WEBVTT - Mitchell Jones & Karl Reid

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<v Speaker 1>R and B Money.

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<v Speaker 2>Honey, we are.

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<v Speaker 3>Thanks take valoti. We are the authorities R and B

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<v Speaker 3>ladies and gentlemen. My name is Tank. This is the

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<v Speaker 3>R and B Money Podcast, the authority on all things

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<v Speaker 3>R and B.

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<v Speaker 1>Yeah, it starts somewhere. Come on, Bishop bad There is

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<v Speaker 1>an origin.

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<v Speaker 3>Yeah, the Bible says in the beginning, that's what we

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<v Speaker 3>have here on today. Yes, I'm talking about my beginning

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<v Speaker 3>where the love, just where the love began for this

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<v Speaker 3>thing right here. We got some guys in the building.

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<v Speaker 3>That's what I want to get straight to him. Man,

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<v Speaker 3>come on Mitchel Jones and call red of commission.

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<v Speaker 2>Thank you.

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<v Speaker 1>Listen the reasons, the reason for nineties R and B.

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<v Speaker 3>Yeah, yeah, yeah, we have foundational building blocks.

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<v Speaker 1>Sean Stockman says his regards. Yes he does.

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<v Speaker 3>John's got off the phone with him. Sit there here

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<v Speaker 3>since it's love. Wow, excellent, excellent, Like okay, you know

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<v Speaker 3>I get it. You were you were commissioned, you were

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<v Speaker 3>called to do what you do, and you accepted that

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<v Speaker 3>call and you move, You moved in such a way

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<v Speaker 3>that you know that lives were changed, you know what

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<v Speaker 3>I mean, Like lives literally lives were changed without you

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<v Speaker 3>even being there. Like like, I am one of those

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<v Speaker 3>kids who in ninth grade discovered Commission. I joined this

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<v Speaker 3>this gospel group called Brotherhood. And I've been in church,

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<v Speaker 3>you know, all my life. But you know, I moved

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<v Speaker 3>to Maryland, new surroundings, new everything, new school, and I

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<v Speaker 3>meet these two guys in inquired class and they sing.

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<v Speaker 1>I'm like, well, I say we should be a group.

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<v Speaker 1>Let's be a group.

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<v Speaker 3>It's like, we got two other guys in a group

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<v Speaker 3>with or whatever at the church down the way. So

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<v Speaker 3>I joined the group with them, their Brotherhood, and you know,

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<v Speaker 3>they're heavy whinings, love the wine and shout out to

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<v Speaker 3>the ones, love the ones right and and they're like,

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<v Speaker 3>have you heard Commission. I was like, no, I have

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<v Speaker 3>not heard commission. And they put on Commission. It's a rap.

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<v Speaker 3>I had found somebody I wanted to be and his

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<v Speaker 3>name was Mitchell Jones. Wow. We would argue, like you

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<v Speaker 3>know how you like when you be a superhero from

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<v Speaker 3>a cartoon, when you go outside the play it's Marvel characters.

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<v Speaker 3>I was like, I'm Mitchell, you can't be you were

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<v Speaker 3>Mitchell yesterday. It doesn't matter. I'm better at me. That's

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<v Speaker 3>what we were doing. Wow, we're fighting to be Mitchell Jones.

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<v Speaker 4>Man, I just want to say I appreciate all the

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<v Speaker 4>love that you've showing us over the last few years, man,

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<v Speaker 4>and all the people that came on and you know

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<v Speaker 4>and said some of about Commission. Is just good to

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<v Speaker 4>know that Commission Music is still blessing people. Man, and

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<v Speaker 4>you know, these gifts that God has given us. You know,

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<v Speaker 4>all we did was yielded back to God. Because it's

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<v Speaker 4>one thing to use your gift for God, use your

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<v Speaker 4>gift for them. See you get performance, but when you

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<v Speaker 4>yielded to him, you get presents. And we just thank

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<v Speaker 4>God for how we just yielded to Him. And we

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<v Speaker 4>just want to love people with our gifts. That's all

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<v Speaker 4>we did.

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<v Speaker 3>Man.

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<v Speaker 4>We love people with our gifts, and that's that's what

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<v Speaker 4>it's all about, man, still sharing the love of God.

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<v Speaker 4>We were commissioned to do this, you know, we were

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<v Speaker 4>sent by God, and we just thank God. I want

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<v Speaker 4>to thank God for you guys again, and for all

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<v Speaker 4>the guys in Commission that answered the call, because if

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<v Speaker 4>they didn't answer the call, it wouldn't be no commission.

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<v Speaker 4>I wouldn't be here, you know, So I thank God

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<v Speaker 4>for Fred Michael Brooks, Keith Staates, Uh, Carl Reed, Jones,

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<v Speaker 4>Park Stuart, Yeah, phenomenal songwriter singer.

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<v Speaker 3>Yeah, and uh who else we got here?

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<v Speaker 2>Yeah, you forgot Michael.

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<v Speaker 4>Williams, Michael Williams, all those guys as the call man,

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<v Speaker 4>and I just thank God for that.

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<v Speaker 3>Like I said, we wouldn't be here if it wasn't

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<v Speaker 3>for those guys.

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<v Speaker 4>Man, Just thank God for like I said, all the

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<v Speaker 4>people that showed love to us, man, you, Jamie and

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<v Speaker 4>all the other people that came on.

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<v Speaker 3>And it's been a blessing to know. Man.

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<v Speaker 4>Like I said again that our music is still blessing people,

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<v Speaker 4>still still blessing.

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<v Speaker 3>Still.

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<v Speaker 1>I still play it. I thank you in my car. Period.

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<v Speaker 5>It was my introduction to church music, to the gospel. Really, yeah,

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<v Speaker 5>I never I didn't grow up on it, obviously, I'm

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<v Speaker 5>sure you guys the podcast. But the first gospel artist

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<v Speaker 5>I had ever heard was commissioned ever like before, I mean,

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<v Speaker 5>like you know, i'd heard names, but to actually listen

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<v Speaker 5>to it, and I think I might have been like

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<v Speaker 5>maybe fourteen or fifteen, and it just and my whole life.

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<v Speaker 5>Actually I grew up on as I would call it,

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<v Speaker 5>not even just r and B music. I grew up

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<v Speaker 5>on Cadillac music, you know what I mean.

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<v Speaker 1>It was just pimps playing music they listened to. So

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<v Speaker 1>that's what I grew up on.

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<v Speaker 5>And for me, the first time hearing Commission, it wasn't

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<v Speaker 5>a shock because I felt like it was R and B.

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<v Speaker 1>Saying to God for me personally.

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<v Speaker 5>You know, it was love songs to God more so

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<v Speaker 5>than it was I guess worship. It was more like

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<v Speaker 5>if you close your eyes. In my opinion, they felt

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<v Speaker 5>like R and B records to God.

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<v Speaker 1>For me, just me personally.

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<v Speaker 5>So I think it was an easy It was an

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<v Speaker 5>easy transition for me to just go from you know,

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<v Speaker 5>the R and B music that I was listening to,

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<v Speaker 5>to listening to Commission as well, especially with the harmonies right.

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<v Speaker 5>And by this point Jodysy was already going, so I'm like, oh,

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<v Speaker 5>this is where it comes from.

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<v Speaker 4>Yeah, I didn't grow up in the gospel per se.

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<v Speaker 3>You know.

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<v Speaker 4>My father he introduced me to Niking Cole and through

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<v Speaker 4>the early the late sixties, there was a contest who

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<v Speaker 4>can sound like Niking Cole and they paid five hundred

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<v Speaker 4>dollars and my father won that. He introduced me to

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<v Speaker 4>Na King Cole and night. King Cole was the kind

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<v Speaker 4>of guy that very technical, smooth, you know, you learn

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<v Speaker 4>how to when to use vibrada, when not to use vibrada,

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<v Speaker 4>Very melodic you know what I'm saying. Just phenomenal singer.

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<v Speaker 4>So that's where it started for me. Then my brother

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<v Speaker 4>who used to sing with dramatics, he introduced me to

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<v Speaker 4>Stevie Wonder, Donnie Hathaway, Michael Jackson and see, doub you

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<v Speaker 4>don't see that, I don't know see that.

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<v Speaker 3>No, come on, man, you know see that man, Charlie

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<v Speaker 3>Wilson that I had to do that you're doing to

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<v Speaker 3>see out there like you know, this is really you

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<v Speaker 3>did that like he did.

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<v Speaker 1>And that's you know, that's that's that's the guy. I

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<v Speaker 1>just did a show with Charlie. So yeah, yeah, he

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<v Speaker 1>called me into the office.

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<v Speaker 3>Yeah, and we say we got on the stage together

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<v Speaker 3>and and and and thank.

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<v Speaker 1>God together with with the crowd crowds going crazy, really dope.

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<v Speaker 3>I think there was such a like as he spoke

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<v Speaker 3>on and I know, normally we like to go all

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<v Speaker 3>the way back to the beginning, like origin, and then

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<v Speaker 3>you went there, you started going in that King Cole

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<v Speaker 3>and all of that, and then you got the smooth

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<v Speaker 3>criminal sitting next to you, who just this is a

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<v Speaker 3>smooth criminal, silky school, silky and smooth, don't miss, just

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<v Speaker 3>right in there. And it was such an amazing balance

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<v Speaker 3>because everything was placement, like you guys were in you

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<v Speaker 3>guys were in the right places, doing the right things

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<v Speaker 3>on every song.

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<v Speaker 1>Yeah, that's hard.

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<v Speaker 2>We tried. We all of the musical backgrounds from all

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<v Speaker 2>the guys, Fred Michael Books, Mitchell, myself, Keith singing in choirs,

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<v Speaker 2>singing in carls and gospel choirs in high school. A

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<v Speaker 2>month for high school. We all went there and we

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<v Speaker 2>had some amazing teachers and our background in Detroit. I

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<v Speaker 2>mean I lived like maybe seven blocks away from Stevie

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<v Speaker 2>Wondon in Detroit, and that was one of my first concerts.

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<v Speaker 2>He came to Badley like in sixty nine. It's like,

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<v Speaker 2>it's gonna be Stevie Wonder. I said, man, oh crazy,

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<v Speaker 2>Stevie Wonder ain't gonna come to know Bagley Elementary. And

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<v Speaker 2>the curtain opened and he's sitting there with the world

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<v Speaker 2>is too and he's singing.

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<v Speaker 3>You're like, it is, Stevie, that's your elementary school.

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<v Speaker 2>At elementary school, that's correct.

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<v Speaker 1>And how old is he at this point?

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<v Speaker 2>Though, man, Stevie probably was around twenty twenty two somewhere

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<v Speaker 2>right in there. I'm like, Stevie came to school, Well

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<v Speaker 2>he was right up the street on Rose Line, so

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<v Speaker 2>because it was from saconof but he came to school,

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<v Speaker 2>and You're like, everything went through your mind about singing.

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<v Speaker 2>That was perfect because it was Stevie And then.

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<v Speaker 3>Who was it?

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<v Speaker 2>And Motown? And you know Motown is in the same

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<v Speaker 2>time we went, so we just you know, grew up

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<v Speaker 2>listening to all the Motown sound, I mean listening to

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<v Speaker 2>all of the gospel sounds. You know. We had a

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<v Speaker 2>radio station called wor gpr DFQ that played a collose

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<v Speaker 2>of music that was from soft rock to hard to

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<v Speaker 2>regular gospel to whatever it was. And we learned and

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<v Speaker 2>gleaned from people, because everybody learns from everybody. Nobody just

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<v Speaker 2>shows up and said this is who I am. It

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<v Speaker 2>doesn't happen that way. You listening to somebody. And I

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<v Speaker 2>think we have a collection of stuff. Fred's background, Mitchell's

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<v Speaker 2>hearing and learning and listening and being in groups. And

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<v Speaker 2>I started singing when I was in elementary school, you know,

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<v Speaker 2>Hollywood's Singers was one of my first tunes. And they

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<v Speaker 2>wasn't singing it right, and I got a masked sayd man,

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<v Speaker 2>y'all ain't singing this. I got to get this right.

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<v Speaker 2>And so from that point to middle school, joining the

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<v Speaker 2>glee club, and then only is the high school, and

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<v Speaker 2>then singing in the choir, doing solos and stuff like that,

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<v Speaker 2>playing drums and you just the music stuff started coming

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<v Speaker 2>out of you, man. So I think our experience brought

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<v Speaker 2>us to where we are now. And then all that

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<v Speaker 2>stuff we learned. Because when you hear stuff, it's inside you.

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<v Speaker 2>It's getting in there, and you take it and you

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<v Speaker 2>use yourself to interpret what you're hearing. It helps mold

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<v Speaker 2>you in shape you. So that's when we came. That's

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<v Speaker 2>why we came to what we were doing.

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<v Speaker 3>So how does it get from you know, the beginnings

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<v Speaker 3>of you know, Nat King Cole and and Hollywood Hollywood

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<v Speaker 3>Swingers and all of this to commission?

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<v Speaker 1>How does that even business? In high school?

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<v Speaker 2>School together? We went in high school.

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<v Speaker 4>You tell me, tell what my little part, you can

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<v Speaker 4>tell you you got the biggest part. Fred and I

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<v Speaker 4>was in high school together. So I remember meeting him.

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<v Speaker 4>He came to my church one day and he was

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<v Speaker 4>playing the bass, and uh, I didn't know. I didn't

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<v Speaker 4>talk to him at that time, but I saw him

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<v Speaker 4>in school again. I said, man, you played the bass

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<v Speaker 4>with grace. He said yeah.

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<v Speaker 3>So you know, he said you you go to that church?

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<v Speaker 4>I said, yeah, I go to I started the Church

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<v Speaker 4>of God in Christ And so one day a friend

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<v Speaker 4>of a friend of mine named Tony Clarkston said, have you.

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<v Speaker 3>Heard Fred sing? He said, come here, Fred, come here.

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<v Speaker 3>So when Fred sang, I said, wow, Man, you played

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<v Speaker 3>the bass and you sing, I said, man, you should

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<v Speaker 3>be singing. Man.

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<v Speaker 4>He said, Fred don't sing much, but he's because he

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<v Speaker 4>was playing the bass. A lot said you should be singing,

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<v Speaker 4>and so Fred and he told Freddy, say Fred, you

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<v Speaker 4>need to listen to Mitchell.

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<v Speaker 3>So I sang something.

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<v Speaker 4>He sang, I think one of the Donnie song and

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<v Speaker 4>I sang on the Dney song and I said wow.

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<v Speaker 5>I said, man, we need to do we need to

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<v Speaker 5>do something. So we singing in talent show and it

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<v Speaker 5>went pretty good. Did you sing a gospel record in

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<v Speaker 5>town show? Everything was changed okay and it went well.

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<v Speaker 5>So we said, man, we gotta do something. So from

0:12:30.400 --> 0:12:33.800
<v Speaker 5>that point, I knew Fred and I was going to

0:12:33.880 --> 0:12:38.520
<v Speaker 5>be together, you know, no matter what. And I just

0:12:38.640 --> 0:12:40.920
<v Speaker 5>feel like at that time we were probably answering the

0:12:41.000 --> 0:12:43.040
<v Speaker 5>call but didn't know it yet, you know what I'm saying.

0:12:43.679 --> 0:12:47.119
<v Speaker 5>And so later on we had another group called Apostles,

0:12:47.400 --> 0:12:51.360
<v Speaker 5>me Tony Harn, Tony Claxton and Fred, and we didn't

0:12:51.400 --> 0:12:53.080
<v Speaker 5>sing much around the city, but we sing in church

0:12:53.480 --> 0:12:57.200
<v Speaker 5>in our church. Then we started singing a group called Saved,

0:12:58.280 --> 0:13:01.319
<v Speaker 5>and that we did our first forty five and that

0:13:01.480 --> 0:13:03.520
<v Speaker 5>was a phenomenal experience to hear yourself, you know, when

0:13:03.559 --> 0:13:05.599
<v Speaker 5>you sing and you get a chance to see what

0:13:05.720 --> 0:13:09.000
<v Speaker 5>see what it sounds like on table, and that was

0:13:09.040 --> 0:13:10.040
<v Speaker 5>a phenomenal experience.

0:13:10.120 --> 0:13:12.040
<v Speaker 4>And we was excited about that forty five we did.

0:13:12.160 --> 0:13:15.439
<v Speaker 4>But then that group broke up. So Fred started playing

0:13:15.440 --> 0:13:16.080
<v Speaker 4>with the Winings.

0:13:17.160 --> 0:13:17.800
<v Speaker 1>I didn't know that.

0:13:17.960 --> 0:13:19.400
<v Speaker 4>Oh yeah, he started playing bass with the one and

0:13:19.440 --> 0:13:21.320
<v Speaker 4>he was singing with him a little bit too right,

0:13:21.400 --> 0:13:24.280
<v Speaker 4>and so he said, hey, man, listen, just hold up, man.

0:13:24.640 --> 0:13:26.280
<v Speaker 4>You know we're gonna do We know we're gonna do something.

0:13:27.240 --> 0:13:30.319
<v Speaker 4>So Keith and Carr was singing in the group and

0:13:30.400 --> 0:13:32.080
<v Speaker 4>they did something in high school as well. I'm gonna

0:13:32.120 --> 0:13:36.040
<v Speaker 4>let him tell that. But I started singing with them, okay,

0:13:36.200 --> 0:13:38.200
<v Speaker 4>And I said, when I started singing with them, guys,

0:13:38.280 --> 0:13:39.800
<v Speaker 4>I was like, we started singing around the city.

0:13:39.800 --> 0:13:41.079
<v Speaker 3>I was like, oh man, they're gonna be like the

0:13:41.160 --> 0:13:44.040
<v Speaker 3>New Winings, or they're gonna be like the Winings. I said, man,

0:13:44.160 --> 0:13:46.200
<v Speaker 3>I can't wake to Fred. I can't wait to Fred

0:13:46.280 --> 0:13:48.120
<v Speaker 3>get in this. Yeah, And they was like, who is Fred?

0:13:48.200 --> 0:13:49.640
<v Speaker 3>I said, you know Fred, you know she's singing with

0:13:49.720 --> 0:13:53.040
<v Speaker 3>me and safe, he said, And I knew it. I

0:13:53.080 --> 0:13:54.960
<v Speaker 3>didn't even ask him could he be in it? Because

0:13:54.960 --> 0:13:57.040
<v Speaker 3>I knew you know what I'm saying. Because because I

0:13:57.120 --> 0:14:00.120
<v Speaker 3>knew and Fred was gonna be together, we got God

0:14:00.400 --> 0:14:01.000
<v Speaker 3>was gonna be together.

0:14:01.400 --> 0:14:03.160
<v Speaker 4>So when I said, you know, man, I can't wait

0:14:03.200 --> 0:14:04.920
<v Speaker 4>till Fred getting this, they said, oh yeah. So when

0:14:05.080 --> 0:14:07.920
<v Speaker 4>Creid came and he heard the band, the band wasn't

0:14:07.960 --> 0:14:08.360
<v Speaker 4>real good.

0:14:09.040 --> 0:14:09.640
<v Speaker 3>It was okay.

0:14:10.200 --> 0:14:14.240
<v Speaker 4>But Fred had a group called the Unit Michael Brooks,

0:14:14.920 --> 0:14:19.000
<v Speaker 4>Michael Williams, Wow, Mike Right, and Fred and they used

0:14:19.000 --> 0:14:19.440
<v Speaker 4>to play.

0:14:19.320 --> 0:14:22.400
<v Speaker 3>Around the city, you know, weddings and things like that.

0:14:22.960 --> 0:14:25.920
<v Speaker 3>So Fred kind of connected the band together. And I

0:14:25.960 --> 0:14:28.200
<v Speaker 3>remember the first time we sang Michael Brooks came and

0:14:28.320 --> 0:14:31.280
<v Speaker 3>played the song called the City, and we learned it. Man,

0:14:31.360 --> 0:14:34.520
<v Speaker 3>when we sang it's a city in the distance, we

0:14:34.560 --> 0:14:36.440
<v Speaker 3>couldn't even finish. Man, we ran out of there, like

0:14:39.480 --> 0:14:41.320
<v Speaker 3>right in the world, right in the world. So we

0:14:41.440 --> 0:14:44.520
<v Speaker 3>knew it was something that God put together. You know

0:14:44.560 --> 0:14:46.560
<v Speaker 3>what I'm saying. We all That's why I say at

0:14:46.560 --> 0:14:49.400
<v Speaker 3>the beginning, I'm glad everybody answered the call, because if

0:14:49.400 --> 0:14:51.560
<v Speaker 3>everybody didn't answer the call wouldn't be no commission.

0:14:52.040 --> 0:14:55.400
<v Speaker 4>So even in the word commission. I remember when Fred

0:14:55.520 --> 0:14:57.320
<v Speaker 4>we was talking one day and he said, Man, we

0:14:57.400 --> 0:15:00.520
<v Speaker 4>got to think of a name. I said, He said, uh,

0:15:01.280 --> 0:15:03.160
<v Speaker 4>you know, we commission office. You cause we went to

0:15:03.200 --> 0:15:06.800
<v Speaker 4>the service together. He said, you like commission offices. I said, hmm,

0:15:07.000 --> 0:15:09.480
<v Speaker 4>that sounded like a good name right there. And then

0:15:09.560 --> 0:15:13.200
<v Speaker 4>the name it says right there. God chosen us and

0:15:13.320 --> 0:15:15.360
<v Speaker 4>he sent us. He's the one put it together.

0:15:16.240 --> 0:15:19.240
<v Speaker 3>And man, we from then on, Man, we just went

0:15:19.320 --> 0:15:22.640
<v Speaker 3>around the city, went around the world, and just began

0:15:22.760 --> 0:15:24.200
<v Speaker 3>to share the love of God. Man, it was been

0:15:24.240 --> 0:15:26.840
<v Speaker 3>a blessing ever since. I'm let Carl finish that.

0:15:27.040 --> 0:15:31.160
<v Speaker 2>Yeah, I don't know what else. No, my experience was

0:15:31.160 --> 0:15:33.240
<v Speaker 2>the same church, singing to church. Keith and I went

0:15:33.240 --> 0:15:35.560
<v Speaker 2>to the same church. I mean we were friends as

0:15:35.840 --> 0:15:39.080
<v Speaker 2>as almost like toddlers of Bethlehem Temple. And so when

0:15:39.120 --> 0:15:41.320
<v Speaker 2>his dad started the church, my family means to help

0:15:41.800 --> 0:15:45.200
<v Speaker 2>start the church with him. But uh, in high school,

0:15:45.440 --> 0:15:47.040
<v Speaker 2>you know, I was in the glee club, singing and stuff,

0:15:47.080 --> 0:15:50.680
<v Speaker 2>and then we were singing church. So one day after service,

0:15:51.880 --> 0:15:54.160
<v Speaker 2>we stood around the piano and started singing, and I'm like,

0:15:54.280 --> 0:15:56.560
<v Speaker 2>kid man, we should start a crew. You know, let's

0:15:56.640 --> 0:15:59.240
<v Speaker 2>do that. Cause my cousin played like classic piano, so

0:15:59.320 --> 0:16:01.600
<v Speaker 2>he was playing and so we started singing songs. So

0:16:01.640 --> 0:16:05.200
<v Speaker 2>we would sing Andrew Kraut songs, stuff like that. And

0:16:05.240 --> 0:16:07.600
<v Speaker 2>the next thing, you know, we started the group Sounds

0:16:07.640 --> 0:16:10.880
<v Speaker 2>of Joy, and we were trying to get his brother joined,

0:16:10.960 --> 0:16:12.720
<v Speaker 2>but his brother wanted to do preaching, so he didn't.

0:16:12.760 --> 0:16:15.120
<v Speaker 2>You know, preaches either got to sing or they got

0:16:15.160 --> 0:16:17.440
<v Speaker 2>to preach, and so he preached, Oh, you can't do both.

0:16:18.080 --> 0:16:19.720
<v Speaker 2>You can do both, but it's not gonna work for you.

0:16:20.480 --> 0:16:22.440
<v Speaker 2>You gotta go a whole hog one way or another.

0:16:22.600 --> 0:16:24.040
<v Speaker 1>And so he went preaching.

0:16:24.560 --> 0:16:29.400
<v Speaker 2>So Keith was auditioning for a group called Blessed and

0:16:29.600 --> 0:16:32.080
<v Speaker 2>Mitchell went to the rehearsal, and when he went to

0:16:32.120 --> 0:16:35.080
<v Speaker 2>the rehearsal, he was hearing Keith singing. He's like like, man,

0:16:35.120 --> 0:16:37.240
<v Speaker 2>you can really sing. And he's like, man, we got

0:16:37.280 --> 0:16:39.160
<v Speaker 2>a group called Sounds. Joey should come check us out.

0:16:39.680 --> 0:16:42.480
<v Speaker 2>And so Mitchell came over. Now, mind you, I knew

0:16:42.520 --> 0:16:45.160
<v Speaker 2>Mitchell from high school and seeing him at church. So

0:16:45.280 --> 0:16:49.040
<v Speaker 2>it was high school and church for us. Fred, Michael Williams,

0:16:49.080 --> 0:16:51.800
<v Speaker 2>all those guys, and so he invited him to warn

0:16:51.800 --> 0:16:54.080
<v Speaker 2>our rehearsals. So Mitchell came in, he listened to us

0:16:54.400 --> 0:16:58.120
<v Speaker 2>and then everybody's noble. Mitchell plays and writes songs, so

0:16:58.200 --> 0:16:59.640
<v Speaker 2>he sat on the panther to sing this. So he

0:16:59.680 --> 0:17:03.800
<v Speaker 2>started playing and me and Keith started singing. The party

0:17:03.880 --> 0:17:07.159
<v Speaker 2>gave us and we was like, oh my god, Mitchell,

0:17:07.240 --> 0:17:08.600
<v Speaker 2>do you want to be with us? And he's like,

0:17:09.080 --> 0:17:13.520
<v Speaker 2>oh yeah, playing And they said, man, I can't wait

0:17:13.600 --> 0:17:16.440
<v Speaker 2>to Fred get in here. We're like, Fred, yeah, that'd

0:17:16.480 --> 0:17:19.480
<v Speaker 2>be the fourth got cool. Cool. So from that point

0:17:19.640 --> 0:17:22.560
<v Speaker 2>Mitchell was a liaison to get us connected with Fred.

0:17:22.760 --> 0:17:24.760
<v Speaker 2>Fred hooks us up with the unit, and that's what

0:17:24.800 --> 0:17:28.480
<v Speaker 2>what commission was. Those seven guys started the group Commission

0:17:28.920 --> 0:17:32.920
<v Speaker 2>back in nineteen eighty two, eighty two. Now, I know

0:17:32.960 --> 0:17:34.840
<v Speaker 2>some of y'all probably wasn't born in but that's how

0:17:34.920 --> 0:17:39.520
<v Speaker 2>long it was we saw doing what were doing. I

0:17:39.720 --> 0:17:45.560
<v Speaker 2>was I was six, but that's how long ago it was.

0:17:45.640 --> 0:17:49.680
<v Speaker 2>And so we started pursuing to get a manager right,

0:17:50.040 --> 0:17:53.240
<v Speaker 2>and we had some crazy experiences getting the managers and

0:17:53.600 --> 0:17:57.159
<v Speaker 2>working doing gigs, putting money together and get in the

0:17:57.200 --> 0:17:58.960
<v Speaker 2>studio because that was the goal. We got to get

0:17:58.960 --> 0:18:00.760
<v Speaker 2>in the studio and do a record. We got to

0:18:00.760 --> 0:18:01.400
<v Speaker 2>get a manager.

0:18:01.920 --> 0:18:02.199
<v Speaker 3>And so.

0:18:04.320 --> 0:18:08.119
<v Speaker 2>Fred knew the Winings manager, Derrick Dirkson, and so he

0:18:08.160 --> 0:18:10.040
<v Speaker 2>went to say, man, would you like the manager? He's like,

0:18:10.400 --> 0:18:13.960
<v Speaker 2>I'm managing the winers, Why would I manage y'all? So

0:18:14.160 --> 0:18:16.160
<v Speaker 2>he said, he gave him a note, but we kept going.

0:18:16.280 --> 0:18:18.040
<v Speaker 2>We met some other managers. Didn't turn out to be that.

0:18:18.720 --> 0:18:21.680
<v Speaker 2>It was probably maybe two months later he was dismissed

0:18:22.080 --> 0:18:25.600
<v Speaker 2>from the Winings and he put that phone call in said, hey,

0:18:25.720 --> 0:18:28.359
<v Speaker 2>listen you guys, STI elevate on. He's like, yeah, I

0:18:28.520 --> 0:18:31.280
<v Speaker 2>guarantee you. I'll get you a record deal, just give

0:18:31.320 --> 0:18:34.919
<v Speaker 2>me two weeks. Sure enough, two weeks later he had

0:18:34.960 --> 0:18:38.880
<v Speaker 2>a record deal with Light Records, went through Larry Strauss,

0:18:39.119 --> 0:18:43.040
<v Speaker 2>and they gave us a lease agreement, right, which ain't

0:18:43.080 --> 0:18:45.760
<v Speaker 2>a record deal. It's just if this one works, y'all

0:18:45.840 --> 0:18:48.160
<v Speaker 2>get some more on. So we put that one out.

0:18:48.240 --> 0:18:53.160
<v Speaker 2>I'm Going On came out July thirteenth, nineteen eighty five,

0:18:53.760 --> 0:18:56.400
<v Speaker 2>hit on the radio like were on the radio, were

0:18:56.480 --> 0:18:58.960
<v Speaker 2>on the radio. Plan I'm going on next thing, you know,

0:18:59.040 --> 0:19:01.840
<v Speaker 2>But that's three years. That's three years. It took us

0:19:01.920 --> 0:19:06.040
<v Speaker 2>three years to get from meeting, rehearsing together, getting to

0:19:06.080 --> 0:19:09.840
<v Speaker 2>know everybody, meeting the manager, and getting a record deal.

0:19:10.840 --> 0:19:12.880
<v Speaker 2>That was three years July thirteenth, you know, you don't

0:19:12.880 --> 0:19:16.200
<v Speaker 2>forget those dates, and then we the rest is history,

0:19:16.280 --> 0:19:19.040
<v Speaker 2>man song after song. So they came back maybe six

0:19:19.080 --> 0:19:20.680
<v Speaker 2>months later and said, listen, we want to sign y'all

0:19:20.720 --> 0:19:23.760
<v Speaker 2>to a real contract. Can we get four more options?

0:19:24.240 --> 0:19:25.840
<v Speaker 3>And we was like four more?

0:19:26.520 --> 0:19:29.440
<v Speaker 2>Oh yeah, So we signed for four more with that

0:19:29.640 --> 0:19:33.760
<v Speaker 2>Light Records. So we did actually just six with the

0:19:34.160 --> 0:19:34.760
<v Speaker 2>Light Records.

0:19:35.480 --> 0:19:37.399
<v Speaker 1>They put they gave six options, they gave us.

0:19:38.080 --> 0:19:40.000
<v Speaker 2>We did the one and it gave us five more. Yeah.

0:19:41.160 --> 0:19:46.280
<v Speaker 5>In the in the gospel world, yes, the business side

0:19:46.320 --> 0:19:50.080
<v Speaker 5>of it, How different is it from the R and

0:19:50.200 --> 0:19:52.080
<v Speaker 5>B side? I mean, I mean, obviously you guys have

0:19:52.119 --> 0:19:53.960
<v Speaker 5>always done gospel. But I'm saying as far as just

0:19:55.680 --> 0:19:57.480
<v Speaker 5>the points structure, the money structure is.

0:19:57.640 --> 0:19:58.080
<v Speaker 3>Like, is it.

0:20:00.200 --> 0:20:02.720
<v Speaker 1>Better? Is it worse? Is it like? Did y'all make

0:20:02.760 --> 0:20:05.119
<v Speaker 1>some real money off of you know, these first deals

0:20:05.280 --> 0:20:06.240
<v Speaker 1>or how does that go?

0:20:06.520 --> 0:20:07.639
<v Speaker 2>Absolutely? No?

0:20:09.280 --> 0:20:12.520
<v Speaker 1>Right, okay, okay, so doing it for the Lord, doing

0:20:12.520 --> 0:20:12.960
<v Speaker 1>it for the Lord.

0:20:13.200 --> 0:20:13.840
<v Speaker 3>Absolutely.

0:20:16.840 --> 0:20:18.840
<v Speaker 2>It's a world of difference in the gospel than it is.

0:20:18.880 --> 0:20:22.720
<v Speaker 2>The budgets are a lot bigger, even how they do radio.

0:20:22.880 --> 0:20:25.080
<v Speaker 2>Everything is different in gospel than when they do it

0:20:25.119 --> 0:20:25.880
<v Speaker 2>in the secular radio.

0:20:25.920 --> 0:20:28.480
<v Speaker 1>As far as so it's bigger in gospel, you said

0:20:28.480 --> 0:20:31.760
<v Speaker 1>it's bigger in R and B always way bigger than RB.

0:20:32.200 --> 0:20:35.439
<v Speaker 2>You know everybody's once we got going, we really want, man,

0:20:35.480 --> 0:20:37.600
<v Speaker 2>we really want to get a secular deal because they

0:20:37.640 --> 0:20:39.960
<v Speaker 2>got the budgets, they got the marketing. Oh that's a

0:20:40.000 --> 0:20:40.480
<v Speaker 2>different world.

0:20:40.560 --> 0:20:43.159
<v Speaker 1>So if you remember, do you remember what y'all signed for?

0:20:44.760 --> 0:20:47.040
<v Speaker 2>What we signed for. Yeah, we didn't get nothing. We

0:20:47.200 --> 0:20:50.960
<v Speaker 2>just signed huh, we got nothing. We just signed for

0:20:51.040 --> 0:20:55.119
<v Speaker 2>the more options period. I think our first but not

0:20:55.240 --> 0:20:58.160
<v Speaker 2>more money, No, I think I think probably our first

0:20:58.200 --> 0:21:01.600
<v Speaker 2>budget may have been like twenty five thousand, maybe.

0:21:01.600 --> 0:21:04.399
<v Speaker 1>To make the record to finish y'all to eat for everything.

0:21:04.560 --> 0:21:07.680
<v Speaker 2>Yeah, yeah, because in gospel you only make your money

0:21:07.720 --> 0:21:11.800
<v Speaker 2>if you travel Rodney road money. You know, the budgets

0:21:11.800 --> 0:21:13.760
<v Speaker 2>for marketing and all that stuff for radio and everything.

0:21:14.000 --> 0:21:18.200
<v Speaker 2>It's nowhere near secular, right, So we just had to

0:21:18.280 --> 0:21:22.440
<v Speaker 2>go with the flow. And you know, to answer your question,

0:21:22.560 --> 0:21:25.600
<v Speaker 2>my friend, absolutely not. You had to keep your day

0:21:25.680 --> 0:21:26.920
<v Speaker 2>job to sing.

0:21:27.520 --> 0:21:29.400
<v Speaker 1>And that's the part. So it's like the old NBA

0:21:29.560 --> 0:21:33.040
<v Speaker 1>days and I didn't score forty, you still have to

0:21:33.080 --> 0:21:33.800
<v Speaker 1>go be a fireman.

0:21:33.960 --> 0:21:39.320
<v Speaker 3>That's that's the part that bothered me, you know so

0:21:39.480 --> 0:21:44.000
<v Speaker 3>much when I was in gospel about the industry is

0:21:44.080 --> 0:21:47.320
<v Speaker 3>because you know I was, I was kind of dabbling

0:21:47.359 --> 0:21:49.240
<v Speaker 3>in the R and B as a writer and a producer.

0:21:49.960 --> 0:21:54.359
<v Speaker 1>But you know, we had our group called Psalms.

0:21:54.880 --> 0:22:01.080
<v Speaker 3>Yeah everything y'all been saying, it's all things I've seen

0:22:01.160 --> 0:22:06.000
<v Speaker 3>the Bible, bless say Psalms. It's all in some way,

0:22:07.760 --> 0:22:10.120
<v Speaker 3>it's got some fire with related to the church offer.

0:22:13.000 --> 0:22:18.480
<v Speaker 3>So rout one, I just I went into this space

0:22:18.520 --> 0:22:22.000
<v Speaker 3>where like and I told this story before, where I

0:22:22.040 --> 0:22:26.120
<v Speaker 3>went and saw I went and saw immature perform when

0:22:26.160 --> 0:22:29.159
<v Speaker 3>I was writing and producing for this girls group and

0:22:30.359 --> 0:22:31.960
<v Speaker 3>and at that time we had the hottest group in

0:22:32.000 --> 0:22:33.800
<v Speaker 3>the city with DC Maryland Virginia.

0:22:33.880 --> 0:22:34.199
<v Speaker 2>Like we were.

0:22:34.320 --> 0:22:39.199
<v Speaker 1>We were the guys, right, and.

0:22:41.440 --> 0:22:44.480
<v Speaker 3>You know, I thought we were doing something as we would,

0:22:44.560 --> 0:22:47.280
<v Speaker 3>you know, kind of set up our mics and sing

0:22:47.400 --> 0:22:50.159
<v Speaker 3>our songs and have our band playing. I thought we

0:22:50.280 --> 0:22:52.840
<v Speaker 3>were We're doing something, I thought. I thought we weren't.

0:22:54.000 --> 0:22:58.760
<v Speaker 3>And I watched immature, three little kids put on a

0:22:59.000 --> 0:23:03.560
<v Speaker 3>show in an arena. I watched them go crazy. I'm

0:23:03.560 --> 0:23:07.560
<v Speaker 3>watching the musicians. I'm like, those are church guys. I'm

0:23:07.680 --> 0:23:10.680
<v Speaker 3>listening to the tracks play, I'm hearing the effects the back.

0:23:10.760 --> 0:23:14.960
<v Speaker 3>I'm like, what is that he's playing? The MP secret you.

0:23:15.400 --> 0:23:16.920
<v Speaker 1>You guys are the first guys I saw do that though,

0:23:17.200 --> 0:23:18.159
<v Speaker 1>But I'm watching.

0:23:18.200 --> 0:23:22.680
<v Speaker 3>I'm like, and I thought to myself, I was like,

0:23:23.160 --> 0:23:25.920
<v Speaker 3>with with with this, with this amazing message that we have,

0:23:26.880 --> 0:23:30.600
<v Speaker 3>right and and we're such a great singers, we wouldn't

0:23:30.600 --> 0:23:33.720
<v Speaker 3>be able to follow these three little kids because we're

0:23:33.800 --> 0:23:38.639
<v Speaker 3>missing something. Why can't we be as Why can't we

0:23:38.760 --> 0:23:41.159
<v Speaker 3>have as much show for God as they have for

0:23:41.400 --> 0:23:42.399
<v Speaker 3>whoever they have it for?

0:23:54.760 --> 0:23:57.399
<v Speaker 1>Why can't we? And I was on a mission.

0:23:58.119 --> 0:24:01.960
<v Speaker 3>I had dancers, I had lights, I had the tracks,

0:24:02.080 --> 0:24:05.680
<v Speaker 3>I had everything, and the church couldn't handle the power

0:24:05.800 --> 0:24:06.800
<v Speaker 3>and the power went out.

0:24:12.880 --> 0:24:15.159
<v Speaker 1>It was like we was coming out and everybody was

0:24:15.240 --> 0:24:22.520
<v Speaker 1>like everybody couldn't believe what was happening? Is alot?

0:24:22.600 --> 0:24:25.840
<v Speaker 3>Like you smelled something bad. It was bad, and so

0:24:26.000 --> 0:24:27.920
<v Speaker 3>we you know, we gotta I gotta get on the piano.

0:24:28.000 --> 0:24:30.359
<v Speaker 3>We gotta just finish it out and just you know.

0:24:31.400 --> 0:24:34.960
<v Speaker 3>And in my mind, I'm like, okay, okay, that just

0:24:35.080 --> 0:24:38.479
<v Speaker 3>means we have work to do. But in everybody else's

0:24:38.560 --> 0:24:42.399
<v Speaker 3>mind it was, no, that's not of God. And I'm like,

0:24:44.080 --> 0:24:47.920
<v Speaker 3>how does something being difficult become not of God? Like

0:24:47.960 --> 0:24:50.680
<v Speaker 3>how does that work? Like this is our first time

0:24:50.800 --> 0:24:53.000
<v Speaker 3>doing this, and this is you know, all that dancing

0:24:53.080 --> 0:24:55.480
<v Speaker 3>and all that outfitting and showbolding. I said, it's not

0:24:55.560 --> 0:24:57.719
<v Speaker 3>show bolding. These are the gifts he gave us, gave us.

0:24:58.359 --> 0:25:01.360
<v Speaker 3>I'm trying to use my gifts to the acts for him.

0:25:01.560 --> 0:25:05.760
<v Speaker 3>What is wrong with that? And and I got kicked

0:25:05.800 --> 0:25:07.720
<v Speaker 3>out of that group, not kick, maybe they left me

0:25:07.840 --> 0:25:09.520
<v Speaker 3>in the group. And I was in the group by

0:25:09.560 --> 0:25:16.560
<v Speaker 3>myself at that, you know, because I really had but

0:25:16.920 --> 0:25:19.520
<v Speaker 3>I had a desire to do something big for God,

0:25:20.560 --> 0:25:23.960
<v Speaker 3>and everywhere I went, nobody wanted to do that. So

0:25:24.080 --> 0:25:25.800
<v Speaker 3>I started dabbling R and B where I knew they

0:25:25.800 --> 0:25:29.680
<v Speaker 3>wanted to do big things and outcomes. Kirk Franklin would

0:25:29.720 --> 0:25:35.399
<v Speaker 3>stomp and I'm pissed. I'm up at arms. I told you,

0:25:37.680 --> 0:25:38.439
<v Speaker 3>I told you.

0:25:41.640 --> 0:25:45.400
<v Speaker 1>That we can celebrate God as big as we want.

0:25:46.240 --> 0:25:49.040
<v Speaker 1>That's right, but it comes down to the money.

0:25:49.960 --> 0:25:52.399
<v Speaker 3>But what I'm saying is that, what I'm saying is

0:25:52.440 --> 0:25:56.159
<v Speaker 3>that and it all comes down to consumer right, consumption right,

0:25:56.280 --> 0:25:58.520
<v Speaker 3>and how many people who's consuming the product and how

0:25:58.600 --> 0:26:01.000
<v Speaker 3>many people are consuming and that kind of dictates the

0:26:01.080 --> 0:26:03.600
<v Speaker 3>market right. But I just felt like, I'm just giving

0:26:03.640 --> 0:26:05.600
<v Speaker 3>you my my path. I just felt like with such

0:26:05.640 --> 0:26:09.240
<v Speaker 3>a powerful message, they they should. There should be millions

0:26:09.280 --> 0:26:12.679
<v Speaker 3>for marketing, there should be hundreds of thousands for budget.

0:26:12.720 --> 0:26:15.000
<v Speaker 3>You know what I'm saying. It's just my thinking because

0:26:15.080 --> 0:26:18.879
<v Speaker 3>of what we're representing, and it just wasn't the case

0:26:19.520 --> 0:26:24.000
<v Speaker 3>even now now that they've seen we're breakout artists like

0:26:24.040 --> 0:26:27.280
<v Speaker 3>a Mary Mary, you know what I mean, tight tript

0:26:27.600 --> 0:26:29.240
<v Speaker 3>all these breakout moments.

0:26:29.320 --> 0:26:33.160
<v Speaker 1>You see that it's possible, you see it. They're doing

0:26:33.280 --> 0:26:38.159
<v Speaker 1>arenas they're doing. I don't know.

0:26:38.760 --> 0:26:42.119
<v Speaker 3>I get, I get, I get passionate, Yeah, because I

0:26:42.280 --> 0:26:45.320
<v Speaker 3>just you know, I don't know, but those budgets are

0:26:45.359 --> 0:26:46.440
<v Speaker 3>so different, and I just don't.

0:26:46.520 --> 0:26:46.840
<v Speaker 1>I don't.

0:26:46.920 --> 0:26:50.359
<v Speaker 3>I don't think. I don't think that it's fair. No,

0:26:51.080 --> 0:26:53.040
<v Speaker 3>I don't think you should give up though. You know,

0:26:53.160 --> 0:26:56.000
<v Speaker 3>for people that's coming up in the music, when they

0:26:56.080 --> 0:26:59.199
<v Speaker 3>have a dream, you know, a vision and what they

0:26:59.280 --> 0:27:01.200
<v Speaker 3>feel God when I'm do, don't stop.

0:27:01.280 --> 0:27:02.800
<v Speaker 4>You know what I'm saying, Just because you had you've

0:27:02.840 --> 0:27:06.000
<v Speaker 4>been discouraged, you might be discouraged by the people that

0:27:06.080 --> 0:27:06.680
<v Speaker 4>don't accept it.

0:27:07.000 --> 0:27:08.119
<v Speaker 3>You got to keep on pushing it.

0:27:08.200 --> 0:27:08.320
<v Speaker 2>You know.

0:27:08.400 --> 0:27:10.240
<v Speaker 4>That's why Kirk Franklyn come out. I'm pretty sure he

0:27:10.359 --> 0:27:13.359
<v Speaker 4>got rid cue for some things he did commission. When

0:27:13.359 --> 0:27:15.440
<v Speaker 4>we first started and they were talking about, man, that

0:27:15.480 --> 0:27:17.960
<v Speaker 4>ain't gonna work, but we kept going. We didn't stop.

0:27:18.200 --> 0:27:21.560
<v Speaker 4>And I think for anybody's coming into the gospel, don't stop,

0:27:21.720 --> 0:27:24.720
<v Speaker 4>you know, keep going and find some support, find somebody

0:27:24.840 --> 0:27:25.879
<v Speaker 4>to misupport you.

0:27:26.240 --> 0:27:28.439
<v Speaker 3>I think that's more of a testament of you guys

0:27:28.520 --> 0:27:33.120
<v Speaker 3>being able to break through without having the same resources

0:27:33.359 --> 0:27:36.200
<v Speaker 3>needed to do such a thing. Like y'all were really

0:27:36.800 --> 0:27:40.480
<v Speaker 3>y'all were really in the streets with this music, like

0:27:40.720 --> 0:27:44.040
<v Speaker 3>church to church, door to door. Like I saw you

0:27:44.119 --> 0:27:50.080
<v Speaker 3>guys at evangel Church, Central Avenue, okay, kid, and I'm

0:27:50.200 --> 0:27:53.919
<v Speaker 3>just like, I'm trying to worship God and not worship

0:27:54.000 --> 0:27:56.800
<v Speaker 3>you guys. But I'm like they look like.

0:27:56.800 --> 0:28:00.919
<v Speaker 1>This is like for Jesus, Jesus.

0:28:02.760 --> 0:28:03.080
<v Speaker 3>But see.

0:28:03.160 --> 0:28:07.440
<v Speaker 2>But see, what what you probably recognized was is that

0:28:08.880 --> 0:28:10.639
<v Speaker 2>you were the person that we were doing that for.

0:28:11.400 --> 0:28:15.240
<v Speaker 2>Because we didn't get to support like the quartet or

0:28:15.320 --> 0:28:18.000
<v Speaker 2>the choir the stuff like that. We had a purpose

0:28:18.040 --> 0:28:19.840
<v Speaker 2>in our hearts that we were gonna do it. Because

0:28:20.520 --> 0:28:23.400
<v Speaker 2>we didn't have to just do quartet. We could give

0:28:23.600 --> 0:28:25.920
<v Speaker 2>music to where if a person just came out of

0:28:25.920 --> 0:28:28.360
<v Speaker 2>the street and wanted to come to church, they could

0:28:28.359 --> 0:28:32.320
<v Speaker 2>hear our music and Saya waite that gospel that relates

0:28:32.359 --> 0:28:35.560
<v Speaker 2>to me, you know, feel that that relates to me.

0:28:35.680 --> 0:28:38.240
<v Speaker 2>And so what we did was if they were playing

0:28:38.440 --> 0:28:41.760
<v Speaker 2>the profit on stage, we wanted the profit on stage.

0:28:42.200 --> 0:28:44.320
<v Speaker 2>If they had the DX seven, we want DX seven

0:28:44.480 --> 0:28:49.400
<v Speaker 2>back in the day. If they had lights, we got lights.

0:28:50.120 --> 0:28:52.960
<v Speaker 2>If they had smoke, we're gonna do smoke. And we

0:28:53.120 --> 0:28:55.840
<v Speaker 2>did our first concert and we had smoke, lights, glitter,

0:28:56.320 --> 0:28:57.920
<v Speaker 2>you name it. We had because we felt like we.

0:28:57.960 --> 0:29:00.080
<v Speaker 5>Had to be excellent for God the power and go

0:29:00.120 --> 0:29:02.040
<v Speaker 5>out on y'all. Though the power didn't go out because

0:29:02.040 --> 0:29:06.000
<v Speaker 5>we were an older church. This is why they're commissioning.

0:29:07.760 --> 0:29:11.720
<v Speaker 5>Why are you doing R and B now, Well.

0:29:11.600 --> 0:29:13.320
<v Speaker 2>We didn't do that at church. And see what we did.

0:29:16.400 --> 0:29:18.280
<v Speaker 2>We had we had to go to the venues and

0:29:18.640 --> 0:29:21.360
<v Speaker 2>had the power for us and you sell tickets and

0:29:21.920 --> 0:29:24.360
<v Speaker 2>sometimes we did venues and they were selling alcohol in

0:29:24.480 --> 0:29:27.560
<v Speaker 2>the in the Vestibu or whatever like Fox Theater, places

0:29:27.680 --> 0:29:31.400
<v Speaker 2>like that State Theater. We wanted to be there because

0:29:31.440 --> 0:29:34.440
<v Speaker 2>we thought that gospel people deserve to have the best.

0:29:35.400 --> 0:29:37.800
<v Speaker 1>And so we yeah, I took it outside of the church.

0:29:37.840 --> 0:29:40.880
<v Speaker 2>We took it outside the church. Wherever they have in concerts,

0:29:41.120 --> 0:29:42.360
<v Speaker 2>that's where we want to have a concerts.

0:29:42.680 --> 0:29:44.720
<v Speaker 1>Oh wow, and so it.

0:29:44.960 --> 0:29:47.240
<v Speaker 2>You know, it took a while for the catch on, right.

0:29:47.720 --> 0:29:49.760
<v Speaker 2>You know, when you a trailblazer, and I think we

0:29:49.840 --> 0:29:52.640
<v Speaker 2>trail blazers and somedays first people that went out west

0:29:52.680 --> 0:29:54.160
<v Speaker 2>and get to live and all the good stuff, they

0:29:54.240 --> 0:29:56.760
<v Speaker 2>had to trail blaze a lot of stuff that they're

0:29:56.800 --> 0:30:00.200
<v Speaker 2>doing now riding on tour buses fly in places. Man,

0:30:00.240 --> 0:30:03.840
<v Speaker 2>we were on vans with smoke coming through the bottom

0:30:04.480 --> 0:30:06.760
<v Speaker 2>going to do gigs because we knew we had a purpose.

0:30:07.080 --> 0:30:09.520
<v Speaker 2>We're gonna break this ceiling. We're gonna we're gonna take

0:30:09.600 --> 0:30:12.880
<v Speaker 2>this professional stuff to where it needs to go and

0:30:13.080 --> 0:30:15.760
<v Speaker 2>raise raise the awareness of the people. Y'all. We deserve

0:30:15.880 --> 0:30:19.360
<v Speaker 2>more than just have a church. It's an organ, the

0:30:19.480 --> 0:30:23.200
<v Speaker 2>keyboard won't play, the lights go out. We felt like, man,

0:30:23.240 --> 0:30:25.120
<v Speaker 2>we want to show how much them, like, how much

0:30:25.160 --> 0:30:26.720
<v Speaker 2>to do does it cost to bring the trust in

0:30:26.840 --> 0:30:29.000
<v Speaker 2>for lights? Oh, that's coming to be, bring it in,

0:30:29.120 --> 0:30:31.080
<v Speaker 2>give them two more thousand and bringing in. And that's

0:30:31.080 --> 0:30:33.160
<v Speaker 2>what we aspired to. It took us a while to

0:30:33.240 --> 0:30:35.880
<v Speaker 2>get it going, but after a while it started catching on,

0:30:36.120 --> 0:30:38.280
<v Speaker 2>not just for us, but it started catching on for

0:30:38.360 --> 0:30:41.560
<v Speaker 2>other people and they started wanting the same thing because

0:30:41.600 --> 0:30:43.720
<v Speaker 2>they saw us do it. We probably didn't get paid

0:30:43.760 --> 0:30:48.120
<v Speaker 2>that night, right, but they saw a show, so they

0:30:48.240 --> 0:30:50.760
<v Speaker 2>went home and said, man, I'm going to the next one.

0:30:51.000 --> 0:30:53.080
<v Speaker 2>So we were building something, and it takes a while

0:30:53.080 --> 0:30:54.920
<v Speaker 2>to build something, and that's what we did. We took up.

0:30:55.000 --> 0:30:57.520
<v Speaker 2>We took our time building something, and it's where if

0:30:57.520 --> 0:31:00.200
<v Speaker 2>you see people doing stuff now. They were the first

0:31:00.280 --> 0:31:03.840
<v Speaker 2>ons did that back in the eighties and maybe not

0:31:04.000 --> 0:31:06.080
<v Speaker 2>sorry if that we had to suffer, but somebody got

0:31:06.200 --> 0:31:09.760
<v Speaker 2>to somebody else, somebody got in R and bright way,

0:31:09.840 --> 0:31:12.080
<v Speaker 2>somebody had to suffer. We don't get there.

0:31:13.600 --> 0:31:17.560
<v Speaker 3>We know, we know it. You answered my next question

0:31:17.600 --> 0:31:19.160
<v Speaker 3>because it was I was getting ready to go to

0:31:19.280 --> 0:31:25.160
<v Speaker 3>the place where what was behind the design of orchestrating

0:31:25.240 --> 0:31:29.840
<v Speaker 3>the music in such a way, because like for me,

0:31:29.920 --> 0:31:31.880
<v Speaker 3>it was the first time I had heard a first

0:31:31.960 --> 0:31:34.280
<v Speaker 3>person point of view, like you were singing from God's

0:31:34.280 --> 0:31:37.920
<v Speaker 3>point of view, like I am here, you know what

0:31:37.920 --> 0:31:40.440
<v Speaker 3>I'm saying, or you know, in the reverse hold me

0:31:40.760 --> 0:31:43.360
<v Speaker 3>like like you're like you're singing to God. But it's

0:31:43.440 --> 0:31:45.720
<v Speaker 3>like I definitely thought I'm here was an R and

0:31:45.840 --> 0:31:49.560
<v Speaker 3>B jam. Yeah, it's like it's like these are songs.

0:31:49.560 --> 0:31:52.200
<v Speaker 3>These are like let's say you're in a marriage or something,

0:31:52.480 --> 0:31:55.080
<v Speaker 3>you sing these to your wife like or you know,

0:31:55.480 --> 0:31:58.280
<v Speaker 3>like what what made you do that?

0:31:58.840 --> 0:32:00.480
<v Speaker 2>Well? Mitchell is the secular really.

0:32:05.200 --> 0:32:09.280
<v Speaker 4>My partner, uh, part partner of my writer writing partner,

0:32:09.360 --> 0:32:12.200
<v Speaker 4>Park Stewart. Such a phenomenal to me. He's one of

0:32:12.240 --> 0:32:16.560
<v Speaker 4>my top ten writers. Yeah, phenomenal lyricists. I mean number one,

0:32:16.760 --> 0:32:22.960
<v Speaker 4>number one, my number one guy, you know, so yeah,

0:32:23.320 --> 0:32:26.640
<v Speaker 4>not one guy, oh yeah, oh yeah. Phenomenal lyricists man

0:32:26.720 --> 0:32:29.880
<v Speaker 4>and singer too, you know, very melodic.

0:32:30.120 --> 0:32:30.280
<v Speaker 1>You know.

0:32:31.200 --> 0:32:34.640
<v Speaker 3>Sam Cook was this guy, you know, phenomenal, and uh,

0:32:34.880 --> 0:32:35.560
<v Speaker 3>we got together.

0:32:35.680 --> 0:32:35.840
<v Speaker 2>Man.

0:32:36.040 --> 0:32:39.400
<v Speaker 4>I remember somebody somebody was telling, man, you gotta meet Parks.

0:32:40.040 --> 0:32:41.920
<v Speaker 4>You gotta meet Parks man, y'all so much alike.

0:32:42.440 --> 0:32:45.040
<v Speaker 3>And somebody was telling him, you gotta make Mitch. You

0:32:45.080 --> 0:32:48.800
<v Speaker 3>gotta make meet Mitch. So we met, and man, we met.

0:32:48.880 --> 0:32:50.000
<v Speaker 3>We hit it off so well.

0:32:50.200 --> 0:32:50.320
<v Speaker 1>Man.

0:32:50.360 --> 0:32:52.680
<v Speaker 3>I found out that he hoped and I hooped. So

0:32:52.800 --> 0:32:56.920
<v Speaker 3>we did a lot of a lot of things we go.

0:32:57.600 --> 0:32:58.520
<v Speaker 1>Now we got the gospel.

0:33:00.440 --> 0:33:03.240
<v Speaker 6>You know, John used to who things have a hoop

0:33:03.320 --> 0:33:07.080
<v Speaker 6>after the concert and everybody everybody say, who listen, we

0:33:07.160 --> 0:33:11.520
<v Speaker 6>all get you know, a couple of John I'm sure

0:33:12.520 --> 0:33:18.280
<v Speaker 6>you know that's Isaac Isaac to save his life, I

0:33:18.680 --> 0:33:21.800
<v Speaker 6>want to ask him, and that's take six, okay.

0:33:21.960 --> 0:33:23.600
<v Speaker 3>And Brian mcni oh.

0:33:23.600 --> 0:33:34.160
<v Speaker 1>Yeah, he runned it off. What he's saying, ask about me? Yeah?

0:33:35.200 --> 0:33:37.280
<v Speaker 4>And so you know, we hit it off, man, and

0:33:38.160 --> 0:33:40.520
<v Speaker 4>a lot we a lot of things we are in common,

0:33:41.040 --> 0:33:43.800
<v Speaker 4>and so Parks brought I am here to me and uh,

0:33:44.200 --> 0:33:46.280
<v Speaker 4>you know it comes out of our experience with God.

0:33:46.400 --> 0:33:49.440
<v Speaker 4>You know, our relationship with God, and it was more

0:33:49.480 --> 0:33:53.200
<v Speaker 4>than relationship with fellowship. You think about relationship a marriage

0:33:53.280 --> 0:33:56.360
<v Speaker 4>without love, It's no, it's no marriage. You know what

0:33:56.360 --> 0:33:59.040
<v Speaker 4>I'm saying. So you got to have this relationship is

0:33:59.080 --> 0:34:02.600
<v Speaker 4>a love and loverlylationship with God. And God wants to

0:34:02.640 --> 0:34:04.320
<v Speaker 4>share his love with us. He wants us to know

0:34:04.440 --> 0:34:06.520
<v Speaker 4>that he loves us, and he want to love us

0:34:06.560 --> 0:34:08.520
<v Speaker 4>on a personal level. So when we see that kind

0:34:08.560 --> 0:34:11.040
<v Speaker 4>of love coming to us, we say, man, God want

0:34:11.080 --> 0:34:11.719
<v Speaker 4>to share.

0:34:11.480 --> 0:34:12.799
<v Speaker 2>This love with everybody.

0:34:13.320 --> 0:34:16.359
<v Speaker 3>What kind of love is? It's a perfect God love

0:34:16.400 --> 0:34:19.839
<v Speaker 3>and imperfect people perfectly. And that's what commission is all about.

0:34:19.880 --> 0:34:21.880
<v Speaker 3>We want to let everybody know we all, none of

0:34:21.960 --> 0:34:25.000
<v Speaker 3>us are perfect, but this perfect God loves these imperfect

0:34:25.040 --> 0:34:27.520
<v Speaker 3>people perfectly. We want to share that same love. And

0:34:27.600 --> 0:34:31.080
<v Speaker 3>God has uh, he is love. So therefore he's expressing

0:34:31.160 --> 0:34:34.440
<v Speaker 3>himself through us. When we give ourselves to him fully,

0:34:35.640 --> 0:34:37.680
<v Speaker 3>then he has full possession of us. He can have

0:34:37.840 --> 0:34:41.200
<v Speaker 3>full expression through us. God want to tell you how

0:34:41.320 --> 0:34:43.200
<v Speaker 3>much he loves you, So he want to tell us

0:34:43.239 --> 0:34:45.960
<v Speaker 3>all he want to show us all. So we got

0:34:46.000 --> 0:34:48.000
<v Speaker 3>together and wrote them songs man like I am here,

0:34:48.280 --> 0:34:50.720
<v Speaker 3>hold me, you know crying, Let's.

0:34:50.640 --> 0:34:58.680
<v Speaker 1>Let's die, Let's let's starve too fast? I am here.

0:34:58.880 --> 0:35:04.480
<v Speaker 1>Let's start there. We'll start dissecting some things. Did you

0:35:04.640 --> 0:35:12.759
<v Speaker 1>you did this? I was loved that song?

0:35:15.960 --> 0:35:23.160
<v Speaker 3>What was going into the melody? Right? Was it just

0:35:23.320 --> 0:35:27.160
<v Speaker 3>because of the dynamics in your voice that those things

0:35:27.280 --> 0:35:27.680
<v Speaker 3>came out?

0:35:30.080 --> 0:35:35.400
<v Speaker 1>Or was that the melody? That was the melody?

0:35:38.080 --> 0:35:38.720
<v Speaker 2>Mm hmm.

0:35:44.040 --> 0:35:45.080
<v Speaker 3>That that them in there?

0:35:45.360 --> 0:35:46.720
<v Speaker 1>Yeah, that's the melody.

0:35:46.800 --> 0:35:47.160
<v Speaker 3>Oh yeah.

0:35:47.200 --> 0:35:52.640
<v Speaker 4>What's important is as interpretation. Of course, we have to

0:35:52.760 --> 0:35:56.640
<v Speaker 4>write songs where the melody matches the lyrics. You know

0:35:56.680 --> 0:35:59.200
<v Speaker 4>what I'm saying. If we have dark chords, then we

0:35:59.280 --> 0:36:02.040
<v Speaker 4>might want to talk about, you know, situation trouble, different

0:36:02.080 --> 0:36:03.759
<v Speaker 4>situations like that. If it's right, we want to talk

0:36:03.800 --> 0:36:08.520
<v Speaker 4>about joyful situations. So interpretation everything. I give you an example,

0:36:08.600 --> 0:36:11.120
<v Speaker 4>and I don't want to swell nobody, but it's a

0:36:12.800 --> 0:36:14.920
<v Speaker 4>it's a song called uh. I don't want to say that.

0:36:16.280 --> 0:36:17.320
<v Speaker 4>If I'm if I'm.

0:36:18.760 --> 0:36:21.960
<v Speaker 3>Saying I want to fly away, why would I sing

0:36:22.000 --> 0:36:25.960
<v Speaker 3>a melody like I don't want to fly away? No,

0:36:26.120 --> 0:36:28.759
<v Speaker 3>I would say I want to fly away. You see

0:36:28.760 --> 0:36:31.920
<v Speaker 3>what I'm saying, because I'm taking off. So interpretation is everything.

0:36:32.080 --> 0:36:35.000
<v Speaker 3>So when we writing a song, we want to make

0:36:35.040 --> 0:36:38.960
<v Speaker 3>sure not that you hear will hear me, but that

0:36:39.080 --> 0:36:40.960
<v Speaker 3>you hear what I'm saying, because the message is more

0:36:41.000 --> 0:36:42.680
<v Speaker 3>important than me. Of course, you see what I'm saying.

0:36:42.760 --> 0:36:44.600
<v Speaker 3>Sometimes we as sing as we get in the way

0:36:45.080 --> 0:36:49.120
<v Speaker 3>we do too many things. We get distracted by trying

0:36:49.160 --> 0:36:51.120
<v Speaker 3>to get me over rather than the message over me,

0:36:51.520 --> 0:36:53.480
<v Speaker 3>and so parks and now that's that's the way we

0:36:53.600 --> 0:36:55.480
<v Speaker 3>do it. When we're writing, we're trying to find the

0:36:55.560 --> 0:36:57.600
<v Speaker 3>right melody to go with this song. We're trying to

0:36:57.640 --> 0:37:00.319
<v Speaker 3>make sure that the melody is matching the words right.

0:37:00.280 --> 0:37:06.800
<v Speaker 1>And I feel you. But there was subtle difficulties within

0:37:07.000 --> 0:37:07.960
<v Speaker 1>those melodies.

0:37:09.239 --> 0:37:12.640
<v Speaker 3>When you say difficulties, what you mean just just little

0:37:13.320 --> 0:37:16.680
<v Speaker 3>little cliques right, just that fast that were just like

0:37:16.840 --> 0:37:21.000
<v Speaker 3>those tastes, those tasty little more souls. Well, my brother,

0:37:21.239 --> 0:37:23.920
<v Speaker 3>my brother told me, he said, when he introduced me

0:37:23.960 --> 0:37:31.120
<v Speaker 3>to Stevie, Donnie, Michael Jackson and Charlie, he said, listen,

0:37:31.600 --> 0:37:35.560
<v Speaker 3>what you want to do is you want to imitate them.

0:37:36.640 --> 0:37:41.800
<v Speaker 3>First thing is imitate the second thing is assimilate. The

0:37:41.920 --> 0:37:44.560
<v Speaker 3>third thing is master.

0:37:45.840 --> 0:37:48.480
<v Speaker 4>The fourth thing, I'm sorry, the third thing is what

0:37:48.640 --> 0:37:55.480
<v Speaker 4>I say, imitation, simulation, master, and innovation innovator. So when

0:37:55.520 --> 0:37:59.279
<v Speaker 4>you talk about it, well, when you learn those you

0:37:59.360 --> 0:38:01.960
<v Speaker 4>first get it and you try to you know, you're imitating,

0:38:02.000 --> 0:38:06.120
<v Speaker 4>you're taking it in those Michael Jackson, Stevie wanted Donny Hathaway.

0:38:06.200 --> 0:38:08.759
<v Speaker 4>Learning those little things, then you assimilated, you kind of

0:38:09.040 --> 0:38:11.040
<v Speaker 4>perfected a little bit. Then you make it your own.

0:38:11.160 --> 0:38:15.120
<v Speaker 4>You master it, then you become an innovator. Not everybody

0:38:15.480 --> 0:38:16.400
<v Speaker 4>becomes an innovator.

0:38:16.760 --> 0:38:17.120
<v Speaker 1>They don't.

0:38:17.280 --> 0:38:21.400
<v Speaker 4>Some people imitating, They may imitate the next person, the

0:38:21.480 --> 0:38:23.480
<v Speaker 4>next person next, and they never find their style.

0:38:23.960 --> 0:38:25.120
<v Speaker 1>Okay, so let's break it down.

0:38:25.320 --> 0:38:30.439
<v Speaker 3>The crack here. This guy that's Michael is the crack Michael. Well, yeah,

0:38:32.280 --> 0:38:33.960
<v Speaker 3>Stevie do the crack too, Yeah.

0:38:36.239 --> 0:38:37.400
<v Speaker 1>Riding on the rocket.

0:38:41.680 --> 0:38:44.000
<v Speaker 3>Yeah absolutely, absolutely, absolutely, Stevie there too.

0:38:45.480 --> 0:38:47.239
<v Speaker 1>Absolutely, I don't like your attitude.

0:38:49.680 --> 0:38:55.120
<v Speaker 3>Yeah, that's okay, absolutely, And then I know that I

0:38:55.239 --> 0:38:58.400
<v Speaker 3>know the fast switches in the middle are are Stevie

0:38:58.640 --> 0:39:01.200
<v Speaker 3>and Charlie and Donnie and Donnie too. But the but

0:39:01.440 --> 0:39:05.880
<v Speaker 3>but the vibrado is like a mix of Donnie, I

0:39:05.960 --> 0:39:10.040
<v Speaker 3>think in Charlie, Okay, that's what I think.

0:39:10.120 --> 0:39:11.480
<v Speaker 2>Don't leave that King co out of that.

0:39:11.560 --> 0:39:16.640
<v Speaker 1>Now that that is not.

0:39:16.840 --> 0:39:19.040
<v Speaker 3>What that teaches you is the importance of melody and

0:39:19.120 --> 0:39:25.920
<v Speaker 3>tone and articulation. He had phenomenal tone and melody, and

0:39:26.120 --> 0:39:28.480
<v Speaker 3>he would interpret the song right. He wouldn't get in

0:39:28.560 --> 0:39:31.000
<v Speaker 3>the way so that the message. When the message get over,

0:39:31.080 --> 0:39:32.759
<v Speaker 3>we all get over. But when I get over, the

0:39:32.800 --> 0:39:38.080
<v Speaker 3>message get lost. Yeah, so important thing is, and musicians

0:39:38.160 --> 0:39:40.560
<v Speaker 3>do the same thing. They might overplay and play before

0:39:40.600 --> 0:39:43.880
<v Speaker 3>you know it, it's crowded keyboards. Gonna have a spot,

0:39:44.120 --> 0:39:46.759
<v Speaker 3>the base, gonna have a spot, a good time, gonna

0:39:46.760 --> 0:39:48.600
<v Speaker 3>have a spot. But when they all just doing stuff,

0:39:48.600 --> 0:39:50.640
<v Speaker 3>it's all in the way. The message is no longer clear.

0:39:51.239 --> 0:39:55.480
<v Speaker 3>The message gott to be clear and understood. Melody is

0:39:55.520 --> 0:39:59.480
<v Speaker 3>so important. We never lost the message. And even through

0:40:00.640 --> 0:40:05.400
<v Speaker 3>what I would dare to say, the innovative melodic choices

0:40:05.960 --> 0:40:08.759
<v Speaker 3>that you guys made, we never lost them and made

0:40:08.800 --> 0:40:12.239
<v Speaker 3>the message that not much more powerful because it was

0:40:12.360 --> 0:40:14.520
<v Speaker 3>like we were receiving the message in a way we

0:40:14.640 --> 0:40:19.440
<v Speaker 3>hadn't heard it before, which just blew our minds completely.

0:40:20.440 --> 0:40:22.640
<v Speaker 1>And an end from a perspective, we hadn't heard it

0:40:23.000 --> 0:40:25.279
<v Speaker 1>from before. Did you guys have to fight for that?

0:40:26.280 --> 0:40:30.239
<v Speaker 5>As far as creative from a creative standpoint, either with

0:40:30.360 --> 0:40:32.600
<v Speaker 5>the label or even just within the church.

0:40:33.520 --> 0:40:36.600
<v Speaker 2>Almos so much about the label didn't really fight us

0:40:37.280 --> 0:40:39.240
<v Speaker 2>unless they didn't like, you know, you had the session

0:40:39.239 --> 0:40:42.600
<v Speaker 2>sit down, know this song that we're pitching songs. If

0:40:42.600 --> 0:40:45.560
<v Speaker 2>they didn't like a song, it wasn't that they didn't

0:40:45.840 --> 0:40:48.160
<v Speaker 2>don't do it. Don't do the song and maybe go

0:40:48.280 --> 0:40:50.600
<v Speaker 2>back to the table and do something else. And so

0:40:52.080 --> 0:40:55.000
<v Speaker 2>they left the creative stuff to the producers and they

0:40:55.080 --> 0:40:57.960
<v Speaker 2>left the interpretation up to the singers or what we did,

0:40:58.239 --> 0:41:00.800
<v Speaker 2>because it kind of like look, we kind of like

0:41:00.880 --> 0:41:02.880
<v Speaker 2>looked like we know what was doing and we did

0:41:02.960 --> 0:41:04.759
<v Speaker 2>what we did because when we brought something to you

0:41:04.840 --> 0:41:06.880
<v Speaker 2>it was that, but we just sent stayed there. We

0:41:07.040 --> 0:41:12.000
<v Speaker 2>evolved to more and more stuff, you know. So but

0:41:12.120 --> 0:41:13.920
<v Speaker 2>it was like I said, it's a collage of all

0:41:14.000 --> 0:41:17.719
<v Speaker 2>the stuff we heard and then making sure you stick stuff. See,

0:41:17.800 --> 0:41:21.080
<v Speaker 2>discipline singing is hard to do if you don't have

0:41:21.200 --> 0:41:24.640
<v Speaker 2>nobody around you that makes you be disciplined. Mitchell Jones

0:41:24.719 --> 0:41:26.839
<v Speaker 2>is like, do this, non do that, do this, Fred,

0:41:26.880 --> 0:41:28.560
<v Speaker 2>don't do this. Do it, And so you have to

0:41:28.640 --> 0:41:31.000
<v Speaker 2>have a little bit of a challenge because if you

0:41:31.080 --> 0:41:34.520
<v Speaker 2>hang around with mediocre people, you're gonna be some mediocre.

0:41:34.840 --> 0:41:37.719
<v Speaker 2>So you got to have somebody that's gonna challenge and

0:41:38.000 --> 0:41:42.239
<v Speaker 2>pick stuff out. Like I didn't really sing false when

0:41:42.239 --> 0:41:44.560
<v Speaker 2>I was in the first group. I didn't start singing

0:41:44.560 --> 0:41:47.680
<v Speaker 2>false until we started a commission. Now that's all I

0:41:47.760 --> 0:41:50.440
<v Speaker 2>do is sing false. I know I'm singing false. What's

0:41:50.480 --> 0:41:54.040
<v Speaker 2>the thing is? Okay, okay, I'm doing false cruising. So

0:41:54.640 --> 0:41:58.920
<v Speaker 2>it's people have the ability. Talented people have the ability

0:41:59.000 --> 0:42:01.879
<v Speaker 2>to pull stuff out to you. A great producer mintioned,

0:42:01.920 --> 0:42:04.239
<v Speaker 2>a great producer pull stuff out of you you didn't

0:42:04.239 --> 0:42:08.040
<v Speaker 2>think you had, right, So a producer makes a real

0:42:08.160 --> 0:42:11.880
<v Speaker 2>big difference where you're going, how you sound, how you

0:42:12.040 --> 0:42:15.440
<v Speaker 2>evolve into a singer. Yeah, so you got to surround

0:42:15.480 --> 0:42:17.120
<v Speaker 2>yourself with people that challenge you.

0:42:17.239 --> 0:42:17.640
<v Speaker 1>Oh yeah.

0:42:18.080 --> 0:42:20.279
<v Speaker 4>One of the things we Parks and Now would do

0:42:20.880 --> 0:42:27.000
<v Speaker 4>would be like if we sing a verse here, we

0:42:27.200 --> 0:42:30.760
<v Speaker 4>make sure that the next the next line would compliment

0:42:30.840 --> 0:42:33.600
<v Speaker 4>the last line, you know what I'm saying, and then

0:42:33.640 --> 0:42:35.680
<v Speaker 4>the next line will set up the next line so

0:42:35.880 --> 0:42:37.520
<v Speaker 4>that it's going somewhere.

0:42:37.560 --> 0:42:39.920
<v Speaker 1>It's making you great stories feel it.

0:42:40.000 --> 0:42:43.920
<v Speaker 4>Yeah, absolutely, So it's important that each line compliments the

0:42:44.000 --> 0:42:46.759
<v Speaker 4>next line. Just don't sing anything, you know what I'm saying,

0:42:46.800 --> 0:42:49.160
<v Speaker 4>but make sure the melody is right, make sure the

0:42:49.239 --> 0:42:49.879
<v Speaker 4>message is clear.

0:42:50.000 --> 0:42:51.920
<v Speaker 3>We listen back and say is that is that clear enough?

0:42:52.520 --> 0:42:55.080
<v Speaker 3>Is it a better melody? Because when you play a chord,

0:42:55.440 --> 0:42:57.480
<v Speaker 3>there's certain notes in that chord that I can sing.

0:42:58.080 --> 0:43:00.719
<v Speaker 3>It's one melody in there that'll make the chord sent out, Yeah,

0:43:00.920 --> 0:43:02.719
<v Speaker 3>of course, and there's some notes I can sing that

0:43:02.800 --> 0:43:05.239
<v Speaker 3>don't make that because we want to make sure that

0:43:05.680 --> 0:43:08.360
<v Speaker 3>the course, the melody, all that fits so that the

0:43:08.480 --> 0:43:11.960
<v Speaker 3>message become more clear. It kind of like invites you

0:43:12.040 --> 0:43:14.640
<v Speaker 3>more into it. And I think there's a thing that

0:43:15.000 --> 0:43:18.120
<v Speaker 3>that you know you said earlier about presence any vocal,

0:43:18.560 --> 0:43:20.600
<v Speaker 3>they're not having to do a lot if you truly

0:43:20.719 --> 0:43:23.440
<v Speaker 3>have presence, Yeah, within your vocal. Let's get to you,

0:43:23.600 --> 0:43:29.680
<v Speaker 3>carl uh. Secret place? Is that what we're doing? Can

0:43:29.760 --> 0:43:30.239
<v Speaker 3>we go there?

0:43:30.480 --> 0:43:33.040
<v Speaker 1>Can can we talk about that?

0:43:33.200 --> 0:43:34.759
<v Speaker 2>Let's talk about it a little bit.

0:43:35.680 --> 0:43:37.960
<v Speaker 3>We can get ready for just a little bit of

0:43:38.000 --> 0:43:48.360
<v Speaker 3>secret place. Yeah. Yeah, please.

0:43:53.800 --> 0:43:57.560
<v Speaker 2>From the pen of some very good writers. I grew

0:43:57.640 --> 0:43:59.719
<v Speaker 2>up listening to some a lot of different people on

0:43:59.840 --> 0:44:05.960
<v Speaker 2>the favorite singers was Bibby cole Well got got rested,

0:44:06.000 --> 0:44:09.680
<v Speaker 2>so he just passed away. Great singer interpretating and the

0:44:09.760 --> 0:44:12.279
<v Speaker 2>songs and stuff. And uh, I used to all we

0:44:12.760 --> 0:44:14.879
<v Speaker 2>did a lot of Van Riot and stuff. Everybody brought

0:44:14.960 --> 0:44:18.200
<v Speaker 2>their own music. I brought my music. I brought Chicago,

0:44:19.160 --> 0:44:22.600
<v Speaker 2>I brought Bibby coy Well. Sometimes you reach back and

0:44:22.600 --> 0:44:25.600
<v Speaker 2>get a little Toto, you know. I used to list

0:44:25.880 --> 0:44:29.040
<v Speaker 2>like Phil Barry, I like gods. They didn't do a

0:44:29.120 --> 0:44:30.759
<v Speaker 2>whole they didn't do a whole bunch of running, but

0:44:30.840 --> 0:44:34.400
<v Speaker 2>they you felt, you felt as you you felt them

0:44:34.400 --> 0:44:36.200
<v Speaker 2>when they did it, and they interpreted the song. So

0:44:36.880 --> 0:44:39.400
<v Speaker 2>you know, I tried to pride myself on singing, you know,

0:44:39.560 --> 0:44:42.200
<v Speaker 2>songs like that. My brothers used to was in a

0:44:42.320 --> 0:44:45.560
<v Speaker 2>rock band, if you can believe it, and uh doing rock.

0:44:45.800 --> 0:44:47.919
<v Speaker 2>I know y'all probably never heard of Acre Winning, Johnny Winning,

0:44:48.400 --> 0:44:51.560
<v Speaker 2>old rock and rollers, and uh, you know you hear them.

0:44:51.640 --> 0:44:54.040
<v Speaker 2>You you you downstairs listening to under the Door. They

0:44:54.160 --> 0:44:55.600
<v Speaker 2>listening to that music because you too little, You aren't

0:44:55.600 --> 0:44:57.359
<v Speaker 2>supposed to be down in no way, but you're hearing

0:44:57.400 --> 0:44:59.840
<v Speaker 2>those things. So what you're hearing will have an influence

0:44:59.880 --> 0:45:01.880
<v Speaker 2>on help you develop your style and all that stuff.

0:45:02.280 --> 0:45:04.160
<v Speaker 2>So I listened to all that kind of stuff, and

0:45:04.280 --> 0:45:07.520
<v Speaker 2>so Secret Place was birthed out of us listening to

0:45:07.640 --> 0:45:10.880
<v Speaker 2>some styles. And when they heard that, they wrote that

0:45:11.000 --> 0:45:15.359
<v Speaker 2>song Secret Place kind of sounds like a heart of mine.

0:45:18.040 --> 0:45:22.960
<v Speaker 2>The style was more of an adult contemporary you're saying it,

0:45:23.440 --> 0:45:26.200
<v Speaker 2>And so that's why I was the adult contemporary guy.

0:45:26.280 --> 0:45:28.759
<v Speaker 2>Fred wrote songs like that. Mitchell will put me on.

0:45:29.040 --> 0:45:30.719
<v Speaker 2>I think Mitchell man because he let me sing some

0:45:30.800 --> 0:45:32.600
<v Speaker 2>of those R and B songs like I Am here.

0:45:32.600 --> 0:45:34.840
<v Speaker 2>He let me sing a verse on that. I appreciate

0:45:34.960 --> 0:45:37.680
<v Speaker 2>him put me in the R and B vein so.

0:45:39.320 --> 0:45:39.640
<v Speaker 1>Clean.

0:45:40.120 --> 0:45:43.160
<v Speaker 2>But you take somebody to pull us up out of

0:45:43.200 --> 0:45:46.280
<v Speaker 2>you know what I'm saying the coach and so Secret

0:45:46.280 --> 0:45:48.319
<v Speaker 2>Place is one of the signature songs that we did.

0:45:48.920 --> 0:45:52.400
<v Speaker 2>And but it was the thing about that one is melodic.

0:45:52.640 --> 0:45:54.360
<v Speaker 1>You were floating it's and.

0:45:54.400 --> 0:46:00.239
<v Speaker 2>You gotta float with its floating on place. You know, Man,

0:46:00.239 --> 0:46:02.600
<v Speaker 2>I ain't never heard no heavy false like yours. I'm like,

0:46:03.000 --> 0:46:05.320
<v Speaker 2>I'm just singing man, we're talking about oh yeah, Because

0:46:05.320 --> 0:46:07.200
<v Speaker 2>you know, when you're singing false, it's always a break

0:46:07.239 --> 0:46:11.440
<v Speaker 2>line between natural and Uh, so a lot of time.

0:46:11.520 --> 0:46:14.319
<v Speaker 2>I had to sing it hard to do false. Menchell Man,

0:46:14.400 --> 0:46:16.160
<v Speaker 2>he got that head false. He can sing in his

0:46:16.280 --> 0:46:20.480
<v Speaker 2>head that false and make them notes. But it was interpretation,

0:46:20.640 --> 0:46:23.359
<v Speaker 2>interpretation song for me doing the secret place.

0:46:23.680 --> 0:46:24.720
<v Speaker 1>So we're the false guys.

0:46:25.360 --> 0:46:27.759
<v Speaker 2>Things falter because when you get older, that's all you

0:46:27.800 --> 0:46:31.000
<v Speaker 2>can do is yeah, my falsest is.

0:46:31.080 --> 0:46:38.120
<v Speaker 3>The last man standing. Listen my chest voice to give

0:46:38.200 --> 0:46:41.000
<v Speaker 3>me issues, right, but my false you don't want this

0:46:41.160 --> 0:46:44.000
<v Speaker 3>work false nasty and.

0:46:44.239 --> 0:46:47.520
<v Speaker 2>And the people feel it. The people can really feel

0:46:47.520 --> 0:46:49.239
<v Speaker 2>the false. When you do the false, you do it

0:46:49.280 --> 0:46:52.279
<v Speaker 2>because it fools on a certain heart stream that it's

0:46:52.280 --> 0:46:56.319
<v Speaker 2>almost like crying almost when you do the false. That's

0:46:56.360 --> 0:46:59.800
<v Speaker 2>what commission being in the commission pulled out those talents

0:47:00.000 --> 0:47:02.040
<v Speaker 2>and pulled out those gifts that you didn't know you had.

0:47:02.320 --> 0:47:03.600
<v Speaker 1>Yeah, that's crazy.

0:47:03.719 --> 0:47:05.399
<v Speaker 3>And I was singing false the whole time in my group,

0:47:05.480 --> 0:47:07.399
<v Speaker 3>and a guy in my group could actually sing first

0:47:07.440 --> 0:47:10.279
<v Speaker 3>apron and it's natural. Wow. And I looked at him

0:47:10.360 --> 0:47:13.000
<v Speaker 3>like and we didn't know for years or even know,

0:47:13.120 --> 0:47:16.120
<v Speaker 3>we didn't even know it. One day we just testing

0:47:16.239 --> 0:47:17.719
<v Speaker 3>range and he starts doing them. Look at him like this,

0:47:18.719 --> 0:47:19.400
<v Speaker 3>I'm not going there.

0:47:19.480 --> 0:47:23.120
<v Speaker 1>So you got me getting light headed all concerts and

0:47:23.280 --> 0:47:28.080
<v Speaker 1>you do this in your chest right right.

0:47:28.239 --> 0:47:40.480
<v Speaker 2>So we brought up we had a lot to contind with,

0:47:40.640 --> 0:47:42.520
<v Speaker 2>but we knew we were supposed to be here, yeah,

0:47:42.719 --> 0:47:45.879
<v Speaker 2>and do what we did. We did it for God

0:47:46.000 --> 0:47:47.560
<v Speaker 2>wanted us to do it, and we knew we would hope,

0:47:47.640 --> 0:47:50.720
<v Speaker 2>hopefully would influence people to do what they were supposed

0:47:50.719 --> 0:47:53.840
<v Speaker 2>to do, to be called to do. Yeah, and I

0:47:54.640 --> 0:47:55.959
<v Speaker 2>think we inspired a few people.

0:47:56.040 --> 0:48:00.600
<v Speaker 1>Boys to me Joosy Jagged Edge Tank.

0:48:02.040 --> 0:48:02.080
<v Speaker 2>Like.

0:48:02.160 --> 0:48:04.400
<v Speaker 5>You can just go down the list of everything that

0:48:04.600 --> 0:48:08.320
<v Speaker 5>came after y'all in R and B music was attached

0:48:08.400 --> 0:48:15.120
<v Speaker 5>some way, some way, wow, some way melodically one way

0:48:15.160 --> 0:48:17.960
<v Speaker 5>or another, a couple of artists that probably stole some

0:48:18.239 --> 0:48:19.040
<v Speaker 5>melodies and lyrics.

0:48:19.239 --> 0:48:23.400
<v Speaker 2>Still you know, still that's amazing.

0:48:23.680 --> 0:48:29.640
<v Speaker 1>Yeah, I'm shook. She got over there.

0:48:33.840 --> 0:48:45.440
<v Speaker 3>Of y'all listen to R and B music sometimes, as

0:48:45.480 --> 0:48:47.719
<v Speaker 3>you allude to some of your influences from back in

0:48:47.760 --> 0:48:53.360
<v Speaker 3>the day, Oh yeah, we would like to.

0:49:00.360 --> 0:49:00.880
<v Speaker 1>No yor.

0:49:03.000 --> 0:49:12.480
<v Speaker 3>Top fun, your top five, top f.

0:49:15.960 --> 0:49:19.279
<v Speaker 1>The top five by sings.

0:49:20.040 --> 0:49:22.640
<v Speaker 3>We want to know it already be so.

0:49:25.320 --> 0:49:30.120
<v Speaker 1>We are to know it's not just church. Sometimes it's

0:49:30.200 --> 0:49:32.320
<v Speaker 1>the bomb and we want to know.

0:49:36.760 --> 0:49:58.399
<v Speaker 7>Yes, raw, yeah, no time be crazy man funnic.

0:49:59.760 --> 0:50:01.640
<v Speaker 1>You singing the wild notes in front of Commissioner.

0:50:03.960 --> 0:50:08.520
<v Speaker 3>Hit every nast note, you hit it right. Let's start

0:50:08.560 --> 0:50:13.200
<v Speaker 3>with you, Mitchell Jones, your top five R and B

0:50:13.400 --> 0:50:22.080
<v Speaker 3>singers down here haway mm hm, Stevie Wonder yeah see

0:50:22.160 --> 0:50:25.279
<v Speaker 3>do see do not gonna get that off again. I

0:50:25.360 --> 0:50:25.880
<v Speaker 3>know who that is.

0:50:29.560 --> 0:50:35.720
<v Speaker 5>Charlie Wilson. If y'all started late, is Charlie Wilson Aretha

0:50:36.280 --> 0:50:40.400
<v Speaker 5>mm hmmm, Michael, yeah, Michaelchael.

0:50:39.960 --> 0:50:46.160
<v Speaker 3>Jackson, Yeah, yeah, yeah, Michael had grown men trying to

0:50:46.239 --> 0:50:47.959
<v Speaker 3>sing like him at nine.

0:50:49.760 --> 0:50:53.799
<v Speaker 8>Yeah, that's different. You want you want some of this car?

0:50:54.880 --> 0:50:58.719
<v Speaker 8>I want to take some of it. Mine might be

0:50:59.200 --> 0:51:02.239
<v Speaker 8>I won't have to take Mitchell's too a little bit.

0:51:04.680 --> 0:51:05.760
<v Speaker 8>I'm gonna have to say.

0:51:07.239 --> 0:51:13.160
<v Speaker 2>Stevie because he's the first secular artist I ever seen

0:51:13.400 --> 0:51:19.200
<v Speaker 2>saw sing live when I was about eleven, and he

0:51:19.239 --> 0:51:22.880
<v Speaker 2>from your neighborhood, and he from the hood, from the hood.

0:51:25.280 --> 0:51:29.480
<v Speaker 2>I'm despired going to catch you off by surprise people, Bryson.

0:51:29.400 --> 0:51:31.440
<v Speaker 3>What do you mean people's people?

0:51:31.800 --> 0:51:32.120
<v Speaker 1>People?

0:51:35.880 --> 0:51:38.880
<v Speaker 2>I was studying and short listening. I'm like people got

0:51:38.960 --> 0:51:41.720
<v Speaker 2>a twin because he doubled in his vocal.

0:51:42.960 --> 0:51:45.759
<v Speaker 1>People sold that, any of them people.

0:51:45.560 --> 0:51:52.920
<v Speaker 2>Bryson love that, I gotta say, Charlie Wilson, man, I

0:51:53.160 --> 0:51:55.000
<v Speaker 2>loved Whitney Houston.

0:51:55.800 --> 0:51:56.200
<v Speaker 1>Oh yeah.

0:51:56.280 --> 0:51:59.040
<v Speaker 2>The voice Whitney Houston was like it was amazing. I

0:51:59.160 --> 0:52:04.280
<v Speaker 2>loved her. And if I have to say old school,

0:52:05.800 --> 0:52:07.279
<v Speaker 2>I really did like Marvin Gaye.

0:52:08.120 --> 0:52:09.799
<v Speaker 3>Yeah, because he was.

0:52:09.800 --> 0:52:14.560
<v Speaker 2>A crooner, soulful crooner. He was very passionate when you

0:52:14.600 --> 0:52:18.480
<v Speaker 2>hear him singing. And he lived in the hood, same

0:52:18.520 --> 0:52:23.400
<v Speaker 2>neighborhood he lived on out of Drive. He was actually

0:52:23.440 --> 0:52:29.200
<v Speaker 2>recorded Let's Make Up Tonight in his living room on

0:52:29.360 --> 0:52:33.200
<v Speaker 2>out of Drive. Marvin gay He's right in the hood.

0:52:34.640 --> 0:52:39.800
<v Speaker 2>So those are my top five that right there, and

0:52:40.040 --> 0:52:46.080
<v Speaker 2>uh got to get it up. Keep on. Backyard party.

0:52:46.360 --> 0:52:47.920
<v Speaker 2>Wasn't supposed to be there because I'm a church boy,

0:52:48.440 --> 0:52:51.279
<v Speaker 2>but I was. I'll go over there, I'll go over there.

0:52:53.920 --> 0:52:54.440
<v Speaker 1>What do.

0:53:02.520 --> 0:53:04.040
<v Speaker 3>You see the Lord? You tell him I'm not here,

0:53:05.560 --> 0:53:09.520
<v Speaker 3>Tell him I'm not here, alright. Top five R and

0:53:09.640 --> 0:53:10.320
<v Speaker 3>B songs.

0:53:11.360 --> 0:53:17.000
<v Speaker 4>Mister Jones, Ribbon in the Sky, m hm speak wonder

0:53:17.440 --> 0:53:20.040
<v Speaker 4>m h Donnie has the Way a song for you,

0:53:24.640 --> 0:53:27.520
<v Speaker 4>Charlie Wilson, keep running m hmm.

0:53:29.280 --> 0:53:35.160
<v Speaker 1>Luther Houses not on mm hm do do do do do? Okay, okay, And.

0:53:37.280 --> 0:53:42.480
<v Speaker 3>So I know I know that earthwork the Fire is

0:53:42.680 --> 0:53:43.400
<v Speaker 3>not a solo.

0:53:43.520 --> 0:53:47.560
<v Speaker 2>But let's go.

0:53:49.120 --> 0:53:49.799
<v Speaker 1>Hm hm.

0:53:51.920 --> 0:53:55.560
<v Speaker 3>Oh yeah, that's my fire. That's musicianship at its finest.

0:53:55.920 --> 0:53:59.160
<v Speaker 3>Oh yeah, earth wind and fire. Mm hmmm, it's finest.

0:54:00.920 --> 0:54:05.320
<v Speaker 3>You Carl, what you can, what you want? Do?

0:54:07.000 --> 0:54:07.799
<v Speaker 2>Do for love?

0:54:08.840 --> 0:54:12.080
<v Speaker 1>Bill some thought of a bridle right there, and he's doing.

0:54:15.480 --> 0:54:16.240
<v Speaker 2>I like Stevie.

0:54:18.480 --> 0:54:22.480
<v Speaker 3>I liked Peter so Terra have the sing song.

0:54:22.560 --> 0:54:24.719
<v Speaker 1>The song is huh Stevie's song? What song is Stevie?

0:54:24.840 --> 0:54:25.000
<v Speaker 3>There?

0:54:25.400 --> 0:54:25.680
<v Speaker 1>She said?

0:54:25.680 --> 0:54:31.359
<v Speaker 9>Song songs over joy? Oh my goodness, come on, man,

0:54:31.560 --> 0:54:35.360
<v Speaker 9>Stevie anything he did? I mean, I just called to

0:54:35.520 --> 0:54:37.239
<v Speaker 9>say I love you.

0:54:37.360 --> 0:54:38.719
<v Speaker 2>I sing it to a girl one time.

0:54:40.120 --> 0:54:42.080
<v Speaker 1>That could have been a commissioned song. Starting to come out,

0:54:43.880 --> 0:54:47.800
<v Speaker 1>starting to come out. He said, No, that wasn't a

0:54:47.920 --> 0:54:54.680
<v Speaker 1>Pennies now come to find out.

0:54:58.160 --> 0:54:58.840
<v Speaker 3>Uh, and I.

0:55:00.360 --> 0:55:04.960
<v Speaker 2>We always love you. That's like one of the all times,

0:55:04.960 --> 0:55:09.680
<v Speaker 2>because you kid, I got one more. Yeah, and I

0:55:09.840 --> 0:55:11.560
<v Speaker 2>love this song as a little boy.

0:55:12.320 --> 0:55:16.680
<v Speaker 9>I'm going to knock on your doing your window pain

0:55:17.440 --> 0:55:20.319
<v Speaker 9>Usa mm hm oh yeah.

0:55:20.360 --> 0:55:21.240
<v Speaker 2>I can't go wrong.

0:55:22.719 --> 0:55:27.120
<v Speaker 3>At all. Y'all are naming all historical at a high level.

0:55:28.680 --> 0:55:32.200
<v Speaker 3>Let's do the Let's let's do a voltron. Let's put

0:55:32.239 --> 0:55:34.640
<v Speaker 3>together your ultimate R and B artists. We're gonna mix

0:55:34.680 --> 0:55:37.520
<v Speaker 3>it between the both of y'all. Okay, So what we're

0:55:37.520 --> 0:55:39.720
<v Speaker 3>gonna do is you're gonna build your arm b artists.

0:55:39.760 --> 0:55:43.400
<v Speaker 3>Who you're gonna get the vocal for the artists, the

0:55:43.520 --> 0:55:47.520
<v Speaker 3>performance style for the artists, the styling of the artists,

0:55:48.640 --> 0:55:54.560
<v Speaker 3>the passion of the artists. And you know, since we

0:55:54.680 --> 0:55:58.959
<v Speaker 3>have so much creative excellence in the building, who's gonna

0:55:58.960 --> 0:56:03.680
<v Speaker 3>write and produce for that artist? So we'll start with you, Mitch,

0:56:03.760 --> 0:56:06.960
<v Speaker 3>who's gonna get the vocal from for that artist? Donny

0:56:07.560 --> 0:56:15.160
<v Speaker 3>mm hmm, donnay real fast with that Carl who you

0:56:15.200 --> 0:56:17.200
<v Speaker 3>don't get the performance style from.

0:56:18.120 --> 0:56:25.520
<v Speaker 2>Man showmanship, It's got to be Michael mm hm Yes, sir, Yeah,

0:56:26.640 --> 0:56:29.520
<v Speaker 2>and singing like what he's come on?

0:56:30.000 --> 0:56:31.400
<v Speaker 3>Yes, passion.

0:56:31.560 --> 0:56:34.719
<v Speaker 1>Who are you gonna get the styling from? Yes? Since

0:56:34.760 --> 0:56:37.239
<v Speaker 1>you started, since you started the gumby, Yeah, you got

0:56:37.280 --> 0:56:37.680
<v Speaker 1>the gumby.

0:56:37.719 --> 0:56:41.200
<v Speaker 3>You know what I'm saying, y'all brought the street culture

0:56:41.239 --> 0:56:43.360
<v Speaker 3>to the church, and you know them threads and the

0:56:43.440 --> 0:56:47.280
<v Speaker 3>party shirts, guess jeans, pencil pocket. Marvin had the style.

0:56:52.920 --> 0:56:53.359
<v Speaker 2>To this day.

0:56:53.480 --> 0:56:59.719
<v Speaker 1>He still got today. This is Marvel, the passion of

0:56:59.800 --> 0:57:02.759
<v Speaker 1>the artists, the heart of the artists. Mm hmmm, who

0:57:02.920 --> 0:57:03.160
<v Speaker 1>mean it?

0:57:03.880 --> 0:57:09.440
<v Speaker 2>They really mean it? Oh man, Mitchell took the last one, Marvin.

0:57:09.480 --> 0:57:11.160
<v Speaker 2>I thought Marvin minute when he's saying.

0:57:11.239 --> 0:57:12.279
<v Speaker 1>You can you can double up.

0:57:12.400 --> 0:57:20.880
<v Speaker 2>You can double up on Marvin, who you said you

0:57:20.960 --> 0:57:23.480
<v Speaker 2>can't lose, can't lose?

0:57:24.040 --> 0:57:31.200
<v Speaker 1>Okay, the first course collaboration, that's what we see all.

0:57:32.800 --> 0:57:33.680
<v Speaker 2>I'm gonna go to reatha.

0:57:35.760 --> 0:57:39.680
<v Speaker 1>Yeah, that's that's that's that's that's pretty fire. That's pretty fire.

0:57:41.880 --> 0:57:44.440
<v Speaker 1>Who's writing for this artist?

0:57:46.600 --> 0:57:47.360
<v Speaker 3>I got two people?

0:57:47.400 --> 0:57:51.800
<v Speaker 1>But yeah, I'm looking. I'm looking at you. But I'm

0:57:52.040 --> 0:57:55.160
<v Speaker 1>gonna see what you say, Peter.

0:57:56.720 --> 0:57:57.680
<v Speaker 2>You want David Foster.

0:57:57.800 --> 0:57:58.360
<v Speaker 3>David Foster.

0:57:59.240 --> 0:58:06.200
<v Speaker 6>Mm hmmm, David Foster phenomena, phenomenal, phenomenal Yeah, mm hmm.

0:58:08.680 --> 0:58:12.920
<v Speaker 1>I mean, how do you argue David do a really

0:58:12.960 --> 0:58:13.600
<v Speaker 1>big name out.

0:58:13.640 --> 0:58:15.680
<v Speaker 3>He's right, I mean, he's a phenomenal, right of man,

0:58:16.240 --> 0:58:19.320
<v Speaker 3>phenomenon right love Parks. But I mean you can.

0:58:22.600 --> 0:58:25.240
<v Speaker 1>Have no qualm with you saying David Foster, I have

0:58:25.360 --> 0:58:34.840
<v Speaker 1>no qualm you definitely should have real what you got

0:58:34.960 --> 0:58:36.640
<v Speaker 1>laying in the stands and I can tear it into

0:58:36.920 --> 0:58:37.840
<v Speaker 1>Oh no, he gots up.

0:58:38.120 --> 0:58:42.720
<v Speaker 3>You know he got gospel gospel only parts and I

0:58:42.760 --> 0:58:46.000
<v Speaker 3>could turn off some worldly pass r V.

0:58:46.920 --> 0:58:52.440
<v Speaker 1>Oh yes he's doing who's producing?

0:58:53.640 --> 0:58:55.640
<v Speaker 2>Where's my term? No?

0:58:55.800 --> 0:58:59.840
<v Speaker 3>No, get the producer? Did know you did the writer?

0:59:00.080 --> 0:59:04.040
<v Speaker 3>You said, I can do both, but you can separate them.

0:59:04.760 --> 0:59:05.800
<v Speaker 3>I'm not get in the middle of that.

0:59:07.080 --> 0:59:08.120
<v Speaker 2>Go ahead, well.

0:59:10.200 --> 0:59:10.600
<v Speaker 3>You can.

0:59:10.640 --> 0:59:13.880
<v Speaker 2>You gonna tell me what I'm gonna tell him. I

0:59:14.040 --> 0:59:16.840
<v Speaker 2>have to go with Terry Lewis and Jimmy Jane.

0:59:17.040 --> 0:59:20.760
<v Speaker 1>Yeah, I mean I don't.

0:59:20.840 --> 0:59:24.280
<v Speaker 2>I don't think I've heard nothing bad they put out

0:59:24.760 --> 0:59:29.480
<v Speaker 2>only Yeah, I mean they did everything. You know what

0:59:29.520 --> 0:59:32.400
<v Speaker 2>I'm saying saying you get them into that doc with

0:59:32.520 --> 0:59:33.920
<v Speaker 2>the hats on too while they producing.

0:59:34.400 --> 0:59:39.520
<v Speaker 1>Yeah, man, they were maniacs. Yes, yes, the many.

0:59:39.480 --> 0:59:45.520
<v Speaker 3>Absolutely absolutely phenomena. Like it's still not to this day.

0:59:46.360 --> 0:59:52.880
<v Speaker 3>Nothing close yep, yeah, no not then nothing close. You

0:59:53.000 --> 0:59:57.280
<v Speaker 3>go see Janeting concert. Oh yeah, you're like, oh, got it,

0:59:58.320 --> 1:00:01.120
<v Speaker 3>got it producing, got it, got it?

1:00:02.360 --> 1:00:06.360
<v Speaker 2>Man, we were we we came up listening to Time

1:00:07.440 --> 1:00:10.680
<v Speaker 2>and uh, you know Prince and that era. That's when

1:00:10.960 --> 1:00:13.800
<v Speaker 2>stuff was really changing. I think for everybody stripting come

1:00:14.200 --> 1:00:18.800
<v Speaker 2>from from disco that era. Man, it's jamm and Lewis

1:00:19.720 --> 1:00:29.600
<v Speaker 2>Lewis Monsters the time. And oh, I gotta say, it

1:00:29.720 --> 1:00:32.320
<v Speaker 2>was hard for me to stay in church because a

1:00:32.440 --> 1:00:37.280
<v Speaker 2>song came out called Flashlight. We're all right George Clinton

1:00:37.400 --> 1:00:37.880
<v Speaker 2>Last Light.

1:00:39.480 --> 1:00:40.960
<v Speaker 1>Last Light almostran about the church.

1:00:43.560 --> 1:00:44.280
<v Speaker 3>How are you gonna go to?

1:00:44.640 --> 1:00:47.880
<v Speaker 2>How they gonna play that? And then you gotta go singing, uh,

1:00:48.680 --> 1:00:52.520
<v Speaker 2>come down Jesus on the main, like wouldn't you.

1:00:57.960 --> 1:01:03.320
<v Speaker 1>All last like to be? Like I figured it out.

1:01:03.800 --> 1:01:07.280
<v Speaker 1>I was that guy. I played everything in church I

1:01:07.400 --> 1:01:08.120
<v Speaker 1>was supposed to play.

1:01:08.240 --> 1:01:10.360
<v Speaker 2>I was that guy you pushed it, you pushed push,

1:01:11.360 --> 1:01:13.200
<v Speaker 2>did the pastor that would stop you and say he.

1:01:13.360 --> 1:01:16.680
<v Speaker 3>Was with all of the Shenanigans. He wanted all this,

1:01:16.840 --> 1:01:19.280
<v Speaker 3>But do you passed a REFERENTI room Petty saved my life.

1:01:20.600 --> 1:01:21.680
<v Speaker 3>I was going a whole nother.

1:01:21.560 --> 1:01:24.960
<v Speaker 2>Direction, save your life life. But he was.

1:01:25.200 --> 1:01:26.919
<v Speaker 3>He met me where I was. He is the street

1:01:26.960 --> 1:01:30.640
<v Speaker 3>guy too from d C. So he understood me. And

1:01:31.320 --> 1:01:32.880
<v Speaker 3>you know my connection to all of it, which is

1:01:32.920 --> 1:01:35.960
<v Speaker 3>how I got connected to y'all. Like it just all

1:01:36.120 --> 1:01:38.320
<v Speaker 3>made sense at the at the right time. You.

1:01:38.600 --> 1:01:42.560
<v Speaker 2>You're saying exactly the reason why I believe Commission what

1:01:42.640 --> 1:01:46.320
<v Speaker 2>they did. We were able to reach people that other

1:01:46.360 --> 1:01:50.760
<v Speaker 2>people weren't reaching, like the Quartet a Quiet people for

1:01:50.920 --> 1:01:53.080
<v Speaker 2>that purpose. We were able to reach people because we

1:01:53.120 --> 1:01:56.520
<v Speaker 2>were trying to do Time and Prince. You know, we

1:01:56.600 --> 1:01:57.920
<v Speaker 2>were trying to we were trying to get to those

1:01:58.000 --> 1:02:00.280
<v Speaker 2>people that we just got saved that an feel like

1:02:00.280 --> 1:02:01.720
<v Speaker 2>they had an outlet because they didn't want to sing

1:02:01.760 --> 1:02:03.920
<v Speaker 2>the old heymns. We're trying to give them something they

1:02:03.960 --> 1:02:06.600
<v Speaker 2>can sing. And that's what we did. A lot of

1:02:06.680 --> 1:02:10.080
<v Speaker 2>old hymns we took and turned into commissions on right,

1:02:10.640 --> 1:02:13.280
<v Speaker 2>so they'd be like, oh man, that's old hinder. But

1:02:13.400 --> 1:02:17.320
<v Speaker 2>the testimonies that we had for us about people in college,

1:02:17.560 --> 1:02:20.080
<v Speaker 2>struggling in college, in your dorm room, don't know where

1:02:20.080 --> 1:02:22.680
<v Speaker 2>the next meal coming from, trying to take your life. Ye,

1:02:22.960 --> 1:02:26.800
<v Speaker 2>the testimonies My roommate left your album and I never

1:02:26.880 --> 1:02:28.360
<v Speaker 2>listened to gospel, and I.

1:02:28.400 --> 1:02:32.480
<v Speaker 3>Put it Onst Atheists and I listened to it after God.

1:02:32.480 --> 1:02:35.720
<v Speaker 2>And that changed my life. I started running. So when

1:02:35.760 --> 1:02:38.400
<v Speaker 2>people tell us stories like that, that's the reason why

1:02:38.480 --> 1:02:41.600
<v Speaker 2>we did this, to get that because we saved some

1:02:42.080 --> 1:02:46.520
<v Speaker 2>people turn their life around, didn't kill themselves testimony like that. Man,

1:02:46.600 --> 1:02:51.280
<v Speaker 2>Come on, man, what's better than that billion dollars being streams?

1:02:51.320 --> 1:02:54.960
<v Speaker 2>What's better than that? Yeah, nothing saved somebody's life. We

1:02:55.400 --> 1:02:59.640
<v Speaker 2>we we live for those moments, man's and so we

1:02:59.800 --> 1:03:02.760
<v Speaker 2>know that we're leaving that mark, not just the music mark,

1:03:03.080 --> 1:03:05.880
<v Speaker 2>because we know that's gonna be there, but the mark

1:03:05.920 --> 1:03:08.640
<v Speaker 2>of people looking back and saying, Wow, we looked back

1:03:08.680 --> 1:03:11.520
<v Speaker 2>and said, man, we did this, and God was able

1:03:11.560 --> 1:03:13.720
<v Speaker 2>to get glory out of this, and people's lives were

1:03:13.840 --> 1:03:17.720
<v Speaker 2>spared and saved. That right there when we can just

1:03:17.760 --> 1:03:21.200
<v Speaker 2>about finish it up right there with that save lives

1:03:21.560 --> 1:03:27.480
<v Speaker 2>people now who are doctors performing surgeries in their careers.

1:03:27.880 --> 1:03:30.080
<v Speaker 2>And if it hadn't been for y'all, I wouldn't have

1:03:30.080 --> 1:03:34.640
<v Speaker 2>made it. So those type of testimonies, Man, listen, how

1:03:34.720 --> 1:03:37.240
<v Speaker 2>much of cars we pay for ourselves and go to

1:03:37.360 --> 1:03:40.760
<v Speaker 2>get that testimony to save somebody and get their life together, man,

1:03:40.760 --> 1:03:41.800
<v Speaker 2>because that's what it's about for.

1:03:41.880 --> 1:03:44.600
<v Speaker 3>Us, you know, getting the ministry to the places where

1:03:44.640 --> 1:03:46.960
<v Speaker 3>they need it. That's right, That's what I've always been

1:03:46.960 --> 1:03:49.840
<v Speaker 3>an advocate for. Streets needed, and that's why you was

1:03:49.920 --> 1:03:52.520
<v Speaker 3>pushing you want the lights and the lights went out.

1:03:52.600 --> 1:03:53.320
<v Speaker 2>That's why you did that.

1:03:56.640 --> 1:03:57.640
<v Speaker 1>He came back you.

1:04:00.520 --> 1:04:00.880
<v Speaker 2>Excellent.

1:04:01.600 --> 1:04:03.479
<v Speaker 3>We got one more segment for you, gentlemen. We're gonna

1:04:03.480 --> 1:04:06.880
<v Speaker 3>hold you long man, but you know and all of

1:04:06.960 --> 1:04:13.520
<v Speaker 3>your and all of your travels, we have one more segment.

1:04:15.200 --> 1:04:16.320
<v Speaker 1>Gonna bless our soul.

1:04:20.680 --> 1:04:23.320
<v Speaker 10>I ain't saying no nicks. Yeah, I ain't saying no names.

1:04:23.680 --> 1:04:26.480
<v Speaker 10>I ain't saying no names. Ain't saying no niggas. Where

1:04:26.560 --> 1:04:34.560
<v Speaker 10>you was, what you did, don't say, don't say, I

1:04:34.600 --> 1:04:35.200
<v Speaker 10>ain't saying no.

1:04:42.520 --> 1:04:42.760
<v Speaker 3>Yeah.

1:04:44.240 --> 1:04:48.120
<v Speaker 2>I've watched you'll segments on that one, and I'm trying

1:04:48.160 --> 1:04:51.480
<v Speaker 2>to figure out. We've been racking our brain on that.

1:04:51.640 --> 1:04:54.640
<v Speaker 2>You're trying to figure out what we could tell.

1:04:56.560 --> 1:04:57.040
<v Speaker 3>That funny.

1:04:57.280 --> 1:04:58.520
<v Speaker 1>That's what's crazy.

1:04:58.840 --> 1:05:01.440
<v Speaker 5>Yeah for us, for y'all will be a funny or foolish,

1:05:01.800 --> 1:05:02.920
<v Speaker 5>a rightish.

1:05:07.440 --> 1:05:08.520
<v Speaker 1>We're changing words.

1:05:09.800 --> 1:05:10.280
<v Speaker 3>Make it through this.

1:05:14.880 --> 1:05:18.520
<v Speaker 1>I said a bad way, you did say a word one,

1:05:19.720 --> 1:05:24.800
<v Speaker 1>but God knows my heart. An atmosphere here, love it,

1:05:25.000 --> 1:05:28.600
<v Speaker 1>love it, no condemnation, no.

1:05:31.320 --> 1:05:35.040
<v Speaker 2>No judging, judge, none of that.

1:05:35.280 --> 1:05:38.720
<v Speaker 5>So this segment, y'all watched the show called I Ain't

1:05:38.720 --> 1:05:41.240
<v Speaker 5>saying no names. Tell us a story funny or foolish.

1:05:41.720 --> 1:05:42.720
<v Speaker 5>A funny and foolish.

1:05:43.560 --> 1:05:45.560
<v Speaker 1>The only rules of the game. You just can't say

1:05:45.600 --> 1:05:46.120
<v Speaker 1>no names.

1:05:46.600 --> 1:05:48.560
<v Speaker 5>We know it's some funny and foolish things going on

1:05:48.680 --> 1:05:53.680
<v Speaker 5>in the gospel world too. Yeah, y'all can tell us

1:05:53.680 --> 1:05:56.480
<v Speaker 5>some stories. Listen if you want to tell us the

1:05:56.600 --> 1:05:58.560
<v Speaker 5>stump down Detroit stories, y'all can tell.

1:05:58.520 --> 1:06:03.160
<v Speaker 3>Us we went all of it.

1:06:05.080 --> 1:06:10.000
<v Speaker 2>Uh, Parks, don't look at me like that. Okay, you

1:06:10.080 --> 1:06:17.880
<v Speaker 2>want me do it, we do it. This is nice, Okay.

1:06:18.000 --> 1:06:21.880
<v Speaker 2>So one of our first flights, we were flying out,

1:06:22.520 --> 1:06:25.800
<v Speaker 2>Uh commission, We're going somewhere on the airplane and uh,

1:06:26.400 --> 1:06:28.640
<v Speaker 2>you're not probably get set up. The light goes on, Dean,

1:06:29.200 --> 1:06:30.800
<v Speaker 2>you mean I'll move out to the camping blah blah

1:06:30.800 --> 1:06:34.360
<v Speaker 2>blah blah, go to the bathroom. So I ain't saying

1:06:34.400 --> 1:06:38.320
<v Speaker 2>no names. When somebody went to the bathroom in the group,

1:06:39.640 --> 1:06:43.520
<v Speaker 2>and when they came out, they had a long string

1:06:43.600 --> 1:06:46.160
<v Speaker 2>of tallert people out the back.

1:06:46.000 --> 1:06:46.160
<v Speaker 3>Of the.

1:06:48.720 --> 1:06:50.320
<v Speaker 1>Not on the foot, but at the back of the pass.

1:06:51.800 --> 1:06:54.640
<v Speaker 2>No, I thought it was the foot, It was pants.

1:06:55.000 --> 1:06:59.240
<v Speaker 2>Oh No, I ain't saying no names.

1:06:59.520 --> 1:06:59.680
<v Speaker 3>Who.

1:07:01.040 --> 1:07:03.160
<v Speaker 2>But he didn't know until he got back to the

1:07:03.280 --> 1:07:06.800
<v Speaker 2>seat that he had that home and it was like,

1:07:07.000 --> 1:07:08.120
<v Speaker 2>oh my god.

1:07:08.840 --> 1:07:10.439
<v Speaker 3>To that. You can't.

1:07:10.680 --> 1:07:12.840
<v Speaker 1>You can't blow up the airplane.

1:07:12.360 --> 1:07:17.000
<v Speaker 3>Bad man. Listen, I can't, I can't, I can't. You

1:07:17.080 --> 1:07:25.080
<v Speaker 3>got I'm gonna go wherever I go. No, I'm many

1:07:25.160 --> 1:07:28.880
<v Speaker 3>airplanes and whooped them. And it's scary too because like

1:07:29.360 --> 1:07:31.600
<v Speaker 3>some of those airplanes got the it's got the suction.

1:07:32.040 --> 1:07:32.560
<v Speaker 1>You know what I'm saying.

1:07:32.640 --> 1:07:38.040
<v Speaker 3>You gotta hold yourself. What happens that my little lady

1:07:38.160 --> 1:07:43.040
<v Speaker 3>is waiting show. You don't want to go in because

1:07:43.080 --> 1:07:45.280
<v Speaker 3>I'm in here. I'm in here because you know I'm

1:07:45.320 --> 1:07:49.360
<v Speaker 3>in there. I'm settled in. You wasn't with commission at

1:07:49.400 --> 1:07:55.360
<v Speaker 3>that time. In the last row. I had to get

1:07:55.440 --> 1:07:55.920
<v Speaker 3>that all of me.

1:08:06.880 --> 1:08:11.240
<v Speaker 2>But that's one of the things we entertained ourselves with.

1:08:11.360 --> 1:08:12.120
<v Speaker 2>Crazy stuff.

1:08:13.600 --> 1:08:15.240
<v Speaker 3>You mention I won't go to for two you just

1:08:16.520 --> 1:08:16.800
<v Speaker 3>come on.

1:08:18.280 --> 1:08:18.880
<v Speaker 1>I agree with that.

1:08:21.640 --> 1:08:25.960
<v Speaker 3>The toilet paper, yeah, I whoop any bathroom. I don't care,

1:08:26.040 --> 1:08:30.680
<v Speaker 3>white house plane, I don't care. My stomach is not

1:08:30.760 --> 1:08:31.719
<v Speaker 3>gonna be eroding.

1:08:32.000 --> 1:08:33.800
<v Speaker 2>So you believe it's more room out than.

1:08:33.960 --> 1:08:39.160
<v Speaker 1>Absolutely absolutely, like this is natural, This flows naturally. Wait

1:08:39.200 --> 1:08:41.720
<v Speaker 1>until you get off the plane. Man, No bathroom have

1:08:41.840 --> 1:08:45.679
<v Speaker 1>you seen the bathrooms and the new Delta airplanes they're

1:08:45.720 --> 1:08:47.599
<v Speaker 1>really nice. Fire they're not that nice.

1:08:47.600 --> 1:08:49.880
<v Speaker 3>They got enough room. No they don't, Yes they do.

1:08:50.400 --> 1:08:51.960
<v Speaker 3>So you did it in the old one though, too.

1:08:52.200 --> 1:08:54.720
<v Speaker 3>I didn't know. I didn't like.

1:09:01.120 --> 1:09:01.519
<v Speaker 1>He did.

1:09:01.560 --> 1:09:11.160
<v Speaker 3>You wipe your head, you know, and I keep my

1:09:11.280 --> 1:09:16.200
<v Speaker 3>wife's only just in case anybody's still dry wiping in

1:09:16.280 --> 1:09:17.040
<v Speaker 3>twenty twenty three.

1:09:17.320 --> 1:09:19.600
<v Speaker 1>You are out of control now that I agree with.

1:09:19.720 --> 1:09:20.320
<v Speaker 3>You are out of.

1:09:20.400 --> 1:09:22.559
<v Speaker 1>Bounds, and you probably stink.

1:09:22.760 --> 1:09:27.000
<v Speaker 2>They wouldn't let me bring mine to security WI. Yeah. No,

1:09:27.320 --> 1:09:30.200
<v Speaker 2>when when I was going through they put through my base. Oh,

1:09:30.240 --> 1:09:32.600
<v Speaker 2>we gotta gona they're gonna take over the plane with

1:09:32.680 --> 1:09:40.439
<v Speaker 2>some wet worms. They would not let this plane. I said,

1:09:40.439 --> 1:09:42.040
<v Speaker 2>what do you think you got? I got some cocaine

1:09:42.080 --> 1:09:43.120
<v Speaker 2>in there, soaked in or something.

1:09:43.160 --> 1:09:43.759
<v Speaker 3>It's just wipes.

1:09:43.880 --> 1:09:45.840
<v Speaker 1>Okay, you just gave him the whole suggestion right there.

1:09:46.479 --> 1:09:47.080
<v Speaker 1>It can happen.

1:09:47.479 --> 1:09:53.240
<v Speaker 2>It can Yeah, yeah, I.

1:09:53.280 --> 1:09:54.800
<v Speaker 1>Knew he's gonna get some Detroit playing.

1:09:55.760 --> 1:10:06.439
<v Speaker 3>You know. It was this one time they put you know, oh, brothers, listen, man.

1:10:07.400 --> 1:10:09.519
<v Speaker 3>I can't tell you how much we appreciate you, man,

1:10:09.840 --> 1:10:16.400
<v Speaker 3>and thank you for making the trip, you know, thank

1:10:16.479 --> 1:10:22.160
<v Speaker 3>you for thank you for the information. Thank you for

1:10:22.439 --> 1:10:25.679
<v Speaker 3>the music you've made. Thank you for the lives you've

1:10:25.800 --> 1:10:31.280
<v Speaker 3>lived and continue to live. Thank you personally for me

1:10:32.080 --> 1:10:36.360
<v Speaker 3>for changing my life, for blessing me in more ways

1:10:36.400 --> 1:10:40.080
<v Speaker 3>than you could ever imagine, you could ever imagine. And

1:10:40.240 --> 1:10:43.560
<v Speaker 3>still to this day, I still play them songs and

1:10:43.640 --> 1:10:48.160
<v Speaker 3>play them albums to this day, and it still makes

1:10:48.160 --> 1:10:52.519
<v Speaker 3>me feel the same way, the same way. I'm still

1:10:52.600 --> 1:10:57.880
<v Speaker 3>that kid in ninth grade, like, Wow, listen to this.

1:11:00.320 --> 1:11:03.120
<v Speaker 3>I can't thank you enough. We can't thank you enough, man,

1:11:03.520 --> 1:11:06.320
<v Speaker 3>guys for helping us. Man, we really appreciate it. Love

1:11:06.360 --> 1:11:09.000
<v Speaker 3>you guys to showing us. Man, we really appreciate it. Man.

1:11:09.080 --> 1:11:09.640
<v Speaker 1>That's really do.

1:11:10.000 --> 1:11:13.439
<v Speaker 2>As opening the doors Dot and allow us to sit

1:11:13.520 --> 1:11:14.519
<v Speaker 2>here and tell some stories.

1:11:14.600 --> 1:11:14.760
<v Speaker 5>Man.

1:11:14.840 --> 1:11:18.519
<v Speaker 2>And you know it encourages us to hear stories from

1:11:19.080 --> 1:11:22.439
<v Speaker 2>people like like yourself, artists doing your own thing out there. Man,

1:11:22.479 --> 1:11:26.760
<v Speaker 2>it's encouraging. So we appreciate you. Really do appreciate you, guys, man.

1:11:27.000 --> 1:11:30.880
<v Speaker 2>And uh, We're gonna continue to watch segments and everything

1:11:30.920 --> 1:11:31.240
<v Speaker 2>you're doing.

1:11:31.320 --> 1:11:31.479
<v Speaker 3>Man.

1:11:31.800 --> 1:11:33.519
<v Speaker 2>I get something good out of every time I look

1:11:33.560 --> 1:11:35.880
<v Speaker 2>at the shows. Man, it's y'all doing your thing.

1:11:35.960 --> 1:11:41.120
<v Speaker 1>Man, words I control sometimes.

1:11:41.400 --> 1:11:44.320
<v Speaker 2>Don't say you can't cuss. It says you can't curse.

1:11:45.360 --> 1:11:47.000
<v Speaker 2>The big difference.

1:11:49.439 --> 1:11:53.200
<v Speaker 3>There's a difference. Come on, we're getting technical now, spoken

1:11:53.240 --> 1:11:56.560
<v Speaker 3>from the man himself. More comments.

1:11:59.439 --> 1:12:06.760
<v Speaker 1>Enough cos I like it?

1:12:07.240 --> 1:12:13.640
<v Speaker 3>Yeah, Please to your money. And this is the R

1:12:13.640 --> 1:12:15.920
<v Speaker 3>and B Money Podcast, the authority on all things R

1:12:15.960 --> 1:12:20.200
<v Speaker 3>and B and this has been a life changing pod

1:12:20.520 --> 1:12:22.439
<v Speaker 3>and one of the best days of my life. Y'all

1:12:22.520 --> 1:12:25.440
<v Speaker 3>make some noise for Mitchell Jones, Callsey.

1:12:28.680 --> 1:12:29.240
<v Speaker 1>Good to be here.

1:12:31.240 --> 1:12:32.320
<v Speaker 3>R and B Money.

1:12:33.479 --> 1:12:35.240
<v Speaker 5>R and B Money is a production of the Black

1:12:35.280 --> 1:12:40.040
<v Speaker 5>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:12:40.160 --> 1:12:43.960
<v Speaker 5>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:12:44.000 --> 1:12:47.880
<v Speaker 5>favorite shows. Don't forget to subscribe to and Radar Show

1:12:48.240 --> 1:12:50.840
<v Speaker 5>and you can connect with us on social media at

1:12:50.920 --> 1:12:55.120
<v Speaker 5>Jay Valentine and at the Real Tank. For the extended episode,

1:12:55.280 --> 1:12:59.439
<v Speaker 5>subscribe to YouTube dot com or slash R and B

1:12:59.560 --> 1:12:59.800
<v Speaker 5>Money