1 00:00:00,040 --> 00:00:08,039 Speaker 1: What are we even do? What are we even doing? 2 00:00:09,039 --> 00:00:09,200 Speaker 2: Hi? 3 00:00:09,480 --> 00:00:13,200 Speaker 1: Hi everybody, HIHI. This is our show, right, this is 4 00:00:13,200 --> 00:00:14,960 Speaker 1: the show. This is the show. This is what are 5 00:00:14,960 --> 00:00:19,120 Speaker 1: we even doing? I'm the host, I'm the de facto host, 6 00:00:19,280 --> 00:00:21,360 Speaker 1: and I sit down with actress, musicians, creatives of all 7 00:00:21,440 --> 00:00:23,840 Speaker 1: type and we we just have a conversation really about 8 00:00:23,960 --> 00:00:27,240 Speaker 1: creative process, you know, and kind of the start and 9 00:00:27,360 --> 00:00:29,800 Speaker 1: what's important, how social media is used. They'd like to 10 00:00:29,840 --> 00:00:31,479 Speaker 1: say it sits here. We're going to get weird together, 11 00:00:31,520 --> 00:00:34,680 Speaker 1: but in a good way, so don't panic everything all right, 12 00:00:34,720 --> 00:00:39,760 Speaker 1: Today we have a brilliant actress, author and bread baker, 13 00:00:40,040 --> 00:00:42,559 Speaker 1: which I'm really excited to talk with you about that 14 00:00:42,840 --> 00:00:45,040 Speaker 1: on Gali Rice is here. So nice to have you. 15 00:00:45,880 --> 00:00:48,960 Speaker 1: It's a pleasure all the way from Australia. But you've 16 00:00:48,960 --> 00:00:51,920 Speaker 1: started when you were just just a wee one, right, 17 00:00:52,240 --> 00:00:55,400 Speaker 1: I mean, and your parents were in the. 18 00:00:55,440 --> 00:00:58,360 Speaker 3: Theater, yes, and both in theater. Well, I grew up 19 00:00:58,440 --> 00:01:02,080 Speaker 3: like hanging out backstage all the time and having actors 20 00:01:02,080 --> 00:01:05,000 Speaker 3: come to the house and rehearsing, and the theater company 21 00:01:05,040 --> 00:01:07,160 Speaker 3: my dad worked at was right next to my school, 22 00:01:07,280 --> 00:01:09,800 Speaker 3: so I would finish the day at school and then 23 00:01:09,920 --> 00:01:13,680 Speaker 3: walk through the park to the theater company and sit 24 00:01:13,840 --> 00:01:16,640 Speaker 3: in the theater and just like watch rehearsals and do 25 00:01:16,680 --> 00:01:22,640 Speaker 3: homework and do home some time. Yeah. What was good 26 00:01:22,680 --> 00:01:25,400 Speaker 3: is that my parents they both my dad especially, but 27 00:01:25,560 --> 00:01:28,839 Speaker 3: actually both of them were often making theater for young people. 28 00:01:28,880 --> 00:01:30,839 Speaker 3: So I was a test audience, which was really fun 29 00:01:30,840 --> 00:01:33,280 Speaker 3: and like a great way to kind of get engaged 30 00:01:33,280 --> 00:01:36,280 Speaker 3: with theater at that age and like give feedback. It 31 00:01:36,319 --> 00:01:38,120 Speaker 3: was so nice. It was like, what do you think? 32 00:01:38,280 --> 00:01:41,600 Speaker 3: But then even when they did shows for grown ups, 33 00:01:41,720 --> 00:01:45,160 Speaker 3: I would sit in the back and they would say like, yeah, 34 00:01:45,360 --> 00:01:48,520 Speaker 3: just you know, just don't repeat what you know, don't 35 00:01:48,600 --> 00:01:50,600 Speaker 3: like memorize these lines subjects. 36 00:01:51,480 --> 00:01:54,800 Speaker 1: The halog was suspect. Yeah, yeah, I mean not for 37 00:01:54,880 --> 00:01:55,520 Speaker 1: your young years. 38 00:01:55,640 --> 00:01:58,560 Speaker 3: Yeah, but yeah, I loved it. I loved growing up 39 00:01:58,560 --> 00:01:59,520 Speaker 3: with that environment. 40 00:01:59,720 --> 00:02:02,680 Speaker 1: Yeah, yeah, it's it's it sort of reminds me when 41 00:02:02,720 --> 00:02:04,120 Speaker 1: I was when I was a kid. So I was 42 00:02:04,120 --> 00:02:07,360 Speaker 1: growing up, I grew up in rural eastern Washington state, 43 00:02:07,800 --> 00:02:10,480 Speaker 1: and I lived in a house. There was one house 44 00:02:10,600 --> 00:02:13,120 Speaker 1: between me and then there was a park, and in 45 00:02:13,160 --> 00:02:17,360 Speaker 1: that park was the community theater for the town, which 46 00:02:17,440 --> 00:02:21,200 Speaker 1: was an old Apple cold storage warehouse. So just a 47 00:02:21,240 --> 00:02:25,760 Speaker 1: giant wow warehouse, fire trap, you know, but they had 48 00:02:25,800 --> 00:02:28,680 Speaker 1: converted it into a theater and so we my brothers 49 00:02:28,720 --> 00:02:32,720 Speaker 1: and I would spend summers in particular there in the evenings, 50 00:02:32,840 --> 00:02:34,840 Speaker 1: you know, watching the plays or helping out in the 51 00:02:34,880 --> 00:02:37,680 Speaker 1: concessions or running the lights. I mean they were it 52 00:02:37,760 --> 00:02:39,720 Speaker 1: was really Yeah, they needed a lot of help, and 53 00:02:39,760 --> 00:02:41,200 Speaker 1: we were there. Yeah, sure, what the heck? You know? 54 00:02:41,760 --> 00:02:45,160 Speaker 1: And so I know that or I feel like we 55 00:02:45,320 --> 00:02:48,520 Speaker 1: share that. Yeah, you know, you go to a place 56 00:02:48,600 --> 00:02:51,000 Speaker 1: that's kind of exciting and creating, so. 57 00:02:51,000 --> 00:02:53,840 Speaker 3: Exciting, you know. I mean I remember watching the people 58 00:02:53,919 --> 00:02:57,240 Speaker 3: up on stage and thinking, wow, everyone here is sitting 59 00:02:57,280 --> 00:03:02,840 Speaker 3: in the dark quietly watching him, amazing, holding our attention. Yes, 60 00:03:03,720 --> 00:03:04,880 Speaker 3: I wanted to be that person. 61 00:03:07,360 --> 00:03:09,440 Speaker 1: Question is when did you feel like, Ah, I think 62 00:03:09,480 --> 00:03:11,480 Speaker 1: I found my calling? Was it? 63 00:03:11,480 --> 00:03:14,679 Speaker 3: It's funny there wasn't actually, And I think it's because 64 00:03:15,320 --> 00:03:18,400 Speaker 3: what's what was so great about my parents too, is 65 00:03:18,440 --> 00:03:21,160 Speaker 3: that they encouraged my sister and I to be creative 66 00:03:21,240 --> 00:03:24,600 Speaker 3: all the time and to you know, like we would 67 00:03:24,680 --> 00:03:27,640 Speaker 3: just like make dances and like sit them down and 68 00:03:27,680 --> 00:03:30,120 Speaker 3: say this is our dance, and we performed, and we 69 00:03:30,120 --> 00:03:32,520 Speaker 3: were just always doing things like that. So it was 70 00:03:32,600 --> 00:03:35,160 Speaker 3: just normal to kind of be a performer. And I 71 00:03:35,200 --> 00:03:38,440 Speaker 3: did dance and my sister did gymnastics and I just 72 00:03:38,520 --> 00:03:42,560 Speaker 3: like loved that. And then when I started auditioning for 73 00:03:43,040 --> 00:03:46,800 Speaker 3: you know, movies and TV shows and working in film. 74 00:03:47,040 --> 00:03:50,760 Speaker 3: I did my first film austral this like small Australian 75 00:03:50,800 --> 00:03:55,320 Speaker 3: movie when I was eleven, and I was just so overwhelmed, 76 00:03:55,360 --> 00:03:58,440 Speaker 3: like it was so fun and so incredible. But throughout 77 00:03:58,880 --> 00:04:01,720 Speaker 3: high school working in film, I kind of always thought 78 00:04:01,760 --> 00:04:04,720 Speaker 3: that it was like it was the backup plan, like 79 00:04:05,680 --> 00:04:11,440 Speaker 3: or not the backup plan, but no, it wasn't my career. Yeah, 80 00:04:11,480 --> 00:04:14,520 Speaker 3: it was like like school was the thing that I did, 81 00:04:14,600 --> 00:04:17,880 Speaker 3: and then acting was so fun and such a like 82 00:04:18,000 --> 00:04:20,600 Speaker 3: such a joy, but there was no certainty in it. 83 00:04:20,640 --> 00:04:22,839 Speaker 3: I mean there's still no certainty in it. And so 84 00:04:22,920 --> 00:04:24,800 Speaker 3: I kind of thought, okay, well, if you know, if 85 00:04:24,800 --> 00:04:27,240 Speaker 3: that doesn't work out, I'm still in school. I can study, 86 00:04:27,279 --> 00:04:29,839 Speaker 3: I can train to do something else. So there was 87 00:04:29,880 --> 00:04:32,520 Speaker 3: never a moment where it was like, oh, this is 88 00:04:32,520 --> 00:04:35,760 Speaker 3: what I'm doing. It was probably only when I left 89 00:04:36,080 --> 00:04:39,279 Speaker 3: when I finished high school and I applied to university 90 00:04:39,320 --> 00:04:42,000 Speaker 3: and I deferred my position because I thought I'm going 91 00:04:42,080 --> 00:04:44,800 Speaker 3: to try and work for a year and see what happens. 92 00:04:44,880 --> 00:04:47,120 Speaker 3: And I kept working and I was like, great. 93 00:04:47,400 --> 00:04:50,000 Speaker 1: This is keeps going. Yeah, that's good. And were you 94 00:04:50,040 --> 00:04:51,960 Speaker 1: going to go to school stay in Australia or are 95 00:04:52,000 --> 00:04:52,479 Speaker 1: you Yeah? 96 00:04:52,600 --> 00:04:57,960 Speaker 3: Because I applied for Melbourne University, I know, just deferred 97 00:04:57,960 --> 00:05:00,800 Speaker 3: for a year. And after you defer once you lose 98 00:05:00,839 --> 00:05:01,239 Speaker 3: your spot. 99 00:05:01,400 --> 00:05:03,560 Speaker 1: So that's terrible. 100 00:05:04,680 --> 00:05:06,479 Speaker 3: It's okay, it's all right. 101 00:05:07,160 --> 00:05:09,760 Speaker 1: As you stayed in so you stayed in Australia and 102 00:05:09,800 --> 00:05:12,200 Speaker 1: then and so you were working. You didn't in other words, 103 00:05:12,240 --> 00:05:15,839 Speaker 1: come stateside. No, when did that? 104 00:05:16,680 --> 00:05:21,880 Speaker 3: Well? I just kind of always lived in Australia and 105 00:05:21,920 --> 00:05:23,720 Speaker 3: then I would travel for work. 106 00:05:24,160 --> 00:05:26,760 Speaker 1: That's right, because you send a tape in yeah. 107 00:05:26,360 --> 00:05:29,280 Speaker 3: And I'm always sending tapes in yes, which. 108 00:05:29,080 --> 00:05:31,800 Speaker 1: Is actually a fantastic way because you can control everything 109 00:05:31,920 --> 00:05:34,520 Speaker 1: and you can you know. 110 00:05:35,080 --> 00:05:38,320 Speaker 3: But I think there was some There were definitely ideas 111 00:05:38,360 --> 00:05:41,080 Speaker 3: about oh do you want to move to La? Do 112 00:05:41,120 --> 00:05:43,600 Speaker 3: you want to kind of go? And yeah, there was like, 113 00:05:43,600 --> 00:05:45,279 Speaker 3: oh do we want to move to LA And then 114 00:05:46,240 --> 00:05:48,599 Speaker 3: I did. I didn't want to. I wanted to stay 115 00:05:48,600 --> 00:05:51,960 Speaker 3: in school with my friends and that felt important to 116 00:05:52,000 --> 00:05:54,760 Speaker 3: me to be in school and to be at home 117 00:05:54,839 --> 00:05:57,320 Speaker 3: and to have that space that was separate from everything, 118 00:05:57,920 --> 00:06:01,159 Speaker 3: And then that just kept being the case even when 119 00:06:01,160 --> 00:06:03,719 Speaker 3: I graduated school and I thought, well, I guess I 120 00:06:03,720 --> 00:06:06,960 Speaker 3: could move now. It it actually never. I don't know. 121 00:06:07,040 --> 00:06:09,200 Speaker 3: I just like love being at home so much. 122 00:06:09,760 --> 00:06:12,120 Speaker 1: You have a very strong family and you love for 123 00:06:12,160 --> 00:06:14,279 Speaker 1: each other and got I mean you work with your mom, yeah, 124 00:06:14,279 --> 00:06:16,680 Speaker 1: and you know you write with her. Have you Did 125 00:06:16,720 --> 00:06:19,800 Speaker 1: you ever do theater on stage together or was that 126 00:06:19,920 --> 00:06:21,480 Speaker 1: part of not? Really? 127 00:06:21,760 --> 00:06:25,000 Speaker 3: Kind of yes. When I was younger, my sister and 128 00:06:25,080 --> 00:06:28,520 Speaker 3: I did a bit of theater together. We did two 129 00:06:28,560 --> 00:06:30,760 Speaker 3: shows where we we essentially did the same thing in 130 00:06:30,800 --> 00:06:32,760 Speaker 3: both shows, but where we kind of came on at 131 00:06:32,760 --> 00:06:36,240 Speaker 3: the end as like an apparition. Like both shows there 132 00:06:36,360 --> 00:06:39,840 Speaker 3: was like this theme of like a girl throughout that 133 00:06:39,880 --> 00:06:42,400 Speaker 3: was always talked about but never seen, and in both 134 00:06:42,440 --> 00:06:45,839 Speaker 3: shows like the girl appears at the end, and my 135 00:06:45,960 --> 00:06:49,360 Speaker 3: sister and I, she's three years younger, we played that 136 00:06:49,400 --> 00:06:52,000 Speaker 3: same role on alternating nights, and one of those shows 137 00:06:52,080 --> 00:06:53,960 Speaker 3: was like Separate, but one of the shows my mom 138 00:06:54,080 --> 00:06:57,160 Speaker 3: was in it okay, and I remember seeing like a 139 00:06:57,279 --> 00:07:00,200 Speaker 3: rehearsal of the show and it was about it a 140 00:07:00,240 --> 00:07:04,599 Speaker 3: couple whose child goes missing and watching my mum cry 141 00:07:04,680 --> 00:07:08,560 Speaker 3: on stage, and I was just like I was in tears. 142 00:07:08,600 --> 00:07:11,680 Speaker 3: It was so hard to watch. Yeah, I couldn't. Even 143 00:07:11,680 --> 00:07:13,480 Speaker 3: though I liked acting and I knew what it was 144 00:07:13,520 --> 00:07:16,320 Speaker 3: and I understood it, it was like so hard for. 145 00:07:16,240 --> 00:07:19,360 Speaker 1: Me to see that handful, right, yeah, because it was real. 146 00:07:19,800 --> 00:07:22,800 Speaker 1: You recognize that that was happening and that brings pain. 147 00:07:23,200 --> 00:07:27,360 Speaker 3: Yeah, yeah, it's intense, right yeah. Yeah, but the theater 148 00:07:27,480 --> 00:07:29,960 Speaker 3: feels that way too. Have you done a lot of theater? 149 00:07:30,120 --> 00:07:31,680 Speaker 1: I went to a training program where we trained for 150 00:07:31,760 --> 00:07:35,200 Speaker 1: repertory theater basically, and so you go through all sorts 151 00:07:35,240 --> 00:07:37,280 Speaker 1: of they break you down and then they put you 152 00:07:37,320 --> 00:07:38,360 Speaker 1: back together again. 153 00:07:38,520 --> 00:07:39,800 Speaker 3: Yeah, how did that? Theater? 154 00:07:40,040 --> 00:07:42,520 Speaker 1: Don't really I never really liked them. I don't let 155 00:07:42,520 --> 00:07:44,920 Speaker 1: anybody in, you know. It took me a long time 156 00:07:45,080 --> 00:07:49,040 Speaker 1: to sort of, you know, loosen the screws. But you 157 00:07:49,160 --> 00:07:52,440 Speaker 1: do learn technique, you know, yea, And they say you 158 00:07:52,440 --> 00:07:54,720 Speaker 1: have the technique, but then you if you need it, 159 00:07:54,760 --> 00:07:56,920 Speaker 1: you know what I mean? Yes, So that that's one 160 00:07:56,960 --> 00:08:00,760 Speaker 1: approach and then which I agree, it's such a long 161 00:08:00,840 --> 00:08:02,480 Speaker 1: journey a least, it's been a long journey for me. 162 00:08:02,560 --> 00:08:06,080 Speaker 1: To sort of figure out what to do and really 163 00:08:06,160 --> 00:08:08,800 Speaker 1: who I am and how this works. And it was 164 00:08:08,920 --> 00:08:11,760 Speaker 1: kind of like you described where you just started doing 165 00:08:11,760 --> 00:08:15,360 Speaker 1: it and the doors kept opening. If that's a good image, 166 00:08:15,480 --> 00:08:17,440 Speaker 1: I don't know. It's like you got oh someone wants 167 00:08:17,480 --> 00:08:19,120 Speaker 1: me to oh and you walk through the door and 168 00:08:19,120 --> 00:08:20,840 Speaker 1: you're like, Okay, we're doing this now, and then oh 169 00:08:20,880 --> 00:08:22,360 Speaker 1: there's another opportunity. 170 00:08:22,400 --> 00:08:25,880 Speaker 3: And I mean, I love it so much. And the thing, 171 00:08:26,000 --> 00:08:28,640 Speaker 3: and that's the other thing too, is that, like, especially 172 00:08:28,680 --> 00:08:31,320 Speaker 3: being in school, sometimes no you would have to miss 173 00:08:31,360 --> 00:08:33,560 Speaker 3: out on things, and as a teenager that felt like 174 00:08:33,640 --> 00:08:35,600 Speaker 3: the hardest thing in the world, and I would ask 175 00:08:35,640 --> 00:08:38,719 Speaker 3: myself is it worth it to be here? And absolutely 176 00:08:38,760 --> 00:08:41,040 Speaker 3: it was always worth it to be working because I 177 00:08:41,080 --> 00:08:43,760 Speaker 3: loved it so much. Yeah, but I'm curious about, like, 178 00:08:44,120 --> 00:08:48,120 Speaker 3: because I didn't train as an actor, what is the 179 00:08:48,160 --> 00:08:50,600 Speaker 3: best thing that you learned at acting school. 180 00:08:51,160 --> 00:08:56,200 Speaker 1: I learned how to survive on beer and chips for 181 00:08:56,320 --> 00:09:00,880 Speaker 1: dinner night after night. It's the kind of thing where 182 00:09:01,559 --> 00:09:04,600 Speaker 1: just like doing a scene with someone you know, with 183 00:09:05,160 --> 00:09:08,160 Speaker 1: other people in the class. We were thirteen in my class, 184 00:09:08,200 --> 00:09:13,640 Speaker 1: thirteen kids, and just the doing you know, and never 185 00:09:14,080 --> 00:09:15,880 Speaker 1: it was never good I don't think I was ever 186 00:09:15,960 --> 00:09:18,679 Speaker 1: really good, just a disaster, but once in a while 187 00:09:18,760 --> 00:09:21,560 Speaker 1: you'd have an inkling of an honest moment you're like, Oh, 188 00:09:21,640 --> 00:09:25,320 Speaker 1: that's that's what we're striving for. All the other class 189 00:09:25,360 --> 00:09:28,960 Speaker 1: members were really good, and I was I was like, oh, 190 00:09:28,960 --> 00:09:30,720 Speaker 1: I don't care. I don't really care. 191 00:09:30,960 --> 00:09:33,440 Speaker 3: Did you really not really care or did you like? No, 192 00:09:33,480 --> 00:09:36,320 Speaker 3: I pretended, but inside. 193 00:09:35,960 --> 00:09:37,800 Speaker 1: But inside I really did care. But I didn't really 194 00:09:37,840 --> 00:09:41,120 Speaker 1: want to care. But then I don't know. I think 195 00:09:41,200 --> 00:09:44,520 Speaker 1: it just came as I grew older and got more 196 00:09:44,559 --> 00:09:46,480 Speaker 1: comfortable somehow, and then I just sort of said I 197 00:09:46,480 --> 00:09:47,240 Speaker 1: don't care. Bucket. 198 00:09:47,559 --> 00:09:50,079 Speaker 3: I was like, you know, and that's true inside. 199 00:09:50,320 --> 00:09:53,160 Speaker 1: Yeah. And now it's like, you know, we do crazy 200 00:09:53,160 --> 00:09:56,360 Speaker 1: things like my podcast, we get to have fun and 201 00:09:56,720 --> 00:09:59,479 Speaker 1: talk about crazy stuffs. 202 00:10:00,200 --> 00:10:00,400 Speaker 2: Yeah. 203 00:10:00,440 --> 00:10:02,200 Speaker 1: I think there is there is that that goes on. 204 00:10:03,280 --> 00:10:06,240 Speaker 1: Can you find your own kind of methodology, you know, 205 00:10:06,400 --> 00:10:07,200 Speaker 1: what works for you. 206 00:10:07,480 --> 00:10:10,040 Speaker 3: I did a play to two or three years ago 207 00:10:10,080 --> 00:10:13,640 Speaker 3: in Australia, and everybody else in the play had gone 208 00:10:13,640 --> 00:10:16,040 Speaker 3: to acting school and trained as an actor, right, and 209 00:10:16,640 --> 00:10:20,040 Speaker 3: I've felt very nervous coming in and learned so much 210 00:10:20,080 --> 00:10:23,600 Speaker 3: from them and also just watching how they breathe. That 211 00:10:23,760 --> 00:10:25,439 Speaker 3: was the thing too that I was like, I think 212 00:10:26,040 --> 00:10:27,280 Speaker 3: that is something they learnt. 213 00:10:27,679 --> 00:10:32,320 Speaker 1: Yeah, the voice, worker, Yeah, the voice, that's important. I 214 00:10:32,320 --> 00:10:35,000 Speaker 1: did a Shakespeare player. I did outdoor theater right after 215 00:10:35,000 --> 00:10:37,840 Speaker 1: I graduated, with twelve hundred seat outdoors. So you're like, 216 00:10:38,400 --> 00:10:41,280 Speaker 1: your voice is like it's incredibly important. Pretty much? Yeah, 217 00:10:41,320 --> 00:10:44,760 Speaker 1: pretty much. So that was important. But the tricky thing 218 00:10:44,760 --> 00:10:47,440 Speaker 1: about acting schools and you can kind of come away 219 00:10:47,480 --> 00:10:50,679 Speaker 1: with a style it's maybe not real. 220 00:10:51,040 --> 00:10:52,600 Speaker 3: I don't know, did you feel that? 221 00:10:52,760 --> 00:10:55,080 Speaker 1: Like I never let it happen. So as I told you, 222 00:10:55,120 --> 00:10:58,480 Speaker 1: I didn't care, so I was like, okay, but when 223 00:10:58,480 --> 00:11:03,000 Speaker 1: I watch you, I'm going, oh, she's super grounded, super real, 224 00:11:03,120 --> 00:11:07,000 Speaker 1: super organic, super available, you know what I mean, Just 225 00:11:07,120 --> 00:11:10,440 Speaker 1: like in the moment, you stay in the moment. And 226 00:11:10,559 --> 00:11:13,320 Speaker 1: I don't know if those are things that you can teach. Honestly, 227 00:11:13,600 --> 00:11:16,000 Speaker 1: I think, you know, I don't think that. That's where 228 00:11:16,040 --> 00:11:18,040 Speaker 1: I think you're You're so great. It's like it's all 229 00:11:18,320 --> 00:11:20,800 Speaker 1: in there in the acting school. You don't need an 230 00:11:20,840 --> 00:11:23,200 Speaker 1: acting school, you know. I mean, And if you have, 231 00:11:23,640 --> 00:11:26,520 Speaker 1: like if you were to do something with particularly difficult 232 00:11:26,800 --> 00:11:30,920 Speaker 1: language or something, you might seek someone out or dialect 233 00:11:31,000 --> 00:11:32,560 Speaker 1: of course. You know, I don't know. Do you have 234 00:11:32,600 --> 00:11:34,640 Speaker 1: people that you look through that you admire. 235 00:11:34,320 --> 00:11:38,600 Speaker 3: That you well, I listened to a podcast recently, I 236 00:11:38,640 --> 00:11:41,960 Speaker 3: mean my podcast. Okay, so I listened to your podcast 237 00:11:42,040 --> 00:11:42,480 Speaker 3: this morning. 238 00:11:42,679 --> 00:11:43,120 Speaker 1: This morning. 239 00:11:43,160 --> 00:11:43,600 Speaker 3: It was great. 240 00:11:43,640 --> 00:11:45,440 Speaker 1: Oh cool, that's so nice. 241 00:11:45,920 --> 00:11:46,760 Speaker 3: No, it's super fun. 242 00:11:46,920 --> 00:11:49,080 Speaker 1: Good, good way to start the day, everybody. 243 00:11:48,760 --> 00:11:51,040 Speaker 3: Great way to start the day. Can't recommend. There you go, 244 00:11:51,160 --> 00:11:54,680 Speaker 3: I can't recommend. It was a podcast with Sosharonan and 245 00:11:54,720 --> 00:11:58,679 Speaker 3: she was talking about how she's amazing and she went 246 00:11:58,720 --> 00:12:02,320 Speaker 3: through a time when she was like like transitioning from 247 00:12:02,360 --> 00:12:05,760 Speaker 3: being a child actor to being like a grown up, 248 00:12:07,040 --> 00:12:10,480 Speaker 3: and you know, that came with certain challenges and I 249 00:12:10,520 --> 00:12:12,679 Speaker 3: related to what she was talking about in the podcast 250 00:12:13,240 --> 00:12:17,080 Speaker 3: in terms of being a kid actor. There is a 251 00:12:17,120 --> 00:12:19,920 Speaker 3: lot of freedom there kind of before you come a 252 00:12:19,920 --> 00:12:25,120 Speaker 3: bit like self conscious about your craft and like the 253 00:12:25,120 --> 00:12:27,000 Speaker 3: way that you act and the way that you are. 254 00:12:27,240 --> 00:12:29,120 Speaker 3: And I don't know if that's related to being a 255 00:12:29,240 --> 00:12:33,120 Speaker 3: kid or to like not having done as much work 256 00:12:33,200 --> 00:12:35,120 Speaker 3: or not seeing yourself in as much work, or maybe 257 00:12:35,160 --> 00:12:39,360 Speaker 3: it's a combination. So yeah, I really admire her and 258 00:12:39,400 --> 00:12:41,600 Speaker 3: her career in the way that she's like she was 259 00:12:41,679 --> 00:12:44,800 Speaker 3: such an incredible actor as a young person, and now 260 00:12:45,280 --> 00:12:48,240 Speaker 3: is also like an incredible actor, and seeing that that 261 00:12:48,360 --> 00:12:50,040 Speaker 3: trajectory has been amazing. 262 00:12:50,160 --> 00:12:53,679 Speaker 1: It's an interesting transition, right. It's the lemma I think 263 00:12:53,720 --> 00:12:58,320 Speaker 1: because I look back on performances of actors of that, 264 00:12:58,360 --> 00:13:00,440 Speaker 1: you know, maybe of my generation even, and I look 265 00:13:00,480 --> 00:13:03,440 Speaker 1: at their early work, and in some cases it's so 266 00:13:04,120 --> 00:13:07,079 Speaker 1: as you said, it's not self conscious at all. They're 267 00:13:07,120 --> 00:13:10,520 Speaker 1: just you know, they're not aware of the camera, they're 268 00:13:10,559 --> 00:13:14,120 Speaker 1: not aware of how they should position themselves, you know, 269 00:13:14,200 --> 00:13:17,880 Speaker 1: everything is They're just in the moment, you know. And 270 00:13:17,920 --> 00:13:20,920 Speaker 1: then later on in the careers you're like, oh, they've learned, 271 00:13:21,400 --> 00:13:24,320 Speaker 1: like you know, they want to be this type of Yeah. 272 00:13:24,559 --> 00:13:26,520 Speaker 3: There's some part of me that thinks that old children 273 00:13:26,600 --> 00:13:29,480 Speaker 3: are good actors because they're so honest. It's just about 274 00:13:29,520 --> 00:13:32,080 Speaker 3: the kind of right environment and direction to kind of 275 00:13:33,360 --> 00:13:36,000 Speaker 3: cultivate that. But yes, I think we're all trying to 276 00:13:36,000 --> 00:13:38,120 Speaker 3: get back to that honesty that we had as a 277 00:13:38,400 --> 00:13:39,559 Speaker 3: children and. 278 00:13:39,679 --> 00:13:41,439 Speaker 1: Make a really great point because I think that is 279 00:13:41,480 --> 00:13:43,360 Speaker 1: part of the journey. Maybe That's what I'm trying to say, 280 00:13:43,440 --> 00:13:44,800 Speaker 1: is like I do feel like I'm trying to go 281 00:13:44,880 --> 00:13:48,600 Speaker 1: back to a place where you just don't care, you know, 282 00:13:48,920 --> 00:13:51,520 Speaker 1: and you can be in the moment. That's the most 283 00:13:51,520 --> 00:13:53,560 Speaker 1: important thing for me, Just like to go, you know, 284 00:13:53,640 --> 00:13:55,880 Speaker 1: one on one in a scene with somebody and you're like, 285 00:13:56,200 --> 00:13:58,200 Speaker 1: you know, you can tell if they're with you. 286 00:13:58,160 --> 00:14:00,200 Speaker 3: Or if they're somewhere. 287 00:13:59,840 --> 00:14:01,720 Speaker 1: Else thinking about something else. Yeah. 288 00:14:02,240 --> 00:14:03,599 Speaker 3: Do you have any pets? 289 00:14:03,920 --> 00:14:04,000 Speaker 4: So? 290 00:14:04,080 --> 00:14:06,280 Speaker 3: I have a dog, yes, And when I look at her, 291 00:14:06,440 --> 00:14:08,840 Speaker 3: I'm like, like, she is the most present person in 292 00:14:08,840 --> 00:14:11,600 Speaker 3: the room right now, And that is inspiring to me 293 00:14:11,840 --> 00:14:14,640 Speaker 3: when I think about, like, who is like so present, 294 00:14:15,160 --> 00:14:18,480 Speaker 3: it's like babies and like pets for sure. 295 00:14:19,360 --> 00:14:21,160 Speaker 1: For sure. No, that's a really great example. 296 00:14:21,360 --> 00:14:23,920 Speaker 3: Yeah. Have you worked with animals before? 297 00:14:24,080 --> 00:14:26,920 Speaker 1: Yes, I have. I did a photosop of a snake, 298 00:14:26,920 --> 00:14:28,000 Speaker 1: but the snake was so little. 299 00:14:28,120 --> 00:14:28,960 Speaker 3: What kind of snake? 300 00:14:29,120 --> 00:14:31,040 Speaker 1: It was just a garden snake. Do we have other 301 00:14:31,120 --> 00:14:33,440 Speaker 1: snakes in the show? I forget there are there are. 302 00:14:33,400 --> 00:14:34,400 Speaker 3: A lot of snakes. 303 00:14:34,600 --> 00:14:36,400 Speaker 1: I know. You have kind of pretty much everything that 304 00:14:36,440 --> 00:14:37,200 Speaker 1: can kill you. 305 00:14:37,360 --> 00:14:38,840 Speaker 3: There are a lot of. 306 00:14:38,960 --> 00:14:41,600 Speaker 1: You've survived, so it can be done. 307 00:14:41,840 --> 00:14:44,680 Speaker 3: It can be done. Yeah. There was a spider though. 308 00:14:45,560 --> 00:14:48,360 Speaker 3: Just over Christmas, there was a spider that came into 309 00:14:48,440 --> 00:14:51,840 Speaker 3: my bedroom. It was so big that I left the room. 310 00:14:52,080 --> 00:14:55,240 Speaker 1: Okay, and I slept the spider left. Let you leave 311 00:14:55,280 --> 00:14:55,600 Speaker 1: the room. 312 00:14:55,720 --> 00:14:58,320 Speaker 3: Yes, okay, you're afraid of me, but I'm going to 313 00:14:58,440 --> 00:14:59,320 Speaker 3: leave of my own vie. 314 00:14:59,720 --> 00:15:02,720 Speaker 1: Yeah. Yes, now I'm leaving. You've gotten close enough. 315 00:15:02,960 --> 00:15:06,240 Speaker 3: Yeah, okay, but it was it stayed in that in 316 00:15:06,280 --> 00:15:09,360 Speaker 3: that room, No it did. Yeah, it stayed there. 317 00:15:09,920 --> 00:15:12,320 Speaker 1: But I'm definitely of the I do. I would get 318 00:15:12,360 --> 00:15:15,560 Speaker 1: the glass and get the paper thing. I don't kill. 319 00:15:15,600 --> 00:15:16,840 Speaker 1: I don't like the kill spiders. 320 00:15:16,840 --> 00:15:18,480 Speaker 3: So no, I couldn't have killed it. 321 00:15:18,720 --> 00:15:22,640 Speaker 1: No, I do the Yeah, release it in Yeah, catch. 322 00:15:22,400 --> 00:15:26,040 Speaker 3: And release, I will say in the in defense of 323 00:15:26,080 --> 00:15:27,080 Speaker 3: the Huntsman Spider. 324 00:15:27,400 --> 00:15:31,240 Speaker 1: Yes, that's a really good idea for a title of 325 00:15:31,240 --> 00:15:32,160 Speaker 1: a book. I'm just saying. 326 00:15:34,480 --> 00:15:38,720 Speaker 3: Yeah, they catch flies and mosquitoes inside, so if you 327 00:15:38,760 --> 00:15:41,560 Speaker 3: have one inside that's like not in your bedroom. It's 328 00:15:41,600 --> 00:15:44,479 Speaker 3: actually pretty good because they're catching and eating the mosquitoes, 329 00:15:44,600 --> 00:15:45,560 Speaker 3: so you're not getting baid. 330 00:15:45,920 --> 00:15:49,560 Speaker 1: Attain the Huntsman spider, and then yeah, okay, I have 331 00:15:49,640 --> 00:15:54,080 Speaker 1: the similar experience with black widows. Oh, come across. 332 00:15:55,160 --> 00:15:58,280 Speaker 3: Huntsmen are not dangerous, by the way, They're scared to look out. 333 00:15:58,280 --> 00:15:59,160 Speaker 3: They're just scared to look out. 334 00:15:59,600 --> 00:16:01,600 Speaker 1: Yeah, thought it was a super poison stick. No, no, no, 335 00:16:01,680 --> 00:16:03,480 Speaker 1: but just scary. The black widow. Yeah, they will get 336 00:16:03,480 --> 00:16:06,960 Speaker 1: your attention and and there you don't. You can't mistake 337 00:16:07,000 --> 00:16:08,800 Speaker 1: that for any other spider. You're like, that's a black 338 00:16:08,800 --> 00:16:10,840 Speaker 1: widow because it is like a black. 339 00:16:10,920 --> 00:16:12,520 Speaker 3: With the red marble kind. 340 00:16:12,400 --> 00:16:17,840 Speaker 1: Of black, shiny body with the underneath and longer legs. 341 00:16:17,920 --> 00:16:21,240 Speaker 1: The web is the webs is heavier, the thread is 342 00:16:21,280 --> 00:16:21,760 Speaker 1: heavier that. 343 00:16:22,000 --> 00:16:23,680 Speaker 3: It's encountered them. 344 00:16:23,800 --> 00:16:26,560 Speaker 1: Yeah. Yeah, yeah. Wood piles are like that, or just 345 00:16:26,560 --> 00:16:27,560 Speaker 1: outside the house somewhere. 346 00:16:27,600 --> 00:16:35,240 Speaker 3: Yeah, they in California. Yeah. 347 00:16:36,400 --> 00:16:38,560 Speaker 1: I just love him so much. I can't help it. 348 00:16:39,040 --> 00:16:40,359 Speaker 1: So what is it with this waking. 349 00:16:40,160 --> 00:16:43,480 Speaker 3: Up in the middle of the struggle to get to 350 00:16:43,800 --> 00:16:44,840 Speaker 3: that's my issue. 351 00:16:45,160 --> 00:16:46,600 Speaker 1: I have a trick for you. So if I have 352 00:16:46,600 --> 00:16:48,520 Speaker 1: a difficult time getting to sleep, I just go and 353 00:16:48,560 --> 00:16:51,840 Speaker 1: I play a round of golf in my head. That's brilliant. 354 00:16:52,120 --> 00:16:54,280 Speaker 3: Wait what if I told you I don't know how 355 00:16:54,280 --> 00:16:55,600 Speaker 3: to play golf, Well. 356 00:16:55,600 --> 00:16:57,360 Speaker 1: You will have to start. That's the first step. 357 00:16:57,760 --> 00:16:59,520 Speaker 3: Is that what you struggle with? Or do you wake 358 00:16:59,600 --> 00:17:01,480 Speaker 3: up and then I wake up the night? Yeah? 359 00:17:01,560 --> 00:17:04,159 Speaker 1: That's the anxious Kyle, and he likes to wake up 360 00:17:04,200 --> 00:17:05,119 Speaker 1: and worry about things. 361 00:17:05,200 --> 00:17:06,480 Speaker 3: Do you dream a lot? 362 00:17:06,600 --> 00:17:12,080 Speaker 1: I do, but they're very complicated, yeah, very vivid, vivid, 363 00:17:12,320 --> 00:17:15,360 Speaker 1: and it's always like there's anxious anxiety and I'm trying 364 00:17:15,400 --> 00:17:17,840 Speaker 1: to get somewhere. I'm trying to get something accomplished. You 365 00:17:17,920 --> 00:17:22,440 Speaker 1: used to talk about having the actor's nightmareage. 366 00:17:22,840 --> 00:17:27,200 Speaker 3: Yes, I mean there are variations. There are variations going 367 00:17:27,200 --> 00:17:30,159 Speaker 3: out on stage. You've not read the script, Yes, you 368 00:17:30,200 --> 00:17:33,040 Speaker 3: don't know your words. Yes, all the lights are on you. 369 00:17:33,160 --> 00:17:36,280 Speaker 3: Everyone's like, why aren't you saying the words? I don't know? 370 00:17:36,920 --> 00:17:39,760 Speaker 3: Or same thing on set. I come to set, they say, 371 00:17:39,800 --> 00:17:42,919 Speaker 3: you've got the monologue today, right, I'm like, what monologue? 372 00:17:43,480 --> 00:17:46,400 Speaker 3: So there's that. Well, there's stuff like there's a lot 373 00:17:46,440 --> 00:17:48,520 Speaker 3: with set too, And I often dream about this when 374 00:17:48,520 --> 00:17:51,439 Speaker 3: I'm working. I come home and I go to sleep 375 00:17:51,480 --> 00:17:54,840 Speaker 3: and I dream about set of like I'm late for 376 00:17:54,880 --> 00:17:57,000 Speaker 3: a reason that was out of my control, but nobody 377 00:17:57,040 --> 00:18:00,359 Speaker 3: believes me, or there's been an issue with something, and. 378 00:18:00,280 --> 00:18:02,959 Speaker 1: What is this that? Because I have very similar, very 379 00:18:03,000 --> 00:18:07,280 Speaker 1: similar it's just a second anxious anxiety thing. There's another 380 00:18:07,320 --> 00:18:09,520 Speaker 1: thing you can try, yeah, which is I run through 381 00:18:09,760 --> 00:18:12,560 Speaker 1: a gratitude list. So I started just like you know, 382 00:18:12,640 --> 00:18:16,080 Speaker 1: I'm sure, I'm so grateful, you know, loving family, and 383 00:18:16,080 --> 00:18:19,600 Speaker 1: I'm grateful for this. So you start just putting positives 384 00:18:19,640 --> 00:18:21,800 Speaker 1: in front of that, and pretty soon you kind of 385 00:18:22,320 --> 00:18:23,080 Speaker 1: it relaxes. 386 00:18:23,520 --> 00:18:29,200 Speaker 3: Yeah, should we start a sleep podcast? 387 00:18:31,080 --> 00:18:31,880 Speaker 1: But you do bake? 388 00:18:32,440 --> 00:18:32,959 Speaker 3: I do? 389 00:18:33,280 --> 00:18:35,840 Speaker 1: Yes. I read that and I was like, we have 390 00:18:35,880 --> 00:18:36,560 Speaker 1: to talk about this. 391 00:18:36,720 --> 00:18:39,520 Speaker 3: Yes. So I became vegan a couple of years ago, 392 00:18:40,440 --> 00:18:44,359 Speaker 3: and famously like bread is one of the vegan things 393 00:18:44,440 --> 00:18:47,000 Speaker 3: you can go with bread, yeah, you can always eat, yes, 394 00:18:47,240 --> 00:18:51,440 Speaker 3: So like vegan baking is like good fun, but it's 395 00:18:51,440 --> 00:18:52,520 Speaker 3: tricky as well, right. 396 00:18:52,480 --> 00:18:55,720 Speaker 1: Challenging some ingredients that you can't you're not supposed to use. 397 00:18:56,040 --> 00:18:58,240 Speaker 3: I got I kind of got into bread, not really 398 00:18:58,320 --> 00:19:01,040 Speaker 3: during COVID but afterwards because I did one job where 399 00:19:01,080 --> 00:19:03,879 Speaker 3: for some reason, every weekend I baked a loaf of bread. 400 00:19:04,200 --> 00:19:07,159 Speaker 3: Actually I know the reason. The reason was that I 401 00:19:07,200 --> 00:19:07,720 Speaker 3: needed to. 402 00:19:07,760 --> 00:19:10,200 Speaker 1: Like need things, yes, to get your. 403 00:19:10,640 --> 00:19:12,440 Speaker 3: Just had like yeah, I think exercise. 404 00:19:12,440 --> 00:19:13,920 Speaker 1: That was your exercise so you can go to sleep 405 00:19:14,000 --> 00:19:18,240 Speaker 1: yet and tire you up. I think I recognized the why. 406 00:19:18,320 --> 00:19:21,800 Speaker 1: It's it's all consuming. Right, you're making bread, so you're 407 00:19:21,840 --> 00:19:24,000 Speaker 1: not thinking about you can but you really have to 408 00:19:24,040 --> 00:19:26,239 Speaker 1: pay attention to what you're doing. Yeah, and you get 409 00:19:26,280 --> 00:19:28,280 Speaker 1: to make something that you can share or you enjoy, 410 00:19:28,320 --> 00:19:29,520 Speaker 1: but you got to get to share it, which is 411 00:19:29,640 --> 00:19:30,040 Speaker 1: nice too. 412 00:19:30,119 --> 00:19:30,600 Speaker 3: Do you bake? 413 00:19:31,640 --> 00:19:34,480 Speaker 1: I do. I used to bake a lot, like when 414 00:19:34,480 --> 00:19:37,000 Speaker 1: I was in school. It was my escape by the 415 00:19:37,040 --> 00:19:39,600 Speaker 1: weekends were like I got to stop thinking about class. 416 00:19:39,680 --> 00:19:41,479 Speaker 3: Yes, and good for that. 417 00:19:41,800 --> 00:19:44,160 Speaker 1: Yeah, it was really good. And I got kind of creepy. 418 00:19:44,200 --> 00:19:46,040 Speaker 1: So I got I started with just you know, making 419 00:19:46,119 --> 00:19:50,040 Speaker 1: regular bread, and then then I got a grain grud 420 00:19:50,080 --> 00:19:52,960 Speaker 1: so then I would buy the wheat and I would 421 00:19:53,000 --> 00:19:57,520 Speaker 1: grind no way myself. Yeah, I just I get to 422 00:19:58,080 --> 00:20:01,199 Speaker 1: you know, fixiated on things and love that. So do that. 423 00:20:01,280 --> 00:20:03,399 Speaker 1: And then I sort of experimenting with different kinds of 424 00:20:03,560 --> 00:20:05,600 Speaker 1: and I would make things with cooking. 425 00:20:05,720 --> 00:20:09,280 Speaker 3: Are you you're not as precise or you just kind 426 00:20:09,280 --> 00:20:10,040 Speaker 3: of vibe it out. 427 00:20:10,359 --> 00:20:12,440 Speaker 1: I kind of vibe it out. This is much fun. 428 00:20:12,560 --> 00:20:13,920 Speaker 1: I want to see what else we want to talk about. 429 00:20:13,920 --> 00:20:16,920 Speaker 1: I know now because I got to go back to 430 00:20:16,960 --> 00:20:17,879 Speaker 1: them because I haven't talked. 431 00:20:17,760 --> 00:20:20,880 Speaker 3: About season two of the last thing. He told me. Yes, 432 00:20:21,200 --> 00:20:24,119 Speaker 3: so yes, it's a great show with I mean, I 433 00:20:24,160 --> 00:20:27,840 Speaker 3: have like the coolest parents Jennifer Garna plays my step 434 00:20:27,880 --> 00:20:32,919 Speaker 3: mom and Nikolai Costawaldo plays my dad. So it's about 435 00:20:32,920 --> 00:20:35,359 Speaker 3: this like this like woman and she's married to a 436 00:20:35,400 --> 00:20:37,960 Speaker 3: man and he has a daughter and he goes missing 437 00:20:38,000 --> 00:20:40,080 Speaker 3: and the stepmom and the stepdaughter have to team up 438 00:20:40,080 --> 00:20:43,920 Speaker 3: to find him. And so the show, like as did 439 00:20:43,920 --> 00:20:45,960 Speaker 3: the book, kind of ended on a cliffhanger and this 440 00:20:46,080 --> 00:20:49,439 Speaker 3: like question of, like, you know, will they have a 441 00:20:49,480 --> 00:20:52,560 Speaker 3: life together again as a family, the three of them. 442 00:20:52,920 --> 00:20:55,600 Speaker 3: And so with season two, I think Laura Dave, the 443 00:20:55,640 --> 00:20:58,200 Speaker 3: author of the book, I think it was mostly the 444 00:20:58,200 --> 00:21:00,240 Speaker 3: fans of the show in the book will I we 445 00:21:00,720 --> 00:21:04,159 Speaker 3: want more, and so she wrote more to the story. 446 00:21:04,240 --> 00:21:06,639 Speaker 3: So there's a season two and a book two at 447 00:21:06,680 --> 00:21:09,720 Speaker 3: the same time. Yeah, which is great, kind of unusual 448 00:21:09,800 --> 00:21:11,720 Speaker 3: but so fun, and people. 449 00:21:11,480 --> 00:21:13,840 Speaker 1: Are going to discover it as they go along. Yeah, idea. 450 00:21:13,840 --> 00:21:15,320 Speaker 1: People have read the book before, they sort of know 451 00:21:15,320 --> 00:21:16,800 Speaker 1: how the story goes, and now you have a whole 452 00:21:16,840 --> 00:21:19,000 Speaker 1: new thing to present. Oh that's very cool, and that's 453 00:21:19,080 --> 00:21:20,000 Speaker 1: shooting here. 454 00:21:20,600 --> 00:21:23,840 Speaker 3: So yeah, we filmed season one and season two both 455 00:21:23,880 --> 00:21:26,840 Speaker 3: in la but actually season two took us to Paris 456 00:21:26,880 --> 00:21:27,280 Speaker 3: as well. 457 00:21:27,400 --> 00:21:30,679 Speaker 1: I'm so sorry, it's just terrible it was tough. 458 00:21:31,240 --> 00:21:36,280 Speaker 3: There's no bread in Paris, famously no bread. 459 00:21:36,600 --> 00:21:38,359 Speaker 1: You pretty much survived bread in Paris. 460 00:21:38,400 --> 00:21:43,359 Speaker 3: I mean I did. I was just eating the gats. 461 00:21:43,359 --> 00:21:46,840 Speaker 3: There's also there's an amazing vegan bakery chain in Paris, 462 00:21:46,920 --> 00:21:50,920 Speaker 3: so I was eating vegancroissants every morning. Tell me, yeah, 463 00:21:50,920 --> 00:21:52,080 Speaker 3: it was great. I loved it. 464 00:21:52,280 --> 00:21:54,359 Speaker 1: Then you go back to Australia. You have come here 465 00:21:54,400 --> 00:21:55,399 Speaker 1: to shoot and then you go back. 466 00:21:55,920 --> 00:21:58,280 Speaker 3: Yeah. We usually that's how it works, but sometimes I 467 00:21:58,320 --> 00:22:01,040 Speaker 3: also try and tack on other things. So while we 468 00:22:01,040 --> 00:22:04,679 Speaker 3: were filming Season two, because we ended in Paris, I 469 00:22:04,760 --> 00:22:06,840 Speaker 3: then went to London for a little bit. 470 00:22:07,040 --> 00:22:08,880 Speaker 1: Yeah, tough, tough city. 471 00:22:08,800 --> 00:22:14,520 Speaker 3: Really tough, beautiful, and then did a little hopover to Copenhagen, 472 00:22:14,920 --> 00:22:18,919 Speaker 3: which is where Nikolai Costawaldo is from, and he hosted 473 00:22:19,000 --> 00:22:21,959 Speaker 3: us and showed us around his home city. So nice, 474 00:22:22,359 --> 00:22:26,720 Speaker 3: so nice. It was the furthest north I've ever been 475 00:22:26,760 --> 00:22:29,160 Speaker 3: in my life. I looked at it on a map. 476 00:22:29,400 --> 00:22:32,000 Speaker 3: I was like, yeah, think I think that's really interesting. Yes, 477 00:22:32,240 --> 00:22:33,719 Speaker 3: the further south I've been. Do you want to know? 478 00:22:33,960 --> 00:22:36,800 Speaker 1: I'm curious about going yeah and visiting penguins. 479 00:22:37,040 --> 00:22:39,320 Speaker 3: Yeah, I think the furthest South I've been in the 480 00:22:39,320 --> 00:22:42,679 Speaker 3: world is Wilson's Promontory, which is the southernmost point of 481 00:22:42,800 --> 00:22:45,960 Speaker 3: mainland Australia. I have not been to Tasmania, which has. 482 00:22:47,440 --> 00:22:52,240 Speaker 1: Out Are there Tasmanian devils in Tasmania? I'm asking as 483 00:22:52,280 --> 00:22:56,639 Speaker 1: a Bugs Bunny fan. Yes, yes, you exist, ladies and gentlemen. 484 00:22:56,680 --> 00:22:59,040 Speaker 1: This is something yes, because that was a I mean 485 00:22:59,080 --> 00:23:00,359 Speaker 1: that was my cartoon world. 486 00:23:00,560 --> 00:23:02,240 Speaker 3: But you want to see penguins too, I. 487 00:23:02,200 --> 00:23:04,440 Speaker 1: Would like, yeah, I would like to go yeah down and. 488 00:23:04,480 --> 00:23:08,439 Speaker 3: Just sort of well, I thought penguins were everywhere growing up. 489 00:23:08,880 --> 00:23:12,760 Speaker 3: I thought every I had penguins because obviously we had penguins. 490 00:23:13,600 --> 00:23:14,800 Speaker 1: But no, not the case. 491 00:23:15,000 --> 00:23:15,600 Speaker 3: Not the case. 492 00:23:15,600 --> 00:23:17,640 Speaker 1: It explains it. That's why I haven't seen any here 493 00:23:17,640 --> 00:23:18,359 Speaker 1: in California. 494 00:23:18,480 --> 00:23:21,720 Speaker 3: I mean, there's a Philip Island, which is just off 495 00:23:21,960 --> 00:23:24,000 Speaker 3: Melbourne has all the penguins. 496 00:23:24,480 --> 00:23:27,879 Speaker 1: Okayature they hang out, Okay, you don't necessarily need snow 497 00:23:28,200 --> 00:23:30,480 Speaker 1: n No. 498 00:23:29,760 --> 00:23:32,640 Speaker 3: And during winter all the the I think they're called 499 00:23:32,640 --> 00:23:36,000 Speaker 3: fairy penguins, the little ones, and they do like an 500 00:23:36,119 --> 00:23:39,399 Speaker 3: annual kind of migration from land to sea, and you 501 00:23:39,440 --> 00:23:40,280 Speaker 3: can watch them. 502 00:23:40,359 --> 00:23:42,399 Speaker 1: Oh, I'd love to see that. It's so funny, like 503 00:23:42,440 --> 00:23:44,160 Speaker 1: diving off types they like. 504 00:23:44,400 --> 00:23:48,440 Speaker 3: They like run and during COVID they they live streamed it, 505 00:23:48,680 --> 00:23:49,760 Speaker 3: which was so fun. 506 00:23:50,840 --> 00:23:54,000 Speaker 1: I would totally turn into that all these little penguins. Yeah, 507 00:23:54,119 --> 00:23:57,680 Speaker 1: it would make me so happy. It does feel like penguins. 508 00:23:58,600 --> 00:24:02,320 Speaker 1: Watch them all day? What see how they moan and grown? 509 00:24:02,480 --> 00:24:03,840 Speaker 1: Do you have any impersonations that you do? 510 00:24:03,880 --> 00:24:09,240 Speaker 3: Impressions not for camera, but solid American accent. But I 511 00:24:09,280 --> 00:24:12,560 Speaker 3: will say when I call home and I've been over 512 00:24:12,600 --> 00:24:16,680 Speaker 3: here for a while, I get reprimanded. Yes, say bring 513 00:24:16,720 --> 00:24:17,160 Speaker 3: it back. 514 00:24:17,440 --> 00:24:19,960 Speaker 1: Yes, yes, yes, it's been gone too long. 515 00:24:20,119 --> 00:24:21,920 Speaker 3: Sound a little too American. 516 00:24:21,720 --> 00:24:24,960 Speaker 1: Gone too long? Crazy. 517 00:24:25,280 --> 00:24:29,080 Speaker 3: Sometimes I do put on an American accent, just in 518 00:24:29,160 --> 00:24:31,640 Speaker 3: America at the grocery store or something. It just makes 519 00:24:31,640 --> 00:24:33,600 Speaker 3: things a bit easier sometimes. 520 00:24:33,200 --> 00:24:35,560 Speaker 1: That's a good idea. Is there a particular region that 521 00:24:35,640 --> 00:24:36,560 Speaker 1: you draw from. 522 00:24:36,400 --> 00:24:38,840 Speaker 3: Or is it just probably just just standing. 523 00:24:38,720 --> 00:24:41,280 Speaker 1: Southern is when everyone goes for everyone talks like they're 524 00:24:41,280 --> 00:24:43,439 Speaker 1: from Texas or like they're from Lo That right, and 525 00:24:43,480 --> 00:24:46,360 Speaker 1: you just do that. I don't know why. 526 00:24:46,520 --> 00:24:47,280 Speaker 3: It's a British thing. 527 00:24:48,119 --> 00:24:50,399 Speaker 1: Yeah, they all like to talk like they're you know, 528 00:24:50,760 --> 00:24:52,440 Speaker 1: it's a generic kind of Southern. 529 00:24:52,800 --> 00:24:55,560 Speaker 3: That's so interesting. So you seem to have a couple 530 00:24:55,560 --> 00:24:56,400 Speaker 3: of accents in your back. 531 00:24:56,560 --> 00:24:58,440 Speaker 1: No, I just do like kind of impression, like a 532 00:24:58,560 --> 00:25:00,479 Speaker 1: very bad Christopher walk in, which I love to do 533 00:25:00,760 --> 00:25:04,840 Speaker 1: because it makes everyone, you know, go like, oh yeah, yeah, 534 00:25:05,000 --> 00:25:06,520 Speaker 1: not him, not him again. 535 00:25:09,240 --> 00:25:12,560 Speaker 3: Scottish Malon Brando. Can I see. 536 00:25:11,560 --> 00:25:20,280 Speaker 2: There's a reason. Why have you ever watched the snail 537 00:25:20,640 --> 00:25:23,399 Speaker 2: gelling across a straight razor? 538 00:25:28,880 --> 00:25:31,720 Speaker 1: I know it's terrible. Well, Apocalypse Now is one of 539 00:25:31,800 --> 00:25:33,120 Speaker 1: my favorite movies of all time. 540 00:25:33,400 --> 00:25:34,080 Speaker 3: Does he say that? 541 00:25:34,119 --> 00:25:35,520 Speaker 1: Did not mean something similar to that? 542 00:25:35,600 --> 00:25:35,800 Speaker 2: Yeah? 543 00:25:35,920 --> 00:25:38,040 Speaker 1: And then there's he does a thing with Martin Sheen. 544 00:25:38,520 --> 00:25:40,840 Speaker 2: Well where you're from, Willard. 545 00:25:40,920 --> 00:25:43,520 Speaker 1: Ohio, sir, and they have this little thing so you 546 00:25:43,560 --> 00:25:45,080 Speaker 1: can do the dialogue back and forth. 547 00:25:45,520 --> 00:25:46,960 Speaker 3: Well you can, I can't. 548 00:25:47,000 --> 00:25:48,720 Speaker 1: No, no, but you're going to learn this because you 549 00:25:48,760 --> 00:25:50,040 Speaker 1: know what's gonna happen. This is going to help with 550 00:25:50,080 --> 00:25:53,119 Speaker 1: your sleep. This is going to put you. You know 551 00:25:53,160 --> 00:25:56,000 Speaker 1: what I'm gonna do. I'm gonna do a recording and 552 00:25:56,080 --> 00:25:57,760 Speaker 1: send it to you and you turn it on and 553 00:25:57,760 --> 00:25:58,560 Speaker 1: you go right to sleep. 554 00:25:58,720 --> 00:26:02,840 Speaker 3: I would love that so funny. Oh my gosh. No, 555 00:26:02,960 --> 00:26:04,879 Speaker 3: I love that. I love people who can like just 556 00:26:05,000 --> 00:26:05,959 Speaker 3: plat I do too. 557 00:26:06,200 --> 00:26:08,680 Speaker 1: I do too, and it's always kind of surprising people 558 00:26:08,720 --> 00:26:10,400 Speaker 1: do things you're like, WHOA. 559 00:26:10,040 --> 00:26:12,679 Speaker 3: Yeah, I do love to do like I love a 560 00:26:12,720 --> 00:26:15,320 Speaker 3: silly voice. Silly voices are very good, which is not 561 00:26:15,320 --> 00:26:18,480 Speaker 3: the same as an impression, but it's a silly voice 562 00:26:18,520 --> 00:26:19,400 Speaker 3: is fun sometimes. 563 00:26:19,520 --> 00:26:21,600 Speaker 1: Just I have a feeling like you have to have 564 00:26:21,680 --> 00:26:25,800 Speaker 1: siblings to have really a silly voice repertoire. Yeah, I've 565 00:26:25,800 --> 00:26:28,679 Speaker 1: got two younger brothers, right, so that helps, and just 566 00:26:29,440 --> 00:26:33,320 Speaker 1: sound effects in general as a boy, you know, like yeah, 567 00:26:33,400 --> 00:26:36,480 Speaker 1: things like that, you know, but I don't know that 568 00:26:39,080 --> 00:26:43,639 Speaker 1: that's okay. What do you think of my podcast? Yeah? Perfect, 569 00:26:46,280 --> 00:26:47,959 Speaker 1: I think siblings. I think it has I think it's 570 00:26:47,960 --> 00:26:49,679 Speaker 1: the thing, you know what I mean, you need like 571 00:26:49,760 --> 00:26:51,520 Speaker 1: you need like a fellow conspirator. 572 00:26:51,720 --> 00:26:52,600 Speaker 3: And you're the oldest. 573 00:26:52,760 --> 00:26:55,159 Speaker 1: I'm the oldest. Yeah, although I honestly I act like 574 00:26:55,160 --> 00:26:57,840 Speaker 1: the youngest I swear really yeah, but. 575 00:26:57,880 --> 00:26:59,080 Speaker 3: I think the oldest sibling. 576 00:26:59,280 --> 00:27:04,520 Speaker 1: Like, that's your sister's name. 577 00:27:04,640 --> 00:27:15,920 Speaker 3: Calliope, calliope wow with a K K A P. Yes. Yes, 578 00:27:16,040 --> 00:27:19,320 Speaker 3: but my mom's name is Kate shot for Catherine, and 579 00:27:19,840 --> 00:27:22,280 Speaker 3: she she grew up with a lot of Kate's and 580 00:27:22,320 --> 00:27:25,720 Speaker 3: Catherine's around, So she said, you know what. I want 581 00:27:25,720 --> 00:27:28,560 Speaker 3: my kids to have unique names. So they pulled out 582 00:27:28,960 --> 00:27:29,760 Speaker 3: and Gowery and. 583 00:27:29,760 --> 00:27:33,560 Speaker 1: Callipe and what's the what's the derivation? 584 00:27:33,720 --> 00:27:36,280 Speaker 3: And Gowy is the name of a beach in Australia 585 00:27:36,359 --> 00:27:40,399 Speaker 3: where my grandmother lived. It's beautiful, thank you. 586 00:27:40,520 --> 00:27:42,240 Speaker 1: Yeah, it's one of a kind. 587 00:27:42,280 --> 00:27:44,520 Speaker 3: I'm going to probably I think there's what I think. 588 00:27:44,840 --> 00:27:49,320 Speaker 3: Someone messaged me on Instagram and said my friends just 589 00:27:49,440 --> 00:27:53,479 Speaker 3: called their baby and Gowery also after the beach, and 590 00:27:53,520 --> 00:27:57,399 Speaker 3: I was like, how dare the only one? Yeah? But 591 00:27:57,480 --> 00:27:59,479 Speaker 3: I told my mom and she was really happy. 592 00:27:59,600 --> 00:28:03,359 Speaker 1: She was like, you see validation. I love that I 593 00:28:03,440 --> 00:28:09,640 Speaker 1: come from my parents Kent and Kathy, and then I'm Kyle. Yes, 594 00:28:10,359 --> 00:28:13,520 Speaker 1: and my brother's Craig and my youngest brother is Kent. 595 00:28:14,280 --> 00:28:16,240 Speaker 1: So you see they really lean. 596 00:28:16,240 --> 00:28:20,400 Speaker 3: They leaned into sound. So Kent so it's Kent and Kent. 597 00:28:20,920 --> 00:28:26,280 Speaker 1: Yeah, Kent Junior or Scotty for short McLachlan. And so 598 00:28:26,440 --> 00:28:28,040 Speaker 1: they were like, oh, we're going to you know, that 599 00:28:28,119 --> 00:28:32,040 Speaker 1: was his nickname. He was the mistake. Sorry, we're going 600 00:28:32,080 --> 00:28:36,080 Speaker 1: to edit that out. Definitely, don't edit that out. Yeah, No, 601 00:28:36,320 --> 00:28:39,080 Speaker 1: he wasn't a mistake. He was You're not a mistake. 602 00:28:39,840 --> 00:28:42,360 Speaker 1: Scotty is in a band. But the best thing is 603 00:28:42,360 --> 00:28:45,480 Speaker 1: he's Scotty Potty. So everything goes to, you know, some 604 00:28:45,720 --> 00:28:49,720 Speaker 1: form of scatological. You know, I'm Kyle Pyle, Craigie, Peggy 605 00:28:50,080 --> 00:28:53,760 Speaker 1: Gootty Potty. Yeah, that's not really scatological, but he was. 606 00:28:54,360 --> 00:28:56,440 Speaker 1: We felt bad for him because he had really big ears. 607 00:28:56,160 --> 00:28:59,440 Speaker 3: And so he's do you want to talk about authorship 608 00:28:59,480 --> 00:28:59,800 Speaker 3: at all? 609 00:29:00,360 --> 00:29:01,640 Speaker 1: Mm hmmm. You're a writer? 610 00:29:01,960 --> 00:29:05,800 Speaker 3: I mean yes, thank you. Yes. So my mom and 611 00:29:05,840 --> 00:29:09,320 Speaker 3: I wrote our first novel together called Stuck Up and Stupid, 612 00:29:10,040 --> 00:29:15,320 Speaker 3: which is really prejudice, pride and prejudice. Retelling, Yes, said 613 00:29:15,320 --> 00:29:17,880 Speaker 3: in the present day in Sydney at the beach, and 614 00:29:17,920 --> 00:29:20,120 Speaker 3: it's a it's a fun rom com. 615 00:29:20,320 --> 00:29:22,120 Speaker 1: That's good. That's good. And the second one is. 616 00:29:22,000 --> 00:29:24,600 Speaker 3: The second one is coming out in May and it's 617 00:29:24,680 --> 00:29:28,760 Speaker 3: called My Wonderful Disgrace. It's set over one night at 618 00:29:28,760 --> 00:29:32,160 Speaker 3: a school dance and it's all told in letters and 619 00:29:32,240 --> 00:29:35,640 Speaker 3: texts and transcripts and emails, and we follow lots of 620 00:29:35,680 --> 00:29:39,640 Speaker 3: different characters what expectations they had for the school dance 621 00:29:40,160 --> 00:29:42,680 Speaker 3: and the and the disaster that unfolds. 622 00:29:42,760 --> 00:29:47,120 Speaker 1: Yeah, what a great idea. Writing is something that is 623 00:29:47,200 --> 00:29:50,560 Speaker 1: so well. First of all, it's discipline, right, I mean, 624 00:29:50,600 --> 00:29:53,560 Speaker 1: you have but having a partner. 625 00:29:54,480 --> 00:29:57,600 Speaker 3: I love my mom so much, and we have a 626 00:29:57,720 --> 00:30:00,400 Speaker 3: very similar sense of humor, and we of a lot 627 00:30:00,400 --> 00:30:02,920 Speaker 3: of the same things, probably because I'm her daughter. 628 00:30:03,240 --> 00:30:05,200 Speaker 1: Yes, that's nice that you share that. 629 00:30:05,240 --> 00:30:08,560 Speaker 3: It's really nice you share that. And I think, like 630 00:30:08,680 --> 00:30:11,840 Speaker 3: the main thing that I learned writing with her, well, 631 00:30:11,840 --> 00:30:14,280 Speaker 3: we wrote the first draft by hand of our first book, 632 00:30:15,480 --> 00:30:19,040 Speaker 3: ye all, like long hand in paper notebooks. That was 633 00:30:19,160 --> 00:30:22,840 Speaker 3: draft zero, and then what finally went to print was 634 00:30:22,880 --> 00:30:28,480 Speaker 3: probably draft fourteen or fifteen. So I mean they say 635 00:30:28,520 --> 00:30:33,080 Speaker 3: that writing is rewriting, and it's very true, true, very 636 00:30:33,160 --> 00:30:33,560 Speaker 3: very true. 637 00:30:33,680 --> 00:30:33,880 Speaker 1: Yeah. 638 00:30:34,280 --> 00:30:36,239 Speaker 3: Yeah, So I learned that with her. I mean she 639 00:30:36,360 --> 00:30:40,520 Speaker 3: is a writer. She studied playwriting and has a PhD 640 00:30:40,560 --> 00:30:43,080 Speaker 3: in playwriting, So that's that's what she writes. 641 00:30:43,160 --> 00:30:44,680 Speaker 1: Yeah, that's that's important. 642 00:30:44,680 --> 00:30:47,840 Speaker 3: And I remember her telling me specifically with dialogue, which 643 00:30:47,920 --> 00:30:50,080 Speaker 3: is what a play is, and that's you know, what 644 00:30:50,120 --> 00:30:53,720 Speaker 3: she does. She said, people very rarely say what they mean, 645 00:30:54,560 --> 00:30:57,160 Speaker 3: say what they actually feel, which I thought was so interesting. 646 00:30:57,720 --> 00:31:00,960 Speaker 3: We were writing a scene where a character was upset 647 00:31:01,000 --> 00:31:06,640 Speaker 3: by something and my instinct was to you know that 648 00:31:06,720 --> 00:31:09,760 Speaker 3: he says that in his dialogue, and she said, rewrite 649 00:31:09,760 --> 00:31:12,080 Speaker 3: it as if he's he wants to make sure that 650 00:31:12,120 --> 00:31:13,320 Speaker 3: nobody knows he's upset. 651 00:31:13,400 --> 00:31:13,640 Speaker 1: Yeah. 652 00:31:13,960 --> 00:31:15,440 Speaker 3: Yeah, I thought that was interesting. 653 00:31:15,480 --> 00:31:17,160 Speaker 1: That's very clever and so true. 654 00:31:17,400 --> 00:31:17,920 Speaker 3: Yeah. 655 00:31:18,080 --> 00:31:20,280 Speaker 1: And the mark of a good script, I would say, 656 00:31:20,360 --> 00:31:21,800 Speaker 1: you know, when you read. 657 00:31:21,640 --> 00:31:25,000 Speaker 3: Something, Yeah, text and subtext and trying to make it 658 00:31:25,680 --> 00:31:28,720 Speaker 3: not too obvious, but also yeah, still clear. 659 00:31:29,000 --> 00:31:31,640 Speaker 1: Yeah, choose your moments to let it, let the curtain 660 00:31:31,840 --> 00:31:34,080 Speaker 1: drop maybe and come back up again. All right, ladies 661 00:31:34,120 --> 00:31:36,600 Speaker 1: and gentlemen, boys and girls. Okay, we're going to play 662 00:31:36,600 --> 00:31:40,160 Speaker 1: a game. It's called hey mate, Hey mate, let. 663 00:31:39,960 --> 00:31:42,120 Speaker 3: Me cook, Hey mate, let me cook. 664 00:31:41,920 --> 00:31:44,880 Speaker 1: Hey might, let me cook, Let me cook. So when 665 00:31:44,920 --> 00:31:47,400 Speaker 1: we come back, watch out because it's going to get 666 00:31:47,480 --> 00:31:50,120 Speaker 1: messy in here, crusty and messy in here. No, we're 667 00:31:50,120 --> 00:31:58,000 Speaker 1: going for it. Okay, we're back with the segment that 668 00:31:58,080 --> 00:32:01,720 Speaker 1: we designed, all right, just Forrongoria. It's called hey. 669 00:32:01,600 --> 00:32:03,840 Speaker 3: Mte, let me cook, Hey mate, let me cook. 670 00:32:04,200 --> 00:32:07,880 Speaker 1: And Gary and I are in Orren Chef's hats. No, well, 671 00:32:07,880 --> 00:32:10,480 Speaker 1: we've got white aprons on. We're holding spoons as an 672 00:32:10,560 --> 00:32:14,640 Speaker 1: ode to the many genres that you have acted in 673 00:32:14,720 --> 00:32:19,880 Speaker 1: and created. Thank you comedy, thriller, young audience, and more, 674 00:32:19,960 --> 00:32:23,080 Speaker 1: as well as your love for our love for baking bread. 675 00:32:23,840 --> 00:32:25,800 Speaker 1: We are going to wear these chefs where we're wearing 676 00:32:25,800 --> 00:32:30,320 Speaker 1: these chef outfits where we're trying to decipher extremely cryptic 677 00:32:30,760 --> 00:32:35,160 Speaker 1: log lines that correlate to one past project that we've 678 00:32:35,200 --> 00:32:38,200 Speaker 1: been in. In each round, we will take turns reading 679 00:32:38,640 --> 00:32:42,600 Speaker 1: two log lines to each other. We've not seen these before, Okay, 680 00:32:42,800 --> 00:32:45,040 Speaker 1: do you have something in my teacher, I'm just kidding. 681 00:32:45,560 --> 00:32:49,960 Speaker 1: One of them will describe a past TV or film project. Okay, 682 00:32:50,320 --> 00:32:53,240 Speaker 1: the other is completely made up. If we guess incorrectly, 683 00:32:53,280 --> 00:32:55,200 Speaker 1: we will have to eat a spoonful of vegamite. 684 00:32:55,320 --> 00:32:57,280 Speaker 3: Oh where is the vegimi it's hiding. 685 00:32:59,120 --> 00:33:01,600 Speaker 1: I' kind of warman out spoonful of vegemite. This is 686 00:33:01,680 --> 00:33:04,400 Speaker 1: what that camera? This one? This one? I love you 687 00:33:04,440 --> 00:33:05,040 Speaker 1: love vegemite. 688 00:33:05,040 --> 00:33:06,960 Speaker 3: I don't think I've ever tried a spoonful though. 689 00:33:07,360 --> 00:33:10,480 Speaker 1: Well okay, oh yes, it's like a spread. And since 690 00:33:10,520 --> 00:33:13,840 Speaker 1: I'm nice, I'm nice, so nice, and gallery is a 691 00:33:13,880 --> 00:33:15,440 Speaker 1: bread baker. We get to chase it with a bite 692 00:33:15,480 --> 00:33:17,880 Speaker 1: of freshly baked sour dough. So that's good. Should we 693 00:33:17,920 --> 00:33:20,800 Speaker 1: try to just a tear a piece of breadway. 694 00:33:20,240 --> 00:33:20,880 Speaker 3: Yeah, go on. 695 00:33:23,120 --> 00:33:28,280 Speaker 1: This tip. Round one, a book made to be set 696 00:33:28,480 --> 00:33:33,440 Speaker 1: on fire, and a group of girls who prefer plastic 697 00:33:33,840 --> 00:33:36,440 Speaker 1: to paper. That's the first one. The second one is 698 00:33:36,640 --> 00:33:40,840 Speaker 1: a puppy stuck in a sealed cage. Only the right 699 00:33:40,960 --> 00:33:42,880 Speaker 1: bark can break him free. 700 00:33:43,040 --> 00:33:46,640 Speaker 3: I think the first one is very clever. I think 701 00:33:46,680 --> 00:33:49,400 Speaker 3: it's mean girls, very. 702 00:33:49,240 --> 00:33:53,440 Speaker 1: Good, very good, and it's very clever. 703 00:33:53,720 --> 00:33:55,600 Speaker 3: It's a book that's meant to be banned, is the 704 00:33:55,640 --> 00:33:59,640 Speaker 3: band book, and the girls prefer plastic paper, plastic of 705 00:33:59,720 --> 00:34:04,280 Speaker 3: a pay bother the plastics. Okay, your turn, criminal activity, 706 00:34:05,000 --> 00:34:08,240 Speaker 3: a royal wedding and a flower girl who can't blink. 707 00:34:09,160 --> 00:34:12,880 Speaker 3: Here's the second one. All their houses are the same, 708 00:34:13,640 --> 00:34:15,840 Speaker 3: their marriages couldn't be more different. 709 00:34:16,520 --> 00:34:18,600 Speaker 1: Well, the second one I think is desperate housewise. 710 00:34:18,840 --> 00:34:20,920 Speaker 3: That's correct, well done. 711 00:34:21,480 --> 00:34:25,080 Speaker 1: No vegemite damage yet or no, okay you want to 712 00:34:25,080 --> 00:34:28,439 Speaker 1: try it? No, I'm just curious about it. Yeah. Yeah, 713 00:34:28,480 --> 00:34:30,680 Speaker 1: it's an acquired taste, I think, right, you have to 714 00:34:30,840 --> 00:34:32,319 Speaker 1: you have to grow up with this as a as 715 00:34:32,360 --> 00:34:35,799 Speaker 1: a child. It's like like a little shmeir on. 716 00:34:35,800 --> 00:34:38,920 Speaker 3: Bread, right, yeah, on bread with like usually with butter 717 00:34:39,040 --> 00:34:42,680 Speaker 3: and with avocado and tomato, like the whole thing. 718 00:34:42,760 --> 00:34:44,720 Speaker 1: So it's like a whole Oh I get it. Okay, 719 00:34:45,080 --> 00:34:48,319 Speaker 1: run too. Oh right, Yes, woman in a desert with 720 00:34:48,400 --> 00:34:57,200 Speaker 1: a self playing guitar, eye drops and a vicious attitude. Okay, 721 00:34:58,200 --> 00:35:02,520 Speaker 1: small town with too many secrets and a specific way 722 00:35:02,560 --> 00:35:07,399 Speaker 1: of pronouncing the word water. Oh you have. 723 00:35:07,360 --> 00:35:10,920 Speaker 3: An idea, I do, because I've never done anything in 724 00:35:10,960 --> 00:35:14,360 Speaker 3: the desert or anything with hisself playing guitar. 725 00:35:15,560 --> 00:35:17,239 Speaker 1: But you've had I drops, I have had. 726 00:35:17,280 --> 00:35:19,640 Speaker 3: I think it's the second one, and I think it's 727 00:35:19,680 --> 00:35:27,720 Speaker 3: mayor of East Town. Very good Pennsylvania. Yeah, the Delco 728 00:35:27,920 --> 00:35:32,839 Speaker 3: accent very specific. Did we filmed outside of Philadelphia? 729 00:35:32,880 --> 00:35:33,440 Speaker 1: Yeah? 730 00:35:33,480 --> 00:35:36,560 Speaker 3: I was staying in Old City and in Philadelphia. 731 00:35:37,040 --> 00:35:38,160 Speaker 1: I like Philadelphia. 732 00:35:39,239 --> 00:35:39,800 Speaker 3: It's great. 733 00:35:39,960 --> 00:35:41,840 Speaker 1: The historic area is amazing. 734 00:35:41,560 --> 00:35:44,200 Speaker 3: So interesting. I could walk to the Liberty Bell and 735 00:35:44,360 --> 00:35:47,600 Speaker 3: see kids on the school field trips. Very cute. 736 00:35:47,719 --> 00:35:49,359 Speaker 1: It's really fun. I agreed that was when you find 737 00:35:49,400 --> 00:35:50,440 Speaker 1: I had a similar thing. 738 00:35:51,080 --> 00:35:55,200 Speaker 3: Okay, Oh, it's your going. It's my turn to ask you. Okay, joy, 739 00:35:55,719 --> 00:36:00,600 Speaker 3: anger and fear. Feelings are big, but bing bong is bigger. 740 00:36:03,840 --> 00:36:08,880 Speaker 1: Feelings are big, but it is bigger. You're gonna go 741 00:36:08,920 --> 00:36:10,480 Speaker 1: away from here. With a walking. 742 00:36:12,719 --> 00:36:15,480 Speaker 3: We're gonna have it, Okay, A pop star and a 743 00:36:15,520 --> 00:36:18,560 Speaker 3: pop tart perform who steals the stage? 744 00:36:19,640 --> 00:36:23,399 Speaker 1: Hmmm? I was almost in the pop star and pop 745 00:36:23,400 --> 00:36:25,200 Speaker 1: talk movie No Let's see I. 746 00:36:25,480 --> 00:36:27,960 Speaker 3: I auditioned for the for the pop time. 747 00:36:32,760 --> 00:36:34,200 Speaker 1: Well inside out. 748 00:36:34,520 --> 00:36:36,880 Speaker 3: Yes, of course film. 749 00:36:36,920 --> 00:36:37,560 Speaker 1: What a good film. 750 00:36:37,600 --> 00:36:39,880 Speaker 3: It was so fun to be How fun? 751 00:36:40,239 --> 00:36:40,479 Speaker 1: Yeah? 752 00:36:40,840 --> 00:36:42,760 Speaker 3: There were who did you remind me who you voiced 753 00:36:43,040 --> 00:36:44,160 Speaker 3: play the dad? 754 00:36:44,239 --> 00:36:44,359 Speaker 1: Yea? 755 00:36:45,200 --> 00:36:48,560 Speaker 3: And do you also voice all of the emotions in 756 00:36:48,640 --> 00:36:50,319 Speaker 3: the dad's head or those different people? 757 00:36:50,600 --> 00:36:52,480 Speaker 1: Different people, the people that actually do them do the 758 00:36:52,480 --> 00:36:54,440 Speaker 1: ones in the head. I believe that's correct. 759 00:36:54,760 --> 00:36:57,239 Speaker 3: What a beautiful movie. And the second one. 760 00:36:58,640 --> 00:37:02,040 Speaker 1: Wrote the first one and directed really five years of 761 00:37:02,120 --> 00:37:04,560 Speaker 1: development for the script, you know, I mean it's really 762 00:37:05,200 --> 00:37:08,120 Speaker 1: they really they dig in, you know, and they make 763 00:37:08,160 --> 00:37:11,120 Speaker 1: something really special. I think, so fun to be part of. 764 00:37:11,520 --> 00:37:16,240 Speaker 4: Yeah, okay, round three, that's your last chance to have vegemite, 765 00:37:16,480 --> 00:37:20,799 Speaker 4: knitting needles in the knitting needles in the sand and 766 00:37:21,040 --> 00:37:22,720 Speaker 4: undercover pigeons in the sea. 767 00:37:23,880 --> 00:37:26,879 Speaker 1: One letter, the next one a one letter first name, 768 00:37:27,440 --> 00:37:32,439 Speaker 1: who is an undefined soul in love with a girl? 769 00:37:32,960 --> 00:37:35,239 Speaker 3: I think the it's the second one, and I think 770 00:37:35,280 --> 00:37:36,480 Speaker 3: that is every day. 771 00:37:36,719 --> 00:37:38,720 Speaker 1: Yes it is. That is the correct answer. 772 00:37:39,960 --> 00:37:41,920 Speaker 3: I'll have a spoonful just for fun. Well that's a 773 00:37:41,920 --> 00:37:47,359 Speaker 3: film I did with Justice Smith. Incredible actor, wonderful energy 774 00:37:47,360 --> 00:37:47,560 Speaker 3: of here. 775 00:37:47,560 --> 00:37:48,680 Speaker 1: You want to try a little bit with the bread? 776 00:37:48,880 --> 00:37:51,880 Speaker 3: Yeah, oh it's quite Yeah. 777 00:37:51,719 --> 00:37:53,400 Speaker 1: I'm going to join you. This is my first this 778 00:37:53,440 --> 00:37:54,360 Speaker 1: is my first ledge. 779 00:37:54,239 --> 00:37:56,839 Speaker 3: Might ever this is the perfect time to do it. 780 00:37:56,920 --> 00:37:59,080 Speaker 1: Yeah, that's what I thought too. So you does you 781 00:37:59,080 --> 00:38:03,400 Speaker 1: have a bite? M? I need to dilute it with 782 00:38:03,480 --> 00:38:04,759 Speaker 1: something like you said. You put it in with like 783 00:38:04,760 --> 00:38:07,759 Speaker 1: a little avocado, like I would use it as I 784 00:38:07,760 --> 00:38:08,960 Speaker 1: would use it a seasoning. M. 785 00:38:09,800 --> 00:38:13,240 Speaker 3: Well, think about it. Maybe it's like your coffee too, bite. 786 00:38:13,280 --> 00:38:14,160 Speaker 1: It's just like my coffee. 787 00:38:15,320 --> 00:38:17,680 Speaker 3: I think I know where she's going, you know. Bye one? 788 00:38:18,120 --> 00:38:21,640 Speaker 3: Oh no, bye two, bye three? Bite four? 789 00:38:22,280 --> 00:38:25,200 Speaker 1: Understood Now I know where you're going with it. 790 00:38:25,200 --> 00:38:27,000 Speaker 3: It is good, though, I think it tastes better when 791 00:38:27,040 --> 00:38:28,040 Speaker 3: I'm away from home. 792 00:38:28,640 --> 00:38:30,440 Speaker 1: Oh, remind you of home. That's nice. 793 00:38:30,640 --> 00:38:31,680 Speaker 3: Yeah, that is nice. 794 00:38:31,760 --> 00:38:32,600 Speaker 1: Okay, I'm ready. 795 00:38:32,880 --> 00:38:41,279 Speaker 3: Okay. The New York subway systems are down. Mankind must 796 00:38:41,360 --> 00:38:45,640 Speaker 3: safely crawl their way home. They can't just walk through 797 00:38:45,640 --> 00:38:50,759 Speaker 3: the subway tunnel. A guy with too much hair, declares 798 00:38:50,840 --> 00:38:54,640 Speaker 3: war on a lady with nine lives and her husband. 799 00:38:55,440 --> 00:38:58,600 Speaker 1: These are really confusing a guy with too much hair. 800 00:38:58,480 --> 00:39:01,680 Speaker 3: With too much hair Claire's war on a lady with 801 00:39:01,840 --> 00:39:04,120 Speaker 3: nine lives and her husband. 802 00:39:04,400 --> 00:39:05,759 Speaker 1: I feel like you've already sort of I sort of 803 00:39:05,760 --> 00:39:08,479 Speaker 1: anticipated this, and so that's why I had them. I can't. 804 00:39:08,480 --> 00:39:10,040 Speaker 1: I don't know what it is. Tell me what it is. 805 00:39:10,120 --> 00:39:11,880 Speaker 3: Joe versus Carol. 806 00:39:12,040 --> 00:39:15,560 Speaker 1: Joe versus Caroling, the Tiger King the Tiger. 807 00:39:15,840 --> 00:39:18,040 Speaker 3: Oh, my god, man with. 808 00:39:17,960 --> 00:39:20,040 Speaker 1: Too much hair. I should have know because it's Australia's Brisbane. 809 00:39:20,200 --> 00:39:23,320 Speaker 1: That was when I shot in Brisbane with Kate McKinnon. 810 00:39:23,440 --> 00:39:25,120 Speaker 3: And you played the guy with too much hair. 811 00:39:25,200 --> 00:39:27,280 Speaker 1: I did not play the guy with you played the husband. 812 00:39:27,320 --> 00:39:32,239 Speaker 1: I played the husband Howard Howard Baskin. Well, this is 813 00:39:32,320 --> 00:39:33,840 Speaker 1: sort of it was the end of the end of 814 00:39:33,880 --> 00:39:35,120 Speaker 1: the road. 815 00:39:35,200 --> 00:39:39,200 Speaker 3: Much for joining the things? What am I even doing? 816 00:39:39,239 --> 00:39:41,759 Speaker 3: The thing? That those things are? The last thing he 817 00:39:41,800 --> 00:39:46,560 Speaker 3: told me. On Apple TV shows starring Jennifer Ganna, Nicolai 818 00:39:46,600 --> 00:39:53,680 Speaker 3: Costuwaldo and Me from from Hello Sunshine. The finale is 819 00:39:53,719 --> 00:39:55,320 Speaker 3: out on the tenth of April. 820 00:39:55,440 --> 00:39:58,160 Speaker 1: Oh perfect, So we'll make sure to tune in. 821 00:39:58,160 --> 00:40:02,719 Speaker 3: Yes, tune in Tuni because it takes place in Paris. Yay. 822 00:40:02,760 --> 00:40:09,080 Speaker 3: Even better, my wonderful Disgrace novel coming out early with 823 00:40:09,160 --> 00:40:12,480 Speaker 3: your mom May, Yes, with my mom. Okay, so that's 824 00:40:12,719 --> 00:40:14,480 Speaker 3: that's what I'm even doing? 825 00:40:14,520 --> 00:40:15,359 Speaker 1: What you're even doing? 826 00:40:16,080 --> 00:40:17,040 Speaker 3: What are you even doing? 827 00:40:18,640 --> 00:40:21,040 Speaker 1: I've enjoyed the last few minutes of conversation with you 828 00:40:21,120 --> 00:40:24,600 Speaker 1: and having my first vegemite experience. I don't know if 829 00:40:24,600 --> 00:40:26,960 Speaker 1: we did discover what we were even doing, but I 830 00:40:26,960 --> 00:40:28,640 Speaker 1: think we we gave it a good shot. 831 00:40:28,680 --> 00:40:32,920 Speaker 3: I discovered that I'm going to take a golf lesson. 832 00:40:34,320 --> 00:40:38,400 Speaker 1: Wow. I've discovered that I might keep a container of 833 00:40:38,480 --> 00:40:41,839 Speaker 1: vegemite in my refrigerator because it will stay there for 834 00:40:41,840 --> 00:40:43,520 Speaker 1: for a while. Right, it lasts for a long Yeah. 835 00:40:43,600 --> 00:40:44,880 Speaker 3: Yeah, it's shelf stable. 836 00:40:46,920 --> 00:40:49,440 Speaker 1: So we're safe. Thank you so much for joining us. 837 00:40:49,880 --> 00:40:54,960 Speaker 1: Really fun. You're a sport, all right. What are We 838 00:40:55,040 --> 00:40:58,320 Speaker 1: even Doing? Is a production of iHeartMedia and the Elvis 839 00:40:58,400 --> 00:41:03,320 Speaker 1: Duran podcast Network, hosted by me Kyle McLachlin and created 840 00:41:03,480 --> 00:41:08,239 Speaker 1: and produced by Full Picture Productions. Yay, featuring music by 841 00:41:08,320 --> 00:41:12,120 Speaker 1: Yata and artwork by Danica Robinson. For more information about 842 00:41:12,160 --> 00:41:17,160 Speaker 1: the podcast, please visit our Instagram and TikTok at wawed 843 00:41:17,400 --> 00:41:22,520 Speaker 1: with Kyle, Please rate, review, and subscribe to What Are 844 00:41:22,560 --> 00:41:27,400 Speaker 1: We Even Doing on Apple, Spotify, YouTube, or anywhere you 845 00:41:27,480 --> 00:41:30,040 Speaker 1: get your podcasts. Exclamation point