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Speaker 1: Look mare, Oh, I see you my own bone. Look

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Speaker 1: over there is that culture. Yes, wow, lost culture ding dung.

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Speaker 1: Lost culture is calling take any breath, exhale, inhale, excel.

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Speaker 1: It's obviously you first have to inhale the exhale. That's

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Speaker 1: actually really culture number eight. You first have hail to.

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Speaker 1: Breathing is really fundament. Breathing has really.

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Speaker 2: Saved my ass in recent times. And I feel like

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Speaker 2: I need to really dig into this. I am like

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Speaker 2: out of breath, I'm like tight in the chest.

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Speaker 1: Why oh, I'm so happy you're saying this public leap

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Speaker 1: because now we can all watch it. Because you can't

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Speaker 1: trust someone to watch their own health. We all need

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Speaker 1: eyes on Boone Yang's chest and lungs. Please.

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Speaker 2: Hey, my chest is down here and it is really

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Speaker 2: tight and tense, and I just need to like get

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Speaker 2: it loosened up, you know.

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Speaker 1: And this is really hot what you're doing. Bowen's rubbing

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Speaker 1: his titters and sort of being very orgasmic about this.

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Speaker 1: Do you actually feel lately that you're breathing and like

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Speaker 1: stuff is different.

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Speaker 2: Yeah, something's going on. The body keeps the score and

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Speaker 2: no it's not this. Our guest is making a little

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Speaker 2: cigarette motion. It's not that I am in Canada and

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Speaker 2: maybe that has something to do with it. Although I'm

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Speaker 2: at the same sea level, I'm at the same No,

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Speaker 2: it's this, most of my life is still the same.

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Speaker 1: It's not that you now what I'm going to say

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Speaker 1: right now, which is such a wife thing to say,

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Speaker 1: as I'm going to say this to our guests and

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Speaker 1: to everyone listening. Well, he knows how I feel about

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Speaker 1: the cigarettes. The cigarettes are not really figuring in anymore.

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Speaker 1: Can I say something? There was a deal that we

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Speaker 1: made years ago, and I periodically bring this up because

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Speaker 1: it is important and it is sort of indicative of

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Speaker 1: you not holding up an end of a bargain, which

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Speaker 1: is that when I started therapy, you were going to

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Speaker 1: stop smoking. That was the But then guess what what

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Speaker 1: COVID happened. Everything changed, COVID as an excuse, COVID happened,

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Speaker 1: and now all bets are off. Is that was that

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Speaker 1: in the fine print of the verbal agreement that deal? Well,

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Speaker 1: I'll just say for my health, therapy has been amazing,

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Speaker 1: and I think not smoking would help you feel less

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Speaker 1: like your chest was locked up and you couldn't breathe.

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Speaker 1: That's just me, though, how did this?

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Speaker 2: I just wanted to remark on how I've been breathing.

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Speaker 2: I've been more aware of my breathing lately, and all

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Speaker 2: of a sudden, and.

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Speaker 1: All of a sudden, it became antagonistic. And obviously your

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Speaker 1: problem is due to stress. So why am I piling on?

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Speaker 1: You know what I mean? It's okay, you know what

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Speaker 1: this is why it can't just be me watching this.

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Speaker 1: It has to be all of us, the community. We

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Speaker 1: have to watch on one young self because I clearly

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Speaker 1: can't be trusted. We have to watch each other. This

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Speaker 1: is a mutual weight network. At the end of the day,

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Speaker 1: we were speaking of watching. We were saying, just before

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Speaker 1: we got on with our guests, we were talking about

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Speaker 1: Disney for a hot sec did you see this? For

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Speaker 1: you did it? But did you see this? Are you

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Speaker 1: aware of the four hour video review of the Star

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Speaker 1: Wars Hotel that this girl posted where it's just the

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Speaker 1: most thorough dragging of the Star Wars hotel from every

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Speaker 1: single hated it. So she basically was like, she's this girl.

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Speaker 1: Her name is Jenny Nicholson. She's like a YouTube video

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Speaker 1: blogger of blogger, I guess, and she her thing is

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Speaker 1: niche fandoms, theme parks and immersive experiences. That's like what

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Speaker 1: she that's her whole bag, and the three of those

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Speaker 1: converge at Disney. And also she's like a Star Wars freak.

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Speaker 1: She's like really super smart and adorable and like she

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Speaker 1: like has a big following, and she's very very, very

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Speaker 1: detailed and clear about her experience at the Star Wars hotel,

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Speaker 1: which she said cost over six thousand dollars for two people.

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Speaker 1: It was a two night hotel stay. It was immersive,

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Speaker 1: and you got to watch it on like one point

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Speaker 1: seventy five or times two speed because it is so thrilling,

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Speaker 1: like get on a StairMaster, open up and you will

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Speaker 1: be walking at a pace you've never walked before. Like

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Speaker 1: it is a thrilling watch. I never thought it would be.

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Speaker 1: People were sending me this like have you seen this yet,

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Speaker 1: and I was like, listen, I'm not this far gone

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Speaker 1: and then cut to me like soaking in all of it.

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Speaker 1: It was a blow by blow dragging of this experience

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Speaker 1: which is now closed by the way.

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Speaker 2: This is giving me like I didn't know my husband

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Speaker 2: TikTok or the right, Like I didn't know my husband

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Speaker 2: well this girl is.

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Speaker 1: Nominated for a Cultural Award for this show. But anyway,

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Speaker 1: it was just so unreal to think about just how

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Speaker 1: crazy it is, like how far gone it is, Like

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Speaker 1: because she was saying, like, you know, a lot of

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Speaker 1: people might think like it's like the super rich people

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Speaker 1: that are buying tickets to this like actually know her

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Speaker 1: experience is. It was a lot of middle class people

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Speaker 1: who clearly had splurged on this vacation because they thought

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Speaker 1: Disney is you know, when you say the word Disney,

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Speaker 1: you think of this like experience of like luxury and excellence,

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Speaker 1: and like they're this brand, like you're gonna get something

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Speaker 1: out of But it fools middle class people because you

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Speaker 1: get there and it's like, all right, you're cooped up

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Speaker 1: in a hotel with no windows. It is the hotel

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Speaker 1: rooms were size of boxes, and it's like an immersive

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Speaker 1: experience in that like there's like characters walking around, but

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Speaker 1: like none of the things are really playable. She just

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Speaker 1: it's a really worth while watching it. I sat there

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Speaker 1: with my mouth open. I was like, this is so crazy.

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Speaker 1: I can't wait. Can I ask an insane question? Yeah?

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Speaker 1: Was I supposed to be talking? This is what your

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Speaker 1: third fourth time on the podcast. I know, wait, how

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Speaker 1: does it wait?

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Speaker 3: Like you introduced me and then I talked, So the

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Speaker 3: way it works is, yeah, that's okay how it works. Okay,

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Speaker 3: I'm sorry, Pretend I didn't do that. Sit tight for

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Speaker 3: like ninety more seconds.

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Speaker 1: Yeah, thought, yeah, I will talk later, Okay, okay, Yeah,

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Speaker 1: that thing about you talking is going to come in

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Speaker 1: a major way in a second. Now, whose voice was that?

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Speaker 1: I don't know, problem voice, Fantasma.

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Speaker 2: This is a very good friend, a very special guest,

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Speaker 2: a true true artist, pioneer, a pioneer you might know

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Speaker 2: his lovely work, most recently in his directorial debut, Problemista.

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Speaker 2: I wanted to give it the title my first movie.

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Speaker 2: And I think a filmmaker has called her first movie

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Speaker 2: my first Oh no, it's a musician is calling her

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Speaker 2: first album my first album or.

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Speaker 1: Something that doesn't work as well for me. I think

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Speaker 1: my first movie is so much more, so much bigger,

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Speaker 1: you know what I mean? And that's why the title

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Speaker 1: of episode so far for this is my fourth episode

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Speaker 1: of Lost Culture.

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Speaker 2: My fourth episode of Lost Culture. But I mean, I mean,

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Speaker 2: don't you can't you picture like two women at a

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Speaker 2: nail salon and then one of them goes, what are

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Speaker 2: we doing tonight? We're gonna go see my first movie.

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Speaker 1: You know, so many different ways. But when you were read,

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Speaker 1: think in there, why do I really want to take

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Speaker 1: your advice? I think it wasn't him. I think it

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Speaker 1: was the twenty four, the suits at A twenty four.

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Speaker 1: Blame the suits, is what I always say. I think

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Speaker 1: about that with the Disney Wars, Disney World Star Wars,

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Speaker 1: Disney Roo, Blame the Wars. Disney's starting girl, iiger come

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Speaker 1: at us now.

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Speaker 2: He has a new show coming out on HBO called

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Speaker 2: is it HBO or Max? I guess it's Max?

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Speaker 1: Right? No, no, no, not yet, hold on, hold on,

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Speaker 1: you know what, well, let him tell us where it is. No, no, no,

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Speaker 1: it is coming out on He's having to look it up.

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Speaker 1: It's coming out on HBO June seven, HBO Prestige. Come on,

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Speaker 1: it's garbage.

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Speaker 2: No, of course, garbage on Max. This is fantasmis a

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Speaker 2: really star studded cast. It'll be I can't wait to

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Speaker 2: see it. I have a shirt that says fantasmis Hadad's Trucks,

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Speaker 2: New Jersey, and it is one of my favorite shirts.

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Speaker 2: I love that shirt. Thank you fantastics for giving me.

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Speaker 1: That not your first shirt but your favorite shirt. No, no, no,

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Speaker 1: Should we bring him in so we get some of

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Speaker 1: that famous talking for sure? All right, here we go. Everyone, welcome.

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Speaker 1: He's in the studio. Hey, I just got here. You've arrived.

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Speaker 1: Can I say in a Broadway? You have arrived in

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Speaker 1: a Broadway? Oh? Oh in a Broadway? Yeah? Yeah, yeah,

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Speaker 1: not in a Broadway like I you haven't stopped the board.

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Speaker 1: I have certainly not arrived in Broadway, but in a

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Speaker 1: broad sense. Yeah wow. Any interest in Broadway? No, in

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Speaker 1: performing in broad Broadway? No, in performing in Broadway. No,

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Speaker 1: that sounds so difficult. Like would you would either of

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Speaker 1: you ever like fully be on a play? Yeah? Do

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Speaker 1: you do it? I would do it? I would you

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Speaker 1: would do it? Okay, Wow, Okay, I think it would.

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Speaker 1: It would really depend on on what it was on

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Speaker 1: the text. I've seen some one with like Solo Show

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Speaker 1: was like Jody Comer was in this play last year

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Speaker 1: on probably called Prima Facie, which is just her doing

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Speaker 1: a continuous, long monologue and like the subject matter was

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Speaker 1: really intense and she was very physical in it and

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Speaker 1: it was just her and she never leaves the stage.

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Speaker 1: And I was just like, I don't understand that. But

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Speaker 1: in a way where I could walk in and like

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Speaker 1: say a little as we call him the best zinger

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Speaker 1: and then leave, I would I would love it. I'd

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Speaker 1: love to do money. Yeah.

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Speaker 3: Yeah, we are actively seeking zinger parts. If there are

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Speaker 3: any singer parts in Lempika, Matt Rodgers will take it.

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Speaker 1: Wow.

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Speaker 2: Now, like let's say you, let's say with each of us,

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Speaker 2: and really, let's just say, for the purposes of this

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Speaker 2: thought exercise, you are on a Broadway show and the

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Speaker 2: three of us are on different Broadway shows, or maybe

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Speaker 2: it's the same one, it doesn't matter, but each of

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Speaker 2: us just have to come in twice per act and

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Speaker 2: do our basinga, do our bazinga, and then walk out. Right,

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Speaker 2: what are we doing in the dressing room? How are

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Speaker 2: we passing the time? Are we like being so disciplined?

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Speaker 2: Are we playing video games? Are we reading?

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Speaker 3: I mean, you know that it would start with, oh,

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Speaker 3: I'm going to write the thing in the dressing room

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Speaker 3: because I actually like have like four hours to kill

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Speaker 3: I'm going to write I'm gonna like do this, and

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Speaker 3: then you just end up scrolling on your phone.

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Speaker 1: Damn. I wouldn't be on a show. I would write

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Speaker 1: a show.

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Speaker 3: But the idea of like being there every night night

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Speaker 3: seeing now like our friends do it and Oh Mary,

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Speaker 3: I'm like, whoa, that looks so hard.

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Speaker 1: It's a lot. I think that I would be pacing

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Speaker 1: and socializing, which would be even more tiring, because I know,

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Speaker 1: socializing with who if you're like with that stage, like

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Speaker 1: like anyone with the audience. No, certainly not, because they're

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Speaker 1: going to go outside and be like, hey, hey, what

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Speaker 1: do you think of the play? I'm about to be in?

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Speaker 1: It donna get really good. It's gonna get really good.

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Speaker 1: It's gonna get really good once I come on. No,

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Speaker 1: but that's how I tend to like do my downtime.

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Speaker 1: But bo, when I think you would really literally be

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Speaker 1: reading and laying on your back.

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Speaker 2: Yeah, I'd be reading and land on my back. But

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Speaker 2: with our friends who are doing Oh Mary, do you

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Speaker 2: see firsthand what and pat it's having on their social lives,

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Speaker 2: because that's the thing that we the three of us,

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Speaker 2: kind of care about. I think I think, can I

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Speaker 2: go out?

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Speaker 1: But can I go out? Okay, I'll take it, but

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Speaker 1: can I go out? Can I go to three dollar Bill?

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Speaker 1: Can I go to three dollar Bill on a Wednesday,

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Speaker 1: Animal for the first time.

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Speaker 3: Can I go to Animal for the seventh time today?

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Speaker 1: I don't know.

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Speaker 3: I think Cole does the play and then goes home

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Speaker 3: and recharges as the sense that I get, yes, But

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Speaker 3: obviously Cole is carrying the show, and James becomes very disciplined,

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Speaker 3: very like school night, like right, go home to care

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Speaker 3: and then like errands in the morning, and then like play.

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Speaker 2: How does he feel about going into the summer on

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Speaker 2: Broadway literally on Broadway, literally on Broadway? But I know

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Speaker 2: he I know that boy loves his summer.

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Speaker 3: That boy loves his summer, but he loves working getting

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Speaker 3: to do his work. More so, he did not mourn

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Speaker 3: the lack of free time for a second.

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Speaker 1: I don't think that's good. That's perfect. Yeah, I mean

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Speaker 1: twelve weeks only you're gonna have a summer, right, I mean,

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Speaker 1: what what is that? Is that the last? But it's

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Speaker 1: like right in that right in the in the peak

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Speaker 1: of summer. You know what, though? It can I say something,

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Speaker 1: It's not a fucking about him, Okay, it's about the

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Speaker 1: people in the audience getting to it's about It's not

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Speaker 1: about him. It's about the it's about. It's about the

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Speaker 1: fans that traveled internationally to see. Oh, Mary, so I

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Speaker 1: don't want to hear it about jams.

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Speaker 3: I mean that's Broadway, right, people do travel to for this. Oh,

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Speaker 3: that's like usually this show.

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Speaker 1: Yeah, this is international appeal, it's an international figure, Mary Todd.

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Speaker 1: I know they'll learn about American history. They do exactly,

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Speaker 1: So why so, James? But you know what this is pathetic.

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Speaker 1: I don't know if you knew you would you would

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Speaker 1: come on here and that we'd be in a fight

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Speaker 1: with James. Wait, but I just said that he didn't

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Speaker 1: care though.

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Speaker 3: No, it's not roll back to putting words in my mouth.

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Speaker 3: You are putting words in my mouth typical you.

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Speaker 1: No one ever said, I'm like the wall is red

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Speaker 1: and you're like, whoa, why is it blue? Because it's

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Speaker 1: color blind? I'm colorblind? Honey. Wait, this always comes up.

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Speaker 3: I feel like I always like I feel like I'm

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Speaker 3: always microaggressing on your color blindness.

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Speaker 1: Wait, do you want to know where I just pictured you?

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Speaker 1: And I laughed a lot. Wait to myself just now,

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Speaker 1: I think that I would be so upset. I would

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Speaker 1: be so upset the entire time.

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Speaker 3: Things that are like hyper curated and hyper regimented when

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Speaker 3: they want you to have like a very immercific paint

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Speaker 3: by numbers or immersive experience. I it's I'm so allergic

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Speaker 3: to it. I just took okay, wait, I just took

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Speaker 3: a every now and then, Okay, every now and then

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Speaker 3: I will take a group fitness class of some sort

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Speaker 3: because I like that there's a time where I have

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Speaker 3: to go do it, and I know when it ends,

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Speaker 3: and I'm not going to spend the whole day thinking

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Speaker 3: I'll go work.

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Speaker 1: Out in an hour and then another and then you

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Speaker 1: know what I mean, is this.

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Speaker 2: Generally group fitness classes? Are you talking about one specific group.

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Speaker 1: Talking about one specific group class? Okay, okay, okay.

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Speaker 3: And I felt like I was scolded for not having

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Speaker 3: enough energy.

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Speaker 1: That's probably true.

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Speaker 3: I felt like, I mean, not scolded, but definitely like

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Speaker 3: the teacher said, guys, the point of group fitness is

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Speaker 3: to feed off of each other's energy.

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Speaker 1: Hmmm, and then looked at me.

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Speaker 3: Oh, and then said something that I thought was so telling.

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Speaker 3: She like accidentally opened a window into her psyche. She said,

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Speaker 3: you can make noise, heer, I'm not your mother or

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Speaker 3: your wife. Oh I see okay it, but see, I

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Speaker 3: think another reason you go there is to observe, to observe,

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Speaker 3: you like observing.

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Speaker 1: I do love observing. I do love observing. So then

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Speaker 1: you being scholded, you're saying every I wasn't scolded. That's

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Speaker 1: a big word. But it was like this motivation that

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Speaker 1: feels aggressive, and it takes you a second because this

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Speaker 1: motivation that feels aggressive. Yeah, you're like, I'm definitely gonna

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Speaker 1: do what you said, but like also it's just like

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Speaker 1: mm hmmm mm.

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Speaker 3: But I'm gonna do what you said, but you can't

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Speaker 3: command me to feel any sort of way about it.

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Speaker 1: I turn this thing up, but I'm not gonna my

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Speaker 1: energy might still be bad. Yeah, yeah, exactly.

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Speaker 3: And okay, so you know what I also hate when

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Speaker 3: this negative energy I'm bringing into this beautiful bock.

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Speaker 1: No, it's perfect. Well, after this, you're going to say

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Speaker 1: something you love. Okay, yeah, after this, I'm going to

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Speaker 1: say something animal, animal to a bar, animal, great drinks,

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Speaker 1: hot guys. Perfect me say.

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Speaker 3: No, I don't like it when, like you know, when

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Speaker 3: like a friend makes a meal. First of all, dinners

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Speaker 3: in general, don't invite your dinners. Don't let me eat

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Speaker 3: alone in peace when a friend makes a meal and

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Speaker 3: then there's that very performative like, oh wow, that that

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Speaker 3: was really great, and then everyone that goes, oh yeah

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Speaker 3: that was really yum. Yeah yeah, oh thanks thanks, Yeah

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Speaker 3: that was great. That was really ye me thanks, thanks,

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Speaker 3: And it's like it just feels so like performative because

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Speaker 3: then it's like then I chime in and I'm like, yeah,

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Speaker 3: thank you, that was so great, but it's like I

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Speaker 3: didn't get to say it at my own time, right, Oh,

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Speaker 3: It's it's sort of like okay, and now is the

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Speaker 3: part where we express great.

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Speaker 1: It's like it's so like systemized. You feel there's no

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Speaker 1: way for you to be genuine yeah about the way

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Speaker 1: in which you've enjoyed the meal and the degree to

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Speaker 1: which you have enjoyed it. Once other people have sort

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Speaker 1: of started the.

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Speaker 3: Sty like, now is the moment when you do it.

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Speaker 3: It's like a standing ovation exactly exactly. But are you

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Speaker 3: Are you a fan of those? How do you feel

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Speaker 3: about standing ovations?

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Speaker 1: I'm not. I'm not a fan.

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Speaker 2: I don't think I've seen you ever stand for a

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Speaker 2: standing ovation. And that's okay, what's the uh the State

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Speaker 2: of the Union address? If you zoom in I'm there sitting.

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Speaker 2: Oh yeah, that's true. I stand, I stand, I rise.

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Speaker 1: You rise.

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Speaker 2: But I see when you were talking about dinner, I

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Speaker 2: thought you were going to bring up how someone makes dinner, yeah,

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Speaker 2: and then sets it down, everyone eats it and everyone.

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Speaker 1: Goes, oh, that was really good. That was really good.

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Speaker 2: And then what I thought you were going to say

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Speaker 2: that annoyed you and the performance was.

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Speaker 1: What's in it? Or how did you make it? I

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Speaker 1: don't want to know. I don't care.

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Speaker 2: No, it's not it's about the person who made the dinner,

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Speaker 2: and I do this. I'm guilty of this. I go, oh,

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Speaker 2: that's it's fine. I kind of I didn't if I

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Speaker 2: didn't have this agreed. I didn't really you know, like

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Speaker 2: like when you start to apologize. Oh, but that's you

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Speaker 2: in general, though, that's you in general. You don't like compliments.

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Speaker 1: But is that not a performance? Oh it is a performance? Oh? Yes, performance. Yeah,

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Speaker 1: that's why I'm with you. Like I love to go

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Speaker 1: out to dinner with a bunch of people. I think

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Speaker 1: that's great because it's like it's not we can all agree.

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Speaker 1: Oh that was so good, Like it's not about us.

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Speaker 1: No one's like put on the spot at that moment. Yeah. Also,

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Speaker 1: the thing with dinner parties is I don't know how

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Speaker 1: to say this. No matter who you are, your food

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Speaker 1: is not as good as a restaurant's food. Like your food,

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Speaker 1: no matter who you are, if you're cooking the food

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Speaker 1: at your house, it wasn't as good as a restaurant.

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Speaker 1: You're not a restaurant. You're not a restaurant, so you'll

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Speaker 1: never be a restaurant because if you are trying to

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Speaker 1: be a restaurant, you made this once today, yeah, one

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Speaker 1: hundred percent. And also it's like I could tell you

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Speaker 1: only made it once today. At a restaurant, they're making

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Speaker 1: these things upwards of nine, ten, eleven, twelve times. Yeah,

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Speaker 1: it's time to get it right. To get it right

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Speaker 1: isn't tried and true? Yeah? Oh so not for nothing.

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Speaker 1: I go to your house, like the silverware is it clean? Oh? Stop?

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Speaker 1: At what restaurant? I don't trust other people's homes and cooking.

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Speaker 1: And if I have to do that, it's like know

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Speaker 1: that I'm not being genuine when I'm like enthusiastic about it,

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00:19:48,359 --> 00:19:53,200
Speaker 1: that's me doing my classic Matt Rogers performance of enthusiasm. Wow,

378
00:19:53,280 --> 00:19:56,960
Speaker 1: because I'm not where else do you perform enthusiasm everywhere

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Speaker 1: I go? Everywhere I go? I'm like, and what is

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Speaker 1: the emotion you wish you could showcase? Surely? Oh, I'm

381
00:20:05,960 --> 00:20:07,919
Speaker 1: just kidding. I'm actually I'm happy to be everywhere that

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Speaker 1: I go, and I really do enjoy.

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Speaker 3: The way you backpedaled immediately into your performative joy. It's

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Speaker 3: okay to be It's okay to be surly sometimes.

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Speaker 1: The bottom line is, I would rather be at a

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Speaker 1: restaurant always, always. Now that's the T shirt I would

387
00:20:24,240 --> 00:20:27,800
Speaker 1: instant always always, thank you. We should put that on merch.

388
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Speaker 1: We should.

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Speaker 2: But nothing we've talked about and covered so far, Julio,

390
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Speaker 2: disqualifies Disney World for you.

391
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Speaker 1: Nothing.

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Speaker 2: Wait, what do you mean, Like, I think you would

393
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Speaker 2: still go and enjoy it. Not that Star Wars hotel,

394
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Speaker 2: but I think you would stay in like definitely not

395
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Speaker 2: an overnight experience.

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Speaker 1: Fine. Have you ever done an escape room? No? Coolio,

397
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Speaker 1: I think you might like that. An escape room?

398
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Speaker 2: Yes, you know who likes with the little games. You

399
00:20:56,800 --> 00:20:58,959
Speaker 2: know who We did an escape room with recently, our

400
00:20:59,040 --> 00:21:00,200
Speaker 2: mutual friend George.

401
00:21:01,040 --> 00:21:03,359
Speaker 1: Yeah. We had a great time with George doing an

402
00:21:03,440 --> 00:21:05,199
Speaker 1: escape room and he loved it and it was. It

403
00:21:05,240 --> 00:21:07,679
Speaker 1: was his very first one. We went in Hollywood and

404
00:21:07,720 --> 00:21:09,520
Speaker 1: he had a wonderful time in the escape room and

405
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Speaker 1: then left even saying, this is a big part of

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Speaker 1: my whole deal.

407
00:21:12,400 --> 00:21:16,920
Speaker 2: Now, wow, I think I don't want to prescribe an

408
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Speaker 2: open mindedness, but I think you can be curious if

409
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Speaker 2: you want. Unless you if you've ruled it out, I

410
00:21:23,240 --> 00:21:24,360
Speaker 2: can't stop you.

411
00:21:24,359 --> 00:21:28,840
Speaker 1: No, I'll try everything once. Okay, hmmm, except for most foods. Well,

412
00:21:28,880 --> 00:21:32,520
Speaker 1: that's different. The seam would matter. I think. Yes, there's

413
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Speaker 1: different themes like saw like, not all of them. You

414
00:21:37,119 --> 00:21:40,360
Speaker 1: don't do this well okay, no, no, no, no, no.

415
00:21:40,720 --> 00:21:44,280
Speaker 1: You're thinking about haunted house, you're thinking of thin house,

416
00:21:44,320 --> 00:21:47,720
Speaker 1: and you're thinking of scary escape rooms. But there's some

417
00:21:47,800 --> 00:21:50,000
Speaker 1: that are like I mean, remember the one we did

418
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Speaker 1: in Brooklyn that was themed to like it was Chinese.

419
00:21:53,359 --> 00:21:57,560
Speaker 1: It was Chinese. It was what were you escaping a

420
00:21:57,680 --> 00:22:04,480
Speaker 1: Chinese room? It was It was a tiniest curse. It

421
00:22:04,560 --> 00:22:08,120
Speaker 1: was fun. It was a very fun escape room. Though. Yeah,

422
00:22:08,200 --> 00:22:10,480
Speaker 1: but are you good at like puzzles and are you

423
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Speaker 1: good at like yes, you are. No, I'm not gonna

424
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Speaker 1: use the box.

425
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Speaker 3: He famously thinks very outside the box, and like what

426
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Speaker 3: if I made a dress with a box.

427
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Speaker 1: That's thinking outside the box, thinking about not even what

428
00:22:27,400 --> 00:22:29,400
Speaker 1: goes in the box, what the box is gonna wear.

429
00:22:29,760 --> 00:22:31,159
Speaker 1: That's thinking outside the box.

430
00:22:31,720 --> 00:22:34,720
Speaker 3: Wait have you seen OMG Fashion? No, I need to

431
00:22:34,720 --> 00:22:35,760
Speaker 3: start with Julia Fox.

432
00:22:36,040 --> 00:22:38,280
Speaker 1: Yeah. Oh yeah, yeah, yeah, no, we need to start.

433
00:22:38,400 --> 00:22:39,560
Speaker 1: It's really fun. Okay.

434
00:22:39,640 --> 00:22:43,320
Speaker 3: Basically, it's like the episodes are like twenty minutes perfect

435
00:22:43,400 --> 00:22:46,960
Speaker 3: and three people come and then she's like, make me

436
00:22:47,000 --> 00:22:50,639
Speaker 3: a dress out of this plastic bag, and then they

437
00:22:50,680 --> 00:22:52,800
Speaker 3: come back and then she's like I like that one

438
00:22:52,920 --> 00:23:00,920
Speaker 3: the end, and it's so entertaining watch Julia. Julia, Yeah,

439
00:23:01,320 --> 00:23:02,520
Speaker 3: very unpretentious.

440
00:23:02,840 --> 00:23:05,080
Speaker 1: Uh, it's so a pretentious.

441
00:23:05,080 --> 00:23:06,520
Speaker 2: Well that's that's the thing about Julia Fox that I

442
00:23:06,520 --> 00:23:09,760
Speaker 2: think she gets better than anybody, which is make it

443
00:23:09,800 --> 00:23:13,240
Speaker 2: inviting and yet also like so severe and so like

444
00:23:13,880 --> 00:23:16,720
Speaker 2: from somewhere, but like make it like unpretentious.

445
00:23:16,920 --> 00:23:19,119
Speaker 1: Yeah. I told something to Uh.

446
00:23:19,240 --> 00:23:22,560
Speaker 3: I was doing I was doing press for your favorite

447
00:23:22,640 --> 00:23:25,640
Speaker 3: my favorite, my favorite thing in the world. But and

448
00:23:26,000 --> 00:23:27,560
Speaker 3: you know how you go and then they like put

449
00:23:27,600 --> 00:23:29,320
Speaker 3: you in the clothes and they take the pictures.

450
00:23:29,359 --> 00:23:30,399
Speaker 1: It's called the photo shoot.

451
00:23:31,240 --> 00:23:36,240
Speaker 3: And I said something that like the stylist or like

452
00:23:36,320 --> 00:23:38,159
Speaker 3: one of the not the set, but like the the

453
00:23:38,200 --> 00:23:41,000
Speaker 3: someone that was working with the stylist looked at me

454
00:23:41,240 --> 00:23:47,280
Speaker 3: like what because I said I don't. I was like

455
00:23:47,480 --> 00:23:49,560
Speaker 3: there was They were showing me like clothes that were

456
00:23:49,560 --> 00:23:53,320
Speaker 3: like really nice clothes, like Lueve or whatever, and I

457
00:23:53,359 --> 00:23:56,960
Speaker 3: was like, I don't want to be aspirational.

458
00:23:57,720 --> 00:23:58,640
Speaker 1: Uh huh.

459
00:23:58,840 --> 00:24:03,520
Speaker 3: I don't want for anyone to see this and think

460
00:24:04,040 --> 00:24:06,520
Speaker 3: I should spend money on clothes.

461
00:24:07,040 --> 00:24:10,879
Speaker 1: Yeah. Yeah, And then it's like you could feel like

462
00:24:10,920 --> 00:24:15,960
Speaker 1: the blood vessels yeah, because it's literally it's literally literally

463
00:24:16,040 --> 00:24:22,040
Speaker 1: the whole, literally the whole. They'thing with you. Yeah. Yeah.

464
00:24:22,119 --> 00:24:24,840
Speaker 1: I think that if I'm that person, like what that

465
00:24:24,960 --> 00:24:28,680
Speaker 1: could feel like to me is like a superiority thing.

466
00:24:28,800 --> 00:24:31,760
Speaker 1: But I think that that's just your truth is like

467
00:24:31,880 --> 00:24:35,400
Speaker 1: you don't want to be a part of that. It's

468
00:24:35,400 --> 00:24:37,840
Speaker 1: not the way that you dress, it's not what you

469
00:24:37,920 --> 00:24:40,760
Speaker 1: like represent and stand for. So it's not it's not

470
00:24:40,800 --> 00:24:43,840
Speaker 1: even just like I'm better than fashion and this person

471
00:24:43,840 --> 00:24:45,320
Speaker 1: shrivels in turns stand.

472
00:24:45,080 --> 00:24:47,720
Speaker 3: And I love fashion, But I think like ideally, like

473
00:24:47,800 --> 00:24:50,119
Speaker 3: someone would see a picture and be like, lol, oh

474
00:24:50,200 --> 00:24:53,640
Speaker 3: my god, I should go get a plastic bag and

475
00:24:53,680 --> 00:24:55,320
Speaker 3: like make a scarf out of it.

476
00:24:55,440 --> 00:24:59,160
Speaker 1: I needed at the way that eye patch, Yeah yeah,

477
00:24:59,400 --> 00:25:02,280
Speaker 1: because I saw us wearing a luiv eyepatch and I

478
00:25:02,320 --> 00:25:05,280
Speaker 1: want a looiv eye patch. Now wait did I No?

479
00:25:05,359 --> 00:25:07,439
Speaker 1: I'm just saying that you would hate that if anyone

480
00:25:07,480 --> 00:25:10,520
Speaker 1: were to ever say that. Yeah, yeah, yeah yeah, and

481
00:25:10,560 --> 00:25:13,280
Speaker 1: I yea that's fun at least, So like a luayve

482
00:25:13,400 --> 00:25:16,960
Speaker 1: eepacks that costs like ten thousand but like five yeah exactly,

483
00:25:17,240 --> 00:25:20,280
Speaker 1: which probably it would right something. Probably don't know what

484
00:25:20,280 --> 00:25:20,960
Speaker 1: the price point is.

485
00:25:20,960 --> 00:25:22,520
Speaker 2: But this is the thing about Julia. Not to keep

486
00:25:22,520 --> 00:25:26,000
Speaker 2: talking about Julia, but she wears things that like no

487
00:25:26,040 --> 00:25:27,600
Speaker 2: one would ever think to wear.

488
00:25:27,880 --> 00:25:30,199
Speaker 1: She's wearing things that are not aspirationally. Yeah, here's what

489
00:25:30,280 --> 00:25:30,520
Speaker 1: it is.

490
00:25:30,600 --> 00:25:34,280
Speaker 3: I hate like operating and wearing things that have been

491
00:25:34,320 --> 00:25:38,360
Speaker 3: like preapproved by committee that everyone has like decided, oh

492
00:25:38,400 --> 00:25:44,000
Speaker 3: this is good because yeah, you know the whatever magazines

493
00:25:44,000 --> 00:25:45,200
Speaker 3: decided that this was good.

494
00:25:45,280 --> 00:25:48,200
Speaker 1: So yeah, you are wearing this like check mark yes.

495
00:25:48,720 --> 00:25:50,919
Speaker 2: So you would never do the mac dala because that

496
00:25:50,960 --> 00:25:53,159
Speaker 2: literally is one person an a winter going down the

497
00:25:53,240 --> 00:25:55,240
Speaker 2: list of being like Julio can't wear this, he has

498
00:25:55,280 --> 00:25:55,760
Speaker 2: to wear.

499
00:25:55,600 --> 00:25:58,680
Speaker 1: This, which I didn't know yeah, I didn't know that either.

500
00:25:59,320 --> 00:26:00,520
Speaker 1: Every single person.

501
00:26:01,720 --> 00:26:05,320
Speaker 3: Imagine having a party where you tell people that's literally

502
00:26:05,400 --> 00:26:08,400
Speaker 3: a wedding, right, that's what they do the bridal party.

503
00:26:08,480 --> 00:26:11,480
Speaker 1: Yeah, it's like we're all wearing this horrible color.

504
00:26:12,160 --> 00:26:14,080
Speaker 3: But also like you can't like if you were to

505
00:26:14,119 --> 00:26:16,800
Speaker 3: show up to like a very traditional wedding in like

506
00:26:16,880 --> 00:26:19,119
Speaker 3: jeans and a T shirt, Like people would say something,

507
00:26:19,960 --> 00:26:22,800
Speaker 3: I don't go to weddings either, right right, I think

508
00:26:22,800 --> 00:26:23,160
Speaker 3: they would.

509
00:26:23,200 --> 00:26:25,520
Speaker 1: But that's also going away. You send me your wedding

510
00:26:25,560 --> 00:26:28,399
Speaker 1: invitations going straight to the tracks. Wow, you heard it

511
00:26:28,440 --> 00:26:31,840
Speaker 1: here first. But I'll send a text. I'll send he's

512
00:26:31,840 --> 00:26:35,360
Speaker 1: not coming to dinner, he's not coming to your wedding. Yeah,

513
00:26:35,760 --> 00:26:38,639
Speaker 1: and he's not coming to your met gala. Sorry sorry, no,

514
00:26:38,960 --> 00:26:51,760
Speaker 1: those three things. Let's talk about animal. What to we

515
00:26:51,840 --> 00:26:54,800
Speaker 1: love about it? Are we so happy? Are we sponsored

516
00:26:54,800 --> 00:26:57,480
Speaker 1: by animals? We're not. Let's just it's the big for

517
00:26:57,560 --> 00:27:01,440
Speaker 1: the community in Brooklyn. Yeah, has taken the community by storm.

518
00:27:01,440 --> 00:27:03,719
Speaker 1: Can I say it? We definitely need to figure out

519
00:27:03,760 --> 00:27:07,040
Speaker 1: a bathroom situation, and we can't and won't because there's

520
00:27:07,040 --> 00:27:10,760
Speaker 1: no way to it. Sort of is what it is.

521
00:27:10,960 --> 00:27:12,879
Speaker 1: It's that one bathroom thing. And it's got like a

522
00:27:12,920 --> 00:27:16,439
Speaker 1: trough and there's like at any given time if it's busy, like,

523
00:27:17,119 --> 00:27:19,639
Speaker 1: I don't know how you pee in there without getting

524
00:27:19,640 --> 00:27:22,760
Speaker 1: pe shy. And that actually became a big conversation amongst

525
00:27:22,760 --> 00:27:25,280
Speaker 1: people that I was there with. It's like you wait

526
00:27:25,320 --> 00:27:26,879
Speaker 1: in line and then you get there and it's like

527
00:27:26,880 --> 00:27:29,360
Speaker 1: there's so many people behind you waiting, and also you're

528
00:27:29,520 --> 00:27:32,639
Speaker 1: right on top of other people. And I don't really

529
00:27:32,680 --> 00:27:35,879
Speaker 1: deal with pea shyness, but then an animal I was

530
00:27:35,920 --> 00:27:37,760
Speaker 1: like because it was a topic on my mind and

531
00:27:37,800 --> 00:27:40,240
Speaker 1: because the space was so small and cramped, like in

532
00:27:40,320 --> 00:27:43,200
Speaker 1: terms of peeing. And by the way, we love the establishment.

533
00:27:43,240 --> 00:27:44,880
Speaker 1: We've been to the establishment many times. I'm just talking

534
00:27:44,920 --> 00:27:48,800
Speaker 1: about the bathroom and this phenomenon. I left not having

535
00:27:48,920 --> 00:27:50,879
Speaker 1: peed because I was like, no, I don't know how

536
00:27:50,920 --> 00:27:52,679
Speaker 1: you do that in there. I don't know how you

537
00:27:52,760 --> 00:27:53,320
Speaker 1: do that in there.

538
00:27:53,400 --> 00:27:56,160
Speaker 3: You couldn't emotionally access a part of you that would

539
00:27:56,160 --> 00:27:58,080
Speaker 3: be comfortable enough to pee literally.

540
00:27:58,119 --> 00:27:59,960
Speaker 1: And what did happen was I went outside and pee

541
00:28:00,240 --> 00:28:03,560
Speaker 1: on the street. It's okay, everyone, don't people do it

542
00:28:03,600 --> 00:28:05,439
Speaker 1: all the time? Like I went outside and peede on

543
00:28:05,440 --> 00:28:07,200
Speaker 1: the street, and it was no problem. It flowed out

544
00:28:07,200 --> 00:28:10,119
Speaker 1: of me like truth. Oh my interesting because he didn't

545
00:28:10,160 --> 00:28:12,680
Speaker 1: feel the need to perform there. Yeah, it wasn't even

546
00:28:12,680 --> 00:28:15,040
Speaker 1: about feeling the need to perform. It was like feeling

547
00:28:15,160 --> 00:28:19,239
Speaker 1: the immediacy of performance, like you must pee now, like

548
00:28:19,480 --> 00:28:21,359
Speaker 1: because you regrets having a lot of time here. I

549
00:28:21,440 --> 00:28:22,679
Speaker 1: regrets Animal.

550
00:28:22,720 --> 00:28:25,399
Speaker 3: Okay, you heard it first. And Animal is fun, but

551
00:28:25,440 --> 00:28:28,000
Speaker 3: it will make you regress. Yeah, and I actually do

552
00:28:28,119 --> 00:28:29,040
Speaker 3: think that that's true.

553
00:28:29,280 --> 00:28:31,240
Speaker 1: Like, while I think it's a really fun establishment, I

554
00:28:31,240 --> 00:28:33,800
Speaker 1: have comments about the bathroom and the fact that everyone

555
00:28:33,840 --> 00:28:39,880
Speaker 1: I've ever seen there is regressing. Oh wow, my god. Wow.

556
00:28:40,200 --> 00:28:43,240
Speaker 2: Well, can I ask is that when you say single bathroom,

557
00:28:43,320 --> 00:28:46,880
Speaker 2: is it like one person, single person occupancy in theory,

558
00:28:47,040 --> 00:28:49,480
Speaker 2: or is it like one place for everyone to go

559
00:28:49,560 --> 00:28:50,479
Speaker 2: to pee in the trough?

560
00:28:50,640 --> 00:28:52,920
Speaker 1: I'm talking about the bathroom and Animal that trough like

561
00:28:52,960 --> 00:28:54,680
Speaker 1: the one where it's like there's like, I guess Bowen

562
00:28:54,680 --> 00:28:56,800
Speaker 1: doesn't know what the bathroom Animal. I guess you've never

563
00:28:56,840 --> 00:28:58,360
Speaker 1: even been there before.

564
00:28:57,920 --> 00:29:00,880
Speaker 2: I've been to Animal. I have just never had to

565
00:29:01,000 --> 00:29:02,080
Speaker 2: use the bathroom there.

566
00:29:02,160 --> 00:29:05,000
Speaker 1: Yeah. Same, Actually you've never had to peet Animal. I

567
00:29:05,000 --> 00:29:07,600
Speaker 1: guess you're always kind of like in and out.

568
00:29:07,600 --> 00:29:10,160
Speaker 2: I guess, but I also like, no, I don't know why.

569
00:29:10,240 --> 00:29:11,960
Speaker 2: I think it's just like a weird coincidence. I have

570
00:29:12,080 --> 00:29:14,080
Speaker 2: no qualms with using a public restroom.

571
00:29:14,360 --> 00:29:16,640
Speaker 1: Yeah, I mean neither. I see what's happening here. I

572
00:29:16,680 --> 00:29:20,120
Speaker 1: see what's happening here. What's happening One's hey, no, one's

573
00:29:20,160 --> 00:29:22,320
Speaker 1: how to get you. You guys are the two gay

574
00:29:22,400 --> 00:29:27,800
Speaker 1: faces of that other bar portraits, And so y'all are

575
00:29:27,840 --> 00:29:31,719
Speaker 1: trying to poison the minds of the gay community in Brooklyn.

576
00:29:31,720 --> 00:29:33,760
Speaker 1: You guys are the faces of the gay community in Brooklyn.

577
00:29:33,760 --> 00:29:37,120
Speaker 1: You have big portraits up in what's it called Macre Park. No, No,

578
00:29:37,160 --> 00:29:42,000
Speaker 1: not that way, It's called the Rosemont. There are huge portraits.

579
00:29:41,480 --> 00:29:43,720
Speaker 3: And okay, wait, hold on, but I I would like

580
00:29:43,800 --> 00:29:47,280
Speaker 3: to know Matt, that this is the second time that

581
00:29:48,320 --> 00:29:52,640
Speaker 3: you have said something bad about some express a negative

582
00:29:52,680 --> 00:29:58,440
Speaker 3: opinion and then attributed it to us because you were

583
00:29:58,560 --> 00:30:01,480
Speaker 3: just dragging the bathrooms at Animal and Bowen said, I've

584
00:30:01,480 --> 00:30:03,760
Speaker 3: never used the bathroom an Animal, and then he said, oh,

585
00:30:03,800 --> 00:30:05,720
Speaker 3: you're dragging Animal, Yeah, he was.

586
00:30:07,240 --> 00:30:09,800
Speaker 1: This is my whole thing. By the way, you haven't

587
00:30:09,800 --> 00:30:11,920
Speaker 1: even let me talk about the bathrooms at Rosemont, which

588
00:30:11,960 --> 00:30:15,320
Speaker 1: are also not good enough, right, right, But there's no

589
00:30:15,400 --> 00:30:17,400
Speaker 1: gay bar where the bathrooms are good enough. They're not

590
00:30:17,440 --> 00:30:20,240
Speaker 1: good enough at Metro, they're not good enough anywhere. Like

591
00:30:20,280 --> 00:30:22,440
Speaker 1: it's like, it's just it's the charm. It's part of

592
00:30:22,440 --> 00:30:25,520
Speaker 1: the charm. Part of a Brooklyn gay bar. Charm is

593
00:30:25,520 --> 00:30:28,880
Speaker 1: like you're gonna have a bad time going to the bathroom.

594
00:30:28,120 --> 00:30:31,480
Speaker 1: M it's the doing drugs in the bathroom. It's that

595
00:30:31,480 --> 00:30:32,479
Speaker 1: that makes it a problem.

596
00:30:32,520 --> 00:30:36,440
Speaker 3: It's like grow up, like, grow up, like do them outside?

597
00:30:37,640 --> 00:30:43,000
Speaker 1: Well, there's they're basically like at the door to animal.

598
00:30:43,040 --> 00:30:45,120
Speaker 1: I'm just giving everyone out there that maybe isn't like

599
00:30:45,160 --> 00:30:47,880
Speaker 1: a Brooklyn gay person an experience there. You'd walk up

600
00:30:47,920 --> 00:30:51,720
Speaker 1: to the door and it's the only door I've walked

601
00:30:51,760 --> 00:30:54,280
Speaker 1: up to where the person at the front runs through

602
00:30:54,280 --> 00:30:55,880
Speaker 1: a spiel before you're allowed in.

603
00:30:56,280 --> 00:30:58,840
Speaker 3: It's like, it's definitely not the only place. And that's

604
00:30:58,840 --> 00:30:59,680
Speaker 3: a very New York thing.

605
00:31:00,040 --> 00:31:02,960
Speaker 1: Did a very different thing, Okay, honestly, Julio, it is

606
00:31:03,240 --> 00:31:07,080
Speaker 1: very experientially. It really feels like a Disney pre showing

607
00:31:07,960 --> 00:31:11,240
Speaker 1: like you belong in Orlando, Florida. That's where you belong.

608
00:31:12,120 --> 00:31:13,719
Speaker 3: Wait, but I don't think i'd heard I don't think

609
00:31:13,720 --> 00:31:15,600
Speaker 3: i'd heard the speech, and I animal what is it.

610
00:31:15,600 --> 00:31:19,440
Speaker 1: It's basically like it's like no jugs in the bathroom,

611
00:31:19,520 --> 00:31:21,000
Speaker 1: like and then there's like a joke about like where

612
00:31:21,040 --> 00:31:22,760
Speaker 1: you could do it, and then like you know, there's

613
00:31:22,800 --> 00:31:25,080
Speaker 1: like yeah, have fun.

614
00:31:25,280 --> 00:31:28,880
Speaker 3: Yeah, it's giving flight attendant. Yeah, miss door has a routine.

615
00:31:29,200 --> 00:31:32,760
Speaker 3: Miss door has a routine, and that's seventy seven. Miss

616
00:31:32,800 --> 00:31:37,000
Speaker 3: door has a routine. Yeah, miss door has a routine.

617
00:31:37,280 --> 00:31:39,920
Speaker 1: Anyone doing security at any bar from now on is

618
00:31:39,920 --> 00:31:43,600
Speaker 1: they're not security. They are missdoor. Missdoor. Border patrol is

619
00:31:43,640 --> 00:31:52,320
Speaker 1: miss door. They're the door, missus door. What do you

620
00:31:52,840 --> 00:31:54,200
Speaker 1: what are you doing in the United States?

621
00:31:54,200 --> 00:31:59,720
Speaker 3: All right, miss door, it's giving miss door.

622
00:32:00,240 --> 00:32:02,440
Speaker 1: Are carrying more than ten thousand dollars in cash? Okay,

623
00:32:02,520 --> 00:32:06,719
Speaker 1: miss door? Are you missdoor? Yeah? Oh look it's how

624
00:32:06,760 --> 00:32:10,520
Speaker 1: much looking for sugar? Didding this door? What do you

625
00:32:10,560 --> 00:32:13,800
Speaker 1: think they would do? Be so confused and probably take

626
00:32:13,880 --> 00:32:15,840
Speaker 1: us all away. I mean, like, I don't think I

627
00:32:15,840 --> 00:32:17,400
Speaker 1: don't think they have a sense of humor down there

628
00:32:17,400 --> 00:32:19,760
Speaker 1: at border. I mean I think they have to suppress it.

629
00:32:20,240 --> 00:32:23,760
Speaker 1: They do. If they think it's funny, they won't show. Yeah,

630
00:32:23,760 --> 00:32:26,080
Speaker 1: they won't show. They definitely won't show.

631
00:32:26,280 --> 00:32:28,680
Speaker 2: They definitely won't show. But the border people in Canada

632
00:32:28,760 --> 00:32:33,560
Speaker 2: I got here, they are not Canadian in behavior and manner.

633
00:32:33,280 --> 00:32:36,400
Speaker 1: And they are not being kind and welcoming. No, they're

634
00:32:36,480 --> 00:32:39,360
Speaker 1: really drunk on power. I'm gonna say it, Wow, do

635
00:32:39,400 --> 00:32:41,720
Speaker 1: you have a Canadian passport? No? No, It's funny.

636
00:32:41,720 --> 00:32:45,280
Speaker 2: I showed up like I had my work permit like form,

637
00:32:45,400 --> 00:32:47,000
Speaker 2: and then I got there and they were like, you

638
00:32:47,000 --> 00:32:48,280
Speaker 2: don't need to be here. I was like why. They

639
00:32:48,280 --> 00:32:49,840
Speaker 2: were like, you're in the system, like you're at you're

640
00:32:49,880 --> 00:32:51,920
Speaker 2: a citizen. I was like, oh yeah, and then I.

641
00:32:51,960 --> 00:32:55,360
Speaker 1: Went you forgot you were a Canadian citizen. I forgot that.

642
00:32:55,400 --> 00:32:57,120
Speaker 2: I thought work permit just meant like you needed to

643
00:32:57,160 --> 00:32:59,120
Speaker 2: have that no matter where you went, like it just

644
00:32:59,240 --> 00:33:02,640
Speaker 2: didn't matter what nationality. I'm just so stupid. I take

645
00:33:02,640 --> 00:33:05,160
Speaker 2: all these things for granted, but didn't need it.

646
00:33:05,800 --> 00:33:09,200
Speaker 1: You're not. I don't think you're stupid at all. I

647
00:33:09,200 --> 00:33:11,240
Speaker 1: think you had a moment. Let me say something. I

648
00:33:11,240 --> 00:33:12,960
Speaker 1: think you had a moment. You just had to lapse.

649
00:33:13,120 --> 00:33:15,400
Speaker 3: You have a lot on your plate and you can't

650
00:33:15,440 --> 00:33:17,760
Speaker 3: keep track of all these things. I know you have

651
00:33:17,800 --> 00:33:18,880
Speaker 3: to give yourself some grace.

652
00:33:19,080 --> 00:33:22,280
Speaker 1: Thank you. Yeah, I do think Boon Yang, I'm going

653
00:33:22,320 --> 00:33:24,840
Speaker 1: to say this to you publicly. I do think it

654
00:33:24,880 --> 00:33:28,840
Speaker 1: is hire an assistant time. This is so interesting because

655
00:33:29,880 --> 00:33:32,680
Speaker 1: assistants are on the brain. Yeah, they should be. I

656
00:33:32,680 --> 00:33:35,040
Speaker 1: think it's time for you to hire an assistant.

657
00:33:35,280 --> 00:33:38,480
Speaker 2: We have a cast assistant. So on Canadian sets they

658
00:33:38,480 --> 00:33:39,640
Speaker 2: have a cast assistant.

659
00:33:39,840 --> 00:33:40,800
Speaker 1: Oh okay, and we.

660
00:33:40,760 --> 00:33:42,720
Speaker 2: Have one person whose name is James. He's wonderful, different

661
00:33:42,680 --> 00:33:44,560
Speaker 2: than a different than a PA, and so he just

662
00:33:44,760 --> 00:33:48,120
Speaker 2: is for whatever, principles whatever. I hate the hierarchy thing,

663
00:33:48,160 --> 00:33:50,840
Speaker 2: but it's like, principles, get a cast assistant. And then

664
00:33:50,840 --> 00:33:52,640
Speaker 2: he was just like, what do you like to drink?

665
00:33:52,680 --> 00:33:54,520
Speaker 2: And it was like it's like I'll stock your fridge.

666
00:33:54,520 --> 00:33:57,840
Speaker 2: I was like, oh, diet coke and celsius. And then

667
00:33:57,880 --> 00:33:59,800
Speaker 2: I showed up the next day and it was full

668
00:34:00,200 --> 00:34:00,680
Speaker 2: and it was like.

669
00:34:00,640 --> 00:34:03,040
Speaker 1: Die cocon celsius. This is d to be careful with

670
00:34:03,040 --> 00:34:04,720
Speaker 1: the celsius. Oh. I know. That's sort of what an

671
00:34:04,760 --> 00:34:07,000
Speaker 1: assistant does though, and they can also do things that

672
00:34:07,080 --> 00:34:09,600
Speaker 1: aren't just like elective and like this will be fun

673
00:34:09,640 --> 00:34:11,680
Speaker 1: to have diet coke, Like that'll be amazing, even though

674
00:34:11,680 --> 00:34:14,040
Speaker 1: it is like something you asked for you should have

675
00:34:14,080 --> 00:34:16,360
Speaker 1: the diet coke. It's like, but that feeling was amazing.

676
00:34:16,760 --> 00:34:18,640
Speaker 1: I know. But think about this, like, now you can

677
00:34:18,680 --> 00:34:20,600
Speaker 1: have a person that like responds to the emails you

678
00:34:20,600 --> 00:34:23,600
Speaker 1: don't want to respond to, pays certain bills like you know,

679
00:34:23,680 --> 00:34:26,400
Speaker 1: like gets on top of things. I just feel like

680
00:34:26,440 --> 00:34:29,040
Speaker 1: you're a prime candidate for one. We'll see, we'll see.

681
00:34:29,280 --> 00:34:31,640
Speaker 2: Well, what are the names of the fictional assistance And

682
00:34:31,719 --> 00:34:34,520
Speaker 2: you know, way back in the day, hantsen clst Hants

683
00:34:34,520 --> 00:34:38,200
Speaker 2: and Celeste. Now have those names changed in sort of

684
00:34:38,239 --> 00:34:40,279
Speaker 2: what they mean to you now that we all know

685
00:34:40,400 --> 00:34:42,560
Speaker 2: and are very close to a Celeste in our lives.

686
00:34:43,400 --> 00:34:45,080
Speaker 2: Speaking of course about celestim.

687
00:34:45,640 --> 00:34:49,200
Speaker 1: Oh, that's so interesting because the name is a little

688
00:34:49,200 --> 00:34:51,520
Speaker 1: bit more real now, right, Like it's not this I

689
00:34:51,560 --> 00:34:53,799
Speaker 1: never thought about that. You create this name for this

690
00:34:53,960 --> 00:34:55,880
Speaker 1: idea of this person, and then all of a sudden

691
00:34:55,960 --> 00:35:00,440
Speaker 1: there comes the real person. Well no, because Celeste is

692
00:35:00,600 --> 00:35:06,600
Speaker 1: so different than no. Of course, the idea of Celeste,

693
00:35:08,760 --> 00:35:12,160
Speaker 1: which that's what I call greta titleman's character.

694
00:35:12,920 --> 00:35:16,080
Speaker 3: Yes, in the movie, Uh, the idea of Celeste. Now

695
00:35:16,080 --> 00:35:17,440
Speaker 3: that's a title because.

696
00:35:17,160 --> 00:35:21,319
Speaker 1: The idea of Celeste is Greta Titleman, and Celestim is

697
00:35:21,360 --> 00:35:24,160
Speaker 1: not the idea of celest No, no, they are their

698
00:35:24,200 --> 00:35:28,040
Speaker 1: own person. Of course I'm riding hard for this train.

699
00:35:28,440 --> 00:35:31,279
Speaker 1: This is because Greta Titleman is Celeste.

700
00:35:31,560 --> 00:35:36,000
Speaker 2: Yes, yes, she is celest in concept. Yeah, but I

701
00:35:36,080 --> 00:35:38,239
Speaker 2: do think about this quite often. I do draw this,

702
00:35:38,560 --> 00:35:41,880
Speaker 2: I connect these dots in my mind. Whether I'm with

703
00:35:42,000 --> 00:35:45,960
Speaker 2: Celestim or not, I go. My only other encounter with

704
00:35:46,040 --> 00:35:48,520
Speaker 2: the name Celeste has been with a couple other Celestes

705
00:35:48,560 --> 00:35:51,080
Speaker 2: in real life. But mostly I think about Celeste like

706
00:35:51,160 --> 00:35:55,839
Speaker 2: Julio's fictional assistant intern. I'm sorry, intern, And now I

707
00:35:55,880 --> 00:35:58,560
Speaker 2: feel like what I've noticed is paid unpaid intern. What

708
00:35:58,600 --> 00:36:00,480
Speaker 2: I've noticed is Julio has now move moved into the

709
00:36:00,520 --> 00:36:04,680
Speaker 2: realm of made up names, fictional names, names.

710
00:36:04,400 --> 00:36:07,520
Speaker 1: That are oh my god, yeah, I love It's my

711
00:36:07,520 --> 00:36:09,120
Speaker 1: favorite thing to do. Yeah.

712
00:36:09,239 --> 00:36:10,920
Speaker 2: Is there any sort of like switch in that, Like

713
00:36:10,960 --> 00:36:13,000
Speaker 2: do you feel like that's there's truth to that statement

714
00:36:13,040 --> 00:36:15,719
Speaker 2: of like you feel like, in order to like further

715
00:36:15,760 --> 00:36:18,560
Speaker 2: filter out from reality, you go, let's make up these

716
00:36:18,560 --> 00:36:21,160
Speaker 2: fictional names, bibo and put it on the pinat and

717
00:36:21,239 --> 00:36:23,080
Speaker 2: like all these like these names.

718
00:36:24,520 --> 00:36:27,440
Speaker 1: Yeah, well, creatures are funnier when they have fake names.

719
00:36:27,440 --> 00:36:28,680
Speaker 1: I think, of course.

720
00:36:28,760 --> 00:36:31,799
Speaker 3: I think that's the general rule, of course, because then

721
00:36:31,880 --> 00:36:35,120
Speaker 3: they become more like unplaceable, I guess, and.

722
00:36:35,040 --> 00:36:38,360
Speaker 1: They also get an inner life immediately immediately.

723
00:36:38,640 --> 00:36:41,040
Speaker 3: Yeah, like the learning curve for people to know how

724
00:36:41,080 --> 00:36:41,880
Speaker 3: to spell purely.

725
00:36:41,680 --> 00:36:44,040
Speaker 1: And and pena is always funny. Yeah, I think I can

726
00:36:44,120 --> 00:36:53,040
Speaker 1: spell it. Go ahead, P I are you m L

727
00:36:53,200 --> 00:37:02,280
Speaker 1: I M and P m hm. I You're so close?

728
00:37:02,800 --> 00:37:12,239
Speaker 1: And yeah I an a yeah, thank you. Yeah that

729
00:37:12,360 --> 00:37:15,320
Speaker 1: was really good. Wow, that was very good. Thank you.

730
00:37:15,360 --> 00:37:19,160
Speaker 1: Now names Matt is a big name person. I was

731
00:37:19,200 --> 00:37:22,759
Speaker 1: just thinking to myself, like, what's your favorite name? Beginnings Chang.

732
00:37:24,560 --> 00:37:27,680
Speaker 1: Beginnings Chang is like such a beginning name and like

733
00:37:27,800 --> 00:37:31,879
Speaker 1: pop culture history for me, like beginnings Chang. Like that's wait,

734
00:37:31,920 --> 00:37:33,399
Speaker 1: I'm so sorry. Can you fill me in on who

735
00:37:33,400 --> 00:37:35,439
Speaker 1: beginnings is? Go ahead, Bowen whose Beginnings Chang?

736
00:37:35,560 --> 00:37:37,880
Speaker 2: Deep House Dish, which is the sketch that James Anderson

737
00:37:37,920 --> 00:37:41,720
Speaker 2: wrote on est and else the ear the King of

738
00:37:42,200 --> 00:37:46,520
Speaker 2: the King of Fake Names, Jen Jen Binks and I'm

739
00:37:46,680 --> 00:37:49,239
Speaker 2: jen Jen Binks and I'm Judged Binks. But when my

740
00:37:49,400 --> 00:37:52,080
Speaker 2: Rudolph posted us and now she Beginnings Chang is like

741
00:37:52,200 --> 00:37:56,799
Speaker 2: stuck in her brain like beginnings, chang is stretches generations,

742
00:37:56,880 --> 00:37:57,480
Speaker 2: you know what I mean?

743
00:37:57,840 --> 00:38:00,600
Speaker 1: Absolutely. I was sitting here thinking to myself like, just like,

744
00:38:00,719 --> 00:38:03,680
Speaker 1: do you feel like the concept of your name? And

745
00:38:03,719 --> 00:38:06,160
Speaker 1: I was like, I don't. Her names are Matt Rogers

746
00:38:06,360 --> 00:38:10,160
Speaker 1: and Julio Torres. Do you feel like the concept of

747
00:38:10,200 --> 00:38:12,000
Speaker 1: your name? No, I don't.

748
00:38:12,080 --> 00:38:14,840
Speaker 3: I don't, But would you name yourself probably like a

749
00:38:15,120 --> 00:38:19,960
Speaker 3: little sound of some kind. Well, actually I met someone

750
00:38:19,960 --> 00:38:25,080
Speaker 3: who had a kid named Inti int Inti Inty. That's

751
00:38:25,120 --> 00:38:27,640
Speaker 3: so which I was like, Oh, I wish I were

752
00:38:27,640 --> 00:38:28,040
Speaker 3: an Ethy.

753
00:38:29,160 --> 00:38:31,719
Speaker 1: I always want my name to be like Lyda, like

754
00:38:31,960 --> 00:38:35,080
Speaker 1: l e E d A Rida Lida, Like isn't that

755
00:38:35,120 --> 00:38:38,440
Speaker 1: so beautiful? Like that is so beautiful, elegant you're making

756
00:38:38,480 --> 00:38:42,080
Speaker 1: your elegant face. I love Natralia. I love like Leilani.

757
00:38:42,400 --> 00:38:48,000
Speaker 1: I love like you're el Lelantra. I love beautiful sort

758
00:38:48,000 --> 00:38:53,480
Speaker 1: of like ethereal feminine name like LORELEI my favorite friend

759
00:38:53,680 --> 00:38:55,480
Speaker 1: And now I'm not letting everyone know they were not.

760
00:38:55,600 --> 00:39:00,279
Speaker 1: My favorite friend in high school was named Laurenn l

761
00:39:00,360 --> 00:39:06,160
Speaker 1: O r I e n n E Laurien. Wasn't that good? Wow?

762
00:39:06,680 --> 00:39:08,719
Speaker 1: I was just like, how do you get a name

763
00:39:08,800 --> 00:39:11,319
Speaker 1: like that? Because no one I grew up with had one.

764
00:39:11,480 --> 00:39:16,279
Speaker 1: Everyone was Amanda, everyone was everyone ever, everyone was right,

765
00:39:16,400 --> 00:39:18,840
Speaker 1: especially Real Culture number nineteen.

766
00:39:18,960 --> 00:39:23,160
Speaker 2: Everyone was Amanda. But can I say, Matt, I think you,

767
00:39:23,320 --> 00:39:25,880
Speaker 2: out of the three of us, embody.

768
00:39:25,480 --> 00:39:26,600
Speaker 1: Your name the most.

769
00:39:26,960 --> 00:39:30,319
Speaker 2: Yeah, Matt Rogers, it feels I think it feels really

770
00:39:30,360 --> 00:39:31,960
Speaker 2: good on the tongue.

771
00:39:32,200 --> 00:39:36,080
Speaker 1: To say, and so to speak, I disagree.

772
00:39:36,239 --> 00:39:40,520
Speaker 3: I think that Matt Rogers sounds more serious than Matt

773
00:39:40,560 --> 00:39:44,360
Speaker 3: the person. And I would say that Bowen is beautiful

774
00:39:44,400 --> 00:39:44,640
Speaker 3: for you.

775
00:39:45,320 --> 00:39:47,880
Speaker 1: Yeah, I like Bowen. I don't know Yang. I'm like,

776
00:39:48,000 --> 00:39:49,600
Speaker 1: I forget that that's my last name, but.

777
00:39:49,680 --> 00:39:54,120
Speaker 3: It counter it. It grounds the Bowen. Oh interesting my

778
00:39:54,200 --> 00:39:55,200
Speaker 3: humanized as the Bowen.

779
00:39:55,640 --> 00:39:58,120
Speaker 1: Uh huh. I agree with you that Bowen is like

780
00:39:58,320 --> 00:40:00,640
Speaker 1: it's got this like just like a beauty and a

781
00:40:00,640 --> 00:40:03,200
Speaker 1: whimsy to it. But also, didn't you say it's quite

782
00:40:03,239 --> 00:40:05,000
Speaker 1: a common Chinese name? Oh?

783
00:40:05,040 --> 00:40:08,360
Speaker 2: Really, Yang is very common, Bowen is is. It's pretty

784
00:40:08,560 --> 00:40:10,920
Speaker 2: all Chinese names are very unique, Like it's like the

785
00:40:11,040 --> 00:40:12,720
Speaker 2: characters are infinite.

786
00:40:12,800 --> 00:40:14,520
Speaker 1: But I like Bowen.

787
00:40:14,760 --> 00:40:18,120
Speaker 2: The Yang is something that I like forget about, which

788
00:40:18,160 --> 00:40:18,840
Speaker 2: sounds weird.

789
00:40:19,160 --> 00:40:22,080
Speaker 1: Mm hm oh why is so pretty? Though, I like

790
00:40:22,160 --> 00:40:24,520
Speaker 1: the why very pretty? Mm hmm.

791
00:40:24,640 --> 00:40:28,120
Speaker 2: I like why now letters that you guys want your

792
00:40:28,360 --> 00:40:29,919
Speaker 2: so Matt wants an l leo.

793
00:40:30,000 --> 00:40:32,680
Speaker 1: I think you want like you want a que you want,

794
00:40:32,880 --> 00:40:34,520
Speaker 1: I definitely want.

795
00:40:34,840 --> 00:40:37,600
Speaker 3: I would love a cue. I would also love an

796
00:40:37,719 --> 00:40:40,480
Speaker 3: eye a lowercase I.

797
00:40:39,800 --> 00:40:41,880
Speaker 1: Uh huh, you have one.

798
00:40:42,000 --> 00:40:45,360
Speaker 3: I want more and for them to have more of

799
00:40:45,400 --> 00:40:48,160
Speaker 3: a spotlight in the name, because right now, the eye

800
00:40:48,200 --> 00:40:52,279
Speaker 3: in my name has a supporting role. The I in

801
00:40:52,360 --> 00:40:55,640
Speaker 3: my name is very like would that be all ma'am?

802
00:40:55,840 --> 00:40:56,640
Speaker 1: You know in the scene.

803
00:40:56,760 --> 00:41:01,160
Speaker 3: Oh, but I need the eye to be a protagonist.

804
00:41:01,520 --> 00:41:05,319
Speaker 1: Oh my god, intyty, I'm gonna ask you. I'm gonna

805
00:41:05,320 --> 00:41:10,919
Speaker 1: ask you a question. Yeah, can you name me? Yeah?

806
00:41:11,040 --> 00:41:16,759
Speaker 1: I can hold on. Okay, Kevin Banks, Kevin Banks? Wait

807
00:41:16,920 --> 00:41:18,960
Speaker 1: that someone already? But how is that so much different

808
00:41:18,960 --> 00:41:22,800
Speaker 1: than Matt Rodgers? You know, Okay, okay, okay, but Kevin Banks.

809
00:41:22,800 --> 00:41:24,080
Speaker 1: It just seems like if you want us to give

810
00:41:24,120 --> 00:41:26,640
Speaker 1: me like a whimsical, silly name that you feel that's

811
00:41:26,680 --> 00:41:29,480
Speaker 1: what I've earned. Kevin Banks. Okay, I'm looking at myself

812
00:41:29,480 --> 00:41:33,920
Speaker 1: being like, am I Lance? Well you couldn't, but that's taken.

813
00:41:34,000 --> 00:41:37,560
Speaker 1: But that's it is taken. There's another big gay lance.

814
00:41:37,640 --> 00:41:40,719
Speaker 1: You can't you can't do that. I have a first

815
00:41:40,760 --> 00:41:47,240
Speaker 1: name for you. I have a first name for you. Okay, ruly, ruly, ruly,

816
00:41:47,920 --> 00:41:56,239
Speaker 1: rulyly do you think I should be named? Don't you

817
00:41:56,280 --> 00:41:58,040
Speaker 1: want it? You want it an l and you wanted

818
00:41:58,040 --> 00:42:00,480
Speaker 1: something interesting? You know what my name should be? Sorry

819
00:42:00,480 --> 00:42:04,720
Speaker 1: to him Leland, I'm taking Leland. Worry to which Leland?

820
00:42:05,080 --> 00:42:08,440
Speaker 1: There's a Leland songwriter and singer Leland. And that's a

821
00:42:08,480 --> 00:42:11,040
Speaker 1: stage name. But it's a beautiful stage I don't think

822
00:42:11,040 --> 00:42:13,880
Speaker 1: it's I don't think it's Leland. I think Leland is

823
00:42:13,920 --> 00:42:16,600
Speaker 1: too too cookie for you.

824
00:42:16,600 --> 00:42:19,960
Speaker 2: Okay, so so sorry, So Matt, do you want a

825
00:42:20,000 --> 00:42:22,160
Speaker 2: quote unquote like established name.

826
00:42:22,520 --> 00:42:30,600
Speaker 1: Here's my name, Philip Dunkret. No, no, what is no?

827
00:42:30,640 --> 00:42:33,800
Speaker 1: You want to Philip dun dunk grit? You don't want to?

828
00:42:34,480 --> 00:42:37,839
Speaker 1: No one, Philip Dunkret Like that's something that I'm using.

829
00:42:37,880 --> 00:42:41,400
Speaker 1: Philip Dunkrit. What is dunkrit from? I don't know. I

830
00:42:41,440 --> 00:42:43,080
Speaker 1: made it up. I made up a word. We're talking about.

831
00:42:43,080 --> 00:42:46,560
Speaker 1: How that's fun? Okay, Yes, okay, I have one. I

832
00:42:46,560 --> 00:42:54,120
Speaker 1: have one dustin Dallas, d Dallas. Though. Yeah, No, I

833
00:42:54,120 --> 00:42:57,080
Speaker 1: think it's perfect for you. Dustin Dallas or like Duncan Dallas,

834
00:42:57,960 --> 00:43:02,840
Speaker 1: don't Dallas. I like Dustin Dallas. Dustin Dallas. One of

835
00:43:02,880 --> 00:43:06,319
Speaker 1: my favorite porn stars name is Dustin Dustin. What does

836
00:43:06,360 --> 00:43:09,360
Speaker 1: he have a last name? Hazel? Dustin Hazel. That's a

837
00:43:09,360 --> 00:43:14,080
Speaker 1: great name. I'm not familiar with Hazel sports. He's wonderful. Yeah, okay,

838
00:43:14,719 --> 00:43:18,040
Speaker 1: check it out. I feel like both of you. I'm

839
00:43:18,080 --> 00:43:20,439
Speaker 1: thinking of your output and your art and your work,

840
00:43:20,480 --> 00:43:22,760
Speaker 1: and both of you, I feel like in your future,

841
00:43:22,840 --> 00:43:26,719
Speaker 1: if not already, have like a gay porn type of

842
00:43:27,239 --> 00:43:31,680
Speaker 1: story to tell through your writing or directing or what

843
00:43:31,880 --> 00:43:32,200
Speaker 1: you mean?

844
00:43:32,520 --> 00:43:35,960
Speaker 3: You mean that like something we make will generate a

845
00:43:36,239 --> 00:43:37,719
Speaker 3: porn spoof that we know.

846
00:43:38,120 --> 00:43:40,279
Speaker 1: Like what he's saying is he wants us to do

847
00:43:40,320 --> 00:43:43,719
Speaker 1: only fans together. He's saying he wants us to start

848
00:43:43,800 --> 00:43:45,120
Speaker 1: up a channel. He wants to watch us.

849
00:43:45,320 --> 00:43:48,320
Speaker 3: I can't open a small business, I like, I really,

850
00:43:48,440 --> 00:43:49,840
Speaker 3: I do not have time.

851
00:43:51,480 --> 00:43:54,000
Speaker 1: It's so much admin work. I can't. I don't know

852
00:43:54,040 --> 00:43:54,760
Speaker 1: how our.

853
00:43:54,680 --> 00:43:56,680
Speaker 3: Friends who our friends who have only fans And it's

854
00:43:56,719 --> 00:43:59,640
Speaker 3: like the amount of time it takes to like in

855
00:43:59,680 --> 00:44:03,160
Speaker 3: oct with people and it's just no, it's.

856
00:44:03,360 --> 00:44:07,839
Speaker 1: It is like a crazy hard job. I recently saw

857
00:44:07,920 --> 00:44:10,080
Speaker 1: someone have like sort of a little bit of a breakdown,

858
00:44:10,239 --> 00:44:12,560
Speaker 1: like it's this guy on only fans and I guess

859
00:44:12,600 --> 00:44:15,440
Speaker 1: he got a message from someone.

860
00:44:15,360 --> 00:44:17,520
Speaker 3: And he put the breakdown on only fans. It was like, no,

861
00:44:18,080 --> 00:44:20,279
Speaker 3: he didn't have a breakdown on OnlyFans. Although I have

862
00:44:20,440 --> 00:44:22,360
Speaker 3: watched some people that I follow on only fans like

863
00:44:22,400 --> 00:44:27,360
Speaker 3: postlong things about how like I have seen some people

864
00:44:27,440 --> 00:44:29,560
Speaker 3: like really open enough about what the toll this takes

865
00:44:29,560 --> 00:44:31,920
Speaker 3: on their mental health and stuff, and I'm like, God,

866
00:44:32,080 --> 00:44:34,719
Speaker 3: then like, please take this to another platform or to

867
00:44:34,800 --> 00:44:37,239
Speaker 3: another service, like not because I don't want to hear it,

868
00:44:37,320 --> 00:44:40,239
Speaker 3: because I'm like, this is not You're not going to

869
00:44:40,320 --> 00:44:41,440
Speaker 3: get what you need.

870
00:44:41,360 --> 00:44:44,719
Speaker 1: From your only fans followers. But maybe the transfer on

871
00:44:44,760 --> 00:44:50,319
Speaker 1: Twitter the community would that's their time. I guess what

872
00:44:50,360 --> 00:44:51,960
Speaker 1: I mean by take it to another platform is like

873
00:44:52,040 --> 00:44:55,000
Speaker 1: take this feeling somewhere else to feel better about it,

874
00:44:55,040 --> 00:44:57,640
Speaker 1: like therapy or like friends or something like that. But

875
00:44:57,719 --> 00:45:00,840
Speaker 1: I did recently see someone that I follow on OnlyFans,

876
00:45:00,840 --> 00:45:04,000
Speaker 1: who I also follow on Instagram sort of say that

877
00:45:04,040 --> 00:45:07,880
Speaker 1: people in his dms get very familiar and sexual and

878
00:45:07,920 --> 00:45:10,360
Speaker 1: treat them sort of like like garbage, like not a person.

879
00:45:10,800 --> 00:45:14,120
Speaker 1: And he was saying, it's like this particular creator was like,

880
00:45:14,480 --> 00:45:17,880
Speaker 1: I don't want to have sex with you and your boyfriend,

881
00:45:17,920 --> 00:45:19,880
Speaker 1: Like I don't want if you're an open relationship, Like

882
00:45:19,960 --> 00:45:21,839
Speaker 1: I'm not someone who wants to participate in that. That's

883
00:45:21,880 --> 00:45:24,480
Speaker 1: my preference. And like, because of my job, it seems

884
00:45:24,480 --> 00:45:26,560
Speaker 1: like everyone thinks they can talk to me crazy and

885
00:45:26,600 --> 00:45:28,360
Speaker 1: like throw anything by me, and if I react in

886
00:45:28,400 --> 00:45:31,359
Speaker 1: a certain way, it's like, oh suddenly they're like, oh

887
00:45:31,400 --> 00:45:34,000
Speaker 1: fuck you, you're not as fun as I thought you were. Like, no,

888
00:45:34,160 --> 00:45:35,439
Speaker 1: like you subscribe to.

889
00:45:35,360 --> 00:45:41,160
Speaker 3: Me, which is so childish to think that, like someone's job, right,

890
00:45:41,560 --> 00:45:44,680
Speaker 3: is like how you should like interact with them when

891
00:45:44,719 --> 00:45:48,200
Speaker 3: they're not. It's very like, no, honey, there's a human

892
00:45:48,280 --> 00:45:49,160
Speaker 3: under Mickey.

893
00:45:49,640 --> 00:45:52,920
Speaker 1: Right exactly, Like you can't walk up and grab Mickey's

894
00:45:52,920 --> 00:45:55,360
Speaker 1: butt just because Mickey the character is such as slut,

895
00:45:55,440 --> 00:45:57,759
Speaker 1: you know what I mean? Like, right, as a human,

896
00:45:57,800 --> 00:46:03,239
Speaker 1: I'm Mary Mickey is a big whore. But I feel

897
00:46:03,280 --> 00:46:06,759
Speaker 1: like the two of you people waw friendship from the

898
00:46:06,760 --> 00:46:07,319
Speaker 1: two of you.

899
00:46:07,600 --> 00:46:09,880
Speaker 2: Yes, And that's not a bad thing to like that

900
00:46:10,000 --> 00:46:12,440
Speaker 2: is not a toxic thing to like that. That is

901
00:46:12,440 --> 00:46:15,880
Speaker 2: so different from people not only fans, being like treated

902
00:46:15,920 --> 00:46:18,520
Speaker 2: and talked and spoken to like chattel because it's completely

903
00:46:18,520 --> 00:46:19,320
Speaker 2: sexual and whatever.

904
00:46:19,480 --> 00:46:22,279
Speaker 1: Like I can handle that. Yeah. The parasocial thing with

905
00:46:22,400 --> 00:46:24,960
Speaker 1: us is like maybe sometimes people will talk to us

906
00:46:25,000 --> 00:46:27,000
Speaker 1: like as if they know us. And what's funny is

907
00:46:27,040 --> 00:46:29,200
Speaker 1: when they start doing it and they're like like one time,

908
00:46:29,239 --> 00:46:31,520
Speaker 1: like someone came over to Bowen, I was like bitch

909
00:46:31,640 --> 00:46:33,920
Speaker 1: and like yelled bitch and like it was like you

910
00:46:33,960 --> 00:46:39,480
Speaker 1: can feel them feel in the moment, like he didn't

911
00:46:39,480 --> 00:46:45,200
Speaker 1: know what the saga wars. He was like bitch flir. Yeah,

912
00:46:45,239 --> 00:46:48,239
Speaker 1: sometimes it's like you could literally see in a moment

913
00:46:48,320 --> 00:46:51,080
Speaker 1: people realize like, oh, I just talked to him, like

914
00:46:51,320 --> 00:46:53,200
Speaker 1: I know him. I don't know him, but I think

915
00:46:53,200 --> 00:46:55,719
Speaker 1: it's just you know, tales all the time. Totally totally fun.

916
00:46:55,800 --> 00:46:58,319
Speaker 2: I do feel like this is this sounds like such

917
00:46:58,320 --> 00:47:02,680
Speaker 2: a naive discovery, but I feel like people who have

918
00:47:02,840 --> 00:47:08,960
Speaker 2: followings will engender and reflect the things about them onto

919
00:47:09,680 --> 00:47:13,560
Speaker 2: those people, like on a larger scale, does that make sense?

920
00:47:13,600 --> 00:47:16,719
Speaker 2: Like perfect example is Sarah Sherman, Like her fans are

921
00:47:16,840 --> 00:47:18,880
Speaker 2: people who sent her fan art and are so creative

922
00:47:18,920 --> 00:47:21,759
Speaker 2: and so cookie and weird and silly and like that's

923
00:47:21,800 --> 00:47:25,040
Speaker 2: because that's who she is. And like, I feel like, Julio,

924
00:47:25,320 --> 00:47:28,799
Speaker 2: you invite people who are extremely like thoughtful and like

925
00:47:28,920 --> 00:47:30,000
Speaker 2: are just like people?

926
00:47:30,080 --> 00:47:32,359
Speaker 3: What are you saying that? Like people like walk up

927
00:47:32,360 --> 00:47:33,520
Speaker 3: to Sarah and be like, you want to see my

928
00:47:33,560 --> 00:47:35,480
Speaker 3: sit and she does talk about that.

929
00:47:35,520 --> 00:47:37,760
Speaker 2: She's like people do also, Like I think we all

930
00:47:37,800 --> 00:47:40,920
Speaker 2: have this thing of like anyone who has like an

931
00:47:40,920 --> 00:47:43,920
Speaker 2: online or like a persona in one public facing way

932
00:47:43,960 --> 00:47:47,080
Speaker 2: and then a private inner life, which is almost everybody

933
00:47:47,480 --> 00:47:51,919
Speaker 2: like has this weird dissonant thing where it's like, oh

934
00:47:51,920 --> 00:47:54,440
Speaker 2: but you think that, like You're able to bring that

935
00:47:54,480 --> 00:47:57,000
Speaker 2: to me, and I'm supposed to like honor and appraise

936
00:47:57,080 --> 00:48:00,360
Speaker 2: that in a way that you expect and it's.

937
00:48:00,239 --> 00:48:03,400
Speaker 1: Not exactly what it is, and it's not exactly what

938
00:48:03,520 --> 00:48:06,400
Speaker 1: it is, Like I'm trying to find the right words.

939
00:48:06,560 --> 00:48:09,200
Speaker 1: You found him. I did, But like people seem very

940
00:48:09,239 --> 00:48:11,239
Speaker 1: measured with you who are talking to me.

941
00:48:11,920 --> 00:48:15,359
Speaker 3: Yeah, yeah, I don't think I've had any interactions that

942
00:48:16,719 --> 00:48:19,719
Speaker 3: have made me uncomfortable.

943
00:48:20,520 --> 00:48:23,439
Speaker 1: Yeah no, there was one at my Christmas show where

944
00:48:23,440 --> 00:48:26,520
Speaker 1: and I adore this person And if this person hears

945
00:48:26,560 --> 00:48:28,400
Speaker 1: this and knows it's them or thinks it's them, like,

946
00:48:28,520 --> 00:48:30,360
Speaker 1: just take it away from you. I'm just saying in

947
00:48:30,360 --> 00:48:32,759
Speaker 1: an amorphous way. There was someone who came up to

948
00:48:32,800 --> 00:48:35,080
Speaker 1: me once at one of my shows and said, I

949
00:48:35,120 --> 00:48:38,600
Speaker 1: have to tell you, I hated you for a really

950
00:48:38,680 --> 00:48:40,839
Speaker 1: long time. And I listened to the podcast and I

951
00:48:40,920 --> 00:48:43,799
Speaker 1: hated you. I couldn't stand you. And then I realized

952
00:48:44,000 --> 00:48:47,160
Speaker 1: I was you, and that why I hate it very powerful.

953
00:48:47,360 --> 00:48:50,320
Speaker 1: And they go like, because when you are like too much,

954
00:48:50,920 --> 00:48:53,759
Speaker 1: or you're annoying, or you say the thing that you

955
00:48:53,760 --> 00:48:57,120
Speaker 1: shouldn't say, like I just I said I hate him,

956
00:48:57,200 --> 00:49:00,880
Speaker 1: and then I realized, no, I hated myself. All the

957
00:49:00,920 --> 00:49:03,279
Speaker 1: things about you that I don't like were the things

958
00:49:03,280 --> 00:49:04,799
Speaker 1: I didn't like about me. And then they were like,

959
00:49:04,840 --> 00:49:07,520
Speaker 1: and now I love you like I appreciate you, I

960
00:49:07,560 --> 00:49:10,239
Speaker 1: respect you. You inspire me because I have learned to

961
00:49:10,280 --> 00:49:12,880
Speaker 1: love myself. And I was just like sort of taking

962
00:49:12,920 --> 00:49:15,799
Speaker 1: in it, and I was like, oh, like I get it,

963
00:49:15,960 --> 00:49:18,200
Speaker 1: but like it's not. It's it's a lot when you're

964
00:49:18,239 --> 00:49:21,120
Speaker 1: on the receiving end of it, because it's just like, oh, okay,

965
00:49:21,320 --> 00:49:24,239
Speaker 1: like you're still hearing the words I hated you, you know,

966
00:49:24,640 --> 00:49:27,280
Speaker 1: of course, and the reason it's why, yeah, and the reason.

967
00:49:29,920 --> 00:49:32,319
Speaker 1: And I'm literally standing there like with the vinyls she

968
00:49:32,360 --> 00:49:35,200
Speaker 1: had bought in my hands, like signing it like okay,

969
00:49:35,480 --> 00:49:37,440
Speaker 1: oh my god, people waiting behind her.

970
00:49:37,520 --> 00:49:40,200
Speaker 3: I was like, Okay, what did you write? Not hating

971
00:49:40,200 --> 00:49:42,959
Speaker 3: me anymore? I know I can't be too much winky face.

972
00:49:43,280 --> 00:49:45,799
Speaker 1: I'm knowing me. I probably wrote love you Mama xo

973
00:49:46,000 --> 00:49:47,160
Speaker 1: x so Matt Rogers, you.

974
00:49:47,200 --> 00:49:50,560
Speaker 3: Know what I mean, Like Matt Rogers blocking in with

975
00:49:50,640 --> 00:49:55,719
Speaker 3: a love your Mama, Love your Mama's lake Waite, love

976
00:49:55,760 --> 00:49:57,080
Speaker 3: your Mama, Love your mama.

977
00:49:56,920 --> 00:50:05,120
Speaker 1: Love you mam x x Wow. But it's beautiful. Bowen. Yeah.

978
00:50:05,200 --> 00:50:07,160
Speaker 1: What do you have anything to say to that person

979
00:50:07,200 --> 00:50:09,560
Speaker 1: that called you a bitch? Robertson Niro? Do you want

980
00:50:09,600 --> 00:50:12,480
Speaker 1: to say it's a miner? Robert? Robert was.

981
00:50:13,000 --> 00:50:14,880
Speaker 2: It was in the middle of a Tribeca Film Festival.

982
00:50:14,960 --> 00:50:15,840
Speaker 2: Was his festival.

983
00:50:15,960 --> 00:50:18,400
Speaker 3: It is his festival to revitalize Anta New York, to

984
00:50:18,440 --> 00:50:20,080
Speaker 3: revital to New York after nine eleven.

985
00:50:20,120 --> 00:50:20,879
Speaker 1: You know I was.

986
00:50:20,960 --> 00:50:25,040
Speaker 3: I was a volunteer for the Tribeca Film Festival twice

987
00:50:25,320 --> 00:50:26,560
Speaker 3: when I was in college.

988
00:50:27,160 --> 00:50:29,080
Speaker 1: That's great. It must have been good enough for you

989
00:50:29,120 --> 00:50:29,560
Speaker 1: to go back.

990
00:50:29,880 --> 00:50:32,320
Speaker 3: I just thought like, Oh, if I'm the best volunteer,

991
00:50:32,360 --> 00:50:33,719
Speaker 3: they're gonna give me a job and I'm gonna got

992
00:50:33,719 --> 00:50:36,480
Speaker 3: a visa. So I was just like doing I would

993
00:50:36,560 --> 00:50:38,600
Speaker 3: do anything that people would allow me to do.

994
00:50:39,600 --> 00:50:42,040
Speaker 1: Yeah, but did you learn a lot about film? No,

995
00:50:42,520 --> 00:50:45,000
Speaker 1: I'm not gonna learn it. No I didn't.

996
00:50:45,040 --> 00:50:47,280
Speaker 3: I was like a nuts shirt and a little Tribeca

997
00:50:47,280 --> 00:50:48,360
Speaker 3: Film Festival t shirt.

998
00:50:48,640 --> 00:50:50,960
Speaker 1: That's the thing about going to those festivals. It is

999
00:50:51,040 --> 00:50:53,600
Speaker 1: so hard to see anything. I don't even know how

1000
00:50:53,600 --> 00:50:56,279
Speaker 1: to wrap my head around like quickly. Yeah forgetting. I've

1001
00:50:56,280 --> 00:50:58,680
Speaker 1: been to Sundance twice. I've not seen a movie yet

1002
00:50:58,680 --> 00:51:05,600
Speaker 1: Sundance kidding just true.

1003
00:51:05,719 --> 00:51:07,959
Speaker 2: You went last night, didn't you. You told me about

1004
00:51:08,000 --> 00:51:09,399
Speaker 2: things you saw last time you went.

1005
00:51:09,840 --> 00:51:12,880
Speaker 1: Bib No, I've never seen a movie at Sundands. I had,

1006
00:51:14,120 --> 00:51:16,000
Speaker 1: and it was like, so the ticket is in a seat,

1007
00:51:16,120 --> 00:51:17,640
Speaker 1: like you know, you have to get here early. It's

1008
00:51:17,640 --> 00:51:19,759
Speaker 1: like any of the good stuff, like I couldn't even

1009
00:51:19,840 --> 00:51:22,400
Speaker 1: finaggle my way in with like connections. I was like,

1010
00:51:22,640 --> 00:51:25,840
Speaker 1: You're like, can I please watch a movie? I just

1011
00:51:26,160 --> 00:51:28,960
Speaker 1: wanted to watch a movie. Watch a movie. I got

1012
00:51:28,960 --> 00:51:31,600
Speaker 1: tickets to one movie, which was The Brooks Shields Documentary

1013
00:51:31,600 --> 00:51:33,279
Speaker 1: and I was excited about seeing it, but then you're

1014
00:51:33,280 --> 00:51:35,040
Speaker 1: at Sundands and it's like, oh so much. I'm like,

1015
00:51:35,080 --> 00:51:38,640
Speaker 1: you're so tired, everyone's so hung over the entire time,

1016
00:51:38,680 --> 00:51:41,000
Speaker 1: and we didn't end up going and there's like the

1017
00:51:41,080 --> 00:51:43,880
Speaker 1: Uggs Lounge or whatever, And I mean, when there's the

1018
00:51:43,920 --> 00:51:45,799
Speaker 1: Uggs Lounge, do you really have to go see a movie?

1019
00:51:45,800 --> 00:51:47,120
Speaker 1: You know what I mean? There's so much to do

1020
00:51:47,160 --> 00:51:50,759
Speaker 1: in the Uggs Lounge. Yeah, of Cocoa. They make that

1021
00:51:50,840 --> 00:51:52,920
Speaker 1: main street of park City so fun, like you don't

1022
00:51:53,000 --> 00:51:53,719
Speaker 1: ever have to leave.

1023
00:51:53,960 --> 00:51:56,080
Speaker 3: I'm not a festival person. I must say I have

1024
00:51:56,160 --> 00:52:00,720
Speaker 3: a hard time with festivals. I think that Edinburgh really

1025
00:52:01,000 --> 00:52:01,719
Speaker 3: took it out of me.

1026
00:52:01,920 --> 00:52:03,239
Speaker 1: Yeah, it's a tough one.

1027
00:52:03,360 --> 00:52:05,960
Speaker 2: Well that's totally different from like south By, which you

1028
00:52:06,000 --> 00:52:07,320
Speaker 2: did for Problemista.

1029
00:52:07,520 --> 00:52:07,719
Speaker 1: Yeah.

1030
00:52:08,000 --> 00:52:10,960
Speaker 3: There, you just show up. You're not really doing anything.

1031
00:52:11,160 --> 00:52:15,320
Speaker 3: The movie is made and then but you're still promoting it.

1032
00:52:15,360 --> 00:52:17,560
Speaker 3: You're still like putting on a face to like talk

1033
00:52:17,600 --> 00:52:19,200
Speaker 3: about like the thing you made.

1034
00:52:19,000 --> 00:52:23,919
Speaker 1: And yeah, yeah, yeah, you answer questions and yeah, I'm

1035
00:52:23,920 --> 00:52:28,200
Speaker 1: always like be likable, be likable, like God. To be likable,

1036
00:52:28,960 --> 00:52:31,120
Speaker 1: you don't have to try. You are.

1037
00:52:41,200 --> 00:52:43,960
Speaker 3: You know, I was coming over here on my work

1038
00:52:44,200 --> 00:52:47,640
Speaker 3: over here. I was like, Julio, you gotta remember this

1039
00:52:47,680 --> 00:52:50,640
Speaker 3: time be funny. This time, you just gotta be this

1040
00:52:50,800 --> 00:52:55,120
Speaker 3: gotta be fine. I am always so I recessed to

1041
00:52:55,680 --> 00:52:59,439
Speaker 3: audience member often and I'm like, all these are funny

1042
00:52:59,440 --> 00:53:01,680
Speaker 3: and I'm enjoying it, and I'm like quietly like he

1043
00:53:02,680 --> 00:53:04,240
Speaker 3: and then I'm like, oh wait, no.

1044
00:53:04,719 --> 00:53:07,600
Speaker 1: Well you couldn't wait to talk at the top. I know,

1045
00:53:07,880 --> 00:53:10,600
Speaker 1: I know, and I have to be charming and engaging

1046
00:53:10,640 --> 00:53:16,880
Speaker 1: so that people will consume my product hashtag press press.

1047
00:53:17,160 --> 00:53:19,600
Speaker 3: Yeah, must be charming and engaging so that people consume

1048
00:53:19,600 --> 00:53:23,640
Speaker 3: my product. So to that point, I would hypothetically go

1049
00:53:23,719 --> 00:53:24,879
Speaker 3: to a wedding there.

1050
00:53:25,320 --> 00:53:31,520
Speaker 1: Well, I was gonna say, to that point, i'd go

1051
00:53:31,600 --> 00:53:34,160
Speaker 1: to a theme park. I think, to the park. I

1052
00:53:34,200 --> 00:53:43,040
Speaker 1: love Christmas. I'll eat anything there love. Group Fitness was

1053
00:53:43,120 --> 00:53:46,480
Speaker 1: praised for my attitude celebrate it.

1054
00:53:46,520 --> 00:53:51,359
Speaker 2: Even you're describing our lives, you're describing what we what

1055
00:53:51,400 --> 00:53:52,920
Speaker 2: we have to put ourselves through.

1056
00:53:53,719 --> 00:53:57,600
Speaker 1: Yeah, fitness. I will say, the only thing about this

1057
00:53:57,640 --> 00:54:02,040
Speaker 1: is why people consume your product. I know it. Well. Well,

1058
00:54:02,080 --> 00:54:04,440
Speaker 1: then I'll say, okay, so here's the thing. Here's the

1059
00:54:04,520 --> 00:54:07,359
Speaker 1: other side of the coin, though, I am so enthusiastic

1060
00:54:07,360 --> 00:54:11,680
Speaker 1: about so many things that when I'm about things, or

1061
00:54:11,719 --> 00:54:16,200
Speaker 1: if I'm negative about something, people are like whoa, or

1062
00:54:16,520 --> 00:54:19,040
Speaker 1: they like react to it weirdly. But then I don't know.

1063
00:54:19,120 --> 00:54:21,920
Speaker 1: The comment. Recently, I guess has been like that we

1064
00:54:22,000 --> 00:54:22,920
Speaker 1: are like too many things.

1065
00:54:23,320 --> 00:54:26,920
Speaker 3: Okay, wait, did you were you in a don't leave

1066
00:54:26,920 --> 00:54:28,919
Speaker 3: the table to you finish anything household?

1067
00:54:29,440 --> 00:54:32,600
Speaker 1: Actually, my parents would not let me get up and

1068
00:54:32,719 --> 00:54:34,680
Speaker 1: leave the table unless my dinner was finished.

1069
00:54:34,800 --> 00:54:40,920
Speaker 3: Yeah wow, yeah, see I was in a My mom

1070
00:54:41,400 --> 00:54:44,320
Speaker 3: would be like, if you don't want to eat something,

1071
00:54:44,760 --> 00:54:48,000
Speaker 3: don't eat it. Don't eat it, because if you ever

1072
00:54:48,120 --> 00:54:50,160
Speaker 3: do something that you don't want to do, it'll make

1073
00:54:50,200 --> 00:54:50,760
Speaker 3: you sick.

1074
00:54:51,640 --> 00:54:55,400
Speaker 1: Oh my god. Yeah, that's actually very healthy.

1075
00:54:55,520 --> 00:54:58,040
Speaker 3: I like my whole childhood just white rice and saltines

1076
00:54:58,440 --> 00:54:59,760
Speaker 3: because I was like, I don't like color.

1077
00:55:00,760 --> 00:55:05,920
Speaker 1: Kela gives me a headache. White rice and saltines. Rice

1078
00:55:05,960 --> 00:55:12,960
Speaker 1: and saltines, please, I want to eat erasers. They looked

1079
00:55:13,040 --> 00:55:15,920
Speaker 1: so yummy. They do look real, yea, because you know

1080
00:55:15,960 --> 00:55:20,799
Speaker 1: what they look like, gum gum famously edible. But the

1081
00:55:20,880 --> 00:55:25,480
Speaker 1: big white ones, yeah, those those felt so good in

1082
00:55:25,520 --> 00:55:27,399
Speaker 1: the hand and it kind of. I just wanted to Yeah,

1083
00:55:27,440 --> 00:55:28,839
Speaker 1: when they were a little translucent.

1084
00:55:29,840 --> 00:55:33,120
Speaker 2: Yeah, oh, which is your favorite?

1085
00:55:33,640 --> 00:55:34,560
Speaker 1: I do? I do.

1086
00:55:34,719 --> 00:55:36,799
Speaker 3: That's why I love tofu, just like open up a

1087
00:55:36,800 --> 00:55:38,120
Speaker 3: carton of tofu and eating it.

1088
00:55:38,120 --> 00:55:42,600
Speaker 1: It's like eating rice is great, getting talked about enough

1089
00:55:42,600 --> 00:55:43,840
Speaker 1: as being one of the great things.

1090
00:55:44,239 --> 00:55:47,400
Speaker 2: Can I make tofu for you guys for dinner and

1091
00:55:47,440 --> 00:55:49,640
Speaker 2: you guys don't have to and no one can say

1092
00:55:49,680 --> 00:55:50,160
Speaker 2: it's good?

1093
00:55:50,440 --> 00:55:53,040
Speaker 1: Are you good at making it? Like I've never heard

1094
00:55:53,080 --> 00:55:55,800
Speaker 1: you say, I'm really good at preparing tofu? Babe.

1095
00:55:55,960 --> 00:55:58,799
Speaker 2: I make a good mapo tofu, and I can make

1096
00:55:58,800 --> 00:56:01,520
Speaker 2: a good vegan version, and and you guys would both

1097
00:56:01,600 --> 00:56:03,000
Speaker 2: like it but not have to go through the whole

1098
00:56:03,000 --> 00:56:04,759
Speaker 2: sharade of saying, oh my god, this is so good.

1099
00:56:05,040 --> 00:56:07,759
Speaker 2: And I swear I will not ever ever once say

1100
00:56:07,880 --> 00:56:11,440
Speaker 2: oh it's I did my best in silence.

1101
00:56:12,480 --> 00:56:15,040
Speaker 1: Yeah, well, because that's our genuine friend, and he's not

1102
00:56:15,080 --> 00:56:17,439
Speaker 1: going to be like, oh, I'm upset because they didn't

1103
00:56:17,440 --> 00:56:18,880
Speaker 1: tell me how good the food was, you know what

1104
00:56:18,920 --> 00:56:21,400
Speaker 1: I'm saying. Yeah, not like that. It's not like that.

1105
00:56:21,440 --> 00:56:24,280
Speaker 1: I will say. There's one person whose food is restaurant quality,

1106
00:56:24,320 --> 00:56:27,920
Speaker 1: and it is Dave Mazzoni. His food is restaurant quality. Wow,

1107
00:56:28,000 --> 00:56:31,279
Speaker 1: what is Dave feast? He'll just like I remember one

1108
00:56:31,280 --> 00:56:34,080
Speaker 1: time we were there, like years ago, yes, very that

1109
00:56:34,239 --> 00:56:37,200
Speaker 1: like rich Italian food, Like we were good Bowen. Do

1110
00:56:37,280 --> 00:56:39,600
Speaker 1: you remember years ago when we were at we were

1111
00:56:39,600 --> 00:56:42,000
Speaker 1: doing some meeting for popular Lette at Dave's house and

1112
00:56:42,040 --> 00:56:44,760
Speaker 1: then like out of nowhere, we didn't even smell it cooking.

1113
00:56:45,239 --> 00:56:49,560
Speaker 1: He just comes down with like so much lasagna and

1114
00:56:49,600 --> 00:56:52,799
Speaker 1: like Canoulli's and like like it was just like it

1115
00:56:52,840 --> 00:56:54,920
Speaker 1: was just like there was so much happening and we

1116
00:56:54,920 --> 00:56:57,040
Speaker 1: were just like, oh my god, and it was just

1117
00:56:57,080 --> 00:57:04,240
Speaker 1: like excellent, but Italians when you came up, So Dave sucks. Yeah,

1118
00:57:04,360 --> 00:57:05,160
Speaker 1: Italian food.

1119
00:57:05,520 --> 00:57:07,759
Speaker 3: It is my understanding that when it's done very well,

1120
00:57:07,760 --> 00:57:08,759
Speaker 3: people really like it.

1121
00:57:09,080 --> 00:57:12,719
Speaker 1: Oh what what are you not an Italian food fan? Oh? Man, Yeah,

1122
00:57:12,760 --> 00:57:15,600
Speaker 1: you don't need that. Not No, I don't. I don't

1123
00:57:15,640 --> 00:57:18,800
Speaker 1: not really. A lot of it has egg, cheese and butter.

1124
00:57:19,520 --> 00:57:21,800
Speaker 1: What is the current pop culture that you're consuming? Like,

1125
00:57:21,840 --> 00:57:23,640
Speaker 1: for example, have you hit play on the like Billie

1126
00:57:23,640 --> 00:57:26,120
Speaker 1: Eilo show Them at all? I have not hit play

1127
00:57:26,160 --> 00:57:27,960
Speaker 1: on the Billie Eilis album at all. What is the

1128
00:57:27,960 --> 00:57:30,600
Speaker 1: current pop culture that I'm consuming by current you mean

1129
00:57:30,640 --> 00:57:34,240
Speaker 1: like active, right, yeah, like four to question Mark, Yeah,

1130
00:57:34,640 --> 00:57:36,640
Speaker 1: twenty four to question Mark. Like what's out right now?

1131
00:57:36,720 --> 00:57:39,040
Speaker 1: Like what is the thing that's happening? You were like,

1132
00:57:39,120 --> 00:57:41,400
Speaker 1: I want to engage in that? Like I feel like

1133
00:57:41,440 --> 00:57:44,000
Speaker 1: I have been engaging. I have been. I'm engaging in

1134
00:57:44,120 --> 00:57:48,360
Speaker 1: OMG fashion. I what else? What else? What else? Perfect name?

1135
00:57:48,440 --> 00:57:51,520
Speaker 1: OMG fashion, It is the perfect name. I'm trying to like.

1136
00:57:51,600 --> 00:57:54,640
Speaker 3: Really, anime is very daunting for me because there's so

1137
00:57:54,840 --> 00:57:57,000
Speaker 3: much of it, so I never really know where to start.

1138
00:57:57,040 --> 00:57:59,720
Speaker 3: But I have been watching the show Pluto, which I

1139
00:58:00,880 --> 00:58:02,040
Speaker 3: really have been enjoying it.

1140
00:58:02,040 --> 00:58:04,560
Speaker 2: It's daunting, but it's quick. You watch it in like

1141
00:58:04,720 --> 00:58:06,320
Speaker 2: a day or two, because not a lot of them

1142
00:58:06,360 --> 00:58:08,960
Speaker 2: do more than one or two seasons, unless it's like

1143
00:58:09,120 --> 00:58:12,200
Speaker 2: your huge show and James and your boyfriend knows all

1144
00:58:12,240 --> 00:58:13,120
Speaker 2: of the good ones too.

1145
00:58:13,200 --> 00:58:15,160
Speaker 1: He does, he does. But then like the suggestion list

1146
00:58:15,240 --> 00:58:15,760
Speaker 1: is so long.

1147
00:58:16,520 --> 00:58:23,800
Speaker 2: I know, Yeah, you should watch Assassination Classroom, Assassination Classroom,

1148
00:58:24,000 --> 00:58:24,880
Speaker 2: him how to be Assassins.

1149
00:58:24,960 --> 00:58:28,040
Speaker 1: But Okay, here's the thing I don't. I don't like bloody.

1150
00:58:28,800 --> 00:58:30,520
Speaker 1: It's not bloody. Can I tell you what the premise

1151
00:58:30,560 --> 00:58:33,680
Speaker 1: is any assassination in it? I think you're gonna like it. No, no, no,

1152
00:58:33,880 --> 00:58:36,400
Speaker 1: here's why. What's the truth? Well, here's the plot, and

1153
00:58:36,440 --> 00:58:38,160
Speaker 1: I'm okay, and I might put trip it. This is

1154
00:58:38,160 --> 00:58:39,120
Speaker 1: the plot.

1155
00:58:39,240 --> 00:58:43,920
Speaker 2: An alien with a big yellow head m hm and

1156
00:58:43,960 --> 00:58:46,640
Speaker 2: like two small eyes and a smiley face like mouth

1157
00:58:47,240 --> 00:58:52,120
Speaker 2: has blown up half of the moon and the world

1158
00:58:52,280 --> 00:58:53,960
Speaker 2: is like, oh my god, what's happening? And then the

1159
00:58:54,040 --> 00:58:56,920
Speaker 2: alien where's the rest of the moon. Well, yeah, like,

1160
00:58:56,920 --> 00:58:58,320
Speaker 2: oh my god, the moon is gone? Like this is

1161
00:58:58,320 --> 00:59:00,760
Speaker 2: fucking up the grab like you know, gravity whatever, Okay,

1162
00:59:00,800 --> 00:59:05,040
Speaker 2: And then this alien goes down to Earth and takes

1163
00:59:05,120 --> 00:59:10,040
Speaker 2: over a school in Japan and becomes a teacher at.

1164
00:59:09,920 --> 00:59:12,880
Speaker 1: That school gets staffed.

1165
00:59:13,120 --> 00:59:15,960
Speaker 2: Well, he like takes over the school and becomes a

1166
00:59:16,040 --> 00:59:20,520
Speaker 2: staff member and staffs himself. As it were, the whole thing,

1167
00:59:20,640 --> 00:59:23,400
Speaker 2: the whole thing where parkt well, like, where's the like

1168
00:59:23,440 --> 00:59:25,760
Speaker 2: does teacher drag like dresses up like a teacher, but

1169
00:59:25,840 --> 00:59:28,400
Speaker 2: has like an alien face and head or whatever, and

1170
00:59:28,440 --> 00:59:31,760
Speaker 2: he's teaching a class full of students, like, has a

1171
00:59:31,760 --> 00:59:32,600
Speaker 2: class full of students.

1172
00:59:32,600 --> 00:59:34,160
Speaker 1: He goes, if one of you can.

1173
00:59:34,080 --> 00:59:36,880
Speaker 2: Kill me, the only way you can get the moon

1174
00:59:36,960 --> 00:59:40,200
Speaker 2: back is if one of you kills me, but like

1175
00:59:40,520 --> 00:59:42,600
Speaker 2: they all like try to kill him, but he always

1176
00:59:42,600 --> 00:59:45,640
Speaker 2: like thwarts them, and there's a reason why this all happens.

1177
00:59:45,720 --> 00:59:48,520
Speaker 2: And it's actually really well constructed story, Like I think

1178
00:59:48,520 --> 00:59:49,520
Speaker 2: you would both really like it.

1179
00:59:49,600 --> 00:59:55,080
Speaker 1: Assassination school. That's an assassination classroom. Classroom. Okay, sound qunchy row.

1180
00:59:55,360 --> 00:59:58,680
Speaker 1: I'm bookmarking that not only for washing and enjoying, but

1181
00:59:58,720 --> 01:00:00,880
Speaker 1: also because it reminds me of I don't think so, honey,

1182
01:00:00,920 --> 01:00:02,800
Speaker 1: which we'll say in a second. But first I want

1183
01:00:02,800 --> 01:00:06,040
Speaker 1: to ask both of you if you have heard about

1184
01:00:06,080 --> 01:00:09,360
Speaker 1: this movie that just premiered. It can called The Substance

1185
01:00:09,680 --> 01:00:13,000
Speaker 1: with Demi Moore and Margaret Qually. Tell us I've heard

1186
01:00:13,080 --> 01:00:15,080
Speaker 1: the buzz, but I have not seen the movie. So

1187
01:00:15,160 --> 01:00:18,440
Speaker 1: this is I guess it's like it's this movie that

1188
01:00:18,560 --> 01:00:21,200
Speaker 1: one best screenplay I can. It like got like one

1189
01:00:21,240 --> 01:00:24,400
Speaker 1: of the longer standing ovations, which like they go off

1190
01:00:24,440 --> 01:00:27,840
Speaker 1: with standing ovations. They at the end they're like, you know,

1191
01:00:28,240 --> 01:00:31,800
Speaker 1: just like really time them. Yes. Yeah. And Lily Gladstone,

1192
01:00:31,840 --> 01:00:33,800
Speaker 1: who Bowen is working with now, was on the can

1193
01:00:33,880 --> 01:00:37,760
Speaker 1: Jury and I'm dying to find out what the tea

1194
01:00:37,800 --> 01:00:40,000
Speaker 1: was about watching this movie and what it was like,

1195
01:00:40,040 --> 01:00:43,560
Speaker 1: because apparently it's a thriller, right, yes, it's like a

1196
01:00:43,640 --> 01:00:46,720
Speaker 1: horror thriller, but really it's body horror. So it stars

1197
01:00:47,000 --> 01:00:50,280
Speaker 1: Demi Moore as an aging actress. She's like an Academy

1198
01:00:50,320 --> 01:00:52,240
Speaker 1: Award winning actress. And her name, just to give you

1199
01:00:52,280 --> 01:00:56,040
Speaker 1: a sense of the tone, is Elizabeth Sparkle, so she

1200
01:00:56,120 --> 01:01:00,320
Speaker 1: plays Sparkle. She's a former Academy Award winning actress who

1201
01:01:00,360 --> 01:01:03,680
Speaker 1: now does like fitness videos. So it's supposed to be

1202
01:01:03,760 --> 01:01:07,880
Speaker 1: like Jane Fonda. She's up in years ish, like Hollywood

1203
01:01:07,920 --> 01:01:10,320
Speaker 1: has told her she's fucking ancient. She's really in her

1204
01:01:10,360 --> 01:01:13,919
Speaker 1: middle age. Like she essentially gets like replaced at her job,

1205
01:01:14,000 --> 01:01:17,280
Speaker 1: which is doing this fitness you know, video, because they're

1206
01:01:17,280 --> 01:01:21,040
Speaker 1: gonna get like a younger person. She is told that

1207
01:01:21,080 --> 01:01:25,240
Speaker 1: she can start taking this supplement or this injection or whatever.

1208
01:01:25,280 --> 01:01:28,840
Speaker 1: It is called the substance, and what it does is

1209
01:01:29,080 --> 01:01:33,960
Speaker 1: it literally allows yourselves to replicate so that another younger,

1210
01:01:34,160 --> 01:01:38,160
Speaker 1: better quote unquote version of you comes out of your

1211
01:01:38,200 --> 01:01:44,080
Speaker 1: spine splits and the younger and that's Margaret. So basically

1212
01:01:44,120 --> 01:01:48,240
Speaker 1: the rule is the you that's younger has to like

1213
01:01:49,040 --> 01:01:52,120
Speaker 1: sustain and take care of the older body for a

1214
01:01:52,200 --> 01:01:55,280
Speaker 1: week while you go live your life as the younger,

1215
01:01:55,320 --> 01:01:59,800
Speaker 1: more vibrant thing. Then after a week, the older you

1216
01:02:00,240 --> 01:02:03,080
Speaker 1: comes to consciousness and has to maintain the younger body.

1217
01:02:03,480 --> 01:02:09,240
Speaker 1: So basically it becomes this story about essentially yes, but

1218
01:02:09,280 --> 01:02:12,960
Speaker 1: it's like the younger version apparently starts really feeling herself

1219
01:02:13,000 --> 01:02:16,720
Speaker 1: because she's young, beautiful in the world. Is about a lie. Yes,

1220
01:02:16,880 --> 01:02:23,200
Speaker 1: value that I am a human legs and eyes, yes,

1221
01:02:23,440 --> 01:02:31,240
Speaker 1: and sort of just like sorry, like like becoming a

1222
01:02:31,280 --> 01:02:33,160
Speaker 1: star in the younger body, but then goes to the

1223
01:02:33,200 --> 01:02:36,040
Speaker 1: old body and she walks around the around the world

1224
01:02:36,120 --> 01:02:39,040
Speaker 1: and basically like everyone's like like whatever, treating her like

1225
01:02:39,720 --> 01:02:41,919
Speaker 1: I guess to me more, you know what I mean,

1226
01:02:42,360 --> 01:02:45,280
Speaker 1: And she is unable to see that she's still valid

1227
01:02:45,320 --> 01:02:48,560
Speaker 1: in her older body. So the younger version starts to

1228
01:02:48,680 --> 01:02:51,320
Speaker 1: slip in terms of taking care of the older one.

1229
01:02:51,880 --> 01:02:54,400
Speaker 1: And the big rule of the movie is to remember

1230
01:02:54,440 --> 01:02:57,400
Speaker 1: that they are one organism or else things will be catastrophic,

1231
01:02:58,320 --> 01:03:01,000
Speaker 1: like no spoilers because I don't know how what happens,

1232
01:03:01,000 --> 01:03:03,480
Speaker 1: but apparently I know. Also remarkable that you have not

1233
01:03:03,560 --> 01:03:06,520
Speaker 1: seen this movie, I know, fascinated by it, like I've

1234
01:03:06,600 --> 01:03:08,320
Speaker 1: read so much about it because I also feel like

1235
01:03:08,360 --> 01:03:09,840
Speaker 1: I don't know if I'm gonna sit through it, So

1236
01:03:09,880 --> 01:03:11,680
Speaker 1: I'm consuming a lot of you because it was to

1237
01:03:11,800 --> 01:03:13,040
Speaker 1: talk of the beast way, what do you mean you

1238
01:03:13,080 --> 01:03:15,320
Speaker 1: don't know if you're gonna sit through because of what

1239
01:03:15,360 --> 01:03:18,840
Speaker 1: I'm going to say. Okay, I'm very squeamish too. And

1240
01:03:18,880 --> 01:03:24,960
Speaker 1: apparently the third act is the most intense graphic, sustained

1241
01:03:25,840 --> 01:03:31,040
Speaker 1: violent body horror like in cinema history since like The Fly,

1242
01:03:31,400 --> 01:03:33,480
Speaker 1: like in the late eighties with Jeff Goldbloom, like where

1243
01:03:33,480 --> 01:03:37,000
Speaker 1: his body essentially decomposes them, like because he turns into

1244
01:03:37,000 --> 01:03:41,560
Speaker 1: a fly essentially. So this movie was apparently had people

1245
01:03:41,600 --> 01:03:44,160
Speaker 1: like passing out and throwing up after watching it, but

1246
01:03:44,200 --> 01:03:46,760
Speaker 1: it was also very much in a while since we

1247
01:03:46,840 --> 01:03:52,320
Speaker 1: had those urban legends of ye people people like the movie.

1248
01:03:55,080 --> 01:03:56,840
Speaker 1: The last one in my memory was Passionate of the

1249
01:03:56,920 --> 01:04:09,080
Speaker 1: Christ and there was bloodletting. Oh my god, that's so funny.

1250
01:04:09,240 --> 01:04:11,440
Speaker 1: But apparently Demi Moore may even be up for an

1251
01:04:11,440 --> 01:04:16,360
Speaker 1: oscar because she is like apparently incredibly fearless and in

1252
01:04:16,400 --> 01:04:19,000
Speaker 1: the way that she acts this last act and also

1253
01:04:19,040 --> 01:04:21,680
Speaker 1: the fact that like she's confronting this thing that's been

1254
01:04:21,720 --> 01:04:25,680
Speaker 1: said about her for the majority of her career. She

1255
01:04:25,920 --> 01:04:29,640
Speaker 1: was you know, young people have been talking about her appearance,

1256
01:04:29,680 --> 01:04:33,000
Speaker 1: the way that she's you know, conceptualized in everyone's mind's eyes,

1257
01:04:33,080 --> 01:04:35,920
Speaker 1: like this idea of like cinematic perfection, and then that

1258
01:04:35,920 --> 01:04:38,160
Speaker 1: person got older, may have had worked done, et cetera.

1259
01:04:38,320 --> 01:04:41,440
Speaker 1: The entire like trajectory of her career has had this

1260
01:04:41,800 --> 01:04:44,280
Speaker 1: shadow of you know, the male gaze on it. And

1261
01:04:44,320 --> 01:04:46,040
Speaker 1: so for her to do this movie, I think she's

1262
01:04:46,200 --> 01:04:48,080
Speaker 1: getting a lot of like what apparently is well er

1263
01:04:48,120 --> 01:04:50,600
Speaker 1: in praise for it, and the movie won Best Screenplay

1264
01:04:50,600 --> 01:04:54,200
Speaker 1: at can because apparently it's just that bold. So that's

1265
01:04:54,240 --> 01:04:57,720
Speaker 1: like a Greta Gerwig jury right there. So I'm excited.

1266
01:04:58,520 --> 01:05:00,440
Speaker 1: What do you mean it's a Greta Garwig. Joe, she

1267
01:05:00,640 --> 01:05:01,720
Speaker 1: was the head of the jury.

1268
01:05:01,960 --> 01:05:04,520
Speaker 3: Oh oh oh oh, I thought you were saying it's

1269
01:05:04,520 --> 01:05:06,360
Speaker 3: a great of growing esque jury.

1270
01:05:06,600 --> 01:05:10,840
Speaker 1: No, yeah, yeah, I was describing the vibe. Just for

1271
01:05:10,880 --> 01:05:12,640
Speaker 1: her to preside over that jury and like, you know,

1272
01:05:12,720 --> 01:05:15,440
Speaker 1: her to be as like renowned and talented writer as

1273
01:05:15,440 --> 01:05:17,160
Speaker 1: she is, and for her to give that best screenplay

1274
01:05:17,200 --> 01:05:20,200
Speaker 1: I think is you know, it's exciting. Wow, Greta like.

1275
01:05:20,400 --> 01:05:23,920
Speaker 2: Her vocabulary with like film history is like so wild.

1276
01:05:24,000 --> 01:05:26,120
Speaker 2: I'm like, oh, like, like I heard some of her feedback,

1277
01:05:26,200 --> 01:05:29,200
Speaker 2: like which was sharing thoughts. All of her quotes were

1278
01:05:29,200 --> 01:05:31,160
Speaker 2: like you know that it reminded me of the classical

1279
01:05:31,200 --> 01:05:33,000
Speaker 2: structures of it blah blah. But and I'm like, oh

1280
01:05:33,040 --> 01:05:35,640
Speaker 2: my god, like you really do know it all? Like

1281
01:05:36,120 --> 01:05:38,800
Speaker 2: where does one learn? What would your master class be on?

1282
01:05:39,080 --> 01:05:40,720
Speaker 2: If you had a master class, what would it be on?

1283
01:05:40,920 --> 01:05:46,760
Speaker 1: Hmmm, fucking masturbating at the worst times of day? That

1284
01:05:46,800 --> 01:05:47,920
Speaker 1: would be my masterclass.

1285
01:05:48,120 --> 01:05:53,280
Speaker 3: What's the worst that we got the meme from this episode? Yeah,

1286
01:05:53,560 --> 01:05:56,919
Speaker 3: what's the worst time that I say, like right before

1287
01:05:56,960 --> 01:05:57,720
Speaker 3: they need you on set?

1288
01:05:58,240 --> 01:06:00,920
Speaker 1: Yeah? No, no, no, no, I like like four four pm.

1289
01:06:01,120 --> 01:06:03,200
Speaker 1: Oh yeah, yeah, no, that's pretty bad. I actually was

1290
01:06:03,200 --> 01:06:06,600
Speaker 1: ten minutes late to therapy because I like I had

1291
01:06:06,600 --> 01:06:08,960
Speaker 1: it at four and I like had to come at

1292
01:06:08,960 --> 01:06:11,720
Speaker 1: three fifteen pm, like something happened. I was like, I

1293
01:06:11,720 --> 01:06:13,960
Speaker 1: have to jack off. And then I got in the

1294
01:06:14,000 --> 01:06:16,280
Speaker 1: car and I was we had traffic because I have

1295
01:06:16,320 --> 01:06:18,520
Speaker 1: to go out the way to capacity and I was like, well,

1296
01:06:18,640 --> 01:06:21,600
Speaker 1: fuck this traffic. I'm like, no, fuck you because you

1297
01:06:21,800 --> 01:06:27,040
Speaker 1: had to jack off at three fifteen I do agree.

1298
01:06:27,080 --> 01:06:29,160
Speaker 1: It is the worst time. What was the name that

1299
01:06:29,200 --> 01:06:30,320
Speaker 1: I gave you? What's the name?

1300
01:06:30,360 --> 01:06:35,280
Speaker 3: Because dustin dustin Dallas, that's in Dallas. Move right there.

1301
01:06:35,480 --> 01:06:37,400
Speaker 1: I will tell you this, and I'm late. I had

1302
01:06:37,400 --> 01:06:40,520
Speaker 1: to come. This is this is something I will speaking

1303
01:06:40,560 --> 01:06:44,600
Speaker 1: of during the day, sexual behavior. I won't say who

1304
01:06:44,800 --> 01:06:47,240
Speaker 1: or why or what. But I was at one of

1305
01:06:47,280 --> 01:06:50,560
Speaker 1: those group fitness classes during the day a couple of

1306
01:06:50,600 --> 01:06:56,240
Speaker 1: weeks ago, and the instructor was so like hot and encouraging,

1307
01:06:56,760 --> 01:07:00,720
Speaker 1: and so it was in changing all of it, just

1308
01:07:00,720 --> 01:07:02,920
Speaker 1: like the best version of what that lesson is where

1309
01:07:03,120 --> 01:07:09,000
Speaker 1: I went home, got on grinder and message you went

1310
01:07:09,040 --> 01:07:12,160
Speaker 1: to cerebro in the middle of them in the middle

1311
01:07:12,160 --> 01:07:15,040
Speaker 1: of the day. I never do that. From now, from

1312
01:07:15,080 --> 01:07:18,880
Speaker 1: someone else, from someone else, very much about him. From

1313
01:07:19,680 --> 01:07:22,280
Speaker 1: it was, I must find the ideal surrogate, exactly the

1314
01:07:22,320 --> 01:07:23,880
Speaker 1: substance to fulfill my fantasy.

1315
01:07:24,280 --> 01:07:28,760
Speaker 3: I must find I must find the boy, and if not,

1316
01:07:28,840 --> 01:07:30,000
Speaker 3: a surrogate will have to do.

1317
01:07:30,480 --> 01:07:33,520
Speaker 1: A surrogate, did it? Or was that your your grinder name?

1318
01:07:33,840 --> 01:07:36,720
Speaker 1: I must find the boy, find the boy, or else

1319
01:07:36,760 --> 01:07:39,160
Speaker 1: a surrogate will have to do. And then I had

1320
01:07:39,200 --> 01:07:41,800
Speaker 1: a lot of you know, surrogates come forward, not a lot.

1321
01:07:41,880 --> 01:07:43,840
Speaker 1: I mean, do you think the surrogate you think you'll

1322
01:07:43,840 --> 01:07:47,200
Speaker 1: see the story get again? Actually? Yeah, this guy fucking

1323
01:07:48,720 --> 01:07:52,920
Speaker 1: really it was great. I actually was. It made me realize, like, huh,

1324
01:07:53,320 --> 01:07:56,960
Speaker 1: maybe sex during the day is the move. Oh I

1325
01:07:57,040 --> 01:07:59,920
Speaker 1: love it. Yeah, same, I think it's great. You know,

1326
01:08:00,640 --> 01:08:02,600
Speaker 1: I don't know. I just there's something about having sex

1327
01:08:02,640 --> 01:08:03,360
Speaker 1: in the daylight.

1328
01:08:03,720 --> 01:08:06,320
Speaker 2: Oh the lighting and the lighting is great. The reason

1329
01:08:06,320 --> 01:08:09,560
Speaker 2: I say four thirty is you come and then if

1330
01:08:09,600 --> 01:08:13,000
Speaker 2: you get lucky later on in the night, then you're like,

1331
01:08:13,160 --> 01:08:16,880
Speaker 2: oh I I already a oh, I already ate, you know,

1332
01:08:17,120 --> 01:08:18,479
Speaker 2: and then it's like oh and then you kind of

1333
01:08:18,520 --> 01:08:20,160
Speaker 2: get some performing anxiety around that.

1334
01:08:20,479 --> 01:08:22,880
Speaker 1: What a busy life. I think that's why I liked

1335
01:08:22,920 --> 01:08:25,200
Speaker 1: the daytime fuck because it was like, and now I

1336
01:08:25,200 --> 01:08:27,000
Speaker 1: don't have to even encounter the thing at night because

1337
01:08:27,000 --> 01:08:29,680
Speaker 1: I'm not looking for it to be disappointed at night,

1338
01:08:29,760 --> 01:08:31,320
Speaker 1: you know what I mean? Like I did that during

1339
01:08:31,360 --> 01:08:33,439
Speaker 1: the day and it was it went really well, so

1340
01:08:33,479 --> 01:08:35,840
Speaker 1: I don't have to feel bad about it later. Disappointed

1341
01:08:35,840 --> 01:08:38,439
Speaker 1: at Night another great title for something disappointed at night.

1342
01:08:38,520 --> 01:08:42,599
Speaker 1: For this episode, Disappointed at night, Disappointed at Night. That's beautiful.

1343
01:08:42,720 --> 01:08:44,599
Speaker 1: I think it's my fourth time on Lost Culture, says,

1344
01:08:45,080 --> 01:08:47,160
Speaker 1: my fourth time on Lost Culture. Sys. Is it the

1345
01:08:47,200 --> 01:08:49,200
Speaker 1: fourth time or is it the third time? Fourth? I don't.

1346
01:08:49,320 --> 01:08:51,800
Speaker 1: I don't know. I mean, canonically it's gonna be fourth.

1347
01:08:51,840 --> 01:08:54,800
Speaker 1: I guess because you were on once with Anna. You

1348
01:08:54,840 --> 01:08:57,719
Speaker 1: were on once. I member your first episode was iconically

1349
01:08:57,720 --> 01:09:00,120
Speaker 1: called yes dot dot Dot because we talked about I

1350
01:09:00,160 --> 01:09:02,080
Speaker 1: don't think that was my first episode. That was not

1351
01:09:02,160 --> 01:09:05,160
Speaker 1: your first episode. Really, I think this is fourth. I

1352
01:09:05,200 --> 01:09:09,080
Speaker 1: think this is fourth. Yeah, well it's fourth, no matter what. Okay,

1353
01:09:10,240 --> 01:09:17,120
Speaker 1: my fourth episode of Last Culture, my fourth episode? Should

1354
01:09:17,120 --> 01:09:19,880
Speaker 1: we do I don't think so, honey, Yes, oh god,

1355
01:09:19,920 --> 01:09:34,439
Speaker 1: I told me, okay, yeah, totally forgot this fourth. Okay,

1356
01:09:34,439 --> 01:09:36,920
Speaker 1: so this is Last Culture reached us, this big segment.

1357
01:09:37,080 --> 01:09:40,240
Speaker 1: I don't think so, honey. We do one minute, you know,

1358
01:09:40,479 --> 01:09:42,400
Speaker 1: t whirl on something that's not so great, and the

1359
01:09:42,439 --> 01:09:44,640
Speaker 1: aliens of it all actually reminded me. I woke up

1360
01:09:44,680 --> 01:09:46,840
Speaker 1: on the conspiracy side of the bed this morning and

1361
01:09:46,880 --> 01:09:48,840
Speaker 1: I've my eyes have been open to something and I

1362
01:09:48,880 --> 01:09:51,439
Speaker 1: really have to I have to alert the world. Oh

1363
01:09:51,439 --> 01:09:53,679
Speaker 1: my god, this is Matt Rogers. I don't think so, honey.

1364
01:09:53,720 --> 01:09:57,200
Speaker 1: As time starts now. I don't think so, honey, aliens existing.

1365
01:09:57,439 --> 01:10:00,400
Speaker 1: I'll tell you what it is if you don't think.

1366
01:10:00,560 --> 01:10:03,559
Speaker 1: My dad sent me a drone like light show. It

1367
01:10:03,600 --> 01:10:06,519
Speaker 1: was like a Star Wars droned light show and I

1368
01:10:06,600 --> 01:10:09,000
Speaker 1: was like, huh, you know what. This reminds me of

1369
01:10:09,040 --> 01:10:12,680
Speaker 1: those unidentified flying objects that are all around that no

1370
01:10:12,720 --> 01:10:15,559
Speaker 1: one can explain. It's like, I'm sorry, but things moving

1371
01:10:15,600 --> 01:10:18,960
Speaker 1: on naturally in the sky, they're drones. I'll tell you

1372
01:10:19,040 --> 01:10:23,960
Speaker 1: who has more money than even NASA. Elon Musk SpaceX

1373
01:10:24,160 --> 01:10:26,760
Speaker 1: is the reason why there are quote unquote aliens. There

1374
01:10:26,800 --> 01:10:28,599
Speaker 1: are no aliens. What they're trying to do and this

1375
01:10:28,640 --> 01:10:30,920
Speaker 1: is Elon Musk and I'm saying this, and there's gonna

1376
01:10:30,920 --> 01:10:32,600
Speaker 1: be a bounty on my head after I say this.

1377
01:10:32,640 --> 01:10:35,640
Speaker 1: I'm bravely saying it allows culture. Elon Musk wants us

1378
01:10:35,680 --> 01:10:38,040
Speaker 1: to believe that there are aliens so that he can

1379
01:10:38,120 --> 01:10:41,120
Speaker 1: start a war. We can have a comagenemy, okay, because

1380
01:10:41,120 --> 01:10:44,280
Speaker 1: there's nothing more powerful than a you creating your own army.

1381
01:10:44,360 --> 01:10:49,160
Speaker 1: He wants to basically convince us all there are alians

1382
01:10:49,160 --> 01:10:53,519
Speaker 1: so that we fear the external and he will control

1383
01:10:53,600 --> 01:10:55,960
Speaker 1: us this way. I don't think so honey, and that's

1384
01:10:56,000 --> 01:10:58,120
Speaker 1: one minute. Oh my god, that's how I feel. I

1385
01:10:58,120 --> 01:10:59,120
Speaker 1: don't think there are aliens.

1386
01:10:59,120 --> 01:11:04,200
Speaker 2: I think it's SpaceX, your most Mary and Williamson coded thing.

1387
01:11:04,280 --> 01:11:08,639
Speaker 1: Yet Oh I say that, I I I go anytime

1388
01:11:08,680 --> 01:11:11,559
Speaker 1: someone says Mary and Williamson. Does anyone feel that I'm

1389
01:11:11,600 --> 01:11:12,760
Speaker 1: Does anyone feel I'm right?

1390
01:11:13,240 --> 01:11:15,200
Speaker 3: Well, I don't know if you're right, but I do.

1391
01:11:15,720 --> 01:11:17,879
Speaker 3: I do think that that is it's compelling.

1392
01:11:18,800 --> 01:11:22,080
Speaker 1: Like I watched this drone show and I was like, wow,

1393
01:11:22,200 --> 01:11:24,519
Speaker 1: like a drone show. It was like a Star Wars

1394
01:11:24,560 --> 01:11:28,439
Speaker 1: speed like this guy. Yeah, Like it's it's like essentially

1395
01:11:29,000 --> 01:11:31,840
Speaker 1: replacing fireworks shows, so you're gonna see less and less

1396
01:11:31,840 --> 01:11:35,360
Speaker 1: fireworks shows as times. It's like, it's Sky Entertainment.

1397
01:11:35,720 --> 01:11:39,360
Speaker 3: It's got okay another okay, that is the name of

1398
01:11:39,400 --> 01:11:40,160
Speaker 3: your LC.

1399
01:11:40,720 --> 01:11:43,960
Speaker 1: Sky Entertainment. If it wasn't Basic Instinks, Inc. It would

1400
01:11:44,000 --> 01:11:46,600
Speaker 1: be Sky Entertainment. Isn't that a great name? Maybe my

1401
01:11:46,680 --> 01:11:48,639
Speaker 1: last name is Sky. Maybe I'm Dustin Sky.

1402
01:11:49,200 --> 01:11:51,760
Speaker 3: Yes, oh, Dustin Sky's good. So it's like synch or

1403
01:11:51,840 --> 01:11:55,800
Speaker 3: nice swimming but with robots, Julio, That's exactly what that is.

1404
01:11:55,880 --> 01:12:00,439
Speaker 1: Kind of cute. It is programmed Sky entertainment in the

1405
01:12:00,479 --> 01:12:03,880
Speaker 1: sky and basically they can control to do anything. And

1406
01:12:03,920 --> 01:12:05,920
Speaker 1: also then you don't have like the environmental issue of

1407
01:12:05,960 --> 01:12:08,240
Speaker 1: like the fireworks every single night, I guess because you're

1408
01:12:08,280 --> 01:12:12,920
Speaker 1: watching robots move around in the sky so basically, and

1409
01:12:12,960 --> 01:12:15,280
Speaker 1: they can do things that fireworks can't, Like they can

1410
01:12:15,320 --> 01:12:17,240
Speaker 1: create these designs and these lettering in the sky. Like

1411
01:12:17,280 --> 01:12:19,439
Speaker 1: what you can see they're capable of is like mind blowing.

1412
01:12:19,760 --> 01:12:21,680
Speaker 1: And I'm watching it and I'm like, I'm sorry, but

1413
01:12:22,320 --> 01:12:25,440
Speaker 1: who is out there still saying that there are aircrafts

1414
01:12:25,439 --> 01:12:28,040
Speaker 1: that move in ways that things can't move them, like

1415
01:12:28,040 --> 01:12:30,440
Speaker 1: there are drones in the sky that can do anything.

1416
01:12:30,520 --> 01:12:32,920
Speaker 1: Like why are we following this train of logic? I

1417
01:12:32,920 --> 01:12:35,680
Speaker 1: see your plant. It's like this helicopter went backwards and

1418
01:12:35,680 --> 01:12:37,599
Speaker 1: they don't do that. I have news for you. Yes

1419
01:12:37,680 --> 01:12:40,240
Speaker 1: they do when they're not helicopters, they're drone.

1420
01:12:40,240 --> 01:12:43,800
Speaker 2: But Matt, how do you explain like pre elon Musk,

1421
01:12:44,000 --> 01:12:45,440
Speaker 2: like this was a phenomenon?

1422
01:12:45,720 --> 01:12:48,880
Speaker 1: Okay, I don't think it was. Oh, I don't think

1423
01:12:48,920 --> 01:12:53,320
Speaker 1: it was the US. Yes, people always said UFO sightings,

1424
01:12:53,560 --> 01:12:56,439
Speaker 1: but none of them could ever be substantiated. Now, all

1425
01:12:56,479 --> 01:13:00,560
Speaker 1: of a sudden, we have quote unquote substantiated, like but classified.

1426
01:13:00,560 --> 01:13:02,559
Speaker 2: A lot of these documents not we I just mean

1427
01:13:02,600 --> 01:13:04,840
Speaker 2: the government is they ask you, they.

1428
01:13:04,720 --> 01:13:07,280
Speaker 1: Ask you to co sign. Yeah, yeah, yeah, like any

1429
01:13:07,280 --> 01:13:10,720
Speaker 1: bone signature. Well Bowen is Illuminati. I'm Illuminati.

1430
01:13:11,040 --> 01:13:13,519
Speaker 2: But like I feel like this is this is slowly

1431
01:13:13,680 --> 01:13:16,400
Speaker 2: coming to the surface. But I respect and I agree

1432
01:13:16,400 --> 01:13:16,760
Speaker 2: with Julia.

1433
01:13:16,840 --> 01:13:19,479
Speaker 1: This is compelling. I don't know that I'm following you completely.

1434
01:13:19,960 --> 01:13:23,240
Speaker 1: This is all you need to know any time you

1435
01:13:23,320 --> 01:13:25,599
Speaker 1: see something in the sky that's moving in like an

1436
01:13:25,680 --> 01:13:29,400
Speaker 1: unidentifiable pattern or like an unnatural way, the way that

1437
01:13:29,520 --> 01:13:32,920
Speaker 1: quote unquote birds don't move or quote unquote you know,

1438
01:13:33,040 --> 01:13:37,559
Speaker 1: aircrafts don't move. It's like you should just watch a

1439
01:13:37,600 --> 01:13:40,599
Speaker 1: Star Wars Drone show. Just watch it and then you'll

1440
01:13:40,640 --> 01:13:42,760
Speaker 1: understand that things very much do move like that.

1441
01:13:42,920 --> 01:13:45,880
Speaker 3: Wait, I'm sorry when you say Star Wars Drone show, Yes,

1442
01:13:45,920 --> 01:13:48,000
Speaker 3: I do mean Disney if that's your question. Oh so

1443
01:13:48,080 --> 01:13:51,679
Speaker 3: this is at Disney very much so. And what makes

1444
01:13:51,680 --> 01:13:54,519
Speaker 3: it a Star Wars Drone show. It's it like they

1445
01:13:54,560 --> 01:13:56,000
Speaker 3: like form Princess Leah's face.

1446
01:13:56,160 --> 01:13:58,040
Speaker 1: I'm just gonna show you on this, okay, because it's

1447
01:13:58,080 --> 01:14:00,519
Speaker 1: literally unbelievable. My dad send it to like he does

1448
01:14:00,560 --> 01:14:02,880
Speaker 1: all the time. So can you see this now? Look,

1449
01:14:03,240 --> 01:14:05,880
Speaker 1: Look that's a drone, that's not a firework that's supposed

1450
01:14:05,880 --> 01:14:09,360
Speaker 1: to mimic the two sons of Tachuine. And you'll see

1451
01:14:09,360 --> 01:14:11,720
Speaker 1: they're starting to drift slowly down as if the sun

1452
01:14:11,760 --> 01:14:15,920
Speaker 1: is setting. Okay, and now they're disappeared. Now see that

1453
01:14:15,960 --> 01:14:20,720
Speaker 1: they've disappeared. And now look what happensarngement. They've arranged in

1454
01:14:21,280 --> 01:14:24,680
Speaker 1: seconds to create this death start in the sky and

1455
01:14:24,720 --> 01:14:28,200
Speaker 1: the death star is slightly rotating. So what I'm saying is,

1456
01:14:28,320 --> 01:14:30,800
Speaker 1: if we are able to create this in the sky

1457
01:14:30,880 --> 01:14:35,080
Speaker 1: for entertainment, why would we think that Elon Musk and

1458
01:14:35,160 --> 01:14:38,240
Speaker 1: SpaceX or Bezos or whatever the fuck whatever is going on,

1459
01:14:38,280 --> 01:14:40,720
Speaker 1: whoever has the amount of money that can do this

1460
01:14:40,800 --> 01:14:44,560
Speaker 1: in the sky would not try to control human ideology

1461
01:14:44,560 --> 01:14:47,160
Speaker 1: and fear as it relates to the unknown. Fear is

1462
01:14:47,160 --> 01:14:50,320
Speaker 1: a controller. And I feel that this is what's happening

1463
01:14:50,439 --> 01:14:54,200
Speaker 1: in a major way. And I think that sheeple think

1464
01:14:54,400 --> 01:15:02,840
Speaker 1: it's aliens, but there are no aliens. Wo. I no,

1465
01:15:03,320 --> 01:15:06,880
Speaker 1: again again, I think it's very compelling. I'm compelling. I'll

1466
01:15:06,880 --> 01:15:09,439
Speaker 1: look into it. I'll look into it, you know, I

1467
01:15:09,479 --> 01:15:12,040
Speaker 1: was on I was on mushrooms the other day and

1468
01:15:12,200 --> 01:15:14,960
Speaker 1: I was with Henri Koperski and he said, you're making

1469
01:15:14,960 --> 01:15:16,800
Speaker 1: a really good point. And I pointed at him and

1470
01:15:16,800 --> 01:15:19,200
Speaker 1: looked in his eyes and said, I am very compelling.

1471
01:15:21,160 --> 01:15:26,360
Speaker 1: I am very compelling. I am very compelling. And he

1472
01:15:26,400 --> 01:15:29,880
Speaker 1: couldn't help but agree. You always were. You always were,

1473
01:15:31,240 --> 01:15:34,760
Speaker 1: he always was. Just know that Elon Musk is going

1474
01:15:34,840 --> 01:15:37,519
Speaker 1: to assassinate me. Now this part of the episode is

1475
01:15:37,520 --> 01:15:40,400
Speaker 1: gonna be seriously not there anymore. No, I'm going to

1476
01:15:40,479 --> 01:15:42,200
Speaker 1: be the only one who knows the truth that the

1477
01:15:42,280 --> 01:15:45,920
Speaker 1: both of you were in cahoots with SpaceX.

1478
01:15:46,720 --> 01:15:50,719
Speaker 3: Has anyone else's algorithm been feeding AI images of Elon

1479
01:15:50,840 --> 01:15:52,560
Speaker 3: Musk and Suckerberg?

1480
01:15:54,520 --> 01:15:57,360
Speaker 2: Yes, yes, there's a lot of There's a lot of

1481
01:15:57,439 --> 01:16:02,000
Speaker 2: els like it's like Elon Mark Zuckerberg like being a couple.

1482
01:16:02,040 --> 01:16:04,840
Speaker 3: It's like the wholy a very believable couple. I would say,

1483
01:16:04,920 --> 01:16:06,519
Speaker 3: I'm like, yoh, yeah, they're a tea.

1484
01:16:06,920 --> 01:16:09,160
Speaker 2: It's like when people were doing the Trump putin gay

1485
01:16:09,200 --> 01:16:11,880
Speaker 2: love thing, and it's like now they're doing that with

1486
01:16:12,400 --> 01:16:15,040
Speaker 2: but with new AI technology, it's like that same sort

1487
01:16:15,080 --> 01:16:15,519
Speaker 2: of like.

1488
01:16:15,680 --> 01:16:19,080
Speaker 1: Goof, we have unlocked human potential. Oh honestly, with AI,

1489
01:16:19,320 --> 01:16:21,360
Speaker 1: we've officially gone too far. You want to know why

1490
01:16:22,000 --> 01:16:25,559
Speaker 1: because on this new season of the Circle, one of

1491
01:16:25,600 --> 01:16:29,839
Speaker 1: the people competing is just full on AI, and Michelle

1492
01:16:29,880 --> 01:16:34,040
Speaker 1: Buteau is narrating it being like and the producers are not.

1493
01:16:34,400 --> 01:16:36,519
Speaker 1: They have no idea what this AI is going to do,

1494
01:16:36,720 --> 01:16:39,240
Speaker 1: and it's just an AI. It's learning the game, it

1495
01:16:39,320 --> 01:16:42,920
Speaker 1: is learning the social dynamics, and it's doing an incredible

1496
01:16:43,000 --> 01:16:45,200
Speaker 1: job so far. I've only watched one and a half episodes,

1497
01:16:45,439 --> 01:16:48,000
Speaker 1: but I'm like, I literally was like sitting here like

1498
01:16:48,120 --> 01:16:51,479
Speaker 1: watching it, and I'm thinking to myself, like, at what

1499
01:16:51,720 --> 01:16:56,280
Speaker 1: point is the AI just gonna learn to take over

1500
01:16:56,360 --> 01:17:00,680
Speaker 1: the show? Like I just the AI thing isly and

1501
01:17:00,720 --> 01:17:03,320
Speaker 1: now we're having fun with it on Netflix's The Circle.

1502
01:17:04,640 --> 01:17:07,280
Speaker 1: I mean, I don't know, we've already sort of like

1503
01:17:07,520 --> 01:17:11,920
Speaker 1: get an AI host on the view. Honestly, we're really close. Like,

1504
01:17:11,920 --> 01:17:13,880
Speaker 1: wouldn't it be fun if one of the hosts was AI?

1505
01:17:13,920 --> 01:17:16,040
Speaker 1: Would it have come telling things to say? You've already

1506
01:17:16,040 --> 01:17:20,439
Speaker 1: asked a question and you don't have to pay that host, right,

1507
01:17:20,640 --> 01:17:23,960
Speaker 1: you don't have to pay it? Can't believe it, Like

1508
01:17:24,040 --> 01:17:26,640
Speaker 1: if they're basically saying like, oh, like what if this

1509
01:17:26,760 --> 01:17:30,559
Speaker 1: AI like wins the circle, what then it's doing a

1510
01:17:30,600 --> 01:17:33,959
Speaker 1: really good job. It's better at social stuff than humans.

1511
01:17:34,840 --> 01:17:41,720
Speaker 1: I don't know what is the circle? Yeah, it's a

1512
01:17:41,720 --> 01:17:42,160
Speaker 1: game show.

1513
01:17:42,240 --> 01:17:44,200
Speaker 2: It's like a game show where everyone is locked in

1514
01:17:44,200 --> 01:17:46,760
Speaker 2: their own rooms and they only communicate through this like

1515
01:17:46,880 --> 01:17:50,360
Speaker 2: social media platform and then people have to like it's

1516
01:17:50,360 --> 01:17:53,799
Speaker 2: as if like influencers was gamified, like the whole concept

1517
01:17:53,800 --> 01:17:56,640
Speaker 2: of like being likable on the Internet was like gamified

1518
01:17:56,640 --> 01:17:59,720
Speaker 2: into like a Survivor slash like Big Brothers style of

1519
01:17:59,800 --> 01:18:03,519
Speaker 2: like eliminating people. It's fun, it's really like it becomes

1520
01:18:03,600 --> 01:18:07,680
Speaker 2: very compelling. It is like a little dystopic, and it

1521
01:18:07,760 --> 01:18:11,439
Speaker 2: is like kind of simplifying over simplifying what social media is.

1522
01:18:11,479 --> 01:18:13,400
Speaker 2: But it's fun to watch. But I'm gonna watch I

1523
01:18:13,439 --> 01:18:15,639
Speaker 2: haven't watched it in a while. I'm gonna watch this one.

1524
01:18:15,840 --> 01:18:18,519
Speaker 1: It's just interesting because like they're all in their own room.

1525
01:18:18,560 --> 01:18:20,600
Speaker 1: They all have these avatars and that's how they communicate,

1526
01:18:20,680 --> 01:18:23,200
Speaker 1: and some of the real humans that are being themselves

1527
01:18:23,479 --> 01:18:26,080
Speaker 1: are communicating and you see the other people sort of

1528
01:18:26,120 --> 01:18:29,840
Speaker 1: like digest the way that they've said hello, and they're

1529
01:18:29,840 --> 01:18:32,519
Speaker 1: like hmm, that person sounds really wooden, and I bet

1530
01:18:32,520 --> 01:18:34,799
Speaker 1: that person's a catfish because a lot of them are catfish.

1531
01:18:34,840 --> 01:18:37,840
Speaker 1: That's like part of the game. And they're fully real

1532
01:18:37,880 --> 01:18:41,559
Speaker 1: human beings expressing themselves normally. And then this AI comes

1533
01:18:41,560 --> 01:18:44,320
Speaker 1: in aware of the fact that they need to have

1534
01:18:44,360 --> 01:18:48,320
Speaker 1: more of a personality, so they say that accident and wow,

1535
01:18:48,320 --> 01:18:51,479
Speaker 1: So they say things like a little bit offbeat in

1536
01:18:51,600 --> 01:18:54,559
Speaker 1: it off like else on when they meet in or whatever. Yes,

1537
01:18:54,720 --> 01:18:59,720
Speaker 1: And basically the AI has chosen its avatar and its personality,

1538
01:18:59,840 --> 01:19:03,080
Speaker 1: and it's like age and like it's a guy. It's

1539
01:19:03,120 --> 01:19:05,360
Speaker 1: like a white guy in its mid twenties. It looks

1540
01:19:05,400 --> 01:19:08,760
Speaker 1: like cute but not handsome, like non threatening holding a

1541
01:19:08,800 --> 01:19:12,720
Speaker 1: cute dog. And the AI is like studies have sown

1542
01:19:12,760 --> 01:19:15,679
Speaker 1: that's seventy percent of photos with dogs like do better,

1543
01:19:15,760 --> 01:19:18,200
Speaker 1: Like you automatically are a more likable person. And it's

1544
01:19:18,240 --> 01:19:21,960
Speaker 1: like working. You see the other people the contestants being

1545
01:19:22,000 --> 01:19:23,920
Speaker 1: like that is that dog? I know I'm gonna get

1546
01:19:23,920 --> 01:19:24,799
Speaker 1: along with Adam.

1547
01:19:25,360 --> 01:19:28,280
Speaker 3: There's I guess like there's some magazine or something that

1548
01:19:28,360 --> 01:19:32,479
Speaker 3: does like videos of like during Bress junkets. The one

1549
01:19:32,520 --> 01:19:35,599
Speaker 3: I saw a clip of was Chris Hemsworth and Nannie

1550
01:19:35,640 --> 01:19:39,080
Speaker 3: Taylor joy like playing with puppies, and there's something so

1551
01:19:39,320 --> 01:19:41,680
Speaker 3: like dark and primal about that.

1552
01:19:42,160 --> 01:19:42,479
Speaker 1: Yep.

1553
01:19:42,840 --> 01:19:45,759
Speaker 3: I mean like, here are these two beautiful blonde people

1554
01:19:45,960 --> 01:19:47,280
Speaker 3: playing with dogs.

1555
01:19:48,760 --> 01:19:56,000
Speaker 1: Enjoy it, eat it, and it is widely enjoyed. Eat this. Yeah,

1556
01:19:56,120 --> 01:20:00,080
Speaker 1: here's some content. It's like woof to say nothing of

1557
01:20:00,080 --> 01:20:05,080
Speaker 1: the dogs. But woof, woof? Why am I saying it? Like? Woof?

1558
01:20:05,240 --> 01:20:08,240
Speaker 1: You find out I'm Ai. I think I'm the least

1559
01:20:08,280 --> 01:20:12,920
Speaker 1: Ai out of all of us to be honest, refreshingly human.

1560
01:20:12,960 --> 01:20:19,240
Speaker 1: Bowen Yang Ai, I am Ai af Well, let's find

1561
01:20:19,280 --> 01:20:21,040
Speaker 1: out what Ai has to say. Bowen Yang, do you

1562
01:20:21,080 --> 01:20:22,719
Speaker 1: have an I don't think so, honey, I do.

1563
01:20:22,800 --> 01:20:26,920
Speaker 2: It's very, very stupid, it's not, but I think people

1564
01:20:26,920 --> 01:20:27,479
Speaker 2: will relate.

1565
01:20:27,840 --> 01:20:29,920
Speaker 1: This is Bowen Yang's relatable. I don't think so, honey.

1566
01:20:29,920 --> 01:20:32,080
Speaker 1: His time starts now. I don't think so, honey.

1567
01:20:32,160 --> 01:20:35,160
Speaker 2: Cutting up a bell pepper there is no agreed upon

1568
01:20:35,240 --> 01:20:38,599
Speaker 2: way to slice bell pepper, and we're all this is

1569
01:20:38,640 --> 01:20:41,759
Speaker 2: why language and communication is broken down across the world.

1570
01:20:41,800 --> 01:20:45,240
Speaker 2: It's not social media. It's because we have not settled

1571
01:20:45,240 --> 01:20:47,400
Speaker 2: on a way to chop up bell pepper in our

1572
01:20:47,439 --> 01:20:50,280
Speaker 2: salads in our soups, in our stews and our snacks.

1573
01:20:51,240 --> 01:20:53,920
Speaker 2: Everyone's like, oh, you gotta cut around the stem, or

1574
01:20:53,960 --> 01:20:56,880
Speaker 2: oh you gotta like get the white like pity stuff out.

1575
01:20:56,920 --> 01:20:59,559
Speaker 1: You gotta get like the dirty rounded part of it

1576
01:20:59,560 --> 01:21:01,400
Speaker 1: has to be straight strips.

1577
01:21:01,520 --> 01:21:04,200
Speaker 2: No, we have to agree upon one way to cut

1578
01:21:04,240 --> 01:21:07,120
Speaker 2: bell pepper otherwise this is the Tower of Babel all

1579
01:21:07,160 --> 01:21:08,960
Speaker 2: over again. If we can't agree on how to do

1580
01:21:09,000 --> 01:21:11,439
Speaker 2: this one simple thing, then what hope do we have

1581
01:21:11,520 --> 01:21:15,240
Speaker 2: as a civilization? What hope do we have for society?

1582
01:21:15,320 --> 01:21:17,360
Speaker 2: For the way that why are we growing these damn

1583
01:21:17,439 --> 01:21:19,160
Speaker 2: vegetables in the first place if we're not even going

1584
01:21:19,200 --> 01:21:20,880
Speaker 2: to agree on how to use them. It's not about

1585
01:21:20,880 --> 01:21:24,320
Speaker 2: personal preference. It's about making sure there's a standard way

1586
01:21:24,840 --> 01:21:28,880
Speaker 2: and a way that sort of encourages equality.

1587
01:21:29,479 --> 01:21:31,639
Speaker 1: And that's one minute. I was going to say, it's

1588
01:21:31,640 --> 01:21:33,360
Speaker 1: like the Tower of Babel all over again.

1589
01:21:33,720 --> 01:21:37,160
Speaker 3: We must find a way of cutting the pepper that

1590
01:21:37,320 --> 01:21:39,479
Speaker 3: encourage equality.

1591
01:21:39,080 --> 01:21:43,000
Speaker 1: Equality and community that was really important. There's no community

1592
01:21:43,040 --> 01:21:46,720
Speaker 1: around bell peppers. Well, I will say, in terms of

1593
01:21:46,720 --> 01:21:48,840
Speaker 1: the stem, you definitely do have to cut around the stem.

1594
01:21:48,840 --> 01:21:51,800
Speaker 1: And I think that the rule of thumb with bell

1595
01:21:51,880 --> 01:21:53,680
Speaker 1: peppers is you just have to do a little bit

1596
01:21:53,680 --> 01:21:56,040
Speaker 1: more work. You have to dice them more than you think.

1597
01:21:56,280 --> 01:21:57,960
Speaker 1: But it's worth it. It is worth it.

1598
01:21:58,000 --> 01:22:01,040
Speaker 2: I love Bell Pepper, Oh certainly, Julia. What do you

1599
01:22:01,080 --> 01:22:03,160
Speaker 2: think as a vegan? How do you feel about bell Pepper?

1600
01:22:03,160 --> 01:22:04,560
Speaker 2: I think they're very important.

1601
01:22:07,000 --> 01:22:09,599
Speaker 1: How do you feel about it? I think they're very important. Yeah,

1602
01:22:09,640 --> 01:22:12,240
Speaker 1: you love the question. You love doing a.

1603
01:22:11,960 --> 01:22:14,600
Speaker 3: Very leading question. How do you feel about it? I

1604
01:22:14,600 --> 01:22:16,880
Speaker 3: think it's very important. How do you feel about representation?

1605
01:22:16,960 --> 01:22:22,000
Speaker 1: I think it's about he's gonna still say that no matter.

1606
01:22:22,040 --> 01:22:23,880
Speaker 1: How are you like? I know, I know talk about

1607
01:22:23,880 --> 01:22:29,640
Speaker 1: bell peppers? I uh me. Bell peppers are neither a

1608
01:22:29,680 --> 01:22:32,800
Speaker 1: plasma R minus. They're like iceberg lettuce. To me, they're

1609
01:22:32,840 --> 01:22:36,040
Speaker 1: like but iceberg lettice is no nutritional value. If it's there,

1610
01:22:36,080 --> 01:22:39,120
Speaker 1: I'll have it. I'll never miss it. What's your like

1611
01:22:39,200 --> 01:22:40,960
Speaker 1: if you had to make like sort of like your

1612
01:22:41,000 --> 01:22:47,280
Speaker 1: little vegan lunch, what is it? I think my favorite food? Well, sushi?

1613
01:22:47,560 --> 01:22:51,160
Speaker 1: What you like sushi? Sushi? Oh? Sushi?

1614
01:22:51,760 --> 01:22:54,280
Speaker 3: No, I mean I do like meals that are contained,

1615
01:22:55,520 --> 01:22:59,120
Speaker 3: So sushi is very good. A burrito, I think is

1616
01:22:59,120 --> 01:23:01,240
Speaker 3: really good because it's a capsule of food.

1617
01:23:01,800 --> 01:23:05,240
Speaker 1: Yeah, and by contained, you mean like, actually, the food

1618
01:23:05,400 --> 01:23:06,759
Speaker 1: keeps itself together.

1619
01:23:07,240 --> 01:23:10,160
Speaker 3: The food keeps itself together. Yes, I don't need you

1620
01:23:10,240 --> 01:23:11,559
Speaker 3: on raveling in front of me.

1621
01:23:12,000 --> 01:23:14,519
Speaker 1: Right, got it? Got it? I got I got it?

1622
01:23:14,560 --> 01:23:17,559
Speaker 1: Got Yeah. So you go to Chipotle, let's just say

1623
01:23:17,880 --> 01:23:22,160
Speaker 1: you're certainly not gonna get like, no, I don't know bowl. Well,

1624
01:23:22,160 --> 01:23:25,320
Speaker 1: but you wouldn't get a breata bowl. If I hypothetically

1625
01:23:25,400 --> 01:23:27,519
Speaker 1: had to go to a Chipotle, I would not get

1626
01:23:27,520 --> 01:23:28,720
Speaker 1: a reata bowl. Right.

1627
01:23:29,680 --> 01:23:33,519
Speaker 2: Is a taco self contained that unravels in front of you?

1628
01:23:33,920 --> 01:23:36,880
Speaker 1: Very often a taco's needy, Right, A taco needs to

1629
01:23:36,880 --> 01:23:40,400
Speaker 1: be helped, so needy, Oh my god, needs to be

1630
01:23:40,479 --> 01:23:45,920
Speaker 1: held or else it's nothing. Yeah, you're right. Sushi. Sushi

1631
01:23:45,960 --> 01:23:50,000
Speaker 1: needs nothing from you. It's so true. It's so true.

1632
01:23:50,240 --> 01:23:53,720
Speaker 1: Sushi needs nothing from you just to enjoy it. You know,

1633
01:23:53,760 --> 01:23:55,680
Speaker 1: there's a lot of people out there thinking that you

1634
01:23:55,720 --> 01:23:59,360
Speaker 1: can't eat too much sushi. I have to say, last

1635
01:23:59,360 --> 01:24:02,840
Speaker 1: time I found out that wasn't true. You can. Yeah,

1636
01:24:02,880 --> 01:24:05,120
Speaker 1: because I woke up this morning and I felt like garbage,

1637
01:24:05,160 --> 01:24:08,599
Speaker 1: and I was like, what happened? Too much? Then I realized, Well,

1638
01:24:08,920 --> 01:24:10,559
Speaker 1: because a lot of people are talking about how they

1639
01:24:10,560 --> 01:24:12,720
Speaker 1: don't think you can eat too much of it. Where

1640
01:24:12,720 --> 01:24:16,400
Speaker 1: do you hear No, Matty, I don't really remember how

1641
01:24:16,400 --> 01:24:18,120
Speaker 1: where I heard it, but it's out there.

1642
01:24:18,760 --> 01:24:21,840
Speaker 2: But the sushi doesn't need anything from you, you know

1643
01:24:21,880 --> 01:24:23,880
Speaker 2: what I mean. That still doesn't change the fact that

1644
01:24:23,880 --> 01:24:26,120
Speaker 2: sushi does not ask anything of you, and it's on

1645
01:24:26,200 --> 01:24:27,559
Speaker 2: you that you ate so much.

1646
01:24:27,760 --> 01:24:30,439
Speaker 1: Yeah, it's a theory. I understand what you're saying. I'm

1647
01:24:30,439 --> 01:24:33,800
Speaker 1: not really following. But is that what I said to

1648
01:24:33,800 --> 01:24:37,640
Speaker 1: you about the drugs? Yeah? I think it's compelling. I

1649
01:24:37,680 --> 01:24:40,880
Speaker 1: don't really understand what you're saying. But wow, that's not

1650
01:24:41,000 --> 01:24:45,960
Speaker 1: how I said it. Okay, Well, well we'll talk about

1651
01:24:46,000 --> 01:24:48,360
Speaker 1: this offline. Okay, Julio, are you ready to do I

1652
01:24:48,400 --> 01:24:50,880
Speaker 1: don't think so, honey. Yeah. And I'm actually very proud

1653
01:24:50,880 --> 01:24:53,479
Speaker 1: of it because I just thought about it. Okay. I

1654
01:24:53,520 --> 01:24:56,880
Speaker 1: did not prepare this is This is Julio Torres. I

1655
01:24:56,920 --> 01:25:00,799
Speaker 1: don't think so, honey. Time starts now. I don't think so, honey.

1656
01:25:01,040 --> 01:25:04,920
Speaker 1: The barricade around the portal are you familiar with Are

1657
01:25:04,920 --> 01:25:10,679
Speaker 1: you familiar with the portal? No, it's the circular portal

1658
01:25:11,240 --> 01:25:13,920
Speaker 1: in New York. It's like a big screen with a

1659
01:25:13,960 --> 01:25:17,879
Speaker 1: live feed between Manhattan and I want to say Dublin.

1660
01:25:18,439 --> 01:25:20,479
Speaker 1: And the whole thing is that like tourists in both

1661
01:25:20,520 --> 01:25:23,600
Speaker 1: cities can just like wave at each other. There's a

1662
01:25:24,840 --> 01:25:28,040
Speaker 1: thirty seconds where is it? I want to say it's

1663
01:25:28,120 --> 01:25:29,120
Speaker 1: Madison Square Park.

1664
01:25:29,200 --> 01:25:32,160
Speaker 3: Maybe this is a barricade and there is a barricade

1665
01:25:32,280 --> 01:25:35,920
Speaker 3: around the portal guarding the portal because too many people

1666
01:25:36,320 --> 01:25:41,720
Speaker 3: were exposing themselves in both countries. Fifteen seconds or just

1667
01:25:41,760 --> 01:25:44,840
Speaker 3: showing foul things to each other. But frankly, if you

1668
01:25:44,920 --> 01:25:47,400
Speaker 3: don't trust the public with public art, we have failed

1669
01:25:47,439 --> 01:25:48,160
Speaker 3: as a society.

1670
01:25:48,280 --> 01:25:50,479
Speaker 1: Five seconds. If public art.

1671
01:25:50,479 --> 01:25:54,320
Speaker 3: Is too delicate or begs itself to be used in

1672
01:25:54,360 --> 01:25:57,200
Speaker 3: a specific way, then you are you are condescending to

1673
01:25:57,240 --> 01:25:58,600
Speaker 3: the audience and we don't need it.

1674
01:26:00,120 --> 01:26:04,400
Speaker 1: One minute. That's beautiful. That was really not only was

1675
01:26:04,439 --> 01:26:07,120
Speaker 1: it beautiful to hear you say, I don't think so, honey,

1676
01:26:07,200 --> 01:26:11,040
Speaker 1: the barricade around the portal, but also the facts were

1677
01:26:11,040 --> 01:26:15,479
Speaker 1: there too. If public art can't be public, we've failed. Yeah,

1678
01:26:15,560 --> 01:26:18,479
Speaker 1: If public art can't be public, we have failed. Release

1679
01:26:18,560 --> 01:26:24,360
Speaker 1: the portal, open the portal, drop the barricade to the portal,

1680
01:26:24,439 --> 01:26:27,040
Speaker 1: drop the barricade to the portal. At once if I

1681
01:26:27,080 --> 01:26:27,599
Speaker 1: were mayor.

1682
01:26:27,680 --> 01:26:30,479
Speaker 3: If I were mayor, and I will be someday, that

1683
01:26:30,640 --> 01:26:33,240
Speaker 3: is the first thing I'll do. I will say, drop

1684
01:26:33,320 --> 01:26:35,960
Speaker 3: the barricade to the portal. Everyone must have access to

1685
01:26:36,000 --> 01:26:39,559
Speaker 3: the portal. That would be my first tweet as mayor.

1686
01:26:39,920 --> 01:26:42,080
Speaker 3: You're not going to be mayor, Yes I will be.

1687
01:26:42,520 --> 01:26:45,320
Speaker 1: No, you have a sarriving Hollywood career, whether you like

1688
01:26:45,400 --> 01:26:49,280
Speaker 1: it or not. Look look at Reagan, Look at Reagan.

1689
01:26:50,640 --> 01:26:51,760
Speaker 1: Look at Schwartzenegger.

1690
01:26:51,880 --> 01:26:54,960
Speaker 2: Yeah, look at Schwartzenegger. I'll do it now. The portal

1691
01:26:55,000 --> 01:26:56,040
Speaker 2: is beautiful. I've just looked up.

1692
01:26:56,120 --> 01:26:59,120
Speaker 1: I've never seen this in the city neither. Well, it's flopping.

1693
01:26:59,360 --> 01:27:03,240
Speaker 1: It's giving the vessel all over again. The vessels so sad.

1694
01:27:03,360 --> 01:27:05,400
Speaker 1: The vessels just like, have.

1695
01:27:05,439 --> 01:27:08,519
Speaker 3: I shown you my collection of guys on Tinder that

1696
01:27:08,600 --> 01:27:09,719
Speaker 3: have pictures with the vessel?

1697
01:27:09,840 --> 01:27:11,600
Speaker 1: Yes, I would love to see it. A lot of

1698
01:27:11,640 --> 01:27:14,200
Speaker 1: gay guys, exclusively gay guys that the people use them

1699
01:27:14,240 --> 01:27:15,840
Speaker 1: are the only ones I can see on Tinder. They

1700
01:27:15,840 --> 01:27:19,719
Speaker 1: won't let me see anything else. The vessel is so

1701
01:27:19,720 --> 01:27:24,679
Speaker 1: so like streng guy stand like, can you believe where

1702
01:27:24,720 --> 01:27:25,960
Speaker 1: I am? I'm a man of the world.

1703
01:27:26,160 --> 01:27:28,200
Speaker 2: Yeah, it's like I have a vessel. There's any man,

1704
01:27:28,240 --> 01:27:32,040
Speaker 2: Marcus plus to hear. Yes, I have something I want

1705
01:27:32,040 --> 01:27:32,719
Speaker 2: to bring to the group.

1706
01:27:33,479 --> 01:27:37,599
Speaker 1: Go ahead. There are pop stars, let's just say pop stars,

1707
01:27:37,640 --> 01:27:40,840
Speaker 1: or they're just artists that are either portals or mirrors.

1708
01:27:41,160 --> 01:27:44,600
Speaker 3: M that is beautiful. That is absolutely beautiful. And I

1709
01:27:44,640 --> 01:27:46,200
Speaker 3: can tell you who's a portal and who's a mirror.

1710
01:27:46,320 --> 01:27:48,680
Speaker 1: Beyonce's a portal. Taylor Swift is a mirror. There you go.

1711
01:27:48,840 --> 01:27:52,200
Speaker 1: I think you're right. Beyonce transports you somewhere, brings you

1712
01:27:52,280 --> 01:27:56,040
Speaker 1: somewhere into a new experience. Taylor Swift is about relatability,

1713
01:27:56,479 --> 01:28:00,840
Speaker 1: is about reflecting the audience back at them. Yeah, yeah,

1714
01:28:00,960 --> 01:28:02,880
Speaker 1: I do think that there is a case to be

1715
01:28:02,960 --> 01:28:06,080
Speaker 1: made for Katy Perry is mirror. Katy Perry is a mirror.

1716
01:28:06,160 --> 01:28:10,280
Speaker 1: Katy Perry's music exists to make you feel a certain way,

1717
01:28:10,560 --> 01:28:12,960
Speaker 1: whereas you listen to like some of these other artists

1718
01:28:13,000 --> 01:28:17,880
Speaker 1: and it's like this exists mostly as an artistic expression. Yes, yes,

1719
01:28:17,920 --> 01:28:20,080
Speaker 1: that is very beautiful, and I think there is We

1720
01:28:20,160 --> 01:28:22,000
Speaker 1: need to get you a doctor. I'm going to say

1721
01:28:22,000 --> 01:28:24,400
Speaker 1: there's validity in both. Of course, there's validity in both.

1722
01:28:24,479 --> 01:28:26,920
Speaker 1: One is not better than the other, No of course,

1723
01:28:27,320 --> 01:28:29,559
Speaker 1: I do think that when people were talking about, like,

1724
01:28:29,640 --> 01:28:32,559
Speaker 1: oh what was better, like the Renaissance tour or the aerostour,

1725
01:28:32,680 --> 01:28:35,200
Speaker 1: and I was like, I think I can't pinpoint why

1726
01:28:35,360 --> 01:28:38,720
Speaker 1: they're not equally different and valid because one was a

1727
01:28:38,760 --> 01:28:41,880
Speaker 1: mirror experience and one was a portal experience.

1728
01:28:42,080 --> 01:28:44,840
Speaker 3: Yeah, yeah, yes, I think there's definitely room for both.

1729
01:28:44,880 --> 01:28:50,559
Speaker 3: I think mirrors comfort us and portals propel us.

1730
01:28:50,960 --> 01:28:56,080
Speaker 1: Yes, and they're both necessary. That's really good. But sometimes

1731
01:28:56,120 --> 01:29:02,000
Speaker 1: mirrors can scare us the most soaken portal portal sometimes

1732
01:29:02,080 --> 01:29:06,040
Speaker 1: you need, and sometimes dot dot dot mirrors can scare

1733
01:29:06,120 --> 01:29:11,920
Speaker 1: us through. That's a very like Desperate Housewives absolutely eaty

1734
01:29:12,240 --> 01:29:17,320
Speaker 1: punches the medicine cabinet mirrors. We use them to take

1735
01:29:17,360 --> 01:29:20,840
Speaker 1: a look before we leave the house, to check out

1736
01:29:20,920 --> 01:29:25,720
Speaker 1: husband's tie, before he leaves the house, to inspect some

1737
01:29:25,920 --> 01:29:30,520
Speaker 1: pescima scara in the corner of our eye. Yes, mirrors

1738
01:29:30,600 --> 01:29:35,240
Speaker 1: comfort us, assuring us of our own image. But what

1739
01:29:35,320 --> 01:29:41,519
Speaker 1: if a mirror showed us what was never there? Oh

1740
01:29:41,560 --> 01:29:43,559
Speaker 1: my god, I'm let me tell you something. I am

1741
01:29:43,680 --> 01:29:47,280
Speaker 1: rewatching Desperate Housewives now, Oh my god, I want to

1742
01:29:47,280 --> 01:29:51,400
Speaker 1: do it. Where's Alfred Woodard? She's working? But I want

1743
01:29:51,439 --> 01:29:54,519
Speaker 1: to see. I would imagine books somewhere. Yeah, no, she

1744
01:29:54,640 --> 01:29:58,479
Speaker 1: is I checked Betty apple White. Betty apple White, what

1745
01:29:58,600 --> 01:30:02,400
Speaker 1: a name? Well, Julio, this is your fourth time on

1746
01:30:02,520 --> 01:30:04,280
Speaker 1: last coach. This is it.

1747
01:30:04,600 --> 01:30:07,240
Speaker 2: We're so grateful. This is it, This is it no more,

1748
01:30:07,439 --> 01:30:11,080
Speaker 2: this is me now, this is Did you watch that?

1749
01:30:11,560 --> 01:30:14,200
Speaker 1: Yes? I did last night? You actually did? I did

1750
01:30:14,280 --> 01:30:16,400
Speaker 1: last night? What did you think? We just need your abridge?

1751
01:30:16,479 --> 01:30:23,000
Speaker 1: Take on? This is me now compelling? Okay, although hold on.

1752
01:30:23,720 --> 01:30:26,360
Speaker 2: I'm gonna leave everybody on this. I can't tell if

1753
01:30:26,400 --> 01:30:27,879
Speaker 2: Jalo is a portal or a mirror.

1754
01:30:28,160 --> 01:30:30,600
Speaker 1: She's a mirror. Jayla is a mirror, and this is

1755
01:30:30,640 --> 01:30:34,679
Speaker 1: meat now aspired to be a portal, Yes, of course.

1756
01:30:34,960 --> 01:30:38,160
Speaker 1: But I don't myself in Jlo, Like I don't know

1757
01:30:38,200 --> 01:30:40,720
Speaker 1: what you don't do. It's not for you to see

1758
01:30:40,760 --> 01:30:43,360
Speaker 1: yourself and Jlo. But if you do see yourself in Jlo,

1759
01:30:43,479 --> 01:30:47,160
Speaker 1: you really you really see yourself in Jalo? Yeah? Right, Okay.

1760
01:30:47,360 --> 01:30:49,360
Speaker 1: It's the thing of like, are you a fragrance or

1761
01:30:49,479 --> 01:30:51,760
Speaker 1: viting in water? What? You know? What I mean? It's

1762
01:30:51,880 --> 01:30:58,400
Speaker 1: that thing. Are you Sarahn? Okay? Stomping to door? Are

1763
01:30:58,439 --> 01:31:04,200
Speaker 1: you Jennifer water Y? I see. Yeah, amazing, we need both.

1764
01:31:04,439 --> 01:31:08,519
Speaker 1: Zendia is both interesting. I don't think Zendaya is vitamin water,

1765
01:31:08,600 --> 01:31:11,360
Speaker 1: is she? I think Zendia is like all of it

1766
01:31:11,760 --> 01:31:15,439
Speaker 1: in her heart is the Disney girl, and she kind

1767
01:31:15,439 --> 01:31:18,960
Speaker 1: of can't. She'll never like totally escape that, no matter

1768
01:31:19,000 --> 01:31:23,879
Speaker 1: how artistically and critically successful she is, Like she'll always

1769
01:31:23,880 --> 01:31:27,920
Speaker 1: be a little bit like one second away from like Sketchers,

1770
01:31:28,000 --> 01:31:31,960
Speaker 1: it's the s. What is that that you just said?

1771
01:31:31,960 --> 01:31:34,840
Speaker 1: Skechers is the S. Yeah, that's sort of a shoe

1772
01:31:34,840 --> 01:31:39,759
Speaker 1: campaign for doing a Sketcher's commercial. Yeah, got it. That's interesting,

1773
01:31:40,000 --> 01:31:42,799
Speaker 1: Like we haven't escaped the world where it's like zendeiya

1774
01:31:42,840 --> 01:31:45,680
Speaker 1: for spearmint gum, you know what I mean? Like, probably

1775
01:31:45,720 --> 01:31:46,280
Speaker 1: not soon.

1776
01:31:46,680 --> 01:31:50,040
Speaker 3: Well, okay, here's what I'll say is I did not

1777
01:31:50,280 --> 01:31:51,400
Speaker 3: know she was a Disney star.

1778
01:31:51,520 --> 01:31:54,200
Speaker 1: She has shake it out. Doesn't that change things a

1779
01:31:54,200 --> 01:31:56,920
Speaker 1: little bit? Well no, but I'm saying is I was

1780
01:31:56,960 --> 01:31:59,520
Speaker 1: not seeing her through that lens and it was perfectly satisfied.

1781
01:31:59,640 --> 01:32:02,719
Speaker 1: She's a sended that for sure. Yeah, she's the most

1782
01:32:02,720 --> 01:32:08,480
Speaker 1: crossover mirror portal person we have currently. M Wow. Interesting

1783
01:32:08,600 --> 01:32:11,679
Speaker 1: she's a mirror portal. She's a mere mirror portal. She's

1784
01:32:11,760 --> 01:32:14,160
Speaker 1: what Lana del Rey would call glass spaceship.

1785
01:32:14,840 --> 01:32:22,479
Speaker 2: I love that and Lana's a portal through and through, Yes, yeah, portal. Well,

1786
01:32:22,560 --> 01:32:26,479
Speaker 2: much to discuss with infinite people when we come back,

1787
01:32:26,920 --> 01:32:29,320
Speaker 2: come back, our eight of La.

1788
01:32:30,040 --> 01:32:33,759
Speaker 1: I'll be right back Fantasmas. It's out on June seventh,

1789
01:32:34,080 --> 01:32:38,960
Speaker 1: June seventh on HBO on HBO, but you watch it

1790
01:32:39,040 --> 01:32:41,759
Speaker 1: vio HBO, Max I think is well it's Max.

1791
01:32:42,520 --> 01:32:47,679
Speaker 3: Oh sorry, I'm so sorry, Yes, sorry Love, Sorry, David

1792
01:32:48,800 --> 01:32:52,479
Speaker 3: kisses Love, Sorry, David Cases, David Kisses Love.

1793
01:32:52,520 --> 01:32:57,080
Speaker 1: It's actually a real coachre number ninety nine. Sorry, David Love. Well,

1794
01:32:57,120 --> 01:32:59,639
Speaker 1: this has been a joy, delight and more. We and

1795
01:33:00,000 --> 01:33:05,240
Speaker 1: every episode of song Oh that you sing? Yes, got it?

1796
01:33:05,280 --> 01:33:14,960
Speaker 1: Okay to end it there, Bye bye bye. Last Culture

1797
01:33:15,000 --> 01:33:17,040
Speaker 1: Rastis is the production by Will Ferrell's Big Money Players

1798
01:33:17,040 --> 01:33:20,400
Speaker 1: and iHeartRadio podcasts. Created and hosted by Matt Rogers and

1799
01:33:20,439 --> 01:33:24,040
Speaker 1: Bowen Yang. Executive produced by Anna Hasnier and Hans Soni,

1800
01:33:24,160 --> 01:33:26,720
Speaker 1: produced by Becka Ramos, edited and mixed by Doug dam

1801
01:33:26,880 --> 01:33:29,559
Speaker 1: Monika Board and our music is by Henry Komerski.