WEBVTT - The Sky Didn't Fall

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<v Speaker 1>Family Secrets is a production of iHeartRadio.

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<v Speaker 2>This episode contains discussion of sexual abuse. Listener discretion is advised.

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<v Speaker 2>I'm Danny Shapiro and this is family Secrets, the secrets

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<v Speaker 2>that are kept from us, the secrets we keep from others,

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<v Speaker 2>and the secrets we keep from ourselves. My guest is

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<v Speaker 2>Sasha Mardeux. Sasha is a cartoonist and graphic novelist and

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<v Speaker 2>memoirist whose new book Past Tense is just out. Sasha's

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<v Speaker 2>is a life affirming story about carrying secrets, burying them,

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<v Speaker 2>being haunted by them, and then releasing them in the

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<v Speaker 2>fullness of time. Is an extraordinary story of a beautiful

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<v Speaker 2>human determined to find the help she needs to survive

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<v Speaker 2>and thrive. So, Sasha, I'm going to begin where I

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<v Speaker 2>always begin these conversations, which is, tell me about the

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<v Speaker 2>landscape of your childhood. Give me a sense of as

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<v Speaker 2>early as you can remember, who was in that landscape,

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<v Speaker 2>what did it look like, what did it feel like?

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<v Speaker 3>Sure, So, my parents had married very young. They had

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<v Speaker 3>me in nineteen seventy five and they were just barely

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<v Speaker 3>out of their twenties. I was born into the north

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<v Speaker 3>of England and there was a lot of unemployment at

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<v Speaker 3>that time, you know, the Margaret Thatcher was the Prime Minister,

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<v Speaker 3>and just the landscape for men had just been decimated,

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<v Speaker 3>you know, there were no prospects. Men spent most of

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<v Speaker 3>their time in the pubs.

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<v Speaker 1>You know.

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<v Speaker 3>My mother was very much raising me alone, even though

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<v Speaker 3>she was partnered. I would say my father was like

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<v Speaker 3>a very immature man who never really stopped being a playboy.

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<v Speaker 3>Some of my first memories of him coming home from

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<v Speaker 3>the pub and just hitting my mom, beating my mum

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<v Speaker 3>who would challenge him about him smelling of perfume or

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<v Speaker 3>you know, being with women. So yeah, there's my earliest

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<v Speaker 3>memories just him being kind of brutal to my mother

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<v Speaker 3>and being absent even though he lived in the same

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<v Speaker 3>house as us. My mother is a very caring and

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<v Speaker 3>warm and sweet person.

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<v Speaker 1>Actually, most of the women in my family were.

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<v Speaker 3>Nurses of one form or another, nurses or carers, so

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<v Speaker 3>very much a people pleaser kind of person. You know,

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<v Speaker 3>she keeps the peace by being nice and effusive. He

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<v Speaker 3>very intelligent woman. You know, she was well read and

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<v Speaker 3>was into teaching me how to read and write from

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<v Speaker 3>an early age, so she very much encouraged me intellectually.

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<v Speaker 3>I remember my parents' divorce very clearly because I remember

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<v Speaker 3>Charles and Diana were getting married on the TV set

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<v Speaker 3>at Westminster Abbey as we.

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<v Speaker 1>Were packing up the house to go our separate ways.

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<v Speaker 3>After the divorce, I lived with my dad for a

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<v Speaker 3>little while and then with my mom, and there was

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<v Speaker 3>a lot of poverty. She ended up taking a job

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<v Speaker 3>as a warden in a it was like a residential

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<v Speaker 3>home for the elderly, and the job came with a

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<v Speaker 3>living apartment, and so, you know, that was a lifeline

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<v Speaker 3>for us.

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<v Speaker 1>Both because we had a place to live.

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<v Speaker 3>Before that, we were living with, you know, with my aunts,

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<v Speaker 3>or you know, staying with friends, that kind of thing.

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<v Speaker 3>My mom became the deputy warden, and another woman called

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<v Speaker 3>Lorraine became the main warden.

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<v Speaker 1>And she had a family.

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<v Speaker 3>She had a husband and two children, a boy and

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<v Speaker 3>a girl, and my father would come to visit and

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<v Speaker 3>he and Lorraine began to have an affair and their

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<v Speaker 3>marriage fell apart. So my dad moved in with Lorraine

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<v Speaker 3>and became a stepfather to her two children. And the

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<v Speaker 3>weird thing about this was that Doug, who was the

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<v Speaker 3>ex husband of Lorraine, actually got together with my mom,

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<v Speaker 3>and so it was these two couples and you can

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<v Speaker 3>imagine just like the father's swapping, right, So.

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<v Speaker 1>I ended up with Doug as my stepdad.

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<v Speaker 3>And I ended up with these two half siblings, Gail

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<v Speaker 3>and Amon, and they started calling my dad dad, which

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<v Speaker 3>was very uncomfortable for me. It was my ninth birthday

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<v Speaker 3>when they got married, so I remember that clearly as well.

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<v Speaker 2>And then your dad and Lorraine have two more children.

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<v Speaker 3>They will go on to have two more children, but

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<v Speaker 3>a lot happens in the interim, so you know, it's

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<v Speaker 3>kind of comical in a way to think of these

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<v Speaker 3>two couples who've kind of like swapped husbands, but the

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<v Speaker 3>reality was very very difficult to be a child like

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<v Speaker 3>witnessing these partnerships, you know. So my stepfather, Doug was

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<v Speaker 3>very upset that his two biological children were calling my

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<v Speaker 3>father dad, and I had to start calling Doug dad,

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<v Speaker 3>which wasn't very comfortable for me. And the situation eventually

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<v Speaker 3>resolved when my dad and Lorraine moved like thirty miles

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<v Speaker 3>north of Manchester and it just ended the access. So

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<v Speaker 3>all the custod rangements fell apart and we didn't see

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<v Speaker 3>them for.

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<v Speaker 1>A couple of years.

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<v Speaker 3>Little Sasha was quite a bewildered and timid kid. I

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<v Speaker 3>was very bookish. I would spend a lot of my

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<v Speaker 3>time like reading books and blowing the world out. There's

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<v Speaker 3>a line from Alice Miller in the drama of The

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<v Speaker 3>Gifted Child where she talks about how you can perfect

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<v Speaker 3>the art of not feeling your feelings in childhood, and

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<v Speaker 3>that's very much what I did. I just blanked out

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<v Speaker 3>from the weirdness of my family. You know, I didn't

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<v Speaker 3>acknowledge it. I didn't talk about it.

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<v Speaker 1>So very early on I became a secret keeper.

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<v Speaker 3>And obviously in my interactions with my stepsister Gail, I

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<v Speaker 3>had secrets there to keep as well, because she was

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<v Speaker 3>a very confusing and bewildering child to be around. At

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<v Speaker 3>first met when I was about seven or eight, and

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<v Speaker 3>she was a very different person to me. She was

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<v Speaker 3>Catholic and so very churchy. I remember she was very

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<v Speaker 3>excited about going for her first confirmation and dressing up

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<v Speaker 3>like a little bride.

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<v Speaker 1>It was all very bewildering to me.

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<v Speaker 3>I'd never been so a and I think the first

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<v Speaker 3>time I went to a church was actually seeing her confirmation.

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<v Speaker 1>Her mother was my mum's.

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<v Speaker 3>Boss, and I feel like Gail adopted this attitude like

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<v Speaker 3>I'm your boss too, because we were thrown together for

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<v Speaker 3>a summer, and when we would play together, her games

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<v Speaker 3>would get very intense. And there was actually something that

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<v Speaker 3>happened in that summer we played together where she actually

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<v Speaker 3>played sexual bullying games on me, inspired by pornographic magazines

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<v Speaker 3>that her father had hidden under the mattress that she

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<v Speaker 3>would bloat and show me.

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<v Speaker 2>You know, Gail isn't just showing Sasha pornographic magazines. During

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<v Speaker 2>this time when Gail is nine and Sasha is eight,

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<v Speaker 2>Gil molests her.

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<v Speaker 3>It was the kind of thing that I had no

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<v Speaker 3>language for whatsoever. You know, I knew it had to

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<v Speaker 3>be a secret. But even if I were to tell

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<v Speaker 3>a grown up what Gail had done, I wouldn't have

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<v Speaker 3>known the words to say.

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<v Speaker 1>And so it was a secret that I just pushed

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<v Speaker 1>down really, really far.

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<v Speaker 3>And I wouldn't tell anyone this until I was in

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<v Speaker 3>my forties. Actually, when I was in therapy. That was

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<v Speaker 3>the first half of my connection with Gail as this

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<v Speaker 3>bully somebody who intimidated me. And then she moved away,

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<v Speaker 3>you know, my dad became her dad. I felt very resentful.

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<v Speaker 1>To her for that.

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<v Speaker 3>She would call my dad dad in front of my face,

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<v Speaker 3>and I would just feel so jealous, you know, like

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<v Speaker 3>he's not your.

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<v Speaker 1>Dad, Like I'm living with your dad. It was such

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<v Speaker 1>a weird situation for a.

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<v Speaker 3>Child, and you know, obviously something that I never talked to.

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<v Speaker 3>You know, I had friends in school, but I would

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<v Speaker 3>never tell them about my family's situation or how my

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<v Speaker 3>family came to be. It was just weird, and I

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<v Speaker 3>knew it back then, and it was also embarrassing, kind

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<v Speaker 3>of like a soap opera, you know, like a crazy

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<v Speaker 3>situation from a soap opera that no one would believe

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<v Speaker 3>really happened.

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<v Speaker 2>Did you understand that then, because you know, one of

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<v Speaker 2>the things that I've learned, it was in my own

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<v Speaker 2>life and hosting this podcast, is that our childhoods are

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<v Speaker 2>all we know, and there's a kind of strange but

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<v Speaker 2>very human normalizing in our minds. I think of whatever

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<v Speaker 2>happens in our childhood, it feels like, well, that must

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<v Speaker 2>be happening in everyone's childhood. It's the only world we know.

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<v Speaker 2>Was that the case for you or did you know

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<v Speaker 2>at a young age you know everything that you're describing

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<v Speaker 2>that it wasn't happening in other homes or in most

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<v Speaker 2>other homes. And in the case of Gail and these

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<v Speaker 2>awful sexual I mean molestation. You know, these quote unquote

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<v Speaker 2>games that she was playing with you, is that something

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<v Speaker 2>that you understood was deeply not okay? Or where do

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<v Speaker 2>you put that at the age.

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<v Speaker 3>Of eight, Well, these games had begun with her showing

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<v Speaker 3>me like secret pornography that was hidden under my then

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<v Speaker 3>stepfather's mattress. So is back when her, her father Doug,

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<v Speaker 3>and Lorraine were still together, you know that she would

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<v Speaker 3>show me these things, and so yeah, I had a

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<v Speaker 3>sense then that the secret you know, and you would

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<v Speaker 3>see pornography as a child, and it's really shocking. And

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<v Speaker 3>you know, this was how I learned about sex from

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<v Speaker 3>these from seeing these magazines that I didn't even particularly

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<v Speaker 3>want to look at. They just made me feel hot

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<v Speaker 3>and embarrassed and ashamed and very trapped because like Gail

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<v Speaker 3>was kind of my Jaila that summer, you know, she

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<v Speaker 3>was kind of in charge of me while my mom

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<v Speaker 3>and Lorraine were working in the old People's unit taking

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<v Speaker 3>care of the old people.

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<v Speaker 1>So I had a sense back then that the situation

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<v Speaker 1>was weird.

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<v Speaker 3>And when the partners what happened, and my dad became

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<v Speaker 3>her dad and her dad became my dad.

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<v Speaker 1>Yeah, I knew it was weird.

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<v Speaker 3>I feel like in my life and my youth as well,

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<v Speaker 3>I've always been like drawn to people who have more traditional,

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<v Speaker 3>stable family situations, you know, And so I would always

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<v Speaker 3>compare my family life with the family life of my friends,

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<v Speaker 3>who would have like a mom and a dad, And yeah,

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<v Speaker 3>I always knew that I was kind of weird and different.

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<v Speaker 2>The incidents with Gail happened, and your moms were working together,

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<v Speaker 2>and your Lorraine was quote unquote your mom's boss, and

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<v Speaker 2>Gail kind of made herself the boss of you. The

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<v Speaker 2>swapping of partners had not happened yet or was in

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<v Speaker 2>the process of happening. Kind of during that period of time,

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<v Speaker 2>it was.

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<v Speaker 1>On the brink of happening.

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<v Speaker 3>So Lorraine and my father were beginning their kind of

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<v Speaker 3>secret affair which would kind of blow up and become

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<v Speaker 3>a public affair. So yeah, it was like right before

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<v Speaker 3>that happened. So already, I mean a lot of things

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<v Speaker 3>were kind of happening in my life, so there was

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<v Speaker 3>no real time to pipe up and go hey, by

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<v Speaker 3>the way, Gail's playing these word games.

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<v Speaker 2>On me, if that makes sense, and then she becomes

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<v Speaker 2>your stepsister after this has.

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<v Speaker 3>Happened, that's right, and she would actually end up living

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<v Speaker 3>with us because obviously Doug was her real father. So

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<v Speaker 3>after an extended period of no contact, like around nineteen

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<v Speaker 3>eighty six, we get a visit from Gail's mom, Lorraine,

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<v Speaker 3>Like early in the winter of nineteen eighty seven, Lorraine

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<v Speaker 3>comes to visit my mom while I'm at school, and

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<v Speaker 3>Lorraine tells my mom that my father is in prison

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<v Speaker 3>for sexually abusing Gail. And to add to that, she

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<v Speaker 3>says that Gail is in a children's home because she

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<v Speaker 3>can no longer cope with her.

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<v Speaker 2>How do you find this out?

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<v Speaker 1>I find out the same day.

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<v Speaker 3>I come home from school and I see my mom's

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<v Speaker 3>face in the window and she's waiting for me, and

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<v Speaker 3>I know that something's off as soon as I walk

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<v Speaker 3>through the door, and so she sits me down in

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<v Speaker 3>the living room, and I remember her chain smoking like

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<v Speaker 3>it was a winter's day. It was a very gray

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<v Speaker 3>skuy outside. You know, she hadn't put the light on

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<v Speaker 3>in the room, and so the room got dark as

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<v Speaker 3>we were talking, and she would light her cigarettes from

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<v Speaker 3>the gas fire. While she was telling me the story

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<v Speaker 3>of what had happened, and she told me what Gail

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<v Speaker 3>had told her, which was that like in nineteen eighty six,

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<v Speaker 3>Gale was about twelve, and she had apparently sexually matured

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<v Speaker 3>and she had breasts now, and she would walk around

0:11:59.120 --> 0:12:02.720
<v Speaker 3>the house and like shore t shirts. And my dad

0:12:02.720 --> 0:12:04.839
<v Speaker 3>was unemployed and he was kind of looking after the

0:12:04.920 --> 0:12:05.960
<v Speaker 3>kids during the summer.

0:12:06.520 --> 0:12:08.240
<v Speaker 1>Apparently Gail would get.

0:12:08.120 --> 0:12:10.560
<v Speaker 3>In bed with my dad for cuddles after Lorraine, her

0:12:10.600 --> 0:12:13.000
<v Speaker 3>mom had gone to work, and so this had been

0:12:13.080 --> 0:12:16.120
<v Speaker 3>going on all summer, and at the end of the summer,

0:12:16.160 --> 0:12:19.720
<v Speaker 3>when Gail went back to school in nineteen eighty six,

0:12:19.880 --> 0:12:22.000
<v Speaker 3>she told the nuns at the Catholic school that she

0:12:22.320 --> 0:12:27.040
<v Speaker 3>went to that her stepfather had been abusing her. And

0:12:27.080 --> 0:12:30.520
<v Speaker 3>so the police came and arrested my father and he

0:12:30.600 --> 0:12:32.680
<v Speaker 3>went to trial and he got sentenced to prison.

0:12:33.880 --> 0:12:35.360
<v Speaker 1>Lorraine had Aimen.

0:12:35.880 --> 0:12:37.920
<v Speaker 3>I think he would have been about six at the time,

0:12:38.160 --> 0:12:42.200
<v Speaker 3>and Gail, who was turning thirteen and had had a

0:12:42.200 --> 0:12:46.439
<v Speaker 3>really difficult time apparently, and social Services in England had

0:12:46.480 --> 0:12:50.240
<v Speaker 3>stepped in and taken Gail into a children's home. And

0:12:50.320 --> 0:12:52.400
<v Speaker 3>so my mom told me all this information on that

0:12:52.520 --> 0:12:55.600
<v Speaker 3>day in February in nineteen eighty seven, and my mom

0:12:55.640 --> 0:12:57.840
<v Speaker 3>put it to me that Gail doesn't need to be

0:12:57.880 --> 0:12:58.640
<v Speaker 3>in a children's home.

0:12:58.720 --> 0:13:01.400
<v Speaker 1>She has another parent she could live with. Doug was

0:13:01.400 --> 0:13:02.600
<v Speaker 1>her biological father.

0:13:03.160 --> 0:13:04.880
<v Speaker 3>And there was a part of me that day that

0:13:05.480 --> 0:13:07.760
<v Speaker 3>felt like, my father's a monster, and if I can

0:13:07.800 --> 0:13:10.160
<v Speaker 3>help make this right and get Gail out of a

0:13:10.240 --> 0:13:12.480
<v Speaker 3>children's home, like, of course we'll do that. Of course

0:13:12.520 --> 0:13:14.559
<v Speaker 3>girls should come in love with us. And so that's

0:13:14.559 --> 0:13:15.120
<v Speaker 3>what happened.

0:13:16.160 --> 0:13:23.720
<v Speaker 2>Were you completely shocked by this information about your father

0:13:24.679 --> 0:13:27.960
<v Speaker 2>or did it feel in some way like it was

0:13:28.120 --> 0:13:31.040
<v Speaker 2>part of a trajectory, like when you talk about your

0:13:31.120 --> 0:13:34.160
<v Speaker 2>very first memories of like violence between your parents and

0:13:34.200 --> 0:13:38.240
<v Speaker 2>you talk about your father and who he was. Was

0:13:38.280 --> 0:13:41.480
<v Speaker 2>there any part of you that wasn't completely surprised or

0:13:41.559 --> 0:13:42.760
<v Speaker 2>was it just utterly shocking.

0:13:43.600 --> 0:13:47.760
<v Speaker 3>It was definitely shocking in terms of like a feeling

0:13:47.800 --> 0:13:50.320
<v Speaker 3>of you know, sick disgust.

0:13:49.880 --> 0:13:50.560
<v Speaker 1>In my stomach.

0:13:50.920 --> 0:13:51.439
<v Speaker 2>Yeah.

0:13:51.559 --> 0:13:54.400
<v Speaker 3>But the thing is I'd been living with Doug my

0:13:54.480 --> 0:13:58.000
<v Speaker 3>mom for years and they'd constantly told me that my

0:13:58.080 --> 0:14:02.600
<v Speaker 3>dad's no good, you know, and so this basically confirmed

0:14:02.679 --> 0:14:06.560
<v Speaker 3>this bias that they both held for Doug. My dad

0:14:06.600 --> 0:14:09.080
<v Speaker 3>was the bad guy who'd stolen his kids, right, and

0:14:09.120 --> 0:14:12.440
<v Speaker 3>now my dad was the man who'd molested his daughter,

0:14:12.559 --> 0:14:15.000
<v Speaker 3>Like of course he was a monster. I felt an

0:14:15.000 --> 0:14:18.120
<v Speaker 3>internal shame that in some way this reflected on me,

0:14:18.360 --> 0:14:19.800
<v Speaker 3>like I didn't want to be like my dad, and

0:14:19.840 --> 0:14:22.400
<v Speaker 3>I very much wanted my mom to see, look, Mom,

0:14:22.440 --> 0:14:22.920
<v Speaker 3>I'm like you.

0:14:23.000 --> 0:14:23.960
<v Speaker 1>I'm a good person.

0:14:24.600 --> 0:14:27.080
<v Speaker 3>And so I think leaping to the aid of Gail,

0:14:27.320 --> 0:14:29.280
<v Speaker 3>even though I had my own dark history with her,

0:14:30.200 --> 0:14:32.120
<v Speaker 3>it was something I've felt compelled to do, you know,

0:14:32.280 --> 0:14:34.720
<v Speaker 3>just to kind of reclaim like I am your daughter,

0:14:34.800 --> 0:14:35.720
<v Speaker 3>I'm not his daughter.

0:14:35.840 --> 0:14:37.160
<v Speaker 1>That felt very important to me.

0:14:40.440 --> 0:14:43.760
<v Speaker 2>So what was that next period of time, Like when

0:14:44.000 --> 0:14:45.480
<v Speaker 2>Gail came to live with you.

0:14:46.280 --> 0:14:47.640
<v Speaker 1>Things moved so fast.

0:14:47.840 --> 0:14:50.080
<v Speaker 3>I feel like my mom and I had that conversation,

0:14:50.480 --> 0:14:53.720
<v Speaker 3>and I think the next weekend we met Gail and

0:14:53.760 --> 0:14:59.040
<v Speaker 3>her social worker in a cafe, and Gail was just

0:14:59.040 --> 0:15:01.960
<v Speaker 3>not the kid I remembered. I remember this long blonde hair,

0:15:02.640 --> 0:15:05.240
<v Speaker 3>like blue eyed, like perfect Catholic girl.

0:15:05.560 --> 0:15:07.720
<v Speaker 1>And here was this young woman.

0:15:08.000 --> 0:15:10.520
<v Speaker 3>You know, she had short cropped hair, like a full

0:15:10.560 --> 0:15:14.640
<v Speaker 3>eighties outfit, makeup, eyeliner. She just seems so grown up

0:15:16.080 --> 0:15:18.240
<v Speaker 3>within a few weeks she moved in, and I think

0:15:18.280 --> 0:15:20.840
<v Speaker 3>Social Services paid for like new bedding and a new

0:15:20.880 --> 0:15:24.000
<v Speaker 3>bed and we began to share a room, and in

0:15:24.040 --> 0:15:26.280
<v Speaker 3>my mind it was like, we will be teenagers together.

0:15:26.800 --> 0:15:30.080
<v Speaker 3>I think I was still eleven turning twelve. But I

0:15:30.120 --> 0:15:32.360
<v Speaker 3>felt very much like I have to hide away all

0:15:32.400 --> 0:15:35.200
<v Speaker 3>my dolls and my childish books because you know, I've

0:15:35.240 --> 0:15:37.480
<v Speaker 3>got this mature teenager moving in with us, and so

0:15:38.200 --> 0:15:41.200
<v Speaker 3>I swapped my dolls for klor of posters of the

0:15:41.240 --> 0:15:44.240
<v Speaker 3>Bangles and things like that. You know, I feel like

0:15:44.280 --> 0:15:46.360
<v Speaker 3>I tried so hard to make it fun and to

0:15:46.400 --> 0:15:48.560
<v Speaker 3>make things okay for her. I felt like, this is

0:15:48.600 --> 0:15:50.360
<v Speaker 3>the worst thing in the world that has happened to you,

0:15:51.200 --> 0:15:52.720
<v Speaker 3>and I want it to be okay. I want this

0:15:52.760 --> 0:15:55.560
<v Speaker 3>to work out. I was very invested in having it

0:15:55.640 --> 0:15:59.120
<v Speaker 3>work out. But it didn't take long for things to

0:15:59.280 --> 0:16:01.600
<v Speaker 3>just get like a little bit unhinged and weird.

0:16:01.760 --> 0:16:05.000
<v Speaker 1>You know. I remember she started in my school.

0:16:05.080 --> 0:16:07.840
<v Speaker 3>She was the year ahead of me, and she quickly

0:16:07.880 --> 0:16:10.320
<v Speaker 3>made like a clique of friends, like the popular girls.

0:16:11.160 --> 0:16:14.360
<v Speaker 3>And I had this assumption that everything that had happened

0:16:14.400 --> 0:16:16.920
<v Speaker 3>with my dad would be a secret. We're not going

0:16:16.960 --> 0:16:19.200
<v Speaker 3>to tell people that, But one of the first things

0:16:19.200 --> 0:16:21.400
<v Speaker 3>she did was she told like all the girls she'd

0:16:21.400 --> 0:16:23.880
<v Speaker 3>made friends with at school that, you know, she was

0:16:23.880 --> 0:16:25.240
<v Speaker 3>a victim of sexual abuse.

0:16:25.560 --> 0:16:28.480
<v Speaker 1>And it was a little bit horrifying to.

0:16:28.440 --> 0:16:30.440
<v Speaker 3>Me, Like I didn't want the shame of people knowing

0:16:30.440 --> 0:16:31.840
<v Speaker 3>that was my dad who'd done that.

0:16:31.960 --> 0:16:33.480
<v Speaker 1>I didn't want people see me that way.

0:16:34.080 --> 0:16:36.360
<v Speaker 3>But also I could see that she was doing it

0:16:36.400 --> 0:16:39.280
<v Speaker 3>to be manipulative. I know that sounds harsh, but that

0:16:39.320 --> 0:16:41.840
<v Speaker 3>really was what it was. Like she was telling her

0:16:41.880 --> 0:16:46.480
<v Speaker 3>friends and kind of enjoying the attention, and she was saying, Oh,

0:16:46.520 --> 0:16:48.400
<v Speaker 3>everyone's been so nice to me, it's so great.

0:16:49.000 --> 0:16:49.760
<v Speaker 1>And then she told me.

0:16:49.760 --> 0:16:52.080
<v Speaker 3>A story that just felt really weird, and it was

0:16:52.520 --> 0:16:55.040
<v Speaker 3>kind of like a red flag for me. She told

0:16:55.120 --> 0:16:58.480
<v Speaker 3>me that a friend in school had heard her story

0:16:58.520 --> 0:17:00.720
<v Speaker 3>of abuse and had kind of comforted with their own

0:17:00.720 --> 0:17:04.359
<v Speaker 3>story of abuse, and this girl's mother had freaked out

0:17:04.359 --> 0:17:07.000
<v Speaker 3>and taken her to acologist to get a check up

0:17:07.359 --> 0:17:09.760
<v Speaker 3>and the ofcologist to confirm that this girl was still

0:17:09.760 --> 0:17:12.960
<v Speaker 3>a virgin. And Gail told me this story with the

0:17:13.040 --> 0:17:15.880
<v Speaker 3>kind of air of gloating, like, see, she wasn't for real,

0:17:15.960 --> 0:17:16.320
<v Speaker 3>like she.

0:17:16.200 --> 0:17:17.000
<v Speaker 1>Hadn't really done it.

0:17:17.000 --> 0:17:19.479
<v Speaker 3>With a man, and that story just like disturbed me

0:17:19.520 --> 0:17:24.320
<v Speaker 3>so much, and those moments of of antagonism and mistrust

0:17:24.440 --> 0:17:27.720
<v Speaker 3>just began to kind of grow and grow. Gail was

0:17:27.760 --> 0:17:30.200
<v Speaker 3>the kind of person who used to pull the energy

0:17:30.320 --> 0:17:33.160
<v Speaker 3>in the room, you know, no amount of attention ever

0:17:33.200 --> 0:17:36.480
<v Speaker 3>seemed enough, and she completely hogged my mother, so my

0:17:36.520 --> 0:17:39.640
<v Speaker 3>mother no longer felt available to me. I would come home,

0:17:39.720 --> 0:17:41.880
<v Speaker 3>you know, from school, and like maybe Gail had gotten

0:17:41.880 --> 0:17:44.240
<v Speaker 3>there before me, and Gail would be like pouring a

0:17:44.280 --> 0:17:47.560
<v Speaker 3>heart out to my mom about boys or friends or

0:17:47.600 --> 0:17:49.400
<v Speaker 3>haircuts or makeup or whatever was.

0:17:49.359 --> 0:17:50.280
<v Speaker 1>On her mind that day.

0:17:50.640 --> 0:17:53.440
<v Speaker 3>And I really felt resentful, like, oh, this is my mom,

0:17:53.520 --> 0:17:55.359
<v Speaker 3>but she hasn't got time for me or room for

0:17:55.400 --> 0:17:57.880
<v Speaker 3>me anymore. And so even though I had the best

0:17:57.960 --> 0:18:02.119
<v Speaker 3>intentions when Gail first moved in, it quickly soured and

0:18:02.200 --> 0:18:06.119
<v Speaker 3>became the antagonistic relationship we'd always kind of had, you know.

0:18:06.560 --> 0:18:08.840
<v Speaker 2>And how long was that period of time where she

0:18:08.920 --> 0:18:11.480
<v Speaker 2>lived with you and you were in school together and

0:18:11.720 --> 0:18:12.359
<v Speaker 2>living together.

0:18:13.080 --> 0:18:15.879
<v Speaker 3>She moved in with us in the early spring of

0:18:15.960 --> 0:18:19.480
<v Speaker 3>nineteen eighty seven, and I think by early nineteen eighty

0:18:19.560 --> 0:18:21.800
<v Speaker 3>eight she had kind of moved back into a children's

0:18:21.800 --> 0:18:23.640
<v Speaker 3>home so she wasn't with us for that long.

0:18:24.440 --> 0:18:27.040
<v Speaker 2>What precipitated her moving back into the children's home.

0:18:27.760 --> 0:18:29.720
<v Speaker 3>There was an incident that I really should tell you about.

0:18:30.320 --> 0:18:31.879
<v Speaker 3>There was a library book that I'd always wanted to

0:18:31.960 --> 0:18:33.520
<v Speaker 3>check out. I'd read all the Judy.

0:18:33.320 --> 0:18:35.399
<v Speaker 1>Bloom books, and there was one Judy Bloom book that

0:18:35.440 --> 0:18:38.560
<v Speaker 1>I was not allowed to read, called Forever, and.

0:18:38.480 --> 0:18:42.159
<v Speaker 3>The local librarian, who'd you know, she'd not permitted me

0:18:42.240 --> 0:18:44.439
<v Speaker 3>to check it out on a number of occasions. And

0:18:44.480 --> 0:18:46.639
<v Speaker 3>then one day I came home from school in that book,

0:18:47.000 --> 0:18:50.520
<v Speaker 3>Judy Blooms Forever had materialized on our kitchen counter, and

0:18:50.560 --> 0:18:52.520
<v Speaker 3>I was so excited, like, this is the one Judy

0:18:52.520 --> 0:18:55.760
<v Speaker 3>Bloom book I've not read, and so I, you know,

0:18:55.840 --> 0:18:58.879
<v Speaker 3>I started to read it, and I had so many questions.

0:18:58.960 --> 0:19:01.640
<v Speaker 3>You know, it was about this sexual relationship and there

0:19:01.640 --> 0:19:03.320
<v Speaker 3>was language in it that I didn't understand.

0:19:03.920 --> 0:19:05.920
<v Speaker 1>So I had conversation with.

0:19:05.840 --> 0:19:08.960
<v Speaker 3>Gail one night after lights were out, and I said

0:19:08.960 --> 0:19:10.520
<v Speaker 3>to her, you know, what does it mean, Like what

0:19:10.560 --> 0:19:14.840
<v Speaker 3>does this sexual reference mean? And she told me, well,

0:19:14.880 --> 0:19:17.399
<v Speaker 3>first of all, she said, I'm not allowed to tell you.

0:19:17.640 --> 0:19:20.000
<v Speaker 1>And I'm like, what do you mean? And she said, well,

0:19:20.280 --> 0:19:22.600
<v Speaker 1>my Mum's made me promise not to talk to you

0:19:22.640 --> 0:19:23.240
<v Speaker 1>about sex.

0:19:23.280 --> 0:19:26.200
<v Speaker 3>She said, you're still innocent, and I was sex so offended,

0:19:26.240 --> 0:19:28.680
<v Speaker 3>like I know all about it, even though obviously I didn't,

0:19:28.680 --> 0:19:31.879
<v Speaker 3>because I'm asking her questions. And so she goes on

0:19:31.920 --> 0:19:34.840
<v Speaker 3>to tell me what this sexual reference means, and she

0:19:34.920 --> 0:19:37.199
<v Speaker 3>tells me in such a way that she's kind of

0:19:37.200 --> 0:19:40.679
<v Speaker 3>bragging about it, and so I keep my voice neutral

0:19:40.720 --> 0:19:43.159
<v Speaker 3>as I ask the more questions, and she goes on

0:19:43.200 --> 0:19:46.359
<v Speaker 3>to say that what a great lover she is, and

0:19:46.400 --> 0:19:47.800
<v Speaker 3>that when she and my dad.

0:19:47.600 --> 0:19:50.119
<v Speaker 1>Were together, like what a great sexual partner she was.

0:19:50.560 --> 0:19:52.840
<v Speaker 3>And I am like so shocked by this because she's

0:19:52.880 --> 0:19:55.800
<v Speaker 3>been telling kids at school that she was raped and abused,

0:19:56.000 --> 0:19:59.120
<v Speaker 3>and now my dad, who's in prison, is apparently her

0:19:59.119 --> 0:20:02.199
<v Speaker 3>ex lover. And so I just I turn away and

0:20:02.240 --> 0:20:04.880
<v Speaker 3>pretend I'm sleepy, but I am so shocked to my call.

0:20:05.080 --> 0:20:08.199
<v Speaker 3>That is a moment when I'm truly shocked. I'm just

0:20:08.840 --> 0:20:12.240
<v Speaker 3>so confused by this information. I can feel my heart

0:20:12.240 --> 0:20:14.480
<v Speaker 3>beating as I tell you this. You know, it's it's

0:20:14.520 --> 0:20:20.840
<v Speaker 3>a difficult memory after that incident when she made this

0:20:20.920 --> 0:20:24.000
<v Speaker 3>weird confession to me about my dad being her lover,

0:20:24.359 --> 0:20:26.320
<v Speaker 3>and just not knowing what to make of it, Like

0:20:26.359 --> 0:20:28.359
<v Speaker 3>I still think my dad is a monster, but now

0:20:28.400 --> 0:20:30.679
<v Speaker 3>I kind of think she's a monster too. And so

0:20:30.800 --> 0:20:34.080
<v Speaker 3>after that, I really I stop trying, you know, I'd

0:20:34.119 --> 0:20:36.879
<v Speaker 3>tried so hard to make this a fun teenage like

0:20:37.280 --> 0:20:39.720
<v Speaker 3>hangout for her, and now I just stop trying completely,

0:20:39.880 --> 0:20:43.119
<v Speaker 3>and we get more antagonistic. And there's actually an incident

0:20:43.200 --> 0:20:46.000
<v Speaker 3>where we we have an argument about me being in

0:20:46.000 --> 0:20:48.040
<v Speaker 3>the bedroom first and trying to read my book and

0:20:48.080 --> 0:20:50.959
<v Speaker 3>she comes in and blasphem Adonna tape and so as

0:20:51.000 --> 0:20:52.439
<v Speaker 3>I walk out of the room, I say to her,

0:20:52.480 --> 0:20:54.560
<v Speaker 3>you're such a bitch, and I turn her tape off,

0:20:54.840 --> 0:20:57.480
<v Speaker 3>and she follows me out of the room and at

0:20:57.480 --> 0:20:59.399
<v Speaker 3>the top of the stairs, I don't realize she's behind me,

0:20:59.400 --> 0:21:03.600
<v Speaker 3>but she'd pushes me down, and you know, I'm okay,

0:21:03.720 --> 0:21:06.600
<v Speaker 3>Like I have some bruises and carpet burns, but I

0:21:06.680 --> 0:21:09.440
<v Speaker 3>did manage to save myself. But when my mom comes

0:21:09.440 --> 0:21:11.520
<v Speaker 3>home from work that day, I don't hold back and

0:21:11.560 --> 0:21:13.400
<v Speaker 3>I just tell my mom like what Gail had done,

0:21:13.720 --> 0:21:14.440
<v Speaker 3>and my mom.

0:21:14.440 --> 0:21:15.479
<v Speaker 1>Just loses it.

0:21:15.600 --> 0:21:17.800
<v Speaker 3>She loses her cool and says, Gail, you could have

0:21:17.880 --> 0:21:19.560
<v Speaker 3>killed her, You could have broken her neck, you know

0:21:19.600 --> 0:21:20.359
<v Speaker 3>what possessed you.

0:21:21.200 --> 0:21:22.680
<v Speaker 1>And Gail shows no remorse.

0:21:22.720 --> 0:21:25.239
<v Speaker 3>She just says, you know, Sasha's been a baby, like

0:21:25.320 --> 0:21:29.199
<v Speaker 3>she's fine, Like what's the problem here. And it's this

0:21:29.359 --> 0:21:32.680
<v Speaker 3>moment when my mom sees Gail's moral indifference and I've

0:21:32.680 --> 0:21:36.000
<v Speaker 3>already seen it, so I'm not surprised anymore. I'm just disgusted.

0:21:36.400 --> 0:21:38.399
<v Speaker 3>But my mom that is the final straw. And so

0:21:38.480 --> 0:21:39.840
<v Speaker 3>my mom.

0:21:39.640 --> 0:21:41.520
<v Speaker 1>Calls social services.

0:21:40.920 --> 0:21:43.560
<v Speaker 3>And you know, the arrangements are made and Gail actually

0:21:43.560 --> 0:21:44.800
<v Speaker 3>goes back to a children's home.

0:21:45.560 --> 0:21:47.639
<v Speaker 2>That's such a powerful phrase, moral indifference.

0:21:48.480 --> 0:21:53.480
<v Speaker 3>Yeah, girl is fourteen at this point, almost fourteen, but

0:21:53.560 --> 0:21:55.439
<v Speaker 3>she did seem very morally indifferent to me.

0:21:55.520 --> 0:21:59.359
<v Speaker 1>You know, she would change her story and not care, like.

0:21:59.680 --> 0:22:02.640
<v Speaker 3>She really didn't care about me, and I stopped caring

0:22:02.640 --> 0:22:05.680
<v Speaker 3>about her. It feels so ugly to say all this.

0:22:05.960 --> 0:22:09.080
<v Speaker 3>I'm very conscious that she's a mixed up kid who

0:22:09.200 --> 0:22:12.399
<v Speaker 3>has been abused, and I'm sitting here judging her. But

0:22:12.560 --> 0:22:14.320
<v Speaker 3>it's actually like a lot of therapy that I went

0:22:14.359 --> 0:22:17.160
<v Speaker 3>through and I don't feel that judgment anymore.

0:22:17.240 --> 0:22:20.320
<v Speaker 1>Is something I felt for a long time, kind of secretly,

0:22:20.400 --> 0:22:22.600
<v Speaker 1>that i'd kind of pushed down. I just pushed down

0:22:22.640 --> 0:22:23.639
<v Speaker 1>all of this, to be honest.

0:22:23.880 --> 0:22:26.840
<v Speaker 2>And when you say judgment, you mean judgment of yourself.

0:22:27.200 --> 0:22:27.840
<v Speaker 2>Is that what you mean?

0:22:29.119 --> 0:22:31.560
<v Speaker 1>I feel like there's me judging myself for judging her.

0:22:32.240 --> 0:22:35.879
<v Speaker 3>When Gail left us, dug didn't really have any He

0:22:35.880 --> 0:22:38.720
<v Speaker 3>didn't show any emotions about it at all. It was weird,

0:22:39.080 --> 0:22:41.240
<v Speaker 3>you know, but he kind of washed her hands of her.

0:22:42.080 --> 0:22:44.280
<v Speaker 3>Gail's mom, Lorraine had washed her hands of her.

0:22:44.640 --> 0:22:45.679
<v Speaker 1>And after Gail.

0:22:45.600 --> 0:22:49.399
<v Speaker 3>Goes into a children's home for a second time for

0:22:49.440 --> 0:22:53.199
<v Speaker 3>a final time, we find out that my dad is

0:22:53.200 --> 0:22:55.480
<v Speaker 3>out of prison. He's only been in prison for eighteen

0:22:55.520 --> 0:22:58.919
<v Speaker 3>months of a three year sentence, and to people in

0:22:58.960 --> 0:23:02.359
<v Speaker 3>the twenty first century, that sounds so shocking, but it

0:23:02.400 --> 0:23:05.760
<v Speaker 3>really goes to show how this crime was not taken

0:23:05.760 --> 0:23:08.800
<v Speaker 3>that seriously in the nineteen eighties. So my dad gets

0:23:08.840 --> 0:23:11.600
<v Speaker 3>out for good behavior and we found out it's a

0:23:11.640 --> 0:23:15.520
<v Speaker 3>real scandal. But Lorraine has taken my dad back. They

0:23:15.560 --> 0:23:19.679
<v Speaker 3>have gotten back together. And what's more, Lorraine's pregnant. She

0:23:19.720 --> 0:23:23.320
<v Speaker 3>immediately gets pregnant in nineteen eighty eight, and she has

0:23:23.600 --> 0:23:28.479
<v Speaker 3>my half sister, Charlie in late nineteen eighty eight, and

0:23:28.520 --> 0:23:32.840
<v Speaker 3>it's followed a year later by another child in quick succession.

0:23:33.480 --> 0:23:37.720
<v Speaker 3>It's very uncomfortable to go visit them, but Lorain is

0:23:37.760 --> 0:23:41.240
<v Speaker 3>acting like it's all okay, and so I kind of

0:23:41.280 --> 0:23:43.520
<v Speaker 3>accept that. Well, maybe it is okay, and I can't

0:23:43.520 --> 0:23:46.000
<v Speaker 3>make sense of that. But there's something about this. It's like, well,

0:23:46.040 --> 0:23:48.200
<v Speaker 3>he is my dad and Lorraine's forgiven him, so maybe

0:23:48.200 --> 0:23:50.600
<v Speaker 3>I can go and see my new sister. And so

0:23:50.720 --> 0:23:54.400
<v Speaker 3>I see them twice. I think over the next couple

0:23:54.400 --> 0:23:58.439
<v Speaker 3>of years. I visit when Charlie is about one, and

0:23:58.440 --> 0:23:59.760
<v Speaker 3>then I visit again when Charlie is.

0:23:59.720 --> 0:24:25.520
<v Speaker 2>About We'll be back in a moment with more family secrets.

0:24:27.760 --> 0:24:30.880
<v Speaker 2>Sasha heads to university and brings her secrets with her.

0:24:31.119 --> 0:24:34.440
<v Speaker 2>As we do, she stuffs them down and carries them,

0:24:34.440 --> 0:24:37.600
<v Speaker 2>but they don't go away. They're alive in her body,

0:24:38.119 --> 0:24:43.160
<v Speaker 2>alive in her psyche. They don't disappear. And yet Sasha

0:24:43.200 --> 0:24:47.879
<v Speaker 2>isn't pulled under because she discovers reading, and she discovers

0:24:47.920 --> 0:24:52.840
<v Speaker 2>herself in literature and in exploring the minds, hearts and

0:24:52.920 --> 0:24:54.919
<v Speaker 2>souls of others on the page.

0:24:56.640 --> 0:24:59.000
<v Speaker 3>I would use books to make sense of so many things.

0:25:00.080 --> 0:25:02.639
<v Speaker 3>The time my dad and Lorraine got back together and

0:25:02.640 --> 0:25:05.679
<v Speaker 3>started having babies. My mum had become a Jehovah's witness,

0:25:05.720 --> 0:25:08.720
<v Speaker 3>and that was something that was very present for me.

0:25:08.800 --> 0:25:09.600
<v Speaker 1>For a couple of years.

0:25:09.640 --> 0:25:12.320
<v Speaker 3>I had to study with the Jehovah's witnesses too, and

0:25:12.359 --> 0:25:14.800
<v Speaker 3>I would eventually pull away. And what empowered me to

0:25:14.840 --> 0:25:18.080
<v Speaker 3>do so was being a reader, just reading George Orwell

0:25:18.320 --> 0:25:20.919
<v Speaker 3>and jam Paul Sartre, and these are the books that

0:25:21.200 --> 0:25:24.040
<v Speaker 3>made me think, maybe my personal freedom is kind of important.

0:25:24.640 --> 0:25:26.960
<v Speaker 3>So I definitely decided not to be a Jehovah's witness

0:25:27.040 --> 0:25:29.720
<v Speaker 3>because of reading. And one thing I will say is

0:25:29.760 --> 0:25:33.520
<v Speaker 3>that I remember in my teen years. I hit sixteen

0:25:34.480 --> 0:25:38.800
<v Speaker 3>and I found a copy of Loalita by Vladimir Nabakov

0:25:39.640 --> 0:25:41.879
<v Speaker 3>in a thrift store, in a charity shop in England,

0:25:42.480 --> 0:25:44.720
<v Speaker 3>and I remember reading this book and it's a story

0:25:44.840 --> 0:25:49.840
<v Speaker 3>of a young woman, Dolores Hayes, who kind of seduces

0:25:49.880 --> 0:25:52.200
<v Speaker 3>her stepfather and it's such.

0:25:52.040 --> 0:25:55.560
<v Speaker 1>A weird scene, you know, like Loalita makes the first

0:25:55.800 --> 0:25:56.840
<v Speaker 1>move on Humbert.

0:25:57.640 --> 0:26:00.480
<v Speaker 3>And I'd never read a story that actually maybe described

0:26:00.560 --> 0:26:02.720
<v Speaker 3>something that had actually happened in my family too.

0:26:03.040 --> 0:26:05.679
<v Speaker 1>So literature was definitely the lifeline.

0:26:05.680 --> 0:26:08.560
<v Speaker 3>It's how I tried to make sense of this really

0:26:08.600 --> 0:26:10.520
<v Speaker 3>weird family story that I never thought I.

0:26:10.440 --> 0:26:11.240
<v Speaker 1>Could talk about.

0:26:11.720 --> 0:26:14.399
<v Speaker 3>And of course it's so complicated because Dolores Hayes is

0:26:14.440 --> 0:26:19.359
<v Speaker 3>also this victim who dies tragically. There are no happy endings,

0:26:19.400 --> 0:26:21.199
<v Speaker 3>so you know, that's how it kind of felt. But

0:26:21.280 --> 0:26:23.200
<v Speaker 3>literature gave me a means to kind of like make

0:26:23.280 --> 0:26:25.840
<v Speaker 3>sense of what I couldn't speak about in my own family.

0:26:25.920 --> 0:26:30.560
<v Speaker 3>So I was always reading and always finding escape, definitely,

0:26:30.600 --> 0:26:34.880
<v Speaker 3>but also understanding that life is so complex and so weird,

0:26:35.000 --> 0:26:37.920
<v Speaker 3>and it's like, I may not know anyone else who's

0:26:37.960 --> 0:26:39.920
<v Speaker 3>had this happen in her life, but I've read about

0:26:39.920 --> 0:26:43.600
<v Speaker 3>it in a book, and so it can't just be us.

0:26:45.240 --> 0:26:49.760
<v Speaker 2>When Sasha's twenty three, she visits her dad, Lorraine, and Charlie,

0:26:49.880 --> 0:26:53.680
<v Speaker 2>who's now around twelve. She also has a half brother Nick.

0:26:54.400 --> 0:26:58.320
<v Speaker 2>It's been a long time, perhaps long enough for things

0:26:58.359 --> 0:27:03.119
<v Speaker 2>to have changed. We can always hope, and sometimes that

0:27:03.240 --> 0:27:04.199
<v Speaker 2>hope is heartbreaking.

0:27:06.200 --> 0:27:10.040
<v Speaker 3>I think I'm prompted by a boyfriend who his that

0:27:10.080 --> 0:27:12.520
<v Speaker 3>I've been estranged from my father for a really long time,

0:27:13.040 --> 0:27:17.000
<v Speaker 3>and I really don't remember how the reconnection happened, but

0:27:17.200 --> 0:27:19.800
<v Speaker 3>I was like, well, sure, like I can be curious and.

0:27:19.760 --> 0:27:23.080
<v Speaker 1>Go see them. You know, what's past is passed.

0:27:23.119 --> 0:27:25.879
<v Speaker 3>And I think a part of me was pleased that

0:27:25.960 --> 0:27:28.720
<v Speaker 3>my dad and Lorraine had made it work, you know,

0:27:28.840 --> 0:27:31.920
<v Speaker 3>like maybe it's okay, Maybe my dad's a reformed character.

0:27:32.000 --> 0:27:33.840
<v Speaker 3>I had all these thoughts going on in my head,

0:27:34.440 --> 0:27:37.400
<v Speaker 3>and so I went to see them in nineteen ninety eight.

0:27:37.600 --> 0:27:41.359
<v Speaker 1>I was a graduate. I was twenty three, and my dad.

0:27:41.320 --> 0:27:43.919
<v Speaker 3>Picked me up from the train station, and as we

0:27:44.080 --> 0:27:47.439
<v Speaker 3>drove to the family, he gave me this lecture about

0:27:47.720 --> 0:27:50.080
<v Speaker 3>what a great guy he was and how his wife

0:27:50.160 --> 0:27:53.560
<v Speaker 3>was wonderful and if Lorraine ever turned her back on him,

0:27:53.960 --> 0:27:55.720
<v Speaker 3>he would be a lost man.

0:27:55.680 --> 0:27:57.639
<v Speaker 1>That you know, she'd forgiven him so much.

0:27:58.119 --> 0:27:59.760
<v Speaker 3>You know, he gave me this pep talk, But it

0:27:59.760 --> 0:28:03.280
<v Speaker 3>also felt like a warning in a way, like you know,

0:28:03.320 --> 0:28:04.919
<v Speaker 3>you're not meant to talk about this in front of

0:28:04.960 --> 0:28:07.879
<v Speaker 3>the kids, right, And I just kind of sensed that, like, Okay,

0:28:07.960 --> 0:28:10.159
<v Speaker 3>I don't know what these kids know. I don't know

0:28:10.200 --> 0:28:13.359
<v Speaker 3>if Aimon remembers his older sister, and the fact that

0:28:13.400 --> 0:28:15.760
<v Speaker 3>I'd not been part of their lives felt very deliberate,

0:28:15.840 --> 0:28:18.080
<v Speaker 3>because you know, I was this witness to all that

0:28:18.080 --> 0:28:21.280
<v Speaker 3>had happened, Like maybe Aimon was too young to remember,

0:28:21.280 --> 0:28:23.280
<v Speaker 3>but I remembered Gail, and I knew what had happened,

0:28:23.560 --> 0:28:26.480
<v Speaker 3>and so I always felt like an unwanted guest with them,

0:28:26.520 --> 0:28:28.840
<v Speaker 3>even though I'd seen them a few times. It was like, well,

0:28:28.880 --> 0:28:30.600
<v Speaker 3>you can see is, but you can't get too close,

0:28:30.840 --> 0:28:31.680
<v Speaker 3>if that makes sense.

0:28:32.200 --> 0:28:37.520
<v Speaker 2>Yeah. And also there's Charlie, who you don't know whether

0:28:37.840 --> 0:28:43.480
<v Speaker 2>she even knows about Girl's existence, right, I mean, Girl's

0:28:43.480 --> 0:28:45.840
<v Speaker 2>been in a way kind of written out of the story.

0:28:46.320 --> 0:28:47.760
<v Speaker 1>She has been written out of the story.

0:28:47.840 --> 0:28:51.880
<v Speaker 3>And I'm pretty sure that at least two of the kids,

0:28:52.560 --> 0:28:55.240
<v Speaker 3>Nick and Charlie do not know they'd have a half sister.

0:28:55.640 --> 0:29:03.280
<v Speaker 2>Yeah, it does not go well. Sasha's father displays his

0:29:03.360 --> 0:29:07.520
<v Speaker 2>true colors pretty quickly and flies into a rage. This

0:29:07.720 --> 0:29:11.800
<v Speaker 2>reminds Sasha that perhaps estrangement is for the best after all.

0:29:12.560 --> 0:29:15.760
<v Speaker 2>But some good does come from the visit. She connects

0:29:15.800 --> 0:29:17.400
<v Speaker 2>with her half sister, Charlie.

0:29:18.600 --> 0:29:20.880
<v Speaker 3>She's kind of like a version of me, you know,

0:29:21.000 --> 0:29:23.080
<v Speaker 3>like there's something between the two of us.

0:29:23.080 --> 0:29:24.120
<v Speaker 1>We just connect and clerk.

0:29:24.160 --> 0:29:26.880
<v Speaker 3>Even though I'm twelve years hes senior, and so I'm

0:29:26.920 --> 0:29:30.040
<v Speaker 3>a school librarian at this point in my life back

0:29:30.040 --> 0:29:33.080
<v Speaker 3>in Manchester and I sent her books and I've become

0:29:33.120 --> 0:29:34.640
<v Speaker 3>her pempal, and we writes.

0:29:34.440 --> 0:29:35.920
<v Speaker 1>To each other for the next three years.

0:29:36.360 --> 0:29:38.840
<v Speaker 3>And she's so charming and lovely, and I am so

0:29:38.880 --> 0:29:41.440
<v Speaker 3>sure that she has no idea what's going on. You know,

0:29:41.520 --> 0:29:44.560
<v Speaker 3>what's happened before she was born. And there comes a

0:29:44.640 --> 0:29:47.240
<v Speaker 3>point I go on a vacation swiftly with my boyfriend

0:29:47.280 --> 0:29:49.320
<v Speaker 3>at the time, and I send her a postcard, and

0:29:49.360 --> 0:29:52.200
<v Speaker 3>this postcard really touches a nerve and she writes back

0:29:52.240 --> 0:29:54.840
<v Speaker 3>and she says, you know, Sasha, you can go on vacation,

0:29:55.000 --> 0:29:58.120
<v Speaker 3>but you never come see us. And you know Amon

0:29:58.160 --> 0:30:00.400
<v Speaker 3>had gotten married and you never came to his wedding.

0:30:00.960 --> 0:30:02.680
<v Speaker 3>And I don't know how to reply to this letter,

0:30:02.800 --> 0:30:05.480
<v Speaker 3>like she's so annoyed at me. She's a teenager now,

0:30:05.640 --> 0:30:07.760
<v Speaker 3>and I don't know what to say to her. I

0:30:07.800 --> 0:30:09.760
<v Speaker 3>can't say to her, you know, your parents have this

0:30:09.920 --> 0:30:13.440
<v Speaker 3>secret that they're hiding from you guys, that happened before

0:30:13.440 --> 0:30:15.120
<v Speaker 3>you were born. Like I don't know what she knows.

0:30:15.160 --> 0:30:17.440
<v Speaker 3>I don't know what they told her. And so I

0:30:17.560 --> 0:30:20.480
<v Speaker 3>just I realized I have to kind of be estranged

0:30:20.520 --> 0:30:22.520
<v Speaker 3>from my half sister as well, even though it pains

0:30:22.560 --> 0:30:24.840
<v Speaker 3>me so much, and so I basically write to her

0:30:25.000 --> 0:30:28.800
<v Speaker 3>and very vaguely say, look, I wasn't invited to that wedding.

0:30:28.840 --> 0:30:30.040
<v Speaker 1>That's why I wasn't there.

0:30:30.400 --> 0:30:32.520
<v Speaker 3>And I don't really got on with Dad, but I

0:30:32.520 --> 0:30:34.200
<v Speaker 3>will always be there for you in some way if

0:30:34.240 --> 0:30:36.760
<v Speaker 3>I can be. And it's kind of like a goodbye letter,

0:30:36.960 --> 0:30:41.280
<v Speaker 3>and I know it is because shortly afterwards, my dad

0:30:41.280 --> 0:30:44.240
<v Speaker 3>actually writes me a letter saying, you know, I can't

0:30:44.240 --> 0:30:47.920
<v Speaker 3>believe you wrote this venomous letter to your sister, like.

0:30:47.880 --> 0:30:48.520
<v Speaker 1>How dare you?

0:30:49.120 --> 0:30:51.840
<v Speaker 3>And the fact that that's what my dad thinks of me.

0:30:52.280 --> 0:30:54.480
<v Speaker 3>It just discussed me and I hate him so much

0:30:54.520 --> 0:30:57.920
<v Speaker 3>and I'm just done. At that point, I decided to

0:30:58.000 --> 0:31:00.240
<v Speaker 3>kind of like divorce my dad in a way, even

0:31:00.280 --> 0:31:02.440
<v Speaker 3>changed my name shortly afterwards, so I don't have his

0:31:02.480 --> 0:31:06.360
<v Speaker 3>surname anymore. And unfortunately that's the end of me and

0:31:06.440 --> 0:31:07.960
<v Speaker 3>Charlie for a number of years.

0:31:10.240 --> 0:31:15.320
<v Speaker 2>During those next years, another relationship begins. Sasha meets Ted,

0:31:15.760 --> 0:31:19.040
<v Speaker 2>a fellow cartoonist, and it becomes clear to her very

0:31:19.120 --> 0:31:23.880
<v Speaker 2>soon that Ted is her person. He's someone she can trust.

0:31:25.080 --> 0:31:27.560
<v Speaker 3>I meet Ted in late two thousand and four, and

0:31:27.600 --> 0:31:29.080
<v Speaker 3>by two thousand and five it's kind.

0:31:29.000 --> 0:31:30.959
<v Speaker 1>Of obvious that we are meant to be together.

0:31:31.440 --> 0:31:33.360
<v Speaker 3>So I visit him in the United States and we

0:31:33.520 --> 0:31:37.000
<v Speaker 3>go on this road trip from Saint Louis to Chicago,

0:31:37.120 --> 0:31:38.920
<v Speaker 3>and I know that he is my person and not

0:31:39.000 --> 0:31:41.640
<v Speaker 3>going to get married, and I feel like I really

0:31:41.680 --> 0:31:43.400
<v Speaker 3>need to tell him and get this off my chest.

0:31:43.600 --> 0:31:45.440
<v Speaker 3>I've told him everything else about my life, but I've

0:31:45.440 --> 0:31:48.000
<v Speaker 3>not told him about my real father. So I tell

0:31:48.040 --> 0:31:51.920
<v Speaker 3>him this family history about Lorraine and my dad and

0:31:52.000 --> 0:31:54.920
<v Speaker 3>Gail and what happened and how Lorrain and my dad

0:31:54.960 --> 0:31:58.280
<v Speaker 3>got together again and had children, and how I just

0:31:58.320 --> 0:31:59.120
<v Speaker 3>have this history.

0:31:59.160 --> 0:32:00.360
<v Speaker 1>And I told him about Gail.

0:32:00.600 --> 0:32:02.560
<v Speaker 3>I didn't tell him about the sexual abuse with Gail,

0:32:02.600 --> 0:32:04.800
<v Speaker 3>but I told him about Gail coming to live with

0:32:04.880 --> 0:32:09.280
<v Speaker 3>us and being abusive. And my husband's response is just

0:32:09.360 --> 0:32:11.479
<v Speaker 3>pure love, Like he's just so sorry that I had

0:32:11.520 --> 0:32:14.080
<v Speaker 3>to carry all lot as a kid and as a

0:32:14.120 --> 0:32:17.440
<v Speaker 3>young person, and I'm like, it doesn't matter, like it's

0:32:17.440 --> 0:32:19.720
<v Speaker 3>in the past, is behind me, Like America feels like

0:32:19.760 --> 0:32:23.200
<v Speaker 3>this whole new start, and actually my story just telling

0:32:23.200 --> 0:32:25.720
<v Speaker 3>you this just feels so much lighter in my chest, Like, oh,

0:32:25.880 --> 0:32:27.800
<v Speaker 3>it's so good to be past all that old stuff

0:32:27.800 --> 0:32:29.920
<v Speaker 3>that baggage that I don't have to carry to my

0:32:29.960 --> 0:32:30.880
<v Speaker 3>new life in America.

0:32:31.560 --> 0:32:33.520
<v Speaker 1>So yeah, I really feel like I get past my

0:32:33.640 --> 0:32:35.960
<v Speaker 1>past and I'm happy, you know, like I have a

0:32:35.960 --> 0:32:36.480
<v Speaker 1>good life.

0:32:36.480 --> 0:32:39.960
<v Speaker 3>I work hard, I kind of enjoy, kind of let

0:32:40.000 --> 0:32:42.520
<v Speaker 3>the people around me. I work on making comics and

0:32:42.560 --> 0:32:45.480
<v Speaker 3>being a graphic novelist, and everything's going right, at least

0:32:45.480 --> 0:32:46.600
<v Speaker 3>for a couple of years, you know.

0:32:47.360 --> 0:32:50.760
<v Speaker 2>Yeah, First of all, I love that you instinctively chose

0:32:51.040 --> 0:32:53.800
<v Speaker 2>a road trip and a car to unburden yourself, to

0:32:53.840 --> 0:32:56.400
<v Speaker 2>tell him the whole story, or most of the story.

0:32:56.800 --> 0:33:00.280
<v Speaker 2>There's something about cars that are just like confessionals. You know,

0:33:00.480 --> 0:33:02.640
<v Speaker 2>you're driving along the other person can't get out. The

0:33:02.680 --> 0:33:05.000
<v Speaker 2>world is kind of you know, you're speeding by in

0:33:05.040 --> 0:33:07.920
<v Speaker 2>a blur, but you're in this like really intimate little

0:33:08.200 --> 0:33:09.560
<v Speaker 2>confessional bubble.

0:33:09.920 --> 0:33:13.000
<v Speaker 3>Right, And imagine also, all the events of my childhood

0:33:13.040 --> 0:33:15.360
<v Speaker 3>took place under these grace guys of Manchester where it

0:33:15.360 --> 0:33:18.560
<v Speaker 3>always rains. And suddenly I'm like driving through cornfields and

0:33:18.600 --> 0:33:20.720
<v Speaker 3>the sky is blue, and I just feel so far

0:33:20.760 --> 0:33:23.920
<v Speaker 3>from where I started, you know, like geographically, just everything

0:33:23.920 --> 0:33:26.000
<v Speaker 3>feels different, like life isn't technical, and.

0:33:26.080 --> 0:33:29.520
<v Speaker 1>Now that's how it felt.

0:33:30.760 --> 0:33:34.080
<v Speaker 2>It's now years into what Sasha describes as her shiny

0:33:34.160 --> 0:33:38.520
<v Speaker 2>American life. She's married Ted and the couple has a daughter.

0:33:38.680 --> 0:33:43.800
<v Speaker 2>Via Sasha's first graphic novel is published, It's a Good, Rich,

0:33:44.040 --> 0:33:49.080
<v Speaker 2>Shiny Time. And then in twenty twelve, Sasha gets a

0:33:49.120 --> 0:33:51.760
<v Speaker 2>letter from Charlie out of the blue.

0:33:52.760 --> 0:33:54.960
<v Speaker 1>She actually finds me through my Etsy store.

0:33:55.200 --> 0:33:57.520
<v Speaker 3>And I've not been easy to find right because I've

0:33:57.600 --> 0:34:00.920
<v Speaker 3>changed my name legally and I've switched on. But she

0:34:01.000 --> 0:34:03.440
<v Speaker 3>remembered that I made comics, and she remembered the name

0:34:03.480 --> 0:34:05.680
<v Speaker 3>of which I made comics, and she found them on Etsy.

0:34:05.760 --> 0:34:08.680
<v Speaker 3>So I got a message from her saying, is this you?

0:34:08.760 --> 0:34:12.320
<v Speaker 3>This is me Charlie, And we struck up an instant friendship,

0:34:12.320 --> 0:34:15.239
<v Speaker 3>picking up where we left off, and we skype and

0:34:15.280 --> 0:34:18.600
<v Speaker 3>we write emails and it's wonderful, like she's grown up

0:34:18.640 --> 0:34:20.960
<v Speaker 3>into a really beautiful young woman, Like I'm.

0:34:20.760 --> 0:34:22.719
<v Speaker 1>So proud to know her and proud that she's my

0:34:23.000 --> 0:34:23.600
<v Speaker 1>half sister.

0:34:24.560 --> 0:34:26.400
<v Speaker 3>And what I noticed straight off the bat is that

0:34:26.440 --> 0:34:29.480
<v Speaker 3>she's not talking about my dad, like where is he?

0:34:29.560 --> 0:34:31.359
<v Speaker 3>And for a moment, I think, well, maybe he's dead

0:34:31.360 --> 0:34:34.360
<v Speaker 3>and that's why she's contacting me, But she goes on

0:34:34.440 --> 0:34:36.400
<v Speaker 3>to tell me that she knows some things about my

0:34:36.480 --> 0:34:39.480
<v Speaker 3>dad now that she didn't know back then. And furthermore,

0:34:39.560 --> 0:34:43.440
<v Speaker 3>he has left Lorraine. It turns out that around the

0:34:43.480 --> 0:34:48.000
<v Speaker 3>same time Lorraine was pregnant with Nick, another woman was

0:34:48.040 --> 0:34:51.319
<v Speaker 3>also pregnant with my father's child, a Spanish lady, and

0:34:51.360 --> 0:34:53.960
<v Speaker 3>my dad has like left Lorraine to go be with

0:34:54.080 --> 0:34:58.640
<v Speaker 3>his son and his former girlfriend, his former mistress in Spain.

0:34:59.280 --> 0:35:02.960
<v Speaker 3>So it's a real chuck, and it's also like confirmation,

0:35:03.200 --> 0:35:05.360
<v Speaker 3>like I knew this man was a piece of crap,

0:35:05.400 --> 0:35:08.320
<v Speaker 3>and this has just confirmed it. And I'm so delighted

0:35:08.360 --> 0:35:11.160
<v Speaker 3>to have my half sister back in my life. I'm

0:35:11.200 --> 0:35:13.320
<v Speaker 3>really happy to have this validation that I did the

0:35:13.400 --> 0:35:16.839
<v Speaker 3>right thing in getting estranged from my father. But it's

0:35:16.840 --> 0:35:20.040
<v Speaker 3>also a time when Lorraine kind of enters my life

0:35:20.040 --> 0:35:23.040
<v Speaker 3>as well. Lorrain is a spurned woman and she spends

0:35:23.400 --> 0:35:26.239
<v Speaker 3>her time now stalking my dad like on Facebook and

0:35:26.239 --> 0:35:28.480
<v Speaker 3>looking up pictures of him in Spain, like happy with

0:35:28.560 --> 0:35:31.360
<v Speaker 3>this new woman, And she kind of calls me on

0:35:31.400 --> 0:35:33.080
<v Speaker 3>the phone and she tells me this stuff, and it

0:35:33.120 --> 0:35:36.319
<v Speaker 3>really feels like this past that I've really tried hard

0:35:36.360 --> 0:35:40.520
<v Speaker 3>to move away from, like physically, you know, and geographically

0:35:40.880 --> 0:35:43.000
<v Speaker 3>it's kind of back, like the baggage just back. So

0:35:43.120 --> 0:35:45.800
<v Speaker 3>even though I'm happy to have Charlie back, it feels

0:35:45.800 --> 0:35:47.520
<v Speaker 3>like this family story has kind of come back to

0:35:47.560 --> 0:35:50.080
<v Speaker 3>haunt me a little bit, and it really coincides with

0:35:50.160 --> 0:35:53.040
<v Speaker 3>the beginning of this growing anxiety that I just find

0:35:53.280 --> 0:35:54.200
<v Speaker 3>I'm not able to shake.

0:36:01.800 --> 0:36:25.600
<v Speaker 2>We'll be right back. William Faulkner once wrote, the past

0:36:25.680 --> 0:36:30.800
<v Speaker 2>is never dead, it's not even past. In many ways,

0:36:30.920 --> 0:36:34.600
<v Speaker 2>this applies to Sasha's experience when she's around forty and

0:36:34.640 --> 0:36:39.440
<v Speaker 2>the past returns. The secret does not behave or remains silent.

0:36:40.120 --> 0:36:43.640
<v Speaker 2>It's like a slumbering giant waking up, and when it

0:36:43.680 --> 0:36:47.319
<v Speaker 2>wakes up, it does so in the form of terrible anxiety.

0:36:48.239 --> 0:36:52.680
<v Speaker 2>Sasha develops acne, a symptom of what's going on inside emotionally.

0:36:53.800 --> 0:36:58.759
<v Speaker 2>To ease the stress, she tries yoga, acupuncture, meditation, but

0:36:58.880 --> 0:37:04.520
<v Speaker 2>nothing is working. There's an unconscious symmetry at work. Sasha's

0:37:04.560 --> 0:37:08.000
<v Speaker 2>daughter is about seven, very close in age to when

0:37:08.000 --> 0:37:10.439
<v Speaker 2>Sasha's own life had been turned upside down.

0:37:11.880 --> 0:37:13.840
<v Speaker 3>It took me a while to make the connection between

0:37:13.960 --> 0:37:17.239
<v Speaker 3>my acne and my anxiety. It was my acupuncturist who

0:37:17.280 --> 0:37:19.480
<v Speaker 3>pointed it out to me, and he was so honest

0:37:19.480 --> 0:37:21.200
<v Speaker 3>with me. He said, look, I think we've gone as

0:37:21.239 --> 0:37:23.399
<v Speaker 3>far as we can go, and the next step will

0:37:23.440 --> 0:37:27.120
<v Speaker 3>be therapy because it's obviously like an emotional healing that

0:37:27.480 --> 0:37:30.040
<v Speaker 3>is what you need, it's not a physical thing. His

0:37:30.160 --> 0:37:32.319
<v Speaker 3>honesty was such a gift to me because I really

0:37:32.360 --> 0:37:35.040
<v Speaker 3>did need that emotional healing and it was actually through

0:37:35.080 --> 0:37:38.040
<v Speaker 3>his influence that I was trying meditation, and I would

0:37:38.280 --> 0:37:40.920
<v Speaker 3>you know, I found meditation so hard. I mean it

0:37:40.960 --> 0:37:43.520
<v Speaker 3>makes you ache, Your back hurts, you know, your bum hurts,

0:37:43.719 --> 0:37:45.920
<v Speaker 3>and it's so boring. And then when you finally get

0:37:46.000 --> 0:37:48.560
<v Speaker 3>quiet enough, I would just start crying. You know this

0:37:49.000 --> 0:37:51.520
<v Speaker 3>this pain was coming up. It's because my daughter is

0:37:51.520 --> 0:37:53.920
<v Speaker 3>the same age as me. When my life just like

0:37:53.960 --> 0:37:56.759
<v Speaker 3>began to fall apart, you know, my childhood really took

0:37:56.760 --> 0:37:59.799
<v Speaker 3>a tone for the dark. So I was grateful that

0:37:59.840 --> 0:38:04.640
<v Speaker 3>I had support to make that connection. And then the

0:38:04.680 --> 0:38:07.479
<v Speaker 3>accupunturist actually pointed me to a therapist here in Saint

0:38:07.480 --> 0:38:11.360
<v Speaker 3>Louis where I would begin excavating and doing this self

0:38:11.400 --> 0:38:16.000
<v Speaker 3>reckoning in therapy that would actually bring light to all

0:38:16.000 --> 0:38:17.799
<v Speaker 3>this darkness as well.

0:38:17.840 --> 0:38:20.600
<v Speaker 1>As the you know, the acne and the anxiety.

0:38:20.640 --> 0:38:23.360
<v Speaker 3>I was also having nightmares, like every night, you know,

0:38:23.400 --> 0:38:25.520
<v Speaker 3>I would go to bed and have dreams where I'd

0:38:25.560 --> 0:38:27.840
<v Speaker 3>either wake up in panic and able to breathe, or

0:38:27.840 --> 0:38:30.920
<v Speaker 3>I'd find like mangled girls and car crashes, or I'd

0:38:30.960 --> 0:38:33.880
<v Speaker 3>be lost in dark cities or just in complete darkness.

0:38:34.360 --> 0:38:37.279
<v Speaker 3>My dreams were so frightening that I knew there was

0:38:37.280 --> 0:38:40.000
<v Speaker 3>something wrong, and I knew that I had to start

0:38:40.320 --> 0:38:42.640
<v Speaker 3>talking to someone, start asking for help. And I come

0:38:42.680 --> 0:38:45.239
<v Speaker 3>from a culture, come from England, where we don't go

0:38:45.320 --> 0:38:46.960
<v Speaker 3>to therapy, you know, we go to the football. We

0:38:47.000 --> 0:38:49.399
<v Speaker 3>go to see the football. It's not a culture where

0:38:49.400 --> 0:38:50.680
<v Speaker 3>you ask for help.

0:38:50.800 --> 0:38:52.200
<v Speaker 1>We have a stuff up alp, you know.

0:38:52.520 --> 0:38:55.520
<v Speaker 3>So I had a lot of biases to overcome before

0:38:55.560 --> 0:38:58.000
<v Speaker 3>I could go to therapy, but I'm so glad I did.

0:38:59.080 --> 0:39:02.160
<v Speaker 2>So you'll go see Chris, your therapist, and in your

0:39:02.200 --> 0:39:04.960
<v Speaker 2>first session, I was struck by this. I think it's

0:39:04.960 --> 0:39:08.080
<v Speaker 2>something that happens a lot in therapy, which is that

0:39:08.800 --> 0:39:11.919
<v Speaker 2>you tell him a lot, You spill out a lot

0:39:11.960 --> 0:39:15.880
<v Speaker 2>of your story, but you don't tell him the quote

0:39:15.920 --> 0:39:18.879
<v Speaker 2>unquote worst thing, right, You don't tell him the thing

0:39:18.920 --> 0:39:24.120
<v Speaker 2>that you also didn't tell ted. You don't tell him

0:39:24.200 --> 0:39:28.319
<v Speaker 2>about the molestation that Gail perpetrated on you.

0:39:29.160 --> 0:39:31.480
<v Speaker 3>Yeah. I remember being in that first session and I

0:39:31.560 --> 0:39:35.239
<v Speaker 3>was telling him this crazy family history with these two

0:39:35.280 --> 0:39:38.680
<v Speaker 3>weird couples who swapped fathers, and then everything that happened

0:39:38.719 --> 0:39:41.320
<v Speaker 3>with Gail. Just everything sounded like a bad soap opera.

0:39:41.400 --> 0:39:43.040
<v Speaker 1>You know, it's just too much.

0:39:43.360 --> 0:39:45.399
<v Speaker 3>And there was a small voice inside me saying, tell

0:39:45.440 --> 0:39:47.600
<v Speaker 3>him about the other thing too, But I just couldn't

0:39:47.600 --> 0:39:49.840
<v Speaker 3>do it, you know, I was too embarrassed, like I

0:39:49.840 --> 0:39:51.919
<v Speaker 3>don't know this guy, Like I've only just met him

0:39:51.960 --> 0:39:53.960
<v Speaker 3>and he's a man, and I'm going to tell him

0:39:53.960 --> 0:39:57.160
<v Speaker 3>the darkest secret that I've never told anybody, literally, never

0:39:57.200 --> 0:39:59.960
<v Speaker 3>told anybody. And there was another voice in my head

0:40:00.120 --> 0:40:02.480
<v Speaker 3>that said, and besides, it doesn't matter. It was just

0:40:02.520 --> 0:40:04.960
<v Speaker 3>a stupid kid game, like just forget it, forget it,

0:40:05.000 --> 0:40:08.480
<v Speaker 3>forget it. And that had been the dueling voice throughout

0:40:08.520 --> 0:40:10.719
<v Speaker 3>the years. You know that I'd pushed this dock his

0:40:10.840 --> 0:40:12.839
<v Speaker 3>secret down.

0:40:15.400 --> 0:40:18.399
<v Speaker 2>Early on in their work together, Chris tells Sasha about

0:40:18.440 --> 0:40:23.760
<v Speaker 2>a therapeutic system called internal family systems or ifs for short.

0:40:24.400 --> 0:40:28.480
<v Speaker 2>It doesn't really resonate with Sasha At first, she's suspicious

0:40:28.560 --> 0:40:32.320
<v Speaker 2>about therapy and whether it can help her. There's something

0:40:32.400 --> 0:40:37.759
<v Speaker 2>called parts work, which seems silly, the idea that were

0:40:37.760 --> 0:40:40.160
<v Speaker 2>made up of different parts and that accessing them can

0:40:40.200 --> 0:40:46.000
<v Speaker 2>be useful, even healing. So she's resistant, but there's also

0:40:46.080 --> 0:40:51.520
<v Speaker 2>trust building between Chris and Sasha. At the same time,

0:40:51.760 --> 0:40:55.799
<v Speaker 2>the Me Too movement has just exploded into being, and

0:40:55.880 --> 0:40:59.480
<v Speaker 2>this is triggering to Sasha. The abuse that had happened

0:40:59.520 --> 0:41:02.560
<v Speaker 2>when she was eight years old doesn't fall into any

0:41:02.600 --> 0:41:05.840
<v Speaker 2>of the typical me too narratives, and she doesn't know

0:41:05.880 --> 0:41:09.120
<v Speaker 2>what to do with it. The past roars back into

0:41:09.200 --> 0:41:13.279
<v Speaker 2>the present. Sasha comes into a session after having had

0:41:13.320 --> 0:41:14.600
<v Speaker 2>a very disturbing dream.

0:41:15.840 --> 0:41:18.560
<v Speaker 3>I have a nightmare that I go into my daughter's

0:41:18.600 --> 0:41:20.640
<v Speaker 3>room to check on her, and she's okay, And when

0:41:20.640 --> 0:41:22.359
<v Speaker 3>I go back to my bed, there's a little girl

0:41:22.400 --> 0:41:24.320
<v Speaker 3>in the bed and I'm mo lest I dream this

0:41:24.600 --> 0:41:26.200
<v Speaker 3>and I'm so disturbed by it.

0:41:26.440 --> 0:41:28.000
<v Speaker 1>And suddenly I just fall apart.

0:41:28.440 --> 0:41:30.759
<v Speaker 3>Like I hold my life together enough to take my

0:41:30.880 --> 0:41:33.200
<v Speaker 3>kid to school, and then on the way home, I

0:41:33.280 --> 0:41:35.560
<v Speaker 3>just like cry all the way and I can't wait

0:41:35.560 --> 0:41:37.360
<v Speaker 3>for therapists to roll around because I know that I

0:41:37.400 --> 0:41:41.200
<v Speaker 3>finally have to tell my therapist Chris this component of

0:41:41.239 --> 0:41:43.759
<v Speaker 3>my story that I've not told anyone. And when I

0:41:43.800 --> 0:41:48.080
<v Speaker 3>do tell him, he's never seen me falling apart like

0:41:48.120 --> 0:41:51.120
<v Speaker 3>that before. He's never seen me weeping and shaking, you know.

0:41:51.200 --> 0:41:54.160
<v Speaker 3>But I'm just so disturbed by the past that all

0:41:54.200 --> 0:41:57.600
<v Speaker 3>of a sudden wants to come out, you know. And

0:41:57.719 --> 0:42:01.319
<v Speaker 3>when I tell him this secret about Gail's molestation of

0:42:01.360 --> 0:42:04.120
<v Speaker 3>me as children, the first thing he says is like,

0:42:04.160 --> 0:42:06.960
<v Speaker 3>you're not the first. There are many kids this happens too.

0:42:07.560 --> 0:42:10.760
<v Speaker 3>And he even suggests it's possible that Gail was abused

0:42:10.800 --> 0:42:13.800
<v Speaker 3>before my father came along, that maybe she was acting

0:42:13.800 --> 0:42:15.960
<v Speaker 3>out things on me like a younger kid, to regain

0:42:16.040 --> 0:42:19.400
<v Speaker 3>some kind of power that is obviously unknowable. But for

0:42:19.440 --> 0:42:21.759
<v Speaker 3>the first time it gave me like a feeling of

0:42:21.840 --> 0:42:24.239
<v Speaker 3>like empathy, like oh wow, Like that's not even something

0:42:24.280 --> 0:42:26.280
<v Speaker 3>I could have considered that could have happened to Gail,

0:42:26.600 --> 0:42:29.960
<v Speaker 3>you know. And so this very difficult story comes up,

0:42:30.040 --> 0:42:33.239
<v Speaker 3>and it's like in that session, Chris offers me the

0:42:33.320 --> 0:42:37.000
<v Speaker 3>keys to healing it. He says to me, you know

0:42:37.040 --> 0:42:39.520
<v Speaker 3>that that eight year old part of you that's feeling

0:42:39.560 --> 0:42:42.280
<v Speaker 3>this pain, now, you know, how to parent it because

0:42:42.280 --> 0:42:44.880
<v Speaker 3>you're a wonderful parents. You are on daughter Verra, so

0:42:45.000 --> 0:42:47.600
<v Speaker 3>you can take that same love, that same ferocious love,

0:42:47.960 --> 0:42:49.680
<v Speaker 3>and you can give it to that kid.

0:42:49.440 --> 0:42:49.920
<v Speaker 1>Part of you.

0:42:50.960 --> 0:42:54.560
<v Speaker 3>And in that moment, like this IFS therapy, which had

0:42:54.600 --> 0:42:58.080
<v Speaker 3>rejected previously, it started to make sense, like, Yeah, I

0:42:58.120 --> 0:43:00.000
<v Speaker 3>am a good mother and I am a good person,

0:43:00.040 --> 0:43:03.440
<v Speaker 3>and I can give myself that care and compassion. This

0:43:03.600 --> 0:43:05.840
<v Speaker 3>was like an youth way forward. And it began with

0:43:06.560 --> 0:43:08.640
<v Speaker 3>the hardest thing that I ever had to tell him.

0:43:09.560 --> 0:43:14.680
<v Speaker 2>Yeah, it's like something clicked. And you then begin this

0:43:14.719 --> 0:43:18.560
<v Speaker 2>three month project of writing everything that comes to mind,

0:43:18.600 --> 0:43:21.640
<v Speaker 2>everything that you think, everything you remember, and filling up notebooks,

0:43:23.040 --> 0:43:25.960
<v Speaker 2>sort of addressing, as you put it, this little ghost child,

0:43:26.640 --> 0:43:32.560
<v Speaker 2>and just being in communication with her with this, you know,

0:43:32.840 --> 0:43:34.240
<v Speaker 2>eight year old Sasha.

0:43:35.920 --> 0:43:38.600
<v Speaker 1>You know, Danny, It's funny because I'm a writer.

0:43:38.719 --> 0:43:40.920
<v Speaker 3>You know, I've written graphic novels and I've written personal

0:43:41.000 --> 0:43:44.000
<v Speaker 3>stories before, and yet I feel that there's a way

0:43:44.040 --> 0:43:47.480
<v Speaker 3>that you can recount things without actually feeling the emotions

0:43:47.520 --> 0:43:50.000
<v Speaker 3>attached to them. And I feel that as a writer.

0:43:50.160 --> 0:43:53.000
<v Speaker 3>That's previously what I've done in my earlier books. But

0:43:53.040 --> 0:43:55.239
<v Speaker 3>when I wrote in these composition books, the story of

0:43:55.280 --> 0:43:58.520
<v Speaker 3>my childhood and everything I remembered, and I would piece

0:43:58.560 --> 0:44:02.239
<v Speaker 3>together like the timeline from what pop songs I could

0:44:02.280 --> 0:44:03.200
<v Speaker 3>remember on the radio.

0:44:03.560 --> 0:44:06.040
<v Speaker 1>It just went so deep. It was this huge excavation,

0:44:06.480 --> 0:44:07.360
<v Speaker 1>and for the first.

0:44:07.080 --> 0:44:10.360
<v Speaker 3>Time, I was feeling every single feeling that that kid

0:44:10.400 --> 0:44:13.040
<v Speaker 3>never felt safe enough to feel or didn't know how

0:44:13.080 --> 0:44:16.000
<v Speaker 3>to express. And it was so painful. I would get

0:44:16.080 --> 0:44:18.239
<v Speaker 3>up at like five thirty in the morning and like

0:44:18.320 --> 0:44:21.720
<v Speaker 3>write for like forty minutes and then spend twenty minutes weeping.

0:44:22.280 --> 0:44:24.520
<v Speaker 3>And it took me three months to write my childhood

0:44:24.520 --> 0:44:28.440
<v Speaker 3>from beginning to end, and it broke something open in me.

0:44:28.960 --> 0:44:31.880
<v Speaker 3>I was a different person in therapy after that. My

0:44:32.000 --> 0:44:35.279
<v Speaker 3>vulnerability was right there on the surface, but it was

0:44:35.320 --> 0:44:37.960
<v Speaker 3>no longer something that felt like weakness. It was something

0:44:38.000 --> 0:44:40.839
<v Speaker 3>that felt like I can connect now because I'm in

0:44:40.880 --> 0:44:42.160
<v Speaker 3>touch with the deepest pain.

0:44:46.200 --> 0:44:49.719
<v Speaker 2>During this time, Sasha is unpacking boxes of books at

0:44:49.719 --> 0:44:53.880
<v Speaker 2>the library and a book literally falls into her hands.

0:44:54.320 --> 0:44:57.440
<v Speaker 2>It's a book about internal family systems.

0:44:58.719 --> 0:45:00.840
<v Speaker 1>It's not only a book about intil family systems.

0:45:00.840 --> 0:45:02.840
<v Speaker 3>It's a book on how to draw your parts and

0:45:02.960 --> 0:45:06.080
<v Speaker 3>use creativity to work with your parts. It's like, oh wow,

0:45:06.160 --> 0:45:08.680
<v Speaker 3>this book is not only about IFS, it's talking my

0:45:08.760 --> 0:45:11.880
<v Speaker 3>love language. And so I set about drawing my parts

0:45:12.200 --> 0:45:14.480
<v Speaker 3>and a representation of self. And I took this to

0:45:14.520 --> 0:45:18.239
<v Speaker 3>my therapist and Chris just nerded out, like finally I

0:45:18.280 --> 0:45:20.120
<v Speaker 3>was coming around in his way of seeing the world,

0:45:20.400 --> 0:45:22.800
<v Speaker 3>you know, And yeah, it began my IFS journey.

0:45:23.800 --> 0:45:27.319
<v Speaker 1>When you have a childhood that's like difficult, or you're neglected.

0:45:26.840 --> 0:45:31.239
<v Speaker 3>Or abused or just not seen, children will invariably take

0:45:31.280 --> 0:45:33.840
<v Speaker 3>on this idea that this is my responsibility, somehow, this

0:45:33.920 --> 0:45:37.000
<v Speaker 3>is my fault, and you will take on coping strategies

0:45:37.000 --> 0:45:40.120
<v Speaker 3>to deal with that stressful family life. And IFS calls

0:45:40.160 --> 0:45:43.880
<v Speaker 3>those coping strategies parts, and they can manifest.

0:45:43.520 --> 0:45:45.320
<v Speaker 1>As protective parts.

0:45:45.360 --> 0:45:47.920
<v Speaker 3>So it may be a part that manages how you

0:45:47.920 --> 0:45:50.360
<v Speaker 3>appear to the world like a perfectionist, like I can't

0:45:50.400 --> 0:45:52.799
<v Speaker 3>mess up because you know, I need to sort of

0:45:52.800 --> 0:45:55.160
<v Speaker 3>protect the vulnerabilities in me. I can't have people getting

0:45:55.160 --> 0:45:58.440
<v Speaker 3>mad at me because then the vulnerability inside me.

0:45:58.440 --> 0:46:01.000
<v Speaker 1>Will get triggered. So IFS has.

0:46:00.880 --> 0:46:03.640
<v Speaker 3>Components, like different kinds of parts, and what you do

0:46:03.760 --> 0:46:06.880
<v Speaker 3>is you bring those parts into awareness with your therapist

0:46:07.080 --> 0:46:09.800
<v Speaker 3>and you discover their backstory, and once you have this

0:46:11.200 --> 0:46:13.600
<v Speaker 3>awareness of the part and how it came into being,

0:46:13.880 --> 0:46:17.160
<v Speaker 3>you can kind of connect with your core self. It's

0:46:17.200 --> 0:46:21.880
<v Speaker 3>when you feel those qualities maybe of compassion or calm

0:46:22.040 --> 0:46:25.239
<v Speaker 3>or courage. Those are aspects of our core self that

0:46:25.360 --> 0:46:27.920
<v Speaker 3>is not damaged by trauma. And when we bring in

0:46:27.960 --> 0:46:32.040
<v Speaker 3>our imaginations together self that we feel in our bodies

0:46:32.160 --> 0:46:34.840
<v Speaker 3>and the story of our parts, we can begin to

0:46:34.920 --> 0:46:37.520
<v Speaker 3>unburden them. It sounds a little bit woo woo, but

0:46:37.600 --> 0:46:39.680
<v Speaker 3>the experience of it is that you get to know

0:46:39.719 --> 0:46:41.799
<v Speaker 3>yourself so well, and you get to know your own

0:46:41.880 --> 0:46:44.680
<v Speaker 3>story really well, and you get to pull on this

0:46:44.760 --> 0:46:48.440
<v Speaker 3>inner resource of your own human heart. When you practice

0:46:48.440 --> 0:46:52.320
<v Speaker 3>it with a good therapist, it can be incredibly, incredibly powerful.

0:46:52.520 --> 0:46:54.680
<v Speaker 3>And that was my experience of ifs.

0:46:58.000 --> 0:47:02.080
<v Speaker 2>Social works effectively with Chris. While she really likes him

0:47:02.160 --> 0:47:05.680
<v Speaker 2>and trusts him, at the same time, she has a

0:47:05.680 --> 0:47:08.960
<v Speaker 2>feeling that maybe she needs to see a female therapist

0:47:09.320 --> 0:47:12.800
<v Speaker 2>to work through some of her mother's stuff. She worries

0:47:12.840 --> 0:47:15.480
<v Speaker 2>that this is a betrayal, but her desire to grow

0:47:15.640 --> 0:47:19.600
<v Speaker 2>and heal outweighs those worries. She starts seeing a new

0:47:19.680 --> 0:47:25.080
<v Speaker 2>therapist named Sally, and Asasha writes, the silent parts began

0:47:25.200 --> 0:47:29.120
<v Speaker 2>to speak. Sally works with Sasha in a way that

0:47:29.160 --> 0:47:33.920
<v Speaker 2>begins to unlock what is known in IFS as legacy burdens.

0:47:34.400 --> 0:47:37.360
<v Speaker 2>She begins to explore the links between what happened to

0:47:37.440 --> 0:47:41.160
<v Speaker 2>her mother, her grandmother, her great grandmother, and the entire

0:47:41.320 --> 0:47:44.719
<v Speaker 2>chain of female ancestors who came before her, and the

0:47:44.800 --> 0:47:48.680
<v Speaker 2>generational trauma she had inherited. The woman who had been

0:47:49.000 --> 0:47:53.400
<v Speaker 2>highly suspicious of therapy now has nerded out. She wants

0:47:53.480 --> 0:47:55.520
<v Speaker 2>more and more and more.

0:47:56.680 --> 0:47:59.399
<v Speaker 3>So I start seeing Sally and we do nine months

0:47:59.400 --> 0:48:02.960
<v Speaker 3>survive as together, which wasn't my intention when I set out,

0:48:03.000 --> 0:48:05.600
<v Speaker 3>but the symbolic number of nine months, it really did

0:48:05.640 --> 0:48:09.000
<v Speaker 3>feel like a birth. And with her therapy immediately is

0:48:09.080 --> 0:48:11.520
<v Speaker 3>kind of different. She relates to me as a woman,

0:48:11.560 --> 0:48:13.600
<v Speaker 3>and she relates to me as a mother, and that's

0:48:13.680 --> 0:48:15.720
<v Speaker 3>the territory we end up exploring together.

0:48:16.200 --> 0:48:17.759
<v Speaker 1>So there was another family secret that I.

0:48:17.800 --> 0:48:20.160
<v Speaker 3>Knew about and I didn't really know what to do with,

0:48:20.800 --> 0:48:23.320
<v Speaker 3>is that my mother, when she was thirteen was raped

0:48:23.360 --> 0:48:25.600
<v Speaker 3>by a family member, and she had kept that head

0:48:25.680 --> 0:48:28.040
<v Speaker 3>in her whole life, and I think it had kind

0:48:28.040 --> 0:48:31.279
<v Speaker 3>of shaped her decisions like of joining a church and

0:48:31.280 --> 0:48:35.600
<v Speaker 3>becoming religious. I had lots of ideas about what happened

0:48:35.600 --> 0:48:38.719
<v Speaker 3>to her. I'd never really connected with empathy for her.

0:48:38.960 --> 0:48:41.839
<v Speaker 3>There was numbness there rather than feeling, you know, like

0:48:41.880 --> 0:48:43.840
<v Speaker 3>the true depth of feeling that my mum as a

0:48:44.080 --> 0:48:47.560
<v Speaker 3>child had been so deeply wounded, you know. And so

0:48:47.840 --> 0:48:51.120
<v Speaker 3>in therapy with Sally we kind of explore this. And

0:48:51.680 --> 0:48:55.319
<v Speaker 3>the thing is, I'm feeling so much stronger than the

0:48:55.360 --> 0:48:58.080
<v Speaker 3>twenty seventeen me who had entered therapy. You know, there

0:48:58.160 --> 0:48:59.560
<v Speaker 3>was this room for curiosity.

0:48:59.600 --> 0:49:01.799
<v Speaker 1>Now, why was my childhood like it was?

0:49:01.840 --> 0:49:03.839
<v Speaker 3>Why did my mom make the decisions that she made?

0:49:04.040 --> 0:49:07.160
<v Speaker 3>And this is what we explore together. And the fact

0:49:07.200 --> 0:49:09.840
<v Speaker 3>that my mother's rape comes up very strongly around the

0:49:09.920 --> 0:49:15.840
<v Speaker 3>time of Breck Cavanaugh's confirmation hearings. So Christine Blazyford is

0:49:16.000 --> 0:49:18.600
<v Speaker 3>testifying against Breck Havanah and what happened to her as

0:49:18.640 --> 0:49:21.120
<v Speaker 3>a fifteen year old. And I watched that and I

0:49:21.160 --> 0:49:25.680
<v Speaker 3>really kind of connect with Christine blazeyfod talking about she's

0:49:25.719 --> 0:49:28.399
<v Speaker 3>actually speaking for the fifteen year old part of herself, right,

0:49:28.760 --> 0:49:30.480
<v Speaker 3>And I can see that thirteen year old part of

0:49:30.520 --> 0:49:33.520
<v Speaker 3>my mom going on to sort of cope and not

0:49:33.640 --> 0:49:35.640
<v Speaker 3>tell anyone about what had happened to her in order

0:49:35.680 --> 0:49:36.560
<v Speaker 3>to protect.

0:49:36.160 --> 0:49:37.920
<v Speaker 1>Her own mother who was struggling.

0:49:38.239 --> 0:49:41.480
<v Speaker 3>And so suddenly it's kind of cast a generation back, like, well,

0:49:41.480 --> 0:49:44.360
<v Speaker 3>why didn't my grandmother notice that my mother was struggling,

0:49:44.400 --> 0:49:44.799
<v Speaker 3>that she was.

0:49:44.719 --> 0:49:46.360
<v Speaker 1>A thirteen year old who'd been raped.

0:49:46.640 --> 0:49:48.560
<v Speaker 3>And it made me examine my grandmother's life and I

0:49:48.600 --> 0:49:51.960
<v Speaker 3>realized that my grandmother is carrying so much trauma.

0:49:52.040 --> 0:49:52.839
<v Speaker 1>From World War Two.

0:49:53.080 --> 0:49:55.000
<v Speaker 3>You know, she lived in an area of Manchester that

0:49:55.080 --> 0:49:58.520
<v Speaker 3>had suffered bombardment, like high explosive bombs were kind of

0:49:58.520 --> 0:50:01.360
<v Speaker 3>like dropped ten minutes from her house. She'd lost people,

0:50:01.440 --> 0:50:06.160
<v Speaker 3>you know, she'd lost her brother and her husband. After

0:50:06.200 --> 0:50:08.440
<v Speaker 3>the war, my grandmother would go on to have more tragedies,

0:50:08.440 --> 0:50:12.320
<v Speaker 3>including a stillborn child. So this feeling that my grandmother

0:50:12.400 --> 0:50:13.600
<v Speaker 3>was asleep at the wheel when it.

0:50:13.520 --> 0:50:14.719
<v Speaker 1>Came to parenting my mom.

0:50:15.120 --> 0:50:19.640
<v Speaker 3>But understanding why that trauma was this core element of

0:50:19.680 --> 0:50:22.400
<v Speaker 3>why my grandmother was numb, you know, of why my

0:50:22.440 --> 0:50:24.840
<v Speaker 3>mother made the decision she made. It was like trauma

0:50:24.960 --> 0:50:28.000
<v Speaker 3>was this repeating pattern in our family, and you know,

0:50:28.080 --> 0:50:32.440
<v Speaker 3>Bessel vander Kulk talks about how when people experience trauma,

0:50:32.640 --> 0:50:35.000
<v Speaker 3>It cuts them, It kind of splinters them, you know, so.

0:50:35.280 --> 0:50:39.759
<v Speaker 1>You will act out of protective impulses. So fight or

0:50:39.800 --> 0:50:42.640
<v Speaker 1>flight are two. Fawn is one.

0:50:42.960 --> 0:50:45.680
<v Speaker 3>I mentioned before that my mom's a people pleaser, and

0:50:45.719 --> 0:50:47.680
<v Speaker 3>it's like I could really see that maybe that people

0:50:47.719 --> 0:50:50.279
<v Speaker 3>pleasing was a trauma response because of what she was

0:50:50.320 --> 0:50:53.600
<v Speaker 3>hiding from her own childhood. So just examining my own

0:50:53.640 --> 0:50:58.200
<v Speaker 3>family gave me this wider view of society and how

0:50:58.760 --> 0:51:03.000
<v Speaker 3>trauma just like flows through our stories, and how the

0:51:03.040 --> 0:51:06.080
<v Speaker 3>fact that we often respond to trauma by concealing it,

0:51:06.239 --> 0:51:08.880
<v Speaker 3>you know, And this is what felt so corrosive for

0:51:08.960 --> 0:51:11.799
<v Speaker 3>my own life. But therapy was actually this place of

0:51:11.880 --> 0:51:16.080
<v Speaker 3>healing and liberation. It felt like freedom to be able

0:51:16.120 --> 0:51:18.360
<v Speaker 3>to cast light on everything that happened, not just in

0:51:18.440 --> 0:51:20.480
<v Speaker 3>my life, but generationally in my family.

0:51:25.040 --> 0:51:29.200
<v Speaker 2>After Sasha's work with Sally, she returns to Chris, continuing

0:51:29.239 --> 0:51:32.040
<v Speaker 2>to follow her instincts about who can provide the best

0:51:32.080 --> 0:51:35.279
<v Speaker 2>care at what time and for what reason. When she

0:51:35.360 --> 0:51:38.719
<v Speaker 2>starts seeing Chris again, it dawns on her that she

0:51:38.800 --> 0:51:41.640
<v Speaker 2>does want to tell her story. She wants to write

0:51:41.680 --> 0:51:46.160
<v Speaker 2>about it, to draw it. But before she can do this,

0:51:46.880 --> 0:51:49.759
<v Speaker 2>she feels she needs permission from the people she'll be

0:51:49.800 --> 0:51:53.239
<v Speaker 2>writing and drawing into being. But it isn't permission from

0:51:53.239 --> 0:51:56.799
<v Speaker 2>her father or Gaale she seeks. After all, they were

0:51:56.840 --> 0:52:00.279
<v Speaker 2>her story, she survived them, and now she felt free

0:52:00.280 --> 0:52:04.440
<v Speaker 2>and emboldened to chronicle them. But there are other people

0:52:04.480 --> 0:52:06.160
<v Speaker 2>in her life that she wants to take care of.

0:52:07.320 --> 0:52:10.120
<v Speaker 2>Charlie is at the top of that list. If Charlie

0:52:10.200 --> 0:52:13.040
<v Speaker 2>isn't okay with Sasha writing about her, then she won't.

0:52:14.000 --> 0:52:17.120
<v Speaker 2>She also considers Chris and asks him if it's okay

0:52:17.200 --> 0:52:20.000
<v Speaker 2>to write about their work together, which now extends all

0:52:20.040 --> 0:52:23.680
<v Speaker 2>the way back to twenty seventeen. He understands her as

0:52:23.680 --> 0:52:26.239
<v Speaker 2>an artist and as a writer, and wants her to

0:52:26.239 --> 0:52:29.359
<v Speaker 2>be able to express creatively the stories inside of her.

0:52:31.160 --> 0:52:34.080
<v Speaker 3>When I went back to Chris, I think communication was

0:52:34.200 --> 0:52:36.759
<v Speaker 3>very much the theme. That was what I was looking for.

0:52:37.080 --> 0:52:39.560
<v Speaker 3>I went back because he was such a good counselor,

0:52:39.600 --> 0:52:41.920
<v Speaker 3>and he would coach me on how to have conversations

0:52:42.000 --> 0:52:44.640
<v Speaker 3>with difficult people, and I really needed that. Like who

0:52:44.680 --> 0:52:47.160
<v Speaker 3>in life gives you advice on how to have these

0:52:47.200 --> 0:52:49.319
<v Speaker 3>tough conversations like he would do it. He would go

0:52:49.360 --> 0:52:51.480
<v Speaker 3>there with me and I would do things in therapy

0:52:51.480 --> 0:52:53.920
<v Speaker 3>that I never thought I would do like role play

0:52:53.960 --> 0:52:56.520
<v Speaker 3>for example, It's like, you know, we would act out conversations,

0:52:56.520 --> 0:52:58.000
<v Speaker 3>and that was so helpful.

0:52:58.320 --> 0:52:58.879
<v Speaker 1>But it was.

0:52:58.840 --> 0:53:03.319
<v Speaker 3>Also this notion that Chris very much responded to me

0:53:03.360 --> 0:53:05.520
<v Speaker 3>from the get go as an artist, as a writer,

0:53:06.239 --> 0:53:08.600
<v Speaker 3>and he encouraged me. And in the very first session,

0:53:08.760 --> 0:53:12.960
<v Speaker 3>when I told him this very convoluted family story, he

0:53:13.000 --> 0:53:14.560
<v Speaker 3>said to me, this is your story too.

0:53:14.760 --> 0:53:15.680
<v Speaker 1>It should be a book.

0:53:16.080 --> 0:53:17.960
<v Speaker 3>And I thought in my head, like, you're crazy, there's

0:53:18.000 --> 0:53:20.160
<v Speaker 3>no way I can ever tell that. But I did

0:53:20.200 --> 0:53:22.160
<v Speaker 3>come around to his way of thinking, and I did

0:53:22.520 --> 0:53:25.640
<v Speaker 3>want to make this book. I also had the fact that,

0:53:25.960 --> 0:53:27.719
<v Speaker 3>you know, I'm a cartoonist, and so I carry a

0:53:27.719 --> 0:53:30.000
<v Speaker 3>sketch book with me and I would get the metrolink

0:53:30.200 --> 0:53:32.600
<v Speaker 3>to therapy and back, and so I would have time

0:53:32.640 --> 0:53:35.040
<v Speaker 3>to like sit and like draw sketches and doodles and

0:53:35.120 --> 0:53:37.560
<v Speaker 3>talking heads and speech bubbles.

0:53:37.239 --> 0:53:38.840
<v Speaker 1>Of everything that had happened in therapy.

0:53:39.400 --> 0:53:41.640
<v Speaker 3>Part of that was an economic device, like I wanted

0:53:41.680 --> 0:53:43.360
<v Speaker 3>to get my money's worth that of therapy, so I

0:53:43.400 --> 0:53:46.000
<v Speaker 3>wanted to graphically record it. But it was also the

0:53:46.040 --> 0:53:48.000
<v Speaker 3>fact that, you know, this is so interesting to me.

0:53:48.080 --> 0:53:51.279
<v Speaker 3>I became so fascinated with the gifts that therapy had

0:53:51.280 --> 0:53:53.680
<v Speaker 3>to offer me, and the skills that was learning in therapy,

0:53:54.080 --> 0:53:56.160
<v Speaker 3>and the fact that it was making a palpable difference,

0:53:56.280 --> 0:53:59.239
<v Speaker 3>not just in how I related to myself, but in

0:53:59.239 --> 0:54:02.200
<v Speaker 3>how it related to the world around me. The idea

0:54:02.239 --> 0:54:05.320
<v Speaker 3>of getting Chris's permission to be a character in my book.

0:54:05.360 --> 0:54:07.160
<v Speaker 3>It's not an easy thing to ask someone, but he

0:54:08.120 --> 0:54:11.319
<v Speaker 3>was so generous regarding that, and I did. I had

0:54:11.360 --> 0:54:13.440
<v Speaker 3>to find my way, and I had this idea that

0:54:14.120 --> 0:54:17.320
<v Speaker 3>maybe my book could be a bridge and telling Charlie

0:54:17.400 --> 0:54:19.439
<v Speaker 3>the story that I was not allowed to tell her

0:54:19.520 --> 0:54:21.480
<v Speaker 3>when she was younger, because it was kept.

0:54:21.360 --> 0:54:22.239
<v Speaker 1>A secret from her.

0:54:22.520 --> 0:54:26.160
<v Speaker 3>But now the secrets, you know, the family secrets, become

0:54:26.239 --> 0:54:28.759
<v Speaker 3>like a bridge, you know, to her and I, and

0:54:28.800 --> 0:54:29.240
<v Speaker 3>we are.

0:54:29.080 --> 0:54:29.799
<v Speaker 1>So close now.

0:54:30.280 --> 0:54:33.719
<v Speaker 3>She's shared so much about her family story with me

0:54:33.800 --> 0:54:36.279
<v Speaker 3>that I did not know, and you know, being able

0:54:36.320 --> 0:54:39.160
<v Speaker 3>to see how it was from her perspective. She said

0:54:39.160 --> 0:54:41.560
<v Speaker 3>that she always knew that something was wrong in her family.

0:54:41.640 --> 0:54:43.760
<v Speaker 3>She carried it like a sick feeling in her stomach.

0:54:44.080 --> 0:54:46.040
<v Speaker 3>And I could have told her back then, but obviously

0:54:46.080 --> 0:54:49.160
<v Speaker 3>I couldn't. You know, I had the secrets, but the

0:54:49.200 --> 0:54:51.640
<v Speaker 3>fact that there were so many secrets in my family.

0:54:51.840 --> 0:54:53.600
<v Speaker 1>It made me be a secret keeper.

0:54:53.360 --> 0:54:56.120
<v Speaker 3>Too, you know, that impulse, the fact that I had

0:54:56.160 --> 0:54:58.759
<v Speaker 3>to keep secrets for my dad. That was not a

0:54:58.760 --> 0:55:06.319
<v Speaker 3>healthy thing for me, but had no choice.

0:55:06.920 --> 0:55:11.440
<v Speaker 2>Sasha's beautiful and powerful book Past Tense has been warmly

0:55:11.520 --> 0:55:15.000
<v Speaker 2>received by its readers. She's finished her work with Chris

0:55:15.520 --> 0:55:18.799
<v Speaker 2>at least for the time being. That whispering voice that

0:55:18.880 --> 0:55:22.120
<v Speaker 2>told her to tell it, tell the whole truth is

0:55:22.160 --> 0:55:25.879
<v Speaker 2>now between the hardcovers of her graphic memoir for all

0:55:25.960 --> 0:55:29.840
<v Speaker 2>the world to see.

0:55:32.080 --> 0:55:35.640
<v Speaker 3>I started telling this story online on social media, and

0:55:35.840 --> 0:55:38.280
<v Speaker 3>it's a very interesting way to tell a story because

0:55:38.320 --> 0:55:41.879
<v Speaker 3>you get real time feedback from people. And I found

0:55:41.920 --> 0:55:46.880
<v Speaker 3>a community of people therapists and people doing there and

0:55:46.960 --> 0:55:49.920
<v Speaker 3>healing would give me feedback on the short stories from

0:55:49.960 --> 0:55:52.560
<v Speaker 3>therapy that I would tell online. And so the fact

0:55:52.600 --> 0:55:54.600
<v Speaker 3>that I kind of grew this readership of people who've

0:55:54.640 --> 0:55:57.759
<v Speaker 3>been with me as this book went from like very

0:55:57.760 --> 0:56:01.000
<v Speaker 3>short stories online to be an a book that they've

0:56:01.040 --> 0:56:06.000
<v Speaker 3>purchased and have, you know, shared photographs of themselves holding it.

0:56:05.520 --> 0:56:08.040
<v Speaker 3>It's like, Wow, this really isn't the wider world, and

0:56:08.080 --> 0:56:10.880
<v Speaker 3>it's proof that I'm like far from alone, you know,

0:56:10.960 --> 0:56:13.719
<v Speaker 3>Like I thought my story was so complicated and so

0:56:13.880 --> 0:56:16.040
<v Speaker 3>weird that I could never tell it and people wouldn't

0:56:16.280 --> 0:56:19.799
<v Speaker 3>believe me or accept it. And I've discovered instead that,

0:56:20.560 --> 0:56:24.480
<v Speaker 3>you know, so many of reels are carrying like dark paths

0:56:24.520 --> 0:56:27.399
<v Speaker 3>that they have to heal from, and there's a real

0:56:27.440 --> 0:56:31.960
<v Speaker 3>sense of connection. It's been a real privilege. It's been

0:56:31.960 --> 0:56:34.359
<v Speaker 3>truly wonderful. It's a rich experience. That's the best way

0:56:34.400 --> 0:56:37.839
<v Speaker 3>I can describe it, you know, And I feel liberated,

0:56:38.280 --> 0:56:40.480
<v Speaker 3>like the sky hasn't fallen, you know. I told this

0:56:40.520 --> 0:56:42.520
<v Speaker 3>story and the sky didn't fall.

0:57:02.560 --> 0:57:06.400
<v Speaker 2>Family Secret is a production of iHeartRadio. Molly z Acur

0:57:06.560 --> 0:57:09.800
<v Speaker 2>is the story editor and Dylan Fagan is the executive producer.

0:57:11.080 --> 0:57:13.080
<v Speaker 2>If you have a family secret you'd like to share,

0:57:13.440 --> 0:57:15.880
<v Speaker 2>please leave us a voicemail and your story could appear

0:57:15.920 --> 0:57:19.320
<v Speaker 2>on an upcoming episode. Our number is one eight eight

0:57:19.360 --> 0:57:23.520
<v Speaker 2>eight Secret zero. That's the number zero. You can also

0:57:23.640 --> 0:57:28.440
<v Speaker 2>find me on Instagram at Danny Ryder. And if you'd

0:57:28.480 --> 0:57:30.960
<v Speaker 2>like to know more about the story that inspired this podcast,

0:57:31.360 --> 0:57:33.240
<v Speaker 2>check out my memoir Inheritance.

0:58:00.760 --> 0:58:05.040
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app Apple podcasts,

0:58:05.080 --> 0:58:07.120
<v Speaker 1>or wherever you listen to your favorite shows.