1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:31,360 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,440 --> 00:00:34,040 Speaker 1: a little thing we like to call the after party. 6 00:00:34,159 --> 00:00:36,080 Speaker 1: This is the show after the show, the party after 7 00:00:36,120 --> 00:00:37,920 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,960 --> 00:00:41,199 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,240 --> 00:00:44,600 Speaker 1: into the dirt. On this episode, we are talking about 10 00:00:44,920 --> 00:00:49,639 Speaker 1: DMC five, a bad Lands announcement, Bob Dylan's Gotta Serve Somebody, 11 00:00:49,680 --> 00:00:52,960 Speaker 1: and of course your voicemails, your texts, your dms and 12 00:00:53,040 --> 00:00:57,160 Speaker 1: more and as always, a whole lot of rosie. All right, Discos, 13 00:00:57,440 --> 00:01:08,240 Speaker 1: let's get into it, all right, all right, all right? 14 00:01:08,319 --> 00:01:11,759 Speaker 1: Do you guys, you guys remember where you were when 15 00:01:11,840 --> 00:01:14,839 Speaker 1: you first heard punk rock, or maybe when you first 16 00:01:14,880 --> 00:01:17,720 Speaker 1: heard rock and roll, or maybe it was neither. Maybe 17 00:01:17,760 --> 00:01:19,720 Speaker 1: it was the first time you heard heavy metal or 18 00:01:19,800 --> 00:01:23,600 Speaker 1: hip hop or whatever music it was that was extra 19 00:01:24,120 --> 00:01:27,759 Speaker 1: that gave you, that extra bit of gas, that shot 20 00:01:27,800 --> 00:01:30,399 Speaker 1: of adrenaline that made you, as a kid or a 21 00:01:30,440 --> 00:01:34,600 Speaker 1: young adult, just sit back and marvel at the awesomeness 22 00:01:34,640 --> 00:01:37,240 Speaker 1: and the energy that was unfolding in front of you, 23 00:01:37,840 --> 00:01:41,920 Speaker 1: a new kind of energy, that new shit, that extra thing. 24 00:01:42,680 --> 00:01:44,800 Speaker 1: You thought you'd seen and heard it all before. You 25 00:01:44,840 --> 00:01:46,479 Speaker 1: were in a metal you were into Priest in ac 26 00:01:46,640 --> 00:01:49,320 Speaker 1: DC and Black Sabbath, and then someone plays you Black 27 00:01:49,360 --> 00:01:51,559 Speaker 1: Flag and the Misfits and Who'scared Do, and your whole 28 00:01:51,600 --> 00:01:55,280 Speaker 1: fucking world opens up. Your brain explodes because there's a 29 00:01:55,320 --> 00:01:58,280 Speaker 1: new gear, a gear that you didn't know was possible, 30 00:01:58,480 --> 00:02:01,640 Speaker 1: that makes it possible to go faster, to go harder, 31 00:02:01,680 --> 00:02:05,840 Speaker 1: to go deeper. I'm guessing that we all had some 32 00:02:06,480 --> 00:02:10,120 Speaker 1: version of this experience, even if it wasn't with you know, 33 00:02:10,240 --> 00:02:13,399 Speaker 1: going from metal to punk, or from R and B 34 00:02:13,680 --> 00:02:16,840 Speaker 1: to soul, or from disco to hip hop or whatever. 35 00:02:17,600 --> 00:02:20,399 Speaker 1: I think we've all had some version of this experience 36 00:02:20,960 --> 00:02:23,760 Speaker 1: where you hear that new thing and it just it 37 00:02:23,919 --> 00:02:27,200 Speaker 1: just it just shows you these possibilities that you didn't 38 00:02:27,240 --> 00:02:31,560 Speaker 1: know could exist. And I hope we've all had it. 39 00:02:31,720 --> 00:02:34,280 Speaker 1: I mean I've had it for sure. I've talked about 40 00:02:34,280 --> 00:02:36,320 Speaker 1: it before. I just talked about it two seconds ago. 41 00:02:37,880 --> 00:02:40,040 Speaker 1: But the real thing is I've actually had it happen 42 00:02:40,040 --> 00:02:42,680 Speaker 1: at least twice. I had it, like I said above, 43 00:02:42,680 --> 00:02:45,560 Speaker 1: when it discovered punk and hardcore, the same punk and 44 00:02:45,560 --> 00:02:48,200 Speaker 1: hardcore that every kid who grows up in the eighties 45 00:02:48,200 --> 00:02:51,359 Speaker 1: and nineties discovers. But then later as a young adult, 46 00:02:51,480 --> 00:02:55,680 Speaker 1: much later, many years after discovering and subsequently listening to 47 00:02:55,720 --> 00:02:58,600 Speaker 1: punk and hardcore records, and again as a young adult 48 00:02:58,720 --> 00:03:02,840 Speaker 1: later on, I discovered the MC five and there it 49 00:03:02,960 --> 00:03:07,080 Speaker 1: was another gear. God damn, what was this? What was 50 00:03:07,200 --> 00:03:09,840 Speaker 1: this energy? It was faster, it was louder, it was 51 00:03:09,880 --> 00:03:13,800 Speaker 1: more fucked up and more dangerous. And it happened before 52 00:03:14,240 --> 00:03:17,200 Speaker 1: all the punk stuff happened. How hadn't I heard this before? 53 00:03:17,760 --> 00:03:20,079 Speaker 1: Hearing the MC five for the first time. It fucked 54 00:03:20,080 --> 00:03:22,360 Speaker 1: me up, not just because of how good it was, 55 00:03:22,440 --> 00:03:26,880 Speaker 1: but because I had that hardcore feeling of real regret. 56 00:03:27,360 --> 00:03:31,079 Speaker 1: I'd never experienced the MC five live. It just wasn't 57 00:03:31,120 --> 00:03:35,320 Speaker 1: gonna happen. And if the band made me feel like 58 00:03:35,440 --> 00:03:39,960 Speaker 1: this when I watched them on some grainy VHS footage 59 00:03:40,040 --> 00:03:42,840 Speaker 1: or whatever, what the hell would it have made me 60 00:03:42,880 --> 00:03:46,119 Speaker 1: feel like if I saw them live in person? I'll 61 00:03:46,120 --> 00:03:48,520 Speaker 1: never know. I still get that feeling. I got that 62 00:03:48,560 --> 00:03:51,960 Speaker 1: feeling when I was researching the MC five for this 63 00:03:52,160 --> 00:03:55,800 Speaker 1: past episode of Disgraceland, and not just reading about them, 64 00:03:55,840 --> 00:03:59,640 Speaker 1: but going back and watching YouTube clips and just being like, 65 00:03:59,800 --> 00:04:07,160 Speaker 1: oh my god, this band just impossible to explain. I 66 00:04:07,240 --> 00:04:09,680 Speaker 1: barely even try to describe it in the latest episode 67 00:04:09,720 --> 00:04:13,880 Speaker 1: of disgrace Land. It's a fools errand it's impossible to do. 68 00:04:14,040 --> 00:04:16,839 Speaker 1: I know that I wasn't there, but that's not the 69 00:04:16,839 --> 00:04:18,840 Speaker 1: reason I can't explain it. I can't explain it because 70 00:04:18,839 --> 00:04:21,960 Speaker 1: the MC five is wholly different from most bands on 71 00:04:21,960 --> 00:04:25,800 Speaker 1: almost every level, the wholly different than almost every other 72 00:04:25,839 --> 00:04:28,840 Speaker 1: band in rock and roll history. And I can tell 73 00:04:28,880 --> 00:04:32,479 Speaker 1: you that I know that, and I know that I 74 00:04:32,520 --> 00:04:35,119 Speaker 1: can't come close to touching what they were like live 75 00:04:35,240 --> 00:04:38,320 Speaker 1: with words. No one can't. I don't know how I 76 00:04:38,360 --> 00:04:39,000 Speaker 1: know this, I just do. 77 00:04:39,080 --> 00:04:39,359 Speaker 2: Okay. 78 00:04:39,440 --> 00:04:41,919 Speaker 1: That said, the band's history and the criminal antics of 79 00:04:41,920 --> 00:04:45,440 Speaker 1: their guitar player, Wayne Kramer, those things can be explained, 80 00:04:45,920 --> 00:04:48,080 Speaker 1: and you can hear all of that, and about the 81 00:04:48,080 --> 00:04:51,159 Speaker 1: band's revolutionary formative years, the completely fucked up world of 82 00:04:51,200 --> 00:04:54,200 Speaker 1: Detroit that they were operating in the late sixties amidst 83 00:04:54,320 --> 00:04:58,680 Speaker 1: like a real political insurrection and fucking crazy violence at 84 00:04:58,680 --> 00:05:01,919 Speaker 1: a scale seldom seen tomestically in our country's history. Just 85 00:05:02,120 --> 00:05:05,240 Speaker 1: banana stuff, tanks rolling down the street, showing up in 86 00:05:05,320 --> 00:05:09,599 Speaker 1: dudes front yards, all characteristics of time and place and 87 00:05:09,760 --> 00:05:14,320 Speaker 1: circumstance that contributed to the incredible uniqueness and raging soul 88 00:05:14,440 --> 00:05:19,839 Speaker 1: that was the MC five. Fuck this band for a minute, anyway, 89 00:05:20,360 --> 00:05:22,599 Speaker 1: was the greatest band on the planet. And then you 90 00:05:22,640 --> 00:05:26,080 Speaker 1: blinked and they weren't, and their members they barely made 91 00:05:26,080 --> 00:05:29,320 Speaker 1: it out alive. Wayne Kramer in particular heroin breaking and 92 00:05:29,440 --> 00:05:32,640 Speaker 1: entering prison and then of course redemption, dope guns and 93 00:05:32,680 --> 00:05:35,320 Speaker 1: fucking in the streets. Ladies and gentlemen, I just gave 94 00:05:35,360 --> 00:05:37,960 Speaker 1: you a fucking testimonial. I gave you the MC five. 95 00:05:38,160 --> 00:05:40,600 Speaker 1: It's in your feeds right now. Check it out. I 96 00:05:41,200 --> 00:05:44,760 Speaker 1: hope you're not disappointed. I did my best to explain Slash, 97 00:05:44,839 --> 00:05:47,560 Speaker 1: not explain the band. If you don't know the band, 98 00:05:48,040 --> 00:05:51,680 Speaker 1: go YouTube their early shit. Just check out my episode. 99 00:05:51,680 --> 00:05:55,839 Speaker 1: It's all in there and buckle up. Okay, great, great, 100 00:05:56,040 --> 00:05:59,359 Speaker 1: great American rock and roll. All right. Next week we 101 00:05:59,400 --> 00:06:02,400 Speaker 1: have another truly American character as well coming into your feeds. 102 00:06:02,560 --> 00:06:03,919 Speaker 1: I want you to get ready for one of the 103 00:06:03,920 --> 00:06:06,680 Speaker 1: most violent, most depraved, and most completely fucked up stories 104 00:06:06,680 --> 00:06:09,600 Speaker 1: that I've ever told. It's the story of blues musician 105 00:06:09,680 --> 00:06:12,920 Speaker 1: Skip James. I told this story live at the Newport 106 00:06:12,920 --> 00:06:16,560 Speaker 1: Folk Festival last summer and tribute to Skip James, who 107 00:06:16,560 --> 00:06:19,480 Speaker 1: had performed back at Newport in the early sixties as 108 00:06:19,520 --> 00:06:24,039 Speaker 1: part of his sort of resurrection. And given that medium, 109 00:06:24,160 --> 00:06:28,640 Speaker 1: you know, live on stage twenty five minute set musical accompaniment, 110 00:06:28,920 --> 00:06:31,960 Speaker 1: I wasn't able to go into nearly enough of the 111 00:06:32,080 --> 00:06:36,200 Speaker 1: gory and horrific details that make up Skip James's story. 112 00:06:37,640 --> 00:06:41,279 Speaker 1: Just this story reminded me of like a twentieth century 113 00:06:41,279 --> 00:06:44,599 Speaker 1: Western in some weird way, but just you know, with 114 00:06:44,600 --> 00:06:50,239 Speaker 1: with with just completely unhinged, it's totally fucked up. It's 115 00:06:50,600 --> 00:06:54,480 Speaker 1: this story of a man living in the pre modern 116 00:06:54,560 --> 00:07:00,000 Speaker 1: world who ends up a completely in one of them 117 00:07:00,160 --> 00:07:05,720 Speaker 1: was unique situations possible in the modern world. It's it's nuts. 118 00:07:06,000 --> 00:07:08,760 Speaker 1: This is one of my favorite Disgraceland episodes. Is the 119 00:07:08,760 --> 00:07:11,080 Speaker 1: team here loved making it as well. It's one of 120 00:07:11,120 --> 00:07:13,160 Speaker 1: Matt Matt Boden, the guy who mixes most of our stuff. 121 00:07:13,160 --> 00:07:16,840 Speaker 1: It's all of our stuff, actually it's it's it's his 122 00:07:16,880 --> 00:07:19,680 Speaker 1: favorite Disgrace Sland episode. I can't wait for you guys 123 00:07:19,720 --> 00:07:22,720 Speaker 1: to hear this, Skip James, is the next new full 124 00:07:22,760 --> 00:07:25,480 Speaker 1: episode of Disgrace Sland coming your way in what will 125 00:07:25,480 --> 00:07:29,200 Speaker 1: be Tuesday, April seventeenth, next in your feet, Skip James. 126 00:07:29,240 --> 00:07:32,320 Speaker 1: All right, get ready for that. As always, we've got 127 00:07:32,320 --> 00:07:35,280 Speaker 1: a ton of archive episodes that were previously exclusive. We're 128 00:07:35,320 --> 00:07:37,480 Speaker 1: releasing those still. They're coming your way. We've been doing 129 00:07:37,480 --> 00:07:40,080 Speaker 1: this all year. This is what happens, guys, when you 130 00:07:40,160 --> 00:07:44,000 Speaker 1: have over one hundred episodes in your archive and you're 131 00:07:44,040 --> 00:07:47,559 Speaker 1: coming out of this exclusive arrangement. I can't just dump 132 00:07:47,560 --> 00:07:49,720 Speaker 1: them all on you at once. I got to drip 133 00:07:49,800 --> 00:07:51,800 Speaker 1: them out. That's what we've been doing. I hope you're 134 00:07:51,800 --> 00:07:54,840 Speaker 1: digging it. This week's no different. We got news stories 135 00:07:54,840 --> 00:07:58,920 Speaker 1: on the Rolling Stones Studio fifty four low Key, one 136 00:07:58,960 --> 00:08:01,360 Speaker 1: of my favorite Disgraceland episodes. Love the music we did 137 00:08:01,360 --> 00:08:03,240 Speaker 1: in this one. By the way, get an episode on 138 00:08:03,320 --> 00:08:06,400 Speaker 1: Prints and lots and lots and lots and lots and 139 00:08:06,440 --> 00:08:09,720 Speaker 1: lots of more Disgraceland. Of course, you know the drill. 140 00:08:09,840 --> 00:08:12,880 Speaker 1: There is even more music and true crime storytelling happening 141 00:08:12,880 --> 00:08:15,960 Speaker 1: over on our YouTube channel with sixty second music misadventure shorts. 142 00:08:16,160 --> 00:08:19,960 Speaker 1: That's YouTube dot Com. Slash at Disgraceland Pod. Get on 143 00:08:20,000 --> 00:08:23,400 Speaker 1: over there and subscribe for visual music and true crime storytelling. 144 00:08:23,760 --> 00:08:25,800 Speaker 1: All right, I'm gonna catch my breath, take a quick break, 145 00:08:25,840 --> 00:08:48,320 Speaker 1: and I will be back in a flash. All right, 146 00:08:48,360 --> 00:08:50,679 Speaker 1: disc goes. Let's get into what has become my favorite 147 00:08:50,720 --> 00:08:52,559 Speaker 1: part of the I was gonna say the after party, 148 00:08:52,559 --> 00:08:55,560 Speaker 1: but actually what I mean is it's actually my favorite 149 00:08:55,600 --> 00:08:57,640 Speaker 1: part of doing this job, almost to this sort of 150 00:08:57,920 --> 00:09:00,400 Speaker 1: conversation we have that we've kind of stumbled into here, 151 00:09:01,880 --> 00:09:05,160 Speaker 1: and this conversation that goes both ways each week. I 152 00:09:05,160 --> 00:09:07,280 Speaker 1: hope you're feeling it coming back at you. Let's be real, 153 00:09:07,320 --> 00:09:10,760 Speaker 1: We've always been having some sort of conversation since Disgraceland 154 00:09:11,080 --> 00:09:13,800 Speaker 1: launched five years ago. But as a mechanism of this 155 00:09:13,920 --> 00:09:17,079 Speaker 1: bonus after party episode thing we're doing, we started, as 156 00:09:17,120 --> 00:09:19,640 Speaker 1: you know, this call in line. We've got voicemails and 157 00:09:19,679 --> 00:09:23,680 Speaker 1: texts and we've added another layer of communication. So I'm 158 00:09:23,679 --> 00:09:26,560 Speaker 1: here for it, and quite honestly, I like it so 159 00:09:26,679 --> 00:09:28,640 Speaker 1: much that I'm trying to figure out other ways that 160 00:09:28,679 --> 00:09:31,880 Speaker 1: we can engage like this. In the meantime, though, let's 161 00:09:32,000 --> 00:09:34,480 Speaker 1: get let's get into the voicemails. Six one, seven, nine, 162 00:09:34,559 --> 00:09:39,280 Speaker 1: zero six six six three eight, voicemail, Leave me a message, 163 00:09:39,320 --> 00:09:41,720 Speaker 1: send me a text six one seven nine zero six 164 00:09:41,760 --> 00:09:45,560 Speaker 1: six six three eight. Like I said, send me a text, 165 00:09:45,720 --> 00:09:48,600 Speaker 1: drop me a voicemail, just like this masshole here from 166 00:09:48,600 --> 00:09:49,360 Speaker 1: the nine to seventy. 167 00:09:50,440 --> 00:09:54,360 Speaker 2: Hey, Jake Fellow, masshole calling here. Hey. If remember back 168 00:09:54,400 --> 00:09:57,520 Speaker 2: in the late eighties and early nineties, right before grunge 169 00:09:57,640 --> 00:10:00,360 Speaker 2: became a huge thing, it was this whole music scene 170 00:10:00,360 --> 00:10:03,559 Speaker 2: out of Manchester, England. They call it Madchester. It was 171 00:10:03,600 --> 00:10:07,120 Speaker 2: like the Stone Roses and Happy Mondays. It's basically drug 172 00:10:07,200 --> 00:10:10,680 Speaker 2: fueled psychedelic dance music. I think that would be an 173 00:10:10,720 --> 00:10:14,320 Speaker 2: interesting topic for a show, particularly the Happy Mondays and 174 00:10:14,320 --> 00:10:17,960 Speaker 2: the lead singer Sean Ryder. They basically sold ecstasy at 175 00:10:18,000 --> 00:10:20,640 Speaker 2: all their gigs. So anyways, keep doing what you're doing, 176 00:10:20,720 --> 00:10:21,760 Speaker 2: love it, Take. 177 00:10:21,559 --> 00:10:25,840 Speaker 1: Care, tie dude. Great idea. I touched on the Manchester 178 00:10:25,920 --> 00:10:29,080 Speaker 1: scene a bit in the Oasis episodes that I did. 179 00:10:29,120 --> 00:10:32,400 Speaker 1: But what you're talking about, a deeper dive into the 180 00:10:32,400 --> 00:10:36,840 Speaker 1: Madchester scene through Happy Mondays that is super interesting, super compelling, 181 00:10:38,120 --> 00:10:40,720 Speaker 1: and I'm into it. It's a great suggestion. I mean, 182 00:10:40,880 --> 00:10:43,000 Speaker 1: I don't know what else to say. Thank you. Let's 183 00:10:43,040 --> 00:10:45,360 Speaker 1: do another voicemail, and then I got a ton of text. 184 00:10:45,400 --> 00:10:47,720 Speaker 1: So you spend more time this week doing text than 185 00:10:47,760 --> 00:10:51,400 Speaker 1: I normally do. Do one more voicemail. Let's put the 186 00:10:51,440 --> 00:10:53,400 Speaker 1: voicemail from Paul in the three one five. 187 00:10:54,679 --> 00:10:56,960 Speaker 2: Hello, just flew from the three to one to five 188 00:10:58,160 --> 00:11:00,640 Speaker 2: for your episode. I know you were looking for something 189 00:11:00,640 --> 00:11:02,880 Speaker 2: may be different. This is kind of cool. Is from 190 00:11:02,960 --> 00:11:05,680 Speaker 2: Pink Floor like one of these days, I'm gonna cut 191 00:11:05,679 --> 00:11:08,000 Speaker 2: you into little tiny pieces. Listen to it here. It 192 00:11:08,040 --> 00:11:11,120 Speaker 2: is pretty cool. Let me know what you say, peace olt, 193 00:11:11,280 --> 00:11:12,720 Speaker 2: you show us great, you love us? 194 00:11:13,160 --> 00:11:15,200 Speaker 1: All right? I played this because I don't really know 195 00:11:15,240 --> 00:11:17,640 Speaker 1: what Paul is referencing here. Sounds like Paul might be wasted, 196 00:11:18,080 --> 00:11:22,320 Speaker 1: but I suspect that what he's saying is that if 197 00:11:22,400 --> 00:11:26,000 Speaker 1: we dig into these songs, parts of these songs any anyways, 198 00:11:26,040 --> 00:11:28,720 Speaker 1: there's sort of violent true crime parts like in Pink Floyds, 199 00:11:28,760 --> 00:11:30,880 Speaker 1: I'm going to cut youat a little pieces from their 200 00:11:30,920 --> 00:11:33,000 Speaker 1: song one of these days, and how that might make 201 00:11:33,080 --> 00:11:36,679 Speaker 1: for good episode fodder. And I have to agree with you, Paul. 202 00:11:37,120 --> 00:11:38,680 Speaker 1: One of the things I'm trying to do, guys, and 203 00:11:38,720 --> 00:11:40,520 Speaker 1: you heard the results of this effort in the lou 204 00:11:40,559 --> 00:11:42,480 Speaker 1: read episodes that I just released a couple of weeks ago. 205 00:11:42,520 --> 00:11:43,840 Speaker 1: One of the things I'm trying to do is use 206 00:11:43,840 --> 00:11:46,880 Speaker 1: some of the darker material that's in the music of 207 00:11:46,880 --> 00:11:50,040 Speaker 1: the subjects that I cover as jumping off points into 208 00:11:50,120 --> 00:11:53,360 Speaker 1: areas of exploration of these artists rather than just doing 209 00:11:53,400 --> 00:11:56,319 Speaker 1: you know, artists commits X crime, but how does true 210 00:11:56,320 --> 00:12:00,280 Speaker 1: crime either get represented in their songs as use that 211 00:12:00,320 --> 00:12:02,679 Speaker 1: as a means for me to sort of explore the artist, 212 00:12:02,760 --> 00:12:05,040 Speaker 1: kind of go back the other way, rather than just 213 00:12:05,080 --> 00:12:07,439 Speaker 1: doing this sort of peanut butter and chocolate straight music 214 00:12:07,440 --> 00:12:10,240 Speaker 1: and true crime thing that we've been doing. I'll always 215 00:12:10,280 --> 00:12:12,560 Speaker 1: do it all. I'm just, you know, trying new ways 216 00:12:12,559 --> 00:12:15,680 Speaker 1: to entertain you guys, and frankly, to keep myself interested 217 00:12:15,720 --> 00:12:18,640 Speaker 1: and make it challenging for me as a writer. You'll 218 00:12:18,679 --> 00:12:20,160 Speaker 1: hear what I'm talking about a little bit more in 219 00:12:20,200 --> 00:12:23,160 Speaker 1: the upcoming Bruce Springsteen episode of Disgrace Land. It's coming 220 00:12:23,200 --> 00:12:25,400 Speaker 1: out in a couple weeks, but I don't want to 221 00:12:25,400 --> 00:12:27,959 Speaker 1: give that away. I'm just saying that this approach that 222 00:12:27,960 --> 00:12:30,240 Speaker 1: Paul is suggesting is one that I take in that 223 00:12:30,360 --> 00:12:34,600 Speaker 1: Boss episode, and Paul, if I'm hearing you correctly and Honestly, dude, 224 00:12:34,640 --> 00:12:35,840 Speaker 1: I don't know that I am, but if I am, 225 00:12:36,080 --> 00:12:39,319 Speaker 1: I will. I'll look into this Pink Floyd one of 226 00:12:39,360 --> 00:12:41,760 Speaker 1: these days. It's maybe there's an interesting way to get 227 00:12:41,800 --> 00:12:44,400 Speaker 1: back into the story of Pink Floyd through this song. 228 00:12:44,960 --> 00:12:47,880 Speaker 1: All right, let's do some text six one seven nine 229 00:12:48,080 --> 00:12:51,040 Speaker 1: zero six three three eighth. Like I said, you can 230 00:12:51,080 --> 00:12:54,240 Speaker 1: text me, you can voicemail me. Some of the texts 231 00:12:54,240 --> 00:12:57,640 Speaker 1: I respond to just in the app, and some I 232 00:12:57,720 --> 00:13:01,520 Speaker 1: respond to you on here. This one from the four 233 00:13:01,520 --> 00:13:04,720 Speaker 1: to one five. All right, this is from the four 234 00:13:04,760 --> 00:13:09,120 Speaker 1: one five. They say Succession colon. If parentheses hard, if 235 00:13:09,480 --> 00:13:12,520 Speaker 1: the kids close the Pierce deeal, will they fail it 236 00:13:12,640 --> 00:13:16,880 Speaker 1: into a tortured four chain appendage, leading Logan to buy 237 00:13:16,920 --> 00:13:20,280 Speaker 1: it for one dollar two the picture show your thoughts 238 00:13:20,480 --> 00:13:23,320 Speaker 1: on Harold and Maud. Your work as it is, your 239 00:13:23,360 --> 00:13:26,040 Speaker 1: work has an insanely positive effect on my life. Thank 240 00:13:26,080 --> 00:13:28,480 Speaker 1: you more than thank you, that's what they say, JJ, 241 00:13:29,000 --> 00:13:34,480 Speaker 1: and then JJ leaves his or her number. Well, I watched, 242 00:13:34,559 --> 00:13:36,000 Speaker 1: as I'm sure a lot of you guys did, the 243 00:13:36,120 --> 00:13:41,800 Speaker 1: latest episode of Succession that was released this past Sunday. 244 00:13:42,400 --> 00:13:46,880 Speaker 1: So part of your question here is irrelevant. But I 245 00:13:47,000 --> 00:13:49,600 Speaker 1: like the idea of it being turned into a tortured 246 00:13:49,679 --> 00:13:54,199 Speaker 1: four Chan appendage that's kind of hysterical. I'm still everyone's 247 00:13:54,240 --> 00:13:56,640 Speaker 1: watching Succession. I know I'm clearly still watching them all 248 00:13:56,679 --> 00:13:59,400 Speaker 1: caught up. That last episode was fricking bananas. I'm looking 249 00:13:59,440 --> 00:14:01,480 Speaker 1: forward to when season wraps and we can talk about 250 00:14:01,480 --> 00:14:03,600 Speaker 1: this more fully. I don't want to get into anything 251 00:14:03,600 --> 00:14:06,200 Speaker 1: here that's gonna spoil it for anyone, So we'll just 252 00:14:06,280 --> 00:14:09,960 Speaker 1: keep touching at the Succession thing here week to week 253 00:14:10,480 --> 00:14:13,080 Speaker 1: until we find a reason to go deeper. Let's see 254 00:14:13,080 --> 00:14:16,040 Speaker 1: what else we got here from the two four zero. Hey, Jake, 255 00:14:16,480 --> 00:14:20,480 Speaker 1: Caroline from Baltimore here started listening to Disgraceland last week. Wow, 256 00:14:20,600 --> 00:14:24,560 Speaker 1: hey Caroline, good to know you. Welcome, Welcome to Disgraceland, 257 00:14:25,160 --> 00:14:27,560 Speaker 1: she says, started listening to Disgraceland last week, and I'm 258 00:14:27,600 --> 00:14:32,840 Speaker 1: totally hook hook exclamation point. Been listening non stop, even 259 00:14:32,920 --> 00:14:35,400 Speaker 1: during work. If you like hockey, have you seen the 260 00:14:35,440 --> 00:14:39,560 Speaker 1: Netflix documentary Untold Crimes and Penalties. I have. It's about 261 00:14:39,600 --> 00:14:42,800 Speaker 1: CT waste management. I've seen this who bought a local 262 00:14:42,840 --> 00:14:45,520 Speaker 1: hockey team? Totally ridiculous, very silly, lots of hockey fights 263 00:14:45,520 --> 00:14:47,960 Speaker 1: and the weirdest best soundtrack. Thanks for everything, all the best. 264 00:14:48,200 --> 00:14:50,240 Speaker 1: I saw that episode of. 265 00:14:51,800 --> 00:14:52,040 Speaker 2: God. 266 00:14:52,040 --> 00:14:53,800 Speaker 1: What is the name of this Netflix thing that she 267 00:14:53,840 --> 00:14:56,200 Speaker 1: have it in here? The Netflix documentary Crime and Penalties. 268 00:14:56,880 --> 00:14:58,880 Speaker 1: I think I think the name of the series is 269 00:14:58,880 --> 00:15:02,160 Speaker 1: actually Untold. Crime in Penalties is the episode name. I 270 00:15:02,160 --> 00:15:04,680 Speaker 1: could be wrong, but the one she's referencing on Hockey. 271 00:15:04,760 --> 00:15:07,960 Speaker 1: This Netflix series is fucking great and if you have 272 00:15:08,040 --> 00:15:11,160 Speaker 1: not seen it, guys, go watch it. It's hysterical, uh 273 00:15:11,320 --> 00:15:15,200 Speaker 1: and highly entertaining. Really great doc All right, Caroline, thanks 274 00:15:15,200 --> 00:15:17,440 Speaker 1: for texting guys six one seven nine zero six six 275 00:15:17,520 --> 00:15:21,120 Speaker 1: six three eight from the two oh three Hot Damn 276 00:15:21,240 --> 00:15:24,080 Speaker 1: Jake after hearing your after party recommendation of Muddy Waters 277 00:15:24,120 --> 00:15:26,040 Speaker 1: is hard Again. Here, I am in my kitchen rocking 278 00:15:26,080 --> 00:15:28,720 Speaker 1: as hard as I can while peeling potatoes. Actually, fuck 279 00:15:28,760 --> 00:15:31,440 Speaker 1: the potatoes too awesome, not the boogie. That's when I'm 280 00:15:31,480 --> 00:15:34,200 Speaker 1: talking about two oh three. I told you I'm not 281 00:15:34,200 --> 00:15:36,960 Speaker 1: gonna steer you guys wrong on my music recommendations. Hard 282 00:15:37,000 --> 00:15:40,480 Speaker 1: Again is where it is, Hey, Jake, this is from 283 00:15:40,560 --> 00:15:44,800 Speaker 1: seven to one six. I'm TJ spelled tja Y from Buffalo, 284 00:15:44,880 --> 00:15:47,680 Speaker 1: New York. Huge fan of this Grace Slam podcast. Dude, 285 00:15:47,800 --> 00:15:50,720 Speaker 1: I would love some episodes on old blues guys, Muddy Waters, 286 00:15:50,760 --> 00:15:53,120 Speaker 1: BB King, etc. Or a Zzy Top episode. Keep doing 287 00:15:53,120 --> 00:15:54,440 Speaker 1: what you're doing, bro, all right, TG, I get a 288 00:15:54,480 --> 00:15:57,200 Speaker 1: Zezy Top thing in the works coming in a little bit. 289 00:15:58,080 --> 00:16:00,040 Speaker 1: Nothing nothing, I haven't put pen to paper yet, and 290 00:16:00,080 --> 00:16:01,280 Speaker 1: I know what I'm gonna do there. I got a 291 00:16:01,280 --> 00:16:03,840 Speaker 1: solid point of view, solid idea. I'm stoked to do it. 292 00:16:04,680 --> 00:16:07,160 Speaker 1: If you were listening here, TJ. Earlier in this after 293 00:16:07,200 --> 00:16:12,960 Speaker 1: Party episode, we talked about Skip James and old blues guy. 294 00:16:12,960 --> 00:16:16,160 Speaker 1: You're gonna hear that soon. You're also gonna hear some 295 00:16:16,200 --> 00:16:19,040 Speaker 1: news on Robert Johnson soon as well. I'm excited to 296 00:16:19,080 --> 00:16:20,840 Speaker 1: bring you that. So yeah, we've got more blues coming. 297 00:16:21,200 --> 00:16:24,120 Speaker 1: Hang in there, all right, let's see here eight one 298 00:16:24,280 --> 00:16:25,920 Speaker 1: four all right, this is what I've been waiting for. 299 00:16:26,120 --> 00:16:29,800 Speaker 1: This is this shit. It's a picture. It's actual, it's 300 00:16:29,800 --> 00:16:34,920 Speaker 1: actually multiple pictures here one, two, three, four, five. Jimmy 301 00:16:34,920 --> 00:16:38,400 Speaker 1: Buffett albums, early stuff from the eight one four Jake, 302 00:16:38,640 --> 00:16:41,760 Speaker 1: here's the best Buffet albums. To really wet your chops. 303 00:16:41,760 --> 00:16:46,000 Speaker 1: This was pre Margaritaville days and more of storytelling songs 304 00:16:46,080 --> 00:16:48,560 Speaker 1: like you do so well, in your great podcast. The 305 00:16:48,640 --> 00:16:51,360 Speaker 1: Four are Jimmy's first four albums, telling tales of as 306 00:16:51,400 --> 00:16:54,240 Speaker 1: many beach side adventures. The live recording is a great 307 00:16:54,240 --> 00:16:55,960 Speaker 1: way to spend a warm New England afternoon with a 308 00:16:55,960 --> 00:16:57,760 Speaker 1: six pack of your favorite. Well, that would be rock 309 00:16:57,800 --> 00:16:59,000 Speaker 1: a Rolla. I don't know if you know about this, 310 00:16:59,040 --> 00:17:01,480 Speaker 1: but I've got a beer. It's called rock Rolla. It's 311 00:17:01,520 --> 00:17:03,680 Speaker 1: distributed and made by orin O Brewing in Maine, but 312 00:17:03,720 --> 00:17:06,520 Speaker 1: you can find it all throughout Massachusetts and in Maine. 313 00:17:06,800 --> 00:17:09,240 Speaker 1: So I digress. Going back to the text, you can 314 00:17:09,359 --> 00:17:11,359 Speaker 1: enjoy with a six pack of your favorite and maybe 315 00:17:11,400 --> 00:17:14,439 Speaker 1: a few friends with theirs enjoy John T. John T, 316 00:17:14,640 --> 00:17:17,399 Speaker 1: thanks dude, Thank you for the Jimmy Buffett recommendations and 317 00:17:17,440 --> 00:17:19,960 Speaker 1: for giving me a chance to plug my new beer, 318 00:17:20,080 --> 00:17:22,520 Speaker 1: rock Corolla. Anyways, let's go back. Let's do some more 319 00:17:22,520 --> 00:17:25,800 Speaker 1: texts six one seven nine zero six six six three 320 00:17:25,960 --> 00:17:28,600 Speaker 1: eight from the three to ZHO two. Did you know 321 00:17:28,680 --> 00:17:31,920 Speaker 1: that Sean Bateman from Rules of Attraction in Patrick Bateman 322 00:17:31,920 --> 00:17:35,040 Speaker 1: from American Psycho are Brothers? Come on, man, you think 323 00:17:35,080 --> 00:17:36,919 Speaker 1: I'm an amateur? Of course I did. Do you know 324 00:17:36,960 --> 00:17:40,760 Speaker 1: the Vincent Vega and Vic Vega from pulp fiction and 325 00:17:40,840 --> 00:17:44,240 Speaker 1: reservoir Dagga Brothers. I see your Bateman brother, and I 326 00:17:44,320 --> 00:17:47,159 Speaker 1: won up you my Vega Brothers. Let's see here. What 327 00:17:47,200 --> 00:17:49,640 Speaker 1: do we got here? Seven eight to one per year 328 00:17:49,680 --> 00:17:52,720 Speaker 1: comment about flawless script. I concur I don't know what 329 00:17:52,760 --> 00:17:55,160 Speaker 1: they're talking about. Gonna keep going here from the two 330 00:17:55,280 --> 00:17:58,520 Speaker 1: oh six, Hey brother, Jacob's Big Tony. Here in my 331 00:17:58,600 --> 00:18:04,120 Speaker 1: top five nineties drama slash crime movies, Untouchables Higher Learning. 332 00:18:04,320 --> 00:18:07,320 Speaker 1: This is in reverse order. Five Untouchables four Higher Learning, 333 00:18:07,359 --> 00:18:09,840 Speaker 1: three Menace to Society, two Boys in the Hood, one 334 00:18:09,960 --> 00:18:13,879 Speaker 1: New Jack City, solid fucking list man New Jack City. Uh, 335 00:18:14,640 --> 00:18:17,480 Speaker 1: just amazing movie. Great movie. I've seen a bunch of these. 336 00:18:17,480 --> 00:18:19,560 Speaker 1: They're all really fucking good. I don't know that I 337 00:18:19,600 --> 00:18:22,320 Speaker 1: love Untouchable, so I don't know. I don't know that 338 00:18:22,359 --> 00:18:25,320 Speaker 1: I do. All right, what else we got the four 339 00:18:25,320 --> 00:18:27,800 Speaker 1: to four to oh text in Jake, it's Matt from 340 00:18:27,840 --> 00:18:29,840 Speaker 1: the four to four oh Now in the four to 341 00:18:29,840 --> 00:18:35,760 Speaker 1: eight oh. I love these the area code specificity, definitely 342 00:18:35,800 --> 00:18:39,280 Speaker 1: feeling your last bonus episode. Muddy Waters is magnificent and 343 00:18:39,359 --> 00:18:42,560 Speaker 1: George Benson is the Man. I am a former police 344 00:18:42,560 --> 00:18:45,600 Speaker 1: officer in Arizona and I met George Benson on a 345 00:18:45,640 --> 00:18:48,920 Speaker 1: call a few years ago. He was super gracious and welcoming. 346 00:18:49,119 --> 00:18:52,600 Speaker 1: I got to see his studio and memorabilia, which was unbelievable. 347 00:18:52,800 --> 00:18:54,800 Speaker 1: He is from Pittsburgh and I'm from Cleveland. So every 348 00:18:54,840 --> 00:18:57,000 Speaker 1: time after that I saw him walking his dog, I 349 00:18:57,040 --> 00:18:59,840 Speaker 1: would always yell go Browns on the patrol vehicle Clouds, 350 00:19:00,640 --> 00:19:02,800 Speaker 1: and I would typically get a top gun saloot back, 351 00:19:02,880 --> 00:19:06,680 Speaker 1: giving him the bird, you know, the finger rock a roller, brother, 352 00:19:06,760 --> 00:19:08,520 Speaker 1: keep up the great work. And there's a picture here 353 00:19:08,720 --> 00:19:13,159 Speaker 1: of Officer Matt with George Benson. Officer Matt's in his 354 00:19:13,280 --> 00:19:15,920 Speaker 1: uniform and George Benson it's wearing a sharp blue top. 355 00:19:16,200 --> 00:19:17,000 Speaker 1: That's fucking cool. 356 00:19:17,040 --> 00:19:17,240 Speaker 2: Man. 357 00:19:17,400 --> 00:19:20,680 Speaker 1: Love that text, thank you all right? One more from 358 00:19:20,720 --> 00:19:25,879 Speaker 1: the seven to one six. I'm a female and loved 359 00:19:25,920 --> 00:19:28,960 Speaker 1: Boogie Nights Marky. Mark is so goofy. What's not to love? 360 00:19:29,040 --> 00:19:32,359 Speaker 1: Plus the music really grows. Nicole and Buffalo Nicole, I 361 00:19:32,400 --> 00:19:37,080 Speaker 1: totally fucking agree. Good stuff. Nicole. All right, let's do 362 00:19:37,240 --> 00:19:43,359 Speaker 1: some Facebook messages here, Facebook peeps, I apologize. I find 363 00:19:43,400 --> 00:19:46,679 Speaker 1: that I don't use Facebook enough. I need to start. 364 00:19:46,840 --> 00:19:48,679 Speaker 1: I need to open the app more. You know what 365 00:19:48,680 --> 00:19:50,040 Speaker 1: I don't like about it. I don't like that you 366 00:19:50,080 --> 00:19:52,360 Speaker 1: need to go to another app to get to your messages. 367 00:19:52,640 --> 00:19:55,320 Speaker 1: I find that to be annoying. As a result, I 368 00:19:55,320 --> 00:19:57,719 Speaker 1: don't check my messages that often. But I'm gonna make 369 00:19:57,760 --> 00:19:59,960 Speaker 1: I'm gonna I'm gonna be better about that. This one. 370 00:20:00,000 --> 00:20:03,000 Speaker 1: It's from Sandy Bloom on Facebook. She says, Okay, some 371 00:20:03,000 --> 00:20:05,920 Speaker 1: people binge watch, I binge listen, and since I stumbled 372 00:20:05,920 --> 00:20:09,600 Speaker 1: into disgraceland last week, I have listened to most of 373 00:20:09,640 --> 00:20:13,159 Speaker 1: what you have so brilliantly put out there. Goddamn all caps, 374 00:20:13,160 --> 00:20:16,720 Speaker 1: three exclamation points. I'm Sandy, and I'm an addict. I 375 00:20:16,840 --> 00:20:19,760 Speaker 1: also am a fellow entrepreneur, and I have an idea. 376 00:20:20,320 --> 00:20:26,280 Speaker 1: Interested in collaborating on a group gathering for your junkies discos? 377 00:20:26,359 --> 00:20:28,920 Speaker 1: You must have me confused with another true crime podcaster. 378 00:20:29,760 --> 00:20:33,520 Speaker 1: The listeners are called discos, not junkies. You know this, Sandy, 379 00:20:33,680 --> 00:20:36,000 Speaker 1: even though you're new, you know so I'm just gonna 380 00:20:36,000 --> 00:20:37,879 Speaker 1: go ahead and edit what you said here. Interested in 381 00:20:37,920 --> 00:20:40,920 Speaker 1: collaborating on a group gathering for your discos? I own 382 00:20:40,960 --> 00:20:43,639 Speaker 1: a travel agency and want to help you host a 383 00:20:43,680 --> 00:20:48,359 Speaker 1: group cruise or cruiser land where it can get super 384 00:20:48,400 --> 00:20:53,439 Speaker 1: intense and maybe you can offer some exclusive swag. I 385 00:20:53,440 --> 00:20:55,600 Speaker 1: think you could be creating a free vacation for you 386 00:20:55,640 --> 00:20:57,679 Speaker 1: and your wife plus a little cash in your pocket. 387 00:20:57,680 --> 00:21:01,120 Speaker 1: In my favorite episode so far, Fucking Mary, that was insane. 388 00:21:01,160 --> 00:21:03,320 Speaker 1: Well what do you guys think about that? Well, if 389 00:21:03,320 --> 00:21:05,879 Speaker 1: we did some sort of like meet up, get together, 390 00:21:06,080 --> 00:21:08,359 Speaker 1: something cool, I don't know what. I don't know. I 391 00:21:08,400 --> 00:21:11,160 Speaker 1: have no fucking idea. Friends of mine are in a band. 392 00:21:11,200 --> 00:21:14,480 Speaker 1: They're doing a cruise for their for their fans. That's cool. 393 00:21:14,520 --> 00:21:15,639 Speaker 1: I don't want to do that. I don't want to 394 00:21:15,640 --> 00:21:18,400 Speaker 1: do a cruise, But uh, I don't know. What can 395 00:21:18,440 --> 00:21:20,720 Speaker 1: we come up with? Ideas? Hit me what kind of 396 00:21:20,720 --> 00:21:24,120 Speaker 1: cool Disgraceland event could we do besides just a live 397 00:21:24,200 --> 00:21:30,560 Speaker 1: show and not a cruise. Something something around storytelling, music, 398 00:21:30,640 --> 00:21:33,560 Speaker 1: of course, perhaps film. I don't know. I don't know. 399 00:21:33,640 --> 00:21:35,679 Speaker 1: Let's start talking about it. Let's start thinking about it. 400 00:21:35,720 --> 00:21:39,240 Speaker 1: Six p one seven nine zero six six six three eight. 401 00:21:39,359 --> 00:21:42,240 Speaker 1: Let's use Sandy's message here as a jumping off point. 402 00:21:42,560 --> 00:21:46,480 Speaker 1: Also hit me up on Facebook, wherever, Instagram, whatever, TikTok, 403 00:21:46,520 --> 00:21:51,520 Speaker 1: Twitter at Disgraceland pod, and I will respond just like 404 00:21:51,600 --> 00:21:54,280 Speaker 1: I do to the voicemails. In the text, we get 405 00:21:54,280 --> 00:21:57,159 Speaker 1: another Facebook here from Ralph Solis. I've been listening to 406 00:21:57,200 --> 00:21:58,560 Speaker 1: the pod for a little bit now, and I was 407 00:21:58,560 --> 00:22:01,119 Speaker 1: wondering if you have already or even thought about covering 408 00:22:01,160 --> 00:22:05,760 Speaker 1: Gary Stewart. Thanks. Enjoy the show now, listen, listen, Ralph Solace. 409 00:22:06,359 --> 00:22:09,760 Speaker 1: I could have just googled Gary Stewart, but I didn't. 410 00:22:10,200 --> 00:22:12,399 Speaker 1: I don't know who the fuck Gary Stewart is. I 411 00:22:12,440 --> 00:22:15,120 Speaker 1: should I know, I should. I know. I'm gonna get 412 00:22:15,160 --> 00:22:18,920 Speaker 1: ten gazillion messages after this. You're don't fuck Gary Stewart's 413 00:22:18,920 --> 00:22:21,280 Speaker 1: a second guitar player in fuck fuck band or whatever. 414 00:22:21,359 --> 00:22:23,760 Speaker 1: But you know, I don't know who he is. I'm 415 00:22:23,760 --> 00:22:25,720 Speaker 1: not gonna pretend to know everything I don't. I don't, 416 00:22:25,920 --> 00:22:29,320 Speaker 1: although I probably do know, I just don't know if 417 00:22:29,359 --> 00:22:32,480 Speaker 1: you know what I mean. So Ralph, maybe, maybe, man, 418 00:22:32,520 --> 00:22:35,080 Speaker 1: let's figure out who Gary Stewart is first as a start, 419 00:22:35,160 --> 00:22:38,000 Speaker 1: and we'll take it from there. All right, thanks for writing, Ralph. 420 00:22:38,080 --> 00:22:43,040 Speaker 1: All right, let's move into some Instagram dms from Anne Koteney. Hello, 421 00:22:43,160 --> 00:22:46,080 Speaker 1: my friend, greetings from Boulder, Colorado. I've been catching up 422 00:22:46,160 --> 00:22:48,080 Speaker 1: lately and wanted to let you know that b York. 423 00:22:48,840 --> 00:22:51,320 Speaker 1: She's mentioning Byorke here because we just did a Byork 424 00:22:51,400 --> 00:22:54,919 Speaker 1: story over on our YouTube channel. That's YouTube dot com 425 00:22:54,960 --> 00:22:58,400 Speaker 1: slash at Disgrace lamb Pod go check that out. I've 426 00:22:58,400 --> 00:23:01,280 Speaker 1: been catching up lately. This is what Anne says, and 427 00:23:01,400 --> 00:23:03,439 Speaker 1: wanted to let you know that Buorke used to be 428 00:23:03,600 --> 00:23:05,280 Speaker 1: my next door neighbor for a time when I lived 429 00:23:05,280 --> 00:23:08,159 Speaker 1: to New York City. She was seeing the artist Matthew Barney. 430 00:23:08,240 --> 00:23:09,480 Speaker 1: Check him out. If you don't know him, I do 431 00:23:09,520 --> 00:23:12,240 Speaker 1: know him. He's fantastic and he had a studio slash 432 00:23:12,320 --> 00:23:14,320 Speaker 1: lot next door to my place. I had kind of 433 00:23:14,320 --> 00:23:17,600 Speaker 1: a nodding acquaintance with Byorke, so much so that when 434 00:23:17,600 --> 00:23:20,520 Speaker 1: my friends through a birthday party for me on our roof, 435 00:23:20,960 --> 00:23:23,560 Speaker 1: we saw Byork and Matthew and we invited them and 436 00:23:23,600 --> 00:23:25,399 Speaker 1: they declined but wished me a happy day in a 437 00:23:25,480 --> 00:23:28,240 Speaker 1: very fun memory. So cool. And then she goes on 438 00:23:28,359 --> 00:23:30,280 Speaker 1: right here from the same era, I was living in 439 00:23:30,280 --> 00:23:32,240 Speaker 1: the meatpacking district in New York City. He used to 440 00:23:32,240 --> 00:23:35,000 Speaker 1: frequent this cool French diner a block away. I saw 441 00:23:35,040 --> 00:23:37,960 Speaker 1: Lou Reed and Lorie Anderson there a lot. Lou was 442 00:23:38,000 --> 00:23:41,199 Speaker 1: as sour as you would expect Lowell. I'm sure I 443 00:23:41,240 --> 00:23:42,959 Speaker 1: have other tales to share as I listened to more 444 00:23:42,960 --> 00:23:47,119 Speaker 1: of this season. Other thoughts. Saday is Sage, Sage. I 445 00:23:47,119 --> 00:23:50,639 Speaker 1: can never say it. Shade is the absolute bomb and 446 00:23:50,680 --> 00:23:53,520 Speaker 1: always has been. I've always been a George Benson fan 447 00:23:53,600 --> 00:23:56,440 Speaker 1: since I was a kid. This season kicks some serious ass. 448 00:23:56,520 --> 00:23:58,800 Speaker 1: Keep on keeping on rock and roll, all right, Ann Cotney, 449 00:23:59,119 --> 00:24:03,080 Speaker 1: awesome story. Love that. Love it when people have serious 450 00:24:03,359 --> 00:24:06,800 Speaker 1: real world interactions with some of the subjects that we 451 00:24:07,119 --> 00:24:09,159 Speaker 1: talk about in disgrace Land and hit me up with 452 00:24:09,200 --> 00:24:12,959 Speaker 1: their personal stories. Very cool. Keep it coming, all right, 453 00:24:13,040 --> 00:24:17,080 Speaker 1: Let's do one more DM here. This is from rat 454 00:24:17,200 --> 00:24:20,959 Speaker 1: Tailed Jimmy on the Instagram, who says, man, the Guns N' 455 00:24:21,000 --> 00:24:24,320 Speaker 1: Roses episode got me right in the teenage angst exclamation point. 456 00:24:24,320 --> 00:24:26,440 Speaker 1: My buddy grew up in Edmonton, Alberta, and they used 457 00:24:26,440 --> 00:24:29,199 Speaker 1: to skate outside the arenas and listen to bands, and 458 00:24:29,240 --> 00:24:32,200 Speaker 1: they were there when Guns and Roses opened for the Cult. 459 00:24:32,560 --> 00:24:35,320 Speaker 1: Isy Stradling came creeping out of the shadows after the 460 00:24:35,480 --> 00:24:37,560 Speaker 1: set and sold these kids tickets to the Cult for 461 00:24:37,720 --> 00:24:41,160 Speaker 1: like fifteen bucks. I love that. I love that. Always 462 00:24:41,200 --> 00:24:43,000 Speaker 1: on the hustle is he straddling. All right, you know 463 00:24:43,000 --> 00:24:44,200 Speaker 1: how to get in touch with you guys. You can 464 00:24:44,200 --> 00:24:46,680 Speaker 1: call me six one seven nine zero six six six 465 00:24:46,760 --> 00:24:48,000 Speaker 1: three eight. You can leave me a text, You can 466 00:24:48,040 --> 00:24:49,960 Speaker 1: send me a voicemail, or you can send me a 467 00:24:50,000 --> 00:24:53,280 Speaker 1: DM or a message on Facebook, on Twitter, on Instagram, 468 00:24:53,359 --> 00:24:57,600 Speaker 1: on TikTok at disgrace Land pod. I'm gonna take a 469 00:24:57,760 --> 00:25:01,919 Speaker 1: quick break, Sip it some tea, drink some water, do 470 00:25:02,040 --> 00:25:20,160 Speaker 1: some pushups, come back and do the recommendations part. All right, 471 00:25:20,200 --> 00:25:23,720 Speaker 1: it's the recommendations part. This is the recommendations part, the 472 00:25:23,800 --> 00:25:26,920 Speaker 1: part of the after party where I recommend the things 473 00:25:26,920 --> 00:25:28,439 Speaker 1: that I'm reading, the things that I'm watching, the things 474 00:25:28,480 --> 00:25:30,600 Speaker 1: that I'm listening to, and I recommend them to you 475 00:25:30,640 --> 00:25:33,480 Speaker 1: and then you provide your recommendations to me and we discuss. 476 00:25:33,600 --> 00:25:35,679 Speaker 1: So I'm going to use this part of the show 477 00:25:35,720 --> 00:25:38,280 Speaker 1: to make an announcement of sorts and talk about some 478 00:25:38,760 --> 00:25:41,520 Speaker 1: slight programming additions that we have come in your way. 479 00:25:42,000 --> 00:25:45,040 Speaker 1: All right, bad Lands, you know bad Lands our Disgraced 480 00:25:45,080 --> 00:25:48,320 Speaker 1: Lands spin off show, a show that deals not with 481 00:25:48,400 --> 00:25:50,679 Speaker 1: the true crimes of rock stars, but instead with the 482 00:25:50,680 --> 00:25:54,320 Speaker 1: true crimes of your favorite Hollywood stars and sports heroes. 483 00:25:54,400 --> 00:25:57,919 Speaker 1: Bad Lands is coming back and coming back strong and 484 00:25:58,000 --> 00:26:03,160 Speaker 1: coming back soon. Our next season on May third, with 485 00:26:03,200 --> 00:26:07,000 Speaker 1: our episode on Richard Pryor. In the meantime, you may 486 00:26:07,000 --> 00:26:10,000 Speaker 1: have noticed that we've reactivated the feed, the bad Lands Feed. 487 00:26:10,119 --> 00:26:13,719 Speaker 1: We've been dropping a couple previously released episodes to keep 488 00:26:13,760 --> 00:26:16,520 Speaker 1: it warm, but like I said, starting on May third, 489 00:26:17,080 --> 00:26:20,280 Speaker 1: the bad Lands Feed will have not one, but two 490 00:26:20,400 --> 00:26:24,480 Speaker 1: new episodes per week, and we'll continue at that clip 491 00:26:25,119 --> 00:26:29,040 Speaker 1: on an always on basis, just like Disgraceland. Full episodes 492 00:26:29,240 --> 00:26:32,840 Speaker 1: will be released on Wednesdays, and I will be doing 493 00:26:33,000 --> 00:26:37,000 Speaker 1: a bad Lands bonus episode on Fridays. The bad Lands 494 00:26:37,000 --> 00:26:38,600 Speaker 1: Bonus episode is going to be a lot like The 495 00:26:38,640 --> 00:26:40,760 Speaker 1: After Party, but it will of course be bad Lands 496 00:26:40,800 --> 00:26:43,560 Speaker 1: and largely film focused, as opposed to, of course being 497 00:26:43,600 --> 00:26:46,520 Speaker 1: Disgraceland and music focused. I'm going to call the bad 498 00:26:46,600 --> 00:26:51,119 Speaker 1: Lands Bonus episode the Rap Party, all right, So, if 499 00:26:51,160 --> 00:26:55,280 Speaker 1: you're not subscribed to bad Lands, if you want stories 500 00:26:55,720 --> 00:27:00,840 Speaker 1: on Richard Pryor, on, Robin Williams on, John belush On, 501 00:27:01,080 --> 00:27:05,240 Speaker 1: Carrie Fisher on, Will Smith On, Anna, Nicole Smith On, 502 00:27:05,480 --> 00:27:11,359 Speaker 1: Mel Gibson, Marlon Brando, James Dean, Marilyn Monroe, Hugh Grant, 503 00:27:11,480 --> 00:27:15,480 Speaker 1: Roman Polanski, Jane Mansfield in more. If you want to 504 00:27:15,560 --> 00:27:18,040 Speaker 1: hear those stories, you need to go to the bad 505 00:27:18,160 --> 00:27:22,400 Speaker 1: Lands Feed and whatever podcast app you use and subscribe 506 00:27:22,600 --> 00:27:27,840 Speaker 1: Apple Podcasts, Spotify, Amazon, Sirius, XM, does not matter. It's 507 00:27:27,880 --> 00:27:32,119 Speaker 1: available wherever, Go iHeart, wherever you're at, Go subscribe to 508 00:27:32,240 --> 00:27:35,080 Speaker 1: bad Lands. You're not gonna get the Richard pryor the 509 00:27:35,200 --> 00:27:39,800 Speaker 1: Jane Mansfield, the Marlon Brandos, the Robin Williams. You're not 510 00:27:39,840 --> 00:27:43,800 Speaker 1: gonna get these episodes in the Disgraceland feed. So I'm 511 00:27:43,840 --> 00:27:45,960 Speaker 1: gonna be I'm gonna have this whole other fucking party 512 00:27:46,000 --> 00:27:49,080 Speaker 1: going on when we're talking about all these crazy actors, 513 00:27:49,520 --> 00:27:52,680 Speaker 1: same format as Disgraced, this whole other show. It's gonna 514 00:27:52,720 --> 00:27:56,000 Speaker 1: be happening, and you're not gonna get those stories unless 515 00:27:56,040 --> 00:27:59,840 Speaker 1: you are subscribed to the bad Lands Feed. Let's blow 516 00:27:59,880 --> 00:28:06,560 Speaker 1: the shit up, all right. Search bad Lands in Apple Podcasts, Spotify, wherever, subscribe. Okay, 517 00:28:06,840 --> 00:28:09,200 Speaker 1: make sure you get the episodes as they come out. 518 00:28:09,240 --> 00:28:13,080 Speaker 1: I'm fucking stoked for this next season. I've never been 519 00:28:13,080 --> 00:28:15,920 Speaker 1: this excited for a bad Lands season launch, not even since, 520 00:28:16,000 --> 00:28:17,760 Speaker 1: not even the first one we did. That one happened 521 00:28:17,800 --> 00:28:19,880 Speaker 1: it happened like so fast, and I was kind of 522 00:28:20,280 --> 00:28:22,600 Speaker 1: running by the seat of my pants this one. We've 523 00:28:22,640 --> 00:28:25,960 Speaker 1: taken our time. We've got this thing figured out. I'm 524 00:28:26,160 --> 00:28:28,920 Speaker 1: very excited. In the Rap Party the Bonus episode, it's 525 00:28:28,960 --> 00:28:31,959 Speaker 1: gonna be different. It's gonna be different than the After Party. Okay, 526 00:28:32,280 --> 00:28:36,280 Speaker 1: you're basically gonna be getting all new content in a 527 00:28:36,960 --> 00:28:40,760 Speaker 1: similar format, but new content, film related content. I think 528 00:28:40,760 --> 00:28:44,160 Speaker 1: the film and TV recommendations that I'm doing here in 529 00:28:44,560 --> 00:28:47,400 Speaker 1: the After Party are gonna live in the Rap Party 530 00:28:47,480 --> 00:28:51,200 Speaker 1: in the bad Lands Bonus episode, just because it's it's 531 00:28:51,440 --> 00:28:53,480 Speaker 1: that's the subject. We do over there. We do film 532 00:28:53,480 --> 00:28:57,080 Speaker 1: over there. Okay, we'll keep this music focused here, we'll 533 00:28:57,080 --> 00:28:59,800 Speaker 1: do the film and TV stuff over there. And we're 534 00:28:59,800 --> 00:29:03,040 Speaker 1: gonna have other elements of the show over there, engagement 535 00:29:03,080 --> 00:29:06,000 Speaker 1: pieces that we're not doing here. So you're not gonna 536 00:29:06,000 --> 00:29:08,120 Speaker 1: want to miss that. That's gonna be me. It's gonna 537 00:29:08,120 --> 00:29:11,560 Speaker 1: make me blabbing for another thirty forty five minutes a week, 538 00:29:12,520 --> 00:29:16,040 Speaker 1: offering up new shit, new content, new whatever. You're gonna 539 00:29:16,040 --> 00:29:19,400 Speaker 1: have to get it over there, so subscribe to bad Lands. 540 00:29:19,480 --> 00:29:23,200 Speaker 1: Were coming quick? May third, All right, all right? In 541 00:29:23,240 --> 00:29:26,720 Speaker 1: the meantime though some recommendations. Okay, I'm gonna start with 542 00:29:26,760 --> 00:29:29,720 Speaker 1: what I listened to. It was Easter Sunday, this past Sunday, 543 00:29:29,760 --> 00:29:32,680 Speaker 1: Easter Sunday. So I thought, all right, all right, I'm 544 00:29:32,680 --> 00:29:34,320 Speaker 1: gonna do it. I'm gonna dial up one of Bob 545 00:29:34,400 --> 00:29:37,720 Speaker 1: Dylan's records from as much derided Christian era, it being 546 00:29:37,720 --> 00:29:39,880 Speaker 1: the Holy Day and all. So while I was out 547 00:29:39,880 --> 00:29:42,280 Speaker 1: in my yard get my smoker ready, I smoked some ribs, 548 00:29:42,320 --> 00:29:44,400 Speaker 1: I smoked a whole chicken, did a whole rock of 549 00:29:44,440 --> 00:29:48,800 Speaker 1: baby back ribs, new smoker. Everything came out great. I 550 00:29:48,840 --> 00:29:50,840 Speaker 1: had the Holy Spirit going through me, and I think 551 00:29:50,880 --> 00:29:53,600 Speaker 1: it was part partly due to Bob Dylan's Slow Train 552 00:29:53,680 --> 00:29:56,480 Speaker 1: to Come and had that record on. Never really listened 553 00:29:56,520 --> 00:29:59,440 Speaker 1: to that record from start to finish. It's incredible. You 554 00:29:59,520 --> 00:30:02,960 Speaker 1: got to serve somebody. That song obviously the standout track, 555 00:30:03,080 --> 00:30:05,760 Speaker 1: but when You're Gonna Wake Up another amazing song sounds 556 00:30:05,760 --> 00:30:07,280 Speaker 1: like I was written about the exact moment in time 557 00:30:07,280 --> 00:30:10,719 Speaker 1: we're living through right now. This record's fantastic. Of course, 558 00:30:10,800 --> 00:30:12,880 Speaker 1: it's not as good as the golden era Dyl and stuff, 559 00:30:12,880 --> 00:30:15,560 Speaker 1: Blood on the tracks, Blond on Blonde, But what is 560 00:30:16,000 --> 00:30:20,120 Speaker 1: right right, nothing is. But it's an awesome album despite 561 00:30:20,160 --> 00:30:22,320 Speaker 1: it not being secular. So I'm not sure why that 562 00:30:22,360 --> 00:30:24,400 Speaker 1: matters to people. But if you haven't listened to Slow 563 00:30:24,440 --> 00:30:27,200 Speaker 1: Training Coming for this or for whatever reason, go ahead 564 00:30:27,200 --> 00:30:30,240 Speaker 1: and check it out. You're gonna dig it all right. Also, weirdly, 565 00:30:30,360 --> 00:30:33,080 Speaker 1: I spent last week listening to a lot of disco, 566 00:30:33,280 --> 00:30:36,480 Speaker 1: and you'll hear why in a minute. But specifically now, 567 00:30:36,600 --> 00:30:40,440 Speaker 1: Rogers is self titled chic album from nineteen seventy seven 568 00:30:40,680 --> 00:30:45,960 Speaker 1: is tremendous. If you know disco or funk or soul 569 00:30:46,320 --> 00:30:49,560 Speaker 1: or seventies eighties pop music, you're gonna know this record. 570 00:30:49,560 --> 00:30:53,440 Speaker 1: But if you don't trust me, just go just get 571 00:30:53,480 --> 00:30:57,160 Speaker 1: on whatever music app you use, type in chic and 572 00:30:57,200 --> 00:31:00,480 Speaker 1: go for the self titled one from seventy seven. It's 573 00:31:00,520 --> 00:31:03,480 Speaker 1: great and it's got me. It just it has me 574 00:31:03,520 --> 00:31:06,520 Speaker 1: thinking that this whole stupid attitude that has prevailed for 575 00:31:07,040 --> 00:31:10,000 Speaker 1: years now going back to disco, this I hate disco thing. 576 00:31:11,160 --> 00:31:14,760 Speaker 1: You know, anyone who says that about the music is 577 00:31:16,720 --> 00:31:20,240 Speaker 1: just just I just question their tastes. Like I get it, 578 00:31:20,280 --> 00:31:24,960 Speaker 1: if you just objectively don't like something, I totally understand that. 579 00:31:25,040 --> 00:31:27,960 Speaker 1: But to just say it sucks, and to discount that 580 00:31:28,040 --> 00:31:30,360 Speaker 1: it's music, or discount the fact that it has any 581 00:31:30,520 --> 00:31:36,320 Speaker 1: merit creatively is asinine. And for those who just dismissed 582 00:31:36,600 --> 00:31:41,160 Speaker 1: disco culture as a culture, well, I've got serious questions 583 00:31:41,200 --> 00:31:44,960 Speaker 1: about your character. Why anyone would diss an entire culture 584 00:31:45,120 --> 00:31:48,520 Speaker 1: that isn't out to hurt anyone or cause any harm 585 00:31:48,560 --> 00:31:52,280 Speaker 1: in any way is beyond me. I don't get it. 586 00:31:53,160 --> 00:31:55,719 Speaker 1: But I think if you're one of the knuckle draggers 587 00:31:55,760 --> 00:32:00,520 Speaker 1: who's out there just dismissing disco culture, like the bullshit 588 00:32:00,560 --> 00:32:02,520 Speaker 1: that went on at Tiger Stadium when they blew up 589 00:32:02,520 --> 00:32:07,960 Speaker 1: those disco records and all that, yeah, whatever, you should 590 00:32:07,960 --> 00:32:10,400 Speaker 1: take a long look in the fucking mirror. You got 591 00:32:10,440 --> 00:32:14,520 Speaker 1: serious issues. Disco was an incredibly inclusive culture at a 592 00:32:14,560 --> 00:32:17,320 Speaker 1: time when that was that was necessary for a lot 593 00:32:17,320 --> 00:32:20,480 Speaker 1: of the people who are partaking in that culture, and 594 00:32:20,760 --> 00:32:24,080 Speaker 1: it was. It was fucking phenomenal. Some great music came 595 00:32:24,120 --> 00:32:26,440 Speaker 1: out of that world in that scene, and of course 596 00:32:26,480 --> 00:32:28,440 Speaker 1: it became over commercialized, and I get why there was 597 00:32:28,480 --> 00:32:31,840 Speaker 1: a reaction against it. That's natural, that's just the pendulum 598 00:32:31,920 --> 00:32:36,640 Speaker 1: swinging back, all right. But that whole disco sucks bass 599 00:32:36,880 --> 00:32:39,600 Speaker 1: argument is just gross to me. And I say all this, 600 00:32:39,680 --> 00:32:41,560 Speaker 1: You're like, why the fuck is he talking about disco? Well, 601 00:32:41,560 --> 00:32:45,160 Speaker 1: a couple of reasons. One coincidentally, the Disco Studio fifty 602 00:32:45,200 --> 00:32:48,600 Speaker 1: four episode of Disgraceland, it was previously exclusive. It's being 603 00:32:48,640 --> 00:32:51,040 Speaker 1: released this week. You can hear that, and I get 604 00:32:51,040 --> 00:32:54,200 Speaker 1: into this take in there. But specific to this block 605 00:32:54,240 --> 00:32:58,600 Speaker 1: of the after party, the recommendations block this new series, 606 00:32:58,960 --> 00:33:01,520 Speaker 1: the second season, I should say, of a newish series 607 00:33:01,560 --> 00:33:05,960 Speaker 1: on HBO has launched called Music Box. This is sort 608 00:33:05,960 --> 00:33:09,480 Speaker 1: of like Bill Simmons's version of the thirty for thirty thing, 609 00:33:09,560 --> 00:33:13,560 Speaker 1: but with music, I guess kind of anyhow, they have this. 610 00:33:13,720 --> 00:33:18,280 Speaker 1: Jasonisbel was this documentary on Jasonisbel was the season two 611 00:33:18,320 --> 00:33:23,200 Speaker 1: episode one piece that launched, and I started watching it 612 00:33:23,240 --> 00:33:24,640 Speaker 1: and it was good, and it reminded me that I 613 00:33:24,680 --> 00:33:27,720 Speaker 1: missed most of most of season one. So I went 614 00:33:27,760 --> 00:33:30,720 Speaker 1: back and I dialed up some of the old episodes 615 00:33:30,760 --> 00:33:33,959 Speaker 1: and I watched this episode called Mister Saturday Night deals 616 00:33:34,000 --> 00:33:39,120 Speaker 1: heavily with the main sort of empresario and producer behind 617 00:33:41,120 --> 00:33:45,200 Speaker 1: the movie Saturday Night Fever and the soundtrack, which was 618 00:33:45,360 --> 00:33:49,680 Speaker 1: insanely successful. Both things were incredibly successful but it's also 619 00:33:49,760 --> 00:33:54,000 Speaker 1: just as a documentary. It's done really well, and it 620 00:33:54,160 --> 00:33:57,000 Speaker 1: just it gives you that seventies New York thing that 621 00:33:57,080 --> 00:33:59,040 Speaker 1: I just fucking love. I need it. I need to 622 00:33:59,080 --> 00:34:02,560 Speaker 1: pump into my veins every couple months or so. So 623 00:34:02,680 --> 00:34:04,959 Speaker 1: that's out. It's called Mister Saturday Night. It's been out 624 00:34:05,000 --> 00:34:06,920 Speaker 1: for a while. Actually check that out. But Music Box 625 00:34:06,960 --> 00:34:10,600 Speaker 1: is the greater, the overarching series that's on HBO. And 626 00:34:10,640 --> 00:34:13,800 Speaker 1: like I said, episode one of season two just launched 627 00:34:13,800 --> 00:34:16,719 Speaker 1: on Jason As on Jason isbel It's good. Check that out. 628 00:34:16,760 --> 00:34:18,239 Speaker 1: I don't know what's coming for the rest of the 629 00:34:18,239 --> 00:34:20,160 Speaker 1: season for season two, but I'm sure it'll be great. 630 00:34:20,719 --> 00:34:24,719 Speaker 1: All right. What I am reading, I'm reading Bill Janovis's 631 00:34:24,719 --> 00:34:27,719 Speaker 1: book on Leon Russell. Bill Janovitz, of course, it's my 632 00:34:27,880 --> 00:34:31,040 Speaker 1: buddy Scott's older brother. Bill's from Buffalo Tom. He has 633 00:34:31,080 --> 00:34:34,080 Speaker 1: a new book on a musician, on musician Leon Russell, 634 00:34:34,120 --> 00:34:36,160 Speaker 1: called The Master of Space and Times, Journey through Rock 635 00:34:36,160 --> 00:34:38,719 Speaker 1: and Roll History. It is awesome. I didn't know much 636 00:34:38,719 --> 00:34:42,120 Speaker 1: about Leon Russell going into this. It's a fantastic introduction. 637 00:34:42,239 --> 00:34:44,120 Speaker 1: I'm sure it's a great set piece for those who 638 00:34:44,160 --> 00:34:46,560 Speaker 1: do know Leon Russell. And our fans, or just rock 639 00:34:46,600 --> 00:34:50,080 Speaker 1: and roll fans in general. Help Buffalo Tom fans. Just 640 00:34:50,239 --> 00:34:54,240 Speaker 1: check this book out. It is once again a mass 641 00:34:54,239 --> 00:34:57,279 Speaker 1: the Master of Space and Times Journey through rock and 642 00:34:57,400 --> 00:35:01,160 Speaker 1: Roll History on Leon Russell. Check that out, Guys, hit 643 00:35:01,200 --> 00:35:03,480 Speaker 1: me up with your recommendations. I need. I'm gonna do 644 00:35:03,480 --> 00:35:05,440 Speaker 1: some traveling. I got some playing time coming up. I'm 645 00:35:05,480 --> 00:35:08,040 Speaker 1: gonna need a good fiction book for when I finished 646 00:35:08,080 --> 00:35:12,360 Speaker 1: Bill's Things. So I like thrillers. I like political thrillers, 647 00:35:12,400 --> 00:35:16,680 Speaker 1: crime thrillers, stuff of that nature. Perhaps some older stuff 648 00:35:16,800 --> 00:35:19,480 Speaker 1: mid twentieth century. But I'm up for anything. 649 00:35:19,640 --> 00:35:19,920 Speaker 2: Hit me. 650 00:35:20,200 --> 00:35:22,720 Speaker 1: What are the crime thrillers, the political thrillers, the novels 651 00:35:22,719 --> 00:35:24,359 Speaker 1: that you guys love, the fiction stuff that I should 652 00:35:24,360 --> 00:35:26,359 Speaker 1: be reading. Like I said, I got some plaining time 653 00:35:26,400 --> 00:35:28,200 Speaker 1: coming up. Let me know. Six one seven nine zero 654 00:35:28,280 --> 00:35:31,000 Speaker 1: six six six three eight for your reading. Recommendations are 655 00:35:31,040 --> 00:35:35,320 Speaker 1: at Disgrace slam pod on Twitter, Instagram, Facebook, and TikTok. 656 00:35:35,920 --> 00:35:38,160 Speaker 1: All right, gonna take a quick break and I will 657 00:35:38,160 --> 00:36:01,759 Speaker 1: be right back. All right, let's recap this thing, all right, 658 00:36:01,840 --> 00:36:05,160 Speaker 1: let's do this. Number one MC five is available in 659 00:36:05,200 --> 00:36:08,799 Speaker 1: your feed right now. Number two, Skip James is coming up. 660 00:36:08,840 --> 00:36:11,600 Speaker 1: Next in your feeds. Number three Richard Pryor episode of 661 00:36:11,640 --> 00:36:14,200 Speaker 1: bad Lands in the new series of bad Lands launches 662 00:36:14,239 --> 00:36:17,640 Speaker 1: on May third, So go subscribe to the bad Lands podcast. 663 00:36:17,719 --> 00:36:19,680 Speaker 1: You're not going to get these episodes into the Disgrace 664 00:36:19,719 --> 00:36:21,799 Speaker 1: Slam feed. You need to go and search for bad 665 00:36:21,880 --> 00:36:25,040 Speaker 1: Lands and you need to subscribe. Number four Disco does 666 00:36:25,080 --> 00:36:31,799 Speaker 1: Not Suck. Number five YouTube dot com, slash at Disgracelam pod, Subscribe, subscribe, subscribe, 667 00:36:31,800 --> 00:36:36,320 Speaker 1: And of course, now my moment is en me reading 668 00:36:36,360 --> 00:36:40,040 Speaker 1: the phone book from Manhattan in nineteen forty six, for 669 00:36:40,080 --> 00:36:45,280 Speaker 1: no reason whatsoever. Here you go. Aben Harry's Curtain Store 670 00:36:45,760 --> 00:36:50,600 Speaker 1: five seventy six ninth, Ave br Yan nine Dash eight 671 00:36:50,800 --> 00:36:54,920 Speaker 1: zero seventy eight, abacass Is Albert one hundred and twenty 672 00:36:54,920 --> 00:37:00,200 Speaker 1: West seventieth sc Hyler four Dash eight seven seven one, 673 00:37:00,520 --> 00:37:05,760 Speaker 1: Aboco Specialties Company one hundred Hudson Walker five Dash five 674 00:37:05,920 --> 00:37:11,040 Speaker 1: zero four eight. ABD Brothers Importers two forty five Fifth Avenue, 675 00:37:11,520 --> 00:37:16,360 Speaker 1: murray Hill four Dash four one three six, ABE Foot 676 00:37:16,360 --> 00:37:20,279 Speaker 1: and Plush Toys fifty three West twenty ninth, murray Hill 677 00:37:20,520 --> 00:37:25,919 Speaker 1: four Dash six nine four seven. AB Novelty Company five 678 00:37:26,080 --> 00:37:30,600 Speaker 1: seventy five eighth ave three dash four one seven three, 679 00:37:31,120 --> 00:37:35,680 Speaker 1: Abiel Brothers Incorporated, one hundred and ninety South seven dash 680 00:37:35,760 --> 00:37:40,120 Speaker 1: four four six zero six, abig and Reinhold Company, thirty 681 00:37:40,200 --> 00:37:46,279 Speaker 1: Rockefeller Clicks seven zero five four two Avid Liquors six 682 00:37:46,440 --> 00:37:51,520 Speaker 1: dash two eight six two of that. See also quit 683 00:37:51,760 --> 00:37:54,279 Speaker 1: talking and start mixing good