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Speaker 1: Ron of applause for my mother support. I want to say,

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Speaker 1: welcome this up there podcast. You know where you're at.

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Speaker 1: You know exactly who you tuned in with, the biggest

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Speaker 1: home in been a lot going on, man, um. I

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Speaker 1: just got out the hospital, you know, and when anytime

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Speaker 1: you had to go in a spot like a hospital, um,

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Speaker 1: it kind of creates an environment for you that puts things,

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Speaker 1: that puts things in perspective, you know, moving so fast,

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Speaker 1: so much business, going so much riding on what I'm

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Speaker 1: doing me and particularly you can get caught in the loop,

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Speaker 1: you know, you can get caught in that weird loop

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Speaker 1: where it's just all about the work, work, work, work,

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Speaker 1: and then you can overwork yourself. Because of course, when

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Speaker 1: I was down, you know, a lot of my celebrity buddies,

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Speaker 1: which I like to call a lot of my brothers

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Speaker 1: because you know, we became close, closer than some people

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Speaker 1: I even grew up with. But a lot of those

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Speaker 1: guys reached out to him. I was talking the issue,

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Speaker 1: and I was telling them, bro, I don't chill at all,

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Speaker 1: Like all I do is work, Like all I want

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Speaker 1: to do is work. So it ain't like I'm saying

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Speaker 1: that like it's a slight or like it's a like

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Speaker 1: it's some kind of issue for me, because it's not.

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Speaker 1: And a couple of weeks ago, man I spoke about

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Speaker 1: how important recovery is, speaking to b Marshall and athletes

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Speaker 1: and even the CEO or Revolte, you know, just kind

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Speaker 1: of telling me like yo, bro, every morning I have

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Speaker 1: to swim or every morning or every day, I gotta

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Speaker 1: do this to you know, get my risk and relaxation.

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Speaker 1: And I have not got me a regiment down. I

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Speaker 1: don't know how to relax. I don't know how to

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Speaker 1: enjoy what's happening. Like I still haven't celebrated my small

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Speaker 1: winds from last year, Like I don't really celebrate things.

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Speaker 1: I'm just you know, I think you know what I

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Speaker 1: think it is because of my mental makeup, because of

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Speaker 1: the way I came up, the sacrifices I had to

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Speaker 1: make my ability to have a mental wearer though, to

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Speaker 1: stay on track, to stay on course. It's like at

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Speaker 1: first I had to tell myself that it was possible.

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Speaker 1: See the first step, the first step is always gonna

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Speaker 1: be proven to yourself that it's possible because you had

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Speaker 1: to tell yourself, Like bro, it's a long wait aff

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Speaker 1: the million like from a street dude, like that's it's

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Speaker 1: that that's a long ride. But you gotta tell yourself,

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Speaker 1: Jay did it, did it? Did it? Kanye did it,

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Speaker 1: Meek did it, Little Wayne did it? Baby did it?

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Speaker 1: Bird Man did the Future did it? Like Nick's doing it.

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Speaker 1: So you can't tell yourself that it can't happen. You

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Speaker 1: just gotta now equip yourself with the information that you need. Right,

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Speaker 1: So you got to read the job description. Yeah, to

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Speaker 1: get a hundred yards, you gotta do X, Y and

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Speaker 1: Z or you got to know the details of the job.

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Speaker 1: Like in football, you can't just get on the field

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Speaker 1: in disregard that the end zone is the only place

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Speaker 1: where some points can be scored. You can't put yourself

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Speaker 1: in a position to disregard what the structure is. So again,

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Speaker 1: when you come in, that'd be a lot of our

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Speaker 1: problem will come into things and we won't even take

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Speaker 1: time to understand what it really takes for us to

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Speaker 1: have a shot. And for me with podcasting, I did

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Speaker 1: a thorough investigation. There's nobody in the game. I don't

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Speaker 1: know everything that they've done. And I know that might

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Speaker 1: sound crazy or arrogant, for me to say that, but

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Speaker 1: I'm telling you, and at some point, I'm sure somebody's

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Speaker 1: gonna do something, somebody's gonna say, and then we're gonna

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Speaker 1: have a thing and then you're gonna say, Yo, that

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Speaker 1: dude was that dude? He got the information right, and

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Speaker 1: that's that is what it is. But for all of

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Speaker 1: my fans, man, and again, let me just plug because

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Speaker 1: again I ain't parted in a couple of boy a week.

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Speaker 1: So again I'm trying to get back into the vibe.

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Speaker 1: If you are listening to the audio adventure, head over

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Speaker 1: the Patreon dot com it's up there podcast for the

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Speaker 1: video exclusively. Their videos are released on YouTube befo your

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Speaker 1: fo TV two weeks staggered, you still get a chance

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Speaker 1: to see them and they're doing good on YouTube with

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Speaker 1: that business model. So we're doing great new show alert

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Speaker 1: again ATC all things considered. Go to Patreon to give

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Speaker 1: them more info on that. We will be doing some

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Speaker 1: live shows. We'll start to be on stages and we

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Speaker 1: just got a lot going on. So now now that

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Speaker 1: the business is out the way, I want to say

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Speaker 1: thank you to all my fans. Round up applause for

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Speaker 1: my supporters. Again, I want to say thank y'all again, man,

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Speaker 1: because I felt the love in the hospital. So many calls,

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Speaker 1: so many dms, so many mentions, and I got to

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Speaker 1: do a better job at starting to repost people like

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Speaker 1: re sharing because it'd be so many. But I want

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Speaker 1: y'all to know I felt that. You know, I'm still

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Speaker 1: in that place where I separate real life from social

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Speaker 1: media or from whatever entertainment presence that I have or

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Speaker 1: whatever podcast presence that I have, So I don't really

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Speaker 1: put too much credence in people giving me, like, you know,

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Speaker 1: ten thousand people saying get better, loon, we need you,

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Speaker 1: or the podcast game really neat, Like I just, you know,

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Speaker 1: I don't. I don't know yet, I guess because I

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Speaker 1: haven't got on the road and felt none of you

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Speaker 1: guys yet that I don't know that this is a

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Speaker 1: real thing, you know. So it's like all these people,

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Speaker 1: I mean, I had people sending prayers to me, bang

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Speaker 1: like literally sending prayers, and and I couldn't. I'm just man,

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Speaker 1: I'm just in there, thankful, like bro, you know. And

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Speaker 1: I got to think and then we'll move on to

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Speaker 1: the show. This was a unique thing for me to

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Speaker 1: think about because I don't get broken down, right. I

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Speaker 1: do need to work on my mental strength because I

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Speaker 1: have like this layer, but once you get past that layer,

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Speaker 1: I'm broke down. I'm talking about in regards to will,

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Speaker 1: in regards to belief, in regards to like when I

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Speaker 1: was in the hospital, I felt helpless. I'm feeling I'm

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Speaker 1: sitting there feeling like yo, no matter what I do,

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Speaker 1: I can't stop hurting, like I'm throwing up all this

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Speaker 1: shit is happening, like I don't. I don't know no

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Speaker 1: matter what I do, I can say, you know, because

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Speaker 1: you know, at some point you put your man down.

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Speaker 1: You know, you're just like, you know, man, I ain't

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Speaker 1: you know, I ain't gonna cry. I ain't gonna this

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Speaker 1: ain't man, I'm gonna take the pain. You know. You

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Speaker 1: put that on and that's cool, But that don't work.

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Speaker 1: This is internal something and I'm just like yo. And

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Speaker 1: it made me think of because one of the speaking

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Speaker 1: of getting prayers, one of the Muslim brothers hit me

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Speaker 1: and one of my famous homies, and he said that,

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Speaker 1: he said that, he said something like Ala said all

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Speaker 1: I said, all may not be well, but all will

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Speaker 1: be well, right, And I got to thinking, like Yo,

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Speaker 1: I need that mental strength like that. Like, I know,

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Speaker 1: it's easier for him to see it on that side

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Speaker 1: while I'm in the hospital hooked up on ivs and

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Speaker 1: they giving me all kind of trying to see what's

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Speaker 1: happening to me. So I know it's an easy thing

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Speaker 1: for him to say. But then I got to thinking

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Speaker 1: about the Muslim brothers. A lot of them Muslim brothers

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Speaker 1: really live by that. A lot of them Muslim brothers

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Speaker 1: are going being unfortunate circumstances and say Yola said that,

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Speaker 1: such as sid and they'll stand on that. And sometimes

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Speaker 1: whether you subscribe to that or not, as a different conversation,

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Speaker 1: what I'm saying is the mental makeup that religion lens people.

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Speaker 1: You see what I'm saying, the mental like toughness. You

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Speaker 1: know what I'm saying, like to say, Yo, you know,

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Speaker 1: God said that I would be in this situation and

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Speaker 1: I'll be a hight and really stand on that in

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Speaker 1: the midst of the storm. And that's when I was saying, oh,

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Speaker 1: you know, I gotta get stronger in that. You know now,

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Speaker 1: that don't make the pain go away, but that make

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Speaker 1: Loan understand Like Loan, because I'm a man of information.

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Speaker 1: I'm a man, pretty witty guy, but that make that

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Speaker 1: does make loans say, look, some reason this is happening.

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Speaker 1: We don't know why it's happening, but you gotta deal

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Speaker 1: with it, you know what I'm saying. And no matter

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Speaker 1: what you see, this is the reality of whatever's happening too.

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Speaker 1: And let me say this to the people paying attention.

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Speaker 1: Whatever's happening, You're gonna have to deal with it anyway.

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Speaker 1: It can hurt, it can feel good. You can cry,

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Speaker 1: you can laugh, you can be up, you can be down,

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Speaker 1: you can be sad, you can be miserable. That don't

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Speaker 1: stop that. You gotta deal with whatever the situation is.

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Speaker 1: And so, as I said in there, I just kept

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Speaker 1: telling myself, like, bro, you got people really appreciate what

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Speaker 1: you do in this game. Bro, I got thousands of

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Speaker 1: comments on every platform and this is organic. Ain't even

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Speaker 1: read Revote, ain't even read the egg campaign yet, this

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Speaker 1: is literally again and I get thousands of comments. People, Man,

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Speaker 1: you really need you the truth if you speak king

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Speaker 1: this And I'm always like, yo, I don't really know

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Speaker 1: if this is But when I went down and I posted,

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Speaker 1: because I posted to let my fans know the episode

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Speaker 1: wouldn't come out right at midnight on Monday, but I

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Speaker 1: end up getting it tooking care of and just to

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Speaker 1: see the overwhelming response, the outpouring of love the people

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Speaker 1: that was debt. It's like, yo, bro, the game will

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Speaker 1: not be the same without you, bro, And I know

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Speaker 1: that you don't know that. This is what they're telling me.

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Speaker 1: And I'm like, yo, bro, because something's happening with what

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Speaker 1: I'm doing in podcasting. And we'll get to the show

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Speaker 1: after this, but I want to give y'all a brief update.

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Speaker 1: Something's happening with what I'm doing. Whatever it is i'm

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Speaker 1: bringing the podcasting is being received some kind of way.

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Speaker 1: It's being received as information, as helpful. And if you

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Speaker 1: listen to Gary V, Gary V always says help people.

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Speaker 1: You hear a lot of people say if you help people,

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Speaker 1: you're gonna make a fortune. And so for me, I'm

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Speaker 1: just sitting talking, but it's coming off. It's helping people

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Speaker 1: understand kind of the inner workings of the game. I mean,

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Speaker 1: you see a lot of people in this industry. They

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Speaker 1: just sit down, they have conversations about numerous things. They

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Speaker 1: may be messy, they may you know, talk about this

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Speaker 1: and then and do interviews about the pass, the beef

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Speaker 1: and things like that, and I get into some of

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Speaker 1: those things, but the perspective is different, the approach is different,

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Speaker 1: and I think that's that's why I always we're prevailing

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Speaker 1: this game. And if God willing, man, we stay on track, man,

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Speaker 1: we'll we'll run this thing all way up. Um. But

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Speaker 1: if you're a fan or a supporter, man, man, make

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Speaker 1: sure you keep loom in your prayers, um, and and

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Speaker 1: and just make sure you're supporting the movement. Man. You know,

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Speaker 1: I always tell my people, my fans, supporters, Man, it's

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Speaker 1: one of my biggest fields. Is like some happening, and

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Speaker 1: then I don't get to see it. You know, my

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Speaker 1: children and my mother and all of them get to see,

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Speaker 1: like the world go crazy about what it is I

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Speaker 1: do because all this work I put in, man. And

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Speaker 1: I know this might sound selfish, but you know I'm

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Speaker 1: vulnerable right now, you know, as I'm speaking to y'all.

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Speaker 1: But I want to see it too, you know, I

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Speaker 1: want to see the hard work because, believe me, nobody's

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Speaker 1: done what I've done. I'm over one hundred episodes in.

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Speaker 1: I ain't repeated a talking point. I ain't had a guess.

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Speaker 1: I go over two hours thirty minutes, sometimes three hours

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Speaker 1: every week. I'm dealing with clips every week. I'm uploading

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Speaker 1: on four and five and six different platforms every week.

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Speaker 1: I'm dealing with high level information. I'm putting major game down,

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Speaker 1: you know what I'm saying. So a lot of work

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Speaker 1: go into that, not just sitting in front of a

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Speaker 1: camera talking right quick. There's thousands of hours that people

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Speaker 1: don't even see that has to happen for it's to

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Speaker 1: work the way that it's working, and so and for

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Speaker 1: free for a long time. But I was in a

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Speaker 1: financial situation, and why I can carry that burden. A

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Speaker 1: lot of people gotta. We gotta get ourselves in a

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Speaker 1: situation where we can say, all right, shut everything down.

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Speaker 1: I'm gonna find something my love doing for free for

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Speaker 1: a while and see if it makes some money. If

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Speaker 1: it don't, will move on. If you do, we just

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Speaker 1: hit the lot of you know. Um, but again thanks

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Speaker 1: to everybody, man, I um, I don't know, man, I

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Speaker 1: just got a lot. I got a lot to think about. Simultaneously.

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Speaker 1: I saw jay z till twenty one savage that he

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Speaker 1: spent his most money on doctor on lawyers, and I

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Speaker 1: think it was a shelf and he said, Yo, without health,

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Speaker 1: you can't even spend your money. And I was reading

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Speaker 1: it in the hospital bed, hooked up the IVS, thinking,

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Speaker 1: like all the phone calls top niggas in the game

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Speaker 1: ain't hitting my line. Bro, you got it, Bro, you

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Speaker 1: gotta be healthy, saying yo, out of country doctors. Yo,

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Speaker 1: I gotta doctor over here at the country, Bro, I

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Speaker 1: get that to care for you or whatever. Like dudes

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Speaker 1: is trying to help me stay in this game, and

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Speaker 1: I'm sitting there like, yo, I gotta get this together

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Speaker 1: because I ain't no good to nobody if I can't

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Speaker 1: do what it is that they appreciate from me. You understand,

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Speaker 1: so um conscious effort to get this together again. We

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Speaker 1: don't know what it is, um, and I don't kind

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Speaker 1: of want to explain it in entirety. It just was

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Speaker 1: a situation. It almost felt like a high level food

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Speaker 1: poisoning type thing where you continue to throw up. Your

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Speaker 1: stomach's hurting really bad, they cannot stop it, and you

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Speaker 1: just you sweating up a stone like it's it's yo,

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Speaker 1: it's it was. It was a mess, But thank everybody

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Speaker 1: for tuning in. We'll start today with the Jay Prince

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Speaker 1: and Whack one hundred situations. For those you've been underware,

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Speaker 1: Jay Prince and Whack one Hunter has been going back

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Speaker 1: and forth in regards to some Larry Hoover footage that

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Speaker 1: was owned by a lady named Karen Chapman. I have

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Speaker 1: Reggie White on this up there podcast. Is not sure

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Speaker 1: when it'll be dropped, but pretty soon, and he spoke

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Speaker 1: about introducing Whack one hundred to Reggie, I mean to

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Speaker 1: Karen Chapman in that whole situation. But nonetheless, Whack ended

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Speaker 1: up in a position to where he was involved with

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Speaker 1: some Larry Hoover footage from nineteen ninety eight, simultaneously working

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Speaker 1: with Kanye West at the time delivering whatever footage that

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Speaker 1: Ray J had or whatever that situation was. He was

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Speaker 1: placed in a situation to introduce their footage to Kanye West.

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Speaker 1: Introducing that footage to Kanye West then puts Kanye West

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Speaker 1: in a situation to be interested in the Larry Hoover footage,

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Speaker 1: as we've seen Kanye go out on a limb for

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Speaker 1: Larry Hoove on several occasions, so he tries to do

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Speaker 1: some kind of deal to get the footage acquired the footage.

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Speaker 1: See what's going on? Now, that's where you insert Jay Prince.

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Speaker 1: Jay Prince in the south. You know, is roy To

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Speaker 1: in the south, Whack on the west. They look at

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Speaker 1: Whack as a big dog on the west. Um, in

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Speaker 1: my opinion, we don't. We haven't really saw Jay Prince

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Speaker 1: be on the internet doing too much. And this is

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Speaker 1: this is something that's new to the old J Prince

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Speaker 1: fans and and and watch us and support us. And

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Speaker 1: so when we see him do this, of course it's

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Speaker 1: a message to the coach, like what's happening? What is

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Speaker 1: he trying to say? And Um, he went and sat

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Speaker 1: with Willow and Gilly kind of explained it a little bit.

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Speaker 1: We'll let him speak on that a little bit and

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Speaker 1: then we'll come back with some commentary. Well, interference came

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Speaker 1: into play with this dude, rat Officer rat one hundred,

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Speaker 1: you know what I mean. A lot of interference came

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Speaker 1: into place with Officer rat one hundred because what he done,

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Speaker 1: you know what I mean? And this has to be

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Speaker 1: talked about because we're on a million dollars with the game,

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Speaker 1: and I got to get a game to the youth

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Speaker 1: because I don't want him getting caught in no crosses,

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Speaker 1: whether it's Officer Rat one hundred is concerned because he's

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Speaker 1: a lie rat, you know what I mean, And he

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Speaker 1: is the truth of what he'd done, you know, even

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Speaker 1: though he tries to deceive and put you know, our

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Speaker 1: text messages, you know, in him form when we was

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Speaker 1: talking about apples, he want to switch the game up

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Speaker 1: and say we're talking about oranges. But you know, I

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Speaker 1: got proof and I'm gonna show y'all the real text

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Speaker 1: message that he didn't want people to see. But what

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Speaker 1: this brother, you know what I mean. They called himself real,

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Speaker 1: attempted to do and play, you know with the old man.

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Speaker 1: We call an old man, we call him. I called

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Speaker 1: him my brother, my friend, you know. But most of

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Speaker 1: all with his freedom, you know, because on two occasions,

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Speaker 1: one him and his chad what's his woman named Karen Chapman.

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Speaker 1: You know, this is a lady that was entrusted to

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Speaker 1: go in an interview, you know, Lara Hoover, with understanding

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Speaker 1: of you bring this back to the family. We're not

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Speaker 1: clearing away for you to go and do this for

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Speaker 1: no other reason. You know, we don't play like that.

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Speaker 1: But that's what she died she went an interviewed and

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Speaker 1: just for the record, right, I want everybody to pay

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Speaker 1: attention to Gilly. I would say that after the Hussan

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Speaker 1: phone call was released, the Gilly and Wallow and Whacked

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Speaker 1: one hundred relationship as well as other relationships, was tampered with.

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Speaker 1: And so now you see some of those effects. Because

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Speaker 1: even when I first saw this interview and Gilly didn't

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Speaker 1: start with the dance and he was really wasn't even

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Speaker 1: really on his vibe, Wallow was still trying to for Gilly.

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Speaker 1: He wasn't. I said, sums off, he's not feeling it.

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Speaker 1: Something's going on. I didn't know what it said, but

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Speaker 1: it said something. But I can honestly say that since

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Speaker 1: that phone calls was released, and I expected those relationships

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Speaker 1: to be tempered with. Number one, because Whack and Gilly,

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Speaker 1: say Gilling Wallo on them. They don't need Whack. They

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Speaker 1: may did at one time, maybe to get some interviews

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Speaker 1: on the West coast, get in contact with some people.

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Speaker 1: I don't know if they ever did at this particular time.

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Speaker 1: There's no real need for them to be in a

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Speaker 1: situation where like they need Whack one hundred. You see

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Speaker 1: what I'm saying and so now it's like, Yo, you

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Speaker 1: said you had to squeeze on us and we gotta

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Speaker 1: come out there man on man and them street dudes.

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Speaker 1: And you know, sometimes you can try to explain it

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Speaker 1: in a way where it's effective. Other times like now,

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Speaker 1: I know what, I know what that meant. I ain't

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Speaker 1: that ain't I'm not going for that. It's almost like

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Speaker 1: gilling Wallo on them. Ain't saying nothing, but it's like

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Speaker 1: they're thinking like and that to me because I hear

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Speaker 1: Whack saying that they need to approach him if they

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Speaker 1: feel away and if they have relationship where he feels

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Speaker 1: their friends in that way, that's them. I don't feel

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Speaker 1: like they have the approach wagon one hundred if they

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Speaker 1: feel away. I feel as though Wack may have seen

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Speaker 1: or should have seen what was presented online and now

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Speaker 1: understanding he may be dealing with the effects of some

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Speaker 1: people trying to disassociate themselves in a way where it's

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Speaker 1: you know, where it's visible. You know what I'm saying,

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Speaker 1: And they could come from some of that conversations that

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Speaker 1: he had what the East Coast dude about people he

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Speaker 1: had genuine relationships with. Let's listen to a little more

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Speaker 1: and ran off. You know what I mean. So what

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Speaker 1: this dude has chosen to do is take a stand

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Speaker 1: with a person like this, like when they was putting

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Speaker 1: together the Pardon for Laria a few years ago, and

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Speaker 1: I let him tell that story. But I'm so I'm

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Speaker 1: feeling so good about it right now until I'm gonna

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Speaker 1: say and what I don't cover you you we're gonna

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Speaker 1: do like run dmc. So, So she didn't wouldn't give

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Speaker 1: footage for the pardon. Now this is him being free.

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Speaker 1: We just wanted you know what I mean, Because when

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Speaker 1: you're trying to humanize, then you use footage, you use

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Speaker 1: their own words to help situations like this. So it

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Speaker 1: was about the money with her, Well what am I

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Speaker 1: getting out of this? Yeah, let me reiterate that part.

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Speaker 1: So when we were trying to put the parton together,

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Speaker 1: I said, were trying to just get information on my father,

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Speaker 1: so she had some actual footage of them. Were like

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Speaker 1: asked the attorneys, would that'd be good to have this

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Speaker 1: footage to put on this partner. They're like, yeah, that'll

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Speaker 1: be good. Let's see what we can try to do it.

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Speaker 1: We try some numbers. We caught up with the lady,

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Speaker 1: and I called and I asked. I was like, we

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Speaker 1: need some of that footage because we're trying to put

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Speaker 1: this parton together. And she told me, she said, well,

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Speaker 1: who go get paid for this? Well, how I'm gonna

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Speaker 1: get paid for this? And I'm like, Wow, this is

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Speaker 1: about my father's freedom right here, and you want to

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Speaker 1: know who's gonna get paid for this footage? You know?

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Speaker 1: So now I do? I do. I'm gonna be honest,

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Speaker 1: I do find that a little, you know, crazy. If

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Speaker 1: I request some footage for a partning and and I'm

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Speaker 1: asked for a price tag, you know, I will view

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Speaker 1: that a way. If that's me, if that's my family,

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Speaker 1: I'll look at that a way. I ain't gonna you know,

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Speaker 1: it's like, damn, I ain't saying we're gonna put this out,

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Speaker 1: you know, or go to Amazon Prime with it. I'm saying, like, yo,

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Speaker 1: we're trying to plead the case. Now. I hear arguments

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Speaker 1: to say if Jay Prince and I'm about to have

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Speaker 1: Larry Hoover Junior and Jay Prince on this up there podcast,

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Speaker 1: so we'll reiterate some of these questions. I hear questions

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Speaker 1: to say, if if you don't know what's on the footage,

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Speaker 1: how do you know it can help with his pardon

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Speaker 1: right now? He really just explained that in this opinion,

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Speaker 1: he feels like that whatever footage they got from then

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Speaker 1: can humanize them, you know what I'm saying. Knowing that

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Speaker 1: he's not gonna be on camera in jail speaking on

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Speaker 1: things that would be outside of shit and new lightning

398
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Speaker 1: covering new ground, so we would assume that it should

399
00:22:14,280 --> 00:22:20,520
Speaker 1: be something where he's trying to further whatever teachings that

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Speaker 1: he wants to change or that he may have been

401
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Speaker 1: involved with. Right So, I think that that's the generalization there,

402
00:22:26,440 --> 00:22:28,480
Speaker 1: And to hear his sons say that, it's like, man,

403
00:22:28,480 --> 00:22:34,359
Speaker 1: that's as heavy, really caring about our family, but she

404
00:22:34,440 --> 00:22:36,320
Speaker 1: wanted to know who's gonna get paid when he's trying

405
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Speaker 1: to get this package together for this party. And then

406
00:22:40,000 --> 00:22:44,760
Speaker 1: moving forward after that, that's around the time Kanye Hire

407
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Speaker 1: went to the White House, not too far too before

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Speaker 1: the end. After that, she's seeing that it was a

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Speaker 1: buzz and my father's name was freshen people's heads, and

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Speaker 1: that's when she comes from behind the rocks somewhere, looking

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Speaker 1: like it was an opportunity KNYE reached out to it

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Speaker 1: to try to get the footage again some years later,

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Speaker 1: and I don't know where it happened at, but somehow

414
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Speaker 1: Whack wound up in the middle of the mix, and

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00:23:12,880 --> 00:23:17,760
Speaker 1: Whack was bargaining, bargain the middleman with the footage. First

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Speaker 1: he was just the middleman for her because she didn't

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Speaker 1: want to speak to us. But then next thing, you know,

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00:23:22,560 --> 00:23:26,399
Speaker 1: he's a partner in the whole situation. This is his footage,

419
00:23:26,520 --> 00:23:31,600
Speaker 1: he got it in blah blah blah. So yeah, what

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Speaker 1: what this clown with this clown done? You know, head up,

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00:23:35,359 --> 00:23:39,280
Speaker 1: like we're right here, he with somebody else, you know

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Speaker 1: what I mean. He portrayed to be old. I'm down

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Speaker 1: with y'all. The only reason i wanted to talk to him.

424
00:23:46,400 --> 00:23:48,439
Speaker 1: You know, I'm a game the benefit of the doubt

425
00:23:48,840 --> 00:23:52,000
Speaker 1: for my brother, because it's serious business, right, So I

426
00:23:52,119 --> 00:23:57,280
Speaker 1: embraced that. I entertained that. And you know, in retrospect,

427
00:23:57,359 --> 00:24:00,480
Speaker 1: when I hear him take a different position and like

428
00:24:00,560 --> 00:24:03,439
Speaker 1: he was partners with her and this and that, the

429
00:24:03,480 --> 00:24:10,840
Speaker 1: whole time, I'm like, oh, so I'm kind of well,

430
00:24:11,400 --> 00:24:14,120
Speaker 1: all money, good money with him, you know what I mean.

431
00:24:14,200 --> 00:24:17,160
Speaker 1: Everybody go you know, I'm from the school where everybody

432
00:24:17,200 --> 00:24:19,280
Speaker 1: don't go, you know what I mean. And when you're

433
00:24:19,280 --> 00:24:23,280
Speaker 1: playing with a man freedom like that and everybody go,

434
00:24:23,920 --> 00:24:26,560
Speaker 1: then you know I take that real personal, you know

435
00:24:26,600 --> 00:24:29,879
Speaker 1: what I mean. So that's why you know I won't

436
00:24:30,800 --> 00:24:33,440
Speaker 1: all the culture, because I'm gonna stand for the culture.

437
00:24:33,920 --> 00:24:35,719
Speaker 1: You know what I mean. I love a hip hop culture.

438
00:24:36,040 --> 00:24:38,280
Speaker 1: You know. I put in a lot of work where

439
00:24:38,280 --> 00:24:40,840
Speaker 1: the hip hop culture is concerned. A blaze of trailer,

440
00:24:41,359 --> 00:24:43,000
Speaker 1: you know what I mean. And when I see one,

441
00:24:43,720 --> 00:24:47,960
Speaker 1: you know, trying to sho tupop, trying to strong nips it,

442
00:24:48,520 --> 00:24:51,640
Speaker 1: trying to storm you know, the Homy big you out

443
00:24:51,680 --> 00:24:55,920
Speaker 1: there trying to storm master p. You know good names,

444
00:24:56,440 --> 00:24:59,320
Speaker 1: you know, Meek Mill. You know, I see a name

445
00:24:59,440 --> 00:25:03,960
Speaker 1: get on a a podcast and with another rat and

446
00:25:04,240 --> 00:25:07,159
Speaker 1: go off on twenty one Savvathe. I'm like, oh, this

447
00:25:07,840 --> 00:25:10,359
Speaker 1: got die Rea at the mouth. He liked fool of

448
00:25:10,400 --> 00:25:14,199
Speaker 1: ship right, either type of that will sit in the

449
00:25:14,200 --> 00:25:16,399
Speaker 1: bed and blame it on the baby, you know what

450
00:25:16,520 --> 00:25:18,880
Speaker 1: I mean. Imagine that, you know, you take a rush

451
00:25:19,040 --> 00:25:22,359
Speaker 1: in the bed and says the babyshit, I ain't you

452
00:25:22,400 --> 00:25:24,359
Speaker 1: know what I mean? This is how he goes to

453
00:25:24,440 --> 00:25:27,080
Speaker 1: trying to change narratives in different ship about the truth,

454
00:25:27,520 --> 00:25:31,760
Speaker 1: and um, what be real cold about it is some

455
00:25:31,880 --> 00:25:35,080
Speaker 1: people get lost along the way, you know what I mean?

456
00:25:35,119 --> 00:25:38,240
Speaker 1: They get lost along the way and they roll off

457
00:25:38,280 --> 00:25:42,720
Speaker 1: a cliff with you know what I mean, Officer rat

458
00:25:42,760 --> 00:25:45,920
Speaker 1: one hundred and uh. You know, I don't like to

459
00:25:46,000 --> 00:25:49,320
Speaker 1: sh man. I'm gonna calm down and let y'all talk.

460
00:25:49,440 --> 00:25:52,560
Speaker 1: But I hope the people feel me because you know,

461
00:25:52,600 --> 00:25:54,200
Speaker 1: I ain't the type of that. I don't believe in

462
00:25:54,359 --> 00:26:00,000
Speaker 1: using a rat and like, so call them punks. I remember,

463
00:26:00,000 --> 00:26:03,720
Speaker 1: I'm gonna calling him so he likes me, you know

464
00:26:03,760 --> 00:26:07,080
Speaker 1: what I mean, He's a me and I can see

465
00:26:07,119 --> 00:26:09,840
Speaker 1: a whole lot of other thing. But I'm I'm we're

466
00:26:09,840 --> 00:26:14,840
Speaker 1: a million million dollars worth the game. But just just

467
00:26:14,840 --> 00:26:18,040
Speaker 1: just for the rucker. I want all that smoke that

468
00:26:18,200 --> 00:26:20,399
Speaker 1: one is talking about. You know, I know how to

469
00:26:20,400 --> 00:26:23,800
Speaker 1: put all that out, so with y'all time. But yeah,

470
00:26:23,880 --> 00:26:25,960
Speaker 1: one last thing. The bottom line is that the stuff

471
00:26:26,040 --> 00:26:28,639
Speaker 1: was taken from us and he partnered partnered up with

472
00:26:28,680 --> 00:26:31,840
Speaker 1: the lady to act like it was his and I'm

473
00:26:31,880 --> 00:26:33,920
Speaker 1: gonna sell it back to you when it was ours.

474
00:26:33,960 --> 00:26:36,240
Speaker 1: In the first place and act like he's a street

475
00:26:36,320 --> 00:26:40,560
Speaker 1: dude and he respect mold man and respect everything. Who

476
00:26:40,640 --> 00:26:42,800
Speaker 1: was the real dude this go partning up with this

477
00:26:42,880 --> 00:26:46,240
Speaker 1: chick that stole something and try to go in front

478
00:26:46,280 --> 00:26:47,879
Speaker 1: of the world like he really had a right to

479
00:26:47,920 --> 00:26:51,200
Speaker 1: do it, like he trying to you know, he putting

480
00:26:51,280 --> 00:26:54,080
Speaker 1: he putting people in bad positions out there. It's people

481
00:26:54,119 --> 00:26:57,520
Speaker 1: that's you know, there's that's real upset about that. And

482
00:26:57,560 --> 00:26:59,280
Speaker 1: I don't got nothing, you know what I mean, I

483
00:26:59,280 --> 00:27:01,840
Speaker 1: don't have nothing to do with I don't know where

484
00:27:01,840 --> 00:27:06,000
Speaker 1: the head is. But you know, he keeps just jumping

485
00:27:06,040 --> 00:27:08,879
Speaker 1: out the deep water man. And so in that in

486
00:27:08,960 --> 00:27:16,640
Speaker 1: that exchange between those gentlemen again visibly visibly while Jay

487
00:27:16,760 --> 00:27:21,159
Speaker 1: Prince and Larry Hoover Junior speaking on Whack One Hunted,

488
00:27:21,200 --> 00:27:23,960
Speaker 1: you see a different wallow in a different guilt because

489
00:27:24,000 --> 00:27:26,760
Speaker 1: they're hurt. They've been through something where they've been attacked

490
00:27:27,200 --> 00:27:30,920
Speaker 1: or the brand has been attacked in public right by

491
00:27:31,160 --> 00:27:34,520
Speaker 1: uncovered conversation from a guy they didn't even know. And

492
00:27:34,600 --> 00:27:36,480
Speaker 1: so if I don't know these guys, why are you

493
00:27:36,520 --> 00:27:38,080
Speaker 1: speaking to them again? Like it's just a lot of

494
00:27:38,160 --> 00:27:41,280
Speaker 1: questions that need to be had, right then some people say,

495
00:27:41,320 --> 00:27:43,920
Speaker 1: take the initiative. Call No, ain't nothing to call about.

496
00:27:44,000 --> 00:27:47,240
Speaker 1: I'm listening, loon. If a recording come out with my

497
00:27:47,359 --> 00:27:51,360
Speaker 1: name on it from somebody that I've did nothing too,

498
00:27:51,400 --> 00:27:54,439
Speaker 1: and it's genuine, supposed to be a genuine relationship, and

499
00:27:54,480 --> 00:27:57,480
Speaker 1: there's something that comes out where you saying, Yolon gotta

500
00:27:57,560 --> 00:27:59,359
Speaker 1: let us come on this up there, Pardcast. You know

501
00:27:59,440 --> 00:28:01,600
Speaker 1: he know he liked to come down here to Miami.

502
00:28:01,640 --> 00:28:05,960
Speaker 1: He gotta come down here. I'm gonna take that away respectfully.

503
00:28:06,440 --> 00:28:10,360
Speaker 1: I'm gonna say, oh, oh, I'm dealing with insight now.

504
00:28:11,640 --> 00:28:13,879
Speaker 1: So you think you got some kind of stronghold on me,

505
00:28:13,960 --> 00:28:15,760
Speaker 1: let me show you ain't got no hold on me.

506
00:28:16,960 --> 00:28:18,480
Speaker 1: You know what I'm saying. And I'll do that just

507
00:28:18,520 --> 00:28:20,520
Speaker 1: because of my ego. I got one of them kind

508
00:28:20,560 --> 00:28:22,600
Speaker 1: of egos. The way I'm gonna get you. Yeah, I'm

509
00:28:22,600 --> 00:28:25,439
Speaker 1: gonna show you in Nah, you can't do that to me.

510
00:28:25,480 --> 00:28:28,320
Speaker 1: I'm just not one of those guys. My first question

511
00:28:28,400 --> 00:28:31,359
Speaker 1: when I saw this was like, all right, Jay, Prisca

512
00:28:31,440 --> 00:28:34,639
Speaker 1: be on them. How's wack gonna think about that? And

513
00:28:34,720 --> 00:28:38,200
Speaker 1: then I remember some people still don't understand how WAT

514
00:28:38,240 --> 00:28:40,600
Speaker 1: got involved. I remember a couple of months ago when

515
00:28:40,680 --> 00:28:43,120
Speaker 1: we was dealing with the b and MEL big meat

516
00:28:43,400 --> 00:28:46,680
Speaker 1: life rights, Blue DaVinci, you know, little meat to all

517
00:28:46,720 --> 00:28:48,560
Speaker 1: of that. When we was dealing with the BMMEL thing,

518
00:28:48,840 --> 00:28:52,640
Speaker 1: of course Wack homeboys Blue Davincia. So Wack jump in

519
00:28:52,800 --> 00:28:56,120
Speaker 1: with his homeboy, and I remember he posted some kind

520
00:28:56,160 --> 00:28:58,880
Speaker 1: of paperwork about some people that might have been allegedly

521
00:28:58,960 --> 00:29:01,560
Speaker 1: saying something on the case or how you got the

522
00:29:01,640 --> 00:29:04,720
Speaker 1: life rights was sold? Was it was just some kind

523
00:29:04,720 --> 00:29:06,880
Speaker 1: of interaction. I think what he was a legend, and

524
00:29:06,960 --> 00:29:08,680
Speaker 1: I don't notice to be the case, So don't say

525
00:29:08,800 --> 00:29:11,680
Speaker 1: Loon's saying it. Whatever I say I stand on, but

526
00:29:11,800 --> 00:29:14,040
Speaker 1: I don't stand on nothing that I don't have information on.

527
00:29:15,320 --> 00:29:18,160
Speaker 1: I think what he was a legend is that whoever

528
00:29:20,240 --> 00:29:23,600
Speaker 1: sold the life rights to fifty cent was an informant

529
00:29:23,720 --> 00:29:26,120
Speaker 1: or something that was something with whoever had the life

530
00:29:26,200 --> 00:29:30,440
Speaker 1: rights and Howard got there, and so Blue da Vinci,

531
00:29:32,720 --> 00:29:35,560
Speaker 1: according to Whack one hundred, reached out to Wagon say yo,

532
00:29:36,160 --> 00:29:38,200
Speaker 1: I got I got a story or I got the

533
00:29:38,320 --> 00:29:40,640
Speaker 1: rights to something that has to do with being mouth,

534
00:29:41,120 --> 00:29:42,880
Speaker 1: and I want to get a deal for it. And

535
00:29:43,200 --> 00:29:46,160
Speaker 1: that's where Wack has stepped in. I haven't heard nothing

536
00:29:46,200 --> 00:29:49,120
Speaker 1: about that Blue Da Vinci thing or whatever they had

537
00:29:49,200 --> 00:29:52,360
Speaker 1: going on. But at that same time, he spawned out

538
00:29:52,440 --> 00:29:55,600
Speaker 1: of that and started to speak about this footage from

539
00:29:55,680 --> 00:29:59,160
Speaker 1: Larry Hoover, and he would say things and again, I

540
00:29:59,360 --> 00:30:02,280
Speaker 1: know what Way does on clubhouse. He's front facing, he's

541
00:30:02,320 --> 00:30:05,040
Speaker 1: consumer facing. So he's on that saying, yo, I got

542
00:30:05,080 --> 00:30:07,600
Speaker 1: some footage. It's like five hours. Nobody had never seen it.

543
00:30:07,680 --> 00:30:10,680
Speaker 1: The family never even seen. Right, he's boosting the footage up.

544
00:30:10,960 --> 00:30:13,320
Speaker 1: But he don't know those records some of the recordings,

545
00:30:13,320 --> 00:30:16,240
Speaker 1: because I'm pretty sure he don't know everything he says

546
00:30:16,280 --> 00:30:18,440
Speaker 1: on that club How some of those recordings get back

547
00:30:18,480 --> 00:30:21,440
Speaker 1: to people that may not be maybe three minutes of

548
00:30:21,520 --> 00:30:23,920
Speaker 1: the twenty five minute clip and maybe one minute of

549
00:30:24,000 --> 00:30:27,200
Speaker 1: an eight minute clip like so it's not a fully

550
00:30:27,280 --> 00:30:31,200
Speaker 1: explained situation. Nonetheless, your words is your words, your voice

551
00:30:31,240 --> 00:30:33,240
Speaker 1: is your voice. So when he gets back to them,

552
00:30:33,280 --> 00:30:37,280
Speaker 1: they said, oh, hen he got the footage. And again

553
00:30:37,480 --> 00:30:40,360
Speaker 1: he made a conscious effort to try to bridge whatever

554
00:30:40,480 --> 00:30:43,000
Speaker 1: gap because he's an opportunity guy. If you see a

555
00:30:43,080 --> 00:30:45,360
Speaker 1: bag or something, he gonna he gonna make it happen

556
00:30:45,600 --> 00:30:47,880
Speaker 1: as well as I So he tried to, you know,

557
00:30:48,000 --> 00:30:50,280
Speaker 1: connect a few dots to get the business took care of,

558
00:30:50,480 --> 00:30:53,880
Speaker 1: and then connecting those dots runs into Jay Prince explains

559
00:30:53,920 --> 00:30:57,560
Speaker 1: the footage to Jay Prince alleges that Jay Prince wants

560
00:30:57,600 --> 00:31:00,240
Speaker 1: to give the Lady to twenty K and muscle out

561
00:31:00,280 --> 00:31:03,880
Speaker 1: of the footage. And so after this interview we see

562
00:31:03,960 --> 00:31:06,440
Speaker 1: some of the same behavior we've seen from Whack one hundred.

563
00:31:06,480 --> 00:31:08,840
Speaker 1: After the Hassan camera in an interview where it goes

564
00:31:08,920 --> 00:31:12,560
Speaker 1: to Clubhouse and gives its perspective, it says something to

565
00:31:12,680 --> 00:31:16,040
Speaker 1: me about the people who spend a lot of time

566
00:31:16,160 --> 00:31:19,520
Speaker 1: like on clubhouse and on YouTube and on Facebook and

567
00:31:19,640 --> 00:31:23,120
Speaker 1: going live. It says something to me, and I'll have

568
00:31:23,240 --> 00:31:25,520
Speaker 1: a deep dive at some point about that because it

569
00:31:25,880 --> 00:31:29,760
Speaker 1: shows like the business acumen of doing that just doesn't

570
00:31:29,800 --> 00:31:32,400
Speaker 1: make sense right, especially if it's not packaged right, if

571
00:31:32,440 --> 00:31:35,280
Speaker 1: it's not structure right. So for me, if I see

572
00:31:35,320 --> 00:31:39,880
Speaker 1: you somewhat talking every day just live, I say, oh,

573
00:31:39,960 --> 00:31:43,280
Speaker 1: you playing with this game. You don't know what you y'all? Yeah,

574
00:31:43,280 --> 00:31:44,960
Speaker 1: you one of them? Or you just like talking? You

575
00:31:45,040 --> 00:31:47,760
Speaker 1: like attenion like that? Ain't me. I don't like attension.

576
00:31:47,800 --> 00:31:49,880
Speaker 1: I'm here to put the message out go back and

577
00:31:50,000 --> 00:31:52,440
Speaker 1: hide and and count the money. Other than that, I

578
00:31:52,520 --> 00:31:57,680
Speaker 1: don't want no dealings. But after hearing Jay Prince on this,

579
00:31:58,200 --> 00:32:00,680
Speaker 1: Whack then goes on Clubhouse. Now this is where it

580
00:32:00,760 --> 00:32:05,479
Speaker 1: getting interesting, because while Whack is on Clubhouse, he's now

581
00:32:05,680 --> 00:32:08,080
Speaker 1: being placed in a position where he has to defend

582
00:32:08,200 --> 00:32:11,840
Speaker 1: himself by his own people. So this puts you, puts

583
00:32:11,920 --> 00:32:14,400
Speaker 1: you in a position where a lot of times you

584
00:32:14,480 --> 00:32:16,520
Speaker 1: feel like you're on your back foot and you're a swing.

585
00:32:17,360 --> 00:32:19,200
Speaker 1: You know, so they wouldn't They went to ask them

586
00:32:19,240 --> 00:32:21,080
Speaker 1: certain questions. Let's take a look at what they said.

587
00:32:21,120 --> 00:32:22,840
Speaker 1: I say, you know that was a money played for

588
00:32:22,960 --> 00:32:26,600
Speaker 1: Gilly and wallow Man. They got to keep the content streaming.

589
00:32:27,440 --> 00:32:30,240
Speaker 1: Don't hold them too odd to it. Now, I just

590
00:32:30,280 --> 00:32:31,959
Speaker 1: gonna look him in they hid, I'm gonna ask them

591
00:32:32,000 --> 00:32:34,880
Speaker 1: what they had with him, tearing on what they say,

592
00:32:35,000 --> 00:32:39,960
Speaker 1: bearing on where it goes. I ain't triggering. I don't

593
00:32:40,000 --> 00:32:47,720
Speaker 1: give about nothing. R I ain't triple. That's where y'all

594
00:32:47,720 --> 00:32:50,280
Speaker 1: at with me. Can't know what they say, don't know

595
00:32:50,320 --> 00:32:54,440
Speaker 1: what it's gonna be me either. We're gonna tear it

596
00:32:54,560 --> 00:32:58,320
Speaker 1: up on the spot. Can't know what they say it

597
00:32:58,360 --> 00:33:01,360
Speaker 1: is what it's gonna be. I ain't tripping them, ain't

598
00:33:01,400 --> 00:33:04,960
Speaker 1: put like this crook. Them interviewing them is one thing,

599
00:33:05,120 --> 00:33:08,000
Speaker 1: talking about projects where they got going on. But it's

600
00:33:08,080 --> 00:33:11,080
Speaker 1: when they started talking about Whack and how long he

601
00:33:11,320 --> 00:33:14,000
Speaker 1: let him drag it and entertained and he read this

602
00:33:14,120 --> 00:33:17,040
Speaker 1: so so people can't like Nick not participating none of

603
00:33:17,120 --> 00:33:19,760
Speaker 1: that with him. Bro, we're not fit to do none

604
00:33:19,800 --> 00:33:22,479
Speaker 1: of that conversation. Oh yeah, man, you know. And then

605
00:33:22,520 --> 00:33:25,760
Speaker 1: it went to the NAA, we can't do that. Oh

606
00:33:25,840 --> 00:33:29,400
Speaker 1: why what's the problem for him? Oh okay, okay, that's

607
00:33:29,400 --> 00:33:32,360
Speaker 1: a simple thing. The views would still be there. Yeah,

608
00:33:32,480 --> 00:33:34,640
Speaker 1: the views would have old on crook. The views would

609
00:33:34,640 --> 00:33:37,080
Speaker 1: have still been there. So if we talked about that

610
00:33:37,240 --> 00:33:40,120
Speaker 1: was a money play, the views would have still been there.

611
00:33:40,120 --> 00:33:41,800
Speaker 1: They would have still got their numbers, they would have

612
00:33:41,840 --> 00:33:44,640
Speaker 1: still ate. They did not have to allow these people

613
00:33:44,680 --> 00:33:46,960
Speaker 1: to drag that shit out and put all them and

614
00:33:47,120 --> 00:33:50,160
Speaker 1: just sit there opposed to being like, nah, man, Whack

615
00:33:50,240 --> 00:33:52,280
Speaker 1: showed me the contract. Hey, Whack did put up a

616
00:33:52,320 --> 00:33:55,920
Speaker 1: text message. They didn't address anything on be happening. There

617
00:33:56,000 --> 00:33:59,560
Speaker 1: was no Devil's Advocate. It was just let them ran

618
00:33:59,640 --> 00:34:02,160
Speaker 1: about Whack and let us just see here. You know

619
00:34:02,200 --> 00:34:04,800
Speaker 1: what I'm saying, And like you say, so, I think

620
00:34:04,920 --> 00:34:06,840
Speaker 1: somebody else said they would have made the phone call

621
00:34:07,360 --> 00:34:12,320
Speaker 1: to even make the content more, you know, elaborate to

622
00:34:12,520 --> 00:34:15,520
Speaker 1: get the information out. But I think there may have

623
00:34:15,719 --> 00:34:17,560
Speaker 1: been a deal to where it was like they were

624
00:34:17,600 --> 00:34:20,080
Speaker 1: gonna listen to him talk and they're gonna just put

625
00:34:20,160 --> 00:34:24,239
Speaker 1: the content out. And I think that's where whack gotta be. Like, hey,

626
00:34:24,600 --> 00:34:27,560
Speaker 1: like he said, I'm looking in an eye and you

627
00:34:27,680 --> 00:34:32,439
Speaker 1: tell me where you're at. That's where it's at. Hey, hey,

628
00:34:32,520 --> 00:34:35,440
Speaker 1: bo I and I agree with you, but there's no

629
00:34:35,680 --> 00:34:39,560
Speaker 1: possible way you go and have those two individuals there

630
00:34:40,160 --> 00:34:45,080
Speaker 1: and did not come up. Now, Pete game it was scripted. Pete,

631
00:34:45,440 --> 00:34:48,200
Speaker 1: it was right, no doubt there was three There was

632
00:34:48,400 --> 00:34:53,920
Speaker 1: three commercials or two or three commercials in between. That

633
00:34:54,160 --> 00:34:57,920
Speaker 1: subject matter did not come up until fifty three minutes

634
00:34:58,400 --> 00:35:04,440
Speaker 1: and twenty four seconds to the broadcast. Pay attention. I

635
00:35:04,560 --> 00:35:08,040
Speaker 1: was as designed so that they get all the other

636
00:35:08,200 --> 00:35:11,920
Speaker 1: bullshit out of the way. Your content was scripted to

637
00:35:12,000 --> 00:35:15,759
Speaker 1: where hey, you know this is gonna come up. Let

638
00:35:15,840 --> 00:35:18,160
Speaker 1: me ask you a question, how much can you take

639
00:35:18,280 --> 00:35:20,799
Speaker 1: even as a blogger, how much can you take when

640
00:35:20,880 --> 00:35:24,320
Speaker 1: somebody says something, some smuggs bullshit about to your homie

641
00:35:24,440 --> 00:35:26,960
Speaker 1: like you, at some point you can hold on, hold on,

642
00:35:27,120 --> 00:35:29,360
Speaker 1: hold on, this is the hommie we're talking about. Hold on,

643
00:35:29,960 --> 00:35:32,080
Speaker 1: how much even as a blogger, how much? How much

644
00:35:32,120 --> 00:35:34,440
Speaker 1: can you take? How much can you take for you

645
00:35:34,520 --> 00:35:37,200
Speaker 1: shut it down? Like hold on? We talked about the

646
00:35:37,280 --> 00:35:40,399
Speaker 1: homie for one, So it's gonna be respectful. It's gonna

647
00:35:40,400 --> 00:35:43,040
Speaker 1: be respect for all this name called it all that out.

648
00:35:43,480 --> 00:35:46,440
Speaker 1: So for one, it gotta be respectful for even as

649
00:35:46,480 --> 00:35:52,120
Speaker 1: a bloggery, gotta be respectful of a moral So I

650
00:35:52,200 --> 00:35:56,040
Speaker 1: know he's gonna check from the gate, from the phone.

651
00:35:56,920 --> 00:35:59,440
Speaker 1: And so again you see these people who are in

652
00:35:59,560 --> 00:36:02,319
Speaker 1: this club, abouse room, and they're trying to present Whack

653
00:36:02,440 --> 00:36:05,759
Speaker 1: with a situation where they try to help him understand, Yo,

654
00:36:06,160 --> 00:36:08,080
Speaker 1: they did you wrong, they did d wrong, They did

655
00:36:08,160 --> 00:36:11,160
Speaker 1: you wrong. Ain't nobody's saying, man, damn wha. Maybe them

656
00:36:11,200 --> 00:36:13,920
Speaker 1: calls from a son, man, damn man, damn my son

657
00:36:14,040 --> 00:36:17,680
Speaker 1: that this situation. Bro, you understand what I'm saying. But

658
00:36:17,960 --> 00:36:21,200
Speaker 1: but two pas the point you you brought up dogs.

659
00:36:21,239 --> 00:36:24,200
Speaker 1: You already knew when he comes to when Britt is involved, Bro,

660
00:36:24,400 --> 00:36:28,000
Speaker 1: as soon as as soon as he said rat run, honey,

661
00:36:28,520 --> 00:36:31,279
Speaker 1: and that's that's when that's when Gilly one of them

662
00:36:31,480 --> 00:36:35,239
Speaker 1: should have been the thing. No, I kind of I

663
00:36:35,400 --> 00:36:38,080
Speaker 1: kind of appreciate it because it let me know, he

664
00:36:38,200 --> 00:36:41,759
Speaker 1: you keep scared, use the coward because you didn't tell

665
00:36:41,840 --> 00:36:48,440
Speaker 1: me that. My face show because what me was when

666
00:36:48,520 --> 00:36:51,719
Speaker 1: he said the cake whatever the was, Yeah, he thought

667
00:36:51,800 --> 00:36:55,440
Speaker 1: that's funny. I didn't like that. I ain't never seen

668
00:36:55,560 --> 00:36:58,600
Speaker 1: Nick d Jackademit letting it about. He's like, oh no,

669
00:36:58,719 --> 00:37:01,960
Speaker 1: now I know, wha wha game he most again, come on,

670
00:37:02,440 --> 00:37:09,320
Speaker 1: That's what I'm saying. I seen he gets in the lobby.

671
00:37:10,600 --> 00:37:13,160
Speaker 1: I'm looking at Gilly and Wallow a little different because

672
00:37:13,640 --> 00:37:15,839
Speaker 1: if y'all feel like that, Bro, we could have told

673
00:37:15,880 --> 00:37:21,239
Speaker 1: the lobby up. Bro. I'm gonna say this, man, I

674
00:37:21,320 --> 00:37:25,640
Speaker 1: felt like that broke real, like total lobby up. I

675
00:37:25,800 --> 00:37:29,080
Speaker 1: was do it's courtesy car. I feel they wouldn't could

676
00:37:29,080 --> 00:37:33,160
Speaker 1: have let it. She needn't. And I know and I

677
00:37:33,239 --> 00:37:35,520
Speaker 1: know they listening because I know they know this that

678
00:37:35,680 --> 00:37:43,279
Speaker 1: that was weird. The problem because someone thing about me, Bro,

679
00:37:43,840 --> 00:37:47,719
Speaker 1: I always running and Bro, I'm already knowing. I know

680
00:37:48,600 --> 00:37:51,279
Speaker 1: all the time. I just don't. I'm gonna running, and

681
00:37:51,840 --> 00:37:54,200
Speaker 1: then we're gonna I'm just gonna look at they are,

682
00:37:54,520 --> 00:38:00,200
Speaker 1: and I'm gonna ask more question. What's happening? They got

683
00:38:00,239 --> 00:38:06,120
Speaker 1: my number? Right? It up? No regues. It's super weird

684
00:38:06,160 --> 00:38:08,879
Speaker 1: because they call people on that podcast all the time,

685
00:38:09,400 --> 00:38:11,440
Speaker 1: and as soon as they got done saying that they

686
00:38:11,440 --> 00:38:13,120
Speaker 1: should have are you know you got a problem with

687
00:38:13,120 --> 00:38:16,920
Speaker 1: whack let's calling over right now on face sign Willow

688
00:38:17,000 --> 00:38:19,120
Speaker 1: does an other time. I don't know why didn't choose

689
00:38:19,160 --> 00:38:21,640
Speaker 1: to do it this time, but I'm saying they wasn't

690
00:38:21,680 --> 00:38:25,279
Speaker 1: with the piece, but I'm hey, this was this was

691
00:38:25,440 --> 00:38:28,279
Speaker 1: a kind of suspect. But see, don't the same. I

692
00:38:28,360 --> 00:38:32,200
Speaker 1: would kill me if I just seen it, saying I

693
00:38:32,440 --> 00:38:36,040
Speaker 1: just seen it broke face to face. They walked up.

694
00:38:36,239 --> 00:38:38,680
Speaker 1: I was sitting down, they saw me for our song,

695
00:38:38,880 --> 00:38:44,080
Speaker 1: Hill and Nick walk up all being grabbed me by

696
00:38:44,160 --> 00:38:49,200
Speaker 1: my shoulder and say, what's up now? Playing right? I

697
00:38:49,920 --> 00:38:52,000
Speaker 1: think I think they faced with you. But I think

698
00:38:52,800 --> 00:38:56,640
Speaker 1: an element of that interview was they showed their cards

699
00:38:56,760 --> 00:39:01,080
Speaker 1: as they're kind of intimidated by his presence as well

700
00:39:01,160 --> 00:39:03,560
Speaker 1: as yours. It didn't want to get involved, and I

701
00:39:03,680 --> 00:39:07,440
Speaker 1: think that's the car they're gonna play. Listen, man, if

702
00:39:07,520 --> 00:39:09,840
Speaker 1: he's saying that they got a call and this and that,

703
00:39:10,120 --> 00:39:13,440
Speaker 1: and yo, did you reach out to them after that

704
00:39:13,600 --> 00:39:16,440
Speaker 1: phone call came out? Did you get him in respect

705
00:39:16,520 --> 00:39:19,439
Speaker 1: after that? I wonder when Wax seeing them did whack

706
00:39:19,520 --> 00:39:21,279
Speaker 1: till the man? You know they weren't like it or

707
00:39:21,760 --> 00:39:24,520
Speaker 1: how they feel because you, yo, bro, you gotta know

708
00:39:24,680 --> 00:39:28,080
Speaker 1: whatever it is you do, right if me and you

709
00:39:28,200 --> 00:39:31,200
Speaker 1: have any kind of relationship, business or other personal, whatever

710
00:39:31,320 --> 00:39:33,640
Speaker 1: kind of relationship, and you do something to put that

711
00:39:33,760 --> 00:39:36,319
Speaker 1: in jeopardy. If you put it in jeopardy, and then

712
00:39:36,400 --> 00:39:39,200
Speaker 1: I say, yo, the jeopardy you put our relationship in,

713
00:39:39,880 --> 00:39:43,200
Speaker 1: severed the relationship. You can then get mad and say

714
00:39:44,040 --> 00:39:48,440
Speaker 1: you severed the relationship and didn't even tell me. It's like, yo, no,

715
00:39:48,640 --> 00:39:52,520
Speaker 1: the circumstances severed the relationship. And it's almost like that

716
00:39:52,640 --> 00:39:54,719
Speaker 1: he's ignoring that, or he's looking at them like they

717
00:39:55,000 --> 00:39:58,800
Speaker 1: blood homies or something. See sometimes the gang banging homies

718
00:39:58,880 --> 00:40:02,239
Speaker 1: may they may to look over certain because it's just like, nah,

719
00:40:02,280 --> 00:40:05,359
Speaker 1: that's a homie. Though that's still a homie. Though, Nah

720
00:40:05,440 --> 00:40:08,160
Speaker 1: this really like business like this ain't that type thing

721
00:40:08,360 --> 00:40:11,399
Speaker 1: like home? Like a recording came out with some dude,

722
00:40:11,400 --> 00:40:13,320
Speaker 1: I don't even know you were saying this about me?

723
00:40:13,560 --> 00:40:15,719
Speaker 1: This that like I don't know how to feel about that?

724
00:40:15,800 --> 00:40:17,880
Speaker 1: Am I safe around you? I did twenty years in

725
00:40:17,920 --> 00:40:19,719
Speaker 1: the chune? But is that like, I don't know what

726
00:40:20,280 --> 00:40:23,120
Speaker 1: what's your real feelings? Me? I don't really like? YO, like,

727
00:40:23,400 --> 00:40:26,080
Speaker 1: what's up? So he got to kind of understand some

728
00:40:26,200 --> 00:40:28,960
Speaker 1: of that. Let's listen to a little bit more now

729
00:40:29,120 --> 00:40:31,879
Speaker 1: now they now they got to look this and come

730
00:40:31,960 --> 00:40:37,879
Speaker 1: up with some reason and corteous here. Yo, listen, man, y'all, y'all,

731
00:40:38,000 --> 00:40:41,799
Speaker 1: y'all bug in right now, because I ain't gonna say

732
00:40:42,320 --> 00:40:47,360
Speaker 1: I know the type of reach any individual has, but

733
00:40:47,520 --> 00:40:50,000
Speaker 1: I can tell you right now certain individuals can get

734
00:40:50,120 --> 00:40:54,960
Speaker 1: pain to this act right now if if that was

735
00:40:55,080 --> 00:41:02,120
Speaker 1: the call, But I understand why in the room, ain't

736
00:41:02,200 --> 00:41:06,359
Speaker 1: k what did I take? Where did I say? I said,

737
00:41:06,440 --> 00:41:11,160
Speaker 1: I can't wait? I said, I'm interested in the response

738
00:41:12,200 --> 00:41:18,440
Speaker 1: of this. Gillian Wally interviews from and see what got

739
00:41:18,520 --> 00:41:21,960
Speaker 1: to understand each jeopardizing his real relationships with this entertainment.

740
00:41:22,520 --> 00:41:25,600
Speaker 1: Them do that together, shout out to his homeboards on Clubhouse.

741
00:41:25,640 --> 00:41:29,280
Speaker 1: I don't know him, but they ain't They ain't moving

742
00:41:29,320 --> 00:41:32,160
Speaker 1: no needles in this business. There ain't nobody in this

743
00:41:32,280 --> 00:41:35,440
Speaker 1: being and nobody calling. So you don't, yo, bro, I mean,

744
00:41:35,480 --> 00:41:37,160
Speaker 1: I don't know, man. That's why i'd be saying. Man,

745
00:41:37,280 --> 00:41:39,000
Speaker 1: sometimes you can't get in a treat, but you got

746
00:41:39,080 --> 00:41:42,280
Speaker 1: to be smaller man. You can't let yo who asking

747
00:41:42,360 --> 00:41:45,840
Speaker 1: me all lists? I need to be talking to gilling

748
00:41:45,920 --> 00:41:49,239
Speaker 1: Wallow about gilling Wallow. That's the first mistake. That's the

749
00:41:49,440 --> 00:41:52,560
Speaker 1: that's why we're here now. It's coach. Every time I

750
00:41:52,680 --> 00:41:55,160
Speaker 1: go to talking about somebody that if they're around or not,

751
00:41:55,680 --> 00:41:58,280
Speaker 1: many get back to him and it might be misinterpreted.

752
00:41:58,320 --> 00:42:01,920
Speaker 1: So now I'm calling them. Yeah, I'm reaching out to

753
00:42:02,000 --> 00:42:05,719
Speaker 1: them because and if you use Waguahana's theory, he always says,

754
00:42:05,800 --> 00:42:07,880
Speaker 1: yo without the see, there ain't no rue. It's the

755
00:42:08,000 --> 00:42:11,920
Speaker 1: same thing, yo, without you saying that. The hassan ain't

756
00:42:12,000 --> 00:42:17,360
Speaker 1: no Jay Prince interview especially doing that. So before we

757
00:42:17,520 --> 00:42:19,759
Speaker 1: get to them not doing something on that interview, we

758
00:42:19,840 --> 00:42:22,360
Speaker 1: got to talk about what we're said on that call.

759
00:42:23,120 --> 00:42:27,280
Speaker 1: What's that addressed? What's their apology about that? You understand,

760
00:42:27,480 --> 00:42:29,759
Speaker 1: but something is just bigger than the program. They don't

761
00:42:29,760 --> 00:42:31,920
Speaker 1: gotta apologize. So therefore they got to deal with the

762
00:42:32,000 --> 00:42:35,880
Speaker 1: civil relationship. You can't be the big like yo, bro,

763
00:42:36,400 --> 00:42:41,640
Speaker 1: either get it right or get left. And if everybody

764
00:42:41,800 --> 00:42:46,160
Speaker 1: rich at rich because if ALLU is rich and you

765
00:42:46,200 --> 00:42:48,960
Speaker 1: don't need the lit relationships, stand on what it is

766
00:42:49,040 --> 00:42:53,640
Speaker 1: you're standing on like you do with them gangbanging. If gangbanging,

767
00:42:54,880 --> 00:42:56,840
Speaker 1: you know what I'm saying. So my thing is he

768
00:42:56,960 --> 00:42:59,640
Speaker 1: gotta understand, bro, it wasn't this. Don't yet come out

769
00:42:59,680 --> 00:43:02,160
Speaker 1: the clear blue sky with getting them disrespect to you.

770
00:43:02,239 --> 00:43:04,440
Speaker 1: And they ain't disrespect you. They just didn't defend you.

771
00:43:05,840 --> 00:43:08,880
Speaker 1: You understand they didn't defend you because the relationship has

772
00:43:08,920 --> 00:43:11,239
Speaker 1: been temple with based on things you may have said.

773
00:43:11,880 --> 00:43:14,040
Speaker 1: Let's listen to a little bit more and then we'll

774
00:43:14,120 --> 00:43:18,000
Speaker 1: get onto the trouble RP trouble, trouble was killed. We'll

775
00:43:18,040 --> 00:43:21,520
Speaker 1: speak about that, um, and we got a few more

776
00:43:21,600 --> 00:43:23,080
Speaker 1: topics and we're gonna get out of here to be

777
00:43:23,120 --> 00:43:25,560
Speaker 1: a short part today because I'm fresh at the hospital.

778
00:43:25,760 --> 00:43:29,919
Speaker 1: Get back in rotation next week. UM, but yeah, we'll

779
00:43:29,960 --> 00:43:32,200
Speaker 1: do that. Letsten to a little moment. Why the promo

780
00:43:32,280 --> 00:43:35,160
Speaker 1: clips gotta have whack in it though. That's that's whack

781
00:43:35,239 --> 00:43:40,000
Speaker 1: made that point. That's what it says, because I don't.

782
00:43:40,040 --> 00:43:42,560
Speaker 1: I don't think no more of the motherfucking interview was

783
00:43:42,600 --> 00:43:48,800
Speaker 1: even worthy listening to. They ain't got whacking it, ain't

784
00:43:48,800 --> 00:43:54,880
Speaker 1: trying to really watch it, ain't y'all whack. Yeah, the algorithm,

785
00:43:55,920 --> 00:44:01,719
Speaker 1: Yeah that part people public consumption, that's all. And I

786
00:44:01,760 --> 00:44:04,359
Speaker 1: ain't getting about none of that. When I see him

787
00:44:04,360 --> 00:44:06,920
Speaker 1: on my ask one question Penning on how to ask

788
00:44:07,000 --> 00:44:10,279
Speaker 1: this Penning on where it's gonna go. That's itimp take

789
00:44:10,320 --> 00:44:12,120
Speaker 1: it out, you want to take it? Got my number.

790
00:44:12,320 --> 00:44:15,640
Speaker 1: I didn't text him, and all that day they ain't responding.

791
00:44:17,920 --> 00:44:20,520
Speaker 1: Nigga's on that whole ship and cool. Why I'm the

792
00:44:20,600 --> 00:44:22,880
Speaker 1: same to reach to you, Nick, I'm the same to

793
00:44:22,960 --> 00:44:25,440
Speaker 1: reach to you. Nick. I had looked out for you

794
00:44:25,560 --> 00:44:27,480
Speaker 1: like you looked out for me. So if you feel

795
00:44:27,520 --> 00:44:29,120
Speaker 1: like you can't get on the fall with me and

796
00:44:29,239 --> 00:44:32,279
Speaker 1: that's telling me what that is here, maybe you've been

797
00:44:32,360 --> 00:44:37,560
Speaker 1: on too long. I don't know. You know they're gonna

798
00:44:37,600 --> 00:44:43,600
Speaker 1: say it's for content, right. Oh no. Now, when I

799
00:44:43,719 --> 00:44:46,640
Speaker 1: run into him, I ask you one thing. We're gonna

800
00:44:46,680 --> 00:44:50,840
Speaker 1: tear it up. That's simple, Hey, homie, what's that in

801
00:44:50,880 --> 00:44:53,960
Speaker 1: money y'all. Y'all really little disrespect my name like that,

802
00:44:54,120 --> 00:44:58,120
Speaker 1: and you've been ignoring if we're gonna get at yeah,

803
00:44:58,160 --> 00:45:00,759
Speaker 1: I don't think it's gonna go where it's gonna go.

804
00:45:01,760 --> 00:45:06,799
Speaker 1: It's gonna go wherever it goes. The hilt me. You know, well,

805
00:45:06,920 --> 00:45:09,160
Speaker 1: I'll see you. I'm gonna ask you. Then let's do

806
00:45:09,239 --> 00:45:15,399
Speaker 1: what they do. I ain't cripple, I ain't tribble one.

807
00:45:15,480 --> 00:45:19,719
Speaker 1: I ain't I'm not tripping. So basically, if I'm interpreting

808
00:45:19,840 --> 00:45:22,520
Speaker 1: that correct, and again I'm not sure if I understand

809
00:45:22,600 --> 00:45:25,200
Speaker 1: what he's saying. It sounds like he's saying that I'm

810
00:45:25,200 --> 00:45:30,160
Speaker 1: gonna run into these dudes and I'm gonna ask them, y'all.

811
00:45:30,280 --> 00:45:33,959
Speaker 1: Let somebody disrespect my name and call me a rat

812
00:45:34,960 --> 00:45:39,759
Speaker 1: and been ignoring me, and depending on what they say,

813
00:45:40,200 --> 00:45:44,280
Speaker 1: it's going left. That's another slide on my name. Ain't

814
00:45:44,320 --> 00:45:49,799
Speaker 1: nobody pressing me, Ain't no conversation about such and such

815
00:45:50,040 --> 00:45:54,520
Speaker 1: or else. Grown men don't give grown men ultimatums. I

816
00:45:54,600 --> 00:45:57,279
Speaker 1: don't know where they get that from sometimes, you know,

817
00:45:57,360 --> 00:45:59,440
Speaker 1: and I know the streets and let dudes get away

818
00:45:59,480 --> 00:46:02,520
Speaker 1: with that. Where I'm from, Yeah, I don't get ultimatums.

819
00:46:02,680 --> 00:46:06,000
Speaker 1: I'm not verifiable, Nick, I don't get no ultimatums. Don't

820
00:46:06,000 --> 00:46:09,239
Speaker 1: nobody tell me such and such or else. It's always

821
00:46:09,400 --> 00:46:13,400
Speaker 1: or else. It's always gonna be or else. You understand,

822
00:46:13,440 --> 00:46:16,520
Speaker 1: ain't gonna be no ultimatum. So you know when when

823
00:46:16,560 --> 00:46:18,480
Speaker 1: you put me in a position to say, Man, if Loon,

824
00:46:18,600 --> 00:46:21,080
Speaker 1: don't call me, If you don't call me when I

825
00:46:21,200 --> 00:46:23,680
Speaker 1: see him is up, You're not getting no phone call.

826
00:46:25,120 --> 00:46:28,440
Speaker 1: Now if you on that saying Man, that hurt me, Man,

827
00:46:29,080 --> 00:46:31,120
Speaker 1: Man Loon, let Jay Princeton them get on that. That

828
00:46:31,239 --> 00:46:33,640
Speaker 1: hurt me. Man. I know, I know, I know that

829
00:46:33,760 --> 00:46:36,480
Speaker 1: phone call where the sun came out. Man, I was slipping,

830
00:46:36,480 --> 00:46:38,880
Speaker 1: I was tripping on that. Man, I was wrong by

831
00:46:39,000 --> 00:46:40,920
Speaker 1: that doll. But that hurt me. They let that. Man

832
00:46:41,040 --> 00:46:43,919
Speaker 1: can't hurt man, I'm telling me I'm hurt. I can't

833
00:46:43,920 --> 00:46:47,200
Speaker 1: even explain how much I'm hurt. Man, It's indescribable. Man,

834
00:46:47,680 --> 00:46:50,080
Speaker 1: I can't even right. That'll make me view it a

835
00:46:50,160 --> 00:46:54,359
Speaker 1: little different. But if you're on that talking light on Nick,

836
00:46:54,400 --> 00:46:56,000
Speaker 1: and I see him, and then I ask them, and

837
00:46:56,040 --> 00:46:59,040
Speaker 1: if they say such and sudden, Man, it's going here. Man,

838
00:46:59,280 --> 00:47:01,160
Speaker 1: come on, Man can't get away with that with me,

839
00:47:01,680 --> 00:47:04,719
Speaker 1: not me, but in closing on this topic, man, it's

840
00:47:04,760 --> 00:47:07,440
Speaker 1: just safe to say that the Whack one hundred, Guilly

841
00:47:07,520 --> 00:47:10,040
Speaker 1: and Wallow relationship has been templed with. I'm not sure

842
00:47:10,080 --> 00:47:13,040
Speaker 1: if it's over, if it's severed, it's definitely templed with,

843
00:47:13,200 --> 00:47:17,239
Speaker 1: it's definitely strained. Right now, there's a situation where they've

844
00:47:17,280 --> 00:47:23,040
Speaker 1: been placed and unfortunate circumstances by someone that don't have

845
00:47:23,120 --> 00:47:26,360
Speaker 1: a relationship with neither one. Um, that's what's crazy about it.

846
00:47:27,280 --> 00:47:29,719
Speaker 1: Like Hassan never had a relationship with Whacking. He had

847
00:47:29,760 --> 00:47:32,360
Speaker 1: never had a relationship with Whack because he was he know,

848
00:47:32,640 --> 00:47:34,640
Speaker 1: he a little too spooky to do that. He ain't

849
00:47:34,680 --> 00:47:36,520
Speaker 1: going on that West coast and pulling up on no

850
00:47:36,960 --> 00:47:40,600
Speaker 1: Whack one hunter for nothing in the world before this,

851
00:47:40,840 --> 00:47:43,600
Speaker 1: he wasn't doing that. And Wiley and Gilly they don't.

852
00:47:43,640 --> 00:47:48,000
Speaker 1: Wallow and Gilly don't know Hassan. So it's like, oh,

853
00:47:48,200 --> 00:47:50,600
Speaker 1: this is how he feels. It's almost like when you

854
00:47:50,719 --> 00:47:55,439
Speaker 1: heard Donald Sterling on the phone call when he thought

855
00:47:55,480 --> 00:47:58,799
Speaker 1: what nobody listening and Gal was recording when he was saying,

856
00:47:59,000 --> 00:48:01,040
Speaker 1: I don't give a what you do with them, just

857
00:48:01,239 --> 00:48:04,279
Speaker 1: do not bring them to the don't bring them to

858
00:48:04,440 --> 00:48:07,200
Speaker 1: the game. You can fuck them, you can have a baby,

859
00:48:07,239 --> 00:48:09,520
Speaker 1: just don't bring that to the game. When he was

860
00:48:09,600 --> 00:48:12,920
Speaker 1: saying that, and now it's like, oh, whole time he

861
00:48:13,040 --> 00:48:15,439
Speaker 1: got black people on his team. So now they're looking

862
00:48:15,440 --> 00:48:17,839
Speaker 1: at it like, oh, this your real feelings. Now I'm

863
00:48:17,840 --> 00:48:20,680
Speaker 1: gonna hold you accountable for for all that little, them

864
00:48:20,760 --> 00:48:23,040
Speaker 1: little gestures you was doing that I was looking over

865
00:48:23,080 --> 00:48:26,480
Speaker 1: because I thought we was homies. You heard people say, yo,

866
00:48:26,560 --> 00:48:29,320
Speaker 1: you you mentioned that that that Gilly got hit in

867
00:48:29,360 --> 00:48:31,800
Speaker 1: the mouth for something by such a sudden. Oh so

868
00:48:31,960 --> 00:48:36,759
Speaker 1: that was that's all? You really might think I'm pulling, Ah,

869
00:48:37,040 --> 00:48:41,760
Speaker 1: you ain't. Oh it's ah. So all those lit gestures

870
00:48:41,800 --> 00:48:44,359
Speaker 1: that I chalked up to this my homeboy and were

871
00:48:44,400 --> 00:48:47,920
Speaker 1: trolling and it's for content. Now I got to reevaluate

872
00:48:48,080 --> 00:48:51,560
Speaker 1: all them. What was you really doing when you called

873
00:48:51,640 --> 00:48:53,640
Speaker 1: us out there? Would you really trying to embarrass me

874
00:48:55,320 --> 00:48:57,320
Speaker 1: when you said Willow? Was this so that you know?

875
00:48:57,480 --> 00:49:00,920
Speaker 1: So now they started looking at things like this and

876
00:49:01,080 --> 00:49:03,320
Speaker 1: Whack been in the streets too long not to understand

877
00:49:03,400 --> 00:49:06,920
Speaker 1: that your mindset must change when you get new information.

878
00:49:07,600 --> 00:49:09,880
Speaker 1: So once we got that tape on daughter Stirling, we

879
00:49:09,960 --> 00:49:13,520
Speaker 1: got to say, oh, that's why he was rubbing on

880
00:49:13,960 --> 00:49:16,520
Speaker 1: Blake Griffiths and said he looked like a horse, or

881
00:49:16,960 --> 00:49:20,480
Speaker 1: then it was on some slavery. But we gotta put

882
00:49:20,520 --> 00:49:22,919
Speaker 1: two and two together. See, with one two, you can't

883
00:49:22,960 --> 00:49:25,759
Speaker 1: put two and two together. You got to have two

884
00:49:25,880 --> 00:49:28,080
Speaker 1: twols to put two and two together. So you have

885
00:49:28,200 --> 00:49:31,399
Speaker 1: to put two and two together. And then say that's

886
00:49:31,480 --> 00:49:34,480
Speaker 1: what your outlook is. And if that outlook don't fit

887
00:49:34,960 --> 00:49:39,040
Speaker 1: the outfit that I'm rocking, then me and you can't

888
00:49:39,040 --> 00:49:41,640
Speaker 1: be in the same situation with each other. And that's

889
00:49:41,680 --> 00:49:44,400
Speaker 1: respectfully to you and your pimper. But you gotta respect

890
00:49:44,480 --> 00:49:46,760
Speaker 1: the game for what it is, and I gotta respect

891
00:49:46,880 --> 00:49:50,200
Speaker 1: my brand for what it is. And for me, you know,

892
00:49:50,320 --> 00:49:53,200
Speaker 1: we'll see what this goals. These these guys probably have

893
00:49:53,320 --> 00:49:56,320
Speaker 1: a conversation at some point, may even have a podcast

894
00:49:56,400 --> 00:50:01,279
Speaker 1: at some point to speak about it. But um, as

895
00:50:01,320 --> 00:50:04,080
Speaker 1: of right now, that relationship has been templed with and

896
00:50:04,520 --> 00:50:07,040
Speaker 1: we'll be on the lookout to see what happens. All right,

897
00:50:07,120 --> 00:50:11,960
Speaker 1: let's talk about this rapper. Trouble was killed in Atlanta, Georgia.

898
00:50:12,520 --> 00:50:17,719
Speaker 1: R Peter Trouble Um. The situation was unfortunate. He was

899
00:50:17,800 --> 00:50:21,040
Speaker 1: at a female's house in which a guy came into

900
00:50:21,120 --> 00:50:25,920
Speaker 1: the house. Um and and I guess opened fire and

901
00:50:26,320 --> 00:50:29,320
Speaker 1: shot him and killed him while he was in the

902
00:50:29,400 --> 00:50:32,640
Speaker 1: bed with the young lady. Um Trouble for those who

903
00:50:32,760 --> 00:50:38,920
Speaker 1: are unaware, is an Atlanta native. Part of Duck taped

904
00:50:38,960 --> 00:50:42,480
Speaker 1: a mob you know, shout out Bank. He was a

905
00:50:42,560 --> 00:50:44,879
Speaker 1: part of that. He had songs with Drake, He had

906
00:50:44,920 --> 00:50:47,120
Speaker 1: songs with Thug. He's He's did some things in the

907
00:50:47,239 --> 00:50:51,400
Speaker 1: rap game. Um. Also, he was influentialing that cucumber challenge

908
00:50:51,400 --> 00:50:53,920
Speaker 1: a few years ago. With that cucumber challenge thing was

909
00:50:54,040 --> 00:50:56,880
Speaker 1: a big thing on the Internet where girls were grabbing

910
00:50:56,920 --> 00:50:59,719
Speaker 1: the que combing things like that. Him and Bushit was real.

911
00:51:00,200 --> 00:51:02,279
Speaker 1: So he was one of them Alana, real ones, like

912
00:51:02,400 --> 00:51:04,759
Speaker 1: one of them dudes that you know, if you want

913
00:51:04,800 --> 00:51:06,920
Speaker 1: to tap me and tap in with the streets of Alanna,

914
00:51:07,360 --> 00:51:10,120
Speaker 1: he can probably get you in communication with anybody that

915
00:51:10,320 --> 00:51:12,719
Speaker 1: meant something dying now you know what I'm saying. And Um,

916
00:51:13,800 --> 00:51:16,200
Speaker 1: you know for what I've always seen, been a fly

917
00:51:16,719 --> 00:51:20,440
Speaker 1: just only taking kids. Listen, you know what I mean? Uh,

918
00:51:20,760 --> 00:51:22,840
Speaker 1: Lean go intact one of them, you know, I me

919
00:51:23,280 --> 00:51:26,360
Speaker 1: um and with them with them women. So again he

920
00:51:26,520 --> 00:51:29,720
Speaker 1: was always a dude man who in my opinion, held

921
00:51:29,880 --> 00:51:32,960
Speaker 1: his little space down in this game. And UM, I've

922
00:51:33,000 --> 00:51:35,440
Speaker 1: always respected this little pimping over there. He did this

923
00:51:35,560 --> 00:51:40,320
Speaker 1: one too. Let's listen to the press release from the

924
00:51:40,400 --> 00:51:45,680
Speaker 1: county where he was shot. At. My name is Jennada Canty.

925
00:51:45,920 --> 00:51:49,800
Speaker 1: I'm the public information officer at Rockdown County Sheriff's Office.

926
00:51:49,880 --> 00:51:53,320
Speaker 1: And the spelling is je ED I, D I A

927
00:51:53,760 --> 00:52:02,080
Speaker 1: Canty and c A and t y n kids. Okay so. UM.

928
00:52:02,160 --> 00:52:08,080
Speaker 1: At approximately three twenty this morning, Rockdale County deputies responded

929
00:52:08,160 --> 00:52:13,440
Speaker 1: to a shooting. It was that the Lake Saint James

930
00:52:13,640 --> 00:52:19,239
Speaker 1: apartment complex and Conyers. UM. Upon deputy's arrival, UM, they

931
00:52:19,480 --> 00:52:22,839
Speaker 1: observed the male blackmail lying on the ground suffering from

932
00:52:22,880 --> 00:52:28,320
Speaker 1: a gunshot one. UM. Unfortunately, the victim did die on

933
00:52:28,400 --> 00:52:33,120
Speaker 1: the scene. UM. We do have a suspect. UM. His

934
00:52:33,320 --> 00:52:36,279
Speaker 1: name is going to be UM. What is his name?

935
00:52:36,400 --> 00:52:40,520
Speaker 1: His name is Jamichael Jones. UM. We currently do have

936
00:52:41,120 --> 00:52:44,600
Speaker 1: UM lawrants for his arrest. UM, and but right now

937
00:52:44,760 --> 00:52:50,000
Speaker 1: he's not in custody. Is there any connection between and

938
00:52:50,400 --> 00:52:54,400
Speaker 1: the suspect? So there is no connection. UM. What we

939
00:52:54,719 --> 00:52:57,359
Speaker 1: know and what I can tell you is that UM,

940
00:52:58,280 --> 00:53:01,800
Speaker 1: mister Morrell or which is the victim was visiting a

941
00:53:01,880 --> 00:53:08,720
Speaker 1: female friend at the complex? UM and mister Jamichael Jones

942
00:53:09,560 --> 00:53:12,440
Speaker 1: Um did know the female and it was a domestic situation.

943
00:53:14,480 --> 00:53:18,960
Speaker 1: Do you have an We don't have any leads. UM.

944
00:53:19,360 --> 00:53:22,560
Speaker 1: We did search um the known locations that we thought

945
00:53:22,640 --> 00:53:25,040
Speaker 1: he may be at, but we did not have any

946
00:53:25,120 --> 00:53:27,200
Speaker 1: luck find in him. Did you say it's a love

947
00:53:27,320 --> 00:53:30,600
Speaker 1: final Um. No, it's not a love triangle, not at all,

948
00:53:30,640 --> 00:53:33,520
Speaker 1: because he was the victim. Did not know the suspect.

949
00:53:35,640 --> 00:53:39,600
Speaker 1: Was the female with the victim? Did they ride together

950
00:53:39,719 --> 00:53:42,000
Speaker 1: to the complex or you want to visit her? I

951
00:53:42,440 --> 00:53:44,759
Speaker 1: don't know that. I just know they were together at

952
00:53:44,840 --> 00:53:48,920
Speaker 1: the apartment complex. What would you say you have from

953
00:53:48,960 --> 00:53:51,480
Speaker 1: the community who lives in that area and lives in

954
00:53:51,520 --> 00:53:56,040
Speaker 1: that complex might be afraid for their safety. I wouldn't

955
00:53:56,080 --> 00:53:59,480
Speaker 1: say that this has anything to do with the area. UM.

956
00:53:59,560 --> 00:54:02,400
Speaker 1: I think it was an isolated situation. It was a

957
00:54:02,480 --> 00:54:06,200
Speaker 1: domestic situation. UM. We are acting the public for their

958
00:54:06,280 --> 00:54:10,399
Speaker 1: help and locating ja Michael Jones Um. He is from

959
00:54:10,560 --> 00:54:15,480
Speaker 1: the Atlanta Jonesboro area that we know of. What words

960
00:54:16,120 --> 00:54:19,239
Speaker 1: about the victim? Obviously he's a known person and this

961
00:54:19,520 --> 00:54:22,520
Speaker 1: is a lot of people have feelings about it. It's

962
00:54:22,560 --> 00:54:26,359
Speaker 1: gotten amout of attention. Yes, UM. From what I know, UM,

963
00:54:26,680 --> 00:54:29,239
Speaker 1: I believe his name was Trouble Um and he is

964
00:54:29,280 --> 00:54:33,320
Speaker 1: an Atlanta rapper. Unfortunately, I don't have too much information

965
00:54:33,440 --> 00:54:37,360
Speaker 1: on it because I don't follow rap. But UM, I

966
00:54:37,520 --> 00:54:39,759
Speaker 1: know that there is a lot of people that are

967
00:54:39,840 --> 00:54:42,920
Speaker 1: really upset right now, are broken hearted about the situation.

968
00:54:44,640 --> 00:54:46,640
Speaker 1: You say how many times he was shot? He was

969
00:54:46,680 --> 00:54:49,000
Speaker 1: shot one time? Um, he was shot in a chest.

970
00:54:50,160 --> 00:54:55,880
Speaker 1: Was he away goers? Yeah, I don't know that. Have

971
00:54:56,040 --> 00:54:58,160
Speaker 1: you all been in touch with any the family members

972
00:54:59,680 --> 00:55:04,840
Speaker 1: the name? Yes, UM. The mother is aware UM, and

973
00:55:05,000 --> 00:55:07,640
Speaker 1: I'm sure she's not dealing with it too all. UM.

974
00:55:07,719 --> 00:55:09,759
Speaker 1: I don't know about any other family members, but the

975
00:55:09,840 --> 00:55:15,719
Speaker 1: mother was notified. We're not complex. Was he shot it

976
00:55:15,840 --> 00:55:22,520
Speaker 1: inside outside? He was inside, UM the apartment. Is there

977
00:55:22,560 --> 00:55:25,000
Speaker 1: any other details that you can share with us at

978
00:55:25,080 --> 00:55:28,680
Speaker 1: this time? It seems the situation is a little um.

979
00:55:28,800 --> 00:55:31,320
Speaker 1: So right now, the current UM warrants that we do

980
00:55:31,520 --> 00:55:36,720
Speaker 1: have UM for the Jamichael suspect us. We have home invasion,

981
00:55:37,000 --> 00:55:39,080
Speaker 1: so that does tell you that he was at home? UM,

982
00:55:39,320 --> 00:55:41,600
Speaker 1: and well he entered at home. I'm sorry, UM. We

983
00:55:41,680 --> 00:55:44,760
Speaker 1: have felony murder um and we also have aggivated assault,

984
00:55:45,840 --> 00:55:48,279
Speaker 1: so if that's a little bit more helpful. They gave

985
00:55:48,360 --> 00:55:54,080
Speaker 1: me too many. They talk about my brother twentis on year,

986
00:55:55,400 --> 00:56:00,879
Speaker 1: and I couldn't find the words. Oh my, I'm gonna

987
00:56:00,920 --> 00:56:04,480
Speaker 1: be brought us up here with because they're where he created. Yeah, boy,

988
00:56:04,480 --> 00:56:07,279
Speaker 1: I come up here with me. Bro. It ain't no

989
00:56:07,360 --> 00:56:10,800
Speaker 1: direspecting nobody, but this trouble creation. They where he created.

990
00:56:20,080 --> 00:56:23,960
Speaker 1: I tried to write down, I tried to do everything

991
00:56:24,080 --> 00:56:27,320
Speaker 1: in the world to find the words, but I just

992
00:56:27,600 --> 00:56:35,279
Speaker 1: couldn't find the words. Because this was a real special guy. Man. Hey,

993
00:56:36,520 --> 00:56:40,560
Speaker 1: he just never judged nobody. I always exelt the people

994
00:56:41,200 --> 00:56:47,600
Speaker 1: so ambitious, fearless, or woman's man or somebody just all

995
00:56:47,680 --> 00:56:55,000
Speaker 1: around great creation man. And we always used to talk

996
00:56:55,040 --> 00:56:59,839
Speaker 1: about not leaving the hearth Man. We never we never never,

997
00:57:00,200 --> 00:57:02,600
Speaker 1: never playing this. We used to always talk about, Bro,

998
00:57:02,719 --> 00:57:05,560
Speaker 1: how we gonna make it? You see what I'm saying.

999
00:57:06,040 --> 00:57:11,120
Speaker 1: And this guy right here, man, he he bought all

1000
00:57:11,200 --> 00:57:16,160
Speaker 1: of us Togelda. Bro want somebody me different personality, But

1001
00:57:16,360 --> 00:57:20,040
Speaker 1: everything was really genuine with you, man, And today Roger

1002
00:57:20,160 --> 00:57:22,200
Speaker 1: really want to give you your flower. Bro. I can't

1003
00:57:23,080 --> 00:57:25,080
Speaker 1: make no speech, but I want to tell you, Bro,

1004
00:57:25,240 --> 00:57:28,680
Speaker 1: we love you so much, Bro, and I appreciate you, Bro,

1005
00:57:29,560 --> 00:57:34,400
Speaker 1: your brother man. Back in high school, I gave her

1006
00:57:34,480 --> 00:57:38,280
Speaker 1: the name dude, and every city you know, I ain't

1007
00:57:38,320 --> 00:57:41,280
Speaker 1: called him trouble and filthy twenty year I always called

1008
00:57:41,360 --> 00:57:43,920
Speaker 1: him dude. You see what I'm saying. And he's just

1009
00:57:44,080 --> 00:57:48,160
Speaker 1: always been there for me. I always made shure man scaled,

1010
00:57:48,400 --> 00:57:51,320
Speaker 1: Come on, bro, scared, Come on, Bro, scared, Come on Bro.

1011
00:57:52,040 --> 00:57:55,320
Speaker 1: Whatever he made sure, he made sure people really loved him,

1012
00:57:55,400 --> 00:57:58,280
Speaker 1: he made sure they was and whatever he doing, man,

1013
00:57:58,640 --> 00:58:01,200
Speaker 1: he never gonna he gonna not stand in front of

1014
00:58:01,240 --> 00:58:03,760
Speaker 1: You're gonna stand beside you. You see what I'm saying.

1015
00:58:03,920 --> 00:58:05,960
Speaker 1: And I want to tell you, Bro, from the bottom

1016
00:58:05,960 --> 00:58:09,000
Speaker 1: of my hard man, your whole mma b family right

1017
00:58:09,040 --> 00:58:11,960
Speaker 1: here with you right now, your fans out here right now, Bro,

1018
00:58:12,480 --> 00:58:15,560
Speaker 1: we love you, Bro. Will never forget you, Bro, and

1019
00:58:15,680 --> 00:58:18,880
Speaker 1: your name will forever ring go. We ain't got no

1020
00:58:19,040 --> 00:58:21,640
Speaker 1: hand out here right now, Bro, but we're gonna hold

1021
00:58:21,680 --> 00:58:25,080
Speaker 1: our hands up right now. Bro. Can we gonna take

1022
00:58:25,160 --> 00:58:31,880
Speaker 1: that toe? Bro? Good hell load civity and big old

1023
00:58:32,240 --> 00:58:45,720
Speaker 1: bag the like the like man, love you, brother. I

1024
00:58:45,920 --> 00:58:50,120
Speaker 1: just want to come up here and I ain't get

1025
00:58:50,200 --> 00:58:55,400
Speaker 1: to tell my boy thank you. So I want to

1026
00:58:55,480 --> 00:59:03,640
Speaker 1: hear each other, but thank you. He always supported me.

1027
00:59:03,880 --> 00:59:12,720
Speaker 1: You no, my nigga. You know I'm hurting for y'all

1028
00:59:12,840 --> 00:59:16,240
Speaker 1: because I'm hurting for five years. You know, I wouldn't

1029
00:59:16,240 --> 00:59:19,919
Speaker 1: win him thirty years, you know, So I just want

1030
00:59:19,920 --> 00:59:23,600
Speaker 1: to tell the nigga thank you. You know that, oh

1031
00:59:23,720 --> 00:59:28,480
Speaker 1: my boy, you know, And I just won't tell him

1032
00:59:28,520 --> 00:59:36,560
Speaker 1: thank you, my boy. So when I see the untimely

1033
00:59:36,680 --> 00:59:40,560
Speaker 1: demise of trouble, you know, I don't know if it's

1034
00:59:40,600 --> 00:59:42,680
Speaker 1: because I just got out the hospital or I was

1035
00:59:42,760 --> 00:59:45,440
Speaker 1: in hot like you know, it's you know, i'd be

1036
00:59:45,520 --> 00:59:47,680
Speaker 1: getting like right now, I'm feeling like yo, man, because

1037
00:59:47,720 --> 00:59:49,280
Speaker 1: I was you know, a couple of clips I was

1038
00:59:49,360 --> 00:59:53,479
Speaker 1: just watching, was at his funeral, and I hear people

1039
00:59:53,560 --> 00:59:56,680
Speaker 1: talk about, you know, when people paid. I hear people

1040
00:59:56,760 --> 00:59:59,640
Speaker 1: talk about, like, you know, what they kind of meant

1041
00:59:59,680 --> 01:00:02,920
Speaker 1: to people and what kind of individuals they was and

1042
01:00:04,120 --> 01:00:07,240
Speaker 1: who they were as people, And it always makes me wander,

1043
01:00:07,720 --> 01:00:11,040
Speaker 1: Like I said, if I'm doing a hell of a job.

1044
01:00:11,160 --> 01:00:14,240
Speaker 1: But I know, right the people that's bumped into me,

1045
01:00:14,440 --> 01:00:17,520
Speaker 1: the people that know me for real life, it's none

1046
01:00:17,560 --> 01:00:20,040
Speaker 1: you can, like everybody would have those kind of things.

1047
01:00:20,120 --> 01:00:22,760
Speaker 1: Bro was always teaching the like, and I hate to

1048
01:00:22,880 --> 01:00:24,760
Speaker 1: think about that kind of ship. But I think when

1049
01:00:24,800 --> 01:00:28,560
Speaker 1: you sit in the hospital helpless, or you sit in pain,

1050
01:00:28,800 --> 01:00:33,439
Speaker 1: or you sit, you know, just in a position where

1051
01:00:33,440 --> 01:00:36,000
Speaker 1: you just can't do anything, Like I can't even explain

1052
01:00:36,160 --> 01:00:41,959
Speaker 1: the feeling of being helpless as someone that's that People

1053
01:00:42,000 --> 01:00:44,840
Speaker 1: would like to say it's power struck because people say

1054
01:00:45,200 --> 01:00:48,960
Speaker 1: that I have control issues because I like to be informed,

1055
01:00:50,800 --> 01:00:53,440
Speaker 1: and that's a whole other conversation, but there's a real

1056
01:00:53,560 --> 01:00:57,439
Speaker 1: difference between being informed and having control issues. I don't

1057
01:00:57,440 --> 01:01:00,880
Speaker 1: want to make any decision with half of the ingredients,

1058
01:01:02,360 --> 01:01:04,240
Speaker 1: you know. I don't want to make any decision without

1059
01:01:04,320 --> 01:01:08,480
Speaker 1: really knowing what really what really entails, because half the

1060
01:01:08,640 --> 01:01:11,400
Speaker 1: information is a lie, half the truth is a lie,

1061
01:01:11,880 --> 01:01:13,400
Speaker 1: you see what I'm saying. So I need all the

1062
01:01:13,440 --> 01:01:16,280
Speaker 1: information to make the right decision. And I think people

1063
01:01:16,320 --> 01:01:22,200
Speaker 1: who deal in life without any level of real direction, right,

1064
01:01:22,560 --> 01:01:24,480
Speaker 1: they just kind of live in life. It don't matter

1065
01:01:24,600 --> 01:01:26,880
Speaker 1: what happened the next day. Like, I know what I'm doing.

1066
01:01:27,000 --> 01:01:30,720
Speaker 1: My next move is a forty million dollar move. The

1067
01:01:30,840 --> 01:01:33,240
Speaker 1: same way I worked my way into this move, and

1068
01:01:33,280 --> 01:01:35,720
Speaker 1: I say, yo, this move is gonna get me to

1069
01:01:35,920 --> 01:01:40,120
Speaker 1: hear Like so, I'm always someone that's thinking and plotting

1070
01:01:40,160 --> 01:01:42,720
Speaker 1: and playing in the strategiztic and really doing it. Though

1071
01:01:42,760 --> 01:01:45,200
Speaker 1: I ain't one of you talking at you know, it's

1072
01:01:45,200 --> 01:01:47,560
Speaker 1: a lot of you talking at Now. I'm gonna work.

1073
01:01:47,560 --> 01:01:49,280
Speaker 1: I'm gonna work hard, I'm gonna do this, I'm gonna

1074
01:01:49,280 --> 01:01:50,880
Speaker 1: do that. Man, I'm gonna get to it. You ain't

1075
01:01:50,880 --> 01:01:54,080
Speaker 1: gonna do nothing. You ain't gonna do nothing. You ain't

1076
01:01:54,120 --> 01:01:56,880
Speaker 1: gonna do nothing, But you're gonna keep talking about it

1077
01:01:56,960 --> 01:02:00,120
Speaker 1: because the workers speaking for itself. When somebody say, or

1078
01:02:00,160 --> 01:02:03,760
Speaker 1: what Loan doing over? Just go check him out, Go

1079
01:02:04,000 --> 01:02:06,600
Speaker 1: check him out. Just see what he's doing. He putting

1080
01:02:06,600 --> 01:02:09,000
Speaker 1: the work in. That's what it's about. As you know,

1081
01:02:09,200 --> 01:02:11,560
Speaker 1: muscles just don't pop up. You know, if you're a

1082
01:02:11,640 --> 01:02:14,080
Speaker 1: young niece, have muscles just because you're skin and you

1083
01:02:14,200 --> 01:02:16,840
Speaker 1: may your athletic or something. But when you get older,

1084
01:02:17,120 --> 01:02:20,280
Speaker 1: you gotta work for muscles. Now, you gotta work to

1085
01:02:20,360 --> 01:02:22,680
Speaker 1: get weight off, you gotta work to look at certain like.

1086
01:02:22,800 --> 01:02:27,040
Speaker 1: So people who think that I'm just gonna get up

1087
01:02:27,080 --> 01:02:29,280
Speaker 1: and it's just gonna fall in my lap and and

1088
01:02:29,440 --> 01:02:31,720
Speaker 1: right now even with me. You know, I'm trying to

1089
01:02:31,800 --> 01:02:35,640
Speaker 1: teach my children like, Yo, Bro, I don't care what

1090
01:02:35,800 --> 01:02:38,440
Speaker 1: you're thinking, Bro, it ain't coming if you don't go

1091
01:02:38,600 --> 01:02:42,080
Speaker 1: get it. I don't care who your dad is. I

1092
01:02:42,160 --> 01:02:44,640
Speaker 1: don't care who your mommy is. I don't care who

1093
01:02:44,760 --> 01:02:47,440
Speaker 1: your favorite plague. I don't care. If you don't go

1094
01:02:47,600 --> 01:02:51,360
Speaker 1: get it, it ain't coming. And a fool is the

1095
01:02:51,480 --> 01:02:54,360
Speaker 1: only person that don't respect the truth. If you don't

1096
01:02:54,400 --> 01:02:59,080
Speaker 1: go get it, the shit ain't coming. And some somewhere

1097
01:02:59,120 --> 01:03:03,400
Speaker 1: along the lines, Bro, will get caught up in like dreamming.

1098
01:03:05,200 --> 01:03:08,439
Speaker 1: Dreaming is just the first step, you know, you gotta

1099
01:03:08,480 --> 01:03:10,200
Speaker 1: go step two and three. Yeah. I put some action

1100
01:03:10,280 --> 01:03:14,160
Speaker 1: behind those dreams, some actionable items. You understand me or

1101
01:03:14,200 --> 01:03:16,720
Speaker 1: you ain't gonna do number keep talking and then what

1102
01:03:16,840 --> 01:03:18,600
Speaker 1: a happened? Is life a ketch up? With you? The

1103
01:03:18,640 --> 01:03:23,200
Speaker 1: way that talking to expose itself. It's like, Bro, you

1104
01:03:23,400 --> 01:03:27,000
Speaker 1: forty years old, still talking about what you was doing

1105
01:03:27,280 --> 01:03:30,959
Speaker 1: when you was the star quarterback at eleven. You can't

1106
01:03:31,040 --> 01:03:33,400
Speaker 1: live like that. You gotta be focused on the next

1107
01:03:33,480 --> 01:03:35,480
Speaker 1: move and the next move. I ain't even celebrate it.

1108
01:03:35,560 --> 01:03:40,560
Speaker 1: Going to revote in November, I was at revoting November.

1109
01:03:41,840 --> 01:03:43,920
Speaker 1: Bank brought me up. I talked to Rick Ross. I

1110
01:03:44,040 --> 01:03:46,400
Speaker 1: interview Rick Ross up there. I was doing all kind

1111
01:03:46,440 --> 01:03:49,760
Speaker 1: of earn your leisure. Brought me up a chance to wrap.

1112
01:03:49,840 --> 01:03:52,200
Speaker 1: I was out there with I ain't even celebrated that.

1113
01:03:52,640 --> 01:03:55,320
Speaker 1: I kept moving boom after that. I'm i mean Miami

1114
01:03:55,400 --> 01:03:57,280
Speaker 1: would be marshall. I'm on the West coast doing this.

1115
01:03:57,440 --> 01:04:00,240
Speaker 1: I mean New York with default. I mean like it

1116
01:04:00,360 --> 01:04:03,040
Speaker 1: ain't you can't. I'm sure you can't do that. You

1117
01:04:03,120 --> 01:04:05,240
Speaker 1: got to focus on the next move because a lot

1118
01:04:05,280 --> 01:04:07,560
Speaker 1: of y'all need to get caught and fall in that ditch.

1119
01:04:08,080 --> 01:04:09,920
Speaker 1: You understand all you worry about it, man, I had

1120
01:04:09,920 --> 01:04:12,440
Speaker 1: a good practice yesterday. You got to have more of them, baby,

1121
01:04:12,880 --> 01:04:16,640
Speaker 1: the head of you. They had millions of them. And

1122
01:04:16,800 --> 01:04:18,680
Speaker 1: that's the only thing to keep it in perspective for

1123
01:04:18,800 --> 01:04:22,320
Speaker 1: me is that Yo's ahead of you, bro that little

1124
01:04:22,360 --> 01:04:25,240
Speaker 1: one podcast you had, or that little one year you

1125
01:04:25,360 --> 01:04:27,760
Speaker 1: had where you was on the run, but things ahead

1126
01:04:27,800 --> 01:04:31,480
Speaker 1: of you didn't had twin at them. You playing catch up, baby,

1127
01:04:32,320 --> 01:04:34,800
Speaker 1: But don't nobody you know, I'm the only person that

1128
01:04:35,200 --> 01:04:37,920
Speaker 1: they speak like it because everybody else it's okay with

1129
01:04:38,080 --> 01:04:41,040
Speaker 1: being in the corner telling themselves that they are happened

1130
01:04:41,080 --> 01:04:44,880
Speaker 1: without doing it. But I don't feel as though I'm

1131
01:04:45,040 --> 01:04:47,600
Speaker 1: I don't feel as though I have control issues. I

1132
01:04:47,680 --> 01:04:51,720
Speaker 1: feel as though I like to be thoroughly informed about

1133
01:04:51,840 --> 01:04:57,480
Speaker 1: whatever decision that I'm making or whatever circumstance that I'm

1134
01:04:57,560 --> 01:05:01,920
Speaker 1: involved in, you know, but with troubling in this situation. Man,

1135
01:05:02,000 --> 01:05:06,000
Speaker 1: they said that he was at a young lady's house.

1136
01:05:08,760 --> 01:05:11,600
Speaker 1: Crazy how the universe works. Prior to that, he had

1137
01:05:11,680 --> 01:05:14,880
Speaker 1: some tweaks out. I think it was the day before

1138
01:05:14,920 --> 01:05:17,120
Speaker 1: where he was just like, yo, it's too many police out. Man.

1139
01:05:17,160 --> 01:05:20,040
Speaker 1: I'm going in. Y'all be cool, just certain it's crazy

1140
01:05:20,040 --> 01:05:26,440
Speaker 1: because in a weird way, I truly believe that if

1141
01:05:26,520 --> 01:05:30,800
Speaker 1: you don't die of natural causes, you know, the glitch

1142
01:05:31,200 --> 01:05:35,360
Speaker 1: in your system that may cause you to fall in

1143
01:05:35,480 --> 01:05:41,000
Speaker 1: that in a situation where you may be an unfavorable outcome,

1144
01:05:41,200 --> 01:05:45,120
Speaker 1: he understands almost like yo, because Bro used to always

1145
01:05:45,200 --> 01:05:51,520
Speaker 1: talk about I know that loved him, like you can

1146
01:05:51,600 --> 01:05:54,680
Speaker 1: tell about the outpoor women that was. Excuse me for

1147
01:05:54,800 --> 01:05:57,560
Speaker 1: saying he would always talk about women. I know the

1148
01:05:57,640 --> 01:06:05,240
Speaker 1: women loved them because the outpour of you know, love

1149
01:06:05,360 --> 01:06:07,480
Speaker 1: that was shown to him, you know, when he when

1150
01:06:07,520 --> 01:06:11,520
Speaker 1: he passed away, but in a weird way. It's almost like, man,

1151
01:06:13,760 --> 01:06:16,360
Speaker 1: is there a way to is there a way to

1152
01:06:17,120 --> 01:06:23,360
Speaker 1: some kind of way know your weakness? Because man, you

1153
01:06:23,440 --> 01:06:25,760
Speaker 1: don't speak on those things and not noted that, you

1154
01:06:25,800 --> 01:06:29,480
Speaker 1: know what I mean. It's almost she be weird to me,

1155
01:06:29,640 --> 01:06:32,920
Speaker 1: bro like real talk. And so they say the young

1156
01:06:33,040 --> 01:06:35,640
Speaker 1: lady and pictures have came out of this girl. Man,

1157
01:06:36,240 --> 01:06:38,880
Speaker 1: you know, unfortunate for her, like this is it's a

1158
01:06:38,960 --> 01:06:43,080
Speaker 1: missing situation, man, because according to them, Trouble went over there,

1159
01:06:44,200 --> 01:06:47,160
Speaker 1: Um got what her I guess they did whatever they did,

1160
01:06:47,200 --> 01:06:49,080
Speaker 1: and they was laying down. Dude creep in the house

1161
01:06:49,280 --> 01:06:52,160
Speaker 1: caught him foult her Trouble jump up to help her fight,

1162
01:06:52,280 --> 01:06:54,919
Speaker 1: and then he killed Trouble, But he didn't kill that girl.

1163
01:06:56,320 --> 01:07:01,480
Speaker 1: You know. Um, unfortunate that I like he like, you know,

1164
01:07:01,560 --> 01:07:04,840
Speaker 1: it's unfortunate that I jump up and fight for you, right,

1165
01:07:05,000 --> 01:07:07,760
Speaker 1: fight on't be held for the circumstance that we both

1166
01:07:07,880 --> 01:07:10,680
Speaker 1: got out each other end and then I end up

1167
01:07:10,720 --> 01:07:12,840
Speaker 1: getting killed and then you end up walking away. I

1168
01:07:12,880 --> 01:07:16,040
Speaker 1: can see how that's hurtful to the family, you know.

1169
01:07:16,280 --> 01:07:18,440
Speaker 1: I'm could also see how it's hurt for her. I'm

1170
01:07:18,520 --> 01:07:20,840
Speaker 1: not saying that she had anything to do with it.

1171
01:07:20,920 --> 01:07:23,480
Speaker 1: I'm not sure. I'm not saying she did either did

1172
01:07:23,640 --> 01:07:26,720
Speaker 1: or didn't. I don't know. You understand why I'm from.

1173
01:07:26,880 --> 01:07:30,600
Speaker 1: The back door is open offen times. You know what

1174
01:07:30,680 --> 01:07:34,960
Speaker 1: I'm saying, And that's for me, Like I don't know, Brona.

1175
01:07:35,000 --> 01:07:39,160
Speaker 1: I'm gonna be totally honest. But the story started to

1176
01:07:39,200 --> 01:07:42,680
Speaker 1: get a little weary for me when they started to say, like,

1177
01:07:42,920 --> 01:07:46,080
Speaker 1: all right, because the first thing I thought, and we'll

1178
01:07:46,160 --> 01:07:49,160
Speaker 1: just kind of go through some of the thoughts I had. Right,

1179
01:07:49,280 --> 01:07:53,600
Speaker 1: the first thing I thought was all right as a rapper,

1180
01:07:54,240 --> 01:07:56,919
Speaker 1: as as popping with some money, not even a rapper,

1181
01:07:57,040 --> 01:08:00,200
Speaker 1: just a poppet in the city with some paper. I

1182
01:08:00,360 --> 01:08:02,760
Speaker 1: know what it's like, right for women or girls to

1183
01:08:03,760 --> 01:08:05,920
Speaker 1: want you to come over and want you to be

1184
01:08:06,120 --> 01:08:08,360
Speaker 1: over here and come over here and lay up and

1185
01:08:08,520 --> 01:08:11,280
Speaker 1: eat and I want to feed you and this and that.

1186
01:08:11,760 --> 01:08:15,080
Speaker 1: So you know, I'm familiar with what it's like, you know,

1187
01:08:15,560 --> 01:08:18,439
Speaker 1: with those circumstances. And so when I first said it,

1188
01:08:18,520 --> 01:08:24,800
Speaker 1: I said, Okay, I wonder, prior to him leaving that house,

1189
01:08:24,920 --> 01:08:29,559
Speaker 1: what she talking to that guy, like prior to trouble

1190
01:08:29,640 --> 01:08:32,960
Speaker 1: pulling up what she talking? You see what I'm saying,

1191
01:08:33,000 --> 01:08:35,080
Speaker 1: because for him to pop up, it just don't. It's

1192
01:08:35,080 --> 01:08:37,840
Speaker 1: just like, if you truly believe it's three in the morning,

1193
01:08:37,920 --> 01:08:40,679
Speaker 1: I'm sleep, why you you would like it almost felt

1194
01:08:40,720 --> 01:08:44,360
Speaker 1: like And this is me without any information, respectfully, this

1195
01:08:44,560 --> 01:08:46,960
Speaker 1: is me. This is just going through my thoughts as

1196
01:08:47,000 --> 01:08:49,320
Speaker 1: to what I was thinking when I first saw it.

1197
01:08:49,400 --> 01:08:54,320
Speaker 1: I'm like, all right, so if let's just say I'm

1198
01:08:54,400 --> 01:08:57,679
Speaker 1: a rapper, I'm big loan, right, I'm loan. You want

1199
01:08:57,720 --> 01:08:59,800
Speaker 1: me to come over there? You probably doesn't. This ain't

1200
01:08:59,840 --> 01:09:03,200
Speaker 1: your first time asking me to come over there. You

1201
01:09:03,320 --> 01:09:06,120
Speaker 1: understand this ain't your first time asking me to come over.

1202
01:09:06,880 --> 01:09:09,720
Speaker 1: And what happens, what happens a lot of times is

1203
01:09:10,400 --> 01:09:12,560
Speaker 1: is that we are just choose where we want to go.

1204
01:09:13,280 --> 01:09:15,400
Speaker 1: So I might tell you I'm coming over that after

1205
01:09:15,640 --> 01:09:19,880
Speaker 1: and then don't come. I'm coming over that Thursday man,

1206
01:09:19,960 --> 01:09:22,280
Speaker 1: after this show, and then don't come after the Yo,

1207
01:09:22,439 --> 01:09:25,080
Speaker 1: I'll be over there and I don't come. And so

1208
01:09:26,920 --> 01:09:29,200
Speaker 1: I could have told you that that night I'm coming

1209
01:09:29,320 --> 01:09:30,760
Speaker 1: and you might have thought it was one of them

1210
01:09:30,880 --> 01:09:33,560
Speaker 1: nice again, while I won't coming, So you're still communicating

1211
01:09:33,600 --> 01:09:39,000
Speaker 1: with dude. Next thing you know, I hit your larn Yo,

1212
01:09:39,080 --> 01:09:43,320
Speaker 1: I'm out side. Man, you cut communication off? Man, hel

1213
01:09:43,479 --> 01:09:45,200
Speaker 1: hold up. I know she's not sleep. I would yet

1214
01:09:45,280 --> 01:09:48,720
Speaker 1: talking to her. She not sleep, I would literally just

1215
01:09:48,960 --> 01:09:51,920
Speaker 1: talk and all of sad. And then you know what

1216
01:09:51,920 --> 01:09:54,400
Speaker 1: I'm saying, I'm just wondering, how did heat? Like, no

1217
01:09:54,680 --> 01:09:56,920
Speaker 1: dude was that? Then you pull up and you see

1218
01:09:56,960 --> 01:10:00,519
Speaker 1: this coyle side because with some paper usually gonna drive

1219
01:10:00,600 --> 01:10:02,880
Speaker 1: something that indicate he got some money. You know what

1220
01:10:02,960 --> 01:10:06,040
Speaker 1: I'm saying. So you see that card that like he

1221
01:10:06,240 --> 01:10:09,760
Speaker 1: gotta be for her. Just your insecurity as that dude

1222
01:10:09,840 --> 01:10:13,560
Speaker 1: pulling up for any to shoot somebody who he's supposed

1223
01:10:13,600 --> 01:10:15,479
Speaker 1: to be girl, because in my opinion home and that

1224
01:10:15,520 --> 01:10:18,280
Speaker 1: ain't your girl. If that was your girl, she wouldn't

1225
01:10:18,280 --> 01:10:21,519
Speaker 1: have been in that house with another name. I always

1226
01:10:21,560 --> 01:10:24,599
Speaker 1: tell people, man, I don't give a what you call

1227
01:10:24,760 --> 01:10:28,200
Speaker 1: that woman, how she actors, what she is. Do you

1228
01:10:28,360 --> 01:10:30,800
Speaker 1: understand you call that girl your girlfriend? Are you won't

1229
01:10:33,000 --> 01:10:35,400
Speaker 1: if she don't cook for you, she don't clean for you,

1230
01:10:35,520 --> 01:10:37,960
Speaker 1: she don't help you, she don't encourage you. What are

1231
01:10:38,000 --> 01:10:41,840
Speaker 1: you calling her? What are you talking about? Same with

1232
01:10:41,960 --> 01:10:44,280
Speaker 1: your man? Oh that's my man. But he don't hip you.

1233
01:10:44,920 --> 01:10:47,200
Speaker 1: He don't encourage you, he don't teach you, he don't

1234
01:10:47,280 --> 01:10:49,920
Speaker 1: lead you, he don't protect, he don't do nothing. What

1235
01:10:50,120 --> 01:10:52,439
Speaker 1: the do y'all be out here just giving titles to

1236
01:10:52,520 --> 01:10:57,160
Speaker 1: people about that's my boyfriend, that's my nah you. But again,

1237
01:10:57,600 --> 01:11:00,479
Speaker 1: we're in the new age where you can use aguage

1238
01:11:00,520 --> 01:11:03,240
Speaker 1: in whatever way you want to use it. We start

1239
01:11:03,360 --> 01:11:05,960
Speaker 1: to ignore science and everything. So we're in this weird

1240
01:11:06,120 --> 01:11:09,000
Speaker 1: place where you know, you can just be like, I'm

1241
01:11:09,080 --> 01:11:11,439
Speaker 1: your girlfriend and you shouldn't cheat on me, or I'm

1242
01:11:11,520 --> 01:11:14,519
Speaker 1: your boyfriend and you shouldn't cheat on me when you

1243
01:11:14,600 --> 01:11:17,679
Speaker 1: don't provide me anything that a boyfriend or a girlfriend

1244
01:11:17,720 --> 01:11:23,120
Speaker 1: would provide in that situation. That ain't that dude girlfriend.

1245
01:11:24,000 --> 01:11:28,040
Speaker 1: Now they may have had a relationship, and it could

1246
01:11:28,080 --> 01:11:32,519
Speaker 1: have been a recent relationship. But if somebody will another

1247
01:11:32,680 --> 01:11:36,160
Speaker 1: person in a bid that you was just in, that

1248
01:11:36,280 --> 01:11:41,439
Speaker 1: ain't your that ain't your girl. But he, you know,

1249
01:11:41,920 --> 01:11:44,880
Speaker 1: boo boo the fool, so he gonna running in kill

1250
01:11:45,040 --> 01:11:47,880
Speaker 1: something about something that ain't work. Like, bro, listen, bro,

1251
01:11:48,200 --> 01:11:50,600
Speaker 1: you don't that's a bad that's a mistake. I'll just

1252
01:11:50,760 --> 01:11:53,519
Speaker 1: leave it though, And I a lot of times women

1253
01:11:53,520 --> 01:11:56,439
Speaker 1: to say, YO, don't hold my past against me. You

1254
01:11:56,520 --> 01:11:58,720
Speaker 1: know what I did before you and don't got nothing

1255
01:11:58,760 --> 01:12:02,320
Speaker 1: to do with you. I disagree with that. Who you

1256
01:12:02,439 --> 01:12:04,760
Speaker 1: had sex with, you know, and and how you've had

1257
01:12:04,880 --> 01:12:07,960
Speaker 1: six and whatever you've done. You know. We all have

1258
01:12:08,120 --> 01:12:12,479
Speaker 1: a pass, but your pass can have some indicators in them.

1259
01:12:13,640 --> 01:12:15,400
Speaker 1: Why you keep trying to tell me not to look

1260
01:12:15,479 --> 01:12:18,040
Speaker 1: at your pass? What's back here you don't want to see?

1261
01:12:18,400 --> 01:12:20,560
Speaker 1: Because I am who I am, go back through it.

1262
01:12:21,080 --> 01:12:23,439
Speaker 1: You know, I made some decisions that was wrong right.

1263
01:12:23,479 --> 01:12:26,200
Speaker 1: I might have did some smacked him off here or

1264
01:12:26,320 --> 01:12:29,120
Speaker 1: done something right. I did some ship that was impulsive.

1265
01:12:29,520 --> 01:12:33,479
Speaker 1: But I ain't never made no immoral decision. I ain't

1266
01:12:33,520 --> 01:12:37,200
Speaker 1: never made immoral decisions. I ain't never touched a child

1267
01:12:37,520 --> 01:12:42,360
Speaker 1: or you know, my homeboyd girlfriend or with a like.

1268
01:12:42,439 --> 01:12:45,040
Speaker 1: I ain't never done nothing else, you know, I ain't

1269
01:12:45,080 --> 01:12:49,360
Speaker 1: never done nothing that's immorl looked through it. So when somebody,

1270
01:12:49,760 --> 01:12:51,840
Speaker 1: you know, especially with me, if I got everything to

1271
01:12:51,920 --> 01:12:55,320
Speaker 1: lose and you're telling me, you know, your pass don't

1272
01:12:55,320 --> 01:13:01,000
Speaker 1: matter in regards to if I think you were there love, Naw,

1273
01:13:01,080 --> 01:13:03,519
Speaker 1: that ain't what I'm saying. But if you're word of

1274
01:13:03,680 --> 01:13:07,040
Speaker 1: being in my situation with everything that I gotta consider everything.

1275
01:13:07,160 --> 01:13:09,880
Speaker 1: I got to lose everything that says steak on my wall.

1276
01:13:10,360 --> 01:13:13,560
Speaker 1: I gotta consider the thing because although you might be

1277
01:13:13,920 --> 01:13:17,120
Speaker 1: a same individual, you might be Yo, I'm not somebody

1278
01:13:17,160 --> 01:13:18,760
Speaker 1: there to do X, Y and Z. I know you

1279
01:13:18,800 --> 01:13:21,280
Speaker 1: ain't gonna kill me, but you ain't. You might not

1280
01:13:21,439 --> 01:13:24,120
Speaker 1: got good sense, so you're asleep with an You'll let

1281
01:13:24,160 --> 01:13:27,800
Speaker 1: damn anybody you that can get you alone. If they

1282
01:13:27,880 --> 01:13:29,559
Speaker 1: got some money, they can get you in a room

1283
01:13:29,600 --> 01:13:32,760
Speaker 1: by yourself, you might go. And it's the same way

1284
01:13:32,800 --> 01:13:35,800
Speaker 1: with a baby girl. If you find a man that hell,

1285
01:13:36,120 --> 01:13:38,320
Speaker 1: anybody who can get him in a room by itself,

1286
01:13:38,479 --> 01:13:42,120
Speaker 1: he a problem. You need to know that because that

1287
01:13:42,280 --> 01:13:45,599
Speaker 1: impulsive behavior can lead to some other things. I always

1288
01:13:45,640 --> 01:13:51,560
Speaker 1: tell people that sex and love is cousins, right, So

1289
01:13:52,280 --> 01:13:55,639
Speaker 1: the intentions are not clear when you have sex. It's

1290
01:13:55,680 --> 01:13:58,559
Speaker 1: a blurred line, right. So what will happen is you'll

1291
01:13:58,600 --> 01:14:00,800
Speaker 1: be having sex. Would dude just to be having sex

1292
01:14:00,840 --> 01:14:04,320
Speaker 1: will due and then he'll be falling in love Because

1293
01:14:04,400 --> 01:14:08,760
Speaker 1: you don't have the intellectual ability or the makeup to

1294
01:14:09,000 --> 01:14:12,400
Speaker 1: understand that old this has changed. This dude is not

1295
01:14:12,640 --> 01:14:17,800
Speaker 1: accepting the boundaries that I've said in place, right, whatever

1296
01:14:17,920 --> 01:14:21,000
Speaker 1: that may be, you won't even know that. And then

1297
01:14:21,080 --> 01:14:23,240
Speaker 1: I will fall victim to that, because as you see

1298
01:14:23,280 --> 01:14:26,360
Speaker 1: with trouble, he'll come in and try to fight you.

1299
01:14:27,960 --> 01:14:29,960
Speaker 1: He'll try to fight you, but he would kill me.

1300
01:14:32,080 --> 01:14:34,160
Speaker 1: You know what I'm saying. He gotta get me out

1301
01:14:34,200 --> 01:14:36,760
Speaker 1: the way because he know he can't control your mind.

1302
01:14:37,040 --> 01:14:40,160
Speaker 1: He can't make you not with me, because if that's

1303
01:14:40,200 --> 01:14:41,920
Speaker 1: the case, you wouldn't be laying here in his bed

1304
01:14:42,000 --> 01:14:44,720
Speaker 1: with me. So he gotta kill me to remove me,

1305
01:14:46,320 --> 01:14:49,280
Speaker 1: and he'll go that far. But again, I always think

1306
01:14:49,400 --> 01:14:52,760
Speaker 1: standards is important. I want to know like and then

1307
01:14:52,880 --> 01:14:56,040
Speaker 1: of course I take in consideration age and like if

1308
01:14:56,080 --> 01:14:59,000
Speaker 1: you was a certain age doing certain things, but still

1309
01:14:59,160 --> 01:15:02,800
Speaker 1: certain things like oh you were doing that like they

1310
01:15:02,920 --> 01:15:06,360
Speaker 1: ran a train on you. Nah, I don't really, Nah,

1311
01:15:06,640 --> 01:15:09,280
Speaker 1: I don't know. Now you're talking about wife it being

1312
01:15:09,320 --> 01:15:12,160
Speaker 1: wife it was, Nah, I don't really, No, I gotta

1313
01:15:12,200 --> 01:15:17,400
Speaker 1: think about that now. It also says this say that

1314
01:15:17,520 --> 01:15:22,960
Speaker 1: you're somebody who see because some pretty women don't utilize

1315
01:15:23,040 --> 01:15:26,720
Speaker 1: the beauty in a way, they don't weaponize their beauty, right,

1316
01:15:27,040 --> 01:15:29,960
Speaker 1: But in this in this new age, era. They make

1317
01:15:30,000 --> 01:15:32,679
Speaker 1: it seem like all women weaponize their beauty, But there's

1318
01:15:32,720 --> 01:15:35,880
Speaker 1: still women who are very beautiful, but they don't weaponize

1319
01:15:35,920 --> 01:15:40,800
Speaker 1: their beauty. So what will happen is they'll be dropped dead,

1320
01:15:40,960 --> 01:15:45,960
Speaker 1: gorgeous and fall in love with Bran from Subway. Now

1321
01:15:46,080 --> 01:15:49,080
Speaker 1: Bran from Subway places yourself in a situation where he

1322
01:15:49,120 --> 01:15:54,880
Speaker 1: could never get a woman that looks like this. Now

1323
01:15:55,000 --> 01:15:58,840
Speaker 1: big loon slide through and he now I like the

1324
01:15:58,920 --> 01:16:01,759
Speaker 1: girl because she really speed. She's something that I would

1325
01:16:02,320 --> 01:16:04,560
Speaker 1: kind of have. You know, you know, a dude with

1326
01:16:04,720 --> 01:16:07,760
Speaker 1: some money and some some status, and you know the

1327
01:16:08,240 --> 01:16:11,080
Speaker 1: arm candy she checked at all those boxes. Now he

1328
01:16:11,160 --> 01:16:14,960
Speaker 1: comes some dude trying to take your girl. In your mind,

1329
01:16:17,120 --> 01:16:20,320
Speaker 1: he trying to take your girl. And for you, you're

1330
01:16:20,360 --> 01:16:22,559
Speaker 1: gonna step out of bounds for that because you would

1331
01:16:22,560 --> 01:16:25,200
Speaker 1: never get another one of them. You ain't feeling, man,

1332
01:16:25,280 --> 01:16:27,320
Speaker 1: I'm not losing that one. You're gonna try to go

1333
01:16:27,439 --> 01:16:29,560
Speaker 1: as far as you can. And for me, Bro, I

1334
01:16:29,720 --> 01:16:32,240
Speaker 1: just think I gotta be aware of what kind of

1335
01:16:32,960 --> 01:16:36,200
Speaker 1: risk you would take. Do you even do a risk assessment?

1336
01:16:37,160 --> 01:16:39,080
Speaker 1: Like what you would do with your body? Says a

1337
01:16:39,160 --> 01:16:41,639
Speaker 1: lot to me. You know what I'm saying. I'm talking

1338
01:16:41,640 --> 01:16:47,320
Speaker 1: about if if I feel like that anybody can fuck

1339
01:16:47,439 --> 01:16:50,320
Speaker 1: you if they get you in the room alone, that's

1340
01:16:50,320 --> 01:16:53,000
Speaker 1: a problem. And I know that's just my feeling because

1341
01:16:53,000 --> 01:16:55,240
Speaker 1: you don't have no way to prove that right. So

1342
01:16:55,439 --> 01:16:59,439
Speaker 1: I'm not projecting that. I'm saying that sometimes you can

1343
01:16:59,520 --> 01:17:02,599
Speaker 1: go through like if I'm your first dude of my kind,

1344
01:17:03,000 --> 01:17:05,840
Speaker 1: that's that's kind of scary than me because it's like, Oh,

1345
01:17:06,400 --> 01:17:08,479
Speaker 1: you ain't gonna know how to You ain't gonna know

1346
01:17:08,560 --> 01:17:11,160
Speaker 1: what to do with this, Like you ain't gonna know

1347
01:17:11,320 --> 01:17:14,040
Speaker 1: that you posted had a clothes out. You ain't gonna

1348
01:17:14,080 --> 01:17:16,320
Speaker 1: know the cat of dinner done. You ain't gonna know

1349
01:17:16,360 --> 01:17:19,519
Speaker 1: when I come in from doing a podcast or a shoulder.

1350
01:17:19,640 --> 01:17:21,559
Speaker 1: This is you ain't gonna know because you ain't never

1351
01:17:21,680 --> 01:17:24,760
Speaker 1: had held accountable then because you've been finking with They

1352
01:17:24,800 --> 01:17:26,840
Speaker 1: don't give a what happened. They just happen to get

1353
01:17:26,880 --> 01:17:30,400
Speaker 1: some put them, don't won't know them, ain't having no

1354
01:17:30,520 --> 01:17:33,639
Speaker 1: clean house, and man, the walls need to be washed,

1355
01:17:33,680 --> 01:17:37,120
Speaker 1: and we won't the smell good than the man. I'm fucking.

1356
01:17:37,200 --> 01:17:39,840
Speaker 1: I'm good to be fucking after long day in the

1357
01:17:39,920 --> 01:17:42,560
Speaker 1: Whitehouse or at the long day wherever man, I'm just

1358
01:17:42,720 --> 01:17:45,920
Speaker 1: good to be right and and sometimes some men ain't

1359
01:17:45,960 --> 01:17:49,040
Speaker 1: that simple. And when you start to cross breathe those men,

1360
01:17:49,920 --> 01:17:52,120
Speaker 1: that's when you start to have a problem. When I

1361
01:17:52,400 --> 01:17:56,879
Speaker 1: when me and sharing the same person and our standards

1362
01:17:56,880 --> 01:18:01,439
Speaker 1: are completely different. Somebody that th juys something wrong. Somebody

1363
01:18:01,560 --> 01:18:05,080
Speaker 1: got something off, you know what I'm saying. My second

1364
01:18:05,160 --> 01:18:13,080
Speaker 1: question was, damn true, damn school. Why you go over

1365
01:18:13,240 --> 01:18:19,800
Speaker 1: and go to sleep? Damn bron You know, as far

1366
01:18:19,840 --> 01:18:21,960
Speaker 1: as me, I'm never going to know woman house going

1367
01:18:22,040 --> 01:18:26,800
Speaker 1: to sleep. It happened to me one time. I'll never

1368
01:18:26,920 --> 01:18:32,519
Speaker 1: forget it. I went over a woman house. She had

1369
01:18:32,560 --> 01:18:38,120
Speaker 1: a was, you know, rich neighborhood, and you know, so

1370
01:18:38,240 --> 01:18:41,400
Speaker 1: I'm I'm over there and somebody knocks on the door.

1371
01:18:42,200 --> 01:18:45,360
Speaker 1: I got my gun on me, so I don't you know,

1372
01:18:45,520 --> 01:18:49,120
Speaker 1: and I'm not sleep at this time. Somebody knocks on

1373
01:18:49,240 --> 01:18:55,599
Speaker 1: the door, I already know it's it's tensthn. They ain't

1374
01:18:55,640 --> 01:18:58,120
Speaker 1: no who, ain't your daughter, ain't your mama, ain't no,

1375
01:18:59,160 --> 01:19:01,880
Speaker 1: ain't the neighbor us. That's somebody that want to know

1376
01:19:01,920 --> 01:19:04,800
Speaker 1: why you ain't answering some I'm saying, or what why

1377
01:19:04,880 --> 01:19:06,720
Speaker 1: you ain't called me, or why you ain't text? I

1378
01:19:06,880 --> 01:19:09,360
Speaker 1: was making sure you And a lot of the weirdo news,

1379
01:19:10,640 --> 01:19:13,040
Speaker 1: not the ones just genuine and really in the relationship

1380
01:19:13,120 --> 01:19:14,640
Speaker 1: and checking on their women, But a lot of the

1381
01:19:14,760 --> 01:19:19,200
Speaker 1: weirdos try to mask. They check up or pop up

1382
01:19:19,280 --> 01:19:22,120
Speaker 1: like it's that they're doing a welfare check or something. Guy, Oh,

1383
01:19:22,160 --> 01:19:23,960
Speaker 1: I was just checking. So you ain't asking the phone.

1384
01:19:23,960 --> 01:19:27,280
Speaker 1: I was just man, damn baby, ain't it? You know?

1385
01:19:27,360 --> 01:19:29,840
Speaker 1: And it's like, yo, bro, you know, if we're not

1386
01:19:29,960 --> 01:19:32,080
Speaker 1: in a relate like yo, if I've been telling you,

1387
01:19:32,479 --> 01:19:34,880
Speaker 1: or if we've been rocky or we're trying to break up,

1388
01:19:35,000 --> 01:19:38,040
Speaker 1: or if it ain't nothing, don't do that. You know,

1389
01:19:38,200 --> 01:19:41,679
Speaker 1: if you're somebody, real woman or real man, at least

1390
01:19:41,760 --> 01:19:46,800
Speaker 1: I do like I tell a man like yo, you

1391
01:19:46,920 --> 01:19:49,720
Speaker 1: see what's up? If I, yo, bro, I show you

1392
01:19:49,840 --> 01:19:52,160
Speaker 1: what it is. Deal with that. I'm gonna show you

1393
01:19:52,240 --> 01:19:55,160
Speaker 1: when it ain't what it is. We ain't gonna be

1394
01:19:55,280 --> 01:19:59,680
Speaker 1: talking about it. I'm I'm gonna ain't nothing to ask anybody.

1395
01:20:00,120 --> 01:20:02,640
Speaker 1: Soon I say it's over, it's over, ain't nothing to

1396
01:20:02,720 --> 01:20:05,639
Speaker 1: talk about, Ain't no calling, ain't no, It's just it's

1397
01:20:05,720 --> 01:20:10,839
Speaker 1: it's a done thing. So dudes have to stop forcing

1398
01:20:10,960 --> 01:20:15,240
Speaker 1: themselves and women do this too. People, Let me not

1399
01:20:15,600 --> 01:20:17,560
Speaker 1: make this a gender thing because I want to be

1400
01:20:17,680 --> 01:20:20,640
Speaker 1: genderless in my approach because I'm dealing with information, So

1401
01:20:20,760 --> 01:20:24,200
Speaker 1: I don't want to specifically call anyone out in regards

1402
01:20:24,280 --> 01:20:28,320
Speaker 1: to behave your traits. I understand that feelings is involved,

1403
01:20:28,360 --> 01:20:31,200
Speaker 1: and when feelings are involved, we don't know who what

1404
01:20:31,439 --> 01:20:33,400
Speaker 1: we're in a well would act what kind of way.

1405
01:20:33,720 --> 01:20:36,040
Speaker 1: So I want to be clean and concise with my

1406
01:20:36,200 --> 01:20:41,320
Speaker 1: message in regards to that. But I was at the

1407
01:20:41,400 --> 01:20:47,280
Speaker 1: house and like I said, knock on the door. You know,

1408
01:20:49,400 --> 01:20:51,920
Speaker 1: she go out, and you know, you see another thing

1409
01:20:52,040 --> 01:20:54,560
Speaker 1: I ain't doing is sitting in the room waiting on

1410
01:20:54,640 --> 01:20:57,960
Speaker 1: a to come in and kill me. So when the

1411
01:20:58,120 --> 01:21:01,080
Speaker 1: when the when the dog go off? And she called

1412
01:21:01,160 --> 01:21:05,320
Speaker 1: us said walking to the door, I'm walking to the dough,

1413
01:21:06,320 --> 01:21:09,800
Speaker 1: not defending her. I'm walking and standing back with my

1414
01:21:09,960 --> 01:21:12,960
Speaker 1: fire on because I don't know whether or not you know,

1415
01:21:13,439 --> 01:21:17,000
Speaker 1: he finna jet opened fire or he finnahed. I don't

1416
01:21:17,040 --> 01:21:19,920
Speaker 1: know what's going on, but I need to protect myself.

1417
01:21:20,000 --> 01:21:22,400
Speaker 1: I'm worth too much. It's a lot of people think

1418
01:21:22,479 --> 01:21:24,920
Speaker 1: I'm worth a lot of money, and my people love

1419
01:21:25,080 --> 01:21:28,479
Speaker 1: me so but in my man, I'm thinking about yo,

1420
01:21:28,840 --> 01:21:32,400
Speaker 1: I ain't going whatever finna happened right here, I'm going

1421
01:21:32,479 --> 01:21:38,479
Speaker 1: to jail. I'm finna go to jail. Right so the

1422
01:21:38,760 --> 01:21:42,600
Speaker 1: um so we walk around because the house big. We

1423
01:21:42,680 --> 01:21:45,200
Speaker 1: get out of walking and and she come out the

1424
01:21:45,280 --> 01:21:47,240
Speaker 1: dough you know how much come out the door and

1425
01:21:47,360 --> 01:21:49,640
Speaker 1: slam it behind him and go, you know, like you know,

1426
01:21:49,800 --> 01:21:53,799
Speaker 1: going outside the talk, you understand. So they outside talking

1427
01:21:54,360 --> 01:21:58,479
Speaker 1: and I'm right there, boy, the one, because soon he

1428
01:21:58,640 --> 01:22:00,640
Speaker 1: found her and running the high I'm right here on

1429
01:22:00,680 --> 01:22:03,360
Speaker 1: the side. I'm a gone blow as that of cale.

1430
01:22:03,439 --> 01:22:04,840
Speaker 1: Know he's gonna ain't coming in here to try to

1431
01:22:04,960 --> 01:22:08,120
Speaker 1: kill me, you know. But he ended up just leaving.

1432
01:22:08,200 --> 01:22:11,600
Speaker 1: I say, see that's the thing. That's another thing. That

1433
01:22:11,840 --> 01:22:13,880
Speaker 1: was the right move for him, though. A round of

1434
01:22:13,920 --> 01:22:16,599
Speaker 1: applause for dude, because you don't want to you don't

1435
01:22:16,640 --> 01:22:21,000
Speaker 1: want to turn that into summer clearly home and this

1436
01:22:21,120 --> 01:22:23,320
Speaker 1: ain't your woman. She just showed you with this move

1437
01:22:23,479 --> 01:22:25,960
Speaker 1: right here. See again, But guess what he pulled up

1438
01:22:26,000 --> 01:22:28,720
Speaker 1: to when he pulled up or he probably didn't. And

1439
01:22:28,800 --> 01:22:31,640
Speaker 1: that's why why I said this about dude, because he

1440
01:22:31,800 --> 01:22:36,599
Speaker 1: probably didn't pulled straight up to her house. He probably

1441
01:22:36,680 --> 01:22:39,920
Speaker 1: rolled through and he's seen one of them cars out

1442
01:22:40,000 --> 01:22:42,439
Speaker 1: there to say, oh, it's in there with some paper

1443
01:22:42,560 --> 01:22:45,360
Speaker 1: and I got a nicklace on its emotion it's in

1444
01:22:45,520 --> 01:22:50,160
Speaker 1: that house. And he didn't like that. So when he's

1445
01:22:50,160 --> 01:22:54,880
Speaker 1: seen that car he coming, I'm like, yo, this that's

1446
01:22:54,920 --> 01:22:58,720
Speaker 1: some nuts, you know, um. And I never seen him like,

1447
01:22:58,840 --> 01:23:01,320
Speaker 1: I never seen him face and phase. I never He

1448
01:23:01,479 --> 01:23:04,320
Speaker 1: never said done to me, But it was that situation,

1449
01:23:04,600 --> 01:23:06,920
Speaker 1: and that one situation said to me, Lou, you can't

1450
01:23:06,960 --> 01:23:09,360
Speaker 1: what are you doing that? And I didn't even like

1451
01:23:09,479 --> 01:23:13,120
Speaker 1: shouting like that, like you what are you doing? Bro?

1452
01:23:14,160 --> 01:23:17,960
Speaker 1: Like what are you doing? Like you bugging out? Ain't

1453
01:23:17,960 --> 01:23:20,280
Speaker 1: got no business in these spots like its man, you

1454
01:23:20,880 --> 01:23:23,559
Speaker 1: like bro, you don't gotta settle home? Like what are

1455
01:23:23,560 --> 01:23:26,680
Speaker 1: you doing? But I know that horny kick in. See

1456
01:23:26,760 --> 01:23:30,360
Speaker 1: bore that horny kick in and bore nick A sense

1457
01:23:30,439 --> 01:23:35,600
Speaker 1: away be operating on all cylinders, everything going except it

1458
01:23:35,760 --> 01:23:38,360
Speaker 1: sense com and sense got the goal when that horny

1459
01:23:38,479 --> 01:23:42,400
Speaker 1: kick in, So nick A run right on over. I

1460
01:23:42,600 --> 01:23:47,080
Speaker 1: was just more because in that split second what it

1461
01:23:47,120 --> 01:23:50,080
Speaker 1: said to me was all right, somebody don't see because

1462
01:23:50,080 --> 01:23:53,280
Speaker 1: I'm I'm I'm different than y'all. Man. My mind is

1463
01:23:53,720 --> 01:23:56,360
Speaker 1: I'm calculating. I might see it walking through and he

1464
01:23:56,439 --> 01:23:58,760
Speaker 1: just think I'm looking at him because he walking. Man,

1465
01:23:58,800 --> 01:24:01,160
Speaker 1: I'd have calculated where you came from, where you going,

1466
01:24:01,280 --> 01:24:04,000
Speaker 1: what you got on, what's in your hand? Man, I'm

1467
01:24:04,040 --> 01:24:09,240
Speaker 1: on some whole others at any that you can't duplicate this,

1468
01:24:09,800 --> 01:24:11,840
Speaker 1: so I can tell you you can't do it. You

1469
01:24:11,960 --> 01:24:16,920
Speaker 1: just you ain't come up like this. So my problem

1470
01:24:17,160 --> 01:24:21,840
Speaker 1: was if I've seen an I really didn't want him,

1471
01:24:22,200 --> 01:24:23,840
Speaker 1: or I don't say what I wanted him to do,

1472
01:24:24,439 --> 01:24:28,280
Speaker 1: I knew that he would look at me like my

1473
01:24:28,560 --> 01:24:33,519
Speaker 1: woman is slipping away, and you the reason. So I'm

1474
01:24:33,520 --> 01:24:36,679
Speaker 1: saying something happens in relationships the way you shut off

1475
01:24:37,240 --> 01:24:40,160
Speaker 1: everything you might have did to someone, everything you might

1476
01:24:40,240 --> 01:24:42,680
Speaker 1: have said, all the times they might have needed you

1477
01:24:42,840 --> 01:24:45,040
Speaker 1: and asked you for things that you couldn't do, or

1478
01:24:45,479 --> 01:24:47,680
Speaker 1: maybe the times where the man said, yo, can you

1479
01:24:47,800 --> 01:24:50,639
Speaker 1: cook me something? Can you? May you complain? Now he's

1480
01:24:50,760 --> 01:24:54,160
Speaker 1: replaced you, and then you look at this woman like,

1481
01:24:54,320 --> 01:24:58,360
Speaker 1: oh you took my man or you took my now, bro, No,

1482
01:24:58,600 --> 01:25:02,760
Speaker 1: that ain't what happened, but that is what a muff

1483
01:25:03,040 --> 01:25:05,880
Speaker 1: convinced themselves of so you'll see me and thank yo,

1484
01:25:06,360 --> 01:25:10,639
Speaker 1: you're taking my woman from me. It's like, nah, Nick,

1485
01:25:11,160 --> 01:25:14,639
Speaker 1: you didn't do nothing that woman. That woman you wouldn't

1486
01:25:14,680 --> 01:25:18,080
Speaker 1: even coming home or whatever, like whatever the circumstances was

1487
01:25:18,200 --> 01:25:20,080
Speaker 1: to make. You were getting drunk and she didn't even

1488
01:25:20,200 --> 01:25:22,720
Speaker 1: like like you were getting drunk. She didn't even you

1489
01:25:22,760 --> 01:25:25,240
Speaker 1: ain't even cleaning up. It's like you leave like what

1490
01:25:25,400 --> 01:25:28,200
Speaker 1: you're timing like she don't even like that kind of Nick.

1491
01:25:28,320 --> 01:25:31,599
Speaker 1: You don't even know that. But you will blame whoever

1492
01:25:31,720 --> 01:25:34,320
Speaker 1: you see a Knicks too, And because you love her,

1493
01:25:34,520 --> 01:25:36,840
Speaker 1: you won't take it out on her. You'll take it

1494
01:25:36,920 --> 01:25:40,080
Speaker 1: out on that muff next to her. But then she'd

1495
01:25:40,120 --> 01:25:43,759
Speaker 1: just replaced him with somebody else. So now dude, kill trouble.

1496
01:25:43,760 --> 01:25:47,800
Speaker 1: And now now what she definitely gonna be somebody else

1497
01:25:47,800 --> 01:25:49,600
Speaker 1: if she had a Nick bid that you were just

1498
01:25:49,720 --> 01:25:52,160
Speaker 1: staying there three weeks ago. And this is no disrespect

1499
01:25:52,200 --> 01:25:54,960
Speaker 1: to shout it. I'm dealing with the information. I'm saying,

1500
01:25:55,000 --> 01:25:57,679
Speaker 1: if you will putting me in a bed, were Nicks

1501
01:25:57,760 --> 01:26:02,040
Speaker 1: that being gone by three weeks you feel I don't

1502
01:26:02,080 --> 01:26:05,960
Speaker 1: even let people come to my house. I don't leave

1503
01:26:06,000 --> 01:26:09,080
Speaker 1: people with this house friendly be letting me know, y'all lame.

1504
01:26:10,040 --> 01:26:13,080
Speaker 1: I don't let house friendly. Y'all be doing our Everybody

1505
01:26:13,160 --> 01:26:16,519
Speaker 1: pull up to the house, always cool, everybody come on through.

1506
01:26:16,880 --> 01:26:20,439
Speaker 1: Yeah we're having a part of that, y'all. Faul laming man.

1507
01:26:21,280 --> 01:26:24,840
Speaker 1: Y'all cain't had nothing to lose. You gotta be either

1508
01:26:25,000 --> 01:26:28,519
Speaker 1: broke petty, don't understand where you wet. Ain't got nothing.

1509
01:26:28,760 --> 01:26:31,200
Speaker 1: Something gotta be happening for you to be that welcoming

1510
01:26:31,600 --> 01:26:36,800
Speaker 1: until your sanctuary. You don't wanta know mother running around.

1511
01:26:36,960 --> 01:26:39,040
Speaker 1: You ever see people at the church when the church

1512
01:26:39,120 --> 01:26:43,040
Speaker 1: ain't open. I don't wan't nobody at the house. The

1513
01:26:43,120 --> 01:26:47,800
Speaker 1: house ain't never open. This is the sanctuary. Everything, all

1514
01:26:47,880 --> 01:26:50,920
Speaker 1: my prized possessions is at the house. The fun I

1515
01:26:51,120 --> 01:26:55,400
Speaker 1: need it. But see again, people are living in this

1516
01:26:55,600 --> 01:27:00,200
Speaker 1: false reality. Bro You want people to see like me

1517
01:27:00,360 --> 01:27:02,960
Speaker 1: anyway when I look at life. You know the people

1518
01:27:03,000 --> 01:27:05,160
Speaker 1: who want to invite people to them how to the

1519
01:27:05,280 --> 01:27:08,240
Speaker 1: houses and shit all the time. All the people usually

1520
01:27:08,320 --> 01:27:12,920
Speaker 1: who made first time be in a nice spot or

1521
01:27:13,000 --> 01:27:15,680
Speaker 1: something like that. You know they might this might be

1522
01:27:15,760 --> 01:27:17,960
Speaker 1: their first time with a costle. They can't wait to

1523
01:27:18,040 --> 01:27:20,240
Speaker 1: hit the block and roll to wonders that, like, bro,

1524
01:27:20,479 --> 01:27:26,160
Speaker 1: we ain't we grown ups? Mothers has grown. You know

1525
01:27:26,200 --> 01:27:28,680
Speaker 1: what I'm saying, Nah, I don't want anybody for me.

1526
01:27:29,040 --> 01:27:33,200
Speaker 1: Ain't can't nobody to tell you why I live at Nobody,

1527
01:27:34,360 --> 01:27:38,760
Speaker 1: my mother, my children, my woman, my uncle, people like that,

1528
01:27:38,920 --> 01:27:44,439
Speaker 1: but nobody didikid nobody. It's not gonna happen. It's just

1529
01:27:44,640 --> 01:27:47,880
Speaker 1: not gonna happen. You know what I'm saying, because I

1530
01:27:48,040 --> 01:27:50,760
Speaker 1: understand the round for cases. Now, when you are an

1531
01:27:50,800 --> 01:27:55,479
Speaker 1: old adult and you don't understand risk assessment, you're a fool.

1532
01:27:56,800 --> 01:27:59,120
Speaker 1: And I know they say God look out for children,

1533
01:27:59,280 --> 01:28:03,920
Speaker 1: fools man, but I have a hard time. I ain't God. Yeah,

1534
01:28:04,000 --> 01:28:06,439
Speaker 1: I ain't God. They say God look out for children

1535
01:28:06,479 --> 01:28:12,160
Speaker 1: and food. I ain't God. So fools is off my list. Yeah,

1536
01:28:12,200 --> 01:28:16,400
Speaker 1: you're operating like a fool. You're operating like a fool.

1537
01:28:17,760 --> 01:28:21,680
Speaker 1: I don't let everybody into my personal space. If I

1538
01:28:21,800 --> 01:28:26,160
Speaker 1: let you into my personal space, you can affect me personally.

1539
01:28:28,560 --> 01:28:31,120
Speaker 1: Then why would I let a motherfucker come affect this?

1540
01:28:33,520 --> 01:28:35,680
Speaker 1: Everything I got going on? Why would I let the

1541
01:28:35,800 --> 01:28:38,519
Speaker 1: mother come affect this? Because they want to have a

1542
01:28:38,640 --> 01:28:41,600
Speaker 1: good time. Oh, we want to sit around and have

1543
01:28:41,680 --> 01:28:44,639
Speaker 1: a good time. They're gonna fick a multimillion dollars. Ain't

1544
01:28:44,680 --> 01:28:48,000
Speaker 1: gonna happen. But yeah, man, like I say, relationships or

1545
01:28:48,240 --> 01:28:50,519
Speaker 1: something that you you gotta consider a lot of things.

1546
01:28:50,600 --> 01:28:54,080
Speaker 1: You can't just be someone. Oh we're fucking, we're we're

1547
01:28:54,160 --> 01:28:58,320
Speaker 1: fucking and I love you. No, no, no, not gonna happen.

1548
01:28:58,600 --> 01:29:02,280
Speaker 1: Do you compliment me? Do you help me get through life?

1549
01:29:02,680 --> 01:29:05,799
Speaker 1: Do you make part of for me? Ain't no. Motherfucker

1550
01:29:05,920 --> 01:29:08,080
Speaker 1: just fucking giving you everything they got. You know what

1551
01:29:08,120 --> 01:29:12,800
Speaker 1: I'm saying, motherfucker gotta make life easier. Son, Relationships I

1552
01:29:12,960 --> 01:29:17,360
Speaker 1: post to compliment each other. Yeah, to catch up, compliment

1553
01:29:17,479 --> 01:29:21,720
Speaker 1: the fries. If you just need fried without catch up,

1554
01:29:21,720 --> 01:29:24,280
Speaker 1: that's cool. But if you go, if you happen to

1555
01:29:24,320 --> 01:29:26,840
Speaker 1: say I want a girlfriend, they need to add something

1556
01:29:26,880 --> 01:29:30,639
Speaker 1: to what you already doing, not take from what you're doing.

1557
01:29:32,080 --> 01:29:34,040
Speaker 1: If I can do all this on my own, and

1558
01:29:34,160 --> 01:29:36,280
Speaker 1: then I add you in the mix and it stopped

1559
01:29:36,320 --> 01:29:38,519
Speaker 1: me from doing what I'm doing, why would I add

1560
01:29:38,560 --> 01:29:44,919
Speaker 1: you in the mix? If I can be productives by myself.

1561
01:29:45,560 --> 01:29:47,360
Speaker 1: But then if I say, you know what, it's time

1562
01:29:47,400 --> 01:29:49,400
Speaker 1: for me to get a woman, I plug a woman

1563
01:29:49,479 --> 01:29:51,560
Speaker 1: in and it slowed my production down? Why would I

1564
01:29:51,960 --> 01:29:55,719
Speaker 1: What does that do? Why does that married that mary?

1565
01:29:56,040 --> 01:30:01,599
Speaker 1: Slower production? Is that what you mothers be thinking? But again,

1566
01:30:02,040 --> 01:30:06,000
Speaker 1: if you're not smart, you don't know. And motherfuckers are desperate.

1567
01:30:06,240 --> 01:30:10,080
Speaker 1: They'll do anything for anything. They just it's just it's

1568
01:30:10,439 --> 01:30:13,240
Speaker 1: the world we live in. Hey, So again, man, with

1569
01:30:13,439 --> 01:30:19,600
Speaker 1: that being said, Man RP, trouble relationships is rough, you know,

1570
01:30:20,720 --> 01:30:24,920
Speaker 1: oh legend in the town. Man, I think uh, I

1571
01:30:25,000 --> 01:30:27,280
Speaker 1: think I think he did what he was supposed to do.

1572
01:30:27,479 --> 01:30:30,479
Speaker 1: Man his time here. So man, prayers to that dude family.

1573
01:30:30,640 --> 01:30:33,800
Speaker 1: We're gonna play a few clips, Like I say, it

1574
01:30:33,920 --> 01:30:39,400
Speaker 1: just crazy how the universe alliance, the universe just speaks. Um.

1575
01:30:40,360 --> 01:30:42,360
Speaker 1: This clip was about to play was a clip when

1576
01:30:42,400 --> 01:30:44,479
Speaker 1: he was speaking about a situation to me to just

1577
01:30:44,680 --> 01:30:48,000
Speaker 1: reign eerie. I'm like, yo, damn, this is crazy. Let's

1578
01:30:48,080 --> 01:30:50,479
Speaker 1: listen to what he said. I think it was in

1579
01:30:50,520 --> 01:30:53,640
Speaker 1: the Carolina, but don't know which, Like no bullsho out

1580
01:30:53,720 --> 01:30:55,800
Speaker 1: of me, Like don't hell that like folk coming with

1581
01:30:55,880 --> 01:30:57,920
Speaker 1: respects so like I ain't never had to go through

1582
01:30:57,960 --> 01:31:00,880
Speaker 1: no extra lions of that ship. But I'm in one

1583
01:31:00,920 --> 01:31:03,559
Speaker 1: of my young nick we got them off and those

1584
01:31:03,640 --> 01:31:07,000
Speaker 1: box bad fat boot on two fine year. But I

1585
01:31:07,200 --> 01:31:09,920
Speaker 1: telling you like or you can't treading nothing like spidl

1586
01:31:10,040 --> 01:31:11,559
Speaker 1: one your road like you don't know that you volte

1587
01:31:11,600 --> 01:31:13,479
Speaker 1: like with then a split instant like they don't vote

1588
01:31:13,520 --> 01:31:15,320
Speaker 1: the tad on your way even know where to find

1589
01:31:15,479 --> 01:31:17,160
Speaker 1: none of that ship about now you just dead in

1590
01:31:17,240 --> 01:31:20,160
Speaker 1: the water. So you're right there. But so hot didn't

1591
01:31:20,560 --> 01:31:24,160
Speaker 1: like hey hey hey he but nigga definished so they

1592
01:31:24,160 --> 01:31:27,360
Speaker 1: didn't go, yeah, try to. We probably had about eight

1593
01:31:27,880 --> 01:31:30,760
Speaker 1: eight nine down them off. So you go through the

1594
01:31:30,840 --> 01:31:32,800
Speaker 1: hotel and sitting it out. Look though, because don't nobody

1595
01:31:32,840 --> 01:31:34,640
Speaker 1: al really know how to talk. So I put them

1596
01:31:34,680 --> 01:31:36,840
Speaker 1: out in a different room. We're going through the hotel

1597
01:31:36,840 --> 01:31:41,519
Speaker 1: and just put them in different room to sit it out.

1598
01:31:41,640 --> 01:31:43,760
Speaker 1: They might pop it off on me first, give me

1599
01:31:43,800 --> 01:31:45,720
Speaker 1: their head phone. I put it on my dog. Put

1600
01:31:45,720 --> 01:31:47,840
Speaker 1: it on my dog, put it on my dog really

1601
01:31:47,880 --> 01:31:50,400
Speaker 1: quit on running up the hallway. But Nikki go to

1602
01:31:50,520 --> 01:31:52,760
Speaker 1: the knit room, do the same thing. Ain't coming in

1603
01:31:52,840 --> 01:31:54,600
Speaker 1: one room they did. They ain't end up doing no

1604
01:31:54,720 --> 01:31:57,040
Speaker 1: talking to sit it out. Little pop it off for

1605
01:31:57,160 --> 01:31:59,439
Speaker 1: me fur hell do my dog do my dog? We're

1606
01:31:59,439 --> 01:32:02,640
Speaker 1: gonna room for room. But all in the end up

1607
01:32:02,720 --> 01:32:05,240
Speaker 1: going back and I got the room and laying out

1608
01:32:05,280 --> 01:32:07,320
Speaker 1: door like I ain't gonna sleep with you and none

1609
01:32:07,320 --> 01:32:09,120
Speaker 1: of this. Let you stay like you know what I'm saying.

1610
01:32:09,560 --> 01:32:13,360
Speaker 1: So Nick morning it lied hell and Howard he just

1611
01:32:13,479 --> 01:32:16,120
Speaker 1: hit going crazy. I come out there, number my boss

1612
01:32:16,160 --> 01:32:18,880
Speaker 1: along what pipe? I see you running up the hallway.

1613
01:32:19,400 --> 01:32:21,479
Speaker 1: So they end up owner with the pipem. But don't

1614
01:32:21,520 --> 01:32:23,599
Speaker 1: just run down. Can't follow my doll out here young

1615
01:32:23,880 --> 01:32:26,840
Speaker 1: going he ain't got on the gonna find that list

1616
01:32:26,880 --> 01:32:29,400
Speaker 1: shnet had not got then went him on slipped with snee.

1617
01:32:29,400 --> 01:32:33,200
Speaker 1: I tell you white, hen't let the they. You gotta

1618
01:32:33,240 --> 01:32:35,320
Speaker 1: get this just too good for you. Want to wake

1619
01:32:35,400 --> 01:32:36,960
Speaker 1: up on't being in that situation too though, You want

1620
01:32:36,960 --> 01:32:39,599
Speaker 1: to wake up hit the big which just gonna tell

1621
01:32:39,640 --> 01:32:42,320
Speaker 1: the cheap rocks. But he don't let that. He don't

1622
01:32:42,400 --> 01:32:45,120
Speaker 1: let them. They she entered them pipets. I got the

1623
01:32:45,280 --> 01:32:48,000
Speaker 1: dry and everything here. She don't tour it down. She

1624
01:32:48,040 --> 01:32:50,000
Speaker 1: got her folks outside waiting on the and there thing

1625
01:32:50,080 --> 01:32:52,040
Speaker 1: they hop the water can't even go downstairs. I just

1626
01:32:52,160 --> 01:32:53,599
Speaker 1: go to the end of the hallway. I'm looking out

1627
01:32:53,600 --> 01:32:57,280
Speaker 1: the window. He's still running down. Hey, hey, yeah, I

1628
01:32:57,400 --> 01:32:59,880
Speaker 1: look out the window hand and out she go getting

1629
01:32:59,880 --> 01:33:02,400
Speaker 1: a look at that the brother little Toyota let go

1630
01:33:02,640 --> 01:33:05,559
Speaker 1: hook couts order their thing. She got all that hopping

1631
01:33:06,160 --> 01:33:09,760
Speaker 1: skirt out on him. We ain't seen that. Sin told

1632
01:33:09,760 --> 01:33:11,880
Speaker 1: her that. But nother than that, like it's just a

1633
01:33:11,920 --> 01:33:15,320
Speaker 1: bunch of freaks going on out the like. But they

1634
01:33:15,439 --> 01:33:18,680
Speaker 1: never went through no bullsh folks. That's blowing you up

1635
01:33:18,720 --> 01:33:21,720
Speaker 1: at one time that type of whether than that, we

1636
01:33:21,760 --> 01:33:24,519
Speaker 1: won't go through no bullsh Hey. That was that was

1637
01:33:24,640 --> 01:33:27,240
Speaker 1: That was crazy man. But like I say, you know,

1638
01:33:28,280 --> 01:33:33,599
Speaker 1: r P to the homie Trump, dude, stay safe out there.

1639
01:33:33,640 --> 01:33:36,680
Speaker 1: You got some paid by there, understand. You know, I

1640
01:33:36,960 --> 01:33:42,160
Speaker 1: understand what's at risk man. And I know it's easy

1641
01:33:42,200 --> 01:33:44,519
Speaker 1: to say the dumb boy because I know when horny

1642
01:33:44,600 --> 01:33:49,240
Speaker 1: kicking it's a it's damn the over for all. Idn't

1643
01:33:49,320 --> 01:33:51,720
Speaker 1: any one of you dudes when horny kicking is really

1644
01:33:51,760 --> 01:33:54,479
Speaker 1: old for you? You know what I'm saying, So uh,

1645
01:33:54,840 --> 01:33:57,680
Speaker 1: y'all stay safe out there. Man. You know Alana being

1646
01:33:57,800 --> 01:34:02,719
Speaker 1: going through it. You know you got that gunna gunna

1647
01:34:02,960 --> 01:34:06,120
Speaker 1: and thug. And why I said that situation you got

1648
01:34:06,280 --> 01:34:12,880
Speaker 1: key passed away, metro booming mother or Peter his mother

1649
01:34:13,040 --> 01:34:14,640
Speaker 1: know he going through and I'm gonna speak on that

1650
01:34:14,840 --> 01:34:22,600
Speaker 1: next week. Um, you got trouble passed away, you know,

1651
01:34:22,760 --> 01:34:25,760
Speaker 1: and then just the other frivolous things like the breakups

1652
01:34:25,800 --> 01:34:28,800
Speaker 1: with music and you know, I don't know, man, you know,

1653
01:34:28,960 --> 01:34:31,240
Speaker 1: it's just it's just a lot going on now in there. Man,

1654
01:34:31,320 --> 01:34:35,080
Speaker 1: y'all better keep atl and your prayers. Speaking of alatam

1655
01:34:35,800 --> 01:34:39,880
Speaker 1: Um I briefly speak on this, I'm gonna speak on

1656
01:34:40,080 --> 01:34:42,160
Speaker 1: two more things and I'm gonna get out of here again. Man,

1657
01:34:42,280 --> 01:34:45,600
Speaker 1: this is a podcast while I just got out of

1658
01:34:45,600 --> 01:34:48,120
Speaker 1: the hospital, so I wanted to still come through take

1659
01:34:48,200 --> 01:34:55,600
Speaker 1: care of y'all. Um. Revote has been very um supportive,

1660
01:34:56,880 --> 01:35:00,559
Speaker 1: you know, in saying that, hey, just you know, take

1661
01:35:00,640 --> 01:35:05,360
Speaker 1: your time. But you know, I just I can't sit around.

1662
01:35:06,040 --> 01:35:08,200
Speaker 1: I don't know if it's a disease or something that

1663
01:35:08,280 --> 01:35:10,719
Speaker 1: I like, I can't sit around and just do nothing.

1664
01:35:11,120 --> 01:35:14,559
Speaker 1: Like I can't sleep all day, I can't lay around

1665
01:35:14,760 --> 01:35:17,800
Speaker 1: all day. I can't just sit up and do nothing

1666
01:35:17,960 --> 01:35:21,439
Speaker 1: all day. I just I'm not wired that way like

1667
01:35:21,840 --> 01:35:25,400
Speaker 1: that sho will make me fall into a depression. Like

1668
01:35:25,720 --> 01:35:29,360
Speaker 1: it's just something about getting work done, doing something further

1669
01:35:29,520 --> 01:35:33,040
Speaker 1: in something, trying to chase something that, like I think

1670
01:35:33,160 --> 01:35:36,439
Speaker 1: all men should have, and I'm glad that I have it,

1671
01:35:36,600 --> 01:35:38,920
Speaker 1: and I need to do my best at making sure

1672
01:35:39,000 --> 01:35:41,800
Speaker 1: my children have it. Because if you're lazy, you will

1673
01:35:41,880 --> 01:35:45,479
Speaker 1: suffer in this life. If you get up late, you

1674
01:35:45,560 --> 01:35:48,040
Speaker 1: will suffer in this life. If you don't want to

1675
01:35:48,080 --> 01:35:50,320
Speaker 1: work out, if you don't want to get the work done,

1676
01:35:50,400 --> 01:35:53,160
Speaker 1: You're gonna suffer because I'm not gonna be able to

1677
01:35:53,240 --> 01:35:55,240
Speaker 1: be around and hold you down the entire time. So

1678
01:35:55,400 --> 01:35:58,519
Speaker 1: you're gonna have to get it in yourself, you know

1679
01:35:58,560 --> 01:36:03,760
Speaker 1: what I'm saying. So but yeah, Roddy Rich, let's talk

1680
01:36:03,760 --> 01:36:08,240
Speaker 1: about this. Was arrested headed to the Governor's Ball. For

1681
01:36:08,360 --> 01:36:10,920
Speaker 1: those of you that don't know, the Governor's Ball was

1682
01:36:11,040 --> 01:36:13,360
Speaker 1: in New York. Summer Jaim also was in New York.

1683
01:36:13,400 --> 01:36:16,240
Speaker 1: So New York had a star studied festival line up

1684
01:36:16,360 --> 01:36:19,800
Speaker 1: this weekend in which they had almost every rapper in

1685
01:36:19,840 --> 01:36:23,360
Speaker 1: the world come through, right, So Riddy Rich was headed there.

1686
01:36:23,760 --> 01:36:27,640
Speaker 1: At some sort of police checkpoint, he was engaged by

1687
01:36:27,760 --> 01:36:31,240
Speaker 1: police and later arrested on firearms charges. Now this is

1688
01:36:31,320 --> 01:36:34,240
Speaker 1: important because New York is the place where lu Wayne

1689
01:36:34,280 --> 01:36:37,599
Speaker 1: had to go to jail. And we know lor Wayne Pool,

1690
01:36:37,640 --> 01:36:40,280
Speaker 1: and we know l Wayne Money his notoriety, right, and

1691
01:36:40,439 --> 01:36:44,080
Speaker 1: as as much as Roddy Rich has done, he can't

1692
01:36:44,120 --> 01:36:47,439
Speaker 1: put a flash light the lar Wayne. And they made

1693
01:36:47,520 --> 01:36:50,040
Speaker 1: l Wayne go sit down, So that said something about

1694
01:36:50,080 --> 01:36:55,040
Speaker 1: how they feel about guns. Let's just say that. Number two.

1695
01:36:56,280 --> 01:37:00,040
Speaker 1: This is also the same place where NFL players and

1696
01:37:00,160 --> 01:37:05,320
Speaker 1: fail star player Plexicole Buris shot himself in the club

1697
01:37:06,280 --> 01:37:09,720
Speaker 1: and he had to go to jail. So New York

1698
01:37:09,840 --> 01:37:13,080
Speaker 1: has strict gun laws. They have the ability to put

1699
01:37:13,160 --> 01:37:16,880
Speaker 1: you in jail for defending yourself with a gun up there.

1700
01:37:17,240 --> 01:37:20,760
Speaker 1: I don't even think self defense is a thing up there, right,

1701
01:37:20,920 --> 01:37:25,960
Speaker 1: So you're in a situation now. Roddy Rich then gets

1702
01:37:27,479 --> 01:37:30,439
Speaker 1: out in time enough to make it because he did

1703
01:37:30,600 --> 01:37:32,439
Speaker 1: end up making a bond. Let's listen to what he's

1704
01:37:32,439 --> 01:38:15,400
Speaker 1: saying on stage next time. I want to do for

1705
01:38:15,479 --> 01:38:27,040
Speaker 1: y'all fucking talk. Let's get straight. I got downs in

1706
01:38:27,080 --> 01:38:29,559
Speaker 1: the base talk, got me told me, got me us track.

1707
01:38:29,760 --> 01:38:32,240
Speaker 1: I can welcome and try not to stay with the

1708
01:38:32,360 --> 01:38:40,720
Speaker 1: bakes New Jersey with the track. H were in New Jersey, right,

1709
01:38:44,000 --> 01:38:52,880
Speaker 1: So I need everybody to say why that's all my

1710
01:38:53,160 --> 01:38:58,080
Speaker 1: will play that next ship. So you see you see that,

1711
01:38:58,479 --> 01:39:02,519
Speaker 1: you know, he said, NYPD, And I do know that.

1712
01:39:02,760 --> 01:39:04,880
Speaker 1: Like I remember a couple of years ago when I

1713
01:39:04,960 --> 01:39:08,679
Speaker 1: see QCP go through New York for a role in Loud,

1714
01:39:08,760 --> 01:39:12,400
Speaker 1: and the way that they harassed him, like bro, they

1715
01:39:12,520 --> 01:39:16,400
Speaker 1: checked under, he's an executive. He ain't even the rapper,

1716
01:39:16,479 --> 01:39:18,720
Speaker 1: he ain't pulling up smelling like weed or none. He

1717
01:39:18,840 --> 01:39:22,200
Speaker 1: just the exact dude. And they went so hard. I said, oh, yeah,

1718
01:39:22,520 --> 01:39:24,519
Speaker 1: you probably don't want to be involved with that, especially

1719
01:39:24,520 --> 01:39:26,080
Speaker 1: in one of them kind of towns. And they keep

1720
01:39:26,160 --> 01:39:29,120
Speaker 1: having them in them kind of towns. I don't know

1721
01:39:29,200 --> 01:39:34,800
Speaker 1: what that's about, but I always knew that law enforcement

1722
01:39:35,479 --> 01:39:40,080
Speaker 1: views large events like opportunities right when they see a

1723
01:39:40,160 --> 01:39:44,519
Speaker 1: large event, especially black people, right, And I'm trying to

1724
01:39:44,560 --> 01:39:49,000
Speaker 1: stop making everything so much about you know, blacks and whites,

1725
01:39:49,040 --> 01:39:51,920
Speaker 1: but I do have to identify that the rules are

1726
01:39:52,000 --> 01:39:56,160
Speaker 1: not ubiquitous. I have to identify that. And for those

1727
01:39:56,280 --> 01:39:57,800
Speaker 1: you go look it up, you don't know the word,

1728
01:39:57,880 --> 01:40:01,800
Speaker 1: but I have to identify that that's the situation. But

1729
01:40:02,080 --> 01:40:06,720
Speaker 1: but just imagine, right if you could say, like that's

1730
01:40:06,760 --> 01:40:10,040
Speaker 1: gonna be just say this. Let's just say for giggles.

1731
01:40:10,160 --> 01:40:12,800
Speaker 1: Let's just play it out because we have a podcast.

1732
01:40:13,760 --> 01:40:16,000
Speaker 1: Let's say you don't like rappers. Let's say you don't

1733
01:40:16,000 --> 01:40:18,559
Speaker 1: like black people. Let's say you don't like powerful black

1734
01:40:18,640 --> 01:40:22,519
Speaker 1: people because or that's a whole different kind of a

1735
01:40:22,680 --> 01:40:24,800
Speaker 1: pole black. They don't care now that there ain't you,

1736
01:40:24,880 --> 01:40:27,840
Speaker 1: ain't no threat, but a powerful black girl or with

1737
01:40:28,000 --> 01:40:32,160
Speaker 1: some paper here a different kind of See, some people

1738
01:40:32,280 --> 01:40:35,120
Speaker 1: like pole black people. They just don't like black people

1739
01:40:35,160 --> 01:40:39,280
Speaker 1: when they're empowered. Yeah, you like the black dude that

1740
01:40:39,439 --> 01:40:41,320
Speaker 1: work under you, You just don't like the one that

1741
01:40:41,400 --> 01:40:46,280
Speaker 1: work over you. You like your black barb, or you

1742
01:40:46,400 --> 01:40:50,639
Speaker 1: just don't like your black supervise. You see what I'm saying.

1743
01:40:50,680 --> 01:40:53,680
Speaker 1: So they sometimes they have an issue with where the

1744
01:40:53,760 --> 01:40:58,679
Speaker 1: black person sits, and I think when it's power behind

1745
01:40:59,160 --> 01:41:01,919
Speaker 1: some of these people who they didn't feel like shouldn't

1746
01:41:01,960 --> 01:41:04,120
Speaker 1: be in that power. Or whether that's because they think

1747
01:41:04,200 --> 01:41:08,600
Speaker 1: they are involved with criminal intent or criminal behavior, or

1748
01:41:08,680 --> 01:41:11,599
Speaker 1: maybe they think that they have influenced in a way

1749
01:41:11,720 --> 01:41:17,160
Speaker 1: that doesn't help the world move forward. Both those conversations

1750
01:41:17,200 --> 01:41:19,800
Speaker 1: could be entertained. I think both of them will be wrong,

1751
01:41:20,200 --> 01:41:22,240
Speaker 1: but I think we would have to take a deep

1752
01:41:22,360 --> 01:41:25,560
Speaker 1: dive to even really have those conversations. A lot of

1753
01:41:25,640 --> 01:41:29,680
Speaker 1: times on the internet we have very surface level conversations

1754
01:41:29,720 --> 01:41:33,760
Speaker 1: and me, I'm dealing with the specifics. So sometimes I

1755
01:41:33,880 --> 01:41:36,640
Speaker 1: need to have a real in depth conversation about some

1756
01:41:36,760 --> 01:41:38,639
Speaker 1: of these things if you really want to get into

1757
01:41:38,680 --> 01:41:41,519
Speaker 1: what I was trying to say. But in regards to

1758
01:41:41,600 --> 01:41:44,639
Speaker 1: black people, let's just say you can say, Yo, it's

1759
01:41:44,640 --> 01:41:48,840
Speaker 1: gonna be almost every powerful black rapper that we know

1760
01:41:50,400 --> 01:41:54,960
Speaker 1: in this city at this time, on this date. Do

1761
01:41:55,120 --> 01:41:57,519
Speaker 1: we ramp up police, do we bring out a little

1762
01:41:57,560 --> 01:42:00,080
Speaker 1: technology that can scan through cause that they don't know

1763
01:42:00,240 --> 01:42:03,360
Speaker 1: we got because they got that. And when I think

1764
01:42:03,400 --> 01:42:05,599
Speaker 1: about it, I can only think about like the lady

1765
01:42:06,560 --> 01:42:08,880
Speaker 1: that's dealing with young Thug case and how she talks

1766
01:42:08,880 --> 01:42:13,559
Speaker 1: about targeting, because you have to. When you target for something,

1767
01:42:13,640 --> 01:42:18,639
Speaker 1: you aim for it. When you aim for something without knowing, See,

1768
01:42:18,720 --> 01:42:22,760
Speaker 1: it's it's impossible to target gangs if first you have

1769
01:42:22,840 --> 01:42:25,000
Speaker 1: to prove it's a gag. So first you have to

1770
01:42:25,080 --> 01:42:28,560
Speaker 1: target just people and then prove it's a gang. So

1771
01:42:28,760 --> 01:42:33,240
Speaker 1: what people classify as gags black people? When you bring

1772
01:42:33,320 --> 01:42:35,519
Speaker 1: me a white gang, I'll shut up. But black people

1773
01:42:35,600 --> 01:42:39,160
Speaker 1: classify as gags. So when you say I'm targeting gangs.

1774
01:42:39,920 --> 01:42:43,120
Speaker 1: If I'm not outwardly saying I'm a gang member, then

1775
01:42:43,160 --> 01:42:46,599
Speaker 1: you have to target people who classify or who people

1776
01:42:46,640 --> 01:42:48,840
Speaker 1: will consider as a gag, which is I know what

1777
01:42:48,960 --> 01:42:51,920
Speaker 1: they say, any such as such with any criminal element,

1778
01:42:52,080 --> 01:42:57,000
Speaker 1: and no, it's usually black people, cribs, bloods, gds, vicelo.

1779
01:42:57,080 --> 01:43:00,400
Speaker 1: It's usually something like that. It ain't no no I'm saying.

1780
01:43:00,400 --> 01:43:02,400
Speaker 1: And a lot of people don't understand. It's how boost

1781
01:43:02,439 --> 01:43:06,040
Speaker 1: it got around hells. A lot of the rappers thing,

1782
01:43:06,080 --> 01:43:08,160
Speaker 1: they're gonna do the same thing Boosted done, and it's

1783
01:43:08,160 --> 01:43:10,439
Speaker 1: gonna be a little harder. See we're from the South

1784
01:43:11,360 --> 01:43:14,439
Speaker 1: and then the South depending on what state in section

1785
01:43:14,520 --> 01:43:17,720
Speaker 1: that gangbanging might didn't get through their like it. It's

1786
01:43:17,760 --> 01:43:21,400
Speaker 1: some gangsters going on, but not that gang banging. So

1787
01:43:21,600 --> 01:43:26,040
Speaker 1: what happens is that gang banging was getting unique. All

1788
01:43:26,160 --> 01:43:29,120
Speaker 1: you rapping, ripping the same thing and throwing it up.

1789
01:43:29,160 --> 01:43:30,799
Speaker 1: And you know what I'm saying, we can be whatever

1790
01:43:30,880 --> 01:43:34,519
Speaker 1: we is, but that's what's getting you like they can't

1791
01:43:34,520 --> 01:43:38,000
Speaker 1: what they're gonna call boosting his family a gang. It's

1792
01:43:38,000 --> 01:43:41,120
Speaker 1: gonna be rough because usually what they do is they

1793
01:43:41,160 --> 01:43:45,599
Speaker 1: are like with slime are you stug? For example, they'll

1794
01:43:45,640 --> 01:43:49,040
Speaker 1: take wid sales slime right, some that he made him

1795
01:43:49,080 --> 01:43:51,880
Speaker 1: and his partners, according to them, because I say, no

1796
01:43:52,080 --> 01:43:55,800
Speaker 1: Rebay slim in the niceness, but according to them, he

1797
01:43:56,040 --> 01:44:01,479
Speaker 1: legitimized slime criminal element, right. And what they'll do is

1798
01:44:01,560 --> 01:44:04,640
Speaker 1: they'll they have to take that and then attach that

1799
01:44:04,880 --> 01:44:10,560
Speaker 1: to the Inglewood family six money murder, you know, some

1800
01:44:10,880 --> 01:44:14,080
Speaker 1: some big blood gang to then say it's a subsection

1801
01:44:14,120 --> 01:44:18,240
Speaker 1: of the Bloods, because the Bloods is recognized in the courtroom,

1802
01:44:18,320 --> 01:44:21,759
Speaker 1: the Crypts is recognized, the gds. You know, those gangs

1803
01:44:21,800 --> 01:44:25,639
Speaker 1: are recognizing from a global or regional standpoint, so they're

1804
01:44:25,640 --> 01:44:29,800
Speaker 1: able to tied to that and then legitimize it. But

1805
01:44:29,880 --> 01:44:32,000
Speaker 1: if it's just me and twin of my homeboards and

1806
01:44:32,080 --> 01:44:34,840
Speaker 1: we cause it heavy, you might got your little street gang,

1807
01:44:34,960 --> 01:44:37,840
Speaker 1: but it's gonna be rough to you know, really tie

1808
01:44:37,920 --> 01:44:40,519
Speaker 1: that the end. As some big boy such as said,

1809
01:44:40,600 --> 01:44:42,600
Speaker 1: I just don't see them being able to do that.

1810
01:44:43,120 --> 01:44:47,120
Speaker 1: You know. But if you had all of those rappers

1811
01:44:47,160 --> 01:44:48,960
Speaker 1: in one place, you know, they gotta have their weed.

1812
01:44:49,600 --> 01:44:52,200
Speaker 1: You know, they got to protect themselves, So search a

1813
01:44:52,280 --> 01:44:55,920
Speaker 1: mixture hard. But I've always said that all they're doing

1814
01:44:56,080 --> 01:44:58,559
Speaker 1: is creating jobs for people who work at Rolling now

1815
01:44:58,600 --> 01:45:01,439
Speaker 1: to work at Summer Jam. Listen, PSA, if you work

1816
01:45:01,479 --> 01:45:04,479
Speaker 1: at Summer Jam, just tell the rapper don't bring no weed.

1817
01:45:04,560 --> 01:45:08,000
Speaker 1: I got you. I'm on I'm on the inside with it. Yeah,

1818
01:45:08,000 --> 01:45:10,679
Speaker 1: I got twenty pounds of that that. Don't bring nothing,

1819
01:45:10,720 --> 01:45:12,800
Speaker 1: don't brain, I got you. Whatever you, I got you.

1820
01:45:12,960 --> 01:45:14,439
Speaker 1: Just when you get to hear, you're good to go.

1821
01:45:14,960 --> 01:45:18,040
Speaker 1: But he costs the money. They ain't been trying to

1822
01:45:18,080 --> 01:45:21,479
Speaker 1: go without whatever they they're paying that, so they ain't

1823
01:45:21,479 --> 01:45:24,920
Speaker 1: doing them but creating a job. Man. And because I think,

1824
01:45:25,080 --> 01:45:26,960
Speaker 1: I don't think people are turned the bag down. The

1825
01:45:27,040 --> 01:45:29,280
Speaker 1: bags be real big for them, places that got that

1826
01:45:29,400 --> 01:45:32,040
Speaker 1: many people, anything like that. So I don't see him

1827
01:45:32,080 --> 01:45:34,639
Speaker 1: turning the bag down. He did get up there, say

1828
01:45:34,720 --> 01:45:38,719
Speaker 1: if NYPD, I know the feeling. I still don't believe

1829
01:45:38,920 --> 01:45:41,720
Speaker 1: or know whether or not that rappers need to use

1830
01:45:41,840 --> 01:45:44,720
Speaker 1: their time on stage in a way that's more effective, right,

1831
01:45:44,840 --> 01:45:47,320
Speaker 1: that's not you know, we're seeing what the baby did

1832
01:45:47,400 --> 01:45:50,200
Speaker 1: with his time, you know, and how that affected him.

1833
01:45:50,800 --> 01:45:53,880
Speaker 1: You know, we're seeing what you know that time on stage. Man,

1834
01:45:53,960 --> 01:45:55,599
Speaker 1: he could just come back and haunt you. He adn't

1835
01:45:55,640 --> 01:45:57,280
Speaker 1: do no hell of a rant. He just like if

1836
01:45:57,439 --> 01:46:00,479
Speaker 1: them you know, because they might they might have searched

1837
01:46:00,520 --> 01:46:02,679
Speaker 1: him for nothing. No, they might have because they didn't

1838
01:46:02,680 --> 01:46:05,160
Speaker 1: say they pulled him over. They didn't say he was speed,

1839
01:46:05,360 --> 01:46:07,200
Speaker 1: they didn't say they said it was a chick point.

1840
01:46:07,479 --> 01:46:09,080
Speaker 1: That's what I'm trying to tell you. Bring all the

1841
01:46:09,120 --> 01:46:12,200
Speaker 1: wrappers to the city and put checkpoints everywhere. Search the

1842
01:46:12,240 --> 01:46:14,080
Speaker 1: hell out the rich niggas. We know they got to

1843
01:46:14,080 --> 01:46:18,400
Speaker 1: protect them, chains and shit. Search these niggas and we

1844
01:46:18,520 --> 01:46:21,240
Speaker 1: don't funk with guns at all. So if we find anything,

1845
01:46:21,439 --> 01:46:23,280
Speaker 1: is that we got a honey kake coming from him.

1846
01:46:24,800 --> 01:46:26,800
Speaker 1: And that's how I feel about that. Let's talk about

1847
01:46:26,880 --> 01:46:29,320
Speaker 1: this and then I'll get out of here. Little Yadi man,

1848
01:46:29,400 --> 01:46:32,200
Speaker 1: Let's talk about this now. First, let's let's let's play

1849
01:46:32,240 --> 01:46:34,280
Speaker 1: the clip. Let's let's know what little little Yadda is saying.

1850
01:46:34,320 --> 01:46:38,720
Speaker 1: We'll come back with some conversation. So like, I'm not

1851
01:46:38,960 --> 01:46:41,000
Speaker 1: going in front of a little baby bro. First, we

1852
01:46:41,040 --> 01:46:44,760
Speaker 1: canna be crazy off the stage, like I'm not going

1853
01:46:44,880 --> 01:46:48,280
Speaker 1: from I don't want to go on tour. Oh too

1854
01:46:48,360 --> 01:46:51,720
Speaker 1: much family drama. No, It's just like I'm so like

1855
01:46:52,000 --> 01:46:54,400
Speaker 1: like I'm not going in front of a little baby

1856
01:46:54,439 --> 01:46:58,519
Speaker 1: bro first gonna be crazy hit off the stage, Like,

1857
01:46:58,600 --> 01:47:00,479
Speaker 1: I'm not going in front of at all. I don't

1858
01:47:00,560 --> 01:47:02,240
Speaker 1: want to go in front of him. I don't want

1859
01:47:02,240 --> 01:47:04,840
Speaker 1: to be on the line up as him ever ever,

1860
01:47:06,439 --> 01:47:09,320
Speaker 1: not even matter his I just we are in such

1861
01:47:09,400 --> 01:47:11,600
Speaker 1: different lanes. If someone's coming and see him, they're not

1862
01:47:11,760 --> 01:47:14,000
Speaker 1: they're not trying to hear me, like we don't two

1863
01:47:14,080 --> 01:47:17,800
Speaker 1: different I don't want to know what I'm saying. Act

1864
01:47:17,800 --> 01:47:20,400
Speaker 1: thought he was gonna get some juicy family drama nine

1865
01:47:20,520 --> 01:47:22,920
Speaker 1: nine nine. It ain't that. He just no, he can't.

1866
01:47:23,040 --> 01:47:25,559
Speaker 1: You can't get with baby man baby Now. That why

1867
01:47:25,600 --> 01:47:29,680
Speaker 1: I try to tell people, like when you got that,

1868
01:47:29,800 --> 01:47:31,439
Speaker 1: when you got that glow on you, ain't nothing they

1869
01:47:31,479 --> 01:47:33,920
Speaker 1: can do with you. Like when you got that glow

1870
01:47:34,000 --> 01:47:36,200
Speaker 1: on you, Man, standing next to you gonna be uncomfortable

1871
01:47:36,240 --> 01:47:39,760
Speaker 1: for certain people, Like it's just an uncomfortable thing because

1872
01:47:39,880 --> 01:47:42,120
Speaker 1: at the end of the day is music. Bro, you

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01:47:42,160 --> 01:47:44,280
Speaker 1: know what I'm saying. But standing next to me, when

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01:47:44,280 --> 01:47:46,800
Speaker 1: I'm talking like this and you talking like that, you're

1875
01:47:46,800 --> 01:47:48,840
Speaker 1: probably gonna say, Man, don't like hear me too. You

1876
01:47:50,240 --> 01:47:52,120
Speaker 1: know That's what a lot of people do. They thought

1877
01:47:52,160 --> 01:47:54,760
Speaker 1: they were talking like getting until you start talking like that,

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01:47:55,560 --> 01:47:56,960
Speaker 1: you know what I'm saying. They thought the people were

1879
01:47:57,000 --> 01:47:59,439
Speaker 1: screaming until they started screaming when you you know, so

1880
01:48:00,080 --> 01:48:03,680
Speaker 1: it gets weird. Man, But sometimes they like sometimes they

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01:48:03,800 --> 01:48:06,080
Speaker 1: like to do that, you know. I don't know. I

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01:48:06,120 --> 01:48:07,720
Speaker 1: would still want to go on tour with him. It's

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01:48:07,760 --> 01:48:11,320
Speaker 1: a bagging volved. Another episode, Man, Fashion growing podcasts in

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01:48:11,400 --> 01:48:14,280
Speaker 1: the world is up there podcast Revote TV. You're dealing

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01:48:14,320 --> 01:48:17,360
Speaker 1: with the biggest homie meme and patron vibes.