WEBVTT - SLEEPOVER WEEK: Breakfast

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<v Speaker 1>Welcome everyone to Pod meets World. In case you are

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<v Speaker 1>not aware, we've just spent we're nearing twenty four hours

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<v Speaker 1>in the Boy Meets World House. The beautiful exterior at

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<v Speaker 1>the Matthew's house. We had a we had a bunch

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<v Speaker 1>of guests that came through. We just finished a delicious breakfast,

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<v Speaker 1>if I do say so myself, writer made his ugly croissants.

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<v Speaker 2>Ugly croissants.

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<v Speaker 1>Boy are they tasty? I know they're not that ugly.

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<v Speaker 1>They turned out really great. And you said they needed

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<v Speaker 1>to be sweeter.

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<v Speaker 2>Yeah, a little bit sweeter. What did you put out?

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<v Speaker 2>What do you put on them to make them sweet?

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<v Speaker 2>Is it honey?

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<v Speaker 3>No, it's usually it's just in the recipe. I do

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<v Speaker 3>brown sugar, but for some reason, it just didn't taste

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<v Speaker 3>the balance. It's always like the salt of sweet. Balance

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<v Speaker 3>is the key. And I've definitely messed up and made

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<v Speaker 3>these with salted butter, which is like a disaster. Really

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<v Speaker 3>do you want to be able to control the salt

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<v Speaker 3>by doing more.

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<v Speaker 2>Salt than sweet? In general?

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<v Speaker 3>I agree with you, but it's a balance thing, you know,

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<v Speaker 3>And like, for whatever reason, I think that when you

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<v Speaker 3>do brown sugar, you're supposed to pack it into like

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<v Speaker 3>the measuring cup, and maybe I just didn't pack it

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<v Speaker 3>enough so it didn't like, Yeah, you didn't have as.

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<v Speaker 2>Much wonderful eggs, Thank you so much.

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<v Speaker 1>Yeah, I made some eggs. I forgot the avocado you

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<v Speaker 1>pointed out to me. I know, I did think what's missing?

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<v Speaker 1>And it was avocado.

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<v Speaker 4>I tomatoes be pointed that out.

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<v Speaker 1>Right, you did. Yeah, I don't. I don't love tomatoes.

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<v Speaker 1>I just put them in there for color, fair enough, truly,

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<v Speaker 1>it's just a visual thing. Otherwise the eggs are yellow

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<v Speaker 1>and green. Only there's green and spores and cheese and eggs.

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<v Speaker 1>And you were on toast and turkey bacon. You were

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<v Speaker 1>going to make pancakes. I was, but it was a

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<v Speaker 1>lot going.

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<v Speaker 4>On, herbs and a lot of stuff going on. So yeah,

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<v Speaker 4>we just we went from there.

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<v Speaker 2>Well, welcome to pod meets World. I'm Daniel Fishl.

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<v Speaker 4>I'm rather strong, and I'm will for Doe.

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<v Speaker 2>So what did you guys think about spending the night?

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<v Speaker 2>How did you sleep? Which bedroom did you sleep in?

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<v Speaker 2>You did sleep inside the house? Right, yes?

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<v Speaker 1>Okay, Well that's good. I'm glad you didn't have to

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<v Speaker 1>sleep in the cold outside. Although with these flannel pajamas.

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<v Speaker 1>It probably would have been totally fine.

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<v Speaker 4>I've been cooking internally since yesterday.

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<v Speaker 2>I have a secret.

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<v Speaker 1>I didn't sleep in the flannel pad. I brought other pajamas.

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<v Speaker 1>I changed in chump because I knew when I knew. Second,

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<v Speaker 1>did you go okay?

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<v Speaker 4>Yeah? It was very warm on that lone.

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<v Speaker 2>I sleep in a room that's sixty five degrees and

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<v Speaker 2>this house sixty two.

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<v Speaker 1>Oh, sixty to sixty two and a fan. We have

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<v Speaker 1>a fan as well. Yes, just keep a fan.

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<v Speaker 4>Yep, keep the air moving.

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<v Speaker 2>Yeah. So this house, while air conditioned, was not cold enough.

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<v Speaker 4>No agreed.

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<v Speaker 2>And flannel was it going to be a no go

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<v Speaker 2>for me?

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<v Speaker 4>Yeah?

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<v Speaker 2>I also brought my own pillow.

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<v Speaker 1>I didn't trust the pillows here, and so I brought

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<v Speaker 1>my pillow cube and I slept great pillow cube.

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<v Speaker 2>Nice? Was that the gold thing that you have? A

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<v Speaker 2>gold pillowcase? Pillowcase?

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<v Speaker 1>Thank you for noticing it's a golden It's a gold

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<v Speaker 1>silk pillowcase with a pillow princes.

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<v Speaker 2>I take sleep very seriously, I should say so.

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<v Speaker 5>One thing I noticed last night was the neighbor got

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<v Speaker 5>pissed at two o'clock in the morning when I went

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<v Speaker 5>over and knocked on the door and asked for advice.

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<v Speaker 2>Well that it was.

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<v Speaker 5>Some strange lady going, who were you get off my lawn?

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<v Speaker 2>I was like, but I need advice? It was doing

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<v Speaker 2>a feenie car I did. I just yelled when no

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<v Speaker 2>one's around, yes, so that we all saw that. That

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<v Speaker 2>was my bad. Sorry. What was your highlight of the

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<v Speaker 2>time here? Would you say? I like being in the

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<v Speaker 2>tent talking about sleepovers. That was really funny.

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<v Speaker 1>I know that was fun we were We did talk

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<v Speaker 1>about whether or not we should do a Scary Stories episode,

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<v Speaker 1>and we didn't.

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<v Speaker 2>You guys don't have scary story.

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<v Speaker 5>I don't like talking like real, like something that actually

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<v Speaker 5>happened in your life, or like and then it was ganger.

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<v Speaker 2>I mean, are you talking about like ghost stories? I

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<v Speaker 2>mean I like to combine in the two. Okay, what

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<v Speaker 2>you do is you you know you want to? I mean,

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<v Speaker 2>like ghost.

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<v Speaker 3>Stories are supposed to be they have like a pattern

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<v Speaker 3>to them.

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<v Speaker 2>A scary story. I don't believe in ghosts. So you

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<v Speaker 2>there's nothing in your life?

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<v Speaker 5>Is there anything in your life that's made you think

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<v Speaker 5>something just happened to me that was supernatural?

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<v Speaker 2>I can tell you stories, but nothing real because you

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<v Speaker 2>don't buy.

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<v Speaker 3>It, because nothing supernatural can happen in life.

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<v Speaker 2>So you just have you met a ghost or seen

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<v Speaker 2>a ghost?

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<v Speaker 5>To talk to a ghost not a fart knocker.

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<v Speaker 1>Still I'm not sure. Still I'm on the fence. No,

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<v Speaker 1>I've never seen a ghost or talk to a ghost.

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<v Speaker 4>Me neither. But it doesn't mean they're not real.

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<v Speaker 2>Yeah I'm not.

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<v Speaker 5>I'm not.

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<v Speaker 2>I'm not a ghost believer, but not either. Frankly, Yeah, no, I.

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<v Speaker 3>Know none of I think most people aren't, but they

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<v Speaker 3>still like to leave a trap door open. Sure, But

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<v Speaker 3>I just love storytelling and I love horror stuff, and

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<v Speaker 3>I love like the idea of ghosts I think is

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<v Speaker 3>one of, like one of the most powerful ideas. Like

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<v Speaker 3>you know, it's like all it's like all myths and legends,

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<v Speaker 3>and they're they're very important. They're like, you know, ways

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<v Speaker 3>that we process and tell stories to like understand the

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<v Speaker 3>world around us.

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<v Speaker 2>So I love them. I just don't believe the time.

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<v Speaker 2>I have a question for you.

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<v Speaker 5>So you loved horror and that kind of hell genre,

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<v Speaker 5>I think are you a horror fan?

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<v Speaker 2>The same thing?

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<v Speaker 5>Was there ever a character from a horror story that

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<v Speaker 5>really scared the hell out of you. Like for me

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<v Speaker 5>as a kid, Freddy Krueger scared the hell out of me.

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<v Speaker 2>Yeah.

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<v Speaker 3>No, I mean like one of those if we had

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<v Speaker 3>done scary stories, I would have probably uh, you know,

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<v Speaker 3>I've memorized all the scary stories of Telling the Dark,

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<v Speaker 3>which is.

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<v Speaker 2>Like everybody's favorite, and I.

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<v Speaker 3>Was obsessed with it when I was a kid, like

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<v Speaker 3>starting from the age of six or seven, and my

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<v Speaker 3>parents had an audio tape of it and.

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<v Speaker 2>Are you doing it okay?

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<v Speaker 3>And it is the most you can look it up

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<v Speaker 3>on YouTube. I've done this before. It still chills me

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<v Speaker 3>to the bone.

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<v Speaker 2>This guy he reads it like this.

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<v Speaker 3>And then there's like all this music to like intensify

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<v Speaker 3>the stories. And I would sit in bed at night

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<v Speaker 3>listening on headphones and then not being able to sleep,

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<v Speaker 3>and do it again the next night, and again the

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<v Speaker 3>next night and to this day. If I am up

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<v Speaker 3>in my childhood bedroom, which my parents are you know,

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<v Speaker 3>converted into like a guest room that sometimes we'll stay

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<v Speaker 3>in there, and if I start if I wake up

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<v Speaker 3>in the middle of the night and I start thinking

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<v Speaker 3>about some of these stories, I start getting freaked out still,

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<v Speaker 3>and I'm like this is so great.

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<v Speaker 5>It's like, it's like it's so deep that whereas I

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<v Speaker 5>think you and I think the same thing. Anything that

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<v Speaker 5>messes with eating or sleeping, I'm not a fan of. No.

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<v Speaker 2>I like feeling alive, you know, and I feel like,

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<v Speaker 2>you know, I'm feeling dead.

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<v Speaker 3>As you get older, you get so jaded, you know,

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<v Speaker 3>and like the any emotion, whether it's sadness or you know.

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<v Speaker 2>That's why I like sad movies. I like scary movies.

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<v Speaker 3>I like movies that really like just make you feel

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<v Speaker 3>something the movie in any way. And horror is you know,

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<v Speaker 3>like comedy, it's it's almost physical, right. You elicit laughter,

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<v Speaker 3>you elicit chills and fears, and I just find that

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<v Speaker 3>so powerful that art can give you that sensation. And

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<v Speaker 3>horrors it's almost it's the easiest thing to do in

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<v Speaker 3>some ways, right, it's to like manipulate an audience to jump,

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<v Speaker 3>scare or whatever. And so what you do with that

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<v Speaker 3>power as a storyteller is the most fascinating question to me.

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<v Speaker 3>It's like, because horror is the great metaphor, right, Like

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<v Speaker 3>if you're scared of a monster, like what is that monster?

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<v Speaker 3>And it's so it's it's so metaphorical that it's almost

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<v Speaker 3>not metaphorical anymore, you know, It's like and so when

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<v Speaker 3>a movie like obviously get Out can take the tropes

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<v Speaker 3>of a horror film and then rise it to this

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<v Speaker 3>level of like you seen it, it's scary, it's actually,

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<v Speaker 3>well I don't think it's that scary.

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<v Speaker 2>It's more funny. Actually, I mean it's it's it's it's.

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<v Speaker 3>Walking this incredible balance between comedy and horror, which.

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<v Speaker 2>Is kind of the sweet spot too. How many of

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<v Speaker 2>these stories do you have memorized?

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<v Speaker 3>Would you say, from scary stories, I could probably tell

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<v Speaker 3>them all.

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<v Speaker 2>Really, and so how many? Is that the first book?

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<v Speaker 3>There's also more scary stories the Shark, and like probably

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<v Speaker 3>another one after that. So I only read the first two,

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<v Speaker 3>but the first one because I listened to this tape.

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<v Speaker 3>You know, there's like songs. I probably like ten of them.

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<v Speaker 2>I could probably And how long are each one?

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<v Speaker 1>Cause I'm trying to think, like if you have them,

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<v Speaker 1>because I love this idea of having them ready to go,

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<v Speaker 1>because I definitely want to take my kids camping.

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<v Speaker 2>Both my kids like scary stuff. I love the idea

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<v Speaker 2>of being.

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<v Speaker 1>Able to and with your voice make something really great

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<v Speaker 1>and like get off of screens. I love all that,

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<v Speaker 1>But after you've told the eight stories you have memorized,

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<v Speaker 1>do you just keep retelling the same stories after everybody's

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<v Speaker 1>heard them.

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<v Speaker 3>You got to and you also have to change them

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<v Speaker 3>and make them.

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<v Speaker 2>You cannot just like read as sure.

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<v Speaker 3>I mean you could, you could do that, but like

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<v Speaker 3>the best part of storytelling is like, you know, like

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<v Speaker 3>if we had done stories last night, I would I

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<v Speaker 3>would have just started telling you guys about something that

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<v Speaker 3>happened to me when I was a kid, and just

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<v Speaker 3>you just go right into it and then it starts

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<v Speaker 3>falling into a sort of scary story pattern where.

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<v Speaker 2>It's like and then the voice said this, or then

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<v Speaker 2>the phone rang again, or you know, and you have

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<v Speaker 2>these like.

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<v Speaker 3>And then you'll like, you know, and that's what I

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<v Speaker 3>always you know, So like I take the scary stories

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<v Speaker 3>to tell in the dark. Like my favorite one is

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<v Speaker 3>this one called me ty Dodie Walker, which is like,

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<v Speaker 3>you know, this classic, it's I think it's like the

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<v Speaker 3>third story in the in the book, so everyone will

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<v Speaker 3>know it.

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<v Speaker 2>But like rather than you know, it's like it's a.

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<v Speaker 3>Boy who's staying in a house because there's a there's

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<v Speaker 3>a story about this house that's haunted and he's going

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<v Speaker 3>to stay the night there.

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<v Speaker 2>With his dog. Every boy meets World house, right, But

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<v Speaker 2>you don't start it that way. You started as like

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<v Speaker 2>I had this neighbor the artwork from the Alvin Schwartz,

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<v Speaker 2>I'm like, God.

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<v Speaker 3>Is that teep tap Tody or whoever you're just talking

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<v Speaker 3>to that's the head that comes down the chimney at

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<v Speaker 3>the end of the story.

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<v Speaker 2>Oh my god.

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<v Speaker 3>That's the other thing is that most of the scary

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<v Speaker 3>story is the best scary stories. They they're really about

0:10:05.600 --> 0:10:09.679
<v Speaker 3>building tension and like just building to like a jump scare,

0:10:09.920 --> 0:10:12.320
<v Speaker 3>you know. So it's like you repeat, there's like a

0:10:12.360 --> 0:10:14.120
<v Speaker 3>repetitive pattern. So you start like.

0:10:14.160 --> 0:10:15.880
<v Speaker 2>Then they just heard this, and then it.

0:10:15.880 --> 0:10:18.440
<v Speaker 3>Gets a little louder and a little closer and and

0:10:18.480 --> 0:10:19.959
<v Speaker 3>you you know, and if you're telling this around a

0:10:19.960 --> 0:10:22.880
<v Speaker 3>campfire and a tent, like everyone, just get the tensions building.

0:10:23.080 --> 0:10:25.000
<v Speaker 3>And then you know, at the end of me ty

0:10:25.040 --> 0:10:27.640
<v Speaker 3>Doddy Walker, which is the refrain in met Ty Dooty,

0:10:27.800 --> 0:10:28.600
<v Speaker 3>was just that saying.

0:10:28.679 --> 0:10:35.120
<v Speaker 2>So you're like, off in the distance, you heard me walk,

0:10:36.600 --> 0:10:37.080
<v Speaker 2>and then.

0:10:36.960 --> 0:10:39.320
<v Speaker 3>Like the dog starts responding to God.

0:10:39.760 --> 0:10:40.880
<v Speaker 2>So yeah, that's the grist.

0:10:40.880 --> 0:10:42.600
<v Speaker 3>That's why that story is so scary because the boy

0:10:42.600 --> 0:10:45.880
<v Speaker 3>brings his dog to like sleep with him at this house,

0:10:45.880 --> 0:10:47.400
<v Speaker 3>and the dog's supposed to protect him, but the dog

0:10:47.400 --> 0:10:49.280
<v Speaker 3>turns on him and starts answering.

0:10:49.120 --> 0:10:50.240
<v Speaker 2>The ghosts in the woods.

0:10:50.400 --> 0:10:52.400
<v Speaker 3>So then the ghost keeps getting closer and he can't

0:10:52.400 --> 0:10:54.040
<v Speaker 3>shut his dog up, and this dog is like.

0:10:55.559 --> 0:10:58.440
<v Speaker 2>Responding. It's so fun anyway, But then you get to

0:10:58.480 --> 0:11:01.440
<v Speaker 2>the thing and you really get the head came down

0:11:01.480 --> 0:11:03.120
<v Speaker 2>the chimney, and then what you do is you turn

0:11:03.200 --> 0:11:05.360
<v Speaker 2>to the person and say, and it grabbed you. You know,

0:11:05.640 --> 0:11:10.120
<v Speaker 2>it's always about making somebody. Yeah, so fun. Yeah, we

0:11:10.160 --> 0:11:12.600
<v Speaker 2>should have done it. We should have done We've talked

0:11:12.600 --> 0:11:12.719
<v Speaker 2>to it.

0:11:12.840 --> 0:11:14.320
<v Speaker 3>But the one that I the one that I tell

0:11:14.320 --> 0:11:17.199
<v Speaker 3>with with kids is the Viper, which is like the.

0:11:17.200 --> 0:11:22.400
<v Speaker 2>Class video all these it's like.

0:11:23.840 --> 0:11:29.040
<v Speaker 3>Yeah, so it's like right, So, like the woman is

0:11:30.040 --> 0:11:31.599
<v Speaker 3>she goes to the office because she she has to

0:11:31.640 --> 0:11:34.400
<v Speaker 3>go early into the office because she left something behind,

0:11:34.440 --> 0:11:36.440
<v Speaker 3>and she's there before anybody else, is at like four

0:11:36.440 --> 0:11:38.280
<v Speaker 3>in the morning or five in the morning, and the

0:11:38.320 --> 0:11:41.400
<v Speaker 3>phone rings and she answers it and somebody says.

0:11:41.800 --> 0:11:42.840
<v Speaker 2>This is the Viper.

0:11:43.600 --> 0:11:46.360
<v Speaker 3>I'll be this soon and then you know, you build

0:11:46.360 --> 0:11:48.720
<v Speaker 3>it from there and it's scarier, weird. She's calling the

0:11:48.720 --> 0:11:51.120
<v Speaker 3>police and no one's helping her. And then finally it's

0:11:51.120 --> 0:11:52.679
<v Speaker 3>a guy shows up with a bucket of mop He's like,

0:11:52.720 --> 0:11:56.040
<v Speaker 3>I'm the window works every time.

0:11:56.640 --> 0:11:57.720
<v Speaker 2>But oh my god.

0:11:57.720 --> 0:11:59.720
<v Speaker 3>When I first started telling this, when I first started

0:11:59.720 --> 0:12:03.000
<v Speaker 3>telling this to Indian and his friends, like it's so funny,

0:12:03.600 --> 0:12:05.840
<v Speaker 3>it's not. So it's not even the content of the

0:12:05.840 --> 0:12:08.040
<v Speaker 3>story that matters. What matters is the tone of voice

0:12:08.040 --> 0:12:11.360
<v Speaker 3>and the intention to scare. So like Indian is Buddy Wiley,

0:12:11.360 --> 0:12:13.360
<v Speaker 3>where like we were in a cabin and I was like,

0:12:13.400 --> 0:12:14.920
<v Speaker 3>you guys want to do a scary story.

0:12:14.960 --> 0:12:16.560
<v Speaker 2>Like yeah, yeah, let's do it. Let's do it. I go,

0:12:17.640 --> 0:12:19.000
<v Speaker 2>Lucy went to the office.

0:12:18.720 --> 0:12:22.360
<v Speaker 3>And come back, come back, We'll.

0:12:22.160 --> 0:12:27.600
<v Speaker 2>Do the voice. Lucy went to the office. Do you realize,

0:12:27.640 --> 0:12:29.600
<v Speaker 2>like you know, this is important. Yes.

0:12:42.080 --> 0:12:44.400
<v Speaker 5>I remember as a kid hearing the the It was

0:12:44.400 --> 0:12:47.040
<v Speaker 5>a trailer for either the first or second Nightmare Now

0:12:47.120 --> 0:12:49.839
<v Speaker 5>Street where it's just the kids jump roping and it's

0:12:50.000 --> 0:12:51.000
<v Speaker 5>just him going on.

0:12:53.320 --> 0:12:58.680
<v Speaker 2>And I just remember being scared. Oh my god, this

0:12:58.800 --> 0:12:59.439
<v Speaker 2>is horrifying.

0:13:00.080 --> 0:13:03.559
<v Speaker 3>Yeah, terrible sound design is to me, like more important

0:13:03.559 --> 0:13:05.200
<v Speaker 3>than anything, especially for horror films.

0:13:05.240 --> 0:13:06.680
<v Speaker 2>But I always I always feel.

0:13:06.440 --> 0:13:08.400
<v Speaker 3>That way about movies, you know, Like I've been listening

0:13:08.440 --> 0:13:12.240
<v Speaker 3>to the after some soundtrack and it just gets me

0:13:12.400 --> 0:13:13.160
<v Speaker 3>right in the zone.

0:13:13.200 --> 0:13:14.520
<v Speaker 2>It's so crazy, like.

0:13:14.440 --> 0:13:20.800
<v Speaker 3>The zone of crying, nostalgia and like you know, reflection feelings. Yeah,

0:13:20.960 --> 0:13:22.920
<v Speaker 3>I like that, especially driving. That's like that's a good

0:13:23.000 --> 0:13:23.560
<v Speaker 3>zone to be in.

0:13:23.760 --> 0:13:25.560
<v Speaker 2>Talking about sound and how important it is.

0:13:25.600 --> 0:13:28.079
<v Speaker 5>When we did an episode of Batman Beyond, Bruce tim

0:13:28.080 --> 0:13:30.079
<v Speaker 5>who created the show, said he always wanted to do

0:13:30.520 --> 0:13:33.800
<v Speaker 5>at least one big battle scene with no sound at all. Right,

0:13:33.880 --> 0:13:36.600
<v Speaker 5>So there was a character he created where he controls sound.

0:13:36.760 --> 0:13:39.199
<v Speaker 5>So there's a scene where Batman's trying to find him

0:13:39.200 --> 0:13:43.880
<v Speaker 5>and there's literally no sound in a a car manufacturing plant,

0:13:43.920 --> 0:13:46.120
<v Speaker 5>so like stuff is coming by that you can't hear.

0:13:46.240 --> 0:13:47.079
<v Speaker 2>There's no sound.

0:13:47.080 --> 0:13:50.040
<v Speaker 5>It's silent, and it's really really cool to see the

0:13:50.080 --> 0:13:53.480
<v Speaker 5>power of pull the sound out and you're still involved

0:13:53.480 --> 0:13:55.080
<v Speaker 5>in the story, but it's not quite the same.

0:13:55.120 --> 0:13:55.720
<v Speaker 2>It's really cool.

0:13:55.840 --> 0:13:56.040
<v Speaker 3>Yeah.

0:13:56.120 --> 0:13:57.760
<v Speaker 4>Yeah, was it is it.

0:13:57.760 --> 0:14:00.959
<v Speaker 3>John wo that did the the big battle secret? I've

0:14:00.960 --> 0:14:03.040
<v Speaker 3>never seen face off, but there's like a battle sequence

0:14:03.080 --> 0:14:05.080
<v Speaker 3>set to somewhere over the Rainbow.

0:14:05.240 --> 0:14:07.480
<v Speaker 2>Yeah, yeah, did you say face Off is so great?

0:14:08.679 --> 0:14:12.680
<v Speaker 2>I love face Off? God, you are so like you

0:14:12.679 --> 0:14:14.120
<v Speaker 2>don't know what to pick with you.

0:14:14.200 --> 0:14:19.160
<v Speaker 3>It's basically anything from nineteen ninety two to nine.

0:14:19.280 --> 0:14:21.600
<v Speaker 2>That's what I watch in the movie theater that her

0:14:21.640 --> 0:14:24.480
<v Speaker 2>parents took her to. Yeah, because Friday night I saw

0:14:24.480 --> 0:14:24.840
<v Speaker 2>one movie.

0:14:24.960 --> 0:14:27.480
<v Speaker 1>Yeah it was whatever year was that movie was out,

0:14:27.560 --> 0:14:31.000
<v Speaker 1>and I said absolutely.

0:14:30.600 --> 0:14:32.880
<v Speaker 2>Because face Off not that great a movie.

0:14:32.880 --> 0:14:35.520
<v Speaker 5>Actually it's a great movie, but that's what people.

0:14:35.560 --> 0:14:38.200
<v Speaker 2>I've never seen it, but people face Off. The best

0:14:38.240 --> 0:14:38.840
<v Speaker 2>part is.

0:14:38.800 --> 0:14:42.680
<v Speaker 5>Watching John Travolta and Nick Cage do each other. Yes,

0:14:43.080 --> 0:14:45.200
<v Speaker 5>like that's the best part of them doing like impressions

0:14:45.200 --> 0:14:46.360
<v Speaker 5>of each other is the best part of them.

0:14:46.440 --> 0:14:47.840
<v Speaker 4>Right, Yeah, it's pretty great.

0:14:48.040 --> 0:14:49.960
<v Speaker 1>I also really not to get a soft track about

0:14:49.960 --> 0:14:52.640
<v Speaker 1>scary stories, but going back to Our Boy Meets World sleepover,

0:14:52.760 --> 0:14:54.880
<v Speaker 1>I also really enjoyed having Andrew here.

0:14:55.280 --> 0:14:57.240
<v Speaker 2>Going over Boxerati. He was a really good sport.

0:14:57.400 --> 0:14:59.640
<v Speaker 5>He was, and I think he thought we were making

0:14:59.640 --> 0:15:01.960
<v Speaker 5>fun of him when really we were sitting there going

0:15:02.120 --> 0:15:03.160
<v Speaker 5>it's really very good.

0:15:03.440 --> 0:15:06.240
<v Speaker 1>But no, I think he was very pleasantly surprised because

0:15:06.240 --> 0:15:08.960
<v Speaker 1>I think he thought going into it, Okay, I have

0:15:09.000 --> 0:15:10.440
<v Speaker 1>to watch how bad this thing's going to be, and

0:15:10.440 --> 0:15:11.720
<v Speaker 1>then I'm going to go and we're all just going

0:15:11.800 --> 0:15:13.320
<v Speaker 1>to make fun of it. But then he watched it,

0:15:13.360 --> 0:15:14.840
<v Speaker 1>and when I texted him, I was like, make sure

0:15:14.840 --> 0:15:16.600
<v Speaker 1>you watch it because we're going to talk about it tonight,

0:15:16.840 --> 0:15:18.520
<v Speaker 1>and he was like, I did watch it, and it

0:15:18.560 --> 0:15:20.280
<v Speaker 1>was it was much better than I thought.

0:15:20.800 --> 0:15:22.840
<v Speaker 3>It's so I mean, I you know, we've talked about

0:15:22.840 --> 0:15:26.920
<v Speaker 3>this at nauseum, but like the insecurities that you feel

0:15:27.000 --> 0:15:29.760
<v Speaker 3>as an act, especially as a teenager of course, are

0:15:29.840 --> 0:15:33.160
<v Speaker 3>so absurd because I mean, what to be a fitness

0:15:33.320 --> 0:15:36.680
<v Speaker 3>coach instructor, you just have to have like a natural charisma,

0:15:36.680 --> 0:15:39.800
<v Speaker 3>which he has confidence in space. That's like what Andrew

0:15:39.840 --> 0:15:43.960
<v Speaker 3>Keegan is is like totally and he's actually more relaxed

0:15:43.960 --> 0:15:46.320
<v Speaker 3>and that's in that video than totally some of his

0:15:46.440 --> 0:15:48.920
<v Speaker 3>acting that I've seen. It's like he's just like himself

0:15:49.120 --> 0:15:52.120
<v Speaker 3>and it's totally cool and again, a teen idle teaching

0:15:52.200 --> 0:15:53.680
<v Speaker 3>teens and tweens so.

0:15:53.600 --> 0:15:55.440
<v Speaker 2>Smart, brilliant did that.

0:15:56.840 --> 0:15:59.000
<v Speaker 3>I remember what I've talked about how like Andrew Keigan

0:15:59.120 --> 0:16:01.960
<v Speaker 3>was like the eighteen idol, and I always thought that's

0:16:02.000 --> 0:16:05.440
<v Speaker 3>exactly like I could never have stood there and done

0:16:05.480 --> 0:16:08.440
<v Speaker 3>what he did effortlessly in that video, Like, right, God,

0:16:08.480 --> 0:16:11.960
<v Speaker 3>can you imagine me trying to do a workout video? No, God, poet,

0:16:12.040 --> 0:16:14.840
<v Speaker 3>maybe you should shoot that that's just behind the poetry.

0:16:15.320 --> 0:16:16.800
<v Speaker 2>Would not have worked.

0:16:17.760 --> 0:16:20.960
<v Speaker 3>Should imagine a sixteen year old writer with my braids

0:16:21.000 --> 0:16:21.560
<v Speaker 3>standing there?

0:16:22.040 --> 0:16:26.400
<v Speaker 2>Maybe can we just cry? Can we just cry? E more?

0:16:26.480 --> 0:16:30.280
<v Speaker 3>Versus just okay, Adam.

0:16:30.560 --> 0:16:33.640
<v Speaker 2>Let's go, let's go. Yeah, I wouldn't have been the same.

0:16:35.680 --> 0:16:37.320
<v Speaker 2>It was great to see Betsy and Rusty.

0:16:37.440 --> 0:16:38.000
<v Speaker 4>It was awesome.

0:16:38.080 --> 0:16:40.120
<v Speaker 5>I was most of the night. I was full of abaci,

0:16:40.320 --> 0:16:43.280
<v Speaker 5>I know, which is great sweating. We were sweating while

0:16:43.280 --> 0:16:46.160
<v Speaker 5>full of abci. At one point in the night, and

0:16:46.280 --> 0:16:48.440
<v Speaker 5>came up to me and he said to Ally, said,

0:16:48.880 --> 0:16:51.440
<v Speaker 5>the back of Will's head is so cy.

0:16:51.560 --> 0:16:53.320
<v Speaker 2>He said, it look like you had been swimming.

0:16:54.160 --> 0:16:54.600
<v Speaker 3>So uh.

0:16:54.760 --> 0:16:56.040
<v Speaker 2>And we're laughing the whole time.

0:16:56.520 --> 0:17:01.160
<v Speaker 1>I also enjoyed magic the gathering more than I thought

0:17:01.160 --> 0:17:03.200
<v Speaker 1>I was going to, which is to say I thought

0:17:03.200 --> 0:17:03.440
<v Speaker 1>I was.

0:17:03.440 --> 0:17:06.119
<v Speaker 2>Going to enjoy it negative five and I enjoyed it

0:17:06.160 --> 0:17:06.640
<v Speaker 2>about one.

0:17:06.840 --> 0:17:10.040
<v Speaker 3>Okay, so magic, you know, if you had just gotten

0:17:10.040 --> 0:17:12.919
<v Speaker 3>into it, like let's say you were in your twenties, Okay,

0:17:12.960 --> 0:17:15.280
<v Speaker 3>and you dated a guy who was really into magic,

0:17:15.359 --> 0:17:17.080
<v Speaker 3>you probably would have tried it.

0:17:17.119 --> 0:17:18.800
<v Speaker 2>Oh, it's gotten really into it, you know, I take

0:17:18.880 --> 0:17:19.480
<v Speaker 2>anything else.

0:17:19.520 --> 0:17:22.639
<v Speaker 3>It's just the barrier to entry is learning and like

0:17:22.720 --> 0:17:24.840
<v Speaker 3>the you know, but once I actually think you would

0:17:24.920 --> 0:17:27.480
<v Speaker 3>like it is because there's a competitiveness to it.

0:17:27.800 --> 0:17:29.000
<v Speaker 2>There's there's a game.

0:17:29.040 --> 0:17:31.920
<v Speaker 3>It's like chess, right, but there is also this kind

0:17:31.920 --> 0:17:34.920
<v Speaker 3>of fun creative element of like what kind of characters

0:17:34.920 --> 0:17:37.080
<v Speaker 3>you have or you know, what your the theme of

0:17:37.119 --> 0:17:37.720
<v Speaker 3>your deck is.

0:17:38.440 --> 0:17:40.280
<v Speaker 1>Yeah, I do think i'd like it more once I

0:17:40.359 --> 0:17:43.040
<v Speaker 1>understood what all the symbols meant. Right now, it's just

0:17:43.400 --> 0:17:46.400
<v Speaker 1>like I don't know what any of this is language exactly,

0:17:46.400 --> 0:17:49.320
<v Speaker 1>and so that that part was overwhelming. And then it's

0:17:49.320 --> 0:17:51.480
<v Speaker 1>also a little weird. Nobody has to write anything down.

0:17:51.560 --> 0:17:53.480
<v Speaker 1>You just always remember how many lives.

0:17:53.240 --> 0:17:56.879
<v Speaker 3>You Now everybody uses their phone that has app on it,

0:17:57.280 --> 0:18:00.800
<v Speaker 3>but usually we used to use a die twenty sided

0:18:00.840 --> 0:18:02.160
<v Speaker 3>die to keep track of your life.

0:18:02.320 --> 0:18:04.320
<v Speaker 2>What's a twenty seven die?

0:18:04.760 --> 0:18:07.520
<v Speaker 1>Twenty sided die? And then how does that help me

0:18:07.600 --> 0:18:08.320
<v Speaker 1>keep track of your life?

0:18:08.320 --> 0:18:10.560
<v Speaker 2>Because you started twenty life? Oh, here's twenty I thought

0:18:10.560 --> 0:18:11.640
<v Speaker 2>we started forwarding because we were.

0:18:11.640 --> 0:18:14.720
<v Speaker 3>Command command, so then you have a larger die, but

0:18:14.760 --> 0:18:16.480
<v Speaker 3>now everybody just uses an app to keep track of

0:18:16.520 --> 0:18:18.880
<v Speaker 3>that stuff. And then you usually also have counters, which

0:18:18.880 --> 0:18:21.720
<v Speaker 3>are like little little people deeds, little glass beads, or

0:18:21.840 --> 0:18:24.320
<v Speaker 3>we used to just use treads of paper. You keep

0:18:24.359 --> 0:18:26.760
<v Speaker 3>track of your counters, and then you have like tokens,

0:18:26.760 --> 0:18:29.160
<v Speaker 3>which are cards that just sort of stand in for

0:18:29.480 --> 0:18:31.760
<v Speaker 3>like your badgers, your Power Badgers.

0:18:31.920 --> 0:18:33.800
<v Speaker 5>I know a band name, by the way, the Power

0:18:33.920 --> 0:18:37.000
<v Speaker 5>Power Badgers. You're right, no, but magic is fun when

0:18:37.040 --> 0:18:37.520
<v Speaker 5>you get into it.

0:18:37.520 --> 0:18:37.840
<v Speaker 4>It's fun.

0:18:38.080 --> 0:18:39.840
<v Speaker 3>D and D is fun, it's D and D light

0:18:40.160 --> 0:18:42.480
<v Speaker 3>because D and D actually is more of a creative

0:18:42.560 --> 0:18:44.159
<v Speaker 3>investment and a storytelling investment.

0:18:44.920 --> 0:18:47.800
<v Speaker 1>Performance performances the one where I don't think i'd like it,

0:18:48.640 --> 0:18:50.200
<v Speaker 1>like we will do that eventually.

0:18:50.240 --> 0:18:52.240
<v Speaker 3>And I think magic is actually more up your rally

0:18:52.280 --> 0:18:54.959
<v Speaker 3>because you can play magic and like just be focused

0:18:54.960 --> 0:18:56.840
<v Speaker 3>on strategy and people that won't each other.

0:18:58.320 --> 0:19:01.360
<v Speaker 2>Card games then like charades.

0:19:00.920 --> 0:19:05.119
<v Speaker 1>Absolutely, yeah, yeah, I do enjoy that. Well, this was

0:19:05.119 --> 0:19:08.080
<v Speaker 1>really fun, guys. I'm not gonna lie. The inside of

0:19:08.080 --> 0:19:11.399
<v Speaker 1>the Matthews House is not everything I hoped it would be.

0:19:11.520 --> 0:19:15.400
<v Speaker 1>Our sets, our sets, yeah, our sets were better, but

0:19:15.480 --> 0:19:18.040
<v Speaker 1>I also don't don't want to disparage it because it's.

0:19:17.880 --> 0:19:20.439
<v Speaker 2>Nice though, I mean it's it's it's there's a history

0:19:20.440 --> 0:19:23.600
<v Speaker 2>to it. Has anybody ever built a house based on

0:19:24.119 --> 0:19:24.960
<v Speaker 2>yes a TV show?

0:19:25.320 --> 0:19:28.639
<v Speaker 5>Well the Bun House, and that's actually built it and

0:19:28.800 --> 0:19:29.720
<v Speaker 5>Glance tried to buy it.

0:19:30.040 --> 0:19:31.960
<v Speaker 2>It was Lance and h G t V were in

0:19:32.080 --> 0:19:34.280
<v Speaker 2>competition to buy it. H G t V one. They

0:19:34.280 --> 0:19:36.720
<v Speaker 2>would the inside. They did the inside the.

0:19:36.760 --> 0:19:42.040
<v Speaker 3>Same if somebody, I know Matthew's house, like where because

0:19:44.200 --> 0:19:44.440
<v Speaker 3>do it?

0:19:44.840 --> 0:19:47.680
<v Speaker 2>But us, how do we go build a house? We

0:19:47.760 --> 0:19:53.159
<v Speaker 2>start a Kickstarter, Yes exactly, that's our next thing. Honday

0:19:55.480 --> 0:19:57.600
<v Speaker 2>a million dollars. How much would it cost to build that?

0:19:58.600 --> 0:20:00.360
<v Speaker 2>To go to philadel Yeah?

0:20:00.840 --> 0:20:05.800
<v Speaker 3>Yeah, it depends where where land is really cheating and

0:20:05.920 --> 0:20:08.560
<v Speaker 3>it's just construction costs and you're talking a couple of

0:20:08.600 --> 0:20:09.160
<v Speaker 3>hundred thousand.

0:20:09.200 --> 0:20:11.760
<v Speaker 2>Where do we go? Whould we do it? What would

0:20:11.760 --> 0:20:13.119
<v Speaker 2>be California?

0:20:13.320 --> 0:20:15.040
<v Speaker 5>Yeah, it would be like Idaho or I mean, I

0:20:15.080 --> 0:20:17.040
<v Speaker 5>don't know, where's cheap land.

0:20:18.000 --> 0:20:20.240
<v Speaker 2>Somewhere in the desert like Arizona or something like that

0:20:20.680 --> 0:20:21.160
<v Speaker 2>could be good.

0:20:21.160 --> 0:20:25.200
<v Speaker 3>I don't know, Yeah, somewhere hot, yeah right, yeah, pick

0:20:25.240 --> 0:20:29.960
<v Speaker 3>a pick, like a desert somewhere, and actually what would

0:20:30.000 --> 0:20:33.680
<v Speaker 3>be the ultimate dream would be you have a subdivision

0:20:33.680 --> 0:20:36.320
<v Speaker 3>of a neighborhood where all the houses are.

0:20:36.200 --> 0:20:38.960
<v Speaker 2>From different different TV shows. That's brilliant. So it's like

0:20:39.040 --> 0:20:43.399
<v Speaker 2>you can go to the Old House genius. Oh, that's right.

0:20:43.400 --> 0:20:45.400
<v Speaker 5>They did the Simpson's house, so it's like you could

0:20:45.400 --> 0:20:46.800
<v Speaker 5>do that. You can do the Simpsons house, you can

0:20:46.840 --> 0:20:49.000
<v Speaker 5>do the Brady Bunch house. It's all one street. It's

0:20:49.000 --> 0:20:50.480
<v Speaker 5>all the most famous sitcom streets.

0:20:50.560 --> 0:20:51.159
<v Speaker 2>That would be like it.

0:20:51.160 --> 0:20:56.000
<v Speaker 3>Would be like Disneyland, but like an Airbnb TV AIRBNBTV lands.

0:20:56.040 --> 0:20:57.760
<v Speaker 2>Why are we talking about this on the podcast? We're

0:20:57.840 --> 0:21:00.439
<v Speaker 2>kind of like raising money and actually doing this. That's brilliant.

0:21:00.480 --> 0:21:02.680
<v Speaker 2>It's really smart. Are there are there not? Yeah, there'd be.

0:21:02.720 --> 0:21:04.520
<v Speaker 2>Of course, you get a Father Knows Best house, you

0:21:04.640 --> 0:21:06.119
<v Speaker 2>do the Boy Meets World house, you do.

0:21:07.320 --> 0:21:09.400
<v Speaker 3>Hold On and then you actually do like a town

0:21:09.440 --> 0:21:11.440
<v Speaker 3>square and you have like the Cheers bar, and you

0:21:11.520 --> 0:21:14.600
<v Speaker 3>have like actual like chubby Land TV land. Were you

0:21:14.680 --> 0:21:17.320
<v Speaker 3>act Oh my god, could you be sued by the

0:21:17.680 --> 0:21:19.160
<v Speaker 3>TV like the creators?

0:21:20.080 --> 0:21:21.360
<v Speaker 2>You'd have to do one of the things that would

0:21:21.359 --> 0:21:21.560
<v Speaker 2>have to be.

0:21:21.560 --> 0:21:23.359
<v Speaker 5>It couldn't be Chubbies Chubbes wouldn't be big enough to

0:21:23.359 --> 0:21:24.720
<v Speaker 5>do to the Boy Meets World house, but you would

0:21:24.760 --> 0:21:28.840
<v Speaker 5>do Arnold's Diner from Happy Days. Sure, so be Arnold's diner.

0:21:28.960 --> 0:21:31.480
<v Speaker 5>It would be the Cheers Bar. It would be like

0:21:31.640 --> 0:21:33.520
<v Speaker 5>all the the Seinfeld Dinas Seinfeld's.

0:21:33.800 --> 0:21:34.159
<v Speaker 4>Yeah right.

0:21:34.200 --> 0:21:36.760
<v Speaker 2>You could have the coffee shop, the per per Central

0:21:36.800 --> 0:21:38.440
<v Speaker 2>per Central Park. You could have Central Perko as the

0:21:38.440 --> 0:21:38.960
<v Speaker 2>coffee shop.

0:21:39.040 --> 0:21:41.879
<v Speaker 5>You'd have to do something like maybe you just have

0:21:42.240 --> 0:21:45.040
<v Speaker 5>you walk past the helicopter landing pad that just has

0:21:45.080 --> 0:21:47.080
<v Speaker 5>one of the mash helicopters on it, Like that's all

0:21:47.080 --> 0:21:51.960
<v Speaker 5>you'd have from there, because what about the city e

0:21:52.119 --> 0:21:53.520
<v Speaker 5>r something like that. You could you make a whole

0:21:53.520 --> 0:21:55.040
<v Speaker 5>little television land which could be.

0:21:55.560 --> 0:21:58.680
<v Speaker 1>Really cool and that'd be so fun. Yeah, okay, well

0:21:58.760 --> 0:22:00.399
<v Speaker 1>we're going to cut this from the podcas yes.

0:22:01.600 --> 0:22:05.720
<v Speaker 5>Because unfortunately we're gonna have to kill all of these people.

0:22:08.520 --> 0:22:11.399
<v Speaker 2>Them tell promise not to do our idea. That's probably

0:22:11.400 --> 0:22:12.359
<v Speaker 2>a better way to go about it.

0:22:13.800 --> 0:22:17.280
<v Speaker 4>Staring at this little sneebel part of the ugly just

0:22:17.359 --> 0:22:19.439
<v Speaker 4>eat the croissant, just eat the whole things right there?

0:22:19.960 --> 0:22:21.240
<v Speaker 2>What did you call it? Then?

0:22:22.960 --> 0:22:26.280
<v Speaker 5>All these things right here on the plates Schnebels all

0:22:26.280 --> 0:22:27.160
<v Speaker 5>these little things on the plate.

0:22:27.800 --> 0:22:32.280
<v Speaker 2>But did you just make it up? Nobel? Highly technical?

0:22:33.200 --> 0:22:34.800
<v Speaker 4>Eat the sebels like you can eat your sneel.

0:22:35.800 --> 0:22:38.720
<v Speaker 2>Wow, No, no, I have no problem with it.

0:22:38.760 --> 0:22:40.240
<v Speaker 4>I just is this all being recorded?

0:22:41.000 --> 0:22:46.040
<v Speaker 2>Yeah? That's right? Or ugly? Cuifont right there, crunchy.

0:22:46.960 --> 0:22:50.200
<v Speaker 1>Well, thank you all for joining us for this episode

0:22:50.520 --> 0:22:53.640
<v Speaker 1>of slumber Party. Pod Meats World really had a good

0:22:53.640 --> 0:22:57.240
<v Speaker 1>time with you guys. I can't believe we still have

0:22:57.600 --> 0:23:02.200
<v Speaker 1>this much to say and do enjoy really enjoying each other.

0:23:02.480 --> 0:23:04.959
<v Speaker 5>Even when the microphones aren't on, We're still just talking

0:23:05.200 --> 0:23:05.960
<v Speaker 5>all the time.

0:23:06.600 --> 0:23:09.960
<v Speaker 2>It's like, how how is it still happening thirty years?

0:23:10.000 --> 0:23:13.880
<v Speaker 2>You figure out of it to say that's amazing.

0:23:14.840 --> 0:23:16.960
<v Speaker 1>As always, you can follow us on Instagram, pod meets

0:23:17.000 --> 0:23:19.080
<v Speaker 1>World Show at gmail dot com. You can send us

0:23:19.119 --> 0:23:21.760
<v Speaker 1>your emails pod meets World Show at gmail dot com.

0:23:22.200 --> 0:23:26.240
<v Speaker 2>And we have merch trouble Wubbo cobble, merch. What's the

0:23:26.280 --> 0:23:30.920
<v Speaker 2>guy's name me Tywalkome.

0:23:29.800 --> 0:23:41.040
<v Speaker 1>There you go merch and don't forget Cheeto Papo. Well

0:23:41.240 --> 0:23:41.800
<v Speaker 1>send us out.

0:23:42.160 --> 0:23:42.840
<v Speaker 2>We love you all.

0:23:43.119 --> 0:23:43.800
<v Speaker 4>Pod dismissed.

0:23:44.880 --> 0:23:48.000
<v Speaker 5>Pod Meets World isnheart podcast producer and hosted by Daniel

0:23:48.080 --> 0:23:51.920
<v Speaker 5>Fishel Wilfredell and Ryder Strong executive producers, Jensen Carp and

0:23:52.000 --> 0:23:55.920
<v Speaker 5>Amy Sugarman, Executive in charge of production, Danielle Romo, producer

0:23:55.960 --> 0:23:59.960
<v Speaker 5>and editor, Tara Sudbacks producer, Maddie Moore, engineer and Boy

0:24:00.000 --> 0:24:02.520
<v Speaker 5>Meets World super fan Easton Allen. Our theme song is

0:24:02.560 --> 0:24:04.679
<v Speaker 5>by Kyle Morton of Typhoon and you can follow us

0:24:04.720 --> 0:24:07.439
<v Speaker 5>on Instagram at Podmets World Show or email us at

0:24:07.480 --> 0:24:09.480
<v Speaker 5>Podmetsworldshow at gmail dot com