WEBVTT - Blade Runner with Hampton Yount

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have in individualism the patriarchy? Zef and best

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<v Speaker 1>start changing it with the Bedel Cast. All right, well,

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<v Speaker 1>it's the first day after the worst day. Good one,

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<v Speaker 1>first day after the worst day. It's the Bechdel Cast.

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<v Speaker 1>My name is Jamie, my Caitlin, And yesterday we tried

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<v Speaker 1>to stalk Alfred Billina here and then I had a

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<v Speaker 1>panic attack and Caitlyn got scared and we didn't say hi.

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<v Speaker 1>But today is another day. And that's not to say

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<v Speaker 1>that we are going to see alt from Millia today.

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<v Speaker 1>We're not. We pretty effectively fucking blew that. But all

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<v Speaker 1>I have to say is the first day after the

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<v Speaker 1>worst day. It's been in a real twenty four hours.

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<v Speaker 1>I've actually been reflecting a lot about it. What are

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<v Speaker 1>you thinking? I have like an hour long conversation last

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<v Speaker 1>night the dear friend about how you know I can

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<v Speaker 1>have something four feet away and still not say hey,

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<v Speaker 1>you're my top Google image start. I wouldn't know they're there.

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<v Speaker 1>He's right there. If we If you ever do to Molina,

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<v Speaker 1>don't open with that I'm in pervert there. I'm very

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<v Speaker 1>sick in the head and I love you. I don't

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<v Speaker 1>know anyways, So welcome to the Betel Cast. What's it about, right?

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<v Speaker 1>The portrayal of women in movies, and usually it's not

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<v Speaker 1>great that one was for women. Our guest hates women.

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<v Speaker 1>Um credit if you're wondering. If you're wondering what Bechtel cast?

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<v Speaker 1>What does that mean? It's inspired by the Bechtel test,

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<v Speaker 1>which requires that a movie has two characters. They're women.

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<v Speaker 1>They have names. They talk to each other, not about

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<v Speaker 1>a man, about anything else. Too much to ask to

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<v Speaker 1>terrorist list of demands we need to women. Those women

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<v Speaker 1>are names, not about Ryan Gosling. I got to talk

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<v Speaker 1>about their dreams. Yeah, do you want to be introduced?

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<v Speaker 1>I'm sorry, he hates women. He's a pro wrestler. It's

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<v Speaker 1>me Hampton. Yeah, well I was going to do it

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<v Speaker 1>for you. I'm from a comic. I'm a funny guy,

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<v Speaker 1>and I been different towards men and women. Largely, there's

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<v Speaker 1>really really no emotion. I think that that's progressive in

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<v Speaker 1>its in its own, in its own beautiful way. Well,

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<v Speaker 1>isn't it also the little binary there? I'm saying men

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<v Speaker 1>and women, what about difference non binary? So much you

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<v Speaker 1>might know Hampton from being the voice of Crow on Mr. Sense.

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<v Speaker 1>Oh my god, the new one. Yea, oh my god,

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<v Speaker 1>it's good. I love it. I have I have a

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<v Speaker 1>I have a full case of energy drinks of like

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<v Speaker 1>really like Porsche level and pounded half of one already. Yeah.

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<v Speaker 1>It's called uptime mental physical energy supplement original jin sing

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<v Speaker 1>jing co bloba bloba. It's like the one word that

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<v Speaker 1>it's a medicine that helps you remember things well. So

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<v Speaker 1>clearly it's not working, or it debilitated my ability to

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<v Speaker 1>form words. It's taking that away from the blow. But

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<v Speaker 1>Cohen's I'm cute. Ten. Hey let's talk about movies. Yeah, okay,

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<v Speaker 1>we're here to talk about Blade Runner. I like it, right,

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<v Speaker 1>I actually like it. So Hampton, tell us about when

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<v Speaker 1>did you first see this movie? What's your the best

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<v Speaker 1>movie ever? Second best movie in Boondogs Saints its Reduction?

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<v Speaker 1>I don't know. I like the movie. It's I watched

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<v Speaker 1>it when I was a teen, and I think I

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<v Speaker 1>saw all the bad version first, and which one is

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<v Speaker 1>bad version? Is the one that has the narrator where

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<v Speaker 1>Why didn't he Harrison Ford hated doing it so much

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<v Speaker 1>that he uh, he did it badly, like on purpose.

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<v Speaker 1>He was narrating it. Yeah, the studio was like, this

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<v Speaker 1>movie is like unfollowable, so they're kind of like, he

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<v Speaker 1>should do this narration. That's always like my wife used

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<v Speaker 1>to call me cold fish because I was a cold

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<v Speaker 1>fish in bed. But it's like shots of him like

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<v Speaker 1>looking down a dark alleyway and it's just like insanely

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<v Speaker 1>like weird jokes and ship like over it. But it's like,

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<v Speaker 1>you know, the whole movie is like only works because

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<v Speaker 1>it's this like neo noir thing, and I really hold

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<v Speaker 1>it in the same brain space as like a Kira.

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<v Speaker 1>It's like, oh yeah, it's like you're the first people

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<v Speaker 1>who did like dystopian future thing. So it's cool. It's

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<v Speaker 1>I don't know, I like it a lot. It's maybe

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<v Speaker 1>like a once a year kind of watch watching about Yeah.

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<v Speaker 1>I watched a lot of movies though, So that mean

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<v Speaker 1>that's like, you know, what do you do? What do

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<v Speaker 1>you do for a living? Make fun of bad Jamie?

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<v Speaker 1>When did you foresee it? This morning? Jesus Christ, I

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<v Speaker 1>got home perfect time I lost Here's here's a dystopian

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<v Speaker 1>novel in itself. I got home, I lost my key.

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<v Speaker 1>My roommate had to let me in. I got I

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<v Speaker 1>got into the shower, are slowly disappearing. It turned out

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<v Speaker 1>I haven't had a shower curtain in months. Where's the

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<v Speaker 1>shower curtain? So what I do is I place my

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<v Speaker 1>laptop on my sink so I can half watch a

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<v Speaker 1>movie while also showering for the whole shower. I thought

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<v Speaker 1>Harrison Ford was Liam Neeson, and then what he was doing,

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<v Speaker 1>I think that Harrison Ford. Okay, I would meet the

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<v Speaker 1>argument Harrison Ford doing a bad job is about equivalent

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<v Speaker 1>to Liam Neson doing Liam Neeson is. I have a

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<v Speaker 1>very special skills to find my wife. And here's for it.

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<v Speaker 1>It's like my wife. If you bring back my wife,

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<v Speaker 1>I'm wow. I am good invoicing. Good guys hiring me more.

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<v Speaker 1>I'm fucking unemployed. Give him to the job, Give me

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<v Speaker 1>a job, Hollywood. Yes, So did you ever see it?

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<v Speaker 1>I have seen the movie? Yes, what shitty boyfriend made

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<v Speaker 1>you watch it? No? I just watched it on my

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<v Speaker 1>own volition. I was like, I'm a freshman in college

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<v Speaker 1>and I'm a film major and I got watched you. Yeah,

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<v Speaker 1>it's awesome. Yeah, was it? Like I have two degrees.

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<v Speaker 1>I have a master to be screenwriting from Boston College

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<v Speaker 1>is kind of a way. So that's a fun degree,

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<v Speaker 1>you know. That sounds like good good news of your time. Yeah,

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<v Speaker 1>I had a great time. Um. So yeah, I think

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<v Speaker 1>I saw it for the first time in college and

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<v Speaker 1>then I've seen it now probably four or five times

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<v Speaker 1>since then. So you like it? No, so many times? There?

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<v Speaker 1>I don't understand this. Alright, guys, hot break here? Why

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<v Speaker 1>why do you Why do you like this movie? What

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<v Speaker 1>about it is fun for you? What is fun for it? Um?

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<v Speaker 1>That's an interesting question. I don't know. Maybe other than

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<v Speaker 1>I just stylistically like that sort of thing. I like

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<v Speaker 1>sci fi, like weird dystopian tales about the future, and

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<v Speaker 1>also like I like movies that are kind of about identity,

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<v Speaker 1>even if it's kind of lame. That's the one thing

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<v Speaker 1>is like I do realize a lot of my tastes

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<v Speaker 1>are really like childish. It's like I still read comic

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<v Speaker 1>books like I'm a couple of you know, like idiot.

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<v Speaker 1>But I mean it's also like, can't you just like

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<v Speaker 1>shitty things like what's so wrong with like, you know,

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<v Speaker 1>like a kind of something that's exactly but the reason

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<v Speaker 1>So I think I liked this movie the first time

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<v Speaker 1>I saw it, or I think I was just influenced

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<v Speaker 1>by knowing that it's, you know, one of the best

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<v Speaker 1>sci fi movies ever made, and I was supposed to

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<v Speaker 1>like it. So I was confused. I was eighteen, I

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<v Speaker 1>didn't know any better. And then I watch it again,

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<v Speaker 1>I was like, wait a minute, I don't drugs, and

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<v Speaker 1>I just fell in this world pressure fear pressure, like

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<v Speaker 1>Blade Runner. We're all supposed to be doing it. If

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<v Speaker 1>you're sitting in a a circle of like college freshmen, they're

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<v Speaker 1>all passing around the DVD Blade Runner, You're like, I

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<v Speaker 1>guess I'll take it. That is actually extremely accurate, like

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<v Speaker 1>that's exactly and Booddog Stage Donnie Darko that are the

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<v Speaker 1>exact same, like terrible movie, but they're good, but they're bad.

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<v Speaker 1>It's also like, look at most movies, they're awful, they're mad.

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<v Speaker 1>So if anybody like even kind of went to art school,

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<v Speaker 1>I'm like, all right, here we go something a little bit,

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<v Speaker 1>A little bit. I appreciate Blade Runner for it has

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<v Speaker 1>great production design. I think that's one of the reasons

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<v Speaker 1>that it's become such an iconic movie, and I enjoy

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<v Speaker 1>the world building. I don't think the story is executed

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<v Speaker 1>very well, and I like, I don't feel anything, like

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<v Speaker 1>the movie does not elicit any emotions in me. I

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<v Speaker 1>don't care if if Deckert wins and kills all the Also,

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<v Speaker 1>it's interesting like the replicants were slaves, no wonder, they're

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<v Speaker 1>gonna fucking kill everybody, Like this guy Stock, I'm kind

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<v Speaker 1>of on the dick. Yeah, I mean it's like that's

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<v Speaker 1>just robots in general, right, like why why why are

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<v Speaker 1>we making robots? It's every Like Elon Musk is like, stop,

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<v Speaker 1>this is going to kill everyone. All scientists are like, a,

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<v Speaker 1>I will eventually replace us. This thing we should tell

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<v Speaker 1>and we can back from. Not like it's so going forward. Yeah,

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<v Speaker 1>we're still at the point where like we could just

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<v Speaker 1>stop to keep I don't know. The computers they're just

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<v Speaker 1>so smart. I might have hit the point of no return.

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<v Speaker 1>I don't know. I saw Carl last night and it

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<v Speaker 1>looked like a shark. Oh god, well, yeah, I guess

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<v Speaker 1>it's so. Do you feel like there's movies though that

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<v Speaker 1>talk about stuff um like yeah, consciousness or like you know,

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<v Speaker 1>if a soul is real or something, you know, kind

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<v Speaker 1>of like in that vein that isn't sci fi, Like

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<v Speaker 1>I feel like these are the only movies that address

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<v Speaker 1>deeper largely, you know, and I like sci fi like

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<v Speaker 1>a movie that's like a wrong comm It's like he

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<v Speaker 1>doesn't have a they'll kill everyone. I generally like sci

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<v Speaker 1>fi a lot. It's one of my favorite genres. But

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<v Speaker 1>this movie I like at a Cocaine. I like Gotta

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<v Speaker 1>Go a lot. That's probably my favorite. Way cool cool

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<v Speaker 1>you guys are like, come on my movie podcast. I think, um,

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<v Speaker 1>Like it's also like beautiful the thing with like Blade Runner.

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<v Speaker 1>I don't know, like you could argue it's lame, sure,

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<v Speaker 1>like as a lot of things I like that I

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<v Speaker 1>find beautiful. I'm like, well, you can also call this stupid.

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<v Speaker 1>But like you know, it's like the soliloquy, you know,

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<v Speaker 1>like the shots like more effort I feel applied than

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<v Speaker 1>a lot of movies, you know, but I will I

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<v Speaker 1>will do. It's not like a self conscious movie, and

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<v Speaker 1>that's always kind of nice to see where it's like

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<v Speaker 1>not there's no like sarcasm excercise, Like everything is very

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<v Speaker 1>genuinely felt, even when it's the dumbest thing I've ever seen.

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<v Speaker 1>They feel it, they go through all the way like

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<v Speaker 1>so so that's kind of like nice to see of

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<v Speaker 1>do you feel like, um, that relationship between the him

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<v Speaker 1>and the robot girl and I mean it's all very odd,

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<v Speaker 1>right because it's so immediate, like it's like they have

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<v Speaker 1>no relationship and then and then yeah, I think, and

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<v Speaker 1>he's like, do you love me? I love you even

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<v Speaker 1>though we met yesterday. I'm sure it's just like Men

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<v Speaker 1>and Black where Will Smith gets to take over Men

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<v Speaker 1>and Black on his second day on the job, just

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<v Speaker 1>like Okay, cool, now he's the boss. And that's just

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<v Speaker 1>how this movie works there, I mean exactly like Minified

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<v Speaker 1>and I Love Man, Like I who is Harrison for

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<v Speaker 1>the Blade Runner? Is he the one running with the blade?

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<v Speaker 1>They are the blade running, the running blades across the borders,

0:12:14.840 --> 0:12:18.480
<v Speaker 1>the running blades bunch. I was waiting for that phrase

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<v Speaker 1>to be running before the Blade runs, you dog. I mean,

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<v Speaker 1>did you ever get into that whole thing where it's like, um,

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<v Speaker 1>he's a robot, you know, like a root and that's

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<v Speaker 1>like why everything's happening kind of the way it is.

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<v Speaker 1>Is that why Harrison Ford is doing so much bad

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<v Speaker 1>acting in this movie. Kind of yeah, he was like, well,

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<v Speaker 1>the character is a robot. And then when they added

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<v Speaker 1>the voiceover, that's why he got so mad. He was like,

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<v Speaker 1>you're making this guy like opposite of why I signed

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<v Speaker 1>on board. Well, we know now support school. He smoked pot.

0:12:58.679 --> 0:13:02.200
<v Speaker 1>He's really proud of his spots. Well, at least now

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<v Speaker 1>we know that he can't be a replicant because he

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<v Speaker 1>is in this sequel that's coming out, and he's an

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<v Speaker 1>old man and we learned from the replicatively lived for

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<v Speaker 1>four years, so he so he definitely was in a robot.

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<v Speaker 1>But then they find out that there was more money

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<v Speaker 1>to be made, right, Like that's just their whole Yes,

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<v Speaker 1>we did say that, but it says but money, there's

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<v Speaker 1>an asterisk and we can make money two years from now. Well,

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<v Speaker 1>I like, to me, there were opportunities for like reveals

0:13:38.800 --> 0:13:42.560
<v Speaker 1>and like exciting story components that just doesn't happen this movie.

0:13:42.760 --> 0:13:45.760
<v Speaker 1>The movie is very slow moving free. Yeah. Yeah, Um,

0:13:46.240 --> 0:13:48.319
<v Speaker 1>if there was the reveal at the end that that

0:13:48.600 --> 0:13:51.760
<v Speaker 1>Harrison Ford was also a replicant, like I'd be like, wow,

0:13:52.040 --> 0:13:53.760
<v Speaker 1>I don't know, just that staying where they got the

0:13:53.800 --> 0:13:57.360
<v Speaker 1>little origami. It's like the unicorn. Yeah, he's there. It's

0:13:57.400 --> 0:13:58.959
<v Speaker 1>because it's like that was in his dream, so the

0:13:59.000 --> 0:14:01.560
<v Speaker 1>guy wouldn't have known anyway. This is literally how guys

0:14:01.679 --> 0:14:04.000
<v Speaker 1>get like so into like movies and get online, and

0:14:04.040 --> 0:14:07.800
<v Speaker 1>we're just like, they're fucking unicorn. That's how you know

0:14:08.160 --> 0:14:11.280
<v Speaker 1>he was being incepted. I didn't realize that that was

0:14:11.400 --> 0:14:15.240
<v Speaker 1>his talisman. Look at the spinning top. It kind of

0:14:15.280 --> 0:14:18.079
<v Speaker 1>wavers at the conception. That's how you know his family

0:14:18.200 --> 0:14:22.480
<v Speaker 1>is still alive. Well, you're a fucking idiot for not

0:14:22.640 --> 0:14:28.720
<v Speaker 1>knowing the thing I just found out about. It's probably

0:14:28.840 --> 0:14:30.760
<v Speaker 1>why guys like it so much, because it's such a

0:14:30.800 --> 0:14:33.760
<v Speaker 1>great movie to shame other guys, to explain to people.

0:14:33.880 --> 0:14:37.200
<v Speaker 1>Explaining things to people. It's like literally like this orgasmic

0:14:37.320 --> 0:14:45.200
<v Speaker 1>release at the back of our explaining something, well, or

0:14:45.320 --> 0:14:48.880
<v Speaker 1>even theption of explaining something. I think it's the female

0:14:48.920 --> 0:14:51.560
<v Speaker 1>equivalent of like when you like, you know, get closure,

0:14:56.080 --> 0:15:00.400
<v Speaker 1>But but one is you can just do. It's hard

0:15:00.440 --> 0:15:02.120
<v Speaker 1>to pull off. It's hard to pull off a good

0:15:02.200 --> 0:15:07.960
<v Speaker 1>explanation as a guy. Let me tell you why. Okay,

0:15:08.560 --> 0:15:13.600
<v Speaker 1>I'm internally bleeding. Hey, this movie was written by two

0:15:13.800 --> 0:15:16.480
<v Speaker 1>people who have fake sounding names, one of whom is

0:15:16.600 --> 0:15:24.000
<v Speaker 1>named Hampton Fancher Hampden Hampton Hampton literally like never seen

0:15:24.040 --> 0:15:27.960
<v Speaker 1>another Hampton, Yeah, Hampton Fancher. He co wrote it with

0:15:28.680 --> 0:15:33.320
<v Speaker 1>David wed That actually makes me feel weird do fake

0:15:33.360 --> 0:15:37.560
<v Speaker 1>ass stunding names. I'm a fake ass dude, Hey, fake

0:15:37.600 --> 0:15:44.840
<v Speaker 1>as dude, real ast button. And David Peoples that's a

0:15:44.880 --> 0:15:47.640
<v Speaker 1>fake name, David People's. And it's adapted from the Philip K.

0:15:48.080 --> 0:15:54.520
<v Speaker 1>Dick book Android's Dream of Electric Sheep. No grow Up, Hey,

0:15:55.240 --> 0:15:58.880
<v Speaker 1>I'll do the recap. Okay, lad Runner is about Okay,

0:15:59.000 --> 0:16:01.560
<v Speaker 1>we learn I'm doing a great job. So part. But

0:16:01.760 --> 0:16:05.200
<v Speaker 1>so there are these things called replicants, their robots that

0:16:05.320 --> 0:16:10.200
<v Speaker 1>these like genetic engineer dudes made to basically be slaves.

0:16:10.680 --> 0:16:14.240
<v Speaker 1>It's set in twenty nineteen, which at the time this

0:16:14.360 --> 0:16:17.560
<v Speaker 1>movie was made in two that was like, wow, so

0:16:17.760 --> 0:16:20.840
<v Speaker 1>far in the future. But now we're like, you dumities,

0:16:20.880 --> 0:16:25.480
<v Speaker 1>you've got it all wrong. It doesn't was my robot.

0:16:25.560 --> 0:16:30.760
<v Speaker 1>We got a Warren Blade under about Trump. So it

0:16:30.800 --> 0:16:33.280
<v Speaker 1>doesn't rain in Los Angeles. It's like raining in every

0:16:33.320 --> 0:16:35.280
<v Speaker 1>single scene in this movie. And I forgot that it is.

0:16:37.080 --> 0:16:40.320
<v Speaker 1>So they are these replicants, but they basically have this

0:16:40.440 --> 0:16:44.120
<v Speaker 1>like mutiny and they start murdering people. And why wouldn't

0:16:44.160 --> 0:16:47.480
<v Speaker 1>you write I would if I was enslaved, I would

0:16:47.520 --> 0:16:51.240
<v Speaker 1>also turn into a murderous robot. Call them different things

0:16:51.280 --> 0:16:56.400
<v Speaker 1>and slaves. See that's where they start getting suspicious. WAT

0:16:56.680 --> 0:17:00.800
<v Speaker 1>call them stuff like uber driver and postmates, you know,

0:17:00.960 --> 0:17:08.600
<v Speaker 1>not slaves. They're just freelancers. Yeah, they're just they're humans.

0:17:11.800 --> 0:17:20.560
<v Speaker 1>They're getting experiences people and your internship. So the replicants

0:17:20.600 --> 0:17:24.080
<v Speaker 1>are like killing everybody, and Daryl Hannah's there, Darrell Hannah,

0:17:24.200 --> 0:17:29.880
<v Speaker 1>and then the Donade Roy yeah yeah, just my two

0:17:30.359 --> 0:17:35.239
<v Speaker 1>yeah uh. And then they're these blade Runners, who are

0:17:35.400 --> 0:17:38.480
<v Speaker 1>police officers who are basically given the instructions to like

0:17:38.560 --> 0:17:42.040
<v Speaker 1>shoot to kill any replicants because they've been made illegal

0:17:42.280 --> 0:17:46.560
<v Speaker 1>on Earth. So Harrison Ford ak Deckert is one such

0:17:46.800 --> 0:17:50.440
<v Speaker 1>blade Runner and he gets tasked with finding these four

0:17:50.600 --> 0:17:54.120
<v Speaker 1>replicants who show up. They're like kill kill them, um,

0:17:54.960 --> 0:18:00.000
<v Speaker 1>just like that not an exciting movie. He's over there,

0:18:00.160 --> 0:18:02.440
<v Speaker 1>he's right next to you, dude, just touch him. He's

0:18:02.520 --> 0:18:06.600
<v Speaker 1>right there. And meanwhile he meets with this dude Terrell

0:18:07.000 --> 0:18:10.560
<v Speaker 1>from the Terrell Corporation, who invented the replicants, and he

0:18:10.680 --> 0:18:13.080
<v Speaker 1>has a replicant of his own, and her name is Rachel.

0:18:13.520 --> 0:18:19.920
<v Speaker 1>And he's like, who's this Rachel person? Is she a person? No? No, no, no, no,

0:18:20.040 --> 0:18:23.560
<v Speaker 1>no no no, we don't do that. Rachel was going,

0:18:30.000 --> 0:18:34.800
<v Speaker 1>so I got the Rachel. It's where my brain got

0:18:34.800 --> 0:18:38.080
<v Speaker 1>put into Robot's body. The haircut. But it's that. Yeah,

0:18:38.480 --> 0:18:42.800
<v Speaker 1>And Harrison Ford like talks me through for play that

0:18:42.960 --> 0:18:52.080
<v Speaker 1>he wants to say is really cute. Here's you really cute. Okay,

0:18:52.160 --> 0:18:59.960
<v Speaker 1>now see you got goodbye, you got good hbbs. Okay, okay,

0:19:00.160 --> 0:19:06.439
<v Speaker 1>put your mouth very sensitive. I actually thought my hair

0:19:06.560 --> 0:19:11.560
<v Speaker 1>is imported fresh was way better. I think you're tied,

0:19:11.720 --> 0:19:14.000
<v Speaker 1>tied for first. I'm not even gonna try mine because

0:19:14.119 --> 0:19:16.879
<v Speaker 1>it'll it'll frankly embarrass both of you. But take a

0:19:16.920 --> 0:19:20.200
<v Speaker 1>sip of up time you're literally makes you good at impression.

0:19:22.000 --> 0:19:28.480
<v Speaker 1>It makes you j farre up. Okay. So Rachel's all like, oh,

0:19:28.640 --> 0:19:31.520
<v Speaker 1>I don't know I'm I guess I'm a replicant. She didn't,

0:19:31.560 --> 0:19:33.159
<v Speaker 1>she didn't know who she was at first, and then

0:19:33.240 --> 0:19:35.119
<v Speaker 1>she finds out that she's a replicant, so she's all

0:19:35.600 --> 0:19:40.720
<v Speaker 1>she's confused, she's scared. She's crying up there. Yeah, she's

0:19:40.760 --> 0:19:44.280
<v Speaker 1>crying up there. She's lining up there, and then she's

0:19:44.280 --> 0:19:48.200
<v Speaker 1>growing up there. Meanwhile, the other the replicants, the four

0:19:48.280 --> 0:19:52.480
<v Speaker 1>who are on Earth, are trying to especially Roy and PRIs,

0:19:52.920 --> 0:20:00.200
<v Speaker 1>are trying to locate Tyrrell because he can locate hate

0:20:00.280 --> 0:20:06.000
<v Speaker 1>Lynn what wow. Anyway, Uh, they're trying to find him

0:20:06.000 --> 0:20:07.520
<v Speaker 1>because they think he's going to be able to help

0:20:07.600 --> 0:20:10.080
<v Speaker 1>them live longer, because again, they only live for four years,

0:20:10.400 --> 0:20:13.159
<v Speaker 1>and they're like at the end of their lifespan to

0:20:13.520 --> 0:20:22.600
<v Speaker 1>live forever forever. Aristole's crying right now. What a beautiful

0:20:22.640 --> 0:20:28.760
<v Speaker 1>singing voice. That's the Queen song. And it's all about

0:20:28.800 --> 0:20:32.600
<v Speaker 1>like why would you anyway? That's wait, it's about living forever,

0:20:32.720 --> 0:20:37.679
<v Speaker 1>like because he wrote it for Highlanders, like this super

0:20:37.760 --> 0:20:41.000
<v Speaker 1>emotional song about being an immortal. What a weird paycheck,

0:20:42.880 --> 0:20:47.080
<v Speaker 1>the best paycheck? So oh. And then like Rachel's learning

0:20:47.080 --> 0:20:50.440
<v Speaker 1>about like memories being implanted in her and it's a

0:20:50.480 --> 0:20:52.919
<v Speaker 1>whole thing. And then he's like falling in love with her,

0:20:53.000 --> 0:20:55.160
<v Speaker 1>and he's trying to kill the other replicants and then

0:20:55.720 --> 0:21:00.280
<v Speaker 1>he started he killed a couple of them. He kills

0:21:00.640 --> 0:21:04.400
<v Speaker 1>Zora and Priss, the protagonis of this movie shoots two

0:21:04.480 --> 0:21:07.720
<v Speaker 1>of the main It's it's kind of like carte blanche,

0:21:07.840 --> 0:21:10.520
<v Speaker 1>like you're just allowed to shoot. Yeah, the street. There

0:21:10.560 --> 0:21:14.520
<v Speaker 1>could be a crowdful of people and they're too dangerous, right,

0:21:14.640 --> 0:21:17.160
<v Speaker 1>It's it's totally very and he's total and it's totally

0:21:17.240 --> 0:21:20.840
<v Speaker 1>fine because they're not wearing a lot of clothes, so

0:21:20.920 --> 0:21:26.320
<v Speaker 1>they have a great one down sugar, Like, just I

0:21:26.400 --> 0:21:29.679
<v Speaker 1>saw the sexy chicks. Dude, stop it. Let the Prince's

0:21:29.760 --> 0:21:34.400
<v Speaker 1>death was genuinely like, come on, she was she was cool,

0:21:34.840 --> 0:21:39.600
<v Speaker 1>very hot. You know, she was slipping around sexualized. It's

0:21:39.640 --> 0:21:43.399
<v Speaker 1>like in a It's like Deny when Zena on the

0:21:43.520 --> 0:21:46.560
<v Speaker 1>top and Golden Eye kills men with her vagina. Yeah,

0:21:47.000 --> 0:21:51.600
<v Speaker 1>it was the deaths were too sexy, sexy. I got

0:21:51.680 --> 0:21:54.480
<v Speaker 1>turned on too much. I was upset. I had to

0:21:54.560 --> 0:22:00.800
<v Speaker 1>lieve the theater man. I demanded a refund music. I

0:22:00.920 --> 0:22:03.840
<v Speaker 1>wasn't betting on being corny. Excuse me, excuse me, sir,

0:22:04.720 --> 0:22:13.600
<v Speaker 1>that movie turned me on. I would like a cash refund. Uh.

0:22:13.680 --> 0:22:16.920
<v Speaker 1>And then the big climactic scene is Roy the bed,

0:22:17.040 --> 0:22:22.399
<v Speaker 1>the big bad replicant Inherson the Dutchy fight the Duchy

0:22:22.480 --> 0:22:28.880
<v Speaker 1>with the frestye kIPS Dutch that's to the left hand side.

0:22:29.600 --> 0:22:32.720
<v Speaker 1>He's so cool man, He's Ruger Howard. Have you seen

0:22:32.840 --> 0:22:36.840
<v Speaker 1>him in The Hitch the hit Shert in Hitch Hitch

0:22:37.680 --> 0:22:41.880
<v Speaker 1>is the prequel to The Hitchhert Hitchers, really scary fun

0:22:42.359 --> 0:22:47.000
<v Speaker 1>So so Reger Howard has his own AIDS Awareness organization. Amazing,

0:22:47.440 --> 0:22:50.640
<v Speaker 1>but it's funny because it's called the Rudger Howard Starfish Association.

0:22:51.480 --> 0:22:54.399
<v Speaker 1>I wonder why that is. Shouldn't he call it chocolate Starfish,

0:22:56.400 --> 0:23:01.200
<v Speaker 1>limp biscuit the benefits hesn't Why don't I because he

0:23:01.280 --> 0:23:03.080
<v Speaker 1>looks so familiar to me. But he's kind of just

0:23:03.200 --> 0:23:05.760
<v Speaker 1>like I mean, I thought he was Ed Harris for

0:23:05.880 --> 0:23:10.960
<v Speaker 1>the longest time. What I thought? He looks like Ed

0:23:11.080 --> 0:23:17.920
<v Speaker 1>Harris so racist against straight white men, so goddamn turn

0:23:18.000 --> 0:23:23.000
<v Speaker 1>on and mad right now? Alright, So the big fight

0:23:23.080 --> 0:23:27.320
<v Speaker 1>scene at the end, and rather than Harrison Ford defeating Roy,

0:23:27.760 --> 0:23:30.639
<v Speaker 1>who is like losing the battle like Deckert is like

0:23:31.040 --> 0:23:36.639
<v Speaker 1>shitty at fighting, he keeps pausing to give soliloquies. Have

0:23:36.760 --> 0:23:41.520
<v Speaker 1>you ever seen the Fires of Orion? Roy just dies

0:23:41.600 --> 0:23:46.720
<v Speaker 1>of old age. And then that is pretty funny. He

0:23:46.840 --> 0:23:53.720
<v Speaker 1>basically do it. So then Deckert goes to Rachel, his

0:23:53.840 --> 0:23:56.440
<v Speaker 1>new girlfriend who he met yesterday, and he's like, I

0:23:56.560 --> 0:23:59.520
<v Speaker 1>know that you're a replicant robot, but let's just run

0:23:59.560 --> 0:24:02.440
<v Speaker 1>away together and maybe I'm also a replicate. I don't know.

0:24:03.840 --> 0:24:06.639
<v Speaker 1>You're running off into the sunset. Why you gotta go

0:24:07.600 --> 0:24:14.480
<v Speaker 1>so complicated? I mean, like, this's just a happy, happy romance. Yeah,

0:24:15.320 --> 0:24:20.639
<v Speaker 1>a love story for the ages. If you're a bad movie,

0:24:20.680 --> 0:24:26.000
<v Speaker 1>if you're well, let's talk about the how the women

0:24:26.040 --> 0:24:29.040
<v Speaker 1>are portrayed in it. So we have three main female

0:24:29.119 --> 0:24:32.600
<v Speaker 1>characters and none of them are human. There are no

0:24:32.840 --> 0:24:36.480
<v Speaker 1>human women in this movie who have speaking roles. It

0:24:36.720 --> 0:24:39.840
<v Speaker 1>is who Yeah, I'm good. So the first one we

0:24:39.920 --> 0:24:42.639
<v Speaker 1>meet is Rachel, and she's the good replication. She's not

0:24:42.720 --> 0:24:45.600
<v Speaker 1>like the other replicants. She's nice, but she's also she's

0:24:45.600 --> 0:24:48.440
<v Speaker 1>a bit of a she's a bit of fatal replicant,

0:24:49.160 --> 0:24:51.760
<v Speaker 1>and she she's a crier. So it's like, oh, we

0:24:51.920 --> 0:24:57.000
<v Speaker 1>like her, But do I love it when women cry? Yeah,

0:24:57.480 --> 0:25:01.639
<v Speaker 1>that's a stereotype seeing a woman crying. And they were like,

0:25:01.840 --> 0:25:08.119
<v Speaker 1>cool to leave the movie theaters, do turn on. That

0:25:08.359 --> 0:25:13.240
<v Speaker 1>movie just made me crazy, horny chick was crying, I

0:25:13.359 --> 0:25:15.960
<v Speaker 1>want to have a relationship with the person on the screen.

0:25:17.000 --> 0:25:20.120
<v Speaker 1>So Rachel, she's she's a robot. But then she has

0:25:20.200 --> 0:25:22.800
<v Speaker 1>the memories of the guy who loses his eyeballs, his

0:25:22.920 --> 0:25:26.600
<v Speaker 1>needs right, Tyrell's niece, So they implant her with these memories,

0:25:26.640 --> 0:25:29.919
<v Speaker 1>so she thinks she's human. Also, so they administer these

0:25:30.000 --> 0:25:33.440
<v Speaker 1>tests to figure out if someone's a replicator because void

0:25:33.600 --> 0:25:37.520
<v Speaker 1>Komp that's the name of the test. Okay, yeah, And

0:25:37.560 --> 0:25:40.200
<v Speaker 1>it's like basically just like asking all these questions that

0:25:40.320 --> 0:25:43.680
<v Speaker 1>will see if it'll elicit some sort of emotional response

0:25:43.720 --> 0:25:46.520
<v Speaker 1>and the replicants because basically the movie sets up that

0:25:46.640 --> 0:25:49.639
<v Speaker 1>the replicans are pretty much indistinguishable from humans except that

0:25:50.200 --> 0:25:55.960
<v Speaker 1>their emotional intelligence isn't uh and they only know it

0:25:56.040 --> 0:25:58.960
<v Speaker 1>for four years. That you can just watch them keel

0:25:59.040 --> 0:26:05.240
<v Speaker 1>over in the streets. It's dying. I also, but you

0:26:05.320 --> 0:26:08.000
<v Speaker 1>almost got to give respect to the movie that, like,

0:26:08.600 --> 0:26:10.959
<v Speaker 1>it's not just like a thing he scans people with like, oh,

0:26:11.000 --> 0:26:12.960
<v Speaker 1>there they're a robot, go get him. It's like he

0:26:13.080 --> 0:26:15.720
<v Speaker 1>has to give him this personality test, has to sit

0:26:15.760 --> 0:26:18.600
<v Speaker 1>people down and do the Myers Briggs, are you introgreted

0:26:18.720 --> 0:26:23.400
<v Speaker 1>or replicate your freak. I think they're making a point

0:26:23.400 --> 0:26:27.280
<v Speaker 1>about like nuance of personality or something. You know. At

0:26:27.320 --> 0:26:30.920
<v Speaker 1>one point, will we even give a fuck? You know,

0:26:31.359 --> 0:26:33.760
<v Speaker 1>you could talk to a robot that like just replicates

0:26:33.800 --> 0:26:36.320
<v Speaker 1>you know, human empathy, and you're like, you're my name,

0:26:36.359 --> 0:26:39.600
<v Speaker 1>best friend. I think I love you. You're so there

0:26:39.680 --> 0:26:41.760
<v Speaker 1>for me, and like, you know, is it the Turing

0:26:41.840 --> 0:26:45.520
<v Speaker 1>tests that it's like, is this that's what that is? Yeah?

0:26:46.080 --> 0:26:50.800
<v Speaker 1>So did this movie invent it? No? But but even

0:26:50.880 --> 0:26:58.000
<v Speaker 1>this test, there's one where the agers really thinks, all right,

0:26:58.080 --> 0:27:03.119
<v Speaker 1>he's the guy that invented there's this point, I'm an idiot.

0:27:03.280 --> 0:27:06.200
<v Speaker 1>They ask Rachel question. They sort of asked her about

0:27:06.200 --> 0:27:09.639
<v Speaker 1>her sexuality at one point. Or She's like that was

0:27:09.680 --> 0:27:12.760
<v Speaker 1>the first of them like, oh and she's a whether

0:27:12.880 --> 0:27:15.520
<v Speaker 1>she's human or not. They're like, whoa, who do you

0:27:15.640 --> 0:27:20.399
<v Speaker 1>fucking like? We're just curious immediately what you're doing with that.

0:27:22.440 --> 0:27:25.840
<v Speaker 1>It doesn't matter of the ass is sentient or not. Sentient,

0:27:26.000 --> 0:27:30.639
<v Speaker 1>asks gentlemen, we've invented it sentient as for years the

0:27:30.720 --> 0:27:36.399
<v Speaker 1>woman have plagued men. But imagine a sentient something that

0:27:36.880 --> 0:27:40.199
<v Speaker 1>has feelings that a man needs, and it's a Giant Us.

0:27:41.680 --> 0:27:47.240
<v Speaker 1>This is my favorite improv group that I go and see. Right,

0:27:47.280 --> 0:27:49.800
<v Speaker 1>So yeah, that that scene is like is this testing

0:27:49.840 --> 0:27:56.080
<v Speaker 1>whether I'm a replicat or a lesbians? Yeah, that's exactly cornyline. Yes,

0:27:57.080 --> 0:27:59.480
<v Speaker 1>why am I lesbian? It's such a like also a

0:27:59.560 --> 0:28:02.879
<v Speaker 1>throwback to like a noir line, like they used to

0:28:02.920 --> 0:28:06.080
<v Speaker 1>always do that, like you got the hot yeah, like

0:28:06.160 --> 0:28:08.320
<v Speaker 1>you have the things she should be like leaning in

0:28:08.440 --> 0:28:12.239
<v Speaker 1>and like pushing her cleavage together, like what are you suggesting? Right?

0:28:12.359 --> 0:28:16.440
<v Speaker 1>But it's obnoxious. Well, the thing with that scene is

0:28:16.520 --> 0:28:18.879
<v Speaker 1>that you discover that it took like he had to

0:28:18.960 --> 0:28:21.640
<v Speaker 1>administer the test for much longer and ask him any

0:28:21.680 --> 0:28:24.000
<v Speaker 1>more questions than with the other replicants. So there's something

0:28:24.040 --> 0:28:27.159
<v Speaker 1>about her that makes her special and maybe that's why

0:28:27.240 --> 0:28:31.800
<v Speaker 1>he loves her. She's calling like the other replicants respect

0:28:31.840 --> 0:28:38.240
<v Speaker 1>a man's love. Absolutely cannot respect a man's love period

0:28:40.480 --> 0:28:42.480
<v Speaker 1>in the streets. It's just a goofy your love, And

0:28:43.520 --> 0:28:46.320
<v Speaker 1>it really is. Yeah, you know how goofy men's love is.

0:28:46.560 --> 0:28:49.520
<v Speaker 1>It's like, sit down, I wrote a song and you

0:28:49.600 --> 0:28:53.400
<v Speaker 1>have to like that level of like creepy. It's creepy.

0:28:53.840 --> 0:28:58.080
<v Speaker 1>It's of a woman's love. And if he shows you

0:28:58.160 --> 0:29:02.640
<v Speaker 1>one shade of that of that fifty shades upright, I'm

0:29:02.680 --> 0:29:08.960
<v Speaker 1>gonna need more. There's three women almost speak because I

0:29:09.000 --> 0:29:12.320
<v Speaker 1>almost don't even think about the replicants. To me, they're

0:29:12.320 --> 0:29:16.640
<v Speaker 1>just like an obstacle. Well I think that that's intentionally done. Yeah,

0:29:16.680 --> 0:29:18.959
<v Speaker 1>I mean, Rachel's the only female character that we're supposed

0:29:18.960 --> 0:29:22.400
<v Speaker 1>to feel anything for, right, because Zora is the like

0:29:22.680 --> 0:29:26.920
<v Speaker 1>snake lady. She's an exotic dancer of some sort of thing.

0:29:27.040 --> 0:29:30.160
<v Speaker 1>She has one good line where she's a robot who

0:29:30.160 --> 0:29:33.520
<v Speaker 1>could be a construction worker and just like build buildings

0:29:33.560 --> 0:29:35.600
<v Speaker 1>with her bare hands. But she's like, I don't know

0:29:35.680 --> 0:29:40.560
<v Speaker 1>what to do. Chip she's also a robot, probably has

0:29:40.600 --> 0:29:43.560
<v Speaker 1>like insane like brain capacity, and she's still like, you

0:29:43.640 --> 0:29:47.880
<v Speaker 1>know what she could? And I think she was empowered

0:29:47.920 --> 0:29:51.360
<v Speaker 1>by Amber Rose. Yeah, I mean, let's learned that somehow

0:29:51.440 --> 0:29:53.600
<v Speaker 1>being a stripper is the most feminist thing you could do.

0:29:53.960 --> 0:29:58.120
<v Speaker 1>It's very empowering. Everyone's He's like, is that a real snake?

0:29:58.320 --> 0:30:01.560
<v Speaker 1>And she's like, no, I get aboard on a second,

0:30:02.600 --> 0:30:05.440
<v Speaker 1>Actually that snake he looks like a girl's sake. It's

0:30:07.000 --> 0:30:11.360
<v Speaker 1>blade runners. When really deckerd finds that like scale, Yeah,

0:30:11.440 --> 0:30:14.280
<v Speaker 1>it's it's like the worst detective work. He's like, here

0:30:14.320 --> 0:30:18.160
<v Speaker 1>it is the clue, right here where it should be.

0:30:18.400 --> 0:30:21.200
<v Speaker 1>Like he finds a creepy believe it took me forever

0:30:21.320 --> 0:30:23.920
<v Speaker 1>to piece together because then he goes and like he

0:30:24.040 --> 0:30:26.960
<v Speaker 1>goes to the snake man. He's like, who you're selling

0:30:27.000 --> 0:30:29.000
<v Speaker 1>your snakes too? And I was like, what's happening? And

0:30:29.080 --> 0:30:31.760
<v Speaker 1>then detective talks to that other dude in the bar

0:30:31.880 --> 0:30:43.080
<v Speaker 1>and sny no matter what you're Harrison's talking. He sounds

0:30:43.200 --> 0:30:46.280
<v Speaker 1>very old. He is great. He's had a dad bod

0:30:46.360 --> 0:30:49.240
<v Speaker 1>since he was fifteen years old. He's had a Jones

0:30:49.280 --> 0:30:52.560
<v Speaker 1>basically had dad. For sure. He's a crummy actor. He's

0:30:52.560 --> 0:30:58.440
<v Speaker 1>a crumby act when he doesn't have any When he good,

0:30:58.560 --> 0:31:00.959
<v Speaker 1>he's like, when is he not himself? You know, well

0:31:01.040 --> 0:31:04.160
<v Speaker 1>that's well, sure, he doesn't have a lot of like versatility,

0:31:04.480 --> 0:31:12.520
<v Speaker 1>so it doesn't have range. But you're like, oh, time

0:31:14.040 --> 0:31:17.320
<v Speaker 1>into the role. Sure, but Alfred Milena raised the loss

0:31:17.640 --> 0:31:22.680
<v Speaker 1>Alfama of the Da Vinci Code two thousand six You

0:31:22.760 --> 0:31:24.920
<v Speaker 1>try to throw him a whip in two thousand sixteen.

0:31:25.000 --> 0:31:26.840
<v Speaker 1>He won't accept it. No, He's like, I've done it

0:31:28.160 --> 0:31:31.880
<v Speaker 1>what's next. People give him robot tentacles and he's like,

0:31:32.240 --> 0:31:37.440
<v Speaker 1>did you see Spiderman two two thou before? I'm the

0:31:37.560 --> 0:31:42.000
<v Speaker 1>rain Man of Alfred Milena. A point I would like

0:31:42.080 --> 0:31:44.920
<v Speaker 1>to make is that we see again and again in

0:31:45.080 --> 0:31:48.280
<v Speaker 1>movies that there's often a scene where a man has

0:31:48.360 --> 0:31:51.240
<v Speaker 1>to save a woman. A woman is in peril. That

0:31:57.000 --> 0:32:01.760
<v Speaker 1>was literally standing in a platum, a very intense moment

0:32:01.840 --> 0:32:04.000
<v Speaker 1>for everyone. We're not going to be able to release

0:32:04.040 --> 0:32:07.480
<v Speaker 1>this episode because you have something. Oh my god, because

0:32:07.520 --> 0:32:14.880
<v Speaker 1>you're a guest, you're singing so many copyrights. No, but

0:32:14.920 --> 0:32:17.880
<v Speaker 1>it's fine because I'm doing it my bad version, and

0:32:17.960 --> 0:32:24.480
<v Speaker 1>I'm doing it under like eight seconds. I know the law.

0:32:24.680 --> 0:32:30.120
<v Speaker 1>I know the law. So women are often women be

0:32:30.240 --> 0:32:34.520
<v Speaker 1>in peril in movies. They need they need saving, and

0:32:36.080 --> 0:32:40.640
<v Speaker 1>is it a very annoying I get saved at least

0:32:40.680 --> 0:32:43.080
<v Speaker 1>once a day, So it's a very annoying trump that

0:32:43.120 --> 0:32:45.920
<v Speaker 1>I hate. We don't see it in this movie. Instead,

0:32:46.200 --> 0:32:50.160
<v Speaker 1>we see a woman saving a man or a woman robot.

0:32:50.520 --> 0:32:55.800
<v Speaker 1>That's true because there are no women humans. But it's

0:32:55.880 --> 0:32:59.560
<v Speaker 1>it's the scene where um Leon, the fourth replicant, who

0:32:59.600 --> 0:33:01.840
<v Speaker 1>we haven't met yet, he's like fighting with Deckert and

0:33:01.920 --> 0:33:04.320
<v Speaker 1>about to kill him by pushing his thumbs into his

0:33:04.440 --> 0:33:07.760
<v Speaker 1>eyes or that's the how you kill people if you're

0:33:08.040 --> 0:33:11.120
<v Speaker 1>a robot. I liked that part. And he's about so

0:33:11.160 --> 0:33:14.640
<v Speaker 1>he's about too like eyes motion him and then he

0:33:14.760 --> 0:33:22.120
<v Speaker 1>gets but then he gets shot in the head and

0:33:22.720 --> 0:33:29.680
<v Speaker 1>reveal that it's Rachel Pick So Rachel, Rachel's saves Rachel

0:33:29.760 --> 0:33:33.840
<v Speaker 1>saves Deckert from getting dead. I like that this movie

0:33:33.880 --> 0:33:36.840
<v Speaker 1>subverts that very annoying trope. But there's so much that

0:33:36.920 --> 0:33:39.480
<v Speaker 1>it does. Like they're sure every female character in this

0:33:39.560 --> 0:33:43.000
<v Speaker 1>movie either exists to be a foil to a man

0:33:43.280 --> 0:33:46.080
<v Speaker 1>or to write like Rachel's whole reason for existing in

0:33:46.120 --> 0:33:50.000
<v Speaker 1>the movie is to facilitate the growth of Harrison Ford's character,

0:33:50.160 --> 0:33:52.479
<v Speaker 1>Like that's why she's there, to change his attitude. I'm

0:33:52.480 --> 0:33:54.480
<v Speaker 1>out my room wants and maybe they're not so mad,

0:33:54.640 --> 0:33:57.280
<v Speaker 1>and like that's well. The thing is, he doesn't even

0:33:57.320 --> 0:33:59.880
<v Speaker 1>seem to hate replicants that much. He doesn't even know

0:34:00.000 --> 0:34:02.000
<v Speaker 1>anything about them. In the first scene when the dudes

0:34:02.040 --> 0:34:03.760
<v Speaker 1>explaining to them that, He's like, yeah, they only lived

0:34:03.800 --> 0:34:05.560
<v Speaker 1>for four years. You bet at your job. But he

0:34:05.640 --> 0:34:15.120
<v Speaker 1>didn't like one of them. Whatever, don't blade dogades just

0:34:15.320 --> 0:34:19.680
<v Speaker 1>like I'm a roll by, but I like Chris was

0:34:19.760 --> 0:34:23.920
<v Speaker 1>my favorite. I mean, little dar Daryl Hannah got she

0:34:24.080 --> 0:34:28.040
<v Speaker 1>has probably the most agency, or she's she's active. She

0:34:28.239 --> 0:34:31.879
<v Speaker 1>tricks the dude Sebastian into like, oh man, that guy

0:34:31.960 --> 0:34:37.200
<v Speaker 1>though with his weird like I've and you're like what

0:34:37.320 --> 0:34:39.560
<v Speaker 1>he is, like he has a disease where he ate

0:34:39.680 --> 0:34:43.000
<v Speaker 1>his like aging is accelerated. Dude is so awesome. I've,

0:34:43.040 --> 0:34:46.920
<v Speaker 1>but I look like shit, I'm a paynut farmer. But

0:34:47.200 --> 0:34:51.480
<v Speaker 1>also about I make friends, I would I would do

0:34:51.640 --> 0:34:53.200
<v Speaker 1>that if I was the guy who could do that

0:34:53.440 --> 0:34:56.040
<v Speaker 1>and make those easy. If there's anyone in the movie

0:34:56.120 --> 0:34:59.000
<v Speaker 1>that I could realistically see myself with it him. I

0:34:59.080 --> 0:35:01.520
<v Speaker 1>don't like it when they're full adult size, but when

0:35:01.560 --> 0:35:05.160
<v Speaker 1>they're tiny and they're like cartoon characters, that's pretty great.

0:35:06.239 --> 0:35:09.759
<v Speaker 1>Baby clowns. Check out clown. All they have to do

0:35:09.880 --> 0:35:11.600
<v Speaker 1>is like get bonked on the head and fall down

0:35:11.640 --> 0:35:13.279
<v Speaker 1>every now and then. It's not like, you know, it's

0:35:13.320 --> 0:35:17.960
<v Speaker 1>not like grueling work. But prison I mean she, I mean,

0:35:18.320 --> 0:35:19.800
<v Speaker 1>you can see both ways. I like she has the

0:35:19.880 --> 0:35:21.759
<v Speaker 1>most agency, but you could also be like, oh, they

0:35:21.840 --> 0:35:27.040
<v Speaker 1>made a little cunning witch female character. She's another of them.

0:35:27.160 --> 0:35:31.799
<v Speaker 1>They tell I'd like to pay for two tickets because

0:35:31.800 --> 0:35:39.880
<v Speaker 1>I love magic, Mr Pizza, cunning witches. So those are

0:35:39.920 --> 0:35:43.480
<v Speaker 1>the three prisons, Zora and Rachel. Rachel, what kind of

0:35:43.560 --> 0:35:46.000
<v Speaker 1>a character would you have liked to have seen put

0:35:46.080 --> 0:35:49.880
<v Speaker 1>in this? I mean, any human women? Why couldn't one

0:35:49.920 --> 0:35:55.520
<v Speaker 1>of the other Blade runners be a woman? His girlfriend?

0:35:55.680 --> 0:35:58.319
<v Speaker 1>Should it? But like, how removed should it be from him?

0:35:58.400 --> 0:36:03.440
<v Speaker 1>Like partner or love interest? I mean it didn't. You

0:36:03.520 --> 0:36:06.280
<v Speaker 1>don't need to necessarily add someone new to the story.

0:36:06.360 --> 0:36:08.120
<v Speaker 1>That wouldn't make sense for the story. But just like

0:36:08.360 --> 0:36:11.160
<v Speaker 1>he could have been his police chief decord, I need

0:36:11.280 --> 0:36:15.400
<v Speaker 1>fucking results. It could have been put on your blades?

0:36:16.600 --> 0:36:19.839
<v Speaker 1>Where are your blades? Where are your blades? She's as

0:36:19.920 --> 0:36:27.920
<v Speaker 1>mad about things he forgot to bring running. What's your problem? Yeah?

0:36:27.960 --> 0:36:30.640
<v Speaker 1>And we need a naggy woman in here. Oh there's

0:36:30.840 --> 0:36:34.480
<v Speaker 1>um the woman in the She like looks at the

0:36:34.960 --> 0:36:37.320
<v Speaker 1>snake scale. He thinks it's like a fit and she's like,

0:36:37.400 --> 0:36:39.360
<v Speaker 1>oh no, so there's a there's another woman with a

0:36:39.400 --> 0:36:43.600
<v Speaker 1>speaking roll I forgot about. But she's like, secretly, I

0:36:43.680 --> 0:36:49.840
<v Speaker 1>love you ded like Rachel, and forgive me if I

0:36:49.920 --> 0:36:52.239
<v Speaker 1>missed a part when I was taking a shower and

0:36:52.400 --> 0:36:55.840
<v Speaker 1>really not watching the movie at all, but it was on.

0:36:58.239 --> 0:37:01.680
<v Speaker 1>But there's like Rachel Harris a Ford and Rachel they

0:37:01.680 --> 0:37:04.400
<v Speaker 1>both sort of have like these identity issues, right, but

0:37:04.560 --> 0:37:07.600
<v Speaker 1>like Rachel, what's the resolution there where she's like, oh,

0:37:07.719 --> 0:37:09.800
<v Speaker 1>I guess I have the memories of the eyeball guy's

0:37:09.920 --> 0:37:13.040
<v Speaker 1>niece and I'm sad about that. But then there's no like,

0:37:13.440 --> 0:37:15.719
<v Speaker 1>where does that arc? You're going to go on the road? Right,

0:37:16.480 --> 0:37:18.239
<v Speaker 1>they're they're on the lamb now now they know the

0:37:18.400 --> 0:37:21.000
<v Speaker 1>robots and they're like to figure like figure it out.

0:37:21.760 --> 0:37:23.360
<v Speaker 1>I don't know. Like that that was the end of

0:37:23.560 --> 0:37:25.600
<v Speaker 1>where her character ended. Was like, oh, there was no

0:37:26.520 --> 0:37:29.160
<v Speaker 1>like she was truly they were like here's a shell

0:37:29.280 --> 0:37:33.280
<v Speaker 1>of a woman, forced her to say whatever you want. Okay,

0:37:33.520 --> 0:37:35.359
<v Speaker 1>that scene, let's talk about let's talk about that scene

0:37:35.640 --> 0:37:39.560
<v Speaker 1>was like so the scene where she's back at his apartment,

0:37:39.680 --> 0:37:42.800
<v Speaker 1>she's playing piano. He goes into kiss her very twilight.

0:37:44.160 --> 0:37:52.480
<v Speaker 1>He's all wounding over piano playing. He moves into kiss her,

0:37:52.760 --> 0:37:57.040
<v Speaker 1>she pulls away, gets up, tries to leave. He slams

0:37:57.080 --> 0:38:05.920
<v Speaker 1>the door shut. He's like shooting robots for you. So

0:38:06.040 --> 0:38:09.400
<v Speaker 1>we got pretty cool devil's advocating right now, So he

0:38:09.520 --> 0:38:11.920
<v Speaker 1>slams the door shut so that she can't leave. He

0:38:12.120 --> 0:38:16.600
<v Speaker 1>violently pushes her against the wall and then like corners

0:38:16.600 --> 0:38:19.920
<v Speaker 1>her puts his arms up sore, she can't move, she's crying.

0:38:20.360 --> 0:38:24.320
<v Speaker 1>He's like, kiss me, you want me to kiss you?

0:38:24.760 --> 0:38:29.239
<v Speaker 1>Kiss me? And she's like, she was like, you want me?

0:38:29.520 --> 0:38:32.520
<v Speaker 1>I want you to say it again. It is I

0:38:32.760 --> 0:38:36.200
<v Speaker 1>think meant to be I think it's meant to be

0:38:37.000 --> 0:38:41.320
<v Speaker 1>hot hot, but it is so ra That movie just

0:38:41.440 --> 0:38:45.640
<v Speaker 1>turned me on. He just kissed that woman who loves him.

0:38:46.680 --> 0:38:49.640
<v Speaker 1>She does it, well, that's okay. And then the three

0:38:49.680 --> 0:38:52.279
<v Speaker 1>female characters speaking to the fact that there's no human women.

0:38:52.640 --> 0:38:57.000
<v Speaker 1>All three female characters were invented by men. I was like, oh,

0:38:57.080 --> 0:38:59.239
<v Speaker 1>how hard is this movie thinking about itself? Answer, I

0:38:59.239 --> 0:39:02.160
<v Speaker 1>don't think very hard. But there was like a ten

0:39:02.200 --> 0:39:05.440
<v Speaker 1>minutes span where I'm like, maybe what really Scott's trying

0:39:05.520 --> 0:39:09.120
<v Speaker 1>to say is that men created these women and that's

0:39:09.160 --> 0:39:11.320
<v Speaker 1>why the female characters are so horrible, because it's just

0:39:11.400 --> 0:39:13.400
<v Speaker 1>the man's perception of what a woman should be doing.

0:39:14.000 --> 0:39:15.879
<v Speaker 1>And then I was like, oh, no, it's just bad.

0:39:16.560 --> 0:39:18.479
<v Speaker 1>This is just how you're giving it too much credit.

0:39:19.360 --> 0:39:22.600
<v Speaker 1>It's just bad, badly written female characters. But the the

0:39:23.120 --> 0:39:25.839
<v Speaker 1>escape and how because I always try to like car

0:39:25.880 --> 0:39:27.800
<v Speaker 1>ready for this podcast, I'm like, how would an asshole

0:39:27.880 --> 0:39:30.080
<v Speaker 1>explain away the point I'm about to make? And I

0:39:30.200 --> 0:39:33.080
<v Speaker 1>think it would be that's like, well, the women were

0:39:33.280 --> 0:39:36.879
<v Speaker 1>created by men, and so the men don't understand women,

0:39:36.960 --> 0:39:38.600
<v Speaker 1>so they just made women that made gents to them,

0:39:38.640 --> 0:39:41.839
<v Speaker 1>So women that wanted to get naked and sucked them, right,

0:39:42.320 --> 0:39:47.759
<v Speaker 1>So that was the Devil's advocate to degree there. Yeah,

0:39:48.239 --> 0:39:50.600
<v Speaker 1>I don't didn't even know that. I don't think they

0:39:50.640 --> 0:39:52.680
<v Speaker 1>were thinking very hard about that. I think, well, my

0:39:52.880 --> 0:39:55.160
<v Speaker 1>my thing is honestly, I just think, you know, movies

0:39:55.200 --> 0:39:57.719
<v Speaker 1>really didn't think about this till about ten years ago.

0:39:58.120 --> 0:40:02.120
<v Speaker 1>Hampton Fancher was not thinking about No, I don't know.

0:40:02.200 --> 0:40:04.719
<v Speaker 1>I mean like it was and it wasn't, but like

0:40:05.440 --> 0:40:08.239
<v Speaker 1>i'd say this, yeah, it just hasn't been applied. Philip K.

0:40:08.360 --> 0:40:12.400
<v Speaker 1>Dick was certainly not thinking about finding that book. It

0:40:12.480 --> 0:40:14.960
<v Speaker 1>was probably like nineteen sixty. It had to be in

0:40:14.960 --> 0:40:22.160
<v Speaker 1>the sixty. Yeah, it's badly made, Like you know, it's like, yeah,

0:40:22.640 --> 0:40:26.120
<v Speaker 1>you're totally right. There's a glaring problems that it's like,

0:40:26.239 --> 0:40:28.120
<v Speaker 1>now if you couldn't get away with it right. Well,

0:40:28.120 --> 0:40:30.760
<v Speaker 1>I'm interested to see if in the in this sequel

0:40:30.800 --> 0:40:36.480
<v Speaker 1>that's coming, if they're more interesting or developed female characters,

0:40:36.480 --> 0:40:39.680
<v Speaker 1>because like the love story that's set up between Harrison

0:40:39.760 --> 0:40:43.680
<v Speaker 1>Ford's character and Rachel is like, why do they like

0:40:43.840 --> 0:40:45.759
<v Speaker 1>each other? This happens all the time in movies where

0:40:45.760 --> 0:40:48.120
<v Speaker 1>it's like we're not sure what They're near each other

0:40:48.200 --> 0:40:50.880
<v Speaker 1>and they're both attractive, so naturally they're gonna want to

0:40:50.960 --> 0:40:54.120
<v Speaker 1>fucking be together forever. But like, so she'll do whatever

0:40:54.320 --> 0:40:58.480
<v Speaker 1>he tells. It's so like that whole thing. I was like, Oh,

0:40:58.600 --> 0:41:00.640
<v Speaker 1>so that's why he likes her, because he's like, hey,

0:41:00.760 --> 0:41:02.680
<v Speaker 1>say this thing to me that makes me feel cute.

0:41:04.080 --> 0:41:14.399
<v Speaker 1>I'm feeling about my hips, makes me feel cute. He's

0:41:14.520 --> 0:41:20.600
<v Speaker 1>hervy man curve. I got dumb thick butt. Though. One

0:41:20.640 --> 0:41:22.279
<v Speaker 1>thing I do like about the movie is that you

0:41:22.400 --> 0:41:26.560
<v Speaker 1>do see Duckard's as get kicked by two women because

0:41:26.760 --> 0:41:30.160
<v Speaker 1>Zora and Priss both beat the ship up. That's like

0:41:30.239 --> 0:41:32.840
<v Speaker 1>the most progressive thing you could do with a woman.

0:41:35.440 --> 0:41:39.439
<v Speaker 1>A man doesn't immediately naked ultra feminist in a movie.

0:41:40.080 --> 0:41:42.520
<v Speaker 1>Cain and I spent our nights and he's just hunting.

0:41:43.719 --> 0:41:46.400
<v Speaker 1>The press. Fight scene was really weird because she basically

0:41:46.480 --> 0:41:50.560
<v Speaker 1>like gets him in a headlock with her vagina. What

0:41:50.760 --> 0:41:54.960
<v Speaker 1>a weird way to fight, guys. Never kickled someone's fucking

0:41:55.080 --> 0:42:03.920
<v Speaker 1>head up, pure decapitation World combat style. And then Golden

0:42:03.960 --> 0:42:06.719
<v Speaker 1>ailes she puts her fingers up his nose. That's a

0:42:06.760 --> 0:42:11.200
<v Speaker 1>great way I hurt someone your nose is like stone

0:42:11.440 --> 0:42:14.239
<v Speaker 1>and humiliate them at the same time. The only thing

0:42:14.239 --> 0:42:17.320
<v Speaker 1>I learned about self defense I learned from Miscongeniality two thousand.

0:42:17.800 --> 0:42:20.920
<v Speaker 1>What'd you learn? Uh, there's a part where Sandra Bullock

0:42:21.360 --> 0:42:25.720
<v Speaker 1>says you have to remember to sing solar plexus, instep

0:42:25.840 --> 0:42:28.040
<v Speaker 1>knows groin and those are the places that you hit

0:42:28.120 --> 0:42:31.000
<v Speaker 1>people and then and then they stay away from you. Anyways,

0:42:31.200 --> 0:42:35.760
<v Speaker 1>was that a song? It's something whole? And then Benjamin

0:42:35.800 --> 0:42:37.880
<v Speaker 1>Bratt breaks out into song. And that's a great movie.

0:42:39.360 --> 0:42:48.279
<v Speaker 1>That is that movie good? Better than Runner? Hey, mis

0:42:48.360 --> 0:42:52.239
<v Speaker 1>Congeniality too? Maybe not well? Speaking of other movies and

0:42:52.520 --> 0:42:55.439
<v Speaker 1>other cop movies specifically, I wanted to make the point

0:42:55.600 --> 0:42:59.800
<v Speaker 1>that so many cop movies revolve around a male protagonist

0:43:00.040 --> 0:43:03.239
<v Speaker 1>in the cop or like two men cop buddies there

0:43:03.280 --> 0:43:08.719
<v Speaker 1>are who are sensitive about their body. It's so rare

0:43:08.840 --> 0:43:12.840
<v Speaker 1>that you see a female cop protagonist in a movie.

0:43:13.160 --> 0:43:17.399
<v Speaker 1>I made a list of man cop movies. Uh, get

0:43:17.520 --> 0:43:22.640
<v Speaker 1>rid of every Diehard That Departed Seven, Beverly Hills, Cup,

0:43:22.680 --> 0:43:25.480
<v Speaker 1>Lethal Weapons, Serpico, Chinatown, Dirty Harry l A, Confidential, The

0:43:25.520 --> 0:43:28.320
<v Speaker 1>French Connection, Bad Boys, forty eight Hours, Point break Y, Intouchables,

0:43:28.360 --> 0:43:31.719
<v Speaker 1>Training Day, super Troopers, Robotcot, Men in Black, Speed, Mad

0:43:31.840 --> 0:43:35.399
<v Speaker 1>Max Hots twenty one, Joshiss Kiss, Bang Bang, many many,

0:43:35.520 --> 0:43:47.319
<v Speaker 1>many more. A few exceptions Fargo, Silence of the Lambs. Wow,

0:43:47.360 --> 0:43:52.440
<v Speaker 1>almost all good movie. That Yeah, that is Yeah. Another exception,

0:43:52.640 --> 0:44:02.200
<v Speaker 1>The Heat. It was SMI great female cop. That's a

0:44:02.280 --> 0:44:06.120
<v Speaker 1>cop movie. She's FBI. Honestly, Miss g L is an

0:44:06.160 --> 0:44:10.160
<v Speaker 1>amazing movie. Michael Caine shines in that movie. Yeah, he's great.

0:44:10.400 --> 0:44:20.040
<v Speaker 1>Where's your Michael Caine? Impressure? I was like, Michael A

0:44:20.160 --> 0:44:26.480
<v Speaker 1>Michael Kaine, I've heard better. Yeah, it wasn't in me.

0:44:26.520 --> 0:44:28.799
<v Speaker 1>I didn't really want it. But anyway, so most cop

0:44:28.880 --> 0:44:32.239
<v Speaker 1>movies are male dominated. There's anything to do with the

0:44:32.280 --> 0:44:35.480
<v Speaker 1>cops and mostly being men. It could be, but our

0:44:35.600 --> 0:44:39.440
<v Speaker 1>cops mostly men because women don't see representation in media

0:44:39.680 --> 0:44:41.759
<v Speaker 1>of women being cops, so they're like, oh, it would

0:44:41.800 --> 0:44:43.279
<v Speaker 1>be weird for me to try to be a cop,

0:44:43.360 --> 0:44:45.719
<v Speaker 1>because I guess women can't be cops because I've seen

0:44:45.719 --> 0:44:50.279
<v Speaker 1>all these movies where it's all men being stemic. I

0:44:50.400 --> 0:44:53.160
<v Speaker 1>just finished season three of far Ago and didn't make

0:44:53.200 --> 0:44:55.520
<v Speaker 1>you want to fight crime. It maybe want to move

0:44:55.600 --> 0:44:59.240
<v Speaker 1>to the Midwest become a cop and she become troubled

0:44:59.320 --> 0:45:02.320
<v Speaker 1>with the state of is just as possible to require.

0:45:02.360 --> 0:45:06.759
<v Speaker 1>Actually that's the thing, is like every cop movie I see,

0:45:07.120 --> 0:45:10.040
<v Speaker 1>I'm like, no, I want to fight, cry like it

0:45:10.160 --> 0:45:13.440
<v Speaker 1>does totally about me. So like when you saw a Fargo,

0:45:13.560 --> 0:45:15.839
<v Speaker 1>did it make you go like fu, Yeah, I want

0:45:15.880 --> 0:45:19.000
<v Speaker 1>to fucking I've never want to find a body. I

0:45:19.080 --> 0:45:23.160
<v Speaker 1>want to find murders. I don't think so. Although when

0:45:23.200 --> 0:45:25.839
<v Speaker 1>I did see Harriet the Spy as a young kid,

0:45:26.560 --> 0:45:34.800
<v Speaker 1>wanted to be a spy school women because it's because

0:45:34.800 --> 0:45:37.160
<v Speaker 1>that's kind of happening with the new Jennifer Lawrence movie

0:45:37.200 --> 0:45:40.400
<v Speaker 1>that's coming out, Which One, Which One. It's like a

0:45:40.520 --> 0:45:43.680
<v Speaker 1>spy movie, She's a spy. It's it's only been teased

0:45:43.760 --> 0:45:45.560
<v Speaker 1>kind of what it is. And then immediately people were like,

0:45:46.480 --> 0:45:50.240
<v Speaker 1>why are women always betrayed his spies. Is it because

0:45:50.280 --> 0:45:53.160
<v Speaker 1>we're sneaky? And I was like, I don't know. That

0:45:53.280 --> 0:45:58.520
<v Speaker 1>sounds not fair on many levels. Did Harry the Spies

0:45:58.560 --> 0:46:02.680
<v Speaker 1>a movie? So yeah, Nancy Drew, Oh yeah, I wanted

0:46:02.719 --> 0:46:07.160
<v Speaker 1>to be Nancy Drew real mad, not Emma Roberts. Nancy Drew, hot,

0:46:07.520 --> 0:46:11.239
<v Speaker 1>big titty, fifteen year old, illustrated nanty Cher. Then she

0:46:11.320 --> 0:46:15.279
<v Speaker 1>had asked, Nancy, my mom made me read those books.

0:46:15.320 --> 0:46:18.960
<v Speaker 1>She was like, you Drew, Well, there's those books are

0:46:19.000 --> 0:46:23.080
<v Speaker 1>so because Nancy has ned Ned Nickerson, her boyfriend who's

0:46:23.120 --> 0:46:25.399
<v Speaker 1>a hottie and stays out of the way, which is great.

0:46:29.000 --> 0:46:31.440
<v Speaker 1>Ned Nickerson is hot and stays out of the way.

0:46:31.480 --> 0:46:33.560
<v Speaker 1>It's like, okay, that's what we're going to go for

0:46:33.760 --> 0:46:36.480
<v Speaker 1>the future. And then she has her two cousins or no,

0:46:36.640 --> 0:46:38.759
<v Speaker 1>her two friends who are cousins, one of whom is

0:46:39.280 --> 0:46:42.400
<v Speaker 1>not the star of the book because she's five pounds overweight.

0:46:42.480 --> 0:46:45.360
<v Speaker 1>They say that in every book. They say, folks was

0:46:45.400 --> 0:46:48.600
<v Speaker 1>about five pounds. She needed to be five, always five.

0:46:48.719 --> 0:46:54.600
<v Speaker 1>That is remarkably always fine. And then and then there's George,

0:46:54.880 --> 0:46:58.480
<v Speaker 1>who is who's a lesbian, but they say she's a

0:46:58.520 --> 0:47:01.520
<v Speaker 1>bit of a tomboy. It's someone who's five pounds too

0:47:01.560 --> 0:47:03.319
<v Speaker 1>heavy and a bit of a tomboy. And that's why

0:47:04.080 --> 0:47:08.520
<v Speaker 1>she's a perfect She's a strawberry bond and she's got

0:47:08.600 --> 0:47:16.320
<v Speaker 1>a beta cock. Wait for her to start solving crimes. Yeah, no,

0:47:16.440 --> 0:47:17.960
<v Speaker 1>I know she Well she does it in a cute

0:47:17.960 --> 0:47:20.680
<v Speaker 1>little skirt and she has a rowboat. It's the whole thing. Um,

0:47:20.920 --> 0:47:22.680
<v Speaker 1>Does anyone have anything else they want to say about

0:47:22.800 --> 0:47:29.080
<v Speaker 1>Blade Runner? And it's portrayal of women? Boo. Let's talk

0:47:29.080 --> 0:47:33.000
<v Speaker 1>about whether or not the movie passes the Bechtel test No,

0:47:36.040 --> 0:47:44.279
<v Speaker 1>the Betel testimeter. This is our avoid comptest. If you

0:47:44.320 --> 0:47:46.640
<v Speaker 1>were to sit really Scott down and ask him kind

0:47:46.640 --> 0:47:49.200
<v Speaker 1>of avoid comp on this, what would you ask him?

0:47:49.280 --> 0:47:50.480
<v Speaker 1>That is a quick That is a quick thing I

0:47:50.520 --> 0:47:53.080
<v Speaker 1>want to bring up is this is a really Scott movie.

0:47:53.120 --> 0:47:56.400
<v Speaker 1>And really Scott is all over the board like truly

0:47:56.840 --> 0:47:59.239
<v Speaker 1>a to z and how he treats women in his movies,

0:47:59.239 --> 0:48:02.400
<v Speaker 1>because he fucking directed Felmont and Louise. He directed Alien,

0:48:02.680 --> 0:48:05.759
<v Speaker 1>like two movies we've done in this podcast that are like,

0:48:06.680 --> 0:48:09.040
<v Speaker 1>I mean, Selman Louise fared very well. We gave it

0:48:09.080 --> 0:48:12.000
<v Speaker 1>a five nipple rating. Across the board. We did. We

0:48:12.120 --> 0:48:15.320
<v Speaker 1>did Alien a problem that it's like women are always

0:48:15.320 --> 0:48:19.440
<v Speaker 1>portrayed as like indestructible badasses also you know, I mean

0:48:20.920 --> 0:48:25.640
<v Speaker 1>in destructible, but they also died. I was we're thinking

0:48:25.640 --> 0:48:30.040
<v Speaker 1>about Ripley. I love aliens and aliens and stuff because

0:48:30.080 --> 0:48:32.279
<v Speaker 1>he has he has Alien Thulmt and Louise g I Jane.

0:48:32.640 --> 0:48:35.440
<v Speaker 1>Whoa g I Jane? G I Jane. I've never actually

0:48:35.480 --> 0:48:39.480
<v Speaker 1>seen that. It passes the bag. It's dumb, but but

0:48:39.520 --> 0:48:41.560
<v Speaker 1>it is supposed to be like, oh, you know whatever,

0:48:41.680 --> 0:48:43.959
<v Speaker 1>it's inherently done because they call her g I Jane

0:48:44.000 --> 0:48:50.920
<v Speaker 1>and she's joining the Navy Seals General Infantry. But then,

0:48:51.680 --> 0:48:56.440
<v Speaker 1>but then he's also directed a slew of movies Blade Renner, Gladiator,

0:48:56.560 --> 0:48:59.120
<v Speaker 1>Kingdom of Heaven, Magic Men, So he's all over the

0:48:59.160 --> 0:49:01.920
<v Speaker 1>board in terms of how well I would argue that

0:49:02.600 --> 0:49:05.399
<v Speaker 1>the writer of a movie is gonna have more say

0:49:05.520 --> 0:49:08.120
<v Speaker 1>and how a woman is portrayed than the director. I mean,

0:49:08.160 --> 0:49:11.399
<v Speaker 1>the director contract different choices, but it's ultimately the way

0:49:11.400 --> 0:49:13.719
<v Speaker 1>a woman is portrayed, at least in terms of like

0:49:14.280 --> 0:49:16.279
<v Speaker 1>how active of a role she plays in the story

0:49:16.320 --> 0:49:17.440
<v Speaker 1>and things like that is going to be up to

0:49:17.520 --> 0:49:21.200
<v Speaker 1>the writer. So I mean, you know, the director might

0:49:21.239 --> 0:49:23.480
<v Speaker 1>make decisions on like how you frame it and like

0:49:23.640 --> 0:49:27.120
<v Speaker 1>how like how little clothing she has on, and like

0:49:27.239 --> 0:49:29.880
<v Speaker 1>do we do like lingering shots of like mail gaze

0:49:30.080 --> 0:49:31.920
<v Speaker 1>kind of stuff. But I think it's so weird that,

0:49:32.080 --> 0:49:34.800
<v Speaker 1>you know, three years previous to this, he makes Alien

0:49:35.160 --> 0:49:36.640
<v Speaker 1>and then he's like, well, we've got to have a

0:49:36.719 --> 0:49:39.799
<v Speaker 1>twenty year old Daryl Hannah flailing with her tits out

0:49:40.200 --> 0:49:43.880
<v Speaker 1>for good thirty seconds before we allow the protagonists to shoot,

0:49:45.040 --> 0:49:51.640
<v Speaker 1>and the baby maker doesn't like, oh yeah, So it's

0:49:51.680 --> 0:49:56.279
<v Speaker 1>just I think that the real I'm telling you that

0:49:56.360 --> 0:50:01.160
<v Speaker 1>that's probably thought about. I'm telling you, are you telling

0:50:01.200 --> 0:50:03.759
<v Speaker 1>me that? What you tell us? Why? I love later

0:50:04.120 --> 0:50:06.239
<v Speaker 1>to explain it to people. I know, I'm telling you.

0:50:06.880 --> 0:50:10.680
<v Speaker 1>I think we can really like so we can really

0:50:10.719 --> 0:50:19.040
<v Speaker 1>blame Hampton Fancher, Yeah for best Actually you're in the

0:50:19.120 --> 0:50:21.560
<v Speaker 1>hot seat. But but it's just weird to think about,

0:50:21.760 --> 0:50:25.080
<v Speaker 1>like Ridley Scott's what's that word with too many bells?

0:50:26.080 --> 0:50:33.799
<v Speaker 1>Oh yeah, yeah, good, good point. Yeah. Well, I think

0:50:33.840 --> 0:50:36.239
<v Speaker 1>he's like one of those super like visual directors as

0:50:36.280 --> 0:50:39.640
<v Speaker 1>A've been thinking a bit about like directors recently, where

0:50:39.640 --> 0:50:41.600
<v Speaker 1>I'm like well, some seems like super hands on with

0:50:41.719 --> 0:50:44.960
<v Speaker 1>actors or like, you know, that's where they started because

0:50:45.239 --> 0:50:47.960
<v Speaker 1>that's their background. He just seems like art school visual guys.

0:50:48.160 --> 0:50:50.480
<v Speaker 1>So I always think he's it's almost like he's not

0:50:50.680 --> 0:50:53.640
<v Speaker 1>trying to empower Ripley or or or do you know

0:50:53.800 --> 0:50:56.160
<v Speaker 1>something with Elma and Luis. He's just like, this is

0:50:56.160 --> 0:50:58.360
<v Speaker 1>a beautiful story. Here is how is his shot? And

0:50:58.800 --> 0:51:01.040
<v Speaker 1>I am removed back. I want you to see this,

0:51:01.320 --> 0:51:03.440
<v Speaker 1>you know, this painting sort of thing. And he's not

0:51:03.520 --> 0:51:06.399
<v Speaker 1>thinking about the relationships so much. I guess that would

0:51:06.520 --> 0:51:10.000
<v Speaker 1>enable such a wide kinds of different stories that he tells. Yeah,

0:51:10.000 --> 0:51:11.719
<v Speaker 1>because it's like if he had some sort of like

0:51:11.800 --> 0:51:14.600
<v Speaker 1>specific agenda the way some directors too, I feel like

0:51:14.640 --> 0:51:18.319
<v Speaker 1>you wouldn't see that many different right, Yeah, because he's

0:51:18.360 --> 0:51:22.160
<v Speaker 1>in an a tour, but not necessarily like here I

0:51:22.239 --> 0:51:30.640
<v Speaker 1>am on the women's movement of My Girlfriend's seven. He's

0:51:30.800 --> 0:51:36.239
<v Speaker 1>forty nine. Okay, that's not great, that's too much. He

0:51:36.320 --> 0:51:39.839
<v Speaker 1>wears dumb hats and I beat him in a fight

0:51:39.960 --> 0:51:48.800
<v Speaker 1>and make okay, So back to the beach. Tol t

0:51:50.239 --> 0:51:53.440
<v Speaker 1>doesn't it doesn't, It doesn't pass, doesn't pass. There are

0:51:54.040 --> 0:51:57.200
<v Speaker 1>no scenes in the movie where they're even two women

0:51:57.520 --> 0:52:00.560
<v Speaker 1>in the same scene who are like how have aking rolls?

0:52:00.960 --> 0:52:03.880
<v Speaker 1>Like Zora and Press are never in the same scene,

0:52:04.160 --> 0:52:06.319
<v Speaker 1>which is weird because like they all those four knew

0:52:06.360 --> 0:52:10.120
<v Speaker 1>each other, Leon, Roy and Zora, and they regularly come

0:52:10.120 --> 0:52:12.600
<v Speaker 1>into contact with the male characters, right, But the two

0:52:12.680 --> 0:52:15.920
<v Speaker 1>women don't ever talk to each other, and then Rachel

0:52:15.960 --> 0:52:18.040
<v Speaker 1>never talks to either of them. I wonder if in

0:52:18.160 --> 0:52:21.160
<v Speaker 1>any of the seven fucking versions of this movie two

0:52:21.200 --> 0:52:23.400
<v Speaker 1>women talk to each other. Guarantee they don't know, right,

0:52:23.680 --> 0:52:27.239
<v Speaker 1>that's actually Deckerds like narration is like I imagine them

0:52:27.280 --> 0:52:30.600
<v Speaker 1>having conversations, they're probably boring, and we won't show them

0:52:32.000 --> 0:52:36.600
<v Speaker 1>probably talking about they could have had a conversation between

0:52:36.640 --> 0:52:40.000
<v Speaker 1>the two robots just about being yeah, like the robot experience.

0:52:40.000 --> 0:52:42.120
<v Speaker 1>It's kind of like the whole point of the movie basically,

0:52:42.280 --> 0:52:44.680
<v Speaker 1>like why can't they have a discussion about like their

0:52:44.760 --> 0:52:49.200
<v Speaker 1>loss of soul or you know, the solution of personality

0:52:49.360 --> 0:52:50.960
<v Speaker 1>sort of thing. I mean that would have been interesting,

0:52:51.480 --> 0:52:53.920
<v Speaker 1>like oh no, I don't want to die in four years?

0:52:54.320 --> 0:52:56.719
<v Speaker 1>Did they get their period? Do you think you got

0:52:56.840 --> 0:52:59.640
<v Speaker 1>a program in a period? Why would you make a

0:52:59.680 --> 0:53:10.520
<v Speaker 1>real going to control, the controlled our body. Um. But yeah,

0:53:10.560 --> 0:53:12.160
<v Speaker 1>there are a bunch of different versions of this movie.

0:53:12.239 --> 0:53:15.120
<v Speaker 1>I watched, um, the final cut one most recently. I

0:53:15.160 --> 0:53:17.000
<v Speaker 1>don't know how different any of the other one. I

0:53:17.040 --> 0:53:19.359
<v Speaker 1>watched the easiest one to steal over the World War one.

0:53:19.840 --> 0:53:21.839
<v Speaker 1>I don't know whatever the first one was. So there's

0:53:21.840 --> 0:53:25.799
<v Speaker 1>also the director's cut, the US theatrical cut, the international cut,

0:53:25.880 --> 0:53:28.640
<v Speaker 1>and something called the work prints the Night. They're all

0:53:28.680 --> 0:53:31.560
<v Speaker 1>the same except for the one with narration. Okay, I

0:53:31.560 --> 0:53:33.800
<v Speaker 1>would like that's just about making money, Like they just

0:53:34.040 --> 0:53:35.800
<v Speaker 1>re release it every now, and they were like the

0:53:35.960 --> 0:53:41.160
<v Speaker 1>editors final It's like we cut out one season. It's

0:53:41.160 --> 0:53:47.400
<v Speaker 1>a movie like, okay, good to know. So yeah, it

0:53:47.440 --> 0:53:50.839
<v Speaker 1>doesn't pass the back to test, no surprise there. Um.

0:53:51.080 --> 0:53:55.480
<v Speaker 1>And the thing is it also sucks as a movie.

0:53:55.520 --> 0:53:59.319
<v Speaker 1>It's well with that. Let's rate it, but we'll rate

0:53:59.400 --> 0:54:02.640
<v Speaker 1>it on our our nipple scale based on its portrayal

0:54:02.719 --> 0:54:04.399
<v Speaker 1>of women. So not how much you like the movie,

0:54:04.640 --> 0:54:07.279
<v Speaker 1>we're rating it on how it portrays women. Uh. And

0:54:07.360 --> 0:54:10.000
<v Speaker 1>it's a scale of zero to five nipples, and then

0:54:10.080 --> 0:54:12.719
<v Speaker 1>you can attribute those nipples to anyone you want, or

0:54:12.800 --> 0:54:16.640
<v Speaker 1>describe them or anything like describing them two inverted nipples

0:54:18.239 --> 0:54:23.560
<v Speaker 1>because that's the definition of it's a woman reverse Like

0:54:23.640 --> 0:54:26.680
<v Speaker 1>they didn't understand it, and that's what happened with this movie.

0:54:27.120 --> 0:54:31.200
<v Speaker 1>So that's why I go for that artistic rating molmost

0:54:31.239 --> 0:54:38.200
<v Speaker 1>silence very rating. Um okay, yeah, sorry, I forgot to

0:54:38.239 --> 0:54:42.600
<v Speaker 1>be silent for the moment of silence. I would give it, Yeah,

0:54:42.719 --> 0:54:46.719
<v Speaker 1>like a one and a half or two nipples. Um,

0:54:47.480 --> 0:54:49.279
<v Speaker 1>I'm gonna go with a one and a half. The

0:54:49.360 --> 0:54:53.720
<v Speaker 1>women you do see on screen, none of them are human.

0:54:54.280 --> 0:54:56.480
<v Speaker 1>Most of them are bad, and it's fine to have

0:54:56.680 --> 0:55:00.160
<v Speaker 1>a female villain, but they're all so poorly developed that

0:55:00.440 --> 0:55:03.920
<v Speaker 1>we don't really know anything about what their feelings are,

0:55:04.080 --> 0:55:07.080
<v Speaker 1>what their perspective is, or anything like that. We see

0:55:07.200 --> 0:55:11.239
<v Speaker 1>one's nipples for pretty much no reason. Um, excuse me,

0:55:11.360 --> 0:55:14.919
<v Speaker 1>I got horny, and then and then a pan bag

0:55:15.160 --> 0:55:19.160
<v Speaker 1>like cut two from nipples back to snake. It's like, wait,

0:55:19.239 --> 0:55:22.520
<v Speaker 1>what is they are playing here? Oh? I get its

0:55:22.560 --> 0:55:31.000
<v Speaker 1>snake someone he's got a garbage bag full of popcorn?

0:55:34.360 --> 0:55:41.160
<v Speaker 1>Doc mad. Yeah that The love story between Ducker and

0:55:41.360 --> 0:55:44.920
<v Speaker 1>Rachel like makes no sense. We're not sure why they

0:55:45.040 --> 0:55:50.000
<v Speaker 1>like each other. Uh yeah, generally, just the female characters

0:55:50.080 --> 0:55:52.400
<v Speaker 1>exists to what you were saying, either either like be

0:55:52.480 --> 0:55:56.520
<v Speaker 1>a foil to the men to specifically Deckert, or be

0:55:56.640 --> 0:55:59.839
<v Speaker 1>a random love interest. That doesn't make any sense. So yeah,

0:56:00.160 --> 0:56:02.840
<v Speaker 1>one and a half nipples. The nipples belong to the

0:56:03.840 --> 0:56:06.400
<v Speaker 1>owl in the movie. And I know that, Okay, So

0:56:06.600 --> 0:56:09.520
<v Speaker 1>I know they nipples to birds have Caitlin so generally,

0:56:09.560 --> 0:56:12.200
<v Speaker 1>not how many nipples everyone has. Generally birds don't have

0:56:12.320 --> 0:56:15.759
<v Speaker 1>any nipples. However, I think I think we can all

0:56:15.800 --> 0:56:24.759
<v Speaker 1>agree like cock bar cock birdies. I think we can

0:56:24.800 --> 0:56:30.160
<v Speaker 1>all agree that owls are hot cats, especially I've always

0:56:30.200 --> 0:56:36.640
<v Speaker 1>graduated like dude, smart education. No owls are sky cats.

0:56:36.800 --> 0:56:39.880
<v Speaker 1>Their cats with wings, and cats do have eight nipples.

0:56:39.960 --> 0:56:43.040
<v Speaker 1>This has been cat facts with Caitlin. But so we

0:56:43.120 --> 0:56:45.759
<v Speaker 1>see the owl at the Replican owl, and so the

0:56:45.920 --> 0:56:56.560
<v Speaker 1>nipples belong to to that. I give this movie one nipple.

0:56:56.719 --> 0:56:59.640
<v Speaker 1>It sucks. I don't like it. If you got a

0:56:59.680 --> 0:57:03.160
<v Speaker 1>problem with it, hey bring your hardcover bill of k

0:57:03.360 --> 0:57:05.520
<v Speaker 1>Dick Anthology and beat me to death over the head.

0:57:05.640 --> 0:57:08.840
<v Speaker 1>I don't care. This movie blows there. There's all the

0:57:09.080 --> 0:57:12.840
<v Speaker 1>characters were like, just there's nothing, there's nothing there. This

0:57:13.000 --> 0:57:15.080
<v Speaker 1>movie made me had to take a shower midway through,

0:57:16.760 --> 0:57:19.320
<v Speaker 1>I thought this movie had liam. It was so bad.

0:57:21.080 --> 0:57:25.920
<v Speaker 1>I clearly watched it of my patients in the morning.

0:57:26.040 --> 0:57:28.480
<v Speaker 1>I couldn't do I could not do it. I couldn't

0:57:28.600 --> 0:57:35.959
<v Speaker 1>like this movie. Got it? I don't. I didn't. Who'll

0:57:36.000 --> 0:57:39.800
<v Speaker 1>throw another nibble to the owl? Sure? Okay, that's gonna

0:57:39.880 --> 0:57:44.360
<v Speaker 1>full set? Yeah and it's um well, thank you so

0:57:44.560 --> 0:57:49.320
<v Speaker 1>much Hampton for being here. Yeah, Hampton, Yeah, Hampton Yunt.

0:57:49.800 --> 0:57:54.160
<v Speaker 1>It's kind up comedian, right, bald Rock on tour? Where

0:57:54.240 --> 0:57:58.480
<v Speaker 1>can people follow you on Twitter? Twitter would be my favorite? Okay,

0:57:58.640 --> 0:58:06.520
<v Speaker 1>Hampton Yunt great at Twitter. You can follow the bachtel

0:58:06.600 --> 0:58:09.480
<v Speaker 1>Cast at bachtel Cast on Twitter and Instagram, and can

0:58:09.520 --> 0:58:12.200
<v Speaker 1>go to our Facebook page, and you can also go

0:58:12.280 --> 0:58:18.000
<v Speaker 1>to our website cast dot com and there you there's

0:58:18.000 --> 0:58:20.720
<v Speaker 1>a link that you can give us money. We need

0:58:21.000 --> 0:58:30.120
<v Speaker 1>your money. You need a slightly better pitch daddy, I

0:58:30.200 --> 0:58:36.520
<v Speaker 1>went myney. We have we have some production costs that

0:58:36.680 --> 0:58:38.120
<v Speaker 1>and we would love your help. So if you want

0:58:38.200 --> 0:58:41.560
<v Speaker 1>us to keep doing this podcast, any any number of

0:58:41.760 --> 0:58:47.000
<v Speaker 1>money is any you can give us. We've gotten Australian dollars,

0:58:47.720 --> 0:58:52.760
<v Speaker 1>we've gotten British pounds, people have given us euros. Bank

0:58:52.920 --> 0:59:00.480
<v Speaker 1>is furious. Um, it's good. Yeah, it's good. Thanks for

0:59:00.600 --> 0:59:02.720
<v Speaker 1>the money, guys, it's good. Thank you. We love it.

0:59:03.440 --> 0:59:06.320
<v Speaker 1>And uh and let's all get on our blades and

0:59:06.400 --> 0:59:10.360
<v Speaker 1>go out running. No no no no no no no

0:59:10.440 --> 0:59:10.840
<v Speaker 1>no no no