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Speaker 1: On the Bell Cast, the questions asked if movies have

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Speaker 1: women in them? Are all their discussions just boyfriends and husbands?

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Speaker 1: Do they have in individualism the patriarchy? Zef and best

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Speaker 1: start changing it with the Bedel Cast. All right, well,

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Speaker 1: it's the first day after the worst day. Good one,

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Speaker 1: first day after the worst day. It's the Bechdel Cast.

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Speaker 1: My name is Jamie, my Caitlin, And yesterday we tried

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Speaker 1: to stalk Alfred Billina here and then I had a

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Speaker 1: panic attack and Caitlyn got scared and we didn't say hi.

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Speaker 1: But today is another day. And that's not to say

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Speaker 1: that we are going to see alt from Millia today.

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Speaker 1: We're not. We pretty effectively fucking blew that. But all

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Speaker 1: I have to say is the first day after the

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Speaker 1: worst day. It's been in a real twenty four hours.

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Speaker 1: I've actually been reflecting a lot about it. What are

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Speaker 1: you thinking? I have like an hour long conversation last

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Speaker 1: night the dear friend about how you know I can

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Speaker 1: have something four feet away and still not say hey,

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Speaker 1: you're my top Google image start. I wouldn't know they're there.

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Speaker 1: He's right there. If we If you ever do to Molina,

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Speaker 1: don't open with that I'm in pervert there. I'm very

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Speaker 1: sick in the head and I love you. I don't

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Speaker 1: know anyways, So welcome to the Betel Cast. What's it about, right?

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Speaker 1: The portrayal of women in movies, and usually it's not

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Speaker 1: great that one was for women. Our guest hates women.

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Speaker 1: Um credit if you're wondering. If you're wondering what Bechtel cast?

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Speaker 1: What does that mean? It's inspired by the Bechtel test,

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Speaker 1: which requires that a movie has two characters. They're women.

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Speaker 1: They have names. They talk to each other, not about

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Speaker 1: a man, about anything else. Too much to ask to

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Speaker 1: terrorist list of demands we need to women. Those women

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Speaker 1: are names, not about Ryan Gosling. I got to talk

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Speaker 1: about their dreams. Yeah, do you want to be introduced?

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Speaker 1: I'm sorry, he hates women. He's a pro wrestler. It's

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Speaker 1: me Hampton. Yeah, well I was going to do it

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Speaker 1: for you. I'm from a comic. I'm a funny guy,

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Speaker 1: and I been different towards men and women. Largely, there's

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Speaker 1: really really no emotion. I think that that's progressive in

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Speaker 1: its in its own, in its own beautiful way. Well,

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Speaker 1: isn't it also the little binary there? I'm saying men

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Speaker 1: and women, what about difference non binary? So much you

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Speaker 1: might know Hampton from being the voice of Crow on Mr. Sense.

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Speaker 1: Oh my god, the new one. Yea, oh my god,

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Speaker 1: it's good. I love it. I have I have a

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Speaker 1: I have a full case of energy drinks of like

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Speaker 1: really like Porsche level and pounded half of one already. Yeah.

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Speaker 1: It's called uptime mental physical energy supplement original jin sing

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Speaker 1: jing co bloba bloba. It's like the one word that

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Speaker 1: it's a medicine that helps you remember things well. So

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Speaker 1: clearly it's not working, or it debilitated my ability to

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Speaker 1: form words. It's taking that away from the blow. But

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Speaker 1: Cohen's I'm cute. Ten. Hey let's talk about movies. Yeah, okay,

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Speaker 1: we're here to talk about Blade Runner. I like it, right,

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Speaker 1: I actually like it. So Hampton, tell us about when

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Speaker 1: did you first see this movie? What's your the best

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Speaker 1: movie ever? Second best movie in Boondogs Saints its Reduction?

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Speaker 1: I don't know. I like the movie. It's I watched

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Speaker 1: it when I was a teen, and I think I

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Speaker 1: saw all the bad version first, and which one is

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Speaker 1: bad version? Is the one that has the narrator where

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Speaker 1: Why didn't he Harrison Ford hated doing it so much

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Speaker 1: that he uh, he did it badly, like on purpose.

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Speaker 1: He was narrating it. Yeah, the studio was like, this

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Speaker 1: movie is like unfollowable, so they're kind of like, he

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Speaker 1: should do this narration. That's always like my wife used

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Speaker 1: to call me cold fish because I was a cold

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Speaker 1: fish in bed. But it's like shots of him like

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Speaker 1: looking down a dark alleyway and it's just like insanely

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Speaker 1: like weird jokes and ship like over it. But it's like,

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Speaker 1: you know, the whole movie is like only works because

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Speaker 1: it's this like neo noir thing, and I really hold

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Speaker 1: it in the same brain space as like a Kira.

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Speaker 1: It's like, oh yeah, it's like you're the first people

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Speaker 1: who did like dystopian future thing. So it's cool. It's

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Speaker 1: I don't know, I like it a lot. It's maybe

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Speaker 1: like a once a year kind of watch watching about Yeah.

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Speaker 1: I watched a lot of movies though, So that mean

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Speaker 1: that's like, you know, what do you do? What do

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Speaker 1: you do for a living? Make fun of bad Jamie?

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Speaker 1: When did you foresee it? This morning? Jesus Christ, I

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Speaker 1: got home perfect time I lost Here's here's a dystopian

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Speaker 1: novel in itself. I got home, I lost my key.

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Speaker 1: My roommate had to let me in. I got I

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Speaker 1: got into the shower, are slowly disappearing. It turned out

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Speaker 1: I haven't had a shower curtain in months. Where's the

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Speaker 1: shower curtain? So what I do is I place my

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Speaker 1: laptop on my sink so I can half watch a

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Speaker 1: movie while also showering for the whole shower. I thought

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Speaker 1: Harrison Ford was Liam Neeson, and then what he was doing,

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Speaker 1: I think that Harrison Ford. Okay, I would meet the

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Speaker 1: argument Harrison Ford doing a bad job is about equivalent

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Speaker 1: to Liam Neson doing Liam Neeson is. I have a

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Speaker 1: very special skills to find my wife. And here's for it.

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Speaker 1: It's like my wife. If you bring back my wife,

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Speaker 1: I'm wow. I am good invoicing. Good guys hiring me more.

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Speaker 1: I'm fucking unemployed. Give him to the job, Give me

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Speaker 1: a job, Hollywood. Yes, So did you ever see it?

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Speaker 1: I have seen the movie? Yes, what shitty boyfriend made

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Speaker 1: you watch it? No? I just watched it on my

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Speaker 1: own volition. I was like, I'm a freshman in college

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Speaker 1: and I'm a film major and I got watched you. Yeah,

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Speaker 1: it's awesome. Yeah, was it? Like I have two degrees.

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Speaker 1: I have a master to be screenwriting from Boston College

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Speaker 1: is kind of a way. So that's a fun degree,

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Speaker 1: you know. That sounds like good good news of your time. Yeah,

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Speaker 1: I had a great time. Um. So yeah, I think

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Speaker 1: I saw it for the first time in college and

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Speaker 1: then I've seen it now probably four or five times

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Speaker 1: since then. So you like it? No, so many times? There?

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Speaker 1: I don't understand this. Alright, guys, hot break here? Why

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Speaker 1: why do you Why do you like this movie? What

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Speaker 1: about it is fun for you? What is fun for it? Um?

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Speaker 1: That's an interesting question. I don't know. Maybe other than

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Speaker 1: I just stylistically like that sort of thing. I like

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Speaker 1: sci fi, like weird dystopian tales about the future, and

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Speaker 1: also like I like movies that are kind of about identity,

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Speaker 1: even if it's kind of lame. That's the one thing

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Speaker 1: is like I do realize a lot of my tastes

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Speaker 1: are really like childish. It's like I still read comic

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Speaker 1: books like I'm a couple of you know, like idiot.

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Speaker 1: But I mean it's also like, can't you just like

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Speaker 1: shitty things like what's so wrong with like, you know,

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Speaker 1: like a kind of something that's exactly but the reason

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Speaker 1: So I think I liked this movie the first time

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Speaker 1: I saw it, or I think I was just influenced

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Speaker 1: by knowing that it's, you know, one of the best

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Speaker 1: sci fi movies ever made, and I was supposed to

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Speaker 1: like it. So I was confused. I was eighteen, I

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Speaker 1: didn't know any better. And then I watch it again,

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Speaker 1: I was like, wait a minute, I don't drugs, and

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Speaker 1: I just fell in this world pressure fear pressure, like

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Speaker 1: Blade Runner. We're all supposed to be doing it. If

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Speaker 1: you're sitting in a a circle of like college freshmen, they're

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Speaker 1: all passing around the DVD Blade Runner, You're like, I

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Speaker 1: guess I'll take it. That is actually extremely accurate, like

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Speaker 1: that's exactly and Booddog Stage Donnie Darko that are the

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Speaker 1: exact same, like terrible movie, but they're good, but they're bad.

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Speaker 1: It's also like, look at most movies, they're awful, they're mad.

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Speaker 1: So if anybody like even kind of went to art school,

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Speaker 1: I'm like, all right, here we go something a little bit,

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Speaker 1: A little bit. I appreciate Blade Runner for it has

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Speaker 1: great production design. I think that's one of the reasons

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Speaker 1: that it's become such an iconic movie, and I enjoy

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Speaker 1: the world building. I don't think the story is executed

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Speaker 1: very well, and I like, I don't feel anything, like

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Speaker 1: the movie does not elicit any emotions in me. I

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Speaker 1: don't care if if Deckert wins and kills all the Also,

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Speaker 1: it's interesting like the replicants were slaves, no wonder, they're

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Speaker 1: gonna fucking kill everybody, Like this guy Stock, I'm kind

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Speaker 1: of on the dick. Yeah, I mean it's like that's

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Speaker 1: just robots in general, right, like why why why are

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Speaker 1: we making robots? It's every Like Elon Musk is like, stop,

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Speaker 1: this is going to kill everyone. All scientists are like, a,

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Speaker 1: I will eventually replace us. This thing we should tell

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Speaker 1: and we can back from. Not like it's so going forward. Yeah,

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Speaker 1: we're still at the point where like we could just

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Speaker 1: stop to keep I don't know. The computers they're just

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Speaker 1: so smart. I might have hit the point of no return.

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Speaker 1: I don't know. I saw Carl last night and it

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Speaker 1: looked like a shark. Oh god, well, yeah, I guess

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Speaker 1: it's so. Do you feel like there's movies though that

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Speaker 1: talk about stuff um like yeah, consciousness or like you know,

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Speaker 1: if a soul is real or something, you know, kind

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Speaker 1: of like in that vein that isn't sci fi, Like

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Speaker 1: I feel like these are the only movies that address

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Speaker 1: deeper largely, you know, and I like sci fi like

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Speaker 1: a movie that's like a wrong comm It's like he

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Speaker 1: doesn't have a they'll kill everyone. I generally like sci

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Speaker 1: fi a lot. It's one of my favorite genres. But

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Speaker 1: this movie I like at a Cocaine. I like Gotta

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Speaker 1: Go a lot. That's probably my favorite. Way cool cool

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Speaker 1: you guys are like, come on my movie podcast. I think, um,

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Speaker 1: Like it's also like beautiful the thing with like Blade Runner.

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Speaker 1: I don't know, like you could argue it's lame, sure,

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Speaker 1: like as a lot of things I like that I

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Speaker 1: find beautiful. I'm like, well, you can also call this stupid.

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Speaker 1: But like you know, it's like the soliloquy, you know,

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Speaker 1: like the shots like more effort I feel applied than

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Speaker 1: a lot of movies, you know, but I will I

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Speaker 1: will do. It's not like a self conscious movie, and

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Speaker 1: that's always kind of nice to see where it's like

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Speaker 1: not there's no like sarcasm excercise, Like everything is very

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Speaker 1: genuinely felt, even when it's the dumbest thing I've ever seen.

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Speaker 1: They feel it, they go through all the way like

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Speaker 1: so so that's kind of like nice to see of

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Speaker 1: do you feel like, um, that relationship between the him

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Speaker 1: and the robot girl and I mean it's all very odd,

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Speaker 1: right because it's so immediate, like it's like they have

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Speaker 1: no relationship and then and then yeah, I think, and

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Speaker 1: he's like, do you love me? I love you even

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Speaker 1: though we met yesterday. I'm sure it's just like Men

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Speaker 1: and Black where Will Smith gets to take over Men

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Speaker 1: and Black on his second day on the job, just

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Speaker 1: like Okay, cool, now he's the boss. And that's just

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Speaker 1: how this movie works there, I mean exactly like Minified

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Speaker 1: and I Love Man, Like I who is Harrison for

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Speaker 1: the Blade Runner? Is he the one running with the blade?

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Speaker 1: They are the blade running, the running blades across the borders,

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Speaker 1: the running blades bunch. I was waiting for that phrase

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Speaker 1: to be running before the Blade runs, you dog. I mean,

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Speaker 1: did you ever get into that whole thing where it's like, um,

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Speaker 1: he's a robot, you know, like a root and that's

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Speaker 1: like why everything's happening kind of the way it is.

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Speaker 1: Is that why Harrison Ford is doing so much bad

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Speaker 1: acting in this movie. Kind of yeah, he was like, well,

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Speaker 1: the character is a robot. And then when they added

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Speaker 1: the voiceover, that's why he got so mad. He was like,

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Speaker 1: you're making this guy like opposite of why I signed

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Speaker 1: on board. Well, we know now support school. He smoked pot.

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Speaker 1: He's really proud of his spots. Well, at least now

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Speaker 1: we know that he can't be a replicant because he

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Speaker 1: is in this sequel that's coming out, and he's an

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Speaker 1: old man and we learned from the replicatively lived for

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Speaker 1: four years, so he so he definitely was in a robot.

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Speaker 1: But then they find out that there was more money

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Speaker 1: to be made, right, Like that's just their whole Yes,

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Speaker 1: we did say that, but it says but money, there's

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Speaker 1: an asterisk and we can make money two years from now. Well,

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Speaker 1: I like, to me, there were opportunities for like reveals

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Speaker 1: and like exciting story components that just doesn't happen this movie.

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Speaker 1: The movie is very slow moving free. Yeah. Yeah, Um,

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Speaker 1: if there was the reveal at the end that that

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Speaker 1: Harrison Ford was also a replicant, like I'd be like, wow,

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Speaker 1: I don't know, just that staying where they got the

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Speaker 1: little origami. It's like the unicorn. Yeah, he's there. It's

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Speaker 1: because it's like that was in his dream, so the

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Speaker 1: guy wouldn't have known anyway. This is literally how guys

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Speaker 1: get like so into like movies and get online, and

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Speaker 1: we're just like, they're fucking unicorn. That's how you know

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Speaker 1: he was being incepted. I didn't realize that that was

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Speaker 1: his talisman. Look at the spinning top. It kind of

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Speaker 1: wavers at the conception. That's how you know his family

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Speaker 1: is still alive. Well, you're a fucking idiot for not

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Speaker 1: knowing the thing I just found out about. It's probably

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Speaker 1: why guys like it so much, because it's such a

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Speaker 1: great movie to shame other guys, to explain to people.

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Speaker 1: Explaining things to people. It's like literally like this orgasmic

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Speaker 1: release at the back of our explaining something, well, or

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Speaker 1: even theption of explaining something. I think it's the female

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Speaker 1: equivalent of like when you like, you know, get closure,

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Speaker 1: But but one is you can just do. It's hard

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Speaker 1: to pull off. It's hard to pull off a good

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Speaker 1: explanation as a guy. Let me tell you why. Okay,

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Speaker 1: I'm internally bleeding. Hey, this movie was written by two

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Speaker 1: people who have fake sounding names, one of whom is

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Speaker 1: named Hampton Fancher Hampden Hampton Hampton literally like never seen

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Speaker 1: another Hampton, Yeah, Hampton Fancher. He co wrote it with

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Speaker 1: David wed That actually makes me feel weird do fake

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Speaker 1: ass stunding names. I'm a fake ass dude, Hey, fake

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Speaker 1: as dude, real ast button. And David Peoples that's a

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Speaker 1: fake name, David People's. And it's adapted from the Philip K.

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Speaker 1: Dick book Android's Dream of Electric Sheep. No grow Up, Hey,

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Speaker 1: I'll do the recap. Okay, lad Runner is about Okay,

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Speaker 1: we learn I'm doing a great job. So part. But

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Speaker 1: so there are these things called replicants, their robots that

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Speaker 1: these like genetic engineer dudes made to basically be slaves.

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Speaker 1: It's set in twenty nineteen, which at the time this

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Speaker 1: movie was made in two that was like, wow, so

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Speaker 1: far in the future. But now we're like, you dumities,

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Speaker 1: you've got it all wrong. It doesn't was my robot.

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Speaker 1: We got a Warren Blade under about Trump. So it

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Speaker 1: doesn't rain in Los Angeles. It's like raining in every

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Speaker 1: single scene in this movie. And I forgot that it is.

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Speaker 1: So they are these replicants, but they basically have this

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Speaker 1: like mutiny and they start murdering people. And why wouldn't

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Speaker 1: you write I would if I was enslaved, I would

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Speaker 1: also turn into a murderous robot. Call them different things

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Speaker 1: and slaves. See that's where they start getting suspicious. WAT

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Speaker 1: call them stuff like uber driver and postmates, you know,

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Speaker 1: not slaves. They're just freelancers. Yeah, they're just they're humans.

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Speaker 1: They're getting experiences people and your internship. So the replicants

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Speaker 1: are like killing everybody, and Daryl Hannah's there, Darrell Hannah,

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Speaker 1: and then the Donade Roy yeah yeah, just my two

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Speaker 1: yeah uh. And then they're these blade Runners, who are

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Speaker 1: police officers who are basically given the instructions to like

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Speaker 1: shoot to kill any replicants because they've been made illegal

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Speaker 1: on Earth. So Harrison Ford ak Deckert is one such

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Speaker 1: blade Runner and he gets tasked with finding these four

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Speaker 1: replicants who show up. They're like kill kill them, um,

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Speaker 1: just like that not an exciting movie. He's over there,

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Speaker 1: he's right next to you, dude, just touch him. He's

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Speaker 1: right there. And meanwhile he meets with this dude Terrell

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Speaker 1: from the Terrell Corporation, who invented the replicants, and he

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Speaker 1: has a replicant of his own, and her name is Rachel.

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Speaker 1: And he's like, who's this Rachel person? Is she a person? No? No, no, no, no,

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Speaker 1: no no no, we don't do that. Rachel was going,

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Speaker 1: so I got the Rachel. It's where my brain got

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Speaker 1: put into Robot's body. The haircut. But it's that. Yeah,

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Speaker 1: And Harrison Ford like talks me through for play that

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Speaker 1: he wants to say is really cute. Here's you really cute. Okay,

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Speaker 1: now see you got goodbye, you got good hbbs. Okay, okay,

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Speaker 1: put your mouth very sensitive. I actually thought my hair

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Speaker 1: is imported fresh was way better. I think you're tied,

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Speaker 1: tied for first. I'm not even gonna try mine because

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Speaker 1: it'll it'll frankly embarrass both of you. But take a

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Speaker 1: sip of up time you're literally makes you good at impression.

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Speaker 1: It makes you j farre up. Okay. So Rachel's all like, oh,

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Speaker 1: I don't know I'm I guess I'm a replicant. She didn't,

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Speaker 1: she didn't know who she was at first, and then

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Speaker 1: she finds out that she's a replicant, so she's all

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Speaker 1: she's confused, she's scared. She's crying up there. Yeah, she's

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Speaker 1: crying up there. She's lining up there, and then she's

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Speaker 1: growing up there. Meanwhile, the other the replicants, the four

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Speaker 1: who are on Earth, are trying to especially Roy and PRIs,

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Speaker 1: are trying to locate Tyrrell because he can locate hate

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Speaker 1: Lynn what wow. Anyway, Uh, they're trying to find him

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Speaker 1: because they think he's going to be able to help

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Speaker 1: them live longer, because again, they only live for four years,

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Speaker 1: and they're like at the end of their lifespan to

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Speaker 1: live forever forever. Aristole's crying right now. What a beautiful

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Speaker 1: singing voice. That's the Queen song. And it's all about

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Speaker 1: like why would you anyway? That's wait, it's about living forever,

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Speaker 1: like because he wrote it for Highlanders, like this super

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Speaker 1: emotional song about being an immortal. What a weird paycheck,

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Speaker 1: the best paycheck? So oh. And then like Rachel's learning

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Speaker 1: about like memories being implanted in her and it's a

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Speaker 1: whole thing. And then he's like falling in love with her,

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Speaker 1: and he's trying to kill the other replicants and then

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Speaker 1: he started he killed a couple of them. He kills

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Speaker 1: Zora and Priss, the protagonis of this movie shoots two

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Speaker 1: of the main It's it's kind of like carte blanche,

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Speaker 1: like you're just allowed to shoot. Yeah, the street. There

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Speaker 1: could be a crowdful of people and they're too dangerous, right,

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Speaker 1: It's it's totally very and he's total and it's totally

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Speaker 1: fine because they're not wearing a lot of clothes, so

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Speaker 1: they have a great one down sugar, Like, just I

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Speaker 1: saw the sexy chicks. Dude, stop it. Let the Prince's

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Speaker 1: death was genuinely like, come on, she was she was cool,

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Speaker 1: very hot. You know, she was slipping around sexualized. It's

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Speaker 1: like in a It's like Deny when Zena on the

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Speaker 1: top and Golden Eye kills men with her vagina. Yeah,

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Speaker 1: it was the deaths were too sexy, sexy. I got

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Speaker 1: turned on too much. I was upset. I had to

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Speaker 1: lieve the theater man. I demanded a refund music. I

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Speaker 1: wasn't betting on being corny. Excuse me, excuse me, sir,

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Speaker 1: that movie turned me on. I would like a cash refund. Uh.

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Speaker 1: And then the big climactic scene is Roy the bed,

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Speaker 1: the big bad replicant Inherson the Dutchy fight the Duchy

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Speaker 1: with the frestye kIPS Dutch that's to the left hand side.

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Speaker 1: He's so cool man, He's Ruger Howard. Have you seen

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Speaker 1: him in The Hitch the hit Shert in Hitch Hitch

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Speaker 1: is the prequel to The Hitchhert Hitchers, really scary fun

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Speaker 1: So so Reger Howard has his own AIDS Awareness organization. Amazing,

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Speaker 1: but it's funny because it's called the Rudger Howard Starfish Association.

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Speaker 1: I wonder why that is. Shouldn't he call it chocolate Starfish,

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Speaker 1: limp biscuit the benefits hesn't Why don't I because he

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Speaker 1: looks so familiar to me. But he's kind of just

348
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Speaker 1: like I mean, I thought he was Ed Harris for

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Speaker 1: the longest time. What I thought? He looks like Ed

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Speaker 1: Harris so racist against straight white men, so goddamn turn

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Speaker 1: on and mad right now? Alright, So the big fight

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Speaker 1: scene at the end, and rather than Harrison Ford defeating Roy,

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Speaker 1: who is like losing the battle like Deckert is like

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Speaker 1: shitty at fighting, he keeps pausing to give soliloquies. Have

355
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Speaker 1: you ever seen the Fires of Orion? Roy just dies

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Speaker 1: of old age. And then that is pretty funny. He

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Speaker 1: basically do it. So then Deckert goes to Rachel, his

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Speaker 1: new girlfriend who he met yesterday, and he's like, I

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Speaker 1: know that you're a replicant robot, but let's just run

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Speaker 1: away together and maybe I'm also a replicate. I don't know.

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Speaker 1: You're running off into the sunset. Why you gotta go

362
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Speaker 1: so complicated? I mean, like, this's just a happy, happy romance. Yeah,

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Speaker 1: a love story for the ages. If you're a bad movie,

364
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Speaker 1: if you're well, let's talk about the how the women

365
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Speaker 1: are portrayed in it. So we have three main female

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Speaker 1: characters and none of them are human. There are no

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Speaker 1: human women in this movie who have speaking roles. It

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Speaker 1: is who Yeah, I'm good. So the first one we

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Speaker 1: meet is Rachel, and she's the good replication. She's not

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Speaker 1: like the other replicants. She's nice, but she's also she's

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Speaker 1: a bit of a she's a bit of fatal replicant,

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Speaker 1: and she she's a crier. So it's like, oh, we

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Speaker 1: like her, But do I love it when women cry? Yeah,

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Speaker 1: that's a stereotype seeing a woman crying. And they were like,

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Speaker 1: cool to leave the movie theaters, do turn on. That

376
00:25:08,359 --> 00:25:13,240
Speaker 1: movie just made me crazy, horny chick was crying, I

377
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Speaker 1: want to have a relationship with the person on the screen.

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Speaker 1: So Rachel, she's she's a robot. But then she has

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Speaker 1: the memories of the guy who loses his eyeballs, his

380
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Speaker 1: needs right, Tyrell's niece, So they implant her with these memories,

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Speaker 1: so she thinks she's human. Also, so they administer these

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Speaker 1: tests to figure out if someone's a replicator because void

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Speaker 1: Komp that's the name of the test. Okay, yeah, And

384
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Speaker 1: it's like basically just like asking all these questions that

385
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Speaker 1: will see if it'll elicit some sort of emotional response

386
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Speaker 1: and the replicants because basically the movie sets up that

387
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Speaker 1: the replicans are pretty much indistinguishable from humans except that

388
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Speaker 1: their emotional intelligence isn't uh and they only know it

389
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Speaker 1: for four years. That you can just watch them keel

390
00:25:59,040 --> 00:26:05,240
Speaker 1: over in the streets. It's dying. I also, but you

391
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Speaker 1: almost got to give respect to the movie that, like,

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Speaker 1: it's not just like a thing he scans people with like, oh,

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Speaker 1: there they're a robot, go get him. It's like he

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Speaker 1: has to give him this personality test, has to sit

395
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Speaker 1: people down and do the Myers Briggs, are you introgreted

396
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Speaker 1: or replicate your freak. I think they're making a point

397
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Speaker 1: about like nuance of personality or something. You know. At

398
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Speaker 1: one point, will we even give a fuck? You know,

399
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Speaker 1: you could talk to a robot that like just replicates

400
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Speaker 1: you know, human empathy, and you're like, you're my name,

401
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Speaker 1: best friend. I think I love you. You're so there

402
00:26:39,680 --> 00:26:41,760
Speaker 1: for me, and like, you know, is it the Turing

403
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Speaker 1: tests that it's like, is this that's what that is? Yeah?

404
00:26:46,080 --> 00:26:50,800
Speaker 1: So did this movie invent it? No? But but even

405
00:26:50,880 --> 00:26:58,000
Speaker 1: this test, there's one where the agers really thinks, all right,

406
00:26:58,080 --> 00:27:03,119
Speaker 1: he's the guy that invented there's this point, I'm an idiot.

407
00:27:03,280 --> 00:27:06,200
Speaker 1: They ask Rachel question. They sort of asked her about

408
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Speaker 1: her sexuality at one point. Or She's like that was

409
00:27:09,680 --> 00:27:12,760
Speaker 1: the first of them like, oh and she's a whether

410
00:27:12,880 --> 00:27:15,520
Speaker 1: she's human or not. They're like, whoa, who do you

411
00:27:15,640 --> 00:27:20,399
Speaker 1: fucking like? We're just curious immediately what you're doing with that.

412
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Speaker 1: It doesn't matter of the ass is sentient or not. Sentient,

413
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Speaker 1: asks gentlemen, we've invented it sentient as for years the

414
00:27:30,720 --> 00:27:36,399
Speaker 1: woman have plagued men. But imagine a sentient something that

415
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Speaker 1: has feelings that a man needs, and it's a Giant Us.

416
00:27:41,680 --> 00:27:47,240
Speaker 1: This is my favorite improv group that I go and see. Right,

417
00:27:47,280 --> 00:27:49,800
Speaker 1: So yeah, that that scene is like is this testing

418
00:27:49,840 --> 00:27:56,080
Speaker 1: whether I'm a replicat or a lesbians? Yeah, that's exactly cornyline. Yes,

419
00:27:57,080 --> 00:27:59,480
Speaker 1: why am I lesbian? It's such a like also a

420
00:27:59,560 --> 00:28:02,879
Speaker 1: throwback to like a noir line, like they used to

421
00:28:02,920 --> 00:28:06,080
Speaker 1: always do that, like you got the hot yeah, like

422
00:28:06,160 --> 00:28:08,320
Speaker 1: you have the things she should be like leaning in

423
00:28:08,440 --> 00:28:12,239
Speaker 1: and like pushing her cleavage together, like what are you suggesting? Right?

424
00:28:12,359 --> 00:28:16,440
Speaker 1: But it's obnoxious. Well, the thing with that scene is

425
00:28:16,520 --> 00:28:18,879
Speaker 1: that you discover that it took like he had to

426
00:28:18,960 --> 00:28:21,640
Speaker 1: administer the test for much longer and ask him any

427
00:28:21,680 --> 00:28:24,000
Speaker 1: more questions than with the other replicants. So there's something

428
00:28:24,040 --> 00:28:27,159
Speaker 1: about her that makes her special and maybe that's why

429
00:28:27,240 --> 00:28:31,800
Speaker 1: he loves her. She's calling like the other replicants respect

430
00:28:31,840 --> 00:28:38,240
Speaker 1: a man's love. Absolutely cannot respect a man's love period

431
00:28:40,480 --> 00:28:42,480
Speaker 1: in the streets. It's just a goofy your love, And

432
00:28:43,520 --> 00:28:46,320
Speaker 1: it really is. Yeah, you know how goofy men's love is.

433
00:28:46,560 --> 00:28:49,520
Speaker 1: It's like, sit down, I wrote a song and you

434
00:28:49,600 --> 00:28:53,400
Speaker 1: have to like that level of like creepy. It's creepy.

435
00:28:53,840 --> 00:28:58,080
Speaker 1: It's of a woman's love. And if he shows you

436
00:28:58,160 --> 00:29:02,640
Speaker 1: one shade of that of that fifty shades upright, I'm

437
00:29:02,680 --> 00:29:08,960
Speaker 1: gonna need more. There's three women almost speak because I

438
00:29:09,000 --> 00:29:12,320
Speaker 1: almost don't even think about the replicants. To me, they're

439
00:29:12,320 --> 00:29:16,640
Speaker 1: just like an obstacle. Well I think that that's intentionally done. Yeah,

440
00:29:16,680 --> 00:29:18,959
Speaker 1: I mean, Rachel's the only female character that we're supposed

441
00:29:18,960 --> 00:29:22,400
Speaker 1: to feel anything for, right, because Zora is the like

442
00:29:22,680 --> 00:29:26,920
Speaker 1: snake lady. She's an exotic dancer of some sort of thing.

443
00:29:27,040 --> 00:29:30,160
Speaker 1: She has one good line where she's a robot who

444
00:29:30,160 --> 00:29:33,520
Speaker 1: could be a construction worker and just like build buildings

445
00:29:33,560 --> 00:29:35,600
Speaker 1: with her bare hands. But she's like, I don't know

446
00:29:35,680 --> 00:29:40,560
Speaker 1: what to do. Chip she's also a robot, probably has

447
00:29:40,600 --> 00:29:43,560
Speaker 1: like insane like brain capacity, and she's still like, you

448
00:29:43,640 --> 00:29:47,880
Speaker 1: know what she could? And I think she was empowered

449
00:29:47,920 --> 00:29:51,360
Speaker 1: by Amber Rose. Yeah, I mean, let's learned that somehow

450
00:29:51,440 --> 00:29:53,600
Speaker 1: being a stripper is the most feminist thing you could do.

451
00:29:53,960 --> 00:29:58,120
Speaker 1: It's very empowering. Everyone's He's like, is that a real snake?

452
00:29:58,320 --> 00:30:01,560
Speaker 1: And she's like, no, I get aboard on a second,

453
00:30:02,600 --> 00:30:05,440
Speaker 1: Actually that snake he looks like a girl's sake. It's

454
00:30:07,000 --> 00:30:11,360
Speaker 1: blade runners. When really deckerd finds that like scale, Yeah,

455
00:30:11,440 --> 00:30:14,280
Speaker 1: it's it's like the worst detective work. He's like, here

456
00:30:14,320 --> 00:30:18,160
Speaker 1: it is the clue, right here where it should be.

457
00:30:18,400 --> 00:30:21,200
Speaker 1: Like he finds a creepy believe it took me forever

458
00:30:21,320 --> 00:30:23,920
Speaker 1: to piece together because then he goes and like he

459
00:30:24,040 --> 00:30:26,960
Speaker 1: goes to the snake man. He's like, who you're selling

460
00:30:27,000 --> 00:30:29,000
Speaker 1: your snakes too? And I was like, what's happening? And

461
00:30:29,080 --> 00:30:31,760
Speaker 1: then detective talks to that other dude in the bar

462
00:30:31,880 --> 00:30:43,080
Speaker 1: and sny no matter what you're Harrison's talking. He sounds

463
00:30:43,200 --> 00:30:46,280
Speaker 1: very old. He is great. He's had a dad bod

464
00:30:46,360 --> 00:30:49,240
Speaker 1: since he was fifteen years old. He's had a Jones

465
00:30:49,280 --> 00:30:52,560
Speaker 1: basically had dad. For sure. He's a crummy actor. He's

466
00:30:52,560 --> 00:30:58,440
Speaker 1: a crumby act when he doesn't have any When he good,

467
00:30:58,560 --> 00:31:00,959
Speaker 1: he's like, when is he not himself? You know, well

468
00:31:01,040 --> 00:31:04,160
Speaker 1: that's well, sure, he doesn't have a lot of like versatility,

469
00:31:04,480 --> 00:31:12,520
Speaker 1: so it doesn't have range. But you're like, oh, time

470
00:31:14,040 --> 00:31:17,320
Speaker 1: into the role. Sure, but Alfred Milena raised the loss

471
00:31:17,640 --> 00:31:22,680
Speaker 1: Alfama of the Da Vinci Code two thousand six You

472
00:31:22,760 --> 00:31:24,920
Speaker 1: try to throw him a whip in two thousand sixteen.

473
00:31:25,000 --> 00:31:26,840
Speaker 1: He won't accept it. No, He's like, I've done it

474
00:31:28,160 --> 00:31:31,880
Speaker 1: what's next. People give him robot tentacles and he's like,

475
00:31:32,240 --> 00:31:37,440
Speaker 1: did you see Spiderman two two thou before? I'm the

476
00:31:37,560 --> 00:31:42,000
Speaker 1: rain Man of Alfred Milena. A point I would like

477
00:31:42,080 --> 00:31:44,920
Speaker 1: to make is that we see again and again in

478
00:31:45,080 --> 00:31:48,280
Speaker 1: movies that there's often a scene where a man has

479
00:31:48,360 --> 00:31:51,240
Speaker 1: to save a woman. A woman is in peril. That

480
00:31:57,000 --> 00:32:01,760
Speaker 1: was literally standing in a platum, a very intense moment

481
00:32:01,840 --> 00:32:04,000
Speaker 1: for everyone. We're not going to be able to release

482
00:32:04,040 --> 00:32:07,480
Speaker 1: this episode because you have something. Oh my god, because

483
00:32:07,520 --> 00:32:14,880
Speaker 1: you're a guest, you're singing so many copyrights. No, but

484
00:32:14,920 --> 00:32:17,880
Speaker 1: it's fine because I'm doing it my bad version, and

485
00:32:17,960 --> 00:32:24,480
Speaker 1: I'm doing it under like eight seconds. I know the law.

486
00:32:24,680 --> 00:32:30,120
Speaker 1: I know the law. So women are often women be

487
00:32:30,240 --> 00:32:34,520
Speaker 1: in peril in movies. They need they need saving, and

488
00:32:36,080 --> 00:32:40,640
Speaker 1: is it a very annoying I get saved at least

489
00:32:40,680 --> 00:32:43,080
Speaker 1: once a day, So it's a very annoying trump that

490
00:32:43,120 --> 00:32:45,920
Speaker 1: I hate. We don't see it in this movie. Instead,

491
00:32:46,200 --> 00:32:50,160
Speaker 1: we see a woman saving a man or a woman robot.

492
00:32:50,520 --> 00:32:55,800
Speaker 1: That's true because there are no women humans. But it's

493
00:32:55,880 --> 00:32:59,560
Speaker 1: it's the scene where um Leon, the fourth replicant, who

494
00:32:59,600 --> 00:33:01,840
Speaker 1: we haven't met yet, he's like fighting with Deckert and

495
00:33:01,920 --> 00:33:04,320
Speaker 1: about to kill him by pushing his thumbs into his

496
00:33:04,440 --> 00:33:07,760
Speaker 1: eyes or that's the how you kill people if you're

497
00:33:08,040 --> 00:33:11,120
Speaker 1: a robot. I liked that part. And he's about so

498
00:33:11,160 --> 00:33:14,640
Speaker 1: he's about too like eyes motion him and then he

499
00:33:14,760 --> 00:33:22,120
Speaker 1: gets but then he gets shot in the head and

500
00:33:22,720 --> 00:33:29,680
Speaker 1: reveal that it's Rachel Pick So Rachel, Rachel's saves Rachel

501
00:33:29,760 --> 00:33:33,840
Speaker 1: saves Deckert from getting dead. I like that this movie

502
00:33:33,880 --> 00:33:36,840
Speaker 1: subverts that very annoying trope. But there's so much that

503
00:33:36,920 --> 00:33:39,480
Speaker 1: it does. Like they're sure every female character in this

504
00:33:39,560 --> 00:33:43,000
Speaker 1: movie either exists to be a foil to a man

505
00:33:43,280 --> 00:33:46,080
Speaker 1: or to write like Rachel's whole reason for existing in

506
00:33:46,120 --> 00:33:50,000
Speaker 1: the movie is to facilitate the growth of Harrison Ford's character,

507
00:33:50,160 --> 00:33:52,479
Speaker 1: Like that's why she's there, to change his attitude. I'm

508
00:33:52,480 --> 00:33:54,480
Speaker 1: out my room wants and maybe they're not so mad,

509
00:33:54,640 --> 00:33:57,280
Speaker 1: and like that's well. The thing is, he doesn't even

510
00:33:57,320 --> 00:33:59,880
Speaker 1: seem to hate replicants that much. He doesn't even know

511
00:34:00,000 --> 00:34:02,000
Speaker 1: anything about them. In the first scene when the dudes

512
00:34:02,040 --> 00:34:03,760
Speaker 1: explaining to them that, He's like, yeah, they only lived

513
00:34:03,800 --> 00:34:05,560
Speaker 1: for four years. You bet at your job. But he

514
00:34:05,640 --> 00:34:15,120
Speaker 1: didn't like one of them. Whatever, don't blade dogades just

515
00:34:15,320 --> 00:34:19,680
Speaker 1: like I'm a roll by, but I like Chris was

516
00:34:19,760 --> 00:34:23,920
Speaker 1: my favorite. I mean, little dar Daryl Hannah got she

517
00:34:24,080 --> 00:34:28,040
Speaker 1: has probably the most agency, or she's she's active. She

518
00:34:28,239 --> 00:34:31,879
Speaker 1: tricks the dude Sebastian into like, oh man, that guy

519
00:34:31,960 --> 00:34:37,200
Speaker 1: though with his weird like I've and you're like what

520
00:34:37,320 --> 00:34:39,560
Speaker 1: he is, like he has a disease where he ate

521
00:34:39,680 --> 00:34:43,000
Speaker 1: his like aging is accelerated. Dude is so awesome. I've,

522
00:34:43,040 --> 00:34:46,920
Speaker 1: but I look like shit, I'm a paynut farmer. But

523
00:34:47,200 --> 00:34:51,480
Speaker 1: also about I make friends, I would I would do

524
00:34:51,640 --> 00:34:53,200
Speaker 1: that if I was the guy who could do that

525
00:34:53,440 --> 00:34:56,040
Speaker 1: and make those easy. If there's anyone in the movie

526
00:34:56,120 --> 00:34:59,000
Speaker 1: that I could realistically see myself with it him. I

527
00:34:59,080 --> 00:35:01,520
Speaker 1: don't like it when they're full adult size, but when

528
00:35:01,560 --> 00:35:05,160
Speaker 1: they're tiny and they're like cartoon characters, that's pretty great.

529
00:35:06,239 --> 00:35:09,759
Speaker 1: Baby clowns. Check out clown. All they have to do

530
00:35:09,880 --> 00:35:11,600
Speaker 1: is like get bonked on the head and fall down

531
00:35:11,640 --> 00:35:13,279
Speaker 1: every now and then. It's not like, you know, it's

532
00:35:13,320 --> 00:35:17,960
Speaker 1: not like grueling work. But prison I mean she, I mean,

533
00:35:18,320 --> 00:35:19,800
Speaker 1: you can see both ways. I like she has the

534
00:35:19,880 --> 00:35:21,759
Speaker 1: most agency, but you could also be like, oh, they

535
00:35:21,840 --> 00:35:27,040
Speaker 1: made a little cunning witch female character. She's another of them.

536
00:35:27,160 --> 00:35:31,799
Speaker 1: They tell I'd like to pay for two tickets because

537
00:35:31,800 --> 00:35:39,880
Speaker 1: I love magic, Mr Pizza, cunning witches. So those are

538
00:35:39,920 --> 00:35:43,480
Speaker 1: the three prisons, Zora and Rachel. Rachel, what kind of

539
00:35:43,560 --> 00:35:46,000
Speaker 1: a character would you have liked to have seen put

540
00:35:46,080 --> 00:35:49,880
Speaker 1: in this? I mean, any human women? Why couldn't one

541
00:35:49,920 --> 00:35:55,520
Speaker 1: of the other Blade runners be a woman? His girlfriend?

542
00:35:55,680 --> 00:35:58,319
Speaker 1: Should it? But like, how removed should it be from him?

543
00:35:58,400 --> 00:36:03,440
Speaker 1: Like partner or love interest? I mean it didn't. You

544
00:36:03,520 --> 00:36:06,280
Speaker 1: don't need to necessarily add someone new to the story.

545
00:36:06,360 --> 00:36:08,120
Speaker 1: That wouldn't make sense for the story. But just like

546
00:36:08,360 --> 00:36:11,160
Speaker 1: he could have been his police chief decord, I need

547
00:36:11,280 --> 00:36:15,400
Speaker 1: fucking results. It could have been put on your blades?

548
00:36:16,600 --> 00:36:19,839
Speaker 1: Where are your blades? Where are your blades? She's as

549
00:36:19,920 --> 00:36:27,920
Speaker 1: mad about things he forgot to bring running. What's your problem? Yeah?

550
00:36:27,960 --> 00:36:30,640
Speaker 1: And we need a naggy woman in here. Oh there's

551
00:36:30,840 --> 00:36:34,480
Speaker 1: um the woman in the She like looks at the

552
00:36:34,960 --> 00:36:37,320
Speaker 1: snake scale. He thinks it's like a fit and she's like,

553
00:36:37,400 --> 00:36:39,360
Speaker 1: oh no, so there's a there's another woman with a

554
00:36:39,400 --> 00:36:43,600
Speaker 1: speaking roll I forgot about. But she's like, secretly, I

555
00:36:43,680 --> 00:36:49,840
Speaker 1: love you ded like Rachel, and forgive me if I

556
00:36:49,920 --> 00:36:52,239
Speaker 1: missed a part when I was taking a shower and

557
00:36:52,400 --> 00:36:55,840
Speaker 1: really not watching the movie at all, but it was on.

558
00:36:58,239 --> 00:37:01,680
Speaker 1: But there's like Rachel Harris a Ford and Rachel they

559
00:37:01,680 --> 00:37:04,400
Speaker 1: both sort of have like these identity issues, right, but

560
00:37:04,560 --> 00:37:07,600
Speaker 1: like Rachel, what's the resolution there where she's like, oh,

561
00:37:07,719 --> 00:37:09,800
Speaker 1: I guess I have the memories of the eyeball guy's

562
00:37:09,920 --> 00:37:13,040
Speaker 1: niece and I'm sad about that. But then there's no like,

563
00:37:13,440 --> 00:37:15,719
Speaker 1: where does that arc? You're going to go on the road? Right,

564
00:37:16,480 --> 00:37:18,239
Speaker 1: they're they're on the lamb now now they know the

565
00:37:18,400 --> 00:37:21,000
Speaker 1: robots and they're like to figure like figure it out.

566
00:37:21,760 --> 00:37:23,360
Speaker 1: I don't know. Like that that was the end of

567
00:37:23,560 --> 00:37:25,600
Speaker 1: where her character ended. Was like, oh, there was no

568
00:37:26,520 --> 00:37:29,160
Speaker 1: like she was truly they were like here's a shell

569
00:37:29,280 --> 00:37:33,280
Speaker 1: of a woman, forced her to say whatever you want. Okay,

570
00:37:33,520 --> 00:37:35,359
Speaker 1: that scene, let's talk about let's talk about that scene

571
00:37:35,640 --> 00:37:39,560
Speaker 1: was like so the scene where she's back at his apartment,

572
00:37:39,680 --> 00:37:42,800
Speaker 1: she's playing piano. He goes into kiss her very twilight.

573
00:37:44,160 --> 00:37:52,480
Speaker 1: He's all wounding over piano playing. He moves into kiss her,

574
00:37:52,760 --> 00:37:57,040
Speaker 1: she pulls away, gets up, tries to leave. He slams

575
00:37:57,080 --> 00:38:05,920
Speaker 1: the door shut. He's like shooting robots for you. So

576
00:38:06,040 --> 00:38:09,400
Speaker 1: we got pretty cool devil's advocating right now, So he

577
00:38:09,520 --> 00:38:11,920
Speaker 1: slams the door shut so that she can't leave. He

578
00:38:12,120 --> 00:38:16,600
Speaker 1: violently pushes her against the wall and then like corners

579
00:38:16,600 --> 00:38:19,920
Speaker 1: her puts his arms up sore, she can't move, she's crying.

580
00:38:20,360 --> 00:38:24,320
Speaker 1: He's like, kiss me, you want me to kiss you?

581
00:38:24,760 --> 00:38:29,239
Speaker 1: Kiss me? And she's like, she was like, you want me?

582
00:38:29,520 --> 00:38:32,520
Speaker 1: I want you to say it again. It is I

583
00:38:32,760 --> 00:38:36,200
Speaker 1: think meant to be I think it's meant to be

584
00:38:37,000 --> 00:38:41,320
Speaker 1: hot hot, but it is so ra That movie just

585
00:38:41,440 --> 00:38:45,640
Speaker 1: turned me on. He just kissed that woman who loves him.

586
00:38:46,680 --> 00:38:49,640
Speaker 1: She does it, well, that's okay. And then the three

587
00:38:49,680 --> 00:38:52,279
Speaker 1: female characters speaking to the fact that there's no human women.

588
00:38:52,640 --> 00:38:57,000
Speaker 1: All three female characters were invented by men. I was like, oh,

589
00:38:57,080 --> 00:38:59,239
Speaker 1: how hard is this movie thinking about itself? Answer, I

590
00:38:59,239 --> 00:39:02,160
Speaker 1: don't think very hard. But there was like a ten

591
00:39:02,200 --> 00:39:05,440
Speaker 1: minutes span where I'm like, maybe what really Scott's trying

592
00:39:05,520 --> 00:39:09,120
Speaker 1: to say is that men created these women and that's

593
00:39:09,160 --> 00:39:11,320
Speaker 1: why the female characters are so horrible, because it's just

594
00:39:11,400 --> 00:39:13,400
Speaker 1: the man's perception of what a woman should be doing.

595
00:39:14,000 --> 00:39:15,879
Speaker 1: And then I was like, oh, no, it's just bad.

596
00:39:16,560 --> 00:39:18,479
Speaker 1: This is just how you're giving it too much credit.

597
00:39:19,360 --> 00:39:22,600
Speaker 1: It's just bad, badly written female characters. But the the

598
00:39:23,120 --> 00:39:25,839
Speaker 1: escape and how because I always try to like car

599
00:39:25,880 --> 00:39:27,800
Speaker 1: ready for this podcast, I'm like, how would an asshole

600
00:39:27,880 --> 00:39:30,080
Speaker 1: explain away the point I'm about to make? And I

601
00:39:30,200 --> 00:39:33,080
Speaker 1: think it would be that's like, well, the women were

602
00:39:33,280 --> 00:39:36,879
Speaker 1: created by men, and so the men don't understand women,

603
00:39:36,960 --> 00:39:38,600
Speaker 1: so they just made women that made gents to them,

604
00:39:38,640 --> 00:39:41,839
Speaker 1: So women that wanted to get naked and sucked them, right,

605
00:39:42,320 --> 00:39:47,759
Speaker 1: So that was the Devil's advocate to degree there. Yeah,

606
00:39:48,239 --> 00:39:50,600
Speaker 1: I don't didn't even know that. I don't think they

607
00:39:50,640 --> 00:39:52,680
Speaker 1: were thinking very hard about that. I think, well, my

608
00:39:52,880 --> 00:39:55,160
Speaker 1: my thing is honestly, I just think, you know, movies

609
00:39:55,200 --> 00:39:57,719
Speaker 1: really didn't think about this till about ten years ago.

610
00:39:58,120 --> 00:40:02,120
Speaker 1: Hampton Fancher was not thinking about No, I don't know.

611
00:40:02,200 --> 00:40:04,719
Speaker 1: I mean like it was and it wasn't, but like

612
00:40:05,440 --> 00:40:08,239
Speaker 1: i'd say this, yeah, it just hasn't been applied. Philip K.

613
00:40:08,360 --> 00:40:12,400
Speaker 1: Dick was certainly not thinking about finding that book. It

614
00:40:12,480 --> 00:40:14,960
Speaker 1: was probably like nineteen sixty. It had to be in

615
00:40:14,960 --> 00:40:22,160
Speaker 1: the sixty. Yeah, it's badly made, Like you know, it's like, yeah,

616
00:40:22,640 --> 00:40:26,120
Speaker 1: you're totally right. There's a glaring problems that it's like,

617
00:40:26,239 --> 00:40:28,120
Speaker 1: now if you couldn't get away with it right. Well,

618
00:40:28,120 --> 00:40:30,760
Speaker 1: I'm interested to see if in the in this sequel

619
00:40:30,800 --> 00:40:36,480
Speaker 1: that's coming, if they're more interesting or developed female characters,

620
00:40:36,480 --> 00:40:39,680
Speaker 1: because like the love story that's set up between Harrison

621
00:40:39,760 --> 00:40:43,680
Speaker 1: Ford's character and Rachel is like, why do they like

622
00:40:43,840 --> 00:40:45,759
Speaker 1: each other? This happens all the time in movies where

623
00:40:45,760 --> 00:40:48,120
Speaker 1: it's like we're not sure what They're near each other

624
00:40:48,200 --> 00:40:50,880
Speaker 1: and they're both attractive, so naturally they're gonna want to

625
00:40:50,960 --> 00:40:54,120
Speaker 1: fucking be together forever. But like, so she'll do whatever

626
00:40:54,320 --> 00:40:58,480
Speaker 1: he tells. It's so like that whole thing. I was like, Oh,

627
00:40:58,600 --> 00:41:00,640
Speaker 1: so that's why he likes her, because he's like, hey,

628
00:41:00,760 --> 00:41:02,680
Speaker 1: say this thing to me that makes me feel cute.

629
00:41:04,080 --> 00:41:14,399
Speaker 1: I'm feeling about my hips, makes me feel cute. He's

630
00:41:14,520 --> 00:41:20,600
Speaker 1: hervy man curve. I got dumb thick butt. Though. One

631
00:41:20,640 --> 00:41:22,279
Speaker 1: thing I do like about the movie is that you

632
00:41:22,400 --> 00:41:26,560
Speaker 1: do see Duckard's as get kicked by two women because

633
00:41:26,760 --> 00:41:30,160
Speaker 1: Zora and Priss both beat the ship up. That's like

634
00:41:30,239 --> 00:41:32,840
Speaker 1: the most progressive thing you could do with a woman.

635
00:41:35,440 --> 00:41:39,439
Speaker 1: A man doesn't immediately naked ultra feminist in a movie.

636
00:41:40,080 --> 00:41:42,520
Speaker 1: Cain and I spent our nights and he's just hunting.

637
00:41:43,719 --> 00:41:46,400
Speaker 1: The press. Fight scene was really weird because she basically

638
00:41:46,480 --> 00:41:50,560
Speaker 1: like gets him in a headlock with her vagina. What

639
00:41:50,760 --> 00:41:54,960
Speaker 1: a weird way to fight, guys. Never kickled someone's fucking

640
00:41:55,080 --> 00:42:03,920
Speaker 1: head up, pure decapitation World combat style. And then Golden

641
00:42:03,960 --> 00:42:06,719
Speaker 1: ailes she puts her fingers up his nose. That's a

642
00:42:06,760 --> 00:42:11,200
Speaker 1: great way I hurt someone your nose is like stone

643
00:42:11,440 --> 00:42:14,239
Speaker 1: and humiliate them at the same time. The only thing

644
00:42:14,239 --> 00:42:17,320
Speaker 1: I learned about self defense I learned from Miscongeniality two thousand.

645
00:42:17,800 --> 00:42:20,920
Speaker 1: What'd you learn? Uh, there's a part where Sandra Bullock

646
00:42:21,360 --> 00:42:25,720
Speaker 1: says you have to remember to sing solar plexus, instep

647
00:42:25,840 --> 00:42:28,040
Speaker 1: knows groin and those are the places that you hit

648
00:42:28,120 --> 00:42:31,000
Speaker 1: people and then and then they stay away from you. Anyways,

649
00:42:31,200 --> 00:42:35,760
Speaker 1: was that a song? It's something whole? And then Benjamin

650
00:42:35,800 --> 00:42:37,880
Speaker 1: Bratt breaks out into song. And that's a great movie.

651
00:42:39,360 --> 00:42:48,279
Speaker 1: That is that movie good? Better than Runner? Hey, mis

652
00:42:48,360 --> 00:42:52,239
Speaker 1: Congeniality too? Maybe not well? Speaking of other movies and

653
00:42:52,520 --> 00:42:55,439
Speaker 1: other cop movies specifically, I wanted to make the point

654
00:42:55,600 --> 00:42:59,800
Speaker 1: that so many cop movies revolve around a male protagonist

655
00:43:00,040 --> 00:43:03,239
Speaker 1: in the cop or like two men cop buddies there

656
00:43:03,280 --> 00:43:08,719
Speaker 1: are who are sensitive about their body. It's so rare

657
00:43:08,840 --> 00:43:12,840
Speaker 1: that you see a female cop protagonist in a movie.

658
00:43:13,160 --> 00:43:17,399
Speaker 1: I made a list of man cop movies. Uh, get

659
00:43:17,520 --> 00:43:22,640
Speaker 1: rid of every Diehard That Departed Seven, Beverly Hills, Cup,

660
00:43:22,680 --> 00:43:25,480
Speaker 1: Lethal Weapons, Serpico, Chinatown, Dirty Harry l A, Confidential, The

661
00:43:25,520 --> 00:43:28,320
Speaker 1: French Connection, Bad Boys, forty eight Hours, Point break Y, Intouchables,

662
00:43:28,360 --> 00:43:31,719
Speaker 1: Training Day, super Troopers, Robotcot, Men in Black, Speed, Mad

663
00:43:31,840 --> 00:43:35,399
Speaker 1: Max Hots twenty one, Joshiss Kiss, Bang Bang, many many,

664
00:43:35,520 --> 00:43:47,319
Speaker 1: many more. A few exceptions Fargo, Silence of the Lambs. Wow,

665
00:43:47,360 --> 00:43:52,440
Speaker 1: almost all good movie. That Yeah, that is Yeah. Another exception,

666
00:43:52,640 --> 00:44:02,200
Speaker 1: The Heat. It was SMI great female cop. That's a

667
00:44:02,280 --> 00:44:06,120
Speaker 1: cop movie. She's FBI. Honestly, Miss g L is an

668
00:44:06,160 --> 00:44:10,160
Speaker 1: amazing movie. Michael Caine shines in that movie. Yeah, he's great.

669
00:44:10,400 --> 00:44:20,040
Speaker 1: Where's your Michael Caine? Impressure? I was like, Michael A

670
00:44:20,160 --> 00:44:26,480
Speaker 1: Michael Kaine, I've heard better. Yeah, it wasn't in me.

671
00:44:26,520 --> 00:44:28,799
Speaker 1: I didn't really want it. But anyway, so most cop

672
00:44:28,880 --> 00:44:32,239
Speaker 1: movies are male dominated. There's anything to do with the

673
00:44:32,280 --> 00:44:35,480
Speaker 1: cops and mostly being men. It could be, but our

674
00:44:35,600 --> 00:44:39,440
Speaker 1: cops mostly men because women don't see representation in media

675
00:44:39,680 --> 00:44:41,759
Speaker 1: of women being cops, so they're like, oh, it would

676
00:44:41,800 --> 00:44:43,279
Speaker 1: be weird for me to try to be a cop,

677
00:44:43,360 --> 00:44:45,719
Speaker 1: because I guess women can't be cops because I've seen

678
00:44:45,719 --> 00:44:50,279
Speaker 1: all these movies where it's all men being stemic. I

679
00:44:50,400 --> 00:44:53,160
Speaker 1: just finished season three of far Ago and didn't make

680
00:44:53,200 --> 00:44:55,520
Speaker 1: you want to fight crime. It maybe want to move

681
00:44:55,600 --> 00:44:59,240
Speaker 1: to the Midwest become a cop and she become troubled

682
00:44:59,320 --> 00:45:02,320
Speaker 1: with the state of is just as possible to require.

683
00:45:02,360 --> 00:45:06,759
Speaker 1: Actually that's the thing, is like every cop movie I see,

684
00:45:07,120 --> 00:45:10,040
Speaker 1: I'm like, no, I want to fight, cry like it

685
00:45:10,160 --> 00:45:13,440
Speaker 1: does totally about me. So like when you saw a Fargo,

686
00:45:13,560 --> 00:45:15,839
Speaker 1: did it make you go like fu, Yeah, I want

687
00:45:15,880 --> 00:45:19,000
Speaker 1: to fucking I've never want to find a body. I

688
00:45:19,080 --> 00:45:23,160
Speaker 1: want to find murders. I don't think so. Although when

689
00:45:23,200 --> 00:45:25,839
Speaker 1: I did see Harriet the Spy as a young kid,

690
00:45:26,560 --> 00:45:34,800
Speaker 1: wanted to be a spy school women because it's because

691
00:45:34,800 --> 00:45:37,160
Speaker 1: that's kind of happening with the new Jennifer Lawrence movie

692
00:45:37,200 --> 00:45:40,400
Speaker 1: that's coming out, Which One, Which One. It's like a

693
00:45:40,520 --> 00:45:43,680
Speaker 1: spy movie, She's a spy. It's it's only been teased

694
00:45:43,760 --> 00:45:45,560
Speaker 1: kind of what it is. And then immediately people were like,

695
00:45:46,480 --> 00:45:50,240
Speaker 1: why are women always betrayed his spies. Is it because

696
00:45:50,280 --> 00:45:53,160
Speaker 1: we're sneaky? And I was like, I don't know. That

697
00:45:53,280 --> 00:45:58,520
Speaker 1: sounds not fair on many levels. Did Harry the Spies

698
00:45:58,560 --> 00:46:02,680
Speaker 1: a movie? So yeah, Nancy Drew, Oh yeah, I wanted

699
00:46:02,719 --> 00:46:07,160
Speaker 1: to be Nancy Drew real mad, not Emma Roberts. Nancy Drew, hot,

700
00:46:07,520 --> 00:46:11,239
Speaker 1: big titty, fifteen year old, illustrated nanty Cher. Then she

701
00:46:11,320 --> 00:46:15,279
Speaker 1: had asked, Nancy, my mom made me read those books.

702
00:46:15,320 --> 00:46:18,960
Speaker 1: She was like, you Drew, Well, there's those books are

703
00:46:19,000 --> 00:46:23,080
Speaker 1: so because Nancy has ned Ned Nickerson, her boyfriend who's

704
00:46:23,120 --> 00:46:25,399
Speaker 1: a hottie and stays out of the way, which is great.

705
00:46:29,000 --> 00:46:31,440
Speaker 1: Ned Nickerson is hot and stays out of the way.

706
00:46:31,480 --> 00:46:33,560
Speaker 1: It's like, okay, that's what we're going to go for

707
00:46:33,760 --> 00:46:36,480
Speaker 1: the future. And then she has her two cousins or no,

708
00:46:36,640 --> 00:46:38,759
Speaker 1: her two friends who are cousins, one of whom is

709
00:46:39,280 --> 00:46:42,400
Speaker 1: not the star of the book because she's five pounds overweight.

710
00:46:42,480 --> 00:46:45,360
Speaker 1: They say that in every book. They say, folks was

711
00:46:45,400 --> 00:46:48,600
Speaker 1: about five pounds. She needed to be five, always five.

712
00:46:48,719 --> 00:46:54,600
Speaker 1: That is remarkably always fine. And then and then there's George,

713
00:46:54,880 --> 00:46:58,480
Speaker 1: who is who's a lesbian, but they say she's a

714
00:46:58,520 --> 00:47:01,520
Speaker 1: bit of a tomboy. It's someone who's five pounds too

715
00:47:01,560 --> 00:47:03,319
Speaker 1: heavy and a bit of a tomboy. And that's why

716
00:47:04,080 --> 00:47:08,520
Speaker 1: she's a perfect She's a strawberry bond and she's got

717
00:47:08,600 --> 00:47:16,320
Speaker 1: a beta cock. Wait for her to start solving crimes. Yeah, no,

718
00:47:16,440 --> 00:47:17,960
Speaker 1: I know she Well she does it in a cute

719
00:47:17,960 --> 00:47:20,680
Speaker 1: little skirt and she has a rowboat. It's the whole thing. Um,

720
00:47:20,920 --> 00:47:22,680
Speaker 1: Does anyone have anything else they want to say about

721
00:47:22,800 --> 00:47:29,080
Speaker 1: Blade Runner? And it's portrayal of women? Boo. Let's talk

722
00:47:29,080 --> 00:47:33,000
Speaker 1: about whether or not the movie passes the Bechtel test No,

723
00:47:36,040 --> 00:47:44,279
Speaker 1: the Betel testimeter. This is our avoid comptest. If you

724
00:47:44,320 --> 00:47:46,640
Speaker 1: were to sit really Scott down and ask him kind

725
00:47:46,640 --> 00:47:49,200
Speaker 1: of avoid comp on this, what would you ask him?

726
00:47:49,280 --> 00:47:50,480
Speaker 1: That is a quick That is a quick thing I

727
00:47:50,520 --> 00:47:53,080
Speaker 1: want to bring up is this is a really Scott movie.

728
00:47:53,120 --> 00:47:56,400
Speaker 1: And really Scott is all over the board like truly

729
00:47:56,840 --> 00:47:59,239
Speaker 1: a to z and how he treats women in his movies,

730
00:47:59,239 --> 00:48:02,400
Speaker 1: because he fucking directed Felmont and Louise. He directed Alien,

731
00:48:02,680 --> 00:48:05,759
Speaker 1: like two movies we've done in this podcast that are like,

732
00:48:06,680 --> 00:48:09,040
Speaker 1: I mean, Selman Louise fared very well. We gave it

733
00:48:09,080 --> 00:48:12,000
Speaker 1: a five nipple rating. Across the board. We did. We

734
00:48:12,120 --> 00:48:15,320
Speaker 1: did Alien a problem that it's like women are always

735
00:48:15,320 --> 00:48:19,440
Speaker 1: portrayed as like indestructible badasses also you know, I mean

736
00:48:20,920 --> 00:48:25,640
Speaker 1: in destructible, but they also died. I was we're thinking

737
00:48:25,640 --> 00:48:30,040
Speaker 1: about Ripley. I love aliens and aliens and stuff because

738
00:48:30,080 --> 00:48:32,279
Speaker 1: he has he has Alien Thulmt and Louise g I Jane.

739
00:48:32,640 --> 00:48:35,440
Speaker 1: Whoa g I Jane? G I Jane. I've never actually

740
00:48:35,480 --> 00:48:39,480
Speaker 1: seen that. It passes the bag. It's dumb, but but

741
00:48:39,520 --> 00:48:41,560
Speaker 1: it is supposed to be like, oh, you know whatever,

742
00:48:41,680 --> 00:48:43,959
Speaker 1: it's inherently done because they call her g I Jane

743
00:48:44,000 --> 00:48:50,920
Speaker 1: and she's joining the Navy Seals General Infantry. But then,

744
00:48:51,680 --> 00:48:56,440
Speaker 1: but then he's also directed a slew of movies Blade Renner, Gladiator,

745
00:48:56,560 --> 00:48:59,120
Speaker 1: Kingdom of Heaven, Magic Men, So he's all over the

746
00:48:59,160 --> 00:49:01,920
Speaker 1: board in terms of how well I would argue that

747
00:49:02,600 --> 00:49:05,399
Speaker 1: the writer of a movie is gonna have more say

748
00:49:05,520 --> 00:49:08,120
Speaker 1: and how a woman is portrayed than the director. I mean,

749
00:49:08,160 --> 00:49:11,399
Speaker 1: the director contract different choices, but it's ultimately the way

750
00:49:11,400 --> 00:49:13,719
Speaker 1: a woman is portrayed, at least in terms of like

751
00:49:14,280 --> 00:49:16,279
Speaker 1: how active of a role she plays in the story

752
00:49:16,320 --> 00:49:17,440
Speaker 1: and things like that is going to be up to

753
00:49:17,520 --> 00:49:21,200
Speaker 1: the writer. So I mean, you know, the director might

754
00:49:21,239 --> 00:49:23,480
Speaker 1: make decisions on like how you frame it and like

755
00:49:23,640 --> 00:49:27,120
Speaker 1: how like how little clothing she has on, and like

756
00:49:27,239 --> 00:49:29,880
Speaker 1: do we do like lingering shots of like mail gaze

757
00:49:30,080 --> 00:49:31,920
Speaker 1: kind of stuff. But I think it's so weird that,

758
00:49:32,080 --> 00:49:34,800
Speaker 1: you know, three years previous to this, he makes Alien

759
00:49:35,160 --> 00:49:36,640
Speaker 1: and then he's like, well, we've got to have a

760
00:49:36,719 --> 00:49:39,799
Speaker 1: twenty year old Daryl Hannah flailing with her tits out

761
00:49:40,200 --> 00:49:43,880
Speaker 1: for good thirty seconds before we allow the protagonists to shoot,

762
00:49:45,040 --> 00:49:51,640
Speaker 1: and the baby maker doesn't like, oh yeah, So it's

763
00:49:51,680 --> 00:49:56,279
Speaker 1: just I think that the real I'm telling you that

764
00:49:56,360 --> 00:50:01,160
Speaker 1: that's probably thought about. I'm telling you, are you telling

765
00:50:01,200 --> 00:50:03,759
Speaker 1: me that? What you tell us? Why? I love later

766
00:50:04,120 --> 00:50:06,239
Speaker 1: to explain it to people. I know, I'm telling you.

767
00:50:06,880 --> 00:50:10,680
Speaker 1: I think we can really like so we can really

768
00:50:10,719 --> 00:50:19,040
Speaker 1: blame Hampton Fancher, Yeah for best Actually you're in the

769
00:50:19,120 --> 00:50:21,560
Speaker 1: hot seat. But but it's just weird to think about,

770
00:50:21,760 --> 00:50:25,080
Speaker 1: like Ridley Scott's what's that word with too many bells?

771
00:50:26,080 --> 00:50:33,799
Speaker 1: Oh yeah, yeah, good, good point. Yeah. Well, I think

772
00:50:33,840 --> 00:50:36,239
Speaker 1: he's like one of those super like visual directors as

773
00:50:36,280 --> 00:50:39,640
Speaker 1: A've been thinking a bit about like directors recently, where

774
00:50:39,640 --> 00:50:41,600
Speaker 1: I'm like well, some seems like super hands on with

775
00:50:41,719 --> 00:50:44,960
Speaker 1: actors or like, you know, that's where they started because

776
00:50:45,239 --> 00:50:47,960
Speaker 1: that's their background. He just seems like art school visual guys.

777
00:50:48,160 --> 00:50:50,480
Speaker 1: So I always think he's it's almost like he's not

778
00:50:50,680 --> 00:50:53,640
Speaker 1: trying to empower Ripley or or or do you know

779
00:50:53,800 --> 00:50:56,160
Speaker 1: something with Elma and Luis. He's just like, this is

780
00:50:56,160 --> 00:50:58,360
Speaker 1: a beautiful story. Here is how is his shot? And

781
00:50:58,800 --> 00:51:01,040
Speaker 1: I am removed back. I want you to see this,

782
00:51:01,320 --> 00:51:03,440
Speaker 1: you know, this painting sort of thing. And he's not

783
00:51:03,520 --> 00:51:06,399
Speaker 1: thinking about the relationships so much. I guess that would

784
00:51:06,520 --> 00:51:10,000
Speaker 1: enable such a wide kinds of different stories that he tells. Yeah,

785
00:51:10,000 --> 00:51:11,719
Speaker 1: because it's like if he had some sort of like

786
00:51:11,800 --> 00:51:14,600
Speaker 1: specific agenda the way some directors too, I feel like

787
00:51:14,640 --> 00:51:18,319
Speaker 1: you wouldn't see that many different right, Yeah, because he's

788
00:51:18,360 --> 00:51:22,160
Speaker 1: in an a tour, but not necessarily like here I

789
00:51:22,239 --> 00:51:30,640
Speaker 1: am on the women's movement of My Girlfriend's seven. He's

790
00:51:30,800 --> 00:51:36,239
Speaker 1: forty nine. Okay, that's not great, that's too much. He

791
00:51:36,320 --> 00:51:39,839
Speaker 1: wears dumb hats and I beat him in a fight

792
00:51:39,960 --> 00:51:48,800
Speaker 1: and make okay, So back to the beach. Tol t

793
00:51:50,239 --> 00:51:53,440
Speaker 1: doesn't it doesn't, It doesn't pass, doesn't pass. There are

794
00:51:54,040 --> 00:51:57,200
Speaker 1: no scenes in the movie where they're even two women

795
00:51:57,520 --> 00:52:00,560
Speaker 1: in the same scene who are like how have aking rolls?

796
00:52:00,960 --> 00:52:03,880
Speaker 1: Like Zora and Press are never in the same scene,

797
00:52:04,160 --> 00:52:06,319
Speaker 1: which is weird because like they all those four knew

798
00:52:06,360 --> 00:52:10,120
Speaker 1: each other, Leon, Roy and Zora, and they regularly come

799
00:52:10,120 --> 00:52:12,600
Speaker 1: into contact with the male characters, right, But the two

800
00:52:12,680 --> 00:52:15,920
Speaker 1: women don't ever talk to each other, and then Rachel

801
00:52:15,960 --> 00:52:18,040
Speaker 1: never talks to either of them. I wonder if in

802
00:52:18,160 --> 00:52:21,160
Speaker 1: any of the seven fucking versions of this movie two

803
00:52:21,200 --> 00:52:23,400
Speaker 1: women talk to each other. Guarantee they don't know, right,

804
00:52:23,680 --> 00:52:27,239
Speaker 1: that's actually Deckerds like narration is like I imagine them

805
00:52:27,280 --> 00:52:30,600
Speaker 1: having conversations, they're probably boring, and we won't show them

806
00:52:32,000 --> 00:52:36,600
Speaker 1: probably talking about they could have had a conversation between

807
00:52:36,640 --> 00:52:40,000
Speaker 1: the two robots just about being yeah, like the robot experience.

808
00:52:40,000 --> 00:52:42,120
Speaker 1: It's kind of like the whole point of the movie basically,

809
00:52:42,280 --> 00:52:44,680
Speaker 1: like why can't they have a discussion about like their

810
00:52:44,760 --> 00:52:49,200
Speaker 1: loss of soul or you know, the solution of personality

811
00:52:49,360 --> 00:52:50,960
Speaker 1: sort of thing. I mean that would have been interesting,

812
00:52:51,480 --> 00:52:53,920
Speaker 1: like oh no, I don't want to die in four years?

813
00:52:54,320 --> 00:52:56,719
Speaker 1: Did they get their period? Do you think you got

814
00:52:56,840 --> 00:52:59,640
Speaker 1: a program in a period? Why would you make a

815
00:52:59,680 --> 00:53:10,520
Speaker 1: real going to control, the controlled our body. Um. But yeah,

816
00:53:10,560 --> 00:53:12,160
Speaker 1: there are a bunch of different versions of this movie.

817
00:53:12,239 --> 00:53:15,120
Speaker 1: I watched, um, the final cut one most recently. I

818
00:53:15,160 --> 00:53:17,000
Speaker 1: don't know how different any of the other one. I

819
00:53:17,040 --> 00:53:19,359
Speaker 1: watched the easiest one to steal over the World War one.

820
00:53:19,840 --> 00:53:21,839
Speaker 1: I don't know whatever the first one was. So there's

821
00:53:21,840 --> 00:53:25,799
Speaker 1: also the director's cut, the US theatrical cut, the international cut,

822
00:53:25,880 --> 00:53:28,640
Speaker 1: and something called the work prints the Night. They're all

823
00:53:28,680 --> 00:53:31,560
Speaker 1: the same except for the one with narration. Okay, I

824
00:53:31,560 --> 00:53:33,800
Speaker 1: would like that's just about making money, Like they just

825
00:53:34,040 --> 00:53:35,800
Speaker 1: re release it every now, and they were like the

826
00:53:35,960 --> 00:53:41,160
Speaker 1: editors final It's like we cut out one season. It's

827
00:53:41,160 --> 00:53:47,400
Speaker 1: a movie like, okay, good to know. So yeah, it

828
00:53:47,440 --> 00:53:50,839
Speaker 1: doesn't pass the back to test, no surprise there. Um.

829
00:53:51,080 --> 00:53:55,480
Speaker 1: And the thing is it also sucks as a movie.

830
00:53:55,520 --> 00:53:59,319
Speaker 1: It's well with that. Let's rate it, but we'll rate

831
00:53:59,400 --> 00:54:02,640
Speaker 1: it on our our nipple scale based on its portrayal

832
00:54:02,719 --> 00:54:04,399
Speaker 1: of women. So not how much you like the movie,

833
00:54:04,640 --> 00:54:07,279
Speaker 1: we're rating it on how it portrays women. Uh. And

834
00:54:07,360 --> 00:54:10,000
Speaker 1: it's a scale of zero to five nipples, and then

835
00:54:10,080 --> 00:54:12,719
Speaker 1: you can attribute those nipples to anyone you want, or

836
00:54:12,800 --> 00:54:16,640
Speaker 1: describe them or anything like describing them two inverted nipples

837
00:54:18,239 --> 00:54:23,560
Speaker 1: because that's the definition of it's a woman reverse Like

838
00:54:23,640 --> 00:54:26,680
Speaker 1: they didn't understand it, and that's what happened with this movie.

839
00:54:27,120 --> 00:54:31,200
Speaker 1: So that's why I go for that artistic rating molmost

840
00:54:31,239 --> 00:54:38,200
Speaker 1: silence very rating. Um okay, yeah, sorry, I forgot to

841
00:54:38,239 --> 00:54:42,600
Speaker 1: be silent for the moment of silence. I would give it, Yeah,

842
00:54:42,719 --> 00:54:46,719
Speaker 1: like a one and a half or two nipples. Um,

843
00:54:47,480 --> 00:54:49,279
Speaker 1: I'm gonna go with a one and a half. The

844
00:54:49,360 --> 00:54:53,720
Speaker 1: women you do see on screen, none of them are human.

845
00:54:54,280 --> 00:54:56,480
Speaker 1: Most of them are bad, and it's fine to have

846
00:54:56,680 --> 00:55:00,160
Speaker 1: a female villain, but they're all so poorly developed that

847
00:55:00,440 --> 00:55:03,920
Speaker 1: we don't really know anything about what their feelings are,

848
00:55:04,080 --> 00:55:07,080
Speaker 1: what their perspective is, or anything like that. We see

849
00:55:07,200 --> 00:55:11,239
Speaker 1: one's nipples for pretty much no reason. Um, excuse me,

850
00:55:11,360 --> 00:55:14,919
Speaker 1: I got horny, and then and then a pan bag

851
00:55:15,160 --> 00:55:19,160
Speaker 1: like cut two from nipples back to snake. It's like, wait,

852
00:55:19,239 --> 00:55:22,520
Speaker 1: what is they are playing here? Oh? I get its

853
00:55:22,560 --> 00:55:31,000
Speaker 1: snake someone he's got a garbage bag full of popcorn?

854
00:55:34,360 --> 00:55:41,160
Speaker 1: Doc mad. Yeah that The love story between Ducker and

855
00:55:41,360 --> 00:55:44,920
Speaker 1: Rachel like makes no sense. We're not sure why they

856
00:55:45,040 --> 00:55:50,000
Speaker 1: like each other. Uh yeah, generally, just the female characters

857
00:55:50,080 --> 00:55:52,400
Speaker 1: exists to what you were saying, either either like be

858
00:55:52,480 --> 00:55:56,520
Speaker 1: a foil to the men to specifically Deckert, or be

859
00:55:56,640 --> 00:55:59,839
Speaker 1: a random love interest. That doesn't make any sense. So yeah,

860
00:56:00,160 --> 00:56:02,840
Speaker 1: one and a half nipples. The nipples belong to the

861
00:56:03,840 --> 00:56:06,400
Speaker 1: owl in the movie. And I know that, Okay, So

862
00:56:06,600 --> 00:56:09,520
Speaker 1: I know they nipples to birds have Caitlin so generally,

863
00:56:09,560 --> 00:56:12,200
Speaker 1: not how many nipples everyone has. Generally birds don't have

864
00:56:12,320 --> 00:56:15,759
Speaker 1: any nipples. However, I think I think we can all

865
00:56:15,800 --> 00:56:24,759
Speaker 1: agree like cock bar cock birdies. I think we can

866
00:56:24,800 --> 00:56:30,160
Speaker 1: all agree that owls are hot cats, especially I've always

867
00:56:30,200 --> 00:56:36,640
Speaker 1: graduated like dude, smart education. No owls are sky cats.

868
00:56:36,800 --> 00:56:39,880
Speaker 1: Their cats with wings, and cats do have eight nipples.

869
00:56:39,960 --> 00:56:43,040
Speaker 1: This has been cat facts with Caitlin. But so we

870
00:56:43,120 --> 00:56:45,759
Speaker 1: see the owl at the Replican owl, and so the

871
00:56:45,920 --> 00:56:56,560
Speaker 1: nipples belong to to that. I give this movie one nipple.

872
00:56:56,719 --> 00:56:59,640
Speaker 1: It sucks. I don't like it. If you got a

873
00:56:59,680 --> 00:57:03,160
Speaker 1: problem with it, hey bring your hardcover bill of k

874
00:57:03,360 --> 00:57:05,520
Speaker 1: Dick Anthology and beat me to death over the head.

875
00:57:05,640 --> 00:57:08,840
Speaker 1: I don't care. This movie blows there. There's all the

876
00:57:09,080 --> 00:57:12,840
Speaker 1: characters were like, just there's nothing, there's nothing there. This

877
00:57:13,000 --> 00:57:15,080
Speaker 1: movie made me had to take a shower midway through,

878
00:57:16,760 --> 00:57:19,320
Speaker 1: I thought this movie had liam. It was so bad.

879
00:57:21,080 --> 00:57:25,920
Speaker 1: I clearly watched it of my patients in the morning.

880
00:57:26,040 --> 00:57:28,480
Speaker 1: I couldn't do I could not do it. I couldn't

881
00:57:28,600 --> 00:57:35,959
Speaker 1: like this movie. Got it? I don't. I didn't. Who'll

882
00:57:36,000 --> 00:57:39,800
Speaker 1: throw another nibble to the owl? Sure? Okay, that's gonna

883
00:57:39,880 --> 00:57:44,360
Speaker 1: full set? Yeah and it's um well, thank you so

884
00:57:44,560 --> 00:57:49,320
Speaker 1: much Hampton for being here. Yeah, Hampton, Yeah, Hampton Yunt.

885
00:57:49,800 --> 00:57:54,160
Speaker 1: It's kind up comedian, right, bald Rock on tour? Where

886
00:57:54,240 --> 00:57:58,480
Speaker 1: can people follow you on Twitter? Twitter would be my favorite? Okay,

887
00:57:58,640 --> 00:58:06,520
Speaker 1: Hampton Yunt great at Twitter. You can follow the bachtel

888
00:58:06,600 --> 00:58:09,480
Speaker 1: Cast at bachtel Cast on Twitter and Instagram, and can

889
00:58:09,520 --> 00:58:12,200
Speaker 1: go to our Facebook page, and you can also go

890
00:58:12,280 --> 00:58:18,000
Speaker 1: to our website cast dot com and there you there's

891
00:58:18,000 --> 00:58:20,720
Speaker 1: a link that you can give us money. We need

892
00:58:21,000 --> 00:58:30,120
Speaker 1: your money. You need a slightly better pitch daddy, I

893
00:58:30,200 --> 00:58:36,520
Speaker 1: went myney. We have we have some production costs that

894
00:58:36,680 --> 00:58:38,120
Speaker 1: and we would love your help. So if you want

895
00:58:38,200 --> 00:58:41,560
Speaker 1: us to keep doing this podcast, any any number of

896
00:58:41,760 --> 00:58:47,000
Speaker 1: money is any you can give us. We've gotten Australian dollars,

897
00:58:47,720 --> 00:58:52,760
Speaker 1: we've gotten British pounds, people have given us euros. Bank

898
00:58:52,920 --> 00:59:00,480
Speaker 1: is furious. Um, it's good. Yeah, it's good. Thanks for

899
00:59:00,600 --> 00:59:02,720
Speaker 1: the money, guys, it's good. Thank you. We love it.

900
00:59:03,440 --> 00:59:06,320
Speaker 1: And uh and let's all get on our blades and

901
00:59:06,400 --> 00:59:10,360
Speaker 1: go out running. No no no no no no no

902
00:59:10,440 --> 00:59:10,840
Speaker 1: no no no