1 00:00:01,040 --> 00:00:02,080 Speaker 1: Bobby Bone show. 2 00:00:02,520 --> 00:00:05,520 Speaker 2: All right, he guys, Bobby here backstage Las Vegas for 3 00:00:05,519 --> 00:00:07,480 Speaker 2: our iHeart Radio Music Festival, and we're about to talk 4 00:00:07,480 --> 00:00:11,520 Speaker 2: with Bailey Zimmerman and Diplo and it is with Hyundai 5 00:00:11,560 --> 00:00:12,000 Speaker 2: and hope you. 6 00:00:11,960 --> 00:00:13,200 Speaker 1: Get a chance to go over and watch the video. 7 00:00:13,440 --> 00:00:17,040 Speaker 2: We just shot a really fun video where it's basically 8 00:00:17,200 --> 00:00:19,560 Speaker 2: I'm supposed to drive them around the city, but then 9 00:00:19,680 --> 00:00:22,319 Speaker 2: I'm really early and they're also kind of late, and 10 00:00:22,360 --> 00:00:23,400 Speaker 2: then we get in the Hyundai. 11 00:00:23,520 --> 00:00:24,120 Speaker 1: But watch it all. 12 00:00:24,120 --> 00:00:25,680 Speaker 2: You'll be able to see it up on the socials. 13 00:00:25,800 --> 00:00:28,000 Speaker 2: But we're going to go over to them now. Bailey 14 00:00:28,080 --> 00:00:31,840 Speaker 2: Zimmerman Diplo backstage before their performance at the iHeart Radio 15 00:00:31,920 --> 00:00:36,479 Speaker 2: Music Festival. Bobby Bone, He it's Bobby Bones backstage at 16 00:00:36,520 --> 00:00:39,000 Speaker 2: the iHeart Radio Music Festival. And this whole festival is 17 00:00:39,040 --> 00:00:41,839 Speaker 2: known for its once in a lifetime collaborations. So how 18 00:00:41,880 --> 00:00:43,160 Speaker 2: did ashes come together? 19 00:00:43,200 --> 00:00:43,520 Speaker 1: Diplo? 20 00:00:44,280 --> 00:00:47,919 Speaker 3: Well, I kind of briefly met Bailey, I think at 21 00:00:47,920 --> 00:00:50,559 Speaker 3: Morgan's show, one of them, and I think he's just 22 00:00:50,600 --> 00:00:53,800 Speaker 3: a guy in Nashville. He's cool as hell, and I 23 00:00:53,800 --> 00:00:55,240 Speaker 3: had a new kind of sound that wanted to do, 24 00:00:55,240 --> 00:00:57,160 Speaker 3: and I think he's the one guy that could carry it, 25 00:00:57,240 --> 00:00:58,920 Speaker 3: and I came to his house. I had a show. 26 00:01:00,000 --> 00:01:01,520 Speaker 3: Hold up real quick. He was about to leave on tour. 27 00:01:01,840 --> 00:01:03,400 Speaker 3: You're about to jump in your tour bus. And we 28 00:01:03,440 --> 00:01:05,720 Speaker 3: had like three hours played the record for him. We 29 00:01:05,920 --> 00:01:08,039 Speaker 3: kind of like got a scratch, and then he handsled 30 00:01:08,120 --> 00:01:08,920 Speaker 3: on his own on the road. 31 00:01:09,480 --> 00:01:12,240 Speaker 4: Yeah, it was really cool. He literally just like randomly 32 00:01:12,280 --> 00:01:14,360 Speaker 4: showed up to my house. I'm like, oh, hey, diplo, what. 33 00:01:14,360 --> 00:01:14,760 Speaker 2: Are you doing. 34 00:01:15,240 --> 00:01:16,960 Speaker 4: He's like, I have a song? Did I want to 35 00:01:16,959 --> 00:01:19,800 Speaker 4: show you? And I was like okay. And then now 36 00:01:19,800 --> 00:01:21,080 Speaker 4: we're here playing it live. 37 00:01:21,240 --> 00:01:23,200 Speaker 2: And so you record you say, like a scratch like 38 00:01:23,640 --> 00:01:25,160 Speaker 2: the first version at the house. 39 00:01:25,319 --> 00:01:26,959 Speaker 5: Did you use any of that in the actual track? 40 00:01:27,400 --> 00:01:27,480 Speaker 4: No. 41 00:01:27,560 --> 00:01:29,679 Speaker 3: We changed the key a little bit, changed the tempo 42 00:01:29,800 --> 00:01:31,000 Speaker 3: kind of like out of how he liked it, and 43 00:01:31,040 --> 00:01:32,319 Speaker 3: then he made it his own. 44 00:01:32,720 --> 00:01:34,679 Speaker 5: Do you just pull people's houses randomly, just be like 45 00:01:34,680 --> 00:01:35,320 Speaker 5: I got music. 46 00:01:35,560 --> 00:01:39,040 Speaker 3: I do that actually a lot. It works sometimes though 47 00:01:39,080 --> 00:01:40,880 Speaker 3: they don't answer the door. But he had a big 48 00:01:40,920 --> 00:01:43,399 Speaker 3: ass truck in his yard. I knew it was his house, so. 49 00:01:43,560 --> 00:01:46,160 Speaker 5: Yeah, that's how you know it's Bailey's. Yeah, big trucks, 50 00:01:46,160 --> 00:01:47,320 Speaker 5: big rims, flashy. 51 00:01:47,680 --> 00:01:51,160 Speaker 4: Yeah, you know to me honestly, seeing Diplo just like 52 00:01:51,200 --> 00:01:53,960 Speaker 4: park and get out and be like hey, it's like, dude, 53 00:01:54,000 --> 00:01:57,160 Speaker 4: imagine that. Like you're listening right now. You walk outside 54 00:01:57,560 --> 00:01:59,680 Speaker 4: of your house and Diplo is just standing in your 55 00:01:59,760 --> 00:02:02,800 Speaker 4: drive way and he has basically he just was there 56 00:02:02,800 --> 00:02:05,000 Speaker 4: with a boombox. He was like, listen to this song. 57 00:02:08,840 --> 00:02:10,840 Speaker 2: He was like, that's that's it, Bailey, I'll go to 58 00:02:10,880 --> 00:02:12,560 Speaker 2: you on this one, all right. Who would you want 59 00:02:12,560 --> 00:02:15,560 Speaker 2: to see duet together? If you could, you can magically 60 00:02:15,639 --> 00:02:17,520 Speaker 2: match two people, one dead, one alive. 61 00:02:17,560 --> 00:02:22,720 Speaker 5: Let's look like that. Okay, all right, all right, hmmm. 62 00:02:24,639 --> 00:02:26,240 Speaker 5: Or you can pick a dead person with you, but 63 00:02:26,280 --> 00:02:27,200 Speaker 5: it has to be dead person. 64 00:02:27,400 --> 00:02:29,720 Speaker 2: I'm gonna go okay, all right, yeah, it's gonna be 65 00:02:29,720 --> 00:02:31,080 Speaker 2: a dead person only, all right. 66 00:02:32,000 --> 00:02:33,600 Speaker 4: If I if I, if I could make a song 67 00:02:33,639 --> 00:02:37,839 Speaker 4: with anybody that isn't alive right now, I probably. 68 00:02:37,520 --> 00:02:38,400 Speaker 5: Can't pick Jesus. 69 00:02:38,520 --> 00:02:40,239 Speaker 2: Then that's the cop out here, Okay, But he wants 70 00:02:40,240 --> 00:02:41,639 Speaker 2: make a song with Jesus, got it? 71 00:02:41,720 --> 00:02:43,240 Speaker 5: Got it? Honestly? 72 00:02:43,320 --> 00:02:49,760 Speaker 4: Probably probably Chester Bennington, Lincoln Park, Yeah, Lincoln Park. 73 00:02:49,760 --> 00:02:51,320 Speaker 1: Yeah, yeah, big fan. 74 00:02:51,760 --> 00:02:54,120 Speaker 4: Either that or Kirk Cob That would all be all 75 00:02:54,160 --> 00:02:55,360 Speaker 4: so crazy, same vibe diplo. 76 00:02:56,240 --> 00:02:59,080 Speaker 3: Uh shoot, I know it's gonna be next, but there's 77 00:02:59,120 --> 00:03:05,720 Speaker 3: nobody else. Who would you do with Bobby Jesus? 78 00:03:05,880 --> 00:03:09,320 Speaker 2: No, I was gonna go back to Jesus with Jesus? Okay, 79 00:03:09,360 --> 00:03:11,400 Speaker 2: if I were gonna Andy Kaufman. 80 00:03:11,520 --> 00:03:14,040 Speaker 3: Oh, like a like a spoken word album, yeah, like 81 00:03:14,120 --> 00:03:16,960 Speaker 3: funny spoken Kurt's a good one. I think. I think 82 00:03:17,000 --> 00:03:19,840 Speaker 3: David Bowie for me. He was such a legend and 83 00:03:19,880 --> 00:03:22,400 Speaker 3: did kind of every genre and did whatever he wanted. 84 00:03:22,760 --> 00:03:23,760 Speaker 5: Diplog go to you on this one. 85 00:03:23,800 --> 00:03:26,600 Speaker 2: When you record music, do you go in knowing you 86 00:03:26,639 --> 00:03:28,520 Speaker 2: want to make a song that sparked a certain emotion? 87 00:03:28,639 --> 00:03:30,000 Speaker 2: Or at times do you have a song and you 88 00:03:30,040 --> 00:03:32,800 Speaker 2: feel but then you find because you're recording it, it sparks 89 00:03:32,800 --> 00:03:34,280 Speaker 2: a different kind of emotions you alter that. 90 00:03:35,160 --> 00:03:37,760 Speaker 3: I just go with the blankest slate you can imagine, 91 00:03:37,760 --> 00:03:39,360 Speaker 3: like I don't have any idea what I'm doing, Like 92 00:03:39,360 --> 00:03:41,880 Speaker 3: it could be like a reggae record, country record, metal. 93 00:03:41,880 --> 00:03:43,080 Speaker 3: I just kind of go in with, like, what is 94 00:03:43,120 --> 00:03:44,560 Speaker 3: the weirdest thing I can make and how can I 95 00:03:44,640 --> 00:03:45,400 Speaker 3: make it make sense? 96 00:03:45,520 --> 00:03:45,720 Speaker 2: You know? 97 00:03:46,120 --> 00:03:48,240 Speaker 3: And then emotions comes later. That's when the songwriting comes 98 00:03:48,280 --> 00:03:49,760 Speaker 3: and everything kind of fits in. 99 00:03:49,840 --> 00:03:50,880 Speaker 5: You know what about you, Bailey? 100 00:03:50,960 --> 00:03:52,680 Speaker 2: Is there ever a song that you write and it 101 00:03:52,680 --> 00:03:55,080 Speaker 2: feels it's an up tempo or a ballad and you 102 00:03:55,120 --> 00:03:56,480 Speaker 2: switch it, Like you change it and you go, what 103 00:03:56,520 --> 00:03:58,200 Speaker 2: if we shift this because it feels different? 104 00:03:59,640 --> 00:04:02,480 Speaker 4: I feel that's always later in the process, Like I'll 105 00:04:02,480 --> 00:04:06,000 Speaker 4: write it like the same thing, just blake blank slate 106 00:04:06,160 --> 00:04:09,200 Speaker 4: acoustic guitar, and then you start just writing off of 107 00:04:09,280 --> 00:04:11,680 Speaker 4: like immediate emotion, like what are those what does that 108 00:04:11,800 --> 00:04:13,000 Speaker 4: tracker chords. 109 00:04:12,640 --> 00:04:13,280 Speaker 5: Make you feel? 110 00:04:13,560 --> 00:04:16,960 Speaker 4: And then it's usually my producer Austin that'll be like, dude, 111 00:04:16,960 --> 00:04:18,600 Speaker 4: we should change this because this will feel a little 112 00:04:18,600 --> 00:04:20,720 Speaker 4: better here, and then we should up this tempo here 113 00:04:20,760 --> 00:04:23,440 Speaker 4: and do this. So yeah, it usually comes later for me. 114 00:04:23,520 --> 00:04:25,760 Speaker 2: Yeah, when do you feel driven to listen to music? 115 00:04:26,480 --> 00:04:29,440 Speaker 2: Like when you're just listening for listening's sake, Like what's 116 00:04:29,520 --> 00:04:31,000 Speaker 2: what's the time when you turn it on just to 117 00:04:31,040 --> 00:04:32,960 Speaker 2: listen to old, old stuff that makes you feel good. 118 00:04:33,320 --> 00:04:35,520 Speaker 3: It's my car man, like just kind of like driving 119 00:04:35,839 --> 00:04:37,799 Speaker 3: the best sound system. You just kind of like roll. 120 00:04:37,839 --> 00:04:40,200 Speaker 3: And then I like to listen to new music too, 121 00:04:40,279 --> 00:04:42,320 Speaker 3: but like the classics, you know, put on like Fleetwood 122 00:04:42,360 --> 00:04:43,880 Speaker 3: Mac or something but I always like to listen to 123 00:04:43,880 --> 00:04:46,040 Speaker 3: something I never heard to kind of like hear, what's 124 00:04:46,040 --> 00:04:46,480 Speaker 3: going on? 125 00:04:46,520 --> 00:04:49,200 Speaker 5: You know, what's your comfort music? Bailey? 126 00:04:49,400 --> 00:04:52,159 Speaker 4: Ah, there's this again. I'm not even gonna lie m. 127 00:04:52,160 --> 00:04:55,200 Speaker 4: I get grilled for this, but I go. I found 128 00:04:55,279 --> 00:05:00,720 Speaker 4: this awesome playlist and it's called massage music that's not boring, 129 00:05:01,839 --> 00:05:04,760 Speaker 4: and it actually makes me so's in when I'm trying 130 00:05:04,760 --> 00:05:08,200 Speaker 4: to chill and trying to just like just like feel myself. 131 00:05:08,240 --> 00:05:11,760 Speaker 5: You know. So I listened to that. How did you 132 00:05:11,880 --> 00:05:15,919 Speaker 5: come across that? To begin with? Liketh? Let's get into this. 133 00:05:16,560 --> 00:05:19,560 Speaker 4: So we talk about never having things in life, and 134 00:05:19,720 --> 00:05:22,320 Speaker 4: one of the things I had never experienced was a massage, 135 00:05:22,920 --> 00:05:24,760 Speaker 4: and I'd been torn so much and I'm like, you 136 00:05:24,760 --> 00:05:27,479 Speaker 4: know what, I'm gonna get a massage, I think. So 137 00:05:27,920 --> 00:05:30,159 Speaker 4: when I was looking for music to put on, I 138 00:05:30,200 --> 00:05:31,960 Speaker 4: was like, well, I don't want to be boring, so 139 00:05:32,000 --> 00:05:34,160 Speaker 4: I was like, massage music that's not boring. 140 00:05:34,520 --> 00:05:35,720 Speaker 5: And then it just came up. 141 00:05:35,760 --> 00:05:38,120 Speaker 4: And then from then on, I just find myself going 142 00:05:38,120 --> 00:05:43,680 Speaker 4: back to that playlist, like this is nice. 143 00:05:42,360 --> 00:05:45,080 Speaker 1: Massage yourself, like rubbing your own shoulders. 144 00:05:45,880 --> 00:05:49,600 Speaker 4: Yeah, either that or I've been on I've been on 145 00:05:49,839 --> 00:05:55,240 Speaker 4: Scizzor's like twenty fourteen album. So yeah, I guess that too. 146 00:05:55,520 --> 00:05:57,880 Speaker 3: Speaking of massages. Is my dad's birthday yesterday and I 147 00:05:57,920 --> 00:05:59,799 Speaker 3: got a a masseuse to come to his house. Okay, 148 00:06:00,040 --> 00:06:00,640 Speaker 3: your dayton, I. 149 00:06:00,760 --> 00:06:02,240 Speaker 5: Know a great playlist to play? 150 00:06:02,320 --> 00:06:05,000 Speaker 1: Yeah, I K yeah, yeah, you had. 151 00:06:04,880 --> 00:06:06,680 Speaker 3: Never really gotten solved before either, really? 152 00:06:06,800 --> 00:06:07,480 Speaker 5: Yeah? 153 00:06:07,560 --> 00:06:07,800 Speaker 2: Yeah? 154 00:06:08,640 --> 00:06:09,080 Speaker 1: What he said? 155 00:06:09,120 --> 00:06:10,560 Speaker 5: What did he say about his persons stage? Did he 156 00:06:10,600 --> 00:06:11,120 Speaker 5: hit you up after? 157 00:06:11,279 --> 00:06:12,960 Speaker 3: I gotta hit him up position, So I'm gonna have 158 00:06:13,000 --> 00:06:14,880 Speaker 3: to remind him I'm in the playlist. We can have 159 00:06:14,920 --> 00:06:15,479 Speaker 3: it for next time. 160 00:06:15,680 --> 00:06:15,960 Speaker 4: Yeah. 161 00:06:16,160 --> 00:06:17,880 Speaker 2: Final question, do you have a cool memory that stands 162 00:06:17,880 --> 00:06:20,440 Speaker 2: out for how music has connected fans together or an 163 00:06:20,440 --> 00:06:22,599 Speaker 2: event you've been at where you've seen fans really come together? 164 00:06:23,200 --> 00:06:24,320 Speaker 5: And Bailey, I'll go to you first. 165 00:06:25,279 --> 00:06:29,480 Speaker 4: I would say every show of mine is like it 166 00:06:29,560 --> 00:06:32,159 Speaker 4: reminds me why I do music and hearing we were 167 00:06:32,160 --> 00:06:36,240 Speaker 4: talking about earlier today, just the stories that come from 168 00:06:36,360 --> 00:06:39,360 Speaker 4: how far this music has reached in the world and 169 00:06:39,520 --> 00:06:42,479 Speaker 4: just like what it's got them through and why they're 170 00:06:42,520 --> 00:06:45,440 Speaker 4: at the show and hearing those stories. Oh yeah, it's 171 00:06:45,640 --> 00:06:50,320 Speaker 4: it's like, yeah, it's like connection on a whole different level. 172 00:06:50,400 --> 00:06:52,719 Speaker 4: You're like, I know this person and they know me, 173 00:06:52,800 --> 00:06:55,880 Speaker 4: and they feel like like all the way across the world, 174 00:06:55,920 --> 00:06:57,560 Speaker 4: they've connected with me somehow through music. 175 00:06:57,640 --> 00:06:58,320 Speaker 5: It's crazy. 176 00:06:58,920 --> 00:07:00,920 Speaker 2: Yeah, what about you about when you play a festival 177 00:07:00,920 --> 00:07:02,600 Speaker 2: and it's like people that are there for kind of 178 00:07:02,640 --> 00:07:04,760 Speaker 2: everybody and nobody at the same time, but they come 179 00:07:04,800 --> 00:07:05,560 Speaker 2: together as one. 180 00:07:05,800 --> 00:07:07,360 Speaker 5: Do you see that from up on stage? 181 00:07:07,880 --> 00:07:10,440 Speaker 3: Every festival is different. Because I'm a DJ, I kind 182 00:07:10,440 --> 00:07:12,120 Speaker 3: of look at the crowd and be like, what's gonna work. 183 00:07:12,160 --> 00:07:15,080 Speaker 3: What's gonna like change their attitude or make them feel 184 00:07:15,120 --> 00:07:16,880 Speaker 3: some they never felt before. So I always try to 185 00:07:16,880 --> 00:07:18,560 Speaker 3: think of that. It's like a DJ's job is to 186 00:07:19,040 --> 00:07:20,920 Speaker 3: you can always play like great set, but if you 187 00:07:20,960 --> 00:07:22,680 Speaker 3: really make people go like I didn't know, I'd like that. 188 00:07:22,760 --> 00:07:24,600 Speaker 3: You know. That feels like a real skill set that 189 00:07:24,640 --> 00:07:26,840 Speaker 3: I'd love to do. But I travel all over the world, 190 00:07:26,920 --> 00:07:29,960 Speaker 3: so going places like Pakistan, you know, like my first 191 00:07:29,960 --> 00:07:31,640 Speaker 3: time was like who people party here? And then I 192 00:07:31,680 --> 00:07:33,520 Speaker 3: was like they do the songs from YouTube and places 193 00:07:33,520 --> 00:07:35,520 Speaker 3: where like the music is contraband you know when you 194 00:07:35,520 --> 00:07:37,120 Speaker 3: play records for them and they're like, it's just like 195 00:07:38,080 --> 00:07:40,120 Speaker 3: the world is so united, you know, we don't know 196 00:07:40,160 --> 00:07:43,080 Speaker 3: about music is the one thing that everybody shares in common. 197 00:07:43,400 --> 00:07:45,800 Speaker 2: I appreciate the time guys, Congratulations on the new song, 198 00:07:46,480 --> 00:07:47,960 Speaker 2: looking forward to seeing a live performance tonight. 199 00:07:47,960 --> 00:07:49,680 Speaker 5: Good luck, guys, have good yoh, thank you, thanks. 200 00:07:53,960 --> 00:07:55,400 Speaker 1: All right. Awesome to hear from those guys. 201 00:07:55,800 --> 00:07:58,560 Speaker 2: My first time ever meeting Diplo, and he doesn't remember, 202 00:07:58,560 --> 00:08:00,640 Speaker 2: and he shouldn't remember, because I'm they meet like ten 203 00:08:00,640 --> 00:08:03,720 Speaker 2: thousand people. I was doing the red carpet for the 204 00:08:04,840 --> 00:08:07,840 Speaker 2: Grammys for e He had hired me to come out 205 00:08:07,880 --> 00:08:10,240 Speaker 2: and be on the red carpet for a TV show and. 206 00:08:10,200 --> 00:08:13,400 Speaker 1: There's a clip of I asked Dippolo. 207 00:08:13,160 --> 00:08:17,000 Speaker 2: The question, does he ever hear sounds like random sounds 208 00:08:17,040 --> 00:08:20,000 Speaker 2: like when you open the door at the gas station 209 00:08:20,040 --> 00:08:22,240 Speaker 2: and it goes ding dong, like has he ever made 210 00:08:22,240 --> 00:08:25,720 Speaker 2: a song after something like that? And I think he 211 00:08:25,760 --> 00:08:29,280 Speaker 2: made a song after with that idea, That's all I'm saying. 212 00:08:29,520 --> 00:08:31,920 Speaker 2: I think I inspired that idea because I had never 213 00:08:31,920 --> 00:08:33,600 Speaker 2: heard the idea and it was a Joe question, and 214 00:08:33,600 --> 00:08:35,680 Speaker 2: then I think he did that. But a really cool 215 00:08:35,679 --> 00:08:38,760 Speaker 2: guy and obviously Bailey super cool. Crazy to see someone 216 00:08:38,800 --> 00:08:41,120 Speaker 2: like Bailey or even Jelly Roll explode in the past 217 00:08:41,480 --> 00:08:42,199 Speaker 2: couple of years. 218 00:08:42,320 --> 00:08:43,240 Speaker 1: I mean, think about Bailey. 219 00:08:43,240 --> 00:08:46,800 Speaker 2: That's so interesting if you don't know Bailey's story. And 220 00:08:46,880 --> 00:08:49,760 Speaker 2: sometimes it's hard to know the story that come up 221 00:08:49,800 --> 00:08:54,439 Speaker 2: once they get so big. But Bailey was basically working 222 00:08:54,920 --> 00:08:58,600 Speaker 2: for a pipeline and really didn't sing much like he's 223 00:08:58,600 --> 00:09:02,040 Speaker 2: saying at home and had saying one time and had 224 00:09:02,040 --> 00:09:05,680 Speaker 2: put it on social media, and I did it the 225 00:09:05,720 --> 00:09:08,040 Speaker 2: first ever interview he ever did, Like he came over 226 00:09:08,080 --> 00:09:10,080 Speaker 2: to my house because I thought his story was so 227 00:09:10,120 --> 00:09:12,320 Speaker 2: wild because he wasn't like on the radio or anything. 228 00:09:12,480 --> 00:09:14,360 Speaker 2: He had this crazy streaming success and I was so 229 00:09:14,400 --> 00:09:16,719 Speaker 2: interested in it. And the first interview he ever did, 230 00:09:16,720 --> 00:09:18,160 Speaker 2: he came and he set for an hour with me, 231 00:09:18,640 --> 00:09:22,400 Speaker 2: and he said that he went to bed, put one 232 00:09:22,480 --> 00:09:23,120 Speaker 2: video up. 233 00:09:23,679 --> 00:09:25,360 Speaker 1: It had like three million views. 234 00:09:25,400 --> 00:09:27,640 Speaker 2: The next day he called his job and he quit 235 00:09:27,720 --> 00:09:30,319 Speaker 2: working on the pipeline. And this is all during COVID 236 00:09:30,360 --> 00:09:33,280 Speaker 2: as well. He didn't know what a manager was, and 237 00:09:33,800 --> 00:09:36,920 Speaker 2: you really wouldn't unless you've been in this industry, like 238 00:09:36,960 --> 00:09:40,440 Speaker 2: you wouldn't know what a manager does. He didn't know 239 00:09:40,480 --> 00:09:43,120 Speaker 2: about fees, you know, the difference in managers and agents, 240 00:09:43,600 --> 00:09:45,199 Speaker 2: and he had to learn all of that kind of 241 00:09:45,280 --> 00:09:47,480 Speaker 2: himself because he was driving down. He was from the 242 00:09:47,520 --> 00:09:50,040 Speaker 2: Midwest and he would drive down all the time every 243 00:09:50,040 --> 00:09:54,000 Speaker 2: week during COVID and take these meetings. And he talked 244 00:09:54,000 --> 00:09:56,800 Speaker 2: about how he had a meeting with an agent once 245 00:09:57,240 --> 00:09:59,440 Speaker 2: in a record label and he didn't know the difference. 246 00:09:59,480 --> 00:10:00,600 Speaker 2: He had no idea what they were trying to get 247 00:10:00,640 --> 00:10:04,040 Speaker 2: him to do, but he signed a deal. Obviously, he's 248 00:10:04,200 --> 00:10:07,160 Speaker 2: massive now and you know for him, just talking with 249 00:10:07,240 --> 00:10:08,400 Speaker 2: him a lot and get to know him a little 250 00:10:08,400 --> 00:10:11,720 Speaker 2: bit too. It's the Morgan Wall and toward when Morgan 251 00:10:11,800 --> 00:10:13,160 Speaker 2: called him to ask him to open I know that 252 00:10:13,200 --> 00:10:16,400 Speaker 2: was super significant in his life. Bailey's also a kid, 253 00:10:16,600 --> 00:10:18,280 Speaker 2: and I say kid because he's quite a bit younger 254 00:10:18,320 --> 00:10:18,679 Speaker 2: than I am. 255 00:10:18,920 --> 00:10:20,160 Speaker 1: But when he started to make it. 256 00:10:20,200 --> 00:10:23,120 Speaker 2: We grew up very similarly, like I never had a 257 00:10:23,160 --> 00:10:26,160 Speaker 2: bedroom going up, grew up very poor. Same thing with Bailey, 258 00:10:26,679 --> 00:10:29,920 Speaker 2: and Bailey was one of those kids. I was like, hey, dude, 259 00:10:30,480 --> 00:10:32,200 Speaker 2: here are the things you don't want. And I kind 260 00:10:32,200 --> 00:10:33,400 Speaker 2: of walked them through the things you can get in 261 00:10:33,400 --> 00:10:36,360 Speaker 2: trouble doing and not be canceled, and the things that 262 00:10:37,320 --> 00:10:38,720 Speaker 2: you can't do because. 263 00:10:38,480 --> 00:10:39,440 Speaker 1: You will get canceled. 264 00:10:39,679 --> 00:10:40,640 Speaker 2: And I was like, if you ever have to go 265 00:10:40,640 --> 00:10:43,080 Speaker 2: to jail, you can call me at any time. And 266 00:10:43,120 --> 00:10:45,000 Speaker 2: thank god he's never had to go to jail. We 267 00:10:45,040 --> 00:10:47,640 Speaker 2: appreciate that about Bailey. But he's a great, great kid, 268 00:10:47,720 --> 00:10:50,560 Speaker 2: and he's it's crazy to see how how fast he's 269 00:10:50,559 --> 00:10:54,080 Speaker 2: blown up, and like in the country music critical mass, 270 00:10:54,120 --> 00:10:56,560 Speaker 2: but even outside of country music, because again with Big 271 00:10:56,559 --> 00:10:59,720 Speaker 2: exa Plug and with Diplo, and I think both are 272 00:10:59,760 --> 00:11:02,280 Speaker 2: to which is pretty crazy. I was with Jelly Roll 273 00:11:02,320 --> 00:11:06,240 Speaker 2: earlier at the festival, and that's another guy that's been 274 00:11:06,280 --> 00:11:11,120 Speaker 2: pretty amazing to see, Like Jelly Roll stories super just professionally, 275 00:11:11,160 --> 00:11:14,000 Speaker 2: like he was like with three six Mafia back in 276 00:11:14,040 --> 00:11:15,839 Speaker 2: the day, Like he was a hip hop artist, like 277 00:11:15,880 --> 00:11:18,440 Speaker 2: a full hip hop artist. And I would see Jelly 278 00:11:18,520 --> 00:11:21,960 Speaker 2: Roll on the golf course in Nashville. When I first 279 00:11:22,040 --> 00:11:26,319 Speaker 2: moved to town, I lived on in this gated community. 280 00:11:26,960 --> 00:11:28,400 Speaker 2: I had never lived in a gated community, but I 281 00:11:28,440 --> 00:11:32,280 Speaker 2: was starting to make money and I had been like jumped, 282 00:11:32,320 --> 00:11:36,240 Speaker 2: I'd been attacked, I got pistol whipped at atm once. 283 00:11:36,320 --> 00:11:38,120 Speaker 2: I got jumped at work outside of work going in 284 00:11:38,440 --> 00:11:40,960 Speaker 2: and so when I moved to Nashville, they made me 285 00:11:41,000 --> 00:11:43,920 Speaker 2: move somewhere that either had security or had gates. 286 00:11:43,960 --> 00:11:45,080 Speaker 1: It was kind of part of the deal. 287 00:11:45,600 --> 00:11:47,120 Speaker 2: And so I moved into this gated community and it 288 00:11:47,200 --> 00:11:50,240 Speaker 2: was kind of crazy because like Rascal flats Let Singer. 289 00:11:50,120 --> 00:11:51,240 Speaker 1: Lived there, Carrie lived there. 290 00:11:52,280 --> 00:11:55,560 Speaker 2: I moved there, and there's a golf course, and I 291 00:11:55,559 --> 00:11:57,880 Speaker 2: would see Jelly Roll on the golf course, except I 292 00:11:57,920 --> 00:12:00,439 Speaker 2: didn't know him from anything other than people. 293 00:12:00,240 --> 00:12:02,480 Speaker 1: Would say he's a very face tatted rapper. 294 00:12:02,720 --> 00:12:06,000 Speaker 2: But he was also on the golf course and he's 295 00:12:06,000 --> 00:12:08,240 Speaker 2: in a country club, and I thought the juxtaposition to 296 00:12:08,320 --> 00:12:10,319 Speaker 2: that was crazy. So that's how I knew jelly Roll 297 00:12:10,360 --> 00:12:12,680 Speaker 2: to begin with. He played golf with like Steve Hodges, 298 00:12:12,720 --> 00:12:14,880 Speaker 2: who was like a record guy, and so I would 299 00:12:14,920 --> 00:12:18,800 Speaker 2: see Jelly Roll and wouldn't know much about him until 300 00:12:18,880 --> 00:12:20,760 Speaker 2: later he got into the country music space. Now he 301 00:12:20,800 --> 00:12:23,640 Speaker 2: was a fan of our show, and we were probably 302 00:12:23,640 --> 00:12:25,960 Speaker 2: his first ever country interview that he did, and he 303 00:12:26,040 --> 00:12:29,120 Speaker 2: came in for like forty five to fifty minutes. That 304 00:12:29,200 --> 00:12:32,760 Speaker 2: interview has been streamed millions of times at this point, 305 00:12:32,840 --> 00:12:35,200 Speaker 2: but even then you could tell the guy was super 306 00:12:35,240 --> 00:12:38,439 Speaker 2: appreciative for all the new things that had happened to him. 307 00:12:38,720 --> 00:12:41,640 Speaker 2: Now he's got a really great come up story as well, 308 00:12:41,840 --> 00:12:43,480 Speaker 2: like spend a lot of time in prison, like cut 309 00:12:43,520 --> 00:12:45,800 Speaker 2: a lot of his creative teeth in prison and now 310 00:12:45,840 --> 00:12:48,600 Speaker 2: goes back to prisons a lot and works with inmates 311 00:12:48,640 --> 00:12:53,800 Speaker 2: and has built recording studios in prisons, just so these 312 00:12:53,840 --> 00:12:57,480 Speaker 2: guys and women know that there's when you do get out, 313 00:12:57,480 --> 00:13:00,200 Speaker 2: like there is a way to actually be successful. But 314 00:13:00,280 --> 00:13:01,920 Speaker 2: Jelly Roll has been that guy and he was here today. 315 00:13:01,920 --> 00:13:04,560 Speaker 2: He's lost two hundred pounds, which is crazy to see. 316 00:13:05,200 --> 00:13:08,160 Speaker 2: He's like almost half, you know, of what he used 317 00:13:08,200 --> 00:13:10,440 Speaker 2: to be. He had a wrestling shirt on, which is 318 00:13:11,000 --> 00:13:13,040 Speaker 2: you know, there's nothing more Jelly Roll than Jelly Roll 319 00:13:13,040 --> 00:13:15,199 Speaker 2: wearing a wrestling shirt. Another thing about Jelly that was 320 00:13:15,240 --> 00:13:18,360 Speaker 2: super cool is what he He was a wrestler, like 321 00:13:18,400 --> 00:13:22,240 Speaker 2: a raw and he wrestled Logan Paul and like for 322 00:13:22,280 --> 00:13:24,320 Speaker 2: a guy that came up going up in the South 323 00:13:24,800 --> 00:13:29,160 Speaker 2: that loved wrestling, actually got to go and wrestle like 324 00:13:29,200 --> 00:13:31,200 Speaker 2: on a pay per view like a super cool And 325 00:13:31,240 --> 00:13:33,760 Speaker 2: to be able to see him here tonight, and I 326 00:13:33,800 --> 00:13:36,000 Speaker 2: hadn't seen him in probably like three months. But the 327 00:13:36,040 --> 00:13:39,880 Speaker 2: cool thing about Jelly Roll is that he remembers everybody's name. 328 00:13:40,360 --> 00:13:41,679 Speaker 2: And if you were like, I don't want to use 329 00:13:41,679 --> 00:13:43,959 Speaker 2: the word loyal, because I wouldn't say I was loyal, 330 00:13:44,000 --> 00:13:45,920 Speaker 2: but he was a fan of the show. His mom 331 00:13:45,960 --> 00:13:48,840 Speaker 2: was a fan of my show. And as soon as 332 00:13:48,960 --> 00:13:50,000 Speaker 2: he sees you, it's. 333 00:13:49,880 --> 00:13:51,079 Speaker 1: Like, what a big hug. 334 00:13:52,040 --> 00:13:54,680 Speaker 2: In this situation too, I would expect you kind of 335 00:13:54,720 --> 00:13:56,439 Speaker 2: know what you're walking into with interviews. But I saw 336 00:13:56,520 --> 00:13:59,079 Speaker 2: jelly Roll the last time before this. I was in 337 00:13:59,240 --> 00:14:01,840 Speaker 2: New Orleans for the Super Bowl and I was on 338 00:14:01,920 --> 00:14:04,760 Speaker 2: Fox and I was doing I was giving away an 339 00:14:04,800 --> 00:14:07,520 Speaker 2: award for the NFL Honors, and jelly Roll was a 340 00:14:07,520 --> 00:14:09,640 Speaker 2: part of one of the sketches. And again, there are 341 00:14:09,960 --> 00:14:12,400 Speaker 2: much more, much cooler people there than me at this event, 342 00:14:12,880 --> 00:14:14,360 Speaker 2: but jelly Roll's in the second row. And as soon 343 00:14:14,400 --> 00:14:18,240 Speaker 2: as the lights go down and they go off of 344 00:14:18,240 --> 00:14:21,360 Speaker 2: the television to commercial, first person yelling Bobby from the 345 00:14:21,360 --> 00:14:22,240 Speaker 2: crowd was jelly Roll. 346 00:14:22,320 --> 00:14:23,840 Speaker 1: So that's just one of those guys that. 347 00:14:24,960 --> 00:14:27,840 Speaker 2: As soon as you see him and he's so nice 348 00:14:27,880 --> 00:14:29,080 Speaker 2: and kind, you're like, is that real? 349 00:14:30,080 --> 00:14:30,440 Speaker 1: For sure? 350 00:14:30,520 --> 00:14:30,840 Speaker 5: Is real? 351 00:14:31,360 --> 00:14:34,640 Speaker 2: We were walking in we saw Yellow Cool Jay. He's 352 00:14:34,640 --> 00:14:38,920 Speaker 2: a big dude, like still a big dude, full long 353 00:14:39,400 --> 00:14:43,880 Speaker 2: leather like still puts on a super energetic, like sweaty show. 354 00:14:44,440 --> 00:14:45,560 Speaker 5: But that was super cool. 355 00:14:46,360 --> 00:14:50,640 Speaker 1: Brian Adams. Rumor is he had everybody clear. 356 00:14:50,480 --> 00:14:52,040 Speaker 2: Of the room earlier when he was going into the room, 357 00:14:52,400 --> 00:14:55,040 Speaker 2: and I thought, well, that's interesting Brian Adams, because that's 358 00:14:55,080 --> 00:14:57,920 Speaker 2: like got my first reels, and you know, some people 359 00:14:57,920 --> 00:14:59,200 Speaker 2: don't want people like staring at him. 360 00:14:59,240 --> 00:14:59,600 Speaker 5: I get it. 361 00:15:00,000 --> 00:15:01,040 Speaker 2: But then when I saw him walk by, he had 362 00:15:01,040 --> 00:15:02,800 Speaker 2: like one person with them. Usually it's people that have 363 00:15:02,920 --> 00:15:06,640 Speaker 2: like twenty people inside their entourage. So I don't really 364 00:15:06,640 --> 00:15:08,080 Speaker 2: know if that story is even true that he didn't 365 00:15:08,080 --> 00:15:10,120 Speaker 2: want people looking at him, But saw Brian Adams pretty 366 00:15:10,120 --> 00:15:12,120 Speaker 2: crazy to see somebody you've only seen on television. Saw 367 00:15:12,200 --> 00:15:15,280 Speaker 2: Maroon five, dude, Adam Durrett's no Adam, Adam Levine. Yeah, 368 00:15:15,280 --> 00:15:16,560 Speaker 2: Dirret's is kind of crows, thank. 369 00:15:16,440 --> 00:15:18,120 Speaker 1: You full of tattoos. 370 00:15:19,320 --> 00:15:20,880 Speaker 2: I was talking to a guy a few minutes ago 371 00:15:20,920 --> 00:15:22,160 Speaker 2: and I was like, Hey, who do you want to see? 372 00:15:22,160 --> 00:15:24,240 Speaker 2: And this guy's probably like sixty five or so, and 373 00:15:24,280 --> 00:15:26,760 Speaker 2: I thought maybe he'd say Sammy Haygark is Sammy Hagar's 374 00:15:26,760 --> 00:15:30,320 Speaker 2: playing tonight? And he said, uh, Tate McCrae, And I said, 375 00:15:30,400 --> 00:15:33,360 Speaker 2: how about that? Look at you like, he's like, I 376 00:15:33,360 --> 00:15:34,880 Speaker 2: bet she's a great performer. I was like, I bet 377 00:15:34,880 --> 00:15:39,160 Speaker 2: that's so it's an interesting night tonight. This is always 378 00:15:39,160 --> 00:15:42,880 Speaker 2: the coolest festival. Big thanks to Hyundai as well, because 379 00:15:43,600 --> 00:15:44,320 Speaker 2: one they give. 380 00:15:44,200 --> 00:15:46,320 Speaker 1: Me a car and it's my favorite car. It's awesome. 381 00:15:47,240 --> 00:15:49,040 Speaker 2: And I was caught on Mike earlier. I'll give you 382 00:15:49,080 --> 00:15:51,880 Speaker 2: one other behind the scenes thing. We were doing this 383 00:15:51,960 --> 00:15:55,520 Speaker 2: video shoot with Bailey and Diplo and I was miked 384 00:15:55,560 --> 00:15:57,320 Speaker 2: like an hour before. So I had this mic on 385 00:15:57,360 --> 00:16:00,400 Speaker 2: the whole time, and the Hyundai people have headphone because 386 00:16:00,400 --> 00:16:01,880 Speaker 2: they want to hear the shoot. I forget that I'm 387 00:16:01,880 --> 00:16:03,760 Speaker 2: wearing a mic because you don't see the mic. It's 388 00:16:03,800 --> 00:16:06,760 Speaker 2: taped to my chest. And Bailey comes up and he's like, 389 00:16:06,800 --> 00:16:08,880 Speaker 2: do you like this car? And I'm like, dude, if 390 00:16:08,920 --> 00:16:12,200 Speaker 2: I didn't have this car given to me, I would. 391 00:16:12,040 --> 00:16:13,840 Speaker 1: Buy the car. And he was like, are you serious. 392 00:16:13,840 --> 00:16:15,200 Speaker 2: I said, I, me and my brother in law buy 393 00:16:15,240 --> 00:16:19,360 Speaker 2: this car. And so it's a fantastic car like I 394 00:16:19,440 --> 00:16:21,480 Speaker 2: have right now. I have the Santa Fe, but we're 395 00:16:21,560 --> 00:16:25,200 Speaker 2: doing the Santa Fe the palis Ad hybrid, which is awesome, 396 00:16:25,400 --> 00:16:28,680 Speaker 2: so check it out. Check out Hyundai if you haven't 397 00:16:29,120 --> 00:16:32,240 Speaker 2: like the Elite cars. And they sponsored the end the 398 00:16:32,480 --> 00:16:34,120 Speaker 2: House of music in front of the arena, which was 399 00:16:34,160 --> 00:16:34,640 Speaker 2: super cool. 400 00:16:34,840 --> 00:16:36,080 Speaker 1: So that's what we got from here. 401 00:16:36,960 --> 00:16:38,840 Speaker 2: Thank you guys for listening to this again thanks to 402 00:16:38,920 --> 00:16:42,440 Speaker 2: Diplo and Bailey Zimmerman, all of our guests at. 403 00:16:42,360 --> 00:16:44,360 Speaker 1: iHeartRadio Music Festival twenty twenty five. 404 00:16:44,400 --> 00:16:46,920 Speaker 2: Fantastic. I'm watching the screen now and I think I 405 00:16:46,920 --> 00:16:49,680 Speaker 2: saw my uncle. Nope, it's Sammy Hagar. It's Sammy Hagar 406 00:16:49,720 --> 00:16:53,360 Speaker 2: on the stage right now. And Uncle Sammy is going 407 00:16:53,480 --> 00:16:55,920 Speaker 2: hard right now. Looks like they just pulled him out 408 00:16:55,960 --> 00:16:57,360 Speaker 2: of the Hey won't you get up there and do 409 00:16:57,360 --> 00:17:00,680 Speaker 2: a couple of songs? And he's doing them so super cool. 410 00:17:00,680 --> 00:17:02,560 Speaker 2: Thank you guys for listening. And by the way, you 411 00:17:02,600 --> 00:17:04,440 Speaker 2: can watch the show. I know they're going to do 412 00:17:04,440 --> 00:17:06,520 Speaker 2: a replay on Hulu. We'll give you more details on 413 00:17:06,560 --> 00:17:08,200 Speaker 2: the show, but if you want to watch the iHeartRadio 414 00:17:08,280 --> 00:17:10,440 Speaker 2: Music Festival, we'll give you all those as well. 415 00:17:10,440 --> 00:17:11,880 Speaker 1: All Right, you guys, have a good day, See you later. 416 00:17:13,000 --> 00:17:14,040 Speaker 2: Thrown away. 417 00:17:14,800 --> 00:17:15,520 Speaker 5: Don't need to clap