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Speaker 1: How's it going, guys going well? How you doing? You know,

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Speaker 1: it's going pretty good. Life is good. Danil, you're good, Joel,

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Speaker 1: you're good. Bringing in there, Zach, how are you. I'm

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Speaker 1: going to see Charlotte Lawrence with her father play the

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Speaker 1: Governor's Ball on side. Oh my goodness, that's going to

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Speaker 1: be sick. It's at City Field this year, which I

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Speaker 1: imagine means the parking lot because they're not setting up

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Speaker 1: stages on the green. Probably no, but isn't city Field.

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Speaker 1: It's a stadium, right. City Field is a baseball stadium.

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Speaker 1: Governor's Ball is typically a music festival that's thrown on

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Speaker 1: Governor's Island, which is a small little island just off Manhattan.

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Speaker 1: I've never been to it, but this year I'm assuming

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Speaker 1: because of COVID and protocols and not slamming people into

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Speaker 1: ferries to get there, it says it's at city Field.

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Speaker 1: Now city Fields a baseball stadium, which makes me think

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Speaker 1: they're using the parking lot. Yea, if you follow my logic. No, yeah, absolutely,

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Speaker 1: I mean, in my in my experience, they why wouldn't they?

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Speaker 1: I don't understand why they wouldn't use the field, is

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Speaker 1: my question, because you put a tarp down on. They

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Speaker 1: do concerts inside stadiums all the time. Why not do it?

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Speaker 1: This is something I don't know because I've never been

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Speaker 1: to one. When you go to a concert at a

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Speaker 1: baseball stadium, they send me cover the green, Yeah they could.

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Speaker 1: I think it's because there's multiple stages. Donald that was like,

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Speaker 1: you know, it's one of those things. It's like lots

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Speaker 1: of different So they could put a stage over this

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Speaker 1: parking lot at different stage on that parking lot. That

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Speaker 1: that makes sense, and then then the stadium itself stage

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Speaker 1: maybe main stage at the in the actual stadium potentially,

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Speaker 1: and then a bunch of stage. I don't know, but

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Speaker 1: you know what, I'll know. I'll know Saturday, Yes you will.

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Speaker 1: So that's fun. I get to be with Bill when

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Speaker 1: he sees his daughter play her first major mega festival.

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Speaker 1: You and Bill are sharing a lot of moments together nowadays,

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Speaker 1: aren't you. Oh? I don't know if you saw me

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Speaker 1: at the m's. I did lose? Did you guys? How

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Speaker 1: did you feel when? Did you feel nervous when it

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Speaker 1: was my category? Oh? Yeah, I almost cried when you lost? Dude?

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Speaker 1: Are you kidding me right now? Like I was? You

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Speaker 1: want to talk about pissed off. I took the camera

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Speaker 1: out I was recording. I was like, Yo, it's about

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Speaker 1: to be on and pop and then you lose. And

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Speaker 1: I was like, I'm sorry, that'll never see the light

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Speaker 1: of day. That's literally verbatim my experience. I was like,

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Speaker 1: except for in the middle of them reading out the category,

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Speaker 1: my internet went out and I was like not now,

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Speaker 1: like whole tight internet And it came back just in

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Speaker 1: time for them to be like an zach braf and

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Speaker 1: I was like, yes, here we go, and then it

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Speaker 1: didn't have I was like, no, it's such a nerve

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Speaker 1: racking experience sitting there. Um, you know, your stomach's turning.

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Speaker 1: How do you not act disappointed when they don't go?

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Speaker 1: I had practiced my um they got it right, face?

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Speaker 1: Do you want to see it? Yeah, it's not just clapping,

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Speaker 1: but there's a little nod like, yeah, they got it right.

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Speaker 1: That's it, that's correct. You gotta give the nod to

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Speaker 1: sell it. Happy for women and them having the opportunity.

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Speaker 1: But fuck that bullshit. Yo, one hundred man, my boy

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Speaker 1: did the fucking best show. I don't care what they say.

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Speaker 1: Now I gotta watch some bullshit show that I don't

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Speaker 1: care to watch to validate, to validate my point that

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Speaker 1: my boy is better. I'm just putting out there. I

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Speaker 1: didn't actually watch. It was a flight attendant, right, I

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Speaker 1: haven't I haven't seen it. And as the other one,

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Speaker 1: the Hacks right attendant. I know the people on flight attendant.

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Speaker 1: That's brilante in them. I'm okay if they win, I'm

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Speaker 1: sorry they don't know this because obviously I was. I

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Speaker 1: was freaking blacked out. It's the It was director of Hacks. Okay,

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Speaker 1: Hacks is a very good show. You would like a show.

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Speaker 1: It's cute, but it was biscuits. The fucking biscuits were

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Speaker 1: the The biscuits were the main focus on the show

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Speaker 1: for the whole season. Into an a party. Nothing in

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Speaker 1: this show Hacks that whatever episode was directed, Uh sure

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Speaker 1: that has carried on. I don't give a fuck. Um

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Speaker 1: it's funny. So we go to the after party. Well

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Speaker 1: was any It was fun to be on like the

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Speaker 1: winning team. You know, everyone kept winning, everyone kept winning,

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Speaker 1: everyone kept winning. Was so exciting and it was exciting

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Speaker 1: to go on the stage because Bill said, everybody come

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Speaker 1: up and then go to the after party, and it

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Speaker 1: was almost like a horror movie. Like everywhere I went

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Speaker 1: everyone had a trophy. And then the theme of the

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Speaker 1: party was biscuits, so it was like biscuits, biscuits, trophy, trophy.

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Speaker 1: I was like, I gotta get the fuck out of here.

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Speaker 1: That's the bullshit. That's the bullshit. That's the bullshit. And

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Speaker 1: I dare to say it. The theme of the party

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Speaker 1: was biscuits. I dare to say it. I believe I

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Speaker 1: believe the producers of the show even thought you were

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Speaker 1: gonna win. Um, yeah, I don't know whenever. It's feel

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Speaker 1: silly to talk about it now, but I did lose,

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Speaker 1: but it was fun to go. When it's over, there's

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Speaker 1: like this sigh of relief because you know, you're so tense.

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Speaker 1: I was been realize how tense I was. I obviously

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Speaker 1: really wanted to win, but my stomach had been so

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Speaker 1: tight and turning over the whole thing. There wasn't that

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Speaker 1: what if I did win it? Oh, of course I

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Speaker 1: practiced my my speech. I I I definitely thought about

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Speaker 1: the words that I was gonna You didn't want to

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Speaker 1: run up on the young lady and be and do

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Speaker 1: like a yeasy yeah, and be like you know, Bill

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Speaker 1: Lawrence made the best video ever. You don't don't want

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Speaker 1: you don't want to, you don't want to run up

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Speaker 1: on stage and do anybody. ODB has the best one ever.

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Speaker 1: ODB had finish. That's some bullshit. I'm but Beyonce had

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Speaker 1: the best video ever. He wasn't wrong, but he shouldn't

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Speaker 1: have done it. Well. It's the same thing when Woo

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Speaker 1: Tang lost. He's like, look y'all, fucking ODB goes up

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Speaker 1: on stage with a suit. I put a suit I bought.

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Speaker 1: I went and bought a suit for y'all. You know

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Speaker 1: what I mean. Puffy, You know Puffy's good, but you

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Speaker 1: know Woo tanks for the kids. Also, I should have

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Speaker 1: gone up there to the Hacks director and said, um, listen,

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Speaker 1: I'm gonna let you finish. Yeah, no, but episode two.

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Speaker 1: But Bill Lawrence had the best video every Anyway, anyway,

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Speaker 1: congratulations to Hacks. You know it actually is a great shows, smart, extraordinary.

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Speaker 1: The young girl Hannah is incredible too. I saw her too.

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Speaker 1: I told her. I told her. Just as I came

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Speaker 1: out of the porta potty, I saw her and I said,

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Speaker 1: you are so talented, and uh, it's fun. You know,

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Speaker 1: it's fun. She said, thank you, I'm about to take

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Speaker 1: the award from you. No, she was the actress, not

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Speaker 1: the filmmaker. Okay, um she uh it was cool. I

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Speaker 1: don't know what to say her than it was so

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Speaker 1: fun seeing lots of people. Lots of people sent their

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Speaker 1: love to you, Donald. They were like a married couple.

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Speaker 1: Whenever someone sees me to like said my love to Donald,

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Speaker 1: I want to know who did that? Who did that?

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Speaker 1: Keenan did that? I love him? Thank you, Keenan. I

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Speaker 1: miss you, brother. This is all the people that sent

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Speaker 1: their love to me through you, like Kevin Figy. I

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Speaker 1: saw it a picture, bro. Yeah, I had a cool moment.

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Speaker 1: You guys will geek out. I was at the valet

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Speaker 1: with Elizabeth Olsen and and her I don't know if

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Speaker 1: it's her. He was hanging out with the Scarlett Witch.

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Speaker 1: So I went. And also Catherine Han who I've known forever.

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Speaker 1: She went in her question she's she's incredible. She went

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Speaker 1: to and you. Anyway, I was at the valet stand

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Speaker 1: with Elizabeth Olsen and her boyfriend or fiance, I don't

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Speaker 1: know which one. He doesn't exists and it's not valid

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Speaker 1: right now. In my eyes. She is a single woman

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Speaker 1: out on the prow, lady to make it happen. Okay,

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Speaker 1: you're married, so take a deep breath. I wasn't talking

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Speaker 1: about for me. I was talking about for my friend. Okay,

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Speaker 1: I don't know which friend you're talking about, but I look.

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Speaker 1: I look like three feet to my right and there's

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Speaker 1: the guy with the baseball hat, and I'm like, who,

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Speaker 1: Not many people rocket baseball hat at all times, even

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Speaker 1: award ceremonies. And I said to her, is that Kevin Vaiy?

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Speaker 1: And she goes, yeah, Kevin, do you know Zach? And

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Speaker 1: so he comes over and we just started shooting the ship,

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Speaker 1: and he obviously knows I'm dating Flow. So we started

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Speaker 1: talking about, um, all the exciting things that happened with

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Speaker 1: Black Widow, and I told him that, um, I buy

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Speaker 1: all of the Black Widow toys and I've made basically

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Speaker 1: a shrine to Flow on my mantle of Black Widow

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Speaker 1: toys and uh. And we were just shooting the ship

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Speaker 1: and he was so cool, and then he had the kapper.

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Speaker 1: He said, UM, I've loved you for years. Man. My

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Speaker 1: wife is in the medical profession and I've seen every

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Speaker 1: single episode of Scrubs. Does he want to come on

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Speaker 1: this podcast. I promise I'll be good. Okay, well, I

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Speaker 1: don't know if I worried about it a word, but

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Speaker 1: then I said, yeah, I don't know if Donald can

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Speaker 1: handle it. And then I said to him, what it

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Speaker 1: is your secret? Man, you don't seem to miss And

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Speaker 1: then he did that thing when you knock on your head,

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Speaker 1: like it's would you know, I'm gonna be honest with you.

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Speaker 1: Since he's taken the reins, he literally has put out

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Speaker 1: great cinema after film, you know what I mean, like

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Speaker 1: all of the movies to television everything, even this what

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Speaker 1: if that's going on right now? You know what I mean?

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Speaker 1: That shit is amazing. Fire dude. It's like like he

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Speaker 1: like whatever Marvel is doing right now. I truly truly

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Speaker 1: wish some of my other favorite UH companies would focus

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Speaker 1: on you know what I mean. It's just like it's

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Speaker 1: just I met the director of wand Division two. That

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Speaker 1: great storytelling, man, great storytelling, just like creative storytelling too.

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Speaker 1: Catherine's so cool, man. I'm so happy that she's having

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Speaker 1: this this big break because she's so talented. But do

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Speaker 1: you see but do you see how it works? Zach?

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Speaker 1: Like all of these people put in this work and

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Speaker 1: they do all of this great work and small roles

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Speaker 1: or roles that were supposed to be big and never

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Speaker 1: make it. And then they find a home at Marvel,

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Speaker 1: and Marvel says, yeah, you know what, all of that

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Speaker 1: stuff you you know, all of that stuff is going

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Speaker 1: to pay dividends because in this world you're gonna be great. Now,

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Speaker 1: look at Catherine in that world. She's sucking an awesome

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Speaker 1: and awesome character, and I hope to see her again

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Speaker 1: a man. Yeah, although they told me that there's definitely

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Speaker 1: no more, I was I was like holding out, like

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Speaker 1: they're gonna give these guys tons of money and make

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Speaker 1: another season of that. Somehow, I guess they said no,

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Speaker 1: they just gonna leave it as a perfect little one

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Speaker 1: season thing. Yeah, it goes into it goes into movies. Bro,

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Speaker 1: it all goes into movies. So look, this is how

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Speaker 1: it is the next Doctor Strange movie. So this is okay.

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Speaker 1: So from my understanding, this is how it's gonna work

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Speaker 1: because it looks figy is this one of the smartest

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Speaker 1: freaking execs in Hollywood for this ship? Dude? Look so

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Speaker 1: three levels three levels of uh Superheroes is next? We

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Speaker 1: already had the multi Mega Ship where they all got together.

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Speaker 1: Now we're gonna have the Cosmic Avengers. We're gonna have

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Speaker 1: Earth's mighty Avengures, and then we have the freaking Avengers

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Speaker 1: of the Multiverse, the Multiverse Avengers, And that's where Doctor Strange,

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Speaker 1: Spider Man, Wanda, like Vision, all of these people are

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Speaker 1: a part of that. The galactic one is like thor

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Speaker 1: fucking uh Guardians of the Galaxy, uh, Nova Core, like

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Speaker 1: all of that, all nova, all of that stuff. Then

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Speaker 1: the Earth will be like you know, Spider Man's also

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Speaker 1: in the in the Multiverse one. But then what would

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Speaker 1: that be? That is that coton cosmic? It's not cosmic,

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Speaker 1: it would be what what would it be called? Verse?

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Speaker 1: I guess it would be the multiverse right right anyway,

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Speaker 1: And then you have the Earth one, and I don't

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Speaker 1: know who's gonna be in that one yet, but I'm guessing,

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Speaker 1: like she Hulk freaking uh get my some monstrosity in there,

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Speaker 1: you know what I mean. Or it could be the

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Speaker 1: Thunderbolts might be Earth. Can you imagine how thrilling that

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Speaker 1: would be? Captain Marvel is a cosmic Like the whole

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Speaker 1: shit is so fucking fire man, And it's like when

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Speaker 1: I was a kid, I dreamt of this, and now

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Speaker 1: here it comes. Here, it comes. Um, did you like

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Speaker 1: my outfit? You look great, right, so good so that

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Speaker 1: that people came into my Twitter comments to tell me

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Speaker 1: how good you looked. Okay, Zach looks so good tonight.

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Speaker 1: And I'm like, yes, indeed, I'm very sharp. I'm not

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Speaker 1: gonna lie. I was jealous of the way you were

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Speaker 1: looking at Bill when he was given that speech. There

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Speaker 1: was genuine love in your eyes. You were like, not

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Speaker 1: only was there genuine love, it was like it was like, dude,

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Speaker 1: I've never seen you more proud in my life. Well, dude,

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Speaker 1: I love him. And you know, he's been making TV

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Speaker 1: for so long, starting in Spin City and never got

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Speaker 1: an Emmy, never got acknowledged. Look at all the joy

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Speaker 1: he's brought to people from Spin City to Scrubs to

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Speaker 1: Cougar Town to Ted Lasso and lots of other ones

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Speaker 1: that he's you know, not his hands on, but overseas.

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Speaker 1: And look at all the joy and thousands of hours

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Speaker 1: that he's brought to people and never once got acknowledged.

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Speaker 1: And I'm and then I'm standing on that stage just

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Speaker 1: in the corner looking at him. I was just so proud.

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Speaker 1: I love him. Yeah, but let's just think about it,

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Speaker 1: think about all of the people that he introduced to

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Speaker 1: this world also, you know what I mean, Like, you know,

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Speaker 1: it's really important as anyone when you have the opportunity

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Speaker 1: to look over your shoulder and help somebody else or

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Speaker 1: bring other people with you, it's your duty to do that.

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Speaker 1: And Bill's done it quite a bit with you know.

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Speaker 1: I did a pilot with Brett Goldstein. I did a

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Speaker 1: pilot with him several years, but not sever this base one. Yeah,

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Speaker 1: with Bill, me, Bill, Brett Goldstein, a bunch of other

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Speaker 1: actors and actresses, like really a really good cast. And

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Speaker 1: it was just really awesome to see Brett win an

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Speaker 1: award because it was like, first of all, Bill bought him,

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Speaker 1: put him into pilot, and that pilot, the pilot didn't work,

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Speaker 1: and he found something else for him, and he found

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Speaker 1: some Not only did he find something else for him,

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Speaker 1: he found something that was perfect for him. And the

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Speaker 1: dude goes on to win an Emmy Man his first

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Speaker 1: time ever being nominated for Sterling says him, shut the

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Speaker 1: fuck up. Stone said, Hi, why, I had the funniest moment,

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Speaker 1: we're like Sterling said him, it always feels good when

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Speaker 1: when when UM get dead. Love you know what, I

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Speaker 1: shout out and shout out Sterling, Kay, listen, I'm on

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Speaker 1: the red I'm on the line to the red carpet.

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Speaker 1: And it's because most of the time you do these things,

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Speaker 1: there's publicists all around, and there's and there's lots and

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Speaker 1: lots of people that aren't the actors or the or

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Speaker 1: the people that are nominated to creative folks. But on

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Speaker 1: this one and been so pared down that no one,

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Speaker 1: no one had like a plus one. You're just standing there,

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Speaker 1: and again I was wondering, why wasn't with you, you know,

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Speaker 1: because I was rodering. I looked to the right and

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Speaker 1: there's Mandy Moore and and we're standing next to each other.

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Speaker 1: Um online, and we have feeling were you feeling it?

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Speaker 1: Like Candy? I know it. It was just funny. We

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Speaker 1: both had a laugh. If it's the paparazzi guy took

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Speaker 1: our picture and she goes, they should put that one

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Speaker 1: next to the one from us from like twenty years ago. Um,

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Speaker 1: but it was fun. We caught up and we told

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Speaker 1: stories and she's doing great and she looked beautiful and

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Speaker 1: just yeah, she's had a baby. It's just cool to

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Speaker 1: like be around people that you know, I've known you

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Speaker 1: know you, and I've been coming up alongside all these people.

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Speaker 1: So it's just fun to see people catch up. Gives. Um,

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Speaker 1: you know Billy Porter. I mean, I know Billy Porter

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Speaker 1: since we were I was about to say, dude, I

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Speaker 1: saw him outrageous outfit. I walked up to him and

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Speaker 1: I tried that on and chose not to wear it.

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Speaker 1: I told him they didn't have it in my size.

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Speaker 1: What do you say? He was cracking up, did you guys? Hug?

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Speaker 1: Of course, hug. I love that. Man. Yeah, man. I

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Speaker 1: watched Billy Porter back in a day on Broadway. My

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Speaker 1: best friend was an usher when he was a teenager

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Speaker 1: or not a teenager, just graduated high school. Uh, And

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Speaker 1: I used to go and get to see shows like

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Speaker 1: Five Guys Named Mo and Grease with Rosie O'Donnell when

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Speaker 1: it was on Broadway, and Billy Porter was an understudy

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Speaker 1: in Five Guys Named Mo. And I got to see

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Speaker 1: him perform once, and I remember being like, why why

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Speaker 1: the fuck is he the understudy? And then and then

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Speaker 1: and then I went and saw grease, and he was there.

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Speaker 1: He was beauty school dropout, he was any you blew it.

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Speaker 1: When we were doing um bullets over Broadway, he was

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Speaker 1: in kinky boots and and he called out of his show,

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Speaker 1: meaning he be telling this on the podcast, but fuck

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Speaker 1: it um, meaning like I'm too sick to go on today.

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Speaker 1: And then he came to see our show. He was

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Speaker 1: like wearing a baseball hat and ship low, trying to

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Speaker 1: be undertoo. You know he's fired when all your homophobic

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Speaker 1: friends are like Billy Porter, the best man. I don't

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Speaker 1: give a fuck with anybody. Say, you know, you might

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Speaker 1: know what people might know him from pose, but that

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Speaker 1: dude has the most insane voice you ever have heard.

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Speaker 1: All right, should get in the show Donald phase on.

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Speaker 1: Oh and then on the airport, I ran into dule

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Speaker 1: Hill and I sent you a picture of us. Saw

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Speaker 1: that you ain't loyal dude, and he said he loves you.

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Speaker 1: I told me he should do a podcast for psych

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Speaker 1: these Jose ain't loyal. All right, everybody, we're gonna about

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Speaker 1: the TV show strugg Now, five stories about show we

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Speaker 1: made about a bunch of nurses. Stories so yead around

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Speaker 1: here yet around here, all right. We got an episode

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Speaker 1: called My Fallen Idol, which was inspired I learned from

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Speaker 1: Wiki these Jose ain't loyal. I'm a little upset. No, no, man,

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Speaker 1: I'm not. I'm not over it. I'm not over this type.

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Speaker 1: And now I see why you didn't speak to Casey

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Speaker 1: for like a week after she told you she wanted

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Speaker 1: to bang Charlie hunt Um, Zach, I love you. Look

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Speaker 1: you got quiet, enjoy doing enjoy doing this podcast by

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Speaker 1: yourself today. I know what's funny about you Know what's

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Speaker 1: funny about Casey's story is that she was like, the

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Speaker 1: game was f mary kill And when she got to

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Speaker 1: her f she was like, I would sit, Zach, I

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Speaker 1: love you and just for that we have an early place. No, Casey,

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Speaker 1: come down here also these kids. And that's what it is.

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Speaker 1: You tell her what you said for this, You tell

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Speaker 1: her what you just said. Man, and you just caused

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Speaker 1: a big fight. I'm just gonna put it out there.

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Speaker 1: It's your fault. She's gonna be like, did y'all play

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Speaker 1: my theme song? Hi? He's so jealous? Oh god, what happened? Well?

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Speaker 1: I'm telling him out at the Emmys who all the

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Speaker 1: people I ran into? And he's not happy? He's he's jealous,

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Speaker 1: and he's jealous that I had a drink with dule Hill.

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Speaker 1: Well he feels like you cheated on him. I know,

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Speaker 1: he's saying these hose ain't loyal. Well, you know, I

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Speaker 1: was a little upset you were jealous on behalf of

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Speaker 1: Donald that I was hanging out. Who's this other black guy?

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Speaker 1: How dare he? How dare he? What the fuck? Douley

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Speaker 1: was just sitting there mining his own business. But I

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Speaker 1: like to drink mimosas when I fly, So I was like, Doulay,

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Speaker 1: you want a mimosa. He goes, in fact, I will

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Speaker 1: have a mimosa mimosa. And then we took it and

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Speaker 1: I said, pull your mask down. We got to take

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Speaker 1: a picture for Donald. And then Donald put it on

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Speaker 1: Instagram saying these hose ain't loyal. And I saw that.

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Speaker 1: I saw that you've been tagged due. Yeah, was like,

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Speaker 1: come on, man, is this the drink? You know? The

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Speaker 1: love is deep over here. I know, I will tell

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Speaker 1: you this. So he almost cried when you didn't win.

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Speaker 1: I know, I almost did a sweet and he was

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Speaker 1: recording and I was recording the TV. And then I

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Speaker 1: was like, well, who the hell is that chick. So

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Speaker 1: we had to cut the recording off because I was

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Speaker 1: talking shit about all the other nuns. I think it's

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Speaker 1: so cute though, that you guys were recording your reactions

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Speaker 1: because you were so sure I was gonna win. I

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Speaker 1: was for sure one day, one day, I win one

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Speaker 1: for the team. Next time, next all right, send him back.

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Speaker 1: We got to do a show. Okay, all right. I

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Speaker 1: miss you, guys, love you. Just like seeing you because

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Speaker 1: it means we get to hear your theme song. I know,

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Speaker 1: I love it. Is that ringtone coming? I don't, don't

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Speaker 1: Joell doesn't reply to my ring tone request? What? Oh

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Speaker 1: my god? Okay, So my fallen idol was inspired by

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Speaker 1: an episode of Mash I learned um where there's a

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Speaker 1: very similar story line UM involving Hawkeye and Radar just

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Speaker 1: a little bit of tidbit um. So it's pretty cool.

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Speaker 1: Tidbit where'd you find us out? This is on Scrubs Wiki,

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00:22:07,600 --> 00:22:09,520
Speaker 1: So Wicky could have made this shit up. They don't know. Listen,

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Speaker 1: we had a lot of funny stuff in this episode.

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Speaker 1: I always I started off like not laughing, and then

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Speaker 1: at all you're laughing. It's a slow start. Hold up,

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Speaker 1: what's up? With this doctor with taking everybody's pants off.

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Speaker 1: This isn't the first time we've seen this. Yeah, he's

387
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Speaker 1: just his thing. I I don't know if it's supposed

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Speaker 1: to be that he's gay and likes to look at

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Speaker 1: men's packages or I mean, what could be the only

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Speaker 1: other reason when Turk found out he had diabetes. Wasn't

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Speaker 1: he in his underwear? Yes? Yes, guy, this guy's got

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Speaker 1: pink eye and another guy has mole and a mole

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Speaker 1: and they have to take their pants off. Yeah, I

394
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Speaker 1: think it's just pink pants off. So Cox has a

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Speaker 1: big meltdown because of losing the three patients. Um he

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Speaker 1: leaves the hospital. He comes to work drunk, j freaking

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Speaker 1: freaks out by the JD does not like It's not

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00:23:02,160 --> 00:23:04,120
Speaker 1: that he doesn't like it, he was also freaked out

399
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Speaker 1: by it, like kind of fucks him up, Like you know,

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Speaker 1: he turns his back on his mentor well, he's he's

401
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Speaker 1: his hero. And to see someone you look up to

402
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Speaker 1: fall Like if I saw Bill like in the fetal

403
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Speaker 1: position because his show got canceled, I think I'd be

404
00:23:18,760 --> 00:23:23,080
Speaker 1: freaked out. I'd be like, Bro, I need you to

405
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Speaker 1: be like my leader, my leader, not like you need

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Speaker 1: to not be this right now, bro, Yeah, right, so

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00:23:29,960 --> 00:23:34,399
Speaker 1: I understand it. Um, Gloria, we get we get clear

408
00:23:34,480 --> 00:23:37,680
Speaker 1: that Gloria is in fact with Leonard and she's never

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Speaker 1: going back. Dude, She's never going back because of the expression,

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Speaker 1: once you go black, you never go back. But then

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Speaker 1: Leonard loves him some white meat. Yeah, Leonard love white meat.

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Speaker 1: Not only does he love white meat, he thanks God

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Speaker 1: pretty much. God. I love me some white meat. Is

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Speaker 1: that what he says? I love me some white meat? Yeah? Um, yeah,

415
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Speaker 1: there's an expression, once you go black, you never go back.

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Speaker 1: I like to say, as a Jewish person, once you

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Speaker 1: go tribe, you've got to subscribe. You must subscribe. Oh

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Speaker 1: my gosh. Um, we learned that um Barry um Elliot's

419
00:24:19,960 --> 00:24:26,760
Speaker 1: brother was sent to Heterocamp. Yikes. This sounds like that

420
00:24:26,800 --> 00:24:29,720
Speaker 1: brother that's on I'm freaking on the on the internet

421
00:24:29,720 --> 00:24:33,399
Speaker 1: now that was delivered from being gay and he's like,

422
00:24:33,440 --> 00:24:37,520
Speaker 1: I'm not gay no more, trying to fight the demon down.

423
00:24:40,200 --> 00:24:47,360
Speaker 1: I love Winnings. Was that like an evangelist video? This

424
00:24:47,400 --> 00:24:49,800
Speaker 1: is a real video like this, This dude, I don't know,

425
00:24:49,880 --> 00:24:52,560
Speaker 1: I don't know much about the gentleman, you know what

426
00:24:52,600 --> 00:24:54,359
Speaker 1: I mean? But he said that, but he believed he

427
00:24:54,400 --> 00:24:57,160
Speaker 1: had been converted, right. I don't know if he's gay

428
00:24:57,160 --> 00:25:00,080
Speaker 1: again now or if he's not gay anymore. I don't know.

429
00:25:00,320 --> 00:25:01,840
Speaker 1: Like you know, I don't think you can pray the

430
00:25:01,920 --> 00:25:06,120
Speaker 1: gay away, you know, he can't. I don't. I I

431
00:25:06,320 --> 00:25:09,320
Speaker 1: come from that also, I feel the same way. But

432
00:25:09,400 --> 00:25:15,080
Speaker 1: there are people that are holding their true feelings inside

433
00:25:15,200 --> 00:25:19,960
Speaker 1: in the name of their religion. And yeah, that's very scary. Yeah,

434
00:25:19,960 --> 00:25:24,440
Speaker 1: it's very scary. Yeah. Um okay, So Carl is very

435
00:25:24,480 --> 00:25:28,240
Speaker 1: hormonal and very worked up. Yes, she she comes up

436
00:25:28,240 --> 00:25:30,240
Speaker 1: with the plan that we're all going to take turns

437
00:25:30,480 --> 00:25:34,400
Speaker 1: monitoring doctor Cox. Yes. Then we learned there's a donkey

438
00:25:34,440 --> 00:25:37,760
Speaker 1: boy in the ICU. Yeah, the face that you and

439
00:25:37,800 --> 00:25:42,719
Speaker 1: I make when the janitor says I was like, no way.

440
00:25:42,800 --> 00:25:45,000
Speaker 1: And then I was like, oh my god, there's a

441
00:25:45,040 --> 00:25:48,480
Speaker 1: donkey boy in the ICU. And then Keunsel goes, for

442
00:25:48,520 --> 00:25:53,200
Speaker 1: God's sake, stree, there's a donkey boy. Um. Still, then

443
00:25:53,200 --> 00:25:56,200
Speaker 1: we go see the donkey boy and he's just a boy.

444
00:25:56,440 --> 00:25:58,840
Speaker 1: Well first he looks like a donkey and then and

445
00:25:58,880 --> 00:26:01,199
Speaker 1: then the fan he's over and he just looks like

446
00:26:01,200 --> 00:26:05,040
Speaker 1: a boy with buck teeth. Then what's crazy is we

447
00:26:05,160 --> 00:26:09,280
Speaker 1: learned that Kelso invites us to a donkey show. Yes,

448
00:26:09,720 --> 00:26:11,640
Speaker 1: I understand it. I don't know much. I've never been

449
00:26:11,640 --> 00:26:13,760
Speaker 1: to one. But is it where where does a woman

450
00:26:14,440 --> 00:26:17,399
Speaker 1: pleasure a donkey? Is that what happens? John? Yeah? Or

451
00:26:17,440 --> 00:26:20,600
Speaker 1: a donkey's pleasured but yes, or a donkey pleasure as

452
00:26:20,640 --> 00:26:23,520
Speaker 1: a woman. One of them, one of those two things.

453
00:26:23,520 --> 00:26:27,680
Speaker 1: One of the son there enjoys it. Now we also

454
00:26:27,760 --> 00:26:30,600
Speaker 1: learned that that he goes every Thursday. Yes, it's a

455
00:26:30,640 --> 00:26:36,479
Speaker 1: standing invitation, standing invitation. So wait, now listen, So not

456
00:26:36,480 --> 00:26:43,280
Speaker 1: only into Korean prostitutes. I forgot if they were Korean.

457
00:26:43,640 --> 00:26:47,040
Speaker 1: It's either Korean a Filipino. I think it's Korean Filipino.

458
00:26:47,080 --> 00:26:51,440
Speaker 1: Sounds too hard to say. Yeah, he's into Korean prostitutes. Yes,

459
00:26:51,520 --> 00:26:57,520
Speaker 1: a donkey shows once a week. He's also into bestiality. Yeah,

460
00:26:57,760 --> 00:27:01,960
Speaker 1: what is next? Well, I mean the donkey Yeah, once

461
00:27:02,000 --> 00:27:03,840
Speaker 1: you get to the donkey part, Yes, it gets a

462
00:27:03,840 --> 00:27:06,800
Speaker 1: little twisted. One donkey show. Listen if you were like

463
00:27:06,920 --> 00:27:09,560
Speaker 1: in your life, I don't I think if you're in like,

464
00:27:09,920 --> 00:27:16,199
Speaker 1: where do they do donkey shows? Like? Um? Like nowhere? No,

465
00:27:16,520 --> 00:27:19,199
Speaker 1: don't put that on Thailand. Dude, don't do that. What

466
00:27:19,320 --> 00:27:23,040
Speaker 1: is even happening? Joel? Can you learn where and where

467
00:27:23,080 --> 00:27:25,880
Speaker 1: and where do they do donkey? No? You know she

468
00:27:25,920 --> 00:27:32,720
Speaker 1: doesn't want that on her search engine. Jellet reminders. Daniel

469
00:27:32,760 --> 00:27:39,400
Speaker 1: will tell you don't forget that donkey show tonight, Joe, Yeah,

470
00:27:39,440 --> 00:27:43,400
Speaker 1: incognito mode. Joel's gonna get email. It's like, hey, there's

471
00:27:43,440 --> 00:27:47,960
Speaker 1: a donkey show in your area. Where do they do?

472
00:27:48,520 --> 00:27:51,560
Speaker 1: I think it's either you wanna or bank hark. I

473
00:27:51,560 --> 00:27:54,480
Speaker 1: think you're right with I think TJ might be I

474
00:27:54,520 --> 00:27:56,760
Speaker 1: think t J might be better. I'm not gonna lie.

475
00:27:57,200 --> 00:28:00,119
Speaker 1: I just googled where do they do donkey shows? And

476
00:28:00,200 --> 00:28:02,080
Speaker 1: as opposed to you know how like Google will give

477
00:28:02,119 --> 00:28:04,639
Speaker 1: you like an answer up top, as opposed to just

478
00:28:04,720 --> 00:28:09,159
Speaker 1: links straight up Tijuana, Mexico. Yeah, there you go. Wow.

479
00:28:10,640 --> 00:28:12,760
Speaker 1: So if you're interested in this kind of thing, now

480
00:28:13,000 --> 00:28:16,680
Speaker 1: we assume that Scrubs takes place in Los Angeles. Maybe

481
00:28:16,680 --> 00:28:19,639
Speaker 1: it's close to Mexico. Maybe you're saying that he goes

482
00:28:19,680 --> 00:28:24,560
Speaker 1: to TJ everything, Maybe he maybe he maybe Scrubs takes place. No,

483
00:28:24,680 --> 00:28:26,919
Speaker 1: because because Elliot has to take a train to go

484
00:28:26,960 --> 00:28:29,280
Speaker 1: to Sea World, so that wouldn't work. No, it doesn't

485
00:28:29,320 --> 00:28:32,560
Speaker 1: work right. Why would Elliot have to take a long train,

486
00:28:33,080 --> 00:28:39,200
Speaker 1: a midnight train train midnight train to um So. Wait

487
00:28:39,240 --> 00:28:44,320
Speaker 1: a second, unless Kelso doesn't go to Tijuana every Thursday.

488
00:28:44,360 --> 00:28:48,560
Speaker 1: He knows an underground donkey show. Yeah, it could be

489
00:28:48,640 --> 00:28:52,320
Speaker 1: black market donkey show. A black market underground donkey show. Okay,

490
00:28:52,440 --> 00:28:56,800
Speaker 1: that's probably more likely. Yea um, but never Nevertheless, Turk

491
00:28:56,880 --> 00:28:59,960
Speaker 1: and j D pass on the donkey show standing invitation,

492
00:29:00,040 --> 00:29:03,240
Speaker 1: and they pass on every version of that invitation. Then

493
00:29:03,280 --> 00:29:08,719
Speaker 1: we hear Jack's first words, daddy drinks a lot. Yes, unfortunate,

494
00:29:09,360 --> 00:29:12,080
Speaker 1: it's gonna be sucked up. I remember that there was

495
00:29:12,320 --> 00:29:15,640
Speaker 1: those were twin boys, and that they must have just

496
00:29:15,720 --> 00:29:17,680
Speaker 1: learned to talk because they never had a line before.

497
00:29:17,720 --> 00:29:24,080
Speaker 1: I don't think Todd. Todd tells the nurse, nurse, I

498
00:29:24,120 --> 00:29:26,680
Speaker 1: need you to drain some fluid, and then I need

499
00:29:26,680 --> 00:29:34,720
Speaker 1: you to help me with this patient. Boy can't exist.

500
00:29:35,040 --> 00:29:37,400
Speaker 1: He can't exist in this world and in real life.

501
00:29:37,440 --> 00:29:40,400
Speaker 1: Todd does not exist in real life. If you're a

502
00:29:40,440 --> 00:29:42,400
Speaker 1: Todd in real life, you've been fired and you're sitting

503
00:29:42,400 --> 00:29:44,280
Speaker 1: at home right now, like, what the fuck did I do?

504
00:29:44,400 --> 00:29:46,640
Speaker 1: You're a Todd in real life, and you haven't been fired,

505
00:29:46,800 --> 00:29:50,280
Speaker 1: then you should be. Um right, you've slipped me. I

506
00:29:50,320 --> 00:29:52,440
Speaker 1: come to hug you in college and I've got my

507
00:29:52,520 --> 00:29:55,920
Speaker 1: mullet and this made me laugh so hard. You flipped me,

508
00:29:56,640 --> 00:29:59,040
Speaker 1: and then I go, you're sports Tea. At first, I run,

509
00:29:59,080 --> 00:30:00,880
Speaker 1: do you. I go, you're sport It's team won the

510
00:30:00,920 --> 00:30:03,720
Speaker 1: World Series. And then you flip me and I go

511
00:30:03,880 --> 00:30:13,360
Speaker 1: a gland slam. So Turk was not into hugging. Turks

512
00:30:13,440 --> 00:30:22,920
Speaker 1: out into hugging. Now, well, certain people just not this

513
00:30:23,040 --> 00:30:28,680
Speaker 1: new orthopedic surgeon, which is really weird. Like, first of all,

514
00:30:29,800 --> 00:30:32,360
Speaker 1: I don't know you well enough for you to be

515
00:30:32,440 --> 00:30:34,719
Speaker 1: all up on my shoulder like that, like Turk, like,

516
00:30:35,280 --> 00:30:37,120
Speaker 1: I don't know. I think this is for it. This

517
00:30:37,240 --> 00:30:40,320
Speaker 1: goes for anyone. If you just meet somebody and they're

518
00:30:40,320 --> 00:30:43,000
Speaker 1: freaking damn near noogieing you when they talk to you

519
00:30:43,080 --> 00:30:46,760
Speaker 1: and stuff like that, your feelings for that person are

520
00:30:46,800 --> 00:30:50,920
Speaker 1: gonna definitely be one agro and two be a little

521
00:30:50,960 --> 00:30:53,040
Speaker 1: put up, like you don't necessarily want to be around

522
00:30:53,080 --> 00:30:55,680
Speaker 1: somebody like that. And so it makes perfect sense that

523
00:30:55,680 --> 00:30:58,080
Speaker 1: Turk is like that. Not because the dudes are SENSI,

524
00:30:58,400 --> 00:31:01,160
Speaker 1: but the dude is freaking really really really, Like if

525
00:31:01,200 --> 00:31:04,120
Speaker 1: you watch them in and they're in surgery and this

526
00:31:04,280 --> 00:31:07,080
Speaker 1: guy's like, fucking gravitu, I get over here, can you

527
00:31:07,160 --> 00:31:13,320
Speaker 1: and me? Guy? I don't person Adelstein who played him,

528
00:31:13,440 --> 00:31:15,120
Speaker 1: and he was very funny. I thought he did a

529
00:31:15,200 --> 00:31:18,920
Speaker 1: very good job, very funny. But that's that's just my point.

530
00:31:19,240 --> 00:31:21,200
Speaker 1: I don't think that's the fact that the guy's a sensey.

531
00:31:21,240 --> 00:31:22,920
Speaker 1: I know it says it in the script, but I

532
00:31:22,960 --> 00:31:25,920
Speaker 1: think the annoying thing is that the guy's like, you know,

533
00:31:26,640 --> 00:31:30,600
Speaker 1: damn j's j D's description of a sense Our music

534
00:31:30,680 --> 00:31:36,560
Speaker 1: choices are acoustic alternative. We marveled at fireflies, and the

535
00:31:36,600 --> 00:31:39,360
Speaker 1: only copying we do if our friend, if our female

536
00:31:39,360 --> 00:31:42,520
Speaker 1: friend is drunk, is coppying her hair back to help

537
00:31:42,560 --> 00:31:47,920
Speaker 1: her puke. Now you go, sure, we cop a feel,

538
00:31:48,320 --> 00:31:55,240
Speaker 1: but we cop a field by pulling her hair back. Um. Yeah,

539
00:31:55,280 --> 00:32:01,040
Speaker 1: So you upset the the orthopedic surgeon because saying he's yes,

540
00:32:01,080 --> 00:32:03,920
Speaker 1: and Rob has the intercome on of course, and then

541
00:32:03,920 --> 00:32:06,280
Speaker 1: you're like, oh, who's this guy? The most most sensitive

542
00:32:06,320 --> 00:32:08,080
Speaker 1: guy in the world. And then you see JD go

543
00:32:08,160 --> 00:32:11,440
Speaker 1: to give the surgeon a hug, Right, is there anyone else?

544
00:32:11,520 --> 00:32:14,360
Speaker 1: Could there it's pretty much a freaking Matthew Perry joke

545
00:32:14,440 --> 00:32:18,160
Speaker 1: from Friends. Could there be one more sensitive? And then

546
00:32:18,160 --> 00:32:20,280
Speaker 1: here you go and so he's hugging men. I go,

547
00:32:20,320 --> 00:32:23,200
Speaker 1: it's a little tight. I know, I go a little tighter. Ye, No,

548
00:32:23,400 --> 00:32:28,400
Speaker 1: that's too tight. There's there's a good spot. It's like

549
00:32:28,440 --> 00:32:31,240
Speaker 1: there's a good medium or something like it said, there's

550
00:32:31,240 --> 00:32:36,080
Speaker 1: a good spot. So this parachute is Remember Sarah was

551
00:32:36,120 --> 00:32:38,280
Speaker 1: on the show and she talked about the stuntman who

552
00:32:38,360 --> 00:32:43,120
Speaker 1: played the guy who parachutes and hits her. How um

553
00:32:43,960 --> 00:32:47,440
Speaker 1: he was quite older than than she expected. And it

554
00:32:47,520 --> 00:32:51,000
Speaker 1: was a very weird day for her because she had

555
00:32:51,040 --> 00:32:54,080
Speaker 1: to make out with the guy because they wasn't like

556
00:32:54,120 --> 00:32:55,920
Speaker 1: you know, oftentimes if you just have to make out

557
00:32:55,960 --> 00:32:57,680
Speaker 1: with a random guy, they'll be like, oh, Sarah, do

558
00:32:57,760 --> 00:32:59,479
Speaker 1: you want to pick one of these guys who has

559
00:32:59,520 --> 00:33:00,880
Speaker 1: to be the rand them guy you make out with.

560
00:33:01,120 --> 00:33:02,560
Speaker 1: You know, you might pick someone you're at least a

561
00:33:02,600 --> 00:33:04,760
Speaker 1: little bit of tracking too. Because it was a stunt

562
00:33:04,760 --> 00:33:06,160
Speaker 1: man and he was just the guy who showed up

563
00:33:06,200 --> 00:33:08,000
Speaker 1: that day, they were like Sarah, oh, and then you'll

564
00:33:08,040 --> 00:33:11,040
Speaker 1: be making out with Jim and he was like He's

565
00:33:11,080 --> 00:33:13,120
Speaker 1: like yeah, with no teeth in his mouth and just

566
00:33:13,280 --> 00:33:17,240
Speaker 1: one yellow tooth with all the fucking plaque on it. Yeah,

567
00:33:17,280 --> 00:33:21,440
Speaker 1: and poor Sarah make out. Okay, So we got to

568
00:33:21,480 --> 00:33:23,680
Speaker 1: get into this because this made me laugh really hard

569
00:33:24,320 --> 00:33:26,680
Speaker 1: and we talked about it on this on this podcast

570
00:33:26,720 --> 00:33:32,000
Speaker 1: a lot. But the more you know that was so funny.

571
00:33:32,440 --> 00:33:38,479
Speaker 1: This is that shit was hilariously. You come home, I

572
00:33:38,520 --> 00:33:40,760
Speaker 1: wrote it down, tough day at the office, so you

573
00:33:40,800 --> 00:33:43,160
Speaker 1: come home, smother your kids, pop in a movie, maybe

574
00:33:43,200 --> 00:33:45,920
Speaker 1: I have a drink. It's fun, right, No, don't smother

575
00:33:46,000 --> 00:33:55,160
Speaker 1: your kids. The more you know, Dan'll play that. That's

576
00:33:55,200 --> 00:33:57,280
Speaker 1: one of the memes that's been sent to me most

577
00:33:57,320 --> 00:34:00,600
Speaker 1: in my whole Scrubs career. Is this The more you

578
00:34:00,640 --> 00:34:05,200
Speaker 1: know thing sounds fun right, wrong, Don't smother your kids,

579
00:34:05,280 --> 00:34:08,319
Speaker 1: don't you kids? And by the way, and didn't even

580
00:34:08,360 --> 00:34:11,239
Speaker 1: the off balance walk out, like the off balance in

581
00:34:11,280 --> 00:34:14,360
Speaker 1: the video where you're like, yeah, those things were so cheesy.

582
00:34:14,360 --> 00:34:16,040
Speaker 1: You would you hit it perfectly. You kind of would

583
00:34:16,080 --> 00:34:19,160
Speaker 1: strut out after you drop knowledge on everybody, but you'd

584
00:34:19,160 --> 00:34:21,080
Speaker 1: have to be but it's like you're off balance, like

585
00:34:21,120 --> 00:34:23,560
Speaker 1: your knowledge is so powerful that it kind of throws

586
00:34:23,600 --> 00:34:27,000
Speaker 1: you off. I was spoofing how everyone some people like

587
00:34:27,040 --> 00:34:28,959
Speaker 1: they lean against the wall and then they push off.

588
00:34:29,719 --> 00:34:31,840
Speaker 1: Some people listening to this, they're probably too young to

589
00:34:31,920 --> 00:34:34,680
Speaker 1: remember these. But there was always sort of a walk

590
00:34:34,680 --> 00:34:38,320
Speaker 1: away with attitude thing, right, dude. I remember going there Mustick.

591
00:34:38,520 --> 00:34:40,520
Speaker 1: I even got it into one of the More you

592
00:34:40,600 --> 00:34:42,960
Speaker 1: Knows where I literally sang it. I was like the

593
00:34:43,000 --> 00:34:47,160
Speaker 1: more you know? No, did you ever have to do more?

594
00:34:47,160 --> 00:34:50,160
Speaker 1: You know commercials? Did you do anything? I don't know

595
00:34:50,200 --> 00:34:52,120
Speaker 1: if I ever did a real one. Oh, dude, I

596
00:34:52,200 --> 00:34:53,640
Speaker 1: did a real one. I did real ones for it.

597
00:34:53,719 --> 00:34:55,160
Speaker 1: I was so happy when they were like, do you

598
00:34:55,200 --> 00:34:57,520
Speaker 1: want to do it more? You know commercial? I was like, fuck, yeah,

599
00:34:57,520 --> 00:34:58,800
Speaker 1: I want to do them more. You know, while you

600
00:34:58,840 --> 00:35:01,279
Speaker 1: were on Scrubs. The only time I could do it

601
00:35:01,320 --> 00:35:04,479
Speaker 1: we were on NBC. Oh, because it was NBC's thing. Um.

602
00:35:04,600 --> 00:35:07,120
Speaker 1: By the way, j D gives an indices from Scrubs Wicky.

603
00:35:07,200 --> 00:35:11,440
Speaker 1: JD gives an incorrect description of Munchausen syndrome. When someone

604
00:35:11,719 --> 00:35:17,160
Speaker 1: fakes or induces an illness in themselves, it's called Munchausen syndrome.

605
00:35:17,400 --> 00:35:19,880
Speaker 1: When they do it to someone else, such as a child,

606
00:35:20,040 --> 00:35:24,520
Speaker 1: it's called Munchausen syndrome by proxy, which is what's actually

607
00:35:25,200 --> 00:35:35,439
Speaker 1: being checked for in the episode. So there's the but hey,

608
00:35:35,560 --> 00:35:38,600
Speaker 1: does much have Housen syndrome have anything to do with

609
00:35:38,719 --> 00:35:42,799
Speaker 1: Baron Munchausen the movie? Yeah? I don't think think so.

610
00:35:43,040 --> 00:35:45,360
Speaker 1: But let me did you see the Joey King movie

611
00:35:45,400 --> 00:35:48,160
Speaker 1: on Hulu about the true story of the mom who

612
00:35:48,239 --> 00:35:51,319
Speaker 1: was like drugging her kid to make her feel like

613
00:35:51,640 --> 00:35:57,000
Speaker 1: telling her she was sick. That was Munchausen syndrome by proxy.

614
00:35:57,160 --> 00:36:02,160
Speaker 1: Eminem has that in one of his songs, Um all right,

615
00:36:02,200 --> 00:36:06,080
Speaker 1: Ted's band singing put on a happy Face was delightful, amazing.

616
00:36:06,160 --> 00:36:09,040
Speaker 1: They looked great too. Yeah, and Cox did not want

617
00:36:09,080 --> 00:36:13,680
Speaker 1: them there. Very special that we get the appearance first

618
00:36:13,680 --> 00:36:17,080
Speaker 1: and only, I think appearance of Knife French Nie friend.

619
00:36:17,360 --> 00:36:19,600
Speaker 1: I feel like it was okay, but that was very

620
00:36:19,600 --> 00:36:25,520
Speaker 1: funny Nie French, practical and safe and then he stabs himself.

621
00:36:26,360 --> 00:36:28,319
Speaker 1: No and yeah, it comes back later and he goes

622
00:36:28,400 --> 00:36:34,040
Speaker 1: for kids nine. Friend. Now, I think this menthal Spray

623
00:36:34,080 --> 00:36:36,120
Speaker 1: thing is so funny. This is real. By the way,

624
00:36:36,440 --> 00:36:39,800
Speaker 1: those of you who aren't in Hollywood, when someone can't

625
00:36:39,840 --> 00:36:45,520
Speaker 1: cry and or or you did cry, and those continuities wrong,

626
00:36:45,680 --> 00:36:48,480
Speaker 1: They will spray or now I guess they're doing it

627
00:36:48,520 --> 00:36:50,759
Speaker 1: more and more digitally, but they can also spray this

628
00:36:50,920 --> 00:36:54,600
Speaker 1: little menthal spray in your eyes, which not spray, they

629
00:36:54,680 --> 00:36:57,840
Speaker 1: blow it, and it just it's like you have halls

630
00:36:57,880 --> 00:37:00,200
Speaker 1: in your eyeball and they just start tearing and it

631
00:37:00,200 --> 00:37:02,839
Speaker 1: makes you look like you're crying and you can can

632
00:37:02,960 --> 00:37:05,759
Speaker 1: I just say one thing. Yeah, It makes it so

633
00:37:06,000 --> 00:37:12,920
Speaker 1: that JD's able to tell the story about his German funny.

634
00:37:13,080 --> 00:37:15,720
Speaker 1: I remember shooting that scene. This is the one scene.

635
00:37:16,200 --> 00:37:18,680
Speaker 1: This is the one scene out of the whole episode.

636
00:37:19,200 --> 00:37:22,839
Speaker 1: I remember shooting that. I remember sitting across from you.

637
00:37:24,000 --> 00:37:27,120
Speaker 1: We laughed about this quite a bit, quite a bit,

638
00:37:27,320 --> 00:37:29,279
Speaker 1: I remember us laughing about it. We got through the

639
00:37:29,320 --> 00:37:32,040
Speaker 1: scene pretty fast, but I remember us laughing about this

640
00:37:32,080 --> 00:37:35,440
Speaker 1: part quite a bit. Last night, my and just how

641
00:37:35,520 --> 00:37:39,000
Speaker 1: nonchalant lead in my German financier Hans dot on the

642
00:37:39,080 --> 00:37:41,279
Speaker 1: audible and I have to shoot doctor Accula on my

643
00:37:41,280 --> 00:37:47,560
Speaker 1: cell phone. But I was also I was stealing the

644
00:37:47,640 --> 00:37:50,160
Speaker 1: mental a lot of the mentals. I guess there's a

645
00:37:50,160 --> 00:37:52,440
Speaker 1: lot of crying in Doctor Accula. I guess so, I

646
00:37:52,440 --> 00:37:57,040
Speaker 1: guess so, I guess so because wouldn't you love to

647
00:37:57,080 --> 00:38:02,480
Speaker 1: see the cell phone video footage of Jad's attempts to

648
00:38:02,520 --> 00:38:05,680
Speaker 1: shoot doctor Acula. I'm not gonna lie to you. I

649
00:38:05,680 --> 00:38:08,440
Speaker 1: want to just see doctor Acula happen. I kind of

650
00:38:08,440 --> 00:38:11,680
Speaker 1: want that to happen. My dying wish more than well,

651
00:38:11,760 --> 00:38:14,200
Speaker 1: don't die yet, but I kind of. But before they

652
00:38:14,360 --> 00:38:18,279
Speaker 1: put me in the ground, I want to I want

653
00:38:18,280 --> 00:38:21,719
Speaker 1: to see doctor Acula. Munchausen syndrome was named after a

654
00:38:21,760 --> 00:38:26,600
Speaker 1: German cavalry officer, Baron von Munchausen. Baron Munchausen, a man

655
00:38:26,640 --> 00:38:29,360
Speaker 1: who traveled widely and was known for his dramatic but

656
00:38:29,480 --> 00:38:33,239
Speaker 1: untruthful stories. Wow, Yeah, you were right. In nineteen fifty one,

657
00:38:33,320 --> 00:38:36,960
Speaker 1: Richard Asher described a pattern of self abuse where individuals

658
00:38:37,000 --> 00:38:41,000
Speaker 1: fabricated histories of illness. These fabrications most often led to

659
00:38:41,080 --> 00:38:46,600
Speaker 1: complex medical investigations, hospitalizations, and needless surgery. Remembering Baron von

660
00:38:46,680 --> 00:38:52,120
Speaker 1: Munchausen and his mythical tales, Asher named this condition Munchausen syndrome. Wow, Donald,

661
00:38:52,160 --> 00:38:53,920
Speaker 1: I'm sorry when you said that I laughed at you.

662
00:38:56,040 --> 00:38:58,720
Speaker 1: Take it back. I do take it back. I'm sorry

663
00:38:58,760 --> 00:39:05,520
Speaker 1: that I doubted your cleverness. Okay, So what we've learned today. One,

664
00:39:06,160 --> 00:39:08,480
Speaker 1: Zach did not win the Emmy. We were all kissed

665
00:39:08,480 --> 00:39:14,359
Speaker 1: about it. Two Donald Fay zounds pretty clever. Three we're

666
00:39:14,400 --> 00:39:23,719
Speaker 1: gonna be right back. We're going to commercial brain ever bad.

667
00:39:26,440 --> 00:39:28,440
Speaker 1: I like when I'm telling you, I'm trying to get

668
00:39:28,480 --> 00:39:31,680
Speaker 1: this plan going where you're gonna show the orthopedic surgeon

669
00:39:31,719 --> 00:39:36,400
Speaker 1: that you're a sense he and he goes to hug colonel,

670
00:39:36,640 --> 00:39:39,279
Speaker 1: Colonel doctor, and I go, it's gonna take Okay, we

671
00:39:39,360 --> 00:39:42,720
Speaker 1: got seven seconds and you go a hug, take seven

672
00:39:42,800 --> 00:39:50,759
Speaker 1: seconds and I go a good one good. And then

673
00:39:50,760 --> 00:39:55,880
Speaker 1: when we're about to go, I go, okay. Yeah. The

674
00:39:56,040 --> 00:39:59,919
Speaker 1: music at the end was very moving. Um, Gary Jules, well,

675
00:40:00,080 --> 00:40:04,640
Speaker 1: let's talk about the monologue first, dude, go ahead, Okay,

676
00:40:04,680 --> 00:40:06,120
Speaker 1: did you think of it? What did you think of it?

677
00:40:06,800 --> 00:40:10,200
Speaker 1: I remember watching this monologue. It's not often that I

678
00:40:10,239 --> 00:40:13,279
Speaker 1: remember a lot of the shows that we do, but

679
00:40:13,360 --> 00:40:16,520
Speaker 1: I remember or watching the shows that we did together.

680
00:40:16,960 --> 00:40:20,799
Speaker 1: I remembered us doing the Acculas scene doctor Acculas Syne,

681
00:40:21,160 --> 00:40:24,239
Speaker 1: and I remembered watching this monologue. I don't know why

682
00:40:24,280 --> 00:40:27,360
Speaker 1: I remember it so much. Maybe I had maybe Johnny

683
00:40:27,400 --> 00:40:30,359
Speaker 1: brought me in for it to watch it. Or maybe

684
00:40:30,440 --> 00:40:32,399
Speaker 1: John Michelle brought me in to watch it. I don't

685
00:40:32,400 --> 00:40:35,040
Speaker 1: know what it was, but I watched. I remember watching

686
00:40:35,080 --> 00:40:37,480
Speaker 1: that monologue over and over again, and it has some

687
00:40:37,719 --> 00:40:41,480
Speaker 1: really great beats. And my favorite beat is when you

688
00:40:41,520 --> 00:40:44,880
Speaker 1: tell them that you're proud of him because you know

689
00:40:45,000 --> 00:40:48,040
Speaker 1: he cares so much about his patients. And that's not

690
00:40:48,160 --> 00:40:52,680
Speaker 1: something that a lot of doctors here nowadays, because you know,

691
00:40:53,920 --> 00:40:57,080
Speaker 1: a lot of let's keep it honest to survive in

692
00:40:57,080 --> 00:40:59,759
Speaker 1: a hospital, you can't feel that way. And it was

693
00:40:59,800 --> 00:41:02,560
Speaker 1: just a great moment in Scrub's history and in the

694
00:41:02,600 --> 00:41:04,600
Speaker 1: medical field, because when you find a doctor like that,

695
00:41:04,680 --> 00:41:07,520
Speaker 1: it really does, you know, it really does go along

696
00:41:07,520 --> 00:41:10,799
Speaker 1: where you talk about, you know, Amanda's doctor and how

697
00:41:11,840 --> 00:41:16,120
Speaker 1: you know he truly put a lot of effort in

698
00:41:17,120 --> 00:41:19,839
Speaker 1: to helping save Nick and that they became sort of

699
00:41:19,840 --> 00:41:22,160
Speaker 1: like a family and everything like that. Now and now

700
00:41:22,200 --> 00:41:26,319
Speaker 1: he's her doctor. Uh, you don't necessarily hear stories like that,

701
00:41:26,760 --> 00:41:31,359
Speaker 1: And you know, shout out to Scrubs for showing the

702
00:41:31,360 --> 00:41:33,600
Speaker 1: other side of it, because we we did for a

703
00:41:33,640 --> 00:41:37,600
Speaker 1: really long time make fun of, or not make fun of,

704
00:41:37,719 --> 00:41:41,560
Speaker 1: but make light of very serious situations. And this is

705
00:41:41,560 --> 00:41:45,720
Speaker 1: a this is a moment in this in the Scrub's

706
00:41:45,800 --> 00:41:49,840
Speaker 1: history where where it really affects one of our heroes

707
00:41:50,040 --> 00:41:52,640
Speaker 1: and we show what they go through. I do feel

708
00:41:52,640 --> 00:41:56,520
Speaker 1: at the end, however, that it's a quick turnaround because

709
00:41:56,560 --> 00:41:59,279
Speaker 1: of what JD says to him. I do feel like

710
00:41:59,360 --> 00:42:03,600
Speaker 1: his falling out of his depression is very fast and well,

711
00:42:03,640 --> 00:42:05,239
Speaker 1: I don't know if it was meant to be that night.

712
00:42:05,280 --> 00:42:08,040
Speaker 1: I think it maybe that's it. I used inferred that

713
00:42:08,120 --> 00:42:10,360
Speaker 1: was like a week later. Oh, is that how you

714
00:42:10,360 --> 00:42:12,520
Speaker 1: looked at it? Yeah, I looked I looked at it

715
00:42:12,560 --> 00:42:14,640
Speaker 1: as that night, but it was very It's a very

716
00:42:15,120 --> 00:42:20,520
Speaker 1: you know, you know, the medical field, the you know,

717
00:42:20,840 --> 00:42:22,560
Speaker 1: a lot of people on the front line that we

718
00:42:22,600 --> 00:42:24,799
Speaker 1: talk about they're human and we've made them to be

719
00:42:24,920 --> 00:42:28,160
Speaker 1: heroes because they are obviously, but they're human too at

720
00:42:28,200 --> 00:42:31,040
Speaker 1: the end of the day, and everything that you know,

721
00:42:31,680 --> 00:42:36,759
Speaker 1: frontline workers are going through right now, it affects them.

722
00:42:37,040 --> 00:42:40,640
Speaker 1: And you know, we talk about kids in masks, and

723
00:42:40,680 --> 00:42:43,040
Speaker 1: we talk about us and masks, but let's talk about

724
00:42:43,080 --> 00:42:45,080
Speaker 1: like how this is going to affect them in the future,

725
00:42:45,200 --> 00:42:47,839
Speaker 1: how it affects people who have had to see death

726
00:42:47,960 --> 00:42:50,080
Speaker 1: over and over again in the future, how it's how

727
00:42:50,120 --> 00:42:52,279
Speaker 1: that's how that's going to affect them, and we don't

728
00:42:52,320 --> 00:42:58,640
Speaker 1: talk about that enough. I think, yeah, um, and unfortunately

729
00:42:58,640 --> 00:43:01,040
Speaker 1: it's not going anywhere. I don't know we're gonna be

730
00:43:01,080 --> 00:43:03,360
Speaker 1: with this for a very long time. Yeah, but I

731
00:43:03,400 --> 00:43:06,160
Speaker 1: think I But I also think that you know, doctors,

732
00:43:07,600 --> 00:43:09,800
Speaker 1: just to get back on it, we don't talk about

733
00:43:09,840 --> 00:43:15,000
Speaker 1: the emotion that they carry. Don't you going to mention

734
00:43:15,120 --> 00:43:16,640
Speaker 1: how good my acting is? Is that going to come

735
00:43:16,719 --> 00:43:19,560
Speaker 1: up at all? Well? I thought I did. When I

736
00:43:19,560 --> 00:43:22,320
Speaker 1: said this seem very indirect, you said that it was

737
00:43:22,400 --> 00:43:24,920
Speaker 1: moving to oh it was such a great Okay, well,

738
00:43:25,800 --> 00:43:31,359
Speaker 1: the way you delivered it was really great. And I

739
00:43:31,440 --> 00:43:37,440
Speaker 1: definitely you know, Zach, you're a very talented person, and

740
00:43:37,480 --> 00:43:40,720
Speaker 1: you're a very very very bright person. And I often

741
00:43:40,760 --> 00:43:44,359
Speaker 1: say that you're directing is like, you know, top notch,

742
00:43:44,400 --> 00:43:46,800
Speaker 1: and I think you should direct Star Wars and Marvel

743
00:43:46,840 --> 00:43:49,040
Speaker 1: and all of that stuff. But this was a moment

744
00:43:49,239 --> 00:43:53,000
Speaker 1: where I watched you on, where I watched you act

745
00:43:53,080 --> 00:43:55,520
Speaker 1: and perform, where I was very very impressed, And I

746
00:43:55,600 --> 00:43:57,839
Speaker 1: want to give you a shout out for that. Thank you.

747
00:43:57,960 --> 00:44:03,480
Speaker 1: I appreciate that unprompted compliment it. Thank you. I thought

748
00:44:03,480 --> 00:44:06,000
Speaker 1: it's a powerful scene and I like it. Yeah, you

749
00:44:06,040 --> 00:44:08,000
Speaker 1: know I didn't. And you know it's a total straight

750
00:44:08,040 --> 00:44:11,960
Speaker 1: scene between me and Johnny. And the music was beautiful,

751
00:44:12,320 --> 00:44:15,640
Speaker 1: Gary Jewels singing something else and uh, and then that

752
00:44:15,760 --> 00:44:18,399
Speaker 1: funny button where I try and drink Scotch and he goes,

753
00:44:18,480 --> 00:44:20,840
Speaker 1: you don't drink scotch and I spit it back in

754
00:44:20,920 --> 00:44:26,080
Speaker 1: the cup and then no, I try and that cool.

755
00:44:26,160 --> 00:44:29,560
Speaker 1: I get sent fancy bottles of Scotch and whiskey as presents,

756
00:44:29,640 --> 00:44:31,719
Speaker 1: and I always am like, okay, I'd like google it,

757
00:44:31,760 --> 00:44:33,600
Speaker 1: like wow, this is a really expensive bottle. Let me

758
00:44:33,600 --> 00:44:35,279
Speaker 1: try this, And every time I'm like, it tastes like

759
00:44:35,320 --> 00:44:38,480
Speaker 1: paint dinner. You should call me up. I'll drink it

760
00:44:38,520 --> 00:44:42,160
Speaker 1: for you. Okay, I have a really pricey one that

761
00:44:42,160 --> 00:44:46,359
Speaker 1: Apple sent me here. Oh really, okay, you guys can

762
00:44:46,360 --> 00:44:49,640
Speaker 1: try it. Do you like scotch, Dane, Nah, So well

763
00:44:49,920 --> 00:44:53,560
Speaker 1: that's not. It tastes like t is like candy to me. Man,

764
00:44:53,760 --> 00:44:57,160
Speaker 1: anybody's obviously it's anyone who's a scott Yeah, anyone who's

765
00:44:57,200 --> 00:45:00,759
Speaker 1: a Scotch drinker. There's certain Scotch just like mccau I'm

766
00:45:00,760 --> 00:45:02,880
Speaker 1: gonna tast something right now, that should tastes like sugar

767
00:45:02,960 --> 00:45:06,080
Speaker 1: going down. Well, listen, there's no such thing as a

768
00:45:06,120 --> 00:45:09,520
Speaker 1: person that didn't acquire that taste. No one tasted scotch.

769
00:45:09,600 --> 00:45:12,400
Speaker 1: It was like mmmmm, now you're absolutely right, no one.

770
00:45:13,239 --> 00:45:15,920
Speaker 1: No one tasted alcohol period and was like, this is

771
00:45:15,960 --> 00:45:20,399
Speaker 1: the best thing ever. Agree, well, I think wine probably, No, man,

772
00:45:20,400 --> 00:45:23,040
Speaker 1: that's just all poison. Literally, you're drinking poison. For all

773
00:45:23,040 --> 00:45:25,759
Speaker 1: of you out there who don't know, you are literally

774
00:45:26,040 --> 00:45:29,680
Speaker 1: drinking poison. Yeah, your body's having a reaction to something

775
00:45:29,719 --> 00:45:32,640
Speaker 1: it doesn't watch, it's having a reaction to poison. Yes,

776
00:45:32,760 --> 00:45:42,799
Speaker 1: to poison. All right, That girl is poison. Never trust

777
00:45:42,840 --> 00:45:45,759
Speaker 1: a big button smile at girl is Never trust a

778
00:45:45,760 --> 00:45:48,480
Speaker 1: big button a smile, Daniel, whether it be on a

779
00:45:48,560 --> 00:45:52,480
Speaker 1: girl or a boy. I was listening. I'm obsessed with

780
00:45:52,520 --> 00:45:56,200
Speaker 1: this podcast um called Team Deacons. For those of you

781
00:45:56,239 --> 00:45:59,680
Speaker 1: don't know, Roger Deakons is largely considered one of the

782
00:45:59,719 --> 00:46:04,600
Speaker 1: greatest cinematographers of all time, and he has he did

783
00:46:04,640 --> 00:46:10,080
Speaker 1: he DP Empire strikes Back. I don't think so, but

784
00:46:10,160 --> 00:46:13,239
Speaker 1: if you google the movies shot by Roger Deakins, there

785
00:46:13,239 --> 00:46:17,560
Speaker 1: will be some of the most that is a fucking

786
00:46:17,640 --> 00:46:22,120
Speaker 1: fire movie. Peter Shishitzky did Empire Strikes Back. I worked

787
00:46:22,120 --> 00:46:25,160
Speaker 1: with Peter Shishiski, a guy I used to pay with

788
00:46:25,600 --> 00:46:27,960
Speaker 1: first Ad Garden State, and he became a big FIRSTDD

789
00:46:28,080 --> 00:46:30,520
Speaker 1: and now he literally just does the most the biggest

790
00:46:30,520 --> 00:46:31,920
Speaker 1: movies in the world. He does the Bond movies. He

791
00:46:32,040 --> 00:46:38,880
Speaker 1: did nineteen seventeen. And yeah, Deakins doesn't just have cinematographers on.

792
00:46:38,920 --> 00:46:40,839
Speaker 1: He as other people in different positions. And he had

793
00:46:40,880 --> 00:46:42,640
Speaker 1: Lurhman on today and I'm like listening and I'm like,

794
00:46:42,680 --> 00:46:44,360
Speaker 1: oh my god, Oh my god. And all of a sudden,

795
00:46:44,400 --> 00:46:48,399
Speaker 1: Roger Deakins, who's like living legend, is like, now, tell

796
00:46:48,440 --> 00:46:53,680
Speaker 1: me about Garden State. And Michael's like, yeah, so Zach,

797
00:46:53,760 --> 00:46:56,279
Speaker 1: and I uh. Rogers like, yeah, we just watched that

798
00:46:56,400 --> 00:46:59,960
Speaker 1: film because we're gonna have Larry cheron and uh wow.

799
00:47:02,000 --> 00:47:04,359
Speaker 1: And I'm like, oh, I'm like, oh my god. And

800
00:47:04,400 --> 00:47:07,239
Speaker 1: then and then Mike Michael's like, yeah, Zach used to

801
00:47:07,520 --> 00:47:09,160
Speaker 1: we used to pe a together. He was a horrible

802
00:47:09,200 --> 00:47:13,399
Speaker 1: pa and oh wow. And they all laugh and Deacons goes, well,

803
00:47:13,400 --> 00:47:19,520
Speaker 1: it's a good thing he going into acting. Then that's funny.

804
00:47:19,560 --> 00:47:24,759
Speaker 1: That's funny. Yes, here by the way, Yeah, we'll be

805
00:47:24,840 --> 00:47:34,560
Speaker 1: right back and we're back. We've been back. Dude. I

806
00:47:34,560 --> 00:47:38,680
Speaker 1: don't know why, Joelle, are you recording? Because um, sometimes

807
00:47:38,680 --> 00:47:43,640
Speaker 1: you don't record the guests. One time, what time happened? Okay,

808
00:47:43,640 --> 00:47:48,520
Speaker 1: I got well, you know why you didn't record? He

809
00:47:48,920 --> 00:47:54,480
Speaker 1: no technical glitch in here? I thought I did. You

810
00:47:54,520 --> 00:47:56,279
Speaker 1: don't need to do We out agreement that you don't

811
00:47:56,320 --> 00:48:00,160
Speaker 1: do weed during the show. It's doing. It's vape. Just

812
00:48:00,320 --> 00:48:03,280
Speaker 1: stick up them clothes, babes. Doesn't stack up your clothes

813
00:48:03,320 --> 00:48:07,799
Speaker 1: doesn okay, okay, anyway, all right, tell me the guest.

814
00:48:10,719 --> 00:48:18,919
Speaker 1: It's uncontrated. Th HC. It's strong. He doesn't keep his word.

815
00:48:19,120 --> 00:48:22,360
Speaker 1: He doesn't keep his word. Yes, here already, Yes, we

816
00:48:22,440 --> 00:48:28,960
Speaker 1: got a call. You can talk some you know, like

817
00:48:29,000 --> 00:48:34,640
Speaker 1: a boll of smoke, some jazz, maybe talking about the episode.

818
00:48:35,280 --> 00:48:41,400
Speaker 1: So come on, Joe, let's get the ladies and gentlemen.

819
00:48:42,320 --> 00:48:53,959
Speaker 1: Give me it up for Oh my gosh, Oh my god,

820
00:48:54,000 --> 00:48:59,320
Speaker 1: it's hark, it's har how's it going, guys? Good dude, Joel,

821
00:48:59,400 --> 00:49:04,440
Speaker 1: that was a quick turnaround. Oh my gosh, wow, bumping

822
00:49:04,880 --> 00:49:12,239
Speaker 1: your you're so we for the audience. It's Archie. He

823
00:49:12,360 --> 00:49:15,279
Speaker 1: made a remix that he put on Twitter of me

824
00:49:15,360 --> 00:49:17,719
Speaker 1: and Donald talking Archie. What do you what do you?

825
00:49:17,960 --> 00:49:19,719
Speaker 1: What do you do? You're a DJ where you would

826
00:49:19,719 --> 00:49:23,520
Speaker 1: make beats? What do you do? Um? I know, I'm

827
00:49:23,560 --> 00:49:27,480
Speaker 1: a full time cook at our family's restaurant. Nice. Oh

828
00:49:28,120 --> 00:49:31,720
Speaker 1: where's your family's restaurant? Now? We are in the small

829
00:49:31,760 --> 00:49:35,600
Speaker 1: little town in Alaska known as ketch a can catch

830
00:49:35,680 --> 00:49:39,440
Speaker 1: you can Alaska? Ketch you can Alaska. That's not that

831
00:49:39,520 --> 00:49:43,520
Speaker 1: tiny town where everyone lives in one building, is it? No? No, No,

832
00:49:43,600 --> 00:49:46,640
Speaker 1: that's not it. Um. We're in like very like if

833
00:49:46,640 --> 00:49:48,400
Speaker 1: you were to like look at a map of Alaska.

834
00:49:48,440 --> 00:49:50,799
Speaker 1: This is like a hand map of Alaska, like at

835
00:49:50,800 --> 00:49:54,600
Speaker 1: the very southeast of it. Right there, we're about an

836
00:49:54,600 --> 00:49:57,160
Speaker 1: hour if you were to fly to see it's like

837
00:49:57,440 --> 00:50:00,319
Speaker 1: close to Seattle. It's very very close to Seattle, about

838
00:50:00,320 --> 00:50:02,279
Speaker 1: an hour or so flight. Oh that's good. So you

839
00:50:02,280 --> 00:50:09,879
Speaker 1: can escape when you want. Yeah, shout out Trajan langdon okay? Um. So,

840
00:50:09,960 --> 00:50:12,520
Speaker 1: but you're obviously a skilled beat maker because he made

841
00:50:12,520 --> 00:50:14,480
Speaker 1: a beat. Can you play the what you made for

842
00:50:14,520 --> 00:50:16,600
Speaker 1: everyone so they can hear it because some people might

843
00:50:16,600 --> 00:50:19,719
Speaker 1: not have heard it? Yeah, hey, but all you're out there,

844
00:50:19,960 --> 00:50:24,640
Speaker 1: drop it now, Dawn not now triple JOP triple jop.

845
00:50:24,640 --> 00:50:27,120
Speaker 1: Why ship comes out in the triple JOP, triple job,

846
00:50:28,000 --> 00:50:30,360
Speaker 1: triple job triple job. Why ship comes out in the

847
00:50:30,400 --> 00:50:34,759
Speaker 1: SLA triple Jop, triple JOP, triple JOP triple Jop. Why

848
00:50:34,800 --> 00:50:38,360
Speaker 1: ship comes out in the triple Jop triple JOP, triple

849
00:50:38,440 --> 00:50:43,360
Speaker 1: JOP triple triple triple job, tripple Jop, tipple JOP, triple

850
00:50:43,440 --> 00:50:45,960
Speaker 1: JOP triple jop. Why ship comes out in the triple

851
00:50:46,040 --> 00:50:50,120
Speaker 1: Jop tipple JOP, triple JOP triple Jop. Why ship comes

852
00:50:50,160 --> 00:50:53,680
Speaker 1: out in the slack tipple job, tripple JOP, triple JOP

853
00:50:53,960 --> 00:50:56,200
Speaker 1: triple Jop. Why ship comes out in the tipple Jop

854
00:50:56,480 --> 00:51:03,240
Speaker 1: triple JOP, triple JOP triple jiple drop, dripple drop, triple

855
00:51:03,320 --> 00:51:09,280
Speaker 1: dripple dripple drop. Especially in the morning when you wake up, Daniel,

856
00:51:09,280 --> 00:51:11,279
Speaker 1: why are you making that face? How did you come

857
00:51:11,320 --> 00:51:13,480
Speaker 1: up with the idea to a remix Donald I, A

858
00:51:13,719 --> 00:51:15,560
Speaker 1: and B? Will you please keep doing it? Because we

859
00:51:15,640 --> 00:51:19,479
Speaker 1: thoroughly enjoyed it. It's write something to it um the well.

860
00:51:19,600 --> 00:51:22,360
Speaker 1: It was just I listened like when I whenever I

861
00:51:22,440 --> 00:51:24,920
Speaker 1: listened to the podcast, it's usually during when I'm prep cooking,

862
00:51:25,239 --> 00:51:28,479
Speaker 1: like cutting veggies and everything, and usually I'm either listening

863
00:51:28,520 --> 00:51:31,200
Speaker 1: to music or listening to the podcast. So I was

864
00:51:31,239 --> 00:51:34,080
Speaker 1: listening to the podcast the other day and all of

865
00:51:34,160 --> 00:51:39,719
Speaker 1: a sudden, all I hear is and people drop dribble, dribble,

866
00:51:39,800 --> 00:51:41,480
Speaker 1: dripple drop, and I was like, hey, that's got like

867
00:51:41,520 --> 00:51:44,600
Speaker 1: a particular rhythm to it. So was Donald talking about

868
00:51:44,640 --> 00:51:47,920
Speaker 1: his urins dream? Yes, exactly, thats exactly. I forgot what

869
00:51:48,000 --> 00:51:49,560
Speaker 1: it was from. It was when you you were talking

870
00:51:49,600 --> 00:51:51,960
Speaker 1: about how as an older forty seven year old your

871
00:51:52,040 --> 00:51:57,120
Speaker 1: p's like dribbled drop, drippled driple drop. Yeah. Yeah. And

872
00:51:57,600 --> 00:51:59,759
Speaker 1: first I was like, oh, I could put this over

873
00:52:00,040 --> 00:52:02,640
Speaker 1: that Snoop dog beat that um do you know which

874
00:52:02,640 --> 00:52:06,080
Speaker 1: one I'm talking about? Yeah, And that's what That's what

875
00:52:06,200 --> 00:52:08,480
Speaker 1: I heard first. But then I was like, uh, let's

876
00:52:08,520 --> 00:52:11,360
Speaker 1: try to do something else. So like I I like,

877
00:52:11,600 --> 00:52:14,600
Speaker 1: I I sampled it out and put it on too,

878
00:52:14,760 --> 00:52:19,000
Speaker 1: like uh to my recording program, and then I was like, okay,

879
00:52:19,360 --> 00:52:21,080
Speaker 1: let's let's see what we can make out of it.

880
00:52:21,200 --> 00:52:23,040
Speaker 1: And all of a sudden, I was just like, okay,

881
00:52:23,239 --> 00:52:25,319
Speaker 1: let's just let's just create the beat. And then that's

882
00:52:25,360 --> 00:52:27,399
Speaker 1: kind of how it happened. Well, it's very funny. I'd

883
00:52:27,440 --> 00:52:30,120
Speaker 1: like you to make um some more beats first one

884
00:52:30,280 --> 00:52:33,759
Speaker 1: using this you honor me honor, and then I think

885
00:52:33,800 --> 00:52:36,239
Speaker 1: you could really build something off this what you're trying

886
00:52:36,280 --> 00:52:39,960
Speaker 1: to get into one day or what you're trying to do.

887
00:52:40,800 --> 00:52:45,320
Speaker 1: Oh man, Yes, um it's funny. Okay. And also and

888
00:52:45,480 --> 00:52:48,239
Speaker 1: also this one for fuck sake, to stop talking about

889
00:52:48,280 --> 00:52:53,680
Speaker 1: your willis okay? Okay, yes, okay, I can do that

890
00:52:53,760 --> 00:52:55,879
Speaker 1: for you. So wait, So I'm so he's beat making

891
00:52:56,080 --> 00:52:59,399
Speaker 1: music making your your hobby if you're a full time chef. Yeah,

892
00:52:59,520 --> 00:53:02,360
Speaker 1: it's it's pretty much a hobby. Like I do it

893
00:53:02,719 --> 00:53:04,360
Speaker 1: just because I love it. I went to school for

894
00:53:04,480 --> 00:53:06,799
Speaker 1: music and I graduated in music, but I didn't end

895
00:53:06,880 --> 00:53:10,200
Speaker 1: up doing anything with it, so the I just kind

896
00:53:10,239 --> 00:53:12,920
Speaker 1: of got burnt out. But then just making beats has

897
00:53:13,000 --> 00:53:15,359
Speaker 1: just been like a thing that just kind of keeps

898
00:53:15,400 --> 00:53:20,200
Speaker 1: me connected to doing it, um to to to just

899
00:53:20,360 --> 00:53:22,719
Speaker 1: being with with music. And you know, it's kind of

900
00:53:22,880 --> 00:53:26,960
Speaker 1: I still kind of aspire to to have a place

901
00:53:27,200 --> 00:53:30,800
Speaker 1: in like not necessarily the music industry, but just working

902
00:53:30,920 --> 00:53:33,480
Speaker 1: with with artists and stuff like that. Um, it's kind

903
00:53:33,520 --> 00:53:36,080
Speaker 1: of it's kind of hard because like that's actually kind

904
00:53:36,080 --> 00:53:39,960
Speaker 1: of getting into my fixed my life. Okay, but well,

905
00:53:40,120 --> 00:53:42,319
Speaker 1: um well yeah, go go into your fix your life.

906
00:53:42,320 --> 00:53:45,640
Speaker 1: We can do that. First, it's time for for Alaska's

907
00:53:45,840 --> 00:53:49,520
Speaker 1: favorite segment, Donald What what segment is that? That's what

908
00:53:49,560 --> 00:53:58,320
Speaker 1: I'm talking about. It's it's called fix your Life. Awesome,

909
00:53:58,360 --> 00:54:00,759
Speaker 1: all right? So you know, I love makings and I

910
00:54:00,840 --> 00:54:03,719
Speaker 1: aspire kind to get a placement with an artist or

911
00:54:03,719 --> 00:54:07,000
Speaker 1: even making background music for like commercials and shows. That's

912
00:54:07,080 --> 00:54:09,040
Speaker 1: kind of the dream. So like, for now, I just

913
00:54:09,120 --> 00:54:10,640
Speaker 1: gotta I gotta get the music out there. I know

914
00:54:10,719 --> 00:54:14,239
Speaker 1: it's possible, but the hardest thing for me is to

915
00:54:14,520 --> 00:54:17,040
Speaker 1: finish a project. I know, it's I don't know if

916
00:54:17,080 --> 00:54:20,680
Speaker 1: it's like anxiety or worry or just worrying about like

917
00:54:20,800 --> 00:54:23,719
Speaker 1: being good, but it kind of it kind of cripples me,

918
00:54:23,840 --> 00:54:26,800
Speaker 1: kind of keeps me from like actually getting a project

919
00:54:26,880 --> 00:54:29,719
Speaker 1: done and putting it out. So my question is just

920
00:54:30,360 --> 00:54:34,480
Speaker 1: generally like how do I get myself to finish a project?

921
00:54:35,080 --> 00:54:37,800
Speaker 1: This is something that every artist faces, and it's the

922
00:54:37,880 --> 00:54:41,160
Speaker 1: difference between people that complete things and get them made

923
00:54:41,239 --> 00:54:44,760
Speaker 1: and those who get stuck in purgatory. There's no difference

924
00:54:44,880 --> 00:54:50,080
Speaker 1: between you, if you've got talent, and someone who's living

925
00:54:50,120 --> 00:54:52,840
Speaker 1: their dream making beats is that they work their asses

926
00:54:52,920 --> 00:54:56,560
Speaker 1: off and they complete their projects and they hustle hard.

927
00:54:57,239 --> 00:55:00,160
Speaker 1: So you can't sit there and go, why is it

928
00:55:00,239 --> 00:55:02,919
Speaker 1: not happening for me? If you're not finishing your shit?

929
00:55:03,200 --> 00:55:04,640
Speaker 1: You know you got to You gotta be hard on

930
00:55:04,719 --> 00:55:08,160
Speaker 1: yourself and make time commitments to yourself. Say it's so

931
00:55:08,280 --> 00:55:10,640
Speaker 1: easy to get distracted now more than ever with everything

932
00:55:10,719 --> 00:55:12,800
Speaker 1: going on in our lives and TV screens and phones

933
00:55:12,840 --> 00:55:15,200
Speaker 1: and everything which you gotta lock the phone away. You

934
00:55:15,280 --> 00:55:17,800
Speaker 1: got to turn the phone off. You got to close

935
00:55:17,880 --> 00:55:21,120
Speaker 1: your door and say, I'm not leaving this room until

936
00:55:21,320 --> 00:55:23,560
Speaker 1: I complete that beat that I've been working on. You

937
00:55:23,719 --> 00:55:26,080
Speaker 1: have to push yourself. You have to give yourself restrictions.

938
00:55:26,320 --> 00:55:30,319
Speaker 1: It's committing to finish. It really is committing to finishing,

939
00:55:30,880 --> 00:55:33,920
Speaker 1: because you can get halfway there, or you could get

940
00:55:34,480 --> 00:55:37,560
Speaker 1: three quarters of the way there, and sometimes three quarters

941
00:55:37,600 --> 00:55:40,759
Speaker 1: of the way there feels like it's enough. Where it's

942
00:55:40,880 --> 00:55:43,880
Speaker 1: enough is when you finish the project. Now. The thing

943
00:55:43,960 --> 00:55:46,920
Speaker 1: that you're going through right now, everyone goes through. This

944
00:55:47,080 --> 00:55:49,480
Speaker 1: is something that all creatives go through. If you're a

945
00:55:49,520 --> 00:55:52,879
Speaker 1: creative person. You're most likely going through this right now.

946
00:55:53,040 --> 00:55:55,800
Speaker 1: You know what I mean. The commitment to finish, to

947
00:55:56,000 --> 00:55:59,400
Speaker 1: finishing should be all that is when you get to

948
00:55:59,520 --> 00:56:03,120
Speaker 1: this left to this point, that should be all that's

949
00:56:03,239 --> 00:56:04,680
Speaker 1: in your mind. I got to finish this project so

950
00:56:04,719 --> 00:56:06,640
Speaker 1: I can move on to the next. It's not finished

951
00:56:06,680 --> 00:56:08,560
Speaker 1: this projects so I could sit back and relax. It's

952
00:56:08,560 --> 00:56:10,080
Speaker 1: I got to finish this project so I could get

953
00:56:10,080 --> 00:56:12,320
Speaker 1: to the next project. Something that really helps me a

954
00:56:12,480 --> 00:56:16,919
Speaker 1: lot is being accountable to someone. So I will say,

955
00:56:17,560 --> 00:56:19,280
Speaker 1: you know, you could do it with a fellow creative.

956
00:56:19,400 --> 00:56:21,399
Speaker 1: You could say we're going to commit to each other.

957
00:56:22,239 --> 00:56:24,279
Speaker 1: You let's say I don't know she's a painter and

958
00:56:24,480 --> 00:56:28,000
Speaker 1: you're a music maker. We are going to buy Sunday

959
00:56:28,160 --> 00:56:32,759
Speaker 1: Night fin the Shark thing. Or for me, it's been

960
00:56:32,800 --> 00:56:36,640
Speaker 1: helpful a lot I've worked with I've worked with coaches,

961
00:56:36,800 --> 00:56:40,920
Speaker 1: like writing coaches who are sort of teachers and coaches,

962
00:56:40,960 --> 00:56:42,960
Speaker 1: but they'll also be like, should be like, okay, so

963
00:56:43,320 --> 00:56:46,040
Speaker 1: that scene you're gonna write sounds great. Why don't you

964
00:56:46,160 --> 00:56:49,600
Speaker 1: send it to me Monday morning? So now I can't

965
00:56:49,640 --> 00:56:53,920
Speaker 1: procrastinate because I my coach who I'm paying money to,

966
00:56:54,400 --> 00:56:55,919
Speaker 1: I got to turn on my homework if you will.

967
00:56:56,000 --> 00:56:57,560
Speaker 1: It's like back in the old days and you had

968
00:56:57,600 --> 00:56:59,560
Speaker 1: to do it because you had homework. That really that

969
00:57:00,000 --> 00:57:03,200
Speaker 1: discipline really helps me. And so you can say make it,

970
00:57:03,360 --> 00:57:05,800
Speaker 1: make it, make a deal for no money, Make a

971
00:57:05,880 --> 00:57:08,560
Speaker 1: deal with a fellow creative and be like, let's give

972
00:57:08,600 --> 00:57:12,040
Speaker 1: each other a deadline that we're both committed to. You're

973
00:57:12,080 --> 00:57:14,239
Speaker 1: gonna give me your thing, whatever it may be, piece

974
00:57:14,280 --> 00:57:18,960
Speaker 1: of writing a poem, painting another song, and I'm going

975
00:57:19,040 --> 00:57:22,480
Speaker 1: to give you my thing by this date. And you

976
00:57:22,600 --> 00:57:24,320
Speaker 1: have a commitment and you don't want to break your word.

977
00:57:24,400 --> 00:57:28,439
Speaker 1: I mean, I find that when I have deadlines, even

978
00:57:28,480 --> 00:57:34,080
Speaker 1: if they're manufactured, it really helps me. Deadlines work. Man.

979
00:57:34,200 --> 00:57:36,560
Speaker 1: I'm doing a I'm working on this project right now,

980
00:57:37,400 --> 00:57:41,880
Speaker 1: and my producer always gives me this deadline. It's always this,

981
00:57:42,120 --> 00:57:44,200
Speaker 1: It would be great if I could have it today,

982
00:57:44,560 --> 00:57:48,640
Speaker 1: but I need it by tomorrow. You know what I mean. Yeah,

983
00:57:48,840 --> 00:57:51,880
Speaker 1: so by the end of the all I hear is

984
00:57:51,880 --> 00:57:53,720
Speaker 1: it'd be great I could have it to me if

985
00:57:53,760 --> 00:57:55,480
Speaker 1: I could have it today. Because if I could have

986
00:57:55,560 --> 00:57:57,560
Speaker 1: it today, if she could have it today, then I

987
00:57:57,600 --> 00:57:59,320
Speaker 1: don't have to worry about it tomorrow. You know what

988
00:57:59,360 --> 00:58:02,040
Speaker 1: I mean. It's like you're trying to you know. Zach

989
00:58:02,080 --> 00:58:06,000
Speaker 1: said something that was really fucking awesome too to me

990
00:58:06,560 --> 00:58:11,760
Speaker 1: that really made me view how I was doing things.

991
00:58:12,520 --> 00:58:15,080
Speaker 1: If you want something done, give it to a busy person.

992
00:58:16,840 --> 00:58:19,560
Speaker 1: I had never heard that before. And you would imagine

993
00:58:19,560 --> 00:58:21,680
Speaker 1: that a busy person can't get things done for you

994
00:58:21,880 --> 00:58:24,920
Speaker 1: because there's no time in a day. But someone who's

995
00:58:24,960 --> 00:58:29,240
Speaker 1: busy has the ability to section their day out and

996
00:58:29,720 --> 00:58:33,640
Speaker 1: or I should say, arrange their day that they can

997
00:58:33,760 --> 00:58:38,280
Speaker 1: find space for anything. A busy person is in hustle mode,

998
00:58:38,600 --> 00:58:40,840
Speaker 1: so they will schedule it. They will schedule it, like

999
00:58:40,920 --> 00:58:42,560
Speaker 1: I have so much going on right now in between

1000
00:58:42,640 --> 00:58:45,560
Speaker 1: prepping my movie and this podcast and a bunch of

1001
00:58:45,600 --> 00:58:49,520
Speaker 1: other life stuff, and like my life is scheduled down

1002
00:58:49,680 --> 00:58:52,439
Speaker 1: to the minute. I wouldn't bought it. I wouldn't bought

1003
00:58:52,520 --> 00:58:57,000
Speaker 1: an event planner like a book, because he told me

1004
00:58:57,040 --> 00:58:59,439
Speaker 1: about that shit. And when you write it down, it's

1005
00:58:59,480 --> 00:59:02,000
Speaker 1: in your face, Stute, it's always in your face. And yeah,

1006
00:59:02,080 --> 00:59:03,840
Speaker 1: that's another thing I like, is um. I don't only

1007
00:59:03,880 --> 00:59:05,840
Speaker 1: like digital calendars. I mean they're good for day to day,

1008
00:59:05,880 --> 00:59:07,400
Speaker 1: like what do I do? But I like a big

1009
00:59:07,480 --> 00:59:09,760
Speaker 1: ass and they they'll sell look at your well, they'll

1010
00:59:09,800 --> 00:59:12,600
Speaker 1: sell um uh, you can buy them on Amazon or

1011
00:59:12,840 --> 00:59:15,040
Speaker 1: or like a paper source kind of staples kind of

1012
00:59:15,080 --> 00:59:18,680
Speaker 1: they'll sell you a desk pad sized calendar that's the

1013
00:59:18,760 --> 00:59:22,400
Speaker 1: size of like like the size of your whiteboard, or

1014
00:59:22,440 --> 00:59:24,360
Speaker 1: you can use the whiteboard obviously too, but I like

1015
00:59:24,480 --> 00:59:27,400
Speaker 1: a giant calendar and then write on there deadline days

1016
00:59:27,640 --> 00:59:29,360
Speaker 1: and just you got to keep your word to yourself,

1017
00:59:29,400 --> 00:59:30,880
Speaker 1: because if you're if you, if you don't keep your

1018
00:59:30,880 --> 00:59:32,720
Speaker 1: word to yourself, then you're just you're you're you're done

1019
00:59:32,760 --> 00:59:35,000
Speaker 1: for your bullshit anyway. If you're not keeping your word

1020
00:59:35,040 --> 00:59:37,400
Speaker 1: to yourself, your bullshit. So set a date that's reasonable

1021
00:59:37,400 --> 00:59:39,320
Speaker 1: for yourself, because you got your job and you've got

1022
00:59:39,440 --> 00:59:42,400
Speaker 1: commitments I'm sure to to friends and family. Set a

1023
00:59:42,520 --> 00:59:45,600
Speaker 1: date that is real, that is realistic and doable, and

1024
00:59:45,720 --> 00:59:48,040
Speaker 1: then just make it and and and promise you and

1025
00:59:48,080 --> 00:59:52,200
Speaker 1: don't break. Don't allow yourself to break your word to yourself. Also,

1026
00:59:52,280 --> 00:59:53,880
Speaker 1: know that meeting a deadline doesn't mean you can't make

1027
00:59:53,880 --> 00:59:56,560
Speaker 1: adjustments later. A lot of times I can't. When I

1028
00:59:56,640 --> 00:59:58,720
Speaker 1: when I was having trouble not finishing things, it's because

1029
00:59:58,720 --> 01:00:00,440
Speaker 1: I was like, well, it's not perfect yet, it's not

1030
01:00:00,920 --> 01:00:03,640
Speaker 1: who can possibly look at this? It's awful. Screw that.

1031
01:00:03,760 --> 01:00:05,120
Speaker 1: I thought I was going to be done by this day.

1032
01:00:05,160 --> 01:00:07,920
Speaker 1: So it's done. It still needs work though, Okay, so

1033
01:00:08,040 --> 01:00:09,520
Speaker 1: now I gotta go back and edit. Now I gotta

1034
01:00:09,520 --> 01:00:11,520
Speaker 1: share it with somebody and get some more thoughts. You

1035
01:00:11,560 --> 01:00:14,080
Speaker 1: can always keep project like pushing and growing and making

1036
01:00:14,120 --> 01:00:16,200
Speaker 1: it better. But if you're not finishing, then you can

1037
01:00:16,240 --> 01:00:18,040
Speaker 1: never get to the part where you make it better

1038
01:00:18,080 --> 01:00:21,320
Speaker 1: because you're always sort of the hardest thing is getting

1039
01:00:21,320 --> 01:00:23,880
Speaker 1: it done, Like a first draft done, So get your

1040
01:00:23,920 --> 01:00:26,720
Speaker 1: first your version of whatever first draft is done. Then

1041
01:00:26,800 --> 01:00:29,640
Speaker 1: I always find once I've got my screenwriting wise, once

1042
01:00:29,640 --> 01:00:31,760
Speaker 1: I've got a first draft done, I look so much

1043
01:00:31,800 --> 01:00:34,720
Speaker 1: more forward to going back and tweaking and fixing and changing.

1044
01:00:35,360 --> 01:00:38,240
Speaker 1: It's just the it's just the amassing. It's like the

1045
01:00:38,840 --> 01:00:43,400
Speaker 1: clay analogy. Amassing all the clay first is so intimidating.

1046
01:00:43,760 --> 01:00:45,440
Speaker 1: But then once you have it, and you've got a

1047
01:00:45,480 --> 01:00:47,520
Speaker 1: completed song and now you're like, Okay, now I'm done,

1048
01:00:47,520 --> 01:00:49,200
Speaker 1: but I'm not. I'm gonna go fuck with it. Then

1049
01:00:49,320 --> 01:00:52,000
Speaker 1: then that's when screenwriting you're going like, take that scene, now, oh,

1050
01:00:52,080 --> 01:00:54,120
Speaker 1: what if he's like this and you're shaping. That's so

1051
01:00:54,240 --> 01:00:57,280
Speaker 1: much more fun than the first Like, let me get

1052
01:00:57,360 --> 01:01:01,280
Speaker 1: my first draft thing up to me, Dan, I'll go ahead.

1053
01:01:01,760 --> 01:01:03,520
Speaker 1: I also want to add, as someone who has been

1054
01:01:03,640 --> 01:01:06,040
Speaker 1: in your position exactly as a beat maker and has

1055
01:01:06,080 --> 01:01:07,920
Speaker 1: then gone on to actually release music and have it

1056
01:01:08,040 --> 01:01:11,680
Speaker 1: do some stuff, I really recommend harnessing your creativity when

1057
01:01:11,720 --> 01:01:13,760
Speaker 1: you have it. There's a lot of times when you're like, Okay,

1058
01:01:13,800 --> 01:01:15,640
Speaker 1: I'm in a creative mode, I have to finish this thing.

1059
01:01:15,880 --> 01:01:18,800
Speaker 1: Instead of concentrating on finishing it, start a new project,

1060
01:01:19,000 --> 01:01:20,960
Speaker 1: especially when it comes to beats like what you made

1061
01:01:21,000 --> 01:01:22,520
Speaker 1: for Zack and Donald, which you made for the show

1062
01:01:22,560 --> 01:01:24,040
Speaker 1: we're talking about like a four bar loop. You know

1063
01:01:24,080 --> 01:01:26,440
Speaker 1: what I'm saying. You have the loop, you have the sample,

1064
01:01:26,520 --> 01:01:28,720
Speaker 1: you put it together. That's something that in your head

1065
01:01:28,800 --> 01:01:32,120
Speaker 1: and your first draft can come together pretty quickly. Make

1066
01:01:32,720 --> 01:01:36,440
Speaker 1: hundreds of those. Make a lot of those. Don't focus

1067
01:01:36,520 --> 01:01:38,880
Speaker 1: so much on like I have to quote unquote finish

1068
01:01:38,960 --> 01:01:41,160
Speaker 1: this beat, because, like Joel said, maybe you're never going

1069
01:01:41,200 --> 01:01:43,840
Speaker 1: to finish. But if you cut off the font of

1070
01:01:43,920 --> 01:01:47,880
Speaker 1: creativity by focusing on one specific thing, you might never

1071
01:01:48,000 --> 01:01:51,160
Speaker 1: get anything done. But maybe on the next project. On

1072
01:01:51,240 --> 01:01:54,440
Speaker 1: the next project, you find oh, the creativity doesn't stop flowing,

1073
01:01:54,520 --> 01:01:56,440
Speaker 1: and you make a beat for two hours and all

1074
01:01:56,480 --> 01:01:59,000
Speaker 1: of a sudden, it's done because you just moved on

1075
01:01:59,120 --> 01:02:02,280
Speaker 1: to the next thing. Especially with beat making, do not

1076
01:02:02,480 --> 01:02:04,919
Speaker 1: cut off your font of creativity the second you feel

1077
01:02:04,960 --> 01:02:08,240
Speaker 1: yourself being like, what do I do here? The idea

1078
01:02:08,320 --> 01:02:10,480
Speaker 1: is done. Move on to the next thing. Open a

1079
01:02:10,520 --> 01:02:13,400
Speaker 1: new project, make a new beat, change the BPM, get

1080
01:02:13,480 --> 01:02:16,680
Speaker 1: some new drum sounds in there, just keep creating. Keep

1081
01:02:16,760 --> 01:02:23,240
Speaker 1: that sound like this one one of the here's a

1082
01:02:23,320 --> 01:02:27,760
Speaker 1: great example of what Daniel's saying. Uh so Poc. You

1083
01:02:27,880 --> 01:02:29,640
Speaker 1: just know how Poc has all of his music that

1084
01:02:29,720 --> 01:02:31,720
Speaker 1: he was able to release after he passed away and

1085
01:02:31,800 --> 01:02:34,640
Speaker 1: everything like that, like that, there's just so much music.

1086
01:02:34,920 --> 01:02:37,160
Speaker 1: And the reason why was because he would go into

1087
01:02:37,200 --> 01:02:39,720
Speaker 1: the studio, do the song, do a rap, and then

1088
01:02:39,800 --> 01:02:41,760
Speaker 1: move on to the next one. And people were like, well,

1089
01:02:41,800 --> 01:02:44,480
Speaker 1: what about the phils and what about the let's add

1090
01:02:44,560 --> 01:02:47,120
Speaker 1: the let's let's let's complete the song and stuff. He

1091
01:02:47,240 --> 01:02:48,920
Speaker 1: was like, we could do that some other time. The

1092
01:02:49,040 --> 01:02:51,920
Speaker 1: song is fucking done. You could fucking you got my vocals,

1093
01:02:52,120 --> 01:02:53,880
Speaker 1: Let's go to the next song. You know what I mean.

1094
01:02:54,440 --> 01:02:57,760
Speaker 1: It's to say it's it's contradictive of what I said earlier.

1095
01:02:58,080 --> 01:03:01,040
Speaker 1: But Daniel's absolutely right. Man. It doesn't mean the beats

1096
01:03:01,200 --> 01:03:03,280
Speaker 1: if you're having to if you're saying, oh, I don't

1097
01:03:03,280 --> 01:03:04,840
Speaker 1: feel like the beats finished, but I don't know what

1098
01:03:04,960 --> 01:03:08,080
Speaker 1: to put in it. That'sh's done for now, dude. Let's

1099
01:03:08,120 --> 01:03:09,480
Speaker 1: go to the next one. I want to give you

1100
01:03:09,480 --> 01:03:11,200
Speaker 1: a specific example off of something that we talk about

1101
01:03:11,360 --> 01:03:13,600
Speaker 1: we praise on the show. Think about all the transition

1102
01:03:13,680 --> 01:03:19,280
Speaker 1: sounds for Scrubs Bow that was. That's a single guitar

1103
01:03:19,400 --> 01:03:23,320
Speaker 1: strum and it's attached to being any barn barrow, like

1104
01:03:23,720 --> 01:03:27,080
Speaker 1: making the four bar loop, making the making just the

1105
01:03:27,200 --> 01:03:29,640
Speaker 1: beginning of a beat. That's enough for someone like a

1106
01:03:29,720 --> 01:03:32,200
Speaker 1: Tupac or any other rapper or someone to then listen

1107
01:03:32,240 --> 01:03:34,360
Speaker 1: to and be like, oh I got this. Yeah, And

1108
01:03:34,440 --> 01:03:35,600
Speaker 1: then if you want to add to it, you can

1109
01:03:35,640 --> 01:03:37,800
Speaker 1: make something more later. But the more that you commit

1110
01:03:37,840 --> 01:03:41,200
Speaker 1: to and develop something like maybe you're overthinking it. Just

1111
01:03:41,400 --> 01:03:43,400
Speaker 1: take the four bars that you're like, oh, this is

1112
01:03:43,480 --> 01:03:46,360
Speaker 1: really hot, put that aside. Boom, you got it, Make

1113
01:03:46,400 --> 01:03:48,720
Speaker 1: another four bar loop, make another four bar loop, Just

1114
01:03:48,920 --> 01:03:52,200
Speaker 1: keep creating. I have a playlist of hundreds of just

1115
01:03:52,520 --> 01:03:54,280
Speaker 1: four bar loops where I just listen to it over

1116
01:03:54,400 --> 01:03:56,560
Speaker 1: and over because I got the basics down of what

1117
01:03:56,680 --> 01:03:59,680
Speaker 1: I wanted. But it's not like finished. But that's okay

1118
01:03:59,800 --> 01:04:02,360
Speaker 1: because you have the idea down. Make sure you get

1119
01:04:02,400 --> 01:04:04,800
Speaker 1: your ideas down so that as you're like banging your

1120
01:04:04,840 --> 01:04:06,880
Speaker 1: head against the wall trying to finish something, you don't

1121
01:04:07,000 --> 01:04:10,080
Speaker 1: stop the font of creativity. And here's another sound you

1122
01:04:10,160 --> 01:04:17,480
Speaker 1: could use, archie. I think I might have that. I

1123
01:04:17,560 --> 01:04:20,080
Speaker 1: own this one lap and a wrap file, a little

1124
01:04:20,120 --> 01:04:25,160
Speaker 1: home lamar that reminds me of actually uh at the beginning,

1125
01:04:25,160 --> 01:04:27,640
Speaker 1: if you listen to the video that was of you

1126
01:04:27,840 --> 01:04:29,960
Speaker 1: Zach laughing, there was like a little bit of a

1127
01:04:30,120 --> 01:04:32,160
Speaker 1: sound and I was like, oh, that kind of sounds

1128
01:04:32,200 --> 01:04:33,520
Speaker 1: like a clap too, if I can, if I can

1129
01:04:33,600 --> 01:04:37,080
Speaker 1: use that too. By the way, the other way, the

1130
01:04:37,160 --> 01:04:40,200
Speaker 1: other way to motivate you is um when they're a fire,

1131
01:04:40,280 --> 01:04:42,400
Speaker 1: will Well will play them on the podcast and give

1132
01:04:42,400 --> 01:04:45,080
Speaker 1: you credit. I appreciate it, Thank you. I want to

1133
01:04:45,120 --> 01:04:47,840
Speaker 1: wrap over one of them. That will never happen. That'll

1134
01:04:47,880 --> 01:04:50,120
Speaker 1: never happen. It will if you, it will if you

1135
01:04:50,200 --> 01:04:53,520
Speaker 1: freaking submit something send it to Daniel. We could get

1136
01:04:53,520 --> 01:04:55,560
Speaker 1: it gone. We'll get it popping, sending whatever you would

1137
01:04:55,600 --> 01:04:58,520
Speaker 1: like to write the wraps that much anymore, Archie, If

1138
01:04:58,560 --> 01:05:00,560
Speaker 1: you ever want advice, when you gotta, I got a

1139
01:05:00,640 --> 01:05:02,480
Speaker 1: couple of things like that. I got a couple of

1140
01:05:02,560 --> 01:05:05,680
Speaker 1: things that are freaking Wait, Daniel's giving him some real

1141
01:05:05,800 --> 01:05:08,400
Speaker 1: help what he told him to send him the beats? Dude,

1142
01:05:08,520 --> 01:05:10,200
Speaker 1: I'm just saying. I'm just saying, you know, I don't

1143
01:05:10,200 --> 01:05:11,840
Speaker 1: know if you are Aren't you heard me? Wasn't listening

1144
01:05:11,880 --> 01:05:14,800
Speaker 1: to me sending the beats? Aren't you fucking around? I

1145
01:05:16,680 --> 01:05:18,840
Speaker 1: was part of a group called Gladiator. If you want

1146
01:05:18,840 --> 01:05:21,000
Speaker 1: to look us up on Spotify or SoundCloud and see

1147
01:05:21,040 --> 01:05:22,720
Speaker 1: if the kind of music I made is something that

1148
01:05:22,800 --> 01:05:24,680
Speaker 1: you're interested in, I'm happy to give you any advice

1149
01:05:24,760 --> 01:05:30,600
Speaker 1: you need. So just that's if I go to soundtrack, No,

1150
01:05:30,720 --> 01:05:32,920
Speaker 1: I can't. I can't. I can't rub one out. If

1151
01:05:32,920 --> 01:05:35,040
Speaker 1: I don't want, I'll send a Gladiator. I can't bust

1152
01:05:35,080 --> 01:05:40,120
Speaker 1: without Gladiator. Oh no, tell about talking about sampling. I'm

1153
01:05:40,120 --> 01:05:49,080
Speaker 1: sampling that. I can't bust without Gladiator. Oh, Gladia, I

1154
01:05:49,200 --> 01:05:52,600
Speaker 1: don't think we have time for one question? Okay, I

1155
01:05:52,720 --> 01:05:55,200
Speaker 1: had these two, but I guess this one's for everybody,

1156
01:05:55,280 --> 01:05:57,800
Speaker 1: just because, like I think it'll it'll hit everyone. Uh

1157
01:05:58,120 --> 01:06:01,960
Speaker 1: pretty well. Um, so big fan of movies too. H

1158
01:06:02,320 --> 01:06:04,600
Speaker 1: Garden State soundtrack is probably like one of my favorite

1159
01:06:04,600 --> 01:06:08,200
Speaker 1: soundtracks of all time. Um, thank you that soundtracks all right?

1160
01:06:08,680 --> 01:06:13,080
Speaker 1: I mean, I mean, if anything, it's a mixtape. Oh boy,

1161
01:06:13,600 --> 01:06:16,080
Speaker 1: m hmm it is. I mean you can ask him

1162
01:06:16,120 --> 01:06:18,080
Speaker 1: m sound it's a mixtape. But all of those songs

1163
01:06:18,120 --> 01:06:21,760
Speaker 1: were released before. Yeah. He just it definitely got me

1164
01:06:21,840 --> 01:06:24,120
Speaker 1: into like more indie like indie stuff too. Oh, thank

1165
01:06:24,160 --> 01:06:26,240
Speaker 1: he so much. Here here's the thing that, here's the

1166
01:06:26,320 --> 01:06:29,680
Speaker 1: thing that Zach has a very good knack for. He

1167
01:06:29,920 --> 01:06:35,600
Speaker 1: has a feel for emotion when within scenes, and he

1168
01:06:35,680 --> 01:06:38,240
Speaker 1: has a musical connection to it also. You know what

1169
01:06:38,280 --> 01:06:41,160
Speaker 1: I mean. It comes from growing up um loving musicals.

1170
01:06:41,200 --> 01:06:44,320
Speaker 1: I mean since that when I if I point to

1171
01:06:44,440 --> 01:06:48,080
Speaker 1: why I'm decent at it. It's the very first art

1172
01:06:48,120 --> 01:06:51,680
Speaker 1: form I ever appreciated was musicals, right, and those are

1173
01:06:51,720 --> 01:06:54,880
Speaker 1: about expressing emotion through song at the right time in

1174
01:06:54,960 --> 01:06:58,040
Speaker 1: a story, right. Um. And so but it but it

1175
01:06:58,160 --> 01:07:01,320
Speaker 1: transcends even into soundtrack you know what I mean? Because

1176
01:07:02,280 --> 01:07:04,480
Speaker 1: but but because it's not like you found these new

1177
01:07:04,600 --> 01:07:06,880
Speaker 1: artists or anything like that. All of these people were

1178
01:07:06,880 --> 01:07:08,920
Speaker 1: around all of these songs. Well they weren't, no, but

1179
01:07:09,360 --> 01:07:11,360
Speaker 1: of course some of them were. But some of the bands,

1180
01:07:12,360 --> 01:07:17,160
Speaker 1: like for example, Coldplay, was breaking. But but the boost

1181
01:07:17,240 --> 01:07:20,120
Speaker 1: of the success, the synergy with Garden State, made it

1182
01:07:20,320 --> 01:07:24,400
Speaker 1: happen exponentially more. I didn't help them break. They were

1183
01:07:24,440 --> 01:07:27,560
Speaker 1: on fire, but it poured gasoline on the fire. The

1184
01:07:27,680 --> 01:07:31,240
Speaker 1: shins were about to break, and I fucking drenched them

1185
01:07:31,280 --> 01:07:34,360
Speaker 1: in gasoline. And that made that they were always going

1186
01:07:34,400 --> 01:07:36,560
Speaker 1: to break. But it was just it was the right time.

1187
01:07:37,280 --> 01:07:39,640
Speaker 1: And and like Archie said, a lot of people this

1188
01:07:39,800 --> 01:07:41,400
Speaker 1: was the music mean my friends were listening to in

1189
01:07:41,560 --> 01:07:43,880
Speaker 1: la Um and my was surrounded by it. Some of

1190
01:07:43,880 --> 01:07:45,520
Speaker 1: my friends were writing this music. We were going into

1191
01:07:45,560 --> 01:07:49,760
Speaker 1: places like Largo and and and this was kind of

1192
01:07:49,800 --> 01:07:52,080
Speaker 1: the scene that I was in in la and I

1193
01:07:52,160 --> 01:07:56,040
Speaker 1: was surrounded by it. But people like Archie and zillions

1194
01:07:56,080 --> 01:07:58,240
Speaker 1: of other people hadn't heard this kind of music before,

1195
01:07:58,800 --> 01:08:01,440
Speaker 1: and it exposed It was so many people to this

1196
01:08:01,600 --> 01:08:05,680
Speaker 1: sort of you know, singer songwriter acoustic sound. I'm gonna

1197
01:08:05,680 --> 01:08:08,400
Speaker 1: tell you something right now, imagin he especially Donald Donald,

1198
01:08:08,440 --> 01:08:12,640
Speaker 1: You said that like imagen and what was there was

1199
01:08:12,680 --> 01:08:14,360
Speaker 1: the name of the band that she was in for

1200
01:08:14,480 --> 01:08:24,439
Speaker 1: a beauty of a breakdown, Let Girls, Let go Dude.

1201
01:08:24,520 --> 01:08:27,640
Speaker 1: That song, that song I had never heard before, and

1202
01:08:27,840 --> 01:08:29,840
Speaker 1: that's one of the I mean, if you ask me

1203
01:08:30,160 --> 01:08:33,479
Speaker 1: on that soundtrack, that's that. It by far as my

1204
01:08:33,840 --> 01:08:37,559
Speaker 1: favorite song on the soundtrack. It's like, that's I've never

1205
01:08:37,640 --> 01:08:40,000
Speaker 1: heard at that point, I had never heard anything like that.

1206
01:08:40,200 --> 01:08:44,920
Speaker 1: That ship was fire, all right, awesome? What was Yeah?

1207
01:08:44,960 --> 01:08:49,000
Speaker 1: That actually brings me to the question for everybody. Um, Like,

1208
01:08:49,400 --> 01:08:51,400
Speaker 1: we all love films and TV, so it's like, what

1209
01:08:51,800 --> 01:08:55,080
Speaker 1: is what would be your all time favorite like song

1210
01:08:55,240 --> 01:08:58,920
Speaker 1: piece or background from film or TV? Why are you

1211
01:08:58,960 --> 01:09:01,760
Speaker 1: asking me this? You know? Answer? Yeah, Now you're gonna

1212
01:09:01,760 --> 01:09:05,599
Speaker 1: make him umb the fucking Vaders theme. It's not Vaders theme?

1213
01:09:07,240 --> 01:09:12,320
Speaker 1: What is it? Do it? Do it? We're all waiting, no, no, no, Well,

1214
01:09:12,320 --> 01:09:16,599
Speaker 1: the force is what gives a Jedi. It's power, dude,

1215
01:09:17,280 --> 01:09:33,120
Speaker 1: do do classic, Do Do do Do Do Do do Classic.

1216
01:09:33,280 --> 01:09:37,080
Speaker 1: You can't beat that. Mine is um it's lamb, the lamb,

1217
01:09:37,160 --> 01:09:46,320
Speaker 1: the lamb um. All right, we got to end our

1218
01:09:46,360 --> 01:09:48,600
Speaker 1: show there, Archie, thank you so much for coming on.

1219
01:09:48,920 --> 01:09:57,439
Speaker 1: We really appreciate you, everybody, thanks for listening. And six

1220
01:09:57,600 --> 01:10:03,760
Speaker 1: seven oh we made about a bunch of docs and

1221
01:10:03,920 --> 01:10:06,960
Speaker 1: nurses and the janitor who loved me him, I said,

1222
01:10:07,040 --> 01:10:12,960
Speaker 1: he's the stories never all should know. So gather around

1223
01:10:13,040 --> 01:10:17,000
Speaker 1: you here, ab gather around you here, abbs, but free

1224
01:10:17,080 --> 01:10:21,080
Speaker 1: watch your winds and then mm hmmm