1 00:00:04,080 --> 00:00:07,360 Speaker 1: Welcome to Aaron Manky's Cabinet of Curiosity is a production 2 00:00:07,400 --> 00:00:13,560 Speaker 1: of I Heart Radio and Grim and Mild. Our world 3 00:00:13,760 --> 00:00:17,360 Speaker 1: is full of the unexplainable, and if history is an 4 00:00:17,360 --> 00:00:20,880 Speaker 1: open book, all of these amazing tales are right there 5 00:00:20,920 --> 00:00:26,920 Speaker 1: on display, just waiting for us to explore. Welcome to 6 00:00:27,000 --> 00:00:37,960 Speaker 1: the Cabinet of Curiosities. There's a lot that goes into 7 00:00:38,040 --> 00:00:40,640 Speaker 1: making a hit song. It needs to launch at the 8 00:00:40,760 --> 00:00:43,920 Speaker 1: right time, with the right promotional team behind it, and 9 00:00:43,960 --> 00:00:47,160 Speaker 1: it has to be performed by the right musician. Dolly Parton, 10 00:00:47,200 --> 00:00:50,160 Speaker 1: for example, wrote her number one hit Joelene the same 11 00:00:50,240 --> 00:00:54,480 Speaker 1: day she wrote another well known tune in nine, but 12 00:00:54,600 --> 00:00:57,680 Speaker 1: despite that other song also hitting number one, it wouldn't 13 00:00:57,720 --> 00:01:00,920 Speaker 1: become the classic it is today for another or twenty years. 14 00:01:01,520 --> 00:01:04,840 Speaker 1: I Will Always Love You wasn't a sensation until after 15 00:01:04,920 --> 00:01:08,640 Speaker 1: it was reimagined by the late Great Whitney Houston. In fact, 16 00:01:08,880 --> 00:01:11,360 Speaker 1: it's pretty common for one musician to write a song 17 00:01:11,440 --> 00:01:14,280 Speaker 1: for another to sing it instead. It's how some get 18 00:01:14,319 --> 00:01:17,000 Speaker 1: their start before they break out on their own. Others 19 00:01:17,040 --> 00:01:19,880 Speaker 1: climbed the ladder to startdom by writing catchy jingles for 20 00:01:19,959 --> 00:01:23,520 Speaker 1: TV and radio commercials. There are many roads that lead 21 00:01:23,560 --> 00:01:26,880 Speaker 1: to a bright career in the entertainment industry. Just look 22 00:01:26,880 --> 00:01:30,360 Speaker 1: at Barry Pincas. Pincas was born in Brooklyn, New York, 23 00:01:30,400 --> 00:01:33,640 Speaker 1: in ninety three. He called the neighborhood of Williamsburg his 24 00:01:33,720 --> 00:01:36,959 Speaker 1: childhood home before enrolling at the City College of New York. 25 00:01:37,400 --> 00:01:40,280 Speaker 1: His stay there didn't last long, though, Barry was destined 26 00:01:40,280 --> 00:01:42,959 Speaker 1: for bigger things and soon switched to the New York 27 00:01:43,040 --> 00:01:46,720 Speaker 1: College of Music to obtain his degree. To make ends meet, 28 00:01:46,760 --> 00:01:48,800 Speaker 1: while he was still in school, he worked for CBS, 29 00:01:48,880 --> 00:01:52,240 Speaker 1: where he started making industry connections. When he was twenty 30 00:01:52,240 --> 00:01:55,160 Speaker 1: one years old, a CBS director named bro Herod asked 31 00:01:55,160 --> 00:01:58,160 Speaker 1: Pinkas for some help. The network was putting on a 32 00:01:58,240 --> 00:02:01,400 Speaker 1: musical adaptation of a play called The Drunkard, a work 33 00:02:01,440 --> 00:02:05,040 Speaker 1: of temperance propaganda that was popular during the mid eighteen hundreds. 34 00:02:05,640 --> 00:02:07,960 Speaker 1: Herod asked Pinkas to whip up a few songs for 35 00:02:07,960 --> 00:02:11,120 Speaker 1: the show, nothing too big. Instead, the up and coming 36 00:02:11,160 --> 00:02:14,720 Speaker 1: songwriter composed a whole score. Herod was so impressed he 37 00:02:14,840 --> 00:02:17,160 Speaker 1: used it for the off Broadway production that ran for 38 00:02:17,360 --> 00:02:20,960 Speaker 1: almost a decade. Over the years, Pinkas took on various 39 00:02:21,040 --> 00:02:24,480 Speaker 1: jobs as a pianist, and songwriter, eventually getting a gig 40 00:02:24,480 --> 00:02:27,280 Speaker 1: that would allow him to reach audiences all over the country. 41 00:02:27,680 --> 00:02:30,760 Speaker 1: It wasn't uncommon for Americans to get his melodies stuck 42 00:02:30,760 --> 00:02:33,080 Speaker 1: in their heads thanks to the ad breaks in the 43 00:02:33,120 --> 00:02:36,080 Speaker 1: middle of their favorite shows. Ever get stuck on band 44 00:02:36,120 --> 00:02:39,120 Speaker 1: aid brand, well, you can thank Mr Pinkas. Do you 45 00:02:39,200 --> 00:02:42,760 Speaker 1: consider your insurance company like a good neighbor? His nine 46 00:02:42,760 --> 00:02:45,960 Speaker 1: note jingle is still used by State Farm to this day. 47 00:02:46,040 --> 00:02:49,239 Speaker 1: From KFC to stride X, you couldn't go along without 48 00:02:49,280 --> 00:02:52,639 Speaker 1: hearing one of pinkas famous tunes being pumped through your 49 00:02:52,680 --> 00:02:56,040 Speaker 1: television speakers, and for some ads where he didn't write 50 00:02:56,080 --> 00:02:59,919 Speaker 1: the song, he provided the vocals instead. He recorded commercials 51 00:03:00,000 --> 00:03:03,560 Speaker 1: for McDonald's and there You Deserve a Break Today campaign, 52 00:03:03,680 --> 00:03:07,600 Speaker 1: as well as Pepsi's Pepsi Generation ads. But he didn't 53 00:03:07,639 --> 00:03:09,840 Speaker 1: want to spend the rest of his life selling fast 54 00:03:09,880 --> 00:03:13,800 Speaker 1: food and band aids. Pincas wanted a full blown music career, 55 00:03:14,120 --> 00:03:16,240 Speaker 1: which he kicked off with a small act of his 56 00:03:16,280 --> 00:03:19,920 Speaker 1: own in the early seventies. Singer and actress Bett Midler 57 00:03:20,080 --> 00:03:22,120 Speaker 1: saw him one night and hired him to be her 58 00:03:22,160 --> 00:03:25,640 Speaker 1: pianist at one of her upcoming performances. It went well, 59 00:03:25,960 --> 00:03:28,160 Speaker 1: so well, in fact, that it led to a producer 60 00:03:28,240 --> 00:03:32,080 Speaker 1: role for Pinkas on Midler's first and second albums. On 61 00:03:32,120 --> 00:03:35,240 Speaker 1: top of his producing duties, he remained steadfast in his 62 00:03:35,320 --> 00:03:39,360 Speaker 1: desire to write hit pop songs. Unfortunately, they weren't becoming 63 00:03:39,440 --> 00:03:42,480 Speaker 1: hits because of him. His song Could It Be Magic 64 00:03:42,680 --> 00:03:46,200 Speaker 1: became a best seller for disco queen Donna Summer. In fact, 65 00:03:46,200 --> 00:03:49,280 Speaker 1: when Pinkas finally broke through on the Billboard charts, it 66 00:03:49,400 --> 00:03:51,960 Speaker 1: wasn't with a song of his own at all. The 67 00:03:52,000 --> 00:03:55,720 Speaker 1: track called Brandy had been written by Scott English and 68 00:03:55,840 --> 00:04:00,240 Speaker 1: Richard Kerr in nineteen seventy one. Legendary record executive Live 69 00:04:00,320 --> 00:04:03,840 Speaker 1: Davis suggested that Pinkas recorded in nineteen seventy four, at 70 00:04:03,840 --> 00:04:06,520 Speaker 1: which time the artist changed its name so as not 71 00:04:06,600 --> 00:04:09,400 Speaker 1: to get it confused with a similarly titled hit from 72 00:04:09,440 --> 00:04:13,160 Speaker 1: a few years earlier. The new track, now called Mandy, 73 00:04:13,280 --> 00:04:15,360 Speaker 1: went on to the top of the charts and earned 74 00:04:15,360 --> 00:04:18,680 Speaker 1: Pinkas his first gold single. However, he didn't go by 75 00:04:18,680 --> 00:04:22,840 Speaker 1: Pinks now he had adopted his mother's maiden name Manilo. 76 00:04:23,520 --> 00:04:27,080 Speaker 1: Over the next several decades, Barry Manilow rose from catchy 77 00:04:27,160 --> 00:04:31,159 Speaker 1: jingle writer to arena filling superstar with hit songs like 78 00:04:31,560 --> 00:04:34,200 Speaker 1: looks Like We Made It and I Write the Songs, 79 00:04:34,760 --> 00:04:38,320 Speaker 1: and funny enough, many of Manilo's hits weren't actually written 80 00:04:38,360 --> 00:04:40,720 Speaker 1: by him at all. Looks Like We Made It was 81 00:04:40,760 --> 00:04:44,440 Speaker 1: originally by Will Jennings and Brandy co writer Richard Kerr. 82 00:04:44,839 --> 00:04:48,839 Speaker 1: Songwriters Charles Fox and Norn Gimbal penned nineteen seventy Eight's 83 00:04:48,880 --> 00:04:51,800 Speaker 1: Ready to Take a Chance Again and I Write the 84 00:04:51,839 --> 00:04:55,440 Speaker 1: Songs was written by Beach Boys member Bruce Johnston in 85 00:04:55,560 --> 00:04:58,800 Speaker 1: nineteen seventy five. It became a number one single for 86 00:04:58,880 --> 00:05:02,679 Speaker 1: Manilo one year later. Barry Manilow may not have written 87 00:05:02,720 --> 00:05:05,240 Speaker 1: all of his own hits, but his music has stood 88 00:05:05,279 --> 00:05:08,159 Speaker 1: the test of time nonetheless. And if you're not near 89 00:05:08,200 --> 00:05:10,680 Speaker 1: a CD player or radio and you want to hear 90 00:05:10,720 --> 00:05:14,120 Speaker 1: one of his songs, just turn on the television and 91 00:05:14,200 --> 00:05:31,799 Speaker 1: wait for a commercial break. Traditions can be sacred. Ending 92 00:05:31,800 --> 00:05:34,480 Speaker 1: a ritual that has gone on for years, even decades 93 00:05:34,640 --> 00:05:37,040 Speaker 1: can be a traumatic experience for those who have come 94 00:05:37,080 --> 00:05:40,360 Speaker 1: to expect the comfort of its performance each time. It 95 00:05:40,440 --> 00:05:43,760 Speaker 1: might be something a departed relative had started before their death, 96 00:05:44,120 --> 00:05:47,039 Speaker 1: or something to ensure good luck before a major event 97 00:05:47,600 --> 00:05:51,360 Speaker 1: for the students of a major military academy in eighty six, 98 00:05:51,720 --> 00:05:55,600 Speaker 1: the loss of their annual Christmas tradition wasn't just a problem, 99 00:05:55,640 --> 00:05:58,599 Speaker 1: It was caused for a riot. It all started on 100 00:05:58,680 --> 00:06:01,640 Speaker 1: Christmas Eve of that year. The cadets at the U. S. 101 00:06:01,720 --> 00:06:04,920 Speaker 1: Military Academy, also known as West Point were in their 102 00:06:04,960 --> 00:06:08,600 Speaker 1: barracks celebrating the holiday. Though they were not singing carols 103 00:06:08,680 --> 00:06:11,760 Speaker 1: or sitting down to a quiet Turkey dinner. They were 104 00:06:12,080 --> 00:06:16,680 Speaker 1: staging a mutiny. The academy's superintendent, Colonel Fair, had a 105 00:06:16,720 --> 00:06:19,040 Speaker 1: feeling that there was bound to be commotion that night, 106 00:06:19,279 --> 00:06:23,120 Speaker 1: so he assigned Captain Ethan Allen Hitchcock and Lieutenant William A. 107 00:06:23,240 --> 00:06:26,720 Speaker 1: Thornton to watch over the North barracks. All was quiet 108 00:06:26,800 --> 00:06:29,719 Speaker 1: for much of the evening, with Hitchcock and Thornton heading 109 00:06:29,720 --> 00:06:33,280 Speaker 1: to bed around midnight. A few hours later, Hitchcock was 110 00:06:33,320 --> 00:06:35,839 Speaker 1: stirred from his slumber by a commotion coming from a 111 00:06:35,880 --> 00:06:39,160 Speaker 1: few floors up. He climbed the stairs, only to find 112 00:06:39,160 --> 00:06:43,400 Speaker 1: a group of cadets throwing a massive party. Sometime later, 113 00:06:43,480 --> 00:06:47,039 Speaker 1: another cadet ran in to warn everyone that Hitchcock was coming. 114 00:06:47,440 --> 00:06:50,320 Speaker 1: He didn't know the man had already arrived. Hitchcock instructed 115 00:06:50,360 --> 00:06:52,400 Speaker 1: the cadet to go back to his room, which he 116 00:06:52,480 --> 00:06:57,040 Speaker 1: did without incident. That cadet's name future President of the Confederacy, 117 00:06:57,160 --> 00:07:00,760 Speaker 1: Jefferson Davis. Hitchcock ordered the rest of the boys to 118 00:07:00,839 --> 00:07:03,680 Speaker 1: return to their rooms before he marched back downstairs, but 119 00:07:03,880 --> 00:07:08,000 Speaker 1: soon heard another group of rambunctious young men gallivanti nearby. 120 00:07:08,160 --> 00:07:10,960 Speaker 1: Two were hidden under a blankets hoping not to get caught, 121 00:07:11,320 --> 00:07:14,520 Speaker 1: while another had covered his face with the hat. Hitchcock 122 00:07:14,600 --> 00:07:16,480 Speaker 1: tried to get the cadet to remove the hat from 123 00:07:16,520 --> 00:07:21,240 Speaker 1: his face to ascertain his identity, but the man refused. Eventually, 124 00:07:21,320 --> 00:07:23,600 Speaker 1: the captain left to find back up while the students 125 00:07:23,680 --> 00:07:26,880 Speaker 1: rallied together, one of them shouting, get your dirks and 126 00:07:26,920 --> 00:07:30,240 Speaker 1: bayonets and pistols. If you have them before this night 127 00:07:30,320 --> 00:07:34,640 Speaker 1: is over, Hitchcock will be dead. And they weren't joking. 128 00:07:35,000 --> 00:07:38,800 Speaker 1: The cadets hurled wooden sticks at Hitchcock's door and shattered 129 00:07:38,840 --> 00:07:41,640 Speaker 1: his windows with rocks. They paraded up and down the 130 00:07:41,640 --> 00:07:45,960 Speaker 1: hallways bayonets and muskets, ready for action. One cadet fired 131 00:07:45,960 --> 00:07:49,280 Speaker 1: a pistol at the captain but missed when another bumped 132 00:07:49,280 --> 00:07:52,600 Speaker 1: into him. Throwing off his aim. But Hitchcock managed to 133 00:07:52,640 --> 00:07:55,240 Speaker 1: find someone who wasn't part of the riot and told 134 00:07:55,320 --> 00:07:58,360 Speaker 1: him to bring reinforcements, which the man mistook to mean 135 00:07:58,520 --> 00:08:02,280 Speaker 1: bombardiers or are hillery forces. As a result, they armed 136 00:08:02,320 --> 00:08:05,480 Speaker 1: themselves despite never being under any kind of threat. They 137 00:08:05,520 --> 00:08:08,480 Speaker 1: broke dishes, furniture and other items in the barracks and 138 00:08:08,560 --> 00:08:11,800 Speaker 1: an effort to defend against foes that were never actually coming. 139 00:08:12,480 --> 00:08:14,560 Speaker 1: By the time the cadets had sobered up and realized 140 00:08:14,600 --> 00:08:17,200 Speaker 1: what they were doing, Commandant Worth showed up to bring 141 00:08:17,200 --> 00:08:19,240 Speaker 1: an end to the riot once and for all. The 142 00:08:19,280 --> 00:08:22,840 Speaker 1: North Barracks were in shambles. Pieces of crockery lay strewn 143 00:08:22,920 --> 00:08:26,440 Speaker 1: on the floor, banisters had been ripped away from staircases, 144 00:08:26,800 --> 00:08:30,040 Speaker 1: windows had been broken, and furniture had been smashed to bits. 145 00:08:30,520 --> 00:08:34,320 Speaker 1: In the end, nobody died, but two officers were injured. 146 00:08:35,160 --> 00:08:38,600 Speaker 1: And then there were the hangovers. You see, the riot 147 00:08:38,679 --> 00:08:42,080 Speaker 1: hadn't been started from displeasure among the cadets or anger 148 00:08:42,160 --> 00:08:47,079 Speaker 1: towards Hitchcock. It was because of a drink, because of eggnog. 149 00:08:48,040 --> 00:08:51,560 Speaker 1: Several months earlier, Colonel Fair had instituted a new rule 150 00:08:51,640 --> 00:08:55,559 Speaker 1: at West Point, no alcohol on the premises. Apparently, at 151 00:08:55,559 --> 00:08:58,679 Speaker 1: that year's Independence Day celebration, the cadets had gotten drunk 152 00:08:58,720 --> 00:09:02,280 Speaker 1: and carried combanant worth away on their shoulders. After their 153 00:09:02,280 --> 00:09:06,800 Speaker 1: disgraceful conduct, Colonel Fayer banned all alcoholic beverages from being 154 00:09:06,800 --> 00:09:10,800 Speaker 1: consumed or stored at the academy. However, the students weren't 155 00:09:10,840 --> 00:09:13,480 Speaker 1: going to let their Christmas tradition just die because of 156 00:09:13,559 --> 00:09:17,480 Speaker 1: one silly rule. Instead, they crossed the Hudson River and 157 00:09:17,520 --> 00:09:20,920 Speaker 1: procured gallons of booze from a local tavern, which they 158 00:09:20,960 --> 00:09:24,520 Speaker 1: consumed in glasses of homemade eggnog back in their barracks. 159 00:09:25,200 --> 00:09:29,000 Speaker 1: What transpired resulted in the court martialing of nineteen cadets 160 00:09:29,080 --> 00:09:32,360 Speaker 1: and one soldier, Jefferson Davis, and twenty one others were 161 00:09:32,360 --> 00:09:36,120 Speaker 1: placed under house arrest on December. Of the nineteen who 162 00:09:36,120 --> 00:09:39,319 Speaker 1: were court martialed, only eight were pardoned for their participation 163 00:09:39,440 --> 00:09:43,439 Speaker 1: in the eggnog riot of eighteen six and five actually 164 00:09:43,480 --> 00:09:48,200 Speaker 1: graduated from the academy afterward, and honestly, who knew that 165 00:09:48,280 --> 00:09:55,160 Speaker 1: West Point was such a party school. I hope you've 166 00:09:55,240 --> 00:09:59,199 Speaker 1: enjoyed today's guided tour of the Cabinet of Curiosities. Subscribe 167 00:09:59,240 --> 00:10:02,120 Speaker 1: for free on podcasts, or learn more about the show 168 00:10:02,200 --> 00:10:07,200 Speaker 1: by visiting Curiosities podcast dot com. The show was created 169 00:10:07,240 --> 00:10:10,560 Speaker 1: by me Aaron Mankey in partnership with how Stuff Works. 170 00:10:10,960 --> 00:10:14,120 Speaker 1: I make another award winning show called Lore, which is 171 00:10:14,240 --> 00:10:17,600 Speaker 1: a podcast, book series, and television show and you can 172 00:10:17,720 --> 00:10:20,040 Speaker 1: learn all about it over at the World of Lore 173 00:10:20,280 --> 00:10:25,079 Speaker 1: dot com. And until next time, stay curious. Yeah,