1 00:00:19,400 --> 00:00:22,760 Speaker 1: Welcome everyone to Pod meets World. In case you are 2 00:00:22,800 --> 00:00:26,680 Speaker 1: not aware, we've just spent we're nearing twenty four hours 3 00:00:26,960 --> 00:00:31,440 Speaker 1: in the Boy Meets World House. The beautiful exterior at 4 00:00:31,480 --> 00:00:35,280 Speaker 1: the Matthew's house. We had a we had a bunch 5 00:00:35,320 --> 00:00:39,159 Speaker 1: of guests that came through. We just finished a delicious breakfast, 6 00:00:39,240 --> 00:00:43,559 Speaker 1: if I do say so myself, writer made his ugly croissants. 7 00:00:43,640 --> 00:00:44,520 Speaker 2: Ugly croissants. 8 00:00:45,040 --> 00:00:48,760 Speaker 1: Boy are they tasty? I know they're not that ugly. 9 00:00:48,760 --> 00:00:51,000 Speaker 1: They turned out really great. And you said they needed 10 00:00:51,000 --> 00:00:51,800 Speaker 1: to be sweeter. 11 00:00:51,600 --> 00:00:54,080 Speaker 2: Yeah, a little bit sweeter. What did you put out? 12 00:00:54,120 --> 00:00:55,440 Speaker 2: What do you put on them to make them sweet? 13 00:00:55,480 --> 00:00:56,120 Speaker 2: Is it honey? 14 00:00:56,360 --> 00:00:58,960 Speaker 3: No, it's usually it's just in the recipe. I do 15 00:00:59,320 --> 00:01:01,800 Speaker 3: brown sugar, but for some reason, it just didn't taste 16 00:01:01,840 --> 00:01:04,119 Speaker 3: the balance. It's always like the salt of sweet. Balance 17 00:01:04,200 --> 00:01:06,160 Speaker 3: is the key. And I've definitely messed up and made 18 00:01:06,200 --> 00:01:08,720 Speaker 3: these with salted butter, which is like a disaster. Really 19 00:01:08,800 --> 00:01:10,119 Speaker 3: do you want to be able to control the salt 20 00:01:10,120 --> 00:01:10,880 Speaker 3: by doing more. 21 00:01:10,880 --> 00:01:13,080 Speaker 2: Salt than sweet? In general? 22 00:01:13,120 --> 00:01:14,760 Speaker 3: I agree with you, but it's a balance thing, you know, 23 00:01:14,840 --> 00:01:17,400 Speaker 3: And like, for whatever reason, I think that when you 24 00:01:17,400 --> 00:01:20,080 Speaker 3: do brown sugar, you're supposed to pack it into like 25 00:01:20,120 --> 00:01:22,039 Speaker 3: the measuring cup, and maybe I just didn't pack it 26 00:01:22,160 --> 00:01:25,119 Speaker 3: enough so it didn't like, Yeah, you didn't have as. 27 00:01:25,080 --> 00:01:27,240 Speaker 2: Much wonderful eggs, Thank you so much. 28 00:01:27,440 --> 00:01:29,720 Speaker 1: Yeah, I made some eggs. I forgot the avocado you 29 00:01:29,800 --> 00:01:34,600 Speaker 1: pointed out to me. I know, I did think what's missing? 30 00:01:34,640 --> 00:01:35,600 Speaker 1: And it was avocado. 31 00:01:36,080 --> 00:01:38,200 Speaker 4: I tomatoes be pointed that out. 32 00:01:38,080 --> 00:01:40,200 Speaker 1: Right, you did. Yeah, I don't. I don't love tomatoes. 33 00:01:40,240 --> 00:01:43,520 Speaker 1: I just put them in there for color, fair enough, truly, 34 00:01:43,800 --> 00:01:46,080 Speaker 1: it's just a visual thing. Otherwise the eggs are yellow 35 00:01:46,120 --> 00:01:49,880 Speaker 1: and green. Only there's green and spores and cheese and eggs. 36 00:01:50,040 --> 00:01:53,000 Speaker 1: And you were on toast and turkey bacon. You were 37 00:01:53,040 --> 00:01:55,360 Speaker 1: going to make pancakes. I was, but it was a 38 00:01:55,360 --> 00:01:56,160 Speaker 1: lot going. 39 00:01:55,920 --> 00:01:58,240 Speaker 4: On, herbs and a lot of stuff going on. So yeah, 40 00:01:58,280 --> 00:01:59,440 Speaker 4: we just we went from there. 41 00:01:59,600 --> 00:02:01,760 Speaker 2: Well, welcome to pod meets World. I'm Daniel Fishl. 42 00:02:01,760 --> 00:02:03,240 Speaker 4: I'm rather strong, and I'm will for Doe. 43 00:02:03,840 --> 00:02:06,280 Speaker 2: So what did you guys think about spending the night? 44 00:02:06,360 --> 00:02:09,160 Speaker 2: How did you sleep? Which bedroom did you sleep in? 45 00:02:11,320 --> 00:02:13,760 Speaker 2: You did sleep inside the house? Right, yes? 46 00:02:13,960 --> 00:02:15,920 Speaker 1: Okay, Well that's good. I'm glad you didn't have to 47 00:02:15,919 --> 00:02:19,079 Speaker 1: sleep in the cold outside. Although with these flannel pajamas. 48 00:02:19,080 --> 00:02:20,720 Speaker 1: It probably would have been totally fine. 49 00:02:21,280 --> 00:02:23,640 Speaker 4: I've been cooking internally since yesterday. 50 00:02:23,680 --> 00:02:24,320 Speaker 2: I have a secret. 51 00:02:24,480 --> 00:02:27,760 Speaker 1: I didn't sleep in the flannel pad. I brought other pajamas. 52 00:02:27,800 --> 00:02:30,040 Speaker 1: I changed in chump because I knew when I knew. Second, 53 00:02:30,440 --> 00:02:31,600 Speaker 1: did you go okay? 54 00:02:31,720 --> 00:02:33,440 Speaker 4: Yeah? It was very warm on that lone. 55 00:02:33,480 --> 00:02:36,200 Speaker 2: I sleep in a room that's sixty five degrees and 56 00:02:36,480 --> 00:02:37,440 Speaker 2: this house sixty two. 57 00:02:37,560 --> 00:02:40,639 Speaker 1: Oh, sixty to sixty two and a fan. We have 58 00:02:40,680 --> 00:02:42,639 Speaker 1: a fan as well. Yes, just keep a fan. 59 00:02:42,680 --> 00:02:43,639 Speaker 4: Yep, keep the air moving. 60 00:02:43,800 --> 00:02:47,240 Speaker 2: Yeah. So this house, while air conditioned, was not cold enough. 61 00:02:47,320 --> 00:02:47,919 Speaker 4: No agreed. 62 00:02:48,040 --> 00:02:49,600 Speaker 2: And flannel was it going to be a no go 63 00:02:49,720 --> 00:02:49,960 Speaker 2: for me? 64 00:02:50,160 --> 00:02:50,720 Speaker 4: Yeah? 65 00:02:50,800 --> 00:02:52,480 Speaker 2: I also brought my own pillow. 66 00:02:53,720 --> 00:02:58,440 Speaker 1: I didn't trust the pillows here, and so I brought 67 00:02:58,440 --> 00:03:01,040 Speaker 1: my pillow cube and I slept great pillow cube. 68 00:03:01,400 --> 00:03:04,480 Speaker 2: Nice? Was that the gold thing that you have? A 69 00:03:04,600 --> 00:03:06,480 Speaker 2: gold pillowcase? Pillowcase? 70 00:03:06,520 --> 00:03:09,040 Speaker 1: Thank you for noticing it's a golden It's a gold 71 00:03:09,120 --> 00:03:11,120 Speaker 1: silk pillowcase with a pillow princes. 72 00:03:14,480 --> 00:03:17,400 Speaker 2: I take sleep very seriously, I should say so. 73 00:03:17,840 --> 00:03:20,400 Speaker 5: One thing I noticed last night was the neighbor got 74 00:03:20,520 --> 00:03:22,320 Speaker 5: pissed at two o'clock in the morning when I went 75 00:03:22,360 --> 00:03:23,880 Speaker 5: over and knocked on the door and asked for advice. 76 00:03:24,080 --> 00:03:27,160 Speaker 2: Well that it was. 77 00:03:29,800 --> 00:03:32,960 Speaker 5: Some strange lady going, who were you get off my lawn? 78 00:03:33,080 --> 00:03:35,160 Speaker 2: I was like, but I need advice? It was doing 79 00:03:35,160 --> 00:03:38,600 Speaker 2: a feenie car I did. I just yelled when no 80 00:03:38,640 --> 00:03:43,080 Speaker 2: one's around, yes, so that we all saw that. That 81 00:03:43,160 --> 00:03:46,320 Speaker 2: was my bad. Sorry. What was your highlight of the 82 00:03:46,400 --> 00:03:48,920 Speaker 2: time here? Would you say? I like being in the 83 00:03:48,960 --> 00:03:51,920 Speaker 2: tent talking about sleepovers. That was really funny. 84 00:03:52,160 --> 00:03:54,080 Speaker 1: I know that was fun we were We did talk 85 00:03:54,080 --> 00:03:56,800 Speaker 1: about whether or not we should do a Scary Stories episode, 86 00:03:57,120 --> 00:03:57,960 Speaker 1: and we didn't. 87 00:03:58,160 --> 00:03:59,960 Speaker 2: You guys don't have scary story. 88 00:04:00,200 --> 00:04:03,000 Speaker 5: I don't like talking like real, like something that actually 89 00:04:03,040 --> 00:04:05,680 Speaker 5: happened in your life, or like and then it was ganger. 90 00:04:06,920 --> 00:04:11,080 Speaker 2: I mean, are you talking about like ghost stories? I 91 00:04:11,080 --> 00:04:13,560 Speaker 2: mean I like to combine in the two. Okay, what 92 00:04:13,680 --> 00:04:15,840 Speaker 2: you do is you you know you want to? I mean, 93 00:04:15,880 --> 00:04:16,560 Speaker 2: like ghost. 94 00:04:16,320 --> 00:04:18,839 Speaker 3: Stories are supposed to be they have like a pattern 95 00:04:18,880 --> 00:04:19,279 Speaker 3: to them. 96 00:04:19,120 --> 00:04:21,279 Speaker 2: A scary story. I don't believe in ghosts. So you 97 00:04:21,320 --> 00:04:22,440 Speaker 2: there's nothing in your life? 98 00:04:22,640 --> 00:04:24,520 Speaker 5: Is there anything in your life that's made you think 99 00:04:24,920 --> 00:04:26,560 Speaker 5: something just happened to me that was supernatural? 100 00:04:26,640 --> 00:04:30,320 Speaker 2: I can tell you stories, but nothing real because you 101 00:04:30,360 --> 00:04:30,919 Speaker 2: don't buy. 102 00:04:30,760 --> 00:04:33,440 Speaker 3: It, because nothing supernatural can happen in life. 103 00:04:33,520 --> 00:04:36,040 Speaker 2: So you just have you met a ghost or seen 104 00:04:36,080 --> 00:04:36,320 Speaker 2: a ghost? 105 00:04:36,360 --> 00:04:41,120 Speaker 5: To talk to a ghost not a fart knocker. 106 00:04:44,160 --> 00:04:47,960 Speaker 1: Still I'm not sure. Still I'm on the fence. No, 107 00:04:48,040 --> 00:04:50,200 Speaker 1: I've never seen a ghost or talk to a ghost. 108 00:04:50,360 --> 00:04:52,039 Speaker 4: Me neither. But it doesn't mean they're not real. 109 00:04:53,440 --> 00:04:55,520 Speaker 2: Yeah I'm not. 110 00:04:55,520 --> 00:04:55,720 Speaker 5: I'm not. 111 00:04:55,720 --> 00:04:59,000 Speaker 2: I'm not a ghost believer, but not either. Frankly, Yeah, no, I. 112 00:04:58,960 --> 00:05:02,160 Speaker 3: Know none of I think most people aren't, but they 113 00:05:02,240 --> 00:05:04,760 Speaker 3: still like to leave a trap door open. Sure, But 114 00:05:04,920 --> 00:05:08,040 Speaker 3: I just love storytelling and I love horror stuff, and 115 00:05:08,080 --> 00:05:10,760 Speaker 3: I love like the idea of ghosts I think is 116 00:05:10,800 --> 00:05:13,480 Speaker 3: one of, like one of the most powerful ideas. Like 117 00:05:13,960 --> 00:05:16,680 Speaker 3: you know, it's like all it's like all myths and legends, 118 00:05:16,720 --> 00:05:19,200 Speaker 3: and they're they're very important. They're like, you know, ways 119 00:05:19,240 --> 00:05:21,599 Speaker 3: that we process and tell stories to like understand the 120 00:05:21,600 --> 00:05:22,360 Speaker 3: world around us. 121 00:05:22,360 --> 00:05:24,960 Speaker 2: So I love them. I just don't believe the time. 122 00:05:25,000 --> 00:05:25,960 Speaker 2: I have a question for you. 123 00:05:26,040 --> 00:05:28,719 Speaker 5: So you loved horror and that kind of hell genre, 124 00:05:28,720 --> 00:05:30,000 Speaker 5: I think are you a horror fan? 125 00:05:31,400 --> 00:05:31,880 Speaker 2: The same thing? 126 00:05:32,400 --> 00:05:36,160 Speaker 5: Was there ever a character from a horror story that 127 00:05:36,279 --> 00:05:37,880 Speaker 5: really scared the hell out of you. Like for me 128 00:05:37,920 --> 00:05:40,640 Speaker 5: as a kid, Freddy Krueger scared the hell out of me. 129 00:05:40,800 --> 00:05:41,000 Speaker 2: Yeah. 130 00:05:41,040 --> 00:05:43,400 Speaker 3: No, I mean like one of those if we had 131 00:05:43,400 --> 00:05:45,960 Speaker 3: done scary stories, I would have probably uh, you know, 132 00:05:46,000 --> 00:05:48,280 Speaker 3: I've memorized all the scary stories of Telling the Dark, 133 00:05:48,320 --> 00:05:48,680 Speaker 3: which is. 134 00:05:48,600 --> 00:05:50,760 Speaker 2: Like everybody's favorite, and I. 135 00:05:50,680 --> 00:05:52,200 Speaker 3: Was obsessed with it when I was a kid, like 136 00:05:52,360 --> 00:05:54,599 Speaker 3: starting from the age of six or seven, and my 137 00:05:54,640 --> 00:05:57,919 Speaker 3: parents had an audio tape of it and. 138 00:05:58,160 --> 00:05:59,839 Speaker 2: Are you doing it okay? 139 00:06:00,160 --> 00:06:02,479 Speaker 3: And it is the most you can look it up 140 00:06:02,520 --> 00:06:05,359 Speaker 3: on YouTube. I've done this before. It still chills me 141 00:06:05,400 --> 00:06:05,719 Speaker 3: to the bone. 142 00:06:05,800 --> 00:06:08,760 Speaker 2: This guy he reads it like this. 143 00:06:08,960 --> 00:06:11,520 Speaker 3: And then there's like all this music to like intensify 144 00:06:11,560 --> 00:06:15,360 Speaker 3: the stories. And I would sit in bed at night 145 00:06:15,720 --> 00:06:19,480 Speaker 3: listening on headphones and then not being able to sleep, 146 00:06:19,520 --> 00:06:23,320 Speaker 3: and do it again the next night, and again the 147 00:06:23,360 --> 00:06:26,640 Speaker 3: next night and to this day. If I am up 148 00:06:26,680 --> 00:06:29,279 Speaker 3: in my childhood bedroom, which my parents are you know, 149 00:06:29,320 --> 00:06:31,279 Speaker 3: converted into like a guest room that sometimes we'll stay 150 00:06:31,279 --> 00:06:33,800 Speaker 3: in there, and if I start if I wake up 151 00:06:33,839 --> 00:06:35,080 Speaker 3: in the middle of the night and I start thinking 152 00:06:35,120 --> 00:06:38,479 Speaker 3: about some of these stories, I start getting freaked out still, 153 00:06:38,520 --> 00:06:40,080 Speaker 3: and I'm like this is so great. 154 00:06:40,360 --> 00:06:42,800 Speaker 5: It's like, it's like it's so deep that whereas I 155 00:06:43,040 --> 00:06:44,599 Speaker 5: think you and I think the same thing. Anything that 156 00:06:44,680 --> 00:06:49,919 Speaker 5: messes with eating or sleeping, I'm not a fan of. No. 157 00:06:50,000 --> 00:06:52,400 Speaker 2: I like feeling alive, you know, and I feel like, 158 00:06:52,839 --> 00:06:53,880 Speaker 2: you know, I'm feeling dead. 159 00:06:57,200 --> 00:06:59,120 Speaker 3: As you get older, you get so jaded, you know, 160 00:06:59,200 --> 00:07:03,520 Speaker 3: and like the any emotion, whether it's sadness or you know. 161 00:07:03,520 --> 00:07:05,719 Speaker 2: That's why I like sad movies. I like scary movies. 162 00:07:06,120 --> 00:07:08,680 Speaker 3: I like movies that really like just make you feel 163 00:07:08,760 --> 00:07:12,960 Speaker 3: something the movie in any way. And horror is you know, 164 00:07:13,240 --> 00:07:17,120 Speaker 3: like comedy, it's it's almost physical, right. You elicit laughter, 165 00:07:17,240 --> 00:07:19,760 Speaker 3: you elicit chills and fears, and I just find that 166 00:07:20,480 --> 00:07:23,680 Speaker 3: so powerful that art can give you that sensation. And 167 00:07:24,280 --> 00:07:27,760 Speaker 3: horrors it's almost it's the easiest thing to do in 168 00:07:27,760 --> 00:07:30,119 Speaker 3: some ways, right, it's to like manipulate an audience to jump, 169 00:07:30,120 --> 00:07:32,440 Speaker 3: scare or whatever. And so what you do with that 170 00:07:32,560 --> 00:07:35,880 Speaker 3: power as a storyteller is the most fascinating question to me. 171 00:07:35,960 --> 00:07:39,000 Speaker 3: It's like, because horror is the great metaphor, right, Like 172 00:07:39,120 --> 00:07:41,239 Speaker 3: if you're scared of a monster, like what is that monster? 173 00:07:41,600 --> 00:07:44,800 Speaker 3: And it's so it's it's so metaphorical that it's almost 174 00:07:44,840 --> 00:07:47,040 Speaker 3: not metaphorical anymore, you know, It's like and so when 175 00:07:47,040 --> 00:07:50,960 Speaker 3: a movie like obviously get Out can take the tropes 176 00:07:51,000 --> 00:07:53,440 Speaker 3: of a horror film and then rise it to this 177 00:07:53,560 --> 00:07:57,200 Speaker 3: level of like you seen it, it's scary, it's actually, 178 00:07:57,440 --> 00:07:58,960 Speaker 3: well I don't think it's that scary. 179 00:07:59,000 --> 00:08:01,640 Speaker 2: It's more funny. Actually, I mean it's it's it's it's. 180 00:08:01,480 --> 00:08:06,160 Speaker 3: Walking this incredible balance between comedy and horror, which. 181 00:08:05,960 --> 00:08:08,120 Speaker 2: Is kind of the sweet spot too. How many of 182 00:08:08,160 --> 00:08:09,480 Speaker 2: these stories do you have memorized? 183 00:08:09,560 --> 00:08:13,880 Speaker 3: Would you say, from scary stories, I could probably tell 184 00:08:13,920 --> 00:08:14,480 Speaker 3: them all. 185 00:08:14,560 --> 00:08:17,640 Speaker 2: Really, and so how many? Is that the first book? 186 00:08:17,880 --> 00:08:20,600 Speaker 3: There's also more scary stories the Shark, and like probably 187 00:08:20,600 --> 00:08:22,720 Speaker 3: another one after that. So I only read the first two, 188 00:08:22,760 --> 00:08:24,720 Speaker 3: but the first one because I listened to this tape. 189 00:08:25,200 --> 00:08:28,440 Speaker 3: You know, there's like songs. I probably like ten of them. 190 00:08:28,320 --> 00:08:29,800 Speaker 2: I could probably And how long are each one? 191 00:08:29,840 --> 00:08:31,200 Speaker 1: Cause I'm trying to think, like if you have them, 192 00:08:31,200 --> 00:08:33,560 Speaker 1: because I love this idea of having them ready to go, 193 00:08:33,600 --> 00:08:36,079 Speaker 1: because I definitely want to take my kids camping. 194 00:08:36,160 --> 00:08:39,600 Speaker 2: Both my kids like scary stuff. I love the idea 195 00:08:39,640 --> 00:08:40,199 Speaker 2: of being. 196 00:08:40,040 --> 00:08:43,520 Speaker 1: Able to and with your voice make something really great 197 00:08:43,559 --> 00:08:45,880 Speaker 1: and like get off of screens. I love all that, 198 00:08:46,160 --> 00:08:49,400 Speaker 1: But after you've told the eight stories you have memorized, 199 00:08:49,679 --> 00:08:52,520 Speaker 1: do you just keep retelling the same stories after everybody's 200 00:08:52,559 --> 00:08:52,840 Speaker 1: heard them. 201 00:08:53,679 --> 00:08:55,400 Speaker 3: You got to and you also have to change them 202 00:08:55,400 --> 00:08:55,839 Speaker 3: and make them. 203 00:08:55,960 --> 00:08:58,679 Speaker 2: You cannot just like read as sure. 204 00:08:58,760 --> 00:09:00,760 Speaker 3: I mean you could, you could do that, but like 205 00:09:01,000 --> 00:09:03,960 Speaker 3: the best part of storytelling is like, you know, like 206 00:09:04,000 --> 00:09:05,640 Speaker 3: if we had done stories last night, I would I 207 00:09:05,640 --> 00:09:09,120 Speaker 3: would have just started telling you guys about something that 208 00:09:09,160 --> 00:09:11,160 Speaker 3: happened to me when I was a kid, and just 209 00:09:11,240 --> 00:09:12,920 Speaker 3: you just go right into it and then it starts 210 00:09:12,960 --> 00:09:15,439 Speaker 3: falling into a sort of scary story pattern where. 211 00:09:15,240 --> 00:09:17,520 Speaker 2: It's like and then the voice said this, or then 212 00:09:17,559 --> 00:09:19,320 Speaker 2: the phone rang again, or you know, and you have 213 00:09:19,440 --> 00:09:19,839 Speaker 2: these like. 214 00:09:22,200 --> 00:09:24,319 Speaker 3: And then you'll like, you know, and that's what I 215 00:09:24,400 --> 00:09:26,640 Speaker 3: always you know, So like I take the scary stories 216 00:09:26,640 --> 00:09:28,360 Speaker 3: to tell in the dark. Like my favorite one is 217 00:09:28,360 --> 00:09:30,720 Speaker 3: this one called me ty Dodie Walker, which is like, 218 00:09:31,440 --> 00:09:33,120 Speaker 3: you know, this classic, it's I think it's like the 219 00:09:33,160 --> 00:09:35,079 Speaker 3: third story in the in the book, so everyone will 220 00:09:35,120 --> 00:09:35,400 Speaker 3: know it. 221 00:09:35,520 --> 00:09:38,120 Speaker 2: But like rather than you know, it's like it's a. 222 00:09:38,000 --> 00:09:41,320 Speaker 3: Boy who's staying in a house because there's a there's 223 00:09:41,320 --> 00:09:43,360 Speaker 3: a story about this house that's haunted and he's going 224 00:09:43,440 --> 00:09:44,360 Speaker 3: to stay the night there. 225 00:09:44,200 --> 00:09:46,720 Speaker 2: With his dog. Every boy meets World house, right, But 226 00:09:46,760 --> 00:09:48,439 Speaker 2: you don't start it that way. You started as like 227 00:09:48,480 --> 00:09:54,520 Speaker 2: I had this neighbor the artwork from the Alvin Schwartz, 228 00:09:54,840 --> 00:09:55,520 Speaker 2: I'm like, God. 229 00:09:55,480 --> 00:09:57,400 Speaker 3: Is that teep tap Tody or whoever you're just talking 230 00:09:57,480 --> 00:09:59,280 Speaker 3: to that's the head that comes down the chimney at 231 00:09:59,280 --> 00:09:59,880 Speaker 3: the end of the story. 232 00:10:00,040 --> 00:10:00,640 Speaker 2: Oh my god. 233 00:10:00,760 --> 00:10:02,360 Speaker 3: That's the other thing is that most of the scary 234 00:10:02,400 --> 00:10:05,600 Speaker 3: story is the best scary stories. They they're really about 235 00:10:05,600 --> 00:10:09,679 Speaker 3: building tension and like just building to like a jump scare, 236 00:10:09,920 --> 00:10:12,320 Speaker 3: you know. So it's like you repeat, there's like a 237 00:10:12,360 --> 00:10:14,120 Speaker 3: repetitive pattern. So you start like. 238 00:10:14,160 --> 00:10:15,880 Speaker 2: Then they just heard this, and then it. 239 00:10:15,880 --> 00:10:18,440 Speaker 3: Gets a little louder and a little closer and and 240 00:10:18,480 --> 00:10:19,959 Speaker 3: you you know, and if you're telling this around a 241 00:10:19,960 --> 00:10:22,880 Speaker 3: campfire and a tent, like everyone, just get the tensions building. 242 00:10:23,080 --> 00:10:25,000 Speaker 3: And then you know, at the end of me ty 243 00:10:25,040 --> 00:10:27,640 Speaker 3: Doddy Walker, which is the refrain in met Ty Dooty, 244 00:10:27,800 --> 00:10:28,600 Speaker 3: was just that saying. 245 00:10:28,679 --> 00:10:35,120 Speaker 2: So you're like, off in the distance, you heard me walk, 246 00:10:36,600 --> 00:10:37,080 Speaker 2: and then. 247 00:10:36,960 --> 00:10:39,320 Speaker 3: Like the dog starts responding to God. 248 00:10:39,760 --> 00:10:40,880 Speaker 2: So yeah, that's the grist. 249 00:10:40,880 --> 00:10:42,600 Speaker 3: That's why that story is so scary because the boy 250 00:10:42,600 --> 00:10:45,880 Speaker 3: brings his dog to like sleep with him at this house, 251 00:10:45,880 --> 00:10:47,400 Speaker 3: and the dog's supposed to protect him, but the dog 252 00:10:47,400 --> 00:10:49,280 Speaker 3: turns on him and starts answering. 253 00:10:49,120 --> 00:10:50,240 Speaker 2: The ghosts in the woods. 254 00:10:50,400 --> 00:10:52,400 Speaker 3: So then the ghost keeps getting closer and he can't 255 00:10:52,400 --> 00:10:54,040 Speaker 3: shut his dog up, and this dog is like. 256 00:10:55,559 --> 00:10:58,440 Speaker 2: Responding. It's so fun anyway, But then you get to 257 00:10:58,480 --> 00:11:01,440 Speaker 2: the thing and you really get the head came down 258 00:11:01,480 --> 00:11:03,120 Speaker 2: the chimney, and then what you do is you turn 259 00:11:03,200 --> 00:11:05,360 Speaker 2: to the person and say, and it grabbed you. You know, 260 00:11:05,640 --> 00:11:10,120 Speaker 2: it's always about making somebody. Yeah, so fun. Yeah, we 261 00:11:10,160 --> 00:11:12,600 Speaker 2: should have done it. We should have done We've talked 262 00:11:12,600 --> 00:11:12,719 Speaker 2: to it. 263 00:11:12,840 --> 00:11:14,320 Speaker 3: But the one that I the one that I tell 264 00:11:14,320 --> 00:11:17,199 Speaker 3: with with kids is the Viper, which is like the. 265 00:11:17,200 --> 00:11:22,400 Speaker 2: Class video all these it's like. 266 00:11:23,840 --> 00:11:29,040 Speaker 3: Yeah, so it's like right, So, like the woman is 267 00:11:30,040 --> 00:11:31,599 Speaker 3: she goes to the office because she she has to 268 00:11:31,640 --> 00:11:34,400 Speaker 3: go early into the office because she left something behind, 269 00:11:34,440 --> 00:11:36,440 Speaker 3: and she's there before anybody else, is at like four 270 00:11:36,440 --> 00:11:38,280 Speaker 3: in the morning or five in the morning, and the 271 00:11:38,320 --> 00:11:41,400 Speaker 3: phone rings and she answers it and somebody says. 272 00:11:41,800 --> 00:11:42,840 Speaker 2: This is the Viper. 273 00:11:43,600 --> 00:11:46,360 Speaker 3: I'll be this soon and then you know, you build 274 00:11:46,360 --> 00:11:48,720 Speaker 3: it from there and it's scarier, weird. She's calling the 275 00:11:48,720 --> 00:11:51,120 Speaker 3: police and no one's helping her. And then finally it's 276 00:11:51,120 --> 00:11:52,679 Speaker 3: a guy shows up with a bucket of mop He's like, 277 00:11:52,720 --> 00:11:56,040 Speaker 3: I'm the window works every time. 278 00:11:56,640 --> 00:11:57,720 Speaker 2: But oh my god. 279 00:11:57,720 --> 00:11:59,720 Speaker 3: When I first started telling this, when I first started 280 00:11:59,720 --> 00:12:03,000 Speaker 3: telling this to Indian and his friends, like it's so funny, 281 00:12:03,600 --> 00:12:05,840 Speaker 3: it's not. So it's not even the content of the 282 00:12:05,840 --> 00:12:08,040 Speaker 3: story that matters. What matters is the tone of voice 283 00:12:08,040 --> 00:12:11,360 Speaker 3: and the intention to scare. So like Indian is Buddy Wiley, 284 00:12:11,360 --> 00:12:13,360 Speaker 3: where like we were in a cabin and I was like, 285 00:12:13,400 --> 00:12:14,920 Speaker 3: you guys want to do a scary story. 286 00:12:14,960 --> 00:12:16,560 Speaker 2: Like yeah, yeah, let's do it. Let's do it. I go, 287 00:12:17,640 --> 00:12:19,000 Speaker 2: Lucy went to the office. 288 00:12:18,720 --> 00:12:22,360 Speaker 3: And come back, come back, We'll. 289 00:12:22,160 --> 00:12:27,600 Speaker 2: Do the voice. Lucy went to the office. Do you realize, 290 00:12:27,640 --> 00:12:29,600 Speaker 2: like you know, this is important. Yes. 291 00:12:42,080 --> 00:12:44,400 Speaker 5: I remember as a kid hearing the the It was 292 00:12:44,400 --> 00:12:47,040 Speaker 5: a trailer for either the first or second Nightmare Now 293 00:12:47,120 --> 00:12:49,839 Speaker 5: Street where it's just the kids jump roping and it's 294 00:12:50,000 --> 00:12:51,000 Speaker 5: just him going on. 295 00:12:53,320 --> 00:12:58,680 Speaker 2: And I just remember being scared. Oh my god, this 296 00:12:58,800 --> 00:12:59,439 Speaker 2: is horrifying. 297 00:13:00,080 --> 00:13:03,559 Speaker 3: Yeah, terrible sound design is to me, like more important 298 00:13:03,559 --> 00:13:05,200 Speaker 3: than anything, especially for horror films. 299 00:13:05,240 --> 00:13:06,680 Speaker 2: But I always I always feel. 300 00:13:06,440 --> 00:13:08,400 Speaker 3: That way about movies, you know, Like I've been listening 301 00:13:08,440 --> 00:13:12,240 Speaker 3: to the after some soundtrack and it just gets me 302 00:13:12,400 --> 00:13:13,160 Speaker 3: right in the zone. 303 00:13:13,200 --> 00:13:14,520 Speaker 2: It's so crazy, like. 304 00:13:14,440 --> 00:13:20,800 Speaker 3: The zone of crying, nostalgia and like you know, reflection feelings. Yeah, 305 00:13:20,960 --> 00:13:22,920 Speaker 3: I like that, especially driving. That's like that's a good 306 00:13:23,000 --> 00:13:23,560 Speaker 3: zone to be in. 307 00:13:23,760 --> 00:13:25,560 Speaker 2: Talking about sound and how important it is. 308 00:13:25,600 --> 00:13:28,079 Speaker 5: When we did an episode of Batman Beyond, Bruce tim 309 00:13:28,080 --> 00:13:30,079 Speaker 5: who created the show, said he always wanted to do 310 00:13:30,520 --> 00:13:33,800 Speaker 5: at least one big battle scene with no sound at all. Right, 311 00:13:33,880 --> 00:13:36,600 Speaker 5: So there was a character he created where he controls sound. 312 00:13:36,760 --> 00:13:39,199 Speaker 5: So there's a scene where Batman's trying to find him 313 00:13:39,200 --> 00:13:43,880 Speaker 5: and there's literally no sound in a a car manufacturing plant, 314 00:13:43,920 --> 00:13:46,120 Speaker 5: so like stuff is coming by that you can't hear. 315 00:13:46,240 --> 00:13:47,079 Speaker 2: There's no sound. 316 00:13:47,080 --> 00:13:50,040 Speaker 5: It's silent, and it's really really cool to see the 317 00:13:50,080 --> 00:13:53,480 Speaker 5: power of pull the sound out and you're still involved 318 00:13:53,480 --> 00:13:55,080 Speaker 5: in the story, but it's not quite the same. 319 00:13:55,120 --> 00:13:55,720 Speaker 2: It's really cool. 320 00:13:55,840 --> 00:13:56,040 Speaker 3: Yeah. 321 00:13:56,120 --> 00:13:57,760 Speaker 4: Yeah, was it is it. 322 00:13:57,760 --> 00:14:00,959 Speaker 3: John wo that did the the big battle secret? I've 323 00:14:00,960 --> 00:14:03,040 Speaker 3: never seen face off, but there's like a battle sequence 324 00:14:03,080 --> 00:14:05,080 Speaker 3: set to somewhere over the Rainbow. 325 00:14:05,240 --> 00:14:07,480 Speaker 2: Yeah, yeah, did you say face Off is so great? 326 00:14:08,679 --> 00:14:12,680 Speaker 2: I love face Off? God, you are so like you 327 00:14:12,679 --> 00:14:14,120 Speaker 2: don't know what to pick with you. 328 00:14:14,200 --> 00:14:19,160 Speaker 3: It's basically anything from nineteen ninety two to nine. 329 00:14:19,280 --> 00:14:21,600 Speaker 2: That's what I watch in the movie theater that her 330 00:14:21,640 --> 00:14:24,480 Speaker 2: parents took her to. Yeah, because Friday night I saw 331 00:14:24,480 --> 00:14:24,840 Speaker 2: one movie. 332 00:14:24,960 --> 00:14:27,480 Speaker 1: Yeah it was whatever year was that movie was out, 333 00:14:27,560 --> 00:14:31,000 Speaker 1: and I said absolutely. 334 00:14:30,600 --> 00:14:32,880 Speaker 2: Because face Off not that great a movie. 335 00:14:32,880 --> 00:14:35,520 Speaker 5: Actually it's a great movie, but that's what people. 336 00:14:35,560 --> 00:14:38,200 Speaker 2: I've never seen it, but people face Off. The best 337 00:14:38,240 --> 00:14:38,840 Speaker 2: part is. 338 00:14:38,800 --> 00:14:42,680 Speaker 5: Watching John Travolta and Nick Cage do each other. Yes, 339 00:14:43,080 --> 00:14:45,200 Speaker 5: like that's the best part of them doing like impressions 340 00:14:45,200 --> 00:14:46,360 Speaker 5: of each other is the best part of them. 341 00:14:46,440 --> 00:14:47,840 Speaker 4: Right, Yeah, it's pretty great. 342 00:14:48,040 --> 00:14:49,960 Speaker 1: I also really not to get a soft track about 343 00:14:49,960 --> 00:14:52,640 Speaker 1: scary stories, but going back to Our Boy Meets World sleepover, 344 00:14:52,760 --> 00:14:54,880 Speaker 1: I also really enjoyed having Andrew here. 345 00:14:55,280 --> 00:14:57,240 Speaker 2: Going over Boxerati. He was a really good sport. 346 00:14:57,400 --> 00:14:59,640 Speaker 5: He was, and I think he thought we were making 347 00:14:59,640 --> 00:15:01,960 Speaker 5: fun of him when really we were sitting there going 348 00:15:02,120 --> 00:15:03,160 Speaker 5: it's really very good. 349 00:15:03,440 --> 00:15:06,240 Speaker 1: But no, I think he was very pleasantly surprised because 350 00:15:06,240 --> 00:15:08,960 Speaker 1: I think he thought going into it, Okay, I have 351 00:15:09,000 --> 00:15:10,440 Speaker 1: to watch how bad this thing's going to be, and 352 00:15:10,440 --> 00:15:11,720 Speaker 1: then I'm going to go and we're all just going 353 00:15:11,800 --> 00:15:13,320 Speaker 1: to make fun of it. But then he watched it, 354 00:15:13,360 --> 00:15:14,840 Speaker 1: and when I texted him, I was like, make sure 355 00:15:14,840 --> 00:15:16,600 Speaker 1: you watch it because we're going to talk about it tonight, 356 00:15:16,840 --> 00:15:18,520 Speaker 1: and he was like, I did watch it, and it 357 00:15:18,560 --> 00:15:20,280 Speaker 1: was it was much better than I thought. 358 00:15:20,800 --> 00:15:22,840 Speaker 3: It's so I mean, I you know, we've talked about 359 00:15:22,840 --> 00:15:26,920 Speaker 3: this at nauseum, but like the insecurities that you feel 360 00:15:27,000 --> 00:15:29,760 Speaker 3: as an act, especially as a teenager of course, are 361 00:15:29,840 --> 00:15:33,160 Speaker 3: so absurd because I mean, what to be a fitness 362 00:15:33,320 --> 00:15:36,680 Speaker 3: coach instructor, you just have to have like a natural charisma, 363 00:15:36,680 --> 00:15:39,800 Speaker 3: which he has confidence in space. That's like what Andrew 364 00:15:39,840 --> 00:15:43,960 Speaker 3: Keegan is is like totally and he's actually more relaxed 365 00:15:43,960 --> 00:15:46,320 Speaker 3: and that's in that video than totally some of his 366 00:15:46,440 --> 00:15:48,920 Speaker 3: acting that I've seen. It's like he's just like himself 367 00:15:49,120 --> 00:15:52,120 Speaker 3: and it's totally cool and again, a teen idle teaching 368 00:15:52,200 --> 00:15:53,680 Speaker 3: teens and tweens so. 369 00:15:53,600 --> 00:15:55,440 Speaker 2: Smart, brilliant did that. 370 00:15:56,840 --> 00:15:59,000 Speaker 3: I remember what I've talked about how like Andrew Keigan 371 00:15:59,120 --> 00:16:01,960 Speaker 3: was like the eighteen idol, and I always thought that's 372 00:16:02,000 --> 00:16:05,440 Speaker 3: exactly like I could never have stood there and done 373 00:16:05,480 --> 00:16:08,440 Speaker 3: what he did effortlessly in that video, Like, right, God, 374 00:16:08,480 --> 00:16:11,960 Speaker 3: can you imagine me trying to do a workout video? No, God, poet, 375 00:16:12,040 --> 00:16:14,840 Speaker 3: maybe you should shoot that that's just behind the poetry. 376 00:16:15,320 --> 00:16:16,800 Speaker 2: Would not have worked. 377 00:16:17,760 --> 00:16:20,960 Speaker 3: Should imagine a sixteen year old writer with my braids 378 00:16:21,000 --> 00:16:21,560 Speaker 3: standing there? 379 00:16:22,040 --> 00:16:26,400 Speaker 2: Maybe can we just cry? Can we just cry? E more? 380 00:16:26,480 --> 00:16:30,280 Speaker 3: Versus just okay, Adam. 381 00:16:30,560 --> 00:16:33,640 Speaker 2: Let's go, let's go. Yeah, I wouldn't have been the same. 382 00:16:35,680 --> 00:16:37,320 Speaker 2: It was great to see Betsy and Rusty. 383 00:16:37,440 --> 00:16:38,000 Speaker 4: It was awesome. 384 00:16:38,080 --> 00:16:40,120 Speaker 5: I was most of the night. I was full of abaci, 385 00:16:40,320 --> 00:16:43,280 Speaker 5: I know, which is great sweating. We were sweating while 386 00:16:43,280 --> 00:16:46,160 Speaker 5: full of abci. At one point in the night, and 387 00:16:46,280 --> 00:16:48,440 Speaker 5: came up to me and he said to Ally, said, 388 00:16:48,880 --> 00:16:51,440 Speaker 5: the back of Will's head is so cy. 389 00:16:51,560 --> 00:16:53,320 Speaker 2: He said, it look like you had been swimming. 390 00:16:54,160 --> 00:16:54,600 Speaker 3: So uh. 391 00:16:54,760 --> 00:16:56,040 Speaker 2: And we're laughing the whole time. 392 00:16:56,520 --> 00:17:01,160 Speaker 1: I also enjoyed magic the gathering more than I thought 393 00:17:01,160 --> 00:17:03,200 Speaker 1: I was going to, which is to say I thought 394 00:17:03,200 --> 00:17:03,440 Speaker 1: I was. 395 00:17:03,440 --> 00:17:06,119 Speaker 2: Going to enjoy it negative five and I enjoyed it 396 00:17:06,160 --> 00:17:06,640 Speaker 2: about one. 397 00:17:06,840 --> 00:17:10,040 Speaker 3: Okay, so magic, you know, if you had just gotten 398 00:17:10,040 --> 00:17:12,919 Speaker 3: into it, like let's say you were in your twenties, Okay, 399 00:17:12,960 --> 00:17:15,280 Speaker 3: and you dated a guy who was really into magic, 400 00:17:15,359 --> 00:17:17,080 Speaker 3: you probably would have tried it. 401 00:17:17,119 --> 00:17:18,800 Speaker 2: Oh, it's gotten really into it, you know, I take 402 00:17:18,880 --> 00:17:19,480 Speaker 2: anything else. 403 00:17:19,520 --> 00:17:22,639 Speaker 3: It's just the barrier to entry is learning and like 404 00:17:22,720 --> 00:17:24,840 Speaker 3: the you know, but once I actually think you would 405 00:17:24,920 --> 00:17:27,480 Speaker 3: like it is because there's a competitiveness to it. 406 00:17:27,800 --> 00:17:29,000 Speaker 2: There's there's a game. 407 00:17:29,040 --> 00:17:31,920 Speaker 3: It's like chess, right, but there is also this kind 408 00:17:31,920 --> 00:17:34,920 Speaker 3: of fun creative element of like what kind of characters 409 00:17:34,920 --> 00:17:37,080 Speaker 3: you have or you know, what your the theme of 410 00:17:37,119 --> 00:17:37,720 Speaker 3: your deck is. 411 00:17:38,440 --> 00:17:40,280 Speaker 1: Yeah, I do think i'd like it more once I 412 00:17:40,359 --> 00:17:43,040 Speaker 1: understood what all the symbols meant. Right now, it's just 413 00:17:43,400 --> 00:17:46,400 Speaker 1: like I don't know what any of this is language exactly, 414 00:17:46,400 --> 00:17:49,320 Speaker 1: and so that that part was overwhelming. And then it's 415 00:17:49,320 --> 00:17:51,480 Speaker 1: also a little weird. Nobody has to write anything down. 416 00:17:51,560 --> 00:17:53,480 Speaker 1: You just always remember how many lives. 417 00:17:53,240 --> 00:17:56,879 Speaker 3: You Now everybody uses their phone that has app on it, 418 00:17:57,280 --> 00:18:00,800 Speaker 3: but usually we used to use a die twenty sided 419 00:18:00,840 --> 00:18:02,160 Speaker 3: die to keep track of your life. 420 00:18:02,320 --> 00:18:04,320 Speaker 2: What's a twenty seven die? 421 00:18:04,760 --> 00:18:07,520 Speaker 1: Twenty sided die? And then how does that help me 422 00:18:07,600 --> 00:18:08,320 Speaker 1: keep track of your life? 423 00:18:08,320 --> 00:18:10,560 Speaker 2: Because you started twenty life? Oh, here's twenty I thought 424 00:18:10,560 --> 00:18:11,640 Speaker 2: we started forwarding because we were. 425 00:18:11,640 --> 00:18:14,720 Speaker 3: Command command, so then you have a larger die, but 426 00:18:14,760 --> 00:18:16,480 Speaker 3: now everybody just uses an app to keep track of 427 00:18:16,520 --> 00:18:18,880 Speaker 3: that stuff. And then you usually also have counters, which 428 00:18:18,880 --> 00:18:21,720 Speaker 3: are like little little people deeds, little glass beads, or 429 00:18:21,840 --> 00:18:24,320 Speaker 3: we used to just use treads of paper. You keep 430 00:18:24,359 --> 00:18:26,760 Speaker 3: track of your counters, and then you have like tokens, 431 00:18:26,760 --> 00:18:29,160 Speaker 3: which are cards that just sort of stand in for 432 00:18:29,480 --> 00:18:31,760 Speaker 3: like your badgers, your Power Badgers. 433 00:18:31,920 --> 00:18:33,800 Speaker 5: I know a band name, by the way, the Power 434 00:18:33,920 --> 00:18:37,000 Speaker 5: Power Badgers. You're right, no, but magic is fun when 435 00:18:37,040 --> 00:18:37,520 Speaker 5: you get into it. 436 00:18:37,520 --> 00:18:37,840 Speaker 4: It's fun. 437 00:18:38,080 --> 00:18:39,840 Speaker 3: D and D is fun, it's D and D light 438 00:18:40,160 --> 00:18:42,480 Speaker 3: because D and D actually is more of a creative 439 00:18:42,560 --> 00:18:44,159 Speaker 3: investment and a storytelling investment. 440 00:18:44,920 --> 00:18:47,800 Speaker 1: Performance performances the one where I don't think i'd like it, 441 00:18:48,640 --> 00:18:50,200 Speaker 1: like we will do that eventually. 442 00:18:50,240 --> 00:18:52,240 Speaker 3: And I think magic is actually more up your rally 443 00:18:52,280 --> 00:18:54,959 Speaker 3: because you can play magic and like just be focused 444 00:18:54,960 --> 00:18:56,840 Speaker 3: on strategy and people that won't each other. 445 00:18:58,320 --> 00:19:01,360 Speaker 2: Card games then like charades. 446 00:19:00,920 --> 00:19:05,119 Speaker 1: Absolutely, yeah, yeah, I do enjoy that. Well, this was 447 00:19:05,119 --> 00:19:08,080 Speaker 1: really fun, guys. I'm not gonna lie. The inside of 448 00:19:08,080 --> 00:19:11,399 Speaker 1: the Matthews House is not everything I hoped it would be. 449 00:19:11,520 --> 00:19:15,400 Speaker 1: Our sets, our sets, yeah, our sets were better, but 450 00:19:15,480 --> 00:19:18,040 Speaker 1: I also don't don't want to disparage it because it's. 451 00:19:17,880 --> 00:19:20,439 Speaker 2: Nice though, I mean it's it's it's there's a history 452 00:19:20,440 --> 00:19:23,600 Speaker 2: to it. Has anybody ever built a house based on 453 00:19:24,119 --> 00:19:24,960 Speaker 2: yes a TV show? 454 00:19:25,320 --> 00:19:28,639 Speaker 5: Well the Bun House, and that's actually built it and 455 00:19:28,800 --> 00:19:29,720 Speaker 5: Glance tried to buy it. 456 00:19:30,040 --> 00:19:31,960 Speaker 2: It was Lance and h G t V were in 457 00:19:32,080 --> 00:19:34,280 Speaker 2: competition to buy it. H G t V one. They 458 00:19:34,280 --> 00:19:36,720 Speaker 2: would the inside. They did the inside the. 459 00:19:36,760 --> 00:19:42,040 Speaker 3: Same if somebody, I know Matthew's house, like where because 460 00:19:44,200 --> 00:19:44,440 Speaker 3: do it? 461 00:19:44,840 --> 00:19:47,680 Speaker 2: But us, how do we go build a house? We 462 00:19:47,760 --> 00:19:53,159 Speaker 2: start a Kickstarter, Yes exactly, that's our next thing. Honday 463 00:19:55,480 --> 00:19:57,600 Speaker 2: a million dollars. How much would it cost to build that? 464 00:19:58,600 --> 00:20:00,360 Speaker 2: To go to philadel Yeah? 465 00:20:00,840 --> 00:20:05,800 Speaker 3: Yeah, it depends where where land is really cheating and 466 00:20:05,920 --> 00:20:08,560 Speaker 3: it's just construction costs and you're talking a couple of 467 00:20:08,600 --> 00:20:09,160 Speaker 3: hundred thousand. 468 00:20:09,200 --> 00:20:11,760 Speaker 2: Where do we go? Whould we do it? What would 469 00:20:11,760 --> 00:20:13,119 Speaker 2: be California? 470 00:20:13,320 --> 00:20:15,040 Speaker 5: Yeah, it would be like Idaho or I mean, I 471 00:20:15,080 --> 00:20:17,040 Speaker 5: don't know, where's cheap land. 472 00:20:18,000 --> 00:20:20,240 Speaker 2: Somewhere in the desert like Arizona or something like that 473 00:20:20,680 --> 00:20:21,160 Speaker 2: could be good. 474 00:20:21,160 --> 00:20:25,200 Speaker 3: I don't know, Yeah, somewhere hot, yeah right, yeah, pick 475 00:20:25,240 --> 00:20:29,960 Speaker 3: a pick, like a desert somewhere, and actually what would 476 00:20:30,000 --> 00:20:33,680 Speaker 3: be the ultimate dream would be you have a subdivision 477 00:20:33,680 --> 00:20:36,320 Speaker 3: of a neighborhood where all the houses are. 478 00:20:36,200 --> 00:20:38,960 Speaker 2: From different different TV shows. That's brilliant. So it's like 479 00:20:39,040 --> 00:20:43,399 Speaker 2: you can go to the Old House genius. Oh, that's right. 480 00:20:43,400 --> 00:20:45,400 Speaker 5: They did the Simpson's house, so it's like you could 481 00:20:45,400 --> 00:20:46,800 Speaker 5: do that. You can do the Simpsons house, you can 482 00:20:46,840 --> 00:20:49,000 Speaker 5: do the Brady Bunch house. It's all one street. It's 483 00:20:49,000 --> 00:20:50,480 Speaker 5: all the most famous sitcom streets. 484 00:20:50,560 --> 00:20:51,159 Speaker 2: That would be like it. 485 00:20:51,160 --> 00:20:56,000 Speaker 3: Would be like Disneyland, but like an Airbnb TV AIRBNBTV lands. 486 00:20:56,040 --> 00:20:57,760 Speaker 2: Why are we talking about this on the podcast? We're 487 00:20:57,840 --> 00:21:00,439 Speaker 2: kind of like raising money and actually doing this. That's brilliant. 488 00:21:00,480 --> 00:21:02,680 Speaker 2: It's really smart. Are there are there not? Yeah, there'd be. 489 00:21:02,720 --> 00:21:04,520 Speaker 2: Of course, you get a Father Knows Best house, you 490 00:21:04,640 --> 00:21:06,119 Speaker 2: do the Boy Meets World house, you do. 491 00:21:07,320 --> 00:21:09,400 Speaker 3: Hold On and then you actually do like a town 492 00:21:09,440 --> 00:21:11,440 Speaker 3: square and you have like the Cheers bar, and you 493 00:21:11,520 --> 00:21:14,600 Speaker 3: have like actual like chubby Land TV land. Were you 494 00:21:14,680 --> 00:21:17,320 Speaker 3: act Oh my god, could you be sued by the 495 00:21:17,680 --> 00:21:19,160 Speaker 3: TV like the creators? 496 00:21:20,080 --> 00:21:21,360 Speaker 2: You'd have to do one of the things that would 497 00:21:21,359 --> 00:21:21,560 Speaker 2: have to be. 498 00:21:21,560 --> 00:21:23,359 Speaker 5: It couldn't be Chubbies Chubbes wouldn't be big enough to 499 00:21:23,359 --> 00:21:24,720 Speaker 5: do to the Boy Meets World house, but you would 500 00:21:24,760 --> 00:21:28,840 Speaker 5: do Arnold's Diner from Happy Days. Sure, so be Arnold's diner. 501 00:21:28,960 --> 00:21:31,480 Speaker 5: It would be the Cheers Bar. It would be like 502 00:21:31,640 --> 00:21:33,520 Speaker 5: all the the Seinfeld Dinas Seinfeld's. 503 00:21:33,800 --> 00:21:34,159 Speaker 4: Yeah right. 504 00:21:34,200 --> 00:21:36,760 Speaker 2: You could have the coffee shop, the per per Central 505 00:21:36,800 --> 00:21:38,440 Speaker 2: per Central Park. You could have Central Perko as the 506 00:21:38,440 --> 00:21:38,960 Speaker 2: coffee shop. 507 00:21:39,040 --> 00:21:41,879 Speaker 5: You'd have to do something like maybe you just have 508 00:21:42,240 --> 00:21:45,040 Speaker 5: you walk past the helicopter landing pad that just has 509 00:21:45,080 --> 00:21:47,080 Speaker 5: one of the mash helicopters on it, Like that's all 510 00:21:47,080 --> 00:21:51,960 Speaker 5: you'd have from there, because what about the city e 511 00:21:52,119 --> 00:21:53,520 Speaker 5: r something like that. You could you make a whole 512 00:21:53,520 --> 00:21:55,040 Speaker 5: little television land which could be. 513 00:21:55,560 --> 00:21:58,680 Speaker 1: Really cool and that'd be so fun. Yeah, okay, well 514 00:21:58,760 --> 00:22:00,399 Speaker 1: we're going to cut this from the podcas yes. 515 00:22:01,600 --> 00:22:05,720 Speaker 5: Because unfortunately we're gonna have to kill all of these people. 516 00:22:08,520 --> 00:22:11,399 Speaker 2: Them tell promise not to do our idea. That's probably 517 00:22:11,400 --> 00:22:12,359 Speaker 2: a better way to go about it. 518 00:22:13,800 --> 00:22:17,280 Speaker 4: Staring at this little sneebel part of the ugly just 519 00:22:17,359 --> 00:22:19,439 Speaker 4: eat the croissant, just eat the whole things right there? 520 00:22:19,960 --> 00:22:21,240 Speaker 2: What did you call it? Then? 521 00:22:22,960 --> 00:22:26,280 Speaker 5: All these things right here on the plates Schnebels all 522 00:22:26,280 --> 00:22:27,160 Speaker 5: these little things on the plate. 523 00:22:27,800 --> 00:22:32,280 Speaker 2: But did you just make it up? Nobel? Highly technical? 524 00:22:33,200 --> 00:22:34,800 Speaker 4: Eat the sebels like you can eat your sneel. 525 00:22:35,800 --> 00:22:38,720 Speaker 2: Wow, No, no, I have no problem with it. 526 00:22:38,760 --> 00:22:40,240 Speaker 4: I just is this all being recorded? 527 00:22:41,000 --> 00:22:46,040 Speaker 2: Yeah? That's right? Or ugly? Cuifont right there, crunchy. 528 00:22:46,960 --> 00:22:50,200 Speaker 1: Well, thank you all for joining us for this episode 529 00:22:50,520 --> 00:22:53,640 Speaker 1: of slumber Party. Pod Meats World really had a good 530 00:22:53,640 --> 00:22:57,240 Speaker 1: time with you guys. I can't believe we still have 531 00:22:57,600 --> 00:23:02,200 Speaker 1: this much to say and do enjoy really enjoying each other. 532 00:23:02,480 --> 00:23:04,959 Speaker 5: Even when the microphones aren't on, We're still just talking 533 00:23:05,200 --> 00:23:05,960 Speaker 5: all the time. 534 00:23:06,600 --> 00:23:09,960 Speaker 2: It's like, how how is it still happening thirty years? 535 00:23:10,000 --> 00:23:13,880 Speaker 2: You figure out of it to say that's amazing. 536 00:23:14,840 --> 00:23:16,960 Speaker 1: As always, you can follow us on Instagram, pod meets 537 00:23:17,000 --> 00:23:19,080 Speaker 1: World Show at gmail dot com. You can send us 538 00:23:19,119 --> 00:23:21,760 Speaker 1: your emails pod meets World Show at gmail dot com. 539 00:23:22,200 --> 00:23:26,240 Speaker 2: And we have merch trouble Wubbo cobble, merch. What's the 540 00:23:26,280 --> 00:23:30,920 Speaker 2: guy's name me Tywalkome. 541 00:23:29,800 --> 00:23:41,040 Speaker 1: There you go merch and don't forget Cheeto Papo. Well 542 00:23:41,240 --> 00:23:41,800 Speaker 1: send us out. 543 00:23:42,160 --> 00:23:42,840 Speaker 2: We love you all. 544 00:23:43,119 --> 00:23:43,800 Speaker 4: Pod dismissed. 545 00:23:44,880 --> 00:23:48,000 Speaker 5: Pod Meets World isnheart podcast producer and hosted by Daniel 546 00:23:48,080 --> 00:23:51,920 Speaker 5: Fishel Wilfredell and Ryder Strong executive producers, Jensen Carp and 547 00:23:52,000 --> 00:23:55,920 Speaker 5: Amy Sugarman, Executive in charge of production, Danielle Romo, producer 548 00:23:55,960 --> 00:23:59,960 Speaker 5: and editor, Tara Sudbacks producer, Maddie Moore, engineer and Boy 549 00:24:00,000 --> 00:24:02,520 Speaker 5: Meets World super fan Easton Allen. Our theme song is 550 00:24:02,560 --> 00:24:04,679 Speaker 5: by Kyle Morton of Typhoon and you can follow us 551 00:24:04,720 --> 00:24:07,439 Speaker 5: on Instagram at Podmets World Show or email us at 552 00:24:07,480 --> 00:24:09,480 Speaker 5: Podmetsworldshow at gmail dot com