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Speaker 1: So I'm waiting in the bed. Rose McGowan goes in

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Speaker 1: the bathroom, waiting and waiting. It's taking a really long time,

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Speaker 1: and suddenly, you know, eventually, like half an hour, I'm like,

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Speaker 1: what's going on? I get up. I checked the bathroom.

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Speaker 1: She's rooted through all my medicine cabinets. Everything's on the floor.

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Speaker 1: She's just rooting around, and so I think, oh, I

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Speaker 1: know what this. She's looking for the suit of fed

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Speaker 1: so she can cook that down. So I'm like, Rose,

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Speaker 1: get out of my place, and she says, no, no, no,

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Speaker 1: I'm sorry, I'm sorry. I just wanted to figure out

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Speaker 1: how you smell like you do, like how you get

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Speaker 1: your scent, Like what's the secret? I know? And so

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Speaker 1: so that was nice, and it's like, Rose, silly girl,

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Speaker 1: I just eat a bunch of flowers. You know, you

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Speaker 1: eat a fistful of flowers and it comes out of

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Speaker 1: your pores.

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Speaker 2: It's funny that people don't notice that because I because

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Speaker 2: you have in your I mean in your front pocket

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Speaker 2: you've got flowers sticking out and leaning down and munching

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Speaker 2: on it, sort of chewing the pedals. Well, you know,

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Speaker 2: whenever it's not your turn to speak in a conversation.

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Speaker 1: But I think maybe people don't make the connection to

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Speaker 1: the smell because through the filtering process, it doesn't smell

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Speaker 1: exactly like flowers. No, that's right.

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Speaker 2: It combines with your natural body to become this whole

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Speaker 2: new smell that I think is better than flowers. And

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Speaker 2: Rose thinks so too.

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Speaker 1: And her name is Roe the nose rose flower thing.

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Speaker 1: And that was that was a cute thing that we

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Speaker 1: we did.

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Speaker 2: You must have left your butt off and then did you?

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Speaker 2: Did you pound her out? You drill her?

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Speaker 1: After that?

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Speaker 2: I don't want to no, no, you don't want to

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Speaker 2: tell me on the air.

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Speaker 1: But did you?

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Speaker 2: But then, I mean you've been waiting in the bedroom?

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Speaker 1: I mean did you? Yeah? But it was.

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Speaker 2: Malanson, if you know what I mean? Those two dated.

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Speaker 1: Yeah, well that that's an issue. Oh really, yeah it was.

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Speaker 1: I mean, obviously we're not get a couple of years removed.

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Speaker 1: Why he did that his own D When I found out,

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Speaker 1: when I found out that they were together, it was like, okay,

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Speaker 1: so now I've kissed you and you kissed him and

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Speaker 1: he s is O D. So it's like I am

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Speaker 1: I kissing D. Yeah, So that that's that was the

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Speaker 1: end of that. M Hey, welcome to Hollywood.

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Speaker 2: Sorry, no, it's okay. No, there just may be an

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Speaker 2: even more direct route than that to what you think

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Speaker 2: She only kissed him? Well, yeah, because it feels like.

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Speaker 1: You're out of it. Why would Tim d her kissing him? Yeah,

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Speaker 1: well why would he? Well, if if she would do

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Speaker 1: d no, why else would he get two ribs removed

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Speaker 1: to do it himself? Well, people go on vacation, people

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Speaker 1: fall asleep. It's a really elaborate procedure to get two ribbles.

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Speaker 2: Well, I guess you know whether she would do it

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Speaker 2: or not.

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Speaker 1: No, she wouldn't do that. Hey, this Industry Week, I

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Speaker 1: will always do it right, and you can.

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Speaker 2: I wasn't trying to make you do it wrong.

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Speaker 1: We have some interesting media to talk about.

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Speaker 2: Trying to do like a t pain thing. Almost did

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Speaker 2: it sound auto tuned? Engineer Cody when I was doing it?

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Speaker 1: Did you hear t Paie singing without auto tune? You

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Speaker 1: can really sing? I can really sing.

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Speaker 2: People think that auto tune is like this cheating tool

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Speaker 2: that makes it so the people who can't sing sound

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Speaker 2: like they can. Well, they don't realize it's people who

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Speaker 2: can sing can use it and it's an enhancement.

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Speaker 1: I wish he would have done his songs just being

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Speaker 1: a singer.

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Speaker 2: Oh, I thought the same thing, Cody. Did you hear

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Speaker 2: that engineer? Cody did as an engineer. Did you hear it?

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Speaker 3: Oh?

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Speaker 2: Okay?

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Speaker 1: And now, Cody, why did you use the sound and

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Speaker 1: then speaking to a non functioning microphone?

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Speaker 4: Oh?

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Speaker 1: Here? Am I good? What was What was the story

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Speaker 1: behind you pushing levers on the soundboard and then speaking

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Speaker 1: into your microphone and it not making any sound at all?

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Speaker 4: You know, someone switched the channel strip. There's a channel

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Speaker 4: six was.

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Speaker 2: You can't use jargon to confuse me.

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Speaker 1: It must have been that poly Shore who was in

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Speaker 1: here right before this.

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Speaker 2: He was just in Yes, he was in a movie.

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Speaker 2: He was in a movie with Rose mcgow and if

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Speaker 2: you believe it. Now let's really talk about what's really

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Speaker 2: going on. And some people have wanted us to weigh in. Look,

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Speaker 2: we're one of the top podcasts in the world under

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Speaker 2: Wolf Dend but above you know a lot of people

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Speaker 2: who were doing it independently and so and so. At

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Speaker 2: this point, what do we feel about probably the top

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Speaker 2: podcast most downloaded of all time, And that's right, it's

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Speaker 2: called Cereal and no, I'm not talking about munching on

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Speaker 2: cool Gey Chris.

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Speaker 1: What I'm talking about s E R I A.

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Speaker 2: And that's because it's a serialized series like The Old

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Speaker 2: Shadow and the Shadow knows and heyes, go ahead and

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Speaker 2: just take it away.

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Speaker 1: The Earwealth came to us and they said, listen, people

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Speaker 1: are cashing in off these Ceial recap podcasts, Slate av Club,

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Speaker 1: we're fralling behind, guys. We need to do one of

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Speaker 1: our own. We want you to do what you do

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Speaker 1: and recap Cereal for us every other week.

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Speaker 2: And also they could not afford to, I guess put

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Speaker 2: the cereal stuff into one of their other existing podcasts

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Speaker 2: because people want to hear what those podcasts normally do

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Speaker 2: when they tuned into those podcasts.

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Speaker 1: Yes, and so I think the idea was that our

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Speaker 1: content was not just replaceable, but should be replaced with something.

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Speaker 2: It's something where we're sort of recapping Cereal. And I

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Speaker 2: don't know if you guys love mysteries as much as

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Speaker 2: I do, but man, I got out in my magnifying

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Speaker 2: glass and my Sherlock hat and I just hopped in

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Speaker 2: the guard started driving and listening.

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Speaker 1: Hey as you were there, Yeah, Sean and I drove

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Speaker 1: here together and we binge listed to the entire Ceial series.

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Speaker 2: Yes, and we circled around the Irwell studios a couple

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Speaker 2: of times in my Pontiac bondam.

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Speaker 1: Yes, because we couldn't stop listening, and plus we had

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Speaker 1: to do it. Yes, that was made clear. And so

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Speaker 1: finally we finish. And let me tell you, we each

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Speaker 1: have some real theories about what's going on with these guys.

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Speaker 2: Oh gosh, well, now that I've heard it, and we

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Speaker 2: couldn't hear it so clearly because the two front windows

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Speaker 2: are broken, they've been bond.

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Speaker 1: They've been bashed out. Yes, the story of that who

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Speaker 1: bashed your windows out?

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Speaker 2: Oh well, if I knew, let me tell you something,

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Speaker 2: they'd be getting themselves bashed out with a lawsuit.

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Speaker 1: And and we should never be violent with one another.

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Speaker 2: And I know you just found them. They were bashed out.

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Speaker 2: Here's what I know.

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Speaker 1: It's jeans.

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Speaker 2: It was I went to get in my car. There's

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Speaker 2: glass everywhere, and on my front seat there's a metal

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Speaker 2: Hammiger sandwich.

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Speaker 1: Now I don't know who the Hamburger part is metal

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Speaker 1: and buns are normal, or the entire thing is made

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Speaker 1: of metal.

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Speaker 2: The lettuce to catch up.

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Speaker 1: Are real.

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Speaker 2: The bun is not metal, but it's also not a bun.

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Speaker 2: And I found that out the hard way. The burger

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Speaker 2: part that's metal, So to me, that's a metal hammager sandwich.

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Speaker 2: Oh yeah, and an indeterminate bun. We don't know what

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Speaker 2: species it is. Yes, So I found that and I

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Speaker 2: started working backwards.

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Speaker 1: Who would want to hurt me like this? Has access

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Speaker 1: to metal and can maybe control metal?

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Speaker 2: And who can maybe control metal? And I, you know,

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Speaker 2: I have an idea of potentially who it might be. M. Yeah,

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Speaker 2: you're probably thinking the same thing I am, and will

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Speaker 2: say it at the same time.

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Speaker 1: Yes, okay, one two three? Oh?

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Speaker 2: I thought we were doing one three and then saying magneto.

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Speaker 1: Okay, do you want to do it now? M M

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Speaker 1: okay one two three? Magento? He said Magento?

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Speaker 2: Did I I think I was saying go? Did we

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Speaker 2: not agree to do go?

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Speaker 1: You did? No? You didn't say go, you said magent?

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Speaker 1: Did you say magent go? Mmm? So what you want

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Speaker 1: us to do is say one, two three and then

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Speaker 1: say magneto and then say go at the end.

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Speaker 2: I was thinking that would be the cleanest.

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Speaker 1: Way to do it. Okay, do I try okay.

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Speaker 2: One, two, three, Bagneto.

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Speaker 1: Go oh you said Bagneto? Oh where was that coming from?

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Speaker 1: I got a cold, terrible cold.

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Speaker 2: So anyway, the windows are smashed out and makes it

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Speaker 2: a little hard to hear the poppy.

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Speaker 1: Because it's just the way they're smashed out. It's just

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Speaker 1: like the top of the back windows. So it's it

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Speaker 1: creates a very unpleasant like rippling. It's similar to do

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Speaker 1: it a huge whippet the sound in your ears? Yes,

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Speaker 1: And so what we got to me a huge whippet

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Speaker 1: is more wowowow. Oh, mine's going's going wow wow wow.

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Speaker 1: That's weird. I wonder which ones you did?

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Speaker 2: Oh well, maybe there was something wrong.

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Speaker 1: With mine where it painted like grenades.

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Speaker 2: Maybe that Bogneto fellow is, you know, messing with my

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Speaker 2: whippet cans as well.

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Speaker 1: So what's going on with these guys? Who is the

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Speaker 1: main one? Who is he's solving the crime or did

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Speaker 1: he do it?

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Speaker 2: No, he's doing jail.

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Speaker 1: Did they put him in jail for trying to solve

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Speaker 1: the mystery?

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Speaker 2: No? No, the main guy's doing jail to try to

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Speaker 2: find out which one of the other guys is who

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Speaker 2: actually did kill the reporter.

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Speaker 1: And he's on the phone. Yes, well he is.

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Speaker 2: And this is part of why I think, And it's

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Speaker 2: so obvious if you've listened to the episodes and everyone's saying, oh,

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Speaker 2: it's such a mystery, and they've got these crazy out

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Speaker 2: there theories about you know, so and so's a police

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Speaker 2: informant or this one's you know, protecting that one, and

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Speaker 2: I'm like, actually, if you think about it, what probably

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Speaker 2: did it is? It probably was somebody who works for

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Speaker 2: the phone, because this guy who's doing jail is always

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Speaker 2: has to talk on it.

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Speaker 1: Yes, and you know, they they can say anything. You

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Speaker 1: know what I found very interesting? Oh please. They make

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Speaker 1: a lot of discussion about how there's no phone outside

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Speaker 1: of the Best Buy, and so if you were working

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Speaker 1: for the phone, wouldn't it be good for you if

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Speaker 1: people were saying, oh, there should be a phone outside

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Speaker 1: of that best And now you can say, oh, I

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Speaker 1: work for the I work for the phone, and I'm

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Speaker 1: happy to put a phone there. You're just gonna have

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Speaker 1: to pay me big bucks first.

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Speaker 2: Yes, And they know that they follow the many people

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Speaker 2: follow the money. Yes, and I think that it's definitely

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Speaker 2: somebody who works with the phone, and they probably also yes, well,

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Speaker 2: but do they not work with phones at that job?

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Speaker 1: No, you're right, works four in with the phone.

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Speaker 2: Yeah, So that's how we'll say it from now on.

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Speaker 2: Somebody who works four and with the phone, wouldn't they

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Speaker 2: have a particularly good pitch to corrupt this j fellow

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Speaker 2: who we know had to borrow other people's phones because

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Speaker 2: he don't have his own phone.

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Speaker 1: Yes, and by making him out to be sort of

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Speaker 1: an evil anti phone person. I just don't. I just

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Speaker 1: can't see how it could be anyone else but the

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Speaker 1: and who works foreign with the phone. And there's a

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Speaker 1: big advertisement. You'll notice they say like this is a

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Speaker 1: call from the phone at the very beginning. Yes, And

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Speaker 1: you just have to think about who's profiting, you know,

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Speaker 1: at the end of this, you just have to look

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Speaker 1: at who is the one who really made out to

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Speaker 1: be the best at the end? Thing? Sorry ahead, what

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Speaker 1: is that noise you hear that?

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Speaker 2: Oh?

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Speaker 1: Yeah, in the heaven? Okay, So we had a little

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Speaker 1: interruption there. You may have noticed for the first half

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Speaker 1: of our introduction you could sort of hear these very

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Speaker 1: quiet voices over the entire record. And this is something

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Speaker 1: we've kind of been experimenting with.

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Speaker 2: Yes, and sort of what we call subliminal laugh advertising.

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Speaker 2: And what we do is we get another podcast that

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Speaker 2: we think is funny and other people think is funny

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Speaker 2: and we maybe don't totally get, and we play it

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Speaker 2: along with our podcasts so that hopefully some of the

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Speaker 2: people who don't like us, and let's face it, there's

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Speaker 2: a few can start to kind of enjoy another show

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Speaker 2: while our show's playing, so we won't be such a

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Speaker 2: turn off.

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Speaker 1: So what was happening is Squarborough County was playing at

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Speaker 1: a very low level through our entire podcast. You may

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Speaker 1: have thought that this was a mistake that engineer Cody made,

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Speaker 1: that he was just playing. We assure you it was

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Speaker 1: something deliberate that we were doing. The idea that he

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Speaker 1: could be so stupid as to be accidentally playing another

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Speaker 1: podcast simultaneously over our, probably.

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Speaker 2: During a record where his really only function is to

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Speaker 2: monitor the sound quality of our show, that he would

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Speaker 2: be playing another one, that would be pretty crazy. So

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Speaker 2: what must have happened is that we intentionally chose to

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Speaker 2: have him playing Scarborough County.

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Speaker 1: It was county, right, not country? Okay, God help you.

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Speaker 1: If it was country.

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Speaker 2: If it was country, we're pissed. But if not, We're happy.

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Speaker 2: We love having County playing and so you know, this

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Speaker 2: is just another thing. Also, we want more mysteries in

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Speaker 2: our show so we can be more like Cereal. We're

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Speaker 2: learning from it. You know which episode was it? You

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Speaker 2: can't quite hear, and we're you know, were they talking

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Speaker 2: about sports?

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Speaker 1: So let us know what you thought about Squarborough County

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Speaker 1: playing during our podcast and whether Cody did a good job,

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Speaker 1: and did you have another Cereal theory?

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Speaker 2: Well, yes, quite frankly I do. And the theory is.

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Speaker 5: Maybe something I shouldn't say in front of Engineer Ceod Why.

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Speaker 1: Okay, well maybe if you do do a lot of spelling.

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Speaker 5: Well, I just know that Jay lives in l A.

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Speaker 5: And then somebody named engineers c O D Why also

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Speaker 5: lives in l A. And maybe the two of them

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Speaker 5: are the ones that.

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Speaker 3: Strangled back g I R L and put her in

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Speaker 3: the trunk of her c A R and buried her

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Speaker 3: in the ground. And they're friends with somebody who works

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Speaker 3: and with the p h O n E. And they

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Speaker 3: did it for a free f O n E that

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Speaker 3: they could get themselves.

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Speaker 1: So think about it, Cody. It sounded like you were

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Speaker 1: really turning the volume out very high there, and it

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Speaker 1: sounds like you were trying to be a spire okay and.

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Speaker 2: Not s p I r e Oh wait.

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Speaker 4: I don't understand those. I don't know what's going on anyway.

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Speaker 4: So and I've been ear muffing.

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Speaker 2: We have a ear muffing.

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Speaker 1: Old school friends, Hi, old girl friends.

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Speaker 2: Let me stop it down, Vince Von's heyday brother. And

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Speaker 2: Cody went ahead and reached right up to the we're

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Speaker 2: going streaking baby and you're my boy Blue. It hits

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Speaker 2: your lips? Great killboard?

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Speaker 1: What's some other stuff? The fat guy? What else do

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Speaker 1: you like about that movie? You're crazy man? Oh yeah,

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Speaker 1: go ahead? Code? What else?

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Speaker 5: Hello?

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Speaker 1: Darkness? Smile? Friend? What is this? What is this?

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Speaker 4: Because it's the scene when he falls into the pool

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Speaker 4: and then starts playing.

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Speaker 1: Oh yeah, that's right. I remember that. That's really funny.

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Speaker 2: Oh well, now this sounds a funny song.

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Speaker 1: Okay. I thought for a second it was just a

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Speaker 1: ridiculous that you're doing. But that is very funny. We

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Speaker 1: have a great guest today, Polly Shore is here.

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Speaker 2: Did engineer Cody save this episode of our show?

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Speaker 1: I think from top to bottom? I mean I think we've.

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Speaker 2: Been recording maybe one of the worst, most dysfunctional episodes

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Speaker 2: we've ever made. The entire intro bit is completely insular.

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Speaker 2: You can't you literally can't enjoy it at all if

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Speaker 2: you haven't heard Cereal. It's totally scattershot. And the guest

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Speaker 2: interview was problematic. And Cody every step of the way

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Speaker 2: has been doing some of the best, funniest stuff, and

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Speaker 2: I think in trying to destroy the show, he's accidentally

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Speaker 2: has saved it. I think it was okay, Well, maybe

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Speaker 2: you're right, maybe you're right, and it's all good.

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Speaker 1: We have a great guest today. Polly Shore is here,

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Speaker 1: coming right up on Hollywood Handbook. So I'm talking to Giselle. Yeah,

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Speaker 1: I say, where are you from? And it's just you know,

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Speaker 1: Rio Data Narrow.

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Speaker 2: I say, sweet, you got to change that name because

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Speaker 2: in this town there's only one Rio and that's Rio too.

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Speaker 2: The Birds, the Birds, Eisenberg Issenbird, Yes, just the Eisenberg.

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Speaker 1: Hey, welcomes Guide to Kicking button dropping names in the

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Speaker 1: red carpet lineback hallways of this industry we call showbiz.

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Speaker 1: What up? We have a corker of a guest today

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Speaker 1: where we're so happy to have him. This guy's been

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Speaker 1: doing it for a long time. Probably shore is here,

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Speaker 1: I might see. The thing is I might not understand. See,

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Speaker 1: it's been a long time since I've done anything in

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Speaker 1: the business because you know, I've been like I've.

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Speaker 6: Been, You've been working the fringe. I've been away, you

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Speaker 6: know what I mean. I've been away, so like I

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Speaker 6: might not get some of your references. So bear with me.

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Speaker 1: Oh no, it's you know what I mean.

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Speaker 6: You just gotta flows like a new generation. You guys

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Speaker 6: are tweeting and facebooking, And did you not see Rio

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Speaker 6: gramming and all that ship?

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Speaker 1: You know? Did you not see Rio two? No?

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Speaker 6: I didn't even know there was that.

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Speaker 2: A movie with the birds we'll talk about. Yes, yes,

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Speaker 2: it had birds. I guess it was going to be

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Speaker 2: the bulk of the interview. Yeah, it was just sort

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Speaker 2: of dissecting Rio too.

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Speaker 1: That's why I was saying.

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Speaker 6: When my publicist asked me to do your to do

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Speaker 6: your show, I thought, like, you know, usually accept everything,

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Speaker 6: you know what I mean, And this one came about

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Speaker 6: and I didn't really understand what it was. And now

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Speaker 6: that I'm here, I really don't understand what it is.

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Speaker 6: So it makes you Yeah, I know, but I want

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Speaker 6: to stay here. I want to hang in there. I

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Speaker 6: don't want to leave, but I just want to be

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Speaker 6: I want to be be able, to be able to

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Speaker 6: contribute to the show.

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Speaker 1: Okay, well, let's talk about where you've been, PAULI.

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Speaker 6: Well, I've been performing for the people, the crevices of America,

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Speaker 6: the tertiary markets, you know, the towns that are so

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Speaker 6: small they just opened up Panera bread, those type of towns,

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Speaker 6: you know, Yes, we mean sounds like that George Clooney,

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Speaker 6: Brad Pitt, fly Over and ship On, Yes, we talked.

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Speaker 6: Those are my fans, like the people that love Son

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Speaker 6: in Law. You know that film I did like twenty

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Speaker 6: years ago.

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Speaker 1: Yes, sure, yeah, and they want you to do that

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Speaker 1: apes and stuff, and they want you to do that again. PAULI.

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Speaker 6: Yeah, I want to do I want to do it again.

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Speaker 6: But I'm just so Dumb and Dumber didn't didn't quite perform.

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Speaker 6: We were already set for in Sino Man two. But

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Speaker 6: Dumb and Dumber didn't quite perform like our expectations because

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Speaker 6: I had Brendan Fraser and Sean asked and we were

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Speaker 6: ready to go. Yeah, and then the studio pulled the

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Speaker 6: plug on In Sino Man two, which was kind of

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Speaker 6: a bummer. So that was like my in back, you know,

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Speaker 6: back that would have been back my ind back into

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Speaker 6: the business. So now I'm back to the tertiary markets.

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Speaker 1: Talk about going out to those places like Arkansas. Yeah,

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Speaker 1: and like the things you've seen there, because you talk

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Speaker 1: about Panera bread and isn't that sometimes doubling is like

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Speaker 1: a library in the city hall in those places pretty much.

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Speaker 6: Yeah, there's a lot of they have their Wi Fi

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Speaker 6: set up out there, and you know, it's a lot

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Speaker 6: of business, you know, a lot of small you know,

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Speaker 6: a lot of startup companies happens in Panera Breads. You

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Speaker 6: know what I mean. It's like, you know, it's like

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Speaker 6: the best of America. It's like the heart. It's like

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Speaker 6: that five guys and then maybe like maybe like a

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Speaker 6: Jamba Juice, Yeah, you know what I mean. And they

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Speaker 6: and they're all in these kind of smaller these smaller markets.

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Speaker 2: They have to say hi to you at Jamba Juice.

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Speaker 2: I think that's what people like about it. Does it

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Speaker 2: feel nice to have them say hi to you and

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Speaker 2: to know that they have to do that and they

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Speaker 2: can't freeze you out like they might do it?

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Speaker 1: Is that a corporate.

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Speaker 6: That's a corporate entity to.

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Speaker 2: You.

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Speaker 1: Oh you thought they were just saying hi to you

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Speaker 1: because they were friendly? Yeah, they were friendly.

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Speaker 2: No, Well I think that's how it should be. I

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Speaker 2: think you should be, you know, federally required to say

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Speaker 2: hi to me. So either way, I'm just happy to

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Speaker 2: be on your show. And again I'm trying to, you know,

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Speaker 2: brace myself for where this is going to go. So

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Speaker 2: I'm not really quite sure.

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Speaker 1: Well, I hope you're strapped in.

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Speaker 2: I hope you're buckled in tight, because wherever it's going

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Speaker 2: to go, it's gonna go right. Yeah, I think it's

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Speaker 2: going to flow. And I'm feeling the flow. I'm feeling

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Speaker 2: like I'm in it right now.

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Speaker 6: Yeah, this is exciting. What about your engineer? Why are

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Speaker 6: you looking at your Twitter account?

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Speaker 1: Bro?

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Speaker 6: Becaus on us?

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Speaker 1: And now see this is actually a great question to raise,

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Speaker 1: you know, like somebody rib before, like what the fuck?

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Speaker 2: Bro?

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00:22:06,359 --> 00:22:09,840
Speaker 1: Stay with us? Cody's Cody's this. This is engineer Cody.

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Speaker 1: He's hoping to get a Twitter account off the ground

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00:22:12,800 --> 00:22:17,840
Speaker 1: where he tells paparazzi where different celebrities are like when

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Speaker 1: they're in the studio. He tells the paparazzi that they're here,

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Speaker 1: and so they can just wait outside and and take

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Speaker 1: snaps and then buy Arby's. Yes, exactly. And then and

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Speaker 1: then Cody gets a little piece both from Arby's because

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Speaker 1: the paparazzi.

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00:22:31,640 --> 00:22:34,480
Speaker 2: Is promotion, because it then looks like somebody, like a

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Speaker 2: Poli Shore is eating at an Arby's.

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Speaker 6: So that's good, Cody, what do you think, follow.

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Speaker 4: Me and find the celebs near Arby's.

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Speaker 6: Okay, that's good. I think that's a good move.

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Speaker 1: It's at find the celebs near Arby's. I and I

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Speaker 1: don't follow that. Don't urge that to not follow Cody,

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00:22:54,200 --> 00:22:55,960
Speaker 1: and he's going to be cutting that out. If he

439
00:22:56,040 --> 00:22:58,040
Speaker 1: knows what's good for him, you should not follow him

440
00:22:58,080 --> 00:22:59,679
Speaker 1: at find the celebs near Arby's.

441
00:23:00,040 --> 00:23:00,600
Speaker 4: Snarbis.

442
00:23:01,600 --> 00:23:04,000
Speaker 2: It seems like that's a bad business model. Wouldn't you want,

443
00:23:04,080 --> 00:23:07,120
Speaker 2: like one paparazzi, you text and you get their money

444
00:23:07,200 --> 00:23:09,280
Speaker 2: for it, rather than just tweeting it to the world.

445
00:23:10,040 --> 00:23:12,240
Speaker 2: That seems like such a longer way to monetize.

446
00:23:12,280 --> 00:23:14,840
Speaker 1: Well, it's ad driven as well, but it's a good question.

447
00:23:15,000 --> 00:23:17,440
Speaker 2: Why are you fucking around and doing your ship on

448
00:23:17,520 --> 00:23:18,879
Speaker 2: your computer when you should.

449
00:23:18,600 --> 00:23:24,240
Speaker 1: Be here today, the sweet Baby, weasels here, weasel Wolf.

450
00:23:24,440 --> 00:23:27,439
Speaker 2: You know, we want to fire Cody, but he's doctor

451
00:23:27,520 --> 00:23:31,639
Speaker 2: Irwolf's nephew, so it's like a family thing.

452
00:23:31,760 --> 00:23:35,399
Speaker 6: Yeah, I don't know his his his his parents keep

453
00:23:35,440 --> 00:23:37,359
Speaker 6: the lights on apparently.

454
00:23:36,960 --> 00:23:37,040
Speaker 5: So.

455
00:23:38,560 --> 00:23:40,440
Speaker 1: We can do a little something with Cody that could

456
00:23:40,480 --> 00:23:42,520
Speaker 1: be fun. Yes, let's do it. Could be a great

457
00:23:42,520 --> 00:23:45,600
Speaker 1: thing to have you here for. Yes, your characters historically

458
00:23:45,640 --> 00:23:48,399
Speaker 1: have had a lot of interesting names. Yes, what are

459
00:23:48,480 --> 00:23:49,600
Speaker 1: some of them from your movies?

460
00:23:50,080 --> 00:23:51,639
Speaker 6: I did a movie called in the Army Now a

461
00:23:51,680 --> 00:23:54,680
Speaker 6: long time ago called I Was Bones Conway Bones.

462
00:23:55,240 --> 00:23:58,520
Speaker 2: Yeah, and then and they stole that right, Yeah, I

463
00:23:58,560 --> 00:24:00,399
Speaker 2: mean Bones is now a hit show. And it's like,

464
00:24:00,640 --> 00:24:02,879
Speaker 2: where'd you get that idea character named Bones? And it's

465
00:24:02,920 --> 00:24:04,920
Speaker 2: a similar character it is.

466
00:24:05,560 --> 00:24:06,600
Speaker 6: I haven't seen Bones.

467
00:24:07,200 --> 00:24:10,200
Speaker 2: Well i'll tell you what you have seen Bones, because

468
00:24:10,240 --> 00:24:10,760
Speaker 2: you've made it.

469
00:24:12,840 --> 00:24:15,280
Speaker 6: Well, yeah, I made the Army you.

470
00:24:16,800 --> 00:24:16,840
Speaker 2: Know.

471
00:24:18,920 --> 00:24:19,160
Speaker 1: Yeah?

472
00:24:19,359 --> 00:24:22,000
Speaker 6: Where is Andy Dick? I think I saw him by Arby's.

473
00:24:22,960 --> 00:24:23,640
Speaker 1: He's over there.

474
00:24:23,760 --> 00:24:25,560
Speaker 6: He's he's sleeping under the bench.

475
00:24:26,000 --> 00:24:28,240
Speaker 1: You get that goat under under the bench. He's not

476
00:24:28,320 --> 00:24:30,640
Speaker 1: even allowed to sleep on the bench at Arby's. Core

477
00:24:30,760 --> 00:24:33,640
Speaker 1: guys to sleep under there he was so funny, dude. Yeah,

478
00:24:33,680 --> 00:24:35,399
Speaker 1: I mean he's still funny, but he's got to get

479
00:24:35,680 --> 00:24:38,159
Speaker 1: his ship together. The way he sleeps under there is

480
00:24:38,480 --> 00:24:41,320
Speaker 1: pretty funny. He does like a funny snore. Yeah, just

481
00:24:41,400 --> 00:24:46,359
Speaker 1: like a yeah, like a little cartoon mouse.

482
00:24:47,680 --> 00:24:50,440
Speaker 2: But yes, you so you got bones, We've got Crawl

483
00:24:50,720 --> 00:24:53,200
Speaker 2: was in sun in Law, all right. Yes, that's a

484
00:24:53,280 --> 00:24:53,960
Speaker 2: hell of a name.

485
00:24:54,359 --> 00:24:57,600
Speaker 6: Yes, I don't I forgot what it was in the film,

486
00:24:57,680 --> 00:25:01,760
Speaker 6: but there was something about, you know, crawling out of something.

487
00:25:01,880 --> 00:25:04,399
Speaker 6: I don't remember what the premise was, but it was

488
00:25:04,480 --> 00:25:08,119
Speaker 6: something to crawl somewhere and then the father Lane Smith

489
00:25:08,200 --> 00:25:14,280
Speaker 6: rests his soul. He he called me different, you know, different, crawl, crotch, cramp,

490
00:25:14,600 --> 00:25:17,040
Speaker 6: you know different. He always kind of goofed it off.

491
00:25:17,160 --> 00:25:18,800
Speaker 1: Yeah, I won't quite get it right. He was a

492
00:25:18,840 --> 00:25:19,320
Speaker 1: great actor.

493
00:25:19,359 --> 00:25:20,560
Speaker 6: Do you guys remember Lane Smith?

494
00:25:20,640 --> 00:25:20,760
Speaker 3: Oh?

495
00:25:20,880 --> 00:25:23,120
Speaker 1: Yes, he was like a southern lawyer and a lot

496
00:25:23,160 --> 00:25:26,600
Speaker 1: of things, and he had a judge later. He was

497
00:25:26,760 --> 00:25:28,280
Speaker 1: like a real career path.

498
00:25:28,520 --> 00:25:29,359
Speaker 6: Such a good actor.

499
00:25:29,520 --> 00:25:31,639
Speaker 1: He had some interesting jowels and a lot of actors

500
00:25:31,720 --> 00:25:34,560
Speaker 1: become judges. Polly, what we were wondering if you would

501
00:25:34,560 --> 00:25:38,320
Speaker 1: just give Cody a new name, because the name that

502
00:25:38,400 --> 00:25:40,320
Speaker 1: were watching Strap Jock Strap.

503
00:25:40,880 --> 00:25:45,080
Speaker 6: That first and last name, Yeah, first last, last, first

504
00:25:45,160 --> 00:25:48,520
Speaker 6: name jock Jock Harry Harry Strap.

505
00:25:48,920 --> 00:25:52,240
Speaker 2: Jock Harry Strap. So first that's first, last, and middle. Yeah,

506
00:25:52,440 --> 00:25:55,800
Speaker 2: that makes sense. He was a high school wrestler, after all.

507
00:25:55,880 --> 00:25:57,320
Speaker 1: He looks like one. Yeah it doesn't.

508
00:25:57,400 --> 00:26:00,159
Speaker 6: You're not feeling it, bro, No, not half it?

509
00:26:00,320 --> 00:26:00,439
Speaker 3: Right?

510
00:26:01,240 --> 00:26:02,000
Speaker 1: What do we do with you?

511
00:26:02,480 --> 00:26:04,840
Speaker 4: How do we get to hold you? I was never

512
00:26:04,960 --> 00:26:05,720
Speaker 4: much of a jock, but.

513
00:26:06,960 --> 00:26:09,160
Speaker 2: Humhm, oh that's the problem. His first name is jock.

514
00:26:09,280 --> 00:26:12,840
Speaker 1: Now what what about what we call call him? Rage?

515
00:26:14,359 --> 00:26:15,119
Speaker 1: What do you think about that?

516
00:26:16,040 --> 00:26:17,800
Speaker 4: It's a little closer to home rage. I like it

517
00:26:18,160 --> 00:26:19,080
Speaker 4: feels nice inside.

518
00:26:19,520 --> 00:26:23,400
Speaker 2: One day I got so mad he punched, punched the soundboard,

519
00:26:23,440 --> 00:26:24,240
Speaker 2: broke his hand.

520
00:26:24,840 --> 00:26:26,399
Speaker 4: And the soundboard. He should have seen this same.

521
00:26:27,000 --> 00:26:29,120
Speaker 2: No, just your hand break.

522
00:26:29,160 --> 00:26:34,520
Speaker 1: The soundbird worked better afterwards. So so that's Cody's name

523
00:26:34,560 --> 00:26:37,560
Speaker 1: now named Hayes name him.

524
00:26:38,040 --> 00:26:40,879
Speaker 2: I'd love that, yeah, because I'm sick of calling him has.

525
00:26:41,440 --> 00:26:44,680
Speaker 6: I would call him Blumber.

526
00:26:45,760 --> 00:26:47,439
Speaker 1: That really works for me. That is a good name

527
00:26:47,520 --> 00:26:49,200
Speaker 1: for me because of the wood, kind of taste.

528
00:26:49,200 --> 00:26:52,280
Speaker 2: Shop would carry water. Yeah, yeah, that's what he said

529
00:26:52,280 --> 00:26:52,960
Speaker 2: about this business.

530
00:26:53,000 --> 00:26:54,920
Speaker 1: Yeah, there's another reason I call you softy.

531
00:26:55,480 --> 00:26:58,800
Speaker 2: Oh yeah, well that makes sense. I'm I'm delicate like

532
00:26:58,880 --> 00:26:59,840
Speaker 2: a baby kitten.

533
00:27:00,040 --> 00:27:01,600
Speaker 6: What if you think softie is a kick?

534
00:27:01,600 --> 00:27:02,560
Speaker 1: You're softy?

535
00:27:02,680 --> 00:27:03,359
Speaker 2: Yeah, it's cool.

536
00:27:03,680 --> 00:27:06,880
Speaker 1: Yeah you like that name? Yeah, well, I mean I'm

537
00:27:07,240 --> 00:27:07,840
Speaker 1: not thrilled.

538
00:27:07,880 --> 00:27:10,040
Speaker 2: I'll probably get beat up walking around with that name.

539
00:27:10,119 --> 00:27:12,840
Speaker 2: But you know that was likely to happen regardless.

540
00:27:12,880 --> 00:27:15,680
Speaker 6: Sometimes sometimes if you do like porn in your early

541
00:27:15,840 --> 00:27:18,080
Speaker 6: part of your career, and then and then because now

542
00:27:18,119 --> 00:27:21,040
Speaker 6: because of Google, you can like figure out everyone's kind

543
00:27:21,080 --> 00:27:23,880
Speaker 6: of past, some people have to actually change their name.

544
00:27:24,040 --> 00:27:25,480
Speaker 1: So if you know what I mean, So if you

545
00:27:25,680 --> 00:27:27,520
Speaker 1: did you ever do por an early part of your

546
00:27:27,560 --> 00:27:31,439
Speaker 1: career a little man, not professionally h.

547
00:27:33,200 --> 00:27:37,520
Speaker 2: But but you think, I don't know, calling me softie

548
00:27:37,520 --> 00:27:41,160
Speaker 2: and then talking about me doing pornography, I don't really

549
00:27:41,200 --> 00:27:42,080
Speaker 2: look at connotation.

550
00:27:42,320 --> 00:27:44,600
Speaker 6: That'd be a great name for a porno starts softy,

551
00:27:45,000 --> 00:27:48,040
Speaker 6: Yeah right, it's girls are always frustrated.

552
00:27:48,040 --> 00:27:50,119
Speaker 1: It's an untapped market. Yeah, it's a.

553
00:27:50,160 --> 00:27:53,320
Speaker 6: Guy with a big soft one and it could be funny.

554
00:27:53,440 --> 00:27:56,600
Speaker 6: Just the dialogue between the chick and the in the

555
00:27:56,680 --> 00:27:59,960
Speaker 6: porn actor, just that dialogue and then she never gets

556
00:28:00,119 --> 00:28:00,480
Speaker 6: set up.

557
00:28:01,320 --> 00:28:01,520
Speaker 1: Yeah.

558
00:28:01,600 --> 00:28:03,760
Speaker 2: Yeah, yeah, they do the dialogue and then uh.

559
00:28:03,880 --> 00:28:04,520
Speaker 6: Then it's time.

560
00:28:05,040 --> 00:28:08,399
Speaker 2: Yeah, well, and it's and he's got a big, a

561
00:28:08,480 --> 00:28:09,760
Speaker 2: big one, but a big soft.

562
00:28:09,560 --> 00:28:12,000
Speaker 1: One because there's an issue sometimes when it's too big,

563
00:28:12,840 --> 00:28:16,960
Speaker 1: there's not enough blood in your body to fill it,

564
00:28:17,119 --> 00:28:20,879
Speaker 1: to make it not be soft, to safely fill it. Right,

565
00:28:21,119 --> 00:28:22,840
Speaker 1: you either got to run an IV in there, or

566
00:28:22,880 --> 00:28:24,720
Speaker 1: you just got to sort of roll with the bunches

567
00:28:24,960 --> 00:28:27,639
Speaker 1: because you need something to be in your brain, some blood.

568
00:28:28,359 --> 00:28:31,840
Speaker 1: Can you speak on that? No, not really. I mean

569
00:28:31,880 --> 00:28:35,760
Speaker 1: I think we should segue back to Cody's jockstrap. I

570
00:28:35,960 --> 00:28:38,520
Speaker 1: think your name is jockstrap. Yeah, Cody, explain your name.

571
00:28:38,560 --> 00:28:41,200
Speaker 1: It's a little inappropriate, isn't it. Yeah, for someone who's

572
00:28:41,240 --> 00:28:44,120
Speaker 1: trying to make his make his career in the entertainment

573
00:28:44,160 --> 00:28:45,920
Speaker 1: industry different, it's rude.

574
00:28:46,560 --> 00:28:49,160
Speaker 4: I'm an engineer, you know, like I deserve a little respect.

575
00:28:49,160 --> 00:28:52,080
Speaker 4: I'm not a jock strap. A strap that goes on

576
00:28:52,200 --> 00:28:52,920
Speaker 4: a man's groin.

577
00:28:55,120 --> 00:28:58,000
Speaker 1: That's where the power is, though, bro, The power lives

578
00:28:58,000 --> 00:28:58,480
Speaker 1: in the groin.

579
00:28:58,600 --> 00:29:02,680
Speaker 6: Cody. Yeah, that's why be that name. Yeah, yeah, I

580
00:29:02,760 --> 00:29:05,800
Speaker 6: mean that's what girls want you like babes, right, sure,

581
00:29:05,880 --> 00:29:08,680
Speaker 6: babes are like babes and chicks. Yeah, that's what I'm saying.

582
00:29:08,840 --> 00:29:10,800
Speaker 6: So it's like, Okay, that's a good name for you.

583
00:29:11,120 --> 00:29:13,520
Speaker 2: Yeah, if you like babes, I think you would want

584
00:29:13,600 --> 00:29:17,360
Speaker 2: that name. Do you really like babes or do you not?

585
00:29:17,640 --> 00:29:19,680
Speaker 4: Bibs don't like Jockstraps though.

586
00:29:19,640 --> 00:29:22,040
Speaker 1: They like it's jock Harry Strap, by the way, is

587
00:29:22,080 --> 00:29:24,480
Speaker 1: your name and you don't want to be like Jock

588
00:29:24,760 --> 00:29:28,120
Speaker 1: shaven strap or something? Is that what you want talking

589
00:29:28,160 --> 00:29:28,960
Speaker 1: about Harry Babes?

590
00:29:29,440 --> 00:29:29,480
Speaker 2: No?

591
00:29:29,720 --> 00:29:35,720
Speaker 1: No, if you're shop to collars soon, what are we

592
00:29:35,840 --> 00:29:36,600
Speaker 1: doing here? Guys?

593
00:29:37,400 --> 00:29:40,240
Speaker 6: Yeah, there's got to be some producer that keeps the

594
00:29:40,280 --> 00:29:42,680
Speaker 6: show moving because nothing's fucking happening right now.

595
00:29:42,840 --> 00:29:44,600
Speaker 1: That's that's you know what I mean. Do we go

596
00:29:44,680 --> 00:29:47,920
Speaker 1: to callers or no? We don't have the technology. Really,

597
00:29:48,520 --> 00:29:50,560
Speaker 1: you got this fucking guy over there and he can't

598
00:29:50,680 --> 00:29:55,080
Speaker 1: organize that ship. He lapsed his phone bill about it.

599
00:29:55,200 --> 00:29:57,560
Speaker 1: But we totally can have callers.

600
00:29:58,040 --> 00:30:00,760
Speaker 6: We could yeah right now, Yeah.

601
00:30:00,600 --> 00:30:02,520
Speaker 4: But I don't. No one knows the call so we're

602
00:30:02,600 --> 00:30:03,360
Speaker 4: just like in a room.

603
00:30:03,480 --> 00:30:05,280
Speaker 6: What about emails? Do we go to emails?

604
00:30:05,560 --> 00:30:07,680
Speaker 1: Yeah, we can get a couple of emails. Probably, I'm

605
00:30:07,680 --> 00:30:09,480
Speaker 1: going to look up, we have to play a song

606
00:30:09,560 --> 00:30:11,160
Speaker 1: before we get the listener questions. We do have a

607
00:30:11,160 --> 00:30:12,480
Speaker 1: listener questions. I'm gonna look at it.

608
00:30:13,000 --> 00:30:14,360
Speaker 2: I just like going to callers.

609
00:30:14,520 --> 00:30:17,880
Speaker 1: Yes, and maybe in the meantime you could tell us

610
00:30:19,600 --> 00:30:21,880
Speaker 1: a story from like, you're.

611
00:30:21,760 --> 00:30:23,760
Speaker 6: At a lot of pressure. Do you want me to

612
00:30:23,840 --> 00:30:26,440
Speaker 6: fill at your fucking show with content your acting days?

613
00:30:26,640 --> 00:30:29,080
Speaker 1: Well, it's just why I look up the song, you

614
00:30:29,160 --> 00:30:31,440
Speaker 1: know what I mean? Maybe just like, did you ever

615
00:30:31,520 --> 00:30:35,760
Speaker 1: see anyone nude? A famous actress? I can't say that, Well,

616
00:30:35,760 --> 00:30:36,800
Speaker 1: you don't have to say who it is.

617
00:30:37,520 --> 00:30:40,240
Speaker 2: Yeah, Well, what we'll do is, let's bring up a

618
00:30:40,280 --> 00:30:41,360
Speaker 2: famous actress.

619
00:30:41,040 --> 00:30:43,760
Speaker 1: And ask and you describe what it was like seeing

620
00:30:43,800 --> 00:30:45,520
Speaker 1: them nude? And I guess who it was?

621
00:30:45,880 --> 00:30:54,240
Speaker 6: Okay, hmmm, uh, what's her name? She went out with

622
00:30:54,360 --> 00:30:58,960
Speaker 6: Jamie Kennedy. Oh right, gentlemen, Love, Yeah, Jennifer Love, hughes Love.

623
00:30:59,080 --> 00:30:59,920
Speaker 6: She likes to be called Love.

624
00:31:00,360 --> 00:31:00,560
Speaker 1: Yeah.

625
00:31:01,440 --> 00:31:02,560
Speaker 6: Yeah, I've seen her naked?

626
00:31:02,800 --> 00:31:06,680
Speaker 1: Okay, well okay, yeah, yeah, yeah, And now we're supposed

627
00:31:06,680 --> 00:31:10,040
Speaker 1: to guess what it was like. Guess, well, guess what

628
00:31:10,480 --> 00:31:14,960
Speaker 1: that experience was like. Did it sounds pretty good? Yeah?

629
00:31:15,040 --> 00:31:19,840
Speaker 1: She's hot, you know for sure? What were the circumstances. Well,

630
00:31:20,040 --> 00:31:21,400
Speaker 1: she was where was it?

631
00:31:21,560 --> 00:31:24,040
Speaker 6: It was? I was filming a movie and I was

632
00:31:24,120 --> 00:31:27,720
Speaker 6: filming with her in San Antonio, Texas. Yeah, hot, and

633
00:31:27,840 --> 00:31:31,880
Speaker 6: she was coming out of her We were running lines, right,

634
00:31:32,720 --> 00:31:36,120
Speaker 6: and she was coming out of her of her the

635
00:31:36,200 --> 00:31:38,480
Speaker 6: bathroom and she forgot that. I was like in the

636
00:31:38,520 --> 00:31:40,560
Speaker 6: living room. She was like getting her panties or something.

637
00:31:41,040 --> 00:31:41,240
Speaker 1: Yeah.

638
00:31:41,320 --> 00:31:43,280
Speaker 6: Yeah, So then she just walked down and she's like,

639
00:31:43,320 --> 00:31:44,880
Speaker 6: oh my god, Oh my god, I was like one

640
00:31:44,920 --> 00:31:45,240
Speaker 6: of those.

641
00:31:45,480 --> 00:31:45,680
Speaker 1: Yeah.

642
00:31:45,680 --> 00:31:47,800
Speaker 6: And then she just sat there and then she went

643
00:31:47,960 --> 00:31:51,760
Speaker 6: ooh and then she ran back in. She sat down

644
00:31:51,920 --> 00:31:54,080
Speaker 6: and she said, oh no, it was more like, oh

645
00:31:54,840 --> 00:31:58,400
Speaker 6: like that. Yeah, And she ran back in and put

646
00:31:58,440 --> 00:32:00,360
Speaker 6: her stuff on and says, oh, you never saw that.

647
00:32:00,440 --> 00:32:01,520
Speaker 6: Don't tell any when you saw it.

648
00:32:03,720 --> 00:32:06,920
Speaker 1: But but now yeah that you can.

649
00:32:07,120 --> 00:32:09,200
Speaker 2: Yeah, now legally you can. Now, what do you think

650
00:32:09,240 --> 00:32:11,600
Speaker 2: that noise means. I've never heard a woman make that noise.

651
00:32:11,920 --> 00:32:15,360
Speaker 1: I mean it probably means like she was into it. Okay,

652
00:32:16,800 --> 00:32:19,360
Speaker 1: that's probably why I haven't heard it. You know, was

653
00:32:19,440 --> 00:32:23,000
Speaker 1: she licking her chops? Was she why licking her chops

654
00:32:24,000 --> 00:32:25,240
Speaker 1: like you were a meal? Yes?

655
00:32:25,440 --> 00:32:25,960
Speaker 6: Pretty much?

656
00:32:26,080 --> 00:32:26,280
Speaker 1: Yeah.

657
00:32:26,960 --> 00:32:29,120
Speaker 6: Yeah, So did you find your thing?

658
00:32:30,000 --> 00:32:35,080
Speaker 1: Yes? I did. This is the Popcorn Gallery theme song.

659
00:32:35,680 --> 00:32:38,160
Speaker 1: This is a segment where oh yeah, you can't hear it,

660
00:32:38,200 --> 00:32:39,719
Speaker 1: put your headphones on. It's really great. Do you want

661
00:32:39,760 --> 00:32:43,880
Speaker 1: me to start it over? Yes, okay, the Popcorn Gallery.

662
00:32:44,200 --> 00:32:49,080
Speaker 1: It's now the Popcorn Well. Like I said when this

663
00:32:49,240 --> 00:32:55,560
Speaker 1: interview first started, I'm I'm sorry if I'm not the questions,

664
00:32:55,640 --> 00:32:58,040
Speaker 1: not the so you don't you think it's good? It's

665
00:32:58,080 --> 00:33:04,160
Speaker 1: about movies. The movies. I don't know the popcorn Well.

666
00:33:04,200 --> 00:33:08,360
Speaker 1: It's a listener who submitted it, letting views. He's not

667
00:33:08,440 --> 00:33:09,960
Speaker 1: a professional musician.

668
00:33:09,960 --> 00:33:14,040
Speaker 2: Right yeah, now it's temple it possibly could be, but

669
00:33:14,160 --> 00:33:16,600
Speaker 2: pop I don't want to understand.

670
00:33:16,680 --> 00:33:20,840
Speaker 1: This was his first take. Oh yeah, hm hmm. Do

671
00:33:20,880 --> 00:33:23,400
Speaker 1: you not like jazz? No, jazz is cool.

672
00:33:23,480 --> 00:33:24,640
Speaker 4: But I don't know what this is for.

673
00:33:25,600 --> 00:33:30,120
Speaker 1: So is it up something or yes? So it's kind

674
00:33:30,120 --> 00:33:34,000
Speaker 1: of hard to explain it is we have? Is this

675
00:33:34,120 --> 00:33:34,920
Speaker 1: like is this question?

676
00:33:35,240 --> 00:33:38,080
Speaker 6: Is this like a like a cisco and like you know,

677
00:33:38,240 --> 00:33:40,080
Speaker 6: like a thumbs up thumb sound thing, or.

678
00:33:42,000 --> 00:33:42,560
Speaker 1: Yes, it is.

679
00:33:42,520 --> 00:33:46,200
Speaker 2: About It's about movies and people pop in the movies.

680
00:33:46,240 --> 00:33:49,280
Speaker 2: Sometimes people who chime in are called the peanut Gallery.

681
00:33:49,480 --> 00:33:52,520
Speaker 2: So then this is the Popcorn Gallery because it's questions

682
00:33:52,520 --> 00:33:55,560
Speaker 2: about movies from people who are just the listening audience,

683
00:33:56,400 --> 00:33:58,520
Speaker 2: and the sort of thumbs up thumbs down element is

684
00:33:58,600 --> 00:34:00,360
Speaker 2: we give some of the questions the thumb up and

685
00:34:00,440 --> 00:34:02,600
Speaker 2: ask them to our guest, and some of them we

686
00:34:02,680 --> 00:34:04,840
Speaker 2: think this isn't a good question, and the person has

687
00:34:04,960 --> 00:34:06,320
Speaker 2: to feel bad about themselves.

688
00:34:07,000 --> 00:34:08,920
Speaker 6: I don't understand anything you just said.

689
00:34:09,239 --> 00:34:11,440
Speaker 2: Okay, take it away.

690
00:34:12,160 --> 00:34:12,920
Speaker 6: I'll just go with it.

691
00:34:12,920 --> 00:34:18,439
Speaker 1: It's questions, okay, And first we play a sound drop

692
00:34:18,800 --> 00:34:22,240
Speaker 1: of reaching into a popcorn bag and getting out a question. Okay,

693
00:34:22,400 --> 00:34:24,000
Speaker 1: so let's play that now. Okay, got it?

694
00:34:24,160 --> 00:34:25,360
Speaker 6: Okay, that makes more sense.

695
00:34:25,640 --> 00:34:35,160
Speaker 1: Mm hmm okay, hang on, that's you jockstrap. Okay, so

696
00:34:35,280 --> 00:34:37,759
Speaker 1: that was a little dig at cody from the sound drop. Yeah,

697
00:34:38,640 --> 00:34:42,960
Speaker 1: here's a question from Spunky Foonerism our listener, and he asked,

698
00:34:43,000 --> 00:34:45,680
Speaker 1: you're probably sure, can you please describe the last time

699
00:34:45,719 --> 00:34:49,040
Speaker 1: you karate chopped someone in anger? Jesus?

700
00:34:50,080 --> 00:34:51,239
Speaker 6: Do we have to answer that thing?

701
00:34:51,360 --> 00:34:53,640
Speaker 1: No? No, no, no, we absolutely don't have to. But

702
00:34:53,760 --> 00:34:56,600
Speaker 1: talk about you didn't You don't think you don't like

703
00:34:56,680 --> 00:34:59,960
Speaker 1: that guy? He's not karate chop oh, I know, he's

704
00:35:00,160 --> 00:35:02,279
Speaker 1: not serious. But yeah, I can't. Well, but it's it's

705
00:35:02,360 --> 00:35:03,399
Speaker 1: it's a ridiculous question.

706
00:35:04,440 --> 00:35:06,440
Speaker 6: Karate chop someone in anger.

707
00:35:06,719 --> 00:35:08,520
Speaker 1: Some of them are bad. It's just like sometimes you

708
00:35:08,560 --> 00:35:09,960
Speaker 1: take them out of the bag and they just happen to.

709
00:35:10,000 --> 00:35:11,879
Speaker 6: Not be Okay, grab another one.

710
00:35:12,040 --> 00:35:18,880
Speaker 1: Yeah, all right? Really not any hair in this jock strap?

711
00:35:18,920 --> 00:35:24,240
Speaker 1: It must be jock shape. Not cool, bro, Well, gotta

712
00:35:24,280 --> 00:35:26,200
Speaker 1: figure it out. Engineer Cody.

713
00:35:27,360 --> 00:35:29,640
Speaker 6: Yeah, he's messing everything up over there.

714
00:35:30,440 --> 00:35:31,040
Speaker 4: Keeping it clean.

715
00:35:31,880 --> 00:35:34,959
Speaker 1: Here's a question from honest Agia Vigo. Dear mister Shore,

716
00:35:35,200 --> 00:35:37,000
Speaker 1: when you were shooting son in law, did you get

717
00:35:37,000 --> 00:35:39,600
Speaker 1: to pick your wardrobe? Also, are you still friends with

718
00:35:39,680 --> 00:35:40,520
Speaker 1: Carla Gugino?

719
00:35:43,520 --> 00:35:46,160
Speaker 6: Well, we took my style and that style we mix

720
00:35:46,239 --> 00:35:50,120
Speaker 6: it up together, so I don't know. We uh, we

721
00:35:50,239 --> 00:35:52,760
Speaker 6: all worked together. It was me and the more drube people.

722
00:35:52,880 --> 00:35:55,320
Speaker 6: And as far as Carla, no, I haven't talked to

723
00:35:55,360 --> 00:35:57,400
Speaker 6: her in a long time, did you. She doesn't even

724
00:35:57,440 --> 00:35:58,000
Speaker 6: have a Twitter.

725
00:35:58,600 --> 00:35:58,880
Speaker 1: Mmm.

726
00:35:59,400 --> 00:36:00,960
Speaker 6: So I try to tweet at her and then the

727
00:36:01,040 --> 00:36:06,840
Speaker 6: person that had her Twitter was like, sorry, this isn't Carla,

728
00:36:07,040 --> 00:36:08,359
Speaker 6: this is it's.

729
00:36:08,280 --> 00:36:13,920
Speaker 1: A squatter profit. Damn. There got catfished exactly, almost got catfished.

730
00:36:14,239 --> 00:36:18,720
Speaker 6: I did get catfished. Well, so if you're out there, Carla,

731
00:36:18,840 --> 00:36:21,720
Speaker 6: what the fuck babe hit us out on Twitter?

732
00:36:21,880 --> 00:36:23,320
Speaker 1: Ever see her nude?

733
00:36:23,600 --> 00:36:25,919
Speaker 6: Yes for sure?

734
00:36:26,480 --> 00:36:30,680
Speaker 2: Yes, yes I saw Sin City. Yes, yeah, I froze

735
00:36:30,680 --> 00:36:32,120
Speaker 2: it at one particular moment.

736
00:36:32,920 --> 00:36:35,480
Speaker 1: Let's get another question out of the best. Yes, sorry,

737
00:36:36,520 --> 00:36:37,200
Speaker 1: we have a lot of this.

738
00:36:39,320 --> 00:36:41,240
Speaker 6: So this is why you had the theme at the beginning.

739
00:36:41,960 --> 00:36:45,000
Speaker 1: Yes, people know the sounds are coming.

740
00:36:45,440 --> 00:36:47,759
Speaker 6: So did you tell your Twitter followers like, Yo, we're

741
00:36:47,760 --> 00:36:49,759
Speaker 6: doing a movie thing, blah blah blah? Can you do

742
00:36:50,160 --> 00:36:51,520
Speaker 6: the theme for us? And this is the one you

743
00:36:51,640 --> 00:36:53,560
Speaker 6: guys chose pretty much?

744
00:36:54,200 --> 00:36:56,760
Speaker 2: Yeah, well, I gotta tell you the pool was pretty limited.

745
00:36:57,480 --> 00:36:59,960
Speaker 2: So it's the one we chose, but our hand was

746
00:37:00,120 --> 00:37:00,840
Speaker 2: forced somewhat.

747
00:37:01,440 --> 00:37:01,759
Speaker 1: Hum hm.

748
00:37:03,000 --> 00:37:05,840
Speaker 6: So how many? How many? How many came in.

749
00:37:06,400 --> 00:37:08,239
Speaker 1: The final numbers? I think three?

750
00:37:08,680 --> 00:37:09,239
Speaker 6: Only three?

751
00:37:09,400 --> 00:37:11,440
Speaker 1: And the person who did this one has sort of

752
00:37:11,480 --> 00:37:15,560
Speaker 1: a financial stake in the show. So his uncle is

753
00:37:15,640 --> 00:37:19,239
Speaker 1: it Cody? Cody's uncle? It's not Cody. This guy is

754
00:37:19,280 --> 00:37:21,719
Speaker 1: even more powerful than Cody. This is someone who don't

755
00:37:21,719 --> 00:37:26,000
Speaker 1: eat three to the show. Wow. Hum, and we can

756
00:37:26,040 --> 00:37:29,040
Speaker 1: have it out. But it was three hundred dollars, so

757
00:37:29,520 --> 00:37:30,880
Speaker 1: you have to kind of put his theme on.

758
00:37:31,040 --> 00:37:33,800
Speaker 2: Well at that point, yeah, we basically have to do whatever.

759
00:37:33,640 --> 00:37:35,920
Speaker 6: What do you do with three? Will you guys just

760
00:37:36,000 --> 00:37:38,000
Speaker 6: get go get some steaks at the palm or what.

761
00:37:39,000 --> 00:37:41,920
Speaker 2: We don't actually get the money ourselves. You know, the

762
00:37:42,040 --> 00:37:43,719
Speaker 2: money comes in, you know, it goes into the You

763
00:37:43,760 --> 00:37:45,240
Speaker 2: can see how nice the system?

764
00:37:45,440 --> 00:37:48,480
Speaker 1: Yeah, yeah, you maybe notice engineer Cody's wearing a very

765
00:37:48,520 --> 00:37:49,399
Speaker 1: nice T shirt to THEA.

766
00:37:50,719 --> 00:37:53,799
Speaker 2: And Cody, you're acting like the sweet Wheeze isn't even

767
00:37:53,880 --> 00:37:54,480
Speaker 2: in the studio.

768
00:37:54,560 --> 00:37:56,759
Speaker 1: Yeah, that's not cool, bro. You know, we grew up.

769
00:37:56,840 --> 00:37:58,840
Speaker 1: You grew up with me, Bio. Don't remember.

770
00:37:59,480 --> 00:38:03,080
Speaker 6: I'm ready here. You grew up with him, your fucking face, Dude,

771
00:38:03,120 --> 00:38:05,240
Speaker 6: you're staring at me like it's not even that exciting.

772
00:38:05,520 --> 00:38:09,200
Speaker 1: Fuck. You're right in the demo, Cody, do you remember that? Cody?

773
00:38:10,480 --> 00:38:12,720
Speaker 1: I don't think he's tell a story from you growing

774
00:38:12,800 --> 00:38:13,480
Speaker 1: up with POULI.

775
00:38:13,920 --> 00:38:16,239
Speaker 6: Come on, bro, it's okay. Put some sad music.

776
00:38:16,360 --> 00:38:17,759
Speaker 1: Where did you see biodom?

777
00:38:18,480 --> 00:38:21,160
Speaker 4: Well it was I was. I came home from school,

778
00:38:21,239 --> 00:38:23,400
Speaker 4: I went to my friend's house and we like, we

779
00:38:23,800 --> 00:38:25,680
Speaker 4: were really bored, we had nothing to do, and we

780
00:38:25,840 --> 00:38:27,200
Speaker 4: put on Pauli Shores Dead.

781
00:38:27,560 --> 00:38:29,239
Speaker 1: Oh wow, that's a good one.

782
00:38:29,440 --> 00:38:30,800
Speaker 4: I was in tenth grade.

783
00:38:30,920 --> 00:38:35,800
Speaker 1: Wow, yeah, that's legit. We were starting too Stone.

784
00:38:36,160 --> 00:38:41,200
Speaker 6: He's got to throw that in humhm cool cool bro,

785
00:38:41,600 --> 00:38:43,800
Speaker 6: Hey dude, did you guys see the pot Barons of

786
00:38:43,920 --> 00:38:51,440
Speaker 6: Colorado on fucking ms N Jesus Christ was scary? I mean,

787
00:38:51,680 --> 00:38:55,640
Speaker 6: just the fact that marijuana is legal. And can I

788
00:38:55,680 --> 00:38:56,200
Speaker 6: say what I think?

789
00:38:56,320 --> 00:38:56,920
Speaker 4: Is this?

790
00:38:57,360 --> 00:39:00,640
Speaker 1: What I think is great about this stuff? Is it

791
00:39:00,840 --> 00:39:04,960
Speaker 1: used to be that marijuana was something that only one

792
00:39:05,320 --> 00:39:07,839
Speaker 1: minority race was able to profit off of, And now

793
00:39:07,880 --> 00:39:09,720
Speaker 1: I think it's great that now white people can actually

794
00:39:09,760 --> 00:39:11,440
Speaker 1: get rich off it too. I don't think it was

795
00:39:11,600 --> 00:39:14,520
Speaker 1: fair that only black people were dealing it for so long.

796
00:39:14,800 --> 00:39:18,520
Speaker 1: But let me guess those pop barons are rich white people. Yeah,

797
00:39:18,760 --> 00:39:22,520
Speaker 1: isn't that a nice change? Don't you agree? It's about time.

798
00:39:22,760 --> 00:39:24,000
Speaker 1: I don't know. I don't want to crot it.

799
00:39:24,400 --> 00:39:26,480
Speaker 6: I don't want to cause any riots anymore with the

800
00:39:26,560 --> 00:39:28,280
Speaker 6: African Americans and Ferguson.

801
00:39:28,360 --> 00:39:31,520
Speaker 1: Oh my god, yeah, yeah, yeah, you know what I mean.

802
00:39:31,920 --> 00:39:34,319
Speaker 6: You got to keep it, you know what I mean.

803
00:39:34,600 --> 00:39:36,279
Speaker 6: We don't want them riding in front of you know,

804
00:39:36,320 --> 00:39:39,839
Speaker 6: in front of Arby's with Andy Dick under the two crowded.

805
00:39:39,560 --> 00:39:41,160
Speaker 2: Well and won't be able to catch a wink.

806
00:39:41,440 --> 00:39:44,320
Speaker 1: Yeah, I mean there's a lot of people now with

807
00:39:44,400 --> 00:39:45,359
Speaker 1: that Arby's.

808
00:39:45,880 --> 00:39:47,799
Speaker 2: I won't be able to catch a wink. I mean

809
00:39:47,880 --> 00:39:52,600
Speaker 2: Andy needs a sleep. He's resting up for a big comeback. Yes,

810
00:39:53,160 --> 00:39:54,520
Speaker 2: well it's almost.

811
00:39:54,960 --> 00:39:56,480
Speaker 1: We have to reach all. We got to rig again.

812
00:39:56,600 --> 00:39:58,320
Speaker 1: Oh sorry, we never got we got one more to

813
00:39:58,440 --> 00:40:00,759
Speaker 1: do right time. That's right. That's well, that's if we're just.

814
00:40:00,800 --> 00:40:03,120
Speaker 6: Doing three, but we could do No, we don't need

815
00:40:03,160 --> 00:40:08,200
Speaker 6: to do anymore. Oh shit, he's going in. That's not cool, bro,

816
00:40:08,880 --> 00:40:10,440
Speaker 6: you're doing it without my consent.

817
00:40:14,000 --> 00:40:17,680
Speaker 2: It's a litter of consent from the Sweet Weeds, and

818
00:40:17,800 --> 00:40:19,400
Speaker 2: it's signed and dated today.

819
00:40:19,640 --> 00:40:23,760
Speaker 6: SPW, bro, sweet Baby Weasel, it's the Sweet Baby Weasel

820
00:40:23,840 --> 00:40:25,520
Speaker 6: last No SPW.

821
00:40:25,560 --> 00:40:30,719
Speaker 2: It's SBWA. He's initialed right here and he's got today's date.

822
00:40:32,400 --> 00:40:37,560
Speaker 1: This was a question from Burger. Homm what do you

823
00:40:37,640 --> 00:40:40,879
Speaker 1: think about all these names have Internet names? Today's Scott.

824
00:40:40,960 --> 00:40:44,320
Speaker 1: I don't even go on the internet. It's become gross stupid.

825
00:40:44,560 --> 00:40:48,760
Speaker 1: Mister Shore, Please describe the intricacies of and motivation behind

826
00:40:48,800 --> 00:40:50,440
Speaker 1: faking your own death for profit?

827
00:40:52,640 --> 00:40:52,759
Speaker 2: Right?

828
00:40:53,640 --> 00:40:58,520
Speaker 1: Cody saw the movie Yeah yeah, about the movie five

829
00:40:58,640 --> 00:41:00,359
Speaker 1: years ago. Whoa whoa, whoa whoa.

830
00:41:00,480 --> 00:41:03,200
Speaker 6: Bro, it wasn't twenty five years agoes two thousand and three,

831
00:41:04,400 --> 00:41:05,520
Speaker 6: it's like ten years ago.

832
00:41:06,480 --> 00:41:08,759
Speaker 1: You saw it when you were you told the whole story.

833
00:41:09,080 --> 00:41:10,359
Speaker 1: Grade was that story a lot?

834
00:41:10,840 --> 00:41:13,960
Speaker 2: I seriously think you're acting like the sp W is

835
00:41:14,040 --> 00:41:18,200
Speaker 2: not even in the studio with not cool Bro, super Spatch,

836
00:41:18,840 --> 00:41:20,760
Speaker 2: grow up, super specch.

837
00:41:21,000 --> 00:41:24,400
Speaker 1: He talked genuinely about cheek, genuinely about how special this

838
00:41:24,560 --> 00:41:26,640
Speaker 1: is for you. Please, I mean, I'm thrilled.

839
00:41:26,760 --> 00:41:27,600
Speaker 4: I'm thrilled to be here.

840
00:41:28,560 --> 00:41:31,520
Speaker 1: Yeah, yeah, where did you? Okay to say, where'd you

841
00:41:31,600 --> 00:41:33,400
Speaker 1: grow up? In Dallas, Texas?

842
00:41:34,440 --> 00:41:35,160
Speaker 4: And then Boston?

843
00:41:36,360 --> 00:41:41,160
Speaker 6: You went to in Boston? Yeah, sick, that's Fanuel Hall.

844
00:41:41,239 --> 00:41:42,520
Speaker 4: Bro, it's a good place.

845
00:41:42,680 --> 00:41:42,919
Speaker 1: Yeah.

846
00:41:43,320 --> 00:41:45,200
Speaker 6: Wait a second comedy connection.

847
00:41:45,680 --> 00:41:48,239
Speaker 1: I'm sorry to think that Cody doesn't actually know about

848
00:41:48,280 --> 00:41:50,440
Speaker 1: Boston the way he just said. Fannel Hall is just

849
00:41:50,480 --> 00:41:51,920
Speaker 1: a good place. Yeah it's not.

850
00:41:52,120 --> 00:41:53,680
Speaker 6: No, it's bigger than a good place.

851
00:41:53,880 --> 00:41:57,200
Speaker 1: Yeah, it's full of history, which is it's definitely s

852
00:41:57,440 --> 00:41:59,719
Speaker 1: a lot of killer beer over there. And he didn't

853
00:41:59,719 --> 00:42:02,800
Speaker 1: mention the beer the first time either. I think he

854
00:42:02,880 --> 00:42:07,960
Speaker 1: might be telling a lie. To trust him. I saw

855
00:42:08,000 --> 00:42:10,920
Speaker 1: Greg Proops at the Comedy Connection once at Final Hall.

856
00:42:11,560 --> 00:42:15,480
Speaker 1: Do you want to speak on Greg? Nice guy?

857
00:42:16,160 --> 00:42:20,160
Speaker 6: I always seen him at the airport, Yeah, traveling. You know,

858
00:42:20,239 --> 00:42:22,640
Speaker 6: he's paying for his children. I'm paying for my houses,

859
00:42:24,880 --> 00:42:28,200
Speaker 6: which I like my children. They're like my children. Yeah, sure,

860
00:42:28,400 --> 00:42:30,320
Speaker 6: because I don't have kids, you know, I have homes,

861
00:42:30,360 --> 00:42:31,879
Speaker 6: so I have to like go out on the road

862
00:42:32,960 --> 00:42:34,719
Speaker 6: make a living. So I can, you know, pay the

863
00:42:35,080 --> 00:42:38,400
Speaker 6: you know, pay the workers. That's what it just was

864
00:42:38,480 --> 00:42:39,279
Speaker 6: before I came here.

865
00:42:39,600 --> 00:42:41,200
Speaker 1: The workers at your house.

866
00:42:41,800 --> 00:42:44,160
Speaker 6: No, that are remodeling it so I can rent it

867
00:42:44,200 --> 00:42:46,560
Speaker 6: for money so I don't have to go and you know,

868
00:42:47,239 --> 00:42:48,480
Speaker 6: spend so much money on it.

869
00:42:49,000 --> 00:42:51,920
Speaker 1: Mm hmm. So eventually that that's what you want.

870
00:42:52,800 --> 00:42:54,640
Speaker 6: Well, that's what you really want to do, you know.

871
00:42:54,880 --> 00:42:57,719
Speaker 6: I mean, I think the key to life is is

872
00:42:57,880 --> 00:43:01,080
Speaker 6: to try to buy property and then rent it out

873
00:43:01,880 --> 00:43:05,719
Speaker 6: and make money off it, you know, as far as

874
00:43:06,160 --> 00:43:08,080
Speaker 6: the financial I mean, that's what a lot of people

875
00:43:08,120 --> 00:43:09,680
Speaker 6: are doing out here. So I'm trying to get in

876
00:43:09,800 --> 00:43:10,960
Speaker 6: that that racket.

877
00:43:11,160 --> 00:43:13,000
Speaker 1: I've got my eye on that. I know. My dad

878
00:43:13,080 --> 00:43:15,160
Speaker 1: sure makes a killing off me that basement apartment I

879
00:43:15,239 --> 00:43:15,480
Speaker 1: live in.

880
00:43:15,600 --> 00:43:16,319
Speaker 6: That's what I'm saying.

881
00:43:16,320 --> 00:43:18,239
Speaker 2: I'm saying, wait a minute, I wish I was on

882
00:43:18,280 --> 00:43:20,239
Speaker 2: the other side of this equation, right, and then I'm

883
00:43:20,320 --> 00:43:21,200
Speaker 2: lying in my pockets.

884
00:43:21,280 --> 00:43:22,440
Speaker 6: One hundred percent.

885
00:43:22,400 --> 00:43:25,040
Speaker 2: Wouldn't be bad, not fad Bobbie. How do you feel

886
00:43:25,040 --> 00:43:25,720
Speaker 2: about authority?

887
00:43:26,440 --> 00:43:27,920
Speaker 1: How do I feel about authority?

888
00:43:28,160 --> 00:43:30,120
Speaker 2: Because I'm I'm watching some of these movies you made,

889
00:43:30,160 --> 00:43:31,440
Speaker 2: and it seems like you're not a fan of it.

890
00:43:33,440 --> 00:43:39,600
Speaker 6: Well, I would have to say that. Uh man, you

891
00:43:39,719 --> 00:43:40,920
Speaker 6: know they always win, you know?

892
00:43:41,760 --> 00:43:41,960
Speaker 2: Yeah?

893
00:43:42,120 --> 00:43:47,600
Speaker 1: Well what's that song authority always wins? Yeah?

894
00:43:47,640 --> 00:43:51,400
Speaker 6: Yeah, yeah, yeah, John John Mellencamp, bro eighty three, did

895
00:43:51,440 --> 00:43:52,719
Speaker 6: you already were even born then?

896
00:43:53,160 --> 00:43:53,319
Speaker 1: Yeah?

897
00:43:53,760 --> 00:43:54,799
Speaker 4: I was twenty eight at that point.

898
00:43:54,920 --> 00:43:58,839
Speaker 1: Okay, well now you have Did you ever see him

899
00:43:59,400 --> 00:44:00,960
Speaker 1: naked in the buff? Yes?

900
00:44:01,840 --> 00:44:04,000
Speaker 6: Him and his wife, his supermodel wife.

901
00:44:04,200 --> 00:44:06,880
Speaker 1: Mmmmm, what was that experience?

902
00:44:07,080 --> 00:44:07,120
Speaker 2: Like?

903
00:44:08,160 --> 00:44:09,600
Speaker 6: It was like I was naked and afraid?

904
00:44:09,680 --> 00:44:11,480
Speaker 1: Bro, oh you were in the woods? Yeah?

905
00:44:11,480 --> 00:44:12,920
Speaker 6: I was with them and naked and afraid.

906
00:44:14,120 --> 00:44:17,560
Speaker 1: That's a good combination for that show What you junk

907
00:44:17,719 --> 00:44:20,640
Speaker 1: You John Cougar melt Camp and his wife, supermodel wife,

908
00:44:20,920 --> 00:44:22,480
Speaker 1: and Michelle and Diggio Cillo.

909
00:44:22,640 --> 00:44:25,920
Speaker 2: If we're lucky in Softy right there, Softy, what's up?

910
00:44:26,120 --> 00:44:29,879
Speaker 1: Brow, and they did sort of a twinkly high five

911
00:44:30,160 --> 00:44:34,480
Speaker 1: and there's one more bro bro oh. So do you

912
00:44:34,560 --> 00:44:36,480
Speaker 1: made a little money on that high five? I hadn't.

913
00:44:36,480 --> 00:44:38,879
Speaker 6: At anytime anyone does the wheeze in the air, then

914
00:44:38,920 --> 00:44:42,520
Speaker 6: I get, you know, I get seven cents, kind of

915
00:44:42,560 --> 00:44:45,080
Speaker 6: like the Elvis. You know, Elvis Presley's got his own

916
00:44:45,320 --> 00:44:46,200
Speaker 6: kind of jumpsuit.

917
00:44:46,800 --> 00:44:50,440
Speaker 1: Yes, and whenever anyone wears a jumpsuit, Lisa, Marie and

918
00:44:50,680 --> 00:44:53,439
Speaker 1: Priscilla get catsup bucks. What do you get when people

919
00:44:53,440 --> 00:44:54,960
Speaker 1: wheze the juice? Huh?

920
00:44:55,400 --> 00:44:57,319
Speaker 6: That's like I get something off of that as well.

921
00:44:57,719 --> 00:44:59,880
Speaker 1: Can I say something? I actually think that's really unsanit

922
00:45:00,040 --> 00:45:02,520
Speaker 1: area and I wish people would stop doing that because

923
00:45:02,600 --> 00:45:07,800
Speaker 1: other people are going to use those slurpy dispensers. Yeah, Grandpa,

924
00:45:07,960 --> 00:45:10,399
Speaker 1: and now they're covered in germs. Do you see why?

925
00:45:10,520 --> 00:45:12,320
Speaker 1: I understand when you're doing it, you think it's funny,

926
00:45:12,360 --> 00:45:15,720
Speaker 1: But now the slurpy dispenser, it's not because it's funny.

927
00:45:15,760 --> 00:45:19,160
Speaker 1: It's free slurpy, and that's why we waste the jew

928
00:45:19,320 --> 00:45:21,320
Speaker 1: But then who's going to do it after you? And

929
00:45:21,440 --> 00:45:22,120
Speaker 1: someone cares?

930
00:45:22,200 --> 00:45:24,120
Speaker 6: Sick? Who cares? We don't care about those people.

931
00:45:24,160 --> 00:45:28,360
Speaker 1: We're living in the moment. Man, that's sweet brindage and yeah, Debbie,

932
00:45:28,400 --> 00:45:31,239
Speaker 1: we're together, broy. It could be kids. It could be

933
00:45:31,400 --> 00:45:33,880
Speaker 1: kids away. I could kind of drive a wedge between us.

934
00:45:33,880 --> 00:45:36,320
Speaker 1: It could be kids who are trying to have a

935
00:45:36,480 --> 00:45:38,640
Speaker 1: nice slurpy afterwards. And maybe it's a present because they

936
00:45:38,719 --> 00:45:41,400
Speaker 1: got good grade, you know, and now they're sick. Okay,

937
00:45:41,520 --> 00:45:44,680
Speaker 1: don't want to get kills the story. Yeah, that's not political.

938
00:45:44,800 --> 00:45:47,279
Speaker 2: Well you're acting like I don't use mouthwash before I

939
00:45:47,440 --> 00:45:48,080
Speaker 2: use the juice.

940
00:45:48,400 --> 00:45:50,480
Speaker 1: Yeah, it doesn't kill. And it's not always the Jews

941
00:45:50,600 --> 00:45:53,279
Speaker 1: like a fucking homo. No, no, no, I don't know

942
00:45:53,320 --> 00:45:55,640
Speaker 1: how you know. I know it's not like this.

943
00:45:56,440 --> 00:45:56,600
Speaker 2: I know.

944
00:45:57,000 --> 00:46:04,279
Speaker 1: Let me do it, bro Sorry, sorry the Jew? Yes? No, no, no, yes?

945
00:46:04,360 --> 00:46:08,839
Speaker 1: And can I may I try again? Yeah? We did

946
00:46:08,920 --> 00:46:11,000
Speaker 1: you Wait?

947
00:46:11,080 --> 00:46:17,440
Speaker 6: Don't you need to go on the popcorn bag? First's

948
00:46:17,520 --> 00:46:20,920
Speaker 6: the pretty good? Still a little feminine?

949
00:46:21,080 --> 00:46:23,640
Speaker 2: I know, I know. Well, look and when when you

950
00:46:23,840 --> 00:46:26,000
Speaker 2: when you're born a softy, you stay that way, cradle

951
00:46:26,080 --> 00:46:26,479
Speaker 2: to the grave.

952
00:46:26,520 --> 00:46:28,640
Speaker 1: And that's just the unfortunate side of my life. He

953
00:46:28,719 --> 00:46:32,600
Speaker 1: pulled out a question from Bozo's Yes, Polly, do you

954
00:46:32,640 --> 00:46:34,399
Speaker 1: think Tia Carrera is still really hot.

955
00:46:36,560 --> 00:46:40,640
Speaker 6: Absolutely, she's a cougar now, big time well sexy.

956
00:46:40,920 --> 00:46:41,719
Speaker 1: Thanks for coming out.

957
00:46:42,680 --> 00:46:45,520
Speaker 6: You see her in the Yes, of course I saw

958
00:46:45,600 --> 00:46:47,880
Speaker 6: from the backside the rectum area.

959
00:46:48,120 --> 00:46:51,600
Speaker 1: That was nice. And on that note, thanks for coming

960
00:46:51,640 --> 00:46:55,440
Speaker 1: on the show. Follow me on Twitter, dudes, yes, at

961
00:46:55,480 --> 00:46:56,040
Speaker 1: Poli Shore.

962
00:46:56,160 --> 00:46:58,360
Speaker 6: Go to my instagram. No, not my instagram, go to

963
00:46:58,600 --> 00:47:02,200
Speaker 6: uh I guess my my webs No wait no, I

964
00:47:02,320 --> 00:47:08,920
Speaker 6: have a podcast too. It's just at Shit. It's it's

965
00:47:08,960 --> 00:47:12,120
Speaker 6: called Polyshows Interested. And then also we have a new

966
00:47:12,239 --> 00:47:16,960
Speaker 6: documentary out on Showtime this week. Yeah, it's it's called

967
00:47:17,000 --> 00:47:19,400
Speaker 6: polyshor stands Alone. But I'm not standing alone. I'm here

968
00:47:19,440 --> 00:47:20,240
Speaker 6: with all you guys.

969
00:47:20,800 --> 00:47:22,640
Speaker 1: So this is exciting. Cody, what do you think?

970
00:47:22,800 --> 00:47:26,560
Speaker 6: It's BW It's cool. Yeah, it's fun. So poly Short

971
00:47:26,600 --> 00:47:29,560
Speaker 6: stands alone on Showtime this whole week. And thanks for

972
00:47:29,640 --> 00:47:31,520
Speaker 6: having me on. And I'm glad we answered a lot

973
00:47:31,560 --> 00:47:34,560
Speaker 6: of the questions that were out in the open and

974
00:47:34,719 --> 00:47:37,640
Speaker 6: we made it more so now everyone feels better about

975
00:47:37,680 --> 00:47:40,400
Speaker 6: themselves and everyone is like a nice. It was like

976
00:47:40,520 --> 00:47:44,359
Speaker 6: a nice you know what's it called when you kind

977
00:47:44,400 --> 00:47:46,719
Speaker 6: of come back at the end and it ties up,

978
00:47:47,200 --> 00:47:51,680
Speaker 6: it's like a not Yeah, it's like a knot, you know,

979
00:47:51,760 --> 00:47:53,560
Speaker 6: it ties in at the end, and it's like a

980
00:47:53,640 --> 00:47:56,480
Speaker 6: bow at the end. It's like boom, we're back and

981
00:47:57,520 --> 00:47:59,239
Speaker 6: and it makes us all want to go to Chipolte

982
00:48:00,200 --> 00:48:01,600
Speaker 6: you know what I mean. It's like, oh, let's go

983
00:48:01,680 --> 00:48:04,240
Speaker 6: get a Chipalti beef ball and we're all happening.

984
00:48:04,080 --> 00:48:07,839
Speaker 1: And Cody gets the proversion. We'll see at Arby's. Cody,

985
00:48:08,520 --> 00:48:09,719
Speaker 1: Bye bye bye.

986
00:48:15,360 --> 00:48:18,319
Speaker 2: This has been an Earwolf Media production Executive producers Jeff

987
00:48:18,360 --> 00:48:21,120
Speaker 2: Ulrick and Scott Ackerman. For more information, visit earwolf dot

988
00:48:21,160 --> 00:48:21,319
Speaker 2: com

989
00:48:26,080 --> 00:48:36,680
Speaker 1: Ear Wolf Radio, Boom dot com, The Wolf Dead