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Speaker 1: I'm gonna do my overrated now during the cold open. Yeah,

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Speaker 1: the fuck messing with the format, man.

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Speaker 2: My overrated is spoiling or under overrated?

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Speaker 1: As being mad at.

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Speaker 2: Spoiling movies, I think just spoil movies all the time.

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Speaker 2: I'm not going to do it for you because I

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Speaker 2: know you'll be mad, but I think you guys need

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Speaker 2: to relax. But here's my little joke. Here's my little

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Speaker 2: joke that I'm doing it the cold open, and we're

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Speaker 2: not going to do an overrated when it comes time,

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Speaker 2: which is that I think Weapons is set in the

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Speaker 2: Naked Gun universe, and that's all say.

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Speaker 1: That's all I'll say. And that is in no way

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Speaker 1: going to affect how I how I watch Weapons.

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Speaker 2: But there there's multiple points, but really one main point

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Speaker 2: that is has a shocking similarity between the two movies.

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Speaker 1: Wow, Okay, now now I'm excited because I have seen

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Speaker 1: Naked Gun. I agree don't like I Spoiling movies doesn't

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Speaker 1: bother me unless it's like either a big twist or

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Speaker 1: it's a comedy movie. I don't want to hear jokes

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Speaker 1: before they happen in the movie, because that does genuinely like,

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Speaker 1: oh hear any subtitles the joke.

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Speaker 2: But that's that's also bad, even after I would argue,

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Speaker 2: that's not the spoiler of it. That's the problem. It's

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Speaker 2: that people can't tell jokes. You should leave it to

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Speaker 2: the professionals.

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Speaker 1: That's right. Everybody should shut the fuck up and stop

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Speaker 1: trying to be funny repeating jokes.

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Speaker 2: Fucking sucks. Yeah, well, but you can work in Austin

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Speaker 2: as a comic.

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Speaker 1: Hello the Internet, and welcome to season four oh two,

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Speaker 1: episode five of der Naliely's Guys. It's production by Heart

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Speaker 1: Radios podcast were taken deep to have into American share

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Speaker 1: consciousness and do a little dinosaurs sounds sometimes.

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Speaker 2: At the time that was Howard Dean. This is Howard

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Speaker 2: Dean with Howard Dean just saw Jurassic Park and was like,

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Speaker 2: you know what, you know, we do something different at

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Speaker 2: this point we go and uh.

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Speaker 1: Yeah, what day is it? Oh, Miles, it's Friday, August

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Speaker 1: twenty second, twenty five.

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Speaker 2: Fucking god, it's August twenty second. That means it's National

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Speaker 2: Surgical Oncologist Day. Thank you, because fuck cancer. Also never

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Speaker 2: being Better day, Never being better. And it's a picture

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Speaker 2: of a fucking dog or some shit bye, National bow Day.

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Speaker 2: I'll getting down with that national pecon fucking by being

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Speaker 2: I'm sorry to the left with you National tooth Fairy

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Speaker 2: Day and National be an Angel Day. But it looks

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Speaker 2: like someone euthanizing an elderly person in this photo.

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Speaker 1: So that's a little freaky.

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Speaker 2: Being an angel, Like you're about to become an angel.

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Speaker 2: Maybe it's like a little come on home with me.

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Speaker 1: You have the option be an angel, whatever kind of

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Speaker 1: angel you want, Guardian angel or angela death there it

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Speaker 1: is everybody's favorite angel.

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Speaker 2: Was bow was bow like bowing like genuflecting or bow

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Speaker 2: as bows as in yes? Can I just make my

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Speaker 2: other p s A yeah, don't say bow ones. I

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Speaker 2: know we need to say it for white people, but

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Speaker 2: it's no, I didn't.

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Speaker 1: It's the Chai tea of words. It's it's the ATM machine.

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Speaker 2: Automatic tailor machine machine.

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Speaker 1: Yeah, automatic ATM automatic ATM machine.

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Speaker 2: Automatic ADM machine man teller.

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Speaker 1: I'm here to today's my day.

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Speaker 2: I would try to literally destroy your format. This is

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Speaker 2: the bold had crofton on two days ago. Good fucking luck, can't.

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Speaker 1: Destroy Sorry it's been destroyed, no longer exists.

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Speaker 2: Don't cry for me because I'm already.

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Speaker 1: My name is Jack O'Brien AKA, I'm so scared how

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Speaker 1: about how my infant will fare? And I'm warning all

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Speaker 1: my listeners be aware. Dread fires to the left of me,

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Speaker 1: mass shootings to the right. Here I am stuck in

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Speaker 1: the district. With courtesy Johnny Davis short show title Spice

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Speaker 1: on the discord.

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Speaker 2: My infant nearly died in a drug fire after mass shootings.

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Speaker 1: So that's why, that's why you needed to send send

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Speaker 1: him in. Also, he said, AKA, the making fun of

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Speaker 1: Bob Dylan song that was the only song of theirs

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Speaker 1: anyone cares about. Little known, little known in fact that

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Speaker 1: I love Steeler's Wheel was a band and then they

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Speaker 1: made that song which everybody's like, oh that Bob Dylan song.

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Speaker 1: Not a Bob Dylan song. They were mocking Bob Dylan

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Speaker 1: and it's the only hit that ever made. Hey, Bob Dylan,

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Speaker 1: this is you Claws that left me j Goose. Everyone

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Speaker 1: was like, hell yeah, dog, the ship bops Gavin and.

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Speaker 2: My Steelers Wheel his way to the White House.

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Speaker 1: I know, right yo, he does it like Trump. I'm

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Speaker 1: thrilled to be joined as always by my co host

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Speaker 1: mister Miles Gras Miles gregg a crawling.

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Speaker 3: On the floor, drug fly years and gameless in Finn

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Speaker 3: almost died bringing the army.

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Speaker 4: Goal, shouted out arch Cam Camel the Discord Lincoln Park

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Speaker 4: hybrid theory. Yeah, the angry teenage album of my fucking youth.

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Speaker 2: So thanks for that, and you look and bonus because

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Speaker 2: you incorporated Benny Johnson's famous fake crime by infant nearly

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Speaker 2: died in a drug fire after mass shootings?

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Speaker 1: Is that the one that goes take me back.

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Speaker 2: The one that you were just singing or No, dude,

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Speaker 2: that's eminescence a daddy.

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Speaker 1: It's all. It's all a blend. It's one of those

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Speaker 1: genres that genre of music is just all one song.

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Speaker 2: To rap rock era. Yeah, and there wasn't that much

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Speaker 2: rapping and evanescence. I mean, amy ly, we kind of

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Speaker 2: had her own thing.

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Speaker 1: Miles were thrilled to be joined in our third seat

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Speaker 1: by an agent of chaos, apparently hilarious and brilliant producer

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Speaker 1: and TV writer. You know him from the Joss Racist podcast.

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Speaker 1: It's Andrew too.

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Speaker 2: No, I'm not because Jack's piss, Jack's piss.

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Speaker 1: What is on your list?

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Speaker 2: Because Jack's piss on your list?

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Speaker 4: List?

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Speaker 1: I don't know.

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Speaker 2: Yeah, I guess it would be the lips. People have

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Speaker 2: not stopped fucking. It's just, uh, the discord still with

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Speaker 2: piss pitches all the way up and down. And then

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Speaker 2: also all all of the suggestions for aka is on

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Speaker 2: the discord regarding me are impossible to hoppery head if

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Speaker 2: you have not listened to upwards of five hundred episodes

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Speaker 2: of The Daily Daily.

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Speaker 1: Yeah, yeah, this is this is the format. We like

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Speaker 1: to do a incredibly deep inside joke at the top

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Speaker 1: to just alienate anybody who might be a new listener

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Speaker 1: exactly knock that out right up front. Yeah, yeah, yeah,

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Speaker 1: people when they go, hey, I listened to that podcast

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Speaker 1: that you suggested, What the fuck are they talking about?

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Speaker 2: What the fuck is it? What the fuck are you

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Speaker 2: talking about?

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Speaker 1: Anyway, it's all.

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Speaker 2: And then the only other one was a was one

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Speaker 2: that is a essentially like can only be used on

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Speaker 2: an episode where me and Marcella are back on at

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Speaker 2: the same time, at the same time. It's not really

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Speaker 2: uh anyway, thank you, was like, gang, I love I

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Speaker 2: love the pissed her actions, the pissed I don't know, yeah,

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Speaker 2: the pistol in upon us. Yeah, I did want to say,

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Speaker 2: I I went to high school with Andrew w K.

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Speaker 2: I don't know if you guys remember him. You did,

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Speaker 2: but all that party stuff was also sarcastic because we

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Speaker 2: grew up in ann Arbor, Michigan. And he literally wrote

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Speaker 2: I remember because I had the first seven inch and

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Speaker 2: we were like I wasn't like super good friends with him,

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Speaker 2: but like some of my friends were really good friends

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Speaker 2: with him. And he was literally like, this is what

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Speaker 2: the fucking frap boys sound like? Yeah, and he wrote

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Speaker 2: party hard right, and it it like turned into whatever,

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Speaker 2: and he just became that person in a great way.

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Speaker 1: I think that's one of my favorite articles we did

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Speaker 1: back at Cracked. Was like a bunch of songs that

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Speaker 1: were like basically they were like massive hit songs that

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Speaker 1: were done sarcastically. Yeah, oh right, right right top Elvis,

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Speaker 1: Elvis's whole thing, Elvis's whole shit where he's like that voice,

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Speaker 1: like he sang a couple songs that were just like

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Speaker 1: him singing like a normal person and they were like

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Speaker 1: this kind of sucks. And then like they were just

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Speaker 1: fucking around and he was like doing a bit and

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Speaker 1: they were like more of guy like you being an

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Speaker 1: assholely ship, and that's where we got the whole Elvis

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Speaker 1: thing from.

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Speaker 2: That's what that's what the gangam style toub thumping. I

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Speaker 2: guess it's a lot of party anthems are cynical people

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Speaker 2: being like, do you know what you don't folks sound like?

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Speaker 2: And then everyone we love that is what.

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Speaker 1: We sound like. It fucking rules. Thank you so much.

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Speaker 2: Hey, this fucker gets it, dude.

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Speaker 1: Yeah, that's crazy. We have Andrew W.

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Speaker 2: K Lure on this podcast so much on this podcast.

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Speaker 1: Yeah, yeah, I won't. I won't get into it any

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Speaker 1: more than that.

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Speaker 2: But how many years do you have to have been

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Speaker 2: listening to the show to get what's happening on the show?

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Speaker 1: Do you mean? It's Yeah, I just wonder what.

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Speaker 2: New people are thinking. Go on the discord and just

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Speaker 2: tell me what you're thinking.

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Speaker 1: What you think the first time listeners just hop in

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Speaker 1: the discord, which you have to ask.

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Speaker 2: It's probably like doing drugs. So for the first time,

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Speaker 2: it's really disorienting to start, and then you kind of

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Speaker 2: settle into it and you're like, yeah, you know, I

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Speaker 2: coul can do this every day and it's constantly but

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Speaker 2: and it's also I guess a little bit like you

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Speaker 2: just go with it because of context clues and then eventually.

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Speaker 1: Yeah, it's a little puzzle that we make for you.

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Speaker 1: It has nothing to do with us being bad at

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Speaker 1: our jobs. It's actually we're intentionally doing a puzzle for you.

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Speaker 2: Yeah, Taylor Swift does the Easter eggs all the time.

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Speaker 2: It's lore, and if you find it confusing, it's because

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Speaker 2: you're not caught off in the lore.

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Speaker 1: Oh, I'm sorry. Does Taylor Swift are the only good artist?

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Speaker 1: Does she open every album being like, Okay, this is

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Speaker 1: a song I'm going to write with like a guitar. No,

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Speaker 1: she's challenging, Andrew. She challenges her listeners. And that's how

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Speaker 1: really the inspiration that we take into every day every recording.

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Speaker 1: Oh man, I like that song It's Nice to have

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Speaker 1: a Friend? You heard that one? No, it's just like,

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Speaker 1: is it Taylor Swift? She has a Taylor It's nice

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Speaker 1: to have a friend. I would say it's one of

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Speaker 1: the least challenging songs I've ever heard, but it sounds wonderful.

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Speaker 1: And uh, it is a statement that I can get

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Speaker 1: on board with. It's nice to have a friend.

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Speaker 2: I that is obviously, I'm sure it's great. Yeah, she

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Speaker 2: knows what she's doing songwriting and songwriting collaborator wise. That

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Speaker 2: song sounds like if you told me that it was

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Speaker 2: an Elmo joint, I would believe. I'd like, Yo, Elmo

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Speaker 2: is fucking cooking?

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Speaker 1: Yeah, okay, sounds so sad.

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Speaker 2: What the fuck yo?

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Speaker 1: You see Elmo collab with Maximum. It's one of the

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Speaker 1: songs that I what a little method I have is

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Speaker 1: I will add a song that I like that I like,

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Speaker 1: I'm not going to put on my mix, but I'll

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Speaker 1: put it on my kids mix and like wow, because

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Speaker 1: I'm listening to that probably more anyway than my own mix.

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Speaker 1: And then they're like, why is this song or mix?

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Speaker 1: I'm like, shut up, I'm.

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Speaker 2: Listening to this whack ass shit.

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Speaker 1: Dad.

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Speaker 2: Here's a question for the dads out there. Is my

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Speaker 2: reference is my calling stuff targeted towards young children? Elmo stuff?

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Speaker 2: Is that a boomer mentality? Here is something my kids

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Speaker 2: with almost heavy almost out there? There's so many almost

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Speaker 2: spin off shows bro.

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Speaker 1: Also, just the sentiment it's nice to have a friend

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Speaker 1: is some straight up Elmo ship. It's like, yeah, you

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Speaker 1: know what I mean.

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Speaker 2: I guess everything everything that like almost says you could

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Speaker 2: also probably put in the words of like an alcoholic

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Speaker 2: who's just hit rock bottom and so sad, so basic different,

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Speaker 2: basic sentiment is the same, Yeah, I mean actually, yeah,

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Speaker 2: it's nice to have a friend. You could basically read

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Speaker 2: as Almo and it's sound they get Almo song.

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Speaker 1: Who the stand up is? Who talks about how mister

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Speaker 1: Rogers is like statement that like is also very easy

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Speaker 1: to read as a serial. Actually, I'm not going to

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Speaker 1: do this because I don't know who the stand up

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Speaker 1: car talking about.

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Speaker 2: Don't tell jokes you.

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Speaker 1: Anyways.

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Speaker 2: I did say leave it to the professionals, and like

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Speaker 2: it or not, you guys are professionals.

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Speaker 1: That's absolutely not true. I gotta go. Andrew T thrilled

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Speaker 1: to have you here and especially feisty mood. We're gonna

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Speaker 1: get to know you in a moment. First, we're gonna

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Speaker 1: tell the listeners a couple of things we're talking about.

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Speaker 1: We're gonna check out with the New York mayoral race

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Speaker 1: the general election. Eric Adams still still out here. Yeah,

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Speaker 1: that was so weird for me to realize that he

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Speaker 1: was going to be the candidate opposite Mamdannie Like once

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Speaker 1: Ma'm Donnie won. I was like, oh, and then Clomo

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Speaker 1: is gonna come back. And there's that Curtis and Lee

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Speaker 1: Will got and then they were like, no, Adams is

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Speaker 1: still in the race. I was like, but what.

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Speaker 2: How Adams the one investigated by the fence.

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Speaker 1: Yeah, anyways, he's not doing well in the race, but

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Speaker 1: he is still in the race, and there's a there's

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Speaker 1: a great new anecdote from his campaign that we want

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Speaker 1: to talk about. Also, just like how things are going

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Speaker 1: for the anti Mamdanni movement. They've been trying hard, you mean,

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Speaker 1: the Democrats. It's all types. Takes all types to stop

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Speaker 1: a movement, you know. So we'll talk about how that's

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Speaker 1: going for them, and then we of course one of

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Speaker 1: my favorite things ever is when is when a breed

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Speaker 1: more when a brand redesigns a logo disastrously. The Pepsi

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Speaker 1: logo redesign is my favorite thing. I think like Gawker did,

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Speaker 1: Like I had forgotten how short the Gawker article is

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Speaker 1: where they just like combed through the deck. Yeah, one

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Speaker 1: hundred and fifty page deck that this redesign firm did

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Speaker 1: for Pepsi and just like pulled out the choicest nuggets.

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Speaker 1: It's like a single page Gawker article probably my favorite

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Speaker 1: single page in the history of the Internet. So I

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Speaker 1: just want to talk about the redesign of the Cracker

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Speaker 1: Barrel logo because it is being portrayed as like Mega

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Speaker 1: is outraged about this, and I just like we need

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Speaker 1: to we cannot seed this ground, like when we need

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Speaker 1: to wait. Then we need to be on the side

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Speaker 1: that we need to stand up and say no, we

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Speaker 1: think this sucks too. Cracker Barrel redesigning their logo.

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Speaker 2: But not for this, not because the old white guy

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Speaker 2: went poof. This is this is Jack reaching across the aisle.

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Speaker 1: This is this is Richie grows the island saying this

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Speaker 1: fucking sucks.

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Speaker 2: We can work together.

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Speaker 1: We can't all that plenty more. The first Andrew tea,

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Speaker 1: We do like to ask our guest, what is something

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Speaker 1: from your search history that's revealing about who you are?

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Speaker 3: Oh?

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Speaker 2: Yeah, I actually I also don't remember how far I

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Speaker 2: got into this last time I was on the show.

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Speaker 2: So I'm just gonna do it, and Jack go ahead

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Speaker 2: and correct me. If people have heard this already, are

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Speaker 2: you know what?

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Speaker 1: Fuck you?

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Speaker 2: If you've heard this already, I don't care.

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Speaker 1: Oh my god.

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Speaker 2: It is other uses for sodium citrate, So what happened

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Speaker 2: was I got I was making some hatch chili cheese sauce. Okay,

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Speaker 2: so type situation, and it.

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Speaker 1: Seized up a little bit. The initial batch.

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Speaker 2: Was like okay, but then when I moved, it seized

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Speaker 2: up and seized uff like congealed congealed, Yeah, and the

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Speaker 2: emulsion didn't hold. So the oil was starting to separate

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Speaker 2: from the protein broke, which yeah, very standard happens with

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Speaker 2: you know, non e mulcified cheese sauces. And I knew

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Speaker 2: in the back the thing, he's a bad thing, the

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Speaker 2: thing you're supposed to do that like the fucking I

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Speaker 2: don't know. I guess I heard of it in the

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Speaker 2: in the heyday of the idea of molecular gastronomy, but

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Speaker 2: it's just you know, regular asqu chemistry. Anyway, there's a

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Speaker 2: substance called sodium citrate. That is, to put it in

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Speaker 2: terms that I this is, this is the thing that

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Speaker 2: I kind of came up with. That is what I

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Speaker 2: can understand. It's the thing that turns cheese into cheese

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Speaker 2: with a Z to google right, it's and it is

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Speaker 2: honestly amazing. I love it so much. So I was

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Speaker 2: just like thinking aloud at my friend's place where I

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Speaker 2: brought the the caeso that had seized up, and I

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Speaker 2: was like, well, we'd need like I don't know, fuck it.

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Speaker 2: I was like, okay, well I could. I guess I

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Speaker 2: could make another rue and then if we add some

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Speaker 2: beer to it, I think we could thin the sound

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Speaker 2: and like read, you know, make it creamy. And I

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Speaker 2: was like, otherwise, we'd need some sodium citrate.

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Speaker 1: And my man reaches into the.

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Speaker 2: Back of his pantry and pulls out a fucking little

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Speaker 2: baggy of sodium citrate and we we mix up a

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Speaker 2: little just water and sodium citrate solution and mix it

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Speaker 2: in this.

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Speaker 1: Thing, and it is fucking magic.

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Speaker 2: It turned this like lump of cheese in like one

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Speaker 2: of the like kind of the big tupperware, in the

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Speaker 2: like four inch cubic tupperware. H it was solid cheese

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Speaker 2: with like maybe closer to half a centimeter than not

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Speaker 2: of oil on top.

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Speaker 1: But it's gonna like shit out slowly. The thing.

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Speaker 2: It was real grainy and real gross, and the sodium

336
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Speaker 2: citrate solution, my god, it turned it into cheese whiz,

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Speaker 2: quite literal cheese whiz put with nice cheese. And so

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Speaker 2: now I bought myself a baggy of this, and I'm

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00:18:03,359 --> 00:18:06,159
Speaker 2: trying to use it. I'm I'm on the you know,

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00:18:06,920 --> 00:18:09,920
Speaker 2: I'm on the fucking I'm playing the rush, as it were.

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Speaker 2: I'm really loving it. But and I'm sure my enthusiasm

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Speaker 2: will call them down, But holy shit, it's I made.

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Speaker 2: I made like the best mac and cheese I've ever

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Speaker 2: made yesterday with just like Parmisano reggiano. Grated some of

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Speaker 2: that in there, some shred and cheddar cheese, hatch chili.

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Speaker 1: Does it do it for anything else besides cheese?

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Speaker 2: Yeah? What happens if you put it on a snail?

348
00:18:33,359 --> 00:18:38,360
Speaker 2: I can't mention it goes, well, oh wait a snail. No,

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Speaker 2: I don't know. Do you know what happens? That's like

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00:18:43,280 --> 00:18:46,919
Speaker 2: a French thing? I assume, yeah, exactly, fresh scargo, a

351
00:18:47,000 --> 00:18:49,399
Speaker 2: nice little painte. But you said all other uses for it.

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Speaker 2: I mean, you can put it in like beverages and

353
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Speaker 2: like jams and stuff. It's basically like like a really

354
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Speaker 2: good and multiplier and stabilizer. But I think the thing

355
00:18:58,440 --> 00:19:02,320
Speaker 2: that is like the thing that to me seems most magic,

356
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Speaker 2: and I'm just you know, from reading about it, I

357
00:19:04,840 --> 00:19:07,080
Speaker 2: think it's the thing that most people will think is

358
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Speaker 2: the most magic is the cheese again, it's the cheese

359
00:19:09,920 --> 00:19:14,080
Speaker 2: to cheese with a Z transitions. Yeah, but not, it's

360
00:19:14,119 --> 00:19:17,920
Speaker 2: not even It's just like it turns it into whenever

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00:19:17,960 --> 00:19:22,359
Speaker 2: the fuck cheese whizzards. Yeah, it's like it's like water

362
00:19:22,640 --> 00:19:24,720
Speaker 2: or like whatever flavored, like what you want. I used

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Speaker 2: broth in mine and loose bits of shredded cheese, like

364
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Speaker 2: the most disgusting thing you can kind of think of,

365
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Speaker 2: and it just melts it and it turns it into

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Speaker 2: a homogeneous like solution. It's so fucking good. Anyway, who's

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00:19:40,160 --> 00:19:44,600
Speaker 2: a fire litl UZI verts if you need, if you

368
00:19:44,600 --> 00:19:47,800
Speaker 2: need some sodium citrate I got. I got a real real,

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Speaker 2: not a real big bag, but a pretty big bag.

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Speaker 2: A yeah, yes literally.

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Speaker 1: And your friend who who just had that ship on

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Speaker 1: deck is meth Cook. I'm assuming, yeah, I wish.

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Speaker 2: I think he's just like a he's like like a

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Speaker 2: like aspiring food guy. So it was actually when you

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00:20:11,359 --> 00:20:13,159
Speaker 2: know the other day too, I was over there and

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Speaker 2: I was like, oh, well, I mean, it's only one

377
00:20:15,480 --> 00:20:17,160
Speaker 2: duck breast, but it would be kind of dope if

378
00:20:17,160 --> 00:20:19,879
Speaker 2: we smoked it. And homeboy broke out like one of

379
00:20:19,880 --> 00:20:24,840
Speaker 2: those like bel jar dome things with like with like

380
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Speaker 2: a little like rubber tube and like a you know,

381
00:20:27,680 --> 00:20:33,880
Speaker 2: essentially like a vaporiser. Yeah yeah, like probably was yeah, yeah, yeah, yeah, okay.

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Speaker 1: It was like yeah it was.

383
00:20:36,600 --> 00:20:38,200
Speaker 2: It's just he always has ship like that around, so

384
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Speaker 2: I should have known he had motherfucking sodium sit trade.

385
00:20:40,359 --> 00:20:44,760
Speaker 1: But again, possibly a drug guy all the I mean

386
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Speaker 1: also yelling smoke into.

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00:20:46,720 --> 00:20:54,160
Speaker 2: All this is some methylamine. I got, what is something?

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Speaker 1: So we did?

389
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Speaker 3: We?

390
00:20:55,160 --> 00:20:57,280
Speaker 1: We already covered the.

391
00:20:57,359 --> 00:21:00,440
Speaker 2: Overrated Yeah, I guess so in the cold of oh

392
00:21:00,600 --> 00:21:04,280
Speaker 2: maybe it was underrated, overrated whatever, this one might be

393
00:21:04,280 --> 00:21:07,919
Speaker 2: a miles only kind of jam. It's being mad that

394
00:21:08,000 --> 00:21:10,679
Speaker 2: your mom was right about some stupid Asian ship that

395
00:21:10,720 --> 00:21:12,600
Speaker 2: when you were a kid you are certain was wrong.

396
00:21:13,280 --> 00:21:18,800
Speaker 2: And here's mine. Growing up, my mom would routinely say, no,

397
00:21:19,600 --> 00:21:21,439
Speaker 2: on a hot day, what you want to have is

398
00:21:21,520 --> 00:21:25,320
Speaker 2: hot soup because that will cool you down. And like,

399
00:21:25,640 --> 00:21:29,479
Speaker 2: I think, like many Americans, but many I would say people,

400
00:21:29,560 --> 00:21:34,480
Speaker 2: even that sounds fucking crazy and unpleasant. And I the

401
00:21:34,600 --> 00:21:37,040
Speaker 2: other day, when it was very hot in Los Angeles,

402
00:21:37,040 --> 00:21:38,800
Speaker 2: I was like, fuck it, I just want some fun.

403
00:21:39,680 --> 00:21:42,440
Speaker 2: I went and got fun in like an unair conditioned

404
00:21:42,440 --> 00:21:46,760
Speaker 2: restaurant in Chinatown, so sweaty. What I will say is

405
00:21:46,800 --> 00:21:50,240
Speaker 2: it did not cool me down particularly, but it made

406
00:21:50,280 --> 00:21:53,320
Speaker 2: me so hot that I couldn't think anymore.

407
00:21:54,160 --> 00:21:54,840
Speaker 1: And I didn't.

408
00:21:54,880 --> 00:21:59,280
Speaker 2: I wasn't worried about the heat. So yeah, comparatively, because

409
00:21:59,280 --> 00:22:01,720
Speaker 2: you've just skulled did the inside of your body that

410
00:22:01,800 --> 00:22:04,640
Speaker 2: you go outside in the ambient temperature, it's like that

411
00:22:05,119 --> 00:22:07,600
Speaker 2: Heidecker on I think you should leave. It's like it's

412
00:22:07,680 --> 00:22:12,720
Speaker 2: hot if you're if you're not expecting it to be Yeah, yes, exactly,

413
00:22:12,720 --> 00:22:14,800
Speaker 2: it's supposed to be ice cold. It's supposed to be

414
00:22:14,840 --> 00:22:19,520
Speaker 2: ice cold, exactly. So I think that sketch like once

415
00:22:19,520 --> 00:22:24,480
Speaker 2: a week. I think we're at the age where that sketch.

416
00:22:24,760 --> 00:22:28,080
Speaker 2: That sketch changed my behavior. I started stretching every morning

417
00:22:28,119 --> 00:22:30,960
Speaker 2: after that sketch. That sketch is one where it's not

418
00:22:31,040 --> 00:22:33,240
Speaker 2: even a focus of the sketch, but every time he

419
00:22:33,320 --> 00:22:38,760
Speaker 2: shifts on the couch, she goes oh, And I was like,

420
00:22:38,960 --> 00:22:43,480
Speaker 2: I need to do mobility exercises that hemorrhoids.

421
00:22:43,560 --> 00:22:44,920
Speaker 1: But yeah, it could be mobility.

422
00:22:45,000 --> 00:22:48,640
Speaker 2: Oh yeah, yeah, I just I do it when when

423
00:22:48,960 --> 00:22:51,320
Speaker 2: I thankfully, I think I've gotten myself out of the

424
00:22:51,520 --> 00:22:55,040
Speaker 2: part of life or not, like of the of inflexibility

425
00:22:55,320 --> 00:23:00,000
Speaker 2: where that becomes a constant, involuntary sound that I made,

426
00:23:00,600 --> 00:23:05,560
Speaker 2: but grown it was tying my shoes where it got bad.

427
00:23:05,720 --> 00:23:08,520
Speaker 1: I was like I went in the ocean when I

428
00:23:08,600 --> 00:23:12,840
Speaker 1: was Becky's and got like rocked by the waves, and

429
00:23:12,880 --> 00:23:15,119
Speaker 1: like for the next twenty four hours when I would

430
00:23:15,240 --> 00:23:18,440
Speaker 1: either sit down or stand up, I was making the

431
00:23:18,480 --> 00:23:22,440
Speaker 1: most old man shit. I was being like, oh boy,

432
00:23:23,359 --> 00:23:26,280
Speaker 1: oh you were doing I was vocalizing yah. They weren't

433
00:23:26,280 --> 00:23:33,639
Speaker 1: even grown, Like yeah, yeah I got this. Oh you

434
00:23:33,720 --> 00:23:37,440
Speaker 1: got this? Okay. Yeah, And and that's because I'm young

435
00:23:37,520 --> 00:23:39,959
Speaker 1: and cool. Yeah yeah, well don't have that was an injury.

436
00:23:40,480 --> 00:23:43,480
Speaker 2: But I will say I have found I think I've

437
00:23:43,480 --> 00:23:45,840
Speaker 2: talked about this on the show before. Just a wee

438
00:23:45,960 --> 00:23:48,280
Speaker 2: bit of stretching in the morning. Oh yeah, you got

439
00:23:48,320 --> 00:23:51,000
Speaker 2: to so much more than I want to admit. That

440
00:23:51,119 --> 00:23:53,679
Speaker 2: was my That was my grandfather's end of life advice

441
00:23:53,760 --> 00:23:53,960
Speaker 2: to me.

442
00:23:54,680 --> 00:23:54,960
Speaker 1: Yeah.

443
00:23:55,000 --> 00:23:56,960
Speaker 2: I was like I was on a piece of advice. Yeah,

444
00:23:57,000 --> 00:23:58,480
Speaker 2: when it's into the end. I was like, bro, like

445
00:23:58,640 --> 00:24:02,240
Speaker 2: just get info, dune wisdom, dump on me. And He's like, man,

446
00:24:02,280 --> 00:24:03,960
Speaker 2: the one thing he's like, you gotta stretch.

447
00:24:04,480 --> 00:24:05,520
Speaker 1: Make sure you stretch.

448
00:24:05,720 --> 00:24:09,560
Speaker 2: He's like, don't let your ship just get like fucking tight,

449
00:24:09,680 --> 00:24:12,560
Speaker 2: and and just sees up on you need to like.

450
00:24:12,600 --> 00:24:15,119
Speaker 1: Okay, damn, that's what you're thinking.

451
00:24:15,200 --> 00:24:19,640
Speaker 2: Now, I'm like, okay the time that besides, actually these

452
00:24:19,640 --> 00:24:22,479
Speaker 2: are both Netflix properties, listen to. This is simply the

453
00:24:22,520 --> 00:24:25,720
Speaker 2: power of media and the magic of the movies. But

454
00:24:26,640 --> 00:24:30,600
Speaker 2: this this came up for me when someone reviewed The Irishman,

455
00:24:30,960 --> 00:24:33,080
Speaker 2: which is which is has de Niro with like a

456
00:24:33,119 --> 00:24:39,520
Speaker 2: youthful face and the kind of and essentially that there

457
00:24:40,080 --> 00:24:42,639
Speaker 2: was like, you know, it's the face is not as

458
00:24:42,680 --> 00:24:45,560
Speaker 2: bad as you think, but he still looks his age

459
00:24:46,000 --> 00:24:49,400
Speaker 2: because his movements are that of you know, his age,

460
00:24:49,400 --> 00:24:50,120
Speaker 2: which is fine.

461
00:24:50,000 --> 00:24:53,760
Speaker 1: Yeah. It has a scene hard where yeah, where they've

462
00:24:53,840 --> 00:24:56,959
Speaker 1: de aged him and he like beats somebody else and

463
00:24:57,119 --> 00:25:00,040
Speaker 1: it is the least. It's just like, guys, get a

464
00:24:59,480 --> 00:25:03,720
Speaker 1: fu double here, what are we doing? Like you're just

465
00:25:03,880 --> 00:25:06,240
Speaker 1: worried the whole time that he's going to topple over

466
00:25:06,400 --> 00:25:09,159
Speaker 1: as he's supposed to be like showing off what a

467
00:25:09,160 --> 00:25:11,760
Speaker 1: badass he is, and you're just like, oh, buddy, you're

468
00:25:12,600 --> 00:25:13,880
Speaker 1: your legs bending.

469
00:25:14,440 --> 00:25:16,919
Speaker 2: Yeah, why are you Why is your hand on your

470
00:25:16,960 --> 00:25:18,359
Speaker 2: hip as you lean down to function?

471
00:25:21,400 --> 00:25:26,560
Speaker 1: All right? I honestly thought about that scene when Mike

472
00:25:26,640 --> 00:25:32,520
Speaker 1: Tyson fought that racist kid like the which one okay, yeah,

473
00:25:32,560 --> 00:25:36,800
Speaker 1: whichever of the Paul brothers because of like his legs.

474
00:25:37,359 --> 00:25:39,600
Speaker 1: Roy Jones Junior in the first round was like kind

475
00:25:39,600 --> 00:25:42,800
Speaker 1: of like Mike's legs, And I was immediately like, that

476
00:25:42,960 --> 00:25:46,200
Speaker 1: is exactly right. That's and I thought of the scene

477
00:25:46,200 --> 00:25:49,320
Speaker 1: in The Irishman where like you could tell that he

478
00:25:49,960 --> 00:25:53,560
Speaker 1: is not under the age of sixty because of the

479
00:25:53,600 --> 00:25:57,400
Speaker 1: way he's like walking without bending his like there's no lightness,

480
00:25:57,600 --> 00:25:59,840
Speaker 1: He's not light on his feet in any way.

481
00:26:00,080 --> 00:26:04,400
Speaker 2: Yeah, it's really telling. And Tyson used to be as

482
00:26:04,440 --> 00:26:06,720
Speaker 2: a fighter like so that was the thing that I

483
00:26:06,760 --> 00:26:09,359
Speaker 2: didn't really appreciate until I did a little bit of boxing.

484
00:26:09,440 --> 00:26:13,000
Speaker 2: It's like he would like literally like drop it low

485
00:26:13,080 --> 00:26:17,480
Speaker 2: sometimes during fights. Oh, he was so insanely flexible and

486
00:26:17,600 --> 00:26:21,840
Speaker 2: like deft on his feet his heels. So yeah, that's

487
00:26:21,880 --> 00:26:24,240
Speaker 2: a to me an underrated part of his game because

488
00:26:24,240 --> 00:26:26,880
Speaker 2: everyone feared the power. But it's like, no, he can

489
00:26:27,280 --> 00:26:29,760
Speaker 2: he can duck in a way that I did not

490
00:26:29,800 --> 00:26:35,680
Speaker 2: realize a human back out trying to yeah right now, yeah,

491
00:26:38,240 --> 00:26:38,680
Speaker 2: my nurse.

492
00:26:39,720 --> 00:26:43,119
Speaker 1: All right, let's take a quick break to just rest

493
00:26:43,160 --> 00:26:52,760
Speaker 1: and stretch out, do our mobility exercises. Miles, all right,

494
00:26:52,800 --> 00:26:56,280
Speaker 1: we'll be back to get into this. We'll be right back,

495
00:27:06,760 --> 00:27:07,320
Speaker 1: and we're.

496
00:27:07,160 --> 00:27:11,520
Speaker 2: Back, thirsty virtualal inside.

497
00:27:11,119 --> 00:27:20,800
Speaker 1: And did you come towards the camera? Bro?

498
00:27:21,040 --> 00:27:26,520
Speaker 2: I don't know, man, It's crazy the level of physical

499
00:27:26,600 --> 00:27:31,639
Speaker 2: comedy that's happening on this audio only podcast. Oh my god,

500
00:27:32,080 --> 00:27:32,720
Speaker 2: this is great.

501
00:27:33,520 --> 00:27:36,240
Speaker 1: Anyway, where were we? Let's talk Eric Adams real quick.

502
00:27:36,480 --> 00:27:39,960
Speaker 1: Oh my god, it's just fun. He's still in it,

503
00:27:40,040 --> 00:27:44,200
Speaker 1: still in it, baby, He's you know, Zorn Mumdani getting

504
00:27:44,200 --> 00:27:46,520
Speaker 1: a lot of the attention. But you know, Eric Adams

505
00:27:46,520 --> 00:27:48,520
Speaker 1: every once in a while, he'll pop back in be like,

506
00:27:48,960 --> 00:27:51,000
Speaker 1: don't forget about motherfucker.

507
00:27:50,520 --> 00:27:54,680
Speaker 2: Still here, still talking about the Twin Towers and corruption.

508
00:27:55,920 --> 00:27:59,600
Speaker 2: But so Thursday morning, his former chief advisor, who quit

509
00:27:59,680 --> 00:28:02,520
Speaker 2: fucking out of nowhere in December, was just hit with

510
00:28:02,560 --> 00:28:05,520
Speaker 2: all kinds of charges related to her love of bribes

511
00:28:05,560 --> 00:28:08,840
Speaker 2: and other grease payments. She's accused of accepting more than

512
00:28:08,880 --> 00:28:11,879
Speaker 2: seventy five thousand dollars in bribes while serving in the

513
00:28:11,920 --> 00:28:16,879
Speaker 2: mayor's administration, and the alleged conspiracy was outlined in four indictments,

514
00:28:16,880 --> 00:28:19,679
Speaker 2: two of which included her son. The indictment alleges that

515
00:28:19,720 --> 00:28:22,880
Speaker 2: her Son received fifty thousand dollars in exchange for steering

516
00:28:22,960 --> 00:28:27,840
Speaker 2: city contracts for asylum seeker shelter sites for preferred property

517
00:28:27,880 --> 00:28:32,280
Speaker 2: owners to help fast track permit approvals for a karaoke

518
00:28:32,480 --> 00:28:33,600
Speaker 2: bar in Queens.

519
00:28:34,760 --> 00:28:37,719
Speaker 1: This feels like par for the course of a New

520
00:28:37,800 --> 00:28:40,120
Speaker 1: York City mayor. Oh yeah, this is what I feel like,

521
00:28:40,120 --> 00:28:42,800
Speaker 1: a New York City mayor who's not doing this, not

522
00:28:42,920 --> 00:28:44,000
Speaker 1: doing their just small.

523
00:28:44,560 --> 00:28:47,840
Speaker 2: There's another one where she was steering permits and stuff

524
00:28:47,880 --> 00:28:50,920
Speaker 2: in order to get home renovations for herself. And then

525
00:28:50,920 --> 00:28:53,480
Speaker 2: there's like so many other ones that involve free food.

526
00:28:53,800 --> 00:28:57,840
Speaker 2: Like thousands of dollars in catering is like the other grift, okay,

527
00:28:58,120 --> 00:29:00,600
Speaker 2: but the other side of this is like it's only

528
00:29:00,720 --> 00:29:05,560
Speaker 2: thousands of dollars in catering every bribe I've ever heard.

529
00:29:05,640 --> 00:29:08,360
Speaker 2: I'm not saying there's small amounts of money there.

530
00:29:08,520 --> 00:29:09,840
Speaker 1: They are big buck.

531
00:29:10,200 --> 00:29:12,760
Speaker 2: Yeah, yeah, he is ten times smaller than I think

532
00:29:12,800 --> 00:29:14,120
Speaker 2: they should be from Yeah.

533
00:29:14,000 --> 00:29:17,920
Speaker 1: Yeah, yeah exactly, Like, yeah, what is happening in the

534
00:29:17,960 --> 00:29:21,080
Speaker 1: world of like Wall Street and Finance, where they're just

535
00:29:21,160 --> 00:29:25,200
Speaker 1: like moving casually moving, you know, like millions of dollars

536
00:29:25,280 --> 00:29:27,640
Speaker 1: is like, yeah, it's only millions of dollars. You know

537
00:29:27,800 --> 00:29:31,800
Speaker 1: how they are about it. Politicians are so broke, it's

538
00:29:31,880 --> 00:29:33,280
Speaker 1: kind of that's kind of endearing.

539
00:29:33,640 --> 00:29:35,920
Speaker 2: I mean that's why I think that's why corporations are like, well,

540
00:29:35,960 --> 00:29:37,600
Speaker 2: you know what I can get for fifty grain?

541
00:29:37,840 --> 00:29:40,400
Speaker 1: Yeah, you know what I can get? I can get

542
00:29:40,400 --> 00:29:46,920
Speaker 1: a guy fucking killed. Yeah. I mean literally, a corporation doesn't.

543
00:29:46,640 --> 00:29:49,680
Speaker 2: Have a way to keep track of fifty grand like

544
00:29:49,720 --> 00:29:50,760
Speaker 2: that when it comes to them.

545
00:29:50,880 --> 00:29:53,720
Speaker 1: Exactly, it does out in the wash, Yeah, exactly. This

546
00:29:54,240 --> 00:29:58,320
Speaker 1: next stor this next anecdote is like that to the

547
00:29:58,360 --> 00:30:00,720
Speaker 1: most extreme that I've ever heard, so to the point

548
00:30:00,840 --> 00:30:04,200
Speaker 1: that I was like, she's not this is not like

549
00:30:04,240 --> 00:30:07,120
Speaker 1: a bride. Still the very end, I was like, this

550
00:30:07,160 --> 00:30:09,520
Speaker 1: is not a bribe. This is like this person just

551
00:30:09,560 --> 00:30:12,880
Speaker 1: like for some reason doesn't understand that this looks weird.

552
00:30:13,120 --> 00:30:16,959
Speaker 2: Okay, So so then okay, so that's just that's just

553
00:30:17,000 --> 00:30:18,000
Speaker 2: the That was the teaser.

554
00:30:18,040 --> 00:30:19,120
Speaker 1: Here's the fucking entre.

555
00:30:19,280 --> 00:30:21,880
Speaker 2: So Wednesday, Eric Adams had an event for the New

556
00:30:22,040 --> 00:30:24,280
Speaker 2: for a New campaign office he was opening in Harlem,

557
00:30:24,480 --> 00:30:27,440
Speaker 2: and one of his advisers, this woman Winnie Greco, who

558
00:30:27,560 --> 00:30:30,240
Speaker 2: is like his conduit to like the Asian American community

559
00:30:30,240 --> 00:30:33,600
Speaker 2: in New York, saw a local reporter that covers like

560
00:30:33,640 --> 00:30:36,680
Speaker 2: city hall affairs in attendance. She texts that journalist and is.

561
00:30:36,680 --> 00:30:38,760
Speaker 1: Like, hey, can you meet me like across the street.

562
00:30:39,080 --> 00:30:41,320
Speaker 2: They go to the Whole Foods around the corner, and

563
00:30:41,360 --> 00:30:43,520
Speaker 2: the reporter's like, all right, this is fucking weird, but like, yeah,

564
00:30:43,520 --> 00:30:46,160
Speaker 2: I'm a journalist, so of course, like some some person

565
00:30:46,200 --> 00:30:49,200
Speaker 2: who's been investigated by the FEDS before, it's like, hey,

566
00:30:49,240 --> 00:30:51,040
Speaker 2: you want to meet up, I'm gonna.

567
00:30:50,800 --> 00:30:53,920
Speaker 1: Fucking see what's up. So they get to the Whole Foods.

568
00:30:54,240 --> 00:30:56,760
Speaker 2: They have a brief convo and this woman Greco handed

569
00:30:56,760 --> 00:31:00,240
Speaker 2: the journalist, Katie Honan, a bag of like sour cream

570
00:31:00,280 --> 00:31:04,320
Speaker 2: an onion hers chips, and she's like, oh, no, I'm good,

571
00:31:04,320 --> 00:31:08,440
Speaker 2: I'm not hungry, no, thank you, but Greco kept insisting

572
00:31:08,560 --> 00:31:10,360
Speaker 2: she take it, and she's like, nah, I'm fine.

573
00:31:10,360 --> 00:31:12,520
Speaker 1: She's like just keep it, just take it and keep

574
00:31:12,600 --> 00:31:15,440
Speaker 1: just take this open bag of potato chips.

575
00:31:15,680 --> 00:31:17,920
Speaker 2: Just take it, I know you and maybe look in

576
00:31:18,000 --> 00:31:19,880
Speaker 2: it later. So I'm going to let this article from

577
00:31:19,920 --> 00:31:22,080
Speaker 2: the City, which is the outlet that Honan works for,

578
00:31:22,240 --> 00:31:24,400
Speaker 2: just the way they written up. It's amazing, so quote.

579
00:31:24,440 --> 00:31:27,160
Speaker 2: The two parted ways before entering a nearby subway station.

580
00:31:27,240 --> 00:31:30,040
Speaker 2: Honan opened the bag and discovered a red envelope inside

581
00:31:30,080 --> 00:31:33,000
Speaker 2: stuffed with cash at least one one hundred dollars bill

582
00:31:33,000 --> 00:31:35,880
Speaker 2: in several twenties. The reporter then called Greco and told

583
00:31:35,920 --> 00:31:37,800
Speaker 2: her she could not accept the money, and asked if

584
00:31:37,800 --> 00:31:39,720
Speaker 2: she was still nearby so she could give it back.

585
00:31:39,920 --> 00:31:43,000
Speaker 2: Greco said she'd left the area. Honan told her she

586
00:31:43,160 --> 00:31:45,120
Speaker 2: had to take the money back, and Greco said they

587
00:31:45,120 --> 00:31:47,680
Speaker 2: could meet at some point in Chinatown. The reporter then

588
00:31:47,720 --> 00:31:50,440
Speaker 2: texted Greco, quote, I can't take this. When can I

589
00:31:50,480 --> 00:31:52,880
Speaker 2: give it back to you? She did not get a response.

590
00:31:53,120 --> 00:31:56,239
Speaker 2: In an interview later Wednesday, the City asked Greko what

591
00:31:56,320 --> 00:31:59,400
Speaker 2: her intention was for the paper, yeah, what her intention

592
00:31:59,560 --> 00:32:01,680
Speaker 2: was in hand money to the reporter. In response, she

593
00:32:01,720 --> 00:32:04,920
Speaker 2: said she'd made a quote mistake and apologized, quote I

594
00:32:05,000 --> 00:32:07,200
Speaker 2: make a mistake, she said. I'm so sorry. It's a

595
00:32:07,240 --> 00:32:10,200
Speaker 2: culture thing. I don't know, I don't understand. I'm so sorry.

596
00:32:10,240 --> 00:32:12,400
Speaker 2: I feel so bad, right now I'm so sorry, honey,

597
00:32:13,040 --> 00:32:14,120
Speaker 2: I'm so sorry.

598
00:32:15,080 --> 00:32:18,120
Speaker 1: She is the best way to apologize for political for

599
00:32:18,200 --> 00:32:21,720
Speaker 1: getting caught for your fucking one hundred and forty dollars. Ye.

600
00:32:21,880 --> 00:32:24,960
Speaker 2: She then called the city back, advising that we call

601
00:32:25,040 --> 00:32:27,200
Speaker 2: her attorney, Stephen Brillan, adding can we.

602
00:32:27,160 --> 00:32:27,840
Speaker 1: Forget about this?

603
00:32:28,080 --> 00:32:30,560
Speaker 2: I tried to be a good person. Please please please

604
00:32:30,560 --> 00:32:33,000
Speaker 2: don't do in the news nothing about me. I just

605
00:32:33,080 --> 00:32:37,000
Speaker 2: wanted to be her friend. I just wanted to have

606
00:32:37,160 --> 00:32:39,040
Speaker 2: one good friend. It's nothing.

607
00:32:39,520 --> 00:32:42,840
Speaker 1: So that is where I'm fully on her side. She

608
00:32:43,120 --> 00:32:47,840
Speaker 1: her denial, her style of denial has fully worked on me,

609
00:32:48,320 --> 00:32:51,880
Speaker 1: and I'm like, this is just a sad person who

610
00:32:52,440 --> 00:32:57,040
Speaker 1: has no concept of what's going on, just maybe has

611
00:32:57,080 --> 00:32:59,240
Speaker 1: some sense, Like she's been working in the Eric Adams

612
00:32:59,320 --> 00:33:02,720
Speaker 1: office and just seeing people handing bags of cash back

613
00:33:02,760 --> 00:33:05,480
Speaker 1: and forth. So she's like, this is just how people interact.

614
00:33:05,840 --> 00:33:09,120
Speaker 2: It just looked like everyone just passes the same eighty

615
00:33:09,120 --> 00:33:10,200
Speaker 2: bucks back and forth.

616
00:33:10,400 --> 00:33:13,880
Speaker 1: That's important. It's like, I don't know, it's like a.

617
00:33:13,800 --> 00:33:17,440
Speaker 2: Hot potato of hot potato chips bag that I get people.

618
00:33:18,400 --> 00:33:20,160
Speaker 2: So they called her learn this is what the lyrics is.

619
00:33:20,240 --> 00:33:20,600
Speaker 1: Quote.

620
00:33:20,680 --> 00:33:23,080
Speaker 2: I can see how this looks strange, but I assure

621
00:33:23,120 --> 00:33:27,280
Speaker 2: you that Whinnie's intent was purely innocent. In the Chinese

622
00:33:27,320 --> 00:33:30,920
Speaker 2: culture none it's often given to others in a gesture

623
00:33:30,920 --> 00:33:34,880
Speaker 2: of friendship and gratitude. Winnie is apologetic and embarrassed by

624
00:33:34,880 --> 00:33:39,000
Speaker 2: any negative impression or confusion. This may have cost. Come on, now,

625
00:33:39,280 --> 00:33:42,239
Speaker 2: don't don't blame the culture Whinnie. Although look, she did

626
00:33:42,280 --> 00:33:44,120
Speaker 2: put in a red envelope. So she did put in

627
00:33:44,160 --> 00:33:46,800
Speaker 2: a red Is this a photo in the document from

628
00:33:46,840 --> 00:33:49,760
Speaker 2: the article? That's from that, that's from the from the article.

629
00:33:49,720 --> 00:33:52,880
Speaker 1: Red envelope inside a bag of Also, she ate a

630
00:33:52,880 --> 00:33:58,479
Speaker 1: lot of the fucking chips. This is mostly god But

631
00:33:58,560 --> 00:34:03,760
Speaker 1: I was on her until you find out that the

632
00:34:03,800 --> 00:34:06,760
Speaker 1: FEDS rated two of her properties during an investigation into

633
00:34:06,760 --> 00:34:12,200
Speaker 1: straw donations. So she's just as she also did that.

634
00:34:12,200 --> 00:34:15,240
Speaker 2: There's another investigation into her where she pressured a quote

635
00:34:15,239 --> 00:34:18,600
Speaker 2: campaign campaign volunteer to do personal tasks for her for

636
00:34:18,680 --> 00:34:21,000
Speaker 2: any in exchange for getting a city job.

637
00:34:22,160 --> 00:34:26,479
Speaker 1: Sick. Yeah, I I listen.

638
00:34:26,600 --> 00:34:28,600
Speaker 2: I know we already talked about the state of the

639
00:34:28,640 --> 00:34:32,160
Speaker 2: bribe economy, but seriously, this is so fucking little money.

640
00:34:32,239 --> 00:34:35,200
Speaker 2: This is yeah, yeah, this is why way more embarrassing

641
00:34:35,239 --> 00:34:38,200
Speaker 2: than anything, Yeah, because it's more the story that it's like, bro,

642
00:34:38,440 --> 00:34:40,680
Speaker 2: one hundred and forty bucks in that bag of sh

643
00:34:41,160 --> 00:34:44,400
Speaker 2: in this economy, the bag of chips. This is literally

644
00:34:44,719 --> 00:34:47,239
Speaker 2: like like I would be like, okay, it's time to

645
00:34:47,280 --> 00:34:49,640
Speaker 2: like talk about options for mom if she did right,

646
00:34:49,719 --> 00:34:52,240
Speaker 2: right right, like this can this can buy you seven

647
00:34:52,320 --> 00:34:55,319
Speaker 2: bags of chips? What am I going to do with this?

648
00:34:55,880 --> 00:34:58,160
Speaker 1: What I'm gonna do? The bag of chips that they

649
00:34:58,200 --> 00:35:00,879
Speaker 1: put it in is more valuable. I think it would

650
00:35:00,880 --> 00:35:01,160
Speaker 1: be wrong.

651
00:35:01,800 --> 00:35:03,920
Speaker 2: I would have not to not to pitch to all

652
00:35:03,960 --> 00:35:06,960
Speaker 2: the corrupt officials out there. I think it would make

653
00:35:07,000 --> 00:35:08,919
Speaker 2: more sense to just be like I forgot, I put

654
00:35:08,960 --> 00:35:10,160
Speaker 2: my money in my chips.

655
00:35:10,760 --> 00:35:14,359
Speaker 1: That's actually smart. Yeah, Like I gave her that one

656
00:35:15,000 --> 00:35:18,720
Speaker 1: that wasp wander to try the sour cream and onion.

657
00:35:18,800 --> 00:35:21,320
Speaker 2: This thing in the Chinese culture when you give a gift,

658
00:35:21,320 --> 00:35:23,319
Speaker 2: it's in it. That was for my young nephew. I'm

659
00:35:23,320 --> 00:35:26,760
Speaker 2: so sorry, I really want I haven't had this flavor

660
00:35:26,800 --> 00:35:29,480
Speaker 2: of hers sour cream and onion chips. I remember in

661
00:35:29,520 --> 00:35:34,760
Speaker 2: the office they allude to this flavor. Chinese stereotype just dropped,

662
00:35:34,880 --> 00:35:37,719
Speaker 2: which I know, money on the chips. I love it.

663
00:35:38,239 --> 00:35:40,680
Speaker 1: They're always putting money in the chips. If you noticed

664
00:35:40,719 --> 00:35:47,520
Speaker 1: this about them, the uh. There's a New York Magazine

665
00:35:47,680 --> 00:35:52,719
Speaker 1: article that's also just talking about how overall there were

666
00:35:52,760 --> 00:35:57,319
Speaker 1: many attempts to get an anti Momdani thing going, and

667
00:35:58,520 --> 00:36:02,480
Speaker 1: all those attempts appear to be working out to not much.

668
00:36:03,000 --> 00:36:05,400
Speaker 1: He's way ahead of Cuomo in the polls. Obviously the

669
00:36:05,480 --> 00:36:09,680
Speaker 1: polls were wrong on the first one, but they were

670
00:36:09,680 --> 00:36:13,239
Speaker 1: wrong in a very specific direction that the Inster media

671
00:36:13,360 --> 00:36:17,719
Speaker 1: tends to favor, and also Cuomo. The only advantage that

672
00:36:17,800 --> 00:36:24,120
Speaker 1: Cuomo had besides his like magnetism was just complete star

673
00:36:24,280 --> 00:36:29,840
Speaker 1: power magnetism and a literal human being energy is the

674
00:36:30,280 --> 00:36:33,000
Speaker 1: just massive amounts of money that he was raising, and

675
00:36:33,080 --> 00:36:36,719
Speaker 1: he is for the general election raising less than he

676
00:36:36,800 --> 00:36:41,680
Speaker 1: raised for the primary, so behind where he was in

677
00:36:41,719 --> 00:36:45,280
Speaker 1: an election that was his to loose and he lost

678
00:36:45,320 --> 00:36:51,080
Speaker 1: it pretty convincingly. Now he's way behind in this election

679
00:36:51,200 --> 00:36:54,239
Speaker 1: and has less money to work with, which people think

680
00:36:54,360 --> 00:36:58,040
Speaker 1: is not good for him. I also just the New

681
00:36:58,080 --> 00:37:01,000
Speaker 1: York magazine article attributes it to the like, and you

682
00:37:01,040 --> 00:37:03,200
Speaker 1: know the I don't think that he's going to catch

683
00:37:03,239 --> 00:37:07,759
Speaker 1: him because Zorin is very talented, which I feel like

684
00:37:07,800 --> 00:37:10,799
Speaker 1: we're going to see more and more this idea that like,

685
00:37:11,360 --> 00:37:13,960
Speaker 1: it's not the ideas, it's it's not the ideas, it's

686
00:37:14,000 --> 00:37:19,600
Speaker 1: not the policies. It's one person who's just it's he's cute. Yeah,

687
00:37:19,719 --> 00:37:22,759
Speaker 1: it's all the Democrats have a cute problem is all

688
00:37:23,200 --> 00:37:25,640
Speaker 1: they they need to find go out and find people

689
00:37:25,640 --> 00:37:29,359
Speaker 1: with embarrassing rap careers in their past. That's actually what

690
00:37:29,400 --> 00:37:33,239
Speaker 1: the people are looking for, anything but the policies. I'm

691
00:37:33,320 --> 00:37:34,839
Speaker 1: right here, I'm right here.

692
00:37:35,880 --> 00:37:37,600
Speaker 2: I used to be in a rap group with Shilah

693
00:37:37,640 --> 00:37:42,799
Speaker 2: buff Okay, that's terrifying. Truck keeps keeps making it. You know,

694
00:37:43,360 --> 00:37:44,720
Speaker 2: he's he's he's.

695
00:37:44,560 --> 00:37:45,080
Speaker 1: Just so hot.

696
00:37:45,480 --> 00:37:48,279
Speaker 2: He's just so fucking hot, so hot. Right now, away

697
00:37:48,280 --> 00:37:49,319
Speaker 2: from it, damn it.

698
00:37:49,560 --> 00:37:52,080
Speaker 1: All right, let's take a quick break. We'll be right back.

699
00:38:02,480 --> 00:38:08,120
Speaker 1: And we're back. And so the big news story, you know,

700
00:38:08,160 --> 00:38:10,880
Speaker 1: the president is using the military to occupy the nation's capital,

701
00:38:11,360 --> 00:38:14,360
Speaker 1: like Lisa that we all forget that he is probably

702
00:38:14,360 --> 00:38:17,920
Speaker 1: a serial pedophile. But the real big news story over

703
00:38:17,960 --> 00:38:22,000
Speaker 1: the past couple days on social media has been the

704
00:38:22,040 --> 00:38:28,120
Speaker 1: redesign of the cracker barrel logo, specifically the decision to

705
00:38:28,840 --> 00:38:34,600
Speaker 1: as everybody at the same time, made noted on Twitter,

706
00:38:35,280 --> 00:38:39,400
Speaker 1: they removed both the cracker and the barrel. The old

707
00:38:40,080 --> 00:38:44,239
Speaker 1: the elderly white man and the barrel are gone and

708
00:38:44,600 --> 00:38:48,640
Speaker 1: it's just the words cracker barrel in a font that

709
00:38:48,880 --> 00:38:53,440
Speaker 1: is not very like I mean, it's the same coloring.

710
00:38:54,000 --> 00:38:56,040
Speaker 2: It kind of looks like this, like the font for

711
00:38:56,160 --> 00:38:57,680
Speaker 2: Continental Tires.

712
00:38:57,800 --> 00:39:03,799
Speaker 1: And a reference I feel like, or one of the

713
00:39:03,920 --> 00:39:08,960
Speaker 1: like coffee brands I feel like, has a similar Yeah.

714
00:39:08,200 --> 00:39:11,600
Speaker 2: What is I've never been to a cracker barrel in

715
00:39:11,640 --> 00:39:15,640
Speaker 2: my life. I guess, like, what are they? What's the

716
00:39:15,719 --> 00:39:16,440
Speaker 2: food there? Like?

717
00:39:16,680 --> 00:39:20,319
Speaker 1: Ship good? It's fine. I thought it was good. Yeah,

718
00:39:20,320 --> 00:39:23,160
Speaker 1: it's like what's the what's the cuisine? So the things

719
00:39:23,200 --> 00:39:27,000
Speaker 1: that I've gotten there are biscuits and gravy. I think

720
00:39:27,000 --> 00:39:27,960
Speaker 1: the producer.

721
00:39:28,040 --> 00:39:32,279
Speaker 2: Said, bacon is a vegetable there, and yeah, yes, that's

722
00:39:32,520 --> 00:39:34,920
Speaker 2: thank you got everybody in the terms of it's like

723
00:39:34,960 --> 00:39:36,520
Speaker 2: what if Denny's was dinner.

724
00:39:37,600 --> 00:39:41,880
Speaker 1: Yeah, it seems like a little bit better than Danny's.

725
00:39:41,960 --> 00:39:46,360
Speaker 1: So it has like a folksy like they have little

726
00:39:46,640 --> 00:39:49,880
Speaker 1: things on the walls like they used to have like

727
00:39:49,960 --> 00:39:52,240
Speaker 1: ship on the floor. Did they used to have ship

728
00:39:52,239 --> 00:39:56,600
Speaker 1: on the floor? There? No, that Texas roadhouse could have

729
00:39:56,600 --> 00:39:59,320
Speaker 1: had like peanuts on the floor and and they cleaned

730
00:39:59,320 --> 00:40:01,160
Speaker 1: it up, and then there's like the fucking woke no

731
00:40:01,280 --> 00:40:03,200
Speaker 1: because we go to the shoot on the floor. I

732
00:40:03,200 --> 00:40:04,759
Speaker 1: think you know what I.

733
00:40:04,680 --> 00:40:07,319
Speaker 2: Will say for that, I I obviously it's such a

734
00:40:07,320 --> 00:40:09,080
Speaker 2: hack thing to be like where did all these peanut

735
00:40:09,160 --> 00:40:12,360
Speaker 2: allergies come from? But I got to imagine if you actually,

736
00:40:12,480 --> 00:40:14,840
Speaker 2: you know, if you had a peanut allergy, the place

737
00:40:14,880 --> 00:40:18,479
Speaker 2: with broken peanut shells all over the ground is pretty rough.

738
00:40:18,880 --> 00:40:24,839
Speaker 1: Yeah. Yeah, that's that's just a very good point. That's uh,

739
00:40:25,000 --> 00:40:27,880
Speaker 1: that's far from like banning peanut butter and jelly sandwiches

740
00:40:27,920 --> 00:40:32,239
Speaker 1: at lunch. It's like, yeah, just ambient peanut dust is

741
00:40:32,360 --> 00:40:33,760
Speaker 1: kind of our main feature.

742
00:40:33,960 --> 00:40:35,560
Speaker 2: What if it was aerosolized.

743
00:40:36,160 --> 00:40:41,080
Speaker 1: Yeah, it was just like for ambiance is air borning.

744
00:40:41,640 --> 00:40:45,560
Speaker 2: We've aerosolized peanut allergies into the allergens into the air.

745
00:40:45,680 --> 00:40:49,160
Speaker 1: But yeah, so everybody is responding like this is the

746
00:40:49,200 --> 00:40:54,520
Speaker 1: bud light campaign that enraged transphobes, And I don't the

747
00:40:54,600 --> 00:40:57,839
Speaker 1: thing Dan that they're like it's the erasure of white men.

748
00:40:58,280 --> 00:41:01,719
Speaker 2: Is that is that the of the complaint basically because

749
00:41:01,719 --> 00:41:03,640
Speaker 2: they got rid of herridage.

750
00:41:04,880 --> 00:41:05,520
Speaker 1: It really is.

751
00:41:05,640 --> 00:41:08,160
Speaker 2: I guess I had never looked at a cracker barrel

752
00:41:08,840 --> 00:41:11,400
Speaker 2: logo as much as I have in the last ten minutes.

753
00:41:12,360 --> 00:41:16,640
Speaker 2: But it is a very, very, very the original logo

754
00:41:16,920 --> 00:41:22,719
Speaker 2: very busy. It has like a half tone, relatively detailed

755
00:41:22,800 --> 00:41:27,000
Speaker 2: illustration of an old white man on a leaning sitting

756
00:41:27,040 --> 00:41:29,640
Speaker 2: on a chair and leaning on a barrel, and then

757
00:41:29,880 --> 00:41:32,600
Speaker 2: the like graphic part of the logo starts, so it's

758
00:41:32,600 --> 00:41:33,239
Speaker 2: like kind of like.

759
00:41:33,200 --> 00:41:35,760
Speaker 1: A bean shape. It's a lot.

760
00:41:35,800 --> 00:41:38,560
Speaker 2: It's so much going on. It is wild that I

761
00:41:38,560 --> 00:41:41,520
Speaker 2: don't even think this CB is centered in the fucking

762
00:41:41,560 --> 00:41:46,120
Speaker 2: logo either. No, you know, there's a lot of design

763
00:41:46,239 --> 00:41:51,080
Speaker 2: choices are which is fine, Like clearly this was meant

764
00:41:51,080 --> 00:41:51,600
Speaker 2: to be like it.

765
00:41:51,760 --> 00:41:55,000
Speaker 1: Was carved, but the like if you go inside a

766
00:41:55,040 --> 00:41:58,319
Speaker 1: cracker barrel, everything is like that, Like that is the

767
00:41:58,440 --> 00:42:02,080
Speaker 1: vibe of a cracker barrel. Like every just junk like

768
00:42:02,120 --> 00:42:05,040
Speaker 1: it's it is both a restaurant and a junk drug.

769
00:42:05,120 --> 00:42:07,680
Speaker 2: Yes, right, there's like a gift shop and everyone's a

770
00:42:07,719 --> 00:42:08,280
Speaker 2: gift shop.

771
00:42:08,280 --> 00:42:12,120
Speaker 1: That is just like like there's little like math games

772
00:42:12,200 --> 00:42:15,040
Speaker 1: and stuff like that like that. Uh, I describe a

773
00:42:15,040 --> 00:42:22,799
Speaker 1: different cornpone ass garbage cornpone ass garbage is right, Yeah,

774
00:42:22,880 --> 00:42:25,360
Speaker 1: like that's the that is the energy of it. Like

775
00:42:25,440 --> 00:42:28,640
Speaker 1: I I do think this is an objectively bad logo

776
00:42:28,719 --> 00:42:34,680
Speaker 1: design for a company that this fun is Yeah exactly,

777
00:42:34,880 --> 00:42:37,200
Speaker 1: and like how kind of old, like the whole thing

778
00:42:37,760 --> 00:42:42,960
Speaker 1: feels like it is. It's a Disney attraction for Like. Also,

779
00:42:43,120 --> 00:42:43,560
Speaker 1: it is.

780
00:42:43,600 --> 00:42:48,560
Speaker 2: Very clear that the old logo utterly unusable on social media,

781
00:42:48,680 --> 00:42:51,840
Speaker 2: like honestly unusable in anything other than like three hundred

782
00:42:51,880 --> 00:42:58,120
Speaker 2: pixels wide. I just don't understand why they didn't just

783
00:42:58,200 --> 00:43:00,960
Speaker 2: take the graphic part and just use it on presumably

784
00:43:01,120 --> 00:43:04,000
Speaker 2: presumably this all happened because whoever runs their Twitter account

785
00:43:04,120 --> 00:43:08,520
Speaker 2: was like the truth social account was like you can

786
00:43:08,560 --> 00:43:12,880
Speaker 2: hardly see the logo, can't make out what? So just

787
00:43:12,960 --> 00:43:18,600
Speaker 2: use a different one for social media? Yeah, Well, because everything,

788
00:43:19,320 --> 00:43:22,120
Speaker 2: you know, everything is moving to ard not moving. It

789
00:43:22,120 --> 00:43:25,600
Speaker 2: already has moved towards minimalism in terms of like logo design,

790
00:43:26,120 --> 00:43:29,000
Speaker 2: and it's just getting everything is getting stripped down more

791
00:43:29,120 --> 00:43:31,560
Speaker 2: and more and more and more. That's like I think

792
00:43:31,640 --> 00:43:35,319
Speaker 2: this like slight Wave can represent the entire logo that

793
00:43:35,440 --> 00:43:37,640
Speaker 2: used to be iconic, so like in this sense with

794
00:43:37,719 --> 00:43:41,000
Speaker 2: the cracker barrel thing I'm like, I get everything wants

795
00:43:41,080 --> 00:43:43,719
Speaker 2: everyone wants to be minimal. But then it's funny too

796
00:43:43,719 --> 00:43:46,799
Speaker 2: because you see a resurgence of retro design stuff come

797
00:43:46,840 --> 00:43:49,560
Speaker 2: back too, which it was way more maximal, and now

798
00:43:49,680 --> 00:43:52,600
Speaker 2: it's all just fucking just just.

799
00:43:52,480 --> 00:43:56,080
Speaker 1: Designs I've seen in the past, like handful of years

800
00:43:56,200 --> 00:43:59,640
Speaker 1: are Pepsi, and we'll get into their logo redesigned from

801
00:43:59,680 --> 00:44:00,120
Speaker 1: the early.

802
00:44:00,440 --> 00:44:03,400
Speaker 2: There's so much written here about this I can't believe.

803
00:44:03,680 --> 00:44:07,200
Speaker 1: But like Pepsi finally went back to having the thing

804
00:44:07,400 --> 00:44:10,160
Speaker 1: fucking centered with the word Pepsi written between the like

805
00:44:10,280 --> 00:44:13,759
Speaker 1: red and the blue swirls and Burger King like did

806
00:44:13,760 --> 00:44:17,040
Speaker 1: a retro version of Burger King where they're like, remember

807
00:44:17,080 --> 00:44:21,960
Speaker 1: when we were good? Right, this movement away to just

808
00:44:22,120 --> 00:44:25,000
Speaker 1: like a font this is just like I don't know,

809
00:44:25,040 --> 00:44:29,080
Speaker 1: what if what if Jaguar, like that car brand which

810
00:44:29,160 --> 00:44:33,880
Speaker 1: used to have a fucking Jaguar Jaar used to have

811
00:44:33,920 --> 00:44:37,080
Speaker 1: a sick fucking Jaguar about to like eat something just

812
00:44:37,080 --> 00:44:40,520
Speaker 1: like pouncing, just like moved over to looking like I

813
00:44:40,560 --> 00:44:44,440
Speaker 1: don't know, some brand of like Wellness fucking water or

814
00:44:44,480 --> 00:44:47,360
Speaker 1: something like a Wells bo vitamins.

815
00:44:47,640 --> 00:44:49,719
Speaker 2: The Jaguar logo design sounds like it goes.

816
00:44:54,560 --> 00:44:57,799
Speaker 1: Yeah, it looks like the colors behind it should have

817
00:44:57,880 --> 00:44:59,359
Speaker 1: like bubbles bubbling up.

818
00:44:59,800 --> 00:45:02,960
Speaker 2: For I do very much wish that Cracker Barrel had

819
00:45:02,960 --> 00:45:06,200
Speaker 2: also led. I'm assuming it was the like son of

820
00:45:06,239 --> 00:45:08,719
Speaker 2: the owner of Cracker Barrel, the CEO Cracker Barrel, who

821
00:45:08,719 --> 00:45:12,279
Speaker 2: pitched this like gen zification of it, or like, I

822
00:45:12,320 --> 00:45:17,280
Speaker 2: wish they'd fully committed to doing one futurist Cracker Barrel location,

823
00:45:18,280 --> 00:45:22,680
Speaker 2: just like like completely stark beige walls and just like

824
00:45:22,800 --> 00:45:26,040
Speaker 2: trops of whatever. I don't know, Like some logans run

825
00:45:26,480 --> 00:45:28,879
Speaker 2: like type shit, that's what I want, So I went,

826
00:45:28,960 --> 00:45:30,719
Speaker 2: I want, so I went, So I went.

827
00:45:30,760 --> 00:45:31,440
Speaker 1: Cracker Barrel.

828
00:45:32,200 --> 00:45:35,480
Speaker 2: It's Julie Messino is getting all the heat now, the

829
00:45:35,520 --> 00:45:37,400
Speaker 2: CEO and president of Cracker Barrel.

830
00:45:37,640 --> 00:45:40,399
Speaker 1: Yeah yeah, Why can't they go back to the time

831
00:45:40,440 --> 00:45:44,759
Speaker 1: when their founder had a public policy of not hiring

832
00:45:45,600 --> 00:45:49,880
Speaker 1: gay employees. Yeah, yeah, well those are the good old days.

833
00:45:50,239 --> 00:45:53,719
Speaker 1: My request, I'd love for companies to keep doing this,

834
00:45:53,800 --> 00:45:57,680
Speaker 1: because you know, anything that moves people in the direction

835
00:45:57,760 --> 00:46:00,319
Speaker 1: of being like, oh, corporations are like dumb in bed

836
00:46:00,400 --> 00:46:02,440
Speaker 1: and don't know what they're doing is great. I just

837
00:46:02,880 --> 00:46:05,880
Speaker 1: would love for them to make all the paper, like

838
00:46:05,960 --> 00:46:11,800
Speaker 1: all the decks publicly available, because how'd you get show

839
00:46:11,880 --> 00:46:16,200
Speaker 1: your work? Please? I want to hear the bullshit like

840
00:46:16,239 --> 00:46:19,240
Speaker 1: that leaks leak the deck.

841
00:46:19,880 --> 00:46:25,440
Speaker 2: Yeah, before the Epstein files release the Cracker Barrel logo, redesigned.

842
00:46:24,719 --> 00:46:28,920
Speaker 1: Decks, the Jaguar, the Cracker Barrel. The Pepsi one is

843
00:46:29,000 --> 00:46:33,680
Speaker 1: like one of the great moments of like just realizing

844
00:46:33,920 --> 00:46:38,200
Speaker 1: how fucking stupid and broken, like everything is just the

845
00:46:39,160 --> 00:46:41,719
Speaker 1: everybody will link off to the article. I've linked off

846
00:46:41,760 --> 00:46:45,120
Speaker 1: to it probably one hundred times in this podcast. They

847
00:46:45,160 --> 00:46:50,560
Speaker 1: paid several hundred million dollars to change their logo from

848
00:46:50,600 --> 00:46:54,080
Speaker 1: like the iconic one that you probably picture in your

849
00:46:54,080 --> 00:46:56,560
Speaker 1: mind when you think of Pepsi to the one where

850
00:46:56,560 --> 00:47:00,480
Speaker 1: it was like off center and like no, people are like, oh,

851
00:47:00,480 --> 00:47:03,680
Speaker 1: it kind of looks like the Obama logo but not

852
00:47:03,760 --> 00:47:08,200
Speaker 1: really so wild and like the the deck is so

853
00:47:10,200 --> 00:47:14,239
Speaker 1: just like such amazing bullshit, like they have in one

854
00:47:14,280 --> 00:47:18,680
Speaker 1: part they have like magnetic dynamic dynamics and like they

855
00:47:18,680 --> 00:47:21,440
Speaker 1: have a picture of like the globe they like.

856
00:47:22,440 --> 00:47:25,440
Speaker 2: The magnetic field of the actual earth jack And I

857
00:47:25,480 --> 00:47:27,839
Speaker 2: think you should pay attention to the undulation of those

858
00:47:27,880 --> 00:47:29,680
Speaker 2: waves because I feel like there's a there's a there's

859
00:47:29,760 --> 00:47:32,000
Speaker 2: room for Pepsi there, I'm sure is what this asshole

860
00:47:32,000 --> 00:47:33,600
Speaker 2: is said in a meeting.

861
00:47:33,800 --> 00:47:38,640
Speaker 1: So C is magnetic dynamics. Magnetic fields are impacted by

862
00:47:39,520 --> 00:47:45,400
Speaker 1: radiation and wind motion, and then see the Pepsi globe dynamic.

863
00:47:46,440 --> 00:47:51,320
Speaker 1: This emotive forces shape the gestalt of the brand identity.

864
00:47:51,880 --> 00:47:57,680
Speaker 1: Uh yeah, obviously, I will say.

865
00:47:57,239 --> 00:48:03,080
Speaker 2: Major, every major logo redesign is basically just wealth redistribution

866
00:48:03,480 --> 00:48:04,759
Speaker 2: to people who do.

867
00:48:05,560 --> 00:48:08,839
Speaker 1: Work to design, people who do LSD work. Yeah.

868
00:48:08,960 --> 00:48:10,680
Speaker 2: Yeah, And you know what, I'm not mad at that,

869
00:48:10,960 --> 00:48:16,359
Speaker 2: although now it's a chat GPT, Yeah exactly. I mean

870
00:48:16,360 --> 00:48:19,879
Speaker 2: this that these people should continue to have enough money

871
00:48:19,960 --> 00:48:21,680
Speaker 2: to do a bunch of drugs at Burning Man.

872
00:48:21,920 --> 00:48:25,400
Speaker 1: But as we know, continued investment provided Pepsi with a

873
00:48:25,480 --> 00:48:29,799
Speaker 1: clear resource for reinvention. As the deck was quoted, they've

874
00:48:29,800 --> 00:48:32,319
Speaker 1: got this one that is the old logo, and it's

875
00:48:32,360 --> 00:48:35,600
Speaker 1: got two lines through it. One is like a you know,

876
00:48:36,040 --> 00:48:38,760
Speaker 1: like the ray from geometry, where it's like a line

877
00:48:39,040 --> 00:48:42,920
Speaker 1: pointing in one direction going one is moving from convention

878
00:48:43,120 --> 00:48:47,400
Speaker 1: to innovation along a horizontal access axis. And then the

879
00:48:47,440 --> 00:48:51,680
Speaker 1: other one that is like shooting upwards and giving off

880
00:48:51,800 --> 00:48:55,840
Speaker 1: the new PEPSI logo is going from DNA to future.

881
00:48:57,480 --> 00:48:59,360
Speaker 1: Of course, the two ends of that axis.

882
00:49:00,080 --> 00:49:04,040
Speaker 2: Yes, what's the okay, what's the opposite of DNA future future?

883
00:49:04,600 --> 00:49:09,080
Speaker 1: Exactly? Thank you? And that's where you know what.

884
00:49:09,120 --> 00:49:12,680
Speaker 2: I will also say, though, it's that like, like this

885
00:49:12,760 --> 00:49:17,719
Speaker 2: is just like the clearest example of why when when

886
00:49:17,800 --> 00:49:22,560
Speaker 2: like people like business leaders deride the humanities. Hey, bro,

887
00:49:22,760 --> 00:49:26,239
Speaker 2: if you were better versed in design and aesthetics and

888
00:49:26,320 --> 00:49:29,480
Speaker 2: what art history, you wouldn't be able to be hoodwinked

889
00:49:29,520 --> 00:49:34,280
Speaker 2: by this, right, Your ignorance is what allows you allows

890
00:49:34,280 --> 00:49:37,240
Speaker 2: this industry to thrive. It's not that this stuff is bullshit.

891
00:49:38,080 --> 00:49:41,319
Speaker 2: I mean, in this case, it's bullshit. If you just

892
00:49:41,360 --> 00:49:45,160
Speaker 2: had some basic fluency and didn't require a consultant to

893
00:49:45,280 --> 00:49:49,560
Speaker 2: tell you about aesthetics, you would not be susceptible to

894
00:49:49,640 --> 00:49:53,440
Speaker 2: this type of more or less fraud. It's fucking unbelievable.

895
00:49:53,440 --> 00:49:57,080
Speaker 2: I mean, like, yeah, right, Charlatan comes in and writes

896
00:49:57,120 --> 00:50:00,839
Speaker 2: these fucking buzzwords down, like fucking euclidia geometry.

897
00:50:01,160 --> 00:50:04,840
Speaker 1: Yeah, like, oh fuck, dude, that's so sick.

898
00:50:04,920 --> 00:50:07,319
Speaker 2: And the asshole who did the pictures, like, bro, I

899
00:50:07,360 --> 00:50:09,480
Speaker 2: did this shit in fucking twenty minutes, I yelled at

900
00:50:09,520 --> 00:50:10,960
Speaker 2: my assistant, I was doing COVID.

901
00:50:11,520 --> 00:50:13,840
Speaker 1: We improvising it now anyway.

902
00:50:13,920 --> 00:50:17,359
Speaker 2: Yeah, so uh, that's what we're saying here, and we're

903
00:50:17,400 --> 00:50:21,240
Speaker 2: definitely moving into a more sort of cartesian I guess,

904
00:50:21,280 --> 00:50:25,399
Speaker 2: if you will, phil philosophical design language, and I think

905
00:50:25,400 --> 00:50:27,360
Speaker 2: that would really just it would align well with the

906
00:50:27,360 --> 00:50:30,920
Speaker 2: brand identity as we move from DNA on one end

907
00:50:30,960 --> 00:50:34,680
Speaker 2: of the spectrum, break the paradigm and move into sure

908
00:50:35,000 --> 00:50:38,960
Speaker 2: my future part with three with five thousand years worth

909
00:50:39,040 --> 00:50:40,080
Speaker 2: of history.

910
00:50:40,600 --> 00:50:45,239
Speaker 1: So it starts three thousand BC with like design concepts

911
00:50:45,280 --> 00:50:47,960
Speaker 1: from back then, but like not really, I don't know.

912
00:50:48,000 --> 00:50:50,680
Speaker 1: It just seems like a random assortment of shit. To

913
00:50:50,960 --> 00:50:55,000
Speaker 1: six hundred BC. There's like the renaissances on there. Feng

914
00:50:55,080 --> 00:50:57,799
Speaker 1: Shui is on there, two seventy eight BC, feng Shue

915
00:50:58,880 --> 00:51:02,960
Speaker 1: up through eighteen fifty eight, MOBI a strip nineteen forty eight.

916
00:51:03,000 --> 00:51:07,280
Speaker 1: I can't read that. Two thousand the modular, the modular,

917
00:51:07,520 --> 00:51:11,000
Speaker 1: two thousand and nine PEPSI, and then a question mark

918
00:51:11,080 --> 00:51:14,040
Speaker 1: to be like, and how will PEPSI yours?

919
00:51:14,600 --> 00:51:19,840
Speaker 2: Obviously, because the Vitruvian Renaissance is on the same scale

920
00:51:19,840 --> 00:51:23,799
Speaker 2: of as a fucking pepsi logo. You know what you

921
00:51:23,920 --> 00:51:26,160
Speaker 2: joke around, if you could, if you could caliport a

922
00:51:26,239 --> 00:51:30,560
Speaker 2: cannopepsi back to fucking what was that fucking he would

923
00:51:30,640 --> 00:51:33,160
Speaker 2: lose his mind. You could literally murder a man with

924
00:51:33,239 --> 00:51:34,840
Speaker 2: a Canopepsi and not.

925
00:51:34,760 --> 00:51:37,120
Speaker 1: Just the can. Yeah, that would be wild.

926
00:51:37,440 --> 00:51:40,440
Speaker 2: I love a movie like that where a guys the challenges.

927
00:51:40,520 --> 00:51:43,279
Speaker 2: You have one little canapepsi, But you gotta you got

928
00:51:43,280 --> 00:51:45,560
Speaker 2: to use that to blow enough minds to become like

929
00:51:45,600 --> 00:51:47,880
Speaker 2: a god. Like you'd have to be like, yo, you

930
00:51:47,960 --> 00:51:50,360
Speaker 2: only got like fucking ten You got like ten SIPs

931
00:51:50,360 --> 00:51:51,080
Speaker 2: on this thing.

932
00:51:52,000 --> 00:51:53,520
Speaker 1: That just the gods might be crazy.

933
00:51:53,800 --> 00:51:56,680
Speaker 2: That racism, well yeah, but that one was the bottle

934
00:51:56,760 --> 00:51:59,759
Speaker 2: came down and no one really came to be like

935
00:51:59,760 --> 00:52:02,920
Speaker 2: and I am your lord God. I'm talking about some

936
00:52:03,000 --> 00:52:04,759
Speaker 2: dude pulling up with it and being like, hey, bro,

937
00:52:04,920 --> 00:52:06,120
Speaker 2: you need to taste this ship.

938
00:52:06,520 --> 00:52:08,359
Speaker 1: Behold more.

939
00:52:08,840 --> 00:52:12,560
Speaker 2: It's tickling my mouth, sir, exactly, exactly, take me to

940
00:52:12,600 --> 00:52:12,880
Speaker 2: your king.

941
00:52:13,920 --> 00:52:16,400
Speaker 1: Yeah, Marty mcfla could have done a lot more damage.

942
00:52:16,800 --> 00:52:19,600
Speaker 2: You know, he's a user, bro. He fucking fumbled that ship.

943
00:52:19,600 --> 00:52:22,680
Speaker 5: So we're living in the biff timeline. We're living in

944
00:52:22,719 --> 00:52:30,399
Speaker 5: the Biff timeline. Bro A, Yeah, that's not incorrect. Back

945
00:52:30,400 --> 00:52:34,040
Speaker 5: in the future two. He it's that he's styled.

946
00:52:33,600 --> 00:52:38,320
Speaker 2: After Trump and right in future too, right.

947
00:52:38,280 --> 00:52:41,200
Speaker 1: Yeah, and he's like a casino magnate. Yeah.

948
00:52:41,200 --> 00:52:44,480
Speaker 2: And I was just I was just I was just

949
00:52:44,640 --> 00:52:48,920
Speaker 2: in character as Blue Sky Guy. Oh, thank you, our

950
00:52:48,960 --> 00:52:52,120
Speaker 2: favorite favorite Andrew t character, Blue Sky Guy. We're in

951
00:52:52,160 --> 00:52:56,680
Speaker 2: the We're in the Biff timeline to the Biff timeline.

952
00:52:57,360 --> 00:52:58,440
Speaker 2: And it's not a joke.

953
00:52:59,480 --> 00:53:02,440
Speaker 1: Drum all right, Oh god.

954
00:53:02,520 --> 00:53:05,440
Speaker 2: We're in the Biff timeline and we don't even have hoverboards?

955
00:53:09,160 --> 00:53:10,680
Speaker 2: Are we getting too close to home?

956
00:53:10,840 --> 00:53:13,719
Speaker 1: Let us know, Let me know in the discord.

957
00:53:13,800 --> 00:53:20,200
Speaker 2: Let me you can find me an Andrew Ty that

958
00:53:20,480 --> 00:53:22,000
Speaker 2: fucking with your format once more.

959
00:53:22,400 --> 00:53:23,960
Speaker 1: I'm now when it cuts time.

960
00:53:24,160 --> 00:53:26,320
Speaker 2: I'm not saying you just pulled the plug on the episode,

961
00:53:26,360 --> 00:53:31,800
Speaker 2: because that's fine. We're done.

962
00:53:31,960 --> 00:53:37,960
Speaker 1: Where can people find you? Is there were mediahere? WHOA,

963
00:53:38,040 --> 00:53:38,680
Speaker 1: he's farting.

964
00:53:38,719 --> 00:53:44,160
Speaker 2: He's peeing everywhere right now? What if? I I mean, yeah,

965
00:53:44,480 --> 00:53:47,600
Speaker 2: the work of media is again. I can't stress this enough.

966
00:53:47,680 --> 00:53:50,960
Speaker 2: A double feature back to back of Naked Gun and

967
00:53:51,080 --> 00:53:57,240
Speaker 2: weapons to back because the similar weapons first. Naked Gun first,

968
00:53:58,080 --> 00:54:01,719
Speaker 2: I don't think it matters that much because the similarity

969
00:54:01,760 --> 00:54:04,120
Speaker 2: will be a parent no matter what. I guess what

970
00:54:04,160 --> 00:54:06,319
Speaker 2: I would I would say weapons first, then naked gun

971
00:54:06,440 --> 00:54:09,879
Speaker 2: okay yeah, naked gun chaser okay yeah yeah yeah yeah.

972
00:54:10,320 --> 00:54:12,960
Speaker 1: There you go. Miles, Where can people find you as

973
00:54:12,960 --> 00:54:16,720
Speaker 1: their working media You've been enjoying everywhere at Miles of Gray.

974
00:54:17,040 --> 00:54:19,680
Speaker 2: Also find me talking about fucking ninety day fiance on

975
00:54:19,920 --> 00:54:24,040
Speaker 2: four to twenty day fiance. A couple fucking works of

976
00:54:24,120 --> 00:54:30,120
Speaker 2: the media I like first. One is from at kim

977
00:54:30,160 --> 00:54:32,440
Speaker 2: Kelly dot pscott at social put things are better when

978
00:54:32,440 --> 00:54:34,400
Speaker 2: the computer lived in its own specific room and you

979
00:54:34,440 --> 00:54:39,040
Speaker 2: only went in there sometimes. And at scribbly Moth dot

980
00:54:39,040 --> 00:54:42,520
Speaker 2: by Scotta social posted classic rock music is Classic rock

981
00:54:42,560 --> 00:54:44,640
Speaker 2: is rock music from the sixties and seventies, not the

982
00:54:44,680 --> 00:54:46,680
Speaker 2: eighties and nineties. Thank you for coming to my ted

983
00:54:46,719 --> 00:54:49,960
Speaker 2: talk because I also noticed that creep now like when

984
00:54:49,960 --> 00:54:52,960
Speaker 2: they're like sick oldies, I'm like, you piece are shit.

985
00:54:53,880 --> 00:54:57,320
Speaker 2: I was fucking twelve when this came out and getting

986
00:54:57,360 --> 00:54:59,960
Speaker 2: so hostile. But that's time for you.

987
00:55:00,520 --> 00:55:04,320
Speaker 1: workI Media avintage, it will send it, tweeted MLB announcer.

988
00:55:04,320 --> 00:55:07,399
Speaker 1: When the worst guy on the team finally does something good. Ah,

989
00:55:07,480 --> 00:55:09,880
Speaker 1: he's always doing shit like that and he's one of

990
00:55:09,880 --> 00:55:19,200
Speaker 1: our best guys. And then I liked something from PUDs

991
00:55:19,239 --> 00:55:22,040
Speaker 1: at having a Laugh tweeted trying to trauma dump on

992
00:55:22,080 --> 00:55:25,160
Speaker 1: Guillermo dob Toro, but he keeps saying shit like that's

993
00:55:25,160 --> 00:55:28,680
Speaker 1: what the townspeople did to the Wolfman every thirty second.

994
00:55:32,320 --> 00:55:35,520
Speaker 1: You can find me on Twitter at jack underscorel Brian

995
00:55:35,560 --> 00:55:37,680
Speaker 1: me on Blue Sky at jack Obi the Number One.

996
00:55:37,800 --> 00:55:40,399
Speaker 1: You can find us on Twitter and Blue Sky at

997
00:55:40,520 --> 00:55:44,759
Speaker 1: Daily Zeitgeist. We're at the Daily Zeitgeist. On Instagram. You

998
00:55:44,800 --> 00:55:47,160
Speaker 1: can go to the description of this episode wherever you're

999
00:55:47,200 --> 00:55:49,560
Speaker 1: listening to it, and underneath the show description you will

1000
00:55:49,560 --> 00:55:52,520
Speaker 1: find the footnotes, which is where we link off to

1001
00:55:52,560 --> 00:55:55,080
Speaker 1: the information that we talked about in today's episode. We

1002
00:55:55,120 --> 00:55:57,600
Speaker 1: also link off to a song that we think you

1003
00:55:57,680 --> 00:56:00,320
Speaker 1: might enjoy. Miles, is there a song I think that

1004
00:56:00,360 --> 00:56:01,200
Speaker 1: people might enjoy?

1005
00:56:01,480 --> 00:56:04,440
Speaker 2: Yeah, this is just a little dance music for your Friday.

1006
00:56:04,480 --> 00:56:07,120
Speaker 2: It's by the producer Dan d a and and and

1007
00:56:07,160 --> 00:56:10,200
Speaker 2: it's called talk to Me uh and it's it's just

1008
00:56:10,200 --> 00:56:13,640
Speaker 2: it's dope. It's got some familiar samples in it, but

1009
00:56:13,880 --> 00:56:16,960
Speaker 2: just a little modern dancing music because your shoulders popping

1010
00:56:17,000 --> 00:56:18,400
Speaker 2: for the weekend.

1011
00:56:18,640 --> 00:56:22,200
Speaker 1: Weekend, I prefer the weekend out. That's a song I'm

1012
00:56:22,200 --> 00:56:24,920
Speaker 1: gonna be listening to. Mm hm song by Darth Brooks

1013
00:56:24,920 --> 00:56:29,040
Speaker 1: and Satan. The Daily Zeitgeist is a production of iHeartRadio.

1014
00:56:29,080 --> 00:56:31,400
Speaker 1: For more podcasts from My Heart Radio, visit the iHeartRadio

1015
00:56:31,440 --> 00:56:33,480
Speaker 1: ap Apple Podcast or wherever you listen to your favorite shows.

1016
00:56:33,480 --> 00:56:36,160
Speaker 1: That's gonna do it for us this week. Another one

1017
00:56:36,200 --> 00:56:41,400
Speaker 1: in the book, another one flawless victory. We might have

1018
00:56:41,440 --> 00:56:46,440
Speaker 1: a bonus episode from the US Open this weekend. Josey

1019
00:56:46,560 --> 00:56:48,880
Speaker 1: and I are gonna do a thing from the US Open,

1020
00:56:49,040 --> 00:56:51,440
Speaker 1: so that might drop over the weekend. Yeah, are you

1021
00:56:51,480 --> 00:56:53,560
Speaker 1: gonna win it? A couple of Yeah, we might do

1022
00:56:53,600 --> 00:56:58,239
Speaker 1: a thing called the Mixed Doubles. Fucking I think I

1023
00:56:58,280 --> 00:57:00,680
Speaker 1: am gonna like dress like a tennis or to the

1024
00:57:00,760 --> 00:57:05,520
Speaker 1: thing and be like, oh, oh shit, sorry with a racket.

1025
00:57:05,600 --> 00:57:08,359
Speaker 1: I completely misunderstood what this was.

1026
00:57:08,600 --> 00:57:12,359
Speaker 2: That's not worse than it's not materially different than like

1027
00:57:12,480 --> 00:57:15,400
Speaker 2: fucking you know, calling out to the baseball game in

1028
00:57:15,440 --> 00:57:18,640
Speaker 2: your in your favorite players jersey, or like dressing like

1029
00:57:18,680 --> 00:57:20,880
Speaker 2: a huge douchebag at the golf tournament.

1030
00:57:21,080 --> 00:57:23,959
Speaker 1: My good friend. Uh, Chris will always wear the same

1031
00:57:24,080 --> 00:57:28,480
Speaker 1: like red Sox jersey to class, like to this one class,

1032
00:57:28,800 --> 00:57:31,440
Speaker 1: and someone pointed out and so like, he slowly started

1033
00:57:31,480 --> 00:57:34,960
Speaker 1: adding more uniform items and then on the last day

1034
00:57:35,040 --> 00:57:39,000
Speaker 1: he wore the like pants with with the shoes and

1035
00:57:39,440 --> 00:57:43,520
Speaker 1: a glove. Yeah, and it was It was.

1036
00:57:43,560 --> 00:57:48,560
Speaker 2: Very fucking classic, bro classic Chris, Chris, Chris.

1037
00:57:48,600 --> 00:57:52,360
Speaker 1: All right, we'll talk to y'all on Monday. Have a

1038
00:57:52,400 --> 00:57:57,680
Speaker 1: good weekend. Bye bye. The Daily Guys is executive produced

1039
00:57:57,680 --> 00:58:01,800
Speaker 1: by Catherine Long, co produced by Bay Wang, co produced

1040
00:58:01,840 --> 00:58:05,840
Speaker 1: by Victor Wright, co written by J. M mcnapp, edited

1041
00:58:06,040 --> 00:58:07,960
Speaker 1: and engineered by Justin Conner

1042
00:58:10,040 --> 00:58:10,080
Speaker 3: H.