1 00:00:09,280 --> 00:00:09,559 Speaker 1: Vie. 2 00:00:10,480 --> 00:00:12,800 Speaker 2: Sure, it's nice. It's time. 3 00:00:15,840 --> 00:00:18,200 Speaker 1: Welcome to the Naughty but Nice Show. I'm your host 4 00:00:18,239 --> 00:00:20,400 Speaker 1: from Shooter, and it is Monday morning, which means our 5 00:00:20,400 --> 00:00:23,480 Speaker 1: dear friend Garrett Vogel joins us. Hey, Garrett, are you there? 6 00:00:23,840 --> 00:00:24,160 Speaker 2: Bobby? 7 00:00:24,560 --> 00:00:27,080 Speaker 1: Hello, it's been a minute, it's been it. 8 00:00:27,000 --> 00:00:29,600 Speaker 2: Has you know what. I decided to take what your 9 00:00:29,640 --> 00:00:32,239 Speaker 2: people love to take holidays. I just you know what. 10 00:00:32,320 --> 00:00:35,159 Speaker 2: I'm just gonna go on a life of holiday, as 11 00:00:35,240 --> 00:00:40,120 Speaker 2: Madonna would say. But yeah, no, I just scheduling Justin' matchup. 12 00:00:40,159 --> 00:00:42,960 Speaker 2: And now we are no longer two ships passing in 13 00:00:43,000 --> 00:00:45,880 Speaker 2: the night, are on the same wavelength and the same track, 14 00:00:45,960 --> 00:00:47,760 Speaker 2: and here we are on Monday. How was your weekend? 15 00:00:48,000 --> 00:00:50,920 Speaker 1: Lovely, lovely, lovely. I have a great gig. I really 16 00:00:50,960 --> 00:00:53,160 Speaker 1: do have a great gig. Sometimes you have to pinch 17 00:00:53,200 --> 00:00:56,000 Speaker 1: yourself that you live the life that you live and 18 00:00:56,040 --> 00:00:58,440 Speaker 1: don't take it for granted. A lot of my friends 19 00:00:58,880 --> 00:01:01,920 Speaker 1: sometimes don't smell the roses. So I forced myself every 20 00:01:02,000 --> 00:01:05,240 Speaker 1: day to smell the ruses. So a lovely, lovely weekend. 21 00:01:05,280 --> 00:01:10,080 Speaker 1: I saw a ton of movies, conclaim. I saw Amelia Perez, 22 00:01:10,160 --> 00:01:13,520 Speaker 1: all these Oscar nominated movies. My favorite movie theear though 23 00:01:13,560 --> 00:01:15,240 Speaker 1: it's still wicked. I love it. 24 00:01:15,680 --> 00:01:17,720 Speaker 2: But you know what I mean, if you're watching all 25 00:01:17,720 --> 00:01:19,880 Speaker 2: these awards, and I'm sure we could talk about it later, 26 00:01:20,440 --> 00:01:24,560 Speaker 2: Ariana Grande not winning anything, but is that you think 27 00:01:24,600 --> 00:01:26,720 Speaker 2: that's a sign where she could just walk away with 28 00:01:26,760 --> 00:01:30,080 Speaker 2: the Oscar even though everybody else you know is voting 29 00:01:30,200 --> 00:01:30,800 Speaker 2: the other way. 30 00:01:30,840 --> 00:01:35,040 Speaker 1: You know, it's interesting because I think your expectations changed 31 00:01:35,200 --> 00:01:38,600 Speaker 1: during the process. So before the Oscar nominations were announced, 32 00:01:38,800 --> 00:01:41,880 Speaker 1: nobody thought Ariana Grande was going to be nominated, And 33 00:01:41,880 --> 00:01:44,560 Speaker 1: then when she was nominated, her team her friends were like, 34 00:01:44,600 --> 00:01:47,200 Speaker 1: oh my gosh, you're always now going to be an 35 00:01:47,240 --> 00:01:48,840 Speaker 1: Oscar nominated actress. 36 00:01:48,880 --> 00:01:50,240 Speaker 2: However, after a. 37 00:01:50,160 --> 00:01:52,480 Speaker 1: Few weeks, that's not good enough. We do this in 38 00:01:52,520 --> 00:01:54,880 Speaker 1: our own lives. Then you want to win the awards. 39 00:01:55,120 --> 00:01:58,960 Speaker 1: Its amazing how you keep changing the goalposts. So I'm told, 40 00:01:58,960 --> 00:02:02,320 Speaker 1: initially just been nominated was enough. They did not think 41 00:02:02,360 --> 00:02:04,320 Speaker 1: she would be They were not even really sure that 42 00:02:04,360 --> 00:02:07,120 Speaker 1: the movie would be musicals a little down upon like 43 00:02:07,160 --> 00:02:09,440 Speaker 1: gotta say two. There's a little bit of a snub 44 00:02:09,560 --> 00:02:12,520 Speaker 1: value in award shows, where the more successful the film, 45 00:02:12,880 --> 00:02:14,960 Speaker 1: the less likely you are to win. And this is 46 00:02:15,000 --> 00:02:18,800 Speaker 1: a seven hundred million dollar movie. This is the biggest 47 00:02:18,840 --> 00:02:21,640 Speaker 1: movie in that whole category, and so that might be 48 00:02:21,680 --> 00:02:24,800 Speaker 1: working against it, you know what, they're regardless if Ariana wins, 49 00:02:24,800 --> 00:02:27,799 Speaker 1: I don't think she will. But regardless, she has now 50 00:02:27,840 --> 00:02:29,919 Speaker 1: cemented herself as a movie star. 51 00:02:30,639 --> 00:02:33,000 Speaker 2: Is that why we never get nominated for awards? Because 52 00:02:33,040 --> 00:02:34,560 Speaker 2: we just don't want it to go to our heads. 53 00:02:34,639 --> 00:02:36,720 Speaker 1: We're too big, big, which is too bigarret, which is 54 00:02:36,720 --> 00:02:37,120 Speaker 1: a good thing. 55 00:02:37,120 --> 00:02:39,160 Speaker 2: We don't win awards, you know, too big. 56 00:02:39,200 --> 00:02:41,200 Speaker 1: Okay, let's jump in to the show. What time is it, 57 00:02:41,240 --> 00:02:44,400 Speaker 1: my friends? It is tea time. So the Blake Lively story, 58 00:02:44,440 --> 00:02:47,200 Speaker 1: which we've been talking about now for weeks, has got 59 00:02:47,280 --> 00:02:51,040 Speaker 1: even nastier because a media outlet, a very important media outlet, 60 00:02:51,120 --> 00:02:54,679 Speaker 1: the Hollywood Reporter. This is considered what we call in 61 00:02:54,720 --> 00:02:58,600 Speaker 1: my business, a trade It's not an entertainment publication. It's 62 00:02:58,800 --> 00:03:03,440 Speaker 1: really a true trade magazine, a trade outlet that is 63 00:03:03,800 --> 00:03:06,960 Speaker 1: directed towards people who work in the business. 64 00:03:07,200 --> 00:03:09,639 Speaker 2: It's very insite, like the New York Times. Yeah, it's 65 00:03:09,639 --> 00:03:12,120 Speaker 2: like the equivalent of New York Times for people that 66 00:03:12,200 --> 00:03:14,240 Speaker 2: work on the stock market or work on these high 67 00:03:14,280 --> 00:03:15,040 Speaker 2: profile jobs. 68 00:03:15,120 --> 00:03:16,920 Speaker 1: Yes, like a Wall Street Journal. If you work on 69 00:03:16,919 --> 00:03:18,919 Speaker 1: the stock market, you're going to read the Wall Street Journal. 70 00:03:19,160 --> 00:03:21,440 Speaker 1: And so this is for people in the business, which 71 00:03:21,440 --> 00:03:24,079 Speaker 1: is probably why Blake Lively is so angry about it, 72 00:03:24,360 --> 00:03:27,120 Speaker 1: because this is talking to her people. This is not 73 00:03:27,200 --> 00:03:29,840 Speaker 1: talking to her fans. This is not talking to people 74 00:03:29,880 --> 00:03:32,760 Speaker 1: who bought a ticket necessarily to see the movie. This 75 00:03:32,919 --> 00:03:35,800 Speaker 1: is talking to people who are appeers. They probably got 76 00:03:35,800 --> 00:03:38,520 Speaker 1: invited to a screening. If you read the Hollywood Reporter, 77 00:03:38,840 --> 00:03:40,640 Speaker 1: you probably didn't go on a Saturday and buy a 78 00:03:40,680 --> 00:03:43,440 Speaker 1: ticket like I did. You probably got invited to a 79 00:03:43,440 --> 00:03:46,560 Speaker 1: big screening. You're part of the inside of Hollywood. While 80 00:03:46,600 --> 00:03:50,360 Speaker 1: she's on the cover of The Hollywood Reporter and now 81 00:03:50,360 --> 00:03:56,680 Speaker 1: she's absolutely furious about it, saying it is outrageously insulting. 82 00:03:56,840 --> 00:04:00,160 Speaker 1: So it is a visual. It's not a photograph. It's 83 00:04:00,240 --> 00:04:04,240 Speaker 1: like a cartoon. It's a drawing of Justin Baldoni and 84 00:04:04,320 --> 00:04:07,520 Speaker 1: Blake and both of them look quite powerful in this 85 00:04:07,600 --> 00:04:11,840 Speaker 1: picture if you ask me, she is holding a sling shot. 86 00:04:12,280 --> 00:04:16,400 Speaker 1: And now her spokesperson is saying The Hollywood Reporter should 87 00:04:16,400 --> 00:04:19,880 Speaker 1: be ashamed of itself, and it goes on to say 88 00:04:19,960 --> 00:04:23,880 Speaker 1: that the cover is sexist. I didn't take that away 89 00:04:23,920 --> 00:04:26,799 Speaker 1: from the cover. For me, the cover was very dramatic, 90 00:04:27,080 --> 00:04:29,240 Speaker 1: It's very over the top. But I would argue this 91 00:04:29,360 --> 00:04:32,640 Speaker 1: law case is now very over the top too, And 92 00:04:32,720 --> 00:04:35,400 Speaker 1: so I think this is what everybody is talking about 93 00:04:35,400 --> 00:04:39,360 Speaker 1: in Hollywood. We found out just just today that Lawn Michaels, 94 00:04:39,400 --> 00:04:42,080 Speaker 1: who's the big boss at Saturday Night Live, all he 95 00:04:42,160 --> 00:04:45,599 Speaker 1: was caring about at that big anniversary show was Blake 96 00:04:45,680 --> 00:04:49,480 Speaker 1: Lively and Justin Baldoni. Everybody is obsessed about it. Every 97 00:04:49,520 --> 00:04:51,680 Speaker 1: time I go out for a drink, not with my friends, 98 00:04:51,960 --> 00:04:54,640 Speaker 1: but with people in the business, the only thing they 99 00:04:54,640 --> 00:04:57,479 Speaker 1: are talking about is Blake and Justin. And now the 100 00:04:57,520 --> 00:05:01,080 Speaker 1: Hollywood reporter, I think is reflecting that I just. 101 00:05:01,080 --> 00:05:04,680 Speaker 2: Hate giving Justin that much time, you know. And I'll 102 00:05:04,720 --> 00:05:07,920 Speaker 2: stand on this this hill. I'm team Blake, I'm team Ryan. 103 00:05:08,240 --> 00:05:11,000 Speaker 2: I think, uh, you know, just because the movie didn't 104 00:05:11,000 --> 00:05:14,520 Speaker 2: do well and you start, you start pointing fingers, and 105 00:05:14,800 --> 00:05:17,760 Speaker 2: you know, woe is me and four hundred million dollars. Please, 106 00:05:17,920 --> 00:05:21,320 Speaker 2: Justin Baldoni, you were you were nowhere on anybody's scope 107 00:05:21,680 --> 00:05:24,400 Speaker 2: until you started, you know, complaining, Uh, you know of 108 00:05:24,440 --> 00:05:27,680 Speaker 2: such thing. You know, it's a it's such a such 109 00:05:27,720 --> 00:05:31,200 Speaker 2: a loser move for for him to oh whoe is 110 00:05:31,640 --> 00:05:35,120 Speaker 2: like do be quiet? Like just because you're not on 111 00:05:35,160 --> 00:05:38,520 Speaker 2: that level. And I think it goes deeper from me personally, 112 00:05:38,520 --> 00:05:42,040 Speaker 2: where I think it's people just want that success without 113 00:05:42,240 --> 00:05:44,280 Speaker 2: having to earn it, you know what I mean? Like 114 00:05:44,640 --> 00:05:46,960 Speaker 2: they he wants he wants to be on the level 115 00:05:46,960 --> 00:05:49,120 Speaker 2: of Ryan, he wants to be on the level of Blake. 116 00:05:49,279 --> 00:05:51,640 Speaker 2: I'm sure he wants Hugh Jackman in his cell phone 117 00:05:51,960 --> 00:05:54,760 Speaker 2: and and uh, without putting in that work and without 118 00:05:54,760 --> 00:05:57,839 Speaker 2: putting in fifteen twenty years like they did. He's just 119 00:05:57,880 --> 00:06:00,400 Speaker 2: gonna he's gonna take the easy way out. With a 120 00:06:00,440 --> 00:06:02,720 Speaker 2: lot of people do these days of oh, I'm suing 121 00:06:02,760 --> 00:06:04,320 Speaker 2: you for four hundred million dollars? 122 00:06:04,560 --> 00:06:07,000 Speaker 1: Well, how did you feel though about her taking the 123 00:06:07,040 --> 00:06:09,240 Speaker 1: first shot? So people in the business, and I think 124 00:06:09,279 --> 00:06:12,160 Speaker 1: the Hollywood report of the images she's with the sling shot, 125 00:06:12,520 --> 00:06:15,080 Speaker 1: she's the first one that sued and said the four 126 00:06:15,160 --> 00:06:19,479 Speaker 1: hundred million dollars is his response to her lawsuit, Like, 127 00:06:19,600 --> 00:06:20,680 Speaker 1: she came first. 128 00:06:20,440 --> 00:06:22,800 Speaker 2: Garrett, Well, she came first, but the stories were the 129 00:06:22,839 --> 00:06:26,120 Speaker 2: fact that what was going on. Yes, she came first 130 00:06:26,120 --> 00:06:29,000 Speaker 2: with the lawsuit, but he came first with the smear campaign, 131 00:06:29,400 --> 00:06:34,520 Speaker 2: or as a New Yorker's the smear campaign spez and 132 00:06:34,560 --> 00:06:37,640 Speaker 2: you know, being a former publicist where your job is 133 00:06:37,680 --> 00:06:40,400 Speaker 2: not to be in the forefront of things. So his 134 00:06:40,480 --> 00:06:42,920 Speaker 2: publicists at the time, before they got called out were 135 00:06:42,920 --> 00:06:45,000 Speaker 2: doing the great thing. They were doing their job of 136 00:06:45,040 --> 00:06:49,320 Speaker 2: staying you know, underneath, you know, you know, behind the 137 00:06:49,400 --> 00:06:52,720 Speaker 2: trees and in the bushes, while the rest of the 138 00:06:52,760 --> 00:06:55,080 Speaker 2: world be could think about it. Before those lawsuits, the 139 00:06:55,120 --> 00:06:58,240 Speaker 2: world was Blake Lively's a diva, She's a Where did 140 00:06:58,279 --> 00:07:01,240 Speaker 2: that come from? It came from Baldon these publicists that 141 00:07:01,279 --> 00:07:03,599 Speaker 2: we're doing all that work that we've seen in the 142 00:07:03,600 --> 00:07:07,800 Speaker 2: text mass of let's ruin Blake before she can come 143 00:07:07,800 --> 00:07:08,960 Speaker 2: out and ruin Justin. 144 00:07:09,520 --> 00:07:12,880 Speaker 1: Or maybe it came from the fact that Blake is difficult, 145 00:07:12,960 --> 00:07:15,960 Speaker 1: Like I've heard these stories for a really long time 146 00:07:16,040 --> 00:07:20,400 Speaker 1: that Blake's not the easiest. We've often heard rumors about her. 147 00:07:20,520 --> 00:07:23,440 Speaker 1: So this is what makes this story so complicated. It 148 00:07:23,480 --> 00:07:26,520 Speaker 1: is not black and white for me. He I've actually 149 00:07:26,600 --> 00:07:28,920 Speaker 1: heard really nice things about it and Blake for the 150 00:07:29,000 --> 00:07:31,920 Speaker 1: last ten to fifteen years. I've heard she's she's very, very, 151 00:07:32,000 --> 00:07:32,640 Speaker 1: very difficult. 152 00:07:32,840 --> 00:07:34,720 Speaker 2: Let's be a voice note at two am like that, 153 00:07:34,920 --> 00:07:38,600 Speaker 2: Please I am. I don't care if I was Ryan, 154 00:07:38,680 --> 00:07:40,360 Speaker 2: like if I was if I was married to Blake 155 00:07:40,400 --> 00:07:42,320 Speaker 2: and I get a voice note from from from a 156 00:07:42,520 --> 00:07:47,680 Speaker 2: from a guy speaking like that, Hey Blake, I know 157 00:07:48,440 --> 00:07:51,040 Speaker 2: at two am. Any any just think of a normal person. 158 00:07:51,640 --> 00:07:54,240 Speaker 2: You're in bed and you get a voice note. You're 159 00:07:54,320 --> 00:07:56,120 Speaker 2: laying next to your husband, Rob, you get a voice 160 00:07:56,160 --> 00:07:57,600 Speaker 2: not from a coworker. 161 00:07:57,640 --> 00:07:59,400 Speaker 1: I would not like it. I'd say, what is going 162 00:07:59,440 --> 00:08:02,200 Speaker 1: on here? However, if he said to me, she just 163 00:08:02,240 --> 00:08:05,640 Speaker 1: sent me a message at one fifty nine and I'm responding, 164 00:08:05,720 --> 00:08:08,360 Speaker 1: which is what now we are finding out happens to 165 00:08:08,960 --> 00:08:10,960 Speaker 1: literally text somebody at two am out of the blue. 166 00:08:11,200 --> 00:08:11,600 Speaker 2: Bizarre. 167 00:08:11,840 --> 00:08:15,320 Speaker 1: However, if you send me a message at one fifty 168 00:08:15,480 --> 00:08:18,360 Speaker 1: and I was up and I responded at too, she 169 00:08:18,840 --> 00:08:21,040 Speaker 1: was the one that reached out in the early hours. 170 00:08:21,160 --> 00:08:24,640 Speaker 2: Yes, if I text you, I expect a text. I 171 00:08:24,680 --> 00:08:27,679 Speaker 2: don't need a five minute voice note of you gone. 172 00:08:29,160 --> 00:08:31,240 Speaker 1: Yes. If the text is high, Rob, how are you? 173 00:08:31,320 --> 00:08:34,240 Speaker 1: But if the text is very deep, if the text 174 00:08:34,280 --> 00:08:37,360 Speaker 1: is very disappointed, then my response is probably going to 175 00:08:37,400 --> 00:08:39,959 Speaker 1: be as large as yours. So this is something we're 176 00:08:40,000 --> 00:08:42,600 Speaker 1: going to find out about these two as they go 177 00:08:42,679 --> 00:08:45,920 Speaker 1: to court exactly what happened. Although I've gotta be honest here. 178 00:08:46,200 --> 00:08:48,640 Speaker 1: Initially I was team Blake. I like Blake, I like Ryan, 179 00:08:48,679 --> 00:08:51,520 Speaker 1: I like celebrities. I always picked the biggest star. However, 180 00:08:52,040 --> 00:08:54,120 Speaker 1: I think the tide is turning, and he's got the 181 00:08:54,160 --> 00:08:57,720 Speaker 1: receipts because not only was he the co star, he 182 00:08:57,840 --> 00:09:01,360 Speaker 1: was the director and the producer. He's got every piece 183 00:09:01,400 --> 00:09:05,400 Speaker 1: of footage, every piece of tape from that entire movie, 184 00:09:05,480 --> 00:09:06,920 Speaker 1: and he's going to release it all. 185 00:09:07,320 --> 00:09:09,280 Speaker 2: And this is why I think she might have it 186 00:09:09,360 --> 00:09:12,000 Speaker 2: because and this is why she's the bigger star where 187 00:09:12,600 --> 00:09:14,959 Speaker 2: he's coming out and as they see in the business, 188 00:09:15,040 --> 00:09:16,319 Speaker 2: trying to get in front of it, you know what 189 00:09:16,360 --> 00:09:19,480 Speaker 2: I mean, putting up the website, putting out clips to 190 00:09:19,559 --> 00:09:21,480 Speaker 2: the point where the judge is like, hey cut it out, 191 00:09:21,679 --> 00:09:24,240 Speaker 2: you know, putting out text messages, putting out the voice notes. 192 00:09:24,520 --> 00:09:26,720 Speaker 2: She hasn't really the only thing she has put out 193 00:09:26,800 --> 00:09:28,200 Speaker 2: is through the legal process. 194 00:09:28,280 --> 00:09:30,560 Speaker 1: Well that's that's right, Triegarrett. She went first in the 195 00:09:30,559 --> 00:09:33,240 Speaker 1: New York Times. The first big story is there's lots 196 00:09:33,280 --> 00:09:36,000 Speaker 1: of pettiness. There's lots of pat items, lots of leaks 197 00:09:36,000 --> 00:09:38,760 Speaker 1: about Blake, being a diva. But the first big story 198 00:09:39,080 --> 00:09:42,040 Speaker 1: that appeared about this was a leak to the New 199 00:09:42,120 --> 00:09:45,240 Speaker 1: York Times and it was a two thousand word expose 200 00:09:45,679 --> 00:09:48,920 Speaker 1: into the world of how awful Justin was. Now we're 201 00:09:48,960 --> 00:09:51,800 Speaker 1: going to find out if Blake planted that story. And 202 00:09:51,880 --> 00:09:54,720 Speaker 1: let's remember we've done this a long time. Garrett Blake 203 00:09:54,760 --> 00:09:56,680 Speaker 1: has her own publicist. And let me tell you this. 204 00:09:56,800 --> 00:10:00,240 Speaker 1: I know Blake's publicist. She's tough. She isn't a she 205 00:10:00,360 --> 00:10:04,440 Speaker 1: is in a soft flower. So Blake and Blake and 206 00:10:04,559 --> 00:10:07,079 Speaker 1: Ryan they share a publicist and it's one of the 207 00:10:07,120 --> 00:10:10,280 Speaker 1: best in New York. And may I say she's a 208 00:10:10,320 --> 00:10:12,959 Speaker 1: really tough person, which brings us to my pole question 209 00:10:13,160 --> 00:10:17,880 Speaker 1: of the day. Blake is now furious over what she's 210 00:10:17,920 --> 00:10:21,800 Speaker 1: calling a sexist Hollywood Reporter cover. Do you think it's sexist? 211 00:10:21,840 --> 00:10:23,840 Speaker 1: Have a look at the cover. Do you think it's sexist? 212 00:10:23,960 --> 00:10:26,720 Speaker 1: Or do you just think she's furious that now she's 213 00:10:26,760 --> 00:10:29,720 Speaker 1: on the cover of the Hollywood Reporter. Because everybody in 214 00:10:29,760 --> 00:10:33,600 Speaker 1: Hollywood is talking about this story, and the tide is turning, 215 00:10:33,640 --> 00:10:36,400 Speaker 1: at least in Tinseltown. Hey go vote on our Twitter 216 00:10:36,440 --> 00:10:39,439 Speaker 1: page at Naughty Nice rob Our facebook page is naughty 217 00:10:39,440 --> 00:10:42,440 Speaker 1: gossip and be sure to check back to Maraua to 218 00:10:42,520 --> 00:10:44,920 Speaker 1: hear your results. Hey, Garrett, what are you working on? 219 00:10:45,400 --> 00:10:49,080 Speaker 2: Well? Ben Affleck is back on the market. If you're 220 00:10:49,080 --> 00:10:52,080 Speaker 2: on Ria this weekend, yes, that was Ben Affleck probably 221 00:10:54,280 --> 00:10:58,000 Speaker 2: in there. It's gonna be crazy. So he's finally finalized 222 00:10:58,000 --> 00:11:01,640 Speaker 2: the divorce with Jennifer Lopez, which feels like it feels 223 00:11:01,679 --> 00:11:05,280 Speaker 2: like as long as the Baldoni Lively situation where it 224 00:11:05,280 --> 00:11:07,840 Speaker 2: feels like they've been divorced you know, forever, you know, 225 00:11:08,480 --> 00:11:11,320 Speaker 2: but but they're they're finally done. Ben Affleck, of you 226 00:11:11,360 --> 00:11:14,600 Speaker 2: know fifty two is back casually dating. You know what 227 00:11:14,640 --> 00:11:17,280 Speaker 2: does that mean? I don't know? Is it like you know, 228 00:11:17,360 --> 00:11:19,200 Speaker 2: is it Matt Damon going, Hey, I got a friend. 229 00:11:19,440 --> 00:11:21,480 Speaker 1: I don't think that's getting devoted this message is. 230 00:11:21,760 --> 00:11:23,280 Speaker 2: Well no, no, but but you know what, Matt's a 231 00:11:23,320 --> 00:11:25,520 Speaker 2: good friend. And I realized this the other over the 232 00:11:25,520 --> 00:11:28,120 Speaker 2: weekend too, Like Matt will support you, like no matter 233 00:11:28,320 --> 00:11:31,000 Speaker 2: how crazy that the idea or the world might be 234 00:11:31,040 --> 00:11:34,720 Speaker 2: against you, he was always have his back no matter 235 00:11:34,800 --> 00:11:37,440 Speaker 2: what wrong as he might feel and seem Matt Damon 236 00:11:37,480 --> 00:11:39,880 Speaker 2: will always be there. You know, he's not filming right 237 00:11:39,920 --> 00:11:42,360 Speaker 2: now he's just hanging out in the office, you know, 238 00:11:42,640 --> 00:11:45,120 Speaker 2: just hanging out with the kids here and there and 239 00:11:45,559 --> 00:11:48,199 Speaker 2: you know, checking in with Jennifer Garner. Do you think 240 00:11:48,200 --> 00:11:50,280 Speaker 2: they get back Jennifer Garner and Ben Affleck. 241 00:11:50,320 --> 00:11:53,720 Speaker 1: I hope not. I hope not. Ben's triple, like Ben's 242 00:11:53,880 --> 00:11:56,480 Speaker 1: trouple with a capital tam makes me laugh. He makes 243 00:11:56,480 --> 00:11:58,880 Speaker 1: me smile. Would if I was friends with Ben, which 244 00:11:58,880 --> 00:12:00,959 Speaker 1: I'm not. I've met him several times, I'm not friends 245 00:12:01,000 --> 00:12:02,480 Speaker 1: with him. When I worked with j Lo, I was 246 00:12:02,520 --> 00:12:06,000 Speaker 1: around Ben a little bit. But would you set Ben 247 00:12:06,080 --> 00:12:08,559 Speaker 1: up with a friend of yours? I'm gonna say no, 248 00:12:08,880 --> 00:12:10,840 Speaker 1: I wouldn't do it. I wanted to fight happiness, but 249 00:12:10,920 --> 00:12:12,000 Speaker 1: not with my friends. 250 00:12:12,040 --> 00:12:14,559 Speaker 2: Well, you know, maybe like if you're look back to 251 00:12:14,559 --> 00:12:16,440 Speaker 2: the Matt Damon, like if I was Matt Damon, and 252 00:12:16,520 --> 00:12:18,760 Speaker 2: you know, it's like, you know what these two matchup, 253 00:12:18,920 --> 00:12:23,000 Speaker 2: you know they they I can see them together, you know, like. 254 00:12:23,520 --> 00:12:25,440 Speaker 1: Could you see with him that if you're if you're mad, 255 00:12:25,679 --> 00:12:28,520 Speaker 1: I can only see Bethanny Frank call or maybe I'm 256 00:12:28,559 --> 00:12:31,160 Speaker 1: trying to think of disasters, like who would. 257 00:12:31,640 --> 00:12:33,600 Speaker 2: Know about disasters? But you know what the other thing 258 00:12:33,720 --> 00:12:36,160 Speaker 2: was funny, I was thinking and speaking of Rayah, and 259 00:12:36,559 --> 00:12:39,520 Speaker 2: so you know Ben has a nineteen year old and 260 00:12:39,559 --> 00:12:41,840 Speaker 2: a sixteen year old, maybe the nineteen year old at best. 261 00:12:42,120 --> 00:12:47,800 Speaker 2: You gotta think one of Violet friends is somewhere maybe 262 00:12:47,880 --> 00:12:51,160 Speaker 2: connected to Raya. And it's got to be weird. 263 00:12:50,880 --> 00:12:52,520 Speaker 1: That it's a little way. We should point out Riya 264 00:12:52,559 --> 00:12:54,559 Speaker 1: as a dating site for the ear, like it's like 265 00:12:54,720 --> 00:12:56,160 Speaker 1: match dot com if you're really. 266 00:12:56,120 --> 00:12:58,880 Speaker 2: If you haven't reached, yeah, it'd be we need. 267 00:12:58,679 --> 00:13:01,520 Speaker 1: To be going scrolling through a dating gap and there's 268 00:13:01,559 --> 00:13:04,360 Speaker 1: Ben Affleck And I tell you what I would swipe. 269 00:13:04,559 --> 00:13:06,040 Speaker 1: I'm not sure if it's left or right, but I'd 270 00:13:06,080 --> 00:13:06,560 Speaker 1: swipe good. 271 00:13:06,559 --> 00:13:10,400 Speaker 2: You'd take it just to take the dates for me. 272 00:13:10,440 --> 00:13:13,120 Speaker 1: I love other people's drama, not my own. Okay, moving along, 273 00:13:13,160 --> 00:13:16,280 Speaker 1: talking about drama. We're actually a really good pr move here. 274 00:13:16,559 --> 00:13:20,280 Speaker 1: They're bringing mac Suits and so the last night is 275 00:13:20,280 --> 00:13:22,760 Speaker 1: it great? So Suits was a modest hit, and then 276 00:13:22,840 --> 00:13:26,520 Speaker 1: during the pandemic, after Meghan had married Harry, we should 277 00:13:26,559 --> 00:13:30,120 Speaker 1: point out everybody watched Suits. I did two and it 278 00:13:30,200 --> 00:13:32,640 Speaker 1: was really good. I missed it the first time. But 279 00:13:32,679 --> 00:13:34,679 Speaker 1: the reason it's a hit is not just Meghan. It's 280 00:13:34,679 --> 00:13:37,480 Speaker 1: a really good show. So now there's clever devils that 281 00:13:37,559 --> 00:13:40,240 Speaker 1: the network have decided let's bring this back and let's 282 00:13:40,280 --> 00:13:43,000 Speaker 1: actually put this on network TV. Well, the creator of 283 00:13:43,040 --> 00:13:44,880 Speaker 1: the show, and this is what I love. He is 284 00:13:44,920 --> 00:13:49,480 Speaker 1: saying that there is an open invitation for Meghan to return, 285 00:13:50,000 --> 00:13:53,200 Speaker 1: whenever she's. 286 00:13:52,280 --> 00:13:55,400 Speaker 2: Been open since the show lost her. You know, like 287 00:13:55,920 --> 00:13:58,400 Speaker 2: that's it's the same invite. They just changed the date 288 00:13:58,480 --> 00:14:01,120 Speaker 2: on it. I mean, let's be real, could you do it? 289 00:14:01,160 --> 00:14:02,880 Speaker 1: Could she possibly just a cameo? 290 00:14:03,040 --> 00:14:06,200 Speaker 2: She might. I could see a cameo, and you know what, 291 00:14:06,360 --> 00:14:08,440 Speaker 2: like and I think we do this with all first 292 00:14:08,440 --> 00:14:10,240 Speaker 2: shows too. I watched the first show last night on 293 00:14:10,360 --> 00:14:12,880 Speaker 2: NBC nine o'clock. Good timing on a on a Sunday night, 294 00:14:13,000 --> 00:14:16,880 Speaker 2: especially nothing else really going on. It's still that those 295 00:14:16,880 --> 00:14:18,800 Speaker 2: first few shows are going to be the setup show, 296 00:14:19,200 --> 00:14:22,240 Speaker 2: you know. And I could see it too, the same 297 00:14:22,280 --> 00:14:24,920 Speaker 2: reason why Probably Suits wasn't as successful. Plus it was 298 00:14:24,960 --> 00:14:28,320 Speaker 2: on you know, a different network under the NBC umbrella 299 00:14:28,680 --> 00:14:30,800 Speaker 2: before it went to Netflix, where it was kind of 300 00:14:31,080 --> 00:14:33,640 Speaker 2: kind of like slow and. 301 00:14:33,880 --> 00:14:37,120 Speaker 1: Everybody hits, but he hits. I'm watching The White Lotus 302 00:14:37,160 --> 00:14:40,240 Speaker 1: on a Sunday night at nine o'clock and it's a 303 00:14:40,240 --> 00:14:42,320 Speaker 1: bit slow at the beginning. I'm sticking with it because 304 00:14:43,000 --> 00:14:45,400 Speaker 1: never bottom is keeping me there, but I'm sticking with 305 00:14:45,440 --> 00:14:48,320 Speaker 1: it or front or front. Okay, quickly before we go 306 00:14:48,440 --> 00:14:50,600 Speaker 1: to break, what's going on with Justin Bieber. He's snapping 307 00:14:50,600 --> 00:14:53,040 Speaker 1: at Papa Ranzi. He doesn't look so good. What are 308 00:14:53,040 --> 00:14:53,440 Speaker 1: you hearing? 309 00:14:53,800 --> 00:14:57,480 Speaker 2: All right? So Justin Bieber, it's weird. It's it's almost 310 00:14:57,480 --> 00:14:58,920 Speaker 2: like it feels like it's a hit or miss day 311 00:14:58,960 --> 00:15:01,880 Speaker 2: with Justin Bieber. Times will hear his marriage is doing great? 312 00:15:01,920 --> 00:15:04,320 Speaker 2: There it's not doing great. He's doing great. He's not 313 00:15:04,400 --> 00:15:07,680 Speaker 2: doing great. He has music, he doesn't have music, you know, 314 00:15:07,760 --> 00:15:10,240 Speaker 2: but I think Bieber is just he's had enough with 315 00:15:10,480 --> 00:15:14,360 Speaker 2: just paparazzi being disrespectful. So there is Over the weekend, 316 00:15:14,800 --> 00:15:18,840 Speaker 2: he was out at the Beverly Glenn Deli, which which 317 00:15:18,840 --> 00:15:20,840 Speaker 2: is kind of cool to see, you know, someone like 318 00:15:20,880 --> 00:15:25,440 Speaker 2: a pop star going to it. You know. The photographer 319 00:15:25,480 --> 00:15:28,280 Speaker 2: attempted to thank Bieber as he made his way to 320 00:15:28,320 --> 00:15:31,440 Speaker 2: the car. Uh and uh, you know. Bieber stopped in 321 00:15:31,440 --> 00:15:33,360 Speaker 2: his tracks and fireback and he goes, why are you 322 00:15:33,440 --> 00:15:36,040 Speaker 2: thanking me? And which is which is? Which is true? 323 00:15:36,120 --> 00:15:39,000 Speaker 2: Like it kind of like is a weird thing. Uh, 324 00:15:39,160 --> 00:15:40,920 Speaker 2: you know, and he said he made it clear that 325 00:15:40,960 --> 00:15:43,320 Speaker 2: he wasn't in the mood. Uh and and and again 326 00:15:43,360 --> 00:15:45,920 Speaker 2: you get that's the job of a paparazzi. You're supposed 327 00:15:45,920 --> 00:15:48,360 Speaker 2: to get him on these exact movements, where then it 328 00:15:48,360 --> 00:15:52,080 Speaker 2: could be turned into literally anything of Bieber Biaber's upset. 329 00:15:52,160 --> 00:15:54,360 Speaker 2: Bieber didn't get a good baked egg and cheese, Bieber 330 00:15:54,520 --> 00:15:57,680 Speaker 2: Bieber's on drugs, you know. But he goes, please, don't 331 00:15:57,720 --> 00:16:01,680 Speaker 2: thank me. That's disrespectful when you thank me, I'm not 332 00:16:01,760 --> 00:16:02,800 Speaker 2: asking you to be here. 333 00:16:03,040 --> 00:16:05,040 Speaker 1: And you know, that's what he was annoyed about. Yeah, 334 00:16:05,120 --> 00:16:06,840 Speaker 1: it wasn't that he thanked him. It was just annoyed 335 00:16:06,840 --> 00:16:08,760 Speaker 1: that there was photographers. Some people would argue, this is 336 00:16:08,800 --> 00:16:11,200 Speaker 1: what the prices of being as famous as just then 337 00:16:11,280 --> 00:16:12,640 Speaker 1: let me give you advice. I've worked with a lot 338 00:16:12,640 --> 00:16:15,160 Speaker 1: of celebrities. If you see a photographer, you stop your 339 00:16:15,200 --> 00:16:17,760 Speaker 1: smile and you say thank you. And if a photographer 340 00:16:17,800 --> 00:16:19,360 Speaker 1: is nice enough to say thank you to you, well, 341 00:16:19,400 --> 00:16:22,360 Speaker 1: anybody today, if anybody says thank you to you today, 342 00:16:22,640 --> 00:16:25,680 Speaker 1: say welcome and move on with your life. We don't 343 00:16:25,680 --> 00:16:28,240 Speaker 1: need to turn it into this drama. Okay, We're going 344 00:16:28,320 --> 00:16:30,960 Speaker 1: to take a quick break and we will be right back. 345 00:16:32,280 --> 00:16:34,280 Speaker 1: Welcome back to the Ludi bin Nischam, your host tub 346 00:16:34,280 --> 00:16:36,280 Speaker 1: Shooter with the Idea friend Garrett Vogel, Hey Garrett, let's get 347 00:16:36,320 --> 00:16:40,120 Speaker 1: to the polls. Lasher we talked about Kim Kardashian is 348 00:16:40,160 --> 00:16:44,520 Speaker 1: not taking ten percent of Northwest that's her daughter's mark 349 00:16:44,680 --> 00:16:48,280 Speaker 1: pudding Korean. Now her mom, Chris Jenna, is still taking 350 00:16:48,360 --> 00:16:52,280 Speaker 1: ten percent of Kim's Is she a good mom? Or 351 00:16:52,360 --> 00:16:55,640 Speaker 1: is this bad business? Would you take ten percent of 352 00:16:55,680 --> 00:16:58,200 Speaker 1: your kid's income if you were the manager? And we've 353 00:16:58,200 --> 00:17:00,560 Speaker 1: got to say here, Christ did great thing. She's there's 354 00:17:00,560 --> 00:17:02,120 Speaker 1: a lot of managers who just take the money and 355 00:17:02,160 --> 00:17:05,520 Speaker 1: do nothing. I know several of them. They do nothing, 356 00:17:05,560 --> 00:17:09,959 Speaker 1: particularly family members. You're just paying them because they're your family. However, 357 00:17:10,080 --> 00:17:12,439 Speaker 1: Chris actually is a really great manager. She's worth that 358 00:17:12,520 --> 00:17:15,679 Speaker 1: ten percent. She's the brains behind the operation. Kim. Is 359 00:17:15,720 --> 00:17:17,880 Speaker 1: she the brains behind it? I'm not so sure she's 360 00:17:17,920 --> 00:17:20,040 Speaker 1: not gonna take the money. What do you think? Split 361 00:17:20,240 --> 00:17:22,760 Speaker 1: fifty to fifty? Fifty percent think this is a good 362 00:17:22,840 --> 00:17:26,240 Speaker 1: mom move, fifty percent think it's bad business. 363 00:17:25,760 --> 00:17:27,560 Speaker 2: Fifty Those other fifty want the money. 364 00:17:27,960 --> 00:17:30,159 Speaker 1: I'd like to take the money too, depends her successful law. 365 00:17:30,160 --> 00:17:32,040 Speaker 1: It's going to be okay. Don't forget to vote on 366 00:17:32,040 --> 00:17:33,920 Speaker 1: today's poule. We'll go to our Twitter page at naughty 367 00:17:33,960 --> 00:17:36,200 Speaker 1: nice Rob About facebook page is naughty gozzip and me 368 00:17:36,280 --> 00:17:39,840 Speaker 1: sure to check that timarauat to hear your results are now. Oh, 369 00:17:39,920 --> 00:17:43,480 Speaker 1: I love a rekindled romance and nicest of the day. 370 00:17:44,200 --> 00:17:47,320 Speaker 2: Well, it looks like Tom Brady is looking, you know, 371 00:17:47,400 --> 00:17:49,639 Speaker 2: back to finding love. You know, he's kind of gotten 372 00:17:49,640 --> 00:17:53,800 Speaker 2: over Giselle and has done agleegedly. But it looks like 373 00:17:53,840 --> 00:17:57,239 Speaker 2: he's rekindling a romance with Irena Shrink. I shall never 374 00:17:57,280 --> 00:17:58,960 Speaker 2: see I can never see her name. 375 00:17:59,040 --> 00:17:59,360 Speaker 1: Is it good? 376 00:17:59,720 --> 00:18:05,199 Speaker 2: Yeah? So according to page six, they've been spotted together 377 00:18:05,440 --> 00:18:09,200 Speaker 2: and you know, they wanted to reconnect see where things go. 378 00:18:09,720 --> 00:18:13,080 Speaker 2: They started dating each other again and they've been talking 379 00:18:13,080 --> 00:18:16,359 Speaker 2: on the phone and planning a trip together. They gotta 380 00:18:16,400 --> 00:18:18,480 Speaker 2: think like you and I Rob, like, if we plan 381 00:18:18,560 --> 00:18:20,439 Speaker 2: a trip, it's you know, it's like, hey, let's you know, 382 00:18:20,600 --> 00:18:22,879 Speaker 2: let's let's go to the Jersey shore. These guys are 383 00:18:22,920 --> 00:18:27,240 Speaker 2: talking about probably going off of a yacht monitary. 384 00:18:27,400 --> 00:18:29,600 Speaker 1: It's protaly fabulous, but it's still a trip with someone 385 00:18:29,680 --> 00:18:31,440 Speaker 1: you have a crash on and so I like this, 386 00:18:31,480 --> 00:18:33,320 Speaker 1: and trips are really good because you really get to 387 00:18:33,359 --> 00:18:35,480 Speaker 1: know somebody. If you share a hotel room with somebody, 388 00:18:35,680 --> 00:18:38,480 Speaker 1: you get to know them. So I wish them the best. 389 00:18:38,480 --> 00:18:41,760 Speaker 1: They're both single, they're both gorgeous. They're actually both quite 390 00:18:41,840 --> 00:18:43,720 Speaker 1: nice people. I've spent an evening with her once since 391 00:18:43,720 --> 00:18:46,040 Speaker 1: she's a lot of fun. She's cheeky. She's very cheeky 392 00:18:46,080 --> 00:18:48,520 Speaker 1: now if you don't really think you know her. She 393 00:18:48,680 --> 00:18:51,520 Speaker 1: was with Bradley Cooper. She has a child with Bradley. 394 00:18:51,920 --> 00:18:54,879 Speaker 1: I sometimes think love can be better the second time around. 395 00:18:55,000 --> 00:18:58,359 Speaker 1: Good luck, Let's do our naughties of the day. Naughty, naughty, naughty, naughty, naughty. 396 00:18:58,680 --> 00:19:01,760 Speaker 1: Legal action might be taken and against Prince Harry if 397 00:19:01,800 --> 00:19:05,560 Speaker 1: the Royal lied on his US visa. So, according to insiders, 398 00:19:05,640 --> 00:19:08,840 Speaker 1: legal action against the Duca Sussex will take place if 399 00:19:08,880 --> 00:19:11,640 Speaker 1: it's proven that he lied about his past drug use 400 00:19:11,960 --> 00:19:15,680 Speaker 1: on his US visa application. Sources are saying Harry should 401 00:19:15,680 --> 00:19:18,879 Speaker 1: be very worried. Now if you remember in his Bombshell book. 402 00:19:19,200 --> 00:19:24,000 Speaker 1: In his Bombshell book, he discloses that he used drugs. Well, 403 00:19:24,040 --> 00:19:28,120 Speaker 1: if he did not disclose that on his US visa application, 404 00:19:28,680 --> 00:19:30,919 Speaker 1: he's going to be in a lot of trouble. What 405 00:19:31,000 --> 00:19:33,360 Speaker 1: I do like about this is you can't have one 406 00:19:33,440 --> 00:19:35,800 Speaker 1: rule for a prince and another rule for the rest 407 00:19:35,800 --> 00:19:38,120 Speaker 1: of us, and so we've all got to play by 408 00:19:38,119 --> 00:19:44,240 Speaker 1: the rules. That's right. You get a rubb rubb, you 409 00:19:44,280 --> 00:19:48,159 Speaker 1: get a rub by failing to prepare, you were preparing 410 00:19:48,560 --> 00:19:52,320 Speaker 1: to fail. Come prepared, even our silly little podcast that 411 00:19:52,320 --> 00:19:55,440 Speaker 1: we do each day, we do the work. We come prepared, 412 00:19:55,960 --> 00:19:58,959 Speaker 1: come prepared, and the chances of you failing are a 413 00:19:59,000 --> 00:20:01,439 Speaker 1: lot less. Say that is it for today. Thank you 414 00:20:01,480 --> 00:20:03,480 Speaker 1: so much for listening to the Naudy but Nice with 415 00:20:03,600 --> 00:20:06,200 Speaker 1: Rob and Garrett Shire production of iHeartRadio. Don't forget to 416 00:20:06,240 --> 00:20:10,840 Speaker 1: subscribe on the Irate Radio a Apple podcast wherever you listen. 417 00:20:11,440 --> 00:20:13,000 Speaker 1: Leave us a review if you can. They really do 418 00:20:13,080 --> 00:20:16,520 Speaker 1: help her remember altogether. Now you're going to be Nordns. 419 00:20:16,920 --> 00:20:20,000 Speaker 1: You take care of a breastbot. 420 00:20:20,280 --> 00:20:21,879 Speaker 2: But nice with Rob