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Speaker 1: So we're at the drive in movie concert. There's a band,

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Speaker 1: but we're all pulled up like we drove in. There's

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Speaker 1: a couple in the front seat. I'm in the back

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Speaker 1: seat with Chef Kevin, but I am driving from the

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Speaker 1: back seat, like I know you've heard the term backseat driver,

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Speaker 1: but I actually have a steering drivers there and little yes,

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Speaker 1: because I am obsessed with control. And who pulls up

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Speaker 1: next to us but none other than Davis Love and

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Speaker 1: Ory of Macelroy. And they are in a souped up

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Speaker 1: kick ass golf cart, not a golf cart, a Volkswagen

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Speaker 1: golf and and a golf car a golf car, a

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Speaker 1: golf car, and they start talking shit yeah, and Revan

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Speaker 1: and Revin the ship up. They got naas on the

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Speaker 1: golf car and they go, how'd you like to drag race?

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Speaker 1: And I go, it's through the concert. We're all this

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Speaker 1: is like a parking lot. We're totally closed in. They go,

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Speaker 1: you got a hemmy in that thing? I don't think so.

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Speaker 1: And and then also a concert happening up front, a

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Speaker 1: movie concert, yes, a drive in movie style concert event.

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Speaker 1: And I'm thinking this is no good. But as part

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Speaker 1: of my man code, I've never backed down from a

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Speaker 1: damn drag race in my life. And we're not in

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Speaker 1: any kind of fancy souped up golf car. You know,

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Speaker 1: we're just saying a little damn puddle jumper. We're in

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Speaker 1: a little a plane, a little we're in a little

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Speaker 1: sea played so God's painted to look like a duck.

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Speaker 1: But the thing, but the thing barely goes, you know,

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Speaker 1: But who's the band? The band? I was afraid you

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Speaker 1: were gonna ask this question? Man, was I nervous? It's

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Speaker 1: space Hog, space Hog. It's space Hog in the Meantime?

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Speaker 2: Baby?

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Speaker 1: Are they noticing what they can hear? They?

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Speaker 2: Are they noticing that there's a race maybe about to happen?

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Speaker 1: Oh yeah. Space Hog has basically stopped playing the song

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Speaker 1: in the Meantime, which is the only song they know,

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Speaker 1: and it has been like, hey, guys, we're gonna take

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Speaker 1: a quick break from in the Meantime to see how

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Speaker 1: this plays out. They just sit down. Yeah, watch now

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Speaker 1: everybody's look at me. So now I really can't betray

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Speaker 1: my man code and I have to do the drag race.

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Speaker 1: But of course I'm afraid because we're immediately going to

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Speaker 1: crash into the cars in front of us.

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Speaker 2: I've heard you want to hear something really weird that

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Speaker 2: I've heard Davis Love the third says to his wife,

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Speaker 2: I I do this is really crazy. But I've heard

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Speaker 2: that he tells her, your love's got me feeling so

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Speaker 2: Davis right now, I've heard he says that.

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Speaker 1: Oh wow, that's crazy.

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Speaker 2: And I don't think of him as someone like who

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Speaker 2: who would yeah say it expressed. It would be like

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Speaker 2: that expressive. I guess I don't know.

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Speaker 1: Yeah, Hi, I know, I know he calls his like

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Speaker 1: thingy like Davis Love the fourth.

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Speaker 2: Oh, I don't like that at all.

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Speaker 1: I mean neither. I've asked him to stop.

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Speaker 2: Just just thingy is fine. Yeah, that's that's normal. It's

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Speaker 2: call it your damn thingy.

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Speaker 1: Man. We know what you mean by Lily the lily

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Speaker 1: a lily a lily a lily a lily a lily

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Speaker 1: a Lily Lilyannare. I'm a young money Lilyannare. So it's

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Speaker 1: Hollywood handbook. She dropped the fucking beat on me. I'd

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Speaker 1: feel like I'm hanging out with Rozelle.

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Speaker 2: Welcome to Lily being on the show. It's Hollywood Handbook

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Speaker 2: the time where we go to the hallway.

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Speaker 1: Lily, Lily, Hi.

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Speaker 3: Guys, thank you, thank you for having me on.

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Speaker 1: How are you?

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Speaker 3: I'm so good?

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Speaker 1: How are you? You sound good? You sound good, really good, concerned.

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Speaker 3: Good, My voice, my body, everything I'm living, my peace.

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Speaker 1: Your body sounds amazing.

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Speaker 3: Yeah. My body is a vessel and no wonder land.

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Speaker 1: We speak on the.

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Speaker 3: Vessel part was the Lord, the Lord, he comes down

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Speaker 3: through me.

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Speaker 1: We will never be royal.

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Speaker 2: He rides around in there like praying.

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Speaker 3: Yeah.

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Speaker 1: Yeah, the God Jesus is praying. When people say that

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Speaker 1: Jesus is with you all the time, they mean he

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Speaker 1: is riding around like kraying, pulling the little controls. Yeah,

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Speaker 1: and commanding, of course, his body, you his vessel to

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Speaker 1: the in turn, command shredder to get those turtles.

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Speaker 3: It's a pretty beautiful thing when you really think about it.

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Speaker 1: Oh yes, I am constantly mystified by the wonder that

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Speaker 1: is uh, this Christian life. So we obviously wanted to

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Speaker 1: talk to you. You've got big news. A lot of

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Speaker 1: people have gotten extremely creative and Quarantine says, oh, I

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Speaker 1: can't do anything. Actually, you could do a lot if

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Speaker 1: you just want to sit down and like really get

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Speaker 1: di I y with it. And uh start to make

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Speaker 1: art because you have time to reflect and be creative

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Speaker 1: and let those juices flow. You've made an album, is

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Speaker 1: this true?

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Speaker 3: Yeah? I made an album at home.

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Speaker 1: Music style music style, album music style.

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Speaker 3: Yeah, it's like kind of folky you know, I'm from Colorado,

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Speaker 3: so there's some folks.

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Speaker 2: Very powerful folk music vibe. Yes, the wear in Colorado.

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Speaker 2: Tell your that tell your ride sound.

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Speaker 3: That tell your ride sound that that kind of ski

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Speaker 3: town rich kid vibe.

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Speaker 1: Yes, so cool, good see tell your ride.

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Speaker 3: It's that barefoot on the dirt in the hot sun

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Speaker 3: next to a mountain kind of vibe.

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Speaker 1: I've heard that. The way they say goodbye in uh

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Speaker 1: Colorado is actually they say, hey, go fok yourself.

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Speaker 3: Mmmmm. They also say to hell you ride.

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Speaker 1: To Hell you ride?

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Speaker 3: Yeah, tell you to Hell you ride? Baby. So yeah,

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Speaker 3: get those patagonias out, you know, take those tivas off,

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Speaker 3: and get this feet nice and dirty in that ground.

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Speaker 1: Mmmm, the dirty feet. Bury your feet in the ground. Yeah,

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Speaker 1: get your feet under the earth.

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Speaker 3: Get those yetti coolers out, fill them with some cheeses

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Speaker 3: and some wine, maybe a craft brew or two, and

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Speaker 3: get down to business. Because guess what, You're going back

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Speaker 3: to your second home.

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Speaker 2: Later, This is Kevin speaking of second homes.

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Speaker 3: Hi, Lily Hi Kevin.

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Speaker 2: Kevin also comes from extreme wealth.

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Speaker 1: Mm hmm.

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Speaker 3: To be clear, I actually don't, okay, but I grew

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Speaker 3: up there.

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Speaker 2: So yeah, she's a towny, a cutter exactly. That's cool.

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Speaker 1: Man. We hated you guys, the damn townies.

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Speaker 3: Because you're a rich kid.

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Speaker 1: I'm enormously wealthy, There's no question about it.

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Speaker 3: Got it.

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Speaker 1: Come on, look at these cats.

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Speaker 3: Look at all these fair bookshelf.

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Speaker 1: Look at this empty but fair bookshelf.

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Speaker 3: Just reek.

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Speaker 1: Yeah, I read them all. Yeah, the bookshelfs empty because

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Speaker 1: I actually read them all. I don't just throw them.

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Speaker 2: He sold them and now he's more money.

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Speaker 3: That's rich people. That's how money makes money.

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Speaker 1: Yes, I don't just sit there with the book. This

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Speaker 1: is a book I read once. H Maybe I'll open

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Speaker 1: it again. No, fucking get the cash and get the

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Speaker 1: fuck out.

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Speaker 2: Money is a book. M you fold it, it's got letters,

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Speaker 2: you fold it up, you open it.

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Speaker 1: Oh yeah, and when I'm reading it, it's a lot

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Speaker 1: of pages because it's so much of it. So a

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Speaker 1: damn towny.

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Speaker 3: Huh.

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Speaker 1: Well, we'll still do the show anyway.

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Speaker 3: I mean, but look like culturally, I am essentially like

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Speaker 3: a trust fund kid. Sure, so I get it, and

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Speaker 3: I to my roots with this album, and I really

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Speaker 3: I went hard and it shows. The album is unbelievable.

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Speaker 2: And what do you feel about the response you've been

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Speaker 2: getting that you didn't have to go so damn hard

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Speaker 2: and you didn't have to go quite that hard.

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Speaker 1: And that and that, I mean follow up, but it's related.

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Speaker 1: What do you say to your critics who believe that

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Speaker 1: you didn't have to do them like that? Lily?

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Speaker 3: I guess I say, like, look, why not try your

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Speaker 3: hardest every day? And yeah, okay, maybe I didn't need

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Speaker 3: to pour all my blood, sweat and tears into this

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Speaker 3: one thing. And yeah, maybe it would have been better

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Speaker 3: if I like didn't care, but I cared and I

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Speaker 3: can't take that back now. So just listen to the

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Speaker 3: fucking album.

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Speaker 2: Yeah, Kevin, just play it.

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Speaker 1: Do you have the songs? Do you have any songs? Yeah?

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Speaker 4: This song is called the one.

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Speaker 2: The one, the number one song song one.

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Speaker 1: Oh hmm, I'm liking the vibe pretty good. I'm doing good. Okay,

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Speaker 1: stop it, Kevin, So, okay, you're making a weird face.

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Speaker 3: This this is this actually isn't my.

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Speaker 1: Album, this is what we're playing.

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Speaker 2: Well okay, okay, okay, okay, okay, okay, Well do you

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Speaker 2: take it?

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Speaker 1: You got it?

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Speaker 2: His Yeah, I sort of thought that we were sort

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Speaker 2: of giving me on the same page about this. So, yes,

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Speaker 2: you sent us your album.

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Speaker 3: Yes, I worked really hard on.

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Speaker 2: Via mega upload and we listened to it and it is.

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Speaker 1: Very songsah yeah, pretty raw.

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Speaker 2: It is like yeah for sure, but like like absolutely songs.

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Speaker 3: Did you listen to Bluegrass Festival? Did you listen to

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Speaker 3: Jed Wev Trail, Jevy Trail, Double Black Diamond.

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Speaker 1: The Ski Slope One?

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Speaker 3: Yeah? Did you listen to Chairlift City?

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Speaker 1: Yeah?

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Speaker 2: That one. I actually do want to talk like eventually,

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Speaker 2: I do want to talk about a little bit more,

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Speaker 2: not now, but I have an image in my mind

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Speaker 2: that's hard to like figure out, just like geographically how

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Speaker 2: chair Lift City works. But we can talk about that, is.

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Speaker 1: It like a yeah? No, I was curious too.

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Speaker 2: So Sean and I were think we talked about him.

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Speaker 2: It was like we we cannot play this, but it's

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Speaker 2: just my go But this other thing that is so big.

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Speaker 1: Other artists that I think people really want to hear.

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Speaker 1: They've been talking about wanting to hear it. It's rather

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Speaker 1: than your thing, which like, great, you worked hard on

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Speaker 1: I'm glad. I'm not saying it's good or bad, but

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Speaker 1: nobody wants to hear this.

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Speaker 2: We've been looking for ways. Hey, god, people, there's lots

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Speaker 2: of things that are good that people don't necessarily want

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Speaker 2: to hear, like the truth.

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Speaker 1: Yeah no, yeah, we've run into that on this show

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Speaker 1: a few times.

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Speaker 2: So we thought we had been So we've been bought

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Speaker 2: by uh serious XM radio. Everybody knows this by the car.

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Speaker 2: Basically the car, one part of the car has bought

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Speaker 2: our podcast.

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Speaker 3: That's insane.

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Speaker 2: So where like we have to if we are going

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Speaker 2: to survive in this in this new market, we need

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Speaker 2: to be playing the top contemporary hits of the day.

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Speaker 2: That's what we have to do on our podcast now

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Speaker 2: is find a way to do that.

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Speaker 3: So I don't understand what you want me to do.

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Speaker 2: You just say the ship, just say you did this,

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Speaker 2: be like yeah, that's fine, it's good.

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Speaker 1: Like because we will get in trouble if we just

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Speaker 1: play it.

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Speaker 2: We will be in big trouble.

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Speaker 1: We have to play it.

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Speaker 2: We already have gotten in big trouble many times. But

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Speaker 2: if we play it and Lily says, this is my song.

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Speaker 1: Thank you, and now who man is in trouble?

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Speaker 2: Now they're in trouble, right because.

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Speaker 1: If she goes, well, that's not Lily's song. But it's like,

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Speaker 1: but Lily did make a song and we played one

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Speaker 1: on here and you said it's yours. So now, like

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Speaker 1: I know I'm not in trouble. Right. Yeah, they might

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Speaker 1: be yeah or or thank you. You said yeah, but

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Speaker 1: you probably mean like, oh thanks.

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Speaker 3: It's going to make sure people visit my website afterwards.

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Speaker 1: But yeah, well the domain is so long. Okay, the

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Speaker 1: domain is insanely long. Lily and I think it's a

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Speaker 1: nice website and I enjoyed navigating it when I finally

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Speaker 1: got there, But just typing the domain was like half

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Speaker 1: of my Wednesday.

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Speaker 3: It's just for everybody, all the listeners. It's nine thousand

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Speaker 3: feet high into the mountains. You go to move those

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Speaker 3: fat around and jam jam to the sound dot com.

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Speaker 2: That's long and now that is so obviously this is

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Speaker 2: a big part of the lyrics of chairlift City. Where

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Speaker 2: you are where the city. I thought initially it was

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Speaker 2: a city where like everyone is riding chairlifts around, but

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Speaker 2: in fact, it is an entire city he built on

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Speaker 2: one seat of a chairlift.

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Speaker 3: Yeah, if you think about I guess because when I

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Speaker 3: fell in love, I fell in love on a chairlift,

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Speaker 3: and my world began on a bird No, with a

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Speaker 3: guy on the chair A guy, sorry, stranger I'd never

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Speaker 3: met before.

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Speaker 1: Sorry, you told me this already, sorry, he smiled.

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Speaker 3: And I thought, Wow, we could just build a town

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Speaker 3: right here, and I would be fined dying here.

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Speaker 2: So you the previces that you built a town on

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Speaker 2: the seat of the chair lift. You the town keeps

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Speaker 2: getting dumped off into the snow.

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Speaker 3: Do you guys know that song that goes like, oh,

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Speaker 3: he never returned, No, he never returned, And it's about

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Speaker 3: that guy who's stuck in the subway. Yeah, and he

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Speaker 3: like he lives his life in the subway and his

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Speaker 3: wife like brings some sandwiches, but for some reason, she

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Speaker 3: like never brings them in a corner to like get

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Speaker 3: out of the subway. You know what I'm talking about.

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Speaker 2: Yeah, Yeah, his name's Charlie. And it's actually not funny. Yeah, okay,

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Speaker 2: but I'm not saying you're saying it's funny, but it's

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Speaker 2: actually just let's cut it off at.

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Speaker 1: The past because you're smiling a little bit as you

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Speaker 1: talk about it, and it's actually not funny. It's severely

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Speaker 1: fucked up.

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Speaker 3: I'm crying, honestly, I'm crying. Look, this is my version

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Speaker 3: of that song because basically I was saying, I could

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Speaker 3: have stayed on that chair lift. I could have ridden

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Speaker 3: it round and round for the rest of my life. No,

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Speaker 3: you can built it, built a life on that seat

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Speaker 3: with that strange man that I wrote the thing with

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Speaker 3: the truth.

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Speaker 1: It's not for he gets off the chair lists.

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Speaker 3: He ended up getting off. Yeah and yeah, okay, we

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Speaker 3: didn't really talk, but for that brief, like I don't

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Speaker 3: know ten minutes, I was like, I live here, this

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Speaker 3: is my life. I could give birth on this thing.

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Speaker 3: We will create a society and a town.

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Speaker 1: Well, what happened happens, I mean in the song, and

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Speaker 1: I guess in the story is of course, you have

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Speaker 1: your skis sort of pointed down when the chairlift gets

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Speaker 1: to the top and they stick straight into the snow

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Speaker 1: and then it kind of bends you in half and

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Speaker 1: the chairlift like drags your snow pants up into like

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Speaker 1: a wedgie over your head, right, and then the guy

294
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Speaker 1: asks if you need help, and you like can't like

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Speaker 1: make words.

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Speaker 3: Well, and I ended up yelling no when I could. Yeah,

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Speaker 3: I just I yelled get away from me no, which

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Speaker 3: in retrospect it's like, man, I really couldn't.

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Speaker 1: It's hard to get through down those walls. Yeah, we

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00:17:35,400 --> 00:17:37,000
Speaker 1: all have these walls around us.

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Speaker 3: I think to society hates It teaches me to hate men,

302
00:17:41,760 --> 00:17:44,960
Speaker 3: and that moment, I really should have just listened to

303
00:17:45,040 --> 00:17:47,680
Speaker 3: my gut and been like, this is you know, ask

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Speaker 3: for help.

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Speaker 2: You.

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Speaker 1: It would be a flawed ally for sure, to be

307
00:17:50,440 --> 00:17:53,240
Speaker 1: helped by that man, but sometimes that's what's necessary to

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00:17:53,320 --> 00:17:56,320
Speaker 1: get you sort of to to where you need to go.

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Speaker 3: Yeah, pregnant and stuff.

310
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Speaker 1: Sure, But so I mean, well, but here we are

311
00:18:02,840 --> 00:18:05,000
Speaker 1: talking about your album when really we should be talking

312
00:18:05,040 --> 00:18:06,800
Speaker 1: about your album.

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Speaker 2: Let's play it again.

314
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Speaker 1: Let's play it again, line again, because I think it

315
00:18:10,760 --> 00:18:13,440
Speaker 1: was pretty powerful and we could take a lesson from it.

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Speaker 3: You guys, just go remember to go to my website

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Speaker 3: when this is all done.

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Speaker 1: I'm doing good.

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00:18:20,760 --> 00:18:21,880
Speaker 3: I'm on some new shit.

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Speaker 1: Okay, So, so, oh wow, what a way to start it.

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00:18:30,480 --> 00:18:33,359
Speaker 1: Like it's the very first and it's like, first of all,

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Speaker 1: I'm hearing the music, I go, how's this person doing? Okay,

323
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Speaker 1: you tell me right away, I should be at ease.

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00:18:39,600 --> 00:18:44,040
Speaker 1: You're doing good. But then a little cryptic almost you're

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Speaker 1: on some new shit. Yeah, so you're swearing at me,

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00:18:49,880 --> 00:18:57,560
Speaker 1: badass and you're on some new shit. Yeah, what does

327
00:18:57,600 --> 00:19:00,000
Speaker 1: that mean to you?

328
00:19:00,440 --> 00:19:07,199
Speaker 3: On vitamins, I've been taking and feeling way better than usual.

329
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Speaker 3: I have been feeling like, I mean, they should tell

330
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Speaker 3: us to take those things. They don't tell most people.

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Speaker 2: Gel caps, the little dusty ones, chewies, chewies.

332
00:19:23,080 --> 00:19:27,040
Speaker 1: Chewies, chewies, gel caps, slammers, hot pops.

333
00:19:26,920 --> 00:19:29,000
Speaker 2: They're all. They can all be chewies.

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00:19:28,760 --> 00:19:35,919
Speaker 1: Straight shots, whizzards, crack bangs, kabloomies. All of the vitamins,

335
00:19:35,960 --> 00:19:39,359
Speaker 1: you know, I love Oh, I love that. And the juice,

336
00:19:39,400 --> 00:19:43,440
Speaker 1: the vitamin juice that you just smear all over yourself. Yeah,

337
00:19:43,680 --> 00:19:44,560
Speaker 1: and I like that.

338
00:19:44,560 --> 00:19:46,880
Speaker 2: That's got the little cotton things so you can wipe

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Speaker 2: your mouth when you're done.

340
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Speaker 3: Yeah, that's what those are for, for sure. You stick

341
00:19:52,040 --> 00:19:52,359
Speaker 3: them in.

342
00:19:55,280 --> 00:20:01,280
Speaker 2: Talk about the vitamins, talk about what's inside the vitamins.

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Speaker 3: Usually I eat a whole can of the the gummy

344
00:20:06,040 --> 00:20:12,400
Speaker 3: bear ones, and it makes me feel insane, and then

345
00:20:12,480 --> 00:20:15,640
Speaker 3: I usually I realize like I've actually forgotten to take

346
00:20:15,680 --> 00:20:19,240
Speaker 3: my birth control, so I'll take like, you know, however

347
00:20:19,320 --> 00:20:22,960
Speaker 3: many days i'd missed, so sometimes that's a week, sometimes

348
00:20:23,000 --> 00:20:25,640
Speaker 3: that's two weeks. So I take all those and it's

349
00:20:25,680 --> 00:20:28,240
Speaker 3: like at the end, I'm like, Okay, well I don't

350
00:20:28,240 --> 00:20:32,560
Speaker 3: feel good, but I feel different, and so then I'll

351
00:20:32,840 --> 00:20:36,119
Speaker 3: usually take a big like hiker walk, and I always

352
00:20:36,119 --> 00:20:37,800
Speaker 3: try to get to bring water. So by the end

353
00:20:37,880 --> 00:20:39,919
Speaker 3: when I come home, I'm like, I have diarrhea, and

354
00:20:39,960 --> 00:20:46,120
Speaker 3: I feel like sick kind of and hot, yeah, and

355
00:20:46,400 --> 00:20:50,320
Speaker 3: confused and sort of like angry, and then like people

356
00:20:50,359 --> 00:20:53,760
Speaker 3: will be like did you eat, And I'll be like, no, yeah,

357
00:20:53,800 --> 00:20:58,080
Speaker 3: And that's usually when I like just pass out and

358
00:20:58,119 --> 00:21:00,399
Speaker 3: I sleep for like three hours and I come to

359
00:21:01,320 --> 00:21:03,120
Speaker 3: Let's talk about that's my new shit.

360
00:21:03,560 --> 00:21:06,200
Speaker 1: That's some new shit. Let's talk about shit.

361
00:21:06,520 --> 00:21:12,719
Speaker 2: Fairness, You eat thirty five gummy vitamins and then you

362
00:21:12,800 --> 00:21:16,399
Speaker 2: have one birth control pill you send down there. So

363
00:21:16,600 --> 00:21:20,200
Speaker 2: one gummy bear gets the birth control pill and is like, oh,

364
00:21:20,280 --> 00:21:23,080
Speaker 2: I have one and nobody else does. That's fair, no,

365
00:21:23,600 --> 00:21:24,119
Speaker 2: But you're.

366
00:21:24,000 --> 00:21:26,280
Speaker 1: Saying a case takes fourteen of them.

367
00:21:26,600 --> 00:21:29,920
Speaker 2: That's but that's what I'm saying. Every gummy bear deserves

368
00:21:30,320 --> 00:21:32,360
Speaker 2: does have its own birth control pill.

369
00:21:32,560 --> 00:21:35,320
Speaker 3: But the other thing is like if you think about,

370
00:21:35,720 --> 00:21:38,520
Speaker 3: you know, sperm and egg, like sometimes they have to fight,

371
00:21:39,480 --> 00:21:42,560
Speaker 3: and so it's okay that not every gummy bear is

372
00:21:42,560 --> 00:21:44,480
Speaker 3: going to get a birth control That's what I tell myself,

373
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Speaker 3: at least those days when I remember to take it.

374
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Speaker 2: Let's hear the next song, Kevin.

375
00:21:49,440 --> 00:21:51,040
Speaker 4: This is called Cardigan.

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Speaker 1: Do Quiet.

377
00:21:57,480 --> 00:21:58,320
Speaker 3: Renewful.

378
00:21:58,920 --> 00:22:07,560
Speaker 1: Okay.

379
00:22:08,440 --> 00:22:10,560
Speaker 2: I love to drink vintage tea.

380
00:22:10,880 --> 00:22:14,000
Speaker 1: This is a little bit. This is a little Lily

381
00:22:14,200 --> 00:22:17,920
Speaker 1: del Rey here, isn't it? It might something and influence

382
00:22:18,000 --> 00:22:21,640
Speaker 1: a tiny bit of a little a little Lily del

383
00:22:21,760 --> 00:22:22,520
Speaker 1: Rey here.

384
00:22:22,960 --> 00:22:27,160
Speaker 3: Yeah, she's she's been a huge part of my life.

385
00:22:28,480 --> 00:22:32,200
Speaker 1: That's you when you're being her, right, Lily Delray? Is

386
00:22:32,240 --> 00:22:32,959
Speaker 1: you when you're being her?

387
00:22:33,240 --> 00:22:36,960
Speaker 2: Yeah, but that's how huge part of her life this

388
00:22:37,040 --> 00:22:38,840
Speaker 2: person has been. It is actually her.

389
00:22:39,280 --> 00:22:42,560
Speaker 1: Yeah, but you're being you now, well you know, you

390
00:22:42,680 --> 00:22:45,639
Speaker 1: never know. Oh wow, that's cool.

391
00:22:45,760 --> 00:22:48,800
Speaker 3: She appears sort of. I also just like, I don't

392
00:22:48,840 --> 00:22:50,639
Speaker 3: really know what my lyrics were in that one, but

393
00:22:51,200 --> 00:22:51,880
Speaker 3: I feel.

394
00:22:51,680 --> 00:22:56,280
Speaker 1: Like ditch t Yeah, tea, the tea's old. Eh.

395
00:22:56,400 --> 00:22:59,840
Speaker 3: The tea is actually it's old, but the most important

396
00:22:59,840 --> 00:23:02,040
Speaker 3: part is that it was owned by the rich person.

397
00:23:02,080 --> 00:23:06,960
Speaker 2: First, Ah, you buy a stay sale, Well you go

398
00:23:07,359 --> 00:23:09,440
Speaker 2: fucking full girl boss on their ass.

399
00:23:09,440 --> 00:23:10,679
Speaker 3: For sure, you sell that.

400
00:23:11,080 --> 00:23:14,000
Speaker 1: Actually this vintage tea like yeah, you like tell them

401
00:23:14,040 --> 00:23:16,960
Speaker 1: like how valuable the vintage tea is and just school them?

402
00:23:17,560 --> 00:23:20,480
Speaker 2: And what else did? What else did did she say?

403
00:23:20,520 --> 00:23:21,040
Speaker 2: After that?

404
00:23:22,000 --> 00:23:26,280
Speaker 1: Lyrics wise, Kevin, what'd she say? High heeled shoes on cobblestones.

405
00:23:27,000 --> 00:23:29,119
Speaker 1: When you are young, they assume you know nothing.

406
00:23:30,240 --> 00:23:35,879
Speaker 3: So when I go to Europe, which is frequently, I.

407
00:23:35,680 --> 00:23:37,359
Speaker 1: Always Europe's pretty big.

408
00:23:38,359 --> 00:23:41,320
Speaker 3: I'll go to the west.

409
00:23:41,080 --> 00:23:44,480
Speaker 1: Top of it. Oh okay, I was going to say,

410
00:23:44,520 --> 00:23:45,800
Speaker 1: I haven't seen you there.

411
00:23:47,080 --> 00:23:48,160
Speaker 3: Because you go to the top.

412
00:23:48,359 --> 00:23:49,160
Speaker 1: I'm at the top.

413
00:23:51,680 --> 00:23:54,000
Speaker 3: Well, I'm usually the west.

414
00:23:54,480 --> 00:23:57,000
Speaker 1: Ah, okay, is it nice?

415
00:23:57,600 --> 00:23:59,080
Speaker 3: It's beautiful, it's stummy.

416
00:23:59,240 --> 00:24:01,320
Speaker 1: Yeah, top's good too. Nice.

417
00:24:01,560 --> 00:24:10,240
Speaker 2: I go to Europe's core, deep inside Europe's core.

418
00:24:11,200 --> 00:24:11,920
Speaker 3: That's awesome.

419
00:24:13,920 --> 00:24:16,160
Speaker 1: So you go there, you go there.

420
00:24:16,359 --> 00:24:20,400
Speaker 3: I go to the west. And when you go out

421
00:24:20,400 --> 00:24:22,800
Speaker 3: in Europe, you got you know, people eat really late

422
00:24:23,240 --> 00:24:28,879
Speaker 3: there till eleven two in the morning. You have your dinner.

423
00:24:29,480 --> 00:24:31,720
Speaker 3: So then that's usually when I'm like, well, time to

424
00:24:31,720 --> 00:24:34,000
Speaker 3: get all dolled up, and I put on a big

425
00:24:34,080 --> 00:24:37,960
Speaker 3: pair of heels and I just walk around and I

426
00:24:38,040 --> 00:24:42,360
Speaker 3: listen to what the men say about me. Well, everyone

427
00:24:42,480 --> 00:24:44,000
Speaker 3: eats their dinners.

428
00:24:44,840 --> 00:24:49,840
Speaker 2: They eat dinner when it's so dark out, and then

429
00:24:49,880 --> 00:24:51,320
Speaker 2: they go to sleep.

430
00:24:52,119 --> 00:24:55,760
Speaker 1: Standing up like horses.

431
00:24:55,840 --> 00:25:02,639
Speaker 2: Like horses, just when it's like when it's light outside.

432
00:25:03,400 --> 00:25:07,440
Speaker 3: And I don't want to be like stereotyping, but it's.

433
00:25:07,280 --> 00:25:11,520
Speaker 1: Please stop, Please don't know. That's not a stereotype. Just

434
00:25:11,520 --> 00:25:14,800
Speaker 1: to say something's completely fucked is not a stereotype. Like

435
00:25:14,840 --> 00:25:17,119
Speaker 1: when we talk about that, we're not stereotyping when we

436
00:25:17,160 --> 00:25:19,000
Speaker 1: say that that song about the man trap in the

437
00:25:19,000 --> 00:25:23,439
Speaker 1: subway is like not funny, it's fucked that.

438
00:25:23,520 --> 00:25:26,360
Speaker 2: I just want to point out, speaking of things being

439
00:25:26,400 --> 00:25:28,200
Speaker 2: sort of fucked up, the thing that you're just drinking

440
00:25:28,240 --> 00:25:32,520
Speaker 2: water out of is actually not a glass. That's a jar,

441
00:25:34,080 --> 00:25:40,119
Speaker 2: and it's for that's for that's for dried beans and

442
00:25:40,640 --> 00:25:44,479
Speaker 2: like other other like dry goods. That is not for water.

443
00:25:45,200 --> 00:25:49,920
Speaker 3: Honestly, I don't even want to be here, but I'm

444
00:25:49,960 --> 00:25:54,320
Speaker 3: like helping you guys, And we don't.

445
00:25:54,119 --> 00:25:55,520
Speaker 1: Want to be here, but we're helping you.

446
00:25:55,920 --> 00:26:00,119
Speaker 3: This kind of grief that you're giving me is absolutely.

447
00:25:59,480 --> 00:26:03,080
Speaker 1: Fucked good grief. You ever read Peanuts? Do you see

448
00:26:03,400 --> 00:26:06,280
Speaker 1: the ridges of the top that is for a lid.

449
00:26:07,160 --> 00:26:09,679
Speaker 1: The grief we're giving you is the good grief. Like

450
00:26:09,920 --> 00:26:11,840
Speaker 1: some there's grief that's bad, grief that you don't want,

451
00:26:11,840 --> 00:26:13,280
Speaker 1: and then there's good grief.

452
00:26:13,880 --> 00:26:16,719
Speaker 3: That's just like with Europe, there's like good Europe the West,

453
00:26:16,920 --> 00:26:18,200
Speaker 3: and then the rest is bad.

454
00:26:18,800 --> 00:26:21,120
Speaker 1: Yeah oh yeah, so it says someone who's never been

455
00:26:21,160 --> 00:26:26,320
Speaker 1: to the top. Let's hear another song man.

456
00:26:27,080 --> 00:26:32,240
Speaker 4: This one is called the Last Great American Dynasty MM.

457
00:26:36,080 --> 00:26:39,480
Speaker 1: Banging thing ban? What's just gonna do?

458
00:26:43,560 --> 00:26:49,040
Speaker 3: Becca rode up only afternoon train. It was sunny, the

459
00:26:49,280 --> 00:26:51,879
Speaker 3: salt box House on the coast took a mind of

460
00:26:52,080 --> 00:27:00,159
Speaker 3: Saint Louis. Stop who So Rebecca and I, actually you

461
00:27:00,200 --> 00:27:09,520
Speaker 3: aren't close anymore. We had a really big calling out.

462
00:27:10,359 --> 00:27:11,240
Speaker 1: What was it over?

463
00:27:12,280 --> 00:27:16,800
Speaker 3: So I had I have this like really pretty like

464
00:27:16,960 --> 00:27:23,040
Speaker 3: low cut shirt from Reformation. It's really expensive, and I

465
00:27:23,119 --> 00:27:25,000
Speaker 3: let her borrow it when we were going out one

466
00:27:25,080 --> 00:27:29,040
Speaker 3: night and she didn't give it back to me, which

467
00:27:29,080 --> 00:27:32,960
Speaker 3: is like fine, because that's okay. But then I see

468
00:27:33,000 --> 00:27:34,879
Speaker 3: her like maybe like a week or two later, and

469
00:27:34,920 --> 00:27:36,320
Speaker 3: I was like, can I get my shirt back from you?

470
00:27:36,440 --> 00:27:38,080
Speaker 3: And she was like, I don't know which shirt you're

471
00:27:38,080 --> 00:27:40,280
Speaker 3: talking about. And I was like, the low cut Reformation

472
00:27:40,320 --> 00:27:42,280
Speaker 3: when it's brand new, I haven't even worn it yet.

473
00:27:42,280 --> 00:27:44,800
Speaker 3: I can't believe I let you wear it. And she goes, well,

474
00:27:45,240 --> 00:27:48,440
Speaker 3: I have to wash it first, And so then two

475
00:27:48,480 --> 00:27:53,439
Speaker 3: months go by and she like goes missing.

476
00:27:54,600 --> 00:27:55,480
Speaker 1: Very convenient.

477
00:27:56,240 --> 00:27:58,520
Speaker 2: I have a theory about just from what I know

478
00:27:58,640 --> 00:28:02,160
Speaker 2: about the way you like to go out with your friends,

479
00:28:03,280 --> 00:28:05,520
Speaker 2: I think she may Is it possible that she was

480
00:28:05,560 --> 00:28:09,720
Speaker 2: stuck in the cobblestones you wear, like if you wear

481
00:28:09,760 --> 00:28:12,360
Speaker 2: heels of the cobblestones, it is possible that, like when

482
00:28:12,359 --> 00:28:14,080
Speaker 2: she says she has to wash the shirt, it may

483
00:28:14,080 --> 00:28:16,439
Speaker 2: be because she's been wearing it for two weeks she is

484
00:28:16,480 --> 00:28:17,520
Speaker 2: in the middle of the street.

485
00:28:18,920 --> 00:28:22,480
Speaker 3: Yeah, it's possible. But I've also like, I've had friends

486
00:28:22,560 --> 00:28:25,280
Speaker 3: that that's happened to, and they always reach out after

487
00:28:25,400 --> 00:28:28,240
Speaker 3: like a few weeks. So it was just weird.

488
00:28:28,280 --> 00:28:32,920
Speaker 1: She may have been dragged off, But but you've had

489
00:28:32,920 --> 00:28:35,320
Speaker 1: friends who that's happened to, right, Yeah, exactly, And there's

490
00:28:35,320 --> 00:28:36,320
Speaker 1: an etiquette to that.

491
00:28:36,720 --> 00:28:39,080
Speaker 3: Yeah, And like this just wasn't that kind of situation.

492
00:28:39,600 --> 00:28:43,200
Speaker 3: She full blown went missing. We still don't know where

493
00:28:43,280 --> 00:28:45,600
Speaker 3: she is, and I'm so pissed at her.

494
00:28:46,400 --> 00:28:49,080
Speaker 1: I'm sorry that happened. Yeah, that's crazy. If she went

495
00:28:49,120 --> 00:28:50,920
Speaker 1: missing just to keep your shirt.

496
00:28:51,800 --> 00:28:54,400
Speaker 3: Well, the police say it's worse than that, but at

497
00:28:54,400 --> 00:28:55,120
Speaker 3: this point, I'm.

498
00:28:55,000 --> 00:28:58,920
Speaker 1: Just like, isn't that just what police to think? Yes, exactly,

499
00:28:59,040 --> 00:29:01,800
Speaker 1: and regardless should have like just given it back on

500
00:29:01,880 --> 00:29:04,880
Speaker 1: time exactly. So it's kind then even if she is

501
00:29:04,920 --> 00:29:07,080
Speaker 1: like hurt or dad, it.

502
00:29:07,000 --> 00:29:08,720
Speaker 3: Doesn't even matter to me at this point, Like if

503
00:29:08,760 --> 00:29:10,800
Speaker 3: she was my friend, she would have given me back the.

504
00:29:10,840 --> 00:29:12,120
Speaker 1: Ship the first time.

505
00:29:12,200 --> 00:29:16,840
Speaker 2: Yeah, so this is the last great American dynasty?

506
00:29:18,560 --> 00:29:19,440
Speaker 1: Is your friendship?

507
00:29:20,080 --> 00:29:22,640
Speaker 3: M Yeah, if you think about it.

508
00:29:22,720 --> 00:29:24,680
Speaker 1: Yeah, is this Rebecca Hall?

509
00:29:25,840 --> 00:29:26,840
Speaker 3: Yeah?

510
00:29:26,880 --> 00:29:27,640
Speaker 1: From the Town?

511
00:29:29,120 --> 00:29:29,680
Speaker 3: Yeah it is.

512
00:29:30,600 --> 00:29:33,000
Speaker 1: Oh wow. And that's so that's a little dig at

513
00:29:33,000 --> 00:29:35,160
Speaker 1: her too when you because the second line is like

514
00:29:35,240 --> 00:29:37,920
Speaker 1: that the day was sunny or whatever, and that's a

515
00:29:37,960 --> 00:29:40,600
Speaker 1: reference to the famous line in the Town where she goes,

516
00:29:40,720 --> 00:29:42,680
Speaker 1: just another one of sunny days.

517
00:29:45,240 --> 00:29:46,160
Speaker 3: That's exactly it.

518
00:29:46,560 --> 00:29:49,920
Speaker 2: She lost her brother died on a sunny day, and

519
00:29:50,000 --> 00:29:53,800
Speaker 2: so sunny days make her sad. And she tells Ben

520
00:29:53,880 --> 00:29:58,440
Speaker 2: Affleck that and he's like, that's actually cool. And then

521
00:29:58,480 --> 00:30:02,200
Speaker 2: at the end she loved well, it's not actually him

522
00:30:02,200 --> 00:30:06,560
Speaker 2: in the movie. He's being somebody else. But at the end,

523
00:30:06,960 --> 00:30:11,800
Speaker 2: at the end, at the end, yes, she she is

524
00:30:11,880 --> 00:30:14,920
Speaker 2: calling the guy. She's calling Ben Affleck, good guy.

525
00:30:15,000 --> 00:30:17,680
Speaker 1: Yes, and they're but she's not alone. They're listening.

526
00:30:17,920 --> 00:30:21,160
Speaker 2: They're listening, yes, and she's and she's and they're like,

527
00:30:21,240 --> 00:30:24,120
Speaker 2: tell him to come here and and we'll get Okay,

528
00:30:24,200 --> 00:30:27,160
Speaker 2: well then we'll be able to get him. But she says,

529
00:30:27,240 --> 00:30:29,400
Speaker 2: and she said, and she says, okay, come over here.

530
00:30:29,520 --> 00:30:32,120
Speaker 2: Yeah she does, and he says, and she's like, I

531
00:30:32,160 --> 00:30:33,800
Speaker 2: can't wait to see you. It'll be just like one

532
00:30:33,800 --> 00:30:38,920
Speaker 2: of my sunny days, okay. And so he knows, and

533
00:30:38,960 --> 00:30:40,440
Speaker 2: so he knows, and that's a clue.

534
00:30:40,880 --> 00:30:45,040
Speaker 1: But they're yes, but you but they're waiting after because

535
00:30:45,040 --> 00:30:47,280
Speaker 1: it's not actually the end. It's the end, but it's

536
00:30:47,280 --> 00:30:50,280
Speaker 1: not the total end because the end at the end,

537
00:30:51,240 --> 00:30:56,959
Speaker 1: then John goes our friend John is like, oh, Sonny,

538
00:30:57,000 --> 00:31:00,520
Speaker 1: oh another one of your sunny days. Huh. And then

539
00:31:00,560 --> 00:31:04,000
Speaker 1: he just looks and he goes, you know, the FBI

540
00:31:04,280 --> 00:31:12,520
Speaker 1: is is huge, right, WHOA, Yeah.

541
00:31:11,600 --> 00:31:13,640
Speaker 2: We should have asked him when he did the show,

542
00:31:14,480 --> 00:31:17,840
Speaker 2: why he thought that was a normal thing for her

543
00:31:17,880 --> 00:31:21,160
Speaker 2: to say. This is John Hamm, Yeah he did the show.

544
00:31:21,480 --> 00:31:22,200
Speaker 1: Yeah.

545
00:31:22,240 --> 00:31:24,480
Speaker 3: Wow, you guys get really big people on here.

546
00:31:25,160 --> 00:31:25,720
Speaker 1: He used to.

547
00:31:28,640 --> 00:31:30,600
Speaker 3: Again, I don't even want to be here.

548
00:31:35,160 --> 00:31:41,800
Speaker 1: Whoa, whoa? Play another dog? Yeah?

549
00:31:42,480 --> 00:31:45,000
Speaker 4: This is called Exile featuring Bonie Vere.

550
00:31:59,400 --> 00:32:05,320
Speaker 1: I can see who is that? It's Bond, that's Bond,

551
00:32:05,440 --> 00:32:09,240
Speaker 1: that's up Bond, that's Bond, that's up Bond. Bond sounds

552
00:32:09,280 --> 00:32:13,000
Speaker 1: like this, Come on, can't he love just last here?

553
00:32:14,280 --> 00:32:17,520
Speaker 3: I asked him to change his tune, literally, my.

554
00:32:17,600 --> 00:32:23,840
Speaker 1: Man, ma, ma, man, man, man man. What did he say?

555
00:32:25,560 --> 00:32:29,960
Speaker 3: He said, okay, and I said, yeah, damn right, no.

556
00:32:30,000 --> 00:32:34,040
Speaker 1: What he say in the song saying when he sounds

557
00:32:34,080 --> 00:32:34,280
Speaker 1: like this?

558
00:32:34,920 --> 00:32:36,880
Speaker 3: And he was like, well, I'm gonna have to change

559
00:32:36,880 --> 00:32:39,520
Speaker 3: some of the lyrics. I said, well, since a win,

560
00:32:40,000 --> 00:32:42,000
Speaker 3: this is my song. He said, well, this is what

561
00:32:42,120 --> 00:32:44,480
Speaker 3: I want to say. He wanted to say something about treaties.

562
00:32:45,120 --> 00:32:48,480
Speaker 3: I was like, I don't care. So instead he says,

563
00:32:48,760 --> 00:32:52,400
Speaker 3: but he says, which is Could you play it again? Kevin?

564
00:32:52,520 --> 00:32:55,640
Speaker 1: Of course, not the whole beginning part. It was so boring.

565
00:32:56,000 --> 00:32:56,920
Speaker 1: I can see you.

566
00:32:57,000 --> 00:33:03,360
Speaker 5: Stand I can see and honey, Yeah, that's not Bond man,

567
00:33:05,080 --> 00:33:09,680
Speaker 5: Bond dude, Bond sounds like this I can see from

568
00:33:09,760 --> 00:33:12,160
Speaker 5: miles miles miles.

569
00:33:14,440 --> 00:33:17,840
Speaker 3: The original lyrics were actually, I can see you stand,

570
00:33:18,960 --> 00:33:25,320
Speaker 3: uh buddy, And he said, couldn't be changed to honey?

571
00:33:26,280 --> 00:33:30,280
Speaker 3: And I said, that's weird. Yeah, I call everybody like

572
00:33:30,360 --> 00:33:33,400
Speaker 3: all the guys I date, like Buddy, sport Champ.

573
00:33:34,000 --> 00:33:36,640
Speaker 1: Mm hmmm, Ace, I've heard you call guys Ace a

574
00:33:36,720 --> 00:33:43,320
Speaker 1: lot killer spun spun killer.

575
00:33:44,000 --> 00:33:52,760
Speaker 3: Yeah, boss big boy. So he said, can we changed

576
00:33:52,760 --> 00:33:58,640
Speaker 3: to honey? I said, well, we'll see, and I slept

577
00:33:58,640 --> 00:34:04,480
Speaker 3: on it and then I said, okay, oh, story, that's

578
00:34:04,520 --> 00:34:05,440
Speaker 3: the story.

579
00:34:05,120 --> 00:34:07,240
Speaker 1: With that story really.

580
00:34:08,800 --> 00:34:09,799
Speaker 2: Kind of petered out.

581
00:34:09,920 --> 00:34:14,560
Speaker 3: But what are you talking about. That's a good story.

582
00:34:15,400 --> 00:34:18,080
Speaker 2: Okay, let's hear the next song. We have to get

583
00:34:18,120 --> 00:34:19,560
Speaker 2: through so many more of these.

584
00:34:19,800 --> 00:34:21,880
Speaker 4: This is called My Tears Ricochet.

585
00:34:22,520 --> 00:34:41,799
Speaker 1: Okay, m hmm, yeah, I can't help it. We're gonna

586
00:34:41,880 --> 00:34:48,000
Speaker 1: run out of time. We get the cue, we line up.

587
00:34:48,200 --> 00:34:49,439
Speaker 3: We've been in a song.

588
00:34:51,120 --> 00:34:54,000
Speaker 1: Okay, So I'm hearing a little Lily del Rey here.

589
00:34:56,160 --> 00:34:57,080
Speaker 1: Am I mistaken?

590
00:34:58,120 --> 00:35:05,400
Speaker 3: No, you know you're not. Lana actually reached out to

591
00:35:05,520 --> 00:35:11,120
Speaker 3: me and was kind of accusatory, you know, did you

592
00:35:11,280 --> 00:35:13,000
Speaker 3: Why are you gonna talk? Why are you singing like

593
00:35:13,040 --> 00:35:16,080
Speaker 3: that taking my lyrics? And I was like, they're not

594
00:35:16,160 --> 00:35:19,880
Speaker 3: your lyrics, there's words. And then I said, well, my

595
00:35:19,960 --> 00:35:21,120
Speaker 3: lawyers will be in touch.

596
00:35:22,200 --> 00:35:25,480
Speaker 2: And you're suing her. Now, that's what she gets for

597
00:35:25,600 --> 00:35:26,239
Speaker 2: calling you.

598
00:35:26,960 --> 00:35:30,880
Speaker 1: When you start telling a story, now, I'm always primed

599
00:35:30,920 --> 00:35:32,640
Speaker 1: for it to end with like oh. And then she

600
00:35:32,719 --> 00:35:33,880
Speaker 1: said okay.

601
00:35:35,600 --> 00:35:38,279
Speaker 3: So well yeah, so I said my lawyers will be

602
00:35:38,320 --> 00:35:42,200
Speaker 3: in touch, and she said okay, And did they get

603
00:35:42,239 --> 00:35:42,640
Speaker 3: in touch.

604
00:35:43,640 --> 00:35:43,719
Speaker 1: No.

605
00:35:43,920 --> 00:35:45,920
Speaker 3: They they were like, you can't sue her?

606
00:35:46,640 --> 00:35:49,080
Speaker 1: Oh and did she sue you?

607
00:35:49,920 --> 00:35:50,480
Speaker 3: Yeah?

608
00:35:50,800 --> 00:35:51,240
Speaker 1: Yeah?

609
00:35:52,000 --> 00:35:55,879
Speaker 2: What does it mean? My tears ricochet? And imagine if

610
00:35:55,880 --> 00:35:58,480
Speaker 2: you could, if you could fire your tears.

611
00:35:58,840 --> 00:36:01,839
Speaker 1: That's that's my x Men power. Oh that would be

612
00:36:01,880 --> 00:36:03,279
Speaker 1: so cool as it's mine.

613
00:36:03,360 --> 00:36:07,120
Speaker 2: So Sad and I can curve my tears around corners.

614
00:36:07,320 --> 00:36:12,239
Speaker 1: Yes, I yes, like with the bullet and wanted and

615
00:36:12,320 --> 00:36:14,200
Speaker 1: I just stand right in front of me and hang on,

616
00:36:14,239 --> 00:36:16,480
Speaker 1: I'm gonna shoot this guy behind you with my tears.

617
00:36:16,920 --> 00:36:18,960
Speaker 1: And all I have to do is just think about something,

618
00:36:19,200 --> 00:36:22,160
Speaker 1: so Sad and I can save everyone.

619
00:36:22,480 --> 00:36:23,280
Speaker 3: That's beautiful.

620
00:36:23,880 --> 00:36:27,320
Speaker 1: Yeah, well it's kind of a hard life, but I

621
00:36:27,800 --> 00:36:30,720
Speaker 1: care about the humanity. So even though I'm a mutant,

622
00:36:30,760 --> 00:36:33,280
Speaker 1: I have to freaking keep myself sad all the time.

623
00:36:34,200 --> 00:36:36,200
Speaker 3: Oh, I'm sorry to hear that.

624
00:36:37,440 --> 00:36:38,040
Speaker 1: No you're not.

625
00:36:39,160 --> 00:36:48,200
Speaker 3: Oh. The tears Ricochet line for me is, you know

626
00:36:48,360 --> 00:36:51,680
Speaker 3: when you're dating somebody and you're like, they're like, it's

627
00:36:51,719 --> 00:36:55,319
Speaker 3: my birthday and you're they're having like a party.

628
00:36:55,480 --> 00:36:58,960
Speaker 1: And you're like, don't have your birthday, slick, Yeah.

629
00:37:00,440 --> 00:37:05,680
Speaker 3: Happy birthday. My buddy's my big, big buddy. When you're

630
00:37:05,719 --> 00:37:08,520
Speaker 3: at their birthday and like they're like all their friends

631
00:37:08,560 --> 00:37:11,279
Speaker 3: are there and you don't like their friends, and you're

632
00:37:11,440 --> 00:37:13,799
Speaker 3: not having a good time, and you're kind of like, well,

633
00:37:13,880 --> 00:37:15,400
Speaker 3: I think I'm going to just like kind of be

634
00:37:15,520 --> 00:37:18,600
Speaker 3: sulky and like poudy about it. Yeah, and so you

635
00:37:18,719 --> 00:37:22,719
Speaker 3: kind of are like staring at at your buddy and

636
00:37:22,760 --> 00:37:25,600
Speaker 3: you're kind of being like moody and unhappy, and.

637
00:37:25,760 --> 00:37:28,640
Speaker 2: Yeah, you're trying to ruin everything, but they they sort

638
00:37:28,640 --> 00:37:29,919
Speaker 2: of seem to be having a good time.

639
00:37:29,960 --> 00:37:33,600
Speaker 3: So yeah, and then finally you catch their eye and

640
00:37:34,080 --> 00:37:38,359
Speaker 3: you're like staring at them and your eyes are all water.

641
00:37:38,480 --> 00:37:42,840
Speaker 3: You look so miserable, and they're like, what, what's wrong.

642
00:37:42,920 --> 00:37:46,840
Speaker 3: What And you're like, I just don't feel good. I

643
00:37:46,920 --> 00:37:50,200
Speaker 3: feel like shit right now when I need to go home,

644
00:37:50,840 --> 00:37:52,799
Speaker 3: and they're like, but it's my birthday, and you're like,

645
00:37:52,840 --> 00:37:55,480
Speaker 3: but I just want to, like I need to lay down.

646
00:37:55,520 --> 00:37:58,319
Speaker 3: I have a headache and I took so many fight

647
00:37:58,400 --> 00:38:02,800
Speaker 3: events that I feel sick. And they're like, well, okay,

648
00:38:02,800 --> 00:38:04,920
Speaker 3: but like I guess i'll walk I'll walk you home,

649
00:38:04,960 --> 00:38:07,359
Speaker 3: but I'm going to come back at the end. And

650
00:38:07,400 --> 00:38:09,879
Speaker 3: so you're like, okay, that's fine. And then you get

651
00:38:09,920 --> 00:38:11,960
Speaker 3: home and that's when you start to just like ball

652
00:38:12,040 --> 00:38:14,560
Speaker 3: your fucking eyes out and they have to stay and

653
00:38:14,600 --> 00:38:16,719
Speaker 3: they have to like lay with you and comfort you

654
00:38:16,800 --> 00:38:22,040
Speaker 3: while you guys watch a movie. That to me when

655
00:38:22,200 --> 00:38:28,920
Speaker 3: tears Jones Diary. Yes, that to me is when tears ricochet.

656
00:38:29,440 --> 00:38:32,480
Speaker 1: You go throw on bj D for me, Chief bj

657
00:38:32,960 --> 00:38:37,279
Speaker 1: D two. Oh you had to do it to him.

658
00:38:37,600 --> 00:38:39,240
Speaker 1: You didn't have to go that hard, Lily.

659
00:38:40,719 --> 00:38:42,719
Speaker 3: I have to go hard. That's all I can do.

660
00:38:42,760 --> 00:38:43,640
Speaker 3: I have one speed.

661
00:38:44,840 --> 00:38:45,360
Speaker 1: Mm hmmm.

662
00:38:45,719 --> 00:38:49,799
Speaker 3: So your buddy he lays with you and you you

663
00:38:50,440 --> 00:38:54,960
Speaker 3: just the couch gets so wet with your tears. But

664
00:38:55,040 --> 00:38:55,600
Speaker 3: that's love.

665
00:38:56,040 --> 00:38:57,360
Speaker 1: And how are they ricocheting?

666
00:38:57,560 --> 00:38:57,680
Speaker 3: What?

667
00:38:57,880 --> 00:39:00,600
Speaker 1: Is because I know that they like, I know the

668
00:39:00,719 --> 00:39:02,440
Speaker 1: tears part I've heard a lot.

669
00:39:02,280 --> 00:39:05,880
Speaker 3: About because he starts crying too because he's missing his birthday.

670
00:39:06,520 --> 00:39:09,920
Speaker 3: So it's like your tears have bounced off of you

671
00:39:10,120 --> 00:39:15,040
Speaker 3: and onto him, and it's just this big cycle.

672
00:39:15,800 --> 00:39:18,600
Speaker 2: And now you're not crying anymore. You're happy watching the

673
00:39:18,640 --> 00:39:19,280
Speaker 2: funny movie.

674
00:39:19,560 --> 00:39:27,800
Speaker 3: Exactly, you got what you wanted. That's a beautiful tale

675
00:39:27,840 --> 00:39:28,520
Speaker 3: of that song.

676
00:39:29,400 --> 00:39:32,560
Speaker 2: Okay, we have to hear another song now, Kevin. We

677
00:39:32,760 --> 00:39:35,800
Speaker 2: think we have like nine more songs. This is called

678
00:39:35,960 --> 00:39:36,640
Speaker 2: mirror Ball.

679
00:39:43,880 --> 00:39:54,000
Speaker 6: I really like these slow intros, you know, almost like

680
00:39:54,040 --> 00:39:59,320
Speaker 6: a Lily clo sound, doesn't it feels it does feel

681
00:39:59,360 --> 00:40:00,480
Speaker 6: like a lily brows.

682
00:40:04,920 --> 00:40:08,239
Speaker 2: Talk about the original title for this song, mirror Ball,

683
00:40:08,360 --> 00:40:14,800
Speaker 2: a true underdog story.

684
00:40:17,800 --> 00:40:23,520
Speaker 3: Mirror Ball is when it is based on when I

685
00:40:23,600 --> 00:40:26,680
Speaker 3: used to go and see this man who would tell

686
00:40:26,920 --> 00:40:29,279
Speaker 3: like fortunes to me and my friends and we look

687
00:40:29,320 --> 00:40:33,520
Speaker 3: into this like ball thing and he would be like,

688
00:40:33,680 --> 00:40:37,000
Speaker 3: your life is not going to be good and I

689
00:40:37,000 --> 00:40:41,760
Speaker 3: would be like, what that's a fuck? And my friend

690
00:40:42,120 --> 00:40:44,080
Speaker 3: you'd be like, you you're going to be rich and

691
00:40:44,120 --> 00:40:48,520
Speaker 3: you're gonna be like you're gonna be Yeah, that kind

692
00:40:48,560 --> 00:40:52,120
Speaker 3: of stuff. And so one day I grabbed the ball

693
00:40:52,400 --> 00:40:56,279
Speaker 3: and I ran. I just ran and I ran, and

694
00:40:57,960 --> 00:40:59,640
Speaker 3: by the time I made it to the top of the.

695
00:40:59,640 --> 00:41:00,840
Speaker 1: Hike, a sort.

696
00:41:02,239 --> 00:41:05,040
Speaker 3: No. I ran up. I ran up Griffith Park, actually

697
00:41:05,680 --> 00:41:06,840
Speaker 3: to the observatory.

698
00:41:07,040 --> 00:41:08,720
Speaker 1: It's really hard. Oh wow.

699
00:41:10,920 --> 00:41:15,319
Speaker 3: And I overlooked all of LA and I said, I'll

700
00:41:15,400 --> 00:41:18,960
Speaker 3: show you. I'm gonna make it in this town. And

701
00:41:19,360 --> 00:41:20,080
Speaker 3: I have.

702
00:41:21,880 --> 00:41:22,280
Speaker 1: Wow.

703
00:41:22,800 --> 00:41:26,560
Speaker 2: Once again. The story. I did.

704
00:41:27,960 --> 00:41:31,719
Speaker 1: As much conflict in it as you would normally see

705
00:41:31,719 --> 00:41:32,440
Speaker 1: in a story.

706
00:41:33,600 --> 00:41:37,000
Speaker 3: And my friends called me and they said, okay.

707
00:41:38,400 --> 00:41:40,440
Speaker 1: They just they called you and said okay.

708
00:41:41,480 --> 00:41:43,480
Speaker 3: They said, okay, okay.

709
00:41:43,719 --> 00:41:46,279
Speaker 2: That doesn't explain the subtitle. Really, I mean, I guess

710
00:41:46,320 --> 00:41:49,799
Speaker 2: it kind of does, doesn't. Under your Egg, doesn't it

711
00:41:49,920 --> 00:41:52,239
Speaker 2: Like the line in the song that says, if you

712
00:41:52,239 --> 00:41:56,880
Speaker 2: can mirror wrench, you can mirror a ball, there's just

713
00:41:56,920 --> 00:41:57,680
Speaker 2: like none of it.

714
00:41:58,200 --> 00:41:59,920
Speaker 3: If you can mirror wrench.

715
00:42:00,719 --> 00:42:02,719
Speaker 1: You can mirror a wrench, you can mirror a ball.

716
00:42:04,000 --> 00:42:08,919
Speaker 3: So I think that just means you can't know what

717
00:42:09,000 --> 00:42:11,719
Speaker 3: your reflection is going to look like. You don't know

718
00:42:11,800 --> 00:42:14,759
Speaker 3: what your body's going to look like every day, and

719
00:42:15,000 --> 00:42:18,000
Speaker 3: to try and decide today I want to look like

720
00:42:18,040 --> 00:42:20,800
Speaker 3: a ball or they look like a wrench.

721
00:42:21,400 --> 00:42:24,280
Speaker 1: Yeah, that's not possible.

722
00:42:25,200 --> 00:42:26,080
Speaker 3: So that's that one.

723
00:42:26,640 --> 00:42:27,560
Speaker 1: What's the next song?

724
00:42:28,800 --> 00:42:30,919
Speaker 4: This next one is called son We.

725
00:42:30,920 --> 00:42:34,360
Speaker 1: Have to go home? Yeah, what I really have to

726
00:42:34,400 --> 00:42:36,600
Speaker 1: get home after this. We have to go home. We

727
00:42:36,680 --> 00:42:37,359
Speaker 1: have to get home.

728
00:42:37,520 --> 00:42:38,439
Speaker 3: You guys are home.

729
00:42:38,719 --> 00:42:40,360
Speaker 1: Maybe we can speed through some of these.

730
00:42:40,680 --> 00:42:41,160
Speaker 2: Okay.

731
00:42:41,640 --> 00:42:42,760
Speaker 4: This one's called seven.

732
00:42:48,000 --> 00:42:49,720
Speaker 2: This one started too fast?

733
00:42:50,760 --> 00:42:52,160
Speaker 1: Did you are you playing it fast?

734
00:42:52,480 --> 00:42:54,440
Speaker 2: Was that at the very beginning?

735
00:42:54,680 --> 00:42:56,440
Speaker 4: That's beginning normal speed?

736
00:42:57,440 --> 00:42:58,759
Speaker 3: Please pick so me?

737
00:43:00,320 --> 00:43:04,239
Speaker 1: Okay, is this about this? What's so? What are you

738
00:43:04,280 --> 00:43:04,880
Speaker 1: talking about?

739
00:43:05,920 --> 00:43:10,480
Speaker 3: Picture of me on you know all the time?

740
00:43:11,080 --> 00:43:12,280
Speaker 1: This one?

741
00:43:13,040 --> 00:43:14,680
Speaker 4: This next one is called August.

742
00:43:15,760 --> 00:43:19,080
Speaker 1: That's when I was born. That's my birth month Paradi.

743
00:43:20,800 --> 00:43:23,840
Speaker 2: And it's number eight when August is the eighth one.

744
00:43:24,840 --> 00:43:28,640
Speaker 4: Okay, This next one is called this is Me trying.

745
00:43:31,239 --> 00:43:34,200
Speaker 3: This one. I definitely wrote I've worked so hard on

746
00:43:34,320 --> 00:43:34,840
Speaker 3: this one.

747
00:43:35,040 --> 00:43:38,040
Speaker 1: I'm not talking because they skipped mine. You skipped my

748
00:43:38,080 --> 00:43:40,840
Speaker 1: birth month on purpose, and so I skip you and

749
00:43:40,920 --> 00:43:43,160
Speaker 1: I skipped talking to you for the rest of the episode.

750
00:43:43,360 --> 00:43:43,640
Speaker 1: I do.

751
00:43:44,560 --> 00:43:46,680
Speaker 3: I am doing you guys a favor being here.

752
00:43:47,200 --> 00:43:49,560
Speaker 1: I'm doing you a favor. Do you listen to the

753
00:43:49,680 --> 00:43:52,359
Speaker 1: freaking album? This is real music.

754
00:43:52,360 --> 00:43:54,040
Speaker 3: We're other plans. Today.

755
00:43:54,480 --> 00:43:56,120
Speaker 1: I have a bunch.

756
00:43:55,920 --> 00:43:57,880
Speaker 3: Of vitamins and go for a hike. And this is

757
00:43:57,880 --> 00:43:59,239
Speaker 3: the kind of payment I get.

758
00:44:00,120 --> 00:44:03,560
Speaker 1: Oh please, this is the respect I get you vitamin

759
00:44:03,640 --> 00:44:06,360
Speaker 1: hike in this weather, you end up like freaking Rebecca,

760
00:44:06,600 --> 00:44:08,200
Speaker 1: just missing off the planet.

761
00:44:08,280 --> 00:44:09,560
Speaker 3: How dare you bring her up?

762
00:44:10,560 --> 00:44:12,400
Speaker 1: She's fucking you don't even like her.

763
00:44:12,560 --> 00:44:15,719
Speaker 3: She's dead to me. That top was one hundred and

764
00:44:15,760 --> 00:44:19,160
Speaker 3: fifty dollars, low cut, puffy sleeves.

765
00:44:23,600 --> 00:44:28,799
Speaker 1: It sounds stunning. Okay, all right, all right, look this

766
00:44:28,920 --> 00:44:32,360
Speaker 1: got pretty heated. I'm gonna be the bigger person here

767
00:44:33,640 --> 00:44:38,000
Speaker 1: and I'm prepared to accept your apology.

768
00:44:38,880 --> 00:44:39,960
Speaker 2: This is excellent.

769
00:44:40,120 --> 00:44:40,920
Speaker 3: This is sick.

770
00:44:41,960 --> 00:44:43,760
Speaker 2: But just like who's doing who a favor?

771
00:44:43,840 --> 00:44:49,040
Speaker 3: The album, the album isn't eaten in my fucking album.

772
00:44:49,280 --> 00:44:52,040
Speaker 1: No, but the album people want to hear it. The

773
00:44:52,080 --> 00:44:56,240
Speaker 1: thing you sent us is like unintelligible.

774
00:44:55,640 --> 00:44:58,600
Speaker 2: It's very and what you can hear is like very corny.

775
00:44:58,800 --> 00:45:02,640
Speaker 2: All the songs are about skiing, not true.

776
00:45:02,760 --> 00:45:05,120
Speaker 3: Some of the songs are about bluegrass music in the summer.

777
00:45:07,280 --> 00:45:11,280
Speaker 1: One of the songs is about that, and the narrator

778
00:45:11,280 --> 00:45:13,759
Speaker 1: of that song really misses skiing and can't wait for

779
00:45:13,800 --> 00:45:17,440
Speaker 1: it to get cold again. So to me, that's still

780
00:45:17,480 --> 00:45:18,040
Speaker 1: about it.

781
00:45:18,760 --> 00:45:23,280
Speaker 3: With all the different types of beer, all these bearded

782
00:45:23,360 --> 00:45:27,000
Speaker 3: men asking me what's in this one? Is it hops?

783
00:45:27,880 --> 00:45:30,600
Speaker 1: That is the best song you have, But then you

784
00:45:30,680 --> 00:45:33,080
Speaker 1: rhyme beer with I can't wait for the snow to

785
00:45:33,120 --> 00:45:36,560
Speaker 1: get back here. God, I'm gonna ski t he he

786
00:45:36,800 --> 00:45:39,200
Speaker 1: t he he, which you do rhyme with ski in

787
00:45:39,440 --> 00:45:41,279
Speaker 1: every song you rhyme it with t.

788
00:45:41,360 --> 00:45:50,000
Speaker 3: He he gonna be skiing t hen.

789
00:45:50,400 --> 00:45:56,880
Speaker 1: Listen to it her doing. We are doing you a favor.

790
00:45:57,520 --> 00:45:59,920
Speaker 1: People want to hear what we're playing and for you

791
00:46:00,160 --> 00:46:02,240
Speaker 1: to say it's yours, that's big bucks.

792
00:46:02,440 --> 00:46:04,440
Speaker 3: I mean, this is just like, this is not what

793
00:46:04,480 --> 00:46:05,280
Speaker 3: I had in mind.

794
00:46:06,440 --> 00:46:09,799
Speaker 1: Bye, Oh, thank you so much. Goodbye, and thank you

795
00:46:09,880 --> 00:46:11,120
Speaker 1: of course to Taylor Swift.

796
00:46:11,160 --> 00:46:20,520
Speaker 3: Okay, so I leave now, yeah you think, okay, ho