WEBVTT - BONUS EP: Bobby Backstage Interview with Bailey Zimmerman & Diplo

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<v Speaker 1>Bobby Bone show.

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<v Speaker 2>All right, he guys, Bobby here backstage Las Vegas for

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<v Speaker 2>our iHeart Radio Music Festival, and we're about to talk

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<v Speaker 2>with Bailey Zimmerman and Diplo and it is with Hyundai

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<v Speaker 2>and hope you.

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<v Speaker 1>Get a chance to go over and watch the video.

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<v Speaker 2>We just shot a really fun video where it's basically

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<v Speaker 2>I'm supposed to drive them around the city, but then

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<v Speaker 2>I'm really early and they're also kind of late, and

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<v Speaker 2>then we get in the Hyundai.

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<v Speaker 1>But watch it all.

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<v Speaker 2>You'll be able to see it up on the socials.

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<v Speaker 2>But we're going to go over to them now. Bailey

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<v Speaker 2>Zimmerman Diplo backstage before their performance at the iHeart Radio

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<v Speaker 2>Music Festival. Bobby Bone, He it's Bobby Bones backstage at

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<v Speaker 2>the iHeart Radio Music Festival. And this whole festival is

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<v Speaker 2>known for its once in a lifetime collaborations. So how

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<v Speaker 2>did ashes come together?

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<v Speaker 1>Diplo?

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<v Speaker 3>Well, I kind of briefly met Bailey, I think at

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<v Speaker 3>Morgan's show, one of them, and I think he's just

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<v Speaker 3>a guy in Nashville. He's cool as hell, and I

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<v Speaker 3>had a new kind of sound that wanted to do,

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<v Speaker 3>and I think he's the one guy that could carry it,

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<v Speaker 3>and I came to his house. I had a show.

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<v Speaker 3>Hold up real quick. He was about to leave on tour.

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<v Speaker 3>You're about to jump in your tour bus. And we

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<v Speaker 3>had like three hours played the record for him. We

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<v Speaker 3>kind of like got a scratch, and then he handsled

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<v Speaker 3>on his own on the road.

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<v Speaker 4>Yeah, it was really cool. He literally just like randomly

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<v Speaker 4>showed up to my house. I'm like, oh, hey, diplo, what.

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<v Speaker 2>Are you doing.

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<v Speaker 4>He's like, I have a song? Did I want to

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<v Speaker 4>show you? And I was like okay. And then now

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<v Speaker 4>we're here playing it live.

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<v Speaker 2>And so you record you say, like a scratch like

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<v Speaker 2>the first version at the house.

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<v Speaker 5>Did you use any of that in the actual track?

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<v Speaker 4>No.

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<v Speaker 3>We changed the key a little bit, changed the tempo

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<v Speaker 3>kind of like out of how he liked it, and

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<v Speaker 3>then he made it his own.

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<v Speaker 5>Do you just pull people's houses randomly, just be like

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<v Speaker 5>I got music.

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<v Speaker 3>I do that actually a lot. It works sometimes though

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<v Speaker 3>they don't answer the door. But he had a big

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<v Speaker 3>ass truck in his yard. I knew it was his house, so.

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<v Speaker 5>Yeah, that's how you know it's Bailey's. Yeah, big trucks,

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<v Speaker 5>big rims, flashy.

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<v Speaker 4>Yeah, you know to me honestly, seeing Diplo just like

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<v Speaker 4>park and get out and be like hey, it's like, dude,

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<v Speaker 4>imagine that. Like you're listening right now. You walk outside

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<v Speaker 4>of your house and Diplo is just standing in your

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<v Speaker 4>drive way and he has basically he just was there

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<v Speaker 4>with a boombox. He was like, listen to this song.

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<v Speaker 2>He was like, that's that's it, Bailey, I'll go to

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<v Speaker 2>you on this one, all right. Who would you want

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<v Speaker 2>to see duet together? If you could, you can magically

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<v Speaker 2>match two people, one dead, one alive.

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<v Speaker 5>Let's look like that. Okay, all right, all right, hmmm.

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<v Speaker 5>Or you can pick a dead person with you, but

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<v Speaker 5>it has to be dead person.

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<v Speaker 2>I'm gonna go okay, all right, yeah, it's gonna be

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<v Speaker 2>a dead person only, all right.

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<v Speaker 4>If I if I, if I could make a song

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<v Speaker 4>with anybody that isn't alive right now, I probably.

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<v Speaker 5>Can't pick Jesus.

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<v Speaker 2>Then that's the cop out here, Okay, But he wants

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<v Speaker 2>make a song with Jesus, got it?

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<v Speaker 5>Got it? Honestly?

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<v Speaker 4>Probably probably Chester Bennington, Lincoln Park, Yeah, Lincoln Park.

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<v Speaker 1>Yeah, yeah, big fan.

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<v Speaker 4>Either that or Kirk Cob That would all be all

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<v Speaker 4>so crazy, same vibe diplo.

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<v Speaker 3>Uh shoot, I know it's gonna be next, but there's

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<v Speaker 3>nobody else. Who would you do with Bobby Jesus?

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<v Speaker 2>No, I was gonna go back to Jesus with Jesus? Okay,

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<v Speaker 2>if I were gonna Andy Kaufman.

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<v Speaker 3>Oh, like a like a spoken word album, yeah, like

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<v Speaker 3>funny spoken Kurt's a good one. I think. I think

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<v Speaker 3>David Bowie for me. He was such a legend and

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<v Speaker 3>did kind of every genre and did whatever he wanted.

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<v Speaker 5>Diplog go to you on this one.

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<v Speaker 2>When you record music, do you go in knowing you

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<v Speaker 2>want to make a song that sparked a certain emotion?

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<v Speaker 2>Or at times do you have a song and you

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<v Speaker 2>feel but then you find because you're recording it, it sparks

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<v Speaker 2>a different kind of emotions you alter that.

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<v Speaker 3>I just go with the blankest slate you can imagine,

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<v Speaker 3>like I don't have any idea what I'm doing, Like

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<v Speaker 3>it could be like a reggae record, country record, metal.

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<v Speaker 3>I just kind of go in with, like, what is

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<v Speaker 3>the weirdest thing I can make and how can I

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<v Speaker 3>make it make sense?

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<v Speaker 2>You know?

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<v Speaker 3>And then emotions comes later. That's when the songwriting comes

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<v Speaker 3>and everything kind of fits in.

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<v Speaker 5>You know what about you, Bailey?

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<v Speaker 2>Is there ever a song that you write and it

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<v Speaker 2>feels it's an up tempo or a ballad and you

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<v Speaker 2>switch it, Like you change it and you go, what

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<v Speaker 2>if we shift this because it feels different?

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<v Speaker 4>I feel that's always later in the process, Like I'll

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<v Speaker 4>write it like the same thing, just blake blank slate

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<v Speaker 4>acoustic guitar, and then you start just writing off of

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<v Speaker 4>like immediate emotion, like what are those what does that

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<v Speaker 4>tracker chords.

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<v Speaker 5>Make you feel?

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<v Speaker 4>And then it's usually my producer Austin that'll be like, dude,

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<v Speaker 4>we should change this because this will feel a little

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<v Speaker 4>better here, and then we should up this tempo here

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<v Speaker 4>and do this. So yeah, it usually comes later for me.

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<v Speaker 2>Yeah, when do you feel driven to listen to music?

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<v Speaker 2>Like when you're just listening for listening's sake, Like what's

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<v Speaker 2>what's the time when you turn it on just to

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<v Speaker 2>listen to old, old stuff that makes you feel good.

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<v Speaker 3>It's my car man, like just kind of like driving

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<v Speaker 3>the best sound system. You just kind of like roll.

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<v Speaker 3>And then I like to listen to new music too,

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<v Speaker 3>but like the classics, you know, put on like Fleetwood

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<v Speaker 3>Mac or something but I always like to listen to

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<v Speaker 3>something I never heard to kind of like hear, what's

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<v Speaker 3>going on?

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<v Speaker 5>You know, what's your comfort music? Bailey?

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<v Speaker 4>Ah, there's this again. I'm not even gonna lie m.

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<v Speaker 4>I get grilled for this, but I go. I found

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<v Speaker 4>this awesome playlist and it's called massage music that's not boring,

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<v Speaker 4>and it actually makes me so's in when I'm trying

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<v Speaker 4>to chill and trying to just like just like feel myself.

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<v Speaker 5>You know. So I listened to that. How did you

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<v Speaker 5>come across that? To begin with? Liketh? Let's get into this.

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<v Speaker 4>So we talk about never having things in life, and

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<v Speaker 4>one of the things I had never experienced was a massage,

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<v Speaker 4>and I'd been torn so much and I'm like, you

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<v Speaker 4>know what, I'm gonna get a massage, I think. So

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<v Speaker 4>when I was looking for music to put on, I

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<v Speaker 4>was like, well, I don't want to be boring, so

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<v Speaker 4>I was like, massage music that's not boring.

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<v Speaker 5>And then it just came up.

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<v Speaker 4>And then from then on, I just find myself going

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<v Speaker 4>back to that playlist, like this is nice.

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<v Speaker 1>Massage yourself, like rubbing your own shoulders.

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<v Speaker 4>Yeah, either that or I've been on I've been on

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<v Speaker 4>Scizzor's like twenty fourteen album. So yeah, I guess that too.

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<v Speaker 3>Speaking of massages. Is my dad's birthday yesterday and I

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<v Speaker 3>got a a masseuse to come to his house. Okay,

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<v Speaker 3>your dayton, I.

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<v Speaker 5>Know a great playlist to play?

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<v Speaker 1>Yeah, I K yeah, yeah, you had.

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<v Speaker 3>Never really gotten solved before either, really?

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<v Speaker 5>Yeah?

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<v Speaker 2>Yeah?

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<v Speaker 1>What he said?

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<v Speaker 5>What did he say about his persons stage? Did he

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<v Speaker 5>hit you up after?

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<v Speaker 3>I gotta hit him up position, So I'm gonna have

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<v Speaker 3>to remind him I'm in the playlist. We can have

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<v Speaker 3>it for next time.

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<v Speaker 4>Yeah.

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<v Speaker 2>Final question, do you have a cool memory that stands

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<v Speaker 2>out for how music has connected fans together or an

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<v Speaker 2>event you've been at where you've seen fans really come together?

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<v Speaker 5>And Bailey, I'll go to you first.

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<v Speaker 4>I would say every show of mine is like it

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<v Speaker 4>reminds me why I do music and hearing we were

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<v Speaker 4>talking about earlier today, just the stories that come from

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<v Speaker 4>how far this music has reached in the world and

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<v Speaker 4>just like what it's got them through and why they're

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<v Speaker 4>at the show and hearing those stories. Oh yeah, it's

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<v Speaker 4>it's like, yeah, it's like connection on a whole different level.

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<v Speaker 4>You're like, I know this person and they know me,

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<v Speaker 4>and they feel like like all the way across the world,

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<v Speaker 4>they've connected with me somehow through music.

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<v Speaker 5>It's crazy.

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<v Speaker 2>Yeah, what about you about when you play a festival

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<v Speaker 2>and it's like people that are there for kind of

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<v Speaker 2>everybody and nobody at the same time, but they come

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<v Speaker 2>together as one.

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<v Speaker 5>Do you see that from up on stage?

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<v Speaker 3>Every festival is different. Because I'm a DJ, I kind

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<v Speaker 3>of look at the crowd and be like, what's gonna work.

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<v Speaker 3>What's gonna like change their attitude or make them feel

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<v Speaker 3>some they never felt before. So I always try to

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<v Speaker 3>think of that. It's like a DJ's job is to

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<v Speaker 3>you can always play like great set, but if you

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<v Speaker 3>really make people go like I didn't know, I'd like that.

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<v Speaker 3>You know. That feels like a real skill set that

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<v Speaker 3>I'd love to do. But I travel all over the world,

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<v Speaker 3>so going places like Pakistan, you know, like my first

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<v Speaker 3>time was like who people party here? And then I

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<v Speaker 3>was like they do the songs from YouTube and places

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<v Speaker 3>where like the music is contraband you know when you

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<v Speaker 3>play records for them and they're like, it's just like

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<v Speaker 3>the world is so united, you know, we don't know

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<v Speaker 3>about music is the one thing that everybody shares in common.

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<v Speaker 2>I appreciate the time guys, Congratulations on the new song,

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<v Speaker 2>looking forward to seeing a live performance tonight.

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<v Speaker 5>Good luck, guys, have good yoh, thank you, thanks.

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<v Speaker 1>All right. Awesome to hear from those guys.

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<v Speaker 2>My first time ever meeting Diplo, and he doesn't remember,

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<v Speaker 2>and he shouldn't remember, because I'm they meet like ten

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<v Speaker 2>thousand people. I was doing the red carpet for the

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<v Speaker 2>Grammys for e He had hired me to come out

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<v Speaker 2>and be on the red carpet for a TV show and.

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<v Speaker 1>There's a clip of I asked Dippolo.

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<v Speaker 2>The question, does he ever hear sounds like random sounds

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<v Speaker 2>like when you open the door at the gas station

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<v Speaker 2>and it goes ding dong, like has he ever made

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<v Speaker 2>a song after something like that? And I think he

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<v Speaker 2>made a song after with that idea, That's all I'm saying.

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<v Speaker 2>I think I inspired that idea because I had never

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<v Speaker 2>heard the idea and it was a Joe question, and

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<v Speaker 2>then I think he did that. But a really cool

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<v Speaker 2>guy and obviously Bailey super cool. Crazy to see someone

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<v Speaker 2>like Bailey or even Jelly Roll explode in the past

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<v Speaker 2>couple of years.

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<v Speaker 1>I mean, think about Bailey.

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<v Speaker 2>That's so interesting if you don't know Bailey's story. And

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<v Speaker 2>sometimes it's hard to know the story that come up

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<v Speaker 2>once they get so big. But Bailey was basically working

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<v Speaker 2>for a pipeline and really didn't sing much like he's

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<v Speaker 2>saying at home and had saying one time and had

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<v Speaker 2>put it on social media, and I did it the

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<v Speaker 2>first ever interview he ever did, Like he came over

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<v Speaker 2>to my house because I thought his story was so

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<v Speaker 2>wild because he wasn't like on the radio or anything.

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<v Speaker 2>He had this crazy streaming success and I was so

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<v Speaker 2>interested in it. And the first interview he ever did,

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<v Speaker 2>he came and he set for an hour with me,

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<v Speaker 2>and he said that he went to bed, put one

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<v Speaker 2>video up.

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<v Speaker 1>It had like three million views.

0:09:25.400 --> 0:09:27.640
<v Speaker 2>The next day he called his job and he quit

0:09:27.720 --> 0:09:30.319
<v Speaker 2>working on the pipeline. And this is all during COVID

0:09:30.360 --> 0:09:33.280
<v Speaker 2>as well. He didn't know what a manager was, and

0:09:33.800 --> 0:09:36.920
<v Speaker 2>you really wouldn't unless you've been in this industry, like

0:09:36.960 --> 0:09:40.440
<v Speaker 2>you wouldn't know what a manager does. He didn't know

0:09:40.480 --> 0:09:43.120
<v Speaker 2>about fees, you know, the difference in managers and agents,

0:09:43.600 --> 0:09:45.199
<v Speaker 2>and he had to learn all of that kind of

0:09:45.280 --> 0:09:47.480
<v Speaker 2>himself because he was driving down. He was from the

0:09:47.520 --> 0:09:50.040
<v Speaker 2>Midwest and he would drive down all the time every

0:09:50.040 --> 0:09:54.000
<v Speaker 2>week during COVID and take these meetings. And he talked

0:09:54.000 --> 0:09:56.800
<v Speaker 2>about how he had a meeting with an agent once

0:09:57.240 --> 0:09:59.440
<v Speaker 2>in a record label and he didn't know the difference.

0:09:59.480 --> 0:10:00.600
<v Speaker 2>He had no idea what they were trying to get

0:10:00.640 --> 0:10:04.040
<v Speaker 2>him to do, but he signed a deal. Obviously, he's

0:10:04.200 --> 0:10:07.160
<v Speaker 2>massive now and you know for him, just talking with

0:10:07.240 --> 0:10:08.400
<v Speaker 2>him a lot and get to know him a little

0:10:08.400 --> 0:10:11.720
<v Speaker 2>bit too. It's the Morgan Wall and toward when Morgan

0:10:11.800 --> 0:10:13.160
<v Speaker 2>called him to ask him to open I know that

0:10:13.200 --> 0:10:16.400
<v Speaker 2>was super significant in his life. Bailey's also a kid,

0:10:16.600 --> 0:10:18.280
<v Speaker 2>and I say kid because he's quite a bit younger

0:10:18.320 --> 0:10:18.679
<v Speaker 2>than I am.

0:10:18.920 --> 0:10:20.160
<v Speaker 1>But when he started to make it.

0:10:20.200 --> 0:10:23.120
<v Speaker 2>We grew up very similarly, like I never had a

0:10:23.160 --> 0:10:26.160
<v Speaker 2>bedroom going up, grew up very poor. Same thing with Bailey,

0:10:26.679 --> 0:10:29.920
<v Speaker 2>and Bailey was one of those kids. I was like, hey, dude,

0:10:30.480 --> 0:10:32.200
<v Speaker 2>here are the things you don't want. And I kind

0:10:32.200 --> 0:10:33.400
<v Speaker 2>of walked them through the things you can get in

0:10:33.400 --> 0:10:36.360
<v Speaker 2>trouble doing and not be canceled, and the things that

0:10:37.320 --> 0:10:38.720
<v Speaker 2>you can't do because.

0:10:38.480 --> 0:10:39.440
<v Speaker 1>You will get canceled.

0:10:39.679 --> 0:10:40.640
<v Speaker 2>And I was like, if you ever have to go

0:10:40.640 --> 0:10:43.080
<v Speaker 2>to jail, you can call me at any time. And

0:10:43.120 --> 0:10:45.000
<v Speaker 2>thank god he's never had to go to jail. We

0:10:45.040 --> 0:10:47.640
<v Speaker 2>appreciate that about Bailey. But he's a great, great kid,

0:10:47.720 --> 0:10:50.560
<v Speaker 2>and he's it's crazy to see how how fast he's

0:10:50.559 --> 0:10:54.080
<v Speaker 2>blown up, and like in the country music critical mass,

0:10:54.120 --> 0:10:56.560
<v Speaker 2>but even outside of country music, because again with Big

0:10:56.559 --> 0:10:59.720
<v Speaker 2>exa Plug and with Diplo, and I think both are

0:10:59.760 --> 0:11:02.280
<v Speaker 2>to which is pretty crazy. I was with Jelly Roll

0:11:02.320 --> 0:11:06.240
<v Speaker 2>earlier at the festival, and that's another guy that's been

0:11:06.280 --> 0:11:11.120
<v Speaker 2>pretty amazing to see, Like Jelly Roll stories super just professionally,

0:11:11.160 --> 0:11:14.000
<v Speaker 2>like he was like with three six Mafia back in

0:11:14.040 --> 0:11:15.839
<v Speaker 2>the day, Like he was a hip hop artist, like

0:11:15.880 --> 0:11:18.440
<v Speaker 2>a full hip hop artist. And I would see Jelly

0:11:18.520 --> 0:11:21.960
<v Speaker 2>Roll on the golf course in Nashville. When I first

0:11:22.040 --> 0:11:26.319
<v Speaker 2>moved to town, I lived on in this gated community.

0:11:26.960 --> 0:11:28.400
<v Speaker 2>I had never lived in a gated community, but I

0:11:28.440 --> 0:11:32.280
<v Speaker 2>was starting to make money and I had been like jumped,

0:11:32.320 --> 0:11:36.240
<v Speaker 2>I'd been attacked, I got pistol whipped at atm once.

0:11:36.320 --> 0:11:38.120
<v Speaker 2>I got jumped at work outside of work going in

0:11:38.440 --> 0:11:40.960
<v Speaker 2>and so when I moved to Nashville, they made me

0:11:41.000 --> 0:11:43.920
<v Speaker 2>move somewhere that either had security or had gates.

0:11:43.960 --> 0:11:45.080
<v Speaker 1>It was kind of part of the deal.

0:11:45.600 --> 0:11:47.120
<v Speaker 2>And so I moved into this gated community and it

0:11:47.200 --> 0:11:50.240
<v Speaker 2>was kind of crazy because like Rascal flats Let Singer.

0:11:50.120 --> 0:11:51.240
<v Speaker 1>Lived there, Carrie lived there.

0:11:52.280 --> 0:11:55.560
<v Speaker 2>I moved there, and there's a golf course, and I

0:11:55.559 --> 0:11:57.880
<v Speaker 2>would see Jelly Roll on the golf course, except I

0:11:57.920 --> 0:12:00.439
<v Speaker 2>didn't know him from anything other than people.

0:12:00.240 --> 0:12:02.480
<v Speaker 1>Would say he's a very face tatted rapper.

0:12:02.720 --> 0:12:06.000
<v Speaker 2>But he was also on the golf course and he's

0:12:06.000 --> 0:12:08.240
<v Speaker 2>in a country club, and I thought the juxtaposition to

0:12:08.320 --> 0:12:10.319
<v Speaker 2>that was crazy. So that's how I knew jelly Roll

0:12:10.360 --> 0:12:12.680
<v Speaker 2>to begin with. He played golf with like Steve Hodges,

0:12:12.720 --> 0:12:14.880
<v Speaker 2>who was like a record guy, and so I would

0:12:14.920 --> 0:12:18.800
<v Speaker 2>see Jelly Roll and wouldn't know much about him until

0:12:18.880 --> 0:12:20.760
<v Speaker 2>later he got into the country music space. Now he

0:12:20.800 --> 0:12:23.640
<v Speaker 2>was a fan of our show, and we were probably

0:12:23.640 --> 0:12:25.960
<v Speaker 2>his first ever country interview that he did, and he

0:12:26.040 --> 0:12:29.120
<v Speaker 2>came in for like forty five to fifty minutes. That

0:12:29.200 --> 0:12:32.760
<v Speaker 2>interview has been streamed millions of times at this point,

0:12:32.840 --> 0:12:35.200
<v Speaker 2>but even then you could tell the guy was super

0:12:35.240 --> 0:12:38.439
<v Speaker 2>appreciative for all the new things that had happened to him.

0:12:38.720 --> 0:12:41.640
<v Speaker 2>Now he's got a really great come up story as well,

0:12:41.840 --> 0:12:43.480
<v Speaker 2>like spend a lot of time in prison, like cut

0:12:43.520 --> 0:12:45.800
<v Speaker 2>a lot of his creative teeth in prison and now

0:12:45.840 --> 0:12:48.600
<v Speaker 2>goes back to prisons a lot and works with inmates

0:12:48.640 --> 0:12:53.800
<v Speaker 2>and has built recording studios in prisons, just so these

0:12:53.840 --> 0:12:57.480
<v Speaker 2>guys and women know that there's when you do get out,

0:12:57.480 --> 0:13:00.200
<v Speaker 2>like there is a way to actually be successful. But

0:13:00.280 --> 0:13:01.920
<v Speaker 2>Jelly Roll has been that guy and he was here today.

0:13:01.920 --> 0:13:04.560
<v Speaker 2>He's lost two hundred pounds, which is crazy to see.

0:13:05.200 --> 0:13:08.160
<v Speaker 2>He's like almost half, you know, of what he used

0:13:08.200 --> 0:13:10.440
<v Speaker 2>to be. He had a wrestling shirt on, which is

0:13:11.000 --> 0:13:13.040
<v Speaker 2>you know, there's nothing more Jelly Roll than Jelly Roll

0:13:13.040 --> 0:13:15.199
<v Speaker 2>wearing a wrestling shirt. Another thing about Jelly that was

0:13:15.240 --> 0:13:18.360
<v Speaker 2>super cool is what he He was a wrestler, like

0:13:18.400 --> 0:13:22.240
<v Speaker 2>a raw and he wrestled Logan Paul and like for

0:13:22.280 --> 0:13:24.320
<v Speaker 2>a guy that came up going up in the South

0:13:24.800 --> 0:13:29.160
<v Speaker 2>that loved wrestling, actually got to go and wrestle like

0:13:29.200 --> 0:13:31.200
<v Speaker 2>on a pay per view like a super cool And

0:13:31.240 --> 0:13:33.760
<v Speaker 2>to be able to see him here tonight, and I

0:13:33.800 --> 0:13:36.000
<v Speaker 2>hadn't seen him in probably like three months. But the

0:13:36.040 --> 0:13:39.880
<v Speaker 2>cool thing about Jelly Roll is that he remembers everybody's name.

0:13:40.360 --> 0:13:41.679
<v Speaker 2>And if you were like, I don't want to use

0:13:41.679 --> 0:13:43.959
<v Speaker 2>the word loyal, because I wouldn't say I was loyal,

0:13:44.000 --> 0:13:45.920
<v Speaker 2>but he was a fan of the show. His mom

0:13:45.960 --> 0:13:48.840
<v Speaker 2>was a fan of my show. And as soon as

0:13:48.960 --> 0:13:50.000
<v Speaker 2>he sees you, it's.

0:13:49.880 --> 0:13:51.079
<v Speaker 1>Like, what a big hug.

0:13:52.040 --> 0:13:54.680
<v Speaker 2>In this situation too, I would expect you kind of

0:13:54.720 --> 0:13:56.439
<v Speaker 2>know what you're walking into with interviews. But I saw

0:13:56.520 --> 0:13:59.079
<v Speaker 2>jelly Roll the last time before this. I was in

0:13:59.240 --> 0:14:01.840
<v Speaker 2>New Orleans for the Super Bowl and I was on

0:14:01.920 --> 0:14:04.760
<v Speaker 2>Fox and I was doing I was giving away an

0:14:04.800 --> 0:14:07.520
<v Speaker 2>award for the NFL Honors, and jelly Roll was a

0:14:07.520 --> 0:14:09.640
<v Speaker 2>part of one of the sketches. And again, there are

0:14:09.960 --> 0:14:12.400
<v Speaker 2>much more, much cooler people there than me at this event,

0:14:12.880 --> 0:14:14.360
<v Speaker 2>but jelly Roll's in the second row. And as soon

0:14:14.400 --> 0:14:18.240
<v Speaker 2>as the lights go down and they go off of

0:14:18.240 --> 0:14:21.360
<v Speaker 2>the television to commercial, first person yelling Bobby from the

0:14:21.360 --> 0:14:22.240
<v Speaker 2>crowd was jelly Roll.

0:14:22.320 --> 0:14:23.840
<v Speaker 1>So that's just one of those guys that.

0:14:24.960 --> 0:14:27.840
<v Speaker 2>As soon as you see him and he's so nice

0:14:27.880 --> 0:14:29.080
<v Speaker 2>and kind, you're like, is that real?

0:14:30.080 --> 0:14:30.440
<v Speaker 1>For sure?

0:14:30.520 --> 0:14:30.840
<v Speaker 5>Is real?

0:14:31.360 --> 0:14:34.640
<v Speaker 2>We were walking in we saw Yellow Cool Jay. He's

0:14:34.640 --> 0:14:38.920
<v Speaker 2>a big dude, like still a big dude, full long

0:14:39.400 --> 0:14:43.880
<v Speaker 2>leather like still puts on a super energetic, like sweaty show.

0:14:44.440 --> 0:14:45.560
<v Speaker 5>But that was super cool.

0:14:46.360 --> 0:14:50.640
<v Speaker 1>Brian Adams. Rumor is he had everybody clear.

0:14:50.480 --> 0:14:52.040
<v Speaker 2>Of the room earlier when he was going into the room,

0:14:52.400 --> 0:14:55.040
<v Speaker 2>and I thought, well, that's interesting Brian Adams, because that's

0:14:55.080 --> 0:14:57.920
<v Speaker 2>like got my first reels, and you know, some people

0:14:57.920 --> 0:14:59.200
<v Speaker 2>don't want people like staring at him.

0:14:59.240 --> 0:14:59.600
<v Speaker 5>I get it.

0:15:00.000 --> 0:15:01.040
<v Speaker 2>But then when I saw him walk by, he had

0:15:01.040 --> 0:15:02.800
<v Speaker 2>like one person with them. Usually it's people that have

0:15:02.920 --> 0:15:06.640
<v Speaker 2>like twenty people inside their entourage. So I don't really

0:15:06.640 --> 0:15:08.080
<v Speaker 2>know if that story is even true that he didn't

0:15:08.080 --> 0:15:10.120
<v Speaker 2>want people looking at him, But saw Brian Adams pretty

0:15:10.120 --> 0:15:12.120
<v Speaker 2>crazy to see somebody you've only seen on television. Saw

0:15:12.200 --> 0:15:15.280
<v Speaker 2>Maroon five, dude, Adam Durrett's no Adam, Adam Levine. Yeah,

0:15:15.280 --> 0:15:16.560
<v Speaker 2>Dirret's is kind of crows, thank.

0:15:16.440 --> 0:15:18.120
<v Speaker 1>You full of tattoos.

0:15:19.320 --> 0:15:20.880
<v Speaker 2>I was talking to a guy a few minutes ago

0:15:20.920 --> 0:15:22.160
<v Speaker 2>and I was like, Hey, who do you want to see?

0:15:22.160 --> 0:15:24.240
<v Speaker 2>And this guy's probably like sixty five or so, and

0:15:24.280 --> 0:15:26.760
<v Speaker 2>I thought maybe he'd say Sammy Haygark is Sammy Hagar's

0:15:26.760 --> 0:15:30.320
<v Speaker 2>playing tonight? And he said, uh, Tate McCrae, And I said,

0:15:30.400 --> 0:15:33.360
<v Speaker 2>how about that? Look at you like, he's like, I

0:15:33.360 --> 0:15:34.880
<v Speaker 2>bet she's a great performer. I was like, I bet

0:15:34.880 --> 0:15:39.160
<v Speaker 2>that's so it's an interesting night tonight. This is always

0:15:39.160 --> 0:15:42.880
<v Speaker 2>the coolest festival. Big thanks to Hyundai as well, because

0:15:43.600 --> 0:15:44.320
<v Speaker 2>one they give.

0:15:44.200 --> 0:15:46.320
<v Speaker 1>Me a car and it's my favorite car. It's awesome.

0:15:47.240 --> 0:15:49.040
<v Speaker 2>And I was caught on Mike earlier. I'll give you

0:15:49.080 --> 0:15:51.880
<v Speaker 2>one other behind the scenes thing. We were doing this

0:15:51.960 --> 0:15:55.520
<v Speaker 2>video shoot with Bailey and Diplo and I was miked

0:15:55.560 --> 0:15:57.320
<v Speaker 2>like an hour before. So I had this mic on

0:15:57.360 --> 0:16:00.400
<v Speaker 2>the whole time, and the Hyundai people have headphone because

0:16:00.400 --> 0:16:01.880
<v Speaker 2>they want to hear the shoot. I forget that I'm

0:16:01.880 --> 0:16:03.760
<v Speaker 2>wearing a mic because you don't see the mic. It's

0:16:03.800 --> 0:16:06.760
<v Speaker 2>taped to my chest. And Bailey comes up and he's like,

0:16:06.800 --> 0:16:08.880
<v Speaker 2>do you like this car? And I'm like, dude, if

0:16:08.920 --> 0:16:12.200
<v Speaker 2>I didn't have this car given to me, I would.

0:16:12.040 --> 0:16:13.840
<v Speaker 1>Buy the car. And he was like, are you serious.

0:16:13.840 --> 0:16:15.200
<v Speaker 2>I said, I, me and my brother in law buy

0:16:15.240 --> 0:16:19.360
<v Speaker 2>this car. And so it's a fantastic car like I

0:16:19.440 --> 0:16:21.480
<v Speaker 2>have right now. I have the Santa Fe, but we're

0:16:21.560 --> 0:16:25.200
<v Speaker 2>doing the Santa Fe the palis Ad hybrid, which is awesome,

0:16:25.400 --> 0:16:28.680
<v Speaker 2>so check it out. Check out Hyundai if you haven't

0:16:29.120 --> 0:16:32.240
<v Speaker 2>like the Elite cars. And they sponsored the end the

0:16:32.480 --> 0:16:34.120
<v Speaker 2>House of music in front of the arena, which was

0:16:34.160 --> 0:16:34.640
<v Speaker 2>super cool.

0:16:34.840 --> 0:16:36.080
<v Speaker 1>So that's what we got from here.

0:16:36.960 --> 0:16:38.840
<v Speaker 2>Thank you guys for listening to this again thanks to

0:16:38.920 --> 0:16:42.440
<v Speaker 2>Diplo and Bailey Zimmerman, all of our guests at.

0:16:42.360 --> 0:16:44.360
<v Speaker 1>iHeartRadio Music Festival twenty twenty five.

0:16:44.400 --> 0:16:46.920
<v Speaker 2>Fantastic. I'm watching the screen now and I think I

0:16:46.920 --> 0:16:49.680
<v Speaker 2>saw my uncle. Nope, it's Sammy Hagar. It's Sammy Hagar

0:16:49.720 --> 0:16:53.360
<v Speaker 2>on the stage right now. And Uncle Sammy is going

0:16:53.480 --> 0:16:55.920
<v Speaker 2>hard right now. Looks like they just pulled him out

0:16:55.960 --> 0:16:57.360
<v Speaker 2>of the Hey won't you get up there and do

0:16:57.360 --> 0:17:00.680
<v Speaker 2>a couple of songs? And he's doing them so super cool.

0:17:00.680 --> 0:17:02.560
<v Speaker 2>Thank you guys for listening. And by the way, you

0:17:02.600 --> 0:17:04.440
<v Speaker 2>can watch the show. I know they're going to do

0:17:04.440 --> 0:17:06.520
<v Speaker 2>a replay on Hulu. We'll give you more details on

0:17:06.560 --> 0:17:08.200
<v Speaker 2>the show, but if you want to watch the iHeartRadio

0:17:08.280 --> 0:17:10.440
<v Speaker 2>Music Festival, we'll give you all those as well.

0:17:10.440 --> 0:17:11.880
<v Speaker 1>All Right, you guys, have a good day, See you later.

0:17:13.000 --> 0:17:14.040
<v Speaker 2>Thrown away.

0:17:14.800 --> 0:17:15.520
<v Speaker 5>Don't need to clap