>Republic or John Brown's Body, and the lyrics here are gory,

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<v Speaker 3>gory Transylvania, the werewolves and bats will always maim.

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<v Speaker 2>You Sorry, the Residence of Romania.

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<v Speaker 3>To me, it gives a strong impression of improv comedy,

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<v Speaker 3>like it has that rhythm where there sort of pauses

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<v Speaker 3>between everything where they're thinking, thinking of the next thing

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<v Speaker 3>to say, and the introductory poem read by Price obviously

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<v Speaker 3>seems scripted. I mean, he's not making that up on

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<v Speaker 3>the spot, so you know he's got these rhyming things

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<v Speaker 3>to read. But once the characters come out, it really

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<v Speaker 3>feels like they're just winging it, or maybe they've got

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<v Speaker 3>a few scripted beats here and there, but they're stringing

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<v Speaker 3>them together with improvised stuff in between. Oh but then

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<v Speaker 3>I thought there was an interesting thing. So it's got

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<v Speaker 3>these different skits and segments, And the very next segment

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<v Speaker 3>that came on on the show, they bring on Vincent

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<v Speaker 3>Price to say some more stuff, just say some rhyming

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<v Speaker 3>couplets while he's wearing a cape. And then after that

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<v Speaker 3>there's a science education segment. They go to one of

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<v Speaker 3>the characters in the castle who is he is the professor,

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<v Speaker 3>And there's like an animated segment which it shows like

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<v Speaker 3>an animated hand coming in and pressing a button on

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<v Speaker 3>a machine that says the professor. But then when he

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<v Speaker 3>comes out, he sort of dressed up as a mad scientist.

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<v Speaker 3>But this host is a real scientist and science educator

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<v Speaker 3>named Julius Sumner Miller, and he's just doing He's like,

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<v Speaker 3>I'm a mad scientist, but he's just doing a straightforward,

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<v Speaker 3>real world accurate science lesson about why and how you

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<v Speaker 3>can cause metal pipes to sing by applying thermal energy

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<v Speaker 3>to them.

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<v Speaker 2>Yeah. I was just looking this guy up. Yeah, he

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<v Speaker 2>was a physicist at one point. He had a Carnegie Grant.

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<v Speaker 2>I mean, not for this show, but for other things,

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<v Speaker 2>like in the nineteen fifties.

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<v Speaker 3>Apparently I'm wondering about the conceit though, I mean, I actually,

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<v Speaker 3>I guess it's not unique to hear. So he's playing

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<v Speaker 3>a mad scientist, but he's giving real science lessons. I

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<v Speaker 3>think there were sort of TV science show hosts like

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<v Speaker 3>was I don't know, like Beekman's World or whatever. Was

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<v Speaker 3>He supposed to be like a mad scientist in a way,

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<v Speaker 3>except he taught real science. There's a weird blurring there.

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<v Speaker 2>I think. So mister Wizard, I guess he was a wizard,

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<v Speaker 2>but you know, still there's a little crossover between wizards

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<v Speaker 2>and mad scientists. And having always been a fan of

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<v Speaker 2>mad scientists growing up and at one point wanting to

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<v Speaker 2>be a mad scientist when I was a child. That

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<v Speaker 2>was probably the earliest thing that I said I wanted

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<v Speaker 2>to be when I grew up, and I found I think,

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<v Speaker 2>a reasonable compromise on that ambition. But you know, it

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<v Speaker 2>was even though mad scientists, as we often discuss, you know,

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<v Speaker 2>a lot of it has it has its roots and

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<v Speaker 2>fear of science and scientific development. You know, to a

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<v Speaker 2>kid like it is. It is kind of a perfect

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<v Speaker 2>angle to get in on to get kids excited about science.

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<v Speaker 2>You know, it's mad scientists are scientists. They're just really

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<v Speaker 2>fun and they make monsters for crying out loud, which

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<v Speaker 2>is a good thing if you're you know, eight twelve.

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<v Speaker 3>Right at that age. I mean, the very logic of

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<v Speaker 3>the show seems to make sense, though it's also weird

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<v Speaker 3>because Count Frightenstein here is a vampire, but he's trying

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<v Speaker 3>to he is also a mad scientist because he's trying

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<v Speaker 3>to reanimate this corpse. Yeah, they're they're stitching together some roles,

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<v Speaker 3>some archetypes as well.

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<v Speaker 2>Yeah, I mean, you're a vampire, you got time to

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<v Speaker 2>apply yourself to the mad science as if you're so inclined.

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<v Speaker 3>You know, I've always thought if one were to obtain immortality,

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<v Speaker 3>it'd be great to go back and like, you know,

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<v Speaker 3>get different branches of education, you know, educate yourself and

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<v Speaker 3>several of the sciences and whatever.

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<v Speaker 2>Yeah, Satlle vampires are rarely so farward thinking. But anyway,

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<v Speaker 2>this show looks like it was a lot of fun.

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<v Speaker 2>I can see where if you were exposed with us

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<v Speaker 2>early on, it would have had an impact on you

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<v Speaker 2>I was looking into it a little bit on Wikipedia.

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<v Speaker 2>It looks like it was ONCTV in Hamilton, Ontario, so

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<v Speaker 2>that's not I wasn't exposed to this when I lived

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<v Speaker 2>in Canada because I only had CBC. But it looks

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<v Speaker 2>like I mean, I'm assuming you can get this on

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<v Speaker 2>YouTube or somewhere, but Wicki says that you can or

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<v Speaker 2>could get it on two B so it's probably out

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<v Speaker 2>there in some form or another for folks that want

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<v Speaker 2>to stream it. Can you should you watch all one

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<v Speaker 2>hundred and thirty episodes? I don't know. We leave that

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<v Speaker 2>to you.

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<v Speaker 3>Can your heart stand the shocking facts of Frtenstein? Okay,

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<v Speaker 3>let's see Rob. Do you want to do next? Message here?

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<v Speaker 3>Take your pick?

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<v Speaker 2>All right? This one comes to us from Andrew. Andrew says, hello, gentlemen.

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<v Speaker 2>As always, thanks for the pod and for the thought

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<v Speaker 2>provoking content. I had quite a backlog of pods to

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<v Speaker 2>fill my ear holes, but I did catch up on

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<v Speaker 2>most of your listener mail to make sure I'm not

0:12:14.160 --> 0:12:17.480
<v Speaker 2>doubling up Number one. I was shocked, shocked, I say

0:12:17.679 --> 0:12:20.720
<v Speaker 2>to hear the shade throne at my guy Hans Zimmer

0:12:21.000 --> 0:12:23.440
<v Speaker 2>during one of the Dune weird House episodes.

0:12:23.960 --> 0:12:26.199
<v Speaker 3>I don't remember us throwing any shade at Zimmer. I

0:12:26.240 --> 0:12:29.480
<v Speaker 3>thought our comments about him were pretty much totally positive,

0:12:29.480 --> 0:12:30.160
<v Speaker 3>weren't they.

0:12:30.960 --> 0:12:34.000
<v Speaker 2>I think as I remember it, our main comment was

0:12:34.000 --> 0:12:37.040
<v Speaker 2>that Hans Zimmer has scored a lot of films, not

0:12:37.200 --> 0:12:41.160
<v Speaker 2>all of which are anything you want to see. I understand, okay,

0:12:41.320 --> 0:12:43.760
<v Speaker 2>but there are definite high points in his career. And

0:12:43.960 --> 0:12:46.640
<v Speaker 2>I loved his work on Dune. I was listening to

0:12:46.679 --> 0:12:49.680
<v Speaker 2>it in isolation there for a while, and I love

0:12:50.160 --> 0:12:53.120
<v Speaker 2>all the Dune memes that make use of that resurrection

0:12:53.320 --> 0:12:58.200
<v Speaker 2>theme from it with the vocals. But anyway, Andrew continues

0:12:58.679 --> 0:13:01.600
<v Speaker 2>as a movie score nerd. His work in multiple Christopher

0:13:01.679 --> 0:13:05.160
<v Speaker 2>Nolan films, The Dark Knight and Inception in particular, is

0:13:05.200 --> 0:13:08.680
<v Speaker 2>some of my favorite recent Ish movie music. Don't forget

0:13:08.720 --> 0:13:11.599
<v Speaker 2>the certified banger, that is, he is a pirate or

0:13:11.640 --> 0:13:14.640
<v Speaker 2>He's a Pirate. Side note. The song works well if

0:13:14.679 --> 0:13:16.800
<v Speaker 2>you sing the title to the beat of the music.

0:13:17.240 --> 0:13:19.720
<v Speaker 2>Second side note. I saw a live performance of this

0:13:19.800 --> 0:13:22.480
<v Speaker 2>last summer at an outdoor concert venue. Two young boys

0:13:22.480 --> 0:13:25.880
<v Speaker 2>started fighting with foam pirate swords immediately after the song began.

0:13:26.160 --> 0:13:29.280
<v Speaker 2>Their timing was superb. Third side note I did watch

0:13:29.320 --> 0:13:32.040
<v Speaker 2>the entire Doom mini series on VHS a long time ago,

0:13:32.080 --> 0:13:34.400
<v Speaker 2>after picking it up from the local library. Even as

0:13:34.400 --> 0:13:36.320
<v Speaker 2>a twelve year old kid, I could tell it was,

0:13:36.640 --> 0:13:41.800
<v Speaker 2>let's say, not good. You know, Hans Zimmer is he's

0:13:41.840 --> 0:13:45.679
<v Speaker 2>touring right now. I you know, free plug for the

0:13:45.720 --> 0:13:48.160
<v Speaker 2>Hans Zimmer concert experience. But he's like he's like coming

0:13:48.160 --> 0:13:49.600
<v Speaker 2>into coming to our neck of the woods.

0:13:50.160 --> 0:13:51.880
<v Speaker 3>Composers go on tour.

0:13:52.480 --> 0:13:54.160
<v Speaker 2>If you're Hans Zimmer, you do, Yeah.

0:13:54.160 --> 0:13:56.880
<v Speaker 3>Okay, how does that work? Like you like he tours

0:13:56.880 --> 0:13:59.040
<v Speaker 3>with an orchestra or does he can believe them?

0:13:59.080 --> 0:14:02.320
<v Speaker 2>I think both is the case. Yeah, okay, yeah, I

0:14:02.360 --> 0:14:08.800
<v Speaker 2>mean some form of Tangerine Dream still tours, no original members.

0:14:08.840 --> 0:14:12.079
<v Speaker 2>But you know Goblin has toured. You've seen Goblin?

0:14:12.320 --> 0:14:14.320
<v Speaker 3>Oh yeah yeah, but but Goblin, I feel like it

0:14:14.400 --> 0:14:16.600
<v Speaker 3>is more like it's a band, you know. Yeah, They're

0:14:16.640 --> 0:14:20.360
<v Speaker 3>like there's there's crossover between like the people who wrote

0:14:20.360 --> 0:14:22.600
<v Speaker 3>the songs and are playing the instruments, or there's some

0:14:22.640 --> 0:14:23.560
<v Speaker 3>amount of crossover.

0:14:23.800 --> 0:14:26.280
<v Speaker 2>Yeah, yeah, yeah, I'm not exactly sure how this goes down.

0:14:26.320 --> 0:14:28.880
<v Speaker 2>I'm assuming orchestra, but is it traveling orchestra? Do you

0:14:28.960 --> 0:14:33.640
<v Speaker 2>use like regionally available orchestras. I don't know the zimmer

0:14:33.680 --> 0:14:37.560
<v Speaker 2>fans Zimmerheads, I guess right in and give us more details. Anyway,

0:14:38.680 --> 0:14:41.480
<v Speaker 2>Andrew is not finished yet. He has more to say

0:14:41.560 --> 0:14:43.960
<v Speaker 2>Number two. During the Flash Gordon episode, there was mention

0:14:44.080 --> 0:14:47.200
<v Speaker 2>of the soundtrack by Queen. There was also talk of

0:14:47.280 --> 0:14:50.200
<v Speaker 2>not knowing any other movies where an original soundtrack directly

0:14:50.280 --> 0:14:52.960
<v Speaker 2>relates to the characters on the screen. For that, I

0:14:53.000 --> 0:14:55.400
<v Speaker 2>would like to present yet another wild eighties movie with

0:14:55.440 --> 0:14:59.240
<v Speaker 2>the Queen's soundtrack, and just a quick note, it is

0:14:59.400 --> 0:15:02.200
<v Speaker 2>key that they're There is a difference here between the

0:15:02.320 --> 0:15:05.400
<v Speaker 2>Queen's score and soundtrack that is Flash Gordon and what

0:15:05.720 --> 0:15:07.760
<v Speaker 2>is about to be mentioned that is a Queen's soundtrack.

0:15:08.200 --> 0:15:11.400
<v Speaker 2>It is, of course nineteen eighty six is Highlander. Maybe

0:15:11.480 --> 0:15:13.240
<v Speaker 2>it doesn't quite meet the letter of the rule, but

0:15:13.280 --> 0:15:16.000
<v Speaker 2>I believe the intent is there also. It wasn't until

0:15:16.080 --> 0:15:18.640
<v Speaker 2>later I realized your coverage of Highlander and Highlander two

0:15:18.680 --> 0:15:20.680
<v Speaker 2>was in a regular episode of Stuff to Blow your Mind,

0:15:20.920 --> 0:15:24.920
<v Speaker 2>not Weird House. That set. Apologies for yelling Highlander at

0:15:24.920 --> 0:15:27.080
<v Speaker 2>my car stereo during the episode.

0:15:27.520 --> 0:15:30.360
<v Speaker 3>Well, thank you for feeling the quickening. Now I am

0:15:30.400 --> 0:15:33.440
<v Speaker 3>not sure about this. I wonder because what was really

0:15:33.880 --> 0:15:36.680
<v Speaker 3>unique it seemed to me about the Flash Gordon soundtrack

0:15:36.800 --> 0:15:40.680
<v Speaker 3>was that it was Queen wrote original songs for the

0:15:40.760 --> 0:15:44.720
<v Speaker 3>movie that had lyrics about the characters and plot of

0:15:44.760 --> 0:15:48.720
<v Speaker 3>the movie. Is that the case with Queen's music and Highlander? Yeah?

0:15:48.800 --> 0:15:50.520
<v Speaker 2>Yeah, I mean it? Oh, ok, yeah, I mean you

0:15:50.520 --> 0:15:52.280
<v Speaker 2>have track. I mean it's a kind of magic. Maybe

0:15:52.280 --> 0:15:54.480
<v Speaker 2>feels a little bit vague, but it does get into

0:15:54.520 --> 0:15:57.960
<v Speaker 2>some of the plot elements, and I think is essential

0:15:57.960 --> 0:16:00.600
<v Speaker 2>to understanding the plot the first two movies. But then

0:16:00.640 --> 0:16:04.080
<v Speaker 2>you have you know, gimme the prize. You have don't

0:16:04.080 --> 0:16:07.640
<v Speaker 2>lose your head? Who wants to live forever? I mean

0:16:07.680 --> 0:16:10.400
<v Speaker 2>these are all bangers. I love this this soundtrack.

0:16:10.720 --> 0:16:14.160
<v Speaker 3>Okay, I didn't realize that. Yeah, well, I'm glad both

0:16:14.200 --> 0:16:16.280
<v Speaker 3>of the examples we can think of now are by Queen.

0:16:16.720 --> 0:16:19.320
<v Speaker 2>Yeah, gimme the prize. One of the like I think

0:16:19.320 --> 0:16:23.640
<v Speaker 2>the like the heaviest, most metal Queen songs, but not

0:16:23.720 --> 0:16:27.000
<v Speaker 2>everyone's favorite. My wife does not like it. Freddie Mercury

0:16:27.280 --> 0:16:31.000
<v Speaker 2>reportedly was not crazy about it either. But I love it.

0:16:31.040 --> 0:16:31.640
<v Speaker 2>I think it's great.

0:16:31.960 --> 0:16:32.120
<v Speaker 3>Oh.

0:16:32.160 --> 0:16:34.960
<v Speaker 2>But on the other note, here about us talking about

0:16:35.040 --> 0:16:37.960
<v Speaker 2>Highlander and more specifically Highlander two in a regular episode

0:16:38.000 --> 0:16:39.520
<v Speaker 2>of Stuff to Blow your Mind. This is true. This

0:16:39.640 --> 0:16:44.440
<v Speaker 2>was before Weird House existed, and we have discussed the

0:16:44.480 --> 0:16:47.560
<v Speaker 2>possibility of coming back and giving at least Highlander to

0:16:47.920 --> 0:16:52.600
<v Speaker 2>a proper Weird House treatment. There are issues, of course,

0:16:53.000 --> 0:16:56.720
<v Speaker 2>with the sourcing of the true cut of Highlander two,

0:16:56.760 --> 0:17:00.920
<v Speaker 2>which of course for us is the theatrical cut Zeist cut.

0:17:01.160 --> 0:17:04.440
<v Speaker 3>Yes, some fans on the internet call it. Yeah, there

0:17:04.480 --> 0:17:07.239
<v Speaker 3>are They tried to re release Highland or two with

0:17:07.520 --> 0:17:11.560
<v Speaker 3>supposedly superior cuts of the film that take out a

0:17:11.600 --> 0:17:13.879
<v Speaker 3>lot of the best stuff. I guess the idea is

0:17:13.920 --> 0:17:16.639
<v Speaker 3>to make it less ridiculous, but all they really did

0:17:16.760 --> 0:17:18.320
<v Speaker 3>is made it less amazing.

0:17:18.680 --> 0:17:21.600
<v Speaker 2>Yeah, yeah, absolutely, So that's that's our view on it.

0:17:21.960 --> 0:17:25.280
<v Speaker 2>So on one hand, part of part of a part

0:17:25.280 --> 0:17:26.840
<v Speaker 2>of me, I want to I want to wait for

0:17:27.040 --> 0:17:29.359
<v Speaker 2>Highland or two to the z Ice cut to really

0:17:29.400 --> 0:17:32.280
<v Speaker 2>be released in a format that I can get behind.

0:17:32.520 --> 0:17:35.360
<v Speaker 2>I think we were looking into it and at least

0:17:35.400 --> 0:17:37.960
<v Speaker 2>for a window there. Maybe still if you were in

0:17:38.000 --> 0:17:40.719
<v Speaker 2>the UK, you can stream the ze Ice cut on

0:17:40.840 --> 0:17:43.479
<v Speaker 2>Amazon Prime, but I don't know if that's still valid.

0:17:43.520 --> 0:17:46.720
<v Speaker 2>That might have been like a brief mistake, But there

0:17:46.800 --> 0:17:49.520
<v Speaker 2>is as yet like no cut outside of a VHS

0:17:49.560 --> 0:17:53.159
<v Speaker 2>tape that you can really watch it officially. But on

0:17:53.200 --> 0:17:54.760
<v Speaker 2>the other hand, we might just go for it and

0:17:54.800 --> 0:17:57.560
<v Speaker 2>maybe in our own small way we can help push

0:17:57.920 --> 0:18:00.720
<v Speaker 2>a proper release of the Zece cut in to existence.

0:18:00.920 --> 0:18:03.359
<v Speaker 3>I mean, I have a VHS of the correct cut,

0:18:04.080 --> 0:18:06.000
<v Speaker 3>just a question of can we watch it?

0:18:06.320 --> 0:18:07.560
<v Speaker 2>Yeah, but can.

0:18:07.440 --> 0:18:10.400
<v Speaker 3>You imagine the audacity of someone trying to re edit

0:18:10.480 --> 0:18:13.240
<v Speaker 3>Highland or two and say, no, no, no, this movie

0:18:13.320 --> 0:18:17.679
<v Speaker 3>is not claiming that they're aliens from another planet the

0:18:17.840 --> 0:18:19.280
<v Speaker 3>gall I can't believe it.

0:18:19.600 --> 0:18:21.560
<v Speaker 2>All right. Now back to Andrew's message. Let's see he

0:18:21.840 --> 0:18:24.199
<v Speaker 2>has a bit about Wikipedia Brown. I don't know, all right,

0:18:24.240 --> 0:18:28.440
<v Speaker 2>are we done talking about Encyclopedia Brown and Wikipedia Brown?

0:18:28.840 --> 0:18:31.040
<v Speaker 2>I can't decide. My heart's not in it.

0:18:32.760 --> 0:18:34.679
<v Speaker 3>Read as you feel, rob Okay, I'm.

0:18:34.520 --> 0:18:37.760
<v Speaker 2>Gonna say I'm gonna skip the de vowed and interesting

0:18:37.800 --> 0:18:41.560
<v Speaker 2>comments though about Encyclopedia Brown and get to point four

0:18:41.640 --> 0:18:46.879
<v Speaker 2>in Andrews's email. Four finally some updated Sammy Terry Google

0:18:47.000 --> 0:18:49.280
<v Speaker 2>News and I feel if you have a note of

0:18:49.760 --> 0:18:51.200
<v Speaker 2>context on this, Joe.

0:18:51.000 --> 0:18:54.320
<v Speaker 3>Well, yeah, just to remind listeners, Sammy Terry came up

0:18:54.320 --> 0:18:56.639
<v Speaker 3>in previous listener mail. It came up because we were

0:18:56.680 --> 0:19:01.080
<v Speaker 3>talking about TV horror hosts, people like you know, like

0:19:01.200 --> 0:19:05.560
<v Speaker 3>al Lewis as Grandpa Munster and and you know a

0:19:05.640 --> 0:19:10.200
<v Speaker 3>Vampira and el Vira, these people who would host TV shows.

0:19:10.600 --> 0:19:14.000
<v Speaker 3>Of course Boris karlofft did this with Boris called Carloff's Thriller.

0:19:14.480 --> 0:19:16.520
<v Speaker 3>They would host TV shows where there would either be

0:19:16.880 --> 0:19:21.440
<v Speaker 3>originally produced sort of segments or they would just show

0:19:21.600 --> 0:19:25.320
<v Speaker 3>pre existing films and that you know, the horror host

0:19:25.359 --> 0:19:27.480
<v Speaker 3>would be there in some kind of creepy costume to

0:19:27.600 --> 0:19:31.280
<v Speaker 3>introduce them. And Sammy Terry was one of these. He

0:19:31.640 --> 0:19:35.920
<v Speaker 3>is a local TV horror host based out of Indianapolis, Indiana,

0:19:36.320 --> 0:19:39.000
<v Speaker 3>a sort of grim reaper figure with a pet spider

0:19:39.080 --> 0:19:42.479
<v Speaker 3>named George. And I think Andrew in particular had written

0:19:42.480 --> 0:19:44.280
<v Speaker 3>in about Sammy Terry in the past.

0:19:44.720 --> 0:19:47.160
<v Speaker 2>Yeah, yes, and I believe in reference to the place

0:19:47.240 --> 0:19:50.640
<v Speaker 2>that he's about to mention here. Scarlett Laine Brewing, whom

0:19:50.640 --> 0:19:53.240
<v Speaker 2>I am fond of mentioning, updated their tap room last

0:19:53.280 --> 0:19:56.680
<v Speaker 2>October and it is now the Sammy Terry Dungeon see attached.

0:19:57.000 --> 0:19:59.520
<v Speaker 2>It's the best kind of kitch. Since I already made

0:19:59.560 --> 0:20:02.560
<v Speaker 2>reference to a scholastic book fair above. We skipped that one.

0:20:02.640 --> 0:20:04.680
<v Speaker 2>I should also say the brit that the brewery did

0:20:04.720 --> 0:20:09.199
<v Speaker 2>a scar elastic book fair last month, which featured a

0:20:09.280 --> 0:20:11.920
<v Speaker 2>number of independent horror authors. It was only the second

0:20:12.000 --> 0:20:13.720
<v Speaker 2>year for the event, but it drew uppards of seven

0:20:13.800 --> 0:20:15.600
<v Speaker 2>hundred attendees. We had a great time.

0:20:15.960 --> 0:20:18.680
<v Speaker 3>Is that scare elastic book fair? Scare?

0:20:19.240 --> 0:20:23.119
<v Speaker 2>Yeah, I guess scare scare elastic or scare elastic as

0:20:23.119 --> 0:20:26.400
<v Speaker 2>opposed to what scar elastic, which I don't I like scarlastic.

0:20:26.440 --> 0:20:31.000
<v Speaker 2>It also sounds to that thing, but at any rate, yeah, but.

0:20:31.040 --> 0:20:33.760
<v Speaker 3>Yeah, anyway, Andrew does attach some pictures here. I guess

0:20:33.800 --> 0:20:36.040
<v Speaker 3>this is a brewery where people hang out try the

0:20:36.040 --> 0:20:38.800
<v Speaker 3>different beers. I don't get a flight of beers and

0:20:38.880 --> 0:20:41.600
<v Speaker 3>hang out in this area that looks like a museum

0:20:41.680 --> 0:20:44.480
<v Speaker 3>of Sammi Terry. There's like a wall up with clippings

0:20:44.520 --> 0:20:47.399
<v Speaker 3>all over it and shots from the show and full

0:20:47.520 --> 0:20:50.879
<v Speaker 3>full sized real life stand ups of Samit Terry in

0:20:50.920 --> 0:20:54.560
<v Speaker 3>full costume. They've got a recreation of the set from

0:20:54.640 --> 0:20:57.439
<v Speaker 3>the show, so it's like a an interior of a

0:20:57.480 --> 0:21:01.640
<v Speaker 3>castle wall with shield and Haraldry hung up and then

0:21:01.760 --> 0:21:03.080
<v Speaker 3>skulls in the fireplace.

0:21:03.520 --> 0:21:04.679
<v Speaker 2>Very nice, very nice.

0:21:04.920 --> 0:21:06.640
<v Speaker 3>That makes me want to try an ipa.

0:21:15.200 --> 0:21:16.639
<v Speaker 2>All right, Joe, what else we have here in the

0:21:16.640 --> 0:21:17.320
<v Speaker 2>old mail bag?

0:21:17.680 --> 0:21:22.080
<v Speaker 3>Okay, we got more about Vincent Price Weird House Cinema.

0:21:22.119 --> 0:21:24.600
<v Speaker 3>This is from Don. Don says. As I was listening

0:21:24.680 --> 0:21:28.639
<v Speaker 3>to this episode, the episode on Doctor Phib's rises again,

0:21:29.240 --> 0:21:31.760
<v Speaker 3>I remembered watching part of a horror movie on TV.

0:21:32.160 --> 0:21:34.480
<v Speaker 3>I snuck out of my room late at night to

0:21:34.480 --> 0:21:37.280
<v Speaker 3>see my older brother watching a vins In Price movie.

0:21:37.640 --> 0:21:40.040
<v Speaker 3>The scene I saw had a man in a truck

0:21:40.359 --> 0:21:43.840
<v Speaker 3>being blasted by sand, seemingly coming out of the Vince.

0:21:44.240 --> 0:21:47.080
<v Speaker 3>He has killed and reduced to a skeleton. I couldn't

0:21:47.119 --> 0:21:50.399
<v Speaker 3>watch anymore. I was horrified. I never saw the film

0:21:50.440 --> 0:21:53.040
<v Speaker 3>again and never learned the name of the movie, but

0:21:53.119 --> 0:21:56.119
<v Speaker 3>the scene was etched into my memory. I would occasionally

0:21:56.160 --> 0:21:58.639
<v Speaker 3>think of it and get a chill, probably why the

0:21:58.720 --> 0:22:02.320
<v Speaker 3>Saw films put me on Thanks to this episode, I

0:22:02.320 --> 0:22:05.240
<v Speaker 3>feel confident this is the movie that burned its way

0:22:05.240 --> 0:22:07.600
<v Speaker 3>into my memory. I can now put a name to

0:22:07.640 --> 0:22:12.840
<v Speaker 3>the sand blasted face. Thank you enjoy the show, Don Well,

0:22:12.880 --> 0:22:15.840
<v Speaker 3>thank you, Don Man. I still can't. It came up

0:22:15.880 --> 0:22:19.159
<v Speaker 3>in the episode itself. The comparison between Doctor Fibes and

0:22:19.280 --> 0:22:24.760
<v Speaker 3>Saw because they both do involve absurd, elaborate murder traps.

0:22:25.040 --> 0:22:27.560
<v Speaker 3>But man, I could not think of movies that make

0:22:27.640 --> 0:22:30.440
<v Speaker 3>me feel more differently. As I said again, I don't

0:22:30.480 --> 0:22:32.960
<v Speaker 3>want to spoil anybody's fun. If you like them, that's cool.

0:22:33.000 --> 0:22:35.919
<v Speaker 3>But I can't stand the Saw movies. They just feel

0:22:36.000 --> 0:22:40.639
<v Speaker 3>so grimy and depressing and bad. It's just a bad

0:22:40.800 --> 0:22:44.080
<v Speaker 3>time all around. Whereas the you know, the Vincent Price

0:22:44.160 --> 0:22:48.080
<v Speaker 3>murder traps are just they're an absolute joy. They're funny,

0:22:48.160 --> 0:22:51.240
<v Speaker 3>and they're light and playful. It's you couldn't imagine a

0:22:51.240 --> 0:22:52.359
<v Speaker 3>more different tone to me.

0:22:52.920 --> 0:22:58.200
<v Speaker 2>Yeah, I agree. My friend Dave, who has guest hosted

0:22:58.240 --> 0:22:59.960
<v Speaker 2>on Weird House a couple of times, I think both

0:23:00.160 --> 0:23:02.240
<v Speaker 2>times that he's come on the show, I've had to

0:23:02.240 --> 0:23:06.520
<v Speaker 2>ask him about his Saw fandom, because he's seen them all.

0:23:07.359 --> 0:23:09.679
<v Speaker 2>He's one of these guys who will once he starts

0:23:09.680 --> 0:23:13.960
<v Speaker 2>watching a franchise, I think he feels compelled to finish it.

0:23:14.080 --> 0:23:16.479
<v Speaker 2>But he's not a fan of like the actual torture

0:23:16.560 --> 0:23:20.560
<v Speaker 2>kills in the show, but he likes sort of the consistency,

0:23:20.760 --> 0:23:23.560
<v Speaker 2>and there's one in particular I can't remember but he's like, yeah,

0:23:23.600 --> 0:23:28.240
<v Speaker 2>it's like a message movie. It's about the healthcare industry

0:23:28.400 --> 0:23:31.919
<v Speaker 2>in the US, and like the killings are all like

0:23:32.040 --> 0:23:34.159
<v Speaker 2>morally based. And also it's like, yeah, I mean I

0:23:34.480 --> 0:23:37.240
<v Speaker 2>can That especially makes me realize, Okay, there's some shared

0:23:37.320 --> 0:23:42.359
<v Speaker 2>DNA between these two franchises. But yeah, I'm on team Vibes.

0:23:42.800 --> 0:23:44.359
<v Speaker 3>You know, there was a time when I would do

0:23:44.400 --> 0:23:47.040
<v Speaker 3>the same thing, where I'd start watching a horror franchise

0:23:47.080 --> 0:23:49.639
<v Speaker 3>and I just have to finish the whole thing. We

0:23:49.760 --> 0:23:52.560
<v Speaker 3>may have talked about it back when this was years ago. Now,

0:23:52.600 --> 0:23:56.000
<v Speaker 3>I can't imagine making time for it now. But when

0:23:56.119 --> 0:23:58.280
<v Speaker 3>I watched the first hell Raiser movie and then I

0:23:58.320 --> 0:24:00.280
<v Speaker 3>was like, I guess I got to watch them all. Man,

0:24:00.560 --> 0:24:04.240
<v Speaker 3>that was not a good use of my time. Beyond

0:24:04.880 --> 0:24:07.040
<v Speaker 3>I don't know. There's some funny stuff going on in

0:24:07.080 --> 0:24:09.560
<v Speaker 3>the early set, in the early half, but like as

0:24:09.600 --> 0:24:11.760
<v Speaker 3>it goes on, it just gets more and more into

0:24:11.800 --> 0:24:14.000
<v Speaker 3>kind of how I feel about the Saw territory. It's

0:24:14.119 --> 0:24:18.000
<v Speaker 3>just grim and dark and depressing, and there's not very

0:24:18.080 --> 0:24:19.400
<v Speaker 3>much funny to balance it out.

0:24:19.640 --> 0:24:21.880
<v Speaker 2>Yeah, with hell Raiser, you know, I'll go three and four,

0:24:22.040 --> 0:24:24.880
<v Speaker 2>I'll even go five. But but That's that's.

0:24:24.720 --> 0:24:29.439
<v Speaker 3>It for me. Three has it's not great, but it

0:24:29.480 --> 0:24:31.399
<v Speaker 3>has a bit of a charm about it in that

0:24:31.600 --> 0:24:34.400
<v Speaker 3>some of the cinnabytes it's got like a technology angle.

0:24:34.560 --> 0:24:38.560
<v Speaker 3>So some of the cinnabytes are like CD head and camcorderhead.

0:24:39.119 --> 0:24:42.160
<v Speaker 2>Yeah, and then four is just a mess in outer

0:24:42.240 --> 0:24:47.200
<v Speaker 2>space and across time. Very ambitious and creative and it

0:24:47.280 --> 0:24:49.720
<v Speaker 2>doesn't make a lot of sense. But yeah, I feel

0:24:49.720 --> 0:24:51.680
<v Speaker 2>like if we were to do a Hell Razor film

0:24:52.680 --> 0:24:54.919
<v Speaker 2>on Weird House, it would it would be three or

0:24:54.920 --> 0:24:56.040
<v Speaker 2>four for sure.

0:24:56.280 --> 0:24:58.440
<v Speaker 3>Which is the one that has the motorheadzone.

0:24:59.119 --> 0:25:01.360
<v Speaker 2>Oh that's three? Yeah, it's like what it's a Motorhead

0:25:01.359 --> 0:25:02.640
<v Speaker 2>cover of an Ozzie song?

0:25:02.840 --> 0:25:06.360
<v Speaker 3>Right? Oh maybe I don't know, Uh, Hell Razor that one.

0:25:06.440 --> 0:25:09.680
<v Speaker 2>Yeah, all right, Let's see what else do we have here?

0:25:10.280 --> 0:25:12.200
<v Speaker 2>You know, we have a lot to talk to kick

0:25:12.520 --> 0:25:15.719
<v Speaker 2>Let's see, I'm gonna go down to this one from Uh,

0:25:16.720 --> 0:25:18.680
<v Speaker 2>here's one. It has to do with Star Trek. I'll

0:25:18.720 --> 0:25:21.639
<v Speaker 2>read this one since I've been watching it. We've been

0:25:21.640 --> 0:25:23.800
<v Speaker 2>watching a fair amount of Star Trek recently. Let's see.

0:25:23.840 --> 0:25:32.960
<v Speaker 2>This one comes to us from Lee. Lee says, greetings, Rob, Joe,

0:25:32.960 --> 0:25:35.760
<v Speaker 2>and JJ. Just a note to throw a film your

0:25:35.800 --> 0:25:38.480
<v Speaker 2>way for consideration. The movie is the nineteen seventy four

0:25:38.600 --> 0:25:41.960
<v Speaker 2>made for TV movie The Quester Tapes. The film is

0:25:42.000 --> 0:25:44.800
<v Speaker 2>based on a story by Gene Roddenberry, and he wrote

0:25:44.800 --> 0:25:48.000
<v Speaker 2>the teleplay with Gene Kuhn. Kuhn was heavily involved with

0:25:48.040 --> 0:25:51.320
<v Speaker 2>Star Trek. The novelization was written by D. C. Fontana,

0:25:51.680 --> 0:25:54.600
<v Speaker 2>also known for work on Trek. Anyway, I saw the

0:25:54.640 --> 0:25:56.960
<v Speaker 2>movie on TV when it came out and later stumbled

0:25:57.040 --> 0:25:59.840
<v Speaker 2>upon the novel. I recently rediscovered the film online as

0:25:59.880 --> 0:26:02.760
<v Speaker 2>well as the Star Trek connections. The movie was a

0:26:02.800 --> 0:26:05.800
<v Speaker 2>nostalgic rewatch and even if not for the show, it's

0:26:05.800 --> 0:26:08.520
<v Speaker 2>a worthwhile experience. Love the show. I always look forward

0:26:08.520 --> 0:26:10.720
<v Speaker 2>to each episode. Keep up the great work. Sincerely, Lee.

0:26:11.359 --> 0:26:13.400
<v Speaker 2>And Yeah, I wasn't familiar with this, but I look

0:26:13.720 --> 0:26:16.040
<v Speaker 2>with this particular film, but I looked it up. Stars

0:26:16.160 --> 0:26:20.280
<v Speaker 2>Robert Foxworth of Death Moon Fame, Oh the work Beast, Yeah,

0:26:20.520 --> 0:26:22.880
<v Speaker 2>Death Moon Fame for us. Death Moon is not I think,

0:26:22.920 --> 0:26:26.879
<v Speaker 2>widely known outside of weird house cinema and like deep

0:26:27.520 --> 0:26:30.879
<v Speaker 2>cuts of like TV made for TV horror movies, but

0:26:30.920 --> 0:26:35.240
<v Speaker 2>it also has John Vernon and Walter Koenig's it looks.

0:26:35.280 --> 0:26:37.400
<v Speaker 2>It looks interesting, So color me interested.

0:26:37.920 --> 0:26:40.040
<v Speaker 3>You know, Death Moon was not a great movie, but

0:26:40.119 --> 0:26:43.199
<v Speaker 3>I feel like it it's so important that we did

0:26:43.280 --> 0:26:46.880
<v Speaker 3>it on the show because everything now, especially anything that's

0:26:46.920 --> 0:26:50.000
<v Speaker 3>like made for TV at all, makes more sense in

0:26:50.119 --> 0:26:52.280
<v Speaker 3>light of Death Moon. Like Death Moon is sort of

0:26:52.480 --> 0:26:57.440
<v Speaker 3>a keystone of understanding that allows you to better see

0:26:57.480 --> 0:27:00.240
<v Speaker 3>and process all of the rest of low budget and

0:27:00.280 --> 0:27:01.360
<v Speaker 3>made for TV cinema.

0:27:01.680 --> 0:27:03.960
<v Speaker 2>Yeah, and that's an example of a movie that we

0:27:04.000 --> 0:27:05.720
<v Speaker 2>watch for Weird House that I don't think has ever

0:27:05.800 --> 0:27:09.240
<v Speaker 2>had I don't remember specifically, but I seem to recall

0:27:09.280 --> 0:27:12.080
<v Speaker 2>it has not had anything beyond a VHS release. Version

0:27:12.119 --> 0:27:14.480
<v Speaker 2>we watched was ripped off of what Dutch television.

0:27:14.560 --> 0:27:18.640
<v Speaker 3>Yeah, it had a hard baked Dutch subtitles to explain

0:27:18.720 --> 0:27:22.320
<v Speaker 3>the inside jokes if you weren't around then the movie

0:27:22.359 --> 0:27:25.480
<v Speaker 3>feature is a character Robert Foxworth, being called a workaholic,

0:27:25.560 --> 0:27:28.159
<v Speaker 3>and the Dutch translation of that in the subtitles is

0:27:28.359 --> 0:27:29.000
<v Speaker 3>verk beast.

0:27:29.400 --> 0:27:32.880
<v Speaker 2>Yes, all right, what else do we have here?

0:27:33.080 --> 0:27:35.040
<v Speaker 3>Oh, we have a message from Katie that's going to

0:27:35.080 --> 0:27:43.840
<v Speaker 3>bring up an interesting possibility. Katie says, Hi, there, let

0:27:43.840 --> 0:27:46.200
<v Speaker 3>me first just start by saying, how much. I love

0:27:46.240 --> 0:27:49.000
<v Speaker 3>your podcast, both the main feed and Weird House. I

0:27:49.000 --> 0:27:52.000
<v Speaker 3>look forward to listening and learning with you every chance

0:27:52.040 --> 0:27:55.080
<v Speaker 3>I get. Yesterday, I thought to myself, i'd try writing

0:27:55.119 --> 0:27:57.560
<v Speaker 3>to suggest a movie to cover, which I have done

0:27:57.600 --> 0:28:00.080
<v Speaker 3>once previously. Before I could sit down and do that,

0:28:00.240 --> 0:28:03.040
<v Speaker 3>I listened to a recent listener mail request that I

0:28:03.080 --> 0:28:05.160
<v Speaker 3>needed to catch up on, and in it you read

0:28:05.240 --> 0:28:09.639
<v Speaker 3>another listener's email requesting the five Thousand Fingers of Doctor t.

0:28:10.119 --> 0:28:13.400
<v Speaker 3>You mentioned that someone had requested that before, and they

0:28:13.440 --> 0:28:16.119
<v Speaker 3>had because it was me. This tickled me almost as

0:28:16.200 --> 0:28:17.880
<v Speaker 3>much as when a couple of years ago you read

0:28:17.920 --> 0:28:21.640
<v Speaker 3>my listener mail requesting return to OZ. I just thought

0:28:21.680 --> 0:28:23.679
<v Speaker 3>that was a silly coincidence and wanted to let you

0:28:23.760 --> 0:28:26.439
<v Speaker 3>know that it made my day. Oh I guess we

0:28:26.480 --> 0:28:28.560
<v Speaker 3>did return to OZ on the basis of your message.

0:28:28.640 --> 0:28:30.840
<v Speaker 2>Then, Oh yeah, there we go. That one was fun.

0:28:30.760 --> 0:28:33.879
<v Speaker 3>Anyway, Katie goes on. I stand by that suggestion as

0:28:33.920 --> 0:28:36.239
<v Speaker 3>a Weird House injury. But what I really wanted to

0:28:36.280 --> 0:28:40.680
<v Speaker 3>request just now was Dark City. I know you have

0:28:40.800 --> 0:28:43.800
<v Speaker 3>mentioned it before, and I think that Rob has liked

0:28:43.800 --> 0:28:46.880
<v Speaker 3>it in the past. Although somewhat mainstream, I think it

0:28:46.960 --> 0:28:50.040
<v Speaker 3>is strange enough to qualify it's one of my favorite movies.

0:28:50.080 --> 0:28:52.600
<v Speaker 3>But having three kids now I pretty much only get

0:28:52.600 --> 0:28:55.160
<v Speaker 3>to watch family content. I love to get my fix

0:28:55.200 --> 0:28:58.680
<v Speaker 3>of strange cinema through listening to YouTube. Thanks for everything

0:28:58.680 --> 0:29:00.320
<v Speaker 3>you do, and I hope you both are having a

0:29:00.320 --> 0:29:04.240
<v Speaker 3>lovely spring. Best Katie now, Katie, that is a really

0:29:04.240 --> 0:29:08.280
<v Speaker 3>interesting idea. I also very much loved the movie Dark

0:29:08.320 --> 0:29:10.680
<v Speaker 3>City for a while. It was kind of obsessed with it.

0:29:10.720 --> 0:29:13.160
<v Speaker 3>I think when I was my late teens or so,

0:29:13.960 --> 0:29:15.760
<v Speaker 3>I saw it for the first time and I just

0:29:16.480 --> 0:29:20.200
<v Speaker 3>was I was like, wow, it captured my imagination. I

0:29:20.200 --> 0:29:23.120
<v Speaker 3>haven't watched it in a long time now, but it

0:29:23.200 --> 0:29:24.760
<v Speaker 3>seemed to me back then to be a movie that

0:29:24.880 --> 0:29:29.600
<v Speaker 3>was really sort of overperforming its cultural reception. Not that

0:29:29.600 --> 0:29:31.800
<v Speaker 3>people generally thought it was bad, but it just seemed

0:29:31.800 --> 0:29:35.160
<v Speaker 3>to me not a very much noticed movie, and it

0:29:35.240 --> 0:29:38.480
<v Speaker 3>was like way more worthy than it got credit for.

0:29:39.280 --> 0:29:42.560
<v Speaker 2>Yeah, it did seem to be like weirdly under the radar,

0:29:42.680 --> 0:29:46.720
<v Speaker 2>or it had that feeling. Anyway, it definitely had its champions.

0:29:46.880 --> 0:29:49.360
<v Speaker 2>I remember Roger Ebert was a huge fan of Dark City,

0:29:49.400 --> 0:29:52.960
<v Speaker 2>and yeah, his review was glowing. I think he might

0:29:53.000 --> 0:29:55.320
<v Speaker 2>have even been on a commentary track for it, you know,

0:29:55.440 --> 0:29:57.920
<v Speaker 2>he was that big of a fan. But yeah, I

0:29:58.600 --> 0:30:01.800
<v Speaker 2>love Dark City. I'll still stand by it being a

0:30:01.800 --> 0:30:04.040
<v Speaker 2>great movie, but I haven't I haven't watched it in

0:30:04.080 --> 0:30:06.360
<v Speaker 2>about ten years, and it's probably longer than that since

0:30:06.400 --> 0:30:08.840
<v Speaker 2>I gave it like a dedicated proper viewing.

0:30:09.440 --> 0:30:11.560
<v Speaker 3>It's also one where I know that there are a

0:30:11.600 --> 0:30:14.640
<v Speaker 3>couple of different cuts out there, and the different cuts

0:30:14.720 --> 0:30:17.840
<v Speaker 3>have the people who like them better or worse like

0:30:17.880 --> 0:30:21.160
<v Speaker 3>they're I think with the sort of director's cut or

0:30:21.200 --> 0:30:25.640
<v Speaker 3>whatever it's called, like it omits the voiceover narration from

0:30:25.840 --> 0:30:29.440
<v Speaker 3>Keefer Sutherland's character. And that's a thing that some people

0:30:29.760 --> 0:30:32.320
<v Speaker 3>they used to like say, oh when you show people

0:30:32.400 --> 0:30:34.960
<v Speaker 3>Dark City and the original cut, like mute the audio

0:30:35.240 --> 0:30:38.160
<v Speaker 3>during the opening narration because it spoils so much. And

0:30:38.520 --> 0:30:40.560
<v Speaker 3>I don't know. I saw it with the audio and

0:30:40.640 --> 0:30:43.479
<v Speaker 3>I liked it fine, But that may there may be

0:30:43.480 --> 0:30:44.600
<v Speaker 3>something to that. I don't know.

0:30:45.000 --> 0:30:47.120
<v Speaker 2>I don't know. Yeah, I already know the twists that

0:30:47.160 --> 0:30:49.760
<v Speaker 2>are coming, so I don't know that that would greatly

0:30:49.760 --> 0:30:53.240
<v Speaker 2>benefit me at this point, but worth keeping in mind anyway.

0:30:53.280 --> 0:30:55.080
<v Speaker 3>Good suggestion, Katie, Yeah.

0:30:55.040 --> 0:30:57.880
<v Speaker 2>Keep the suggestions coming. You know, we've a number of

0:30:57.920 --> 0:31:00.680
<v Speaker 2>our our entries in Weird House Cinema have been based

0:31:00.680 --> 0:31:05.480
<v Speaker 2>on listeners suggestions. Sometimes you know that suggestions, don't they

0:31:05.480 --> 0:31:07.440
<v Speaker 2>just sort of remain somewhere on the list. Other times,

0:31:07.480 --> 0:31:08.680
<v Speaker 2>you know, we really got to check him out. I

0:31:08.720 --> 0:31:10.800
<v Speaker 2>know we've had a few different people calling for Demon

0:31:10.880 --> 0:31:15.560
<v Speaker 2>Seed from the seventies. I remember being impressed by the

0:31:15.640 --> 0:31:19.120
<v Speaker 2>robot in this, But I don't know, I'm gonna have

0:31:19.160 --> 0:31:21.520
<v Speaker 2>to I'm gonna have to take a look at Demon

0:31:21.560 --> 0:31:23.720
<v Speaker 2>Seed before we can commit to talking about it on

0:31:23.760 --> 0:31:24.960
<v Speaker 2>an episode of Weird House.

0:31:25.120 --> 0:31:27.440
<v Speaker 3>I feel like that's come up as a possibility and

0:31:27.480 --> 0:31:30.120
<v Speaker 3>I glanced at it and I was like, that looks

0:31:30.200 --> 0:31:31.960
<v Speaker 3>kind of gross. I don't know if I want to

0:31:32.040 --> 0:31:32.680
<v Speaker 3>talk about that.

0:31:33.320 --> 0:31:36.280
<v Speaker 2>Yeah, but it is. I was looking up a little

0:31:36.280 --> 0:31:39.120
<v Speaker 2>information about it. It is noteworthy that Robert Vaughan is

0:31:39.120 --> 0:31:42.160
<v Speaker 2>the voice of the robot and he literally phoned in

0:31:42.240 --> 0:31:46.800
<v Speaker 2>his performance allegedly. I haven't done a lot of fact

0:31:46.880 --> 0:31:49.560
<v Speaker 2>checking on this, but like, this was the seventies and

0:31:49.680 --> 0:31:52.640
<v Speaker 2>you know, there was obviously there was no zoom or

0:31:54.160 --> 0:31:57.360
<v Speaker 2>what have you, and he just straight phoned it in.

0:31:57.560 --> 0:31:59.560
<v Speaker 2>So kind of admirable.

0:32:00.280 --> 0:32:03.040
<v Speaker 3>I have to say, did we previously do a segment

0:32:03.120 --> 0:32:05.880
<v Speaker 3>when Robert Vaughan was in some movie we covered about

0:32:05.920 --> 0:32:09.480
<v Speaker 3>his about his like lawyer spokesperson gigs.

0:32:09.400 --> 0:32:11.920
<v Speaker 2>We did, Yeah, what was it? It was the space.

0:32:11.600 --> 0:32:14.360
<v Speaker 3>Movie, Oh a Battle beyond the Stars.

0:32:14.480 --> 0:32:16.440
<v Speaker 2>Yes, yeah, we talked about him in that. Yeah.

0:32:17.000 --> 0:32:19.320
<v Speaker 3>Somewhere around the house here, I've got a magnet, like

0:32:19.360 --> 0:32:21.920
<v Speaker 3>a fridge magnet that's got Robert Vaughan on it, looking

0:32:21.960 --> 0:32:24.960
<v Speaker 3>like Polly Walnuts from the Sopranos. And he's wearing a

0:32:25.000 --> 0:32:28.360
<v Speaker 3>suit and he's saying this, whatever you know, Johnson and

0:32:28.440 --> 0:32:31.720
<v Speaker 3>Johnson will fight for you. Yeah.

0:32:31.760 --> 0:32:34.160
<v Speaker 2>And then the small Texas lawyer may not look like this.

0:32:34.680 --> 0:32:37.400
<v Speaker 2>A lawyer may not resemble Robert Vaughn. Robert Vaughn is

0:32:37.400 --> 0:32:40.760
<v Speaker 2>not a lawyer and should not be a legal advice

0:32:40.760 --> 0:32:42.880
<v Speaker 2>should not be accepted from Robert Vaughn personally.

0:32:43.320 --> 0:32:47.120
<v Speaker 3>But he does look like he means business. Okay, we're

0:32:47.160 --> 0:32:49.560
<v Speaker 3>gonna need to call today's episode there I believe.

0:32:49.640 --> 0:32:51.240
<v Speaker 2>So we're gonna go ahead and shut the book on

0:32:51.280 --> 0:32:53.520
<v Speaker 2>this episode, but keep them coming if you have thoughts

0:32:53.640 --> 0:32:57.600
<v Speaker 2>on past, present, and future episodes of the Core. Stuff

0:32:57.600 --> 0:33:00.440
<v Speaker 2>to blow your mind, episodes, Weird House Cinema episode odes,

0:33:00.960 --> 0:33:06.240
<v Speaker 2>Monster fact artifact, Aamalia stupendium, other listener mail episodes, or

0:33:06.280 --> 0:33:09.400
<v Speaker 2>just generally things you think we might be interested in

0:33:09.680 --> 0:33:12.440
<v Speaker 2>write in. We would love to hear from you. Listener

0:33:12.440 --> 0:33:15.000
<v Speaker 2>Mail publishes on Mondays in the Stuff to Blow Your

0:33:15.040 --> 0:33:16.240
<v Speaker 2>Mind podcast feed.

0:33:16.320 --> 0:33:20.560
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:33:20.680 --> 0:33:22.239
<v Speaker 3>If you would like to get in touch with us

0:33:22.240 --> 0:33:24.680
<v Speaker 3>with feedback on this episode or any other, to suggest

0:33:24.680 --> 0:33:26.920
<v Speaker 3>a topic for the future, or just to say hello,

0:33:27.040 --> 0:33:29.600
<v Speaker 3>you can email us at contact at stuff to Blow

0:33:29.640 --> 0:33:37.520
<v Speaker 3>your Mind dot com.

0:33:37.560 --> 0:33:40.520
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:33:40.600 --> 0:33:43.400
<v Speaker 1>more podcasts from my heart Radio, visit the iHeartRadio app,

0:33:43.560 --> 0:33:46.320
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.