WEBVTT - Muni Long

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<v Speaker 1>We all take take VALI. We are the authorities all

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<v Speaker 1>things R and B. Ladies and gentlemen, what's going on.

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<v Speaker 1>My name is Tank and this is the R and

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<v Speaker 1>B Money Podcast, the authority all things R and B. M.

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<v Speaker 1>It's one of those days. Um, we got somebody in

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<v Speaker 1>the building that has been doing it, been doing it

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<v Speaker 1>high level, high level, high level, not just not just

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<v Speaker 1>in one space, not just in one area, as I

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<v Speaker 1>say from from the d n B, in all areas.

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<v Speaker 1>But it's thing was, we're trying to teach you artists

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<v Speaker 1>to be able to do it all so that your

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<v Speaker 1>creativity is in the palm of your hands. You control

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<v Speaker 1>your own destiny. She's gonna be around for a long time.

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<v Speaker 1>It's a great use of words. She's making a lot

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<v Speaker 1>of money. Yeah, bring it on, Bring it Citi. That

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<v Speaker 1>was amazing introduction. You're doing it. He's really good at that.

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<v Speaker 1>You're doing it. Thank you, Thank you, Thank you for

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<v Speaker 1>being good at your craft, taking your craft seriously, perfecting

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<v Speaker 1>it and and and taking whatever time you've needed in

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<v Speaker 1>whatever space you've been in to do it the right way. Successfully.

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<v Speaker 1>Success speaks to it. But as people who actually do it,

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<v Speaker 1>we hear the difference outside of it being amazingly successful,

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<v Speaker 1>it is is it is rich in the hours that

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<v Speaker 1>you've put in. I see what you did working yea't

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<v Speaker 1>be money. So thank you, um, thank you. Well. First,

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<v Speaker 1>I have to tell this story before. I know you

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<v Speaker 1>didn't ask for it, but uh, this is a full

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<v Speaker 1>circle moment for me, because I don't know if you

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<v Speaker 1>remember this. There was a friends and family Grammy party

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<v Speaker 1>years ago when I first first came to l A

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<v Speaker 1>before I knew about stylists and makeup and looked very country, right. Um.

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<v Speaker 1>I come in and I'm overwhelmed. Immediately, it's all these lights.

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<v Speaker 1>I'm seeing, you know, people I recognize. I'm like, you know,

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<v Speaker 1>And I walked to the back and you and you

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<v Speaker 1>are standing there, and I just remember saying out loud,

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<v Speaker 1>I don't feel like I'm supposed to be here, and

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<v Speaker 1>you turned around immediately was like no, you put your

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<v Speaker 1>hands on my shoulders like you're supposed to be everywhere

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<v Speaker 1>you are, And I just remember that. That stuck with

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<v Speaker 1>me forever. That's crazy. And then I spent the rest

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<v Speaker 1>of the night like joking and laughing, dancing with you guys.

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<v Speaker 1>That was my first Hollywood party. Two eight, a long

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<v Speaker 1>time ago. I remember what I had on. I hadn't

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<v Speaker 1>like this purple play was very ugly outfit. I was like,

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<v Speaker 1>nineteen or twenty is very you know, green to know anything,

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<v Speaker 1>and that was my first experience in Hollywood. Good thing.

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<v Speaker 1>You're not an asshole, but you know what it is though,

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<v Speaker 1>it's like, why be that? There's no reason to be.

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<v Speaker 1>And You've always been the same every time I see you,

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<v Speaker 1>even if I'm just like in the corner, you know,

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<v Speaker 1>being quiet in the room, because I know how to

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<v Speaker 1>do that. A lot of people don't know how to

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<v Speaker 1>just Lady Bart, I've been in many rooms. You've always

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<v Speaker 1>been the same. I just like I enjoy what I

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<v Speaker 1>do and I want the people around me, whether I

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<v Speaker 1>know them or not, to have a good time at

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<v Speaker 1>least in that moment, because all of this can get

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<v Speaker 1>as you're in this room, can get overwhelming, you know

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<v Speaker 1>what I mean. And I learned that from Jamie Fox

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<v Speaker 1>of always making sure people feel important involved, you know

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<v Speaker 1>what I mean. And so you know that that's that's

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<v Speaker 1>something I had to learn, you know what I mean.

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<v Speaker 1>And that is crazy. Isn't that a trick? That's a

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<v Speaker 1>trick to stay in around for a long time. Is

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<v Speaker 1>is that you are kind and you make people feel

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<v Speaker 1>warm and they always remember. I mean, I remember that

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<v Speaker 1>people have to change you sometimes in spite of you know,

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<v Speaker 1>your gift right, and in spite of the record selling

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<v Speaker 1>and the records playing and all these people showing. Sometimes

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<v Speaker 1>it's like, you know what, I actually I like them.

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<v Speaker 1>Let's get it. A long way goes a long long.

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<v Speaker 1>I have not always had the best record, chart topping record,

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<v Speaker 1>the million records sale first we got man, none of that.

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<v Speaker 1>But I love people. And so if it's if it's

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<v Speaker 1>your it's your daughter's birthday, call on FaceTime. I'm sinking

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<v Speaker 1>happy birthday. You know what I'm saying. If it's if

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<v Speaker 1>it's your grandma's birthday, I'm gonna give her a lap dance.

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<v Speaker 1>Like it's all. I mean, listen, I do different things

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<v Speaker 1>to make sure that this money keeps coming in. Understand

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<v Speaker 1>saying booked me at okay, I'm just playing anyway. Um.

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<v Speaker 1>First of all, shout out to you, Thank you for

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<v Speaker 1>coming through, Thank you for rolling through. I know you

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<v Speaker 1>are busy. I know this because I know the people

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<v Speaker 1>you know and I know your business. I could not

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<v Speaker 1>miss being a part of this. You know, it's important

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<v Speaker 1>culturally and that's being part of the girl. Yeah, you're

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<v Speaker 1>creating a space for R and B to like flourish,

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<v Speaker 1>and we're gonna keep growing it with your health and

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<v Speaker 1>so you know what we love to do here is

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<v Speaker 1>we're about the origin. We're about the beginning. We're about

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<v Speaker 1>the moment where someone said to you, baby, you got something,

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<v Speaker 1>or you realize yourself in awakening at a moment like

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<v Speaker 1>this could be something. Take us back to Florida. Let's

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<v Speaker 1>go back to Florida. That's going on back. I don't know.

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<v Speaker 1>I think I had like a moment. Everybody in my family,

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<v Speaker 1>my mom is saying, you know, it's very musical household.

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<v Speaker 1>So I didn't realize that it wasn't normal, you know.

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<v Speaker 1>Um I think I still have challenges with that sometimes

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<v Speaker 1>just being like nothing, you know. Uh. But it was

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<v Speaker 1>always singing. It was like we used to have singing competitions.

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<v Speaker 1>I didn't have a choice. I had to sing at

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<v Speaker 1>the funerals, the weddings, to you know, anthem, at the

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<v Speaker 1>basketball games, at the whatever. Um My mom used to

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<v Speaker 1>always volunteer me. You were being prepared for your moment.

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<v Speaker 1>That's a nice wave. That's a very nice way of

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<v Speaker 1>looking at it. I used to hate it, Just being honest,

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<v Speaker 1>I didn't like it. Um. You know, if you're from

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<v Speaker 1>the South, you know as you come to church on Sunday,

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<v Speaker 1>you're gonna get that look. As you know what I'm saying,

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<v Speaker 1>come on up here. Um. I was very sheltered, so

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<v Speaker 1>I didn't get to do nothing. I couldn't go like

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<v Speaker 1>pass the mailbox. It was like you you have the alarm.

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<v Speaker 1>It's like you do when you open the door. Who

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<v Speaker 1>is that? Yes? I could not go out the yard,

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<v Speaker 1>so I didn't go anywhere. I couldn't do nothing. So

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<v Speaker 1>I was reading. I was in my room with my

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<v Speaker 1>little Cassio. I was composition note book, writing the songs um.

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<v Speaker 1>And that's what I did as a kid. And so

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<v Speaker 1>when I finally did leave or no, what happened was

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<v Speaker 1>the internet. The Internet happened and I started uploading videos

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<v Speaker 1>of myself singing on YouTube. Um, two thou four, what's

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<v Speaker 1>the first one? And I developed a following from two

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<v Speaker 1>thousand four to two thousand and six and blew up

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<v Speaker 1>on the internet before it was a thing. So did

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<v Speaker 1>you were you doing it from? Did you understand you

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<v Speaker 1>start to find an algorithm in a sense. Or did

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<v Speaker 1>were you just like, uh, I'm just gonna post right now,

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<v Speaker 1>or did you start having like this is okay, I'm

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<v Speaker 1>gona post at two o'clock. You know you could, you could,

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<v Speaker 1>You could make literally, I like sent an email to

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<v Speaker 1>YouTube and made my video go viral like it didn't exist.

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<v Speaker 1>What are you saying? Yes, I sang the dictionary. I

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<v Speaker 1>sang the first five pages like ard Vark, error A

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<v Speaker 1>B A b ebba, like literally, and I started getting

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<v Speaker 1>some traction, a couple hundred thousand views. So I sent

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<v Speaker 1>an email, went to the bottom where it says like

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<v Speaker 1>contact of course that you have to dig to find

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<v Speaker 1>that now today probably doesn't even exist anymore. But I

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<v Speaker 1>went found an email and pretended to be my assistant

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<v Speaker 1>and was like, there's this girl. You know, she's saying

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<v Speaker 1>the dictionary. You should put it on the front page.

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<v Speaker 1>And this is back when YouTube used to have ten videos.

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<v Speaker 1>That was the front page of you, right, I know

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<v Speaker 1>exactly what you're talking about. And then I woke up

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<v Speaker 1>the next day it was on there, off that email.

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<v Speaker 1>It was that easy back then. Oh yeah, so I

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<v Speaker 1>didn't you know it wasn't a thing like influencer, viral.

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<v Speaker 1>That was not a thing. It was just you know,

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<v Speaker 1>word of mouth, just like we in this room right now,

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<v Speaker 1>Oh have you seen that video? And then the next

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<v Speaker 1>room you go and you show that room. You know,

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<v Speaker 1>That's how things got spread back then. So I started

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<v Speaker 1>uploading videos and me singing, and people started talking to it.

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<v Speaker 1>Was it a thing where that response said to you that,

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<v Speaker 1>you know, well I could be a I could be

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<v Speaker 1>RB superstar. I mean, remember I couldn't go outside. You

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<v Speaker 1>still could. I moved out my parents house and I

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<v Speaker 1>was nineteen. I graduated high school at seventeen, moved out

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<v Speaker 1>when I was nineteen. So for those two years two

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<v Speaker 1>thousand and six, two thousand and four, two thousand and

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<v Speaker 1>six to two thousand and eight, when I first came

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<v Speaker 1>out here, for four years, um, the Internet was my

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<v Speaker 1>friends like I was. I would upload videos and I

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<v Speaker 1>would literally make friends with the people who would leave comments.

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<v Speaker 1>I still talk to some of them today. You really

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<v Speaker 1>couldn't go outside. So was there a reason for that church? No?

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<v Speaker 1>I think my mama knew what she was doing when

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<v Speaker 1>she was younger. I don't know my mom just saying

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<v Speaker 1>what were they having in the church. No, no, my

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<v Speaker 1>mama was just very strict, like she was like, you're

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<v Speaker 1>not about to go outside and bring home no babies

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<v Speaker 1>and you have her family trick. I've heard this song.

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<v Speaker 1>I've heard the song. I've heard the song. I heard

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<v Speaker 1>I heard it. We gotta get into it, but I

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<v Speaker 1>heard it. She just was very prospective. And then also

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<v Speaker 1>my stepdad is a police officer, so it's like you

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<v Speaker 1>come from the police too. Oh yeah, you're not on

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<v Speaker 1>that door. You're not knocking on that door. Yeah. I

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<v Speaker 1>couldn't do it. I couldn't do nothing. They they literally

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<v Speaker 1>when I went to prom my mom was in the passenger,

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<v Speaker 1>my dad was in drivers. They drove me to the door,

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<v Speaker 1>opened the door, my dad got out, opened the door

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<v Speaker 1>when they came and picked me up, took me to

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<v Speaker 1>I Hop, came got me from IHOP, took me in

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<v Speaker 1>my day home, my day tried to been down to

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<v Speaker 1>give me a kids. My dad was like, like it

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<v Speaker 1>was that, I couldn't do nothing, Like I'm with all

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<v Speaker 1>that very sheltered, so no idea, You're you're just looking

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<v Speaker 1>for an outlet and some type of connection to the

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<v Speaker 1>outside world. That was exactly what it was. It was

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<v Speaker 1>my little secret thing. I mean, my best friend at

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<v Speaker 1>the time, he's a he's a twin and so and

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<v Speaker 1>his brother is a pastor. So it's like he used

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<v Speaker 1>to come to me be like Priscilla. It's really embarrassing.

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<v Speaker 1>You know, you're online singing and people would come up

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<v Speaker 1>to me and be like your friend post videos, you know.

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<v Speaker 1>It was it was a thing like my own little

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<v Speaker 1>secret identity, I guess, and my friends didn't like it.

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<v Speaker 1>This is your friends didn't like it because I was

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<v Speaker 1>popular on the internet. Were you making money because YouTube wasn't. No,

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<v Speaker 1>I had about fifteen million streams. This is just for

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<v Speaker 1>pure for the love at this point. I mean, nobody

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<v Speaker 1>knew in two thousand six that the internet so much,

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<v Speaker 1>so I didn't know what was going to happen to

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<v Speaker 1>where when I got a deal. I got signed to

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<v Speaker 1>Capitol Records in two thousand and eight, which is what

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<v Speaker 1>the internet here. Off the internet, they used to delete

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<v Speaker 1>my videos. So I would post something and they would

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<v Speaker 1>delete it because they couldn't monetize who would deleted YouTube?

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<v Speaker 1>The label would delete it. Yeah, because they didn't understand

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<v Speaker 1>it either. Yeah, I know exactly what you're talking about

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<v Speaker 1>because at that time, I had done a new deal

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<v Speaker 1>right around that same time and the same thing because

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<v Speaker 1>I got it started off of a street record, and

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<v Speaker 1>they were like, now we gotta pull this because we

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<v Speaker 1>can't make money off of you know, they didn't look

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<v Speaker 1>at it as a promotional tool. They didn't look at

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<v Speaker 1>as a promotional tool. It was a season because everything

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<v Speaker 1>because everything was one on one track minded back then

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<v Speaker 1>in order for it's no well, I mean now it's

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<v Speaker 1>like everything contributes to the pop right once they once

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<v Speaker 1>they started, you know, once they got into the three

0:14:34.680 --> 0:14:38.320
<v Speaker 1>sixty space, then it became like, okay, all things can

0:14:38.440 --> 0:14:40.680
<v Speaker 1>kind of pour into this. But even like when I

0:14:40.680 --> 0:14:44.120
<v Speaker 1>had the shot to Fire record and we're going into

0:14:44.680 --> 0:14:47.520
<v Speaker 1>T G T, yeah, we gotta shut that down because

0:14:47.520 --> 0:14:50.440
<v Speaker 1>the focus has to be not thinking that all of

0:14:50.480 --> 0:14:53.680
<v Speaker 1>that can add to. But yeah, I'm just saying to

0:14:53.840 --> 0:14:57.040
<v Speaker 1>understand the time, he just wanted to turn out. Nigga

0:14:57.080 --> 0:14:58.720
<v Speaker 1>wanted to be in the club. First of all, shout

0:14:58.840 --> 0:15:02.920
<v Speaker 1>out of christ Brown. We were turning up. Okay, Okay,

0:15:02.920 --> 0:15:06.720
<v Speaker 1>I was in the clubs. I was trap, trap trapping, right,

0:15:06.800 --> 0:15:09.680
<v Speaker 1>I was respected in the trap. You didn't stand what

0:15:09.680 --> 0:15:14.400
<v Speaker 1>I'm saying I was the older, the older, oldest person

0:15:14.440 --> 0:15:19.440
<v Speaker 1>in the trap, but I was having a good time. Yeah. Still,

0:15:19.480 --> 0:15:23.720
<v Speaker 1>I've never had that experience. Still at the club, I

0:15:23.760 --> 0:15:27.040
<v Speaker 1>could go outside. I don't even know what I'm listen.

0:15:27.280 --> 0:15:30.520
<v Speaker 1>My friends right now are like, girl, you need to

0:15:30.520 --> 0:15:35.680
<v Speaker 1>go outside. I'm okay with being at home. So I'm listening.

0:15:36.040 --> 0:15:38.760
<v Speaker 1>You already know we ship. I went on breakfast club

0:15:38.800 --> 0:15:40.680
<v Speaker 1>talking about how I had never been an even on vacation.

0:15:40.720 --> 0:15:47.200
<v Speaker 1>So I'm all with that. Inside. Just come to my

0:15:47.840 --> 0:15:50.760
<v Speaker 1>turn the house up there and it's like too much

0:15:50.760 --> 0:15:52.240
<v Speaker 1>to try to get inside. I was like, it's fine.

0:15:52.880 --> 0:15:54.800
<v Speaker 1>I was a kid of that. When I can't get that,

0:15:55.280 --> 0:15:59.000
<v Speaker 1>you know what you want? No parking? Where's that? I

0:15:59.120 --> 0:16:04.280
<v Speaker 1>see you all later. I don't get it. I'm chasing cracking.

0:16:04.360 --> 0:16:08.600
<v Speaker 1>If it's a line outside called me, called me, I'm

0:16:08.600 --> 0:16:10.320
<v Speaker 1>gonna being a line. But I can't wait till we

0:16:10.400 --> 0:16:14.720
<v Speaker 1>get in here. Oh yeah, I just the thought of

0:16:14.880 --> 0:16:18.560
<v Speaker 1>people and sweat and it just doesn't So when you

0:16:18.640 --> 0:16:21.320
<v Speaker 1>got when you you know what, you have to throw

0:16:21.360 --> 0:16:25.920
<v Speaker 1>sweat in there because it beat you know, it's it's

0:16:25.920 --> 0:16:34.760
<v Speaker 1>a liquid excitement. Uh So you so you you kind

0:16:34.760 --> 0:16:36.440
<v Speaker 1>of get out of the house. I guess in a sense,

0:16:36.480 --> 0:16:39.320
<v Speaker 1>at this point you get signed the capitol and now

0:16:39.440 --> 0:16:42.720
<v Speaker 1>you're in l A L A. First two years I

0:16:42.760 --> 0:16:45.000
<v Speaker 1>went crazy because you know what happens like you know,

0:16:45.040 --> 0:16:47.680
<v Speaker 1>you don't get nothing, and then now all of a sudden,

0:16:47.680 --> 0:16:51.360
<v Speaker 1>it's like, so I had that did you buy Rams?

0:16:51.360 --> 0:16:53.640
<v Speaker 1>Because he bought Rams. I bought a lot of stuff

0:16:53.640 --> 0:16:55.560
<v Speaker 1>in it that I don't have nothing to show for.

0:16:56.960 --> 0:17:00.840
<v Speaker 1>How about rims? And and I tipped well at the

0:17:00.880 --> 0:17:04.320
<v Speaker 1>strip club? I did really well. They knew my name.

0:17:04.400 --> 0:17:07.480
<v Speaker 1>I would walk into the strip club and Michelle triple

0:17:07.720 --> 0:17:11.000
<v Speaker 1>X in the building, Michelle triple X and Trish will

0:17:11.040 --> 0:17:15.399
<v Speaker 1>say that boy is in here, that man is in here,

0:17:16.080 --> 0:17:18.040
<v Speaker 1>and they carve out a space for me at the

0:17:18.080 --> 0:17:22.040
<v Speaker 1>front and we lift this offering he had. He had

0:17:22.040 --> 0:17:25.960
<v Speaker 1>no idea he was being scammed. Yeah. I don't know

0:17:25.960 --> 0:17:34.720
<v Speaker 1>about strip club culture. I don't know anything. I could no, no, no, no,

0:17:34.960 --> 0:17:42.119
<v Speaker 1>she got enough money. She's a little offering. Dances and

0:17:42.119 --> 0:17:45.200
<v Speaker 1>it's just your times in office. The dances and would

0:17:45.240 --> 0:17:48.800
<v Speaker 1>make this world go around, whether they be professional or

0:17:48.800 --> 0:17:53.080
<v Speaker 1>whether they be underground. This is we talk we're talking about,

0:17:53.760 --> 0:17:59.480
<v Speaker 1>and it is listen. I wrote my first probably honey songs.

0:17:59.520 --> 0:18:03.200
<v Speaker 1>When I came in l A. What's that one strip club?

0:18:03.240 --> 0:18:07.119
<v Speaker 1>It's called food. Okay, Now see this is what I

0:18:07.160 --> 0:18:08.959
<v Speaker 1>do know. L A strip club is not the same

0:18:09.080 --> 0:18:13.680
<v Speaker 1>as they were. They were different. They had a different vibe.

0:18:13.720 --> 0:18:17.640
<v Speaker 1>They had LA had a time when there was peanuts

0:18:17.760 --> 0:18:21.640
<v Speaker 1>and legs there. These are names of These are names

0:18:21.640 --> 0:18:25.280
<v Speaker 1>of strips. Peanuts was the strip club that you couldn't

0:18:25.280 --> 0:18:30.959
<v Speaker 1>get it. You couldn't get into. Men couldn't women. You

0:18:31.000 --> 0:18:37.160
<v Speaker 1>had to be literally someone to get into. If you're

0:18:37.160 --> 0:18:40.800
<v Speaker 1>a man, nuts, if you're a man, women, all women.

0:18:40.880 --> 0:18:45.840
<v Speaker 1>It was a blessed It was a blessed thing only

0:18:45.840 --> 0:18:52.119
<v Speaker 1>God himself could have curated. All good and perfect things

0:18:52.160 --> 0:18:57.480
<v Speaker 1>come from the Lord made these women, and he said,

0:18:57.480 --> 0:18:59.479
<v Speaker 1>what do you say on the seventh day? It is good?

0:19:02.480 --> 0:19:09.720
<v Speaker 1>He did, Thank you, Thank you. Somebody to hit it, working,

0:19:09.960 --> 0:19:25.600
<v Speaker 1>somebody get the organ For two years while in UM,

0:19:25.600 --> 0:19:32.920
<v Speaker 1>working though and writing well, because so what happened? Um?

0:19:32.960 --> 0:19:37.679
<v Speaker 1>I got signed to Capitol and I'm just like, you know,

0:19:37.880 --> 0:19:42.480
<v Speaker 1>doing whatever and assigned to this management company. Long story short,

0:19:42.520 --> 0:19:48.480
<v Speaker 1>I end up doing this very very pop Katie Perry

0:19:49.119 --> 0:19:53.639
<v Speaker 1>two point oh song and it went top forty and

0:19:53.640 --> 0:19:57.199
<v Speaker 1>I went on this whole crazy radio tour UM, and

0:19:57.240 --> 0:19:58.840
<v Speaker 1>I'm just happy to be here. Like I had no

0:19:58.920 --> 0:20:01.520
<v Speaker 1>idea that I had a voice as an artist that

0:20:01.560 --> 0:20:03.359
<v Speaker 1>I could say no, I wrote the record, you know,

0:20:03.480 --> 0:20:05.120
<v Speaker 1>so I'm just like, well, of course it's me because

0:20:05.160 --> 0:20:12.320
<v Speaker 1>I wrote it. UM horrible. The backlash was that when

0:20:12.359 --> 0:20:15.359
<v Speaker 1>it didn't do what everybody thought it was gonna do,

0:20:16.200 --> 0:20:19.560
<v Speaker 1>immediately it was like, you know, throw her in the trash,

0:20:20.000 --> 0:20:23.639
<v Speaker 1>she's no good. One song. So I never got a

0:20:23.640 --> 0:20:28.720
<v Speaker 1>second single. UM. The album came out, which please don't

0:20:28.720 --> 0:20:33.159
<v Speaker 1>go look it up. You know they are what it

0:20:33.280 --> 0:20:35.440
<v Speaker 1>was my freaking video all the time. I just tried

0:20:35.480 --> 0:20:37.159
<v Speaker 1>to give him not to the it's just so cringe.

0:20:37.240 --> 0:20:41.919
<v Speaker 1>It's curringe. It's like, UM, but we'll just you know,

0:20:42.000 --> 0:20:46.240
<v Speaker 1>fast forward past this part. And so the record didn't

0:20:46.240 --> 0:20:48.560
<v Speaker 1>do what they thought I was gonna do, and I

0:20:48.600 --> 0:20:53.040
<v Speaker 1>was faced with having to possibly go back to Florida

0:20:53.320 --> 0:20:57.879
<v Speaker 1>and I really didn't want to do that. So UM

0:20:58.119 --> 0:21:01.320
<v Speaker 1>randomly ended up on tour on the MG tour with

0:21:01.400 --> 0:21:05.359
<v Speaker 1>a con and I was supposed to be writing in

0:21:05.480 --> 0:21:10.639
<v Speaker 1>the Akin had like a UM like a attachment to

0:21:10.880 --> 0:21:14.199
<v Speaker 1>his tour bus that was a studio and so I

0:21:14.240 --> 0:21:17.280
<v Speaker 1>was supposed to be in there writing but it only

0:21:17.320 --> 0:21:19.320
<v Speaker 1>worked for like a week and then it was broken.

0:21:19.320 --> 0:21:22.680
<v Speaker 1>It was supposed to be getting fixed and studios don't

0:21:22.760 --> 0:21:25.360
<v Speaker 1>be worked. Yeah, I just ended up being his second assistant.

0:21:25.440 --> 0:21:28.000
<v Speaker 1>So it's like me and his sister Haadi uh and

0:21:28.040 --> 0:21:30.439
<v Speaker 1>we were just on tour all summer, and so that

0:21:30.520 --> 0:21:34.399
<v Speaker 1>summer I decided, yeah, I don't want to go home

0:21:34.760 --> 0:21:39.320
<v Speaker 1>after this. I want to keep doing this. And um,

0:21:39.359 --> 0:21:42.119
<v Speaker 1>this is back when p rros were given out advances.

0:21:42.840 --> 0:21:45.240
<v Speaker 1>So I got an advance from my p r oh,

0:21:45.400 --> 0:21:49.240
<v Speaker 1>which is like as cat being mine, and I started

0:21:49.280 --> 0:21:55.360
<v Speaker 1>writing songs and sorry, sorry, you know they're getting left out.

0:21:55.400 --> 0:21:59.200
<v Speaker 1>They're getting left out to do more of it. People,

0:21:59.280 --> 0:22:02.760
<v Speaker 1>you know, listen to Brian Michael Cox Evince. He stands

0:22:02.760 --> 0:22:11.680
<v Speaker 1>in front of me, shout him up, sitting me personally. Listen. Yeah,

0:22:12.119 --> 0:22:13.800
<v Speaker 1>I'm not gonna say who I am because you know,

0:22:14.119 --> 0:22:20.960
<v Speaker 1>highest bidder, go ahead, go ahead. So I get, I

0:22:21.000 --> 0:22:23.040
<v Speaker 1>get a check, I come out here and I started writing,

0:22:23.119 --> 0:22:27.760
<v Speaker 1>so immediately I get like, who says Selena Gomez? Um

0:22:27.800 --> 0:22:32.280
<v Speaker 1>California King be Rihanna, don't wake me up? Chris Brown

0:22:32.400 --> 0:22:38.080
<v Speaker 1>like my dad yeah, I'm telling the story talk your ship,

0:22:38.560 --> 0:22:44.080
<v Speaker 1>keep going, keep going, so basically as you do or something,

0:22:44.160 --> 0:22:49.680
<v Speaker 1>keep going, come on, keep going. So I wrote more

0:22:49.720 --> 0:22:55.600
<v Speaker 1>than that. I did, Yeah, I have, you know, but

0:22:55.680 --> 0:22:57.919
<v Speaker 1>it's because my ratio was so crazy. I will go

0:22:57.960 --> 0:23:03.439
<v Speaker 1>to the studio. Uh. I was going doing five sessions today,

0:23:04.119 --> 0:23:06.840
<v Speaker 1>writing at least two songs in every session every day.

0:23:07.080 --> 0:23:09.840
<v Speaker 1>I was doing it for how long? For about two

0:23:09.880 --> 0:23:15.240
<v Speaker 1>years straighten every day every single day. From y'all say,

0:23:15.320 --> 0:23:19.920
<v Speaker 1>y'all really want this ship, y'all say you're working home,

0:23:20.640 --> 0:23:25.520
<v Speaker 1>M do the math two souls in five sessions a day,

0:23:26.800 --> 0:23:32.520
<v Speaker 1>every single tree sixty working times too a working every

0:23:32.600 --> 0:23:36.880
<v Speaker 1>day every day not working, and then I wanna come home.

0:23:37.840 --> 0:23:41.600
<v Speaker 1>I was so broke that I would put the tissue

0:23:41.960 --> 0:23:43.679
<v Speaker 1>in like the fruit from the fruit bow in my

0:23:43.720 --> 0:23:48.359
<v Speaker 1>backpack and come home at the studio. Yeah, but I

0:23:49.280 --> 0:23:51.960
<v Speaker 1>know what I'm saying. That's how I was grocery shopping

0:23:52.280 --> 0:23:54.800
<v Speaker 1>at the studio, at the studio, and I did that

0:23:55.240 --> 0:23:58.119
<v Speaker 1>for two years, living at the oak Woods over So

0:23:59.040 --> 0:24:03.720
<v Speaker 1>you hadn't done a publishing deal at all, Yes, I had.

0:24:04.080 --> 0:24:06.000
<v Speaker 1>So you had a publishing deal, and you had done

0:24:06.000 --> 0:24:08.120
<v Speaker 1>a deal with the p r O two. I had

0:24:08.160 --> 0:24:10.760
<v Speaker 1>a publishing deal and a record deal that we're together.

0:24:10.960 --> 0:24:13.879
<v Speaker 1>Never do that. Come on, come on, give me the the information,

0:24:13.960 --> 0:24:17.840
<v Speaker 1>Give the information fast. First of all, I've been doing

0:24:17.840 --> 0:24:19.520
<v Speaker 1>this in two thousand and eight, so that just lets

0:24:19.520 --> 0:24:20.919
<v Speaker 1>you know. I've been doing this for long enough to

0:24:20.960 --> 0:24:25.520
<v Speaker 1>have like renegotiated my deals several times. But my first

0:24:25.560 --> 0:24:28.880
<v Speaker 1>deal was horrible, and I had a production company and

0:24:29.080 --> 0:24:31.879
<v Speaker 1>my my production company's lawyer made more money than me

0:24:31.920 --> 0:24:36.919
<v Speaker 1>on my first deal. Most people do, Yeah, most people do.

0:24:37.200 --> 0:24:40.080
<v Speaker 1>I mean you know, you don't know any better. Um,

0:24:40.119 --> 0:24:42.400
<v Speaker 1>so yeah, that was I have. I've been renting out

0:24:42.400 --> 0:24:44.400
<v Speaker 1>of money, like renting out of money in the first

0:24:44.400 --> 0:24:49.760
<v Speaker 1>six months. So tell me this in all transparency. Did

0:24:49.840 --> 0:24:52.560
<v Speaker 1>you read the contract? Yeah, but I don't know lawyers

0:24:52.600 --> 0:24:58.080
<v Speaker 1>are giving because some people don't. Some people you read

0:24:58.080 --> 0:25:02.359
<v Speaker 1>it to understand it. I read it, yeah, but also

0:25:02.440 --> 0:25:08.920
<v Speaker 1>I read it at two am and the Kinks. You

0:25:09.400 --> 0:25:11.280
<v Speaker 1>show me where the money part? That just just highlight

0:25:11.320 --> 0:25:15.159
<v Speaker 1>the money part. The production company dud sitting there, like,

0:25:15.880 --> 0:25:17.520
<v Speaker 1>let me know. If you want me to explain something,

0:25:17.960 --> 0:25:20.160
<v Speaker 1>you know what I'm saying. It's like, clearly you know

0:25:20.200 --> 0:25:22.760
<v Speaker 1>that I can't understand this and I don't know that

0:25:22.840 --> 0:25:26.080
<v Speaker 1>you know that. I'm just excited. Um, so you know, hey,

0:25:26.119 --> 0:25:28.119
<v Speaker 1>it was nineteen. But we like we like to we

0:25:28.240 --> 0:25:30.639
<v Speaker 1>like to paint that full picture. We like people to

0:25:30.720 --> 0:25:36.240
<v Speaker 1>have an understanding of how these things work. And hopefully

0:25:37.880 --> 0:25:43.080
<v Speaker 1>the Priscilla that's coming, the money that's coming, sees this

0:25:43.119 --> 0:25:45.680
<v Speaker 1>and says, you know what, I'm not gonna sign it

0:25:45.760 --> 0:25:53.920
<v Speaker 1>at two am, wake up tomorrow because in hindsight, right

0:25:54.000 --> 0:25:57.879
<v Speaker 1>to me today now understands that I would not be

0:25:58.080 --> 0:26:02.200
<v Speaker 1>here if it wasn't out those moments. And I think, honestly,

0:26:02.320 --> 0:26:08.199
<v Speaker 1>to be real, there's unknown, unknown things that you have

0:26:08.280 --> 0:26:11.040
<v Speaker 1>no clue that you don't know. There's things that you

0:26:11.040 --> 0:26:13.240
<v Speaker 1>know you don't know, and there's things you know you

0:26:13.240 --> 0:26:17.000
<v Speaker 1>know most times when you're nineteen, like I'm still learning

0:26:17.040 --> 0:26:20.520
<v Speaker 1>every day how the music business works and how and

0:26:20.560 --> 0:26:24.080
<v Speaker 1>the if when you know like which is basically like

0:26:24.880 --> 0:26:27.800
<v Speaker 1>until a situation happens, you don't understand how it can

0:26:27.840 --> 0:26:32.080
<v Speaker 1>apply to you. So there's just certain things that time

0:26:32.080 --> 0:26:36.480
<v Speaker 1>and experience cannot You can't cheat it, you know. And

0:26:36.520 --> 0:26:42.040
<v Speaker 1>also I'm not condoning it. It's wrong to take advantage

0:26:42.040 --> 0:26:44.800
<v Speaker 1>of people. But you have to look at it like

0:26:44.840 --> 0:26:46.800
<v Speaker 1>now on the other side of it, doing what we

0:26:46.840 --> 0:26:50.520
<v Speaker 1>did independently and being owning the label and paying for

0:26:50.560 --> 0:26:56.240
<v Speaker 1>everything and hiring people. I understand the business side when

0:26:56.280 --> 0:26:59.640
<v Speaker 1>I pay for something you did, I'm right out on it. Yes,

0:26:59.720 --> 0:27:01.919
<v Speaker 1>I do. Yeah, And you want to know what the

0:27:02.080 --> 0:27:04.439
<v Speaker 1>r I is. You want to know what your return

0:27:04.480 --> 0:27:07.399
<v Speaker 1>of investment is, and you want to put yourself in

0:27:07.480 --> 0:27:10.719
<v Speaker 1>a more advantageous spot when you're willing to put up

0:27:10.760 --> 0:27:13.760
<v Speaker 1>your money. And then you understand where the labels are

0:27:13.800 --> 0:27:16.159
<v Speaker 1>coming from. But the thing that is lost is the

0:27:16.320 --> 0:27:20.240
<v Speaker 1>human factor, and people start looking at you as product

0:27:20.840 --> 0:27:25.560
<v Speaker 1>and not living, breathing, you know, essence, And that's the problem.

0:27:25.680 --> 0:27:28.440
<v Speaker 1>It's like we never want to make people feel like

0:27:29.520 --> 0:27:31.520
<v Speaker 1>you know, a common struggle that as black people, we

0:27:31.680 --> 0:27:34.680
<v Speaker 1>understand you want what I can offer you, but you

0:27:34.720 --> 0:27:37.880
<v Speaker 1>don't want me m so we don't want to keep

0:27:37.920 --> 0:27:40.199
<v Speaker 1>doing that. That's the pattern that I would like I

0:27:40.240 --> 0:27:43.480
<v Speaker 1>would like to break. I refused to sign people if

0:27:43.520 --> 0:27:45.880
<v Speaker 1>I can't really take care of them, you can't really

0:27:45.880 --> 0:27:49.040
<v Speaker 1>invest in them heartedly. I think that, you know, I

0:27:49.080 --> 0:27:53.160
<v Speaker 1>think that the sensitivity part in that aspect kind of

0:27:53.840 --> 0:27:57.320
<v Speaker 1>went out the window when there were no longer creatives

0:27:57.440 --> 0:28:04.520
<v Speaker 1>in charge, because creatives have a certain sensitivity two two artists,

0:28:04.520 --> 0:28:07.679
<v Speaker 1>two producers, as two writers, as the human beings that

0:28:07.760 --> 0:28:13.200
<v Speaker 1>they are, and how personal this is to them, because

0:28:13.240 --> 0:28:16.560
<v Speaker 1>this is I mean, we operated from a business standpoint,

0:28:16.600 --> 0:28:21.440
<v Speaker 1>because we know the business now, but in in in reality,

0:28:22.200 --> 0:28:25.720
<v Speaker 1>this is personal. This is what I have to do.

0:28:26.320 --> 0:28:33.000
<v Speaker 1>I was born designed to do this, and anybody trying

0:28:33.000 --> 0:28:36.240
<v Speaker 1>to take this away from me in any way shap performed.

0:28:36.440 --> 0:28:40.080
<v Speaker 1>We have a problem. It does begin to feel a

0:28:40.120 --> 0:28:43.720
<v Speaker 1>little invasive, like you know, you're trying to get in

0:28:43.800 --> 0:28:49.040
<v Speaker 1>between me and source. Like you know, I was reading

0:28:49.280 --> 0:28:53.160
<v Speaker 1>this book I believe it's called It's either it's called

0:28:53.200 --> 0:28:55.360
<v Speaker 1>The Secretive Secrets or The Magic in Your Mind, but

0:28:55.400 --> 0:29:00.000
<v Speaker 1>it's the same author you l s Anderson and uh.

0:29:00.160 --> 0:29:02.840
<v Speaker 1>It talks about your talent in a way that really

0:29:03.680 --> 0:29:07.800
<v Speaker 1>resonated with me. It says that the talent is God

0:29:08.800 --> 0:29:13.120
<v Speaker 1>and his opportunity. You using your talent is God's opportunity

0:29:13.160 --> 0:29:16.720
<v Speaker 1>to shine through you. So it's like when other people

0:29:16.760 --> 0:29:20.960
<v Speaker 1>try to manage that, you're trying to control God, you know,

0:29:21.640 --> 0:29:25.600
<v Speaker 1>and you can't do that. That's why it feels so wrong.

0:29:26.320 --> 0:29:31.080
<v Speaker 1>It's like I'm channeling I'm just freeing, you know, free

0:29:31.080 --> 0:29:34.880
<v Speaker 1>flowing whatever you know. Sometimes don't even make it to

0:29:34.920 --> 0:29:39.600
<v Speaker 1>my brain. It just comes out of my mouth. Um,

0:29:39.640 --> 0:29:41.360
<v Speaker 1>and you come in trying to tell me what to

0:29:41.360 --> 0:29:43.200
<v Speaker 1>do with it. I don't even know what's about to happen.

0:29:44.120 --> 0:29:46.240
<v Speaker 1>How can you tell me what to do with this

0:29:46.960 --> 0:29:52.200
<v Speaker 1>that I'm just the vessel for you know, it's weird. Um.

0:29:52.200 --> 0:29:56.600
<v Speaker 1>And I don't think people really respect what we do,

0:29:56.680 --> 0:29:59.280
<v Speaker 1>like the gift because it is a gift. It's like

0:29:59.400 --> 0:30:01.880
<v Speaker 1>they don't respe acted another. There's not enough reverence for it,

0:30:02.400 --> 0:30:05.680
<v Speaker 1>because if there were, you wouldn't judge, Like I don't

0:30:05.760 --> 0:30:10.440
<v Speaker 1>judge people's expression. I might not like it, but you know,

0:30:10.480 --> 0:30:13.760
<v Speaker 1>who am I to say that it's whack? Right? But

0:30:13.800 --> 0:30:18.400
<v Speaker 1>I think that it goes into the position that you

0:30:18.520 --> 0:30:22.600
<v Speaker 1>play in it because we all understand as creatives that

0:30:22.680 --> 0:30:26.640
<v Speaker 1>we can't do the business of it by ourselves. We

0:30:26.720 --> 0:30:30.080
<v Speaker 1>can create, we can make the song, we can sing

0:30:30.160 --> 0:30:33.560
<v Speaker 1>the song, we can produce whatever, all of those parts,

0:30:33.600 --> 0:30:36.240
<v Speaker 1>but to actually do the business side of it and

0:30:37.360 --> 0:30:40.960
<v Speaker 1>help it become I and I use the word help

0:30:41.200 --> 0:30:45.360
<v Speaker 1>very very strongly because that that is what we do

0:30:45.600 --> 0:30:48.760
<v Speaker 1>need in our business. We do need people's help. We

0:30:48.800 --> 0:30:54.160
<v Speaker 1>do need business minds. We need their help. We don't

0:30:54.160 --> 0:30:56.720
<v Speaker 1>always need their opinions and all the other things that

0:30:56.800 --> 0:30:59.080
<v Speaker 1>go into that, but we need their help to get

0:30:59.120 --> 0:31:02.120
<v Speaker 1>it to where we we ultimately wanted to be. And

0:31:02.160 --> 0:31:05.760
<v Speaker 1>I think what happens is what comes along with that

0:31:05.920 --> 0:31:11.640
<v Speaker 1>help is if I can give my opinion, they feel more,

0:31:11.880 --> 0:31:14.840
<v Speaker 1>they feel more vested, they feel more like they were

0:31:14.880 --> 0:31:18.479
<v Speaker 1>a part of it. Then just I just grabbed it

0:31:18.520 --> 0:31:21.920
<v Speaker 1>with something you already had and I did a little bit.

0:31:22.040 --> 0:31:24.920
<v Speaker 1>And people like to be able to say no, no, no, no, no,

0:31:25.160 --> 0:31:27.680
<v Speaker 1>you know what I told him to turn this word

0:31:27.720 --> 0:31:30.200
<v Speaker 1>and that word or you know what I mean, I

0:31:30.240 --> 0:31:34.520
<v Speaker 1>helped them create this. Father's failure is an orphan. If

0:31:34.560 --> 0:31:37.840
<v Speaker 1>I could make a list of all the people who

0:31:38.000 --> 0:31:42.440
<v Speaker 1>made hours an hour successful, I'm finding out new names.

0:31:45.680 --> 0:31:48.719
<v Speaker 1>I'm like, that's so crazy. But then you know my

0:31:48.840 --> 0:31:52.280
<v Speaker 1>verg on mine and I'm like, well, maybe you did

0:31:53.280 --> 0:31:56.720
<v Speaker 1>do something, and thank you, but I know what I did,

0:31:57.760 --> 0:32:03.480
<v Speaker 1>and I know, like you know, I mean another I

0:32:03.520 --> 0:32:06.040
<v Speaker 1>have a knowledge of all the time. It's like, okay,

0:32:06.240 --> 0:32:09.240
<v Speaker 1>if I plant the seed, I harvested the fruit that

0:32:09.280 --> 0:32:11.520
<v Speaker 1>the seed came from my planet, the seed I till

0:32:11.600 --> 0:32:14.360
<v Speaker 1>the soil, I watered it, I fertilized it. I went

0:32:14.360 --> 0:32:19.640
<v Speaker 1>out there intended to feel. I can't take get away

0:32:19.680 --> 0:32:23.560
<v Speaker 1>from the sun that the sun shined on it, like

0:32:24.280 --> 0:32:27.040
<v Speaker 1>helped it grow. And I can't take away from the

0:32:27.160 --> 0:32:30.520
<v Speaker 1>rain and the clouds that they rained. You know, I'm

0:32:30.520 --> 0:32:32.560
<v Speaker 1>not gonna take that from you. But if I didn't

0:32:32.560 --> 0:32:34.600
<v Speaker 1>put it down there, you know what I mean. So

0:32:34.640 --> 0:32:37.080
<v Speaker 1>it's kind of like that. It's like it all works together,

0:32:37.120 --> 0:32:42.240
<v Speaker 1>it's all symbiosis. I'm not mad, but it do be

0:32:42.360 --> 0:32:45.800
<v Speaker 1>kind of be corny sometimes, like you didn't help me,

0:32:46.200 --> 0:32:50.280
<v Speaker 1>didn't help It's a form of currency for them. Yeah, yeah,

0:32:50.360 --> 0:32:52.440
<v Speaker 1>it's a form of currency to be able to you know,

0:32:52.520 --> 0:32:54.520
<v Speaker 1>when you are the conversation, to be able to be

0:32:54.520 --> 0:32:57.360
<v Speaker 1>a part of that conversation. It's so frustrating, though, man,

0:32:57.360 --> 0:32:59.080
<v Speaker 1>because it's like, like you said, I've been doing this

0:32:59.120 --> 0:33:05.000
<v Speaker 1>since two thousand, begging literally begging people like please, like

0:33:05.800 --> 0:33:08.080
<v Speaker 1>I'm telling you, just let me just give me a shot.

0:33:08.400 --> 0:33:12.360
<v Speaker 1>You know, I got these songs, and I wasn't ready.

0:33:12.640 --> 0:33:17.000
<v Speaker 1>I didn't have the vision that I have now. Um,

0:33:17.040 --> 0:33:20.440
<v Speaker 1>but I've seen people help people with less of cour

0:33:21.080 --> 0:33:25.000
<v Speaker 1>so I just didn't understand why why not me? Like,

0:33:25.120 --> 0:33:28.680
<v Speaker 1>you know, it took for me to step outside, go

0:33:28.840 --> 0:33:31.920
<v Speaker 1>find people who weren't even working in the business anymore.

0:33:33.080 --> 0:33:36.560
<v Speaker 1>And she's like, hey, would you come back and like

0:33:36.760 --> 0:33:38.840
<v Speaker 1>help me out, Like let's start, let's do this thing together.

0:33:39.000 --> 0:33:44.280
<v Speaker 1>January started the label my husband, two old friends of mine.

0:33:45.200 --> 0:33:47.440
<v Speaker 1>We're shot. He knows, like I mean, I know him

0:33:47.440 --> 0:33:50.680
<v Speaker 1>since I was seventeen. I had to go outside the

0:33:50.720 --> 0:33:56.600
<v Speaker 1>business to find help because for ten years, every time

0:33:56.640 --> 0:33:59.720
<v Speaker 1>I would get the balls to try to make a

0:33:59.760 --> 0:34:01.880
<v Speaker 1>pro jack, I write these songs and I get a

0:34:01.880 --> 0:34:06.160
<v Speaker 1>phone called, oh blank, artists wants the song? Why are

0:34:06.200 --> 0:34:10.000
<v Speaker 1>you blaming my records? So you didn't they weren't You

0:34:10.040 --> 0:34:12.239
<v Speaker 1>weren't even sending them out for people to get them

0:34:12.280 --> 0:34:19.720
<v Speaker 1>that work on your stuff on you don't have to gas.

0:34:19.760 --> 0:34:23.160
<v Speaker 1>But also there's the part that people really don't know

0:34:23.840 --> 0:34:28.040
<v Speaker 1>is that the producer, for some reason, has the right

0:34:28.880 --> 0:34:33.480
<v Speaker 1>to move your records without the writer's Well, I'll say this,

0:34:33.560 --> 0:34:37.759
<v Speaker 1>they don't really have the right. What they have is

0:34:37.800 --> 0:34:43.920
<v Speaker 1>the piece the master. There's a copyright. There's a copyright

0:34:43.960 --> 0:34:47.000
<v Speaker 1>which is the top line, and the writer is not

0:34:47.120 --> 0:34:49.719
<v Speaker 1>a part of the master. The artist is, so the

0:34:49.800 --> 0:34:53.799
<v Speaker 1>masters was being sold. So that's where the powalyzed. That's

0:34:53.800 --> 0:34:56.360
<v Speaker 1>what the producer has. But they don't have permission to

0:34:56.400 --> 0:35:01.080
<v Speaker 1>take my song. You don't they technically do well if

0:35:01.160 --> 0:35:05.280
<v Speaker 1>you have some I'll say this as as a songwriter,

0:35:05.560 --> 0:35:08.320
<v Speaker 1>you don't have the nuts to go and tell a

0:35:08.640 --> 0:35:12.520
<v Speaker 1>list artist, yeah, you pay for that beat, I'm taking

0:35:12.520 --> 0:35:15.239
<v Speaker 1>my song and I'm something else with it. You don't

0:35:15.239 --> 0:35:17.000
<v Speaker 1>have the nuts to do that because if you do that,

0:35:17.040 --> 0:35:19.600
<v Speaker 1>you will never get called again. And the peanut is

0:35:19.680 --> 0:35:23.920
<v Speaker 1>some so scraps what you're making that you just be

0:35:23.960 --> 0:35:29.120
<v Speaker 1>happy to get a chicken wing, you know. But technically, no, no, no,

0:35:29.120 --> 0:35:31.560
<v Speaker 1>no no. If he gets full technically you're absolutely right.

0:35:31.719 --> 0:35:34.480
<v Speaker 1>You don't have technical you didn't have. Everybody has to

0:35:34.520 --> 0:35:36.680
<v Speaker 1>be in line because think about it. I think about

0:35:36.680 --> 0:35:40.440
<v Speaker 1>it though, if I, if I, if you say, if

0:35:40.480 --> 0:35:43.880
<v Speaker 1>you say, like he what does he owe? He owes you?

0:35:43.920 --> 0:35:46.279
<v Speaker 1>Your he owes you? You're publishing right, okay? If he

0:35:47.320 --> 0:35:51.120
<v Speaker 1>to take away payment, you gotta pay me nothing. If

0:35:51.120 --> 0:35:53.240
<v Speaker 1>you get a sync license, don't you gotta get it cleared,

0:35:53.400 --> 0:35:56.560
<v Speaker 1>don't you? What's the split? Who's gonna prove the split?

0:35:57.360 --> 0:35:58.879
<v Speaker 1>You approve of my split. You don't have a mution

0:35:58.920 --> 0:36:05.400
<v Speaker 1>to do that. It gets tricky, it does, but in

0:36:05.520 --> 0:36:07.960
<v Speaker 1>more time and more times more more times than not,

0:36:09.280 --> 0:36:13.279
<v Speaker 1>a producer has moved the song without a writer even

0:36:13.320 --> 0:36:16.160
<v Speaker 1>knowing it, way more so than a writer moving a song,

0:36:16.760 --> 0:36:19.680
<v Speaker 1>I think, without a producer. And this is also you know,

0:36:20.360 --> 0:36:23.200
<v Speaker 1>psychology comes into play here because most of the time,

0:36:24.600 --> 0:36:26.040
<v Speaker 1>I'll say it this way, there aren't a lot of

0:36:26.040 --> 0:36:31.239
<v Speaker 1>female producers. It's a lot of female songwriters. There's male

0:36:31.280 --> 0:36:33.319
<v Speaker 1>songwriters too, but there's a lot of female songwriters that

0:36:33.400 --> 0:36:36.960
<v Speaker 1>dynamic plays apart. And I think it's also how you

0:36:37.000 --> 0:36:41.640
<v Speaker 1>identify it because you take somebody like Ms Elliott, she's

0:36:41.719 --> 0:36:44.440
<v Speaker 1>but she ain't recording on your ste but when Elliott

0:36:44.440 --> 0:36:49.719
<v Speaker 1>steps in the room, she's automatically a producer. But she

0:36:49.840 --> 0:36:53.560
<v Speaker 1>also had the protection of her co writers to make

0:36:53.600 --> 0:36:55.680
<v Speaker 1>sure that she could be established like that. It's it's

0:36:55.719 --> 0:36:58.319
<v Speaker 1>a partnership. Well it was her. It was also her

0:36:58.400 --> 0:37:05.120
<v Speaker 1>success and her under understanding the power imbalance or balance

0:37:05.719 --> 0:37:10.200
<v Speaker 1>and creating. Like think about this, like we always talk

0:37:10.239 --> 0:37:12.080
<v Speaker 1>about how do you make a record? Who's singing the

0:37:12.120 --> 0:37:15.480
<v Speaker 1>record from top to bottom and making it what it is? Right?

0:37:15.480 --> 0:37:21.800
<v Speaker 1>And so some producers. Some beat makers aren't producers most

0:37:22.360 --> 0:37:27.319
<v Speaker 1>beat makers, right, and then someone like money Along comes

0:37:27.320 --> 0:37:31.600
<v Speaker 1>in and takes that beat and turns it into an

0:37:31.920 --> 0:37:35.200
<v Speaker 1>entire song from top to bottom where you line for

0:37:35.320 --> 0:37:37.560
<v Speaker 1>line with the artists and this. Don't do it that way,

0:37:37.600 --> 0:37:39.359
<v Speaker 1>make it like this. Can you drop the beat out

0:37:39.360 --> 0:37:41.040
<v Speaker 1>and put that here? Okay? Yeah? If you could just

0:37:41.080 --> 0:37:42.759
<v Speaker 1>make the base do something really crazy right here when

0:37:42.800 --> 0:37:45.320
<v Speaker 1>we get to the bridges, and now you've pre produced

0:37:46.440 --> 0:37:50.480
<v Speaker 1>the song, which I think more songwriters as they start

0:37:50.560 --> 0:37:52.680
<v Speaker 1>coming to the table and sitting down at that front

0:37:52.680 --> 0:37:56.560
<v Speaker 1>desk need to be mindful of well, I'm just going

0:37:56.600 --> 0:37:59.279
<v Speaker 1>to speak from my seat. Is that doing all of

0:37:59.320 --> 0:38:04.680
<v Speaker 1>that and doing all the backgrounds and arranging and vocal producing,

0:38:04.719 --> 0:38:06.920
<v Speaker 1>and the artist leaves all my vocals on and I'm

0:38:06.920 --> 0:38:12.120
<v Speaker 1>not getting a sound exchange all these things right? The issue,

0:38:12.440 --> 0:38:15.920
<v Speaker 1>my issue is that I did not have the support

0:38:16.400 --> 0:38:19.200
<v Speaker 1>of my co writers to make sure that when the

0:38:19.280 --> 0:38:22.200
<v Speaker 1>business goes down, because they're not calling me, they're calling

0:38:22.239 --> 0:38:26.439
<v Speaker 1>you producer. When the business goes down, you make sure

0:38:26.480 --> 0:38:31.799
<v Speaker 1>I'm straight business affairs telling me I'm not a producer

0:38:33.120 --> 0:38:36.440
<v Speaker 1>even though I produced. That was my struggle, like that

0:38:36.480 --> 0:38:39.719
<v Speaker 1>It happened to me so many times where I would

0:38:39.719 --> 0:38:41.640
<v Speaker 1>wake up and I'm gonna have a top ten song

0:38:41.680 --> 0:38:45.239
<v Speaker 1>on iTunes and didn't even know it just happened. It

0:38:45.440 --> 0:38:50.000
<v Speaker 1>just happened. We're not gonna talk about it. Literally woke up.

0:38:50.040 --> 0:38:56.719
<v Speaker 1>My name is in the credits. So in that, like

0:38:56.760 --> 0:38:58.799
<v Speaker 1>you said, because at the at the space you at, now,

0:38:59.760 --> 0:39:03.879
<v Speaker 1>how for you personally? How do you get in front

0:39:03.920 --> 0:39:06.400
<v Speaker 1>of it? I just stop. I'm not going to allow

0:39:06.480 --> 0:39:09.600
<v Speaker 1>myself to be taking advantage of that way anymore, meaning

0:39:09.640 --> 0:39:13.840
<v Speaker 1>you won't do any writing friends, now, I'm not because

0:39:13.880 --> 0:39:17.360
<v Speaker 1>if this is my superpower, why am I sharing my

0:39:17.400 --> 0:39:19.879
<v Speaker 1>superpower with people who don't respect me, who don't care

0:39:19.880 --> 0:39:25.320
<v Speaker 1>about me, who um are essentially you know, the villains

0:39:25.360 --> 0:39:27.960
<v Speaker 1>in my story? Why am I going to keep complaining

0:39:28.000 --> 0:39:30.320
<v Speaker 1>about it? Just stop showing up. Just use the superpower

0:39:30.360 --> 0:39:33.719
<v Speaker 1>for people who are willing to bar in to me.

0:39:33.840 --> 0:39:35.920
<v Speaker 1>And I've all I've ever wanted was to be respected

0:39:35.960 --> 0:39:41.600
<v Speaker 1>and to like enjoy my gift. So I would say,

0:39:43.280 --> 0:39:48.399
<v Speaker 1>why not create you're super team with your superpower? Yeah,

0:39:48.480 --> 0:39:50.080
<v Speaker 1>that's in the process, that's you know what I mean,

0:39:50.120 --> 0:39:53.239
<v Speaker 1>instead of you know, because I would personally because I'm yes,

0:39:53.280 --> 0:39:55.319
<v Speaker 1>you're my friend. I've known you for years. But I'm

0:39:55.320 --> 0:39:58.240
<v Speaker 1>also a fan of what you do as an artist

0:39:58.239 --> 0:40:01.600
<v Speaker 1>but also as a songwriter. So to hear you say

0:40:01.800 --> 0:40:05.960
<v Speaker 1>I'm just gonna stop, that's disheartening to me to you mean,

0:40:06.080 --> 0:40:08.920
<v Speaker 1>you know what I mean, because I'm a songwriter too.

0:40:08.920 --> 0:40:13.480
<v Speaker 1>We're all songwriters when we stop doing those things. Like

0:40:13.600 --> 0:40:15.239
<v Speaker 1>I've had people tell me this when it comes to

0:40:15.280 --> 0:40:17.320
<v Speaker 1>me and being an artist, they're like, well, nigga, you

0:40:17.360 --> 0:40:21.479
<v Speaker 1>don't want to sing. I feel that way about songwriters too. Well,

0:40:21.840 --> 0:40:27.279
<v Speaker 1>just it's just raw, you know, from my heart. There

0:40:27.320 --> 0:40:29.040
<v Speaker 1>are a lot of people who have been in my

0:40:29.080 --> 0:40:34.440
<v Speaker 1>story over the years. Not one person has made sure

0:40:34.600 --> 0:40:40.680
<v Speaker 1>that I was protected. But now you're the protector. Yes,

0:40:41.560 --> 0:40:45.719
<v Speaker 1>so if it continues, it's my fault. I'm not blaming anybody.

0:40:46.520 --> 0:40:50.239
<v Speaker 1>I'm not mad at anybody, but there are people who

0:40:50.280 --> 0:40:53.120
<v Speaker 1>are in position. You don't have a publishing deal. I

0:40:53.200 --> 0:41:01.600
<v Speaker 1>had lawyers, I had managers. Yeah, you know, it can't

0:41:01.640 --> 0:41:06.000
<v Speaker 1>be mad at that's a business. But I'm a human. Absolutely. First,

0:41:06.760 --> 0:41:09.440
<v Speaker 1>I have PTSD. I'm not gonna lie you have. You

0:41:09.640 --> 0:41:13.239
<v Speaker 1>definitely have it. But I think you know people who

0:41:14.840 --> 0:41:17.200
<v Speaker 1>are are damaged in such a way. Only really have

0:41:17.239 --> 0:41:24.560
<v Speaker 1>two options. They can either either repeat the cycle and

0:41:24.640 --> 0:41:27.000
<v Speaker 1>find a better way to do things because you've earned

0:41:27.280 --> 0:41:30.040
<v Speaker 1>we've earned your spot. Now you've earned your spot, like

0:41:30.640 --> 0:41:34.280
<v Speaker 1>we've we can we can go down the list of

0:41:34.800 --> 0:41:38.800
<v Speaker 1>our own experiences or other people's experiences of that first

0:41:38.800 --> 0:41:43.120
<v Speaker 1>bad contract, that first whatever, these these situations, somebody saying

0:41:43.160 --> 0:41:44.960
<v Speaker 1>they wrote a song, you don't even remember them being

0:41:45.000 --> 0:41:47.000
<v Speaker 1>in the room with you. You know what, It's just,

0:41:47.840 --> 0:41:51.160
<v Speaker 1>it gets tricky. We've we've seen it all. And what

0:41:51.200 --> 0:41:57.480
<v Speaker 1>we understand is that our talent kept us here, our

0:41:57.520 --> 0:42:01.920
<v Speaker 1>gift kept us here. Are you know, um our personalities

0:42:01.960 --> 0:42:04.439
<v Speaker 1>and just like you said, you've been you starting off

0:42:04.880 --> 0:42:08.160
<v Speaker 1>this episode the way you did. I would have never

0:42:08.200 --> 0:42:11.960
<v Speaker 1>expected you to say that. I never expect you to

0:42:12.000 --> 0:42:14.759
<v Speaker 1>say that, and it just it already. It was just

0:42:14.800 --> 0:42:18.680
<v Speaker 1>a good feeling for us even to be that person

0:42:18.719 --> 0:42:21.200
<v Speaker 1>or to be one of the people there that made

0:42:21.239 --> 0:42:24.280
<v Speaker 1>you feel welcome. So we look at it like, Okay,

0:42:24.280 --> 0:42:28.040
<v Speaker 1>when we get our shot, mm hmm, we will do

0:42:28.080 --> 0:42:32.400
<v Speaker 1>it differently. And I feel like you're at the space

0:42:32.440 --> 0:42:36.879
<v Speaker 1>now for sure, Well you can do it differently. There's

0:42:36.880 --> 0:42:38.959
<v Speaker 1>a responsibility that comes along with that and it's gonna

0:42:38.960 --> 0:42:41.680
<v Speaker 1>be and I'm gonna tell you because we deal with

0:42:41.760 --> 0:42:46.080
<v Speaker 1>it some headaches that come along with trying to do

0:42:46.200 --> 0:42:49.520
<v Speaker 1>right and help people out and because some people they

0:42:49.560 --> 0:42:51.320
<v Speaker 1>don't get it. Not even if they don't get it,

0:42:51.400 --> 0:42:56.680
<v Speaker 1>some people like getting beat on. Yeah, unfortunately, just I

0:42:56.880 --> 0:42:59.799
<v Speaker 1>just had this conversation last night. I had I had

0:42:59.840 --> 0:43:04.400
<v Speaker 1>a moment yesterday morning where I was like, am I

0:43:04.560 --> 0:43:09.720
<v Speaker 1>really ready to accept that I don't have to have drama?

0:43:10.040 --> 0:43:12.279
<v Speaker 1>Am I ready to accept that I could live a

0:43:12.320 --> 0:43:16.600
<v Speaker 1>soft life and have like luxury and like have success.

0:43:16.600 --> 0:43:25.680
<v Speaker 1>And I'll be like I just am I? Am I

0:43:25.760 --> 0:43:29.880
<v Speaker 1>really okay? With're not feeling guilty that I bust my

0:43:29.960 --> 0:43:33.719
<v Speaker 1>ass and did it? And like because I had some

0:43:33.719 --> 0:43:36.040
<v Speaker 1>people literally quit like two months before my song gole

0:43:36.160 --> 0:43:43.239
<v Speaker 1>up quit? Am I okay with that? Like you know

0:43:43.239 --> 0:43:47.960
<v Speaker 1>what I'm saying, Like I really am okay, Like I'm fine.

0:43:48.560 --> 0:43:52.040
<v Speaker 1>You know, I don't have any grudges um, And it's

0:43:52.040 --> 0:43:56.160
<v Speaker 1>like I'm breaking this cycle of you hurt me, you

0:43:56.160 --> 0:43:59.719
<v Speaker 1>did me wrong because I did tell those stories like

0:44:00.280 --> 0:44:05.359
<v Speaker 1>wanting somebody to just be like dang, you know, pat

0:44:05.440 --> 0:44:08.279
<v Speaker 1>me on the back. But now it's like, well, what

0:44:08.400 --> 0:44:13.000
<v Speaker 1>is the next ten years look like for me. And

0:44:13.000 --> 0:44:15.640
<v Speaker 1>it started with me just deciding to invest in myself.

0:44:16.800 --> 0:44:20.680
<v Speaker 1>And then you know, I'm still before we started filming,

0:44:20.719 --> 0:44:24.240
<v Speaker 1>I said, I'm recal I'm still recalibrating to what life

0:44:24.680 --> 0:44:28.640
<v Speaker 1>means now after you know, the song blew up in

0:44:28.680 --> 0:44:32.160
<v Speaker 1>six days. It only took six days. It took me

0:44:32.200 --> 0:44:36.480
<v Speaker 1>about ten seconds of listening to Mike J sing it

0:44:36.960 --> 0:44:40.560
<v Speaker 1>because I was completely and listen, we'll tell the story,

0:44:40.640 --> 0:44:44.720
<v Speaker 1>but I was completely in the dark. I'm it goes

0:44:44.800 --> 0:44:48.560
<v Speaker 1>from me going on Mike J's page and him singing,

0:44:48.560 --> 0:44:52.960
<v Speaker 1>and I'm like, what the fuck is that? Maybe ten second?

0:44:53.400 --> 0:44:55.600
<v Speaker 1>I mean what I called him, I'm like, hey, nigga,

0:44:56.480 --> 0:44:59.719
<v Speaker 1>what the fund is this? Like? Heard this record? This

0:44:59.719 --> 0:45:07.240
<v Speaker 1>is money? Long? Wait wait what sore? Like yes, thinking

0:45:07.760 --> 0:45:16.520
<v Speaker 1>like no, fucking that's a reaction that because everyone knew

0:45:16.560 --> 0:45:18.920
<v Speaker 1>you are, I mean from from our within our industry,

0:45:18.960 --> 0:45:22.839
<v Speaker 1>you are you. You had already established yourself as such

0:45:22.840 --> 0:45:27.080
<v Speaker 1>a force and had so many great records that it

0:45:27.200 --> 0:45:31.680
<v Speaker 1>was already like oh yeah, but no, I hadn't heard it,

0:45:31.680 --> 0:45:34.279
<v Speaker 1>you know what I mean it and me calling you

0:45:34.320 --> 0:45:37.080
<v Speaker 1>and being like, listen, you got something. This this is

0:45:37.360 --> 0:45:39.920
<v Speaker 1>whatever you do with it. You got it. It's special

0:45:40.120 --> 0:45:45.600
<v Speaker 1>in ten seconds. It's crazy too, because at that particular moment,

0:45:45.600 --> 0:45:49.239
<v Speaker 1>we were fatigued. I'm so fatigued. We have been doing

0:45:49.239 --> 0:45:52.360
<v Speaker 1>it for two years, and we were just like, you

0:45:52.400 --> 0:45:56.760
<v Speaker 1>need another deposit how much I was trying to decide

0:45:56.760 --> 0:45:58.640
<v Speaker 1>if we were going to go to radio, and it

0:45:58.760 --> 0:46:04.160
<v Speaker 1>was just like, so, you were funding all of this

0:46:04.239 --> 0:46:07.200
<v Speaker 1>through your songwriting? Yes, did the money you've made song

0:46:07.320 --> 0:46:12.320
<v Speaker 1>right for? He said for? You said so a decade?

0:46:12.520 --> 0:46:14.719
<v Speaker 1>A decade though, for like ten straight years though, because

0:46:14.719 --> 0:46:17.280
<v Speaker 1>you're putting out you were putting out projects. In those times.

0:46:17.480 --> 0:46:19.960
<v Speaker 1>There was only one year that I didn't have any placements,

0:46:20.000 --> 0:46:23.799
<v Speaker 1>but I had a hit song every year for like

0:46:23.920 --> 0:46:29.200
<v Speaker 1>nine years. God was making sure you was all right, yeah,

0:46:29.200 --> 0:46:32.040
<v Speaker 1>it's it's definitely more champagne. I'm sure they got some more.

0:46:32.239 --> 0:46:37.479
<v Speaker 1>Tank keeps some champagne she keeping in the row. Record.

0:46:37.520 --> 0:46:40.320
<v Speaker 1>People understand that that's not normal. That is not normal.

0:46:40.880 --> 0:46:43.319
<v Speaker 1>That is not normal, that's not normal drinking. And I

0:46:43.320 --> 0:46:47.200
<v Speaker 1>definitely feel less to be able to say that because,

0:46:47.239 --> 0:46:56.799
<v Speaker 1>like you know, even I still haven't celebrating ceting. I know,

0:46:56.880 --> 0:46:59.600
<v Speaker 1>you know, how about R and B. So I I

0:46:59.640 --> 0:47:03.160
<v Speaker 1>want to what you really do, see what you really are.

0:47:04.480 --> 0:47:11.520
<v Speaker 1>In this new segment called Top five, we're gonna have

0:47:11.560 --> 0:47:15.480
<v Speaker 1>theme music soon. I can't afford it right now, we're

0:47:15.520 --> 0:47:23.640
<v Speaker 1>still getting that your top five R and B artists

0:47:24.320 --> 0:47:32.160
<v Speaker 1>male or female from any time. Oh it's my guy.

0:47:32.680 --> 0:47:38.520
<v Speaker 1>I love about man. I'm gonna say Faith, Yeah, I

0:47:38.560 --> 0:47:43.120
<v Speaker 1>had that cassette. I had to cassette my X to

0:47:43.120 --> 0:47:46.480
<v Speaker 1>talk about. Other people bought me the cassette. It's a

0:47:46.640 --> 0:47:51.200
<v Speaker 1>gift to keep going Heliah m M. I don't even

0:47:51.239 --> 0:47:58.759
<v Speaker 1>do that to me. M. And this might cause some

0:48:00.200 --> 0:48:01.920
<v Speaker 1>up for because a lot of people and not consider

0:48:01.960 --> 0:48:04.680
<v Speaker 1>it R and B. But Destiny's Child. Why wouldn't they

0:48:05.200 --> 0:48:11.120
<v Speaker 1>because they're I mean selling girls group of all times?

0:48:11.200 --> 0:48:14.040
<v Speaker 1>Right I am I saying this correctly. My favorite from

0:48:14.040 --> 0:48:17.640
<v Speaker 1>my Novelce the R and B album is destiny Fulfilled.

0:48:20.680 --> 0:48:23.880
<v Speaker 1>Look over there so proud. Like listen, one of my

0:48:23.920 --> 0:48:30.680
<v Speaker 1>friends that thinks he is beyont loves um. Yeah so

0:48:30.840 --> 0:48:36.239
<v Speaker 1>that so I said what I say, uh Faith, Aliyah,

0:48:36.880 --> 0:48:48.960
<v Speaker 1>Destiny's Child. I'm gonna say Whitney. Great way to round

0:48:49.000 --> 0:48:55.080
<v Speaker 1>it out. YEA love Whitney, okid me. I love that

0:48:55.120 --> 0:48:58.680
<v Speaker 1>you said of someone writing is crazy I love that

0:48:58.719 --> 0:49:03.880
<v Speaker 1>you play list full of vibe just mastered. He mastered

0:49:03.920 --> 0:49:08.239
<v Speaker 1>his vibe early mocked in. He's really like an incredible

0:49:08.239 --> 0:49:09.640
<v Speaker 1>song right now. I didn't get it for a long

0:49:09.719 --> 0:49:12.560
<v Speaker 1>time because we were you know, we're rivals, were all

0:49:12.560 --> 0:49:14.439
<v Speaker 1>on the same shows together. You know what I'm saying.

0:49:14.480 --> 0:49:17.120
<v Speaker 1>And I'm taking my shirt off and doing the most

0:49:17.200 --> 0:49:19.000
<v Speaker 1>and he's not. You know what I'm saying, But his

0:49:19.080 --> 0:49:22.000
<v Speaker 1>song is still getting great reactionally, What is going on?

0:49:22.440 --> 0:49:25.560
<v Speaker 1>What is he doing? Why is it working? And I

0:49:25.600 --> 0:49:27.920
<v Speaker 1>just had to stop and really listen to what he

0:49:28.040 --> 0:49:31.680
<v Speaker 1>was doing, and I was like, uh, you nice, da nice?

0:49:31.719 --> 0:49:34.600
<v Speaker 1>He nice. He just got the captions before it was

0:49:34.640 --> 0:49:40.279
<v Speaker 1>a thing. Yet you know stupid and yes he's nice.

0:49:40.840 --> 0:49:43.799
<v Speaker 1>Shout out to my brother. Um, okay, here we're coming

0:49:43.800 --> 0:49:49.560
<v Speaker 1>to five? Is still here? Top five R and B

0:49:49.960 --> 0:50:00.759
<v Speaker 1>songs at your best? The version contagious, Me and my

0:50:00.840 --> 0:50:07.240
<v Speaker 1>sister sing that everything everything what I've seen a multiple parts.

0:50:07.239 --> 0:50:11.399
<v Speaker 1>Have you seen have you seen that? The little white

0:50:11.400 --> 0:50:14.640
<v Speaker 1>man and the black ladies singing it at like a

0:50:14.719 --> 0:50:22.319
<v Speaker 1>gas stations, acting it out and everything. I'm not gonna

0:50:22.360 --> 0:50:26.200
<v Speaker 1>say what they own, they own something. It's definitely been

0:50:26.239 --> 0:50:29.319
<v Speaker 1>to okay, okay, so it's contagious. Um and I didn't

0:50:29.320 --> 0:50:35.080
<v Speaker 1>know that was heard that shut? Yes shut. Don't you

0:50:35.280 --> 0:50:45.080
<v Speaker 1>see too, man, it's talking m contagious. Yes, okay, at

0:50:45.120 --> 0:50:53.000
<v Speaker 1>your best contagious. I'm gonna say butterflies, m amazing record.

0:50:53.160 --> 0:51:03.799
<v Speaker 1>Michael shout out to Marsha Masha. I'm gonna say officially

0:51:03.800 --> 0:51:13.759
<v Speaker 1>missing you, m M Yeah. And one last one. You

0:51:13.800 --> 0:51:19.080
<v Speaker 1>don't have to call wow. I don't know what it

0:51:19.160 --> 0:51:22.160
<v Speaker 1>is about that song, but every time that song comes

0:51:22.640 --> 0:51:25.360
<v Speaker 1>can say that I have to be in the car.

0:51:26.200 --> 0:51:32.600
<v Speaker 1>I was I gonna say superstar, but I just you

0:51:32.640 --> 0:51:35.120
<v Speaker 1>know I'm into jams right now? Have you been? Have

0:51:35.160 --> 0:51:39.520
<v Speaker 1>you been to the show? Yeah? You gotta go up.

0:51:39.719 --> 0:51:44.799
<v Speaker 1>He's turning up. This is this is this is homework team.

0:51:45.000 --> 0:51:53.360
<v Speaker 1>Take her to the show. Isn't it about to be over? No?

0:51:57.280 --> 0:52:01.160
<v Speaker 1>You are going to the Usher show. Sit on the

0:52:01.200 --> 0:52:05.480
<v Speaker 1>couches in the middle or the section right above the couches.

0:52:06.920 --> 0:52:09.920
<v Speaker 1>Sound guy, he's mixing right there above you. That's what

0:52:10.000 --> 0:52:12.080
<v Speaker 1>it sound is. Well, we are going to Vegas next week.

0:52:13.120 --> 0:52:15.160
<v Speaker 1>I think this week. I don't think they're I don't

0:52:15.160 --> 0:52:17.160
<v Speaker 1>think they're there right now, are they not? I don't

0:52:17.160 --> 0:52:23.399
<v Speaker 1>think they're but you got alright you yeah, we got

0:52:23.400 --> 0:52:25.720
<v Speaker 1>get up on you now, Okay, we're the phone police.

0:52:25.760 --> 0:52:32.560
<v Speaker 1>We're gonna okay, so that's that's okay. And to build

0:52:32.680 --> 0:52:36.560
<v Speaker 1>R and B voltron Okay, we're gonna build your the

0:52:36.560 --> 0:52:40.040
<v Speaker 1>best R and B singer you can build from the vocals,

0:52:40.080 --> 0:52:42.840
<v Speaker 1>from the performance style, to the styling to the passion

0:52:42.920 --> 0:52:45.319
<v Speaker 1>of the artists. Who are you getting the vocals from

0:52:45.320 --> 0:52:50.600
<v Speaker 1>to build your R and B artist? Who am I

0:52:50.640 --> 0:52:56.600
<v Speaker 1>going to take? Who the least singer? Who is the

0:52:56.719 --> 0:53:05.400
<v Speaker 1>least Kelly Price? Yeah? Yeah, you're trying to whoop a

0:53:05.480 --> 0:53:10.239
<v Speaker 1>nigga taking Kelly's vocals for sure, because you knows how

0:53:10.239 --> 0:53:13.560
<v Speaker 1>to stack. She knows how to stack. If you even

0:53:13.640 --> 0:53:17.160
<v Speaker 1>just talked to Kelly Price. Um No, I did work

0:53:17.200 --> 0:53:22.560
<v Speaker 1>with her though before. She's so smart. She's very, very

0:53:22.640 --> 0:53:26.840
<v Speaker 1>tuned into her gift. Like I've watched her lead background

0:53:26.880 --> 0:53:30.360
<v Speaker 1>singers into a special place that they weren't at until

0:53:30.440 --> 0:53:33.600
<v Speaker 1>she started talking and leading them, and it just got

0:53:33.680 --> 0:53:37.520
<v Speaker 1>special real fast. I don't know why. I just want

0:53:37.520 --> 0:53:47.160
<v Speaker 1>to scream out, Kelly take this home. But okay, keep going. Okay,

0:53:47.320 --> 0:53:50.480
<v Speaker 1>we got the vocal from Kelly Price, good Lord Almney Okay.

0:53:50.800 --> 0:53:59.840
<v Speaker 1>Performance style on stage vocals is Kelly Price, the performances

0:54:00.080 --> 0:54:07.040
<v Speaker 1>Janet mm hmm. Nobody, she's talk about talking about it,

0:54:08.200 --> 0:54:20.880
<v Speaker 1>she's it. They're gonna stab you in the car. Fiance

0:54:21.000 --> 0:54:25.240
<v Speaker 1>came from somewhere. Yeah, so Jeri Prize with Janet okay

0:54:28.120 --> 0:54:30.560
<v Speaker 1>um styling. What you want the artist to look like?

0:54:32.600 --> 0:54:42.080
<v Speaker 1>Mm hmm. Sierra but Cierra Wilson mm hmm. Okay, I

0:54:42.080 --> 0:54:43.600
<v Speaker 1>see what you see what you did there? Yeah? I

0:54:43.680 --> 0:54:46.719
<v Speaker 1>see what you like? What you did there? Very fly,

0:54:47.160 --> 0:54:52.680
<v Speaker 1>very fly, very very refined. Okay, he still do a

0:54:52.760 --> 0:54:54.040
<v Speaker 1>leg if let's still do a little leg if you

0:54:54.040 --> 0:54:57.800
<v Speaker 1>need to see it because it's in shape lay exclusive pieces.

0:54:59.520 --> 0:55:05.640
<v Speaker 1>Well that is good. The money is long, money is long. Yeah,

0:55:05.680 --> 0:55:09.160
<v Speaker 1>I see what you did see? I see who are

0:55:09.200 --> 0:55:11.840
<v Speaker 1>you getting the passion from the heart of the arts?

0:55:14.840 --> 0:55:21.879
<v Speaker 1>Did he yeah? Yeah, not wrong you talking about don't

0:55:21.920 --> 0:55:26.000
<v Speaker 1>get to get to it? He got different type passion

0:55:26.160 --> 0:55:34.080
<v Speaker 1>Kelly Voice, Janet performing Stage Presents, Cierra Wilson styling. Did

0:55:34.120 --> 0:55:37.920
<v Speaker 1>he's passion? Listen, I'm gonna tell you something he wants something,

0:55:38.400 --> 0:55:45.520
<v Speaker 1>can't get it going after get it period and everybody

0:55:45.640 --> 0:55:50.400
<v Speaker 1>ryand you might as well, get on board. I like

0:55:50.480 --> 0:55:52.560
<v Speaker 1>what you did. Then that's a function. I like what

0:55:52.600 --> 0:55:57.239
<v Speaker 1>you did that, ain't it though? You got through that,

0:55:57.360 --> 0:56:01.920
<v Speaker 1>You got through that, but you know we hit it up. Yeah.

0:56:02.600 --> 0:56:09.800
<v Speaker 1>This segments are saying the names very important. The story

0:56:09.840 --> 0:56:12.960
<v Speaker 1>can either be funny, are fucked up. Are funny and

0:56:13.200 --> 0:56:17.640
<v Speaker 1>fucked up. The only rule is you can't say no names.

0:56:18.480 --> 0:56:23.279
<v Speaker 1>Get your ship off. Okay, get your off, um, introduce it.

0:56:23.960 --> 0:56:32.240
<v Speaker 1>This is money loans. I ain't saying the names. Okay. Well,

0:56:33.239 --> 0:56:39.279
<v Speaker 1>this particular person uh grew up Levin superhero to me,

0:56:40.200 --> 0:56:47.640
<v Speaker 1>and so when I met them, uh, highly disappointed, highly disappointed.

0:56:49.640 --> 0:56:53.279
<v Speaker 1>This person really just wanted me for my songs. I

0:56:53.320 --> 0:56:55.680
<v Speaker 1>wanted to, you know, get the mentor like you know,

0:56:55.719 --> 0:57:03.440
<v Speaker 1>I'm like, yeah, several runnings where we just did not jail.

0:57:03.880 --> 0:57:07.920
<v Speaker 1>At one point, you know, I walk into this room

0:57:07.960 --> 0:57:13.000
<v Speaker 1>and they started screaming, you're a fake bit like Wiling,

0:57:14.160 --> 0:57:17.920
<v Speaker 1>and I'm just like, everybody knows who this person is.

0:57:17.960 --> 0:57:21.600
<v Speaker 1>So it's very embarrassing. So I just tend to stay

0:57:21.600 --> 0:57:25.400
<v Speaker 1>away every time I see this person outside. Stay away.

0:57:25.640 --> 0:57:33.280
<v Speaker 1>So fast forward to this Grammy party, we have similar team. Um.

0:57:33.360 --> 0:57:35.440
<v Speaker 1>Without saying too much because it will give it away,

0:57:35.600 --> 0:57:38.600
<v Speaker 1>but we have a similar team. We're at this place

0:57:39.520 --> 0:57:45.800
<v Speaker 1>and I feel these eyes. I feel like I'm being

0:57:45.880 --> 0:57:50.360
<v Speaker 1>stared at. I'm standing in my circle, I'm talking and

0:57:50.480 --> 0:57:55.160
<v Speaker 1>I look sure enough grilling me, Ice grilling me just

0:57:57.000 --> 0:58:02.280
<v Speaker 1>so are kind of like how you know, behind the

0:58:02.360 --> 0:58:06.040
<v Speaker 1>person that I was talking to, And I'm like, is

0:58:06.120 --> 0:58:10.000
<v Speaker 1>this really happening? You know what? So I'll do it again,

0:58:10.560 --> 0:58:14.240
<v Speaker 1>look sang thing, Ice grilling me. And that's how the

0:58:14.360 --> 0:58:18.120
<v Speaker 1>night went, you know. You score from here to here. Literally,

0:58:18.280 --> 0:58:21.520
<v Speaker 1>I'm moving around the room and I keep feeling the

0:58:21.640 --> 0:58:25.040
<v Speaker 1>eyes until it got to a place where you know,

0:58:25.120 --> 0:58:28.360
<v Speaker 1>there's some people in this business or in the world

0:58:28.400 --> 0:58:33.000
<v Speaker 1>really who just cannot stand not being recognized like that.

0:58:33.560 --> 0:58:36.600
<v Speaker 1>Don't you know who I am? Energy, It's very much

0:58:36.640 --> 0:58:40.280
<v Speaker 1>that it was like, Okay, well, I followed you around

0:58:40.280 --> 0:58:43.720
<v Speaker 1>this whole party. You're not going to acknowledge me, even

0:58:43.720 --> 0:58:45.920
<v Speaker 1>though I'm looking at you dead in your eyes. Now

0:58:45.920 --> 0:58:48.400
<v Speaker 1>I'm going to stand right in front of you, you know,

0:58:49.000 --> 0:58:51.240
<v Speaker 1>and I'm not going to speak to you. I'm gonna

0:58:51.280 --> 0:58:52.560
<v Speaker 1>say nothing to you. I'm just gonna look at you.

0:58:54.160 --> 0:58:56.760
<v Speaker 1>And yeah, it was very, very very awkward. I didn't

0:58:56.760 --> 0:59:01.440
<v Speaker 1>say nothing either. I was just like, this cannot be real.

0:59:02.280 --> 0:59:07.640
<v Speaker 1>All night stare off. The entire party literally followed me

0:59:08.120 --> 0:59:10.680
<v Speaker 1>around the first floor. I go upstairs, follow up me

0:59:10.920 --> 0:59:14.440
<v Speaker 1>chair like yeah, and this is one of my heroes.

0:59:15.880 --> 0:59:19.480
<v Speaker 1>This business will do that to you sometimes. Very disappointing.

0:59:19.600 --> 0:59:24.240
<v Speaker 1>So now I just don't even want to meet nobody. No,

0:59:25.080 --> 0:59:27.600
<v Speaker 1>I just I don't go to meet Remember how nice

0:59:27.600 --> 0:59:30.320
<v Speaker 1>that guy was when you met him? There a people

0:59:30.400 --> 0:59:32.280
<v Speaker 1>like yeah, but I mean I feel like you met me,

0:59:33.080 --> 0:59:35.680
<v Speaker 1>like you know what I'm saying. You you offered your

0:59:35.800 --> 0:59:40.320
<v Speaker 1>energy first. People like you know what I mean a

0:59:40.320 --> 0:59:42.720
<v Speaker 1>lot of people like us. Like imagine if I would

0:59:42.760 --> 0:59:44.760
<v Speaker 1>have went up to you and like and you was

0:59:44.800 --> 0:59:46.480
<v Speaker 1>like not right now, then I would have had off

0:59:46.560 --> 0:59:50.880
<v Speaker 1>totally different story would have been the same energy. Okay,

0:59:50.920 --> 0:59:54.000
<v Speaker 1>but you're you're you. You know what I'm saying. Everybody's

0:59:54.000 --> 0:59:57.600
<v Speaker 1>not like that. Be open to people being like us

1:00:02.960 --> 1:00:07.440
<v Speaker 1>Na Champ, I'm good. We're gonna make sure we outside

1:00:07.440 --> 1:00:11.160
<v Speaker 1>when you are outside, we help. We're gonna start making

1:00:11.160 --> 1:00:14.080
<v Speaker 1>sure we outside of you outside are outside. And they

1:00:14.120 --> 1:00:28.400
<v Speaker 1>started staring with yeah, very awkward. Well, listen, you are

1:00:28.480 --> 1:00:32.320
<v Speaker 1>doing a thing. You are you are living out a

1:00:32.400 --> 1:00:38.080
<v Speaker 1>real dream and and not just yours, all the people

1:00:38.800 --> 1:00:42.400
<v Speaker 1>UM that are connected to that are cheering for you,

1:00:42.480 --> 1:00:46.000
<v Speaker 1>that are being inspired by you, by you, UM that

1:00:46.120 --> 1:00:49.360
<v Speaker 1>will eventually want to not even just buy a ticket,

1:00:49.400 --> 1:00:53.040
<v Speaker 1>but want to beat you at some point. You are

1:00:53.200 --> 1:00:55.840
<v Speaker 1>You are living a dream. You are a living dream.

1:00:56.440 --> 1:00:59.960
<v Speaker 1>And we salute you. We give you flowers, we give

1:01:00.080 --> 1:01:04.360
<v Speaker 1>you ammunition, we give you encouragement, we give your brotherhood

1:01:04.920 --> 1:01:09.960
<v Speaker 1>anything you need. We we we got you. We got you.

1:01:10.960 --> 1:01:14.280
<v Speaker 1>Thank you for having me on. Now, Ladies and gentlemen,

1:01:15.600 --> 1:01:18.280
<v Speaker 1>my name is Tanker, I'm Jay Valentine, and this has

1:01:18.320 --> 1:01:20.880
<v Speaker 1>been the arm by Money podcast, the authority on all

1:01:21.040 --> 1:01:28.880
<v Speaker 1>things R. We're gonna have some fun, Ladies and gentlemen, Money,

1:01:28.880 --> 1:01:44.160
<v Speaker 1>Long and Money, R and B Money is a production

1:01:44.200 --> 1:01:47.880
<v Speaker 1>of the Black Effect Podcast Network. For more podcasts from

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<v Speaker 1>I Heart Radio VI is it the I Heart Radio app,

1:01:50.960 --> 1:01:54.200
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows,

1:01:54.720 --> 1:01:57.800
<v Speaker 1>don't forget to subscribe to and rate our show and

1:01:57.880 --> 1:02:00.560
<v Speaker 1>you can connect with us on social media at Jay

1:02:00.640 --> 1:02:04.560
<v Speaker 1>Valentine and at the Real tank For the extended episode,

1:02:04.720 --> 1:02:08.920
<v Speaker 1>subscribe to YouTube dot com, forward Slash, R and B

1:02:09.040 --> 1:02:09.360
<v Speaker 1>Money