WEBVTT - A Culture Of (Tiny) Bribes, Cracker Barrel Logo Hell 08.22.25

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<v Speaker 1>I'm gonna do my overrated now during the cold open. Yeah,

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<v Speaker 1>the fuck messing with the format, man.

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<v Speaker 2>My overrated is spoiling or under overrated?

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<v Speaker 1>As being mad at.

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<v Speaker 2>Spoiling movies, I think just spoil movies all the time.

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<v Speaker 2>I'm not going to do it for you because I

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<v Speaker 2>know you'll be mad, but I think you guys need

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<v Speaker 2>to relax. But here's my little joke. Here's my little

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<v Speaker 2>joke that I'm doing it the cold open, and we're

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<v Speaker 2>not going to do an overrated when it comes time,

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<v Speaker 2>which is that I think Weapons is set in the

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<v Speaker 2>Naked Gun universe, and that's all say.

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<v Speaker 1>That's all I'll say. And that is in no way

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<v Speaker 1>going to affect how I how I watch Weapons.

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<v Speaker 2>But there there's multiple points, but really one main point

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<v Speaker 2>that is has a shocking similarity between the two movies.

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<v Speaker 1>Wow, Okay, now now I'm excited because I have seen

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<v Speaker 1>Naked Gun. I agree don't like I Spoiling movies doesn't

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<v Speaker 1>bother me unless it's like either a big twist or

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<v Speaker 1>it's a comedy movie. I don't want to hear jokes

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<v Speaker 1>before they happen in the movie, because that does genuinely like,

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<v Speaker 1>oh hear any subtitles the joke.

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<v Speaker 2>But that's that's also bad, even after I would argue,

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<v Speaker 2>that's not the spoiler of it. That's the problem. It's

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<v Speaker 2>that people can't tell jokes. You should leave it to

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<v Speaker 2>the professionals.

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<v Speaker 1>That's right. Everybody should shut the fuck up and stop

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<v Speaker 1>trying to be funny repeating jokes.

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<v Speaker 2>Fucking sucks. Yeah, well, but you can work in Austin

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<v Speaker 2>as a comic.

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<v Speaker 1>Hello the Internet, and welcome to season four oh two,

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<v Speaker 1>episode five of der Naliely's Guys. It's production by Heart

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<v Speaker 1>Radios podcast were taken deep to have into American share

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<v Speaker 1>consciousness and do a little dinosaurs sounds sometimes.

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<v Speaker 2>At the time that was Howard Dean. This is Howard

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<v Speaker 2>Dean with Howard Dean just saw Jurassic Park and was like,

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<v Speaker 2>you know what, you know, we do something different at

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<v Speaker 2>this point we go and uh.

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<v Speaker 1>Yeah, what day is it? Oh, Miles, it's Friday, August

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<v Speaker 1>twenty second, twenty five.

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<v Speaker 2>Fucking god, it's August twenty second. That means it's National

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<v Speaker 2>Surgical Oncologist Day. Thank you, because fuck cancer. Also never

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<v Speaker 2>being Better day, Never being better. And it's a picture

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<v Speaker 2>of a fucking dog or some shit bye, National bow Day.

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<v Speaker 2>I'll getting down with that national pecon fucking by being

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<v Speaker 2>I'm sorry to the left with you National tooth Fairy

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<v Speaker 2>Day and National be an Angel Day. But it looks

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<v Speaker 2>like someone euthanizing an elderly person in this photo.

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<v Speaker 1>So that's a little freaky.

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<v Speaker 2>Being an angel, Like you're about to become an angel.

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<v Speaker 2>Maybe it's like a little come on home with me.

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<v Speaker 1>You have the option be an angel, whatever kind of

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<v Speaker 1>angel you want, Guardian angel or angela death there it

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<v Speaker 1>is everybody's favorite angel.

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<v Speaker 2>Was bow was bow like bowing like genuflecting or bow

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<v Speaker 2>as bows as in yes? Can I just make my

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<v Speaker 2>other p s A yeah, don't say bow ones. I

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<v Speaker 2>know we need to say it for white people, but

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<v Speaker 2>it's no, I didn't.

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<v Speaker 1>It's the Chai tea of words. It's it's the ATM machine.

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<v Speaker 2>Automatic tailor machine machine.

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<v Speaker 1>Yeah, automatic ATM automatic ATM machine.

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<v Speaker 2>Automatic ADM machine man teller.

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<v Speaker 1>I'm here to today's my day.

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<v Speaker 2>I would try to literally destroy your format. This is

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<v Speaker 2>the bold had crofton on two days ago. Good fucking luck, can't.

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<v Speaker 1>Destroy Sorry it's been destroyed, no longer exists.

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<v Speaker 2>Don't cry for me because I'm already.

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<v Speaker 1>My name is Jack O'Brien AKA, I'm so scared how

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<v Speaker 1>about how my infant will fare? And I'm warning all

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<v Speaker 1>my listeners be aware. Dread fires to the left of me,

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<v Speaker 1>mass shootings to the right. Here I am stuck in

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<v Speaker 1>the district. With courtesy Johnny Davis short show title Spice

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<v Speaker 1>on the discord.

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<v Speaker 2>My infant nearly died in a drug fire after mass shootings.

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<v Speaker 1>So that's why, that's why you needed to send send

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<v Speaker 1>him in. Also, he said, AKA, the making fun of

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<v Speaker 1>Bob Dylan song that was the only song of theirs

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<v Speaker 1>anyone cares about. Little known, little known in fact that

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<v Speaker 1>I love Steeler's Wheel was a band and then they

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<v Speaker 1>made that song which everybody's like, oh that Bob Dylan song.

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<v Speaker 1>Not a Bob Dylan song. They were mocking Bob Dylan

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<v Speaker 1>and it's the only hit that ever made. Hey, Bob Dylan,

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<v Speaker 1>this is you Claws that left me j Goose. Everyone

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<v Speaker 1>was like, hell yeah, dog, the ship bops Gavin and.

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<v Speaker 2>My Steelers Wheel his way to the White House.

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<v Speaker 1>I know, right yo, he does it like Trump. I'm

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<v Speaker 1>thrilled to be joined as always by my co host

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<v Speaker 1>mister Miles Gras Miles gregg a crawling.

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<v Speaker 3>On the floor, drug fly years and gameless in Finn

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<v Speaker 3>almost died bringing the army.

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<v Speaker 4>Goal, shouted out arch Cam Camel the Discord Lincoln Park

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<v Speaker 4>hybrid theory. Yeah, the angry teenage album of my fucking youth.

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<v Speaker 2>So thanks for that, and you look and bonus because

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<v Speaker 2>you incorporated Benny Johnson's famous fake crime by infant nearly

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<v Speaker 2>died in a drug fire after mass shootings?

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<v Speaker 1>Is that the one that goes take me back.

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<v Speaker 2>The one that you were just singing or No, dude,

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<v Speaker 2>that's eminescence a daddy.

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<v Speaker 1>It's all. It's all a blend. It's one of those

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<v Speaker 1>genres that genre of music is just all one song.

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<v Speaker 2>To rap rock era. Yeah, and there wasn't that much

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<v Speaker 2>rapping and evanescence. I mean, amy ly, we kind of

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<v Speaker 2>had her own thing.

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<v Speaker 1>Miles were thrilled to be joined in our third seat

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<v Speaker 1>by an agent of chaos, apparently hilarious and brilliant producer

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<v Speaker 1>and TV writer. You know him from the Joss Racist podcast.

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<v Speaker 1>It's Andrew too.

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<v Speaker 2>No, I'm not because Jack's piss, Jack's piss.

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<v Speaker 1>What is on your list?

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<v Speaker 2>Because Jack's piss on your list?

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<v Speaker 4>List?

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<v Speaker 1>I don't know.

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<v Speaker 2>Yeah, I guess it would be the lips. People have

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<v Speaker 2>not stopped fucking. It's just, uh, the discord still with

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<v Speaker 2>piss pitches all the way up and down. And then

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<v Speaker 2>also all all of the suggestions for aka is on

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<v Speaker 2>the discord regarding me are impossible to hoppery head if

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<v Speaker 2>you have not listened to upwards of five hundred episodes

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<v Speaker 2>of The Daily Daily.

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<v Speaker 1>Yeah, yeah, this is this is the format. We like

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<v Speaker 1>to do a incredibly deep inside joke at the top

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<v Speaker 1>to just alienate anybody who might be a new listener

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<v Speaker 1>exactly knock that out right up front. Yeah, yeah, yeah,

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<v Speaker 1>people when they go, hey, I listened to that podcast

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<v Speaker 1>that you suggested, What the fuck are they talking about?

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<v Speaker 2>What the fuck is it? What the fuck are you

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<v Speaker 2>talking about?

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<v Speaker 1>Anyway, it's all.

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<v Speaker 2>And then the only other one was a was one

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<v Speaker 2>that is a essentially like can only be used on

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<v Speaker 2>an episode where me and Marcella are back on at

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<v Speaker 2>the same time, at the same time. It's not really

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<v Speaker 2>uh anyway, thank you, was like, gang, I love I

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<v Speaker 2>love the pissed her actions, the pissed I don't know, yeah,

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<v Speaker 2>the pistol in upon us. Yeah, I did want to say,

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<v Speaker 2>I I went to high school with Andrew w K.

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<v Speaker 2>I don't know if you guys remember him. You did,

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<v Speaker 2>but all that party stuff was also sarcastic because we

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<v Speaker 2>grew up in ann Arbor, Michigan. And he literally wrote

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<v Speaker 2>I remember because I had the first seven inch and

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<v Speaker 2>we were like I wasn't like super good friends with him,

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<v Speaker 2>but like some of my friends were really good friends

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<v Speaker 2>with him. And he was literally like, this is what

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<v Speaker 2>the fucking frap boys sound like? Yeah, and he wrote

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<v Speaker 2>party hard right, and it it like turned into whatever,

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<v Speaker 2>and he just became that person in a great way.

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<v Speaker 1>I think that's one of my favorite articles we did

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<v Speaker 1>back at Cracked. Was like a bunch of songs that

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<v Speaker 1>were like basically they were like massive hit songs that

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<v Speaker 1>were done sarcastically. Yeah, oh right, right right top Elvis,

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<v Speaker 1>Elvis's whole thing, Elvis's whole shit where he's like that voice,

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<v Speaker 1>like he sang a couple songs that were just like

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<v Speaker 1>him singing like a normal person and they were like

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<v Speaker 1>this kind of sucks. And then like they were just

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<v Speaker 1>fucking around and he was like doing a bit and

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<v Speaker 1>they were like more of guy like you being an

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<v Speaker 1>assholely ship, and that's where we got the whole Elvis

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<v Speaker 1>thing from.

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<v Speaker 2>That's what that's what the gangam style toub thumping. I

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<v Speaker 2>guess it's a lot of party anthems are cynical people

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<v Speaker 2>being like, do you know what you don't folks sound like?

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<v Speaker 2>And then everyone we love that is what.

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<v Speaker 1>We sound like. It fucking rules. Thank you so much.

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<v Speaker 2>Hey, this fucker gets it, dude.

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<v Speaker 1>Yeah, that's crazy. We have Andrew W.

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<v Speaker 2>K Lure on this podcast so much on this podcast.

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<v Speaker 1>Yeah, yeah, I won't. I won't get into it any

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<v Speaker 1>more than that.

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<v Speaker 2>But how many years do you have to have been

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<v Speaker 2>listening to the show to get what's happening on the show?

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<v Speaker 1>Do you mean? It's Yeah, I just wonder what.

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<v Speaker 2>New people are thinking. Go on the discord and just

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<v Speaker 2>tell me what you're thinking.

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<v Speaker 1>What you think the first time listeners just hop in

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<v Speaker 1>the discord, which you have to ask.

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<v Speaker 2>It's probably like doing drugs. So for the first time,

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<v Speaker 2>it's really disorienting to start, and then you kind of

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<v Speaker 2>settle into it and you're like, yeah, you know, I

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<v Speaker 2>coul can do this every day and it's constantly but

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<v Speaker 2>and it's also I guess a little bit like you

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<v Speaker 2>just go with it because of context clues and then eventually.

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<v Speaker 1>Yeah, it's a little puzzle that we make for you.

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<v Speaker 1>It has nothing to do with us being bad at

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<v Speaker 1>our jobs. It's actually we're intentionally doing a puzzle for you.

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<v Speaker 2>Yeah, Taylor Swift does the Easter eggs all the time.

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<v Speaker 2>It's lore, and if you find it confusing, it's because

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<v Speaker 2>you're not caught off in the lore.

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<v Speaker 1>Oh, I'm sorry. Does Taylor Swift are the only good artist?

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<v Speaker 1>Does she open every album being like, Okay, this is

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<v Speaker 1>a song I'm going to write with like a guitar. No,

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<v Speaker 1>she's challenging, Andrew. She challenges her listeners. And that's how

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<v Speaker 1>really the inspiration that we take into every day every recording.

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<v Speaker 1>Oh man, I like that song It's Nice to have

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<v Speaker 1>a Friend? You heard that one? No, it's just like,

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<v Speaker 1>is it Taylor Swift? She has a Taylor It's nice

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<v Speaker 1>to have a friend. I would say it's one of

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<v Speaker 1>the least challenging songs I've ever heard, but it sounds wonderful.

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<v Speaker 1>And uh, it is a statement that I can get

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<v Speaker 1>on board with. It's nice to have a friend.

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<v Speaker 2>I that is obviously, I'm sure it's great. Yeah, she

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<v Speaker 2>knows what she's doing songwriting and songwriting collaborator wise. That

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<v Speaker 2>song sounds like if you told me that it was

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<v Speaker 2>an Elmo joint, I would believe. I'd like, Yo, Elmo

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<v Speaker 2>is fucking cooking?

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<v Speaker 1>Yeah, okay, sounds so sad.

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<v Speaker 2>What the fuck yo?

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<v Speaker 1>You see Elmo collab with Maximum. It's one of the

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<v Speaker 1>songs that I what a little method I have is

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<v Speaker 1>I will add a song that I like that I like,

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<v Speaker 1>I'm not going to put on my mix, but I'll

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<v Speaker 1>put it on my kids mix and like wow, because

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<v Speaker 1>I'm listening to that probably more anyway than my own mix.

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<v Speaker 1>And then they're like, why is this song or mix?

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<v Speaker 1>I'm like, shut up, I'm.

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<v Speaker 2>Listening to this whack ass shit.

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<v Speaker 1>Dad.

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<v Speaker 2>Here's a question for the dads out there. Is my

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<v Speaker 2>reference is my calling stuff targeted towards young children? Elmo stuff?

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<v Speaker 2>Is that a boomer mentality? Here is something my kids

0:12:02.480 --> 0:12:07.640
<v Speaker 2>with almost heavy almost out there? There's so many almost

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<v Speaker 2>spin off shows bro.

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<v Speaker 1>Also, just the sentiment it's nice to have a friend

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<v Speaker 1>is some straight up Elmo ship. It's like, yeah, you

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<v Speaker 1>know what I mean.

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<v Speaker 2>I guess everything everything that like almost says you could

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<v Speaker 2>also probably put in the words of like an alcoholic

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<v Speaker 2>who's just hit rock bottom and so sad, so basic different,

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<v Speaker 2>basic sentiment is the same, Yeah, I mean actually, yeah,

0:12:33.320 --> 0:12:35.200
<v Speaker 2>it's nice to have a friend. You could basically read

0:12:35.200 --> 0:12:37.319
<v Speaker 2>as Almo and it's sound they get Almo song.

0:12:38.200 --> 0:12:41.079
<v Speaker 1>Who the stand up is? Who talks about how mister

0:12:41.200 --> 0:12:46.240
<v Speaker 1>Rogers is like statement that like is also very easy

0:12:46.280 --> 0:12:48.480
<v Speaker 1>to read as a serial. Actually, I'm not going to

0:12:48.520 --> 0:12:50.280
<v Speaker 1>do this because I don't know who the stand up

0:12:50.280 --> 0:12:51.600
<v Speaker 1>car talking about.

0:12:51.640 --> 0:12:52.680
<v Speaker 2>Don't tell jokes you.

0:12:54.280 --> 0:12:54.760
<v Speaker 1>Anyways.

0:12:55.120 --> 0:12:57.600
<v Speaker 2>I did say leave it to the professionals, and like

0:12:57.640 --> 0:12:59.920
<v Speaker 2>it or not, you guys are professionals.

0:12:59.760 --> 0:13:03.680
<v Speaker 1>That's absolutely not true. I gotta go. Andrew T thrilled

0:13:03.720 --> 0:13:08.120
<v Speaker 1>to have you here and especially feisty mood. We're gonna

0:13:08.120 --> 0:13:12.480
<v Speaker 1>get to know you in a moment. First, we're gonna

0:13:12.480 --> 0:13:14.040
<v Speaker 1>tell the listeners a couple of things we're talking about.

0:13:14.080 --> 0:13:16.000
<v Speaker 1>We're gonna check out with the New York mayoral race

0:13:16.320 --> 0:13:21.040
<v Speaker 1>the general election. Eric Adams still still out here. Yeah,

0:13:21.760 --> 0:13:24.040
<v Speaker 1>that was so weird for me to realize that he

0:13:24.160 --> 0:13:27.880
<v Speaker 1>was going to be the candidate opposite Mamdannie Like once

0:13:27.920 --> 0:13:30.000
<v Speaker 1>Ma'm Donnie won. I was like, oh, and then Clomo

0:13:30.120 --> 0:13:32.280
<v Speaker 1>is gonna come back. And there's that Curtis and Lee

0:13:32.320 --> 0:13:34.439
<v Speaker 1>Will got and then they were like, no, Adams is

0:13:34.520 --> 0:13:39.600
<v Speaker 1>still in the race. I was like, but what.

0:13:38.040 --> 0:13:43.080
<v Speaker 2>How Adams the one investigated by the fence.

0:13:43.280 --> 0:13:45.880
<v Speaker 1>Yeah, anyways, he's not doing well in the race, but

0:13:45.920 --> 0:13:48.000
<v Speaker 1>he is still in the race, and there's a there's

0:13:48.000 --> 0:13:51.120
<v Speaker 1>a great new anecdote from his campaign that we want

0:13:51.120 --> 0:13:53.720
<v Speaker 1>to talk about. Also, just like how things are going

0:13:53.760 --> 0:14:00.440
<v Speaker 1>for the anti Mamdanni movement. They've been trying hard, you mean,

0:14:00.480 --> 0:14:06.000
<v Speaker 1>the Democrats. It's all types. Takes all types to stop

0:14:06.040 --> 0:14:08.480
<v Speaker 1>a movement, you know. So we'll talk about how that's

0:14:08.480 --> 0:14:11.240
<v Speaker 1>going for them, and then we of course one of

0:14:11.280 --> 0:14:15.600
<v Speaker 1>my favorite things ever is when is when a breed

0:14:15.840 --> 0:14:22.360
<v Speaker 1>more when a brand redesigns a logo disastrously. The Pepsi

0:14:22.440 --> 0:14:26.320
<v Speaker 1>logo redesign is my favorite thing. I think like Gawker did,

0:14:26.360 --> 0:14:29.600
<v Speaker 1>Like I had forgotten how short the Gawker article is

0:14:29.640 --> 0:14:33.800
<v Speaker 1>where they just like combed through the deck. Yeah, one

0:14:33.880 --> 0:14:37.320
<v Speaker 1>hundred and fifty page deck that this redesign firm did

0:14:37.440 --> 0:14:40.160
<v Speaker 1>for Pepsi and just like pulled out the choicest nuggets.

0:14:40.160 --> 0:14:44.240
<v Speaker 1>It's like a single page Gawker article probably my favorite

0:14:44.240 --> 0:14:46.800
<v Speaker 1>single page in the history of the Internet. So I

0:14:46.880 --> 0:14:48.520
<v Speaker 1>just want to talk about the redesign of the Cracker

0:14:48.560 --> 0:14:51.880
<v Speaker 1>Barrel logo because it is being portrayed as like Mega

0:14:52.000 --> 0:14:55.960
<v Speaker 1>is outraged about this, and I just like we need

0:14:55.960 --> 0:15:00.880
<v Speaker 1>to we cannot seed this ground, like when we need

0:15:00.920 --> 0:15:03.600
<v Speaker 1>to wait. Then we need to be on the side

0:15:03.760 --> 0:15:05.920
<v Speaker 1>that we need to stand up and say no, we

0:15:06.080 --> 0:15:10.760
<v Speaker 1>think this sucks too. Cracker Barrel redesigning their logo.

0:15:11.320 --> 0:15:13.440
<v Speaker 2>But not for this, not because the old white guy

0:15:13.480 --> 0:15:17.000
<v Speaker 2>went poof. This is this is Jack reaching across the aisle.

0:15:17.080 --> 0:15:19.360
<v Speaker 1>This is this is Richie grows the island saying this

0:15:19.440 --> 0:15:20.240
<v Speaker 1>fucking sucks.

0:15:20.480 --> 0:15:21.400
<v Speaker 2>We can work together.

0:15:22.080 --> 0:15:24.640
<v Speaker 1>We can't all that plenty more. The first Andrew tea,

0:15:24.680 --> 0:15:27.160
<v Speaker 1>We do like to ask our guest, what is something

0:15:27.200 --> 0:15:30.560
<v Speaker 1>from your search history that's revealing about who you are?

0:15:31.120 --> 0:15:31.360
<v Speaker 3>Oh?

0:15:31.440 --> 0:15:33.960
<v Speaker 2>Yeah, I actually I also don't remember how far I

0:15:34.000 --> 0:15:35.840
<v Speaker 2>got into this last time I was on the show.

0:15:35.920 --> 0:15:38.000
<v Speaker 2>So I'm just gonna do it, and Jack go ahead

0:15:38.000 --> 0:15:39.960
<v Speaker 2>and correct me. If people have heard this already, are

0:15:40.000 --> 0:15:40.320
<v Speaker 2>you know what?

0:15:40.400 --> 0:15:40.760
<v Speaker 1>Fuck you?

0:15:40.800 --> 0:15:42.120
<v Speaker 2>If you've heard this already, I don't care.

0:15:42.120 --> 0:15:42.680
<v Speaker 1>Oh my god.

0:15:43.040 --> 0:15:47.840
<v Speaker 2>It is other uses for sodium citrate, So what happened

0:15:48.000 --> 0:15:54.080
<v Speaker 2>was I got I was making some hatch chili cheese sauce. Okay,

0:15:54.120 --> 0:15:56.000
<v Speaker 2>so type situation, and it.

0:15:56.080 --> 0:15:58.600
<v Speaker 1>Seized up a little bit. The initial batch.

0:15:58.360 --> 0:16:00.360
<v Speaker 2>Was like okay, but then when I moved, it seized

0:16:00.400 --> 0:16:05.720
<v Speaker 2>up and seized uff like congealed congealed, Yeah, and the

0:16:05.760 --> 0:16:08.240
<v Speaker 2>emulsion didn't hold. So the oil was starting to separate

0:16:08.320 --> 0:16:12.640
<v Speaker 2>from the protein broke, which yeah, very standard happens with

0:16:12.800 --> 0:16:16.200
<v Speaker 2>you know, non e mulcified cheese sauces. And I knew

0:16:16.200 --> 0:16:23.760
<v Speaker 2>in the back the thing, he's a bad thing, the

0:16:23.880 --> 0:16:27.480
<v Speaker 2>thing you're supposed to do that like the fucking I

0:16:27.480 --> 0:16:29.200
<v Speaker 2>don't know. I guess I heard of it in the

0:16:29.480 --> 0:16:33.640
<v Speaker 2>in the heyday of the idea of molecular gastronomy, but

0:16:33.640 --> 0:16:36.440
<v Speaker 2>it's just you know, regular asqu chemistry. Anyway, there's a

0:16:36.440 --> 0:16:40.080
<v Speaker 2>substance called sodium citrate. That is, to put it in

0:16:40.200 --> 0:16:42.000
<v Speaker 2>terms that I this is, this is the thing that

0:16:42.040 --> 0:16:43.680
<v Speaker 2>I kind of came up with. That is what I

0:16:43.680 --> 0:16:47.040
<v Speaker 2>can understand. It's the thing that turns cheese into cheese

0:16:47.120 --> 0:16:52.720
<v Speaker 2>with a Z to google right, it's and it is

0:16:53.280 --> 0:16:57.000
<v Speaker 2>honestly amazing. I love it so much. So I was

0:16:57.040 --> 0:16:58.960
<v Speaker 2>just like thinking aloud at my friend's place where I

0:16:59.000 --> 0:17:02.000
<v Speaker 2>brought the the caeso that had seized up, and I

0:17:02.040 --> 0:17:04.119
<v Speaker 2>was like, well, we'd need like I don't know, fuck it.

0:17:04.320 --> 0:17:06.159
<v Speaker 2>I was like, okay, well I could. I guess I

0:17:06.200 --> 0:17:08.439
<v Speaker 2>could make another rue and then if we add some

0:17:08.480 --> 0:17:10.200
<v Speaker 2>beer to it, I think we could thin the sound

0:17:10.280 --> 0:17:12.639
<v Speaker 2>and like read, you know, make it creamy. And I

0:17:12.680 --> 0:17:14.840
<v Speaker 2>was like, otherwise, we'd need some sodium citrate.

0:17:15.119 --> 0:17:17.240
<v Speaker 1>And my man reaches into the.

0:17:17.160 --> 0:17:20.040
<v Speaker 2>Back of his pantry and pulls out a fucking little

0:17:20.200 --> 0:17:24.320
<v Speaker 2>baggy of sodium citrate and we we mix up a

0:17:24.320 --> 0:17:27.200
<v Speaker 2>little just water and sodium citrate solution and mix it

0:17:27.240 --> 0:17:27.600
<v Speaker 2>in this.

0:17:27.480 --> 0:17:30.440
<v Speaker 1>Thing, and it is fucking magic.

0:17:30.960 --> 0:17:35.440
<v Speaker 2>It turned this like lump of cheese in like one

0:17:35.480 --> 0:17:37.639
<v Speaker 2>of the like kind of the big tupperware, in the

0:17:37.840 --> 0:17:41.440
<v Speaker 2>like four inch cubic tupperware. H it was solid cheese

0:17:41.520 --> 0:17:44.679
<v Speaker 2>with like maybe closer to half a centimeter than not

0:17:44.880 --> 0:17:45.800
<v Speaker 2>of oil on top.

0:17:46.240 --> 0:17:50.440
<v Speaker 1>But it's gonna like shit out slowly. The thing.

0:17:51.119 --> 0:17:54.040
<v Speaker 2>It was real grainy and real gross, and the sodium

0:17:54.040 --> 0:17:57.439
<v Speaker 2>citrate solution, my god, it turned it into cheese whiz,

0:17:57.760 --> 0:18:01.000
<v Speaker 2>quite literal cheese whiz put with nice cheese. And so

0:18:01.119 --> 0:18:03.120
<v Speaker 2>now I bought myself a baggy of this, and I'm

0:18:03.359 --> 0:18:06.159
<v Speaker 2>trying to use it. I'm I'm on the you know,

0:18:06.920 --> 0:18:09.920
<v Speaker 2>I'm on the fucking I'm playing the rush, as it were.

0:18:10.000 --> 0:18:12.600
<v Speaker 2>I'm really loving it. But and I'm sure my enthusiasm

0:18:12.640 --> 0:18:16.720
<v Speaker 2>will call them down, But holy shit, it's I made.

0:18:17.200 --> 0:18:19.760
<v Speaker 2>I made like the best mac and cheese I've ever

0:18:19.800 --> 0:18:23.440
<v Speaker 2>made yesterday with just like Parmisano reggiano. Grated some of

0:18:23.480 --> 0:18:26.840
<v Speaker 2>that in there, some shred and cheddar cheese, hatch chili.

0:18:27.600 --> 0:18:30.000
<v Speaker 1>Does it do it for anything else besides cheese?

0:18:30.119 --> 0:18:31.879
<v Speaker 2>Yeah? What happens if you put it on a snail?

0:18:33.359 --> 0:18:38.360
<v Speaker 2>I can't mention it goes, well, oh wait a snail. No,

0:18:40.680 --> 0:18:43.280
<v Speaker 2>I don't know. Do you know what happens? That's like

0:18:43.280 --> 0:18:46.919
<v Speaker 2>a French thing? I assume, yeah, exactly, fresh scargo, a

0:18:47.000 --> 0:18:49.399
<v Speaker 2>nice little painte. But you said all other uses for it.

0:18:50.359 --> 0:18:52.560
<v Speaker 2>I mean, you can put it in like beverages and

0:18:52.600 --> 0:18:55.680
<v Speaker 2>like jams and stuff. It's basically like like a really

0:18:55.680 --> 0:18:58.360
<v Speaker 2>good and multiplier and stabilizer. But I think the thing

0:18:58.440 --> 0:19:02.320
<v Speaker 2>that is like the thing that to me seems most magic,

0:19:02.359 --> 0:19:04.800
<v Speaker 2>and I'm just you know, from reading about it, I

0:19:04.840 --> 0:19:07.080
<v Speaker 2>think it's the thing that most people will think is

0:19:07.080 --> 0:19:09.920
<v Speaker 2>the most magic is the cheese again, it's the cheese

0:19:09.920 --> 0:19:14.080
<v Speaker 2>to cheese with a Z transitions. Yeah, but not, it's

0:19:14.119 --> 0:19:17.920
<v Speaker 2>not even It's just like it turns it into whenever

0:19:17.960 --> 0:19:22.359
<v Speaker 2>the fuck cheese whizzards. Yeah, it's like it's like water

0:19:22.640 --> 0:19:24.720
<v Speaker 2>or like whatever flavored, like what you want. I used

0:19:24.720 --> 0:19:29.280
<v Speaker 2>broth in mine and loose bits of shredded cheese, like

0:19:29.320 --> 0:19:31.399
<v Speaker 2>the most disgusting thing you can kind of think of,

0:19:31.840 --> 0:19:34.920
<v Speaker 2>and it just melts it and it turns it into

0:19:34.960 --> 0:19:40.120
<v Speaker 2>a homogeneous like solution. It's so fucking good. Anyway, who's

0:19:40.160 --> 0:19:44.600
<v Speaker 2>a fire litl UZI verts if you need, if you

0:19:44.600 --> 0:19:47.800
<v Speaker 2>need some sodium citrate I got. I got a real real,

0:19:48.240 --> 0:19:50.639
<v Speaker 2>not a real big bag, but a pretty big bag.

0:19:50.720 --> 0:19:54.920
<v Speaker 2>A yeah, yes literally.

0:19:56.840 --> 0:19:59.639
<v Speaker 1>And your friend who who just had that ship on

0:19:59.760 --> 0:20:03.760
<v Speaker 1>deck is meth Cook. I'm assuming, yeah, I wish.

0:20:03.880 --> 0:20:05.919
<v Speaker 2>I think he's just like a he's like like a

0:20:06.560 --> 0:20:11.320
<v Speaker 2>like aspiring food guy. So it was actually when you

0:20:11.359 --> 0:20:13.159
<v Speaker 2>know the other day too, I was over there and

0:20:13.200 --> 0:20:15.400
<v Speaker 2>I was like, oh, well, I mean, it's only one

0:20:15.480 --> 0:20:17.160
<v Speaker 2>duck breast, but it would be kind of dope if

0:20:17.160 --> 0:20:19.879
<v Speaker 2>we smoked it. And homeboy broke out like one of

0:20:19.880 --> 0:20:24.840
<v Speaker 2>those like bel jar dome things with like with like

0:20:24.880 --> 0:20:27.560
<v Speaker 2>a little like rubber tube and like a you know,

0:20:27.680 --> 0:20:33.880
<v Speaker 2>essentially like a vaporiser. Yeah yeah, like probably was yeah, yeah, yeah, yeah, okay.

0:20:34.560 --> 0:20:36.560
<v Speaker 1>It was like yeah it was.

0:20:36.600 --> 0:20:38.200
<v Speaker 2>It's just he always has ship like that around, so

0:20:38.200 --> 0:20:40.280
<v Speaker 2>I should have known he had motherfucking sodium sit trade.

0:20:40.359 --> 0:20:44.760
<v Speaker 1>But again, possibly a drug guy all the I mean

0:20:44.840 --> 0:20:46.960
<v Speaker 1>also yelling smoke into.

0:20:46.720 --> 0:20:54.160
<v Speaker 2>All this is some methylamine. I got, what is something?

0:20:54.240 --> 0:20:54.760
<v Speaker 1>So we did?

0:20:54.880 --> 0:20:55.160
<v Speaker 3>We?

0:20:55.160 --> 0:20:57.280
<v Speaker 1>We already covered the.

0:20:57.359 --> 0:21:00.440
<v Speaker 2>Overrated Yeah, I guess so in the cold of oh

0:21:00.600 --> 0:21:04.280
<v Speaker 2>maybe it was underrated, overrated whatever, this one might be

0:21:04.280 --> 0:21:07.919
<v Speaker 2>a miles only kind of jam. It's being mad that

0:21:08.000 --> 0:21:10.679
<v Speaker 2>your mom was right about some stupid Asian ship that

0:21:10.720 --> 0:21:12.600
<v Speaker 2>when you were a kid you are certain was wrong.

0:21:13.280 --> 0:21:18.800
<v Speaker 2>And here's mine. Growing up, my mom would routinely say, no,

0:21:19.600 --> 0:21:21.439
<v Speaker 2>on a hot day, what you want to have is

0:21:21.520 --> 0:21:25.320
<v Speaker 2>hot soup because that will cool you down. And like,

0:21:25.640 --> 0:21:29.479
<v Speaker 2>I think, like many Americans, but many I would say people,

0:21:29.560 --> 0:21:34.480
<v Speaker 2>even that sounds fucking crazy and unpleasant. And I the

0:21:34.600 --> 0:21:37.040
<v Speaker 2>other day, when it was very hot in Los Angeles,

0:21:37.040 --> 0:21:38.800
<v Speaker 2>I was like, fuck it, I just want some fun.

0:21:39.680 --> 0:21:42.440
<v Speaker 2>I went and got fun in like an unair conditioned

0:21:42.440 --> 0:21:46.760
<v Speaker 2>restaurant in Chinatown, so sweaty. What I will say is

0:21:46.800 --> 0:21:50.240
<v Speaker 2>it did not cool me down particularly, but it made

0:21:50.280 --> 0:21:53.320
<v Speaker 2>me so hot that I couldn't think anymore.

0:21:54.160 --> 0:21:54.840
<v Speaker 1>And I didn't.

0:21:54.880 --> 0:21:59.280
<v Speaker 2>I wasn't worried about the heat. So yeah, comparatively, because

0:21:59.280 --> 0:22:01.720
<v Speaker 2>you've just skulled did the inside of your body that

0:22:01.800 --> 0:22:04.640
<v Speaker 2>you go outside in the ambient temperature, it's like that

0:22:05.119 --> 0:22:07.600
<v Speaker 2>Heidecker on I think you should leave. It's like it's

0:22:07.680 --> 0:22:12.720
<v Speaker 2>hot if you're if you're not expecting it to be Yeah, yes, exactly,

0:22:12.720 --> 0:22:14.800
<v Speaker 2>it's supposed to be ice cold. It's supposed to be

0:22:14.840 --> 0:22:19.520
<v Speaker 2>ice cold, exactly. So I think that sketch like once

0:22:19.520 --> 0:22:24.480
<v Speaker 2>a week. I think we're at the age where that sketch.

0:22:24.760 --> 0:22:28.080
<v Speaker 2>That sketch changed my behavior. I started stretching every morning

0:22:28.119 --> 0:22:30.960
<v Speaker 2>after that sketch. That sketch is one where it's not

0:22:31.040 --> 0:22:33.240
<v Speaker 2>even a focus of the sketch, but every time he

0:22:33.320 --> 0:22:38.760
<v Speaker 2>shifts on the couch, she goes oh, And I was like,

0:22:38.960 --> 0:22:43.480
<v Speaker 2>I need to do mobility exercises that hemorrhoids.

0:22:43.560 --> 0:22:44.920
<v Speaker 1>But yeah, it could be mobility.

0:22:45.000 --> 0:22:48.640
<v Speaker 2>Oh yeah, yeah, I just I do it when when

0:22:48.960 --> 0:22:51.320
<v Speaker 2>I thankfully, I think I've gotten myself out of the

0:22:51.520 --> 0:22:55.040
<v Speaker 2>part of life or not, like of the of inflexibility

0:22:55.320 --> 0:23:00.000
<v Speaker 2>where that becomes a constant, involuntary sound that I made,

0:23:00.600 --> 0:23:05.560
<v Speaker 2>but grown it was tying my shoes where it got bad.

0:23:05.720 --> 0:23:08.520
<v Speaker 1>I was like I went in the ocean when I

0:23:08.600 --> 0:23:12.840
<v Speaker 1>was Becky's and got like rocked by the waves, and

0:23:12.880 --> 0:23:15.119
<v Speaker 1>like for the next twenty four hours when I would

0:23:15.240 --> 0:23:18.440
<v Speaker 1>either sit down or stand up, I was making the

0:23:18.480 --> 0:23:22.440
<v Speaker 1>most old man shit. I was being like, oh boy,

0:23:23.359 --> 0:23:26.280
<v Speaker 1>oh you were doing I was vocalizing yah. They weren't

0:23:26.280 --> 0:23:33.639
<v Speaker 1>even grown, Like yeah, yeah I got this. Oh you

0:23:33.720 --> 0:23:37.440
<v Speaker 1>got this? Okay. Yeah, And and that's because I'm young

0:23:37.520 --> 0:23:39.959
<v Speaker 1>and cool. Yeah yeah, well don't have that was an injury.

0:23:40.480 --> 0:23:43.480
<v Speaker 2>But I will say I have found I think I've

0:23:43.480 --> 0:23:45.840
<v Speaker 2>talked about this on the show before. Just a wee

0:23:45.960 --> 0:23:48.280
<v Speaker 2>bit of stretching in the morning. Oh yeah, you got

0:23:48.320 --> 0:23:51.000
<v Speaker 2>to so much more than I want to admit. That

0:23:51.119 --> 0:23:53.679
<v Speaker 2>was my That was my grandfather's end of life advice

0:23:53.760 --> 0:23:53.960
<v Speaker 2>to me.

0:23:54.680 --> 0:23:54.960
<v Speaker 1>Yeah.

0:23:55.000 --> 0:23:56.960
<v Speaker 2>I was like I was on a piece of advice. Yeah,

0:23:57.000 --> 0:23:58.480
<v Speaker 2>when it's into the end. I was like, bro, like

0:23:58.640 --> 0:24:02.240
<v Speaker 2>just get info, dune wisdom, dump on me. And He's like, man,

0:24:02.280 --> 0:24:03.960
<v Speaker 2>the one thing he's like, you gotta stretch.

0:24:04.480 --> 0:24:05.520
<v Speaker 1>Make sure you stretch.

0:24:05.720 --> 0:24:09.560
<v Speaker 2>He's like, don't let your ship just get like fucking tight,

0:24:09.680 --> 0:24:12.560
<v Speaker 2>and and just sees up on you need to like.

0:24:12.600 --> 0:24:15.119
<v Speaker 1>Okay, damn, that's what you're thinking.

0:24:15.200 --> 0:24:19.640
<v Speaker 2>Now, I'm like, okay the time that besides, actually these

0:24:19.640 --> 0:24:22.479
<v Speaker 2>are both Netflix properties, listen to. This is simply the

0:24:22.520 --> 0:24:25.720
<v Speaker 2>power of media and the magic of the movies. But

0:24:26.640 --> 0:24:30.600
<v Speaker 2>this this came up for me when someone reviewed The Irishman,

0:24:30.960 --> 0:24:33.080
<v Speaker 2>which is which is has de Niro with like a

0:24:33.119 --> 0:24:39.520
<v Speaker 2>youthful face and the kind of and essentially that there

0:24:40.080 --> 0:24:42.639
<v Speaker 2>was like, you know, it's the face is not as

0:24:42.680 --> 0:24:45.560
<v Speaker 2>bad as you think, but he still looks his age

0:24:46.000 --> 0:24:49.400
<v Speaker 2>because his movements are that of you know, his age,

0:24:49.400 --> 0:24:50.120
<v Speaker 2>which is fine.

0:24:50.000 --> 0:24:53.760
<v Speaker 1>Yeah. It has a scene hard where yeah, where they've

0:24:53.840 --> 0:24:56.959
<v Speaker 1>de aged him and he like beats somebody else and

0:24:57.119 --> 0:25:00.040
<v Speaker 1>it is the least. It's just like, guys, get a

0:24:59.480 --> 0:25:03.720
<v Speaker 1>fu double here, what are we doing? Like you're just

0:25:03.880 --> 0:25:06.240
<v Speaker 1>worried the whole time that he's going to topple over

0:25:06.400 --> 0:25:09.159
<v Speaker 1>as he's supposed to be like showing off what a

0:25:09.160 --> 0:25:11.760
<v Speaker 1>badass he is, and you're just like, oh, buddy, you're

0:25:12.600 --> 0:25:13.880
<v Speaker 1>your legs bending.

0:25:14.440 --> 0:25:16.919
<v Speaker 2>Yeah, why are you Why is your hand on your

0:25:16.960 --> 0:25:18.359
<v Speaker 2>hip as you lean down to function?

0:25:21.400 --> 0:25:26.560
<v Speaker 1>All right? I honestly thought about that scene when Mike

0:25:26.640 --> 0:25:32.520
<v Speaker 1>Tyson fought that racist kid like the which one okay, yeah,

0:25:32.560 --> 0:25:36.800
<v Speaker 1>whichever of the Paul brothers because of like his legs.

0:25:37.359 --> 0:25:39.600
<v Speaker 1>Roy Jones Junior in the first round was like kind

0:25:39.600 --> 0:25:42.800
<v Speaker 1>of like Mike's legs, And I was immediately like, that

0:25:42.960 --> 0:25:46.200
<v Speaker 1>is exactly right. That's and I thought of the scene

0:25:46.200 --> 0:25:49.320
<v Speaker 1>in The Irishman where like you could tell that he

0:25:49.960 --> 0:25:53.560
<v Speaker 1>is not under the age of sixty because of the

0:25:53.600 --> 0:25:57.400
<v Speaker 1>way he's like walking without bending his like there's no lightness,

0:25:57.600 --> 0:25:59.840
<v Speaker 1>He's not light on his feet in any way.

0:26:00.080 --> 0:26:04.400
<v Speaker 2>Yeah, it's really telling. And Tyson used to be as

0:26:04.440 --> 0:26:06.720
<v Speaker 2>a fighter like so that was the thing that I

0:26:06.760 --> 0:26:09.359
<v Speaker 2>didn't really appreciate until I did a little bit of boxing.

0:26:09.440 --> 0:26:13.000
<v Speaker 2>It's like he would like literally like drop it low

0:26:13.080 --> 0:26:17.480
<v Speaker 2>sometimes during fights. Oh, he was so insanely flexible and

0:26:17.600 --> 0:26:21.840
<v Speaker 2>like deft on his feet his heels. So yeah, that's

0:26:21.880 --> 0:26:24.240
<v Speaker 2>a to me an underrated part of his game because

0:26:24.240 --> 0:26:26.880
<v Speaker 2>everyone feared the power. But it's like, no, he can

0:26:27.280 --> 0:26:29.760
<v Speaker 2>he can duck in a way that I did not

0:26:29.800 --> 0:26:35.680
<v Speaker 2>realize a human back out trying to yeah right now, yeah,

0:26:38.240 --> 0:26:38.680
<v Speaker 2>my nurse.

0:26:39.720 --> 0:26:43.119
<v Speaker 1>All right, let's take a quick break to just rest

0:26:43.160 --> 0:26:52.760
<v Speaker 1>and stretch out, do our mobility exercises. Miles, all right,

0:26:52.800 --> 0:26:56.280
<v Speaker 1>we'll be back to get into this. We'll be right back,

0:27:06.760 --> 0:27:07.320
<v Speaker 1>and we're.

0:27:07.160 --> 0:27:11.520
<v Speaker 2>Back, thirsty virtualal inside.

0:27:11.119 --> 0:27:20.800
<v Speaker 1>And did you come towards the camera? Bro?

0:27:21.040 --> 0:27:26.520
<v Speaker 2>I don't know, man, It's crazy the level of physical

0:27:26.600 --> 0:27:31.639
<v Speaker 2>comedy that's happening on this audio only podcast. Oh my god,

0:27:32.080 --> 0:27:32.720
<v Speaker 2>this is great.

0:27:33.520 --> 0:27:36.240
<v Speaker 1>Anyway, where were we? Let's talk Eric Adams real quick.

0:27:36.480 --> 0:27:39.960
<v Speaker 1>Oh my god, it's just fun. He's still in it,

0:27:40.040 --> 0:27:44.200
<v Speaker 1>still in it, baby, He's you know, Zorn Mumdani getting

0:27:44.200 --> 0:27:46.520
<v Speaker 1>a lot of the attention. But you know, Eric Adams

0:27:46.520 --> 0:27:48.520
<v Speaker 1>every once in a while, he'll pop back in be like,

0:27:48.960 --> 0:27:51.000
<v Speaker 1>don't forget about motherfucker.

0:27:50.520 --> 0:27:54.680
<v Speaker 2>Still here, still talking about the Twin Towers and corruption.

0:27:55.920 --> 0:27:59.600
<v Speaker 2>But so Thursday morning, his former chief advisor, who quit

0:27:59.680 --> 0:28:02.520
<v Speaker 2>fucking out of nowhere in December, was just hit with

0:28:02.560 --> 0:28:05.520
<v Speaker 2>all kinds of charges related to her love of bribes

0:28:05.560 --> 0:28:08.840
<v Speaker 2>and other grease payments. She's accused of accepting more than

0:28:08.880 --> 0:28:11.879
<v Speaker 2>seventy five thousand dollars in bribes while serving in the

0:28:11.920 --> 0:28:16.879
<v Speaker 2>mayor's administration, and the alleged conspiracy was outlined in four indictments,

0:28:16.880 --> 0:28:19.679
<v Speaker 2>two of which included her son. The indictment alleges that

0:28:19.720 --> 0:28:22.880
<v Speaker 2>her Son received fifty thousand dollars in exchange for steering

0:28:22.960 --> 0:28:27.840
<v Speaker 2>city contracts for asylum seeker shelter sites for preferred property

0:28:27.880 --> 0:28:32.280
<v Speaker 2>owners to help fast track permit approvals for a karaoke

0:28:32.480 --> 0:28:33.600
<v Speaker 2>bar in Queens.

0:28:34.760 --> 0:28:37.719
<v Speaker 1>This feels like par for the course of a New

0:28:37.800 --> 0:28:40.120
<v Speaker 1>York City mayor. Oh yeah, this is what I feel like,

0:28:40.120 --> 0:28:42.800
<v Speaker 1>a New York City mayor who's not doing this, not

0:28:42.920 --> 0:28:44.000
<v Speaker 1>doing their just small.

0:28:44.560 --> 0:28:47.840
<v Speaker 2>There's another one where she was steering permits and stuff

0:28:47.880 --> 0:28:50.920
<v Speaker 2>in order to get home renovations for herself. And then

0:28:50.920 --> 0:28:53.480
<v Speaker 2>there's like so many other ones that involve free food.

0:28:53.800 --> 0:28:57.840
<v Speaker 2>Like thousands of dollars in catering is like the other grift, okay,

0:28:58.120 --> 0:29:00.600
<v Speaker 2>but the other side of this is like it's only

0:29:00.720 --> 0:29:05.560
<v Speaker 2>thousands of dollars in catering every bribe I've ever heard.

0:29:05.640 --> 0:29:08.360
<v Speaker 2>I'm not saying there's small amounts of money there.

0:29:08.520 --> 0:29:09.840
<v Speaker 1>They are big buck.

0:29:10.200 --> 0:29:12.760
<v Speaker 2>Yeah, yeah, he is ten times smaller than I think

0:29:12.800 --> 0:29:14.120
<v Speaker 2>they should be from Yeah.

0:29:14.000 --> 0:29:17.920
<v Speaker 1>Yeah, yeah exactly, Like, yeah, what is happening in the

0:29:17.960 --> 0:29:21.080
<v Speaker 1>world of like Wall Street and Finance, where they're just

0:29:21.160 --> 0:29:25.200
<v Speaker 1>like moving casually moving, you know, like millions of dollars

0:29:25.280 --> 0:29:27.640
<v Speaker 1>is like, yeah, it's only millions of dollars. You know

0:29:27.800 --> 0:29:31.800
<v Speaker 1>how they are about it. Politicians are so broke, it's

0:29:31.880 --> 0:29:33.280
<v Speaker 1>kind of that's kind of endearing.

0:29:33.640 --> 0:29:35.920
<v Speaker 2>I mean that's why I think that's why corporations are like, well,

0:29:35.960 --> 0:29:37.600
<v Speaker 2>you know what I can get for fifty grain?

0:29:37.840 --> 0:29:40.400
<v Speaker 1>Yeah, you know what I can get? I can get

0:29:40.400 --> 0:29:46.920
<v Speaker 1>a guy fucking killed. Yeah. I mean literally, a corporation doesn't.

0:29:46.640 --> 0:29:49.680
<v Speaker 2>Have a way to keep track of fifty grand like

0:29:49.720 --> 0:29:50.760
<v Speaker 2>that when it comes to them.

0:29:50.880 --> 0:29:53.720
<v Speaker 1>Exactly, it does out in the wash, Yeah, exactly. This

0:29:54.240 --> 0:29:58.320
<v Speaker 1>next stor this next anecdote is like that to the

0:29:58.360 --> 0:30:00.720
<v Speaker 1>most extreme that I've ever heard, so to the point

0:30:00.840 --> 0:30:04.200
<v Speaker 1>that I was like, she's not this is not like

0:30:04.240 --> 0:30:07.120
<v Speaker 1>a bride. Still the very end, I was like, this

0:30:07.160 --> 0:30:09.520
<v Speaker 1>is not a bribe. This is like this person just

0:30:09.560 --> 0:30:12.880
<v Speaker 1>like for some reason doesn't understand that this looks weird.

0:30:13.120 --> 0:30:16.959
<v Speaker 2>Okay, So so then okay, so that's just that's just

0:30:17.000 --> 0:30:18.000
<v Speaker 2>the That was the teaser.

0:30:18.040 --> 0:30:19.120
<v Speaker 1>Here's the fucking entre.

0:30:19.280 --> 0:30:21.880
<v Speaker 2>So Wednesday, Eric Adams had an event for the New

0:30:22.040 --> 0:30:24.280
<v Speaker 2>for a New campaign office he was opening in Harlem,

0:30:24.480 --> 0:30:27.440
<v Speaker 2>and one of his advisers, this woman Winnie Greco, who

0:30:27.560 --> 0:30:30.240
<v Speaker 2>is like his conduit to like the Asian American community

0:30:30.240 --> 0:30:33.600
<v Speaker 2>in New York, saw a local reporter that covers like

0:30:33.640 --> 0:30:36.680
<v Speaker 2>city hall affairs in attendance. She texts that journalist and is.

0:30:36.680 --> 0:30:38.760
<v Speaker 1>Like, hey, can you meet me like across the street.

0:30:39.080 --> 0:30:41.320
<v Speaker 2>They go to the Whole Foods around the corner, and

0:30:41.360 --> 0:30:43.520
<v Speaker 2>the reporter's like, all right, this is fucking weird, but like, yeah,

0:30:43.520 --> 0:30:46.160
<v Speaker 2>I'm a journalist, so of course, like some some person

0:30:46.200 --> 0:30:49.200
<v Speaker 2>who's been investigated by the FEDS before, it's like, hey,

0:30:49.240 --> 0:30:51.040
<v Speaker 2>you want to meet up, I'm gonna.

0:30:50.800 --> 0:30:53.920
<v Speaker 1>Fucking see what's up. So they get to the Whole Foods.

0:30:54.240 --> 0:30:56.760
<v Speaker 2>They have a brief convo and this woman Greco handed

0:30:56.760 --> 0:31:00.240
<v Speaker 2>the journalist, Katie Honan, a bag of like sour cream

0:31:00.280 --> 0:31:04.320
<v Speaker 2>an onion hers chips, and she's like, oh, no, I'm good,

0:31:04.320 --> 0:31:08.440
<v Speaker 2>I'm not hungry, no, thank you, but Greco kept insisting

0:31:08.560 --> 0:31:10.360
<v Speaker 2>she take it, and she's like, nah, I'm fine.

0:31:10.360 --> 0:31:12.520
<v Speaker 1>She's like just keep it, just take it and keep

0:31:12.600 --> 0:31:15.440
<v Speaker 1>just take this open bag of potato chips.

0:31:15.680 --> 0:31:17.920
<v Speaker 2>Just take it, I know you and maybe look in

0:31:18.000 --> 0:31:19.880
<v Speaker 2>it later. So I'm going to let this article from

0:31:19.920 --> 0:31:22.080
<v Speaker 2>the City, which is the outlet that Honan works for,

0:31:22.240 --> 0:31:24.400
<v Speaker 2>just the way they written up. It's amazing, so quote.

0:31:24.440 --> 0:31:27.160
<v Speaker 2>The two parted ways before entering a nearby subway station.

0:31:27.240 --> 0:31:30.040
<v Speaker 2>Honan opened the bag and discovered a red envelope inside

0:31:30.080 --> 0:31:33.000
<v Speaker 2>stuffed with cash at least one one hundred dollars bill

0:31:33.000 --> 0:31:35.880
<v Speaker 2>in several twenties. The reporter then called Greco and told

0:31:35.920 --> 0:31:37.800
<v Speaker 2>her she could not accept the money, and asked if

0:31:37.800 --> 0:31:39.720
<v Speaker 2>she was still nearby so she could give it back.

0:31:39.920 --> 0:31:43.000
<v Speaker 2>Greco said she'd left the area. Honan told her she

0:31:43.160 --> 0:31:45.120
<v Speaker 2>had to take the money back, and Greco said they

0:31:45.120 --> 0:31:47.680
<v Speaker 2>could meet at some point in Chinatown. The reporter then

0:31:47.720 --> 0:31:50.440
<v Speaker 2>texted Greco, quote, I can't take this. When can I

0:31:50.480 --> 0:31:52.880
<v Speaker 2>give it back to you? She did not get a response.

0:31:53.120 --> 0:31:56.239
<v Speaker 2>In an interview later Wednesday, the City asked Greko what

0:31:56.320 --> 0:31:59.400
<v Speaker 2>her intention was for the paper, yeah, what her intention

0:31:59.560 --> 0:32:01.680
<v Speaker 2>was in hand money to the reporter. In response, she

0:32:01.720 --> 0:32:04.920
<v Speaker 2>said she'd made a quote mistake and apologized, quote I

0:32:05.000 --> 0:32:07.200
<v Speaker 2>make a mistake, she said. I'm so sorry. It's a

0:32:07.240 --> 0:32:10.200
<v Speaker 2>culture thing. I don't know, I don't understand. I'm so sorry.

0:32:10.240 --> 0:32:12.400
<v Speaker 2>I feel so bad, right now I'm so sorry, honey,

0:32:13.040 --> 0:32:14.120
<v Speaker 2>I'm so sorry.

0:32:15.080 --> 0:32:18.120
<v Speaker 1>She is the best way to apologize for political for

0:32:18.200 --> 0:32:21.720
<v Speaker 1>getting caught for your fucking one hundred and forty dollars. Ye.

0:32:21.880 --> 0:32:24.960
<v Speaker 2>She then called the city back, advising that we call

0:32:25.040 --> 0:32:27.200
<v Speaker 2>her attorney, Stephen Brillan, adding can we.

0:32:27.160 --> 0:32:27.840
<v Speaker 1>Forget about this?

0:32:28.080 --> 0:32:30.560
<v Speaker 2>I tried to be a good person. Please please please

0:32:30.560 --> 0:32:33.000
<v Speaker 2>don't do in the news nothing about me. I just

0:32:33.080 --> 0:32:37.000
<v Speaker 2>wanted to be her friend. I just wanted to have

0:32:37.160 --> 0:32:39.040
<v Speaker 2>one good friend. It's nothing.

0:32:39.520 --> 0:32:42.840
<v Speaker 1>So that is where I'm fully on her side. She

0:32:43.120 --> 0:32:47.840
<v Speaker 1>her denial, her style of denial has fully worked on me,

0:32:48.320 --> 0:32:51.880
<v Speaker 1>and I'm like, this is just a sad person who

0:32:52.440 --> 0:32:57.040
<v Speaker 1>has no concept of what's going on, just maybe has

0:32:57.080 --> 0:32:59.240
<v Speaker 1>some sense, Like she's been working in the Eric Adams

0:32:59.320 --> 0:33:02.720
<v Speaker 1>office and just seeing people handing bags of cash back

0:33:02.760 --> 0:33:05.480
<v Speaker 1>and forth. So she's like, this is just how people interact.

0:33:05.840 --> 0:33:09.120
<v Speaker 2>It just looked like everyone just passes the same eighty

0:33:09.120 --> 0:33:10.200
<v Speaker 2>bucks back and forth.

0:33:10.400 --> 0:33:13.880
<v Speaker 1>That's important. It's like, I don't know, it's like a.

0:33:13.800 --> 0:33:17.440
<v Speaker 2>Hot potato of hot potato chips bag that I get people.

0:33:18.400 --> 0:33:20.160
<v Speaker 2>So they called her learn this is what the lyrics is.

0:33:20.240 --> 0:33:20.600
<v Speaker 1>Quote.

0:33:20.680 --> 0:33:23.080
<v Speaker 2>I can see how this looks strange, but I assure

0:33:23.120 --> 0:33:27.280
<v Speaker 2>you that Whinnie's intent was purely innocent. In the Chinese

0:33:27.320 --> 0:33:30.920
<v Speaker 2>culture none it's often given to others in a gesture

0:33:30.920 --> 0:33:34.880
<v Speaker 2>of friendship and gratitude. Winnie is apologetic and embarrassed by

0:33:34.880 --> 0:33:39.000
<v Speaker 2>any negative impression or confusion. This may have cost. Come on, now,

0:33:39.280 --> 0:33:42.239
<v Speaker 2>don't don't blame the culture Whinnie. Although look, she did

0:33:42.280 --> 0:33:44.120
<v Speaker 2>put in a red envelope. So she did put in

0:33:44.160 --> 0:33:46.800
<v Speaker 2>a red Is this a photo in the document from

0:33:46.840 --> 0:33:49.760
<v Speaker 2>the article? That's from that, that's from the from the article.

0:33:49.720 --> 0:33:52.880
<v Speaker 1>Red envelope inside a bag of Also, she ate a

0:33:52.880 --> 0:33:58.479
<v Speaker 1>lot of the fucking chips. This is mostly god But

0:33:58.560 --> 0:34:03.760
<v Speaker 1>I was on her until you find out that the

0:34:03.800 --> 0:34:06.760
<v Speaker 1>FEDS rated two of her properties during an investigation into

0:34:06.760 --> 0:34:12.200
<v Speaker 1>straw donations. So she's just as she also did that.

0:34:12.200 --> 0:34:15.240
<v Speaker 2>There's another investigation into her where she pressured a quote

0:34:15.239 --> 0:34:18.600
<v Speaker 2>campaign campaign volunteer to do personal tasks for her for

0:34:18.680 --> 0:34:21.000
<v Speaker 2>any in exchange for getting a city job.

0:34:22.160 --> 0:34:26.479
<v Speaker 1>Sick. Yeah, I I listen.

0:34:26.600 --> 0:34:28.600
<v Speaker 2>I know we already talked about the state of the

0:34:28.640 --> 0:34:32.160
<v Speaker 2>bribe economy, but seriously, this is so fucking little money.

0:34:32.239 --> 0:34:35.200
<v Speaker 2>This is yeah, yeah, this is why way more embarrassing

0:34:35.239 --> 0:34:38.200
<v Speaker 2>than anything, Yeah, because it's more the story that it's like, bro,

0:34:38.440 --> 0:34:40.680
<v Speaker 2>one hundred and forty bucks in that bag of sh

0:34:41.160 --> 0:34:44.400
<v Speaker 2>in this economy, the bag of chips. This is literally

0:34:44.719 --> 0:34:47.239
<v Speaker 2>like like I would be like, okay, it's time to

0:34:47.280 --> 0:34:49.640
<v Speaker 2>like talk about options for mom if she did right,

0:34:49.719 --> 0:34:52.240
<v Speaker 2>right right, like this can this can buy you seven

0:34:52.320 --> 0:34:55.319
<v Speaker 2>bags of chips? What am I going to do with this?

0:34:55.880 --> 0:34:58.160
<v Speaker 1>What I'm gonna do? The bag of chips that they

0:34:58.200 --> 0:35:00.879
<v Speaker 1>put it in is more valuable. I think it would

0:35:00.880 --> 0:35:01.160
<v Speaker 1>be wrong.

0:35:01.800 --> 0:35:03.920
<v Speaker 2>I would have not to not to pitch to all

0:35:03.960 --> 0:35:06.960
<v Speaker 2>the corrupt officials out there. I think it would make

0:35:07.000 --> 0:35:08.919
<v Speaker 2>more sense to just be like I forgot, I put

0:35:08.960 --> 0:35:10.160
<v Speaker 2>my money in my chips.

0:35:10.760 --> 0:35:14.359
<v Speaker 1>That's actually smart. Yeah, Like I gave her that one

0:35:15.000 --> 0:35:18.720
<v Speaker 1>that wasp wander to try the sour cream and onion.

0:35:18.800 --> 0:35:21.320
<v Speaker 2>This thing in the Chinese culture when you give a gift,

0:35:21.320 --> 0:35:23.319
<v Speaker 2>it's in it. That was for my young nephew. I'm

0:35:23.320 --> 0:35:26.760
<v Speaker 2>so sorry, I really want I haven't had this flavor

0:35:26.800 --> 0:35:29.480
<v Speaker 2>of hers sour cream and onion chips. I remember in

0:35:29.520 --> 0:35:34.760
<v Speaker 2>the office they allude to this flavor. Chinese stereotype just dropped,

0:35:34.880 --> 0:35:37.719
<v Speaker 2>which I know, money on the chips. I love it.

0:35:38.239 --> 0:35:40.680
<v Speaker 1>They're always putting money in the chips. If you noticed

0:35:40.719 --> 0:35:47.520
<v Speaker 1>this about them, the uh. There's a New York Magazine

0:35:47.680 --> 0:35:52.719
<v Speaker 1>article that's also just talking about how overall there were

0:35:52.760 --> 0:35:57.319
<v Speaker 1>many attempts to get an anti Momdani thing going, and

0:35:58.520 --> 0:36:02.480
<v Speaker 1>all those attempts appear to be working out to not much.

0:36:03.000 --> 0:36:05.400
<v Speaker 1>He's way ahead of Cuomo in the polls. Obviously the

0:36:05.480 --> 0:36:09.680
<v Speaker 1>polls were wrong on the first one, but they were

0:36:09.680 --> 0:36:13.239
<v Speaker 1>wrong in a very specific direction that the Inster media

0:36:13.360 --> 0:36:17.719
<v Speaker 1>tends to favor, and also Cuomo. The only advantage that

0:36:17.800 --> 0:36:24.120
<v Speaker 1>Cuomo had besides his like magnetism was just complete star

0:36:24.280 --> 0:36:29.840
<v Speaker 1>power magnetism and a literal human being energy is the

0:36:30.280 --> 0:36:33.000
<v Speaker 1>just massive amounts of money that he was raising, and

0:36:33.080 --> 0:36:36.719
<v Speaker 1>he is for the general election raising less than he

0:36:36.800 --> 0:36:41.680
<v Speaker 1>raised for the primary, so behind where he was in

0:36:41.719 --> 0:36:45.280
<v Speaker 1>an election that was his to loose and he lost

0:36:45.320 --> 0:36:51.080
<v Speaker 1>it pretty convincingly. Now he's way behind in this election

0:36:51.200 --> 0:36:54.239
<v Speaker 1>and has less money to work with, which people think

0:36:54.360 --> 0:36:58.040
<v Speaker 1>is not good for him. I also just the New

0:36:58.080 --> 0:37:01.000
<v Speaker 1>York magazine article attributes it to the like, and you

0:37:01.040 --> 0:37:03.200
<v Speaker 1>know the I don't think that he's going to catch

0:37:03.239 --> 0:37:07.759
<v Speaker 1>him because Zorin is very talented, which I feel like

0:37:07.800 --> 0:37:10.799
<v Speaker 1>we're going to see more and more this idea that like,

0:37:11.360 --> 0:37:13.960
<v Speaker 1>it's not the ideas, it's it's not the ideas, it's

0:37:14.000 --> 0:37:19.600
<v Speaker 1>not the policies. It's one person who's just it's he's cute. Yeah,

0:37:19.719 --> 0:37:22.759
<v Speaker 1>it's all the Democrats have a cute problem is all

0:37:23.200 --> 0:37:25.640
<v Speaker 1>they they need to find go out and find people

0:37:25.640 --> 0:37:29.359
<v Speaker 1>with embarrassing rap careers in their past. That's actually what

0:37:29.400 --> 0:37:33.239
<v Speaker 1>the people are looking for, anything but the policies. I'm

0:37:33.320 --> 0:37:34.839
<v Speaker 1>right here, I'm right here.

0:37:35.880 --> 0:37:37.600
<v Speaker 2>I used to be in a rap group with Shilah

0:37:37.640 --> 0:37:42.799
<v Speaker 2>buff Okay, that's terrifying. Truck keeps keeps making it. You know,

0:37:43.360 --> 0:37:44.720
<v Speaker 2>he's he's he's.

0:37:44.560 --> 0:37:45.080
<v Speaker 1>Just so hot.

0:37:45.480 --> 0:37:48.279
<v Speaker 2>He's just so fucking hot, so hot. Right now, away

0:37:48.280 --> 0:37:49.319
<v Speaker 2>from it, damn it.

0:37:49.560 --> 0:37:52.080
<v Speaker 1>All right, let's take a quick break. We'll be right back.

0:38:02.480 --> 0:38:08.120
<v Speaker 1>And we're back. And so the big news story, you know,

0:38:08.160 --> 0:38:10.880
<v Speaker 1>the president is using the military to occupy the nation's capital,

0:38:11.360 --> 0:38:14.360
<v Speaker 1>like Lisa that we all forget that he is probably

0:38:14.360 --> 0:38:17.920
<v Speaker 1>a serial pedophile. But the real big news story over

0:38:17.960 --> 0:38:22.000
<v Speaker 1>the past couple days on social media has been the

0:38:22.040 --> 0:38:28.120
<v Speaker 1>redesign of the cracker barrel logo, specifically the decision to

0:38:28.840 --> 0:38:34.600
<v Speaker 1>as everybody at the same time, made noted on Twitter,

0:38:35.280 --> 0:38:39.400
<v Speaker 1>they removed both the cracker and the barrel. The old

0:38:40.080 --> 0:38:44.239
<v Speaker 1>the elderly white man and the barrel are gone and

0:38:44.600 --> 0:38:48.640
<v Speaker 1>it's just the words cracker barrel in a font that

0:38:48.880 --> 0:38:53.440
<v Speaker 1>is not very like I mean, it's the same coloring.

0:38:54.000 --> 0:38:56.040
<v Speaker 2>It kind of looks like this, like the font for

0:38:56.160 --> 0:38:57.680
<v Speaker 2>Continental Tires.

0:38:57.800 --> 0:39:03.799
<v Speaker 1>And a reference I feel like, or one of the

0:39:03.920 --> 0:39:08.960
<v Speaker 1>like coffee brands I feel like, has a similar Yeah.

0:39:08.200 --> 0:39:11.600
<v Speaker 2>What is I've never been to a cracker barrel in

0:39:11.640 --> 0:39:15.640
<v Speaker 2>my life. I guess, like, what are they? What's the

0:39:15.719 --> 0:39:16.440
<v Speaker 2>food there? Like?

0:39:16.680 --> 0:39:20.319
<v Speaker 1>Ship good? It's fine. I thought it was good. Yeah,

0:39:20.320 --> 0:39:23.160
<v Speaker 1>it's like what's the what's the cuisine? So the things

0:39:23.200 --> 0:39:27.000
<v Speaker 1>that I've gotten there are biscuits and gravy. I think

0:39:27.000 --> 0:39:27.960
<v Speaker 1>the producer.

0:39:28.040 --> 0:39:32.279
<v Speaker 2>Said, bacon is a vegetable there, and yeah, yes, that's

0:39:32.520 --> 0:39:34.920
<v Speaker 2>thank you got everybody in the terms of it's like

0:39:34.960 --> 0:39:36.520
<v Speaker 2>what if Denny's was dinner.

0:39:37.600 --> 0:39:41.880
<v Speaker 1>Yeah, it seems like a little bit better than Danny's.

0:39:41.960 --> 0:39:46.360
<v Speaker 1>So it has like a folksy like they have little

0:39:46.640 --> 0:39:49.880
<v Speaker 1>things on the walls like they used to have like

0:39:49.960 --> 0:39:52.240
<v Speaker 1>ship on the floor. Did they used to have ship

0:39:52.239 --> 0:39:56.600
<v Speaker 1>on the floor? There? No, that Texas roadhouse could have

0:39:56.600 --> 0:39:59.320
<v Speaker 1>had like peanuts on the floor and and they cleaned

0:39:59.320 --> 0:40:01.160
<v Speaker 1>it up, and then there's like the fucking woke no

0:40:01.280 --> 0:40:03.200
<v Speaker 1>because we go to the shoot on the floor. I

0:40:03.200 --> 0:40:04.759
<v Speaker 1>think you know what I.

0:40:04.680 --> 0:40:07.319
<v Speaker 2>Will say for that, I I obviously it's such a

0:40:07.320 --> 0:40:09.080
<v Speaker 2>hack thing to be like where did all these peanut

0:40:09.160 --> 0:40:12.360
<v Speaker 2>allergies come from? But I got to imagine if you actually,

0:40:12.480 --> 0:40:14.840
<v Speaker 2>you know, if you had a peanut allergy, the place

0:40:14.880 --> 0:40:18.479
<v Speaker 2>with broken peanut shells all over the ground is pretty rough.

0:40:18.880 --> 0:40:24.839
<v Speaker 1>Yeah. Yeah, that's that's just a very good point. That's uh,

0:40:25.000 --> 0:40:27.880
<v Speaker 1>that's far from like banning peanut butter and jelly sandwiches

0:40:27.920 --> 0:40:32.239
<v Speaker 1>at lunch. It's like, yeah, just ambient peanut dust is

0:40:32.360 --> 0:40:33.760
<v Speaker 1>kind of our main feature.

0:40:33.960 --> 0:40:35.560
<v Speaker 2>What if it was aerosolized.

0:40:36.160 --> 0:40:41.080
<v Speaker 1>Yeah, it was just like for ambiance is air borning.

0:40:41.640 --> 0:40:45.560
<v Speaker 2>We've aerosolized peanut allergies into the allergens into the air.

0:40:45.680 --> 0:40:49.160
<v Speaker 1>But yeah, so everybody is responding like this is the

0:40:49.200 --> 0:40:54.520
<v Speaker 1>bud light campaign that enraged transphobes, And I don't the

0:40:54.600 --> 0:40:57.839
<v Speaker 1>thing Dan that they're like it's the erasure of white men.

0:40:58.280 --> 0:41:01.719
<v Speaker 2>Is that is that the of the complaint basically because

0:41:01.719 --> 0:41:03.640
<v Speaker 2>they got rid of herridage.

0:41:04.880 --> 0:41:05.520
<v Speaker 1>It really is.

0:41:05.640 --> 0:41:08.160
<v Speaker 2>I guess I had never looked at a cracker barrel

0:41:08.840 --> 0:41:11.400
<v Speaker 2>logo as much as I have in the last ten minutes.

0:41:12.360 --> 0:41:16.640
<v Speaker 2>But it is a very, very, very the original logo

0:41:16.920 --> 0:41:22.719
<v Speaker 2>very busy. It has like a half tone, relatively detailed

0:41:22.800 --> 0:41:27.000
<v Speaker 2>illustration of an old white man on a leaning sitting

0:41:27.040 --> 0:41:29.640
<v Speaker 2>on a chair and leaning on a barrel, and then

0:41:29.880 --> 0:41:32.600
<v Speaker 2>the like graphic part of the logo starts, so it's

0:41:32.600 --> 0:41:33.239
<v Speaker 2>like kind of like.

0:41:33.200 --> 0:41:35.760
<v Speaker 1>A bean shape. It's a lot.

0:41:35.800 --> 0:41:38.560
<v Speaker 2>It's so much going on. It is wild that I

0:41:38.560 --> 0:41:41.520
<v Speaker 2>don't even think this CB is centered in the fucking

0:41:41.560 --> 0:41:46.120
<v Speaker 2>logo either. No, you know, there's a lot of design

0:41:46.239 --> 0:41:51.080
<v Speaker 2>choices are which is fine, Like clearly this was meant

0:41:51.080 --> 0:41:51.600
<v Speaker 2>to be like it.

0:41:51.760 --> 0:41:55.000
<v Speaker 1>Was carved, but the like if you go inside a

0:41:55.040 --> 0:41:58.319
<v Speaker 1>cracker barrel, everything is like that, Like that is the

0:41:58.440 --> 0:42:02.080
<v Speaker 1>vibe of a cracker barrel. Like every just junk like

0:42:02.120 --> 0:42:05.040
<v Speaker 1>it's it is both a restaurant and a junk drug.

0:42:05.120 --> 0:42:07.680
<v Speaker 2>Yes, right, there's like a gift shop and everyone's a

0:42:07.719 --> 0:42:08.280
<v Speaker 2>gift shop.

0:42:08.280 --> 0:42:12.120
<v Speaker 1>That is just like like there's little like math games

0:42:12.200 --> 0:42:15.040
<v Speaker 1>and stuff like that like that. Uh, I describe a

0:42:15.040 --> 0:42:22.799
<v Speaker 1>different cornpone ass garbage cornpone ass garbage is right, Yeah,

0:42:22.880 --> 0:42:25.360
<v Speaker 1>like that's the that is the energy of it. Like

0:42:25.440 --> 0:42:28.640
<v Speaker 1>I I do think this is an objectively bad logo

0:42:28.719 --> 0:42:34.680
<v Speaker 1>design for a company that this fun is Yeah exactly,

0:42:34.880 --> 0:42:37.200
<v Speaker 1>and like how kind of old, like the whole thing

0:42:37.760 --> 0:42:42.960
<v Speaker 1>feels like it is. It's a Disney attraction for Like. Also,

0:42:43.120 --> 0:42:43.560
<v Speaker 1>it is.

0:42:43.600 --> 0:42:48.560
<v Speaker 2>Very clear that the old logo utterly unusable on social media,

0:42:48.680 --> 0:42:51.840
<v Speaker 2>like honestly unusable in anything other than like three hundred

0:42:51.880 --> 0:42:58.120
<v Speaker 2>pixels wide. I just don't understand why they didn't just

0:42:58.200 --> 0:43:00.960
<v Speaker 2>take the graphic part and just use it on presumably

0:43:01.120 --> 0:43:04.000
<v Speaker 2>presumably this all happened because whoever runs their Twitter account

0:43:04.120 --> 0:43:08.520
<v Speaker 2>was like the truth social account was like you can

0:43:08.560 --> 0:43:12.880
<v Speaker 2>hardly see the logo, can't make out what? So just

0:43:12.960 --> 0:43:18.600
<v Speaker 2>use a different one for social media? Yeah, Well, because everything,

0:43:19.320 --> 0:43:22.120
<v Speaker 2>you know, everything is moving to ard not moving. It

0:43:22.120 --> 0:43:25.600
<v Speaker 2>already has moved towards minimalism in terms of like logo design,

0:43:26.120 --> 0:43:29.000
<v Speaker 2>and it's just getting everything is getting stripped down more

0:43:29.120 --> 0:43:31.560
<v Speaker 2>and more and more and more. That's like I think

0:43:31.640 --> 0:43:35.319
<v Speaker 2>this like slight Wave can represent the entire logo that

0:43:35.440 --> 0:43:37.640
<v Speaker 2>used to be iconic, so like in this sense with

0:43:37.719 --> 0:43:41.000
<v Speaker 2>the cracker barrel thing I'm like, I get everything wants

0:43:41.080 --> 0:43:43.719
<v Speaker 2>everyone wants to be minimal. But then it's funny too

0:43:43.719 --> 0:43:46.799
<v Speaker 2>because you see a resurgence of retro design stuff come

0:43:46.840 --> 0:43:49.560
<v Speaker 2>back too, which it was way more maximal, and now

0:43:49.680 --> 0:43:52.600
<v Speaker 2>it's all just fucking just just.

0:43:52.480 --> 0:43:56.080
<v Speaker 1>Designs I've seen in the past, like handful of years

0:43:56.200 --> 0:43:59.640
<v Speaker 1>are Pepsi, and we'll get into their logo redesigned from

0:43:59.680 --> 0:44:00.120
<v Speaker 1>the early.

0:44:00.440 --> 0:44:03.400
<v Speaker 2>There's so much written here about this I can't believe.

0:44:03.680 --> 0:44:07.200
<v Speaker 1>But like Pepsi finally went back to having the thing

0:44:07.400 --> 0:44:10.160
<v Speaker 1>fucking centered with the word Pepsi written between the like

0:44:10.280 --> 0:44:13.759
<v Speaker 1>red and the blue swirls and Burger King like did

0:44:13.760 --> 0:44:17.040
<v Speaker 1>a retro version of Burger King where they're like, remember

0:44:17.080 --> 0:44:21.960
<v Speaker 1>when we were good? Right, this movement away to just

0:44:22.120 --> 0:44:25.000
<v Speaker 1>like a font this is just like I don't know,

0:44:25.040 --> 0:44:29.080
<v Speaker 1>what if what if Jaguar, like that car brand which

0:44:29.160 --> 0:44:33.880
<v Speaker 1>used to have a fucking Jaguar Jaar used to have

0:44:33.920 --> 0:44:37.080
<v Speaker 1>a sick fucking Jaguar about to like eat something just

0:44:37.080 --> 0:44:40.520
<v Speaker 1>like pouncing, just like moved over to looking like I

0:44:40.560 --> 0:44:44.440
<v Speaker 1>don't know, some brand of like Wellness fucking water or

0:44:44.480 --> 0:44:47.360
<v Speaker 1>something like a Wells bo vitamins.

0:44:47.640 --> 0:44:49.719
<v Speaker 2>The Jaguar logo design sounds like it goes.

0:44:54.560 --> 0:44:57.799
<v Speaker 1>Yeah, it looks like the colors behind it should have

0:44:57.880 --> 0:44:59.359
<v Speaker 1>like bubbles bubbling up.

0:44:59.800 --> 0:45:02.960
<v Speaker 2>For I do very much wish that Cracker Barrel had

0:45:02.960 --> 0:45:06.200
<v Speaker 2>also led. I'm assuming it was the like son of

0:45:06.239 --> 0:45:08.719
<v Speaker 2>the owner of Cracker Barrel, the CEO Cracker Barrel, who

0:45:08.719 --> 0:45:12.279
<v Speaker 2>pitched this like gen zification of it, or like, I

0:45:12.320 --> 0:45:17.280
<v Speaker 2>wish they'd fully committed to doing one futurist Cracker Barrel location,

0:45:18.280 --> 0:45:22.680
<v Speaker 2>just like like completely stark beige walls and just like

0:45:22.800 --> 0:45:26.040
<v Speaker 2>trops of whatever. I don't know, Like some logans run

0:45:26.480 --> 0:45:28.879
<v Speaker 2>like type shit, that's what I want, So I went,

0:45:28.960 --> 0:45:30.719
<v Speaker 2>I want, so I went, So I went.

0:45:30.760 --> 0:45:31.440
<v Speaker 1>Cracker Barrel.

0:45:32.200 --> 0:45:35.480
<v Speaker 2>It's Julie Messino is getting all the heat now, the

0:45:35.520 --> 0:45:37.400
<v Speaker 2>CEO and president of Cracker Barrel.

0:45:37.640 --> 0:45:40.399
<v Speaker 1>Yeah yeah, Why can't they go back to the time

0:45:40.440 --> 0:45:44.759
<v Speaker 1>when their founder had a public policy of not hiring

0:45:45.600 --> 0:45:49.880
<v Speaker 1>gay employees. Yeah, yeah, well those are the good old days.

0:45:50.239 --> 0:45:53.719
<v Speaker 1>My request, I'd love for companies to keep doing this,

0:45:53.800 --> 0:45:57.680
<v Speaker 1>because you know, anything that moves people in the direction

0:45:57.760 --> 0:46:00.319
<v Speaker 1>of being like, oh, corporations are like dumb in bed

0:46:00.400 --> 0:46:02.440
<v Speaker 1>and don't know what they're doing is great. I just

0:46:02.880 --> 0:46:05.880
<v Speaker 1>would love for them to make all the paper, like

0:46:05.960 --> 0:46:11.800
<v Speaker 1>all the decks publicly available, because how'd you get show

0:46:11.880 --> 0:46:16.200
<v Speaker 1>your work? Please? I want to hear the bullshit like

0:46:16.239 --> 0:46:19.240
<v Speaker 1>that leaks leak the deck.

0:46:19.880 --> 0:46:25.440
<v Speaker 2>Yeah, before the Epstein files release the Cracker Barrel logo, redesigned.

0:46:24.719 --> 0:46:28.920
<v Speaker 1>Decks, the Jaguar, the Cracker Barrel. The Pepsi one is

0:46:29.000 --> 0:46:33.680
<v Speaker 1>like one of the great moments of like just realizing

0:46:33.920 --> 0:46:38.200
<v Speaker 1>how fucking stupid and broken, like everything is just the

0:46:39.160 --> 0:46:41.719
<v Speaker 1>everybody will link off to the article. I've linked off

0:46:41.760 --> 0:46:45.120
<v Speaker 1>to it probably one hundred times in this podcast. They

0:46:45.160 --> 0:46:50.560
<v Speaker 1>paid several hundred million dollars to change their logo from

0:46:50.600 --> 0:46:54.080
<v Speaker 1>like the iconic one that you probably picture in your

0:46:54.080 --> 0:46:56.560
<v Speaker 1>mind when you think of Pepsi to the one where

0:46:56.560 --> 0:47:00.480
<v Speaker 1>it was like off center and like no, people are like, oh,

0:47:00.480 --> 0:47:03.680
<v Speaker 1>it kind of looks like the Obama logo but not

0:47:03.760 --> 0:47:08.200
<v Speaker 1>really so wild and like the the deck is so

0:47:10.200 --> 0:47:14.239
<v Speaker 1>just like such amazing bullshit, like they have in one

0:47:14.280 --> 0:47:18.680
<v Speaker 1>part they have like magnetic dynamic dynamics and like they

0:47:18.680 --> 0:47:21.440
<v Speaker 1>have a picture of like the globe they like.

0:47:22.440 --> 0:47:25.440
<v Speaker 2>The magnetic field of the actual earth jack And I

0:47:25.480 --> 0:47:27.839
<v Speaker 2>think you should pay attention to the undulation of those

0:47:27.880 --> 0:47:29.680
<v Speaker 2>waves because I feel like there's a there's a there's

0:47:29.760 --> 0:47:32.000
<v Speaker 2>room for Pepsi there, I'm sure is what this asshole

0:47:32.000 --> 0:47:33.600
<v Speaker 2>is said in a meeting.

0:47:33.800 --> 0:47:38.640
<v Speaker 1>So C is magnetic dynamics. Magnetic fields are impacted by

0:47:39.520 --> 0:47:45.400
<v Speaker 1>radiation and wind motion, and then see the Pepsi globe dynamic.

0:47:46.440 --> 0:47:51.320
<v Speaker 1>This emotive forces shape the gestalt of the brand identity.

0:47:51.880 --> 0:47:57.680
<v Speaker 1>Uh yeah, obviously, I will say.

0:47:57.239 --> 0:48:03.080
<v Speaker 2>Major, every major logo redesign is basically just wealth redistribution

0:48:03.480 --> 0:48:04.759
<v Speaker 2>to people who do.

0:48:05.560 --> 0:48:08.839
<v Speaker 1>Work to design, people who do LSD work. Yeah.

0:48:08.960 --> 0:48:10.680
<v Speaker 2>Yeah, And you know what, I'm not mad at that,

0:48:10.960 --> 0:48:16.359
<v Speaker 2>although now it's a chat GPT, Yeah exactly. I mean

0:48:16.360 --> 0:48:19.879
<v Speaker 2>this that these people should continue to have enough money

0:48:19.960 --> 0:48:21.680
<v Speaker 2>to do a bunch of drugs at Burning Man.

0:48:21.920 --> 0:48:25.400
<v Speaker 1>But as we know, continued investment provided Pepsi with a

0:48:25.480 --> 0:48:29.799
<v Speaker 1>clear resource for reinvention. As the deck was quoted, they've

0:48:29.800 --> 0:48:32.319
<v Speaker 1>got this one that is the old logo, and it's

0:48:32.360 --> 0:48:35.600
<v Speaker 1>got two lines through it. One is like a you know,

0:48:36.040 --> 0:48:38.760
<v Speaker 1>like the ray from geometry, where it's like a line

0:48:39.040 --> 0:48:42.920
<v Speaker 1>pointing in one direction going one is moving from convention

0:48:43.120 --> 0:48:47.400
<v Speaker 1>to innovation along a horizontal access axis. And then the

0:48:47.440 --> 0:48:51.680
<v Speaker 1>other one that is like shooting upwards and giving off

0:48:51.800 --> 0:48:55.840
<v Speaker 1>the new PEPSI logo is going from DNA to future.

0:48:57.480 --> 0:48:59.360
<v Speaker 1>Of course, the two ends of that axis.

0:49:00.080 --> 0:49:04.040
<v Speaker 2>Yes, what's the okay, what's the opposite of DNA future future?

0:49:04.600 --> 0:49:09.080
<v Speaker 1>Exactly? Thank you? And that's where you know what.

0:49:09.120 --> 0:49:12.680
<v Speaker 2>I will also say, though, it's that like, like this

0:49:12.760 --> 0:49:17.719
<v Speaker 2>is just like the clearest example of why when when

0:49:17.800 --> 0:49:22.560
<v Speaker 2>like people like business leaders deride the humanities. Hey, bro,

0:49:22.760 --> 0:49:26.239
<v Speaker 2>if you were better versed in design and aesthetics and

0:49:26.320 --> 0:49:29.480
<v Speaker 2>what art history, you wouldn't be able to be hoodwinked

0:49:29.520 --> 0:49:34.280
<v Speaker 2>by this, right, Your ignorance is what allows you allows

0:49:34.280 --> 0:49:37.240
<v Speaker 2>this industry to thrive. It's not that this stuff is bullshit.

0:49:38.080 --> 0:49:41.319
<v Speaker 2>I mean, in this case, it's bullshit. If you just

0:49:41.360 --> 0:49:45.160
<v Speaker 2>had some basic fluency and didn't require a consultant to

0:49:45.280 --> 0:49:49.560
<v Speaker 2>tell you about aesthetics, you would not be susceptible to

0:49:49.640 --> 0:49:53.440
<v Speaker 2>this type of more or less fraud. It's fucking unbelievable.

0:49:53.440 --> 0:49:57.080
<v Speaker 2>I mean, like, yeah, right, Charlatan comes in and writes

0:49:57.120 --> 0:50:00.839
<v Speaker 2>these fucking buzzwords down, like fucking euclidia geometry.

0:50:01.160 --> 0:50:04.840
<v Speaker 1>Yeah, like, oh fuck, dude, that's so sick.

0:50:04.920 --> 0:50:07.319
<v Speaker 2>And the asshole who did the pictures, like, bro, I

0:50:07.360 --> 0:50:09.480
<v Speaker 2>did this shit in fucking twenty minutes, I yelled at

0:50:09.520 --> 0:50:10.960
<v Speaker 2>my assistant, I was doing COVID.

0:50:11.520 --> 0:50:13.840
<v Speaker 1>We improvising it now anyway.

0:50:13.920 --> 0:50:17.359
<v Speaker 2>Yeah, so uh, that's what we're saying here, and we're

0:50:17.400 --> 0:50:21.240
<v Speaker 2>definitely moving into a more sort of cartesian I guess,

0:50:21.280 --> 0:50:25.399
<v Speaker 2>if you will, phil philosophical design language, and I think

0:50:25.400 --> 0:50:27.360
<v Speaker 2>that would really just it would align well with the

0:50:27.360 --> 0:50:30.920
<v Speaker 2>brand identity as we move from DNA on one end

0:50:30.960 --> 0:50:34.680
<v Speaker 2>of the spectrum, break the paradigm and move into sure

0:50:35.000 --> 0:50:38.960
<v Speaker 2>my future part with three with five thousand years worth

0:50:39.040 --> 0:50:40.080
<v Speaker 2>of history.

0:50:40.600 --> 0:50:45.239
<v Speaker 1>So it starts three thousand BC with like design concepts

0:50:45.280 --> 0:50:47.960
<v Speaker 1>from back then, but like not really, I don't know.

0:50:48.000 --> 0:50:50.680
<v Speaker 1>It just seems like a random assortment of shit. To

0:50:50.960 --> 0:50:55.000
<v Speaker 1>six hundred BC. There's like the renaissances on there. Feng

0:50:55.080 --> 0:50:57.799
<v Speaker 1>Shui is on there, two seventy eight BC, feng Shue

0:50:58.880 --> 0:51:02.960
<v Speaker 1>up through eighteen fifty eight, MOBI a strip nineteen forty eight.

0:51:03.000 --> 0:51:07.280
<v Speaker 1>I can't read that. Two thousand the modular, the modular,

0:51:07.520 --> 0:51:11.000
<v Speaker 1>two thousand and nine PEPSI, and then a question mark

0:51:11.080 --> 0:51:14.040
<v Speaker 1>to be like, and how will PEPSI yours?

0:51:14.600 --> 0:51:19.840
<v Speaker 2>Obviously, because the Vitruvian Renaissance is on the same scale

0:51:19.840 --> 0:51:23.799
<v Speaker 2>of as a fucking pepsi logo. You know what you

0:51:23.920 --> 0:51:26.160
<v Speaker 2>joke around, if you could, if you could caliport a

0:51:26.239 --> 0:51:30.560
<v Speaker 2>cannopepsi back to fucking what was that fucking he would

0:51:30.640 --> 0:51:33.160
<v Speaker 2>lose his mind. You could literally murder a man with

0:51:33.239 --> 0:51:34.840
<v Speaker 2>a Canopepsi and not.

0:51:34.760 --> 0:51:37.120
<v Speaker 1>Just the can. Yeah, that would be wild.

0:51:37.440 --> 0:51:40.440
<v Speaker 2>I love a movie like that where a guys the challenges.

0:51:40.520 --> 0:51:43.279
<v Speaker 2>You have one little canapepsi, But you gotta you got

0:51:43.280 --> 0:51:45.560
<v Speaker 2>to use that to blow enough minds to become like

0:51:45.600 --> 0:51:47.880
<v Speaker 2>a god. Like you'd have to be like, yo, you

0:51:47.960 --> 0:51:50.360
<v Speaker 2>only got like fucking ten You got like ten SIPs

0:51:50.360 --> 0:51:51.080
<v Speaker 2>on this thing.

0:51:52.000 --> 0:51:53.520
<v Speaker 1>That just the gods might be crazy.

0:51:53.800 --> 0:51:56.680
<v Speaker 2>That racism, well yeah, but that one was the bottle

0:51:56.760 --> 0:51:59.759
<v Speaker 2>came down and no one really came to be like

0:51:59.760 --> 0:52:02.920
<v Speaker 2>and I am your lord God. I'm talking about some

0:52:03.000 --> 0:52:04.759
<v Speaker 2>dude pulling up with it and being like, hey, bro,

0:52:04.920 --> 0:52:06.120
<v Speaker 2>you need to taste this ship.

0:52:06.520 --> 0:52:08.359
<v Speaker 1>Behold more.

0:52:08.840 --> 0:52:12.560
<v Speaker 2>It's tickling my mouth, sir, exactly, exactly, take me to

0:52:12.600 --> 0:52:12.880
<v Speaker 2>your king.

0:52:13.920 --> 0:52:16.400
<v Speaker 1>Yeah, Marty mcfla could have done a lot more damage.

0:52:16.800 --> 0:52:19.600
<v Speaker 2>You know, he's a user, bro. He fucking fumbled that ship.

0:52:19.600 --> 0:52:22.680
<v Speaker 5>So we're living in the biff timeline. We're living in

0:52:22.719 --> 0:52:30.399
<v Speaker 5>the Biff timeline. Bro A, Yeah, that's not incorrect. Back

0:52:30.400 --> 0:52:34.040
<v Speaker 5>in the future two. He it's that he's styled.

0:52:33.600 --> 0:52:38.320
<v Speaker 2>After Trump and right in future too, right.

0:52:38.280 --> 0:52:41.200
<v Speaker 1>Yeah, and he's like a casino magnate. Yeah.

0:52:41.200 --> 0:52:44.480
<v Speaker 2>And I was just I was just I was just

0:52:44.640 --> 0:52:48.920
<v Speaker 2>in character as Blue Sky Guy. Oh, thank you, our

0:52:48.960 --> 0:52:52.120
<v Speaker 2>favorite favorite Andrew t character, Blue Sky Guy. We're in

0:52:52.160 --> 0:52:56.680
<v Speaker 2>the We're in the Biff timeline to the Biff timeline.

0:52:57.360 --> 0:52:58.440
<v Speaker 2>And it's not a joke.

0:52:59.480 --> 0:53:02.440
<v Speaker 1>Drum all right, Oh god.

0:53:02.520 --> 0:53:05.440
<v Speaker 2>We're in the Biff timeline and we don't even have hoverboards?

0:53:09.160 --> 0:53:10.680
<v Speaker 2>Are we getting too close to home?

0:53:10.840 --> 0:53:13.719
<v Speaker 1>Let us know, Let me know in the discord.

0:53:13.800 --> 0:53:20.200
<v Speaker 2>Let me you can find me an Andrew Ty that

0:53:20.480 --> 0:53:22.000
<v Speaker 2>fucking with your format once more.

0:53:22.400 --> 0:53:23.960
<v Speaker 1>I'm now when it cuts time.

0:53:24.160 --> 0:53:26.320
<v Speaker 2>I'm not saying you just pulled the plug on the episode,

0:53:26.360 --> 0:53:31.800
<v Speaker 2>because that's fine. We're done.

0:53:31.960 --> 0:53:37.960
<v Speaker 1>Where can people find you? Is there were mediahere? WHOA,

0:53:38.040 --> 0:53:38.680
<v Speaker 1>he's farting.

0:53:38.719 --> 0:53:44.160
<v Speaker 2>He's peeing everywhere right now? What if? I I mean, yeah,

0:53:44.480 --> 0:53:47.600
<v Speaker 2>the work of media is again. I can't stress this enough.

0:53:47.680 --> 0:53:50.960
<v Speaker 2>A double feature back to back of Naked Gun and

0:53:51.080 --> 0:53:57.240
<v Speaker 2>weapons to back because the similar weapons first. Naked Gun first,

0:53:58.080 --> 0:54:01.719
<v Speaker 2>I don't think it matters that much because the similarity

0:54:01.760 --> 0:54:04.120
<v Speaker 2>will be a parent no matter what. I guess what

0:54:04.160 --> 0:54:06.319
<v Speaker 2>I would I would say weapons first, then naked gun

0:54:06.440 --> 0:54:09.879
<v Speaker 2>okay yeah, naked gun chaser okay yeah yeah yeah yeah.

0:54:10.320 --> 0:54:12.960
<v Speaker 1>There you go. Miles, Where can people find you as

0:54:12.960 --> 0:54:16.720
<v Speaker 1>their working media You've been enjoying everywhere at Miles of Gray.

0:54:17.040 --> 0:54:19.680
<v Speaker 2>Also find me talking about fucking ninety day fiance on

0:54:19.920 --> 0:54:24.040
<v Speaker 2>four to twenty day fiance. A couple fucking works of

0:54:24.120 --> 0:54:30.120
<v Speaker 2>the media I like first. One is from at kim

0:54:30.160 --> 0:54:32.440
<v Speaker 2>Kelly dot pscott at social put things are better when

0:54:32.440 --> 0:54:34.400
<v Speaker 2>the computer lived in its own specific room and you

0:54:34.440 --> 0:54:39.040
<v Speaker 2>only went in there sometimes. And at scribbly Moth dot

0:54:39.040 --> 0:54:42.520
<v Speaker 2>by Scotta social posted classic rock music is Classic rock

0:54:42.560 --> 0:54:44.640
<v Speaker 2>is rock music from the sixties and seventies, not the

0:54:44.680 --> 0:54:46.680
<v Speaker 2>eighties and nineties. Thank you for coming to my ted

0:54:46.719 --> 0:54:49.960
<v Speaker 2>talk because I also noticed that creep now like when

0:54:49.960 --> 0:54:52.960
<v Speaker 2>they're like sick oldies, I'm like, you piece are shit.

0:54:53.880 --> 0:54:57.320
<v Speaker 2>I was fucking twelve when this came out and getting

0:54:57.360 --> 0:54:59.960
<v Speaker 2>so hostile. But that's time for you.

0:55:00.520 --> 0:55:04.320
<v Speaker 1>workI Media avintage, it will send it, tweeted MLB announcer.

0:55:04.320 --> 0:55:07.399
<v Speaker 1>When the worst guy on the team finally does something good. Ah,

0:55:07.480 --> 0:55:09.880
<v Speaker 1>he's always doing shit like that and he's one of

0:55:09.880 --> 0:55:19.200
<v Speaker 1>our best guys. And then I liked something from PUDs

0:55:19.239 --> 0:55:22.040
<v Speaker 1>at having a Laugh tweeted trying to trauma dump on

0:55:22.080 --> 0:55:25.160
<v Speaker 1>Guillermo dob Toro, but he keeps saying shit like that's

0:55:25.160 --> 0:55:28.680
<v Speaker 1>what the townspeople did to the Wolfman every thirty second.

0:55:32.320 --> 0:55:35.520
<v Speaker 1>You can find me on Twitter at jack underscorel Brian

0:55:35.560 --> 0:55:37.680
<v Speaker 1>me on Blue Sky at jack Obi the Number One.

0:55:37.800 --> 0:55:40.399
<v Speaker 1>You can find us on Twitter and Blue Sky at

0:55:40.520 --> 0:55:44.759
<v Speaker 1>Daily Zeitgeist. We're at the Daily Zeitgeist. On Instagram. You

0:55:44.800 --> 0:55:47.160
<v Speaker 1>can go to the description of this episode wherever you're

0:55:47.200 --> 0:55:49.560
<v Speaker 1>listening to it, and underneath the show description you will

0:55:49.560 --> 0:55:52.520
<v Speaker 1>find the footnotes, which is where we link off to

0:55:52.560 --> 0:55:55.080
<v Speaker 1>the information that we talked about in today's episode. We

0:55:55.120 --> 0:55:57.600
<v Speaker 1>also link off to a song that we think you

0:55:57.680 --> 0:56:00.320
<v Speaker 1>might enjoy. Miles, is there a song I think that

0:56:00.360 --> 0:56:01.200
<v Speaker 1>people might enjoy?

0:56:01.480 --> 0:56:04.440
<v Speaker 2>Yeah, this is just a little dance music for your Friday.

0:56:04.480 --> 0:56:07.120
<v Speaker 2>It's by the producer Dan d a and and and

0:56:07.160 --> 0:56:10.200
<v Speaker 2>it's called talk to Me uh and it's it's just

0:56:10.200 --> 0:56:13.640
<v Speaker 2>it's dope. It's got some familiar samples in it, but

0:56:13.880 --> 0:56:16.960
<v Speaker 2>just a little modern dancing music because your shoulders popping

0:56:17.000 --> 0:56:18.400
<v Speaker 2>for the weekend.

0:56:18.640 --> 0:56:22.200
<v Speaker 1>Weekend, I prefer the weekend out. That's a song I'm

0:56:22.200 --> 0:56:24.920
<v Speaker 1>gonna be listening to. Mm hm song by Darth Brooks

0:56:24.920 --> 0:56:29.040
<v Speaker 1>and Satan. The Daily Zeitgeist is a production of iHeartRadio.

0:56:29.080 --> 0:56:31.400
<v Speaker 1>For more podcasts from My Heart Radio, visit the iHeartRadio

0:56:31.440 --> 0:56:33.480
<v Speaker 1>ap Apple Podcast or wherever you listen to your favorite shows.

0:56:33.480 --> 0:56:36.160
<v Speaker 1>That's gonna do it for us this week. Another one

0:56:36.200 --> 0:56:41.400
<v Speaker 1>in the book, another one flawless victory. We might have

0:56:41.440 --> 0:56:46.440
<v Speaker 1>a bonus episode from the US Open this weekend. Josey

0:56:46.560 --> 0:56:48.880
<v Speaker 1>and I are gonna do a thing from the US Open,

0:56:49.040 --> 0:56:51.440
<v Speaker 1>so that might drop over the weekend. Yeah, are you

0:56:51.480 --> 0:56:53.560
<v Speaker 1>gonna win it? A couple of Yeah, we might do

0:56:53.600 --> 0:56:58.239
<v Speaker 1>a thing called the Mixed Doubles. Fucking I think I

0:56:58.280 --> 0:57:00.680
<v Speaker 1>am gonna like dress like a tennis or to the

0:57:00.760 --> 0:57:05.520
<v Speaker 1>thing and be like, oh, oh shit, sorry with a racket.

0:57:05.600 --> 0:57:08.359
<v Speaker 1>I completely misunderstood what this was.

0:57:08.600 --> 0:57:12.359
<v Speaker 2>That's not worse than it's not materially different than like

0:57:12.480 --> 0:57:15.400
<v Speaker 2>fucking you know, calling out to the baseball game in

0:57:15.440 --> 0:57:18.640
<v Speaker 2>your in your favorite players jersey, or like dressing like

0:57:18.680 --> 0:57:20.880
<v Speaker 2>a huge douchebag at the golf tournament.

0:57:21.080 --> 0:57:23.959
<v Speaker 1>My good friend. Uh, Chris will always wear the same

0:57:24.080 --> 0:57:28.480
<v Speaker 1>like red Sox jersey to class, like to this one class,

0:57:28.800 --> 0:57:31.440
<v Speaker 1>and someone pointed out and so like, he slowly started

0:57:31.480 --> 0:57:34.960
<v Speaker 1>adding more uniform items and then on the last day

0:57:35.040 --> 0:57:39.000
<v Speaker 1>he wore the like pants with with the shoes and

0:57:39.440 --> 0:57:43.520
<v Speaker 1>a glove. Yeah, and it was It was.

0:57:43.560 --> 0:57:48.560
<v Speaker 2>Very fucking classic, bro classic Chris, Chris, Chris.

0:57:48.600 --> 0:57:52.360
<v Speaker 1>All right, we'll talk to y'all on Monday. Have a

0:57:52.400 --> 0:57:57.680
<v Speaker 1>good weekend. Bye bye. The Daily Guys is executive produced

0:57:57.680 --> 0:58:01.800
<v Speaker 1>by Catherine Long, co produced by Bay Wang, co produced

0:58:01.840 --> 0:58:05.840
<v Speaker 1>by Victor Wright, co written by J. M mcnapp, edited

0:58:06.040 --> 0:58:07.960
<v Speaker 1>and engineered by Justin Conner

0:58:10.040 --> 0:58:10.080
<v Speaker 3>H.