1 00:00:00,600 --> 00:00:03,400 Speaker 1: From Hollywood to you. Thank you for listening to us. 2 00:00:03,480 --> 00:00:12,959 Speaker 1: Ryan Air with Ryan Seacrest, Good morning, Good morning, Good morning. 3 00:00:12,960 --> 00:00:15,560 Speaker 1: Everybody got some cloud Today hides in the upper sixties 4 00:00:15,560 --> 00:00:21,520 Speaker 1: and seventies Inland. Today is a big day. We've been 5 00:00:21,560 --> 00:00:24,960 Speaker 1: celebrated a month in all week and today's actually your 6 00:00:25,000 --> 00:00:30,720 Speaker 1: birthday is actually my birthday, Happy birthday? So early is that? 7 00:00:30,840 --> 00:00:33,440 Speaker 1: I feel like we've been celebrating already. It's just you know, 8 00:00:33,520 --> 00:00:35,599 Speaker 1: you just kind of like reflect on it March one 9 00:00:35,840 --> 00:00:38,240 Speaker 1: and then you'll just let it ride until March thirty one. 10 00:00:38,360 --> 00:00:41,159 Speaker 1: And here we are, well happy. Yeah, we don't want 11 00:00:41,159 --> 00:00:43,360 Speaker 1: have birthday exhaustion celebrating all months, so we gotta make 12 00:00:43,400 --> 00:00:45,800 Speaker 1: sure we hold back some steam for today. Now look 13 00:00:45,880 --> 00:00:49,480 Speaker 1: at this, thanks guys. There's a little cake of frosting 14 00:00:49,640 --> 00:00:54,440 Speaker 1: and sprinkles on the side. Donuts speaking my language. Yeah, 15 00:00:54,440 --> 00:00:57,280 Speaker 1: we thought we'd just start with a sugar kick spiked 16 00:00:57,320 --> 00:01:01,120 Speaker 1: the next right away. We're gonna crash at eight twice. Yeah, well, 17 00:01:01,480 --> 00:01:04,160 Speaker 1: we'll try and keep you awaking with us. It's your birthday. 18 00:01:04,160 --> 00:01:07,720 Speaker 1: You can thank you. Happy birthday, sissy, Thank you so much. 19 00:01:08,840 --> 00:01:11,680 Speaker 1: Should we sing our song? Yes? Something? Did you guys 20 00:01:11,680 --> 00:01:14,040 Speaker 1: prepare something for me. Do you want to do it? Tanya? 21 00:01:14,280 --> 00:01:21,920 Speaker 1: Did you? Did you do this assignment last night? I'm ready? God, 22 00:01:23,280 --> 00:01:25,720 Speaker 1: you didn't give me an assignment. I supposed to write, 23 00:01:25,800 --> 00:01:28,280 Speaker 1: like right, we're going to write a song to sing 24 00:01:28,319 --> 00:01:30,520 Speaker 1: to Sissany for her birthday. I can't wait to hear it. 25 00:01:30,720 --> 00:01:34,399 Speaker 1: So I would have been happy to do that, but 26 00:01:34,480 --> 00:01:36,760 Speaker 1: you did not text me. Do you have to text 27 00:01:36,800 --> 00:01:38,360 Speaker 1: you shouldn't? You just know that's what we should be 28 00:01:38,360 --> 00:01:41,720 Speaker 1: doing today. Nosing the happy birthday song? We can see 29 00:01:41,760 --> 00:01:44,320 Speaker 1: the normal. I'm already working on your songs your birthday 30 00:01:44,319 --> 00:01:50,200 Speaker 1: and we could probably wing it, wing it happy birthday, Sissany. 31 00:01:50,240 --> 00:01:55,600 Speaker 1: Oh my god, what you just start their? Start there. 32 00:01:55,760 --> 00:01:59,160 Speaker 1: You've got a good opening line, happy birthday Sis. No, 33 00:01:59,280 --> 00:02:00,720 Speaker 1: you can write it between now on the end of 34 00:02:00,720 --> 00:02:04,560 Speaker 1: the show. Start there. That's a great opening line. That 35 00:02:04,720 --> 00:02:07,960 Speaker 1: that's the right theme. Nothing come back to well, yes 36 00:02:07,960 --> 00:02:11,560 Speaker 1: it does, epiphany. We will hope you'll have one and 37 00:02:11,880 --> 00:02:13,919 Speaker 1: come back and get that full song maybe later. Why 38 00:02:14,000 --> 00:02:17,040 Speaker 1: seventeen candles? I'm curious. It just looks pretty on top 39 00:02:17,440 --> 00:02:23,080 Speaker 1: made it. We're going for architectural versus well made it 40 00:02:23,200 --> 00:02:27,000 Speaker 1: filled out the top, but for architectural design versus age. Well, 41 00:02:27,040 --> 00:02:30,640 Speaker 1: we're celebrating Sistany's birthday today. You may have heard of 42 00:02:30,639 --> 00:02:33,400 Speaker 1: celebrating for weeks, but that was just because it's her 43 00:02:33,480 --> 00:02:36,560 Speaker 1: month and her week and now her day and tomorrow's 44 00:02:36,560 --> 00:02:40,480 Speaker 1: the after party, ya, her birthday, tom fols. So Tony, 45 00:02:40,520 --> 00:02:42,400 Speaker 1: how's this song? Tony is a seven? Last night was 46 00:02:42,440 --> 00:02:46,680 Speaker 1: to come with a lyrical song celebrating Sisney for her birthday. 47 00:02:46,800 --> 00:02:49,280 Speaker 1: She didn't get the message, but but she brought into 48 00:02:49,400 --> 00:02:54,600 Speaker 1: She brought in donuts, a cake, balloons, Yeah, I think, yeah, 49 00:02:55,440 --> 00:02:57,440 Speaker 1: And don't think anybody else in this would you say 50 00:02:57,440 --> 00:02:59,680 Speaker 1: I picked them up? Yes? You picked them up? Yes, 51 00:02:59,680 --> 00:03:03,080 Speaker 1: I picked them up with my hands and with your pants, 52 00:03:03,120 --> 00:03:05,600 Speaker 1: with my hands, your hands, and actually the parking lot 53 00:03:05,880 --> 00:03:07,720 Speaker 1: with the head the balloons in my hand. Um. Some 54 00:03:07,800 --> 00:03:09,480 Speaker 1: lady walked by me and she said those are gonna 55 00:03:09,480 --> 00:03:11,440 Speaker 1: make somebody really happy, and I was like, oh sweet, 56 00:03:13,240 --> 00:03:14,600 Speaker 1: So you won't put that in the song. How's the 57 00:03:14,639 --> 00:03:19,000 Speaker 1: song coming? Yeah? I have four lines so far. Do 58 00:03:19,040 --> 00:03:20,760 Speaker 1: you want to hear? Now? Are you want to saving? Yeah? 59 00:03:20,800 --> 00:03:22,040 Speaker 1: I want to hear a little bit. Now see how 60 00:03:22,040 --> 00:03:26,840 Speaker 1: it's progressing. Happy birthday, Sissany. Thank God your name's not Tiffany. 61 00:03:27,240 --> 00:03:30,120 Speaker 1: You make all our morning shines so bright. Your your 62 00:03:30,200 --> 00:03:33,080 Speaker 1: presence and personality is such a delight. Why why are 63 00:03:33,080 --> 00:03:35,800 Speaker 1: we Why are we happy? She's not Tiffany. Nothing rides 64 00:03:35,840 --> 00:03:38,560 Speaker 1: of Sissany. No, but that's giving all the Tiffany's a 65 00:03:38,600 --> 00:03:40,800 Speaker 1: bad rapping Yeah, but Tiffany to generic, you know, it's 66 00:03:40,880 --> 00:03:43,880 Speaker 1: like I'm happy that it's Sissany. Yeah, exactly. Do you 67 00:03:43,920 --> 00:03:45,720 Speaker 1: want to change that line? You have something better? Well, 68 00:03:45,720 --> 00:03:52,360 Speaker 1: I just don't know it has any meaning. Sissany. H piphany, 69 00:03:52,400 --> 00:03:56,960 Speaker 1: You give me a piphany? Okay, fine, yeah, good, we're 70 00:03:57,000 --> 00:04:01,160 Speaker 1: talking it through. You could use it like breakfast at Tiffany, 71 00:04:01,720 --> 00:04:04,440 Speaker 1: like you could you incorporate that better than just like 72 00:04:04,480 --> 00:04:07,360 Speaker 1: generic Tiffany. I'm gonna use your epiphany and where sisteny 73 00:04:07,400 --> 00:04:10,840 Speaker 1: epiphany and I get those my world changes. All right, Well, 74 00:04:10,880 --> 00:04:13,280 Speaker 1: we're gonna get this song worked out by next birthday. 75 00:04:13,400 --> 00:04:17,000 Speaker 1: What does epiphany mean? Like a a aha moment? Like 76 00:04:17,120 --> 00:04:22,920 Speaker 1: oh yeah, just focus on the sound. Don't try about 77 00:04:22,960 --> 00:04:24,760 Speaker 1: too much at once for all of this year. It's 78 00:04:24,800 --> 00:04:29,040 Speaker 1: a lot. You got some birthday messages here we do 79 00:04:30,000 --> 00:04:32,679 Speaker 1: a special birthday message for Sissony. I love your mommy, 80 00:04:32,760 --> 00:04:37,960 Speaker 1: your best and happy birthday. I love your nervoust and 81 00:04:38,040 --> 00:04:45,240 Speaker 1: happy birthday. Happy birthday to you, Happy birthday to you, 82 00:04:46,160 --> 00:05:05,599 Speaker 1: Happy birthday to momy, Happy birthday. That's so cute. Thank you, 83 00:05:07,360 --> 00:05:11,880 Speaker 1: that's so sweet to you. They're the best. Oh there's 84 00:05:11,920 --> 00:05:16,880 Speaker 1: another birthday, wish goodness it might happy birthday sisson e No, 85 00:05:17,279 --> 00:05:33,120 Speaker 1: this is oh my god, un say. But then Casper, 86 00:05:34,400 --> 00:05:42,120 Speaker 1: this is Lucas grown singing up Lucas Si sundy huff 87 00:05:42,160 --> 00:05:55,320 Speaker 1: for sisday for six day at the hour, all right, 88 00:05:56,920 --> 00:06:05,240 Speaker 1: coming back with the morning hackey, kissing so good a 89 00:06:06,120 --> 00:06:10,279 Speaker 1: Ryan set time of the morning hat and the quote 90 00:06:10,279 --> 00:06:13,640 Speaker 1: of the day. So uh, Watch how you respond to 91 00:06:13,720 --> 00:06:18,719 Speaker 1: your partner when they're talking. Psychologists are saying one of 92 00:06:18,720 --> 00:06:23,760 Speaker 1: the most accurate predictors that divorce is coming is doing 93 00:06:23,800 --> 00:06:26,839 Speaker 1: this while your partner is speaking. It's my pet peeve, 94 00:06:29,560 --> 00:06:31,960 Speaker 1: doing this while your partner is talking. Rolling your eyes. 95 00:06:32,160 --> 00:06:35,279 Speaker 1: That's it, is it? Yeah? Start rolling your eyes. You've 96 00:06:35,320 --> 00:06:39,240 Speaker 1: lost it? Yeah, I think so too. I What's I 97 00:06:39,279 --> 00:06:43,520 Speaker 1: always have said. If you're not with your partner and 98 00:06:43,800 --> 00:06:46,280 Speaker 1: someone's talking to your partner about you and they roll 99 00:06:46,320 --> 00:06:52,080 Speaker 1: your eyes to them, it's over. Yeah, interesting, it's over. 100 00:06:52,400 --> 00:06:57,080 Speaker 1: It's done. I mean that's extreme, but yeah, it's not 101 00:06:57,120 --> 00:07:00,200 Speaker 1: a good sign. No, it's not not extreme. Like if 102 00:07:01,000 --> 00:07:03,560 Speaker 1: what's hypothetic, I can't even do any hypotheticals anymore. Everybody's 103 00:07:03,560 --> 00:07:10,320 Speaker 1: so all loved up you do with tubs t tubbs. 104 00:07:10,320 --> 00:07:11,760 Speaker 1: You and I are together and I'm talking to talking 105 00:07:11,760 --> 00:07:13,200 Speaker 1: you about you, and she says something about you and 106 00:07:13,400 --> 00:07:15,000 Speaker 1: I'm your lover and I'm just to protect you, and 107 00:07:15,040 --> 00:07:17,280 Speaker 1: I roll my eyes about you when she's talking to 108 00:07:17,280 --> 00:07:19,680 Speaker 1: me about you. It's over. But I think this is 109 00:07:19,720 --> 00:07:22,120 Speaker 1: more if that person is right there in front of you, 110 00:07:22,160 --> 00:07:24,320 Speaker 1: like you're talking to each other, but it's it's the 111 00:07:24,320 --> 00:07:31,440 Speaker 1: same eyes. Women. Yeah, sometimes girls like to chat and 112 00:07:31,440 --> 00:07:33,080 Speaker 1: like vent to each other and it's like, oh, you're 113 00:07:33,120 --> 00:07:34,560 Speaker 1: not gonna believe what he did today. But it's not 114 00:07:34,600 --> 00:07:37,520 Speaker 1: like I want to divorce him. I'm just telling you 115 00:07:37,520 --> 00:07:42,760 Speaker 1: my pet peeve. Guys, be happy we're not together. Yikes. 116 00:07:44,200 --> 00:07:47,400 Speaker 1: As a song coming, it's really hard to write when 117 00:07:47,440 --> 00:07:50,800 Speaker 1: you're talking how people treat you as a direct reflection 118 00:07:50,840 --> 00:07:56,600 Speaker 1: of how they feel about them. On air with Ryan 119 00:07:56,680 --> 00:08:00,920 Speaker 1: Seacrest Monday morning, seven o'clock at the lineup for Wango 120 00:08:01,040 --> 00:08:06,400 Speaker 1: Tango Right Now, the headline, Well, a City of Los 121 00:08:06,440 --> 00:08:09,800 Speaker 1: Angeles mandate that we are all very familiar of requiring 122 00:08:09,840 --> 00:08:12,600 Speaker 1: you to show proof of COVID nineteen vaccination to enter 123 00:08:12,640 --> 00:08:17,240 Speaker 1: many indoor establishments and large outdoor events is being eliminated. 124 00:08:17,680 --> 00:08:20,200 Speaker 1: So all of this is going down pretty soon, with 125 00:08:20,240 --> 00:08:23,360 Speaker 1: the City Council giving final approval today to an ordinance 126 00:08:23,360 --> 00:08:28,000 Speaker 1: scrapping the requirement. Now, the application period begins today for 127 00:08:28,200 --> 00:08:32,240 Speaker 1: Los Angeles Counties Guaranteed Income Program. Now, this is pretty cool. 128 00:08:32,280 --> 00:08:34,240 Speaker 1: I will provide you with thouts. It will provide a 129 00:08:34,280 --> 00:08:38,839 Speaker 1: thousand randomly selected residents with one thousand dollars a month 130 00:08:39,240 --> 00:08:41,960 Speaker 1: for three years. Now, if you want to qualify for 131 00:08:42,000 --> 00:08:45,640 Speaker 1: the breathe l A County is Guaranteed Income program, people 132 00:08:45,679 --> 00:08:48,559 Speaker 1: must be at least eighteen years old, have a household 133 00:08:48,559 --> 00:08:51,000 Speaker 1: income of under fifty six thousand for a single person 134 00:08:51,080 --> 00:08:54,960 Speaker 1: or ninety six thousand for family of four. Bruce Willis 135 00:08:55,160 --> 00:08:58,240 Speaker 1: is suffering from a medical condition that is affecting his 136 00:08:58,360 --> 00:09:01,720 Speaker 1: cognitive abilities and will be taking a break from acting. 137 00:09:01,840 --> 00:09:04,640 Speaker 1: His family shared yesterday on social media. They said that 138 00:09:04,679 --> 00:09:07,160 Speaker 1: this is a really challenging time for their family and 139 00:09:07,200 --> 00:09:11,199 Speaker 1: that they're so appreciative of our continued Love, Compassion and Support, 140 00:09:11,760 --> 00:09:14,640 Speaker 1: and silk Sonic has been added to the slate of 141 00:09:14,720 --> 00:09:17,480 Speaker 1: performers at the Grammys this Sunday. I can't believe that 142 00:09:17,480 --> 00:09:20,080 Speaker 1: they're here already. They're gonna open up the show at 143 00:09:20,080 --> 00:09:23,400 Speaker 1: this year ceremonies in Las Vegas, ahead of other appearances 144 00:09:23,400 --> 00:09:27,600 Speaker 1: by of course, Billie Eilish, BT, s, Olivia Rodrigo, Loonasac, 145 00:09:27,760 --> 00:09:31,319 Speaker 1: John Legend, J Balvin and more. Silk Sonic is nominated 146 00:09:31,360 --> 00:09:33,800 Speaker 1: for four awards this year, with Leave the Door Open 147 00:09:33,920 --> 00:09:35,960 Speaker 1: Up for Record of the Year, Song of the Year, 148 00:09:36,200 --> 00:09:38,679 Speaker 1: Best R and B Performance, and Best R and B 149 00:09:39,120 --> 00:09:46,920 Speaker 1: Song on Air where Ryan Segrez so he checked this out. 150 00:09:47,000 --> 00:09:50,720 Speaker 1: Ryan drowses minutes out Bad Bunny tickets in like a second. 151 00:09:51,880 --> 00:09:58,640 Speaker 1: But Denise's photographer husband shot test photos per Denise's request 152 00:09:58,840 --> 00:10:02,719 Speaker 1: of Denise's friend. I guess they shot him in the bedroom. 153 00:10:02,720 --> 00:10:04,760 Speaker 1: And Denise now thinks something's going on, so she's like 154 00:10:05,080 --> 00:10:07,760 Speaker 1: not trusting anybody here. So she didn't know they're going 155 00:10:07,800 --> 00:10:10,920 Speaker 1: to get shot in the bedroom, but she asked for 156 00:10:10,960 --> 00:10:16,880 Speaker 1: the favor. Sure, but oh no, So we're gonna get 157 00:10:16,880 --> 00:10:20,840 Speaker 1: to that, Roses. So what's walk out technology? Walkout technology? 158 00:10:20,960 --> 00:10:22,840 Speaker 1: We've been hearing about this for a while. It's already 159 00:10:22,840 --> 00:10:25,680 Speaker 1: been in Seattle, and now it's finally arrived in l 160 00:10:25,720 --> 00:10:29,000 Speaker 1: A Whole Foods in Sherman Oaks right down the street 161 00:10:29,160 --> 00:10:35,000 Speaker 1: is using walkout technology. It's basically, um, you walk. You 162 00:10:35,040 --> 00:10:36,679 Speaker 1: don't have to stand in the line and pay the 163 00:10:36,720 --> 00:10:39,600 Speaker 1: cash register anymore. You just get your stuff and walk out. Yes. 164 00:10:39,840 --> 00:10:42,160 Speaker 1: So this has been my Whole Foods for the longest time, 165 00:10:42,240 --> 00:10:44,480 Speaker 1: and they actually it's It used to be the smallest 166 00:10:44,520 --> 00:10:46,760 Speaker 1: Whole Foods ever, but we always complained about how small 167 00:10:46,800 --> 00:10:49,079 Speaker 1: it was, and then during the pandemic it shut down 168 00:10:49,440 --> 00:10:51,080 Speaker 1: and we thought maybe we went out of business, but no, 169 00:10:51,280 --> 00:10:53,280 Speaker 1: it was because they were remodeling it for the past 170 00:10:53,280 --> 00:10:55,960 Speaker 1: two years to make it up to speed. With this 171 00:10:56,080 --> 00:11:00,319 Speaker 1: walkout technology makes a smart store, yes exactly. So you 172 00:11:00,360 --> 00:11:02,880 Speaker 1: walk in, you scan your bar your Amazon barcode that 173 00:11:02,920 --> 00:11:04,959 Speaker 1: you have on the app, or you can do your Palm, 174 00:11:05,120 --> 00:11:06,920 Speaker 1: or you can put your credit card down, whatever it is. 175 00:11:06,960 --> 00:11:10,560 Speaker 1: Once you're in the store. Now, anything you take off 176 00:11:10,600 --> 00:11:14,600 Speaker 1: the shelves is videotaped and recorded, and as soon as 177 00:11:14,640 --> 00:11:16,640 Speaker 1: you take it off, it charges directly to your account. 178 00:11:16,679 --> 00:11:18,880 Speaker 1: If you put it back on the shelf. It gets refunded, 179 00:11:20,520 --> 00:11:23,520 Speaker 1: so nuts. And there's cameras like I mean, there's got 180 00:11:23,520 --> 00:11:25,520 Speaker 1: to be thousands in there, and they're all up and 181 00:11:25,600 --> 00:11:29,680 Speaker 1: down every aisle, like multiple ones. So you're immediately under 182 00:11:29,720 --> 00:11:32,559 Speaker 1: surveillance or surveillance of the minute you walk in the store. 183 00:11:33,120 --> 00:11:35,480 Speaker 1: And that's it. Once you're done with your groceries, whether 184 00:11:35,480 --> 00:11:37,960 Speaker 1: it was you brought in your own, no, but I 185 00:11:38,000 --> 00:11:39,520 Speaker 1: want to It's right down the stars of my house. 186 00:11:39,520 --> 00:11:42,920 Speaker 1: I need to go check this out. I mean just thought. 187 00:11:43,400 --> 00:11:45,560 Speaker 1: I don't stop sometimes because I don't want to wait 188 00:11:45,679 --> 00:11:48,480 Speaker 1: at peak hours. So just the thought of being able 189 00:11:48,520 --> 00:11:52,480 Speaker 1: to walk in and walk out, it's like it's one 190 00:11:52,480 --> 00:11:55,440 Speaker 1: of those things where if you told me, uh, you know, 191 00:11:55,520 --> 00:11:58,960 Speaker 1: Disneyland would have no lines for rides as a kid, 192 00:11:59,320 --> 00:12:02,200 Speaker 1: that's like want of you never thought was possible. This 193 00:12:02,240 --> 00:12:04,800 Speaker 1: is one of those things, and especially those peak hours. 194 00:12:04,800 --> 00:12:07,160 Speaker 1: Think about how much time we've wasted waiting in line 195 00:12:07,160 --> 00:12:10,480 Speaker 1: at grocery stores, you know, especially around the holidays, Like 196 00:12:10,559 --> 00:12:12,760 Speaker 1: you forget something in the middle of Thanksgiving you have 197 00:12:12,800 --> 00:12:15,640 Speaker 1: to go back. You're like, I, so this is really cool. 198 00:12:16,840 --> 00:12:18,840 Speaker 1: I want to try. I'll report back. Part of me 199 00:12:18,880 --> 00:12:22,160 Speaker 1: still feels like it's stealing in a weird way. Well 200 00:12:22,200 --> 00:12:24,760 Speaker 1: not with all those cameras watching, I guess not. I'll 201 00:12:24,760 --> 00:12:27,959 Speaker 1: report back. Jared Letto is gonna pop onto our zoom 202 00:12:27,960 --> 00:12:31,120 Speaker 1: camera here in a second. But how Sagucci transformation? He's 203 00:12:31,120 --> 00:12:34,080 Speaker 1: starring as the guy that founded We Work and we crashed, 204 00:12:34,080 --> 00:12:38,920 Speaker 1: which is unbelievable transformation. I think that's Jared Letto in 205 00:12:38,920 --> 00:12:42,120 Speaker 1: the screen here. How do I know that you Jared Letto? 206 00:12:42,640 --> 00:12:46,199 Speaker 1: Because you become so many other people, uh, in everything 207 00:12:46,240 --> 00:12:49,040 Speaker 1: that you've done, I don't even know you know that 208 00:12:49,080 --> 00:12:51,280 Speaker 1: it's me. You'll know that it's me when I show 209 00:12:51,360 --> 00:12:55,960 Speaker 1: up looking like you. You know what e strange thing is, 210 00:12:56,000 --> 00:13:01,240 Speaker 1: you could transform into anyone. It's it's apparent, and it's 211 00:13:01,240 --> 00:13:04,640 Speaker 1: a compliment. I appreciate it. My mom's on the phone 212 00:13:04,800 --> 00:13:08,240 Speaker 1: here FaceTime, and so I'll just say thanks to her 213 00:13:08,320 --> 00:13:11,360 Speaker 1: for for that all my abilities. So tell her I 214 00:13:11,360 --> 00:13:15,280 Speaker 1: said hi, Bryan Seacrest says hello, and I'll call you 215 00:13:15,320 --> 00:13:19,520 Speaker 1: back after okay, Yeah, and I'll call her after you 216 00:13:19,559 --> 00:13:24,120 Speaker 1: call her. Uh So it's it's good to see you man. Thanks, 217 00:13:24,160 --> 00:13:27,280 Speaker 1: good to see you guys. Let's start with before we 218 00:13:27,320 --> 00:13:30,880 Speaker 1: get to more bias here in theaters tomorrow. Let's start 219 00:13:31,360 --> 00:13:37,560 Speaker 1: with We Crashed, because I just I just started. You know, 220 00:13:37,640 --> 00:13:40,040 Speaker 1: this is one of those just like uh the House 221 00:13:40,080 --> 00:13:42,360 Speaker 1: of Gucci people were talking about you, talking about you 222 00:13:42,440 --> 00:13:44,560 Speaker 1: gotta see this, and same with We we Crashed. Like 223 00:13:44,640 --> 00:13:46,720 Speaker 1: all the my friends who are on top of things 224 00:13:46,760 --> 00:13:49,319 Speaker 1: before I Am are sending me you gotta start this series, bro, 225 00:13:49,360 --> 00:13:53,360 Speaker 1: you gotta watch it. You mean I saw a documentary, right, 226 00:13:53,400 --> 00:13:58,400 Speaker 1: I mean, you became this guy and it's incredible. Honestly, 227 00:13:58,640 --> 00:14:01,600 Speaker 1: it's incredible to watch. I was I think I was wondering, 228 00:14:01,679 --> 00:14:04,440 Speaker 1: do you ever hang on to any of any of 229 00:14:04,440 --> 00:14:07,640 Speaker 1: the for better, for worse, any of the things, the traits, 230 00:14:07,679 --> 00:14:11,719 Speaker 1: the characteristics of any of these people that you become. Well, 231 00:14:11,760 --> 00:14:13,800 Speaker 1: first of all, I appreciate that, and it has been 232 00:14:13,840 --> 00:14:18,800 Speaker 1: an amazing run of really fascinating characters. And you know, 233 00:14:18,800 --> 00:14:23,200 Speaker 1: I'm I know how fortunate I am to be able 234 00:14:23,240 --> 00:14:24,680 Speaker 1: to take these on. So I've got a lot of 235 00:14:24,720 --> 00:14:29,480 Speaker 1: gratitude for it. Um, We Crashed has been a bit 236 00:14:29,480 --> 00:14:32,160 Speaker 1: of a phenomenon. Mean, ever, everyone I've ever met in 237 00:14:32,200 --> 00:14:35,840 Speaker 1: my life is texting me about this show. Um, And 238 00:14:36,040 --> 00:14:39,560 Speaker 1: uh so you know, if you if you like these 239 00:14:39,640 --> 00:14:41,920 Speaker 1: kind of things, you should probably check it out whoever 240 00:14:41,960 --> 00:14:43,760 Speaker 1: is listening out there, because it's it's a fun one 241 00:14:44,280 --> 00:14:46,440 Speaker 1: and people seem to be having a good time. The 242 00:14:46,600 --> 00:14:51,360 Speaker 1: character is really colorful and um. But yes, sometimes that 243 00:14:51,800 --> 00:14:54,480 Speaker 1: there there are things that that that kind of stick 244 00:14:54,520 --> 00:14:56,440 Speaker 1: with you if you make a physical commitment in a 245 00:14:56,440 --> 00:14:59,320 Speaker 1: certain way of laughing or talking or walking, if you 246 00:14:59,360 --> 00:15:02,560 Speaker 1: if you do things for long enough, it can become 247 00:15:02,560 --> 00:15:05,800 Speaker 1: the habit. So it's normal that some of it may 248 00:15:05,840 --> 00:15:08,360 Speaker 1: stick around. It's not you know, it's kind of a 249 00:15:08,400 --> 00:15:12,960 Speaker 1: reasonable thing to expect. Yeah, I see that. I mean, look, 250 00:15:13,040 --> 00:15:15,040 Speaker 1: you know, it's like when we at first time we 251 00:15:15,080 --> 00:15:17,080 Speaker 1: traveled to other parts of the world or other countries. 252 00:15:17,520 --> 00:15:20,600 Speaker 1: I pick up expressions or sayings or even sometimes as 253 00:15:20,760 --> 00:15:23,840 Speaker 1: an idiot, speak English with a different accent, like I 254 00:15:23,840 --> 00:15:27,760 Speaker 1: don't mean to do it, but I'll speak like English Italian, 255 00:15:28,040 --> 00:15:35,360 Speaker 1: you know. Yeah, I mean that's my method. Alright. So 256 00:15:35,600 --> 00:15:41,000 Speaker 1: Morbius Moreri's originated as the comic book This first time 257 00:15:41,040 --> 00:15:45,120 Speaker 1: we see Morbous in the movie. Uh, this is totally 258 00:15:45,160 --> 00:15:47,840 Speaker 1: different from the the things we were, the things you've 259 00:15:47,880 --> 00:15:52,240 Speaker 1: just done. So that must be I guess another escalation 260 00:15:52,280 --> 00:15:55,960 Speaker 1: of excitement and interest because it is so different. Yeah, 261 00:15:56,040 --> 00:15:59,000 Speaker 1: it's very different. Um and I also like the fact 262 00:15:59,040 --> 00:16:01,520 Speaker 1: this character has never on the big screen before, so 263 00:16:01,600 --> 00:16:03,480 Speaker 1: it was the first for me. You don't have to 264 00:16:03,480 --> 00:16:07,840 Speaker 1: be a joker, you know, there's a different Uh, it's 265 00:16:07,840 --> 00:16:11,360 Speaker 1: a different experience. Also starring in a movie. I've never 266 00:16:11,400 --> 00:16:15,160 Speaker 1: started in a big, huge Hollywood movie in my entire life, actually, 267 00:16:15,240 --> 00:16:20,200 Speaker 1: and this is the very first time. Um. Uh So 268 00:16:20,360 --> 00:16:22,640 Speaker 1: that's a beautiful thing. It's it's it's fun to take 269 00:16:22,680 --> 00:16:24,880 Speaker 1: a swing. You learn different things, you have a different 270 00:16:24,880 --> 00:16:28,120 Speaker 1: set of pressures and expectations. And I like that there 271 00:16:28,200 --> 00:16:31,520 Speaker 1: was a transformation here and the role as well. Um 272 00:16:31,600 --> 00:16:34,080 Speaker 1: and and for a big, giant Marvel movie, it also 273 00:16:34,120 --> 00:16:36,080 Speaker 1: walks on the darker side of the universe. It's a 274 00:16:36,080 --> 00:16:39,240 Speaker 1: bit scary, it's a bit um you know, fun in 275 00:16:39,280 --> 00:16:42,680 Speaker 1: that way. When you say you've never started in a 276 00:16:42,760 --> 00:16:45,760 Speaker 1: big Hollywood movie, I almost can't believe that. But I'm 277 00:16:45,800 --> 00:16:50,000 Speaker 1: thinking about what you mean by that. I mean I've 278 00:16:50,000 --> 00:16:52,520 Speaker 1: made a career of of of of doing it, you know, 279 00:16:52,840 --> 00:16:59,000 Speaker 1: largely independent movies, art movies, smaller films and smaller roles. Um. 280 00:16:59,040 --> 00:17:02,080 Speaker 1: This this is really the kind of the first one 281 00:17:02,160 --> 00:17:07,159 Speaker 1: like this. Um and uh you know, there's something to it. 282 00:17:07,240 --> 00:17:11,320 Speaker 1: There's something just stepping up and grabbing the mic and 283 00:17:11,960 --> 00:17:16,680 Speaker 1: you know, um and putting yourself out there in that way. Uh, 284 00:17:16,720 --> 00:17:20,880 Speaker 1: And the experiences has been great. I gotta say, what's 285 00:17:20,920 --> 00:17:24,840 Speaker 1: the difference in making a big franchise, blockbuster, Hollywood budget 286 00:17:24,880 --> 00:17:27,760 Speaker 1: movie like this, just in terms of what you've seen 287 00:17:28,240 --> 00:17:32,240 Speaker 1: and making those independents? Aside from the obvious, I mean, 288 00:17:32,280 --> 00:17:34,879 Speaker 1: I think you just have a different set of challenges 289 00:17:35,040 --> 00:17:39,359 Speaker 1: you you you obviously when you take on a you know, bigger, 290 00:17:40,040 --> 00:17:44,400 Speaker 1: you know, budgeted film, UM like this, there's a different expectation. 291 00:17:45,200 --> 00:17:47,119 Speaker 1: You know. It's just like if you you borrow a 292 00:17:47,160 --> 00:17:49,399 Speaker 1: dollar from a friend, there's a different expectation if you 293 00:17:49,520 --> 00:17:53,480 Speaker 1: borrowed ten thousand bucks from a friend. You know. So, 294 00:17:53,680 --> 00:17:56,800 Speaker 1: you know, it does change changes things a little bit. 295 00:17:57,119 --> 00:18:00,000 Speaker 1: But for me, it's the creative part is still the same. 296 00:18:00,680 --> 00:18:02,760 Speaker 1: Like the building of the character. You still want to 297 00:18:02,760 --> 00:18:05,880 Speaker 1: take great risk. You want to make sure that you're 298 00:18:06,040 --> 00:18:08,280 Speaker 1: brave and bold, and the work that you do, you 299 00:18:08,480 --> 00:18:11,640 Speaker 1: challenge yourself, you learn something new, and then you walk 300 00:18:11,680 --> 00:18:14,920 Speaker 1: down a different path and introduce a new character audience 301 00:18:15,040 --> 00:18:18,640 Speaker 1: audiences that they haven't seen you do before. Jared Letto 302 00:18:18,720 --> 00:18:22,119 Speaker 1: with Us morbous Is in theaters tomorrow. He's got to 303 00:18:22,160 --> 00:18:23,600 Speaker 1: call his mom, so I'm gonna let him run. But 304 00:18:23,640 --> 00:18:26,959 Speaker 1: I also, if you're listening, you can't see this obviously, 305 00:18:27,520 --> 00:18:30,320 Speaker 1: but the if you lean back, it is the north 306 00:18:30,359 --> 00:18:33,960 Speaker 1: Face Gucci logo on your Yeah, I'm looking at that. 307 00:18:34,720 --> 00:18:38,639 Speaker 1: Is that? Is that a collaboration? Yeah, it's a collab 308 00:18:38,800 --> 00:18:42,280 Speaker 1: or the north Face in Gucci. It's the second one 309 00:18:42,320 --> 00:18:44,880 Speaker 1: that they've done. And uh, I love the rock climb, 310 00:18:44,960 --> 00:18:47,679 Speaker 1: I love the outdoors. I love north Face is one 311 00:18:47,720 --> 00:18:52,320 Speaker 1: of my favorite favorite companies. Uh. And also I love Gucci. Yeah, 312 00:18:52,320 --> 00:18:54,560 Speaker 1: of course. And so did you bring them together for 313 00:18:54,600 --> 00:18:59,320 Speaker 1: the collaboration? Yea, it's all me, right, respond, I'm going 314 00:18:59,359 --> 00:19:05,960 Speaker 1: to take credit for all of its life, just me. Yeah, 315 00:19:05,960 --> 00:19:11,600 Speaker 1: it's a north Face and Gucci poured on. Now. It's 316 00:19:11,680 --> 00:19:14,280 Speaker 1: very cool. If you are watching the video, you'll see 317 00:19:14,280 --> 00:19:16,800 Speaker 1: it right here. Jared Little, thanks for coming on, man, 318 00:19:16,800 --> 00:19:22,600 Speaker 1: great to see about. Continued, Thank you, thank you, bye 319 00:19:22,600 --> 00:19:32,480 Speaker 1: bye bye bye. Yeah. The the track suit jacket unzipped 320 00:19:32,520 --> 00:19:35,920 Speaker 1: without a shirt under it. Look, I don't know. I'm 321 00:19:35,920 --> 00:19:37,879 Speaker 1: not hating it for my spring. Look, I love that. 322 00:19:39,520 --> 00:19:42,240 Speaker 1: I am not against it from my spring look. Plus 323 00:19:42,280 --> 00:19:45,760 Speaker 1: it's Jared Letto. He could wear anything. I think a 324 00:19:45,960 --> 00:19:50,040 Speaker 1: track suit jacket, just out a shirt with a little zip, 325 00:19:50,119 --> 00:19:53,480 Speaker 1: not like waiting attle downs. Okay, I think I could 326 00:19:53,520 --> 00:19:57,080 Speaker 1: actually not be made fun of for that. Maybe. No, 327 00:19:57,240 --> 00:19:59,640 Speaker 1: I think it would look good. Na, you want two 328 00:19:59,640 --> 00:20:02,560 Speaker 1: cents on this, let's see it. I'm having a hard time. 329 00:20:02,600 --> 00:20:04,800 Speaker 1: I just I think it looks nice when there's like chess, 330 00:20:04,880 --> 00:20:07,840 Speaker 1: like a lot of chest hair. This is made for you. 331 00:20:09,000 --> 00:20:12,360 Speaker 1: I disagree, not too much chest hair. Yeah, well we're 332 00:20:12,560 --> 00:20:15,400 Speaker 1: we're both on different wavelengths there. I don't like any 333 00:20:15,440 --> 00:20:21,800 Speaker 1: hair on my one or two point seven kiss FM. 334 00:20:21,840 --> 00:20:24,600 Speaker 1: I know a lot of you just come for Ryan's 335 00:20:24,680 --> 00:20:30,560 Speaker 1: roses to stay, but listen, if you just come for that, 336 00:20:31,480 --> 00:20:34,800 Speaker 1: stay one more segment today, see what happens. But anyway, 337 00:20:34,840 --> 00:20:36,520 Speaker 1: we are going to get to it now out of Carson. 338 00:20:36,640 --> 00:20:40,840 Speaker 1: So the email says, Dear Ryan and scity from Denise. 339 00:20:41,720 --> 00:20:45,120 Speaker 1: My husband is a photog. A friend of mine from 340 00:20:45,160 --> 00:20:48,520 Speaker 1: college wants to get into modeling. So we add her 341 00:20:48,520 --> 00:20:52,200 Speaker 1: over and she asked for advice. He agreed to take 342 00:20:52,240 --> 00:20:55,920 Speaker 1: some photos for free, and he did. The day I 343 00:20:56,000 --> 00:21:00,520 Speaker 1: came home and she was leaving our house. Neither one 344 00:21:00,560 --> 00:21:02,680 Speaker 1: of them told me she was coming over for photos. 345 00:21:02,760 --> 00:21:09,160 Speaker 1: It was super uncomfortable. Oh, I just have so many questions, Denise, 346 00:21:09,640 --> 00:21:14,160 Speaker 1: thank you for coming on. Hi, thank you, You're welcome. 347 00:21:14,480 --> 00:21:17,239 Speaker 1: How did you feel initially when your husband said I'm 348 00:21:17,240 --> 00:21:20,640 Speaker 1: going to take these test shots for your friend. Were 349 00:21:20,680 --> 00:21:25,000 Speaker 1: you already uncomfortable? Um? No, because I pretty much shut 350 00:21:25,040 --> 00:21:27,760 Speaker 1: it up that they would that she would get some help, 351 00:21:27,800 --> 00:21:29,800 Speaker 1: you know, because she wants to get into modeling. But 352 00:21:29,880 --> 00:21:32,840 Speaker 1: then it was when they took the pictures and they 353 00:21:32,840 --> 00:21:35,439 Speaker 1: didn't tell me that they were going to do them 354 00:21:35,520 --> 00:21:38,480 Speaker 1: in the bedroom of all places. That's when I was 355 00:21:38,560 --> 00:21:41,280 Speaker 1: thrown off. But now he is a photographer, so this 356 00:21:41,520 --> 00:21:46,400 Speaker 1: is his job. Photographers who shoot models. That's what they do, right, Yeah, 357 00:21:46,440 --> 00:21:47,920 Speaker 1: but like he should at least say like, hey, she's 358 00:21:47,920 --> 00:21:50,200 Speaker 1: coming over tomorrow and we're probably gonna shoot all over 359 00:21:50,240 --> 00:21:52,440 Speaker 1: the house just to make sure you're comfortable with anything. 360 00:21:52,960 --> 00:21:56,960 Speaker 1: Thank you. Yeah, because it's my friends, Like I introduced 361 00:21:57,000 --> 00:21:58,879 Speaker 1: them so that he could help her, and he's not 362 00:21:59,000 --> 00:22:02,920 Speaker 1: even like this is technically not his job at this point, 363 00:22:03,000 --> 00:22:07,160 Speaker 1: Like I dated him and then married him, Like I 364 00:22:07,160 --> 00:22:09,480 Speaker 1: I've dealt with this like that he works with models 365 00:22:09,480 --> 00:22:11,360 Speaker 1: all the time. It makes me super insecure. But like, 366 00:22:11,680 --> 00:22:13,280 Speaker 1: I've come to a point where I'm okay with it 367 00:22:13,280 --> 00:22:15,479 Speaker 1: when it's his job. But this is different because this 368 00:22:15,520 --> 00:22:18,280 Speaker 1: is my friend. You know, well maybe you should feel 369 00:22:18,280 --> 00:22:23,480 Speaker 1: more secure because it's your friend. I don't know. It's 370 00:22:23,520 --> 00:22:26,359 Speaker 1: like the biggest deal is that they were in the 371 00:22:26,440 --> 00:22:30,239 Speaker 1: bedroom shooting these shots. And it's like, why, you know, 372 00:22:30,320 --> 00:22:33,040 Speaker 1: in my bed, why would you guys be doing that? 373 00:22:33,920 --> 00:22:40,120 Speaker 1: But that does that does call for a preamble. But 374 00:22:40,240 --> 00:22:42,359 Speaker 1: I mean he said it was because the lighting is 375 00:22:42,400 --> 00:22:45,520 Speaker 1: better in there because of the skylights, and then there 376 00:22:45,600 --> 00:22:48,440 Speaker 1: were lights set up in there. So what do you think? 377 00:22:48,480 --> 00:22:50,320 Speaker 1: So do you are you so do what are you thinking? 378 00:22:50,320 --> 00:22:52,200 Speaker 1: Are you thinking he's messing around with here in the 379 00:22:52,200 --> 00:22:54,840 Speaker 1: bedroom where he's taking photos of her that are provocative? 380 00:22:54,880 --> 00:22:56,960 Speaker 1: Like what's your what are we? What are we looking 381 00:22:57,040 --> 00:23:01,399 Speaker 1: for here? I mean, both of those things you just 382 00:23:01,480 --> 00:23:04,760 Speaker 1: mentioned are terrible, Like why does she need to be 383 00:23:04,840 --> 00:23:08,600 Speaker 1: doing provocative photos when she's just getting into modeling, you know, 384 00:23:08,720 --> 00:23:11,920 Speaker 1: like why does that need to happen? And also they 385 00:23:11,920 --> 00:23:14,840 Speaker 1: didn't tell me that they were doing this. I mean, 386 00:23:15,000 --> 00:23:17,960 Speaker 1: you know, if you have a photographer spouse, and they 387 00:23:18,000 --> 00:23:22,800 Speaker 1: shoot nudes or or swimsuit or modeling. I mean, like, 388 00:23:23,000 --> 00:23:26,000 Speaker 1: that's that's a tough situation, I think, and I would 389 00:23:26,040 --> 00:23:28,280 Speaker 1: I can see why you would develop in securities. It's like, 390 00:23:28,280 --> 00:23:32,080 Speaker 1: can you imagine being dating someone, being with someone that's 391 00:23:32,200 --> 00:23:33,960 Speaker 1: on a TV show or a movie that's doing a 392 00:23:34,040 --> 00:23:38,680 Speaker 1: makeout or love scene. That's hard. That's hard. I don't 393 00:23:39,240 --> 00:23:42,680 Speaker 1: know that I'm the person they can handle it. No, right, 394 00:23:42,800 --> 00:23:48,840 Speaker 1: I agree. So Denise is on in Carson, Dennis, I 395 00:23:48,840 --> 00:23:51,120 Speaker 1: need you to say around you my permission to call 396 00:23:51,200 --> 00:23:55,200 Speaker 1: and your husband's name on Kiss FM. Go ahead, Ryan, 397 00:23:55,280 --> 00:23:59,960 Speaker 1: you have my permission to call my husband. We're gonna call. 398 00:24:00,119 --> 00:24:01,920 Speaker 1: We're gonna find out if they were up to something. Okay, 399 00:24:01,920 --> 00:24:04,439 Speaker 1: so be very quiet until we find out who he 400 00:24:04,520 --> 00:24:08,840 Speaker 1: sends these roses too, and what he writes on the card. Okay, Yes, 401 00:24:09,320 --> 00:24:27,360 Speaker 1: here we go. Hello. Hello? Is this Seth? Yeah? Hi, 402 00:24:27,640 --> 00:24:30,040 Speaker 1: my name is Bonnie. I'm calling from Beebe's Blooms. How 403 00:24:30,119 --> 00:24:35,520 Speaker 1: you doing this morning? Oh? I'm I'm good. Um, I'm good. 404 00:24:35,800 --> 00:24:37,639 Speaker 1: How are you great? I'm good? Thank you for asking? 405 00:24:37,640 --> 00:24:40,400 Speaker 1: Were new flower shop here in Carson, and actually we're 406 00:24:40,400 --> 00:24:43,760 Speaker 1: offering local residents of promotion today. It's a free dozen 407 00:24:43,800 --> 00:24:45,919 Speaker 1: red roses that you can send to anybody that you'd like. 408 00:24:46,000 --> 00:24:47,960 Speaker 1: We're just trying to promote our business or brand new 409 00:24:48,080 --> 00:24:50,360 Speaker 1: right on Main Street near the you know, the CVS 410 00:24:50,400 --> 00:24:55,720 Speaker 1: and like the Goldilocks is Um. I don't think so, 411 00:24:55,920 --> 00:24:58,480 Speaker 1: to be honest, we just we just got here anyways. 412 00:24:58,560 --> 00:25:00,560 Speaker 1: It's a free dozen red roses that you can send 413 00:25:00,560 --> 00:25:02,720 Speaker 1: to anybody that you like. I don't need any cash, 414 00:25:02,760 --> 00:25:04,720 Speaker 1: any credit card info, anything like that. We just hope 415 00:25:04,760 --> 00:25:06,520 Speaker 1: that you refer to friends and family and then come 416 00:25:06,520 --> 00:25:13,639 Speaker 1: on in and be a returning customer. Um okay, um 417 00:25:13,920 --> 00:25:16,639 Speaker 1: uh so you you guys want to send flowers? I 418 00:25:16,640 --> 00:25:19,680 Speaker 1: guess yeah. I just need the person um, like the 419 00:25:19,760 --> 00:25:21,040 Speaker 1: name of the person you want to send them to, 420 00:25:21,640 --> 00:25:27,040 Speaker 1: and we can write a note. Ah okay, they're free. 421 00:25:27,080 --> 00:25:29,400 Speaker 1: I don't need any info from you. I don't need 422 00:25:29,440 --> 00:25:33,480 Speaker 1: any credit card infoon, nothing like that. And you're like 423 00:25:33,520 --> 00:25:35,960 Speaker 1: a new flower shop. I'm sorry, I'm sorry, it's just 424 00:25:36,200 --> 00:25:39,560 Speaker 1: never that's never happened before, so I'm kind of Yeah. 425 00:25:39,560 --> 00:25:42,120 Speaker 1: We're in the corner of Maine and Carson. Uh, there's 426 00:25:42,160 --> 00:25:43,840 Speaker 1: like a CVS right there, a little shopping center in 427 00:25:43,840 --> 00:25:49,760 Speaker 1: the goldilocks Filipino food. I see you see Um? Okay, yeah, sure. 428 00:25:50,760 --> 00:25:52,000 Speaker 1: What's the name of the person you want to send 429 00:25:52,000 --> 00:26:02,480 Speaker 1: them to? My wife? Right? And what's turn name? Okay? 430 00:26:03,359 --> 00:26:07,440 Speaker 1: And what would you like to put on the card? Um? 431 00:26:07,680 --> 00:26:13,360 Speaker 1: Just say like all my love you know? Okay? Yeah? 432 00:26:14,000 --> 00:26:20,240 Speaker 1: Um seth um Hello, Seth, your voice is being broadcast 433 00:26:20,320 --> 00:26:22,600 Speaker 1: on the radio. My name is Ryan and I have 434 00:26:22,720 --> 00:26:25,720 Speaker 1: your wife, Denise on the line. Very sweet of you 435 00:26:25,760 --> 00:26:28,760 Speaker 1: to finally get to decide you want to send flowers 436 00:26:28,760 --> 00:26:31,800 Speaker 1: to your wife. But here's why we're calling. I'm just 437 00:26:31,840 --> 00:26:33,879 Speaker 1: gonna Denise if with your permission, I'm just gonna tell 438 00:26:33,960 --> 00:26:39,280 Speaker 1: him go for it. So you shot some photos, Seth, 439 00:26:39,440 --> 00:26:46,120 Speaker 1: of her friend in your bedroom recently? That happened? Uh yeah, 440 00:26:46,240 --> 00:26:50,760 Speaker 1: yeah I did. I'm sorry? And why and why did 441 00:26:50,840 --> 00:26:52,439 Speaker 1: you do that? Why did you shoot? What were you 442 00:26:52,440 --> 00:26:59,760 Speaker 1: shooting in the bedroom? Well, I, um, so this is weird. 443 00:26:59,800 --> 00:27:03,199 Speaker 1: But um, my wife asked me to take photos of 444 00:27:03,280 --> 00:27:09,359 Speaker 1: her friend. So I am meining. Well, her friend needed 445 00:27:09,680 --> 00:27:13,399 Speaker 1: you know, she said she needed like a bedroom portfolio 446 00:27:13,520 --> 00:27:15,960 Speaker 1: and I was doing this for my wife. So yes, 447 00:27:16,200 --> 00:27:18,719 Speaker 1: in the bedroom. Uh huh? And did you give your 448 00:27:18,720 --> 00:27:20,199 Speaker 1: wife the heads up on that. I think that's the 449 00:27:20,240 --> 00:27:26,000 Speaker 1: issue here. I mean, and I don't know. I didn't 450 00:27:26,119 --> 00:27:28,080 Speaker 1: explain to her, but that's just my job, you know. 451 00:27:28,600 --> 00:27:31,720 Speaker 1: She said, hey, do can you help my friend down? 452 00:27:31,800 --> 00:27:37,240 Speaker 1: I said, um, sure, so I did, and and that's 453 00:27:37,320 --> 00:27:39,080 Speaker 1: that's kind of like you know my dad, And I said, 454 00:27:39,080 --> 00:27:41,760 Speaker 1: what do you need? And she said I need a bedroom. 455 00:27:41,840 --> 00:27:44,080 Speaker 1: So we tried, you know, I mean, it's not like 456 00:27:44,119 --> 00:27:46,679 Speaker 1: my first choice, but we have great lighting. And I 457 00:27:46,720 --> 00:27:50,240 Speaker 1: went to her place. It was completely unusable. And so 458 00:27:50,680 --> 00:27:55,000 Speaker 1: Denise is just concerned that maybe something's going on because 459 00:27:55,000 --> 00:27:56,880 Speaker 1: you did not tell her, and it was awkward when 460 00:27:56,920 --> 00:28:03,560 Speaker 1: she found out. Am I right to these? That is correct? Like, 461 00:28:04,720 --> 00:28:09,960 Speaker 1: but I'm wondering now you went to her apartment? Yeah, yeah, 462 00:28:10,000 --> 00:28:13,240 Speaker 1: we we went to her apartment. It wasn't it wasn't 463 00:28:13,359 --> 00:28:17,720 Speaker 1: usable for the shots that she wanted, which you wanted 464 00:28:17,800 --> 00:28:23,600 Speaker 1: me to take of her. So I suggested to use 465 00:28:23,600 --> 00:28:31,000 Speaker 1: our place. Okay, but this is my my friend. So 466 00:28:32,080 --> 00:28:34,720 Speaker 1: this this isn't just some random model that you're shooting. 467 00:28:35,200 --> 00:28:39,920 Speaker 1: So why wouldn't you run this by me or even 468 00:28:39,960 --> 00:28:42,959 Speaker 1: mention it to me? Like it just seems really weird 469 00:28:43,480 --> 00:28:46,280 Speaker 1: that you would be doing this kind of behind my back. 470 00:28:48,520 --> 00:28:52,600 Speaker 1: I'm sorry, but this is really weird. This is we've 471 00:28:52,600 --> 00:28:55,400 Speaker 1: been through this. You know, I'm a photographer and this 472 00:28:55,520 --> 00:28:58,040 Speaker 1: is your friend. You should trust her, and I'm doing 473 00:28:58,080 --> 00:29:00,240 Speaker 1: this for you. I'm doing this for free. It's not 474 00:29:00,280 --> 00:29:04,160 Speaker 1: like I'm getting paid, you know, like, I'm not trying to. 475 00:29:05,160 --> 00:29:07,840 Speaker 1: Don't you trust your friend? And don't I mean and 476 00:29:07,960 --> 00:29:12,120 Speaker 1: shure you trust me as well. I'm not trying. I'm 477 00:29:12,120 --> 00:29:15,520 Speaker 1: not trying to. I don't know I was doing this 478 00:29:15,560 --> 00:29:18,840 Speaker 1: because you wanted me to, you know, like, it's not 479 00:29:18,960 --> 00:29:21,800 Speaker 1: It's not something that I was wanting to go out 480 00:29:21,800 --> 00:29:23,640 Speaker 1: of the way to go to do. I'm trying to 481 00:29:23,640 --> 00:29:26,800 Speaker 1: do a good job for your friend, and I don't know. 482 00:29:27,000 --> 00:29:29,160 Speaker 1: On the radio, I mean, I wish you just came 483 00:29:29,200 --> 00:29:33,200 Speaker 1: to me. It makes me look like a really bad guy. Same. 484 00:29:33,400 --> 00:29:35,360 Speaker 1: I wish you would have just came to me and 485 00:29:35,360 --> 00:29:38,680 Speaker 1: then this all would have been avoided. Do you get it, Denise. 486 00:29:38,720 --> 00:29:40,840 Speaker 1: I'm kind of was set on this one, kind of. 487 00:29:40,920 --> 00:29:44,959 Speaker 1: I'm fully anyway, Dennise, I think we've heard enough, and 488 00:29:45,000 --> 00:29:48,080 Speaker 1: I think you have heard more than you did before 489 00:29:48,160 --> 00:29:50,880 Speaker 1: we got on the phone together. H you guys, you 490 00:29:50,880 --> 00:29:55,120 Speaker 1: guys should take it from here. Basically, Denise said, hey, Seth, 491 00:29:55,320 --> 00:29:58,840 Speaker 1: husband Seth photographer, husband Seth, will you take some photos 492 00:29:58,840 --> 00:30:01,240 Speaker 1: with my friend for my friend for free because she 493 00:30:01,280 --> 00:30:04,120 Speaker 1: wants to get into modeling. And he did, and he 494 00:30:04,400 --> 00:30:06,000 Speaker 1: tried to find a good place to take him and 495 00:30:06,040 --> 00:30:09,320 Speaker 1: she wanted shots in a bedroom and he did. Anyway, 496 00:30:09,600 --> 00:30:12,360 Speaker 1: it all sounds a little sketch until you hear from Seth, 497 00:30:12,640 --> 00:30:15,600 Speaker 1: who's like, you asked me to do this, I'm doing 498 00:30:15,640 --> 00:30:17,720 Speaker 1: this for you, I'm doing it for free. And he 499 00:30:17,800 --> 00:30:19,520 Speaker 1: made the best point of all, which is like, you 500 00:30:19,520 --> 00:30:23,640 Speaker 1: don't trust your friend and you don't trust me. Well, 501 00:30:23,640 --> 00:30:26,000 Speaker 1: she doesn't trust him because she called us, but she 502 00:30:26,120 --> 00:30:28,840 Speaker 1: also doesn't trust her friend that she had do this. 503 00:30:29,400 --> 00:30:31,920 Speaker 1: So to me, that was it when Seth said that, 504 00:30:31,960 --> 00:30:36,960 Speaker 1: I'm like, I'm with Seth. Seth right, It's like, yo, 505 00:30:37,440 --> 00:30:40,360 Speaker 1: I guys, I'm trying to do you a favor. I'm 506 00:30:40,360 --> 00:30:43,440 Speaker 1: doing it for free. Is your friend and now you're 507 00:30:43,440 --> 00:30:45,960 Speaker 1: coming after me, so you don't trust me and you 508 00:30:45,960 --> 00:30:49,960 Speaker 1: don't trust her friend. I get it, and professional he 509 00:30:49,960 --> 00:30:51,640 Speaker 1: doesn't need to run it. I thought at first he 510 00:30:51,640 --> 00:30:53,440 Speaker 1: should have run it by his wife and let her 511 00:30:53,440 --> 00:30:55,200 Speaker 1: know everything that they were doing. But it sounds like 512 00:30:55,440 --> 00:30:56,880 Speaker 1: it all kind of happened in the moment, like he 513 00:30:56,920 --> 00:30:58,760 Speaker 1: went to her place first and realized the lighting was 514 00:30:58,800 --> 00:31:00,480 Speaker 1: really bad, and they went back to their place, And 515 00:31:00,520 --> 00:31:02,400 Speaker 1: so he's really trying to do a good job for 516 00:31:02,560 --> 00:31:04,880 Speaker 1: his wife, for his friend. Her friend, Becca and I 517 00:31:04,920 --> 00:31:07,960 Speaker 1: have this exact conversation because we're doing a sexy boudoir 518 00:31:08,000 --> 00:31:10,840 Speaker 1: photo shoot, and she was like, I think we should 519 00:31:10,840 --> 00:31:12,800 Speaker 1: just take the pictures of each other because I don't 520 00:31:12,840 --> 00:31:16,760 Speaker 1: want some guy taking pictures of us in a bedroom 521 00:31:16,760 --> 00:31:19,760 Speaker 1: and lingerie, like this is their job. This is a job, 522 00:31:19,840 --> 00:31:21,760 Speaker 1: it's professional. But she was like, no, I think it's 523 00:31:21,760 --> 00:31:23,880 Speaker 1: just better if we do it, Becca, I don't want 524 00:31:23,880 --> 00:31:28,320 Speaker 1: those random picks with both of you. It is their job, 525 00:31:28,400 --> 00:31:31,000 Speaker 1: and a lot of photographers obviously do that all the time. 526 00:31:31,040 --> 00:31:34,000 Speaker 1: But I'm with Becca. Yeah, So I decided she was right, 527 00:31:34,040 --> 00:31:36,680 Speaker 1: So we're just doing it for each other. Well, that's 528 00:31:36,720 --> 00:31:39,240 Speaker 1: great for you. And are you going to use her 529 00:31:39,280 --> 00:31:42,760 Speaker 1: apartment or yours? You know, I haven't fine tuned the 530 00:31:42,760 --> 00:31:47,160 Speaker 1: details yet. I'll runch you my room fifty bucks an hour. 531 00:31:48,000 --> 00:31:52,640 Speaker 1: But you can't. You can't shoot her. I think when 532 00:31:52,680 --> 00:31:54,840 Speaker 1: I think I shot I think I would shoot her 533 00:31:54,880 --> 00:31:57,280 Speaker 1: at her house and then she would shoot me in 534 00:31:57,320 --> 00:32:01,120 Speaker 1: my apartment. Yeah, and you not like you can't do 535 00:32:01,120 --> 00:32:03,480 Speaker 1: it at each other's significant others. No, we would not 536 00:32:03,520 --> 00:32:06,240 Speaker 1: do that. Well, you're always at his house, That's why 537 00:32:06,240 --> 00:32:08,640 Speaker 1: I'm asking that's but would be weird to have her 538 00:32:08,720 --> 00:32:11,880 Speaker 1: in his bed? No? Well, guys, this is talking about 539 00:32:11,880 --> 00:32:15,400 Speaker 1: Seth and Denise. I forget about this scrubbing in boudoir 540 00:32:15,440 --> 00:32:23,360 Speaker 1: shoot on air with Ryan Seacrest. Wango Tango announcement coming 541 00:32:23,640 --> 00:32:26,120 Speaker 1: Monday morning at seven am. I've got the full line up. 542 00:32:26,680 --> 00:32:28,880 Speaker 1: I want to be there for that. So how long 543 00:32:28,920 --> 00:32:32,120 Speaker 1: after a breakup would you date someone? Or is that 544 00:32:32,160 --> 00:32:34,320 Speaker 1: what the question is? Yeah? Or does the limit not exist? 545 00:32:34,480 --> 00:32:36,720 Speaker 1: Might not? To me? I have some questions about your question. 546 00:32:36,720 --> 00:32:39,000 Speaker 1: But tell me why we're even talking about it. Okay, 547 00:32:39,040 --> 00:32:42,160 Speaker 1: So Jason momoa, Um, we all had a little bit 548 00:32:42,200 --> 00:32:44,200 Speaker 1: of a heartbreak when he and Leaves the Bonnet announced 549 00:32:44,200 --> 00:32:46,680 Speaker 1: that they were splitting. Uh. This happened a little more 550 00:32:46,680 --> 00:32:48,640 Speaker 1: than two months ago, and they were together. They were 551 00:32:48,680 --> 00:32:51,160 Speaker 1: married for about fifteen years, maybe more, maybe a little less, 552 00:32:51,160 --> 00:32:54,560 Speaker 1: somewhere in that range. But um, to me, I was 553 00:32:54,600 --> 00:32:56,560 Speaker 1: so heartbroken because I thought that these two were each 554 00:32:56,560 --> 00:32:59,480 Speaker 1: other's o t p s. So that heartbreak, that announcement 555 00:32:59,520 --> 00:33:01,920 Speaker 1: was really rough, and that was only a little more 556 00:33:01,960 --> 00:33:05,560 Speaker 1: than two months ago. Okay, so think about it. January February, 557 00:33:06,400 --> 00:33:11,480 Speaker 1: two months the news was reporting that Kate beck and 558 00:33:11,600 --> 00:33:16,280 Speaker 1: Sale and Jason Momoa we're standing at a bar chatting 559 00:33:16,360 --> 00:33:19,920 Speaker 1: after the oscars. People were saying that they were very 560 00:33:19,960 --> 00:33:24,240 Speaker 1: much into their conversation and they both quote looked really happy. 561 00:33:24,680 --> 00:33:26,840 Speaker 1: Jason Momoa actually just came out because there was reports 562 00:33:26,840 --> 00:33:29,080 Speaker 1: saying that she and Lisa were getting back together. He 563 00:33:29,360 --> 00:33:33,000 Speaker 1: shut those rumors down. So it's unclear as to what's 564 00:33:33,040 --> 00:33:34,480 Speaker 1: really going on with these two. They could have just 565 00:33:34,560 --> 00:33:38,960 Speaker 1: been doing some cool flirting. They could have been exchanging fundumbers, 566 00:33:39,080 --> 00:33:41,080 Speaker 1: going a date. They could be friends. We have no idea, 567 00:33:41,840 --> 00:33:44,959 Speaker 1: but it got me thinking, when someone is this fresh 568 00:33:45,040 --> 00:33:48,200 Speaker 1: off of a breakup just two months ago that we 569 00:33:48,280 --> 00:33:51,040 Speaker 1: know of at least, would you go down that path 570 00:33:51,200 --> 00:33:53,800 Speaker 1: or would you avoid it like the plague two months is. 571 00:33:54,200 --> 00:33:56,480 Speaker 1: So there's a couple of when you say dating, like 572 00:33:57,440 --> 00:34:01,760 Speaker 1: to go out with someone is dating or to start 573 00:34:01,800 --> 00:34:05,880 Speaker 1: a relationship with someone. I need to know what you're asking, Okay, 574 00:34:06,360 --> 00:34:08,520 Speaker 1: flat out just date? Would you even go on a 575 00:34:08,640 --> 00:34:11,319 Speaker 1: date or two. Would you even entertain the thought if 576 00:34:11,320 --> 00:34:14,120 Speaker 1: somebody was just two months because I need to get 577 00:34:14,160 --> 00:34:18,640 Speaker 1: my mind off of it. Okay, they can't. You can't wallow. 578 00:34:18,880 --> 00:34:21,120 Speaker 1: It's kind of the thing is you may not be 579 00:34:21,239 --> 00:34:23,359 Speaker 1: there yet. Maybe this is not good, but you're trying 580 00:34:23,360 --> 00:34:26,920 Speaker 1: to get your mind off of it to like move on. Right. No, no, no, 581 00:34:26,960 --> 00:34:30,560 Speaker 1: that's not your breakup. I'm talking about Kate. If you're 582 00:34:30,600 --> 00:34:32,399 Speaker 1: the Kate in the situation and you know the person 583 00:34:32,440 --> 00:34:34,160 Speaker 1: you're going on a date with is fresh off of 584 00:34:34,160 --> 00:34:38,680 Speaker 1: a breakup? Are we having this conversation based on a 585 00:34:38,719 --> 00:34:44,480 Speaker 1: photograph and two of them were talking and onlookers, Wait, sorry, 586 00:34:44,520 --> 00:34:47,040 Speaker 1: but we're still photograph of the two of them speaking 587 00:34:47,160 --> 00:34:50,080 Speaker 1: at a party. Yeah, we're talking about dating. Yes. Well, 588 00:34:50,120 --> 00:34:52,600 Speaker 1: also there was a report that he shared her his 589 00:34:52,680 --> 00:34:56,200 Speaker 1: coat with her. Hey, go on, my gosh, this is 590 00:34:56,239 --> 00:34:59,440 Speaker 1: like I don't even want to go take them out 591 00:34:59,480 --> 00:35:03,400 Speaker 1: of you take him out of equation. Because it got 592 00:35:03,400 --> 00:35:06,640 Speaker 1: me thinking about this question. If you Ryan Seacrest, let's 593 00:35:06,640 --> 00:35:09,080 Speaker 1: say you get on and dating app. Let's say hinge. 594 00:35:09,719 --> 00:35:11,680 Speaker 1: That would be so great, But okay, you get on 595 00:35:11,760 --> 00:35:14,440 Speaker 1: meeting app and you find that lost him you go 596 00:35:14,480 --> 00:35:16,120 Speaker 1: on a date with this girl that you meet, let's 597 00:35:16,120 --> 00:35:18,960 Speaker 1: say her name is Sarah, and you find out Sarah 598 00:35:19,160 --> 00:35:21,719 Speaker 1: has just broken up with somebody that she was with 599 00:35:21,840 --> 00:35:24,560 Speaker 1: for fifteen years, and it was two months ago that 600 00:35:24,600 --> 00:35:27,640 Speaker 1: she broke up with this man. She's on hinge. Yeah, 601 00:35:27,760 --> 00:35:30,040 Speaker 1: So why am I questioning it? You would just go 602 00:35:30,080 --> 00:35:33,840 Speaker 1: on dates with her and just have no available Interesting, 603 00:35:34,320 --> 00:35:37,000 Speaker 1: she's the one hand looking for a date. Why should 604 00:35:37,000 --> 00:35:39,040 Speaker 1: I have to worry about I was on a date 605 00:35:39,080 --> 00:35:41,759 Speaker 1: two weeks after a breakup and then end of marrying him. 606 00:35:41,760 --> 00:35:44,440 Speaker 1: Oh but you even said he thought he was a rebound. 607 00:35:44,520 --> 00:35:48,360 Speaker 1: I don't want to work. That's why it worked. I 608 00:35:48,400 --> 00:35:54,480 Speaker 1: went in with no pressure, show expectations. I was authentically 609 00:35:54,560 --> 00:35:57,640 Speaker 1: myself because I wasn't truly trying to make it force 610 00:35:57,719 --> 00:35:59,800 Speaker 1: it to work like I was with all my past relationship. 611 00:35:59,840 --> 00:36:02,759 Speaker 1: And just to be clear, we're talking about a photograph 612 00:36:02,920 --> 00:36:05,400 Speaker 1: of Jason and Kate, and I think it is okay 613 00:36:05,400 --> 00:36:08,479 Speaker 1: to talk and smile with people right away. I think 614 00:36:08,520 --> 00:36:11,120 Speaker 1: that's fine. There's no limit on talking and smiling. Yes, 615 00:36:11,200 --> 00:36:13,640 Speaker 1: that's fine. I was just using that as a hypothetical 616 00:36:13,680 --> 00:36:17,960 Speaker 1: to me, are different than you on this one? Well? 617 00:36:18,120 --> 00:36:20,040 Speaker 1: I mean by the way he got filed up by 618 00:36:20,040 --> 00:36:23,000 Speaker 1: Regina Hall on the Oscar stage. I think she she 619 00:36:23,120 --> 00:36:27,799 Speaker 1: was patting him down. Yeah, exactly it COVID. That's way 620 00:36:27,840 --> 00:36:33,080 Speaker 1: more than what this picture is. You brought up a 621 00:36:33,160 --> 00:36:36,080 Speaker 1: day in the life the video I posted tomorrow. We'll 622 00:36:36,080 --> 00:36:39,040 Speaker 1: get to that, right. Well, this is what you've been 623 00:36:39,040 --> 00:36:41,480 Speaker 1: asking me to do for for years, is post a 624 00:36:41,560 --> 00:36:43,759 Speaker 1: video of of what a day in the life. I 625 00:36:43,800 --> 00:36:45,799 Speaker 1: loved it. I enjoyed it so much. I don't even 626 00:36:45,840 --> 00:36:47,040 Speaker 1: know how long it was, But I could have had 627 00:36:47,080 --> 00:36:51,040 Speaker 1: more serious Can you just be content with one day 628 00:36:51,080 --> 00:36:54,239 Speaker 1: in the light because I don't know what the week, 629 00:36:54,360 --> 00:36:58,640 Speaker 1: what day of the week was that I can't remember. 630 00:36:58,760 --> 00:37:01,040 Speaker 1: It was such a drag to have to shoot every 631 00:37:01,320 --> 00:37:03,759 Speaker 1: Oh I've done one of those Max, our old web 632 00:37:03,760 --> 00:37:05,880 Speaker 1: guy made me do that like last year, and how 633 00:37:05,920 --> 00:37:09,600 Speaker 1: to like brush my teeth and my breakfast, figure out 634 00:37:09,600 --> 00:37:13,359 Speaker 1: how to shoot myself driving to work, going to bed, 635 00:37:13,440 --> 00:37:18,480 Speaker 1: saying my good night, swiping the key card. Loved it. 636 00:37:19,000 --> 00:37:21,239 Speaker 1: This is the last day of my life. Actually, after 637 00:37:21,560 --> 00:37:25,080 Speaker 1: all this work, you're in bed filming yourself. You're like, 638 00:37:25,320 --> 00:37:28,000 Speaker 1: I was in bed, Did you see I was in bed? Yeah? 639 00:37:28,040 --> 00:37:29,640 Speaker 1: I loved it. Did you see me? Did you see 640 00:37:29,640 --> 00:37:33,239 Speaker 1: me say my good nights? Did you stay till the 641 00:37:33,320 --> 00:37:37,600 Speaker 1: end for the big is it seven minutes long? It 642 00:37:37,600 --> 00:37:42,640 Speaker 1: goes by fast over here. Ryan really talks to the 643 00:37:42,680 --> 00:37:50,520 Speaker 1: camera like it's actually kind of cute, and he's like, 644 00:37:50,719 --> 00:37:54,600 Speaker 1: that's my Yeah, I have to come back to me. 645 00:37:54,840 --> 00:37:56,800 Speaker 1: Seen it? No, I haven't seen Oh, I got this 646 00:37:56,960 --> 00:37:59,080 Speaker 1: premium content. I was like, I was going to text 647 00:37:59,080 --> 00:38:00,400 Speaker 1: you actually, and I said, you know, I'm gona wait 648 00:38:00,440 --> 00:38:04,799 Speaker 1: till I see him, which is the restraint. I'm trying 649 00:38:04,800 --> 00:38:07,439 Speaker 1: to be better about personal time. Your cofee machine gives 650 00:38:07,480 --> 00:38:11,600 Speaker 1: me anxiety. Why it just looks like a Starbucks. He's like, 651 00:38:11,640 --> 00:38:13,760 Speaker 1: I like to roast. I like to grind my beans 652 00:38:13,840 --> 00:38:18,680 Speaker 1: myself prefer and even though it takes longer, joy the ceremony, 653 00:38:18,840 --> 00:38:24,920 Speaker 1: by the way, don't sound like that you do, but 654 00:38:25,040 --> 00:38:26,840 Speaker 1: you know what, I feel like that just really flushes 655 00:38:26,840 --> 00:38:32,480 Speaker 1: you out. Pete? Are you with us on this? I'm sorry? Hi? Hello, Yeah, 656 00:38:34,320 --> 00:38:37,640 Speaker 1: we'll talk about it later tomorrow, Pete. So your friend 657 00:38:37,719 --> 00:38:42,120 Speaker 1: is proposing soon? What's going on? Yeah? Thanks? Ryan? So, Um, 658 00:38:42,120 --> 00:38:44,800 Speaker 1: he's supposing to his girlfriend and he was really excited 659 00:38:44,840 --> 00:38:47,480 Speaker 1: to show off the ring. Um, so I looked at 660 00:38:47,560 --> 00:38:48,719 Speaker 1: it and it was kind of one of those like 661 00:38:48,760 --> 00:38:52,000 Speaker 1: wow moments when I saw it. Uh, so it's beautiful. 662 00:38:52,120 --> 00:38:53,880 Speaker 1: He told me all about it, the type of diamond, 663 00:38:54,560 --> 00:38:56,399 Speaker 1: but he wouldn't stop talking about what a good deal 664 00:38:56,400 --> 00:38:59,120 Speaker 1: he got on it. Um. So he's a good friend 665 00:38:59,160 --> 00:39:00,719 Speaker 1: and we had a few during thin I kind of 666 00:39:00,760 --> 00:39:02,800 Speaker 1: got the price out of him. Um, since he wouldn't 667 00:39:02,800 --> 00:39:05,239 Speaker 1: stop talking about it, and based on what he said 668 00:39:05,560 --> 00:39:07,680 Speaker 1: and honestly what he makes, I was expecting to hear 669 00:39:07,719 --> 00:39:11,480 Speaker 1: that this was at least like a ring. Um. He 670 00:39:11,600 --> 00:39:13,319 Speaker 1: was excited to tell me that it was less than 671 00:39:13,400 --> 00:39:18,000 Speaker 1: half that. So now I'm all for bargain hunting. Um. 672 00:39:18,040 --> 00:39:20,600 Speaker 1: But kind of like major red flags up after hearing 673 00:39:20,600 --> 00:39:24,480 Speaker 1: about the details of the ring. So my girlfriend and 674 00:39:24,520 --> 00:39:26,400 Speaker 1: I looked up the jeweler and we did a little 675 00:39:26,400 --> 00:39:28,759 Speaker 1: homework just because while what a deal, and also I 676 00:39:28,760 --> 00:39:31,560 Speaker 1: think she might be sending me some hints my way shop. 677 00:39:31,600 --> 00:39:34,960 Speaker 1: But anyway, um, based on what we saw online and 678 00:39:35,000 --> 00:39:39,960 Speaker 1: about the jeweler, we are sure that he got scammed. 679 00:39:41,080 --> 00:39:45,280 Speaker 1: So we found reviews that people saying the guy's a scammer. Uh, 680 00:39:45,280 --> 00:39:47,520 Speaker 1: people saying they got their their rings and diamonds are 681 00:39:47,520 --> 00:39:49,760 Speaker 1: praised by a third party and it wasn't a real diamond. 682 00:39:50,400 --> 00:39:52,920 Speaker 1: And we think, based on everything he said in the price, 683 00:39:53,000 --> 00:39:57,480 Speaker 1: the same things happening to him. Um So, I mean 684 00:39:57,520 --> 00:40:02,440 Speaker 1: he's a little gullible sometimes, but we're are like, sure, 685 00:40:02,480 --> 00:40:04,520 Speaker 1: this is what's happening. It's not a real Timemond, It's 686 00:40:04,520 --> 00:40:07,520 Speaker 1: gotta be fake. So now I'm in this scenario here, 687 00:40:07,640 --> 00:40:10,879 Speaker 1: like do I tell him? I don't want to embarrass him? Yeah? Yeah, 688 00:40:10,920 --> 00:40:12,840 Speaker 1: you have to tell him. You gotta tell him. You 689 00:40:12,880 --> 00:40:15,479 Speaker 1: can't let him. You're gonna ben me so bunty funds 690 00:40:15,480 --> 00:40:18,040 Speaker 1: out later. You knew and you want to I try. 691 00:40:18,040 --> 00:40:19,560 Speaker 1: I wanted to warn you, but I didn't want to, 692 00:40:19,800 --> 00:40:22,000 Speaker 1: you know, bother you with it. You gotta tell him, 693 00:40:22,320 --> 00:40:25,040 Speaker 1: have to mean, anybody getting scammed if you think they are, no, 694 00:40:25,120 --> 00:40:27,120 Speaker 1: they are you more information, you gotta tell him. That's 695 00:40:27,160 --> 00:40:29,280 Speaker 1: what a friend would do. Yeah, and just be honest. 696 00:40:29,320 --> 00:40:31,839 Speaker 1: I was looking at this jeweler for myself for sure. Yeah, 697 00:40:31,840 --> 00:40:33,520 Speaker 1: you gotta be. You gotta tell him, man, you can't 698 00:40:33,520 --> 00:40:36,000 Speaker 1: hold that information because what if it really is a scam? 699 00:40:36,000 --> 00:40:38,680 Speaker 1: We gotta hip that in the bud or you can 700 00:40:38,719 --> 00:40:45,520 Speaker 1: send an anonymous email. No, yeah, alright, so Pete, you 701 00:40:45,560 --> 00:40:49,160 Speaker 1: know what to do here? Yeah, good luck. It sounds 702 00:40:49,160 --> 00:40:52,960 Speaker 1: like it sounds like you're next. Yeah. Well I'll figures cross, 703 00:40:53,000 --> 00:40:55,040 Speaker 1: but we'll see you. Thank you so much, all right, buddy, 704 00:40:55,040 --> 00:40:59,080 Speaker 1: good luck. Appreciate it, right, take care, take care all right? Bye. Yeah, 705 00:40:59,080 --> 00:41:00,960 Speaker 1: I think you know, there's no question in my mind. 706 00:41:00,960 --> 00:41:04,279 Speaker 1: You gotta tell him. Yeah, I mean unless he knows 707 00:41:04,320 --> 00:41:06,280 Speaker 1: and he's okay with it, which is a whole other 708 00:41:07,320 --> 00:41:15,960 Speaker 1: scenario with Ryan secrets. So Sysney's birthday today, we were 709 00:41:16,000 --> 00:41:21,200 Speaker 1: celebrating all morning. Congratulations. Any big plans for later today, 710 00:41:21,200 --> 00:41:23,960 Speaker 1: any big surprises for the weekend, it's a surprise. So 711 00:41:24,080 --> 00:41:26,080 Speaker 1: Michael won't tell me where we're going to dinner tonight, 712 00:41:26,120 --> 00:41:28,400 Speaker 1: but we have a sitter and I have to be 713 00:41:28,440 --> 00:41:33,799 Speaker 1: ready by like five or six. Thing. Yeah, you know, 714 00:41:33,880 --> 00:41:36,880 Speaker 1: I'm such a planner, so for him to plan something, 715 00:41:36,880 --> 00:41:38,920 Speaker 1: it's really hard for me to not know all of 716 00:41:38,920 --> 00:41:41,440 Speaker 1: the details. But it is a level of nice that 717 00:41:41,520 --> 00:41:44,239 Speaker 1: I need to just like appreciate, sit back and let 718 00:41:44,280 --> 00:41:48,480 Speaker 1: it ride. And I understand. I like to plan like 719 00:41:48,560 --> 00:41:50,480 Speaker 1: I like to be the one making the plans like you. 720 00:41:50,680 --> 00:41:53,000 Speaker 1: So I understand that. But when I do it, like 721 00:41:53,040 --> 00:41:54,600 Speaker 1: I like to say, Okay, I need you ready by 722 00:41:54,600 --> 00:41:59,719 Speaker 1: three thirty, and what we're doing at three thirty? I know, 723 00:41:59,800 --> 00:42:01,040 Speaker 1: but and be ready by three thirty. I had to 724 00:42:01,040 --> 00:42:03,239 Speaker 1: pick up the kids. Went no, I'm in a different world. Yeah, 725 00:42:03,239 --> 00:42:05,879 Speaker 1: I would love a three thirty, but like, okay, exactly three. 726 00:42:06,239 --> 00:42:08,360 Speaker 1: Well that's exciting. Now I need to do soccer. Like 727 00:42:08,480 --> 00:42:10,279 Speaker 1: if it's a week night, it has to be like 728 00:42:10,320 --> 00:42:12,759 Speaker 1: a four o'clock get ready because it's like so truncated 729 00:42:12,760 --> 00:42:16,680 Speaker 1: by the backside. Um. Anyway, that's getting Nelly here. Now 730 00:42:16,680 --> 00:42:20,200 Speaker 1: the good morning. How you doing? Good morning, lion, how 731 00:42:20,239 --> 00:42:24,359 Speaker 1: are you super good? Nelly? Thanks for calling? What's up? Um? 732 00:42:24,480 --> 00:42:27,960 Speaker 1: I'm a first time caller, a long time listener. UM. 733 00:42:29,280 --> 00:42:32,160 Speaker 1: I listened to you during my morning commute and you 734 00:42:32,280 --> 00:42:34,759 Speaker 1: mentioned that you have an or ring and I was 735 00:42:34,800 --> 00:42:37,399 Speaker 1: wondering if you have any updates on it. So, yeah, 736 00:42:37,400 --> 00:42:40,200 Speaker 1: I got real issue here, or I got an or 737 00:42:40,280 --> 00:42:44,200 Speaker 1: a crisis. So I put my I sink to my 738 00:42:44,400 --> 00:42:48,160 Speaker 1: or ring up to my bluetooth, and I wear it 739 00:42:48,200 --> 00:42:49,759 Speaker 1: to sleep and I take it off put on the 740 00:42:49,840 --> 00:42:53,560 Speaker 1: charger when I get ready to go to work. But 741 00:42:53,760 --> 00:42:58,480 Speaker 1: it disc bluetooths and then when I log on to 742 00:42:58,560 --> 00:43:00,719 Speaker 1: bluetooth it again before we go to sleep, it kicks 743 00:43:00,719 --> 00:43:03,280 Speaker 1: itself off. It's not staying connected to the Bluetooth overnight, 744 00:43:03,440 --> 00:43:08,839 Speaker 1: so I'm not getting any of the data. An it's 745 00:43:08,880 --> 00:43:11,320 Speaker 1: like kicking itself off of Bluetooth. I'm not getting any data. 746 00:43:11,560 --> 00:43:13,440 Speaker 1: You must have some setting on your Bluetooth where it 747 00:43:13,480 --> 00:43:15,480 Speaker 1: all disconnects that night or something. Why don't you ask 748 00:43:15,560 --> 00:43:17,680 Speaker 1: tubs to help you? Yeabs, do you know why my 749 00:43:17,800 --> 00:43:21,560 Speaker 1: or rings it's not it's not giving me information overnight anyway. 750 00:43:21,560 --> 00:43:23,960 Speaker 1: That's sentence. You're like, when I connect my or to 751 00:43:24,040 --> 00:43:29,080 Speaker 1: my Bluetooth, it kicks me off. It's not getting data. 752 00:43:29,400 --> 00:43:31,520 Speaker 1: I'm not really sure, So bring it in and I can. 753 00:43:31,760 --> 00:43:33,920 Speaker 1: You have to bring it in? Can't just guess I 754 00:43:34,000 --> 00:43:38,480 Speaker 1: can go to his house? So, Nelly, do you have one? Yeah? So, um, 755 00:43:38,520 --> 00:43:42,320 Speaker 1: I have been a or ring user for now about 756 00:43:42,800 --> 00:43:47,240 Speaker 1: two years, and I actually do love my rain because um, 757 00:43:47,280 --> 00:43:52,279 Speaker 1: it calculates my overall wellness. So um, I predominantly use 758 00:43:52,360 --> 00:43:56,200 Speaker 1: it for my sleep schedule because I am a horrible sleeper. 759 00:43:56,239 --> 00:43:57,640 Speaker 1: And I know that you were mentioning that you are 760 00:43:57,640 --> 00:44:00,239 Speaker 1: a horrible skeeper too, So I kind of me to 761 00:44:00,360 --> 00:44:03,840 Speaker 1: keep track of my sleep schedule or my sleep data, 762 00:44:04,440 --> 00:44:07,680 Speaker 1: and it tells me like my activity during the day 763 00:44:07,800 --> 00:44:11,640 Speaker 1: affects my sleep. And so you get these little crowns 764 00:44:11,680 --> 00:44:15,400 Speaker 1: like your readiness crown, activity crown, and a sleep crown. 765 00:44:15,400 --> 00:44:19,320 Speaker 1: So because of those like rewards, I was able to 766 00:44:19,400 --> 00:44:24,359 Speaker 1: improve my sleep. Um as I as I have been 767 00:44:24,440 --> 00:44:29,160 Speaker 1: using the area ry and it has made me become active. 768 00:44:29,320 --> 00:44:32,160 Speaker 1: So I would like get up and walk around instead 769 00:44:32,160 --> 00:44:34,800 Speaker 1: of being stationary. Because I'm a middle school counselor, so 770 00:44:35,040 --> 00:44:38,040 Speaker 1: this way I'm able to literally like get up, move 771 00:44:38,120 --> 00:44:41,840 Speaker 1: around what we're on campus. Maybe, um instead of calling 772 00:44:41,840 --> 00:44:44,600 Speaker 1: the teacher, I would go and walk to her classroom 773 00:44:45,080 --> 00:44:48,240 Speaker 1: and you know, maybe get some feedback. So it's it's 774 00:44:48,280 --> 00:44:52,640 Speaker 1: like making me be better, like making YouTube. Okay, So 775 00:44:52,760 --> 00:44:54,560 Speaker 1: maybe what I need to do is not take keep 776 00:44:54,560 --> 00:44:56,359 Speaker 1: taking off the charge it. I don't know, maybe that's 777 00:44:56,360 --> 00:44:58,680 Speaker 1: what's kicking it off. You keep yours on all the time. 778 00:44:58,680 --> 00:45:02,080 Speaker 1: How often you have to charge it? So I charge 779 00:45:02,120 --> 00:45:05,160 Speaker 1: you when I uh, like once a week, and I'm 780 00:45:05,200 --> 00:45:07,440 Speaker 1: good to go. All right, good well, Nelly, thank you 781 00:45:07,480 --> 00:45:09,879 Speaker 1: for this. I'm gonna I I really want to get 782 00:45:09,880 --> 00:45:12,400 Speaker 1: all this information and data thank you for calling you. 783 00:45:12,440 --> 00:45:15,280 Speaker 1: Take care okay, thank you for listening to us. Oh, 784 00:45:15,280 --> 00:45:17,040 Speaker 1: thank you for having me on. Have a good one. 785 00:45:17,120 --> 00:45:20,480 Speaker 1: Bye bye. By the way, Ryan's roses coming up. Yes, 786 00:45:20,560 --> 00:45:22,680 Speaker 1: it doesn't need to force quit the Aura app and 787 00:45:22,760 --> 00:45:25,080 Speaker 1: basically do like a hard reset, and that might fix 788 00:45:25,120 --> 00:45:28,040 Speaker 1: your Bluetooth situation. Okay, I'll getting a figuring out what 789 00:45:28,080 --> 00:45:31,680 Speaker 1: that means. All right. Tanya has a birthday song that 790 00:45:31,800 --> 00:45:35,320 Speaker 1: was just composed this morning. If I had more time 791 00:45:35,360 --> 00:45:37,719 Speaker 1: and would be better, So just bear with me. It's 792 00:45:37,719 --> 00:45:41,160 Speaker 1: to the It's to the song. Um you know Big Sean. 793 00:45:41,600 --> 00:45:44,720 Speaker 1: I woke up and best mode, So just think about that. Okay, 794 00:45:45,520 --> 00:45:50,000 Speaker 1: Oh acapella, Okay, Happy birthday, says to me. I hope 795 00:45:50,040 --> 00:45:53,279 Speaker 1: Michael gives you a lot of kissing me. You make 796 00:45:54,000 --> 00:45:56,560 Speaker 1: you make all our morning shine so bright. Your presence 797 00:45:56,560 --> 00:45:59,040 Speaker 1: and personality are such a delight. Hope this year is 798 00:45:59,040 --> 00:46:01,399 Speaker 1: your best year yet. Hope you win every single bet. 799 00:46:01,400 --> 00:46:03,840 Speaker 1: We love you so very much. Your hugs are the 800 00:46:03,840 --> 00:46:06,360 Speaker 1: best when you when your love language is physical touch, 801 00:46:08,360 --> 00:46:13,839 Speaker 1: I love it. I like the delivery. Did you get 802 00:46:13,840 --> 00:46:16,560 Speaker 1: the Big Sean melody in the Hey? I got Yeah, 803 00:46:16,600 --> 00:46:27,200 Speaker 1: I got big Ton, big big Ton. Performing live on 804 00:46:27,280 --> 00:46:33,640 Speaker 1: Air with Ryan Seacrest. Bad Bunny tickets tomorrow as well 805 00:46:33,680 --> 00:46:36,239 Speaker 1: as a hometown hustle you'll meet. That's it for us today, 806 00:46:36,280 --> 00:46:38,000 Speaker 1: Sisney is gonna take it for another hour here, one 807 00:46:38,080 --> 00:46:41,879 Speaker 1: or two point seven. Thanks for listening to On Air 808 00:46:41,920 --> 00:46:44,600 Speaker 1: with Ryan Seacrest, make sure to subscribe it and we'll 809 00:46:44,640 --> 00:46:45,720 Speaker 1: talk to you again tomorrow