WEBVTT - Mini Crush #26

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<v Speaker 1>Hey everybody, and welcome to movie Crush Many crushed the dish.

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<v Speaker 1>It's Wednesday, though, Chuck, that's weird. It's Wednesday and it's

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<v Speaker 1>not nine am. Oh, you're right, I'm all throne. I'm shook.

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<v Speaker 1>We're drunk, well drunk on power and made me. My

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<v Speaker 1>kid texted me other day that she was shook. I'm like,

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<v Speaker 1>where do your kids? What do you get these slang?

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<v Speaker 1>Nine year old? Yeah, she was shook. I know why

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<v Speaker 1>I was. It was because I saw the guy, one

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<v Speaker 1>of the guys from Stranger Things, which she loves, at

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<v Speaker 1>my neighborhood bar and I texted her and she was like,

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<v Speaker 1>I am shock. They grew up so fast. Weird. You

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<v Speaker 1>know what are you doing? I'm doing Okay, wait, I

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<v Speaker 1>got dumped, Chuck. What Yeah? Man, So I'm I need

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<v Speaker 1>to crush out to to mitigate my my sorrow. You

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<v Speaker 1>uh no longer? No longer? Oh man? Man, what abum

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<v Speaker 1>our way to start the show. I just wanted to

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<v Speaker 1>put it out there in case I start, you know,

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<v Speaker 1>sobbing in a corner while we record this episode. I

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<v Speaker 1>feel like we should talk off Mike. Oh yeah, we

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<v Speaker 1>could totally do that. I'm sorry to hear that. It's okay, man,

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<v Speaker 1>it happens. What a real moment. It's a very real

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<v Speaker 1>moment in Mini Crush history. Jeez, well you can move

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<v Speaker 1>in with us. Hey, thanks, buddy, I appreciate them. Actually,

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<v Speaker 1>you didn't get kicked out of your house. No, no, no,

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<v Speaker 1>you weren't. Weren't married, Chuck, It was sing a girlfriend's situation.

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<v Speaker 1>Oh all right, well we'll chat later. Uh. And by

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<v Speaker 1>the way, no, I don't know if you noticed the

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<v Speaker 1>back of that large MC monitor is did you see

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<v Speaker 1>the cartoon? No, just step around pretty quick and check

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<v Speaker 1>it out for folks of you home. I'll post a

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<v Speaker 1>picture of this. But we had the animator the um

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<v Speaker 1>I can't remember his technical director maybe this is his

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<v Speaker 1>official title, Mike Hollingsworth of bo Jack Horseman. And he

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<v Speaker 1>had a sharpie and I was like, I feel like

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<v Speaker 1>you should draw something here and I don't know where.

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<v Speaker 1>And I was like, well, why don't you draw it

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<v Speaker 1>on the back of this Mac monitor? Our tech r

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<v Speaker 1>I T guy is going to be enraged. Do you

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<v Speaker 1>think he is? I kind of wondered because it texted

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<v Speaker 1>Jerry right after. I was like, if the animator for

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<v Speaker 1>BoJack Horseman were to have drawn in sharpie on this

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<v Speaker 1>Mac monitor, would you be mad? She was like, no,

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<v Speaker 1>that'd be great. Yeah, so immediately centered the picture. Jerry's chill. Yeah,

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<v Speaker 1>what does this say? It's a cup cup, cup cup,

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<v Speaker 1>which I think is sick horse. And uh, he drew

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<v Speaker 1>a little cartoon. So we'll post it on the social media.

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<v Speaker 1>That's a good call. And I think it's a you

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<v Speaker 1>know these these these Max, they're so clean and austere. Yeah,

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<v Speaker 1>funk them up. Man, that's I could go to town.

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<v Speaker 1>It's memorabilia. Absolutely, that should be the new thing. Movie

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<v Speaker 1>Crush guests should sign the mac. Oh wow, I'm I'm

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<v Speaker 1>do that. I think so all right? Why not? Okay, So, uh,

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<v Speaker 1>this week, everybody, we are going to do a couple

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<v Speaker 1>of actually nothing super different this week. That's coming next week,

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<v Speaker 1>oh boy. Um. But we're gonna go ahead and start

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<v Speaker 1>off with Hollywood history and today I am going to

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<v Speaker 1>briefly cover the death of John Belushi. It's gonna be sad, Chuck,

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<v Speaker 1>it is gonna be sad. It's gonna be triggering. Uh well,

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<v Speaker 1>it depends on how much you like John Belushi. Trigger warning.

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<v Speaker 1>If you like John Belushi might be sad spoiler, he died,

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<v Speaker 1>and by two it was well established that John Belushi

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<v Speaker 1>had some problems in his life, some addiction problems, all

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<v Speaker 1>sorts of drug use, alcohol. Uh a larger than life

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<v Speaker 1>man and actor and comedian and uh like so many

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<v Speaker 1>had large appetites for all things. Um and you know,

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<v Speaker 1>John was well known to to do a lot of

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<v Speaker 1>cocaine and by this point in his life he was

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<v Speaker 1>tempering that cocaine with pills some and heroin some just

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<v Speaker 1>a bad way. It's real, real cocktail there. Uh So

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<v Speaker 1>on March four, uh, Mr Belushi and a woman named

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<v Speaker 1>Kathy Smith who she was sort of a part time

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<v Speaker 1>singer and part time groupie and part time drug dealer.

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<v Speaker 1>She was known in her earliers for hanging out with

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<v Speaker 1>the Band one of my favorite groups of all time,

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<v Speaker 1>and reportedly had a h a band baby, um paternity unclear,

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<v Speaker 1>but some member of the band either leave On Helm

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<v Speaker 1>or Robbie Robertson or Rick Danko or Garth Hudson or

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<v Speaker 1>h Richard Manuel impregnated her. Oh go and that she

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<v Speaker 1>was just known that wasn't. The baby was known as

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<v Speaker 1>the band baby because they didn't know who so Anyway,

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<v Speaker 1>she young had the band a Lot. Her name was

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<v Speaker 1>Kathy Smith, and she was well known to um sort

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<v Speaker 1>of deal with high profile musicians and in cocaine. Let's

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<v Speaker 1>be honest, Yeah, I mean it was. It was a

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<v Speaker 1>golden time for cocaine. It was a golden times before

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<v Speaker 1>they knew it was bad for you. Yeah. Actually, I

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<v Speaker 1>don't think that's true. No, but I think it was

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<v Speaker 1>just wide rife in act in the acting scene and bands.

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<v Speaker 1>You know, people would use it because it helped them

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<v Speaker 1>work long hours and crazy grinding schedules and you know,

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<v Speaker 1>touring and stuff. I mean, it's it's it makes sense,

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<v Speaker 1>but it's you know, it takes a toll. Well, you

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<v Speaker 1>hear the old stories about crew members on movie sets

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<v Speaker 1>in the seventies being paid overtime in cocaine. They would

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<v Speaker 1>just be like, guys, we need a couple of more

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<v Speaker 1>hours out of you. Here you go, and everybody be like, sweet,

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<v Speaker 1>let's do it, okay. Uh. So she was out partying

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<v Speaker 1>with John Belushi and a writer from startaynt Live named

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<v Speaker 1>Nelson Lyon, and they were, you know, drinking lots of booze.

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<v Speaker 1>They were snorting lots of cocaine. Uh. They went out

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<v Speaker 1>in West Hollywood to the Roxy, the very famous club.

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<v Speaker 1>There was a sort of a secret nightclub above the

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<v Speaker 1>Roxy called the Box, which is where they went. After that,

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<v Speaker 1>they went to the Rainbow Room, had some dinner. Apparently

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<v Speaker 1>Belushi just had a little bit of soup, because I

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<v Speaker 1>don't think you're probably super hungry after getting drunk and

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<v Speaker 1>doing tons of blow and uh, he said, he wasn't

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<v Speaker 1>feeling good, so he wanted to go back to his

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<v Speaker 1>hotel room at the Chateau Marmont, to the infamous Bungalow three,

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<v Speaker 1>which I have hung out and partied in several times,

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<v Speaker 1>which I'll get to in a minute. So uh. Smith

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<v Speaker 1>was there and Belushi asked her to shoot him up

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<v Speaker 1>with a speedball, which is a often deadly combination of

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<v Speaker 1>cocaine and heroin in a needle. Not something you ever

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<v Speaker 1>want to try, folks. That sounds terrifying. I imagine it is.

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<v Speaker 1>And uh, she said, And this came out later in

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<v Speaker 1>court testimony because she was eventually would be brought up

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<v Speaker 1>on charges per murder because she injected John Belushi. He

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<v Speaker 1>asked her to, but she injected him with what she said,

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<v Speaker 1>We're eleven different injections. Of speedball throughout the night, which

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<v Speaker 1>is just a massive amount of drugs. Yeah, I can't

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<v Speaker 1>even that mind boggling to me. Yeah, even for Bellushi.

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<v Speaker 1>So Robin Williams stopped by at one point and hung

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<v Speaker 1>out at the at the Chateau for a very short time,

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<v Speaker 1>did a little bit of blow as Robin Williams was

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<v Speaker 1>known to do. Well. There's that stand up special where

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<v Speaker 1>he keeps disappearing backstage and it's very clearly n't coke

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<v Speaker 1>sure sure back in the day he was a well

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<v Speaker 1>known party guy. But he said, and these are quotes again,

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<v Speaker 1>he said that he was creeped out by Kathy Smith

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<v Speaker 1>and thought she was a quote, low life, So he

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<v Speaker 1>didn't hang out long. Uh. Robert jan Niro, who had

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<v Speaker 1>been sort of trying to catch up with Ballushi all night,

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<v Speaker 1>eventually stopped by at three am. And apparently it's just

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<v Speaker 1>by that point was not a good scene inside there,

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<v Speaker 1>So DeNiro didn't stick around long either. Uh. And she

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<v Speaker 1>continued to shoot him up with these speedballs. Eventually she left,

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<v Speaker 1>put him in the shower, showered him up, put him

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<v Speaker 1>to bed, and then she uh, she got out of

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<v Speaker 1>there the next morning. Uh. The personal trainer is what

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<v Speaker 1>they called him. He was sometimes Belushi had personal trainers

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<v Speaker 1>are really bodyguards to try and keep him from doing

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<v Speaker 1>drugs as assigned by the movie studios. He came in

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<v Speaker 1>found Belushi dead in the bungalow uh in a fetal

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<v Speaker 1>position on his bed, pillow over his head. And it's

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<v Speaker 1>pretty gruesome, So if you don't want to hear this

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<v Speaker 1>next part, you might want to tune out for ten seconds.

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<v Speaker 1>His tongue was sticking out and his body was discolored

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<v Speaker 1>on the side where all the blood had settled. So

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<v Speaker 1>just a really rough scene. Tried to resuscitate him, didn't work.

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<v Speaker 1>Only thirty three years old, and Kathy Smith was later

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<v Speaker 1>brought up on charges and plea bargained down and spent

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<v Speaker 1>I believe fifteen months in jail after admitting that she

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<v Speaker 1>essentially killed John Belushi. Very very sad. Yeah, that's really terrible.

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<v Speaker 1>UM in a end on a slightly funnier No, it's

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<v Speaker 1>not really funny because this is kind of what bing

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<v Speaker 1>Oh I just reading about how the Blues Brothers movie

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<v Speaker 1>UM had. There's an interview with Dan Ackroyd and Hanity

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<v Speaker 1>Fair and apparently the movie had a line item budget

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<v Speaker 1>for Cocaine. Yeah. I mean, if you read the Making

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<v Speaker 1>of although he wasn't in Caddysheck, the Making a Caddy Check,

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<v Speaker 1>the Making a Blues Brothers, there are lots of great

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<v Speaker 1>articles about just the debauchery that surrounded those productions. Pretty amazing, alright,

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<v Speaker 1>P Blushi though, man, yeah, man, he he was far

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<v Speaker 1>too young. We lost a great talent. And uh, every

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<v Speaker 1>year in the summer I typically get to hang out

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<v Speaker 1>in that chateau Bungalow three with Hodgeman. He rents out

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<v Speaker 1>that particular suite and uh are particular bungalow and has

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<v Speaker 1>people over and we all hang out, and uh, it's

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<v Speaker 1>pretty interesting. It's um, it's sort of like a mid

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<v Speaker 1>century modern two bedroom apartment. It's got these bigs, you know.

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<v Speaker 1>You walk in, there's a living room at the fireplace

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<v Speaker 1>to the left, a sort of medium sized kitchen to

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<v Speaker 1>the right, and down the hall you have a couple

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<v Speaker 1>of bathrooms in a couple of bedrooms, and then uh

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<v Speaker 1>off the living room as a big open patio with

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<v Speaker 1>sliding doors. And the first time I went there, I

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<v Speaker 1>was like, this is where Belushi died. Huh, And Hodgeman

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<v Speaker 1>walked me back to the bedroom. He was like, right there, um,

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<v Speaker 1>obviously different bed. Have you heard of the band Death Grips? Now, well,

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<v Speaker 1>there was a thread on the movie crushers facebook page,

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<v Speaker 1>um where people were like, what music biopic would you

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<v Speaker 1>most like to see? And I'll have to find that

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<v Speaker 1>the name of the guy who had this conversation with

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<v Speaker 1>but he said the band Death Grips. And the reason

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<v Speaker 1>is they're sort of this weird kind of artsy hip

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<v Speaker 1>hop group to people, but they're known for just like

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<v Speaker 1>these crazy shenanigans. So they basically like took all their

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<v Speaker 1>record label advance for this record, lived at the Chateau

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<v Speaker 1>MArmand for like a month, and then leaked the record

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<v Speaker 1>themselves before it came out, like as a as a

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<v Speaker 1>bit of an art kind of fuck you things. And

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<v Speaker 1>they were known for like scheduling shows and not showing

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<v Speaker 1>up on purpose as like sort of a weird playman

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<v Speaker 1>performance art where they would just have a drum set

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<v Speaker 1>and like no intention of of actually showing up and screen.

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<v Speaker 1>So these guys are and then the main dude lyric

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<v Speaker 1>system MC Ride as an excellent visual artist as well.

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<v Speaker 1>Really cool story, but total Chateau Marma. I wonder if

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<v Speaker 1>it was that particular bungalow that they Bungalow three. Uh.

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<v Speaker 1>And then there's one next door which is a mirror

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<v Speaker 1>image of Bungalow three, and I've been in that one too,

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<v Speaker 1>But it's pretty pretty cool scene. If you ever get

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<v Speaker 1>the chance to hang out the Schatzow more mind highly recommended.

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<v Speaker 1>Well you should just invite me that this Hodgman throw down.

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<v Speaker 1>It's cool, man, because to get to those bungalows, you know,

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<v Speaker 1>you can go up through the hotel and uh, and

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<v Speaker 1>it's really a pretty magical property all the way around,

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<v Speaker 1>classic classic l A property. But to get in the

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<v Speaker 1>other way, you go up the back street around the

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<v Speaker 1>hotel up through the Hollywood Hills, and each little bungalow

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<v Speaker 1>has their own little open parking garage, which is nice

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<v Speaker 1>because parking sucks in l A. And then you enter

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<v Speaker 1>through a coded gate and sort of walk through just

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<v Speaker 1>the most lovely rock garden and palm trees and birds

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<v Speaker 1>of paradise and stuff to arrive at the front door

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<v Speaker 1>of these bungalows. So there's a little insider scoop. Maybe

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<v Speaker 1>next year I will take photos and post them, because

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<v Speaker 1>they'ren a ton of them actually, of that bungalow. They

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<v Speaker 1>try to keep it secret. All right, we're gonna move

0:12:26.200 --> 0:12:35.160
<v Speaker 1>on to social studies. Social. I threw this one out today. Uh.

0:12:35.200 --> 0:12:37.840
<v Speaker 1>Sometimes Emily and I and I imagine you two nol

0:12:38.200 --> 0:12:40.600
<v Speaker 1>get bummed when you hear about a Hollywood couple that

0:12:40.640 --> 0:12:44.160
<v Speaker 1>has broken up. You know what I mean, I mean,

0:12:44.760 --> 0:12:52.439
<v Speaker 1>like like you. I'm sorry to bring this up. Yeah,

0:12:52.679 --> 0:12:55.120
<v Speaker 1>I got bigger fish to fry, Chuck, but I'll play

0:12:55.120 --> 0:12:59.280
<v Speaker 1>your reindeer games. Uh. So I posed the question, what

0:12:59.600 --> 0:13:02.000
<v Speaker 1>real if Hollywood break up would bum you out the most?

0:13:02.400 --> 0:13:04.920
<v Speaker 1>And here's what people had to say, Uh, San She

0:13:05.200 --> 0:13:09.280
<v Speaker 1>and Glover, Emily Blunt and John Krasinski. Yeah, for sure,

0:13:09.360 --> 0:13:12.120
<v Speaker 1>I'm with you there. Uh Peter Middleton, Will Smith and

0:13:12.200 --> 0:13:15.400
<v Speaker 1>Jada Pinkett, Samantha Sarks says Ryan Reynolds and Blake Lively.

0:13:16.559 --> 0:13:20.760
<v Speaker 1>All right, I'm with you there. Uh. Jenna van Valen,

0:13:20.920 --> 0:13:24.040
<v Speaker 1>Oh boy, you almost have the best name ever, Jenna. Uh.

0:13:24.080 --> 0:13:26.080
<v Speaker 1>And she got the most likes and heart she said,

0:13:26.120 --> 0:13:28.240
<v Speaker 1>Kristen Bell and Deck Shephard. So, I think a lot

0:13:28.320 --> 0:13:31.079
<v Speaker 1>of people are in that camp. Tom Hanks and Rita Wilson,

0:13:31.160 --> 0:13:35.760
<v Speaker 1>says Michelle Benjamin Goldner. For sure, nobody wants to see

0:13:35.760 --> 0:13:38.560
<v Speaker 1>Tom Hanks get divorced. You're kidding me. It would be

0:13:38.559 --> 0:13:43.600
<v Speaker 1>the worst thing ever. Megan Carol, she's she's uh, participates

0:13:43.600 --> 0:13:47.280
<v Speaker 1>a lot in here, Thanks Megan, she says. Nick Offerman

0:13:47.280 --> 0:13:50.280
<v Speaker 1>and Megan Malay for sure. I'm behind Malin for sure.

0:13:50.440 --> 0:13:52.560
<v Speaker 1>That would be super sad. Yeah, they seemed great. Yeah.

0:13:53.360 --> 0:13:57.400
<v Speaker 1>Uh let me see here, Jimmy Mallory, Chris pat Nana

0:13:57.440 --> 0:14:00.560
<v Speaker 1>Ferris Pratt and Anna Faris really bummed me out, But

0:14:00.600 --> 0:14:02.679
<v Speaker 1>in general, I do not care so much. All right,

0:14:03.120 --> 0:14:05.760
<v Speaker 1>I hear you. Helen Lyons, says Jamie Lee Curtis and

0:14:05.800 --> 0:14:08.880
<v Speaker 1>Christopher Guest. Sure they've been together forever. I would hate

0:14:08.920 --> 0:14:11.960
<v Speaker 1>to see that as well. Uh let me see here,

0:14:14.800 --> 0:14:16.800
<v Speaker 1>another vote for Tom Hanks and Rita Wilson. That's sort

0:14:16.840 --> 0:14:18.880
<v Speaker 1>of all over the place. I think they're a beloved couple,

0:14:19.360 --> 0:14:22.640
<v Speaker 1>So Elliott, I'm sorry. Everett Miller chimed in again for

0:14:22.680 --> 0:14:27.040
<v Speaker 1>that one. Let me see. Jane Longshore was bummed about

0:14:27.040 --> 0:14:29.920
<v Speaker 1>Amy Poehler and Will Arnette. To be sure, that was

0:14:30.200 --> 0:14:33.520
<v Speaker 1>pretty disappointing to find out. But here here's the deal, folks.

0:14:33.560 --> 0:14:36.320
<v Speaker 1>You never know what's going on on the inside. You know,

0:14:36.600 --> 0:14:39.040
<v Speaker 1>you don't know what real life is like for these people.

0:14:40.040 --> 0:14:43.480
<v Speaker 1>I'm going to assume that it's miserable for all of them. Boy,

0:14:43.560 --> 0:14:45.480
<v Speaker 1>A lot of people are going with Dax and Kristen

0:14:45.600 --> 0:14:50.240
<v Speaker 1>and Hanks and Wilson, so they are clearly beloved couples.

0:14:50.320 --> 0:14:53.480
<v Speaker 1>And Krasinski and Blunt, they're just so upbeat to Kristen,

0:14:53.560 --> 0:14:57.440
<v Speaker 1>Bell and Dak Shepherd just seemed like really positive types.

0:14:57.600 --> 0:14:59.600
<v Speaker 1>You know you talked to Dak Shepherd, right, Yeah, Yeah,

0:14:59.600 --> 0:15:01.040
<v Speaker 1>it was he pull Was he cool? Was he paused?

0:15:01.240 --> 0:15:04.840
<v Speaker 1>He was pause? Nice? Kathy Jean boy, agree with you here,

0:15:04.880 --> 0:15:07.600
<v Speaker 1>she says. Kevin Klein and Phoebe Gates. Uh, they've been

0:15:07.640 --> 0:15:09.320
<v Speaker 1>together for a long long time, so that would be

0:15:09.360 --> 0:15:16.080
<v Speaker 1>super sad. A lot of people don't care. How about that? Uh,

0:15:16.240 --> 0:15:19.000
<v Speaker 1>Edwin Forrest Glint says Ellen. And Porsche Drassi, I was

0:15:19.000 --> 0:15:21.520
<v Speaker 1>gonna say that one too. Yeah, only because um Porsche

0:15:21.720 --> 0:15:23.760
<v Speaker 1>gave Ellen a birthday president on The Ellen Show, and

0:15:23.760 --> 0:15:27.720
<v Speaker 1>it was like her own, like a wildlife refuge named

0:15:27.720 --> 0:15:30.400
<v Speaker 1>after her, like a guerrilla research center in the rainforest

0:15:30.480 --> 0:15:34.600
<v Speaker 1>named after Ellen, um in honor of like Jane Goodall's work,

0:15:35.000 --> 0:15:38.400
<v Speaker 1>who Ellen admired very much. And it was just a

0:15:38.440 --> 0:15:40.640
<v Speaker 1>really nice moment, a nice thing, like you know, when

0:15:40.640 --> 0:15:43.360
<v Speaker 1>you have everything, what kind of birthday present to youat gift?

0:15:43.400 --> 0:15:47.760
<v Speaker 1>That was pretty thoughtful. Uh Ian Bowers' is Danny DeVito

0:15:47.800 --> 0:15:51.880
<v Speaker 1>and Ria Pearlman? Are they still together? Surely they seemed

0:15:51.960 --> 0:15:55.080
<v Speaker 1>just perfect for each other, agreed? Daniel west Hall still

0:15:55.080 --> 0:15:58.240
<v Speaker 1>set over Brad Pitton. Jennifer Aniston. Wow, I'm sorry what

0:15:58.320 --> 0:16:01.720
<v Speaker 1>two couples ago? What they're not? Are you kidding me?

0:16:03.840 --> 0:16:07.600
<v Speaker 1>Ashton Kutcher and Mela Kunas says a little bit Wolf.

0:16:08.160 --> 0:16:10.680
<v Speaker 1>I don't know if that's a real name, A little bit, Yeah,

0:16:10.880 --> 0:16:12.480
<v Speaker 1>that's that's That's a nice one though. That's a nice

0:16:12.480 --> 0:16:16.360
<v Speaker 1>pseudonym though, if it is agreed Don Morris, Kevin Baking

0:16:16.360 --> 0:16:19.000
<v Speaker 1>and Curias Sedgwick. I totally agree there, they've been together

0:16:19.040 --> 0:16:20.800
<v Speaker 1>a long time. I guess this thing too, Like so

0:16:20.800 --> 0:16:23.280
<v Speaker 1>many of these Hollywood couples are such flashes in the pan.

0:16:23.640 --> 0:16:25.520
<v Speaker 1>I think the ones that would bother me the most

0:16:25.520 --> 0:16:27.000
<v Speaker 1>are the ones that have been together for a really

0:16:27.040 --> 0:16:29.800
<v Speaker 1>long time, weathering all that Hollywood bullshit. Absolutely, I think

0:16:29.840 --> 0:16:32.720
<v Speaker 1>that's the takeaway here. Yeah, for sure. Kurt and Goldie

0:16:32.760 --> 0:16:34.800
<v Speaker 1>A lot of votes for them. I mean that would

0:16:34.840 --> 0:16:38.320
<v Speaker 1>be super disappointing. They never got married, but a longtime couple. Uh.

0:16:38.440 --> 0:16:42.920
<v Speaker 1>Franz Stayley says Denzel Washington and his wife agreed. Oh,

0:16:43.000 --> 0:16:46.120
<v Speaker 1>here's a good one, Zach Pointer says Michael J. Fox

0:16:46.160 --> 0:16:50.080
<v Speaker 1>and Tracy Poland for sure, they've been together forever and

0:16:50.160 --> 0:16:52.640
<v Speaker 1>have been through at all, So that would be that

0:16:52.680 --> 0:16:55.880
<v Speaker 1>would be really sad. A few votes even though um

0:16:55.920 --> 0:16:58.840
<v Speaker 1>Paul Newman and Joan Woodward are no longer with us.

0:16:59.000 --> 0:17:04.040
<v Speaker 1>Wait is she still with us? Joanne Woodward? Uh? If

0:17:04.080 --> 0:17:07.600
<v Speaker 1>they had broken up, people said retroactively, then that would

0:17:07.600 --> 0:17:10.200
<v Speaker 1>have been really really bad. And I totally agree. They're

0:17:10.240 --> 0:17:12.840
<v Speaker 1>one of the classic Hollywood couples. She is still living,

0:17:13.400 --> 0:17:16.440
<v Speaker 1>She is okay, great? Jeez, I feel bad now. I

0:17:16.480 --> 0:17:21.560
<v Speaker 1>should have known that. No, No, it's they're dropping like flies. Man. Uh.

0:17:21.640 --> 0:17:24.800
<v Speaker 1>Let me see here. One vote for Amy Madigan and

0:17:24.800 --> 0:17:26.919
<v Speaker 1>she says Tim Harris, but I believe that's Ed Harris,

0:17:27.560 --> 0:17:31.160
<v Speaker 1>Bridget Ben Alicia. Let me do a couple of more,

0:17:32.440 --> 0:17:35.040
<v Speaker 1>A bunch of Nick Offerman and Megan Malayles, Alex Dodie

0:17:35.080 --> 0:17:40.480
<v Speaker 1>and Tess Sullivan. Andrea CRUs Uh says Kevin Bacon and

0:17:40.520 --> 0:17:43.760
<v Speaker 1>cure sedgwick Um, A couple of Josh and Chuck's in here.

0:17:44.320 --> 0:17:46.639
<v Speaker 1>That's pretty funny. Did do you heard that there's Josh

0:17:46.640 --> 0:17:49.280
<v Speaker 1>and Chuck fan fiction out there? Do you know about this? Oh?

0:17:49.359 --> 0:17:52.400
<v Speaker 1>Is it really? Yeah? It doesn't surprise me. What kind

0:17:52.400 --> 0:17:55.920
<v Speaker 1>of fan fiction? Slightly erotic? Okay about us too? Getting

0:17:55.960 --> 0:17:59.680
<v Speaker 1>it on you mainly just being browing out super hard.

0:18:00.280 --> 0:18:03.320
<v Speaker 1>All right, I'll have to check that out. Julia Nilson

0:18:03.359 --> 0:18:07.200
<v Speaker 1>says Francis mcdormott and Joel Cohen. I agree that would

0:18:07.200 --> 0:18:10.439
<v Speaker 1>be a bummer. They seem pretty well suited. All right.

0:18:10.560 --> 0:18:14.440
<v Speaker 1>I think that is about it. Everyone. One more vote

0:18:14.520 --> 0:18:18.720
<v Speaker 1>from Carrie Sullivan, Cloud, John Krasinski, and Emily Blunt. Wow.

0:18:18.760 --> 0:18:21.320
<v Speaker 1>So it's really like five or six couples that people

0:18:21.320 --> 0:18:24.800
<v Speaker 1>said over and over. Yeah, very interesting. Yeah, alright, now

0:18:24.880 --> 0:18:31.480
<v Speaker 1>we're gonna move on to uh stream this and then

0:18:31.640 --> 0:18:34.240
<v Speaker 1>comment card. I figured we'd follow up on the o

0:18:34.440 --> 0:18:38.160
<v Speaker 1>A since I finished it, and then to mention another

0:18:38.200 --> 0:18:40.240
<v Speaker 1>thing I just started watching, and maybe we'll start doing

0:18:40.240 --> 0:18:44.439
<v Speaker 1>a a two part thing circle back. So I finished

0:18:44.480 --> 0:18:49.800
<v Speaker 1>the o A, spoilers upcoming, everybody. It sort of lost

0:18:49.840 --> 0:18:53.640
<v Speaker 1>me a little bit, but not completely. Okay, I wasn't like, man,

0:18:53.680 --> 0:18:56.359
<v Speaker 1>I'm not gonna watch it anymore. I finished it all through.

0:18:56.760 --> 0:19:00.480
<v Speaker 1>Emily was definitely more into it all the way through

0:19:00.480 --> 0:19:05.760
<v Speaker 1>that I was. It definitely felt like they it kind

0:19:05.760 --> 0:19:08.600
<v Speaker 1>of had that lost vibe where it was like, did

0:19:08.600 --> 0:19:10.240
<v Speaker 1>you kind of decide where you were going with this

0:19:10.400 --> 0:19:13.359
<v Speaker 1>like halfway through kind of a little bit like, I

0:19:13.160 --> 0:19:15.240
<v Speaker 1>I see what you're saying. I felt like the ending

0:19:15.320 --> 0:19:17.800
<v Speaker 1>was really beautiful where they were with the school and

0:19:17.840 --> 0:19:21.320
<v Speaker 1>like saving the kids from the school shooter, right, pretty

0:19:21.359 --> 0:19:23.919
<v Speaker 1>intense ending. Yeah. Yeah, but it was also like that

0:19:24.000 --> 0:19:25.480
<v Speaker 1>was sort of the moment that was the one moment

0:19:25.480 --> 0:19:28.800
<v Speaker 1>where you see a real thing kind of or you know,

0:19:28.960 --> 0:19:30.520
<v Speaker 1>and then of course the show ends. So to me,

0:19:30.560 --> 0:19:32.760
<v Speaker 1>that was a little bit of like a kind of

0:19:33.920 --> 0:19:36.359
<v Speaker 1>I don't know, it left it left me feeling a

0:19:36.440 --> 0:19:41.600
<v Speaker 1>little bit um annoyed kind of yeah, yeah, here, I

0:19:41.640 --> 0:19:44.359
<v Speaker 1>think here's what lost me. And this is uh, I

0:19:44.359 --> 0:19:48.359
<v Speaker 1>don't know if it's petty or something. I should have

0:19:48.400 --> 0:19:51.760
<v Speaker 1>just been able to get over easier. But honestly, dude,

0:19:51.800 --> 0:19:55.439
<v Speaker 1>if they hadn't have made the big thing that they

0:19:55.480 --> 0:19:59.760
<v Speaker 1>all had to do to become one, that stupid, stupid

0:20:00.000 --> 0:20:03.439
<v Speaker 1>interpretive dance. You didn't like the interpretive dance. I hated it, man,

0:20:03.480 --> 0:20:06.399
<v Speaker 1>it's my favorite part. Emily loved it. A lot of

0:20:06.400 --> 0:20:08.400
<v Speaker 1>people love it. I just could not get past it.

0:20:11.200 --> 0:20:13.080
<v Speaker 1>They like making sounds too right. Yeah. And then the

0:20:13.560 --> 0:20:16.320
<v Speaker 1>big one that got me was when they went and

0:20:16.400 --> 0:20:18.880
<v Speaker 1>like it's like a cat and did the magic fingers.

0:20:19.320 --> 0:20:21.200
<v Speaker 1>I just I don't know, man, I hated that. I

0:20:21.240 --> 0:20:23.240
<v Speaker 1>was just like, it took me out of it every

0:20:23.240 --> 0:20:25.399
<v Speaker 1>single time, and I was like, why couldn't they have

0:20:25.440 --> 0:20:28.639
<v Speaker 1>just made it where they like join hands or something

0:20:28.680 --> 0:20:31.040
<v Speaker 1>and just something a little less like I'm guessing you're

0:20:31.080 --> 0:20:33.359
<v Speaker 1>not an Alvin Ailey fan. This is funny that you

0:20:33.440 --> 0:20:36.320
<v Speaker 1>mentioned that, because Emily loves Alvin Ailey. And while we

0:20:36.320 --> 0:20:38.560
<v Speaker 1>were watching this, I said, this is like Alvin Ailey

0:20:39.960 --> 0:20:43.199
<v Speaker 1>modern dance. I'm not a fan. Yeah, it's it's not

0:20:43.240 --> 0:20:45.680
<v Speaker 1>really something I gravitated towards. But I I enjoyed it.

0:20:45.680 --> 0:20:48.160
<v Speaker 1>It didn't put me off too too badly. I kind

0:20:48.160 --> 0:20:49.560
<v Speaker 1>of I kind of liked it at all. Right now,

0:20:49.640 --> 0:20:51.240
<v Speaker 1>a lot of people did. Emily loved it. She was

0:20:51.359 --> 0:20:53.959
<v Speaker 1>very moved, and I was sort of a dick. She

0:20:54.080 --> 0:20:56.360
<v Speaker 1>was um and I didn't realize that I was being

0:20:56.359 --> 0:20:58.680
<v Speaker 1>a big dick at the time, but I was doing

0:20:58.720 --> 0:21:00.320
<v Speaker 1>that thing where I was sort of banking fun of

0:21:00.320 --> 0:21:02.399
<v Speaker 1>it as the show kind of went on, and in

0:21:02.400 --> 0:21:04.200
<v Speaker 1>the end I was sort of making too much fun

0:21:04.200 --> 0:21:06.320
<v Speaker 1>of it, and she was like, I'm enjoying this. Will

0:21:06.359 --> 0:21:08.840
<v Speaker 1>you shut the funk up please and allow me to

0:21:08.920 --> 0:21:10.040
<v Speaker 1>enjoy it and not being fun of it. And I

0:21:10.080 --> 0:21:12.119
<v Speaker 1>was like, oh, man, what a jerk. Yeah, well, you know,

0:21:12.160 --> 0:21:13.880
<v Speaker 1>at least you guys are comfortable enough with each other

0:21:13.880 --> 0:21:15.600
<v Speaker 1>that she can tell you to shut the funk up. Oh,

0:21:15.640 --> 0:21:17.360
<v Speaker 1>of course, Like I hear that ten times a day.

0:21:17.840 --> 0:21:20.919
<v Speaker 1>She's very comfortable. Um, And it's sort of you know,

0:21:21.000 --> 0:21:23.080
<v Speaker 1>sometimes you both want to be making fun of the

0:21:23.119 --> 0:21:25.320
<v Speaker 1>same thing, and we just weren't on the same page.

0:21:25.760 --> 0:21:28.600
<v Speaker 1>So I'm gonna watch the season two that I'm sure

0:21:28.640 --> 0:21:30.320
<v Speaker 1>we're getting a pass on. By the way, Josh and

0:21:30.359 --> 0:21:33.919
<v Speaker 1>I we have not heard back from man. Yeah, I

0:21:33.920 --> 0:21:36.800
<v Speaker 1>mean when you don't hear back, it's called the soft pass.

0:21:37.160 --> 0:21:39.240
<v Speaker 1>You ever heard that time? I've I've been soft passed

0:21:39.240 --> 0:21:40.960
<v Speaker 1>on many a time. I didn't know that was the

0:21:41.000 --> 0:21:43.280
<v Speaker 1>thing until I got soft passed on the first time,

0:21:43.640 --> 0:21:45.600
<v Speaker 1>like five or six years ago. We auditioned for a

0:21:46.440 --> 0:21:51.160
<v Speaker 1>some Discovery Channel show and um, you just never hear back.

0:21:51.359 --> 0:21:52.840
<v Speaker 1>And I was like, wait a minute, surely they're going

0:21:52.880 --> 0:21:56.040
<v Speaker 1>to call us and say you didn't get it. But no, no,

0:21:56.560 --> 0:22:00.080
<v Speaker 1>you just never hear It's like professional ghosting, profession an

0:22:00.080 --> 0:22:09.760
<v Speaker 1>old ghosting. That's exactly what it is. All right. Now,

0:22:09.800 --> 0:22:13.239
<v Speaker 1>we're gonna finish up with five questions from you to us.

0:22:15.359 --> 0:22:19.520
<v Speaker 1>What's your This is from Ralph Ralph Spradley. What is

0:22:19.560 --> 0:22:25.040
<v Speaker 1>your favorite movie from childhood? The pre adolescent part of childhood?

0:22:25.600 --> 0:22:28.800
<v Speaker 1>I don't know what adolescent means. Is that like twelve wish? Yeah,

0:22:28.840 --> 0:22:33.640
<v Speaker 1>I think so? Preteen? Well, I'm gonna go then with

0:22:34.960 --> 0:22:38.200
<v Speaker 1>the Triumvirate, Star Wars, Raiders of the Lost ark in Et.

0:22:39.119 --> 0:22:41.359
<v Speaker 1>It's a it's someone who's in the process of developing

0:22:41.400 --> 0:22:44.080
<v Speaker 1>from a child into an adult. By the way, that's

0:22:44.080 --> 0:22:47.720
<v Speaker 1>what the Internet says. What was your favorite childhood movie? UM?

0:22:47.920 --> 0:22:51.200
<v Speaker 1>I really liked An American Tale a lot with five

0:22:51.240 --> 0:22:54.240
<v Speaker 1>old you know somewhere out there and all that. Um

0:22:54.280 --> 0:22:57.159
<v Speaker 1>I really like The Secret of nim which I watched

0:22:57.160 --> 0:22:59.600
<v Speaker 1>with my kids several years ago, and it like got

0:22:59.640 --> 0:23:03.200
<v Speaker 1>me for clemped as shit because it was very nostalgic.

0:23:03.200 --> 0:23:04.639
<v Speaker 1>I hadn't seen since I was a kid, so it

0:23:04.680 --> 0:23:07.520
<v Speaker 1>kind of brought me back. Um, and so you were

0:23:07.520 --> 0:23:12.520
<v Speaker 1>in the mouse movies. I really like exclusively mouse centric movies. Yes,

0:23:13.000 --> 0:23:15.840
<v Speaker 1>we're going more mouse content everyone. Yeah, whatever happened that? Man?

0:23:15.840 --> 0:23:20.000
<v Speaker 1>We need more good mouse cartoons. Agreed. Uh, let me

0:23:20.080 --> 0:23:24.280
<v Speaker 1>see here, Rob real r I e h l Ryle.

0:23:24.920 --> 0:23:27.040
<v Speaker 1>What order would you suggest someone who was new to

0:23:27.080 --> 0:23:32.200
<v Speaker 1>Star Wars watch them. You're definitely gonna want to start

0:23:32.240 --> 0:23:35.440
<v Speaker 1>with the prequels because those are the best ones. Um,

0:23:35.520 --> 0:23:40.600
<v Speaker 1>Phantom Menace is a masterpiece. Um, look at you goading,

0:23:41.400 --> 0:23:44.439
<v Speaker 1>goating the listeners. I'm not really boy, I've never really

0:23:44.480 --> 0:23:46.720
<v Speaker 1>thought about that because you know, as a loyalist, I

0:23:46.800 --> 0:23:48.640
<v Speaker 1>just watched them in the order they all came out.

0:23:49.119 --> 0:23:52.360
<v Speaker 1>But now that you can legit order them, is their

0:23:52.440 --> 0:23:56.480
<v Speaker 1>merit to that? Well, for the first time, I would

0:23:56.560 --> 0:23:59.680
<v Speaker 1>say skip the prequels entirely. Just watch the good ones

0:23:59.720 --> 0:24:02.880
<v Speaker 1>of the ones, which would include some of the newer

0:24:02.920 --> 0:24:06.280
<v Speaker 1>ones are fine. The Last Jedi and and uh Force

0:24:06.320 --> 0:24:08.840
<v Speaker 1>Awakens I thought were fine. I'm also not a Star

0:24:08.840 --> 0:24:13.800
<v Speaker 1>Wars head and I'm are coworker hatter have you seen

0:24:14.640 --> 0:24:17.480
<v Speaker 1>the people online unpacking how we feel about Harry Potter.

0:24:17.920 --> 0:24:19.919
<v Speaker 1>It's a giant threat. We talked about this already, but

0:24:20.000 --> 0:24:22.480
<v Speaker 1>no our coworker Holly Fry, who is a Star Wars

0:24:23.040 --> 0:24:26.800
<v Speaker 1>UH enthusiasts. To put it lightly, um, she will defend

0:24:26.840 --> 0:24:31.479
<v Speaker 1>those prequels um with her dying breath. And so you know,

0:24:31.880 --> 0:24:33.159
<v Speaker 1>if if you if you want to watch them in

0:24:33.200 --> 0:24:35.760
<v Speaker 1>chronological order, you would have to start with the prequels.

0:24:35.880 --> 0:24:37.600
<v Speaker 1>But if you want to not hate Star Wars, I

0:24:37.600 --> 0:24:40.200
<v Speaker 1>would say, what's the good ones? All right, that's a

0:24:40.200 --> 0:24:42.800
<v Speaker 1>good answer if you want to not hate Star Wars.

0:24:44.200 --> 0:24:47.400
<v Speaker 1>Shannon Lee, which director's filmography? Do you wish you had

0:24:47.440 --> 0:24:50.240
<v Speaker 1>done yourself? Uh? Do you most wish you had done yourself?

0:24:50.280 --> 0:24:53.719
<v Speaker 1>Great question, Shannon, And Uh, I say it often. I'm

0:24:53.760 --> 0:24:55.600
<v Speaker 1>not gonna overthink this. I'm gonna go right out of

0:24:55.600 --> 0:24:59.920
<v Speaker 1>the gate with Alexander Pain because I love, love, love Alexander.

0:25:00.880 --> 0:25:05.560
<v Speaker 1>What about you know, I'm a huge Charlie Kaufman fan.

0:25:05.880 --> 0:25:09.480
<v Speaker 1>I just think he's good pick an incredibly fascinating writer

0:25:09.960 --> 0:25:15.040
<v Speaker 1>and critic, and uh when he directs, he does really

0:25:15.040 --> 0:25:17.240
<v Speaker 1>really interesting things with it too. I just think he

0:25:17.280 --> 0:25:20.080
<v Speaker 1>can do no wrong. I think he's a genius. Agreed.

0:25:20.800 --> 0:25:25.600
<v Speaker 1>I didn't managed to sit through uh uh, what was

0:25:25.640 --> 0:25:28.320
<v Speaker 1>the name of the Senectake, New York. That movie is incredible,

0:25:28.560 --> 0:25:30.600
<v Speaker 1>it is it's a lot though, it's a lot, a lot,

0:25:30.680 --> 0:25:33.560
<v Speaker 1>but it's like if it really warrants repeat viewing because

0:25:33.560 --> 0:25:35.359
<v Speaker 1>it's got not that you would not that that's a

0:25:35.359 --> 0:25:38.640
<v Speaker 1>fun movie, but it's a lot. Man. It's like encapsulated

0:25:38.640 --> 0:25:42.880
<v Speaker 1>in that movie is like life and struggle with art

0:25:43.000 --> 0:25:46.080
<v Speaker 1>and humanity and like getting old, and it's like, you know,

0:25:46.320 --> 0:25:48.280
<v Speaker 1>he said he wanted to make a horror movie, so

0:25:48.320 --> 0:25:52.120
<v Speaker 1>he decided to make one about getting old. Geez, that's

0:25:52.160 --> 0:25:58.560
<v Speaker 1>the ultimate horror. Yes, exactly, let me see here, Sam Lucien.

0:25:59.760 --> 0:26:06.840
<v Speaker 1>Uh Paulowski says, are there any movies that make you angry? Uh?

0:26:07.160 --> 0:26:12.840
<v Speaker 1>Make me angry? I guess I've seen movies like, uh,

0:26:13.160 --> 0:26:18.520
<v Speaker 1>movies where injustices occur that make me angry. Those are

0:26:18.520 --> 0:26:22.960
<v Speaker 1>probably the only movies that make me angry. Like, uh,

0:26:23.280 --> 0:26:25.400
<v Speaker 1>I'm having a hard time like calling one up right now.

0:26:25.440 --> 0:26:27.560
<v Speaker 1>I mean, an easy one is like a Schindler's List

0:26:27.680 --> 0:26:31.360
<v Speaker 1>or something like that, where you're seeing horrible injustices happening

0:26:31.359 --> 0:26:34.320
<v Speaker 1>to people you know, who can't defend themselves and stuff

0:26:34.320 --> 0:26:36.680
<v Speaker 1>like that. My main thing is just anytime you see

0:26:36.720 --> 0:26:42.000
<v Speaker 1>powerful assholes, you know, crushing people under their boots that

0:26:42.040 --> 0:26:44.240
<v Speaker 1>have no way to defend themselves, that that bothers me.

0:26:44.600 --> 0:26:47.920
<v Speaker 1>And if it's done well, if for dramatic effect, then

0:26:47.920 --> 0:26:49.719
<v Speaker 1>that's great. And it comes around. Usually there's some kind

0:26:49.720 --> 0:26:51.600
<v Speaker 1>of redemption or some kind of moment where they get

0:26:51.600 --> 0:26:54.359
<v Speaker 1>their come upans, but those are moments in movies where

0:26:54.400 --> 0:26:56.359
<v Speaker 1>like like the scene in Shi's List where the guys

0:26:56.960 --> 0:26:59.320
<v Speaker 1>just shooting people off of his balcony with the sniper

0:26:59.400 --> 0:27:02.160
<v Speaker 1>rifle or whatever. Yeah, that kind of stuff. Yeah. And

0:27:02.200 --> 0:27:04.919
<v Speaker 1>here's another thing too on the along those lines is

0:27:05.000 --> 0:27:09.280
<v Speaker 1>when most movies, usually the person might get their come

0:27:09.320 --> 0:27:11.919
<v Speaker 1>up once come up and because people don't like to

0:27:11.920 --> 0:27:16.200
<v Speaker 1>see something go unpunished. But the rare movies that are

0:27:16.280 --> 0:27:18.560
<v Speaker 1>so dark that they do leave that unpunished, those are

0:27:18.560 --> 0:27:21.280
<v Speaker 1>the most maddening to me and most upsetting. And that

0:27:21.440 --> 0:27:27.920
<v Speaker 1>happens for sure. Alright, final question, Oh, here's a good one,

0:27:28.280 --> 0:27:34.520
<v Speaker 1>Felicia uh through, He'll Brian says, let's not forget about

0:27:34.520 --> 0:27:37.640
<v Speaker 1>our beloved medal members of movie casts. What is your

0:27:37.640 --> 0:27:43.760
<v Speaker 1>favorite movie car of all time. Wow, my favorite movie

0:27:43.800 --> 0:27:48.040
<v Speaker 1>car of all times. Right as you said that, I

0:27:48.080 --> 0:27:50.600
<v Speaker 1>was scrolling through the movie Crushers page and there's a

0:27:50.640 --> 0:27:54.600
<v Speaker 1>gift of the guy from mad Max Fury Road on

0:27:54.640 --> 0:27:58.439
<v Speaker 1>the back of that crazy guitar amp. That's an awesome

0:27:58.440 --> 0:28:02.440
<v Speaker 1>movie car, that is, you know what I will Uh,

0:28:02.720 --> 0:28:04.680
<v Speaker 1>there's a few for me. I will say the Mad

0:28:04.720 --> 0:28:07.919
<v Speaker 1>Max's car and the original Road Warrior and Mad Max

0:28:08.000 --> 0:28:10.880
<v Speaker 1>that I don't even know quite what that car is,

0:28:11.240 --> 0:28:15.720
<v Speaker 1>but like the supercharged black you know, dusty old black

0:28:16.440 --> 0:28:19.440
<v Speaker 1>hot rod that he's driving. That would be up there

0:28:19.480 --> 0:28:22.080
<v Speaker 1>for me for sure. Of course, the classic Mustang Steve

0:28:22.119 --> 0:28:26.600
<v Speaker 1>mcqueens Mustang from Bullet has got to be up there. Uh.

0:28:26.640 --> 0:28:28.000
<v Speaker 1>And then you know what, I'm gonna go in a

0:28:28.040 --> 0:28:31.879
<v Speaker 1>different direction, and I will say all of the checker

0:28:31.920 --> 0:28:35.760
<v Speaker 1>cabs and Royal Tannin bombs, the old junkie checker cabs,

0:28:35.800 --> 0:28:37.439
<v Speaker 1>because it was such a weird thing to do in

0:28:37.480 --> 0:28:40.800
<v Speaker 1>that movie and such an odd choice to have these old, dumpy,

0:28:40.960 --> 0:28:44.760
<v Speaker 1>beat up cabs that I don't think ever really existed

0:28:44.800 --> 0:28:48.520
<v Speaker 1>in New York City. So those are my cars for now.

0:28:49.640 --> 0:28:54.360
<v Speaker 1>Good picks. Yeah, maybe the motorcycle from Great Escape people

0:28:54.400 --> 0:28:56.680
<v Speaker 1>like Bullet. Did you did you say bullet? Yeah? Yeah,

0:28:56.720 --> 0:28:59.000
<v Speaker 1>the Mustang. I haven't seen it for sure, I haven't

0:28:59.000 --> 0:29:02.200
<v Speaker 1>seen its, Like I shad why Steve McQueen, Oh yeah, yeah, yeah,

0:29:02.240 --> 0:29:04.760
<v Speaker 1>watch anything with Steve McQueen and go ahead, Internet, make

0:29:04.800 --> 0:29:07.040
<v Speaker 1>fun of me for for having so many holes in

0:29:07.080 --> 0:29:10.800
<v Speaker 1>my movie knowledge. Somebody called me out about that, NOL.

0:29:10.840 --> 0:29:13.600
<v Speaker 1>You're clearly depressed. I'm not depressed, man, I'm fine. We're

0:29:13.600 --> 0:29:16.280
<v Speaker 1>gonna get you out of this having a good time. Alright,

0:29:16.920 --> 0:29:19.600
<v Speaker 1>go watch Bullet. All right, that's it for this week. Everyone.

0:29:19.880 --> 0:29:25.560
<v Speaker 1>Your homework, I believe is Oh well, it's a crossover everyone.

0:29:26.200 --> 0:29:31.680
<v Speaker 1>The Great friendly Fire Podcast. My friends Adam Pranica, Benjamin Harrison,

0:29:32.240 --> 0:29:35.720
<v Speaker 1>and John Roderick host a show called friendly Fire on

0:29:35.760 --> 0:29:38.480
<v Speaker 1>the Maximum Network and they are all three pals of mine,

0:29:38.520 --> 0:29:41.640
<v Speaker 1>and we got to hang out this June in California

0:29:41.720 --> 0:29:44.320
<v Speaker 1>and they do a their Their friendly Fire podcast is

0:29:44.360 --> 0:29:47.080
<v Speaker 1>about war movies and I am such a big fan

0:29:47.120 --> 0:29:49.400
<v Speaker 1>of their show. A lot of people don't listen to

0:29:49.440 --> 0:29:51.640
<v Speaker 1>podcasts that their friends do in the industry. I am

0:29:51.640 --> 0:29:53.960
<v Speaker 1>not one of them. I love the podcast that my

0:29:54.000 --> 0:29:56.320
<v Speaker 1>friends do. Uh. And so we sat down and did

0:29:56.360 --> 0:30:00.840
<v Speaker 1>a legit crossover, so, uh, friendly fired, I talk about Platoon,

0:30:01.520 --> 0:30:05.160
<v Speaker 1>and it was a long, good, supersized discussion on Platoon

0:30:05.480 --> 0:30:08.400
<v Speaker 1>that I'm releasing in full. They are also releasing the

0:30:08.480 --> 0:30:12.360
<v Speaker 1>same content in their feed the same week, so we're

0:30:12.400 --> 0:30:15.760
<v Speaker 1>doing a real crossover, but there's is more edited and

0:30:16.080 --> 0:30:19.040
<v Speaker 1>we'll be slightly different. So jeez, maybe listen to both

0:30:19.080 --> 0:30:20.720
<v Speaker 1>of them, see which one you like better. I just

0:30:20.720 --> 0:30:24.560
<v Speaker 1>throw it all out there, everybody, So, UH, watch Platoon.

0:30:24.720 --> 0:30:28.560
<v Speaker 1>I highly recommend it. Great great Oliver Stone. Uh, sort

0:30:28.600 --> 0:30:32.400
<v Speaker 1>of a monumental Vietnam war film from the nineteen eighties,

0:30:32.760 --> 0:30:35.440
<v Speaker 1>so check it out. I love Pats. That was one

0:30:35.480 --> 0:30:37.520
<v Speaker 1>that really grabbed me early on when I was first

0:30:37.760 --> 0:30:41.479
<v Speaker 1>starting to get into more challenging you know, I hear you.

0:30:42.000 --> 0:30:44.680
<v Speaker 1>Um all right, everyone, so thanks for joining in, and

0:30:44.720 --> 0:30:47.320
<v Speaker 1>Nolan and I are about to go to a bar

0:30:47.560 --> 0:30:49.960
<v Speaker 1>and take care of all our troubles. We'll see you

0:30:50.000 --> 0:30:50.400
<v Speaker 1>next week.