WEBVTT - Chapter VIII - The Missing Files

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<v Speaker 1>Maxie Miles is a production of a typical artists, and

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<v Speaker 1>I heart radio. This. I don't understand. It's pretty clear, Max.

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<v Speaker 1>I mean Riley seemed sure, but that doesn't make any sense.

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<v Speaker 1>How could I mean, if they knew, It's not like

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<v Speaker 1>mining comes without consequences. I know, trust me. That's the

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<v Speaker 1>whole reason I want an environmental club so that people

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<v Speaker 1>will get it right. So is this really that surprising.

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<v Speaker 1>It's one thing for Hastings to have a new mining

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<v Speaker 1>project that will do god only knows what to the

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<v Speaker 1>ecosystem long term. It's another thing entirely to know that

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<v Speaker 1>they're poisoning the groundwater, and yet here it is. Is

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<v Speaker 1>there any chance that Riley could be wrong? I mean,

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<v Speaker 1>I guess, but I mean he wrote new project proven

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<v Speaker 1>to be poisoning groundwater, County Environmental Surveyor has environmental impact report.

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<v Speaker 1>That's pretty cut and dry. But I mean, there's all

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<v Speaker 1>kinds of stuff about the minds both of them. In

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<v Speaker 1>his notebook, it looked like he was mapping all the

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<v Speaker 1>old mine entrances or something. Maybe it was a theory.

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<v Speaker 1>It doesn't sound like it was just a theory. But

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<v Speaker 1>how would he know? Oh my god, Miss Honeywow, what

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<v Speaker 1>about her? When she went to city Hall the first

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<v Speaker 1>day she got here, Riley was there. She said she

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<v Speaker 1>saw him eavesdropping. He was leaning against an office door.

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<v Speaker 1>How's office? No, No, that's what's weird. She said. It

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<v Speaker 1>wasn't the mayor's office. Okay. Who else has an office

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<v Speaker 1>in city Hall? The public Works foreman, she'd be involved

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<v Speaker 1>with all kinds of planning stuff like the mine. There's

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<v Speaker 1>also the deputy mayor. What Ms Halleran, she's one hundred

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<v Speaker 1>and two. She's more of a town mascot than anything else.

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<v Speaker 1>The sheriff, No, no way. Maybe this county surveyor person

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<v Speaker 1>was talking to Mr Collins about the water, but Mr

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<v Speaker 1>Combs wouldn't hide that. Do you think how would at No?

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<v Speaker 1>I don't think how would put anyone in Hastings in danger.

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<v Speaker 1>But he'd do whatever he could to protect the town's reputation.

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<v Speaker 1>But just because Riley overheard something about the new mind

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<v Speaker 1>being dangerous doesn't mean they're not actively trying to fix it.

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<v Speaker 1>I mean, the project hasn't even been officially launched yet. Yeah,

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<v Speaker 1>I guess that's true. I'm sure whatever is going on

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<v Speaker 1>with it, if there really is something wrong, that everyone

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<v Speaker 1>who needs to know knows, and they're doing everything that

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<v Speaker 1>they can to fix it. But why is Riley missing? Now?

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<v Speaker 1>This seems like too much of a coincidence. Jenna said

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<v Speaker 1>he was working on some kind of political scandal piece,

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<v Speaker 1>and this was clearly it. Maybe he wasn't eavesdropping on How,

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<v Speaker 1>but that doesn't mean that How doesn't know. So what

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<v Speaker 1>do you think How kidnapped Riley to keep him quiet

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<v Speaker 1>with what end game prevent him from writing an article

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<v Speaker 1>until the pro ject can open? But if it's true,

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<v Speaker 1>it would do just as much damage regardless of when

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<v Speaker 1>it comes out. Maybe the contracts aren't signed. How has

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<v Speaker 1>been talking about the kind of money this is gonna

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<v Speaker 1>bring Hastings. We need more info. We need to give

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<v Speaker 1>this to the sheriff. Wait, not yet, Max, Look, I

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<v Speaker 1>trust Sheriff Colmes. I do. I don't think he'd ever

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<v Speaker 1>do anything to put Riley or anyone else in danger.

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<v Speaker 1>But if he was who Riley was eavesdropping on, I

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<v Speaker 1>just want to know more before we go. Making accusations

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<v Speaker 1>and turning over evidence is the same thing as making

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<v Speaker 1>accusations in your head. We don't know, that's the problem. Fine,

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<v Speaker 1>I'll hold onto it for now we can we can

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<v Speaker 1>keep it here, added to the pile of things we're

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<v Speaker 1>not telling the responsible adults. Thank you? But but what? Okay?

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<v Speaker 1>There was one of the weird thing in the notebook. Jeez,

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<v Speaker 1>what is it now? This section here? I didn't read

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<v Speaker 1>too much because it seemed personal, but Ross just spit

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<v Speaker 1>it out? Did Riley mention anything about his parents to you? What? No? Why? Wait? Actually,

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<v Speaker 1>the last time we spoke he was going on about family.

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<v Speaker 1>Why does it say something about his parents in here?

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<v Speaker 1>He talks about needing to go to city hall to

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<v Speaker 1>talk to the county clerk about his parents, And then

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<v Speaker 1>he just wrote they lied? What on earth? Jenna said

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<v Speaker 1>he'd had some family drama. But maybe this is what

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<v Speaker 1>Riley was eavesdropping on. But what would it be? What

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<v Speaker 1>were the Stevens lying about? And is it bad enough

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<v Speaker 1>that Riley would have run away? All right? Tomorrow morning

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<v Speaker 1>you go to city hall and try to talk to

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<v Speaker 1>the mayor? What? What? Why? Me? I've already been sniffing

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<v Speaker 1>around his office too much. He knows how to dodge

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<v Speaker 1>my questions. But do you think he'll talk to me?

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<v Speaker 1>I think you're annoying enough to get some information. From him. Yeah, gee, thanks,

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<v Speaker 1>what are you going to do? Tomorrow's Sunday? So no

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<v Speaker 1>one other than Hall is going to be at city Hall.

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<v Speaker 1>But I bet I can find the four minute the

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<v Speaker 1>tavern and ask her about what's going on with the

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<v Speaker 1>new mine. They're not going to let you into the tavern. Max.

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<v Speaker 1>You don't know that you four and very strong willed.

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<v Speaker 1>I've been told from a typical artists and I heart radio.

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<v Speaker 1>You're listening to Maxi Miles. This is chapter eight the

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<v Speaker 1>Missing Files Max Maxi Files. We'll up a second of

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<v Speaker 1>high Ransom Lucky. I ran into you you are Yeah,

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<v Speaker 1>I need your help? Yeah, this is Look, do you

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<v Speaker 1>mind if we talk about this off the street? Are

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<v Speaker 1>you all right? Ransom? You look really awful to be

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<v Speaker 1>perfectly honest. Yeah, thanks for that. You'll understand when you're

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<v Speaker 1>twenty one. Oh hangover? Yeah? Can we just go inside? Please?

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<v Speaker 1>The general story is closed today, Ransom family owned. Remember, Plus,

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<v Speaker 1>I can really use a cigarette? Do you mind if

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<v Speaker 1>will you stop? If I do? I'm not a total jerk,

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<v Speaker 1>you know. In that case? Second hand smoking is horribly dangerous, right, See,

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<v Speaker 1>I can be considerate of other people. What are we

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<v Speaker 1>doing here? Ransom. I actually have places to be. I'm

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<v Speaker 1>sure you do out solving little crimes and saving cats.

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<v Speaker 1>My friend is missing, Mr Archer, in case you hadn't noticed, Yeah,

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<v Speaker 1>you're right, I'm sorry. Well, Mr Archer, I didn't want

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<v Speaker 1>to be rude while I yelled at you. Right listen,

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<v Speaker 1>I've got another mystery for you to solve. Look, I'm

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<v Speaker 1>happy to help you out however I can on any

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<v Speaker 1>other day. But I really, I promise you this isn't frivolous.

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<v Speaker 1>I know you're worried about your friend, but if you

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<v Speaker 1>help me with this, I'll see what I can do

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<v Speaker 1>to help you. What what do you mean are you

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<v Speaker 1>withholding something that could help Riley? No, God, of course not.

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<v Speaker 1>I just meant I heard that he may have run

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<v Speaker 1>away to Berlin, and I also know that you're currently

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<v Speaker 1>under house arrest. Oh my god, how does ever play

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<v Speaker 1>cards with your uncle and Walt? They called to cancel

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<v Speaker 1>this weekend's game because someone needs to be looked after.

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<v Speaker 1>Speaking of which, where does Joe think you are right now? Um?

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<v Speaker 1>In ross Teller's tree house? Right, of course? Please don't

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<v Speaker 1>tell him that I'm downtown. Your secrets are safe with me.

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<v Speaker 1>I broke plenty of rules when I was your age.

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<v Speaker 1>I don't think there's anything wrong with enjoying your time

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<v Speaker 1>as a teenager. Yeah, that's exactly what I'm doing, which

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<v Speaker 1>is why I'm offering to drive you to Berlin this week.

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<v Speaker 1>If you want, I can tell Joe that I'm taking

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<v Speaker 1>you on as an intern or something. I actually do

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<v Speaker 1>have some meetings in Berlin on Tuesday, and you can

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<v Speaker 1>see what you can dig up about Riley. If he's there,

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<v Speaker 1>you'll find him. I have no doubt really you do that.

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<v Speaker 1>I don't know much help, but it really be I

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<v Speaker 1>know Walt is already coordinating with Gorham in Berlin, but

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<v Speaker 1>am I easier mind Sheriff Combs is expanding the search again.

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<v Speaker 1>He's gotten as many community watch groups involved as you can.

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<v Speaker 1>I haven't found Earlei in Hastings, so he must be

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<v Speaker 1>somewhere else. That's the theory. Anyway, this really is a

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<v Speaker 1>lot more serious than I think you realized, Max. I

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<v Speaker 1>think it could become a county wide missing person's case.

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<v Speaker 1>I don't know why everyone keeps assuming that I'm not

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<v Speaker 1>taking this seriously. I feel like I'm the only one

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<v Speaker 1>who's doing anything. I know it feels like that, like

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<v Speaker 1>you've got some good folks in your corner. The grown

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<v Speaker 1>ups in this town are actually trying to look out

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<v Speaker 1>for you. You say that like you're not one of them. Well,

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<v Speaker 1>I'm not that. I don't care, I do. I'm just

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<v Speaker 1>not a grown up. You're not according to my father,

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<v Speaker 1>my wife, no kids, no new ideas for the Archer Empire.

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<v Speaker 1>Still just to screw up. Not to be rude, but

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<v Speaker 1>oh no, please go ahead. You are asking a fourteen

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<v Speaker 1>year old for help. That's a very fair point, speaking

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<v Speaker 1>of I was robbed last night. What someone broke in?

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<v Speaker 1>What is happening in this that's the weird thing. There

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<v Speaker 1>was no break in? Not really. Then I was out

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<v Speaker 1>last night, right the hangover Saturday night at the tavern,

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<v Speaker 1>get a little wild? Actually I wasn't at the tavern, really,

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<v Speaker 1>believe it or not. I was on a date really, yes,

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<v Speaker 1>oh oh god, you were on a date with miss Honey. Well,

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<v Speaker 1>weren't you? How do you know? Wild? Guess you don't

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<v Speaker 1>have to sound so disappointed. No, it's not. I really

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<v Speaker 1>like miss Honey well, and I know, and let me

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<v Speaker 1>guess you think she could do better. I didn't say that.

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<v Speaker 1>You didn't have to. Look. I know I haven't been

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<v Speaker 1>the warmest person in Hastings, but Alanna is. She's wonderful,

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<v Speaker 1>smart and witty and beautiful. Are you in love with her? What? No? No,

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<v Speaker 1>I've only known her for a few weeks, so it

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<v Speaker 1>wasn't love at first sight. I'm not sure leaving that

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<v Speaker 1>kind of stuff. No, no, no, it's not that. It's

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<v Speaker 1>the instantaneous thing that I'm not sure is real in

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<v Speaker 1>my albeit very limited experience. Falling in love isn't about

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<v Speaker 1>seeing someone in lightning striking attraction can be like that. Sure,

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<v Speaker 1>having a crush a crush, Well, don't those sometimes lead

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<v Speaker 1>to love? Sure? Maybe, But I'm talking about the kind

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<v Speaker 1>of first sight crush where you fantasize about who someone

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<v Speaker 1>is and what could happen. But it's still just a fantasy,

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<v Speaker 1>and that version is always far better than any reality

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<v Speaker 1>could ever be. And that's what you're doing with miss Honeywell, no,

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<v Speaker 1>that's what I'm trying not to do. It's always a

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<v Speaker 1>disappointment if you stay in that fantasy in your head

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<v Speaker 1>for too long. It's better to live in the real world,

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<v Speaker 1>even if it's imperfect. That's surprisingly ground above you. Well,

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<v Speaker 1>I'll take that as a compliment. I think I know

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<v Speaker 1>what you mean about having a fantasy in your head

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<v Speaker 1>of what could be really what You don't think I'm

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<v Speaker 1>the type of person to have a crush, No, I

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<v Speaker 1>think it's pretty unusual for a teenager to realize that

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<v Speaker 1>they're idealizing someone. Everything feels so big when you're young,

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<v Speaker 1>it can be hard to tell the difference. Does it

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<v Speaker 1>really matter? Then? If it feels like love, then it

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<v Speaker 1>is right. That's an interesting perspective, but I think it

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<v Speaker 1>does matter in the action you take. What do you

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<v Speaker 1>mean People make a lot of big decisions based on

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<v Speaker 1>big feelings. Those big feelings aren't rooted in something real.

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<v Speaker 1>You could be making a big mistake something like that.

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<v Speaker 1>Then how do you know when it's love? Real love?

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<v Speaker 1>Love is quieter. It can happen all at once or

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<v Speaker 1>very slowly. Sometimes it's both. It comes from knowing someone,

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<v Speaker 1>from trusting them. Loving someone else isn't about you, it's

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<v Speaker 1>about them. You sound like someone who knows how it

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<v Speaker 1>feels firsthand. I know it might be hard to picture,

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<v Speaker 1>but yeah, I do. What happened well, I was doomed

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<v Speaker 1>from the start in some ways. What do you mean

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<v Speaker 1>we were fifteen, and I didn't do anything smart. When

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<v Speaker 1>I was fifteen, I would have screwed it up one

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<v Speaker 1>way or another. Not to mention my parents were well,

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<v Speaker 1>it doesn't matter. But it wasn't just a teenage crush.

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<v Speaker 1>May have started out that way, but you trusted her

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<v Speaker 1>with my life. I'd only known her for a year,

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<v Speaker 1>but she understood me more than anyone ever had made

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<v Speaker 1>me feel like she was actually talking to me when

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<v Speaker 1>she was talking to me, not just telling me what

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<v Speaker 1>to do. Everyone was always telling me what to do.

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<v Speaker 1>Oh yeah, what's that like? Yeah, I figured you'd get that.

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<v Speaker 1>And Cherry told me what to do all the time.

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<v Speaker 1>She was bossy as hell, but it felt different, like

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<v Speaker 1>she wasn't just saying things to say them, but like

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<v Speaker 1>we were together, partners, you know, even when we didn't agree,

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<v Speaker 1>I still wanted to listen. Yeah, Yeah, I think I

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<v Speaker 1>know what you mean. You okay, Max? You look rattled? Yeah,

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<v Speaker 1>I'm fine. Of what happened to her. Her family moved

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<v Speaker 1>away suddenly, and she she stopped talking to me. She

0:14:28.400 --> 0:14:30.960
<v Speaker 1>told me she was leaving, and then I never heard

0:14:30.960 --> 0:14:38.560
<v Speaker 1>from her again. Ouch. Yeah, Jesus. Anyway, Uh, that's enough

0:14:38.560 --> 0:14:40.640
<v Speaker 1>of that. Sorry, I don't know how we got on that.

0:14:41.240 --> 0:14:45.520
<v Speaker 1>You were talking about the woman you're currently dating. Yeah, yeah,

0:14:45.560 --> 0:14:48.600
<v Speaker 1>of course, and Allan is great. Reminds me of Sherry

0:14:48.600 --> 0:14:51.800
<v Speaker 1>a bit. Actually, Well, anyway, it's the first good thing

0:14:51.800 --> 0:14:54.080
<v Speaker 1>that's happened to me in a while. So of course

0:14:54.160 --> 0:14:57.920
<v Speaker 1>I probably royally screwed it up last night. So we

0:14:57.960 --> 0:15:00.720
<v Speaker 1>went to a nice dinner. Everything seemed would be going great.

0:15:01.440 --> 0:15:04.920
<v Speaker 1>I had maybe two glasses of wine, we ordered dessert,

0:15:05.040 --> 0:15:08.000
<v Speaker 1>and then the next thing I know, I'm waking up

0:15:08.040 --> 0:15:12.240
<v Speaker 1>at four in the morning in my office. What about

0:15:12.280 --> 0:15:15.840
<v Speaker 1>six hours or just completely missing. And that's not all

0:15:15.880 --> 0:15:18.080
<v Speaker 1>that's missing. The safe in the office have been open.

0:15:18.200 --> 0:15:22.040
<v Speaker 1>Someone stole money from you. No no, no, no, not money. Files.

0:15:22.440 --> 0:15:25.880
<v Speaker 1>Why would someone steal your files? Well, they're not even mine.

0:15:25.920 --> 0:15:28.800
<v Speaker 1>It's technically my father's office, not that he deigns to

0:15:28.840 --> 0:15:31.440
<v Speaker 1>come here very often, but it's the office in the

0:15:31.480 --> 0:15:35.480
<v Speaker 1>back of Archer's Archery, the first Archer business from eighteen whatever,

0:15:35.560 --> 0:15:38.760
<v Speaker 1>and it's always been my dad's favorite. He's sentimental about

0:15:38.760 --> 0:15:43.480
<v Speaker 1>the family like that. So it's his safe. And you

0:15:43.560 --> 0:15:46.440
<v Speaker 1>didn't have the code. As far as I know, my

0:15:46.520 --> 0:15:49.640
<v Speaker 1>dad's the only one with it. Where is he right now? Oh,

0:15:49.720 --> 0:15:53.440
<v Speaker 1>somewhere in West Virginia buying another mining company once he

0:15:53.440 --> 0:15:57.120
<v Speaker 1>gets locked on something. Anyway, he's not supposed to be

0:15:57.120 --> 0:16:00.240
<v Speaker 1>in Hastings until the festival starts later this week. He

0:16:00.320 --> 0:16:02.360
<v Speaker 1>wants to be here for the demo, push, the plunger

0:16:02.400 --> 0:16:05.280
<v Speaker 1>and all that. So if your dad isn't in town

0:16:05.480 --> 0:16:08.040
<v Speaker 1>and you don't know the code, then how would someone

0:16:08.080 --> 0:16:11.040
<v Speaker 1>get into your safe? It's pretty old, might be original

0:16:11.080 --> 0:16:13.280
<v Speaker 1>to the building for all I know, So it's not

0:16:13.360 --> 0:16:14.880
<v Speaker 1>like it to be the hardest thing to crack, but

0:16:14.960 --> 0:16:17.280
<v Speaker 1>you presumably still have to know what you were doing.

0:16:17.880 --> 0:16:19.560
<v Speaker 1>I knows. I've never gettn it a go. Do you

0:16:19.600 --> 0:16:23.480
<v Speaker 1>have any idea what was in there? Um? I think

0:16:23.560 --> 0:16:28.200
<v Speaker 1>just old historical family documents, the original defunct land deeds,

0:16:28.640 --> 0:16:32.600
<v Speaker 1>maybe some family trees. Nothing of real value unless someone

0:16:32.720 --> 0:16:36.120
<v Speaker 1>was looking to target the Archer family first. The graffiti

0:16:36.160 --> 0:16:39.200
<v Speaker 1>from the other week, Yeah, but target us with what

0:16:39.760 --> 0:16:43.400
<v Speaker 1>letters from the nineteen teens Archer's Archery and everything in

0:16:43.400 --> 0:16:44.720
<v Speaker 1>it is more of a museum than it is a

0:16:44.760 --> 0:16:47.880
<v Speaker 1>business investment at this point. If someone wanted to target us,

0:16:48.120 --> 0:16:51.160
<v Speaker 1>steal from us has to be a more efficient way.

0:16:51.320 --> 0:16:56.400
<v Speaker 1>Is there anything embarrassing in those files any family skeletons?

0:16:56.720 --> 0:16:59.520
<v Speaker 1>Are you asking for the Archer family dirt if there's

0:16:59.520 --> 0:17:01.680
<v Speaker 1>any to be found that. I don't need to know

0:17:01.720 --> 0:17:03.920
<v Speaker 1>why someone stole these files. I just need to get

0:17:03.920 --> 0:17:06.400
<v Speaker 1>them back. If you know what's in them, that will

0:17:06.400 --> 0:17:08.600
<v Speaker 1>help me figure out who took them. Look, all I

0:17:08.640 --> 0:17:10.359
<v Speaker 1>know is that I'm missing a full six hours of

0:17:10.400 --> 0:17:11.959
<v Speaker 1>my life, and my father is going to be here

0:17:12.000 --> 0:17:13.479
<v Speaker 1>in three days, and I really don't need to give

0:17:13.560 --> 0:17:15.280
<v Speaker 1>him more ammunition to come at me for being a

0:17:15.280 --> 0:17:19.920
<v Speaker 1>funk up. I think you can work with that fine,

0:17:21.240 --> 0:17:25.760
<v Speaker 1>all right. First step then figuring out when and how

0:17:25.800 --> 0:17:28.960
<v Speaker 1>they broke in. Could someone have drugged you? I don't

0:17:28.960 --> 0:17:32.840
<v Speaker 1>see when they would have had a chance. Uh, I

0:17:32.840 --> 0:17:34.399
<v Speaker 1>don't know. Maybe I went to the tavern for a

0:17:34.480 --> 0:17:37.199
<v Speaker 1>late drink. Certainly would have been the first time, and

0:17:37.280 --> 0:17:41.000
<v Speaker 1>someone would have known to find you there exactly. Well,

0:17:41.560 --> 0:17:43.760
<v Speaker 1>lucky for you, I need to head to the tavern

0:17:43.800 --> 0:17:49.679
<v Speaker 1>today anyway, getting some points and darts in looking for someone. Actually,

0:17:50.080 --> 0:17:53.040
<v Speaker 1>not that it's any of your business, and the end

0:17:53.119 --> 0:17:55.240
<v Speaker 1>is on the way. We can stop either and ask

0:17:55.280 --> 0:17:57.800
<v Speaker 1>him as honeywell, if she remembers anything that might be useful.

0:17:58.400 --> 0:18:02.840
<v Speaker 1>She's very observant. I've discovered it. Come on, time to

0:18:02.880 --> 0:18:06.760
<v Speaker 1>do some questioning. Oh, I think i'll hang back. Is

0:18:06.800 --> 0:18:11.439
<v Speaker 1>your hangover really that bad? My capacity to feel bones shaking? Embarrassment?

0:18:11.560 --> 0:18:14.720
<v Speaker 1>Is that bad? Sending a teenager around town to ask

0:18:14.760 --> 0:18:17.760
<v Speaker 1>after your whereabouts isn't embarrassing at least I don't have

0:18:17.800 --> 0:18:24.480
<v Speaker 1>to witness it firsthand. Fine, I'm off to the end. Then, Hey, Max,

0:18:26.200 --> 0:18:30.000
<v Speaker 1>thank you. Don't thank me yet. I haven't solved anything. Yeah,

0:18:30.040 --> 0:18:32.960
<v Speaker 1>but you will. I know you will if you really

0:18:33.000 --> 0:18:36.000
<v Speaker 1>believe that. You know that if I find the files,

0:18:36.200 --> 0:18:39.000
<v Speaker 1>I'll find out what's in them too. Are you going

0:18:39.000 --> 0:18:42.640
<v Speaker 1>to be okay with that? Deal's a deal. You find

0:18:42.680 --> 0:18:44.480
<v Speaker 1>my files, I'll drive you up and down Route three

0:18:44.480 --> 0:18:47.520
<v Speaker 1>O two as much as you want. Whatever else happens happens,

0:19:08.560 --> 0:19:25.800
<v Speaker 1>Miss Honeywell, Miss Honeywell, Mabel Thorpe ghost. I'm sorry to

0:19:26.040 --> 0:19:33.040
<v Speaker 1>just barge in like this. The door was open. Hello.

0:19:35.680 --> 0:19:38.360
<v Speaker 1>You know you really should get the locks changed, especially

0:19:38.359 --> 0:19:48.159
<v Speaker 1>considering what ross s? What? What's going on? What are

0:19:48.200 --> 0:19:50.480
<v Speaker 1>you doing here? I was on my way to meet

0:19:50.520 --> 0:19:52.320
<v Speaker 1>you with the tavern when I remembered what you said

0:19:52.320 --> 0:19:55.119
<v Speaker 1>about seeing someone run away from the inn yesterday. So

0:19:55.160 --> 0:19:57.480
<v Speaker 1>you just thought you'd break in, Like you said, the

0:19:57.520 --> 0:19:59.800
<v Speaker 1>door was open. It's an end. It's a public business.

0:20:00.160 --> 0:20:04.000
<v Speaker 1>It's not open. Just listen. I went to the back

0:20:04.040 --> 0:20:06.639
<v Speaker 1>door where you saw Riley. I'm not sure who or

0:20:07.200 --> 0:20:10.600
<v Speaker 1>what it was. You were right, it was Riley. What

0:20:11.440 --> 0:20:15.760
<v Speaker 1>how do you know this? I found this snagged on

0:20:15.760 --> 0:20:20.280
<v Speaker 1>the back door. Hinge? Is this a shoelace? Part of one?

0:20:20.560 --> 0:20:22.760
<v Speaker 1>It must have gotten caught and snapped off when he

0:20:22.760 --> 0:20:27.160
<v Speaker 1>was running away. But what how? What? That doesn't mean

0:20:27.200 --> 0:20:30.280
<v Speaker 1>it was Riley. This could be from anything except look

0:20:31.040 --> 0:20:36.240
<v Speaker 1>the baseballs. I know these shoelaces. Oh my god. Wait,

0:20:36.480 --> 0:20:39.440
<v Speaker 1>you're right. I recognize they're from the Baseball Hall of Fame,

0:20:39.520 --> 0:20:41.639
<v Speaker 1>from when you and your family went to Cooperstown that

0:20:41.680 --> 0:20:44.680
<v Speaker 1>one summer and I brought back souvenirs for everyone. You

0:20:44.760 --> 0:20:46.760
<v Speaker 1>got me a patch for my girl Scouts vest, and

0:20:46.840 --> 0:20:51.879
<v Speaker 1>I got Riley these shoelaces. I I can't believe it.

0:20:52.359 --> 0:20:55.719
<v Speaker 1>I can't believe he's still wearing them. I gave them him,

0:20:55.720 --> 0:20:59.120
<v Speaker 1>and like the fourth grade good thing he is. This

0:20:59.200 --> 0:21:06.439
<v Speaker 1>is ross. This is a big deal. I know he

0:21:06.600 --> 0:21:09.800
<v Speaker 1>was really here. I really did see him. It sure

0:21:09.840 --> 0:21:17.240
<v Speaker 1>seems like it. What was he doing here hiding out?

0:21:17.280 --> 0:21:20.480
<v Speaker 1>I guess, I mean it's smart. No one's here, but

0:21:20.520 --> 0:21:22.600
<v Speaker 1>a bunch of the rooms are still outfitted with beds

0:21:22.600 --> 0:21:25.080
<v Speaker 1>and stuff. He could have been sleeping right here all

0:21:25.119 --> 0:21:29.880
<v Speaker 1>along for all we know. But why why not come home?

0:21:30.040 --> 0:21:34.440
<v Speaker 1>Why hide? And why run from me? I have so

0:21:34.480 --> 0:21:38.639
<v Speaker 1>many more questions now? Yeah, speaking of which, I have

0:21:38.880 --> 0:21:42.240
<v Speaker 1>some new info. Oh yeah, how was city hall? You

0:21:42.280 --> 0:21:45.080
<v Speaker 1>were wrong? How wasn't the only one there today? Really?

0:21:45.560 --> 0:21:48.800
<v Speaker 1>Who else was in? These two guys? They don't work

0:21:48.800 --> 0:21:52.520
<v Speaker 1>for the town, I don't think. Okay, then who were they?

0:21:53.560 --> 0:21:56.000
<v Speaker 1>I didn't get a chance to find out, But I

0:21:56.040 --> 0:21:59.320
<v Speaker 1>bet it's something to do with new mind. They looked familiar.

0:21:59.400 --> 0:22:02.520
<v Speaker 1>I just can't place my finger on it. Did you

0:22:02.560 --> 0:22:06.679
<v Speaker 1>ask how well? How was being all? How smiling and

0:22:06.800 --> 0:22:10.920
<v Speaker 1>upbeat and unhelpful? Maxine Miles? Why that's the most unkind

0:22:10.960 --> 0:22:14.439
<v Speaker 1>thing you've ever said about anyone? You must be rubbing

0:22:14.480 --> 0:22:17.920
<v Speaker 1>off on me. Yeah, well it's mutual. I think I'm

0:22:17.920 --> 0:22:21.119
<v Speaker 1>getting a hang of this slew thing thing. Oh, come on,

0:22:21.400 --> 0:22:23.680
<v Speaker 1>tell me what you found out. I think he definitely

0:22:23.720 --> 0:22:27.439
<v Speaker 1>knows about the groundwater issue? Really did he admit to it.

0:22:27.680 --> 0:22:30.679
<v Speaker 1>No I I didn't come right out and ask I

0:22:30.760 --> 0:22:34.159
<v Speaker 1>just generally asked about the mining project. And he was

0:22:34.200 --> 0:22:36.000
<v Speaker 1>going on and on and on and on about how

0:22:36.040 --> 0:22:38.040
<v Speaker 1>it's going to be so good for Hastings and the

0:22:38.160 --> 0:22:40.480
<v Speaker 1>archers of the backbone of the town, bringing new business,

0:22:40.480 --> 0:22:44.320
<v Speaker 1>blah blah blah blah blah. Which is why he's moving

0:22:44.400 --> 0:22:47.800
<v Speaker 1>up the start date. What I thought it was supposed

0:22:47.840 --> 0:22:50.000
<v Speaker 1>to start the last day of the harvest festival, which

0:22:50.080 --> 0:22:54.200
<v Speaker 1>isn't for another ten days. They're starting tonight. What yep,

0:22:54.359 --> 0:22:58.560
<v Speaker 1>they're detonating the old mine, collapsing it. Oh my god,

0:22:59.200 --> 0:23:02.280
<v Speaker 1>we have to find what if he I mean, what

0:23:02.359 --> 0:23:04.800
<v Speaker 1>if he's digging for more evidence in the minds all

0:23:04.840 --> 0:23:07.600
<v Speaker 1>those maps of the mine entrances in his notebook. Whoa, whoa,

0:23:07.640 --> 0:23:10.120
<v Speaker 1>We still have no idea. That's why Riley's hiding out.

0:23:10.200 --> 0:23:13.120
<v Speaker 1>What do you mean he overheard something about the mind

0:23:13.119 --> 0:23:16.080
<v Speaker 1>being dangerous. He was hiding out. Now they're rushing up

0:23:16.119 --> 0:23:19.439
<v Speaker 1>the detonation. Something here isn't right, except I don't think

0:23:19.480 --> 0:23:22.760
<v Speaker 1>that's what Riley overheard. Hal said that the day Riley

0:23:22.800 --> 0:23:25.080
<v Speaker 1>came in to talk to him, Hal found him snooping

0:23:25.119 --> 0:23:28.679
<v Speaker 1>around the Public Works office looking through papers and stuff. Okay,

0:23:29.760 --> 0:23:33.240
<v Speaker 1>so if he found out through some files and not eavesdropping,

0:23:33.400 --> 0:23:36.000
<v Speaker 1>then then maybe whatever is going on with his family

0:23:36.160 --> 0:23:38.159
<v Speaker 1>is what made him run away, Except we don't know

0:23:38.200 --> 0:23:41.560
<v Speaker 1>that he did run away, not to begin with, because

0:23:41.600 --> 0:23:43.679
<v Speaker 1>there's still the whole thing with Mr Beatie and that

0:23:43.880 --> 0:23:46.280
<v Speaker 1>weird phone call and the fact that his backpack was

0:23:46.320 --> 0:23:54.160
<v Speaker 1>in the middle of the woods. Ah, come on, Max,

0:23:54.240 --> 0:23:58.040
<v Speaker 1>we can figure this out. I know we can. Russ

0:23:58.040 --> 0:24:01.040
<v Speaker 1>Teller is giving me a pep talk. Things must be

0:24:01.080 --> 0:24:07.120
<v Speaker 1>really dire, must be. I really do appreciate what what's

0:24:07.119 --> 0:24:13.520
<v Speaker 1>wrong is that? What are you looking at? Something's Max?

0:24:13.600 --> 0:24:16.399
<v Speaker 1>What are you doing? Look that board in the ceiling.

0:24:16.440 --> 0:24:26.800
<v Speaker 1>It's crooked? But I can't h here? Let me whoa,

0:24:26.920 --> 0:24:35.800
<v Speaker 1>what the hell? Reach around? Yeah, there's more. What are

0:24:35.800 --> 0:24:44.639
<v Speaker 1>you okay? Yeah? I'm fine? You Ross? Yeah, do you

0:24:45.640 --> 0:24:51.639
<v Speaker 1>mind getting off of me? Right? Yeah, of course, sorry,

0:24:52.200 --> 0:24:54.800
<v Speaker 1>I mean it's it's fine. What the hell is miss

0:24:54.800 --> 0:24:57.000
<v Speaker 1>Honey Well doing with these papers in your ceiling? Well

0:24:57.080 --> 0:24:59.600
<v Speaker 1>they could have been here for a while, it sure

0:24:59.640 --> 0:25:02.040
<v Speaker 1>looks like it. This is a lot of old, boring

0:25:02.119 --> 0:25:07.440
<v Speaker 1>crap deeds, some type written letters. Wait a second, this

0:25:07.520 --> 0:25:12.560
<v Speaker 1>is ransom stuff. What these papers were stolen last night.

0:25:13.040 --> 0:25:15.120
<v Speaker 1>I was just talking to him about it, which means,

0:25:16.760 --> 0:25:20.479
<v Speaker 1>oh my god, what what is it? Oh my god?

0:25:20.760 --> 0:25:26.800
<v Speaker 1>Max this this? What is Is this a birth certificate?

0:25:27.560 --> 0:25:31.160
<v Speaker 1>Is this Ransom Archer's birth certificate? Look at the date?

0:25:34.560 --> 0:25:39.560
<v Speaker 1>Wait a second, Ransom wasn't born in the eighties? What

0:25:40.000 --> 0:25:42.360
<v Speaker 1>our Archer was born in the same year we were.

0:25:42.720 --> 0:25:50.600
<v Speaker 1>I think I know what happened. Excuse me? Is someone here? Shit? Hello,

0:25:51.600 --> 0:25:58.399
<v Speaker 1>come on, we gotta get out of here now. Maxine

0:25:58.440 --> 0:26:00.560
<v Speaker 1>Miles was created by Lauren Hibbin and it's a production

0:26:00.600 --> 0:26:03.760
<v Speaker 1>of A Typical Artists and I Heart Radio. This episode

0:26:03.760 --> 0:26:06.720
<v Speaker 1>is written and directed by Lauren Schibbin, Diala, editing and

0:26:06.760 --> 0:26:09.439
<v Speaker 1>sound designed by morriscy Ewing of Hemma Creek Productions, with

0:26:09.560 --> 0:26:13.280
<v Speaker 1>editing exsistance from Laurian Davis and Melissa Ponds. It featured

0:26:13.359 --> 0:26:16.560
<v Speaker 1>Jordan Cobb as Maxie Miles, mix A Follow as Ross Teller,

0:26:17.040 --> 0:26:20.480
<v Speaker 1>Andrew Nook as Ransom Archer, and Jacqueline Landgraf Asmas Honeywell.

0:26:21.080 --> 0:26:24.359
<v Speaker 1>Original artwork by Shane McMullan. For more information about the show,

0:26:24.720 --> 0:26:27.240
<v Speaker 1>Who's visit Maxie Miles dot com and follow at A

0:26:27.280 --> 0:26:30.600
<v Speaker 1>Typical Artists on Twitter and Instagram. Maxie Miles is executive

0:26:30.640 --> 0:26:32.800
<v Speaker 1>produced by Laurence Shippen and I Heart Radio, and for

0:26:32.880 --> 0:26:35.000
<v Speaker 1>more podcasts from my heart Radio, visit the I heart

0:26:35.040 --> 0:26:37.560
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:26:37.560 --> 0:26:40.639
<v Speaker 1>favorite shows. Thank you for listening and keep curious.