Speaker 1: Maxie Miles is a production of a typical artists, and
Speaker 1: I heart radio. This. I don't understand. It's pretty clear, Max.
Speaker 1: I mean Riley seemed sure, but that doesn't make any sense.
Speaker 1: How could I mean, if they knew, It's not like
Speaker 1: mining comes without consequences. I know, trust me. That's the
Speaker 1: whole reason I want an environmental club so that people
Speaker 1: will get it right. So is this really that surprising.
Speaker 1: It's one thing for Hastings to have a new mining
Speaker 1: project that will do god only knows what to the
Speaker 1: ecosystem long term. It's another thing entirely to know that
Speaker 1: they're poisoning the groundwater, and yet here it is. Is
Speaker 1: there any chance that Riley could be wrong? I mean,
Speaker 1: I guess, but I mean he wrote new project proven
Speaker 1: to be poisoning groundwater, County Environmental Surveyor has environmental impact report.
Speaker 1: That's pretty cut and dry. But I mean, there's all
Speaker 1: kinds of stuff about the minds both of them. In
Speaker 1: his notebook, it looked like he was mapping all the
Speaker 1: old mine entrances or something. Maybe it was a theory.
Speaker 1: It doesn't sound like it was just a theory. But
Speaker 1: how would he know? Oh my god, Miss Honeywow, what
Speaker 1: about her? When she went to city Hall the first
Speaker 1: day she got here, Riley was there. She said she
Speaker 1: saw him eavesdropping. He was leaning against an office door.
Speaker 1: How's office? No, No, that's what's weird. She said. It
Speaker 1: wasn't the mayor's office. Okay. Who else has an office
Speaker 1: in city Hall? The public Works foreman, she'd be involved
Speaker 1: with all kinds of planning stuff like the mine. There's
Speaker 1: also the deputy mayor. What Ms Halleran, she's one hundred
Speaker 1: and two. She's more of a town mascot than anything else.
Speaker 1: The sheriff, No, no way. Maybe this county surveyor person
Speaker 1: was talking to Mr Collins about the water, but Mr
Speaker 1: Combs wouldn't hide that. Do you think how would at No?
Speaker 1: I don't think how would put anyone in Hastings in danger.
Speaker 1: But he'd do whatever he could to protect the town's reputation.
Speaker 1: But just because Riley overheard something about the new mind
Speaker 1: being dangerous doesn't mean they're not actively trying to fix it.
Speaker 1: I mean, the project hasn't even been officially launched yet. Yeah,
Speaker 1: I guess that's true. I'm sure whatever is going on
Speaker 1: with it, if there really is something wrong, that everyone
Speaker 1: who needs to know knows, and they're doing everything that
Speaker 1: they can to fix it. But why is Riley missing? Now?
Speaker 1: This seems like too much of a coincidence. Jenna said
Speaker 1: he was working on some kind of political scandal piece,
Speaker 1: and this was clearly it. Maybe he wasn't eavesdropping on How,
Speaker 1: but that doesn't mean that How doesn't know. So what
Speaker 1: do you think How kidnapped Riley to keep him quiet
Speaker 1: with what end game prevent him from writing an article
Speaker 1: until the pro ject can open? But if it's true,
Speaker 1: it would do just as much damage regardless of when
Speaker 1: it comes out. Maybe the contracts aren't signed. How has
Speaker 1: been talking about the kind of money this is gonna
Speaker 1: bring Hastings. We need more info. We need to give
Speaker 1: this to the sheriff. Wait, not yet, Max, Look, I
Speaker 1: trust Sheriff Colmes. I do. I don't think he'd ever
Speaker 1: do anything to put Riley or anyone else in danger.
Speaker 1: But if he was who Riley was eavesdropping on, I
Speaker 1: just want to know more before we go. Making accusations
Speaker 1: and turning over evidence is the same thing as making
Speaker 1: accusations in your head. We don't know, that's the problem. Fine,
Speaker 1: I'll hold onto it for now we can we can
Speaker 1: keep it here, added to the pile of things we're
Speaker 1: not telling the responsible adults. Thank you? But but what? Okay?
Speaker 1: There was one of the weird thing in the notebook. Jeez,
Speaker 1: what is it now? This section here? I didn't read
Speaker 1: too much because it seemed personal, but Ross just spit
Speaker 1: it out? Did Riley mention anything about his parents to you? What? No? Why? Wait? Actually,
Speaker 1: the last time we spoke he was going on about family.
Speaker 1: Why does it say something about his parents in here?
Speaker 1: He talks about needing to go to city hall to
Speaker 1: talk to the county clerk about his parents, And then
Speaker 1: he just wrote they lied? What on earth? Jenna said
Speaker 1: he'd had some family drama. But maybe this is what
Speaker 1: Riley was eavesdropping on. But what would it be? What
Speaker 1: were the Stevens lying about? And is it bad enough
Speaker 1: that Riley would have run away? All right? Tomorrow morning
Speaker 1: you go to city hall and try to talk to
Speaker 1: the mayor? What? What? Why? Me? I've already been sniffing
Speaker 1: around his office too much. He knows how to dodge
Speaker 1: my questions. But do you think he'll talk to me?
Speaker 1: I think you're annoying enough to get some information. From him. Yeah, gee, thanks,
Speaker 1: what are you going to do? Tomorrow's Sunday? So no
Speaker 1: one other than Hall is going to be at city Hall.
Speaker 1: But I bet I can find the four minute the
Speaker 1: tavern and ask her about what's going on with the
Speaker 1: new mine. They're not going to let you into the tavern. Max.
Speaker 1: You don't know that you four and very strong willed.
Speaker 1: I've been told from a typical artists and I heart radio.
Speaker 1: You're listening to Maxi Miles. This is chapter eight the
Speaker 1: Missing Files Max Maxi Files. We'll up a second of
Speaker 1: high Ransom Lucky. I ran into you you are Yeah,
Speaker 1: I need your help? Yeah, this is Look, do you
Speaker 1: mind if we talk about this off the street? Are
Speaker 1: you all right? Ransom? You look really awful to be
Speaker 1: perfectly honest. Yeah, thanks for that. You'll understand when you're
Speaker 1: twenty one. Oh hangover? Yeah? Can we just go inside? Please?
Speaker 1: The general story is closed today, Ransom family owned. Remember, Plus,
Speaker 1: I can really use a cigarette? Do you mind if
Speaker 1: will you stop? If I do? I'm not a total jerk,
Speaker 1: you know. In that case? Second hand smoking is horribly dangerous, right, See,
Speaker 1: I can be considerate of other people. What are we
Speaker 1: doing here? Ransom. I actually have places to be. I'm
Speaker 1: sure you do out solving little crimes and saving cats.
Speaker 1: My friend is missing, Mr Archer, in case you hadn't noticed, Yeah,
Speaker 1: you're right, I'm sorry. Well, Mr Archer, I didn't want
Speaker 1: to be rude while I yelled at you. Right listen,
Speaker 1: I've got another mystery for you to solve. Look, I'm
Speaker 1: happy to help you out however I can on any
Speaker 1: other day. But I really, I promise you this isn't frivolous.
Speaker 1: I know you're worried about your friend, but if you
Speaker 1: help me with this, I'll see what I can do
Speaker 1: to help you. What what do you mean are you
Speaker 1: withholding something that could help Riley? No, God, of course not.
Speaker 1: I just meant I heard that he may have run
Speaker 1: away to Berlin, and I also know that you're currently
Speaker 1: under house arrest. Oh my god, how does ever play
Speaker 1: cards with your uncle and Walt? They called to cancel
Speaker 1: this weekend's game because someone needs to be looked after.
Speaker 1: Speaking of which, where does Joe think you are right now? Um?
Speaker 1: In ross Teller's tree house? Right, of course? Please don't
Speaker 1: tell him that I'm downtown. Your secrets are safe with me.
Speaker 1: I broke plenty of rules when I was your age.
Speaker 1: I don't think there's anything wrong with enjoying your time
Speaker 1: as a teenager. Yeah, that's exactly what I'm doing, which
Speaker 1: is why I'm offering to drive you to Berlin this week.
Speaker 1: If you want, I can tell Joe that I'm taking
Speaker 1: you on as an intern or something. I actually do
Speaker 1: have some meetings in Berlin on Tuesday, and you can
Speaker 1: see what you can dig up about Riley. If he's there,
Speaker 1: you'll find him. I have no doubt really you do that.
Speaker 1: I don't know much help, but it really be I
Speaker 1: know Walt is already coordinating with Gorham in Berlin, but
Speaker 1: am I easier mind Sheriff Combs is expanding the search again.
Speaker 1: He's gotten as many community watch groups involved as you can.
Speaker 1: I haven't found Earlei in Hastings, so he must be
Speaker 1: somewhere else. That's the theory. Anyway, this really is a
Speaker 1: lot more serious than I think you realized, Max. I
Speaker 1: think it could become a county wide missing person's case.
Speaker 1: I don't know why everyone keeps assuming that I'm not
Speaker 1: taking this seriously. I feel like I'm the only one
Speaker 1: who's doing anything. I know it feels like that, like
Speaker 1: you've got some good folks in your corner. The grown
Speaker 1: ups in this town are actually trying to look out
Speaker 1: for you. You say that like you're not one of them. Well,
Speaker 1: I'm not that. I don't care, I do. I'm just
Speaker 1: not a grown up. You're not according to my father,
Speaker 1: my wife, no kids, no new ideas for the Archer Empire.
Speaker 1: Still just to screw up. Not to be rude, but
Speaker 1: oh no, please go ahead. You are asking a fourteen
Speaker 1: year old for help. That's a very fair point, speaking
Speaker 1: of I was robbed last night. What someone broke in?
Speaker 1: What is happening in this that's the weird thing. There
Speaker 1: was no break in? Not really. Then I was out
Speaker 1: last night, right the hangover Saturday night at the tavern,
Speaker 1: get a little wild? Actually I wasn't at the tavern, really,
Speaker 1: believe it or not. I was on a date really, yes,
Speaker 1: oh oh god, you were on a date with miss Honey. Well,
Speaker 1: weren't you? How do you know? Wild? Guess you don't
Speaker 1: have to sound so disappointed. No, it's not. I really
Speaker 1: like miss Honey well, and I know, and let me
Speaker 1: guess you think she could do better. I didn't say that.
Speaker 1: You didn't have to. Look. I know I haven't been
Speaker 1: the warmest person in Hastings, but Alanna is. She's wonderful,
Speaker 1: smart and witty and beautiful. Are you in love with her? What? No? No,
Speaker 1: I've only known her for a few weeks, so it
Speaker 1: wasn't love at first sight. I'm not sure leaving that
Speaker 1: kind of stuff. No, no, no, it's not that. It's
Speaker 1: the instantaneous thing that I'm not sure is real in
Speaker 1: my albeit very limited experience. Falling in love isn't about
Speaker 1: seeing someone in lightning striking attraction can be like that. Sure,
Speaker 1: having a crush a crush, Well, don't those sometimes lead
Speaker 1: to love? Sure? Maybe, But I'm talking about the kind
Speaker 1: of first sight crush where you fantasize about who someone
Speaker 1: is and what could happen. But it's still just a fantasy,
Speaker 1: and that version is always far better than any reality
Speaker 1: could ever be. And that's what you're doing with miss Honeywell, no,
Speaker 1: that's what I'm trying not to do. It's always a
Speaker 1: disappointment if you stay in that fantasy in your head
Speaker 1: for too long. It's better to live in the real world,
Speaker 1: even if it's imperfect. That's surprisingly ground above you. Well,
Speaker 1: I'll take that as a compliment. I think I know
Speaker 1: what you mean about having a fantasy in your head
Speaker 1: of what could be really what You don't think I'm
Speaker 1: the type of person to have a crush, No, I
Speaker 1: think it's pretty unusual for a teenager to realize that
Speaker 1: they're idealizing someone. Everything feels so big when you're young,
Speaker 1: it can be hard to tell the difference. Does it
Speaker 1: really matter? Then? If it feels like love, then it
Speaker 1: is right. That's an interesting perspective, but I think it
Speaker 1: does matter in the action you take. What do you
Speaker 1: mean People make a lot of big decisions based on
Speaker 1: big feelings. Those big feelings aren't rooted in something real.
Speaker 1: You could be making a big mistake something like that.
Speaker 1: Then how do you know when it's love? Real love?
Speaker 1: Love is quieter. It can happen all at once or
Speaker 1: very slowly. Sometimes it's both. It comes from knowing someone,
Speaker 1: from trusting them. Loving someone else isn't about you, it's
Speaker 1: about them. You sound like someone who knows how it
Speaker 1: feels firsthand. I know it might be hard to picture,
Speaker 1: but yeah, I do. What happened well, I was doomed
Speaker 1: from the start in some ways. What do you mean
Speaker 1: we were fifteen, and I didn't do anything smart. When
Speaker 1: I was fifteen, I would have screwed it up one
Speaker 1: way or another. Not to mention my parents were well,
Speaker 1: it doesn't matter. But it wasn't just a teenage crush.
Speaker 1: May have started out that way, but you trusted her
Speaker 1: with my life. I'd only known her for a year,
Speaker 1: but she understood me more than anyone ever had made
Speaker 1: me feel like she was actually talking to me when
Speaker 1: she was talking to me, not just telling me what
Speaker 1: to do. Everyone was always telling me what to do.
Speaker 1: Oh yeah, what's that like? Yeah, I figured you'd get that.
Speaker 1: And Cherry told me what to do all the time.
Speaker 1: She was bossy as hell, but it felt different, like
Speaker 1: she wasn't just saying things to say them, but like
Speaker 1: we were together, partners, you know, even when we didn't agree,
Speaker 1: I still wanted to listen. Yeah, Yeah, I think I
Speaker 1: know what you mean. You okay, Max? You look rattled? Yeah,
Speaker 1: I'm fine. Of what happened to her. Her family moved
Speaker 1: away suddenly, and she she stopped talking to me. She
Speaker 1: told me she was leaving, and then I never heard
Speaker 1: from her again. Ouch. Yeah, Jesus. Anyway, Uh, that's enough
Speaker 1: of that. Sorry, I don't know how we got on that.
Speaker 1: You were talking about the woman you're currently dating. Yeah, yeah,
Speaker 1: of course, and Allan is great. Reminds me of Sherry
Speaker 1: a bit. Actually, Well, anyway, it's the first good thing
Speaker 1: that's happened to me in a while. So of course
Speaker 1: I probably royally screwed it up last night. So we
Speaker 1: went to a nice dinner. Everything seemed would be going great.
Speaker 1: I had maybe two glasses of wine, we ordered dessert,
Speaker 1: and then the next thing I know, I'm waking up
Speaker 1: at four in the morning in my office. What about
Speaker 1: six hours or just completely missing. And that's not all
Speaker 1: that's missing. The safe in the office have been open.
Speaker 1: Someone stole money from you. No no, no, no, not money. Files.
Speaker 1: Why would someone steal your files? Well, they're not even mine.
Speaker 1: It's technically my father's office, not that he deigns to
Speaker 1: come here very often, but it's the office in the
Speaker 1: back of Archer's Archery, the first Archer business from eighteen whatever,
Speaker 1: and it's always been my dad's favorite. He's sentimental about
Speaker 1: the family like that. So it's his safe. And you
Speaker 1: didn't have the code. As far as I know, my
Speaker 1: dad's the only one with it. Where is he right now? Oh,
Speaker 1: somewhere in West Virginia buying another mining company once he
Speaker 1: gets locked on something. Anyway, he's not supposed to be
Speaker 1: in Hastings until the festival starts later this week. He
Speaker 1: wants to be here for the demo, push, the plunger
Speaker 1: and all that. So if your dad isn't in town
Speaker 1: and you don't know the code, then how would someone
Speaker 1: get into your safe? It's pretty old, might be original
Speaker 1: to the building for all I know, So it's not
Speaker 1: like it to be the hardest thing to crack, but
Speaker 1: you presumably still have to know what you were doing.
Speaker 1: I knows. I've never gettn it a go. Do you
Speaker 1: have any idea what was in there? Um? I think
Speaker 1: just old historical family documents, the original defunct land deeds,
Speaker 1: maybe some family trees. Nothing of real value unless someone
Speaker 1: was looking to target the Archer family first. The graffiti
Speaker 1: from the other week, Yeah, but target us with what
Speaker 1: letters from the nineteen teens Archer's Archery and everything in
Speaker 1: it is more of a museum than it is a
Speaker 1: business investment at this point. If someone wanted to target us,
Speaker 1: steal from us has to be a more efficient way.
Speaker 1: Is there anything embarrassing in those files any family skeletons?
Speaker 1: Are you asking for the Archer family dirt if there's
Speaker 1: any to be found that. I don't need to know
Speaker 1: why someone stole these files. I just need to get
Speaker 1: them back. If you know what's in them, that will
Speaker 1: help me figure out who took them. Look, all I
Speaker 1: know is that I'm missing a full six hours of
Speaker 1: my life, and my father is going to be here
Speaker 1: in three days, and I really don't need to give
Speaker 1: him more ammunition to come at me for being a
Speaker 1: funk up. I think you can work with that fine,
Speaker 1: all right. First step then figuring out when and how
Speaker 1: they broke in. Could someone have drugged you? I don't
Speaker 1: see when they would have had a chance. Uh, I
Speaker 1: don't know. Maybe I went to the tavern for a
Speaker 1: late drink. Certainly would have been the first time, and
Speaker 1: someone would have known to find you there exactly. Well,
Speaker 1: lucky for you, I need to head to the tavern
Speaker 1: today anyway, getting some points and darts in looking for someone. Actually,
Speaker 1: not that it's any of your business, and the end
Speaker 1: is on the way. We can stop either and ask
Speaker 1: him as honeywell, if she remembers anything that might be useful.
Speaker 1: She's very observant. I've discovered it. Come on, time to
Speaker 1: do some questioning. Oh, I think i'll hang back. Is
Speaker 1: your hangover really that bad? My capacity to feel bones shaking? Embarrassment?
Speaker 1: Is that bad? Sending a teenager around town to ask
Speaker 1: after your whereabouts isn't embarrassing at least I don't have
Speaker 1: to witness it firsthand. Fine, I'm off to the end. Then, Hey, Max,
Speaker 1: thank you. Don't thank me yet. I haven't solved anything. Yeah,
Speaker 1: but you will. I know you will if you really
Speaker 1: believe that. You know that if I find the files,
Speaker 1: I'll find out what's in them too. Are you going
Speaker 1: to be okay with that? Deal's a deal. You find
Speaker 1: my files, I'll drive you up and down Route three
Speaker 1: O two as much as you want. Whatever else happens happens,
Speaker 1: Miss Honeywell, Miss Honeywell, Mabel Thorpe ghost. I'm sorry to
Speaker 1: just barge in like this. The door was open. Hello.
Speaker 1: You know you really should get the locks changed, especially
Speaker 1: considering what ross s? What? What's going on? What are
Speaker 1: you doing here? I was on my way to meet
Speaker 1: you with the tavern when I remembered what you said
Speaker 1: about seeing someone run away from the inn yesterday. So
Speaker 1: you just thought you'd break in, Like you said, the
Speaker 1: door was open. It's an end. It's a public business.
Speaker 1: It's not open. Just listen. I went to the back
Speaker 1: door where you saw Riley. I'm not sure who or
Speaker 1: what it was. You were right, it was Riley. What
Speaker 1: how do you know this? I found this snagged on
Speaker 1: the back door. Hinge? Is this a shoelace? Part of one?
Speaker 1: It must have gotten caught and snapped off when he
Speaker 1: was running away. But what how? What? That doesn't mean
Speaker 1: it was Riley. This could be from anything except look
Speaker 1: the baseballs. I know these shoelaces. Oh my god. Wait,
Speaker 1: you're right. I recognize they're from the Baseball Hall of Fame,
Speaker 1: from when you and your family went to Cooperstown that
Speaker 1: one summer and I brought back souvenirs for everyone. You
Speaker 1: got me a patch for my girl Scouts vest, and
Speaker 1: I got Riley these shoelaces. I I can't believe it.
Speaker 1: I can't believe he's still wearing them. I gave them him,
Speaker 1: and like the fourth grade good thing he is. This
Speaker 1: is ross. This is a big deal. I know he
Speaker 1: was really here. I really did see him. It sure
Speaker 1: seems like it. What was he doing here hiding out?
Speaker 1: I guess, I mean it's smart. No one's here, but
Speaker 1: a bunch of the rooms are still outfitted with beds
Speaker 1: and stuff. He could have been sleeping right here all
Speaker 1: along for all we know. But why why not come home?
Speaker 1: Why hide? And why run from me? I have so
Speaker 1: many more questions now? Yeah, speaking of which, I have
Speaker 1: some new info. Oh yeah, how was city hall? You
Speaker 1: were wrong? How wasn't the only one there today? Really?
Speaker 1: Who else was in? These two guys? They don't work
Speaker 1: for the town, I don't think. Okay, then who were they?
Speaker 1: I didn't get a chance to find out, But I
Speaker 1: bet it's something to do with new mind. They looked familiar.
Speaker 1: I just can't place my finger on it. Did you
Speaker 1: ask how well? How was being all? How smiling and
Speaker 1: upbeat and unhelpful? Maxine Miles? Why that's the most unkind
Speaker 1: thing you've ever said about anyone? You must be rubbing
Speaker 1: off on me. Yeah, well it's mutual. I think I'm
Speaker 1: getting a hang of this slew thing thing. Oh, come on,
Speaker 1: tell me what you found out. I think he definitely
Speaker 1: knows about the groundwater issue? Really did he admit to it.
Speaker 1: No I I didn't come right out and ask I
Speaker 1: just generally asked about the mining project. And he was
Speaker 1: going on and on and on and on about how
Speaker 1: it's going to be so good for Hastings and the
Speaker 1: archers of the backbone of the town, bringing new business,
Speaker 1: blah blah blah blah blah. Which is why he's moving
Speaker 1: up the start date. What I thought it was supposed
Speaker 1: to start the last day of the harvest festival, which
Speaker 1: isn't for another ten days. They're starting tonight. What yep,
Speaker 1: they're detonating the old mine, collapsing it. Oh my god,
Speaker 1: we have to find what if he I mean, what
Speaker 1: if he's digging for more evidence in the minds all
Speaker 1: those maps of the mine entrances in his notebook. Whoa, whoa,
Speaker 1: We still have no idea. That's why Riley's hiding out.
Speaker 1: What do you mean he overheard something about the mind
Speaker 1: being dangerous. He was hiding out. Now they're rushing up
Speaker 1: the detonation. Something here isn't right, except I don't think
Speaker 1: that's what Riley overheard. Hal said that the day Riley
Speaker 1: came in to talk to him, Hal found him snooping
Speaker 1: around the Public Works office looking through papers and stuff. Okay,
Speaker 1: so if he found out through some files and not eavesdropping,
Speaker 1: then then maybe whatever is going on with his family
Speaker 1: is what made him run away, Except we don't know
Speaker 1: that he did run away, not to begin with, because
Speaker 1: there's still the whole thing with Mr Beatie and that
Speaker 1: weird phone call and the fact that his backpack was
Speaker 1: in the middle of the woods. Ah, come on, Max,
Speaker 1: we can figure this out. I know we can. Russ
Speaker 1: Teller is giving me a pep talk. Things must be
Speaker 1: really dire, must be. I really do appreciate what what's
Speaker 1: wrong is that? What are you looking at? Something's Max?
Speaker 1: What are you doing? Look that board in the ceiling.
Speaker 1: It's crooked? But I can't h here? Let me whoa,
Speaker 1: what the hell? Reach around? Yeah, there's more. What are
Speaker 1: you okay? Yeah? I'm fine? You Ross? Yeah, do you
Speaker 1: mind getting off of me? Right? Yeah, of course, sorry,
Speaker 1: I mean it's it's fine. What the hell is miss
Speaker 1: Honey Well doing with these papers in your ceiling? Well
Speaker 1: they could have been here for a while, it sure
Speaker 1: looks like it. This is a lot of old, boring
Speaker 1: crap deeds, some type written letters. Wait a second, this
Speaker 1: is ransom stuff. What these papers were stolen last night.
Speaker 1: I was just talking to him about it, which means,
Speaker 1: oh my god, what what is it? Oh my god?
Speaker 1: Max this this? What is Is this a birth certificate?
Speaker 1: Is this Ransom Archer's birth certificate? Look at the date?
Speaker 1: Wait a second, Ransom wasn't born in the eighties? What
Speaker 1: our Archer was born in the same year we were.
Speaker 1: I think I know what happened. Excuse me? Is someone here? Shit? Hello,
Speaker 1: come on, we gotta get out of here now. Maxine
Speaker 1: Miles was created by Lauren Hibbin and it's a production
Speaker 1: of A Typical Artists and I Heart Radio. This episode
Speaker 1: is written and directed by Lauren Schibbin, Diala, editing and
Speaker 1: sound designed by morriscy Ewing of Hemma Creek Productions, with
Speaker 1: editing exsistance from Laurian Davis and Melissa Ponds. It featured
Speaker 1: Jordan Cobb as Maxie Miles, mix A Follow as Ross Teller,
Speaker 1: Andrew Nook as Ransom Archer, and Jacqueline Landgraf Asmas Honeywell.
Speaker 1: Original artwork by Shane McMullan. For more information about the show,
Speaker 1: Who's visit Maxie Miles dot com and follow at A
Speaker 1: Typical Artists on Twitter and Instagram. Maxie Miles is executive
Speaker 1: produced by Laurence Shippen and I Heart Radio, and for
Speaker 1: more podcasts from my heart Radio, visit the I heart
Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your
Speaker 1: favorite shows. Thank you for listening and keep curious.