WEBVTT - The Wannabe Model

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<v Speaker 1>From Hollywood to you. Thank you for listening to us.

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<v Speaker 1>Ryan Air with Ryan Seacrest, Good morning, Good morning, Good morning.

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<v Speaker 1>Everybody got some cloud Today hides in the upper sixties

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<v Speaker 1>and seventies Inland. Today is a big day. We've been

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<v Speaker 1>celebrated a month in all week and today's actually your

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<v Speaker 1>birthday is actually my birthday, Happy birthday? So early is that?

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<v Speaker 1>I feel like we've been celebrating already. It's just you know,

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<v Speaker 1>you just kind of like reflect on it March one

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<v Speaker 1>and then you'll just let it ride until March thirty one.

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<v Speaker 1>And here we are, well happy. Yeah, we don't want

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<v Speaker 1>have birthday exhaustion celebrating all months, so we gotta make

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<v Speaker 1>sure we hold back some steam for today. Now look

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<v Speaker 1>at this, thanks guys. There's a little cake of frosting

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<v Speaker 1>and sprinkles on the side. Donuts speaking my language. Yeah,

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<v Speaker 1>we thought we'd just start with a sugar kick spiked

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<v Speaker 1>the next right away. We're gonna crash at eight twice. Yeah, well,

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<v Speaker 1>we'll try and keep you awaking with us. It's your birthday.

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<v Speaker 1>You can thank you. Happy birthday, sissy, Thank you so much.

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<v Speaker 1>Should we sing our song? Yes? Something? Did you guys

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<v Speaker 1>prepare something for me. Do you want to do it? Tanya?

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<v Speaker 1>Did you? Did you do this assignment last night? I'm ready? God,

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<v Speaker 1>you didn't give me an assignment. I supposed to write,

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<v Speaker 1>like right, we're going to write a song to sing

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<v Speaker 1>to Sissany for her birthday. I can't wait to hear it.

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<v Speaker 1>So I would have been happy to do that, but

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<v Speaker 1>you did not text me. Do you have to text

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<v Speaker 1>you shouldn't? You just know that's what we should be

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<v Speaker 1>doing today. Nosing the happy birthday song? We can see

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<v Speaker 1>the normal. I'm already working on your songs your birthday

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<v Speaker 1>and we could probably wing it, wing it happy birthday, Sissany.

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<v Speaker 1>Oh my god, what you just start their? Start there.

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<v Speaker 1>You've got a good opening line, happy birthday Sis. No,

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<v Speaker 1>you can write it between now on the end of

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<v Speaker 1>the show. Start there. That's a great opening line. That

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<v Speaker 1>that's the right theme. Nothing come back to well, yes

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<v Speaker 1>it does, epiphany. We will hope you'll have one and

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<v Speaker 1>come back and get that full song maybe later. Why

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<v Speaker 1>seventeen candles? I'm curious. It just looks pretty on top

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<v Speaker 1>made it. We're going for architectural versus well made it

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<v Speaker 1>filled out the top, but for architectural design versus age. Well,

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<v Speaker 1>we're celebrating Sistany's birthday today. You may have heard of

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<v Speaker 1>celebrating for weeks, but that was just because it's her

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<v Speaker 1>month and her week and now her day and tomorrow's

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<v Speaker 1>the after party, ya, her birthday, tom fols. So Tony,

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<v Speaker 1>how's this song? Tony is a seven? Last night was

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<v Speaker 1>to come with a lyrical song celebrating Sisney for her birthday.

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<v Speaker 1>She didn't get the message, but but she brought into

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<v Speaker 1>She brought in donuts, a cake, balloons, Yeah, I think, yeah,

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<v Speaker 1>And don't think anybody else in this would you say

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<v Speaker 1>I picked them up? Yes? You picked them up? Yes,

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<v Speaker 1>I picked them up with my hands and with your pants,

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<v Speaker 1>with my hands, your hands, and actually the parking lot

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<v Speaker 1>with the head the balloons in my hand. Um. Some

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<v Speaker 1>lady walked by me and she said those are gonna

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<v Speaker 1>make somebody really happy, and I was like, oh sweet,

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<v Speaker 1>So you won't put that in the song. How's the

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<v Speaker 1>song coming? Yeah? I have four lines so far. Do

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<v Speaker 1>you want to hear? Now? Are you want to saving? Yeah?

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<v Speaker 1>I want to hear a little bit. Now see how

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<v Speaker 1>it's progressing. Happy birthday, Sissany. Thank God your name's not Tiffany.

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<v Speaker 1>You make all our morning shines so bright. Your your

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<v Speaker 1>presence and personality is such a delight. Why why are

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<v Speaker 1>we Why are we happy? She's not Tiffany. Nothing rides

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<v Speaker 1>of Sissany. No, but that's giving all the Tiffany's a

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<v Speaker 1>bad rapping Yeah, but Tiffany to generic, you know, it's

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<v Speaker 1>like I'm happy that it's Sissany. Yeah, exactly. Do you

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<v Speaker 1>want to change that line? You have something better? Well,

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<v Speaker 1>I just don't know it has any meaning. Sissany. H piphany,

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<v Speaker 1>You give me a piphany? Okay, fine, yeah, good, we're

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<v Speaker 1>talking it through. You could use it like breakfast at Tiffany,

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<v Speaker 1>like you could you incorporate that better than just like

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<v Speaker 1>generic Tiffany. I'm gonna use your epiphany and where sisteny

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<v Speaker 1>epiphany and I get those my world changes. All right, Well,

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<v Speaker 1>we're gonna get this song worked out by next birthday.

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<v Speaker 1>What does epiphany mean? Like a a aha moment? Like

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<v Speaker 1>oh yeah, just focus on the sound. Don't try about

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<v Speaker 1>too much at once for all of this year. It's

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<v Speaker 1>a lot. You got some birthday messages here we do

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<v Speaker 1>a special birthday message for Sissony. I love your mommy,

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<v Speaker 1>your best and happy birthday. I love your nervoust and

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<v Speaker 1>happy birthday. Happy birthday to you, Happy birthday to you,

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<v Speaker 1>Happy birthday to momy, Happy birthday. That's so cute. Thank you,

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<v Speaker 1>that's so sweet to you. They're the best. Oh there's

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<v Speaker 1>another birthday, wish goodness it might happy birthday sisson e No,

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<v Speaker 1>this is oh my god, un say. But then Casper,

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<v Speaker 1>this is Lucas grown singing up Lucas Si sundy huff

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<v Speaker 1>for sisday for six day at the hour, all right,

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<v Speaker 1>coming back with the morning hackey, kissing so good a

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<v Speaker 1>Ryan set time of the morning hat and the quote

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<v Speaker 1>of the day. So uh, Watch how you respond to

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<v Speaker 1>your partner when they're talking. Psychologists are saying one of

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<v Speaker 1>the most accurate predictors that divorce is coming is doing

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<v Speaker 1>this while your partner is speaking. It's my pet peeve,

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<v Speaker 1>doing this while your partner is talking. Rolling your eyes.

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<v Speaker 1>That's it, is it? Yeah? Start rolling your eyes. You've

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<v Speaker 1>lost it? Yeah, I think so too. I What's I

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<v Speaker 1>always have said. If you're not with your partner and

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<v Speaker 1>someone's talking to your partner about you and they roll

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<v Speaker 1>your eyes to them, it's over. Yeah, interesting, it's over.

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<v Speaker 1>It's done. I mean that's extreme, but yeah, it's not

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<v Speaker 1>a good sign. No, it's not not extreme. Like if

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<v Speaker 1>what's hypothetic, I can't even do any hypotheticals anymore. Everybody's

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<v Speaker 1>so all loved up you do with tubs t tubbs.

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<v Speaker 1>You and I are together and I'm talking to talking

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<v Speaker 1>you about you, and she says something about you and

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<v Speaker 1>I'm your lover and I'm just to protect you, and

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<v Speaker 1>I roll my eyes about you when she's talking to

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<v Speaker 1>me about you. It's over. But I think this is

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<v Speaker 1>more if that person is right there in front of you,

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<v Speaker 1>like you're talking to each other, but it's it's the

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<v Speaker 1>same eyes. Women. Yeah, sometimes girls like to chat and

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<v Speaker 1>like vent to each other and it's like, oh, you're

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<v Speaker 1>not gonna believe what he did today. But it's not

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<v Speaker 1>like I want to divorce him. I'm just telling you

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<v Speaker 1>my pet peeve. Guys, be happy we're not together. Yikes.

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<v Speaker 1>As a song coming, it's really hard to write when

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<v Speaker 1>you're talking how people treat you as a direct reflection

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<v Speaker 1>of how they feel about them. On air with Ryan

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<v Speaker 1>Seacrest Monday morning, seven o'clock at the lineup for Wango

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<v Speaker 1>Tango Right Now, the headline, Well, a City of Los

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<v Speaker 1>Angeles mandate that we are all very familiar of requiring

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<v Speaker 1>you to show proof of COVID nineteen vaccination to enter

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<v Speaker 1>many indoor establishments and large outdoor events is being eliminated.

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<v Speaker 1>So all of this is going down pretty soon, with

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<v Speaker 1>the City Council giving final approval today to an ordinance

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<v Speaker 1>scrapping the requirement. Now, the application period begins today for

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<v Speaker 1>Los Angeles Counties Guaranteed Income Program. Now, this is pretty cool.

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<v Speaker 1>I will provide you with thouts. It will provide a

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<v Speaker 1>thousand randomly selected residents with one thousand dollars a month

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<v Speaker 1>for three years. Now, if you want to qualify for

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<v Speaker 1>the breathe l A County is Guaranteed Income program, people

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<v Speaker 1>must be at least eighteen years old, have a household

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<v Speaker 1>income of under fifty six thousand for a single person

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<v Speaker 1>or ninety six thousand for family of four. Bruce Willis

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<v Speaker 1>is suffering from a medical condition that is affecting his

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<v Speaker 1>cognitive abilities and will be taking a break from acting.

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<v Speaker 1>His family shared yesterday on social media. They said that

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<v Speaker 1>this is a really challenging time for their family and

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<v Speaker 1>that they're so appreciative of our continued Love, Compassion and Support,

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<v Speaker 1>and silk Sonic has been added to the slate of

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<v Speaker 1>performers at the Grammys this Sunday. I can't believe that

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<v Speaker 1>they're here already. They're gonna open up the show at

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<v Speaker 1>this year ceremonies in Las Vegas, ahead of other appearances

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<v Speaker 1>by of course, Billie Eilish, BT, s, Olivia Rodrigo, Loonasac,

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<v Speaker 1>John Legend, J Balvin and more. Silk Sonic is nominated

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<v Speaker 1>for four awards this year, with Leave the Door Open

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<v Speaker 1>Up for Record of the Year, Song of the Year,

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<v Speaker 1>Best R and B Performance, and Best R and B

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<v Speaker 1>Song on Air where Ryan Segrez so he checked this out.

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<v Speaker 1>Ryan drowses minutes out Bad Bunny tickets in like a second.

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<v Speaker 1>But Denise's photographer husband shot test photos per Denise's request

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<v Speaker 1>of Denise's friend. I guess they shot him in the bedroom.

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<v Speaker 1>And Denise now thinks something's going on, so she's like

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<v Speaker 1>not trusting anybody here. So she didn't know they're going

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<v Speaker 1>to get shot in the bedroom, but she asked for

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<v Speaker 1>the favor. Sure, but oh no, So we're gonna get

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<v Speaker 1>to that, Roses. So what's walk out technology? Walkout technology?

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<v Speaker 1>We've been hearing about this for a while. It's already

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<v Speaker 1>been in Seattle, and now it's finally arrived in l

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<v Speaker 1>A Whole Foods in Sherman Oaks right down the street

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<v Speaker 1>is using walkout technology. It's basically, um, you walk. You

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<v Speaker 1>don't have to stand in the line and pay the

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<v Speaker 1>cash register anymore. You just get your stuff and walk out. Yes.

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<v Speaker 1>So this has been my Whole Foods for the longest time,

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<v Speaker 1>and they actually it's It used to be the smallest

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<v Speaker 1>Whole Foods ever, but we always complained about how small

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<v Speaker 1>it was, and then during the pandemic it shut down

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<v Speaker 1>and we thought maybe we went out of business, but no,

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<v Speaker 1>it was because they were remodeling it for the past

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<v Speaker 1>two years to make it up to speed. With this

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<v Speaker 1>walkout technology makes a smart store, yes exactly. So you

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<v Speaker 1>walk in, you scan your bar your Amazon barcode that

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<v Speaker 1>you have on the app, or you can do your Palm,

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<v Speaker 1>or you can put your credit card down, whatever it is.

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<v Speaker 1>Once you're in the store. Now, anything you take off

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<v Speaker 1>the shelves is videotaped and recorded, and as soon as

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<v Speaker 1>you take it off, it charges directly to your account.

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<v Speaker 1>If you put it back on the shelf. It gets refunded,

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<v Speaker 1>so nuts. And there's cameras like I mean, there's got

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<v Speaker 1>to be thousands in there, and they're all up and

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<v Speaker 1>down every aisle, like multiple ones. So you're immediately under

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<v Speaker 1>surveillance or surveillance of the minute you walk in the store.

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<v Speaker 1>And that's it. Once you're done with your groceries, whether

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<v Speaker 1>it was you brought in your own, no, but I

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<v Speaker 1>want to It's right down the stars of my house.

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<v Speaker 1>I need to go check this out. I mean just thought.

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<v Speaker 1>I don't stop sometimes because I don't want to wait

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<v Speaker 1>at peak hours. So just the thought of being able

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<v Speaker 1>to walk in and walk out, it's like it's one

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<v Speaker 1>of those things where if you told me, uh, you know,

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<v Speaker 1>Disneyland would have no lines for rides as a kid,

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<v Speaker 1>that's like want of you never thought was possible. This

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<v Speaker 1>is one of those things, and especially those peak hours.

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<v Speaker 1>Think about how much time we've wasted waiting in line

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<v Speaker 1>at grocery stores, you know, especially around the holidays, Like

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<v Speaker 1>you forget something in the middle of Thanksgiving you have

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<v Speaker 1>to go back. You're like, I, so this is really cool.

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<v Speaker 1>I want to try. I'll report back. Part of me

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<v Speaker 1>still feels like it's stealing in a weird way. Well

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<v Speaker 1>not with all those cameras watching, I guess not. I'll

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<v Speaker 1>report back. Jared Letto is gonna pop onto our zoom

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<v Speaker 1>camera here in a second. But how Sagucci transformation? He's

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<v Speaker 1>starring as the guy that founded We Work and we crashed,

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<v Speaker 1>which is unbelievable transformation. I think that's Jared Letto in

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<v Speaker 1>the screen here. How do I know that you Jared Letto?

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<v Speaker 1>Because you become so many other people, uh, in everything

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<v Speaker 1>that you've done, I don't even know you know that

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<v Speaker 1>it's me. You'll know that it's me when I show

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<v Speaker 1>up looking like you. You know what e strange thing is,

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<v Speaker 1>you could transform into anyone. It's it's apparent, and it's

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<v Speaker 1>a compliment. I appreciate it. My mom's on the phone

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<v Speaker 1>here FaceTime, and so I'll just say thanks to her

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<v Speaker 1>for for that all my abilities. So tell her I

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<v Speaker 1>said hi, Bryan Seacrest says hello, and I'll call you

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<v Speaker 1>back after okay, Yeah, and I'll call her after you

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<v Speaker 1>call her. Uh So it's it's good to see you man. Thanks,

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<v Speaker 1>good to see you guys. Let's start with before we

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<v Speaker 1>get to more bias here in theaters tomorrow. Let's start

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<v Speaker 1>with We Crashed, because I just I just started. You know,

0:13:37.640 --> 0:13:40.040
<v Speaker 1>this is one of those just like uh the House

0:13:40.080 --> 0:13:42.360
<v Speaker 1>of Gucci people were talking about you, talking about you

0:13:42.440 --> 0:13:44.560
<v Speaker 1>gotta see this, and same with We we Crashed. Like

0:13:44.640 --> 0:13:46.720
<v Speaker 1>all the my friends who are on top of things

0:13:46.760 --> 0:13:49.319
<v Speaker 1>before I Am are sending me you gotta start this series, bro,

0:13:49.360 --> 0:13:53.360
<v Speaker 1>you gotta watch it. You mean I saw a documentary, right,

0:13:53.400 --> 0:13:58.400
<v Speaker 1>I mean, you became this guy and it's incredible. Honestly,

0:13:58.640 --> 0:14:01.600
<v Speaker 1>it's incredible to watch. I was I think I was wondering,

0:14:01.679 --> 0:14:04.440
<v Speaker 1>do you ever hang on to any of any of

0:14:04.440 --> 0:14:07.640
<v Speaker 1>the for better, for worse, any of the things, the traits,

0:14:07.679 --> 0:14:11.719
<v Speaker 1>the characteristics of any of these people that you become. Well,

0:14:11.760 --> 0:14:13.800
<v Speaker 1>first of all, I appreciate that, and it has been

0:14:13.840 --> 0:14:18.800
<v Speaker 1>an amazing run of really fascinating characters. And you know,

0:14:18.800 --> 0:14:23.200
<v Speaker 1>I'm I know how fortunate I am to be able

0:14:23.240 --> 0:14:24.680
<v Speaker 1>to take these on. So I've got a lot of

0:14:24.720 --> 0:14:29.480
<v Speaker 1>gratitude for it. Um, We Crashed has been a bit

0:14:29.480 --> 0:14:32.160
<v Speaker 1>of a phenomenon. Mean, ever, everyone I've ever met in

0:14:32.200 --> 0:14:35.840
<v Speaker 1>my life is texting me about this show. Um, And

0:14:36.040 --> 0:14:39.560
<v Speaker 1>uh so you know, if you if you like these

0:14:39.640 --> 0:14:41.920
<v Speaker 1>kind of things, you should probably check it out whoever

0:14:41.960 --> 0:14:43.760
<v Speaker 1>is listening out there, because it's it's a fun one

0:14:44.280 --> 0:14:46.440
<v Speaker 1>and people seem to be having a good time. The

0:14:46.600 --> 0:14:51.360
<v Speaker 1>character is really colorful and um. But yes, sometimes that

0:14:51.800 --> 0:14:54.480
<v Speaker 1>there there are things that that that kind of stick

0:14:54.520 --> 0:14:56.440
<v Speaker 1>with you if you make a physical commitment in a

0:14:56.440 --> 0:14:59.320
<v Speaker 1>certain way of laughing or talking or walking, if you

0:14:59.360 --> 0:15:02.560
<v Speaker 1>if you do things for long enough, it can become

0:15:02.560 --> 0:15:05.800
<v Speaker 1>the habit. So it's normal that some of it may

0:15:05.840 --> 0:15:08.360
<v Speaker 1>stick around. It's not you know, it's kind of a

0:15:08.400 --> 0:15:12.960
<v Speaker 1>reasonable thing to expect. Yeah, I see that. I mean, look,

0:15:13.040 --> 0:15:15.040
<v Speaker 1>you know, it's like when we at first time we

0:15:15.080 --> 0:15:17.080
<v Speaker 1>traveled to other parts of the world or other countries.

0:15:17.520 --> 0:15:20.600
<v Speaker 1>I pick up expressions or sayings or even sometimes as

0:15:20.760 --> 0:15:23.840
<v Speaker 1>an idiot, speak English with a different accent, like I

0:15:23.840 --> 0:15:27.760
<v Speaker 1>don't mean to do it, but I'll speak like English Italian,

0:15:28.040 --> 0:15:35.360
<v Speaker 1>you know. Yeah, I mean that's my method. Alright. So

0:15:35.600 --> 0:15:41.000
<v Speaker 1>Morbius Moreri's originated as the comic book This first time

0:15:41.040 --> 0:15:45.120
<v Speaker 1>we see Morbous in the movie. Uh, this is totally

0:15:45.160 --> 0:15:47.840
<v Speaker 1>different from the the things we were, the things you've

0:15:47.880 --> 0:15:52.240
<v Speaker 1>just done. So that must be I guess another escalation

0:15:52.280 --> 0:15:55.960
<v Speaker 1>of excitement and interest because it is so different. Yeah,

0:15:56.040 --> 0:15:59.000
<v Speaker 1>it's very different. Um and I also like the fact

0:15:59.040 --> 0:16:01.520
<v Speaker 1>this character has never on the big screen before, so

0:16:01.600 --> 0:16:03.480
<v Speaker 1>it was the first for me. You don't have to

0:16:03.480 --> 0:16:07.840
<v Speaker 1>be a joker, you know, there's a different Uh, it's

0:16:07.840 --> 0:16:11.360
<v Speaker 1>a different experience. Also starring in a movie. I've never

0:16:11.400 --> 0:16:15.160
<v Speaker 1>started in a big, huge Hollywood movie in my entire life, actually,

0:16:15.240 --> 0:16:20.200
<v Speaker 1>and this is the very first time. Um. Uh So

0:16:20.360 --> 0:16:22.640
<v Speaker 1>that's a beautiful thing. It's it's it's fun to take

0:16:22.680 --> 0:16:24.880
<v Speaker 1>a swing. You learn different things, you have a different

0:16:24.880 --> 0:16:28.120
<v Speaker 1>set of pressures and expectations. And I like that there

0:16:28.200 --> 0:16:31.520
<v Speaker 1>was a transformation here and the role as well. Um

0:16:31.600 --> 0:16:34.080
<v Speaker 1>and and for a big, giant Marvel movie, it also

0:16:34.120 --> 0:16:36.080
<v Speaker 1>walks on the darker side of the universe. It's a

0:16:36.080 --> 0:16:39.240
<v Speaker 1>bit scary, it's a bit um you know, fun in

0:16:39.280 --> 0:16:42.680
<v Speaker 1>that way. When you say you've never started in a

0:16:42.760 --> 0:16:45.760
<v Speaker 1>big Hollywood movie, I almost can't believe that. But I'm

0:16:45.800 --> 0:16:50.000
<v Speaker 1>thinking about what you mean by that. I mean I've

0:16:50.000 --> 0:16:52.520
<v Speaker 1>made a career of of of of doing it, you know,

0:16:52.840 --> 0:16:59.000
<v Speaker 1>largely independent movies, art movies, smaller films and smaller roles. Um.

0:16:59.040 --> 0:17:02.080
<v Speaker 1>This this is really the kind of the first one

0:17:02.160 --> 0:17:07.159
<v Speaker 1>like this. Um and uh you know, there's something to it.

0:17:07.240 --> 0:17:11.320
<v Speaker 1>There's something just stepping up and grabbing the mic and

0:17:11.960 --> 0:17:16.680
<v Speaker 1>you know, um and putting yourself out there in that way. Uh,

0:17:16.720 --> 0:17:20.880
<v Speaker 1>And the experiences has been great. I gotta say, what's

0:17:20.920 --> 0:17:24.840
<v Speaker 1>the difference in making a big franchise, blockbuster, Hollywood budget

0:17:24.880 --> 0:17:27.760
<v Speaker 1>movie like this, just in terms of what you've seen

0:17:28.240 --> 0:17:32.240
<v Speaker 1>and making those independents? Aside from the obvious, I mean,

0:17:32.280 --> 0:17:34.879
<v Speaker 1>I think you just have a different set of challenges

0:17:35.040 --> 0:17:39.359
<v Speaker 1>you you you obviously when you take on a you know, bigger,

0:17:40.040 --> 0:17:44.400
<v Speaker 1>you know, budgeted film, UM like this, there's a different expectation.

0:17:45.200 --> 0:17:47.119
<v Speaker 1>You know. It's just like if you you borrow a

0:17:47.160 --> 0:17:49.399
<v Speaker 1>dollar from a friend, there's a different expectation if you

0:17:49.520 --> 0:17:53.480
<v Speaker 1>borrowed ten thousand bucks from a friend. You know. So,

0:17:53.680 --> 0:17:56.800
<v Speaker 1>you know, it does change changes things a little bit.

0:17:57.119 --> 0:18:00.000
<v Speaker 1>But for me, it's the creative part is still the same.

0:18:00.680 --> 0:18:02.760
<v Speaker 1>Like the building of the character. You still want to

0:18:02.760 --> 0:18:05.880
<v Speaker 1>take great risk. You want to make sure that you're

0:18:06.040 --> 0:18:08.280
<v Speaker 1>brave and bold, and the work that you do, you

0:18:08.480 --> 0:18:11.640
<v Speaker 1>challenge yourself, you learn something new, and then you walk

0:18:11.680 --> 0:18:14.920
<v Speaker 1>down a different path and introduce a new character audience

0:18:15.040 --> 0:18:18.640
<v Speaker 1>audiences that they haven't seen you do before. Jared Letto

0:18:18.720 --> 0:18:22.119
<v Speaker 1>with Us morbous Is in theaters tomorrow. He's got to

0:18:22.160 --> 0:18:23.600
<v Speaker 1>call his mom, so I'm gonna let him run. But

0:18:23.640 --> 0:18:26.959
<v Speaker 1>I also, if you're listening, you can't see this obviously,

0:18:27.520 --> 0:18:30.320
<v Speaker 1>but the if you lean back, it is the north

0:18:30.359 --> 0:18:33.960
<v Speaker 1>Face Gucci logo on your Yeah, I'm looking at that.

0:18:34.720 --> 0:18:38.639
<v Speaker 1>Is that? Is that a collaboration? Yeah, it's a collab

0:18:38.800 --> 0:18:42.280
<v Speaker 1>or the north Face in Gucci. It's the second one

0:18:42.320 --> 0:18:44.880
<v Speaker 1>that they've done. And uh, I love the rock climb,

0:18:44.960 --> 0:18:47.679
<v Speaker 1>I love the outdoors. I love north Face is one

0:18:47.720 --> 0:18:52.320
<v Speaker 1>of my favorite favorite companies. Uh. And also I love Gucci. Yeah,

0:18:52.320 --> 0:18:54.560
<v Speaker 1>of course. And so did you bring them together for

0:18:54.600 --> 0:18:59.320
<v Speaker 1>the collaboration? Yea, it's all me, right, respond, I'm going

0:18:59.359 --> 0:19:05.960
<v Speaker 1>to take credit for all of its life, just me. Yeah,

0:19:05.960 --> 0:19:11.600
<v Speaker 1>it's a north Face and Gucci poured on. Now. It's

0:19:11.680 --> 0:19:14.280
<v Speaker 1>very cool. If you are watching the video, you'll see

0:19:14.280 --> 0:19:16.800
<v Speaker 1>it right here. Jared Little, thanks for coming on, man,

0:19:16.800 --> 0:19:22.600
<v Speaker 1>great to see about. Continued, Thank you, thank you, bye

0:19:22.600 --> 0:19:32.480
<v Speaker 1>bye bye bye. Yeah. The the track suit jacket unzipped

0:19:32.520 --> 0:19:35.920
<v Speaker 1>without a shirt under it. Look, I don't know. I'm

0:19:35.920 --> 0:19:37.879
<v Speaker 1>not hating it for my spring. Look, I love that.

0:19:39.520 --> 0:19:42.240
<v Speaker 1>I am not against it from my spring look. Plus

0:19:42.280 --> 0:19:45.760
<v Speaker 1>it's Jared Letto. He could wear anything. I think a

0:19:45.960 --> 0:19:50.040
<v Speaker 1>track suit jacket, just out a shirt with a little zip,

0:19:50.119 --> 0:19:53.480
<v Speaker 1>not like waiting attle downs. Okay, I think I could

0:19:53.520 --> 0:19:57.080
<v Speaker 1>actually not be made fun of for that. Maybe. No,

0:19:57.240 --> 0:19:59.640
<v Speaker 1>I think it would look good. Na, you want two

0:19:59.640 --> 0:20:02.560
<v Speaker 1>cents on this, let's see it. I'm having a hard time.

0:20:02.600 --> 0:20:04.800
<v Speaker 1>I just I think it looks nice when there's like chess,

0:20:04.880 --> 0:20:07.840
<v Speaker 1>like a lot of chest hair. This is made for you.

0:20:09.000 --> 0:20:12.360
<v Speaker 1>I disagree, not too much chest hair. Yeah, well we're

0:20:12.560 --> 0:20:15.400
<v Speaker 1>we're both on different wavelengths there. I don't like any

0:20:15.440 --> 0:20:21.800
<v Speaker 1>hair on my one or two point seven kiss FM.

0:20:21.840 --> 0:20:24.600
<v Speaker 1>I know a lot of you just come for Ryan's

0:20:24.680 --> 0:20:30.560
<v Speaker 1>roses to stay, but listen, if you just come for that,

0:20:31.480 --> 0:20:34.800
<v Speaker 1>stay one more segment today, see what happens. But anyway,

0:20:34.840 --> 0:20:36.520
<v Speaker 1>we are going to get to it now out of Carson.

0:20:36.640 --> 0:20:40.840
<v Speaker 1>So the email says, Dear Ryan and scity from Denise.

0:20:41.720 --> 0:20:45.120
<v Speaker 1>My husband is a photog. A friend of mine from

0:20:45.160 --> 0:20:48.520
<v Speaker 1>college wants to get into modeling. So we add her

0:20:48.520 --> 0:20:52.200
<v Speaker 1>over and she asked for advice. He agreed to take

0:20:52.240 --> 0:20:55.920
<v Speaker 1>some photos for free, and he did. The day I

0:20:56.000 --> 0:21:00.520
<v Speaker 1>came home and she was leaving our house. Neither one

0:21:00.560 --> 0:21:02.680
<v Speaker 1>of them told me she was coming over for photos.

0:21:02.760 --> 0:21:09.160
<v Speaker 1>It was super uncomfortable. Oh, I just have so many questions, Denise,

0:21:09.640 --> 0:21:14.160
<v Speaker 1>thank you for coming on. Hi, thank you, You're welcome.

0:21:14.480 --> 0:21:17.239
<v Speaker 1>How did you feel initially when your husband said I'm

0:21:17.240 --> 0:21:20.640
<v Speaker 1>going to take these test shots for your friend. Were

0:21:20.680 --> 0:21:25.000
<v Speaker 1>you already uncomfortable? Um? No, because I pretty much shut

0:21:25.040 --> 0:21:27.760
<v Speaker 1>it up that they would that she would get some help,

0:21:27.800 --> 0:21:29.800
<v Speaker 1>you know, because she wants to get into modeling. But

0:21:29.880 --> 0:21:32.840
<v Speaker 1>then it was when they took the pictures and they

0:21:32.840 --> 0:21:35.439
<v Speaker 1>didn't tell me that they were going to do them

0:21:35.520 --> 0:21:38.480
<v Speaker 1>in the bedroom of all places. That's when I was

0:21:38.560 --> 0:21:41.280
<v Speaker 1>thrown off. But now he is a photographer, so this

0:21:41.520 --> 0:21:46.400
<v Speaker 1>is his job. Photographers who shoot models. That's what they do, right, Yeah,

0:21:46.440 --> 0:21:47.920
<v Speaker 1>but like he should at least say like, hey, she's

0:21:47.920 --> 0:21:50.200
<v Speaker 1>coming over tomorrow and we're probably gonna shoot all over

0:21:50.240 --> 0:21:52.440
<v Speaker 1>the house just to make sure you're comfortable with anything.

0:21:52.960 --> 0:21:56.960
<v Speaker 1>Thank you. Yeah, because it's my friends, Like I introduced

0:21:57.000 --> 0:21:58.879
<v Speaker 1>them so that he could help her, and he's not

0:21:59.000 --> 0:22:02.920
<v Speaker 1>even like this is technically not his job at this point,

0:22:03.000 --> 0:22:07.160
<v Speaker 1>Like I dated him and then married him, Like I

0:22:07.160 --> 0:22:09.480
<v Speaker 1>I've dealt with this like that he works with models

0:22:09.480 --> 0:22:11.360
<v Speaker 1>all the time. It makes me super insecure. But like,

0:22:11.680 --> 0:22:13.280
<v Speaker 1>I've come to a point where I'm okay with it

0:22:13.280 --> 0:22:15.479
<v Speaker 1>when it's his job. But this is different because this

0:22:15.520 --> 0:22:18.280
<v Speaker 1>is my friend. You know, well maybe you should feel

0:22:18.280 --> 0:22:23.480
<v Speaker 1>more secure because it's your friend. I don't know. It's

0:22:23.520 --> 0:22:26.359
<v Speaker 1>like the biggest deal is that they were in the

0:22:26.440 --> 0:22:30.239
<v Speaker 1>bedroom shooting these shots. And it's like, why, you know,

0:22:30.320 --> 0:22:33.040
<v Speaker 1>in my bed, why would you guys be doing that?

0:22:33.920 --> 0:22:40.120
<v Speaker 1>But that does that does call for a preamble. But

0:22:40.240 --> 0:22:42.359
<v Speaker 1>I mean he said it was because the lighting is

0:22:42.400 --> 0:22:45.520
<v Speaker 1>better in there because of the skylights, and then there

0:22:45.600 --> 0:22:48.440
<v Speaker 1>were lights set up in there. So what do you think?

0:22:48.480 --> 0:22:50.320
<v Speaker 1>So do you are you so do what are you thinking?

0:22:50.320 --> 0:22:52.200
<v Speaker 1>Are you thinking he's messing around with here in the

0:22:52.200 --> 0:22:54.840
<v Speaker 1>bedroom where he's taking photos of her that are provocative?

0:22:54.880 --> 0:22:56.960
<v Speaker 1>Like what's your what are we? What are we looking

0:22:57.040 --> 0:23:01.399
<v Speaker 1>for here? I mean, both of those things you just

0:23:01.480 --> 0:23:04.760
<v Speaker 1>mentioned are terrible, Like why does she need to be

0:23:04.840 --> 0:23:08.600
<v Speaker 1>doing provocative photos when she's just getting into modeling, you know,

0:23:08.720 --> 0:23:11.920
<v Speaker 1>like why does that need to happen? And also they

0:23:11.920 --> 0:23:14.840
<v Speaker 1>didn't tell me that they were doing this. I mean,

0:23:15.000 --> 0:23:17.960
<v Speaker 1>you know, if you have a photographer spouse, and they

0:23:18.000 --> 0:23:22.800
<v Speaker 1>shoot nudes or or swimsuit or modeling. I mean, like,

0:23:23.000 --> 0:23:26.000
<v Speaker 1>that's that's a tough situation, I think, and I would

0:23:26.040 --> 0:23:28.280
<v Speaker 1>I can see why you would develop in securities. It's like,

0:23:28.280 --> 0:23:32.080
<v Speaker 1>can you imagine being dating someone, being with someone that's

0:23:32.200 --> 0:23:33.960
<v Speaker 1>on a TV show or a movie that's doing a

0:23:34.040 --> 0:23:38.680
<v Speaker 1>makeout or love scene. That's hard. That's hard. I don't

0:23:39.240 --> 0:23:42.680
<v Speaker 1>know that I'm the person they can handle it. No, right,

0:23:42.800 --> 0:23:48.840
<v Speaker 1>I agree. So Denise is on in Carson, Dennis, I

0:23:48.840 --> 0:23:51.120
<v Speaker 1>need you to say around you my permission to call

0:23:51.200 --> 0:23:55.200
<v Speaker 1>and your husband's name on Kiss FM. Go ahead, Ryan,

0:23:55.280 --> 0:23:59.960
<v Speaker 1>you have my permission to call my husband. We're gonna call.

0:24:00.119 --> 0:24:01.920
<v Speaker 1>We're gonna find out if they were up to something. Okay,

0:24:01.920 --> 0:24:04.439
<v Speaker 1>so be very quiet until we find out who he

0:24:04.520 --> 0:24:08.840
<v Speaker 1>sends these roses too, and what he writes on the card. Okay, Yes,

0:24:09.320 --> 0:24:27.360
<v Speaker 1>here we go. Hello. Hello? Is this Seth? Yeah? Hi,

0:24:27.640 --> 0:24:30.040
<v Speaker 1>my name is Bonnie. I'm calling from Beebe's Blooms. How

0:24:30.119 --> 0:24:35.520
<v Speaker 1>you doing this morning? Oh? I'm I'm good. Um, I'm good.

0:24:35.800 --> 0:24:37.639
<v Speaker 1>How are you great? I'm good? Thank you for asking?

0:24:37.640 --> 0:24:40.400
<v Speaker 1>Were new flower shop here in Carson, and actually we're

0:24:40.400 --> 0:24:43.760
<v Speaker 1>offering local residents of promotion today. It's a free dozen

0:24:43.800 --> 0:24:45.919
<v Speaker 1>red roses that you can send to anybody that you'd like.

0:24:46.000 --> 0:24:47.960
<v Speaker 1>We're just trying to promote our business or brand new

0:24:48.080 --> 0:24:50.360
<v Speaker 1>right on Main Street near the you know, the CVS

0:24:50.400 --> 0:24:55.720
<v Speaker 1>and like the Goldilocks is Um. I don't think so,

0:24:55.920 --> 0:24:58.480
<v Speaker 1>to be honest, we just we just got here anyways.

0:24:58.560 --> 0:25:00.560
<v Speaker 1>It's a free dozen red roses that you can send

0:25:00.560 --> 0:25:02.720
<v Speaker 1>to anybody that you like. I don't need any cash,

0:25:02.760 --> 0:25:04.720
<v Speaker 1>any credit card info, anything like that. We just hope

0:25:04.760 --> 0:25:06.520
<v Speaker 1>that you refer to friends and family and then come

0:25:06.520 --> 0:25:13.639
<v Speaker 1>on in and be a returning customer. Um okay, um

0:25:13.920 --> 0:25:16.639
<v Speaker 1>uh so you you guys want to send flowers? I

0:25:16.640 --> 0:25:19.680
<v Speaker 1>guess yeah. I just need the person um, like the

0:25:19.760 --> 0:25:21.040
<v Speaker 1>name of the person you want to send them to,

0:25:21.640 --> 0:25:27.040
<v Speaker 1>and we can write a note. Ah okay, they're free.

0:25:27.080 --> 0:25:29.400
<v Speaker 1>I don't need any info from you. I don't need

0:25:29.440 --> 0:25:33.480
<v Speaker 1>any credit card infoon, nothing like that. And you're like

0:25:33.520 --> 0:25:35.960
<v Speaker 1>a new flower shop. I'm sorry, I'm sorry, it's just

0:25:36.200 --> 0:25:39.560
<v Speaker 1>never that's never happened before, so I'm kind of Yeah.

0:25:39.560 --> 0:25:42.120
<v Speaker 1>We're in the corner of Maine and Carson. Uh, there's

0:25:42.160 --> 0:25:43.840
<v Speaker 1>like a CVS right there, a little shopping center in

0:25:43.840 --> 0:25:49.760
<v Speaker 1>the goldilocks Filipino food. I see you see Um? Okay, yeah, sure.

0:25:50.760 --> 0:25:52.000
<v Speaker 1>What's the name of the person you want to send

0:25:52.000 --> 0:26:02.480
<v Speaker 1>them to? My wife? Right? And what's turn name? Okay?

0:26:03.359 --> 0:26:07.440
<v Speaker 1>And what would you like to put on the card? Um?

0:26:07.680 --> 0:26:13.360
<v Speaker 1>Just say like all my love you know? Okay? Yeah?

0:26:14.000 --> 0:26:20.240
<v Speaker 1>Um seth um Hello, Seth, your voice is being broadcast

0:26:20.320 --> 0:26:22.600
<v Speaker 1>on the radio. My name is Ryan and I have

0:26:22.720 --> 0:26:25.720
<v Speaker 1>your wife, Denise on the line. Very sweet of you

0:26:25.760 --> 0:26:28.760
<v Speaker 1>to finally get to decide you want to send flowers

0:26:28.760 --> 0:26:31.800
<v Speaker 1>to your wife. But here's why we're calling. I'm just

0:26:31.840 --> 0:26:33.879
<v Speaker 1>gonna Denise if with your permission, I'm just gonna tell

0:26:33.960 --> 0:26:39.280
<v Speaker 1>him go for it. So you shot some photos, Seth,

0:26:39.440 --> 0:26:46.120
<v Speaker 1>of her friend in your bedroom recently? That happened? Uh yeah,

0:26:46.240 --> 0:26:50.760
<v Speaker 1>yeah I did. I'm sorry? And why and why did

0:26:50.840 --> 0:26:52.439
<v Speaker 1>you do that? Why did you shoot? What were you

0:26:52.440 --> 0:26:59.760
<v Speaker 1>shooting in the bedroom? Well, I, um, so this is weird.

0:26:59.800 --> 0:27:03.199
<v Speaker 1>But um, my wife asked me to take photos of

0:27:03.280 --> 0:27:09.359
<v Speaker 1>her friend. So I am meining. Well, her friend needed

0:27:09.680 --> 0:27:13.399
<v Speaker 1>you know, she said she needed like a bedroom portfolio

0:27:13.520 --> 0:27:15.960
<v Speaker 1>and I was doing this for my wife. So yes,

0:27:16.200 --> 0:27:18.719
<v Speaker 1>in the bedroom. Uh huh? And did you give your

0:27:18.720 --> 0:27:20.199
<v Speaker 1>wife the heads up on that. I think that's the

0:27:20.240 --> 0:27:26.000
<v Speaker 1>issue here. I mean, and I don't know. I didn't

0:27:26.119 --> 0:27:28.080
<v Speaker 1>explain to her, but that's just my job, you know.

0:27:28.600 --> 0:27:31.720
<v Speaker 1>She said, hey, do can you help my friend down?

0:27:31.800 --> 0:27:37.240
<v Speaker 1>I said, um, sure, so I did, and and that's

0:27:37.320 --> 0:27:39.080
<v Speaker 1>that's kind of like you know my dad, And I said,

0:27:39.080 --> 0:27:41.760
<v Speaker 1>what do you need? And she said I need a bedroom.

0:27:41.840 --> 0:27:44.080
<v Speaker 1>So we tried, you know, I mean, it's not like

0:27:44.119 --> 0:27:46.679
<v Speaker 1>my first choice, but we have great lighting. And I

0:27:46.720 --> 0:27:50.240
<v Speaker 1>went to her place. It was completely unusable. And so

0:27:50.680 --> 0:27:55.000
<v Speaker 1>Denise is just concerned that maybe something's going on because

0:27:55.000 --> 0:27:56.880
<v Speaker 1>you did not tell her, and it was awkward when

0:27:56.920 --> 0:28:03.560
<v Speaker 1>she found out. Am I right to these? That is correct? Like,

0:28:04.720 --> 0:28:09.960
<v Speaker 1>but I'm wondering now you went to her apartment? Yeah, yeah,

0:28:10.000 --> 0:28:13.240
<v Speaker 1>we we went to her apartment. It wasn't it wasn't

0:28:13.359 --> 0:28:17.720
<v Speaker 1>usable for the shots that she wanted, which you wanted

0:28:17.800 --> 0:28:23.600
<v Speaker 1>me to take of her. So I suggested to use

0:28:23.600 --> 0:28:31.000
<v Speaker 1>our place. Okay, but this is my my friend. So

0:28:32.080 --> 0:28:34.720
<v Speaker 1>this this isn't just some random model that you're shooting.

0:28:35.200 --> 0:28:39.920
<v Speaker 1>So why wouldn't you run this by me or even

0:28:39.960 --> 0:28:42.959
<v Speaker 1>mention it to me? Like it just seems really weird

0:28:43.480 --> 0:28:46.280
<v Speaker 1>that you would be doing this kind of behind my back.

0:28:48.520 --> 0:28:52.600
<v Speaker 1>I'm sorry, but this is really weird. This is we've

0:28:52.600 --> 0:28:55.400
<v Speaker 1>been through this. You know, I'm a photographer and this

0:28:55.520 --> 0:28:58.040
<v Speaker 1>is your friend. You should trust her, and I'm doing

0:28:58.080 --> 0:29:00.240
<v Speaker 1>this for you. I'm doing this for free. It's not

0:29:00.280 --> 0:29:04.160
<v Speaker 1>like I'm getting paid, you know, like, I'm not trying to.

0:29:05.160 --> 0:29:07.840
<v Speaker 1>Don't you trust your friend? And don't I mean and

0:29:07.960 --> 0:29:12.120
<v Speaker 1>shure you trust me as well. I'm not trying. I'm

0:29:12.120 --> 0:29:15.520
<v Speaker 1>not trying to. I don't know I was doing this

0:29:15.560 --> 0:29:18.840
<v Speaker 1>because you wanted me to, you know, like, it's not

0:29:18.960 --> 0:29:21.800
<v Speaker 1>It's not something that I was wanting to go out

0:29:21.800 --> 0:29:23.640
<v Speaker 1>of the way to go to do. I'm trying to

0:29:23.640 --> 0:29:26.800
<v Speaker 1>do a good job for your friend, and I don't know.

0:29:27.000 --> 0:29:29.160
<v Speaker 1>On the radio, I mean, I wish you just came

0:29:29.200 --> 0:29:33.200
<v Speaker 1>to me. It makes me look like a really bad guy. Same.

0:29:33.400 --> 0:29:35.360
<v Speaker 1>I wish you would have just came to me and

0:29:35.360 --> 0:29:38.680
<v Speaker 1>then this all would have been avoided. Do you get it, Denise.

0:29:38.720 --> 0:29:40.840
<v Speaker 1>I'm kind of was set on this one, kind of.

0:29:40.920 --> 0:29:44.959
<v Speaker 1>I'm fully anyway, Dennise, I think we've heard enough, and

0:29:45.000 --> 0:29:48.080
<v Speaker 1>I think you have heard more than you did before

0:29:48.160 --> 0:29:50.880
<v Speaker 1>we got on the phone together. H you guys, you

0:29:50.880 --> 0:29:55.120
<v Speaker 1>guys should take it from here. Basically, Denise said, hey, Seth,

0:29:55.320 --> 0:29:58.840
<v Speaker 1>husband Seth photographer, husband Seth, will you take some photos

0:29:58.840 --> 0:30:01.240
<v Speaker 1>with my friend for my friend for free because she

0:30:01.280 --> 0:30:04.120
<v Speaker 1>wants to get into modeling. And he did, and he

0:30:04.400 --> 0:30:06.000
<v Speaker 1>tried to find a good place to take him and

0:30:06.040 --> 0:30:09.320
<v Speaker 1>she wanted shots in a bedroom and he did. Anyway,

0:30:09.600 --> 0:30:12.360
<v Speaker 1>it all sounds a little sketch until you hear from Seth,

0:30:12.640 --> 0:30:15.600
<v Speaker 1>who's like, you asked me to do this, I'm doing

0:30:15.640 --> 0:30:17.720
<v Speaker 1>this for you, I'm doing it for free. And he

0:30:17.800 --> 0:30:19.520
<v Speaker 1>made the best point of all, which is like, you

0:30:19.520 --> 0:30:23.640
<v Speaker 1>don't trust your friend and you don't trust me. Well,

0:30:23.640 --> 0:30:26.000
<v Speaker 1>she doesn't trust him because she called us, but she

0:30:26.120 --> 0:30:28.840
<v Speaker 1>also doesn't trust her friend that she had do this.

0:30:29.400 --> 0:30:31.920
<v Speaker 1>So to me, that was it when Seth said that,

0:30:31.960 --> 0:30:36.960
<v Speaker 1>I'm like, I'm with Seth. Seth right, It's like, yo,

0:30:37.440 --> 0:30:40.360
<v Speaker 1>I guys, I'm trying to do you a favor. I'm

0:30:40.360 --> 0:30:43.440
<v Speaker 1>doing it for free. Is your friend and now you're

0:30:43.440 --> 0:30:45.960
<v Speaker 1>coming after me, so you don't trust me and you

0:30:45.960 --> 0:30:49.960
<v Speaker 1>don't trust her friend. I get it, and professional he

0:30:49.960 --> 0:30:51.640
<v Speaker 1>doesn't need to run it. I thought at first he

0:30:51.640 --> 0:30:53.440
<v Speaker 1>should have run it by his wife and let her

0:30:53.440 --> 0:30:55.200
<v Speaker 1>know everything that they were doing. But it sounds like

0:30:55.440 --> 0:30:56.880
<v Speaker 1>it all kind of happened in the moment, like he

0:30:56.920 --> 0:30:58.760
<v Speaker 1>went to her place first and realized the lighting was

0:30:58.800 --> 0:31:00.480
<v Speaker 1>really bad, and they went back to their place, And

0:31:00.520 --> 0:31:02.400
<v Speaker 1>so he's really trying to do a good job for

0:31:02.560 --> 0:31:04.880
<v Speaker 1>his wife, for his friend. Her friend, Becca and I

0:31:04.920 --> 0:31:07.960
<v Speaker 1>have this exact conversation because we're doing a sexy boudoir

0:31:08.000 --> 0:31:10.840
<v Speaker 1>photo shoot, and she was like, I think we should

0:31:10.840 --> 0:31:12.800
<v Speaker 1>just take the pictures of each other because I don't

0:31:12.840 --> 0:31:16.760
<v Speaker 1>want some guy taking pictures of us in a bedroom

0:31:16.760 --> 0:31:19.760
<v Speaker 1>and lingerie, like this is their job. This is a job,

0:31:19.840 --> 0:31:21.760
<v Speaker 1>it's professional. But she was like, no, I think it's

0:31:21.760 --> 0:31:23.880
<v Speaker 1>just better if we do it, Becca, I don't want

0:31:23.880 --> 0:31:28.320
<v Speaker 1>those random picks with both of you. It is their job,

0:31:28.400 --> 0:31:31.000
<v Speaker 1>and a lot of photographers obviously do that all the time.

0:31:31.040 --> 0:31:34.000
<v Speaker 1>But I'm with Becca. Yeah, So I decided she was right,

0:31:34.040 --> 0:31:36.680
<v Speaker 1>So we're just doing it for each other. Well, that's

0:31:36.720 --> 0:31:39.240
<v Speaker 1>great for you. And are you going to use her

0:31:39.280 --> 0:31:42.760
<v Speaker 1>apartment or yours? You know, I haven't fine tuned the

0:31:42.760 --> 0:31:47.160
<v Speaker 1>details yet. I'll runch you my room fifty bucks an hour.

0:31:48.000 --> 0:31:52.640
<v Speaker 1>But you can't. You can't shoot her. I think when

0:31:52.680 --> 0:31:54.840
<v Speaker 1>I think I shot I think I would shoot her

0:31:54.880 --> 0:31:57.280
<v Speaker 1>at her house and then she would shoot me in

0:31:57.320 --> 0:32:01.120
<v Speaker 1>my apartment. Yeah, and you not like you can't do

0:32:01.120 --> 0:32:03.480
<v Speaker 1>it at each other's significant others. No, we would not

0:32:03.520 --> 0:32:06.240
<v Speaker 1>do that. Well, you're always at his house, That's why

0:32:06.240 --> 0:32:08.640
<v Speaker 1>I'm asking that's but would be weird to have her

0:32:08.720 --> 0:32:11.880
<v Speaker 1>in his bed? No? Well, guys, this is talking about

0:32:11.880 --> 0:32:15.400
<v Speaker 1>Seth and Denise. I forget about this scrubbing in boudoir

0:32:15.440 --> 0:32:23.360
<v Speaker 1>shoot on air with Ryan Seacrest. Wango Tango announcement coming

0:32:23.640 --> 0:32:26.120
<v Speaker 1>Monday morning at seven am. I've got the full line up.

0:32:26.680 --> 0:32:28.880
<v Speaker 1>I want to be there for that. So how long

0:32:28.920 --> 0:32:32.120
<v Speaker 1>after a breakup would you date someone? Or is that

0:32:32.160 --> 0:32:34.320
<v Speaker 1>what the question is? Yeah? Or does the limit not exist?

0:32:34.480 --> 0:32:36.720
<v Speaker 1>Might not? To me? I have some questions about your question.

0:32:36.720 --> 0:32:39.000
<v Speaker 1>But tell me why we're even talking about it. Okay,

0:32:39.040 --> 0:32:42.160
<v Speaker 1>So Jason momoa, Um, we all had a little bit

0:32:42.200 --> 0:32:44.200
<v Speaker 1>of a heartbreak when he and Leaves the Bonnet announced

0:32:44.200 --> 0:32:46.680
<v Speaker 1>that they were splitting. Uh. This happened a little more

0:32:46.680 --> 0:32:48.640
<v Speaker 1>than two months ago, and they were together. They were

0:32:48.680 --> 0:32:51.160
<v Speaker 1>married for about fifteen years, maybe more, maybe a little less,

0:32:51.160 --> 0:32:54.560
<v Speaker 1>somewhere in that range. But um, to me, I was

0:32:54.600 --> 0:32:56.560
<v Speaker 1>so heartbroken because I thought that these two were each

0:32:56.560 --> 0:32:59.480
<v Speaker 1>other's o t p s. So that heartbreak, that announcement

0:32:59.520 --> 0:33:01.920
<v Speaker 1>was really rough, and that was only a little more

0:33:01.960 --> 0:33:05.560
<v Speaker 1>than two months ago. Okay, so think about it. January February,

0:33:06.400 --> 0:33:11.480
<v Speaker 1>two months the news was reporting that Kate beck and

0:33:11.600 --> 0:33:16.280
<v Speaker 1>Sale and Jason Momoa we're standing at a bar chatting

0:33:16.360 --> 0:33:19.920
<v Speaker 1>after the oscars. People were saying that they were very

0:33:19.960 --> 0:33:24.240
<v Speaker 1>much into their conversation and they both quote looked really happy.

0:33:24.680 --> 0:33:26.840
<v Speaker 1>Jason Momoa actually just came out because there was reports

0:33:26.840 --> 0:33:29.080
<v Speaker 1>saying that she and Lisa were getting back together. He

0:33:29.360 --> 0:33:33.000
<v Speaker 1>shut those rumors down. So it's unclear as to what's

0:33:33.040 --> 0:33:34.480
<v Speaker 1>really going on with these two. They could have just

0:33:34.560 --> 0:33:38.960
<v Speaker 1>been doing some cool flirting. They could have been exchanging fundumbers,

0:33:39.080 --> 0:33:41.080
<v Speaker 1>going a date. They could be friends. We have no idea,

0:33:41.840 --> 0:33:44.959
<v Speaker 1>but it got me thinking, when someone is this fresh

0:33:45.040 --> 0:33:48.200
<v Speaker 1>off of a breakup just two months ago that we

0:33:48.280 --> 0:33:51.040
<v Speaker 1>know of at least, would you go down that path

0:33:51.200 --> 0:33:53.800
<v Speaker 1>or would you avoid it like the plague two months is.

0:33:54.200 --> 0:33:56.480
<v Speaker 1>So there's a couple of when you say dating, like

0:33:57.440 --> 0:34:01.760
<v Speaker 1>to go out with someone is dating or to start

0:34:01.800 --> 0:34:05.880
<v Speaker 1>a relationship with someone. I need to know what you're asking, Okay,

0:34:06.360 --> 0:34:08.520
<v Speaker 1>flat out just date? Would you even go on a

0:34:08.640 --> 0:34:11.319
<v Speaker 1>date or two. Would you even entertain the thought if

0:34:11.320 --> 0:34:14.120
<v Speaker 1>somebody was just two months because I need to get

0:34:14.160 --> 0:34:18.640
<v Speaker 1>my mind off of it. Okay, they can't. You can't wallow.

0:34:18.880 --> 0:34:21.120
<v Speaker 1>It's kind of the thing is you may not be

0:34:21.239 --> 0:34:23.359
<v Speaker 1>there yet. Maybe this is not good, but you're trying

0:34:23.360 --> 0:34:26.920
<v Speaker 1>to get your mind off of it to like move on. Right. No, no, no,

0:34:26.960 --> 0:34:30.560
<v Speaker 1>that's not your breakup. I'm talking about Kate. If you're

0:34:30.600 --> 0:34:32.399
<v Speaker 1>the Kate in the situation and you know the person

0:34:32.440 --> 0:34:34.160
<v Speaker 1>you're going on a date with is fresh off of

0:34:34.160 --> 0:34:38.680
<v Speaker 1>a breakup? Are we having this conversation based on a

0:34:38.719 --> 0:34:44.480
<v Speaker 1>photograph and two of them were talking and onlookers, Wait, sorry,

0:34:44.520 --> 0:34:47.040
<v Speaker 1>but we're still photograph of the two of them speaking

0:34:47.160 --> 0:34:50.080
<v Speaker 1>at a party. Yeah, we're talking about dating. Yes. Well,

0:34:50.120 --> 0:34:52.600
<v Speaker 1>also there was a report that he shared her his

0:34:52.680 --> 0:34:56.200
<v Speaker 1>coat with her. Hey, go on, my gosh, this is

0:34:56.239 --> 0:34:59.440
<v Speaker 1>like I don't even want to go take them out

0:34:59.480 --> 0:35:03.400
<v Speaker 1>of you take him out of equation. Because it got

0:35:03.400 --> 0:35:06.640
<v Speaker 1>me thinking about this question. If you Ryan Seacrest, let's

0:35:06.640 --> 0:35:09.080
<v Speaker 1>say you get on and dating app. Let's say hinge.

0:35:09.719 --> 0:35:11.680
<v Speaker 1>That would be so great, But okay, you get on

0:35:11.760 --> 0:35:14.440
<v Speaker 1>meeting app and you find that lost him you go

0:35:14.480 --> 0:35:16.120
<v Speaker 1>on a date with this girl that you meet, let's

0:35:16.120 --> 0:35:18.960
<v Speaker 1>say her name is Sarah, and you find out Sarah

0:35:19.160 --> 0:35:21.719
<v Speaker 1>has just broken up with somebody that she was with

0:35:21.840 --> 0:35:24.560
<v Speaker 1>for fifteen years, and it was two months ago that

0:35:24.600 --> 0:35:27.640
<v Speaker 1>she broke up with this man. She's on hinge. Yeah,

0:35:27.760 --> 0:35:30.040
<v Speaker 1>So why am I questioning it? You would just go

0:35:30.080 --> 0:35:33.840
<v Speaker 1>on dates with her and just have no available Interesting,

0:35:34.320 --> 0:35:37.000
<v Speaker 1>she's the one hand looking for a date. Why should

0:35:37.000 --> 0:35:39.040
<v Speaker 1>I have to worry about I was on a date

0:35:39.080 --> 0:35:41.759
<v Speaker 1>two weeks after a breakup and then end of marrying him.

0:35:41.760 --> 0:35:44.440
<v Speaker 1>Oh but you even said he thought he was a rebound.

0:35:44.520 --> 0:35:48.360
<v Speaker 1>I don't want to work. That's why it worked. I

0:35:48.400 --> 0:35:54.480
<v Speaker 1>went in with no pressure, show expectations. I was authentically

0:35:54.560 --> 0:35:57.640
<v Speaker 1>myself because I wasn't truly trying to make it force

0:35:57.719 --> 0:35:59.800
<v Speaker 1>it to work like I was with all my past relationship.

0:35:59.840 --> 0:36:02.759
<v Speaker 1>And just to be clear, we're talking about a photograph

0:36:02.920 --> 0:36:05.400
<v Speaker 1>of Jason and Kate, and I think it is okay

0:36:05.400 --> 0:36:08.479
<v Speaker 1>to talk and smile with people right away. I think

0:36:08.520 --> 0:36:11.120
<v Speaker 1>that's fine. There's no limit on talking and smiling. Yes,

0:36:11.200 --> 0:36:13.640
<v Speaker 1>that's fine. I was just using that as a hypothetical

0:36:13.680 --> 0:36:17.960
<v Speaker 1>to me, are different than you on this one? Well?

0:36:18.120 --> 0:36:20.040
<v Speaker 1>I mean by the way he got filed up by

0:36:20.040 --> 0:36:23.000
<v Speaker 1>Regina Hall on the Oscar stage. I think she she

0:36:23.120 --> 0:36:27.799
<v Speaker 1>was patting him down. Yeah, exactly it COVID. That's way

0:36:27.840 --> 0:36:33.080
<v Speaker 1>more than what this picture is. You brought up a

0:36:33.160 --> 0:36:36.080
<v Speaker 1>day in the life the video I posted tomorrow. We'll

0:36:36.080 --> 0:36:39.040
<v Speaker 1>get to that, right. Well, this is what you've been

0:36:39.040 --> 0:36:41.480
<v Speaker 1>asking me to do for for years, is post a

0:36:41.560 --> 0:36:43.759
<v Speaker 1>video of of what a day in the life. I

0:36:43.800 --> 0:36:45.799
<v Speaker 1>loved it. I enjoyed it so much. I don't even

0:36:45.840 --> 0:36:47.040
<v Speaker 1>know how long it was, But I could have had

0:36:47.080 --> 0:36:51.040
<v Speaker 1>more serious Can you just be content with one day

0:36:51.080 --> 0:36:54.239
<v Speaker 1>in the light because I don't know what the week,

0:36:54.360 --> 0:36:58.640
<v Speaker 1>what day of the week was that I can't remember.

0:36:58.760 --> 0:37:01.040
<v Speaker 1>It was such a drag to have to shoot every

0:37:01.320 --> 0:37:03.759
<v Speaker 1>Oh I've done one of those Max, our old web

0:37:03.760 --> 0:37:05.880
<v Speaker 1>guy made me do that like last year, and how

0:37:05.920 --> 0:37:09.600
<v Speaker 1>to like brush my teeth and my breakfast, figure out

0:37:09.600 --> 0:37:13.359
<v Speaker 1>how to shoot myself driving to work, going to bed,

0:37:13.440 --> 0:37:18.480
<v Speaker 1>saying my good night, swiping the key card. Loved it.

0:37:19.000 --> 0:37:21.239
<v Speaker 1>This is the last day of my life. Actually, after

0:37:21.560 --> 0:37:25.080
<v Speaker 1>all this work, you're in bed filming yourself. You're like,

0:37:25.320 --> 0:37:28.000
<v Speaker 1>I was in bed, Did you see I was in bed? Yeah?

0:37:28.040 --> 0:37:29.640
<v Speaker 1>I loved it. Did you see me? Did you see

0:37:29.640 --> 0:37:33.239
<v Speaker 1>me say my good nights? Did you stay till the

0:37:33.320 --> 0:37:37.600
<v Speaker 1>end for the big is it seven minutes long? It

0:37:37.600 --> 0:37:42.640
<v Speaker 1>goes by fast over here. Ryan really talks to the

0:37:42.680 --> 0:37:50.520
<v Speaker 1>camera like it's actually kind of cute, and he's like,

0:37:50.719 --> 0:37:54.600
<v Speaker 1>that's my Yeah, I have to come back to me.

0:37:54.840 --> 0:37:56.800
<v Speaker 1>Seen it? No, I haven't seen Oh, I got this

0:37:56.960 --> 0:37:59.080
<v Speaker 1>premium content. I was like, I was going to text

0:37:59.080 --> 0:38:00.400
<v Speaker 1>you actually, and I said, you know, I'm gona wait

0:38:00.440 --> 0:38:04.799
<v Speaker 1>till I see him, which is the restraint. I'm trying

0:38:04.800 --> 0:38:07.439
<v Speaker 1>to be better about personal time. Your cofee machine gives

0:38:07.480 --> 0:38:11.600
<v Speaker 1>me anxiety. Why it just looks like a Starbucks. He's like,

0:38:11.640 --> 0:38:13.760
<v Speaker 1>I like to roast. I like to grind my beans

0:38:13.840 --> 0:38:18.680
<v Speaker 1>myself prefer and even though it takes longer, joy the ceremony,

0:38:18.840 --> 0:38:24.920
<v Speaker 1>by the way, don't sound like that you do, but

0:38:25.040 --> 0:38:26.840
<v Speaker 1>you know what, I feel like that just really flushes

0:38:26.840 --> 0:38:32.480
<v Speaker 1>you out. Pete? Are you with us on this? I'm sorry? Hi? Hello, Yeah,

0:38:34.320 --> 0:38:37.640
<v Speaker 1>we'll talk about it later tomorrow, Pete. So your friend

0:38:37.719 --> 0:38:42.120
<v Speaker 1>is proposing soon? What's going on? Yeah? Thanks? Ryan? So, Um,

0:38:42.120 --> 0:38:44.800
<v Speaker 1>he's supposing to his girlfriend and he was really excited

0:38:44.840 --> 0:38:47.480
<v Speaker 1>to show off the ring. Um, so I looked at

0:38:47.560 --> 0:38:48.719
<v Speaker 1>it and it was kind of one of those like

0:38:48.760 --> 0:38:52.000
<v Speaker 1>wow moments when I saw it. Uh, so it's beautiful.

0:38:52.120 --> 0:38:53.880
<v Speaker 1>He told me all about it, the type of diamond,

0:38:54.560 --> 0:38:56.399
<v Speaker 1>but he wouldn't stop talking about what a good deal

0:38:56.400 --> 0:38:59.120
<v Speaker 1>he got on it. Um. So he's a good friend

0:38:59.160 --> 0:39:00.719
<v Speaker 1>and we had a few during thin I kind of

0:39:00.760 --> 0:39:02.800
<v Speaker 1>got the price out of him. Um, since he wouldn't

0:39:02.800 --> 0:39:05.239
<v Speaker 1>stop talking about it, and based on what he said

0:39:05.560 --> 0:39:07.680
<v Speaker 1>and honestly what he makes, I was expecting to hear

0:39:07.719 --> 0:39:11.480
<v Speaker 1>that this was at least like a ring. Um. He

0:39:11.600 --> 0:39:13.319
<v Speaker 1>was excited to tell me that it was less than

0:39:13.400 --> 0:39:18.000
<v Speaker 1>half that. So now I'm all for bargain hunting. Um.

0:39:18.040 --> 0:39:20.600
<v Speaker 1>But kind of like major red flags up after hearing

0:39:20.600 --> 0:39:24.480
<v Speaker 1>about the details of the ring. So my girlfriend and

0:39:24.520 --> 0:39:26.400
<v Speaker 1>I looked up the jeweler and we did a little

0:39:26.400 --> 0:39:28.759
<v Speaker 1>homework just because while what a deal, and also I

0:39:28.760 --> 0:39:31.560
<v Speaker 1>think she might be sending me some hints my way shop.

0:39:31.600 --> 0:39:34.960
<v Speaker 1>But anyway, um, based on what we saw online and

0:39:35.000 --> 0:39:39.960
<v Speaker 1>about the jeweler, we are sure that he got scammed.

0:39:41.080 --> 0:39:45.280
<v Speaker 1>So we found reviews that people saying the guy's a scammer. Uh,

0:39:45.280 --> 0:39:47.520
<v Speaker 1>people saying they got their their rings and diamonds are

0:39:47.520 --> 0:39:49.760
<v Speaker 1>praised by a third party and it wasn't a real diamond.

0:39:50.400 --> 0:39:52.920
<v Speaker 1>And we think, based on everything he said in the price,

0:39:53.000 --> 0:39:57.480
<v Speaker 1>the same things happening to him. Um So, I mean

0:39:57.520 --> 0:40:02.440
<v Speaker 1>he's a little gullible sometimes, but we're are like, sure,

0:40:02.480 --> 0:40:04.520
<v Speaker 1>this is what's happening. It's not a real Timemond, It's

0:40:04.520 --> 0:40:07.520
<v Speaker 1>gotta be fake. So now I'm in this scenario here,

0:40:07.640 --> 0:40:10.879
<v Speaker 1>like do I tell him? I don't want to embarrass him? Yeah? Yeah,

0:40:10.920 --> 0:40:12.840
<v Speaker 1>you have to tell him. You gotta tell him. You

0:40:12.880 --> 0:40:15.479
<v Speaker 1>can't let him. You're gonna ben me so bunty funds

0:40:15.480 --> 0:40:18.040
<v Speaker 1>out later. You knew and you want to I try.

0:40:18.040 --> 0:40:19.560
<v Speaker 1>I wanted to warn you, but I didn't want to,

0:40:19.800 --> 0:40:22.000
<v Speaker 1>you know, bother you with it. You gotta tell him,

0:40:22.320 --> 0:40:25.040
<v Speaker 1>have to mean, anybody getting scammed if you think they are, no,

0:40:25.120 --> 0:40:27.120
<v Speaker 1>they are you more information, you gotta tell him. That's

0:40:27.160 --> 0:40:29.280
<v Speaker 1>what a friend would do. Yeah, and just be honest.

0:40:29.320 --> 0:40:31.839
<v Speaker 1>I was looking at this jeweler for myself for sure. Yeah,

0:40:31.840 --> 0:40:33.520
<v Speaker 1>you gotta be. You gotta tell him, man, you can't

0:40:33.520 --> 0:40:36.000
<v Speaker 1>hold that information because what if it really is a scam?

0:40:36.000 --> 0:40:38.680
<v Speaker 1>We gotta hip that in the bud or you can

0:40:38.719 --> 0:40:45.520
<v Speaker 1>send an anonymous email. No, yeah, alright, so Pete, you

0:40:45.560 --> 0:40:49.160
<v Speaker 1>know what to do here? Yeah, good luck. It sounds

0:40:49.160 --> 0:40:52.960
<v Speaker 1>like it sounds like you're next. Yeah. Well I'll figures cross,

0:40:53.000 --> 0:40:55.040
<v Speaker 1>but we'll see you. Thank you so much, all right, buddy,

0:40:55.040 --> 0:40:59.080
<v Speaker 1>good luck. Appreciate it, right, take care, take care all right? Bye. Yeah,

0:40:59.080 --> 0:41:00.960
<v Speaker 1>I think you know, there's no question in my mind.

0:41:00.960 --> 0:41:04.279
<v Speaker 1>You gotta tell him. Yeah, I mean unless he knows

0:41:04.320 --> 0:41:06.280
<v Speaker 1>and he's okay with it, which is a whole other

0:41:07.320 --> 0:41:15.960
<v Speaker 1>scenario with Ryan secrets. So Sysney's birthday today, we were

0:41:16.000 --> 0:41:21.200
<v Speaker 1>celebrating all morning. Congratulations. Any big plans for later today,

0:41:21.200 --> 0:41:23.960
<v Speaker 1>any big surprises for the weekend, it's a surprise. So

0:41:24.080 --> 0:41:26.080
<v Speaker 1>Michael won't tell me where we're going to dinner tonight,

0:41:26.120 --> 0:41:28.400
<v Speaker 1>but we have a sitter and I have to be

0:41:28.440 --> 0:41:33.799
<v Speaker 1>ready by like five or six. Thing. Yeah, you know,

0:41:33.880 --> 0:41:36.880
<v Speaker 1>I'm such a planner, so for him to plan something,

0:41:36.880 --> 0:41:38.920
<v Speaker 1>it's really hard for me to not know all of

0:41:38.920 --> 0:41:41.440
<v Speaker 1>the details. But it is a level of nice that

0:41:41.520 --> 0:41:44.239
<v Speaker 1>I need to just like appreciate, sit back and let

0:41:44.280 --> 0:41:48.480
<v Speaker 1>it ride. And I understand. I like to plan like

0:41:48.560 --> 0:41:50.480
<v Speaker 1>I like to be the one making the plans like you.

0:41:50.680 --> 0:41:53.000
<v Speaker 1>So I understand that. But when I do it, like

0:41:53.040 --> 0:41:54.600
<v Speaker 1>I like to say, Okay, I need you ready by

0:41:54.600 --> 0:41:59.719
<v Speaker 1>three thirty, and what we're doing at three thirty? I know,

0:41:59.800 --> 0:42:01.040
<v Speaker 1>but and be ready by three thirty. I had to

0:42:01.040 --> 0:42:03.239
<v Speaker 1>pick up the kids. Went no, I'm in a different world. Yeah,

0:42:03.239 --> 0:42:05.879
<v Speaker 1>I would love a three thirty, but like, okay, exactly three.

0:42:06.239 --> 0:42:08.360
<v Speaker 1>Well that's exciting. Now I need to do soccer. Like

0:42:08.480 --> 0:42:10.279
<v Speaker 1>if it's a week night, it has to be like

0:42:10.320 --> 0:42:12.759
<v Speaker 1>a four o'clock get ready because it's like so truncated

0:42:12.760 --> 0:42:16.680
<v Speaker 1>by the backside. Um. Anyway, that's getting Nelly here. Now

0:42:16.680 --> 0:42:20.200
<v Speaker 1>the good morning. How you doing? Good morning, lion, how

0:42:20.239 --> 0:42:24.359
<v Speaker 1>are you super good? Nelly? Thanks for calling? What's up? Um?

0:42:24.480 --> 0:42:27.960
<v Speaker 1>I'm a first time caller, a long time listener. UM.

0:42:29.280 --> 0:42:32.160
<v Speaker 1>I listened to you during my morning commute and you

0:42:32.280 --> 0:42:34.759
<v Speaker 1>mentioned that you have an or ring and I was

0:42:34.800 --> 0:42:37.399
<v Speaker 1>wondering if you have any updates on it. So, yeah,

0:42:37.400 --> 0:42:40.200
<v Speaker 1>I got real issue here, or I got an or

0:42:40.280 --> 0:42:44.200
<v Speaker 1>a crisis. So I put my I sink to my

0:42:44.400 --> 0:42:48.160
<v Speaker 1>or ring up to my bluetooth, and I wear it

0:42:48.200 --> 0:42:49.759
<v Speaker 1>to sleep and I take it off put on the

0:42:49.840 --> 0:42:53.560
<v Speaker 1>charger when I get ready to go to work. But

0:42:53.760 --> 0:42:58.480
<v Speaker 1>it disc bluetooths and then when I log on to

0:42:58.560 --> 0:43:00.719
<v Speaker 1>bluetooth it again before we go to sleep, it kicks

0:43:00.719 --> 0:43:03.280
<v Speaker 1>itself off. It's not staying connected to the Bluetooth overnight,

0:43:03.440 --> 0:43:08.839
<v Speaker 1>so I'm not getting any of the data. An it's

0:43:08.880 --> 0:43:11.320
<v Speaker 1>like kicking itself off of Bluetooth. I'm not getting any data.

0:43:11.560 --> 0:43:13.440
<v Speaker 1>You must have some setting on your Bluetooth where it

0:43:13.480 --> 0:43:15.480
<v Speaker 1>all disconnects that night or something. Why don't you ask

0:43:15.560 --> 0:43:17.680
<v Speaker 1>tubs to help you? Yeabs, do you know why my

0:43:17.800 --> 0:43:21.560
<v Speaker 1>or rings it's not it's not giving me information overnight anyway.

0:43:21.560 --> 0:43:23.960
<v Speaker 1>That's sentence. You're like, when I connect my or to

0:43:24.040 --> 0:43:29.080
<v Speaker 1>my Bluetooth, it kicks me off. It's not getting data.

0:43:29.400 --> 0:43:31.520
<v Speaker 1>I'm not really sure, So bring it in and I can.

0:43:31.760 --> 0:43:33.920
<v Speaker 1>You have to bring it in? Can't just guess I

0:43:34.000 --> 0:43:38.480
<v Speaker 1>can go to his house? So, Nelly, do you have one? Yeah? So, um,

0:43:38.520 --> 0:43:42.320
<v Speaker 1>I have been a or ring user for now about

0:43:42.800 --> 0:43:47.240
<v Speaker 1>two years, and I actually do love my rain because um,

0:43:47.280 --> 0:43:52.279
<v Speaker 1>it calculates my overall wellness. So um, I predominantly use

0:43:52.360 --> 0:43:56.200
<v Speaker 1>it for my sleep schedule because I am a horrible sleeper.

0:43:56.239 --> 0:43:57.640
<v Speaker 1>And I know that you were mentioning that you are

0:43:57.640 --> 0:44:00.239
<v Speaker 1>a horrible skeeper too, So I kind of me to

0:44:00.360 --> 0:44:03.840
<v Speaker 1>keep track of my sleep schedule or my sleep data,

0:44:04.440 --> 0:44:07.680
<v Speaker 1>and it tells me like my activity during the day

0:44:07.800 --> 0:44:11.640
<v Speaker 1>affects my sleep. And so you get these little crowns

0:44:11.680 --> 0:44:15.400
<v Speaker 1>like your readiness crown, activity crown, and a sleep crown.

0:44:15.400 --> 0:44:19.320
<v Speaker 1>So because of those like rewards, I was able to

0:44:19.400 --> 0:44:24.359
<v Speaker 1>improve my sleep. Um as I as I have been

0:44:24.440 --> 0:44:29.160
<v Speaker 1>using the area ry and it has made me become active.

0:44:29.320 --> 0:44:32.160
<v Speaker 1>So I would like get up and walk around instead

0:44:32.160 --> 0:44:34.800
<v Speaker 1>of being stationary. Because I'm a middle school counselor, so

0:44:35.040 --> 0:44:38.040
<v Speaker 1>this way I'm able to literally like get up, move

0:44:38.120 --> 0:44:41.840
<v Speaker 1>around what we're on campus. Maybe, um instead of calling

0:44:41.840 --> 0:44:44.600
<v Speaker 1>the teacher, I would go and walk to her classroom

0:44:45.080 --> 0:44:48.240
<v Speaker 1>and you know, maybe get some feedback. So it's it's

0:44:48.280 --> 0:44:52.640
<v Speaker 1>like making me be better, like making YouTube. Okay, So

0:44:52.760 --> 0:44:54.560
<v Speaker 1>maybe what I need to do is not take keep

0:44:54.560 --> 0:44:56.359
<v Speaker 1>taking off the charge it. I don't know, maybe that's

0:44:56.360 --> 0:44:58.680
<v Speaker 1>what's kicking it off. You keep yours on all the time.

0:44:58.680 --> 0:45:02.080
<v Speaker 1>How often you have to charge it? So I charge

0:45:02.120 --> 0:45:05.160
<v Speaker 1>you when I uh, like once a week, and I'm

0:45:05.200 --> 0:45:07.440
<v Speaker 1>good to go. All right, good well, Nelly, thank you

0:45:07.480 --> 0:45:09.879
<v Speaker 1>for this. I'm gonna I I really want to get

0:45:09.880 --> 0:45:12.400
<v Speaker 1>all this information and data thank you for calling you.

0:45:12.440 --> 0:45:15.280
<v Speaker 1>Take care okay, thank you for listening to us. Oh,

0:45:15.280 --> 0:45:17.040
<v Speaker 1>thank you for having me on. Have a good one.

0:45:17.120 --> 0:45:20.480
<v Speaker 1>Bye bye. By the way, Ryan's roses coming up. Yes,

0:45:20.560 --> 0:45:22.680
<v Speaker 1>it doesn't need to force quit the Aura app and

0:45:22.760 --> 0:45:25.080
<v Speaker 1>basically do like a hard reset, and that might fix

0:45:25.120 --> 0:45:28.040
<v Speaker 1>your Bluetooth situation. Okay, I'll getting a figuring out what

0:45:28.080 --> 0:45:31.680
<v Speaker 1>that means. All right. Tanya has a birthday song that

0:45:31.800 --> 0:45:35.320
<v Speaker 1>was just composed this morning. If I had more time

0:45:35.360 --> 0:45:37.719
<v Speaker 1>and would be better, So just bear with me. It's

0:45:37.719 --> 0:45:41.160
<v Speaker 1>to the It's to the song. Um you know Big Sean.

0:45:41.600 --> 0:45:44.720
<v Speaker 1>I woke up and best mode, So just think about that. Okay,

0:45:45.520 --> 0:45:50.000
<v Speaker 1>Oh acapella, Okay, Happy birthday, says to me. I hope

0:45:50.040 --> 0:45:53.279
<v Speaker 1>Michael gives you a lot of kissing me. You make

0:45:54.000 --> 0:45:56.560
<v Speaker 1>you make all our morning shine so bright. Your presence

0:45:56.560 --> 0:45:59.040
<v Speaker 1>and personality are such a delight. Hope this year is

0:45:59.040 --> 0:46:01.399
<v Speaker 1>your best year yet. Hope you win every single bet.

0:46:01.400 --> 0:46:03.840
<v Speaker 1>We love you so very much. Your hugs are the

0:46:03.840 --> 0:46:06.360
<v Speaker 1>best when you when your love language is physical touch,

0:46:08.360 --> 0:46:13.839
<v Speaker 1>I love it. I like the delivery. Did you get

0:46:13.840 --> 0:46:16.560
<v Speaker 1>the Big Sean melody in the Hey? I got Yeah,

0:46:16.600 --> 0:46:27.200
<v Speaker 1>I got big Ton, big big Ton. Performing live on

0:46:27.280 --> 0:46:33.640
<v Speaker 1>Air with Ryan Seacrest. Bad Bunny tickets tomorrow as well

0:46:33.680 --> 0:46:36.239
<v Speaker 1>as a hometown hustle you'll meet. That's it for us today,

0:46:36.280 --> 0:46:38.000
<v Speaker 1>Sisney is gonna take it for another hour here, one

0:46:38.080 --> 0:46:41.879
<v Speaker 1>or two point seven. Thanks for listening to On Air

0:46:41.920 --> 0:46:44.600
<v Speaker 1>with Ryan Seacrest, make sure to subscribe it and we'll

0:46:44.640 --> 0:46:45.720
<v Speaker 1>talk to you again tomorrow