1 00:00:00,800 --> 00:00:05,760 Speaker 1: When I wrote y'all all across the USC conton Motts 2 00:00:06,400 --> 00:00:10,719 Speaker 1: Day to l a from on the California of the Valley, 3 00:00:11,280 --> 00:00:14,360 Speaker 1: we represent that Kelly County. So if you're keeping it 4 00:00:14,400 --> 00:00:17,160 Speaker 1: real on your side of your town, you tune into 5 00:00:17,200 --> 00:00:22,919 Speaker 1: Gangster Chronicles Gangsters. He gonna tell you how we go. 6 00:00:24,040 --> 00:00:26,440 Speaker 1: If I lie my nose a girl like Pinocchio, We're 7 00:00:26,440 --> 00:00:29,160 Speaker 1: gonna tell you to choose in nothing but the Gangster 8 00:00:29,440 --> 00:00:33,760 Speaker 1: Chronic goals. This is not your average show. You're now 9 00:00:33,880 --> 00:00:37,199 Speaker 1: tuned into the rail m C A. Bick James and 10 00:00:37,280 --> 00:00:46,479 Speaker 1: Big Stails the streets. Hello, where are you at? This 11 00:00:46,560 --> 00:00:50,600 Speaker 1: is o G Gangster Granny and the Gangster Chronicles podcast 12 00:00:50,840 --> 00:00:53,800 Speaker 1: is bad in effect. Get ready for some of that 13 00:00:54,080 --> 00:00:59,040 Speaker 1: G ship and blaze up. Some wanna merrow. So we're 14 00:00:59,120 --> 00:01:02,160 Speaker 1: back with episode celebration. Man, we got the home. We 15 00:01:02,240 --> 00:01:04,399 Speaker 1: got some homies up in here. Man. We got my 16 00:01:04,400 --> 00:01:07,560 Speaker 1: my brother, my partner, Doggy Diamonds always from Brooklyn. Yes, 17 00:01:07,640 --> 00:01:10,160 Speaker 1: we got my boy Kater. Want my mama out here, home, 18 00:01:10,240 --> 00:01:13,959 Speaker 1: my mama, Man, we have my homeboy Kelvin and his 19 00:01:14,080 --> 00:01:18,000 Speaker 1: lovely wife back in the house wherever they had they 20 00:01:18,120 --> 00:01:21,039 Speaker 1: like being spectators today in his family any day. They 21 00:01:21,040 --> 00:01:23,240 Speaker 1: came back always from Michigan. Man, you know, we just 22 00:01:23,280 --> 00:01:26,479 Speaker 1: had shout out here. You know, get sexually that real quick. Man. 23 00:01:26,520 --> 00:01:29,479 Speaker 1: We had keeach your story man dropped man weeks ago. Man. 24 00:01:29,520 --> 00:01:32,160 Speaker 1: It was a beautiful thing. Man. Just the reaction from everybody. Man, 25 00:01:32,360 --> 00:01:35,319 Speaker 1: And we're glad to see y'all back. My brother job 26 00:01:35,440 --> 00:01:37,720 Speaker 1: all the time. Man. We got my voice on the 27 00:01:37,800 --> 00:01:40,760 Speaker 1: line podcast here Man J J. Favi and Junior Man 28 00:01:41,120 --> 00:01:43,039 Speaker 1: and Man were about to get it cracking. Let's go 29 00:01:43,319 --> 00:01:45,400 Speaker 1: close up, dog, Ma'm gonna let you run this one. Dog. 30 00:01:45,480 --> 00:01:47,360 Speaker 1: Let's get it going. Yeah. Yeah, So we're here all 31 00:01:47,400 --> 00:01:50,280 Speaker 1: the way from East coast Brooklyn, Um shout out to 32 00:01:50,360 --> 00:01:52,200 Speaker 1: the West coast. Man. I love it out here. I 33 00:01:52,240 --> 00:01:54,320 Speaker 1: didn't know what so many homeless people with certain places, 34 00:01:54,480 --> 00:01:55,880 Speaker 1: what the hell is going on? What's that all about? 35 00:01:55,880 --> 00:01:58,680 Speaker 1: Many live under the bridges and ship I had decisions. 36 00:01:58,800 --> 00:02:00,920 Speaker 1: I didn't even know that was so so y'all think 37 00:02:00,920 --> 00:02:03,040 Speaker 1: it's people that thought they was gonna come to Hollywood 38 00:02:03,080 --> 00:02:05,200 Speaker 1: and make it and then up getting turned on the drugs. 39 00:02:05,200 --> 00:02:08,280 Speaker 1: Like what happens at they just out here, Like I've 40 00:02:08,320 --> 00:02:10,200 Speaker 1: got a lot of a lot of moments on the 41 00:02:10,240 --> 00:02:13,040 Speaker 1: streets because of the drugs. There's a lot of them 42 00:02:13,080 --> 00:02:17,000 Speaker 1: that just couldn't function, that that didn't have a vility 43 00:02:17,040 --> 00:02:19,959 Speaker 1: to pay bills, didn't want to pay bills. And when 44 00:02:19,960 --> 00:02:24,080 Speaker 1: you lose family, all you got now and the streets 45 00:02:24,600 --> 00:02:27,400 Speaker 1: all you have now. So I was tripping. I was like, 46 00:02:27,400 --> 00:02:31,600 Speaker 1: they live at the fucking bus stop, like like the 47 00:02:31,639 --> 00:02:34,560 Speaker 1: bus stop, like is going to cast the bus and 48 00:02:34,560 --> 00:02:41,280 Speaker 1: they lived it. Someone wants to the side, Yeah, just 49 00:02:43,880 --> 00:02:49,480 Speaker 1: q down, got tricked up with the got meant that 50 00:02:49,600 --> 00:02:51,320 Speaker 1: coming back to we got you don't want to come 51 00:02:51,360 --> 00:02:56,440 Speaker 1: on and a lot of yeah right, but the air 52 00:02:58,000 --> 00:03:03,480 Speaker 1: in period eternal boy, that rest hold and we think 53 00:03:03,520 --> 00:03:06,040 Speaker 1: that and we think they funked up, and they'd be like, ship, 54 00:03:06,120 --> 00:03:08,560 Speaker 1: I'm good at freedom. You know what I was talking 55 00:03:08,639 --> 00:03:11,919 Speaker 1: to my first cousin. I'm telling my first cousins. I 56 00:03:12,040 --> 00:03:16,679 Speaker 1: was like, imagine the freedom besides the your hygiene, but 57 00:03:16,840 --> 00:03:19,600 Speaker 1: imagine the freedom of being homeless, like not worry about 58 00:03:19,600 --> 00:03:22,880 Speaker 1: it's sucking funny, I pay no, billy, you gotta worry 59 00:03:22,880 --> 00:03:25,560 Speaker 1: about I mean, I'm talking about no, no, no, you're right. 60 00:03:25,600 --> 00:03:28,040 Speaker 1: You know we're gonna get it, well, well we're gonna 61 00:03:28,040 --> 00:03:30,239 Speaker 1: get it twisted. New York's brick ass cold. You gotta 62 00:03:30,240 --> 00:03:34,880 Speaker 1: worry about you home tim below outside. But yeah, ye 63 00:03:35,920 --> 00:03:37,760 Speaker 1: get that cold. But let's call this hou out here, 64 00:03:37,840 --> 00:03:41,960 Speaker 1: like look for anybody who thinks over here, the motherfucker 65 00:03:42,320 --> 00:03:48,520 Speaker 1: I'm called right now, it's it's called me. One dialogue 66 00:03:48,520 --> 00:03:52,000 Speaker 1: I wanted to have with y'all was was you've seen 67 00:03:52,000 --> 00:03:55,760 Speaker 1: a documentary crack on Netflix? I see something that ship 68 00:03:56,480 --> 00:04:02,360 Speaker 1: because really, but what I wanted, Yeah, but I wanted 69 00:04:02,400 --> 00:04:06,480 Speaker 1: to know how to it affect y'all out here. Crap 70 00:04:06,800 --> 00:04:09,000 Speaker 1: didn't funk up the community the way it did in 71 00:04:09,040 --> 00:04:16,000 Speaker 1: New York, because that's it, my wood. It changed the 72 00:04:16,080 --> 00:04:19,920 Speaker 1: whole game. Because at first I'm watching my t this fight, 73 00:04:20,960 --> 00:04:24,200 Speaker 1: I'm like, they making a snapbox. You gotta add his hands, 74 00:04:24,200 --> 00:04:28,840 Speaker 1: slap street snapback when getting ship snapped out of the 75 00:04:29,440 --> 00:04:33,800 Speaker 1: damn hand hit me out. But when that crack came, 76 00:04:34,200 --> 00:04:38,720 Speaker 1: I remember big homies up now threefold. We got seriously 77 00:04:39,000 --> 00:04:45,400 Speaker 1: not a Home City Star motor compaim me and you 78 00:04:45,600 --> 00:04:47,680 Speaker 1: by the sixties, you're like that we in fighting. No 79 00:04:49,360 --> 00:04:51,280 Speaker 1: right now? You know when you got a kid, Yeah now, 80 00:04:51,480 --> 00:04:53,400 Speaker 1: because they're ready to do this, you don't have to 81 00:04:54,000 --> 00:04:56,479 Speaker 1: TV making you gotta do this. You got you got 82 00:04:56,640 --> 00:04:59,440 Speaker 1: beat up and getting all that TV. Yeah yeah, yeah 83 00:05:00,400 --> 00:05:05,880 Speaker 1: for the make you do not get the right come 84 00:05:06,000 --> 00:05:15,920 Speaker 1: in now and crazy Yeah yeah, rock house, back house, 85 00:05:16,880 --> 00:05:23,880 Speaker 1: because I was in. She said that it was hunting 86 00:05:23,960 --> 00:05:26,640 Speaker 1: and whatnet of that? Like that it comes for ten. 87 00:05:26,880 --> 00:05:29,520 Speaker 1: Then it's just started dropping. But when you down, you're 88 00:05:29,520 --> 00:05:34,160 Speaker 1: making money down the homie coming setting a gauge on it. Yeah, 89 00:05:34,480 --> 00:05:36,800 Speaker 1: oh we got a gate. Then here coming with a 90 00:05:36,880 --> 00:05:39,960 Speaker 1: oozy and then the mac ten. Then when they come 91 00:05:40,000 --> 00:05:42,040 Speaker 1: like you say, eight six eighty. I was in. I 92 00:05:42,080 --> 00:05:44,080 Speaker 1: got out on eighty eight and the homies got a 93 00:05:44,200 --> 00:05:47,160 Speaker 1: seventy five round tip eight K and I just looked 94 00:05:47,200 --> 00:05:51,680 Speaker 1: at the bullet. I said, God, damn, niggas ain't can 95 00:05:52,360 --> 00:05:53,960 Speaker 1: And when I heard like you said, when you heard 96 00:05:54,200 --> 00:05:56,760 Speaker 1: nig I remember, man, it's like it's a distinct Sam 97 00:05:57,200 --> 00:05:59,880 Speaker 1: never been in the military, watched the movies that's at 98 00:06:00,520 --> 00:06:03,600 Speaker 1: It's a distinct sound that once you heard it, you 99 00:06:03,640 --> 00:06:06,720 Speaker 1: will never forget. And I'm on the block. I'm on 100 00:06:06,839 --> 00:06:10,120 Speaker 1: the block, and here l a lot. I'll just send 101 00:06:10,160 --> 00:06:13,200 Speaker 1: let meet behind a bunch of steal because that mother 102 00:06:13,279 --> 00:06:15,799 Speaker 1: pork came and your heart beat like Lord, they showing 103 00:06:15,839 --> 00:06:17,960 Speaker 1: you on TV. I can go through a bullet proof 104 00:06:18,040 --> 00:06:21,440 Speaker 1: vest and a tree, and I know we got one too. 105 00:06:22,360 --> 00:06:24,720 Speaker 1: And that's what the crack th ain't change. It went 106 00:06:24,800 --> 00:06:27,360 Speaker 1: from young niggas going to school. I'm standing out all 107 00:06:27,440 --> 00:06:30,880 Speaker 1: night going to school, and I got like forty five thousand, 108 00:06:30,880 --> 00:06:33,760 Speaker 1: and I'm counting on the joint each fives. Teach you 109 00:06:33,839 --> 00:06:36,200 Speaker 1: looking at me, put your money where where's it? You 110 00:06:36,279 --> 00:06:38,600 Speaker 1: got to go to the principal. I'm going back to 111 00:06:38,720 --> 00:06:40,960 Speaker 1: the block because I know I can go to my 112 00:06:41,080 --> 00:06:44,279 Speaker 1: homie getting four fires one in the morning, that ships 113 00:06:44,279 --> 00:06:47,080 Speaker 1: gonna be gone. I'm going to the swap meet at 114 00:06:47,120 --> 00:06:50,280 Speaker 1: ten o'clock to buy me a fresh Fair Khakis, so 115 00:06:50,480 --> 00:06:54,800 Speaker 1: Frest boxers, Frest muscle shirt, some new case Swiss or 116 00:06:54,920 --> 00:06:57,800 Speaker 1: some new Cortets, to go back to my beach house 117 00:06:58,120 --> 00:07:01,120 Speaker 1: or Smocal house, watch up and get dressed for to day. 118 00:07:01,360 --> 00:07:03,160 Speaker 1: You didn't even want to lead the block because your 119 00:07:03,200 --> 00:07:06,280 Speaker 1: schedules gonna missing your money. You getting money now, you're 120 00:07:06,320 --> 00:07:09,400 Speaker 1: getting guns. Now, we're getting low riders. And that's what 121 00:07:09,560 --> 00:07:13,000 Speaker 1: it did for the streets. That's where I'm every every 122 00:07:13,080 --> 00:07:15,560 Speaker 1: area has a different spin, but it's all the same. 123 00:07:15,760 --> 00:07:19,160 Speaker 1: But The downfall of it is is that we had 124 00:07:19,240 --> 00:07:23,000 Speaker 1: I got me. The downfall of it is is motherfucker's 125 00:07:23,080 --> 00:07:25,280 Speaker 1: was selling rocks and there now we wind up selling 126 00:07:25,360 --> 00:07:27,240 Speaker 1: rocks to the homies mama's That's what I was just 127 00:07:27,400 --> 00:07:31,320 Speaker 1: gonna said, the homies daddies. And when when when when 128 00:07:31,720 --> 00:07:36,000 Speaker 1: that started happening? Lights getting cut off and this happening. 129 00:07:36,320 --> 00:07:41,560 Speaker 1: No Christmas, no this. So I had a bigger because 130 00:07:42,160 --> 00:07:45,040 Speaker 1: now you're seeing what he's doing. Some of the homies 131 00:07:45,080 --> 00:07:47,440 Speaker 1: mamas didn't come back. Some of the homlies daddies didn't 132 00:07:47,440 --> 00:07:52,520 Speaker 1: come back. Uncle's unties. Damn, I'm getting keeping one other 133 00:07:52,600 --> 00:08:06,200 Speaker 1: niggers getting the heads from the homies. Strong Berry was understand, 134 00:08:06,560 --> 00:08:22,760 Speaker 1: late night nothing you know what I'm saying, Boar. They 135 00:08:22,840 --> 00:08:25,520 Speaker 1: go around the corner and tossed this little five right quick. 136 00:08:30,680 --> 00:08:34,640 Speaker 1: But but the reason why I'm saying that because when 137 00:08:34,720 --> 00:08:37,480 Speaker 1: we saw like me coming up, like I told you before, 138 00:08:37,520 --> 00:08:40,000 Speaker 1: we saw ship like Colors, y'all saw like New Jack City. 139 00:08:40,480 --> 00:08:44,520 Speaker 1: A lot of ship was fabricated. But I remember ship 140 00:08:44,640 --> 00:08:47,679 Speaker 1: that was crack, that was so funked up, was yo, 141 00:08:47,920 --> 00:08:51,679 Speaker 1: it was. I remember seeing big strong men reduced to 142 00:08:51,760 --> 00:08:55,280 Speaker 1: being like a hunted pounds. The most beautiful women ever 143 00:08:56,400 --> 00:08:59,079 Speaker 1: was my cousin. My cousin over here with one of 144 00:08:59,160 --> 00:09:02,599 Speaker 1: my mother's friends. I was like fourteen years old, and 145 00:09:02,720 --> 00:09:05,440 Speaker 1: she told him to ask your cousin if he wants 146 00:09:05,480 --> 00:09:08,520 Speaker 1: some hat and I went outside. So I'm like, yo, 147 00:09:08,640 --> 00:09:11,120 Speaker 1: you was my mother's friend. I'm like, I'm her baby, 148 00:09:11,280 --> 00:09:15,440 Speaker 1: like you that strung out. You know what I'm saying. 149 00:09:15,600 --> 00:09:19,040 Speaker 1: And the reason why I'm said, it's bad. Bitches. You 150 00:09:19,120 --> 00:09:21,400 Speaker 1: went to high school with man. You see the motherfucker's 151 00:09:21,440 --> 00:09:24,120 Speaker 1: two years And the reason why I'm saying this is 152 00:09:24,200 --> 00:09:28,400 Speaker 1: because I think with your lifestyle, the money started coming 153 00:09:29,080 --> 00:09:32,360 Speaker 1: got turned the violence up even more because because now 154 00:09:32,480 --> 00:09:34,240 Speaker 1: it's like, hold on, we get money. We could buy 155 00:09:34,320 --> 00:09:43,640 Speaker 1: more guns from the gage to forty seven. And that's 156 00:09:43,679 --> 00:09:46,840 Speaker 1: what the money brought. So now we really already damned 157 00:09:46,880 --> 00:09:50,000 Speaker 1: foods for the set. Anyway, Now you got money and 158 00:09:50,120 --> 00:09:52,199 Speaker 1: you got guns, you got the local get him for 159 00:09:52,320 --> 00:09:54,920 Speaker 1: to make this money. He brewed up tonight and go 160 00:09:55,040 --> 00:09:59,480 Speaker 1: bust up the kate. Just some shut up. It was 161 00:09:59,520 --> 00:10:02,240 Speaker 1: like a time I get your money late night. Okay, 162 00:10:03,040 --> 00:10:10,880 Speaker 1: let's go get the nick, let's go. It bought in 163 00:10:11,040 --> 00:10:18,720 Speaker 1: tens of violence, but Peopo. The thing about the dope 164 00:10:18,760 --> 00:10:22,079 Speaker 1: era that was even more fucked up. That's what you 165 00:10:22,200 --> 00:10:25,200 Speaker 1: did to the ops, the ribbals. Look what we started 166 00:10:25,240 --> 00:10:28,440 Speaker 1: doing to each other in the same hood over the crack. 167 00:10:28,559 --> 00:10:31,640 Speaker 1: Because now it's like who said he could have his blood? 168 00:10:32,200 --> 00:10:34,080 Speaker 1: Who said he could hustle out here? That's how New 169 00:10:34,160 --> 00:10:36,960 Speaker 1: York was, Like, Yo, new York had it to it. Yeah, 170 00:10:37,000 --> 00:10:40,679 Speaker 1: New York had it. It's totally different. Because that's what 171 00:10:40,720 --> 00:10:42,880 Speaker 1: I want to know. Follow that you want a lot 172 00:10:42,920 --> 00:10:46,800 Speaker 1: of niggas. Niggas got killed because of jealousy and hated 173 00:10:46,840 --> 00:10:49,079 Speaker 1: that this nigga is making all his money and got 174 00:10:49,160 --> 00:10:53,400 Speaker 1: the baddest bitches and I mean the big fat homies, 175 00:10:53,520 --> 00:10:58,680 Speaker 1: just the ones that because he got the sacking making 176 00:10:58,720 --> 00:11:01,960 Speaker 1: that money here. You know what I'm saying. So niggas 177 00:11:02,760 --> 00:11:05,800 Speaker 1: going out there and getting your own ship. Niggas got 178 00:11:05,880 --> 00:11:09,800 Speaker 1: it where it was easy. New York was. This is 179 00:11:09,880 --> 00:11:12,719 Speaker 1: the guy who gives everybody to drugs. If you do 180 00:11:12,880 --> 00:11:15,439 Speaker 1: not sell drugs for him in this building, you're not 181 00:11:15,559 --> 00:11:19,880 Speaker 1: selling drugs nowhere else. He being in the face like 182 00:11:22,160 --> 00:11:25,000 Speaker 1: treat from a dog. He broke it down a lot 183 00:11:25,120 --> 00:11:28,400 Speaker 1: to me, how y'all get damn you know they got shifts. 184 00:11:28,640 --> 00:11:30,520 Speaker 1: Pay the look out. You got to do to go. 185 00:11:30,800 --> 00:11:32,839 Speaker 1: They don't do hand to hand. You get the money 186 00:11:33,800 --> 00:11:36,040 Speaker 1: somebody else coming to hand them to work. They have 187 00:11:36,120 --> 00:11:43,800 Speaker 1: a teen turn sip my own something of my own 188 00:11:43,920 --> 00:11:47,400 Speaker 1: anywhere right there. It could be a nigga right there, 189 00:11:48,240 --> 00:11:51,559 Speaker 1: right there, nigga right there, I got my client tail 190 00:11:51,720 --> 00:11:59,120 Speaker 1: and they're gonna pull up. And then we didn't see 191 00:11:59,440 --> 00:12:02,080 Speaker 1: we don't even don't pick the order. See what us? 192 00:12:03,000 --> 00:12:06,599 Speaker 1: What us was? What us was you? Who did you 193 00:12:06,760 --> 00:12:09,439 Speaker 1: listen to? Um? You listened to Cut the Links album 194 00:12:09,480 --> 00:12:12,760 Speaker 1: with Rapon? Is like the niggas got garbage down the way. 195 00:12:13,200 --> 00:12:15,319 Speaker 1: That's how it was. Like the next building, so the 196 00:12:15,400 --> 00:12:17,720 Speaker 1: deal was, hold on, who the fun that they got 197 00:12:17,760 --> 00:12:19,760 Speaker 1: hustle in that building over there were all the money 198 00:12:19,840 --> 00:12:21,840 Speaker 1: going and slow. Now we gotta get them the funk 199 00:12:21,880 --> 00:12:24,160 Speaker 1: up out of it. So the next building, who you 200 00:12:24,240 --> 00:12:25,720 Speaker 1: go over there and be like, yo, who are you hustling? 201 00:12:26,000 --> 00:12:28,360 Speaker 1: Because out here you usually didn't have a lot of 202 00:12:28,440 --> 00:12:35,160 Speaker 1: outsiders coming project. What we got about five minutes That's 203 00:12:35,160 --> 00:12:39,680 Speaker 1: how it was. That's how it wasn't about five minutes 204 00:12:39,720 --> 00:12:42,280 Speaker 1: a day left, So let's have to wrap it up. Yeah, yeah, 205 00:12:42,280 --> 00:12:43,559 Speaker 1: but you, but you, but I wanted to close. You 206 00:12:43,679 --> 00:12:46,160 Speaker 1: know that we think in New York, because that's how 207 00:12:46,240 --> 00:12:49,560 Speaker 1: New York based gags is. We think that West Coast 208 00:12:49,679 --> 00:12:52,800 Speaker 1: is somebody that runs this set in New York. You know, 209 00:12:52,960 --> 00:12:57,839 Speaker 1: niggas run it's a big home, right We don't. We 210 00:12:57,920 --> 00:13:04,360 Speaker 1: don't go by that cold. We die from the other 211 00:13:04,520 --> 00:13:08,719 Speaker 1: Other dudes might have other niggas from the neighborhood might 212 00:13:08,840 --> 00:13:13,040 Speaker 1: have a different reputation then, but you from the hood, 213 00:13:13,080 --> 00:13:16,640 Speaker 1: you were from the It ain't like he's keen with you, captain, 214 00:13:17,080 --> 00:13:22,199 Speaker 1: and you're the fucking servant and you can't. It don't matter, man, 215 00:13:22,400 --> 00:13:25,000 Speaker 1: it don't matter. It don't change with us. Another thing 216 00:13:25,120 --> 00:13:28,319 Speaker 1: with the great thing with us. Once everybody was getting 217 00:13:28,360 --> 00:13:30,559 Speaker 1: so much money in the me at eighties, it was 218 00:13:30,640 --> 00:13:33,439 Speaker 1: like boom were you were you born that? When you 219 00:13:33,520 --> 00:13:36,000 Speaker 1: were in Detroit? I was worn to sit. They called 220 00:13:36,040 --> 00:13:37,559 Speaker 1: out there and see how must stay paid for him? 221 00:13:37,960 --> 00:13:43,360 Speaker 1: Oh they're paying, TWI we paying. And that's when the pains, 222 00:13:43,400 --> 00:13:47,640 Speaker 1: you know that was so sweetened today? Are you at 223 00:13:48,640 --> 00:13:52,839 Speaker 1: how are we jumping on the burg strapped? Laying in 224 00:13:52,920 --> 00:13:57,920 Speaker 1: Oklahoma City? Man finished sixteen ounces rock rock in six 225 00:13:58,040 --> 00:14:01,199 Speaker 1: days jumping on the plain. We did the spot, got hit. 226 00:14:01,600 --> 00:14:04,040 Speaker 1: We see your head. I think about sixteen ounces left. 227 00:14:04,400 --> 00:14:05,880 Speaker 1: I'm gonna give it the way the home and say 228 00:14:05,920 --> 00:14:07,920 Speaker 1: that we ain't giving another weight. I said, they wrap 229 00:14:08,040 --> 00:14:09,680 Speaker 1: it up. We're taking them back home and say, spun 230 00:14:10,960 --> 00:14:14,280 Speaker 1: you work out of l a X not in. I said, 231 00:14:14,400 --> 00:14:16,800 Speaker 1: that's why I know we're gonna be cool, because how 232 00:14:16,920 --> 00:14:19,800 Speaker 1: we look. They ain't gonna suspect us flying the in 233 00:14:20,000 --> 00:14:23,160 Speaker 1: with no work. We get off the pain. We're sixteen 234 00:14:23,160 --> 00:14:26,880 Speaker 1: ounces hard back and on to the next day. And 235 00:14:26,960 --> 00:14:29,320 Speaker 1: that's another thing that Craig did. Don't try to do 236 00:14:29,440 --> 00:14:32,720 Speaker 1: this down. But look what I'm saying is they're closed 237 00:14:32,760 --> 00:14:35,520 Speaker 1: the real quick. We started taking them all the mother's 238 00:14:35,560 --> 00:14:39,440 Speaker 1: states close, come out. They believe in that ship and 239 00:14:39,640 --> 00:14:41,800 Speaker 1: it's like that. Then the next you know, you've got 240 00:14:41,920 --> 00:14:45,120 Speaker 1: ministers society coming. Oh my god, they really got boys 241 00:14:45,120 --> 00:14:47,640 Speaker 1: and oh no, now they think, okay, so dope in 242 00:14:47,720 --> 00:14:49,720 Speaker 1: this game bag because this is how they did it. 243 00:14:50,000 --> 00:14:52,040 Speaker 1: And I didn't heard Niggs just on my mama. I'm 244 00:14:52,080 --> 00:14:54,440 Speaker 1: not just saying this because I'm with id't heard niggas 245 00:14:54,440 --> 00:14:56,800 Speaker 1: in Oklahoma saying I want to run them and get 246 00:14:56,840 --> 00:14:59,400 Speaker 1: that nigga. I eat that, just run up and put 247 00:14:59,480 --> 00:15:01,360 Speaker 1: it up there to be in Oklahoma like it wasn't 248 00:15:01,360 --> 00:15:10,240 Speaker 1: ship was second Oklahoma was your second home. Come from 249 00:15:10,960 --> 00:15:15,240 Speaker 1: that came from Jamale holliway when you but I said 250 00:15:15,280 --> 00:15:17,360 Speaker 1: he did anything wrong, but said when he went out 251 00:15:17,400 --> 00:15:20,080 Speaker 1: there playing football, come from Bandy went out to play 252 00:15:20,080 --> 00:15:23,560 Speaker 1: with Oklahoma. Oklahoma was cracking at one time. Monk was 253 00:15:23,600 --> 00:15:24,880 Speaker 1: coming out of a little bit. But let me come 254 00:15:24,920 --> 00:15:27,480 Speaker 1: in the jet. I'm gonna keep reading from my boy June, 255 00:15:27,520 --> 00:15:29,760 Speaker 1: from on the line, from on the line of J. J. Fumby. 256 00:15:30,040 --> 00:15:32,920 Speaker 1: We did the Soapbox Network. But I'm gonna tell you something. 257 00:15:32,960 --> 00:15:36,240 Speaker 1: You're talking about that Cavey that yeah, yeah Yo. I 258 00:15:36,360 --> 00:15:39,480 Speaker 1: come in the era. I'm fitted. I'm original beat from 259 00:15:39,680 --> 00:15:42,720 Speaker 1: East Side Long Beach. I'm not active, but when I 260 00:15:42,880 --> 00:15:45,640 Speaker 1: wasn't doing my thing, we look for the dope man, Rober, 261 00:15:45,720 --> 00:15:47,680 Speaker 1: dope man, Ti, the dope man up. I can talk 262 00:15:47,720 --> 00:15:52,760 Speaker 1: about some of the rocket because times, uh, that pass right, 263 00:15:53,160 --> 00:15:55,840 Speaker 1: and so I'm just I'm just saying that the dope man, 264 00:15:56,120 --> 00:15:58,760 Speaker 1: you know I'm telling about homies was d man. You 265 00:15:58,840 --> 00:16:00,480 Speaker 1: know what I mean. But I come from the crew 266 00:16:00,520 --> 00:16:03,360 Speaker 1: from the foundation where we was robbing the jack jacking 267 00:16:03,400 --> 00:16:06,200 Speaker 1: the mother from the dope man. You spoke this big engness, 268 00:16:06,400 --> 00:16:09,000 Speaker 1: my creup came to get you and all those were successful. 269 00:16:09,280 --> 00:16:12,640 Speaker 1: You think when I'm coming from, I saw dope was on. 270 00:16:12,720 --> 00:16:15,520 Speaker 1: I did sell the dope. It was because I thought 271 00:16:15,560 --> 00:16:17,640 Speaker 1: in my mind it was crazy. I thought, if I 272 00:16:17,720 --> 00:16:20,040 Speaker 1: sell dope, I can't go to just quick if I think, 273 00:16:20,080 --> 00:16:23,160 Speaker 1: you know, robbing Fox coming from so, I was trying 274 00:16:23,160 --> 00:16:25,480 Speaker 1: to do something different. Still went to the pin behind 275 00:16:26,200 --> 00:16:30,040 Speaker 1: a dope transaction, but a d boy look for they 276 00:16:30,200 --> 00:16:32,640 Speaker 1: piled up that something the man's was would knock you 277 00:16:32,720 --> 00:16:34,480 Speaker 1: down if you try to rib them, but not saying 278 00:16:34,480 --> 00:16:36,200 Speaker 1: that it was winny. But they wanted to be a 279 00:16:36,280 --> 00:16:38,800 Speaker 1: d boy out there. It was tough. It's tough. You 280 00:16:38,880 --> 00:16:41,280 Speaker 1: had to you had if you had to feed these 281 00:16:41,360 --> 00:16:44,600 Speaker 1: niggas money, because these niggs gonna knock your head off 282 00:16:45,640 --> 00:16:48,880 Speaker 1: today and today it's different out there in the streets 283 00:16:49,040 --> 00:16:52,000 Speaker 1: where I'm from, Uh isn't It's a different thing. I 284 00:16:52,080 --> 00:16:54,840 Speaker 1: don't feel. And I'm not making it bad or old 285 00:16:54,960 --> 00:16:57,320 Speaker 1: or they're young. I'm gonna keep it real that Julie 286 00:16:57,360 --> 00:16:59,920 Speaker 1: Poppy here right quick. I'm gonna say this for the record, Secon. 287 00:17:00,360 --> 00:17:03,600 Speaker 1: There was a lot of old busters and young busters. 288 00:17:04,400 --> 00:17:07,280 Speaker 1: There was left out on these streets, and these mothercker's 289 00:17:07,280 --> 00:17:09,840 Speaker 1: thet got old and the young homies steak these niggers. 290 00:17:09,840 --> 00:17:11,800 Speaker 1: Is really with the ship when they went real Nigga 291 00:17:11,840 --> 00:17:13,560 Speaker 1: is really with the ship. Don't stay on the streets 292 00:17:13,640 --> 00:17:16,600 Speaker 1: long they dead on there on the yard. Just keep 293 00:17:16,640 --> 00:17:18,600 Speaker 1: it real, you full the active gang member. I don't 294 00:17:18,600 --> 00:17:20,840 Speaker 1: care where you're from. You're not gonna stand on the streets. 295 00:17:20,960 --> 00:17:22,879 Speaker 1: You're not gonna have no long stretch on the street 296 00:17:22,960 --> 00:17:29,040 Speaker 1: unless you're working for the polties. Because when I come 297 00:17:29,119 --> 00:17:31,119 Speaker 1: from Whiga said, they pulled in me at like the 298 00:17:31,200 --> 00:17:34,200 Speaker 1: light skinting side. Oh they knew who it was. It 299 00:17:34,280 --> 00:17:37,159 Speaker 1: was me. Look as soon as I got out the 300 00:17:37,240 --> 00:17:39,280 Speaker 1: pin and then my ship they come to get me. 301 00:17:39,320 --> 00:17:41,960 Speaker 1: Squat teach special task wards n they come to get me. 302 00:17:42,200 --> 00:17:44,200 Speaker 1: So if you're really active out here and the ships ship, 303 00:17:44,560 --> 00:17:46,719 Speaker 1: they're coming for you. I'm not hating. I'll just tell 304 00:17:46,720 --> 00:17:48,680 Speaker 1: you how it was when I grew up and when 305 00:17:48,680 --> 00:17:50,480 Speaker 1: you were for the I can name this ringing bills 306 00:17:50,520 --> 00:17:53,000 Speaker 1: in the streets and its ringing down at the party station. 307 00:17:53,960 --> 00:17:56,720 Speaker 1: If it do church if it do cub scout, people 308 00:17:56,720 --> 00:17:59,520 Speaker 1: at work, people at the boys club, or the little 309 00:18:00,040 --> 00:18:02,240 Speaker 1: you around there, your name is coming up and they're 310 00:18:02,240 --> 00:18:04,560 Speaker 1: gonna run you to the police and they're gonna kick you, 311 00:18:04,760 --> 00:18:06,399 Speaker 1: or they don't call the police. I just want let 312 00:18:06,440 --> 00:18:12,320 Speaker 1: the record reflect. You ain't gonna talk about the dudes 313 00:18:12,359 --> 00:18:14,080 Speaker 1: to take their shoes, the rappers to take their shoes 314 00:18:14,080 --> 00:18:15,720 Speaker 1: strings out when they go to them. No, he's gonna 315 00:18:15,720 --> 00:18:19,359 Speaker 1: talk about that on my show. Yeah, what's good, bro? 316 00:18:19,440 --> 00:18:21,119 Speaker 1: What's happening with it? Was happening with it? Yet a 317 00:18:21,200 --> 00:18:23,200 Speaker 1: crack area in l A. Man, just to tap on 318 00:18:23,320 --> 00:18:24,960 Speaker 1: what you was talking about and what part of l 319 00:18:25,040 --> 00:18:27,719 Speaker 1: A You from Compton? Okay, yeah, I'm from Compton. I'm 320 00:18:27,720 --> 00:18:31,680 Speaker 1: from West Side Treetop. So in the eighties a lot 321 00:18:31,960 --> 00:18:35,680 Speaker 1: was going on in l A. You had sports was winning, 322 00:18:35,720 --> 00:18:38,240 Speaker 1: The Olympics was out here, nigga was getting money. It 323 00:18:38,400 --> 00:18:42,080 Speaker 1: was just running wild. And when money came, better women, 324 00:18:42,800 --> 00:18:45,760 Speaker 1: better opportunities. You know, we gave all our when I 325 00:18:45,960 --> 00:18:48,159 Speaker 1: was a little hustling, started at to swap me. We 326 00:18:48,200 --> 00:18:50,760 Speaker 1: was giving all our money to them. When big money came, 327 00:18:50,840 --> 00:18:53,800 Speaker 1: we started dressing different. They started getting gators. We started 328 00:18:53,840 --> 00:18:56,280 Speaker 1: looking good, living good. And that's when all the problems 329 00:18:56,320 --> 00:18:59,920 Speaker 1: came because you look at the homies like I want 330 00:19:00,040 --> 00:19:03,120 Speaker 1: to be like him. And it's a difference between influence 331 00:19:03,440 --> 00:19:07,560 Speaker 1: and inspiration. So when we see the inspiration, you know, 332 00:19:08,119 --> 00:19:10,399 Speaker 1: mob James, we're looking at him. I might not know 333 00:19:10,640 --> 00:19:13,920 Speaker 1: him physically, but his name is ringing around the neighbor 334 00:19:14,160 --> 00:19:16,800 Speaker 1: about who was this he got the and over here. 335 00:19:17,240 --> 00:19:19,639 Speaker 1: We describe people by where they're from and what they 336 00:19:19,720 --> 00:19:24,159 Speaker 1: drop you no matter you you can have a sister 337 00:19:24,560 --> 00:19:26,400 Speaker 1: and come to me, Oh she got this new dude. 338 00:19:26,440 --> 00:19:28,959 Speaker 1: First thing we're gonna say where you're from. That's how 339 00:19:29,080 --> 00:19:33,000 Speaker 1: we identify each other, the way they from, what section off? 340 00:19:33,520 --> 00:19:36,760 Speaker 1: And then one thing about Long Beach. One thing about 341 00:19:36,840 --> 00:19:39,359 Speaker 1: Long Beach, Compton and Long Beaches right next door. People 342 00:19:39,440 --> 00:19:41,480 Speaker 1: sleep on loan beause they think they can go, you know, 343 00:19:41,680 --> 00:19:45,080 Speaker 1: dunk off over there. They get fucked off Long Beaches. 344 00:19:45,280 --> 00:19:49,440 Speaker 1: They think about between Mary and Water. Yeah, yeah, it's 345 00:19:49,560 --> 00:19:53,440 Speaker 1: you know, so um for the people out here, thank 346 00:19:53,520 --> 00:19:57,240 Speaker 1: you all for joining the hundredth episode of the Gangster Chronicle. 347 00:19:57,320 --> 00:20:00,959 Speaker 1: This is a milestone, but this ain't it though, got 348 00:20:01,040 --> 00:20:05,040 Speaker 1: another hundreds to go and and more, and shout out 349 00:20:05,119 --> 00:20:07,359 Speaker 1: to every guest who's been on this show. Shout out 350 00:20:07,440 --> 00:20:11,400 Speaker 1: to h James, Shout out to m c A, shout 351 00:20:11,440 --> 00:20:14,680 Speaker 1: out to Still, shout out to did you the Soapbox Network? 352 00:20:15,080 --> 00:20:20,719 Speaker 1: Everybody who you got a lot of new ship coming up? 353 00:20:24,320 --> 00:20:29,840 Speaker 1: First of all, where are you from? Kato? South central California? Alright, alright, 354 00:20:29,920 --> 00:20:32,399 Speaker 1: so break it down for a Brooklyn. We're south central 355 00:20:32,560 --> 00:20:37,240 Speaker 1: because he said west your name is alright, so you're 356 00:20:37,240 --> 00:20:47,040 Speaker 1: gonna get kids come from Waverley. And what that meaning is? Okay, okay, okay, 357 00:20:47,119 --> 00:20:51,360 Speaker 1: okay that all the movies you watch, The mother Out 358 00:20:51,359 --> 00:20:53,440 Speaker 1: was our side of time. So what what you working 359 00:20:53,480 --> 00:20:55,760 Speaker 1: on right now? Right now? I just did a movie 360 00:20:55,840 --> 00:20:58,919 Speaker 1: of Loving a Younger Man that come out drink Films. 361 00:20:58,960 --> 00:21:00,840 Speaker 1: I'm doing myself up. And now when I got to 362 00:21:01,160 --> 00:21:04,359 Speaker 1: Cannabis Court with Slane Johnson, the episode on a little 363 00:21:04,359 --> 00:21:06,879 Speaker 1: comedy pilot. Okay, and you know we got smoking out 364 00:21:06,960 --> 00:21:09,679 Speaker 1: radio with your mouth and someone shouts out to the team, sir, 365 00:21:09,880 --> 00:21:11,960 Speaker 1: you feel me. So I'm just you know, I'm kind 366 00:21:12,000 --> 00:21:14,359 Speaker 1: of like the bottle awesome. I'm cleaning the shoes, the rams. 367 00:21:14,400 --> 00:21:16,600 Speaker 1: I do everything what you need to do with some 368 00:21:16,760 --> 00:21:21,000 Speaker 1: voiceovers too. Here one time. You know you want to 369 00:21:21,280 --> 00:21:27,119 Speaker 1: w ktadio jaure you want to say what why you 370 00:21:27,160 --> 00:21:36,200 Speaker 1: wanted to own my my mouth again? Before we go on. 371 00:21:36,640 --> 00:21:40,120 Speaker 1: This is a hundred episodes. That means that these men 372 00:21:40,480 --> 00:21:44,040 Speaker 1: do this ship every week for a hundred weeks. Sh 373 00:21:44,119 --> 00:21:46,040 Speaker 1: It ain't easy, trust me, you know what I'm saying. 374 00:21:46,080 --> 00:21:49,000 Speaker 1: It's a serious work for y'all out there that aspired 375 00:21:49,080 --> 00:21:51,800 Speaker 1: to be a podcaster. Just know, you gotta trust your team. 376 00:21:51,840 --> 00:21:54,280 Speaker 1: You gotta have a team, and you gotta trust each other, 377 00:21:54,320 --> 00:21:57,119 Speaker 1: believe in one another, and you know, love what you 378 00:21:57,280 --> 00:21:59,719 Speaker 1: do before you love the money. The money gonna come 379 00:22:00,000 --> 00:22:02,479 Speaker 1: what I'm saying, because the money divide people like love 380 00:22:02,560 --> 00:22:04,440 Speaker 1: bring you together, you know what I'm saying. So long 381 00:22:04,840 --> 00:22:10,400 Speaker 1: with that, we out of head against the chronicles real quick. 382 00:22:10,520 --> 00:22:13,520 Speaker 1: Before we go, I gotta man shout my boy cam 383 00:22:13,560 --> 00:22:16,200 Speaker 1: Capone from Camp Capone TV in the house and my 384 00:22:16,359 --> 00:22:22,200 Speaker 1: folks that flew in from by the town man over there, 385 00:22:22,440 --> 00:22:26,879 Speaker 1: yeah over there, and Calvin him and his wife. They 386 00:22:26,880 --> 00:22:28,320 Speaker 1: didn't want to come on the show. They against They 387 00:22:28,320 --> 00:22:30,680 Speaker 1: just want to look at the show. But salute to 388 00:22:30,800 --> 00:22:34,119 Speaker 1: y'all man we Hadad's a part of your journey. Man 389 00:22:34,720 --> 00:22:39,200 Speaker 1: we out here. You want, Yeah, because I keep talking. 390 00:22:39,240 --> 00:22:42,960 Speaker 1: I talk for all of them. Well, that concludes another 391 00:22:43,040 --> 00:22:46,480 Speaker 1: episode of Against the Chronicles podcast. Be sure to download 392 00:22:46,640 --> 00:22:49,400 Speaker 1: I Heard That and subscribe to Against the Chronicles podcast 393 00:22:49,480 --> 00:22:52,120 Speaker 1: For Apple users, find that purple mic on the front 394 00:22:52,160 --> 00:22:54,679 Speaker 1: screening your phone. Subscribe to the show, leave for comment 395 00:22:54,760 --> 00:22:57,840 Speaker 1: and a rating. Executive producers for The Gangster Chronicles of 396 00:22:57,920 --> 00:23:02,000 Speaker 1: Norm Steel James McDonald and Aaron M. C taylor. Our 397 00:23:02,080 --> 00:23:06,119 Speaker 1: visual media directors Brian White, shows audio editors Taylor Hayes 398 00:23:06,320 --> 00:23:08,800 Speaker 1: The Gangster Chronicles. Here's the production of The Black Effect 399 00:23:08,880 --> 00:23:12,119 Speaker 1: Podcast Network and I Heart Media. Any questions the comments 400 00:23:12,200 --> 00:23:15,400 Speaker 1: hit us up The Gangster Chronicles podcasts at gmail dot com. 401 00:23:15,880 --> 00:23:18,000 Speaker 1: Peace be safe out there.